https://www.facebook.com/blameitoncain/

Join us as we dive deep into the journey of Wisconsin's powerhouse rock band, Blame It On Cain. In this episode, we sit down with Sam Bettcher to discuss the band's origin, their anthemic, guitar-driven sound, and their evolution over the years. From their national breakthrough with tracks like 'Yesterday's Happy Landing' and 'Miami Beach' to collaborating with Brian Vander Ark of The Verve Pipe, discover the impressive milestones of this rock band. Learn about their critically acclaimed albums and their latest EP, 'Doggie Bag,' which marks their bold return to hard rock. Get a sneak peek into their upcoming album, 'Legal Tender,' and hear about their experiences in the local music scene, songwriting process, and memorable live performances. Don't miss the chance to witness the revival of Wisconsin Rock with Blame It On Cain!

00:00 Introduction to the Podcast 00:13 Blame It on Cain: Band Overview 00:46 Band's Journey and Collaborations 01:43 Interview with Sam Bettcher 02:14 Formation and Early Days 03:31 Debut Album and Early Success 05:32 Evolution of Sound 10:13 New Releases and Future Plans 12:00 Recording Studio Promotion 13:17 Upcoming Album: Legal Tender 18:23 Wisconsin Rock Scene 19:11 Local Band Camaraderie 19:40 Challenges of Original Music 20:26 Adapting to the Digital Age 21:23 Live Performances and Setup 22:35 Memorable Tour Stories 26:07 Upcoming Album Release 27:28 Future Plans and Shows 30:17 Fan Engagement and Social Media 30:55 Rapid Fire Questions 32:33 Conclusion and Podcast Information

Join us on the Wisconsin Music Podcast as we dive into the heart of Wisconsin's vibrant music scene with our special guests, Ethan and Jayanne, co-founders of The Greenhouse. Nestled in rural Whitewater, Wisconsin, The Greenhouse has transformed a rustic barn into a dynamic hub for live music and arts. Learn about their journey of turning a dilapidated structure into a cornerstone of the community, hosting events like the Strange La Grange Music Festival and featuring both local talents and national touring acts. Discover the challenges they've overcome, the passion driving their mission, and their vision for the future of Wisconsin's music scene. An inspiring episode for anyone passionate about music and community-building!

00:00 Introduction to the Wisconsin Music Podcast 00:13 Meet Ethan and Jayanne: Founders of The Greenhouse 03:05 Transforming a Barn into a Music Venue 05:53 The Origin of The Greenhouse Name 07:15 Memorable Events and Performances 10:24 Balancing Local Talent and Touring Bands 14:12 Curating the Lineup for Strange La Grange 16:40 Booking Bigger Acts: Rickshaw Billy's Burger Patrol 18:12 Introduction to the Event and Visual Artists 19:54 Getting Involved in the Events 20:53 Future Plans for Strange Lag Grange 22:16 Hosting and Capacity Details 23:02 Advice for Aspiring Event Organizers 25:16 Quick Fire Questions 27:04 Final Thoughts and Contact Information 29:06 Podcast Closing Remarks

In this episode of the Wisconsin Music Podcast, Dr. Hannah Zdroik, a doctor of audiology and gold certified music audiologist, shares her expertise on hearing care for musicians. With her background as a musician and theater educator, Hannah emphasizes the importance of protecting one's hearing—considering ears as the most important instrument. Founder of Melody Audiology, LLC, and partner with Tuned Care and Music Cares, she provides both in-person and national telehealth services to help prevent hearing loss and manage music-induced hearing disorders such as tinnitus. Hannah also discusses practical hearing protection solutions and her passion for inclusivity in the performing arts. Tune in for valuable insights on maintaining long-term hearing health.

00:00 Introduction to the Wisconsin Music Podcast 00:12 Meet Dr. Hannah Zdroik: Audiologist for Musicians 01:48 Hannah's Journey into Audiology 02:44 The Importance of Protecting Your Ears 04:10 Common Hearing Challenges for Musicians 06:02 Sound Safety Scales and Hearing Protection 09:21 Advanced Hearing Protection Options 12:44 Managing Tinnitus and Hearing Loss 15:36 Partnership with Music Cares 17:39 Universal Fit Earplugs Recommendations 20:29 Misconceptions About Hearing Health 22:24 Hearing Aids and Music 24:35 Early Career Professional Award 27:31 Long-term Goals for Hearing Care Awareness 29:49 Hearing Health for Young Musicians 33:04 Quick Answers and Fun Facts 34:33 Conclusion and Final Thoughts 35:25 Outro and Podcast Information

MyNameisRapJ

In this episode of the Wisconsin Music Podcast, we sit down with Rap J, a 26-year-old Milwaukee native whose music exemplifies resilience and determination. Rap J has faced life's challenges with an unbreakable spirit, using music as his platform for expression. He has performed at prestigious venues such as the 2023 Whammy Awards and the 2024 GLR Conference and has a growing discography that includes two albums. We discuss the impact of his late mother Tracy, the support of his friends, and how he channels deep emotions into his lyrics. Rap J also shares insights into his creative process and offers advice for others facing obstacles. Tune in to hear his inspiring mindset and journey in the Wisconsin music scene.

00:00 Introduction to the Wisconsin Music Podcast 00:10 Meet Rap J: Overcoming Challenges Through Music 01:37 Rap J's Musical Journey and Inspirations 02:56 Creating Music: Beats, Lyrics, and Emotions 17:17 Rap J's Performances and Memorable Moments 19:46 Advice for Aspiring Musicians 22:45 Personal Reflections and Inspirations 29:13 Quick Fire Questions and Final Thoughts 32:56 Conclusion and Farewell

Join the Wisconsin Music Podcast as we explore the multifaceted creative world of Darrin Alston. Darrin's talents span music, stand-up comedy, podcasting, game design, and running his own company, Sorta Ridiculous Productions. He's also the energetic host of Milwaukee's favorite karaoke night at Drunken Cobra. In this episode, Darrin shares his experiences collaborating with top local music producer Mystik Musik, combining theatrical elements with his music, and producing unique live events like the Sort of Ridiculous Laughing Jam. Discover how Darrin blends his diverse passions into one seamless creative journey that redefines the Milwaukee scene. Don't miss this insightful conversation with an artist who is always authentically himself and constantly pushing creative boundaries.

00:00 Introduction to Darrin Alston Jr 01:00 Darrin's Musical Journey 02:02 Collaborations and Creative Process 05:23 Live Performances and Events 11:13 Comedy and Music Intertwined 19:34 Sort of Ridiculous Productions 23:43 Future Aspirations and Advice

www.tunehatch.com

Revolutionizing Live Music Booking with TuneHatch | Wisconsin Music Podcast

In this episode of the Wisconsin Music Podcast, host Zach Fell welcomes Weston, Nathan, and Crystal from TuneHatch, a groundbreaking platform that is reshaping the live music booking landscape. TuneHatch integrates predictive analytics to streamline the booking process, making it easier for independent artists to find opportunities and venues to curate successful shows. The team discusses the motivation behind TuneHatch, its unique value propositions, and the challenges they have faced and overcome. Learn how this all-in-one platform aims to support artists, promoters, and venues by providing a seamless user experience and valuable insights, ensuring the music industry thrives. Episode highlights include the platform's impact on reducing admin tasks for artists and venue owners, and the significant positive feedback received from users. Tune in for valuable insights and tips for indie musicians looking to elevate their careers.

00:00 Introduction to the Wisconsin Music Podcast 00:59 Meet the Team from TuneHatch 01:37 The Inspiration Behind TuneHatch 02:52 How TuneHatch Supports Independent Artists 03:46 Unique Features of TuneHatch 06:12 Challenges and Solutions in the Music Industry 13:02 Feedback and Success Stories 20:00 Future Plans and Vision for TuneHatch 26:07 Closing Remarks and Contact Information 26:54 Outro and Additional Information

Celebrating Milwaukee's Chick Singer Night: Holiday Edition with Alaria Taylor and Noelle In the Wisconsin Music Podcast Holiday Edition 2024, host Zach Failure welcomes Alaria Taylor, director of Milwaukee's Chick Singer Night, to discuss the release of the 'Chick Singer Night Christmas' album. This compilation features 11 artists and 14 holiday tracks performed by some of Milwaukee's top vocalists and musicians. Alaria reflects on her extensive music career and the growth of Chick Singer Night—a national nonprofit supporting female artists. The episode also features Noelle, one of the performers, who shares her experience recording for the album and performing with the organization. Additionally, insightful details about past and upcoming Chick Singer Night events, the logistics of organizing these showcases, and the fostering of community and mentorship among artists are discussed. New episodes of the podcast air every Tuesday, with past episodes on Fox Cities Indie Radio.

00:00 Welcome to the Holiday Edition

00:12 Introducing Alaria Taylor and Chick Singer Night

00:52 Chick Singer Night's Global Reach

01:24 Alaria Taylor's Musical Journey

02:23 The Chick Singer Night Experience

03:16 Meet the House Band

03:47 How Chick Singer Night Showcases Work

05:25 Noelle's Journey with Chick Singer Night

07:17 Creating the Chick Singer Night Christmas Album

13:48 How to Get Involved with Chick Singer Night

15:56 Upcoming Events and Final Thoughts

25:26 Closing Remarks and Thank You

In this episode of the Wisconsin Music Podcast, we feature Michael Rosa, the guitarist, vocalist, and band leader of The Now, a well-established cover band with over 20 years in the Wisconsin music scene. Michael shares his journey, the evolution of The Now, and his new podcast venture focusing on health, wellness, and music. Michael also provides valuable advice on managing a band, maintaining high performance standards, and navigating the live music scene post-COVID. He emphasizes the importance of recording and critiquing performances, leading by example, and maintaining open communication within the band. Tune in for insights on crafting a successful music career and the challenges and opportunities in today's music industry.

00:00 Introduction to Michael Rosa and The Now

02:17 Michael's Musical Journey

05:02 Managing and Leading a Band

07:25 Impact of COVID on Live Music

17:02 Advice for Aspiring Musicians

22:48 Michael's Podcast and Future Plans

28:38 Conclusion and Final Thoughts

Brian Dale Music website

In this episode, Brian also shares his inspiration behind his latest single, Blind Devotion, A  timely rework of his 2004 release,  with haunting melodies and bold lyricism, the track divide dives into themes and loyalty, manipulation and questioning one's devotion, reflecting on uncertainty and complexity of today's political and personal landscapes.

Blind Devotion Redux taps into the feelings of questioning everything around you.  Beyond his original works, Brian's musical range spans across genres from jazz to rock, pop, and funk. And he's collaborated with celebrated artists like Brian Lynch, Ambrosia, Street Life with Warren Wiegratz, Tracy Hanneman, and more.

For fans of jazz and blues, Brian's newly launched website at www.briandalemusic. com is a gateway to his full discography. Exclusive content and updates on his latest release. Remember new episodes drop every Tuesday and past episodes air on Fox cities, Indie radio on Thursdays at 6 PM and Sundays at 3 PM Wisconsin.

We are Amplifying Wisconsin music with Brian Dale today

In today’s episode of the Wisconsin Music Podcast, we get into the Halloween spirit with Nate Wycoff, a creative powerhouse who’s taken on a truly unique project: a comic book paired with an original soundtrack! Inspired by synth-driven horror movie soundscapes and classic comic books, Nate has crafted a horror-themed audio and visual experience that’s perfect for the Halloween season.

Imagine a world where every panel of a comic is infused with its own cinematic soundtrack—no movie screen required. Nate shares his journey of combining storytelling with music, explaining how a love for horror classics and synth sounds (think Christine and Halloween) led him to create a chilling tale of "The Soul Keeper." Part supernatural enforcer, part tragic anti-hero, the Soul Keeper navigates a gritty underworld in pursuit of mortal souls, accompanied by darkly atmospheric music to heighten the suspense.

Key takeaways from Nate's creative process:

1. The Intersection of Music and Storytelling: Nate’s project began with synth compositions inspired by ‘80s horror scores. The music eventually shaped a storyline, which evolved into the comic book. His creative journey flips the typical soundtrack concept, producing a "score" for a comic rather than a film.

2. Analog Inspirations with a Modern Twist: From synthesizers to retro horror movie vibes, Nate dove into the nostalgia of physical music production, blending both digital and analog techniques. His soundtrack is layered with ambient synths, haunting melodies, and even snippets of dialogue to make readers feel as if they're tuning into a lost horror radio broadcast.

3. Immersive Art and AI Collaboration: Nate took on every detail of the comic’s visuals, from character design to layout, even using AI to shape the art’s foundation before editing each panel himself. The result is a beautifully haunting visual journey that captures the gritty, raw spirit of classic horror.

Tune in now to hear the full conversation with Nate. As Halloween approaches, it's the perfect time to dive into this one-of-a-kind experience. 👻

https://www.instagram.com/vjd/

From Violent Femmes to Night Crickets In this episode of the Wisconsin Music Podcast, Zach Fell sits down with Victor DeLorenzo, the founding member of Violent Femmes, to discuss his artistic journey. Victor shares his transformation from an aspiring actor to a pivotal figure in music after being inspired by The Beatles' 'Hey Jude.' He elaborates on his unique drumming style, the origins of Violent Femmes, and his continued passion for music through projects like 1913 and Night Crickets. The discussion extends to the challenges faced by modern musicians in the digital age, the importance of local music support, and his solo album 'Tranceaphone.' Victor provides insights into his creative processes, reflections on his past work, and the future of music. This episode is a deep dive into the enduring artistry and innovation of Victor DeLorenzo.

00:00 Introduction to the Wisconsin Music Podcast

00:15 Meet Victor DeLorenzo: A Multifaceted Artist

01:47 Victor's Early Musical Influences

04:06 The Birth of a Drummer

08:03 Forming the Violent Femmes

16:24 Victor's Current Projects: 1913 and Night Crickets

20:35 A Lifelong Love for Recording

21:33 Early Inspirations and Career Beginnings

22:46 Advice for Aspiring Musicians

23:44 Reforming Violent Femmes

25:42 Creating Tranceaphone and Spoken Drum

27:59 Acting Career Highlights

29:49 Influences and Inspirations

33:54 The Digital Age of Music

36:01 Balancing Creative Pursuits

38:14 Final Thoughts and Reflections

38:57 Closing Remarks and Podcast Information

https://www.facebook.com/JimEannelli

In this episode of the Wisconsin Music Podcast features an interview with Milwaukee-based producer and multi-instrumentalist Jim Eannelli, discussing his transition from a longtime supportive role in various bands to releasing his first solo album, 'Just Desserts' on September 27, 2024. The album, a reflection of Eannelli's vast musical experience, includes songs ranging from rockabilly to Americana. He shares insights into his musical journey, influences, and the challenges of working in the Milwaukee music scene. Eannelli offers advice to up-and-coming musicians, emphasizing the importance of finding balance in the industry. The conversation also touches upon the importance of life skills for youth and includes discussions on the production process of his debut album. The episode encourages listeners to support local music talent in Wisconsin.

00:00 Introduction to the Wisconsin Music Podcast

00:12 Meet Jim Eannelli: Milwaukee's Music Legend

01:57 Jim's Early Musical Journey

04:54 Learning from the Best: Influences and Inspirations

06:58 The Polka Band Experience

13:29 The Reality of the Music Industry

16:25 Creating 'Just Desserts': The Journey of Jim's Solo Album

21:37 Discussing the New Album Tracks

21:55 The Story Behind '29 Women'

26:14 Reflecting on Personal Experiences

30:29 Introducing 'I Want to Be Your Man'

34:23 Collaborators on the Album

36:18 Recording and Studio Insights

37:40 Thoughts on Youth and Life Skills

40:48 The Importance of Human Connection

43:25 Advice to My Younger Self

46:24 Promoting the New Album

48:53 Conclusion and Final Thoughts

(608)-520-8477

Oforiaudio@gmail.com

www.lnk.bio/OforiAudio

Exploring the Creative Journey of OA Beats In this episode of the Wisconsin Music Podcast, host Zach Fell interviews David Ofori Anim, also known as OA Beats, a music producer from Madison. OA Beats discusses his early start in music, his influences, and the journey that led him to win the 2024 Big Beat MKE Tournament. He shares insights into his music production process, the importance of mixing, and his approach to creating beats. Additionally, OA Beats talks about his ambitions, future collaborations with his brother, and his goals for his music career. The episode highlights his passion for genre fusion and his plans to help other artists through his studio, OA Studios, in Madison.

The podcast encourages listeners to explore new episodes released every Tuesday and syndicated on Fox City's Indie Radio.

00:00 Introduction to OA Beats

01:30 Early Beginnings in Music

02:36 Insights on Music Production

05:10 Winning the Big Beat MKE Tournament

08:13 Ad for ZTF Studio

09:18 Genre Fusion and Inspirations

16:35 Collaborations and Future Projects

22:04 Advice for Aspiring Musicians

27:58 Business Side of Music

29:50 Conclusion and Contact Information

www.rogueelectrics.com https://www.facebook.com/therogueelectrics/ https://www.instagram.com/therogueelectrics/

Join host Zach Fell in this episode of the Wisconsin Music Podcast as he welcomes back Kyle Roghan of The Rogue Electrics. They talk about the band's latest live album 'Circuit Breakers,' their unique blend of alternative blues rock, and the meticulous process behind recording over 400 tracks to create the final album. Listen to insights on their musical influences, live performance dynamics, and how they've grown tighter as a band. Don't miss a special feature of their standout tracks 'Bridge Over Water' and 'Carry Your Weight.' Tune in for an engaging conversation about original music in the Wisconsin scene and what's next for The Rogue Electrics.

WMP Linktree: https://linktr.ee/WI_Music_Podcast 

meettheseavers@gmail.com

www.MeetTheSeavers.com

In this episode of the Wisconsin Music Podcast, hosted by Zach Fell, listeners are introduced to the eclectic sounds and dynamic journey of 'Meet the Seavers,' a band known for their unique mix of swing, odd time signatures, and musical theater. Zach interviews Jace Seavers, the upright bass player and vocalist, who shares his rich musical history, including playing bass for a gospel choir in Chicago and writing lyrics for Island Records. Jace and his wife Dorothy moved back to Manitowoc, Wisconsin after years in Nashville, where they hosted a musical variety TV show from 2014 to 2019. The episode dives into their experiences, challenges in the music industry, and their advice for aspiring musicians.

The Wisconsin Music Podcast is available every Tuesday, with past episodes aired on Fox Cities Indie Radio every Thursday at 6 pm and Sunday at 3 pm.

In this episode of the Wisconsin Music Podcast, host Zach Fell interviews seasoned musician Michael Kessler, discussing his journey from learning guitar at age 11 to creating his solo album 'Gravel Road' in 2023. They delve into Michael's experiences with his band American Folk, his family's Kessler Clock Company, and his collaboration with past guest, renowned producer Gary Tannin! Michael shares insights on his musical influences, the recording process, and his vision for the future of acoustic music. The episode also highlights Michael's live performances and upcoming plans with his newly named band, Blue Moon Posse.

00:00 Introduction to the Wisconsin Music Podcast 00:22 Meet Michael Kessler: A Musical Journey 00:36 The Formation and Evolution of American Folk 00:50 Balancing Music and Family Business 01:01 The Making of Gravel Road 02:14 Michael's Musical Influences and Inspirations 04:05 Recording Challenges and Triumphs 11:47 Live Performances and Future Plans 20:18 Clock Repair and Musical Parallels 37:28 Final Thoughts and Advice 39:15 Where to Find Michael Kessler's Music 42:10 Conclusion and Farewell

www.bobcatmusic.li https://youtube.com/c/BobcatMusicOneManBand www.facebook.com/bobcatonemanband www.instagram.com/bobcatonemanband https://open.spotify.com/artist/6fzT9Np4KUYO1svB7MucSt https://bobcat522.bandcamp.com/

In this episode of the Wisconsin Music Podcast, host Zach Fell interviews Bobcat, a unique one-man band captivating audiences across the U.S. Known for his electrifying mix of rockabilly, punk rock, garage rock, and comedic elements, Bobcat shares his musical journey from his first instrument, the mandolin, at age four, to his current two-year tour. He discusses the influence of bands like the Beatles and the importance of engaging with both 'normies' and music lovers. The episode also delves into Bobcat's touring strategy, his experiences in Wisconsin venues, and his networking approach of trading merchandise with fellow artists. Bobcat's advice for touring musicians and his dedication to promoting quality music and bands are also highlighted.

www.rubyjamesmusic.com

Instagram: https://www.instagram.com/rubyjamesofficial/ Facebook: https://www.facebook.com/rubyjamesofficial

Hey there, music lovers! Get ready for an electrifying episode of the Wisconsin Music Podcast, hosted by Zach Felt. This week, we have an absolute treat for you. We’re joined by none other than Ruby James, the rock and roll sweetheart of Door County. Ruby's not just any musician—she's a born entertainer whose performances are packed with electric energy.

From her early days in the band Wifee and the Huzz Band to taking the stage with her new band.  Ruby's career is nothing short of spectacular. Her music is a dynamic mix of poetic, heartfelt melodies and boot-stomping rock and roll. She’s collaborated with legends like Will and Charlie Sexton, Renee Reyes, Kate Vargas, and Eric McFadden. Ruby is also part of the supergroup Sheila, alongside James Hall.

In this episode, Ruby shares the fascinating story of her musical journey. Starting from her childhood in Los Angeles, where she was gifted a baby grand piano at the age of five, to her college days in Boston where she conquered her fear of performing in front of large audiences. Ruby talks about her early influences, from Stevie Nicks to Bonnie Raitt, and how they shaped her music career.

Ruby dives into her transition from the band wifey and the husband to her solo career, and how she’s navigated the music industry. She opens up about the challenges and triumphs she's faced, including the impact of the 2008 music industry crash and her incredible experience touring and performing at iconic venues.

Post-pandemic, Ruby is committed to rebuilding her solo career, recording new music, and reconnecting with her fans. She’s also working on releasing her previously recorded album, "Voodoo Queen," and new tracks recorded with top-notch musicians in Austin, Texas. Ruby's journey is a testament to her resilience and passion for music.

As Ruby reflects on her past and plans for the future, she also gives a shout-out to fellow Wisconsin artists and shares some of her current musical inspirations. Whether you're a longtime fan or new to her music, this episode is packed with insights, stories, and the rock and roll spirit that defines Ruby James.

Don't miss this chance to get up close and personal with Ruby James. Tune in and rock on with the Wisconsin Music Podcast!

For more updates on Ruby's music and upcoming shows, visit her website at rubyjamesmusic.com.

Until next time, keep supporting local music and stay tuned for more amazing episodes!

Hey there, music lovers! Welcome back to another exciting episode of the Wisconsin Music Podcast. This week, we're diving deep into the vibrant rock scene with none other than Abaddon's End. This band is a powerhouse of talent and passion, featuring Kyle and Steve, who kickstarted the journey six years ago, and later welcomed Adam (aka Bach) on vocals, Tim on guitar, and most recently, Cole on keys.

These guys are on fire! Since their revamped lineup in December 2022, they've penned 15 songs in just seven months and hit the stage with a full set list after only four months of rehearsals. Their sound is a unique blend of diverse influences, aiming to create music that resonates deeply with their audience. And guess what? They scooped up not one, but two Whammy Awards this year for Best Song of the Year and Best Rock Song of the Year. Impressive, right?

In this episode, we get personal with the band members as they share their individual journeys into music. Tim, the guitar player, grew up immersed in bluegrass, while Kyle's musical roots run deep with a family band from the age of six. Cole, the keys player, discovered his passion through piano lessons and a love for Guitar Hero. Bach, the vocalist, has been singing since he could talk, with a rich history in choir and collaborations with notable artists. Together, they form an unstoppable force in the local music scene.

We also delve into their creative process. From writing songs at lightning speed to rehearsing rigorously before recording sessions, Abaddon's End is all about authenticity. They record without backing tracks, ensuring that what you hear live is what you get on their records. Their dedication to their craft and their fans is truly inspiring.

Abaddon's End isn't just about making music; they're about creating connections. They value their fans immensely, treating them like family and ensuring everyone feels a part of their journey. Their live performances are high-energy, unforgettable experiences that leave you wanting more.

So, tune in to hear their story, their triumphs, and their heartfelt gratitude towards their supporters. And don't forget to check out their upcoming EP, set to drop around August or September. Stay tuned for more amazing music from Abaddon's End, and keep supporting local talent!

Thanks for joining us on this musical adventure. We hope you enjoy getting to know Abaddon's End as much as we did. Keep rocking, Wisconsin!

WEBSITE

www.bigjoekennedy.com

SOCIAL LINKS

https://www.facebook.com/bigjoekennedy

https://instagram.com/bigjoekennedy

https://www.youtube.com/user/bigjoekennedy

https://www.tiktok.com/@bigjoekennedy

Hey there, music lovers! Welcome back to another episode of the Wisconsin Music Podcast. I'm your host, Zach Fell, and today we're diving deep into the vibrant music scene of Wisconsin and beyond. Our special guest for this episode is the incredibly talented Joe Kennedy, a keyboard player, educator, and all-around cool guy from Racine, Wisconsin.

Joe’s journey is nothing short of inspiring. He kick-started his musical adventure at the tender age of eight and has never looked back since. From his early days in Wisconsin, attending open jam sessions and soaking up invaluable lessons from local musicians, to earning his bachelor's degree from UW Parkside and a master's in performance from Las Vegas, Joe’s story is a testament to passion and perseverance.

Now based in New Orleans, Joe has been making waves for the past 15 years, playing everything from New Orleans traditional jazz to R&B. We chat about the stark differences and surprising similarities between the music scenes in southeastern Wisconsin and New Orleans. It’s fascinating to hear how Joe navigated these diverse musical landscapes and found his niche.

Beyond performing, Joe is also deeply committed to education. He hosts a monthly jam session for young musicians, providing a platform for beginners to play alongside seasoned professionals. He’s even written a book, "Spread the Jam," aimed at helping young musicians understand the ins and outs of jam sessions, complete with audio examples and practical advice.

Joe’s dedication to nurturing the next generation of musicians is truly commendable. He shares his experiences and insights with a warmth and generosity that’s sure to inspire both aspiring musicians and seasoned pros alike. From heartwarming stories of mentorship to practical tips on navigating the music industry, this episode is packed with valuable takeaways.

So, grab a cup of coffee, sit back, and join us as we celebrate the incredible journey of Joe Kennedy on the Wisconsin Music Podcast. Whether you’re a musician, an educator, or just a fan of good music, this episode has something for everyone. Let’s get jammin’!

For more details on Joe's book and how to access it, especially if you're a band director, head over to his website, bigjoekennedy.com. And if you’re enjoying our episodes, please consider supporting the Wisconsin Music Podcast through donations, likes, and reviews. Every bit helps in amplifying the amazing music coming out of Wisconsin. Thanks for tuning in, and we’ll see you next week!

• • Program Coordinator: Arts @ Large
  • Drummer: Dak Dubois, The Hatchets, For hire work
  • Bassist: Royal Mill
  • Solo Performer: Mark J. Soriano
  • Live Sound Engineer
• Social media and music links:
  • Doin Ok: Newest Single

Exploring the Musical Journey of Mark Soriano on the Wisconsin Music Podcast In this episode of the Wisconsin Music Podcast, the host welcomes Mark Soriano, a dynamic musician from Milwaukee, to discuss his extensive contributions to the local music scene and his role as a program coordinator at Arts at Large. Mark shares his origin story in music, beginning with mandatory piano lessons in childhood influenced by his parents' unfulfilled musical aspirations. He discusses his progression through various bands like Fellow Kingsmen, The Oxleys, and Drop Bear Collective, and his passion for teaching music. Mark reveals how he learned essential industry skills like getting songs on the radio and running live sound, often through trial and error and mentorship. He also talks about his personal musical projects, including his latest single 'Doing Okay,' demystifying the music creation process. The episode also delves into Arts at Large's mission to make art accessible to all, through initiatives like community jam sessions and educational programs in schools. The conversation underscores the importance of communication, community involvement, and continuous learning in achieving success in the music industry.

00:00 Introduction to the Wisconsin Music Podcast

00:16 Meet Mark Soriano: Milwaukee's Musical Talent

01:05 Mark's Musical Beginnings

02:43 Joining Bands and Musical Journey

04:38 Getting Music on the Radio

07:12 Live Sound Engineering: A Happy Accident

10:15 Arts at Large: Making Arts Accessible for All

17:40 Empowering the Next Generation of Musicians

18:33 Collaborative Teaching in Recording Arts

19:51 Expanding Arts Accessibility

21:13 Personal Music Journey and Songwriting

22:13 Creating Music with Limited Resources 28:51 The Importance of Community and Collaboration

33:19 Social Media and Final Thoughts

34:36 Conclusion and Podcast Information

philtittlemusic.com

Hello, and welcome back to the Wisconsin Music Podcast! 🎶 Today, we've got an incredible episode lined up for you. I'm your host, Zach Fell, and we're thrilled to have a very special guest whose music journey has taken him from the rural landscapes of Georgia all the way to the shores of Lake Michigan. Please join me in welcoming Phil Tittle, a remarkable singer-songwriter whose roots are as deep and expansive as the genres that have influenced him.

After a distinguished 20-year career in the U.S. Air Force, Phil has transformed his world experience into a musical expression that transcends borders and connects deeply with listeners. Following his military service, Phil channeled his passion into teaching, founding a music school, and helping veterans cope through the incredible Guitars for Vets program. His commitment to music and community is unmistakable, reflected in every chord he plays and every lyric he writes.

Join us as Phil shares how his parents' love for music, especially Neil Diamond, CCR, and Elvis, influenced his early years. Discover how carrying a guitar on his military deployments became a source of comfort and companionship, leading to his passion for songwriting. Phil also opens up about his post-military journey, including using his GI Bill to study at Berklee College of Music and opening a music school.

In this episode, Phil talks about his experiences working with a producer in Nashville, his involvement with Guitars for Vets, and the joys and challenges of performing live. We also dive into his creative process, the importance of music theory, and how he's continually evolving as an artist. Whether you're a budding musician or a seasoned performer, Phil's journey is sure to inspire.

Don't miss out on this intimate conversation where Phil shares his wisdom, experiences, and the lessons he's learned along the way. Make sure to follow Phil on social media, check out his latest tracks, and welcome him to the Wisconsin Music Podcast family.

For those of you who are new to our show, the Wisconsin Music Podcast is dedicated to showcasing the incredible talent of Wisconsin-based musicians and the thriving local music community. Our episodes drop every Tuesday on all streaming platforms and YouTube. Additionally, you can catch our episodes on Fox Cities Indie Radio every Thursday at 6 p.m. and Sunday at 3 p.m.

Make sure to follow Phil on his journey by visiting his website at philtittlemusic.com, where you'll find links to his social media pages on Facebook, Instagram, and YouTube. Let's show him some love and support!

Thanks for tuning in, and we'll see you next week with another fantastic episode on the Wisconsin Music Podcast. If you'd like to be on the show, just head over to wisconsinmusicpodcast.com and fill out the guest request form. If you're enjoying these episodes, please consider donating to the Wisconsin Music Podcast to help us continue bringing you great content.

Until next time, keep rocking, Wisconsin! 🎸

Hey there, music lovers! Welcome back to another episode of the Wisconsin Music Podcast. I'm Zach Fell, your host, and today we have an incredible guest with us—Jake Williams. Jake is a self-taught full-time musician who has been a cornerstone of Milwaukee's vibrant music community. With a repertoire of off-the-wall cover interpretations centered around his genuine piano and vocal performances, Jake redefines what it means to be a cover musician.

Jake's schedule is packed with over 200 shows a year and boasts 11 local award nominations, making him a true force in the Wisconsin music industry. Beyond his solo work, Jake is also a part of two exciting projects. Sons of Sconnie (formerly The Toys) delivers high-energy, crowd-pleasing performances across Wisconsin, while The Midnight Purchase offers an alternative folk-rock experience with powerful lyricism and intimate shows.

Join us as we dive deep into Jake Williams' musical journey. From his humble beginnings, playing the piano at Menards to becoming a full-time musician, Jake shares his story, his insights into the Wisconsin music scene, and the lessons he's learned along the way. Trust me, you won't want to miss this intimate and inspiring conversation.

So, grab a comfy seat, maybe a cup of coffee or a cold brew, and get ready to be inspired by the sounds and stories from our great state. Welcome to the Wisconsin Music Podcast, where we amplify Wisconsin music.

Jake takes us through his journey from a young introvert, fascinated by his grandma's piano, to becoming a versatile musician playing over 200 gigs a year. He shares candid stories about his first job playing piano at Menards, his college days in Green Bay, and the various musical projects he's been involved in over the years.

We also delve into the dynamics of his current projects, Sons of Sconnie and The Midnight Purchase. Jake gives us the inside scoop on why The Toys changed their name and how the band navigated through this transition. Plus, he talks about the new music The Midnight Purchase is working on and what fans can expect in the near future.

Jake offers valuable advice for aspiring musicians, emphasizing the importance of self-awareness and knowing your place within the music scene. He also shares his thoughts on the current state of the Wisconsin music scene and the challenges it faces.

Whether you're a musician yourself or just a fan of great music, this episode is packed with insights, stories, and inspiration. Tune in to hear more about Jake's journey, his passion for music, and his vision for the future of Wisconsin's music scene.

Don't forget to check out Jake's solo performances and his shows with Sons of Sconnie and The Midnight Purchase. You can keep up with his latest gigs by following his social media pages or visiting his website.

Thank you for tuning in to the Wisconsin Music Podcast. We appreciate your support and love for local music. If you enjoyed this episode, please consider leaving a review and sharing it with your friends. Until next time, keep supporting local music and stay tuned for more amazing stories from Wisconsin's music scene.

Catch you later, music aficionados!

https://linktr.ee/frank.gappa

Hey everyone, it's Zach Fell here for the Wisconsin Music Podcast. This week, we've got a treat for you! I had an amazing chat with Frank Gappa, the indie rocker who's been shaking up the Milwaukee music scene with his unique sound and dynamic performances.

Originally from Wisconsin, Frank's journey took him all the way to the hustle and bustle of New York City and back home again during the pandemic. Now, he's formed an incredible trio with local drummer Brad O'Malley and a bassist, making waves right here in the Badger State.

In this episode, we dive deep into the stories behind his latest album, Let Me Show You My Jeans Jacket, recorded at Silver City Studios. You'll also get a sneak peek of his music video for the single Not A Good Look. Frank opens up about how his music resonates with personal experiences and creates captivating live shows for his audience.

If you're new to the Wisconsin Music Podcast, welcome! We drop new episodes every Tuesday. You can also catch past episodes on Fox City's Indie Radio every Thursday at 6 p.m. and Sunday at 3 p.m. Join us as we amplify Wisconsin's music together!

Frank Gappa, with a G, G-A-P-P-A, not to be confused with Zappa, brings a fresh and unique perspective to the indie rock scene. His latest album, Let Me Show You My Jeans Jacket, is a testament to his artistry and storytelling prowess. In this episode, we delve into Frank's journey, his music, and what's next for this rising star.

Frank shares his musical journey from picking up a guitar at age 12, to playing high school talent shows, forming bands in college, and eventually moving to New York City. He talks about the challenges and triumphs of his journey, including the formation of his current band and the impact of the pandemic on his music career.

Frank discusses the inspiration behind his album, how he approaches songwriting, and the collaborative process with his bandmates. He also shares his love for live performances, the energy he brings to the stage, and the special moments that make performing so meaningful for him.

Frank emphasizes the importance of supporting indie rock and the hard work that goes into being an independent artist. Every bit of support, whether it's buying a record, streaming a song, or attending a live show, makes a big difference.

Keep up with Frank Gappa on social media: Facebook, Instagram, Spotify, iTunes, Apple Music, and Bandcamp. 

Thanks for tuning in to the Wisconsin Music Podcast. Be sure to join us next week for another fantastic episode! If you enjoy the show, please consider donating to help us continue amplifying the great sounds coming out of Wisconsin.

Stay musical, Wisconsin!

Facebook

YouTube

Hey, everyone! Welcome back to another episode of the Wisconsin Music Podcast, where we're all about amplifying the incredible sounds coming out of Wisconsin. I'm your host, Zach Fell. Don't forget, we drop new episodes every Tuesday on all streaming platforms, and you can catch our video interviews on YouTube. Plus, you can listen to past episodes on Fox City's Indie Radio every Thursday at 6 PM and Sundays at 3 PM.

This week, I’m beyond excited to introduce you to Roger Lee, a solo musician from the small town of Winter, Wisconsin. With a population of just about 325 people, Roger's musical journey took an unexpected turn after a stage four cancer diagnosis. During his chemotherapy treatments, he found solace in a guitar he had owned for years but never had the time to master. Now in remission, Roger brings his unique blend of music to a variety of venues, performing classics from Waylon Jennings, Willie Nelson, Gordon Lightfoot, The Band, and Ray LaMontagne, alongside his own original music.

Despite never imagining he'd play in public, Roger's musical journey has been like a snowball rolling downhill, gathering momentum and humbling him every step of the way. His original songs, deeply rooted in 70s and 80s country, are gaining acclaim and becoming a significant part of his performances.

Join me as we dive into Roger Lee's inspiring story, from his battle with cancer to his growing presence in the Wisconsin music scene. You can connect with Roger on his Facebook page and check out his performances on his YouTube channel.

For those of you who are new to our show, the Wisconsin Music Podcast is dedicated to showcasing the incredible talent of Wisconsin-based musicians and the thriving local music community. Make sure to follow us on Facebook, X, and Instagram to keep up with our latest episodes and musical endeavors.

If you enjoyed Roger’s story and want to hear more inspiring musical journeys, tune in every Tuesday for new episodes. And remember, you can support the podcast by donating through our website to help us continue bringing you these amazing stories. Have a fantastic week, and we'll see you next time!

Spotify

Facebook

Instagram

Press Kit

Hey everyone! Zach here, bringing you another exciting Tuesday dive into the heart of Wisconsin's music scene. This week, we're thrilled to have the electrifying band ELSE joining us!

ELSE, formed in 2013, is renowned for their dynamic blend of hard rock and progressive sounds, drawing influences from old school metal, industrial 90s styles, and modern post-rock and ambient music. Their tightly knit guitars, industrial effects, churning bass, heavy drums, and searing vocals create a sound that's both powerful and unique.

After wrapping up their experimental acoustic album, "Here's Waiting," in late 2021, ELSE returned to their roots to work on "Seven So Few," a project infused with nautical and religious themes. Guitarist and songwriter Kent Herberling brought new layers to the band's music, inspired by his time with Milwaukee shanty-grass band Pay the Devil.

ELSE has released three full-length albums and a three-song EP, with plans to release several more EPs in the coming years. The band's core members, John Backus, Kent Herberling, and Shane Mattox, have been friends since high school and reunited after college to create music together. Joining them are Nathan Paul on guitar and Michael Sinshak on drums.  Jon Backus, on Bass and Vocals, was unable to participate.

Today, we're diving into their journey, latest projects, and what's next for them. You can find out more about ELSE on Spotify, Facebook, and Instagram, and explore their entire discography and press kit online.

So grab your favorite drink, get comfortable, and let's dive into this week's episode on the Wisconsin Music Podcast with ELSE!

In this episode, Shane and Kent share their music origin story, starting from middle school orchestra to their current band setup. They discuss the growing pains, the audition process, and how they finally found their perfect lineup. The band also talks about their DIY recording process and how they managed to create their latest album, "Seven So Few," during the challenging times of COVID-19.

You'll hear about the band's influences, the themes behind their music, and their plans for future projects. The conversation also touches on the work-life balance of the band members, their motivation for writing, and the joy of creating music together.

Don't miss out on this intimate and engaging conversation with ELSE. Tune in to the Wisconsin Music Podcast on your favorite streaming platform, or catch our video interviews on YouTube. And remember, you can also listen to past episodes on Fox City's Indie Radio every Thursday at 6 p.m. and Sunday at 3 p.m.

Thanks for joining us, and we'll see you next week with another fantastic episode on the Wisconsin Music Podcast!

If you'd like to be on the show, visit wisconsinmusicpodcast.com and fill out the guest request form. And if you're enjoying these episodes, please consider donating to the Wisconsin Music Podcast to help support our efforts. Donations are secured through PayPal and Stripe.

Follow us on Instagram and Facebook, leave some comments, and don't forget to review us on your podcast player. Your support means the world to us!

Until next time, keep rocking, Wisconsin!

Hey there, and welcome to the Wisconsin Music Podcast! I'm your host, Zach Fell, and every Tuesday we dive into the heart of Wisconsin's music scene. We bring you stories and interviews with musicians, organizations, and businesses making waves right here in our backyard. You can catch all of our episodes on your favorite streaming platforms, and don't miss our video interviews on YouTube. Also, tune in to Fox City's Indie Radio every Thursday at 6 p.m. and Sunday at 3 p.m. to catch our latest episodes.

This week, we have a special guest joining us, Hans Christian from Alamed Music in Sturgeon Bay. Hans recently got a Grammy nomination for his beautiful album Ocean Dreaming Ocean in the New Age Ambient Chant category. Hans' story is truly inspiring. He started out as a young cellist in Germany, moved to Hollywood to chase his dreams, and ended up working with big names like Robbie Robertson, Billy Idol, and members of the Red Hot Chili Peppers. He has also collaborated with greats like John Waite and Sparks. Over the years, he's developed a unique sound that really speaks to the soul.

Hans also runs Studio 330, his production facility in the heart of Door County, Wisconsin. There, he not only produces and composes his own music, but also mixes and masters projects for artists from North America and Europe.

By the way, our podcast website is going through some exciting design changes. If you're part of the Wisconsin music scene, whether you're a musician, an organization, or a business, head over to our website and fill out the guest request form. We'd love to feature you on a future episode.

So, grab your favorite drink, get comfortable, and let's dive into this week's episode of the Wisconsin Music Podcast. Hans shares his journey from Germany to Hollywood, the challenges and triumphs along the way, and his current work in Wisconsin. It's a story filled with passion, creativity, and a deep love for music. Enjoy!

Thanks again for tuning in to another episode of the Wisconsin Music Podcast. Once again, I'm Zach Fell, your host and creator of the Wisconsin Music Podcast, where I love to amplify the great sounds coming out of the Wisconsin state. We have great talent here, great support, and great listeners. Thanks to Fox Cities Indie Radio for syndicating this on Thursdays and Sundays along with their other great programming. So make sure you check out Fox Cities Indie Radio.

If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast. Donations help pay for the website and putting the podcast up on streaming services, and also getting our name out there to all Wisconsinites and others that are interested in our great music here in Wisconsin. Donations are secure through PayPal and Stripe. All you have to do is go to the website and click on "Donate to WMP". You can also head over to our Instagram and Facebook pages and like us there, leave some comments, and check out the podcast review section of your podcast player to leave a five-star review. It would be great!

Have a great week, everybody, and we'll see you next time!

Welcome back to another episode of the Wisconsin Music Podcast, where we bring you the vibrant sounds and stories of Wisconsin-based musicians. I'm your host, Zach Fell, and today we're diving deep into the inspiring journey of CP Chris Pepas, a versatile vocalist and conga player performing around the greater Milwaukee area.

Chris is not your typical musician; he started his music career at the age of 58, proving that it's never too late to chase your dreams. Known for his performances with various trios that focus on jazz standards, classic rock, and blues, Chris has also delved into songwriting and recording projects.

In this episode, Chris shares his incredible story, from overcoming health challenges to becoming a beloved figure in Milwaukee's music scene. He talks about his collaborations with Joe Toronto, a Milwaukee native and multi-instrumentalist with an illustrious career. Joe has worked with legends like Ricky Lee Jones, Michael Bolton, Tina Turner, and Aretha Franklin, and was the music director for Grammy-winning jazz legend Al Jarreau.

Chris and Joe co-wrote a new song, with Joe composing the music and Chris contributing the main lyrics. The recording process was a collaborative effort with sound engineer Gary Tannen, another past guest on our show. Chris describes the joy of seeing his lyrics come to life with Joe's musical genius and the emotional connection he feels when performing live.

For those new to our show, the Wisconsin Music Podcast is dedicated to showcasing the incredible talent of Wisconsin's music community. Our episodes drop every Tuesday on all streaming platforms and YouTube. You can also catch our episodes on Fox City's Indie Radio every Thursday at 6 p.m. and Sunday at 3 p.m.

Don't forget to follow Chris Peppas on Facebook, X, and Instagram to stay updated on his musical journey. Now, without further ado, let's get right into our conversation with Chris Peppas. Trust me, you don't want to miss this heartfelt and inspiring story.

Enjoy the episode and see you next week with another fantastic guest on the Wisconsin Music Podcast!

Welcome to a captivating new episode of the Wisconsin Music Podcast with your host, Zach Felt. In this episode, we are treated to an exclusive discussion with indie artist Carmen Nickerson whose music crafts soul-stirring melodies and insightful lyrics. Carmen's debut solo studio album, 'Room to Grow', a collaboration with esteemed musician Willie Porter, is a musical masterpiece that stirs deep feelings and ignites the imagination.

Coming from rural Iowa, Carmen's music is a savory blend of various genres, leaving an enduring impact on her audience. 'Room to Grow' represents her artistic flowering, encapsulating genuine stories from her farm life upbringing and her vision for unity in her piece 'Ascension'. Delve into Carmen's captivating background, from early piano lessons to choir performances throughout her schooling and her breakthrough into songwriting in LA.

In this engrossing narrative, Carmen covers the exhilarating roller coaster of her musical career, starting from her duo album, 'Bonfire to Ash', to exhilarating national tours, and the recording of her latest album. She sheds light on the vital role of networking in the industry, her prolific collaborations, and the varied genres she's explored. Carmen stresses the importance of supporting musicians, encouraging listeners to purchase CDs and contribute to crowdfunding initiatives.

Have an insider's perspective of Wisconsin's music scene through Carmen Nickerson. Proving that talent, dedication, and passion can ignite a luminous musical career, Carmen's story is an inspiring tale for all. Learn more about her work and her views on the ever-changing music industry in this insightful episode of the Wisconsin Music Podcast.

But the real highlight? The transformation of the finished basement into the brand-new ZTF Studios, a hub for all future podcast recordings and musical creations. Relive the nostalgia as we hear about the early days of ZTF Studios, built with love and craftsmanship by our host and his father.

Stay tuned for a sneak peek into what's in store for Season 5, including a shoutout to the wonderful listeners, past guests, and collaborative podcasts that have been part of this incredible journey. Get ready to meet our first guest of the season, Cameron Nickerson, and dive into the rich musical landscape of Wisconsin.

Don't miss this heartfelt thank you episode that sets the stage for an amazing season ahead. Tune in next week and be part of the story!

http://facebook.com/elmerandtheceramictrees https://www.youtube.com/channel/UCwcLKmkvxCUtUAD712Nej9Q

http://elmerandtheceramictrees.bandcamp.com/

Conceived in the summer of 2012 by Janesville, Wisconsin singer-songwriter Robbie Haas, Elmer and the Ceramic Trees blend the lush melodies of bands like The Beatles and Big Star with the doom-and-gloom pop of The Cure and Echo and The Bunny Men, the driving rhythms of New Order, and the big choruses of classic Bowie to form a style of indie pop that is at once harrowing and gorgeous.

In this gripping episode of the Wisconsin Music Podcast, host Zach Fell engages in an engrossing conversation with Robbie Haas, the lead vocalist of the local band Elmer and the Ceramic Trees. Esteemed for its innovative take on timeless classics, the band is celebrated for its unique melodies and rhythms that harmonize perfectly with Wisconsin's vibrant music scene.

Haas lifts the curtain on his musical voyage, providing a glimpse into his transformative creative process, the evolution of his musical taste, and the birth of Elmer and the Ceramic Trees. He discusses his meticulous approach to album construction, the struggle to establish a distinct identity in Wisconsin's rich music landscape, and the triumph of finally creating an inimitable sound.

Explore the intricacies involved in bringing music to life as Haas shares insights into the intersection between his personal life and professional commitments in the challenging realm of music. Also, learn about the influences of technology on his modern music production and his innovative approach to curating immersive experiences for the audience.

In this episode, Haas uncovers his journey of embracing his unique musical style, his struggle with imposter syndrome, and involvement in local farmer's markets. Additionally, he glances over his anticipation for the 2024 Big Beat MKE Beat Battle Tournament. Among the highlights of this conversation is his detailed exploration of the band’s newest album, 'We Were Beautiful in August', which perfectly encapsulates the vibe of sprawling summer and melancholic autumn.

Robbie also opens up about his journey from being a novice at open mic sessions to being a seasoned professional, how a live performance by The Cure reignited his passion, and how he continues to nurture his penchant for creating and promoting new music. Discover Robbie's insightful thoughts on the future of his music career and the growth of his band in an industry studded with challenges.

On the latest episode of the Wisconsin Music Podcast, we take you on an immersive journey into the world of Milwaukee's rock sensation - The Rezzonators. Known for their unique mix of catchy riffs and groove-laden soundscapes, this rock and roll powerhouse shares an insider's view of their musical journey. From their humble beginnings playing cover gigs to releasing a double album recognized the world over, The Rezzonators narrate their climb to nearly 100,000 Spotify streams.

Dive deep into the stories behind their top tracks like "Everyday", "Panic Button", and "Highway Nights". Explore how they navigated the challenges of the pandemic, slowly regaining their live audience. Experience their tenacity and passion, as narrated by host Zach Fell in his conversation with band members Robert and Barry.

Gain insights into The Rezzonators' songwriting process and inspirations. Understand the stories behind fan-favorite songs such as "The Edge" and "Dream River". Learn how their unique approach to songwriting generates music inspired more by fictional tales than everyday experiences.

Join us in this deep dive into the life and times of The Rezzonators. Learn about their work-life balance, their memorable concert experiences, and how they've gone from local cover band to releasing their own albums. Get the inside scoop on their future plans, where to find their music online, and a sneak peek into their personal dreams for the band's future.

Do not miss this opportunity to delve into the captivating journey of The Rezzonators - a band whose passion for music clearly resonates with their ever-growing audience.

Discover Wisconsin's flourishing local music scene in this riveting episode of the Wisconsin Music Podcast, featuring guest Rob Marnocha. As the creative force behind 'Into the Music', Rob masterfully amplifies the unique voices of artists hailing mostly from Northern part of Wisconsin. Get an insight into his varied journey, from the great interviews that he creates and hosts.

'Into the Music' is not just a podcast but a platform where the unsung heroes of Northeast Wisconsin come to shine. It's a convergence of personal experiences, grueling struggles, performance insights, and interview discussions. We delve into Rob's experiences and future plans for his engaging podcast, spotlighting independent artists from Green Bay to Oshkosh.

In our conversation, we underline the vital role community support and live performances play in the growth and evolution of the original music scene in Wisconsin. We focus on the vitality of music podcasts and radio stations, notably Max Inc. Radio, Fox City's Core, and WAPL Homebrewed in nurturing local talent and keeping Wisconsin's music scene vibrant and pulsating.

Switching towards a broader canvas, we talk about the impact of worldwide podcast streaming in giving local Wisconsin artists much-warranted international recognition. The episode highlights the meticulous process of producing a podcast, from setting up intriguing interviews to ensuring engaging outputs. It wraps up with a shared mission of boosting Wisconsin's music and fostering a tight-knit network between content creators and musicians.

Stay engaged until the end as we delve into the personal influences shaping Wisconsin's music landscape and a special tribute to the 'surf' genre. Don't miss out on the next 'Into The Music' episode where our roles are reversed, and I become the interviewee. Join us in this enriching journey and show your support for Wisconsin music!

Join us on this episode as we delve deep into the musical journey of MD McNally, tracing his evolution from the soft, psychedelic ballads of 'The Marvelous' to the dynamic fusion of folk and blues in his latest EP, 'Crimes'. Discover the creative process behind his captivating sound, the influence of his heartland roots, and the confidence he brings to his songwriting. Tune in for an insightful exploration of an artist finding his voice and pushing musical boundaries.

Welcome to a stirring episode of the Wisconsin Music Podcast featuring the distinct sounds of Kenosha-based band, Nuke Plant Chickens. Born in the midst of the COVID-19 lockdown, these young music enthusiasts have grown into a seasoned band with a powerful synthesis of various music genres, offering a unique, homegrown energy with every performance.

The diverse group shares their exceptional journey, discussing their music inspirations, from King Gizzard and his Lizard Wizards to Black Sabbath. They reveal their band philosophy, revolving around enjoyment rather than strict professionalism, and the exploration of a wide variety music genres.

They delve into the challenges and triumphs of forging a path in the bustling music scenes of Chicago and Milwaukee. Get a peek into the band’s DIY recording process: a journey centered on raw, authentic music creation and problem-solving equipment issues, song selection, and balancing gig schedules.

Nukeplant Chickens not only discuss the release of their four finished singles, but also offer a glimpse into the stories imbedded in their music. They candidly share their experiences of attending influential performances and their appreciation of their supportive community. Above all, they light the beacon on their ambitious future plans.

We invite fans, fellow musicians, or those simply curious about the eclectic music scene to immerse themselves in this compelling episode. Join us as we reveal all this and more about Nuke Plant Chickens, the band that’s lighting up Wisconsin's music scene.

------------------------------------------

Transcript

1 00:00:00,000 --> 00:00:11,600 Music.

2 00:00:11,994 --> 00:00:14,654 Ladies and gentlemen, music enthusiasts and podcast listeners,

3 00:00:14,754 --> 00:00:18,314 welcome to A Sonic Journey Like No Other on the Wisconsin Music Podcast.

4 00:00:18,554 --> 00:00:22,194 I'm your host, Zach Fell, and we're here to amplify Wisconsin music.

5 00:00:22,294 --> 00:00:26,254 In this episode, we're diving into the eclectic and electrifying world of Nukeplant

6 00:00:26,254 --> 00:00:29,694 Chickens, a band hailing from the charming town of Kenosha, Wisconsin.

7 00:00:30,214 --> 00:00:34,574 Prizing a remarkable ensemble of talent, Nukeplant Chicken weaves a mesmerizing

8 00:00:34,574 --> 00:00:39,094 tapestry of sound, leaving no genre untouched. Get ready to immerse yourself

9 00:00:39,094 --> 00:00:42,834 in the music of Newt Plant Chickens, where every note is an adventure,

10 00:00:43,054 --> 00:00:44,214 every rhythm is a heartbeat.

11 00:00:44,394 --> 00:00:48,374 Join us in exploring the sonic landscapes crafted by this extraordinary band

12 00:00:48,374 --> 00:00:53,414 as we unravel their musical journey in this special podcast episode on the Wisconsin Music Podcast.

13 00:00:53,794 --> 00:00:56,554 Ladies and gentlemen, thank you so much for joining me here on the podcast.

14 00:00:57,214 --> 00:01:04,994 Thank you. So why don't we get a quick synopsis of each one of your music origins story.

15 00:01:05,014 --> 00:01:07,734 How did you get started? it i'm jeff i'm the

16 00:01:07,734 --> 00:01:11,014 singer and i i started

17 00:01:11,014 --> 00:01:13,794 taking piano lessons when i was seven and i'm

18 00:01:13,794 --> 00:01:17,534 23 now so that's 16 years ago and

19 00:01:17,534 --> 00:01:24,534 yeah i i can't remember why i started doing piano lessons but yeah okay i really

20 00:01:24,534 --> 00:01:33,094 liked guitar hero as a 12 year old so who are you oh my name is uh my name is

21 00:01:33,094 --> 00:01:35,054 ethan i'm I'm a guitar player sometimes.

22 00:01:35,494 --> 00:01:39,854 Awesome. Yeah, I really liked playing Guitar Hero, and that stuff is,

23 00:01:39,894 --> 00:01:44,414 like, the first stuff I learned, so that's a working story there.

24 00:01:45,214 --> 00:01:52,094 Cool. My name is Chloe. I started on bass in middle school, actually.

25 00:01:52,134 --> 00:01:53,914 My dad convinced me to play.

26 00:01:54,014 --> 00:01:57,594 He would show me Talking Heads footage,

27 00:01:57,754 --> 00:02:03,494 and Tina Weymouth basically played for Tango, to, which I'm happy about it,

28 00:02:03,534 --> 00:02:08,354 but I started on bass and then I started guitar after bass and that would have

29 00:02:08,354 --> 00:02:09,674 been also middle school.

30 00:02:10,234 --> 00:02:17,374 And then recently, you know, drums and all of that, but like I play guitar in this group.

31 00:02:19,574 --> 00:02:21,834 But yeah, I've just been playing forever since middle school.

32 00:02:21,874 --> 00:02:25,054 And my dad wanted me to. Cool. Very cool.

33 00:02:25,694 --> 00:02:31,034 Max, I play the drums. And for my fourth birthday, I got a drum set.

34 00:02:31,354 --> 00:02:33,314 I don't know why I didn't ask.

35 00:02:35,174 --> 00:02:37,754 But yeah, I've been playing ever since. I was happy about that.

36 00:02:37,754 --> 00:02:38,774 It's never stopped. Yeah.

37 00:02:40,594 --> 00:02:48,514 Camera. Sorry. Eight. Fourth or fifth grade. when I played trumpet for Mrs.

38 00:02:48,674 --> 00:02:52,394 Ripley in the KUSD school.

39 00:02:53,314 --> 00:02:56,654 Shout out to Mrs. Ripley. Yeah, shout out to Mrs. Ripley. Hi.

40 00:02:58,874 --> 00:03:03,794 You all basically started at a young age and grew through music and decided

41 00:03:03,794 --> 00:03:05,754 on the instruments you're playing in this group.

42 00:03:05,994 --> 00:03:10,654 So what is kind of like your philosophy as a group?

43 00:03:10,874 --> 00:03:17,054 What's your goals? And what makes you guys become this group of musicians and

44 00:03:17,054 --> 00:03:20,114 going out on stage and playing these types of songs that you play?

45 00:03:20,734 --> 00:03:22,834 Well, I'll say whatever sounds good.

46 00:03:24,414 --> 00:03:27,334 Whatever sounds good. Sounds good. Get it to sound better. I don't know.

47 00:03:27,814 --> 00:03:29,054 At least that's my philosophy.

48 00:03:29,814 --> 00:03:33,794 I think we all love being able to have fun. Yeah. Goof around,

49 00:03:33,954 --> 00:03:38,774 you know, whatever feels right, I guess. A lot of goofing around on stage.

50 00:03:39,554 --> 00:03:43,534 Yeah, it's a lot. We're not very professional. No, which is what's good about

51 00:03:43,534 --> 00:03:47,194 it. Which is why, I mean, that's why I did it. You know what I mean? If I'm being real.

52 00:03:48,174 --> 00:03:52,914 If we were going anywhere, Chloe would not be here. Absolutely not.

53 00:03:53,774 --> 00:03:58,834 So, yeah. Just enjoy it. You know, it's not taking things too serious.

54 00:03:59,754 --> 00:04:03,494 You know, that whole thing. Because it's not that serious. Make sure everyone is granted.

55 00:04:04,351 --> 00:04:07,551 Oh absolutely yeah yeah like these guys they're all my brothers and

56 00:04:07,551 --> 00:04:14,311 then so much as far as

57 00:04:14,311 --> 00:04:17,651 philosophies we actually have on the wall a list

58 00:04:17,651 --> 00:04:20,591 though that i wrote a few years ago called the

59 00:04:20,591 --> 00:04:23,331 jam commandments and the the number one rule the

60 00:04:23,331 --> 00:04:26,491 most important rule of the jam commandments no assholes

61 00:04:26,491 --> 00:04:30,091 so that's maybe the philosophy gotcha excellent

62 00:04:30,091 --> 00:04:33,151 so what kind of groups out there would you

63 00:04:33,151 --> 00:04:36,631 say inspire what you guys do well i

64 00:04:36,631 --> 00:04:39,971 mean the biggest one i'd say the one collective is

65 00:04:39,971 --> 00:04:43,291 king gizzard yeah and the lizard wizard okay and

66 00:04:43,291 --> 00:04:47,751 why is it why is that have you

67 00:04:47,751 --> 00:04:52,011 heard them brother come on yeah but

68 00:04:52,011 --> 00:04:55,991 there's listeners out there that haven't so probably helps them kind of grab

69 00:04:55,991 --> 00:05:00,051 an idea of what you're you're about they've done it all and they'll continue

70 00:05:00,051 --> 00:05:06,051 to do more and that's what keeps me i'm not limited to one genre the variety

71 00:05:06,051 --> 00:05:10,711 yeah yeah and it doesn't matter how many albums they release they'll all be good.

72 00:05:11,831 --> 00:05:14,491 Okay cool well it's good that you know to

73 00:05:14,491 --> 00:05:18,511 have that kind of inspiration in your life to be able to have something that

74 00:05:18,511 --> 00:05:24,271 you can kind of follow and go these are the kind of people that we like to you

75 00:05:24,271 --> 00:05:28,711 know follow in their footsteps basically right and always like individual people

76 00:05:28,711 --> 00:05:34,151 we all have different things which is why it's hard to find collective yeah like I,

77 00:05:35,071 --> 00:05:41,291 don't I'm not into like King Giz like all of these guys are I will say I'm not a nerd but,

78 00:05:42,251 --> 00:05:47,771 yeah I'm not you know I have a much more I mean not that King Giz we're all

79 00:05:47,771 --> 00:05:51,231 into OC's yeah we do like OC's OC's are great.

80 00:05:53,731 --> 00:05:58,851 Ween to ween to the stone age Okay.

81 00:05:58,991 --> 00:06:01,131 Well, it's like Black Sabbath, but that's like in a different way.

82 00:06:01,251 --> 00:06:03,671 Pink Floyd, we all really like.

83 00:06:03,691 --> 00:06:08,011 Dice Fits, even though that's in a different realm. They're like my favorite band of all time.

84 00:06:08,571 --> 00:06:13,031 Dice Fits. Everyone looks like Chippewa. Them Crooked Vultures, too. Yeah.

85 00:06:13,951 --> 00:06:20,791 Awesome. So it's an eclectic collection of individuals plus what you all are

86 00:06:20,791 --> 00:06:25,231 together enjoying at the same time, which is what creates the difference of

87 00:06:25,231 --> 00:06:27,671 what you are from other type of bands out there.

88 00:06:29,540 --> 00:06:35,640 So what made you guys decide to have horn players in your shows as well we knew them.

89 00:06:37,120 --> 00:06:40,040 They were they were our friends maddie was the first

90 00:06:40,040 --> 00:06:42,880 and she was just a she was a a friend of

91 00:06:42,880 --> 00:06:45,920 mine from a long time ago i met her through a band

92 00:06:45,920 --> 00:06:48,660 that i used to be in and uh she just

93 00:06:48,660 --> 00:06:54,800 kind of stuck around and jammed with us and yeah yeah yeah and when she when

94 00:06:54,800 --> 00:07:02,500 she was out of town we had a couple more shows so we asked Finn to play in Kirstead

95 00:07:02,500 --> 00:07:06,760 who's basically family with us. Like literally.

96 00:07:07,180 --> 00:07:13,620 Yeah. So when you guys do a live show are they with you all the time or just for special shows?

97 00:07:14,140 --> 00:07:19,460 Whenever they can. Whenever they can. Okay, cool. How long have you guys been together as a group?

98 00:07:19,800 --> 00:07:24,960 As the five piece with everybody in here right now since February February,

99 00:07:25,000 --> 00:07:29,700 March, it would have been after the live stream.

100 00:07:30,360 --> 00:07:34,840 There's like other stuff that goes way back. Yeah. Like I'm the last to join and I.

101 00:07:36,020 --> 00:07:39,360 Okay. So why don't you give the listeners like a little bit of the history of

102 00:07:39,360 --> 00:07:41,960 how this group grew and became what it is today?

103 00:07:42,700 --> 00:07:46,280 Our show. Our very first. We got to go back to the jam. Yeah.

104 00:07:47,060 --> 00:07:50,860 First of jam. Yeah. Oh, yeah. The COVID jams.

105 00:07:51,880 --> 00:07:54,600 That's where it started was COVID. Okay. it

106 00:07:54,600 --> 00:07:57,920 was a pandemic and we were all bored and the

107 00:07:57,920 --> 00:08:00,900 old band that i was in i got kicked out

108 00:08:00,900 --> 00:08:08,840 of because i'm a i'm a bad guy and i needed a new band and well we we also can't

109 00:08:08,840 --> 00:08:15,180 forget that max ethan and cameron yeah we're in a band together a metal band

110 00:08:15,180 --> 00:08:19,160 starting in 2020 yeah 2021 21,

111 00:08:19,160 --> 00:08:21,300 24, 2020. Okay.

112 00:08:22,840 --> 00:08:27,900 Well, me, Cam, and Jeff are all blood related. So that's how far in the back of that goes.

113 00:08:29,340 --> 00:08:34,780 And the first glimpse of the new plant chickens, I guess you could say,

114 00:08:34,820 --> 00:08:38,900 was my and Max's first band. It was called Floodplain.

115 00:08:39,480 --> 00:08:45,880 And we started playing together in November of 2019 or something like that. Wow.

116 00:08:47,454 --> 00:08:54,954 Yeah, COVID hit, and we got bored and started jamming with a bunch of other people. So I don't know.

117 00:08:55,394 --> 00:08:58,854 We kind of just grabbed anyone we could and brought them in the basement.

118 00:08:59,854 --> 00:09:04,754 Just played for hours. I mean, I think we... How big was the biggest one?

119 00:09:04,954 --> 00:09:08,674 The biggest jam that we were... I don't know if you were at the biggest jam.

120 00:09:09,154 --> 00:09:12,374 I think I was. It was the one. It was David, Logan.

121 00:09:12,994 --> 00:09:16,154 That one was pretty big, but we had another one out. we

122 00:09:16,154 --> 00:09:18,894 had these jams of like the most was probably

123 00:09:18,894 --> 00:09:26,234 like 13 or 14 people in the room and like at like many many guitars sometimes

124 00:09:26,234 --> 00:09:32,134 two drum kits yeah and i think one time we had two basses hooked up and everybody

125 00:09:32,134 --> 00:09:37,134 else was like either playing wind instruments or like rapping or vocals yeah.

126 00:09:37,794 --> 00:09:40,794 And we would just i mean we would go from like 7

127 00:09:40,794 --> 00:09:44,414 p.m to mid yeah let's play and then

128 00:09:44,414 --> 00:09:47,234 this was we the people in the band are just

129 00:09:47,234 --> 00:09:50,634 the people that remained from those jams gotcha

130 00:09:50,634 --> 00:09:53,514 wanted to keep playing because everybody else kind of has a life or

131 00:09:53,514 --> 00:09:56,714 moved on right right okay so this

132 00:09:56,714 --> 00:10:00,634 is what kind of glued you guys together was this jam and you guys met each other

133 00:10:00,634 --> 00:10:04,654 i mean you said three of you are blood related but then you guys kind of became

134 00:10:04,654 --> 00:10:09,554 friends and kind of created this this group that you are so where did the name

135 00:10:09,554 --> 00:10:15,654 come from it's a simple story that i could draw out a lot but But basically, I worked at a beach,

136 00:10:15,834 --> 00:10:18,034 the Illinois State Beach in Zion,

137 00:10:18,254 --> 00:10:20,494 which is just down the road from Kenosha.

138 00:10:20,794 --> 00:10:28,634 And my boss was a very nice man, very funny guy, but he was not the most educated man.

139 00:10:29,014 --> 00:10:35,714 Okay. And at the beach, there were some sandhill cranes that were,

140 00:10:35,854 --> 00:10:37,674 you know, they hung around the water.

141 00:10:37,794 --> 00:10:41,714 And he didn't know they were sandhill cranes, though, because he didn't know

142 00:10:41,714 --> 00:10:43,894 anything about birds. And.

143 00:10:44,799 --> 00:10:48,219 Right next to the beach as well, weird detail, but it's true.

144 00:10:48,299 --> 00:10:52,799 Right next to the beach is a defunct nuclear power plant.

145 00:10:53,139 --> 00:10:56,979 Anyways, all these elements coming together. On my first day of work at the

146 00:10:56,979 --> 00:11:00,579 beach, my boss pointed to some sandhill cranes,

147 00:11:01,499 --> 00:11:07,559 and he said, guests and visitors ask me all the time what those birds are called,

148 00:11:07,759 --> 00:11:09,379 but I don't know what they're called.

149 00:11:09,619 --> 00:11:14,579 So I tell them that they are chickens who wandered too close to the nuke plant.

150 00:11:16,239 --> 00:11:20,959 And the light bulb light bulb just went off there you go there you go awesome,

151 00:11:22,179 --> 00:11:24,959 producers and beat makers of milwaukee it is time for the

152 00:11:24,959 --> 00:11:28,459 2024 big beat mke beat battle tournament taking

153 00:11:28,459 --> 00:11:31,659 place at the jackalope lounge at the wicked hop in milwaukee's third

154 00:11:31,659 --> 00:11:34,519 ward on thursday nights between april 25th and june

155 00:11:34,519 --> 00:11:37,359 13th producers are going to go head to head in

156 00:11:37,359 --> 00:11:40,319 three one minute rounds to determine who is going to move on

157 00:11:40,319 --> 00:11:43,359 to the next round of the tournament with some amazing prizes

158 00:11:43,359 --> 00:11:46,099 from some great sponsors don't forget that you

159 00:11:46,099 --> 00:11:49,219 can submit your beats today at breaking and entering.net through march

160 00:11:49,219 --> 00:11:53,379 31st so when

161 00:11:53,379 --> 00:11:56,439 you guys perform out live what's the reaction from

162 00:11:56,439 --> 00:11:59,219 from the audience most of

163 00:11:59,219 --> 00:12:07,119 it most of them are friends so far so it's people who who even if we played

164 00:12:07,119 --> 00:12:11,579 i hope i hope we play good but people who if even if we played bad they'd be

165 00:12:11,579 --> 00:12:17,999 they still oh it's a great job at least not me I haven't gotten a lot of,

166 00:12:18,679 --> 00:12:25,719 people coming up to me who just didn't know how to I saw some people at the

167 00:12:25,719 --> 00:12:29,699 last show some strangers who were people I didn't know who were filming.

168 00:12:31,419 --> 00:12:34,199 That feels nice like a stranger who doesn't

169 00:12:34,199 --> 00:12:36,979 know us wants to look back at us later

170 00:12:36,979 --> 00:12:39,999 people want us to play rooster every single

171 00:12:39,999 --> 00:12:42,859 time every single time drunk people

172 00:12:42,859 --> 00:12:45,739 want us to play rooster that's a good reaction i feel like

173 00:12:45,739 --> 00:12:49,119 we spark a lot of curiosity people don't

174 00:12:49,119 --> 00:12:51,899 really know what what's gonna go on oh

175 00:12:51,899 --> 00:12:58,999 yeah it's gonna happen what we're gonna do right so so are you guys like mostly

176 00:12:58,999 --> 00:13:04,099 covers or do you add some originals in there on top of it we're actually like

177 00:13:04,099 --> 00:13:10,299 all it's like all we do almost no covers i mean we we we played a three hour set. Yeah. To fill time.

178 00:13:11,119 --> 00:13:13,619 There's like 26 songs. Okay.

179 00:13:14,599 --> 00:13:17,679 So where do you guys usually perform? Where's like your home base?

180 00:13:17,739 --> 00:13:20,859 I mean, you say you're in Kenosha, but like, is there a certain place that you

181 00:13:20,859 --> 00:13:24,479 play that you would call home or is you guys kind of spread it all over? Yeah.

182 00:13:26,144 --> 00:13:29,084 Rustic road definitely and let's get the kenosha

183 00:13:29,084 --> 00:13:33,104 creative space okay two places definitely one's

184 00:13:33,104 --> 00:13:37,744 a bar one's just like a community center and they're on the same block and they're

185 00:13:37,744 --> 00:13:42,784 they're right next to each other yeah so downtown kenosha basically okay and

186 00:13:42,784 --> 00:13:47,344 you guys said so you're not really taking this super serious so what are kind

187 00:13:47,344 --> 00:13:52,204 of like some of your main goals with this this group over the next maybe three to four years.

188 00:13:53,424 --> 00:13:57,104 Records. Yeah, a couple of records, probably. I mean, I personally just want

189 00:13:57,104 --> 00:14:00,764 to be able to play out and more than just downtown.

190 00:14:00,884 --> 00:14:05,984 I mean, I'm like thinking to like different live stuff for like like our first

191 00:14:05,984 --> 00:14:08,844 show of the summer that we created in space.

192 00:14:09,084 --> 00:14:12,804 That was one of the best like like times I've ever fucking heard.

193 00:14:15,984 --> 00:14:18,764 Yeah, it was just so fun. fun and it because there

194 00:14:18,764 --> 00:14:22,184 was so many people our age yeah there yeah

195 00:14:22,184 --> 00:14:25,044 and people that like maybe

196 00:14:25,044 --> 00:14:27,824 like all of us collected we didn't know and it was just

197 00:14:27,824 --> 00:14:30,484 it was really fun and it was packed and it was

198 00:14:30,484 --> 00:14:34,824 just it was so great i just want to play more shows like that but get out of

199 00:14:34,824 --> 00:14:41,904 the city too yeah i would really eventually yeah of course but you know i it's

200 00:14:41,904 --> 00:14:45,764 just this is like to be able to play that kind of stuff in Kenosha would be

201 00:14:45,764 --> 00:14:49,264 really and I know that's asking a lot. That would be really fun.

202 00:14:50,624 --> 00:14:54,344 So Wisconsin being mainly a cover band, that's usually what you're going to

203 00:14:54,344 --> 00:14:57,184 see mostly in Wisconsin bars and everything like that.

204 00:14:57,264 --> 00:15:02,724 You guys being mostly original, do you find it hard to get gigs or is it pretty

205 00:15:02,724 --> 00:15:05,584 decent to find gigs for an all original band like yourselves?

206 00:15:06,104 --> 00:15:10,984 It's not hard to get gigs because we're not a cover band.

207 00:15:11,164 --> 00:15:16,044 It was pretty hard at first. it's hard getting your foot in the door with some.

208 00:15:16,044 --> 00:15:23,264 Of these because they're busy they don't have time sometimes it's just it's hard because,

209 00:15:24,424 --> 00:15:29,004 especially in venues in Chicago and like Milwaukee where they haven't heard

210 00:15:29,004 --> 00:15:35,704 you they won't take you into consideration unless you played gigs in the area

211 00:15:35,704 --> 00:15:40,024 before you kind of gotta be there yeah you gotta be active in the scene that's

212 00:15:40,024 --> 00:15:41,844 kind of what's hardest about it,

213 00:15:42,384 --> 00:15:45,124 how is it that to get in the scene if you

214 00:15:45,124 --> 00:15:48,364 can't get into the scene right yeah so do

215 00:15:48,364 --> 00:15:51,884 you find that like it's not hard anymore really to get gigs why is that is it

216 00:15:51,884 --> 00:15:56,344 because you have now played so many shows or what's what's kind of like the

217 00:15:56,344 --> 00:16:00,924 secret for you yeah you play shows make connections yeah and we always make

218 00:16:00,924 --> 00:16:05,464 friends also go and see these venues in person because that will help a lot

219 00:16:05,464 --> 00:16:07,904 People talk, our owners talk,

220 00:16:08,044 --> 00:16:12,624 they talk among each other, really that's a great, great.

221 00:16:13,715 --> 00:16:16,935 Way to sprint yeah absolutely networking and making

222 00:16:16,935 --> 00:16:19,915 sure that you're not like you said earlier bylaws not

223 00:16:19,915 --> 00:16:23,475 to be an asshole right yeah yeah yeah so

224 00:16:23,475 --> 00:16:26,435 be kind you know be helpful be

225 00:16:26,435 --> 00:16:29,315 you know be positive so the local scene

226 00:16:29,315 --> 00:16:32,395 for you guys it seems to be a positive experience is

227 00:16:32,395 --> 00:16:35,455 there anything in the local scene of your area that

228 00:16:35,455 --> 00:16:40,115 you would wish was stronger sometimes people

229 00:16:40,115 --> 00:16:42,875 get egos i wish it wasn't that

230 00:16:42,875 --> 00:16:49,435 strong but i wish like people would build more bills together you know there

231 00:16:49,435 --> 00:16:55,495 was there was a lot of gatekeeping in the scene before yeah that's kind of coming

232 00:16:55,495 --> 00:16:59,695 down a little bit yeah a lot of people i mean like i had said people taking

233 00:16:59,695 --> 00:17:01,915 it seriously and i mean i don't mean like.

234 00:17:03,195 --> 00:17:07,955 Having boundaries within groups and like oh and you know planning out and things

235 00:17:07,955 --> 00:17:11,355 like that because Cause that's whatever, but I mean, taking things too serious

236 00:17:11,355 --> 00:17:13,775 and like professionalism are like two different things in life.

237 00:17:13,935 --> 00:17:18,215 You know, like you can be a professional and not be like an asshole. Right.

238 00:17:18,435 --> 00:17:24,895 Exactly. Which is the problem that majority of people here have because whatever.

239 00:17:25,535 --> 00:17:26,835 Yeah. It's just.

240 00:17:30,180 --> 00:17:33,540 No, that's good. That's good. Now, earlier you kind of talked about hopefully

241 00:17:33,540 --> 00:17:35,500 making some recordings.

242 00:17:35,680 --> 00:17:39,200 Have you done any of that yet? Yeah, we got a record.

243 00:17:39,660 --> 00:17:44,180 Yeah, for finished singles out there. So take them through the journey of the

244 00:17:44,180 --> 00:17:47,280 start, the process, and getting those out there to them.

245 00:17:47,740 --> 00:17:51,000 Actually, this just came up in my year ago today from Snapchat.

246 00:17:51,000 --> 00:17:53,340 We started recording. Really? Yeah.

247 00:17:54,260 --> 00:17:57,440 Like the other day. What is it? The 21st? Yep.

248 00:17:57,880 --> 00:18:06,940 So the 19th. So two days ago. We started recording because I finally got Ableton on my computer. Okay.

249 00:18:07,300 --> 00:18:12,260 And we just, I mean, we picked what songs we had, I think.

250 00:18:12,840 --> 00:18:17,460 It wasn't what ones we had. It was just, you know, what we wondered, what we felt we could do.

251 00:18:17,960 --> 00:18:23,840 Oh, yeah. But I mean, the songs mostly come from me, and Ethan writes some of them.

252 00:18:24,380 --> 00:18:28,040 But I think of the four, they're mostly like old.

253 00:18:28,040 --> 00:18:30,860 I'd like wrote them a couple years ago when

254 00:18:30,860 --> 00:18:33,820 i was in the other band and then they never wanted to play them

255 00:18:33,820 --> 00:18:37,720 okay you know i don't

256 00:18:37,720 --> 00:18:41,900 know how we picked the four singles it's the one are they the ones that just

257 00:18:41,900 --> 00:18:47,920 got one yeah yeah okay so the the first four they got finished now you you had

258 00:18:47,920 --> 00:18:51,240 mentioned that you just got ableton about a year ago on your computer so So

259 00:18:51,240 --> 00:18:54,360 I'm understanding that this is a DIY project.

260 00:18:55,020 --> 00:18:59,400 Yeah. So kind of, was this like done in like a living room?

261 00:18:59,500 --> 00:19:02,860 Did you do it at separate places? Kind of like how did the whole thing come

262 00:19:02,860 --> 00:19:03,840 together for the recording?

263 00:19:04,000 --> 00:19:06,220 Where was it done? Just my basement.

264 00:19:06,440 --> 00:19:08,980 And it's just like where I'm as I let go.

265 00:19:09,440 --> 00:19:14,040 Okay. So what are some of the things that you've learned over time when you were recording?

266 00:19:16,220 --> 00:19:20,980 If you have to EQ too much, then you need to re-record it. Okay.

267 00:19:22,735 --> 00:19:27,395 Buy guitar plugins if you don't know how to mic and amp and don't be afraid

268 00:19:27,395 --> 00:19:35,295 to spend money on equipment good it's a good investment yeah i still i still

269 00:19:35,295 --> 00:19:37,055 have a lot of stuff on this thing,

270 00:19:37,595 --> 00:19:41,555 so for better recording yeah so the

271 00:19:41,555 --> 00:19:44,415 did you like put blankets up or anything around

272 00:19:44,415 --> 00:19:47,475 the room or is it like sound bouncing off

273 00:19:47,475 --> 00:19:50,155 cylinder blocks or whatever your walls are made out

274 00:19:50,155 --> 00:19:53,075 of it's mostly just it's about

275 00:19:53,075 --> 00:19:55,855 as raw and real as you can get it i mean

276 00:19:55,855 --> 00:19:58,915 we mic up each of the each of

277 00:19:58,915 --> 00:20:01,655 the drums but there's no like for for the

278 00:20:01,655 --> 00:20:07,415 most part there's no like sound cancellation okay there's a lot of that what

279 00:20:07,415 --> 00:20:10,775 a lot of that reverb gets filtered out through these mics anyway because they're

280 00:20:10,775 --> 00:20:17,195 i don't because they're condensers which is which is really nice yep cool and

281 00:20:17,195 --> 00:20:20,315 now you guys got four four songs finished, you released them.

282 00:20:20,355 --> 00:20:23,935 Let's talk a little bit about each one of those songs and maybe pick a few that

283 00:20:23,935 --> 00:20:25,795 you would like the listeners to hear on the podcast.

284 00:20:28,895 --> 00:20:33,375 I'd go for the first one. I'd go for Police State. The first one we released

285 00:20:33,375 --> 00:20:34,875 is called Police State Disco.

286 00:20:35,455 --> 00:20:37,895 Which is not fun. Not a disco.

287 00:20:39,455 --> 00:20:47,315 It's the only one that has Maddie fully on it. Like a solo, like a feature.

288 00:20:47,655 --> 00:20:50,715 The saxophone. And it's amazing.

289 00:20:51,095 --> 00:20:54,735 And is there a certain story behind the song? Or is it just...

290 00:20:55,435 --> 00:20:59,795 You want the listeners to make their own decision about what it's about?

291 00:21:00,495 --> 00:21:04,175 Yeah, yeah. I like that. Let them decide.

292 00:21:05,840 --> 00:25:32,240 Music.

293 00:25:32,702 --> 00:25:36,962 Would be another song that you would like them to hear on the podcast for there's

294 00:25:36,962 --> 00:25:40,262 one there's one there's one for each each people

295 00:25:40,262 --> 00:25:43,082 those who like upbeat stuff there's one called

296 00:25:43,082 --> 00:25:46,422 party wazo and those who like stoner metal

297 00:25:46,422 --> 00:25:49,282 there's one called way on three and the other people

298 00:25:49,282 --> 00:25:52,402 for the other people who like guns and roses ripoffs

299 00:25:52,402 --> 00:25:55,882 yeah there's one for you cool very

300 00:25:55,882 --> 00:25:58,862 cool so of those four do you

301 00:25:58,862 --> 00:26:01,862 want me to put all four on there or do you want me to put two or three on

302 00:26:01,862 --> 00:26:04,542 the podcast for them to hear that's up to me i

303 00:26:04,542 --> 00:26:10,562 mean up to you at least why not okay so after they hear this they want to hear

304 00:26:10,562 --> 00:26:13,562 it again and not listen to the podcast again they want to actually just listen

305 00:26:13,562 --> 00:26:17,342 to the songs in row obviously you guys are probably on most streaming sites

306 00:26:17,342 --> 00:26:23,282 do you guys also have a band camp site or are you not on that yet no we're not on so no we did not okay,

307 00:26:23,762 --> 00:26:29,262 i would say spotify and are you on whether it's reverb nation i think you guys

308 00:26:29,262 --> 00:26:33,202 are on as well where else can they go and hear your music online,

309 00:26:34,482 --> 00:26:39,182 anywhere you can we have some live recordings on YouTube.

310 00:26:40,862 --> 00:26:44,002 That's on your YouTube site okay cool we

311 00:26:44,002 --> 00:26:47,542 have to watch the first show we don't

312 00:26:47,542 --> 00:26:51,142 have ever we have the

313 00:26:51,142 --> 00:26:58,642 most not the most recent show but we have Octoberfest in Bloomingdale the only

314 00:26:58,642 --> 00:27:03,842 full show we have is one we played at a place called Moose Lodge in Kenosha

315 00:27:03,842 --> 00:27:10,082 it was an event called Blue Bands yeah that was a charity it was a charity event but yeah.

316 00:27:11,762 --> 00:27:15,782 Excellent as we're coming down to the end of this when

317 00:27:15,782 --> 00:27:18,482 do you think your next single is going

318 00:27:18,482 --> 00:27:22,542 to release or are you going to do like multi-song ep release yes

319 00:27:22,542 --> 00:27:25,522 so so the the

320 00:27:25,522 --> 00:27:29,302 goal is is because we've got a couple more shows coming

321 00:27:29,302 --> 00:27:36,622 up and the big plan is because it's such a pain in the ass to set up all this

322 00:27:36,622 --> 00:27:41,362 recording and then tear down for shows it's it's such a hassle so So our plan

323 00:27:41,362 --> 00:27:46,442 is to play the shows and then for the winter,

324 00:27:46,582 --> 00:27:51,542 because we don't have any booked then, to record during the winter so that we

325 00:27:51,542 --> 00:27:53,822 can get the same sound, same sonics, same everything.

326 00:27:53,982 --> 00:27:59,402 Kind of like a regular recording process for an album. Cool. Very cool.

327 00:27:59,862 --> 00:28:03,682 But we don't have one in the pipes? We do. We do. Which one is it?

328 00:28:03,782 --> 00:28:07,842 I have a one-tone drum. So that one's finished and ready to go, basically.

329 00:28:09,222 --> 00:28:15,062 Very soon, maybe. be so soon yeah so if you guys let me know when that might

330 00:28:15,062 --> 00:28:20,162 happen we could probably coordinate where this episode comes out around the

331 00:28:20,162 --> 00:28:25,262 same time that single comes out to kind of help you promote that so yeah just

332 00:28:25,262 --> 00:28:27,562 shoot me an email when you think that's going to happen and then,

333 00:28:28,142 --> 00:28:33,382 we'll we'll try to get this all together at the same time for the last question

334 00:28:33,382 --> 00:28:38,162 i have for you guys is there any gigs that you have been at that made a major

335 00:28:38,162 --> 00:28:40,162 impression on you either as As a performer.

336 00:28:40,702 --> 00:28:43,622 Or as an audience member. Watching someone perform.

337 00:28:44,082 --> 00:28:49,562 Are you talking like local scene shows. Or just like. Overall just experience doesn't matter.

338 00:28:50,582 --> 00:28:53,662 Well I. I'm a big fan of.

339 00:28:55,631 --> 00:29:02,331 I hate this word like punk rock shit and the funny thing I'm in this band something

340 00:29:02,331 --> 00:29:05,791 that kind of stick out like slits off but I you're a girl.

341 00:29:07,631 --> 00:29:16,111 We're so right I but I went to I've gone to so many shows like that and that's where I,

342 00:29:16,891 --> 00:29:19,871 just love that environment of like

343 00:29:19,871 --> 00:29:23,091 just people playing their little hearts out that's

344 00:29:23,091 --> 00:29:26,231 just so cute and I love it so much and I

345 00:29:26,231 --> 00:29:29,171 just like loud okay and like I went to

346 00:29:29,171 --> 00:29:31,931 a band I've gone to so many shows with

347 00:29:31,931 --> 00:29:35,071 my dad we've seen a band called the circle jerks okay

348 00:29:35,071 --> 00:29:38,171 one of my favorite bands of all time um I've

349 00:29:38,171 --> 00:29:41,051 seen them twice and the way that they play

350 00:29:41,051 --> 00:29:44,151 and their entire philosophy is

351 00:29:44,151 --> 00:29:47,131 like what I want to do it's just so much they

352 00:29:47,131 --> 00:29:50,411 just never grew up and they're like an 80s punk band

353 00:29:50,411 --> 00:29:53,531 right cool cool cool anybody else

354 00:29:53,531 --> 00:29:56,311 i mean me and you went to go see king diz

355 00:29:56,311 --> 00:29:59,811 over the summer yeah man man like

356 00:29:59,811 --> 00:30:06,171 it's just just go go go the whole time it's just their stage presence is just

357 00:30:06,171 --> 00:30:11,851 unmatched the sound quality was amazing i will say though i saw we saw them

358 00:30:11,851 --> 00:30:16,611 in june in chicago and that was great and And they've put out a lot of music.

359 00:30:17,311 --> 00:30:19,231 But I saw them in 2019.

360 00:30:19,951 --> 00:30:24,851 And I didn't have any fucking clue who they were. And I had never listened.

361 00:30:24,931 --> 00:30:27,511 Or I had listened to one album called Fishing for Fishies.

362 00:30:27,851 --> 00:30:34,051 But I barely knew who they were. I didn't know anything about them. And that was better.

363 00:30:35,131 --> 00:30:37,651 I like that. I like that one better. Because that was my first.

364 00:30:37,691 --> 00:30:39,411 You saw them on the Rat's Nest tour, right?

365 00:30:39,491 --> 00:30:43,171 I saw them a week after they released Infest the Rat's Nest.

366 00:30:43,391 --> 00:30:44,631 Though I had not heard it.

367 00:30:45,451 --> 00:30:49,091 It had just come out and they were, they were finally starting to play it. Cool.

368 00:30:50,151 --> 00:30:51,291 That's that's my view.

369 00:30:53,353 --> 00:30:56,933 I would say for a show that we played, for me and you at least,

370 00:30:57,013 --> 00:31:00,793 I would say that first creative show we did in a club playing.

371 00:31:00,953 --> 00:31:04,653 Oh, you're talking about Green Park. That made a big impact.

372 00:31:05,013 --> 00:31:11,713 My bad. That made a big impact on you too. Just the rush you get from playing that.

373 00:31:12,613 --> 00:31:16,753 I mean, I've seen I saw the OCs live.

374 00:31:17,193 --> 00:31:20,873 I've seen them twice now. And again, just like the go, go, go.

375 00:31:21,073 --> 00:31:24,093 Just balls to the walls for two hours and there's

376 00:31:24,093 --> 00:31:26,953 again stage presence lights sound quality

377 00:31:26,953 --> 00:31:30,153 and i'm a big polyphia fan

378 00:31:30,153 --> 00:31:33,813 and i just i went to go see them wednesday in

379 00:31:33,813 --> 00:31:40,333 milwaukee and then thursday in chicago but just the the amount of musicianship

380 00:31:40,333 --> 00:31:45,733 and the amount of talent in that band it really inspires me and the community

381 00:31:45,733 --> 00:31:51,133 too it just inspires me to be a better person what's the last thing that you

382 00:31:51,133 --> 00:31:53,233 you want the listeners to know about like your social media,

383 00:31:53,313 --> 00:31:57,313 where can they find you and things of that nature? Find us Instagram, Spotify.

384 00:31:58,113 --> 00:32:03,353 Those are the main two that we're on and give our songs a list. Yeah.

385 00:32:04,333 --> 00:32:08,193 That's all we can really ask. Awesome. Well, thank you guys so much for being

386 00:32:08,193 --> 00:32:09,393 on the Wisconsin music podcast.

387 00:32:09,553 --> 00:32:13,933 It was cool to hear about how you guys started, what you're working on and your

388 00:32:13,933 --> 00:32:15,893 future stuff. So thank you so much for being on the show.

389 00:32:16,393 --> 00:32:21,313 Thank you. Yeah. This was fun, man. Cool. We'll be right back.

390 00:32:21,200 --> 00:36:47,920 Music.

391 00:36:47,764 --> 00:36:50,784 Episode of the Wisconsin Music Podcast. Once again, I'm Zach Fell,

392 00:36:50,864 --> 00:36:54,544 your host and creator of the Wisconsin Music Podcast, where I love to amplify

393 00:36:54,544 --> 00:36:57,964 the great sounds coming out of the Wisconsin State.

394 00:36:58,024 --> 00:37:01,464 We have great talent here, great support, great listeners.

395 00:37:01,904 --> 00:37:07,384 Thanks to Fox City's Indie Radio for syndicating this on Thursdays and Sundays,

396 00:37:07,464 --> 00:37:08,984 along with their other great programmers.

397 00:37:09,024 --> 00:37:11,784 So make sure you check out the Fox City's Indie Radio.

398 00:37:12,004 --> 00:37:17,124 And thanks to this week's guest, Nuke Plant Chickens, for being on the show.

399 00:37:17,764 --> 00:37:21,844 Check out their music on streaming and on Reverb Nation.

400 00:37:22,204 --> 00:37:26,944 And check out their gig coming up this Friday at McAuliffe's in Racine, Wisconsin.

401 00:37:27,584 --> 00:37:32,404 If you'd like to be on the show, just go to wisconsinmusicpodcast.com,

402 00:37:32,484 --> 00:37:37,344 fill out the guest request form up at the top, ask for your email and your name,

403 00:37:37,424 --> 00:37:41,184 and then I'll send you an auto email asking you for more information.

404 00:37:41,604 --> 00:37:45,764 If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast.

405 00:37:46,304 --> 00:37:50,484 Donations help pay for the website and putting the podcast up on streaming services

406 00:37:50,484 --> 00:37:55,104 and also getting our name out there to all Wisconsinites and others that are

407 00:37:55,104 --> 00:37:57,504 interested in our great music here in Wisconsin.

408 00:37:58,044 --> 00:38:01,924 Donations are secured through PayPal and Stripe. All you have to do is go to

409 00:38:01,924 --> 00:38:04,804 the website and click on Donate to WMP.

410 00:38:05,544 --> 00:38:09,624 You can also head over to our Instagram and Facebook pages and like us there.

411 00:38:09,864 --> 00:38:15,084 Leave some comments. Also, go to the podcast review section of your podcast

412 00:38:15,084 --> 00:38:17,504 player and leave a five-star review. It would be great.

413 00:38:18,204 --> 00:38:21,924 You can also head over to YouTube and watch the interviews and leave comments

414 00:38:21,924 --> 00:38:25,124 there as well. Have a great week, everybody, and we'll see you next time.

Welcome back to another riveting episode of the Wisconsin Music Podcast, where we unveil Wisconsin's vibrant musical landscape by showcasing its numerous talents. Today, we host the captivating instrumental guitar virtuoso, Pat Zyduck, also known as Elysian Stew. Renowned for his unique blend of diverse musical elements, Pat melds the old and new, crafting a captivating auditory tapestry.

Join us on a fascinating journey, charting the course of Pat's musical saga—from his first encounter with the guitar, the eccentric teaching methods of his father, his hiatus in military service, to his enthralling return to the music scene. He further shares his intriguing experiences of transforming life's adversities into potent musical inspiration and the compelling backstory behind his album's title.

Along with dipping into Pat's musical voyage, get set to delve into the compelling narrative behind his favorite song, 'Low-Flying Owls,' and the unconventional circumstances that bestowed it with its peculiar name. Candid discussions about maintaining work-life harmony as a musician, arranging gigs that complement his instrumental style, and dealing with harsh criticism provide a comprehensive picture of a musician's life.

Pat shares valuable insights into his influences, musical explorations, and recording studio experiences, and talks about the crucial role played by his wife, his ongoing projects, and his plans for future performances. Tune in to unravel the artistry of Elysian Stew, understand his musical style better, and discover the vibrancy of Wisconsin's music scene.

"I've always been drawn to the raw honesty of music. It's a way to express emotions that words alone can't capture," reflects Elysian Stew, offering listeners a glimpse into the soul of his artistry.

"There's something magical about tapping into the essence of a moment and translating it into music. It's like capturing lightning in a bottle," he muses, his words resonating with the universal language of music.

------------------------------------------------------------------------

Transcript:

1 00:00:00,000 --> 00:00:11,280 Music.

2 00:00:11,749 --> 00:00:14,789 Ladies and gentlemen, welcome back to the Wisconsin Music Podcast,

3 00:00:14,949 --> 00:00:19,129 your go-to destination for discovering the incredible musical tapestry woven

4 00:00:19,129 --> 00:00:20,989 by the talented artists of the Badger State.

5 00:00:21,109 --> 00:00:24,329 Today we have a special treat for your ears as we sit down with the master of

6 00:00:24,329 --> 00:00:28,809 the instrumental guitar, none other than the enigmatic Pat Zydek,

7 00:00:28,949 --> 00:00:33,349 better known on stage as the sonic storyteller Elysian Stew.

8 00:00:33,769 --> 00:00:36,769 Did I say all that correctly so far? You did, yeah. Excellent. in

9 00:00:36,769 --> 00:00:40,089 this episode we'll delve into the artistry of

10 00:00:40,089 --> 00:00:43,269 pat zidek a musician who skillfully combines fragments

11 00:00:43,269 --> 00:00:46,829 of musical influences to craft his sonic stew that is

12 00:00:46,829 --> 00:00:51,169 both nostalgic and contemporary with a mission to invoke emotions each composition

13 00:00:51,169 --> 00:00:55,429 is a journey through the forest of feelings a testament to the profound impact

14 00:00:55,429 --> 00:01:00,049 music can have on our souls but wait there's more pat zidek has just released

15 00:01:00,049 --> 00:01:04,729 a brand new album and it's titled driving the desert to burn a million dollars.

16 00:01:05,360 --> 00:01:53,040 Music.

17 00:01:10,349 --> 00:01:16,689 © transcript Emily Beynon.

18 00:01:51,749 --> 00:01:54,789 You can find this captivating musical experience on

19 00:01:54,789 --> 00:01:57,689 all major streaming platforms youtube itunes and more so

20 00:01:57,689 --> 00:02:00,669 get ready to immerse yourself in the enchanting melodies and

21 00:02:00,669 --> 00:02:03,649 tales of elysian stew do stay tuned to the wisconsin music

22 00:02:03,649 --> 00:02:06,589 podcast where we celebrate the sounds that make our steak

23 00:02:06,589 --> 00:02:10,129 unique one artist at a time so pat welcome

24 00:02:10,129 --> 00:02:13,109 to the wisconsin music podcast thank you

25 00:02:13,109 --> 00:02:15,949 thank you thank you very much for having me this is quite an honor i

26 00:02:15,949 --> 00:02:18,889 appreciate it well thank you so much for being on so let's

27 00:02:18,889 --> 00:02:21,729 get listeners introduced to you kind of give them a summary of

28 00:02:21,729 --> 00:02:25,289 your music origin story yeah so

29 00:02:25,289 --> 00:02:28,489 basically i've been playing guitar most of

30 00:02:28,489 --> 00:02:32,009 my life my father was was a professional musician so he

31 00:02:32,009 --> 00:02:35,749 started me when I was four okay pretty much

32 00:02:35,749 --> 00:02:38,569 had hopes and dreams of you know making it big and everything

33 00:02:38,569 --> 00:02:41,409 and those were dashed at the age of

34 00:02:41,409 --> 00:02:44,749 17 thanks to my father which is an interesting story I

35 00:02:44,749 --> 00:02:48,669 wasn't wasn't done maliciously it was done to let me realize that I wasn't good

36 00:02:48,669 --> 00:02:55,269 enough okay and at that point it was okay now I have to come up with a plan

37 00:02:55,269 --> 00:02:58,589 b because I didn't have a plan b before I was just it was going to be music

38 00:02:58,589 --> 00:03:01,369 or nothing and and realized that music wasn't going to work.

39 00:03:01,449 --> 00:03:03,049 So I came up with a plan B, joined the military.

40 00:03:03,509 --> 00:03:05,629 I got to travel the world for a number of years.

41 00:03:06,109 --> 00:03:10,589 Met a girl, got married, settled down, had a family. Music kind of fell by the wayside.

42 00:03:11,355 --> 00:03:17,395 Fast forward 20 years, that marriage ended, and my sister, who is probably one

43 00:03:17,395 --> 00:03:21,455 of my biggest fans, told me that I needed to start playing again, basically.

44 00:03:21,715 --> 00:03:26,035 A year later, I released my first album, and it was all songs written while

45 00:03:26,035 --> 00:03:28,775 I was going through a divorce, so they were very angry songs.

46 00:03:30,355 --> 00:03:33,555 A few years after that, well, about a year and a half after that,

47 00:03:33,595 --> 00:03:39,115 actually, I released a second EP entitled Tuwache Vida, which was songs I had

48 00:03:39,115 --> 00:03:40,995 written about genocide in Africa.

49 00:03:41,455 --> 00:03:43,755 Something that was pretty near and dear to my heart.

50 00:03:44,655 --> 00:03:48,655 And then I joined a band. I was hired gun guitar player,

51 00:03:48,775 --> 00:03:53,215 played with them for about six years and I was having a blast and everything,

52 00:03:53,315 --> 00:03:56,695 but it got to be a little much, you know, everybody in the band was working

53 00:03:56,695 --> 00:04:01,255 full-time day jobs and the band was starting to have a little bit of success,

54 00:04:01,335 --> 00:04:03,735 but not enough that any of us could quit our jobs.

55 00:04:04,035 --> 00:04:08,555 Okay. So, so I said, I was getting a little burned out. So I said basically

56 00:04:08,555 --> 00:04:10,875 that I needed a brief hiatus.

57 00:04:11,355 --> 00:04:15,575 And that hiatus actually, which was going to originally be a month or two,

58 00:04:15,615 --> 00:04:17,555 turned into 12 years. Oh, wow.

59 00:04:17,915 --> 00:04:19,975 Yeah, yeah. Pretty, pretty surprising.

60 00:04:20,535 --> 00:04:26,595 But then the pandemic happened and my full-time day job, I was out and about.

61 00:04:26,675 --> 00:04:29,235 I worked through a whole pandemic, which was pretty stressful.

62 00:04:29,755 --> 00:04:34,435 And when things started coming out of that, I realized I was in kind of a bad place mentally.

63 00:04:34,895 --> 00:04:38,795 So I decided I was going to start playing music again, just for my own personal

64 00:04:38,795 --> 00:04:42,455 therapy. You know, just it was something I enjoyed, something I loved,

65 00:04:42,455 --> 00:04:46,555 and it was something that took my mind off of everything else that was going on.

66 00:04:46,755 --> 00:04:50,815 And so I had absolutely no intention of getting back into the scene.

67 00:04:51,295 --> 00:04:55,475 But as I started playing, you know, and I was playing when we're kids,

68 00:04:55,655 --> 00:04:59,015 we play for the pure enjoyment and for the innocence of it, you know.

69 00:04:59,215 --> 00:05:02,455 So that was kind of the mindset I was going to bring into it this time.

70 00:05:02,695 --> 00:05:08,795 And I was I was playing for just for the pure enjoyment. And but before long, my muse showed up.

71 00:05:09,275 --> 00:05:11,975 And kind of smacked me in the back of the head and said oh

72 00:05:11,975 --> 00:05:15,435 welcome back i got a whole bunch of songs for you to write now and

73 00:05:15,435 --> 00:05:18,475 i started creating and i

74 00:05:18,475 --> 00:05:21,275 realized well what good are these songs if

75 00:05:21,275 --> 00:05:25,115 nobody's ever going to hear them i was really proud of them and decided all

76 00:05:25,115 --> 00:05:29,375 right well i guess i'm going to release an album and here we are back in the

77 00:05:29,375 --> 00:05:33,955 scene a lot a lot deeper than i had planned on going but yeah of it you know

78 00:05:33,955 --> 00:05:39,175 excellent so what what was what is your muse that made you really get back into this.

79 00:05:39,775 --> 00:05:41,335 Well, it's funny, but she just

80 00:05:41,335 --> 00:05:45,795 kind of showed up one day and I don't know who she is. I call her a she.

81 00:05:45,955 --> 00:05:48,715 I've never seen her or anything, but it's just.

82 00:05:49,723 --> 00:05:53,603 It's kind of a cliche when we talk to certain musicians about,

83 00:05:53,683 --> 00:05:57,963 they say, oh, well, the song was just floating in the universe and it just found

84 00:05:57,963 --> 00:06:00,023 me and filtered itself out through me.

85 00:06:00,203 --> 00:06:03,923 But a lot of the songs on this record, that's kind of the way they came.

86 00:06:04,203 --> 00:06:08,383 Just started noodling in the studio, playing around and all of a sudden the

87 00:06:08,383 --> 00:06:10,923 melody came and I'd build off of that and build off of that.

88 00:06:11,023 --> 00:06:12,243 And next thing I knew, I had a song.

89 00:06:12,663 --> 00:06:19,403 There are a couple on the album that were written for a specific purpose, like Russian warship.

90 00:06:19,483 --> 00:06:24,863 That one was, I don't know if you're familiar with the story of the Ukrainian

91 00:06:24,863 --> 00:06:26,643 soldiers on Snake Island, Ukraine.

92 00:06:27,123 --> 00:06:32,903 After Russians invaded Ukraine, a Russian warship basically told them they needed

93 00:06:32,903 --> 00:06:35,223 to surrender or they would be attacked.

94 00:06:35,663 --> 00:06:39,923 And the Ukrainians, in no uncertain terms, told the Russians where to go.

95 00:06:40,483 --> 00:06:46,883 So I wrote that song with trying to envision some of the emotions that the ukrainian

96 00:06:46,883 --> 00:06:50,563 soldiers were feeling while they were waiting for the russians to attack,

97 00:06:51,123 --> 00:06:54,823 gotcha that's that's where that song came from okay but

98 00:06:54,823 --> 00:06:58,203 like unquiet ghost i was just rehearsing to

99 00:06:58,203 --> 00:07:00,983 do a show and this melody just popped

100 00:07:00,983 --> 00:07:03,743 into my head and i started playing it and inside of 10

101 00:07:03,743 --> 00:07:06,443 minutes i had the song and there's there's a

102 00:07:06,443 --> 00:07:09,343 line in a josh ritter song called the bone

103 00:07:09,343 --> 00:07:12,363 of song where the song is basically about finding

104 00:07:12,363 --> 00:07:15,443 a bone in the woods and there are lyrics engraved on

105 00:07:15,443 --> 00:07:18,163 the bone and if you find the bone and put it back it will give you a

106 00:07:18,163 --> 00:07:23,043 song but there's a line in there it says lucky are you who finds me in the wilderness

107 00:07:23,043 --> 00:07:28,083 for i am the only unquiet ghost that does not seek rest and i wrote this song

108 00:07:28,083 --> 00:07:31,963 and it was like where did that come from it's like i have no idea where it came

109 00:07:31,963 --> 00:07:37,763 from but i figured the unquiet ghost brought it to me so that's what i titled it was unquiet ghost.

110 00:07:38,640 --> 00:09:46,000 Music.

111 00:09:46,464 --> 00:09:51,184 Cool. Very cool. So do you think some of this has to do with your military experience?

112 00:09:52,264 --> 00:09:58,984 This particular record? Probably not. No. A lot of these were just songs that

113 00:09:58,984 --> 00:10:00,984 just kind of came to me as I was playing around.

114 00:10:01,224 --> 00:10:04,944 And it's like, ooh, what was that? I'd build off of it and things like that.

115 00:10:04,964 --> 00:10:09,244 Nothing on the album is specifically related to my military experience,

116 00:10:09,244 --> 00:10:14,464 because that was a long time ago so kind

117 00:10:14,464 --> 00:10:17,224 of diving back into a recap of everything that you've

118 00:10:17,224 --> 00:10:20,284 said so far you said back when you were 17 your dad

119 00:10:20,284 --> 00:10:24,924 basically kind of showed you that in his own way that he felt that you weren't

120 00:10:24,924 --> 00:10:28,844 able to become a professional musician as this was going to become your profession

121 00:10:28,844 --> 00:10:34,144 as listeners are out there what do you think your dad was right about that made

122 00:10:34,144 --> 00:10:36,504 sure that that was the actual path

123 00:10:36,504 --> 00:10:39,424 for you to take was not to become a professional musician at that time?

124 00:10:39,764 --> 00:10:42,964 Well, it's not that he didn't want me to be a professional musician.

125 00:10:43,204 --> 00:10:47,384 He knew I wasn't good enough at that point. And the way he drilled that into

126 00:10:47,384 --> 00:10:51,064 my head was I came home from school one day and he said to me,

127 00:10:51,124 --> 00:10:53,664 he said, so what's your plan? You're not doing great in school.

128 00:10:53,844 --> 00:10:56,744 You're probably not going to go on to college. So what is your plan?

129 00:10:56,884 --> 00:11:00,024 And I said, well, I'm going to go to Nashville. My dad was big in the country

130 00:11:00,024 --> 00:11:02,584 music world. And he said, do you think you're good enough?

131 00:11:02,804 --> 00:11:05,524 And I said, yeah. My dad was the guy on the side of the stage,

132 00:11:05,644 --> 00:11:06,764 the hired gun and guitar guitar player.

133 00:11:06,964 --> 00:11:10,084 He played with some of the biggest names in country music in the 70s.

134 00:11:10,104 --> 00:11:11,704 And that's who I wanted to be.

135 00:11:11,844 --> 00:11:14,964 And he said, okay, cool. And he got up and walked out of the kitchen.

136 00:11:15,084 --> 00:11:18,984 And the next day I came home from school and there was an envelope on the table.

137 00:11:19,064 --> 00:11:23,164 I opened it up and there was $500 cash, Greyhound bus ticket,

138 00:11:23,264 --> 00:11:25,264 and a list of names and phone numbers.

139 00:11:25,584 --> 00:11:28,164 And he said, you're going to Nashville this weekend. And he said,

140 00:11:28,284 --> 00:11:32,064 all I want you to do is just spend the weekend walking up and down 16th Avenue,

141 00:11:32,224 --> 00:11:35,804 which at the time was the street all the major recording studios were on.

142 00:11:35,804 --> 00:11:38,964 And so I did that, you know, that was back in the days when you could send your

143 00:11:38,964 --> 00:11:42,804 17 year old boy off to a different state and not really have to worry about it too much.

144 00:11:42,924 --> 00:11:46,944 It didn't take me long to realize that these guys playing for change on the

145 00:11:46,944 --> 00:11:51,304 street corners weren't good enough to get jobs and they were a lot better than me.

146 00:11:51,424 --> 00:11:54,944 So it was kind of my dad's way of making me figure it out myself.

147 00:11:55,224 --> 00:11:58,964 So that's when I came home and said, well, I got to come up with a plan B.

148 00:11:59,624 --> 00:12:04,544 And and my i fully intended on pursuing music but you know life gets in the

149 00:12:04,544 --> 00:12:10,144 way a lot of times and things like that right okay no that that's a really interesting story it's like,

150 00:12:10,699 --> 00:12:13,619 Like you said, you know, if he would have just said, no, you're not good enough,

151 00:12:13,759 --> 00:12:16,999 you probably would have not listened to one word he said and,

152 00:12:16,999 --> 00:12:18,319 you know, fought against it.

153 00:12:18,499 --> 00:12:23,919 But your own experience, you went, okay, well, am I going to be dedicated enough

154 00:12:23,919 --> 00:12:25,259 to become better than these people?

155 00:12:25,379 --> 00:12:27,759 Yes or no. And obviously you made that decision.

156 00:12:28,339 --> 00:12:32,499 Yeah. Gotcha. Okay. Well, and he didn't, he didn't want to see me go down to

157 00:12:32,499 --> 00:12:35,059 Nashville and then, you know, be living on the street starving.

158 00:12:35,599 --> 00:12:40,239 Right. Exactly. When no parent wants to see that happen. They want to see their kids successful.

159 00:12:41,299 --> 00:12:44,179 Now, obviously, you were in the military.

160 00:12:44,419 --> 00:12:48,759 Did you do anything musical in the military, or was it something in a different

161 00:12:48,759 --> 00:12:52,639 branch of the military that you were a part of? Well, no, I was in the Coast Guard. Okay.

162 00:12:53,019 --> 00:12:56,099 And my first duty station was Kodiak Island, Alaska.

163 00:12:56,899 --> 00:13:01,499 And while I was there, I met a fellow banjo player. So we formed a little group

164 00:13:01,499 --> 00:13:03,539 and we did a cassette tape.

165 00:13:03,899 --> 00:13:07,539 We didn't know anything about vinyl pressing or anything at that time.

166 00:13:07,619 --> 00:13:08,939 So we went into the studio and

167 00:13:08,939 --> 00:13:12,979 recorded, I think, seven or eight songs and put them on a cassette tape.

168 00:13:13,499 --> 00:13:16,299 And it was just bluegrass covers, that kind of a thing.

169 00:13:16,339 --> 00:13:19,539 It was just guitar and banjo. and during that experience

170 00:13:19,539 --> 00:13:22,339 in the studio it was like okay i want to do more of this

171 00:13:22,339 --> 00:13:25,259 this was fun yeah you know we played played

172 00:13:25,259 --> 00:13:28,239 some shows on the base and there wasn't a whole lot to

173 00:13:28,239 --> 00:13:33,539 do in the city of kodiak it's a city of 5 000 people and probably 4 000 of them

174 00:13:33,539 --> 00:13:37,539 are commercial fishermen and so you know the the bars get kind of rowdy when

175 00:13:37,539 --> 00:13:43,299 the guys are in right yeah so there wasn't a whole lot of opportunities to play

176 00:13:43,299 --> 00:13:47,059 but we played some shows on the base at the officers club the enlisted men's

177 00:13:47,059 --> 00:13:48,119 club and things like that.

178 00:13:48,639 --> 00:13:51,859 And then from there, I got transferred to Two Rivers, Wisconsin,

179 00:13:52,419 --> 00:13:55,979 where I had joined a country band. I grew up country.

180 00:13:57,168 --> 00:14:01,388 I didn't even realize anything but country existed until I was 12 when my cousin

181 00:14:01,388 --> 00:14:05,108 played Here Comes the Sun for me by the Beatles and blew my mind. Yeah.

182 00:14:05,648 --> 00:14:11,568 But came back from Alaska, formed a country cover band, and did that for a little while.

183 00:14:11,728 --> 00:14:16,168 And then met a woman, got married, had a family, and wife kind of got in the way.

184 00:14:16,248 --> 00:14:21,328 So that was my first hiatus from music, which lasted almost 20 years.

185 00:14:21,548 --> 00:14:27,168 Yeah. And then around, if I'm figuring this out correctly, going backwards from

186 00:14:27,168 --> 00:14:28,008 what you talked about before,

187 00:14:28,788 --> 00:14:36,508 about mid-2000s, between 2000 and 2010 is when you started your back to music

188 00:14:36,508 --> 00:14:38,328 with a band. Was that around that time?

189 00:14:39,348 --> 00:14:44,908 Yeah. Yeah. Let's see. What would that have been? Yeah, right around mids. Yeah. Yeah.

190 00:14:45,488 --> 00:14:49,688 And I started, you know, I started, I wrote my, my album, which is titled,

191 00:14:49,928 --> 00:14:53,448 I never want to meet another you. That's the one I wrote after I got divorced. Right.

192 00:14:53,948 --> 00:14:58,008 Gotcha. And the guy that owned the studio that I recorded that in,

193 00:14:58,068 --> 00:15:02,048 we ended up becoming really good friends and he invited me to join his band

194 00:15:02,048 --> 00:15:03,948 kind of as a hired gun guitar player.

195 00:15:04,348 --> 00:15:07,768 And I did that. It was a band out of Sheboygan called Icarus Drifting,

196 00:15:07,868 --> 00:15:13,128 which is the band is still around. They're called the Bellwether now. Oh, okay.

197 00:15:13,508 --> 00:15:18,128 Sure. Yeah. Yeah, Eric Cox and Thea, Marissa, and Corey.

198 00:15:18,468 --> 00:15:24,388 But yeah, so after Icarus kind of fell apart, Eric reformed Icarus into the bellwether.

199 00:15:24,528 --> 00:15:27,608 But I played with Eric and Icarus Drifting for about six years.

200 00:15:28,428 --> 00:15:33,648 And that's during that time I released my second album. And then we released an album as Icarus.

201 00:15:34,368 --> 00:15:39,308 Okay. So let's talk a little bit about this newest album that you recently released.

202 00:15:39,308 --> 00:15:43,668 Based um kind of give the listeners kind of like a the summary of from beginning

203 00:15:43,668 --> 00:15:48,408 to end how it started where you recorded it things you kind of learned from

204 00:15:48,408 --> 00:15:54,468 that process and the release story behind it yeah so i wrote these songs that

205 00:15:54,468 --> 00:15:57,628 you know over the course of about 16 or 18 months.

206 00:15:58,968 --> 00:16:03,548 And a friend of mine i live in fond du lac and a friend of mine owns a studio

207 00:16:03,548 --> 00:16:08,068 it's not a pro that's not his business but he you know he has a studio on the

208 00:16:08,068 --> 00:16:12,848 side he's a music teacher and things like that and he offered to record it for

209 00:16:12,848 --> 00:16:16,108 me so I took him up on it and just kind of,

210 00:16:16,628 --> 00:16:20,828 laid out the songs that I did and then you know picked the sequence that I wanted

211 00:16:20,828 --> 00:16:25,788 to put him in and one of the reviews that I got on the record said it's it's

212 00:16:25,788 --> 00:16:30,588 it's a journey going through the desert and seeing almost every single different

213 00:16:30,588 --> 00:16:34,788 terrain a desert would have to offer which is It's pretty interesting.

214 00:16:35,208 --> 00:16:38,228 The songs were not written to be grouped together.

215 00:16:38,688 --> 00:16:41,808 They weren't written specifically for this album.

216 00:16:41,868 --> 00:16:45,728 I would just write a song and log it. And then pretty soon I realized these

217 00:16:45,728 --> 00:16:49,348 songs all kind of go together with a little bit of variation.

218 00:16:49,488 --> 00:16:51,628 So they don't all sound the same. Right.

219 00:16:52,857 --> 00:16:57,877 And the title came from something a woman said to me after a live show one time.

220 00:16:57,937 --> 00:17:02,177 She said, your music just makes me feel so carefree, like I want to drive through

221 00:17:02,177 --> 00:17:03,757 the desert to burn a million dollars.

222 00:17:03,917 --> 00:17:07,017 And I went, oh, I got to write that down. Yeah, definitely, definitely.

223 00:17:07,497 --> 00:17:10,597 Very catchy, very thought-provoking title.

224 00:17:11,277 --> 00:17:15,577 Now, the tunes that you had mentioned earlier, Russian and Ghost,

225 00:17:15,697 --> 00:17:16,657 are those part of that album?

226 00:17:17,137 --> 00:17:20,717 Yes, they're both on this album. Okay. It's Russian Worship,

227 00:17:20,837 --> 00:17:27,017 and there is another part to the name of that song, but it's got a bad word in it. Okay, gotcha.

228 00:17:28,377 --> 00:17:32,017 And then the other one is called Unquiet Ghost. Unquiet Ghost.

229 00:17:32,637 --> 00:17:37,857 My favorite song on the album is Low-Flying Owls, which was one of those songs.

230 00:17:37,857 --> 00:17:39,297 That just kind of came to me.

231 00:17:39,377 --> 00:17:45,897 I just wrote it one day, and I played it for my wife, and we're trying to come up with a title for it.

232 00:17:46,717 --> 00:17:49,537 Because a lot of times, you know, it's instrumental, there's no

233 00:17:49,537 --> 00:17:52,457 story right sometimes there's a story behind it but

234 00:17:52,457 --> 00:17:55,857 it may not be obvious to the listener because there's no words right

235 00:17:55,857 --> 00:17:59,937 so i try to either name

236 00:17:59,937 --> 00:18:04,177 the song after a feeling that the song may evoke or i go the complete opposite

237 00:18:04,177 --> 00:18:09,297 direction and just name it something really offbeat and off the wall and this

238 00:18:09,297 --> 00:18:12,777 one yeah i'd written the song and she said well let's just marinate on it for

239 00:18:12,777 --> 00:18:17,977 a few days and see if something doesn't come to us and we actually saw a road sign sign.

240 00:18:18,337 --> 00:18:22,357 And you know, those yellow diamond shaped signs like a deer crossing sign.

241 00:18:22,677 --> 00:18:26,097 And it said, caution, low flying owls.

242 00:18:26,757 --> 00:18:32,017 And my wife turned to me and looked at me and I had the song recorded and she's like, play that song.

243 00:18:32,357 --> 00:18:35,257 So I played it and she went, Oh my God, that's it. It's low.

244 00:18:35,397 --> 00:18:38,977 And she says, I just envisioned an owl just kind of soaring through the woods

245 00:18:38,977 --> 00:18:42,577 with its wings stretched out. And so that's what I titled it.

246 00:18:43,920 --> 00:21:37,840 Music.

247 00:21:37,688 --> 00:21:41,428 Obviously multiple different states and

248 00:21:41,428 --> 00:21:44,288 venues what can you kind of tell the listeners

249 00:21:44,288 --> 00:21:47,988 about your experience of the local attitude that

250 00:21:47,988 --> 00:21:50,768 you have experienced over the years that you have played out live

251 00:21:50,768 --> 00:21:53,668 good and bad well the the

252 00:21:53,668 --> 00:21:56,668 bad is the typical and i'm sure almost every musician out there

253 00:21:56,668 --> 00:21:59,388 will will agree with me when you know

254 00:21:59,388 --> 00:22:02,448 you show up to a gig and there's five people there and

255 00:22:02,448 --> 00:22:06,648 four of those five people are talking right

256 00:22:06,648 --> 00:22:09,368 you know and that's just part of it

257 00:22:09,368 --> 00:22:12,588 right but you know that it's there's that one person

258 00:22:12,588 --> 00:22:16,108 standing there paying attention and that's

259 00:22:16,108 --> 00:22:19,488 you know you got to bring your stadium show your a-game even if it's just one

260 00:22:19,488 --> 00:22:26,828 person you know well the good stuff is is far outweighs the bad of course but

261 00:22:26,828 --> 00:22:31,928 it's it's like one of the best experiences that ever happened to me after a

262 00:22:31,928 --> 00:22:34,688 live show and during a live show actually is i have a song,

263 00:22:35,428 --> 00:22:41,408 i wrote called river of souls and it's about genocide in africa it's a pretty dark heavy song.

264 00:22:42,228 --> 00:22:48,668 But i was playing a small coffee shop in cheboygan and i saw a woman in the

265 00:22:48,668 --> 00:22:53,588 audience just happened to notice she was crying i mean i'm like you know bawling

266 00:22:53,588 --> 00:22:56,888 ugly crying and we made eye eye contact.

267 00:22:57,168 --> 00:23:00,428 And she got up and ran into the bathroom while I'm on stage playing the song,

268 00:23:00,608 --> 00:23:03,128 looking at her husband who was sitting next to her thinking,

269 00:23:03,308 --> 00:23:04,648 well, you jerk, what'd you say to her?

270 00:23:04,768 --> 00:23:09,328 You know, and finished out the show.

271 00:23:09,408 --> 00:23:13,888 And she came up to me after the show and she says, I've never been moved so

272 00:23:13,888 --> 00:23:16,228 much in my life as I have from that song.

273 00:23:16,748 --> 00:23:19,948 And I said, you were crying because of my song. She goes, yes.

274 00:23:20,328 --> 00:23:22,528 And I was like, okay, I can retire now.

275 00:23:23,568 --> 00:23:26,388 It's like I touched somebody that deeply that

276 00:23:26,388 --> 00:23:29,248 i made her ugly cry right right i mean

277 00:23:29,248 --> 00:23:32,428 that's that it's a highlight for

278 00:23:32,428 --> 00:23:36,208 sure right it's it's something that an artist wants some

279 00:23:36,208 --> 00:23:39,028 kind of emotion evoked from something

280 00:23:39,028 --> 00:23:42,868 that they're doing either from a painting or a picture or a musical composition

281 00:23:42,868 --> 00:23:48,268 just know that they can you know touch somebody with a human emotion with what

282 00:23:48,268 --> 00:23:51,348 they're doing then that lets them know that they're on the right track of what

283 00:23:51,348 --> 00:23:56,348 they're trying to accomplish well even the negative stuff, you know, is okay a lot of times.

284 00:23:56,428 --> 00:24:00,188 I had a song on my first record called why, and it was rather political and,

285 00:24:01,112 --> 00:24:04,372 And I was playing it one day, and apparently this gentleman in the audience

286 00:24:04,372 --> 00:24:06,732 had an opposite political opinion of mine.

287 00:24:07,152 --> 00:24:10,472 And he got up, and he gave me the finger, and he walked out.

288 00:24:10,572 --> 00:24:11,912 And it's like, okay, that's fine.

289 00:24:12,252 --> 00:24:16,052 And then a woman came up to me afterwards, and she said, I'm sorry that you

290 00:24:16,052 --> 00:24:18,772 had to deal with that. I said, I'm not. She goes, well, why not?

291 00:24:18,852 --> 00:24:19,912 I said, it's perfectly fine.

292 00:24:20,132 --> 00:24:22,052 My song elicited a reaction.

293 00:24:22,352 --> 00:24:26,012 I would rather get a negative reaction than no reaction. Right.

294 00:24:27,272 --> 00:24:29,972 At least he was listening. Yeah, exactly.

295 00:24:31,432 --> 00:24:34,772 Told me a lot right exactly so we've

296 00:24:34,772 --> 00:24:38,732 talked about the local scene we've talked about your current project now

297 00:24:38,732 --> 00:24:42,492 obviously you talked about being divorced but it also sounds like you're remarried

298 00:24:42,492 --> 00:24:47,032 is your wife now is she a musician as well or is she just a really good music

299 00:24:47,032 --> 00:24:53,352 lover she's a music lover she is an artist but she's a graphic designer so which

300 00:24:53,352 --> 00:24:57,952 is great because she does does all the artwork for my albums, everything like that.

301 00:24:59,392 --> 00:25:04,132 So yeah, kind of a built-in art director. But no, she's a music lover for sure.

302 00:25:04,352 --> 00:25:10,932 And we go see a lot of shows together and pretty diverse as far as our tastes.

303 00:25:11,352 --> 00:25:15,632 You know, like two weeks ago, we were in Milwaukee at Pfizer to see Tool.

304 00:25:15,932 --> 00:25:21,912 And then the very next night, we were in Madison to see a Ukrainian folk band called Daka Bruka.

305 00:25:22,872 --> 00:25:28,192 Fantastic, fantastic. Yeah, it's good to explore all the different types of

306 00:25:28,192 --> 00:25:30,692 music out there, especially when, like you.

307 00:25:31,873 --> 00:25:34,213 Where you just started out, you didn't think there was anything besides country

308 00:25:34,213 --> 00:25:35,073 out there till you were 12.

309 00:25:35,553 --> 00:25:38,593 Now you're exploring all this different kinds of music. And I think it just

310 00:25:38,593 --> 00:25:41,853 makes you a better, not just a better musician, but just makes you a better

311 00:25:41,853 --> 00:25:45,333 person overall, just to experience all these different kinds of music out there.

312 00:25:45,553 --> 00:25:49,673 Oh, absolutely. Yeah. And, you know, and I draw a little influence from certain things.

313 00:25:50,093 --> 00:25:53,613 I was just playing the other day in the studio and I have a loop pedal that I play with.

314 00:25:53,713 --> 00:25:57,173 I don't do a lot with it live, but just started this little riff and it was

315 00:25:57,173 --> 00:26:00,193 like, that sounds kind of tool-like. So I just built off of it.

316 00:26:00,413 --> 00:26:03,473 Nice. you know and it's just had i

317 00:26:03,473 --> 00:26:06,333 not been exposed to that music i probably never would have done that right

318 00:26:06,333 --> 00:26:09,473 yeah i like to expose myself to a lot of different styles and

319 00:26:09,473 --> 00:26:12,653 genres now one of

320 00:26:12,653 --> 00:26:16,113 the questions i ask is about like work life balance you haven't really said

321 00:26:16,113 --> 00:26:20,973 you're retired or not but do you have like a work life balance difficulty or

322 00:26:20,973 --> 00:26:25,413 is it kind of pretty much you're you got a good balance going there i think

323 00:26:25,413 --> 00:26:31,573 it's it's probably it's pretty decent i mean it's work Work definitely is the predominant.

324 00:26:31,573 --> 00:26:35,613 I do have a day job predominant factor in my life right now.

325 00:26:35,933 --> 00:26:41,553 I work 10 hour days and I have a almost hour drive to and from work.

326 00:26:41,673 --> 00:26:44,853 So I've got, yeah, I live in Fidelac. I work in Appleton.

327 00:26:45,313 --> 00:26:48,553 So it's 47 miles from my house to my job.

328 00:26:48,973 --> 00:26:55,433 So I do spend a lot of time in work mode. You know, I come home and try,

329 00:26:55,573 --> 00:26:59,633 you know, like Mondays and Tuesdays, I'm done earlier than I am on Wednesdays and Thursdays.

330 00:26:59,633 --> 00:27:04,373 So I have time to play after work and things like that on Wednesdays and Thursdays,

331 00:27:04,373 --> 00:27:08,793 I get a little bit of time in the morning to play, but my wife does work Fridays.

332 00:27:08,893 --> 00:27:10,853 So Friday is kind of my day.

333 00:27:12,293 --> 00:27:16,533 It's my day to just do what I need to do and what I want to do and things like that.

334 00:27:16,613 --> 00:27:19,113 And then come the weekend, if we don't have anything going on,

335 00:27:19,133 --> 00:27:23,493 then I go into studio and, you know, play some more or it's,

336 00:27:23,533 --> 00:27:27,853 it's pretty rare that we don't have something going on. at least one of the days on the weekend.

337 00:27:28,795 --> 00:27:34,015 Are you going out and still performing with the new album? Are you getting good

338 00:27:34,015 --> 00:27:36,315 feedback? What's the deal on that?

339 00:27:36,595 --> 00:27:42,495 Yeah, I'm in booking mode right now. I've got a show booked at Oak Brewing in West Allis in April.

340 00:27:42,635 --> 00:27:46,115 It's one of the Amplified Artist Sessions that they do there.

341 00:27:46,835 --> 00:27:51,335 And right now, I'm... So being an instrumental artist, you know,

342 00:27:51,375 --> 00:27:57,895 I'm definitely not a bar scene kind of a guy. So my stuff just is not made for

343 00:27:57,895 --> 00:27:59,815 that particular type of venue.

344 00:28:00,175 --> 00:28:06,035 So I'm trying to find, you know, wine bars or maybe smaller places to play there.

345 00:28:06,415 --> 00:28:10,275 My wife and I happen to love the Door County areas and there's a lot of places

346 00:28:10,275 --> 00:28:12,275 up there. So I'm doing some bookings up there.

347 00:28:12,615 --> 00:28:15,435 There are some places in Sheboygan, you know, I'm trying to,

348 00:28:15,435 --> 00:28:19,755 trying to stick within an hour or two of my house, maybe two and a half if it's,

349 00:28:19,755 --> 00:28:20,955 if it's a really cool place.

350 00:28:20,955 --> 00:28:23,775 Uh but that's not to say i wouldn't take

351 00:28:23,775 --> 00:28:26,915 a you know if somebody booked me a great show in minneapolis or

352 00:28:26,915 --> 00:28:29,855 chicago i'd definitely jump all over it right right

353 00:28:29,855 --> 00:28:32,735 but yeah i'm i'm in i'm in hardcore booking mode right

354 00:28:32,735 --> 00:28:35,395 now and then is there

355 00:28:35,395 --> 00:28:39,535 any gigs i mean you talked about some gigs where you know you had some great

356 00:28:39,535 --> 00:28:44,695 emotional reaction from the audience was there one where you went and saw someone

357 00:28:44,695 --> 00:28:50,635 perform and had a great impression on you yeah so one of my wives and my both

358 00:28:50,635 --> 00:28:53,675 favorite artist is a guy out of Ireland named Damien Rice.

359 00:28:54,776 --> 00:29:00,416 He's a singer-songwriter, you know. I'm kind of reluctant to always say he's

360 00:29:00,416 --> 00:29:03,156 from Ireland because that immediately conjures up the image of,

361 00:29:03,236 --> 00:29:06,816 oh, he does Irish music, but he does not. He isn't a singer-songwriter. Right.

362 00:29:07,376 --> 00:29:09,036 But we've seen him a couple times,

363 00:29:09,216 --> 00:29:12,156 and we're actually going to see him in Chicago on the 1st of December.

364 00:29:12,956 --> 00:29:17,976 But he played the Auditorium Theater a few years ago, walked out on that stage,

365 00:29:18,016 --> 00:29:21,716 and I don't know what the capacity of the theater is. It's probably 6,000 or 8,000.

366 00:29:22,136 --> 00:29:24,936 But he walked out on that stage solo, solo just an

367 00:29:24,936 --> 00:29:28,096 acoustic guitar and that place fell silent

368 00:29:28,096 --> 00:29:31,336 for two hours i mean it was amazing

369 00:29:31,336 --> 00:29:34,616 i don't know how you do that one guy in acoustic guitar i'm

370 00:29:34,616 --> 00:29:41,016 working on figuring it out just yeah it's just like you're just mesmerized by

371 00:29:41,016 --> 00:29:46,256 someone that can go up there just them and an instrument and just control your

372 00:29:46,256 --> 00:29:48,076 attention for that amount of

373 00:29:48,076 --> 00:29:53,836 time it's just exactly yeah it's awe-inspiring and and And he's just so,

374 00:29:54,036 --> 00:29:57,416 I don't know if you're familiar with his music at all, but it's pretty deep, too.

375 00:29:58,036 --> 00:30:02,916 It's the type of music that you really should listen to. And most of his fans

376 00:30:02,916 --> 00:30:04,896 realize this, so most of them do.

377 00:30:05,696 --> 00:30:07,956 They're all in. Yeah.

378 00:30:09,416 --> 00:30:13,016 And that's definitely one of our favorites. And I would love to be able to figure

379 00:30:13,016 --> 00:30:15,556 out how to do what he did with that size audience.

380 00:30:16,916 --> 00:30:19,556 Yeah, you would think it's like a lot of

381 00:30:19,556 --> 00:30:22,556 those songs you would think that that artist does it means

382 00:30:22,556 --> 00:30:26,716 something to a lot of different people each one of those songs and it just everybody's

383 00:30:26,716 --> 00:30:32,456 there to experience that in a live setting right right well it's like dave growl

384 00:30:32,456 --> 00:30:36,996 the fool fighter said one time he said you can sing a song to 85 000 people

385 00:30:36,996 --> 00:30:42,436 and they will sing it back to you for 85 000 different reasons yep exactly exactly.

386 00:30:43,640 --> 00:30:47,440 I'm pretty much out of questions. I mean, you've given us a lot of stuff to

387 00:30:47,440 --> 00:30:50,320 ponder and think about and reflect on.

388 00:30:50,420 --> 00:30:54,000 Is there anything that you would like the listeners to know about before I let you go?

389 00:30:54,440 --> 00:30:57,680 Just check out the album. You know, it's available on most of the streaming

390 00:30:57,680 --> 00:31:02,560 platforms, Spotify, iTunes, Apple Music. It is on YouTube as well.

391 00:31:02,820 --> 00:31:07,560 If you don't have any, I'm finding a lot of my fans are of my age and a lot

392 00:31:07,560 --> 00:31:10,120 of them don't have Spotify and things like that.

393 00:31:10,660 --> 00:31:13,540 So it's up on YouTube as well. but yeah just

394 00:31:13,540 --> 00:31:16,380 go check it out if you like it hop on over to

395 00:31:16,380 --> 00:31:19,420 itunes and you know click that old buy button that

396 00:31:19,420 --> 00:31:22,600 would be great there you go are you on um bandcamp as

397 00:31:22,600 --> 00:31:25,580 well yep okay so i will put all

398 00:31:25,580 --> 00:31:28,860 your links into the description of this episode

399 00:31:28,860 --> 00:31:31,740 so people can just click on that and then go right to that

400 00:31:31,740 --> 00:31:34,440 and you know hopefully you know support you by

401 00:31:34,440 --> 00:31:37,580 buying you know your music like you said on itunes or

402 00:31:37,580 --> 00:31:40,620 over at bandcamp so yeah yeah it

403 00:31:40,620 --> 00:31:43,760 is all of the socials and it's all under the elysian

404 00:31:43,760 --> 00:31:46,560 stew okay that's yeah that's one

405 00:31:46,560 --> 00:31:49,340 more thing i was going to ask you but i forgot it's like where did that name come

406 00:31:49,340 --> 00:31:55,700 from so elysian means blissful or delightful which hopefully people will find

407 00:31:55,700 --> 00:32:02,200 my music and stew comes from a lot of my influences growing up i've taken little

408 00:32:02,200 --> 00:32:05,260 little bits and pieces and kind of all throwing them in the pot to come up with

409 00:32:05,260 --> 00:32:06,900 my own little stew of a style.

410 00:32:07,360 --> 00:32:11,060 And I figured by doing that also, if I ever work with any other musicians,

411 00:32:11,480 --> 00:32:14,060 they will just be added ingredients in the stew.

412 00:32:14,960 --> 00:32:18,640 Wonderful. Wonderful. Well, Pat, thank you so much for being on the Wisconsin Music Podcast.

413 00:32:18,800 --> 00:32:22,580 Like I said, it's been a pleasure talking with you, learning about your journey

414 00:32:22,580 --> 00:32:25,860 through music, and I hope the listeners enjoyed hearing this as well.

415 00:32:26,280 --> 00:32:29,660 Yeah, I do too. Thank you so much for having me. I greatly appreciate it.

416 00:32:29,680 --> 00:32:33,220 It's awesome what you do to help support Wisconsin musicians. That's great.

417 00:32:33,999 --> 00:32:38,739 And then that's it. So I'll do this stuff post editing and everything.

418 00:32:38,919 --> 00:32:42,019 And then I will let you know when this will go live. It'd probably be like,

419 00:32:42,519 --> 00:32:44,559 I'm thinking not till the early

420 00:32:44,559 --> 00:32:47,859 new year, like January, February is when this will probably come out.

421 00:32:47,939 --> 00:32:51,739 So, and like you said, you mentioned a gig in April. So people will catch that

422 00:32:51,739 --> 00:32:53,519 way before that happens.

423 00:32:53,699 --> 00:32:55,699 And then they can, you have a website.

424 00:32:56,259 --> 00:33:02,639 I don't have a website. No, I've just got, I've got the Instagram and my Facebook is under my name.

425 00:33:02,859 --> 00:33:08,999 Okay. I tried changing the name to Elysian stew and all these people kept sending

426 00:33:08,999 --> 00:33:10,779 me messages. Who are you? How do I know?

427 00:33:12,419 --> 00:33:15,519 Cause I have a lot of followers on Facebook and I thought it would be easier

428 00:33:15,519 --> 00:33:17,639 just to change my name and it will be to start over.

429 00:33:17,859 --> 00:33:23,339 Right. By that I realized that didn't work. So I just changed it back to my name. Gotcha. Okay.

430 00:33:23,799 --> 00:33:27,419 Well, Pat, once again, thank you so much for being on and looking forward to

431 00:33:27,419 --> 00:33:30,159 putting this all together for you and letting you know when it's ready to go.

432 00:33:30,479 --> 00:33:33,479 Sounds good. Thank you very much. Appreciate it. Yep. Have a great evening.

433 00:33:33,679 --> 00:33:37,219 Thank you. You too. Well, thanks again for tuning in to another episode of the

434 00:33:37,219 --> 00:33:38,179 Wisconsin music podcast.

435 00:33:38,539 --> 00:33:42,339 Once again, I'm Zach Foe, your host and creator of the Wisconsin music podcast,

436 00:33:42,379 --> 00:33:47,019 where I love to amplify the great sounds coming out of the Wisconsin state.

437 00:33:47,059 --> 00:33:50,519 We have great talent here, great support, great listeners.

438 00:33:50,959 --> 00:33:56,399 Thanks to Fox cities, indie radio for syndicating this on Thursdays and Sundays,

439 00:33:56,479 --> 00:33:58,019 along with their other great programmers.

440 00:33:58,059 --> 00:34:02,239 So make sure you check out the Fox cities, indie radio. Thanks to our great

441 00:34:02,239 --> 00:34:06,439 guest this week, Elysian Stew, also known as Pat Zydek.

442 00:34:06,779 --> 00:34:11,519 Make sure you check out his newest recording, Driving Through the Desert to

443 00:34:11,519 --> 00:34:16,259 Burn a Million Dollars, available on most streaming sites and Bandcamp.

444 00:34:16,599 --> 00:34:21,439 If you'd like to be on the show, just go to wisconsinmusicpodcast.com,

445 00:34:21,539 --> 00:34:26,379 fill out the guest request form up at the top, ask for your email and your name,

446 00:34:26,479 --> 00:34:30,219 and then I'll send you an auto email asking you for more information.

447 00:34:30,839 --> 00:34:34,799 If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast.

448 00:34:35,319 --> 00:34:39,539 Donations help pay for the website and putting the podcast up on streaming services

449 00:34:39,539 --> 00:34:44,119 and also getting our name out there to all Wisconsinites and others that are

450 00:34:44,119 --> 00:34:46,539 interested in our great music here in Wisconsin.

451 00:34:47,059 --> 00:34:50,959 Donations are secured through PayPal and Stripe. All you have to do is go to

452 00:34:50,959 --> 00:34:53,839 the website and click on Donate to WMP.

453 00:34:54,559 --> 00:34:58,659 You can also head over to our Instagram and Facebook pages and like us there.

454 00:34:58,879 --> 00:35:04,459 Leave some comments. Also go to the podcast review section of your podcast player

455 00:35:04,459 --> 00:35:06,539 and leave a five-star review. It would be great.

456 00:35:07,219 --> 00:35:10,979 You can also head over to YouTube and watch the interviews and leave comments

457 00:35:10,979 --> 00:35:14,119 there as well. Have a great week, everybody, and we'll see you next time.

https://linktr.ee/dakdubois

Embark on a rhythmic journey with Milwaukee's own Dak Dubois on this latest episode of the Wisconsin Music Podcast, hosted by Zach Felt. Known for his eclectic mix of indie pop, 70s funk, soul, and snippets of 60s and 70s psychedelia, Dubois has been creating exciting ripples in the music scene.

In this illuminating podcast episode, delve deep into the musical world of Dubois as he shares the stories behind his acclaimed self-titled album and dynamic performances with 'Doc Dubois and Company'. Gain insights into his creative process, musical roots, on-stage energy and the magic that unfolds with each performance.

Uncover the man behind popular anthems like 'Seaside' and 'Portland'. From harmonious soundscapes to Dak's shift to focusing full time on music, explore everything from his multicultural musical influences to the pivotal role of books in shaping his career. This episode promises a melodious adventure through the upbeat world of Dak Dubois that you simply can't afford to skip.

Landscape through the retro-modern universe of tunes Dak Dubois crafts, colored with classic rock and roll inspirations from The Beatles and Led Zeppelin and a psychedelic zest inspired by The Grateful Dead. Gain a unique perspective on Dak's journey, gigging experiences, industry transformations over the years and inspiring words for emerging artists.

Immerse yourself in the enlightening world of Dak Dubois, an inspiring figure in music balancing life's nuances while striking an engaging note with listeners. Join this melodious sporting adventure with Dak by tuning in to the Wisconsin Music Podcast and following him @DakDubois on Instagram for the latest updates on his musical journey.

----------------------------------------------------------------

Transcript:

1 00:00:00.000 --> 00:00:10.800 Music.

2 00:00:10.643 --> 00:00:14.683 Ladies and gentlemen, welcome to another exciting episode of the Wisconsin Music Podcast.

3 00:00:14.783 --> 00:00:18.043 I'm your host, Zach Felt, and today we have a special treat for you,

4 00:00:18.083 --> 00:00:20.603 for all you music enthusiasts out there.

5 00:00:20.743 --> 00:00:26.323 And before I continue, hopefully I will say your name correctly. Is it Dak Dubois?

6 00:00:27.523 --> 00:00:31.003 Dak Dubois. Dak Dubois. Okay. Dubois, yeah.

7 00:00:31.703 --> 00:00:36.003 Just like Marge Simpson's last name. Sure, yeah. Okay.

8 00:00:36.823 --> 00:00:40.863 Our guest on the show today is none other than Dak Dubois, The Milwaukee-based

9 00:00:40.863 --> 00:00:44.223 artist who's been making waves with his unique blend of modern indie pop,

10 00:00:44.483 --> 00:00:47.943 70s funk and soul, and a touch of 60s and 70s psychedella.

11 00:00:48.043 --> 00:00:51.483 His self-titled album, a testament to his multifaceted talents,

12 00:00:51.763 --> 00:00:54.023 was entirely crafted in the comfort

13 00:00:54.023 --> 00:00:58.663 of his own apartment-turned-studio and was released in April of 23.

14 00:00:59.123 --> 00:01:05.463 What makes Doc truly exceptional is his live performances. He's not alone on stage.

15 00:01:05.643 --> 00:01:09.323 He's joined by a rotating cast of talented local musicians, collectively known

16 00:01:09.323 --> 00:01:11.943 as Doc Dubois and Company.

17 00:01:12.183 --> 00:01:17.123 Their shows are a fusion of funk-driven, jammy vibes and captivating crowd engagement,

18 00:01:17.323 --> 00:01:19.343 promising an unforgettable experience.

19 00:01:19.823 --> 00:01:24.103 One of his standout singles, Portland, even premiered on Radio Milwaukee,

20 00:01:24.343 --> 00:01:30.203 and his album has been lauded as an imaginative, colorful exercise by Milwaukee breaking and entering.

21 00:01:30.203 --> 00:01:34.003 If you're eager to dive into his world of music, you'll be delighted to know

22 00:01:34.003 --> 00:01:37.463 that his latest album is available on all major streaming platforms.

23 00:01:38.203 --> 00:01:42.463 So stay tuned as we dive into a conversation exploring the intricate stories

24 00:01:42.463 --> 00:01:45.423 behind his music, the vibrant energy he brings to the stage.

25 00:01:45.823 --> 00:01:48.803 This is an episode you won't want to miss, so let's jump right in and discover

26 00:01:48.803 --> 00:01:52.983 the magic of Doc Dubois. So welcome to the Wisconsin Music Podcast.

27 00:01:54.323 --> 00:01:59.003 Cool. Thanks for having me, man. Cool. Cool. So let's get the listeners a little

28 00:01:59.003 --> 00:02:01.983 bit more in depth about your music origin story.

29 00:02:02.083 --> 00:02:05.743 How did you get started in the music and how did you land where you are today?

30 00:02:06.826 --> 00:02:11.226 Yeah, for sure. So, I mean, I started learning guitar when I was like 11 years old.

31 00:02:11.726 --> 00:02:17.326 I really enjoyed the sound of like the 60s and the 70s and a lot of different

32 00:02:17.326 --> 00:02:19.566 like kind of alternative and indie sounds too.

33 00:02:20.166 --> 00:02:24.746 29 years old. So at the time, like early Arctic Monkeys, Strokes,

34 00:02:24.866 --> 00:02:28.006 Flaming Lips, stuff like that. A lot of that really got me into music.

35 00:02:28.446 --> 00:02:32.786 I started learning guitar at like 11, played a lot, you know,

36 00:02:32.786 --> 00:02:33.846 throughout my teenage years.

37 00:02:34.086 --> 00:02:36.866 I had a stepdad who was a drummer and he would bring me out to

38 00:02:36.866 --> 00:02:39.506 all of these open jams and so i started

39 00:02:39.506 --> 00:02:42.206 playing with a bunch of like blues guys and stuff once i

40 00:02:42.206 --> 00:02:45.026 was about 16 and interesting to start playing in

41 00:02:45.026 --> 00:02:47.826 bars at that age too but yeah you know over

42 00:02:47.826 --> 00:02:50.786 the years i just kind of crafted more and more of

43 00:02:50.786 --> 00:02:53.566 myself as a musician and figured out how

44 00:02:53.566 --> 00:02:56.546 to sing better and play all the other instruments too

45 00:02:56.546 --> 00:02:59.386 and but yeah still guitar is kind of like my main love

46 00:02:59.386 --> 00:03:02.566 but yeah i love getting to do everything thing and kind of write it all out

47 00:03:02.566 --> 00:03:07.906 so wonderful wonderful so you said and other instruments so what other instruments

48 00:03:07.906 --> 00:03:13.466 do you play besides guitar yeah so i play i play drums i play keys i play bass

49 00:03:13.466 --> 00:03:19.166 pretty much anything that has strings on it i feel like i can kind of get down pretty quickly.

50 00:03:19.926 --> 00:03:23.286 So like mandolin ukulele kind of

51 00:03:23.286 --> 00:03:26.066 stuff like that a little banjo but yeah yeah

52 00:03:26.066 --> 00:03:29.166 pretty much anything thing with strings i'll try ripping so cool

53 00:03:29.166 --> 00:03:32.146 very cool have you ever tried like the non-fretted instruments

54 00:03:32.146 --> 00:03:35.746 like violin cello and in the such no no

55 00:03:35.746 --> 00:03:38.626 i don't think i came from that uh that level of prestige as

56 00:03:38.626 --> 00:03:41.326 a child so no i haven't tried but i

57 00:03:41.326 --> 00:03:44.086 understand they're just tuned differently they're tuned in fourths instead

58 00:03:44.086 --> 00:03:46.926 of fifths so right right i feel like that'd be pretty easy

59 00:03:46.926 --> 00:03:50.086 i play slide guitar so kind of used to not using frets

60 00:03:50.086 --> 00:03:53.806 with that so cool cool very cool and have

61 00:03:53.806 --> 00:03:57.446 you implemented let it slide into any of your songs i actually

62 00:03:57.446 --> 00:04:00.206 haven't no i've done it a couple of

63 00:04:00.206 --> 00:04:03.146 times with live i know last night we had a show at

64 00:04:03.146 --> 00:04:06.286 oak and at one point i grabbed one

65 00:04:06.286 --> 00:04:09.586 of my drummer's drumsticks and started playing slide guitar with that so that

66 00:04:09.586 --> 00:04:15.286 was pretty cool it's just on my sg too and i have an sg that's awesome for playing

67 00:04:15.286 --> 00:04:20.126 it sucks for slide but it somehow sounded okay last night so i haven't really

68 00:04:20.126 --> 00:04:23.866 heard anybody using a wooden drumstick for for a slide.

69 00:04:24.579 --> 00:04:27.459 Must be an interesting setup it was the first time i

70 00:04:27.459 --> 00:04:30.739 ever tried it so yeah we had a two-hour set we had

71 00:04:30.739 --> 00:04:33.499 to stretch it out and gotcha you know i looked at the boys i

72 00:04:33.499 --> 00:04:37.679 was like we're gonna get weird you know so we got weird people

73 00:04:37.679 --> 00:04:40.379 like it when we get weird so yeah right i was gonna say i bet the

74 00:04:40.379 --> 00:04:43.999 audience was enjoying it i bet for sure yeah definitely cool

75 00:04:43.999 --> 00:04:47.119 so how long has this has this group

76 00:04:47.119 --> 00:04:50.119 been kind of like together i know it's mostly you when you have this rotating

77 00:04:50.119 --> 00:04:53.179 set set of musicians but as this entity how

78 00:04:53.179 --> 00:04:58.119 long has this been going on just six months so i launched the album six months

79 00:04:58.119 --> 00:05:02.159 ago and that was kind of my first time doing this before that i was kind of

80 00:05:02.159 --> 00:05:05.539 a journeyman like guitarist i would just play guitar in a lot of different bands

81 00:05:05.539 --> 00:05:10.439 whether you know kind of a lot of across a lot of different genres but i moved

82 00:05:10.439 --> 00:05:12.979 down to milwaukee from the fox cities back.

83 00:05:13.579 --> 00:05:16.579 About a year a little over a year ago and started working

84 00:05:16.579 --> 00:05:20.179 on this album and knew that i kind of of wanted to like squeak out

85 00:05:20.179 --> 00:05:23.379 in this scene down here and and just try

86 00:05:23.379 --> 00:05:26.439 something new with it so really glad i did it's been really successful

87 00:05:26.439 --> 00:05:29.379 so far and people have taken taken it really nicely so

88 00:05:29.379 --> 00:05:32.459 excellent so kind of one of my questions is talking

89 00:05:32.459 --> 00:05:36.719 about the local scene so it seems like you're getting a positive reaction from

90 00:05:36.719 --> 00:05:40.379 the scene which is great what are some other positives that you've been kind

91 00:05:40.379 --> 00:05:45.419 of noticing about the local scene for you oh man i got so many homies in the

92 00:05:45.419 --> 00:05:49.459 scene And it's been crazy to just really be in a new place and get to meet all of them.

93 00:05:50.039 --> 00:05:54.419 Yeah. I've gotten to collaborate with quite a few different artists and I think

94 00:05:54.419 --> 00:05:59.059 getting to do recording stuff is great too, but I just love how diverse the scene is.

95 00:05:59.119 --> 00:06:03.359 Honestly, there's so many talented people from so many different like genres

96 00:06:03.359 --> 00:06:09.379 and sub genres that I think it makes, it makes it such an intricate scene in Milwaukee here.

97 00:06:09.919 --> 00:06:13.979 And I love getting to see it, man. man. There's just so much talent and people

98 00:06:13.979 --> 00:06:17.139 are just incredible songwriters and players in general. Yeah.

99 00:06:17.459 --> 00:06:21.699 It's a lot of great talent out there in the Milwaukee and outing areas,

100 00:06:21.799 --> 00:06:24.859 all the way throughout Wisconsin. There's just a lot of great musicians out here.

101 00:06:25.399 --> 00:06:28.659 What are some of the struggles that you've kind of seen in the local scene,

102 00:06:28.739 --> 00:06:32.979 though, that maybe needs help to help it make it stronger? Yeah.

103 00:06:33.819 --> 00:06:39.239 I don't know. I guess I haven't really experienced a lot of struggles necessarily. necessarily.

104 00:06:39.259 --> 00:06:42.739 I feel like selling merch is kind of hard, but I feel like that's kind of,

105 00:06:42.759 --> 00:06:44.639 everybody has that right situation.

106 00:06:45.159 --> 00:06:48.879 I also know that we're like in an interesting financial situation as far as

107 00:06:48.879 --> 00:06:50.179 like the world's concerned right now.

108 00:06:50.239 --> 00:06:53.899 So I'm not going to be like luring that over anybody's head. No.

109 00:06:54.619 --> 00:06:59.059 Yeah. I don't know. I feel like everybody's really cool and it doesn't feel

110 00:06:59.059 --> 00:07:01.379 grossly competitive or anything like that. Like.

111 00:07:02.434 --> 00:07:06.334 Yeah i don't know i guess i think i

112 00:07:06.334 --> 00:07:08.954 wish that the hip-hop and r b scene had a little

113 00:07:08.954 --> 00:07:11.934 bit more support from some of the some of the faces that

114 00:07:11.934 --> 00:07:15.394 i kind of see in the circles that i play in and stuff yeah because i love getting

115 00:07:15.394 --> 00:07:19.354 to play across you know different scenes and work with other people and i mean

116 00:07:19.354 --> 00:07:23.314 they definitely have a lot of support but i feel like it's there's just so much

117 00:07:23.314 --> 00:07:26.974 untapped talent there that i wish that we could almost support those people

118 00:07:26.974 --> 00:07:30.354 a little bit better but but that's honestly my only gripe.

119 00:07:30.934 --> 00:07:33.454 I mean, we're supposed to be a melting pot of everything, right?

120 00:07:33.914 --> 00:07:35.694 Yeah, totally, man. Right, exactly.

121 00:07:36.934 --> 00:07:40.374 Now, talking a little bit about this new album that came out in April,

122 00:07:41.474 --> 00:07:44.394 we're at the end of October with this recording of this interview,

123 00:07:44.574 --> 00:07:46.434 so it's been, like you said, about six months.

124 00:07:46.994 --> 00:07:48.734 So why don't we talk to the listeners

125 00:07:48.734 --> 00:07:53.194 through the journey of creating this project. How did you get started?

126 00:07:53.754 --> 00:07:57.754 How did you put the things together, like your recording equipment and things of that nature?

127 00:07:57.754 --> 00:08:00.774 Year how did it go being in an apartment is the drums

128 00:08:00.774 --> 00:08:03.394 you said you're a drummer so are these live drums or are

129 00:08:03.394 --> 00:08:07.254 these program drums can i talk about all the details of this album yeah definitely

130 00:08:07.254 --> 00:08:14.034 man yeah so in i have a studio in our apartment here and yeah i just sound dampened

131 00:08:14.034 --> 00:08:18.414 a ton of it you know just added a ton of foam and stuff but i live track i live

132 00:08:18.414 --> 00:08:22.674 tracked all the drumming usually i'll I'll do like an eight mic setup on the kit.

133 00:08:23.094 --> 00:08:29.774 I'll do like a mono overhead. I'll individually mic up the hi-hat and like the ride cymbal.

134 00:08:29.794 --> 00:08:32.574 So pretty much just the crash is coming through on the overhead as well as like

135 00:08:32.574 --> 00:08:33.914 the overall blend of all the drums.

136 00:08:35.014 --> 00:08:38.894 I just single mic the kick, double mic the snare, one on top, one on bottom.

137 00:08:39.554 --> 00:08:42.794 Tom's individually. And that's kind of like the general thing.

138 00:08:43.074 --> 00:08:47.134 I think having your mic placement's the best way to go because you don't want

139 00:08:47.134 --> 00:08:50.554 things to be out of phase or to like not come through sounding right. Right, right.

140 00:08:50.914 --> 00:08:54.514 So that kind of took me a little while to figure that out because this is like

141 00:08:54.514 --> 00:08:57.454 my first time really like recording to this capacity. So.

142 00:08:58.293 --> 00:09:02.073 I just had to keep messing stuff up. Even on that album, when I listened to

143 00:09:02.073 --> 00:09:07.693 it, I'm like, yeah, definitely, I've been doing things differently since I recorded that album.

144 00:09:08.273 --> 00:09:13.893 But yeah, I feel like I started recording it because I had played in a lot of

145 00:09:13.893 --> 00:09:17.293 other bands, and I was like, I think I could do this all by myself,

146 00:09:17.553 --> 00:09:22.693 and I wanted to take that on as a little bit of an experience thing,

147 00:09:22.913 --> 00:09:25.533 and I'm really glad I did because it really taught me.

148 00:09:25.533 --> 00:09:29.693 I think it made me a lot better of a guitarist in general, getting to really

149 00:09:29.693 --> 00:09:35.913 look at every single instrument and what it does to add to like the general sound of something.

150 00:09:35.993 --> 00:09:40.453 And I think that, you know, the end result is always what's the most important thing. Right.

151 00:09:40.873 --> 00:09:45.013 That being said, we live above like a venue too.

152 00:09:45.153 --> 00:09:49.673 So yeah, I got to really learn a lot about noise gates.

153 00:09:50.253 --> 00:09:53.513 And I also learned a lot about retracking. So yeah.

154 00:09:53.553 --> 00:09:56.533 And then there's a church across the street that's very old

155 00:09:56.533 --> 00:09:59.753 and it just it rings bells like hell man yeah

156 00:09:59.753 --> 00:10:02.673 crazy yeah so did you sample

157 00:10:02.673 --> 00:10:05.753 any of that and put it in your songs i actually didn't know

158 00:10:05.753 --> 00:10:08.493 i had a friend that i was playing and i had him as a rhythm

159 00:10:08.493 --> 00:10:12.093 guitarist for like a few shows and every time he'd come over to like jam and

160 00:10:12.093 --> 00:10:15.133 stuff he'd always be like oh dude the bell's going off i gotta go record this

161 00:10:15.133 --> 00:10:18.653 and he'd like run outside and record it and he actually used it in one of his

162 00:10:18.653 --> 00:10:22.633 songs and i thought that that was really interesting so very cool yeah he was

163 00:10:22.633 --> 00:10:25.833 more nerdy about it than i was i was just i I always see it as a nuisance.

164 00:10:26.073 --> 00:10:32.653 I'm like, I don't need that bell, you know? So the only bell I want is off of a ride.

165 00:10:32.873 --> 00:10:36.693 Yeah, I hear you. I hear you. Now, you said you live above a venue.

166 00:10:36.773 --> 00:10:41.373 Do you have other neighbors or is it just the venue below you and you're sitting up on top of it?

167 00:10:41.653 --> 00:10:46.293 Yeah, it's just the venue below us. We're on top. And I have a lot of sound equipment here.

168 00:10:46.453 --> 00:10:49.853 So when it comes nights to jamming, I usually try

169 00:10:49.853 --> 00:10:52.553 to do two jams a month where I bring

170 00:10:52.553 --> 00:10:55.473 in different artists and just like you know just mess around like see

171 00:10:55.473 --> 00:10:58.293 whatever happens which has been really great too to

172 00:10:58.293 --> 00:11:01.033 like get to meet a lot of different people in the scene and just like having that

173 00:11:01.033 --> 00:11:03.773 space and you know having people in for

174 00:11:03.773 --> 00:11:06.713 that is just honestly like the coolest thing to do yeah but

175 00:11:06.713 --> 00:11:09.513 uh yeah a lot of times we're pretty loud and they're

176 00:11:09.513 --> 00:11:12.573 pretty loud and our our bedroom and

177 00:11:12.573 --> 00:11:15.373 our living room are like on top of it so

178 00:11:15.373 --> 00:11:18.593 we have a third floor and that's where that is so it's pretty you got

179 00:11:18.593 --> 00:11:21.193 like a whole barrier it's never too bad sometimes you'll have

180 00:11:21.193 --> 00:11:24.513 some djs come through with like and bring like you know

181 00:11:24.513 --> 00:11:28.313 more subs or whatever right and you could feel it in like the whole house it's

182 00:11:28.313 --> 00:11:31.533 crazy but yeah it's it's like getting your back massaged when you're sleeping

183 00:11:31.533 --> 00:11:38.913 so it's not bad man it's not bad cool very cool so you're doing this recording

184 00:11:38.913 --> 00:11:41.493 by yourself so what kind of.

185 00:11:42.395 --> 00:11:45.795 For the people out there that are interested in, like, the recording aspect

186 00:11:45.795 --> 00:11:50.835 of it, like, what are you using for, like, your DAW and your interfaces and stuff like that?

187 00:11:50.875 --> 00:11:54.715 Is it all in one, or is it, like, outboard stuff? What kind of,

188 00:11:54.775 --> 00:11:55.555 what are you doing with that stuff?

189 00:11:56.115 --> 00:12:02.875 Yeah, so I have, I just have, like, a big Scarlett, like, the Focusrite, the 18-input one.

190 00:12:03.095 --> 00:12:05.935 Okay. Just, like, the massive box. and so I

191 00:12:05.935 --> 00:12:09.115 use that for pretty much all my drumming and then I do have like

192 00:12:09.115 --> 00:12:14.355 how to look a universal audio just like a volt I just use that on the separate

193 00:12:14.355 --> 00:12:18.435 side of the space so I don't have to like unplug anything and I'll just if I'm

194 00:12:18.435 --> 00:12:21.415 doing like quick vocal touch-ups or if I'm just like single micing something

195 00:12:21.415 --> 00:12:25.955 I'll use that because that's like where I have my desk and stuff and then.

196 00:12:26.535 --> 00:12:29.195 Yeah and then I also have reel-to-reel as well

197 00:12:29.195 --> 00:12:31.995 and I haven't really got no ton of chances to to

198 00:12:31.995 --> 00:12:34.935 mess with that yet but eventually what i'm

199 00:12:34.935 --> 00:12:37.875 going to do is i think like pre-mastering once i

200 00:12:37.875 --> 00:12:40.635 have my mixes i'll run it through there kind of catch

201 00:12:40.635 --> 00:12:43.455 some some of the you know tube warmth that you get off

202 00:12:43.455 --> 00:12:46.355 of it and stuff because it's just a four track it's not

203 00:12:46.355 --> 00:12:49.495 anything crazy but it's enough to run your stereo mixes

204 00:12:49.495 --> 00:12:52.775 through and kind of add that bit extra or

205 00:12:52.775 --> 00:12:55.355 even just do it on an instrumental basis like if i have a

206 00:12:55.355 --> 00:12:58.195 guitar and i want it to get really trippy put it through there

207 00:12:58.195 --> 00:13:00.835 and then just kind of like casually grab the tape as it

208 00:13:00.835 --> 00:13:03.775 comes through to kind of like wobble and slow it a little bit right yeah

209 00:13:03.775 --> 00:13:06.915 i've been really busy and i have i

210 00:13:06.915 --> 00:13:10.075 probably have like another 10 12 songs

211 00:13:10.075 --> 00:13:12.875 recorded right now and i plan on releasing an

212 00:13:12.875 --> 00:13:16.215 ep at the end of december oh okay cool

213 00:13:16.215 --> 00:13:19.715 which is gonna be cool and that one's gonna be a bit different because i'm gonna

214 00:13:19.715 --> 00:13:25.315 try to so the first album was all just me by myself on everything but i'm trying

215 00:13:25.315 --> 00:13:30.015 to get a bunch of different features from the city of milwaukee on that ep which

216 00:13:30.015 --> 00:13:33.355 is gonna be cool because like my friend wave chapelle is gonna be on it i have

217 00:13:33.355 --> 00:13:35.815 a couple of other artists that i've been working with too,

218 00:13:36.415 --> 00:13:40.095 and then i'd love to get like another rapper on it or like

219 00:13:40.095 --> 00:13:42.935 r&b singer or something and i got a few friends that i've definitely

220 00:13:42.935 --> 00:13:48.535 had in mind but yeah just kind of feel it out you know yeah definitely so let's

221 00:13:48.535 --> 00:13:51.715 kind of go back to the one that you just released in april and kind of talk

222 00:13:51.715 --> 00:13:55.255 about some of the songs on there are there some songs that you'd like the listeners.

223 00:13:55.255 --> 00:13:58.535 To kind of to hear on the podcast so they can go and check it out on band camp

224 00:13:58.535 --> 00:14:01.195 or other streaming sites? Yeah, for sure, man.

225 00:14:02.115 --> 00:14:06.555 It's, it's kind of a, it's, it's like a concept album too. So the whole thing

226 00:14:06.555 --> 00:14:09.695 like front to back kind of tells a story and it really goes through the motions.

227 00:14:10.315 --> 00:14:15.035 So to like name out one specific song I think would be a little, a little crazy.

228 00:14:15.055 --> 00:14:19.875 I know the most popular songs off that album are like Seaside and Portland.

229 00:14:22.480 --> 00:18:01.360 Music.

230 00:18:01.202 --> 00:18:04.202 So i feel like that's kind of like a good little surface level place to

231 00:18:04.202 --> 00:18:06.982 get into with it okay but the album like front to

232 00:18:06.982 --> 00:18:10.302 back it's only eight songs and it's like 36 minutes or

233 00:18:10.302 --> 00:18:13.742 something like that so it's pretty easy to get through it's really digestible

234 00:18:13.742 --> 00:18:20.102 the music on it is i wanted to make sure that it would be something that has

235 00:18:20.102 --> 00:18:23.842 a lot of moments where like the ear candy kind of hits you you know and you

236 00:18:23.842 --> 00:18:29.482 got good hooks good overall feel i feel like in my playing i i kind In my writing,

237 00:18:29.542 --> 00:18:33.422 I feel like I emphasize a lot of minor seven chords and stuff,

238 00:18:33.542 --> 00:18:37.522 so it really gives you that classic alternative indie sound.

239 00:18:37.842 --> 00:18:41.622 But then it's pretty imaginative and really jumps across a lot of different

240 00:18:41.622 --> 00:18:46.042 cultures as far as music's concerned, whether it be more of an Eastern sound

241 00:18:46.042 --> 00:18:48.582 or adding more of a Latin feel on something.

242 00:18:48.802 --> 00:18:55.522 And then all of the rhythm section stuff is super funky, so it's really easy

243 00:18:55.522 --> 00:18:59.022 to get into. Yeah, so you call this basically a journey album.

244 00:18:59.202 --> 00:19:02.922 So what is the journey that this album is supposed to take the listener through?

245 00:19:02.922 --> 00:19:10.522 Oh man, I think I just wanted it to resonate with any kind of like feeling of coming of age,

246 00:19:10.702 --> 00:19:16.602 you know, and really just kind of when everything kind of starts clicking as

247 00:19:16.602 --> 00:19:20.222 you know, we're adults and our brains kind of start forming a little bit more.

248 00:19:20.722 --> 00:19:24.522 I wanted to kind of go over that and the things that we grieve with,

249 00:19:24.682 --> 00:19:27.222 but also the things that we can be excited about too.

250 00:19:27.342 --> 00:19:31.602 And that's kind of the place that I was in when I wrote and recorded all of it.

251 00:19:31.602 --> 00:19:34.442 And yeah and i feel like it definitely can

252 00:19:34.442 --> 00:19:37.182 be or you could just put it on when you got some homies over and you're

253 00:19:37.182 --> 00:19:40.802 hanging out you know and it's it's just easy listening so excellent excellent

254 00:19:40.802 --> 00:19:43.982 so i'll put a few of those on there is there

255 00:19:43.982 --> 00:19:46.722 any ones that you really want me to put on the podcast or should i just

256 00:19:46.722 --> 00:19:49.482 randomly pick a few yeah i feel

257 00:19:49.482 --> 00:19:52.582 like seaside portland those two are pretty cool okay

258 00:19:52.582 --> 00:19:55.242 definitely usually i feel like those kind of get a lot of

259 00:19:55.242 --> 00:19:58.382 play soul mill is really cool too it's an instrumental it's

260 00:19:58.382 --> 00:20:01.102 the opener for the album too but it yeah that

261 00:20:01.102 --> 00:20:06.322 one's just really interesting it's got a lot of like phrygian scale usage but

262 00:20:06.322 --> 00:20:12.122 it's pretty light and it really sticks to kind of more like funky kind of minor

263 00:20:12.122 --> 00:20:17.342 like pentatonic box kind of feel stuff too from like a bass perspective right

264 00:20:17.342 --> 00:20:18.742 it's really nice and easy going.

265 00:20:19.920 --> 00:22:21.360 Music.

266 00:22:21.205 --> 00:22:25.505 Producers and beatmakers of Milwaukee, it is time for the 2024 Big Beat MKE

267 00:22:25.505 --> 00:22:29.505 Beat Battle Tournament taking place at the Jackalope Lounge at the Wicked Hop

268 00:22:29.505 --> 00:22:33.865 in Milwaukee's Third Ward on Thursday nights between April 25th and June 13th.

269 00:22:34.305 --> 00:22:37.965 Producers are going to go head-to-head in three one-minute rounds to determine

270 00:22:37.965 --> 00:22:41.825 who is going to move on to the next round of the tournament with some amazing

271 00:22:41.825 --> 00:22:43.325 prizes from some great sponsors.

272 00:22:43.805 --> 00:22:48.905 Don't forget that you can submit your beats today at breakingandentering.net through March 31st.

273 00:22:51.245 --> 00:22:54.745 Yeah phrygian's kind of known as like the happy major sound

274 00:22:54.745 --> 00:22:57.945 because it's got that raised fourth in it so it's it's

275 00:22:57.945 --> 00:23:00.765 a very cool scale can be used over a lot of

276 00:23:00.765 --> 00:23:04.205 different things and a lot of great songs in the over the

277 00:23:04.205 --> 00:23:07.305 years have over the decades have been using that that that mode

278 00:23:07.305 --> 00:23:10.145 a lot so very cool yeah yeah it's cool it's definitely one

279 00:23:10.145 --> 00:23:13.385 of my favorites especially with like being a

280 00:23:13.385 --> 00:23:16.245 little bit more of a psychedelic artist too you know it really gives it that like

281 00:23:16.245 --> 00:23:19.345 kind of gypsy spanishy middle eastern

282 00:23:19.345 --> 00:23:22.145 feel to it too so what would be like some

283 00:23:22.145 --> 00:23:25.085 influences of yours that would be in

284 00:23:25.085 --> 00:23:27.785 that kind of genre that other that the listeners

285 00:23:27.785 --> 00:23:30.665 would be kind of understanding where that's coming from

286 00:23:30.665 --> 00:23:36.205 yeah i feel like from a modern perspective i'd say like krungbin i would say

287 00:23:36.205 --> 00:23:42.305 like peach pit the band crumb and then i have a lot of like kind of old school

288 00:23:42.305 --> 00:23:47.745 funky feels in it too so i think like funkadelic even like a little herbie hancock

289 00:23:47.745 --> 00:23:49.845 like like Headhunters album, you know? Right, right, right.

290 00:23:51.445 --> 00:23:54.605 And I would say like a little bit of Jimi Hendrix. It definitely,

291 00:23:54.845 --> 00:23:59.005 it's some of the tonalities are like throwback feel stuff for sure.

292 00:23:59.445 --> 00:24:03.705 But it's like hard to beat the 60s and 70s out of you when it's like so imprinted

293 00:24:03.705 --> 00:24:05.365 in your brain, you know? Right, right, right.

294 00:24:06.065 --> 00:24:10.585 So if I remember right, you said you're like in your mid 20s now and you started when you were 11.

295 00:24:11.045 --> 00:24:15.645 So that was like early 2000-ish, I would think.

296 00:24:15.805 --> 00:24:20.305 Is that, am I thinking that right? Yeah, for sure. I started playing in 2006.

297 00:24:20.685 --> 00:24:24.105 I'm 29. Yeah. Okay. So, yeah. So 2006.

298 00:24:24.425 --> 00:24:28.845 So when you were 11, what would be like some of the music that was influenced

299 00:24:28.845 --> 00:24:30.485 you at that young of an age?

300 00:24:30.765 --> 00:24:34.745 Oh, man, it was just Jimi Hendrix and the Beatles and Led Zeppelin and...

301 00:24:35.798 --> 00:24:38.758 Black sabbath you know kind of all of that stuff in

302 00:24:38.758 --> 00:24:41.578 general that was i remember hearing that music and

303 00:24:41.578 --> 00:24:44.598 just being like this is insane and then eventually once i

304 00:24:44.598 --> 00:24:47.478 got an acoustic and i was like 13 14

305 00:24:47.478 --> 00:24:51.558 i really became obsessed with nirvana i feel like everybody has to go through

306 00:24:51.558 --> 00:24:57.218 a nirvana phase and that was my nirvana phase and i i loved learning all their

307 00:24:57.218 --> 00:25:02.298 music because it was simple enough for me to play it and say with it yeah that

308 00:25:02.298 --> 00:25:05.918 that kind of where it was where it was at And then eventually as I got older,

309 00:25:06.018 --> 00:25:08.458 my taste kind of expanded out from there.

310 00:25:08.538 --> 00:25:13.098 And I really started listening to a lot of like jazz and funk and fusion and

311 00:25:13.098 --> 00:25:17.118 stuff like that. And a lot of different, like there's still all these elements

312 00:25:17.118 --> 00:25:21.498 of like psychedelia, but it wasn't as like prominent in it. Gotcha.

313 00:25:21.558 --> 00:25:23.438 Yeah, definitely all that stuff.

314 00:25:23.598 --> 00:25:27.358 And then a lot of like West Coast indie stuff I really started getting down

315 00:25:27.358 --> 00:25:28.918 on probably about 10 years ago.

316 00:25:28.978 --> 00:25:32.598 And I feel like I really haven't ever lost that. So wonderful. Wonderful.

317 00:25:32.758 --> 00:25:37.478 It's great to hear about musicians that start somewhere and they expand out

318 00:25:37.478 --> 00:25:42.558 and just try to search out everything that they can that really helps them become

319 00:25:42.558 --> 00:25:45.158 a better musician. For sure. Yeah. Yeah.

320 00:25:45.698 --> 00:25:51.258 As I'm getting closer to the end here with these questions, one of them is a work-life balance.

321 00:25:51.438 --> 00:25:56.258 So we haven't really talked much about what else you do. Are you doing music full-time?

322 00:25:56.378 --> 00:26:01.738 Do you have a side job or a day job that kind of conflicts with you making making

323 00:26:01.738 --> 00:26:03.018 music? How does that work for you?

324 00:26:03.278 --> 00:26:08.298 Yeah, I actually just left my full-time job a couple of weeks ago to really

325 00:26:08.298 --> 00:26:10.378 launch into this music thing full-time.

326 00:26:10.538 --> 00:26:16.558 And yeah, it was really hard to record and just play a lot of gigs too.

327 00:26:16.658 --> 00:26:17.718 I think over the summer, I probably

328 00:26:17.718 --> 00:26:22.798 played maybe like 30 some gigs with a full-time job and that was a ton.

329 00:26:23.018 --> 00:26:28.938 So yeah, I'm definitely kind of glad I'm making this decision right now.

330 00:26:29.058 --> 00:26:31.918 I'm not broke yet, so I feel like I'm still glad.

331 00:26:32.558 --> 00:26:35.738 But once that hits, I think then I'll be a little bit scared.

332 00:26:35.818 --> 00:26:39.378 But I just wanted to take a couple of months and really dive into it,

333 00:26:39.418 --> 00:26:43.998 work on content and kind of just see what I can do as far as getting the word

334 00:26:43.998 --> 00:26:46.138 out there on what I'm doing and stuff.

335 00:26:46.458 --> 00:26:49.398 And yeah, so the balance is really hard for

336 00:26:49.398 --> 00:26:53.218 sure i think having full-time job

337 00:26:53.218 --> 00:26:56.038 too and you know the demands that come with

338 00:26:56.038 --> 00:27:00.738 a full-time job it's really hard to balance those things out so but yeah definitely

339 00:27:00.738 --> 00:27:06.038 eventually it caught up to me so but yeah definitely just trying to look at

340 00:27:06.038 --> 00:27:11.418 music full-time and see what i can make of it you know and right exactly not

341 00:27:11.418 --> 00:27:15.738 30 yet so i feel like this is a good decision i still have six months until I'm 30.

342 00:27:15.898 --> 00:27:19.858 So this is kind of my mess around era right now. So, right.

343 00:27:20.684 --> 00:27:24.224 Now, in the past, I've interviewed Emily White. I don't know if you know who

344 00:27:24.224 --> 00:27:25.864 that is. Yeah, she's amazing.

345 00:27:26.144 --> 00:27:30.924 Yeah. So, and she's got that great resource, the how to build a sustainable

346 00:27:30.924 --> 00:27:32.904 music career, collect all revenue streams.

347 00:27:33.324 --> 00:27:36.564 Have you, have you dived into any of that and tried to? Absolutely.

348 00:27:36.624 --> 00:27:39.564 Yeah. Yeah. My, my girlfriend was the one that my girlfriend,

349 00:27:39.624 --> 00:27:40.864 Nora turned me onto that book.

350 00:27:41.244 --> 00:27:44.284 And my girlfriend, Nora is a much better reader than I am.

351 00:27:44.384 --> 00:27:48.244 So that's pretty tight because she made all of these notes on how to do all

352 00:27:48.244 --> 00:27:49.424 these different things. And

353 00:27:49.424 --> 00:27:52.964 that was, it really came in handy when it was time to launch this project.

354 00:27:53.404 --> 00:27:56.724 So shout out to Emily white, man. I mean, she's got in. Yeah.

355 00:27:56.804 --> 00:28:00.224 She knows what she's doing, man. And you can read through it a million times,

356 00:28:00.244 --> 00:28:01.684 that book and listen to her podcast.

357 00:28:01.764 --> 00:28:05.424 And it's just the amount of knowledge that you can absorb. It's just crazy.

358 00:28:05.524 --> 00:28:09.144 And yeah, big props to her, man. She seems like an awesome person too.

359 00:28:09.284 --> 00:28:12.904 And I know a lot of people that I know in the scene of nothing but amazing things

360 00:28:12.904 --> 00:28:14.164 to say about her. So yeah.

361 00:28:14.524 --> 00:28:18.684 Yeah. It's, it's, it's great to have. And then she's from Wisconsin as well. So it's just great.

362 00:28:18.744 --> 00:28:23.384 All these great Wisconsinites are doing all these great things for the local scene and beyond.

363 00:28:23.584 --> 00:28:25.604 So awesome. Very awesome. Hell yeah.

364 00:28:26.064 --> 00:28:33.444 The next thing is a gig that you have performed at or seen that has made a big impression on you.

365 00:28:33.964 --> 00:28:43.164 Oh, man. As far as gigs I've seen, I feel like every gig I go to, I'm just always in awe.

366 00:28:44.224 --> 00:28:48.964 Especially bigger names, but even locally, man, it's cool to see people on their grind.

367 00:28:49.564 --> 00:28:54.524 I think my favorite artist to see in the Milwaukee area is Classic.

368 00:28:54.804 --> 00:28:57.404 He's a really good friend of mine, too, so I'm not just being biased.

369 00:28:57.404 --> 00:29:02.564 But I wholeheartedly think he's the most talented guy I've ever gotten to see do anything.

370 00:29:02.784 --> 00:29:07.244 So he's amazing. If you haven't seen him live or had a chance to talk to him

371 00:29:07.244 --> 00:29:08.504 or anything, let me know.

372 00:29:08.544 --> 00:29:12.784 I'd love to link you guys up because he's the reason why he's won like every

373 00:29:12.784 --> 00:29:13.944 award in the city of Milwaukee.

374 00:29:14.084 --> 00:29:16.344 As far as music goes, he's just amazing.

375 00:29:16.684 --> 00:29:20.684 And he's easily one of the most kindhearted and just awesome people to,

376 00:29:20.784 --> 00:29:22.364 you know, like having your circle too.

377 00:29:22.484 --> 00:29:26.584 So very cool. yeah definitely and then as far as shows i've played that have

378 00:29:26.584 --> 00:29:27.904 made a lot a big impression.

379 00:29:29.461 --> 00:29:33.641 Yeah, I'm not really sure. I mean, I've really enjoyed every show that we've

380 00:29:33.641 --> 00:29:36.881 played as a full band and that I've done as like a loop artist too.

381 00:29:37.501 --> 00:29:40.841 But yeah, I don't know. I mean, we just played at Oak Brewing last night.

382 00:29:40.901 --> 00:29:42.241 It's our second time playing there.

383 00:29:43.161 --> 00:29:47.581 That's an amazing venue. I love seeing what they've done with their stage setup

384 00:29:47.581 --> 00:29:50.241 and like their sound dampening as well as like the lights.

385 00:29:50.781 --> 00:29:54.441 They've really put a lot into that place. And I feel like, yeah,

386 00:29:54.501 --> 00:29:56.621 it's probably one of the best stages to play around.

387 00:29:56.881 --> 00:30:00.781 So and where's that? That's in Milwaukee, right? It's in West Allis.

388 00:30:00.801 --> 00:30:03.281 Oh, West Allis. Okay. Yeah. Just 20 minutes away.

389 00:30:03.521 --> 00:30:07.201 Yeah, there you go. Everything's 20 minutes away from Milwaukee, right? Yeah, totally.

390 00:30:08.521 --> 00:30:12.681 And if you had a time machine, you could go back and talk to your younger self,

391 00:30:12.761 --> 00:30:14.301 any advice you'd give yourself.

392 00:30:15.221 --> 00:30:19.481 Yeah, man. I would just tell myself to keep messing up because the more you

393 00:30:19.481 --> 00:30:21.381 mess up, the better of a musician you become.

394 00:30:21.701 --> 00:30:25.041 And yeah, you just got to mess up, man. You just got to keep messing up and

395 00:30:25.041 --> 00:30:28.361 don't take it personally, just get it over with.

396 00:30:28.501 --> 00:30:34.061 And as you continue to work on all of these things, like you eventually just get a lot better.

397 00:30:34.081 --> 00:30:37.001 So just keep messing up and, you know, keep your chin up through it.

398 00:30:37.681 --> 00:30:41.601 Absolutely. Yeah, that's great advice because, you know, I tell my students,

399 00:30:41.641 --> 00:30:46.361 I'm a band director at the high school and I tell them failure is just stepping stones to success.

400 00:30:47.241 --> 00:30:51.141 Eventually it's going to click and eventually you're going to become better

401 00:30:51.141 --> 00:30:52.121 at what you're working at.

402 00:30:52.867 --> 00:30:56.547 Yeah, totally. No, I couldn't agree with that more. I think even if you're self-taught

403 00:30:56.547 --> 00:31:01.867 or if you're taught at a higher level, you got to get your 10,000 hours in there

404 00:31:01.867 --> 00:31:04.067 before you can really just start crushing stuff.

405 00:31:04.407 --> 00:31:08.487 And yeah, you just got to keep messing up, man, because that's what makes all the difference.

406 00:31:08.927 --> 00:31:12.947 Exactly. Exactly. Is there anything that you want the listeners to know before I let you go?

407 00:31:13.627 --> 00:31:19.307 Follow me on Instagram at Dak Dubois. It's just D-A-K-D-U-B-O-I-S.

408 00:31:19.307 --> 00:31:26.707 So yeah that's pretty much it i know yeah i plan on doing a tour here in a few months probably.

409 00:31:27.547 --> 00:31:30.307 Yeah and wherever whatever city you're at you know check out

410 00:31:30.307 --> 00:31:33.827 the music and check out instagram because i'm really good at making sure that

411 00:31:33.827 --> 00:31:37.607 i stay up on content you can kind of get a little bit more feel for what the

412 00:31:37.607 --> 00:31:42.107 live shows are like and they're definitely crazy i just want to make sure everybody

413 00:31:42.107 --> 00:31:48.507 has an incredible night anytime they come out and see us so yeah excellent and

414 00:31:48.507 --> 00:31:49.647 And I'll put all the links down.

415 00:31:49.727 --> 00:31:53.267 I'll put your link tree down in the details of the show so people can just click

416 00:31:53.267 --> 00:31:57.107 on that and go right to all your social media and your website.

417 00:31:57.307 --> 00:32:00.207 So, Doc, thank you so much for being on the Wisconsin Music Podcast.

418 00:32:00.387 --> 00:32:03.207 It's been great talking to you, learning about all your music stuff.

419 00:32:03.367 --> 00:32:04.927 And just thanks so much for being on.

420 00:32:05.247 --> 00:32:07.587 Yeah, thanks for having me, man. I really appreciate it, too.

421 00:32:08.007 --> 00:32:11.407 Well, thanks again for tuning in to another episode of the Wisconsin Music Podcast.

422 00:32:11.947 --> 00:32:15.587 Once again, I'm Zach Fell, your host and creator of the Wisconsin Music Podcast,

423 00:32:15.727 --> 00:32:18.787 where I love to amplify the great sounds coming out

424 00:32:18.787 --> 00:32:22.407 of the wisconsin state we have great talent here great

425 00:32:22.407 --> 00:32:27.847 support great listeners thanks to fox city's indie radio for syndicating this

426 00:32:27.847 --> 00:32:31.767 on wednesdays and sundays along with their other great programmers so make sure

427 00:32:31.767 --> 00:32:37.127 you check out the fox city's indie radio thanks to dr for being on this week's

428 00:32:37.127 --> 00:32:41.567 show check him out all links are in the episode descriptions he has two.

429 00:32:41.680 --> 00:33:06.320 Music.

430 00:33:06.452 --> 00:33:10.312 For more information. If you are enjoying these episodes, please consider donating

431 00:33:10.312 --> 00:33:11.752 to the Wisconsin Music Podcast.

432 00:33:12.292 --> 00:33:16.512 Donations help pay for the website and putting the podcast up on streaming services

433 00:33:16.512 --> 00:33:21.092 and also getting our name out there to all Wisconsinites and others that are

434 00:33:21.092 --> 00:33:23.492 interested in our great music here in Wisconsin.

435 00:33:23.760 --> 00:33:29.360 Music.

436 00:33:24.052 --> 00:33:27.912 Donations are secured through PayPal and Stripe. All you have to do is go to

437 00:33:27.912 --> 00:33:30.792 the website and click on Donate to WMP.

438 00:33:31.552 --> 00:33:35.632 You can also head over to our Instagram and Facebook pages and like us there.

439 00:33:35.632 --> 00:33:41.072 There leave some comments also go to the podcast review section of your podcast.

440 00:33:37.520 --> 00:33:45.840 Music.

441 00:33:41.072 --> 00:33:45.072 Player and leave a five-star review would be great you could also head over

442 00:33:45.072 --> 00:33:49.292 to youtube and watch the interviews and leave comments there as well have a

443 00:33:49.292 --> 00:33:51.072 great week everybody and we'll see you next time.

Join us in the latest episode of the Wisconsin Music Podcast as we unravel the musical journey of the incredible Bruce Humphreys, frontman of the Rockabilly sensation,

Bruce Humphreys and the Rockabilly Rebels!

🎸 Known for his distinctive blend of hillbilly and rock and roll, Bruce has conquered the rockabilly scene, from high school drumming days to headlining major festivals and opening for big-name artists.

🔥 Dive deep into Bruce's experiences as an original artist, exploring the highs and lows of the music industry and the band's innovative marketing strategies.

🚀 Discover their unique approach to music releases, featuring multi-sensory physical albums with 3D artwork and custom-made glasses.

😢 The episode takes an emotional turn as Bruce pays a heartfelt tribute to John Steffes, the band's bass player, who recently lost his battle with cancer.

🌟 Bruce's passion for vinyl records adds a nostalgic touch, providing a fascinating dimension to the conversation.

👨‍👩‍👧‍👦 Get a glimpse into Bruce's personal life and how he balances family, work, and his musical passion.

🎧 The episode features tracks from his recent album, each with a unique narrative.

🌟 Wrap up the experience with Bruce as he shares remarkable gig experiences, from witnessing The Stray Cats live to the thrill of opening for Setzer.

🤘 These memories unveil his influences and profound love for music.

🎉 Tune in and Amplify Wisconsin Music! 🎶 #WisconsinMusicPodcast #AmplifyWisconsinMusic

--------------------------------------------------------

Transcript:

1 00:00:00.000 --> 00:00:11.760 Music.

2 00:00:11.777 --> 00:00:16.797 Welcome to the Wisconsin Music Podcast. This week we have Bruce Humphreys,

3 00:00:16.817 --> 00:00:18.877 and he belongs to the group.

4 00:00:18.917 --> 00:00:22.417 Bruce Humphreys and the Rockabilly Rebels. He has opened for major acts like

5 00:00:22.417 --> 00:00:28.697 the Brian Setzer Orchestra, Hazel Atkins, Hank Thompson, Rosie Flores, and much, much more.

6 00:00:28.997 --> 00:00:33.457 He has sold music worldwide and has played some major rockabilly festivals like

7 00:00:33.457 --> 00:00:37.777 the Coney Island Rockabilly Fest in Brooklyn, Franklin, Uno Go-Go in Chicago,

8 00:00:37.997 --> 00:00:43.577 Illinois, and Wisconsin's own S-Y-M-C-O, Simcoe, and Northern Roundup.

9 00:00:43.697 --> 00:00:45.717 Bruce, welcome to the Wisconsin Music Podcast.

10 00:00:46.177 --> 00:00:48.337 Thanks for having me. I appreciate it. Glad to be here.

11 00:00:48.817 --> 00:00:52.737 So, for the listeners, why don't you kind of give them your music origin story.

12 00:00:52.837 --> 00:00:56.317 How did you get started in the music and kind of how it got you to where you are today?

13 00:00:57.077 --> 00:01:01.157 Oh, I started playing music, well, I wouldn't consider it music back then,

14 00:01:01.217 --> 00:01:05.417 but in high school I started. I wanted to play drums and wasn't a very good

15 00:01:05.417 --> 00:01:07.677 drummer. And so I wanted to be more upfront.

16 00:01:07.937 --> 00:01:11.837 I didn't want to be sitting in the back. So I switched over to guitar and just

17 00:01:11.837 --> 00:01:15.137 kind of messed around on that and was in cover bands, you know,

18 00:01:15.137 --> 00:01:19.677 like alternative cover bands playing Ramones, Violent Femmes, Cramps.

19 00:01:20.157 --> 00:01:26.317 I then started writing my own stuff. And 30, 40 years later,

20 00:01:26.317 --> 00:01:32.517 I'm still playing, which is pretty amazing because, you know, you're a musician,

21 00:01:32.717 --> 00:01:35.237 you have lots of ups and downs and it takes a while.

22 00:01:35.397 --> 00:01:38.757 And a lot of people just kind of give up and quit and move on to something else.

23 00:01:38.797 --> 00:01:41.517 But for some reason it stuck with me.

24 00:01:41.577 --> 00:01:47.257 So yeah, here I am playing same kind of music and maybe a little bit calmer.

25 00:01:49.617 --> 00:01:52.657 So what kind of drew you to the rockability

26 00:01:52.657 --> 00:01:58.737 genre yeah well you know i i think it was about eight years ago i turned 50

27 00:01:58.737 --> 00:02:02.797 and i started kind of reflecting on you know my life and how i ended up getting

28 00:02:02.797 --> 00:02:08.397 where i am and that includes the music and i realized that i was really big

29 00:02:08.397 --> 00:02:09.657 into the the Beatles when I,

30 00:02:09.697 --> 00:02:13.277 you know, back in the early seventies, nine,

31 00:02:13.497 --> 00:02:14.997 10, 12 years old.

32 00:02:15.577 --> 00:02:19.477 And I didn't really put it together until years later that they were playing

33 00:02:19.477 --> 00:02:25.957 a lot of rockabilly songs from Carl Perkins, Eddie Cochran, Chuck Berry,

34 00:02:26.177 --> 00:02:27.917 all that kind of stuff. Okay.

35 00:02:28.277 --> 00:02:34.237 And then the eighties came and there was the punk, punk new wave movement that

36 00:02:34.237 --> 00:02:38.497 included the Stray Cats, the Neo Rockabilly revival.

37 00:02:39.457 --> 00:02:46.857 And yeah, so that kind of started off a huge love for rockabilly and that old

38 00:02:46.857 --> 00:02:48.937 school kind of rock and roll.

39 00:02:49.697 --> 00:02:55.977 And also, I had been collecting Swing records from thrift stores for a while, so I knew about Swing.

40 00:02:57.365 --> 00:03:00.905 Yeah. Yeah. So that's kind of what, what started that.

41 00:03:00.985 --> 00:03:04.525 I just never thought about really playing it. I was much better at playing two

42 00:03:04.525 --> 00:03:07.785 finger power chords, doing Ramones kind of thing.

43 00:03:07.865 --> 00:03:12.725 Okay. And eventually said, well, let's start a rockabilly band, see what happens.

44 00:03:13.185 --> 00:03:18.465 Gotcha. And for listeners that maybe haven't really experienced what rockabilly

45 00:03:18.465 --> 00:03:23.925 is, what would, what would be your best description of what that genre encompasses?

46 00:03:23.925 --> 00:03:29.065 Compasses i think i think they say it's the bastard son of the blues so it's

47 00:03:29.065 --> 00:03:36.945 old school country hillbilly music and combined with some rock and roll so early early early elvis.

48 00:03:38.125 --> 00:03:43.805 Elvis presley everybody knows elvis so that that would be my description what

49 00:03:43.805 --> 00:03:47.505 it is if somebody was asking me what the heck is rock and roll which they do

50 00:03:47.505 --> 00:03:50.065 a lot because people just don't know you know,

51 00:03:50.065 --> 00:03:54.265 kind of hillbilly music with some rock and roll in it.

52 00:03:54.425 --> 00:03:59.265 And what's the basic instrumentation for like a rockabilly group?

53 00:03:59.825 --> 00:04:03.825 Well, for a true rockabilly band, it will probably be an acoustic guitar,

54 00:04:04.145 --> 00:04:08.645 lead singer, upright bass, and a drummer with a stripped down drum set.

55 00:04:09.065 --> 00:04:13.965 But then, you know, and you're playing songs kind of like Elvis Presley.

56 00:04:13.965 --> 00:04:18.685 And then there's, you know, other genres that kind of came off of that, like psychobilly,

57 00:04:18.865 --> 00:04:22.745 which is mixing the punk is a little bit closer to the punk rock,

58 00:04:22.785 --> 00:04:26.705 you know, adding punk rock influences to that neo rockabilly,

59 00:04:26.825 --> 00:04:33.005 which adds a lot more newer production in the studio, more players.

60 00:04:33.005 --> 00:04:36.085 Players so currently we have four players

61 00:04:36.085 --> 00:04:38.965 in our band it's me playing rhythm guitar on

62 00:04:38.965 --> 00:04:42.645 electric and sometimes on acoustic a lead player a

63 00:04:42.645 --> 00:04:47.065 bass player and drummer gotcha so what

64 00:04:47.065 --> 00:04:53.385 is the local scene attitude towards your group like the positives of it yeah

65 00:04:53.385 --> 00:04:58.945 we've gotten great response it's pretty amazing because i grew up in indiana

66 00:04:58.945 --> 00:05:03.185 went to school in kentucky and kansas lived in texas lived in Tennessee,

67 00:05:03.485 --> 00:05:07.625 lived in Philadelphia, and I've played music at all those places.

68 00:05:07.805 --> 00:05:12.285 But usually you're just kind of like the backing soundtrack to something.

69 00:05:12.405 --> 00:05:14.665 People are sitting at the bar watching television.

70 00:05:14.905 --> 00:05:18.565 You're playing music to backs of heads. Right.

71 00:05:18.885 --> 00:05:23.505 So it's been pretty amazing up here. It's like people are really into going

72 00:05:23.505 --> 00:05:28.905 out and seeing music and seeing music and not just having it as the background noise. Right.

73 00:05:30.071 --> 00:05:34.151 And plus, you know, rockabilly and beer kind of go hand in hand.

74 00:05:34.511 --> 00:05:37.131 And I've been told there's a lot of beer drinkers up here.

75 00:05:38.091 --> 00:05:44.191 And Harley, the Harley Davidson crowd, you know, motorcycles and rockabilly.

76 00:05:44.271 --> 00:05:47.791 It's just that it kind of goes hand in hand also. Yeah.

77 00:05:48.231 --> 00:05:53.031 Lifestyle there. The music that I'm writing fits in perfect with that.

78 00:05:53.071 --> 00:05:55.331 And I get a really good response.

79 00:05:55.411 --> 00:05:59.191 I've gotten a great response up here at festivals, at fairs, clubs.

80 00:06:00.211 --> 00:06:04.991 And it's kind of odd. It definitely made me reflect back and, you know, why is that?

81 00:06:05.031 --> 00:06:09.171 Why is all these other places that I've played like that?

82 00:06:09.231 --> 00:06:15.111 And why is Milwaukee, Wisconsin in general, you know, different from all those other places?

83 00:06:15.831 --> 00:06:20.091 I don't know if I've actually figured it out, but, you know, I'm not complaining.

84 00:06:20.411 --> 00:06:25.591 Life is good. Good. Good. That's good. Is there any struggles you've seen in

85 00:06:25.591 --> 00:06:30.511 the live scene that just seems to be a hindrance or something that could be

86 00:06:30.511 --> 00:06:35.471 activated to help if it was turned around would help the scene for you?

87 00:06:35.471 --> 00:06:43.011 I think it's just the support of original music acts is kind of the main hurdle.

88 00:06:43.171 --> 00:06:48.071 And I feel like, you know, I've got two agents, three agencies that I work with.

89 00:06:48.571 --> 00:06:55.011 And the two of those, the majority of the acts seem to be cover bands.

90 00:06:55.011 --> 00:07:01.631 And so I feel very lucky to be a part of that crowd to be able to get booked

91 00:07:01.631 --> 00:07:07.551 from those agencies because we play a majority is original music.

92 00:07:07.551 --> 00:07:12.351 Now, if we're playing a three or four hour set, then we throw in covers from

93 00:07:12.351 --> 00:07:17.331 Roy Orbison, Chuck Berry, Johnny Cash, of course, all those.

94 00:07:18.271 --> 00:07:24.731 Excuse me. But yeah, it's just kind of getting recognized as an original artist

95 00:07:24.731 --> 00:07:28.551 because cover bands, that's where it's at.

96 00:07:28.731 --> 00:07:32.191 You know, cover bands are going to make a heck of a lot more money than what

97 00:07:32.191 --> 00:07:36.651 we're pulling in. Gotcha. People want to go out and hear things that they recognize.

98 00:07:37.551 --> 00:07:39.211 Which I totally get. I understand that.

99 00:07:40.387 --> 00:07:45.587 But again, for the response that we've been getting, playing my originals,

100 00:07:45.607 --> 00:07:47.947 you know, I think we're pretty blessed.

101 00:07:48.847 --> 00:07:54.427 Nice, nice. So with being a mostly original band, what do you do to help promote

102 00:07:54.427 --> 00:07:59.647 like your shows and other things of that nature to keep people to notice your group?

103 00:07:59.907 --> 00:08:04.847 Yeah, social media. And I'm not social media savvy at all.

104 00:08:05.147 --> 00:08:10.407 Pretty much none of the guys in the band are. We're all at least in our 50s

105 00:08:10.407 --> 00:08:15.207 at this point, pushing 60, if not, I think actually someone is in their 60s.

106 00:08:16.187 --> 00:08:20.807 We're old school. We used to hang up flyers on telephone poles.

107 00:08:20.987 --> 00:08:22.087 We don't do that anymore.

108 00:08:22.307 --> 00:08:27.227 I'm on social media promoting it on all these different Wisconsin,

109 00:08:27.707 --> 00:08:30.787 our Milwaukee music, Facebook pages.

110 00:08:31.867 --> 00:08:35.547 I try to do some video of our songs.

111 00:08:35.547 --> 00:08:38.507 Like so with this new album instead of dropping all the

112 00:08:38.507 --> 00:08:41.367 songs dropping the whole album at one time

113 00:08:41.367 --> 00:08:44.647 and having it get lost in the shuffle we're releasing a

114 00:08:44.647 --> 00:08:49.767 single at a time so like every month i'll release another song i'll make a video

115 00:08:49.767 --> 00:08:55.667 for it we'll post it all over social media in hopes that it will generate more

116 00:08:55.667 --> 00:09:01.007 interest and kind of keep our name out there because our first album And we

117 00:09:01.007 --> 00:09:02.567 just kind of, we just put it out there.

118 00:09:03.047 --> 00:09:07.187 And, and then of course, three months later, COVID hit. Not that it would make

119 00:09:07.187 --> 00:09:10.827 any difference, but I figured the, the, the worst thing that could happen by

120 00:09:10.827 --> 00:09:12.927 releasing them via singles,

121 00:09:13.087 --> 00:09:18.587 I'm losing 0.0003 cents a stream online.

122 00:09:18.767 --> 00:09:23.307 And, you know, the fact is we're not getting that many streams no matter what. So, yeah.

123 00:09:23.487 --> 00:09:27.827 If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast.

124 00:09:27.827 --> 00:09:32.487 Donations help pay for the website and putting the podcast up on streaming services

125 00:09:32.487 --> 00:09:37.327 and also getting our name out there to all Wisconsinites and others that are

126 00:09:37.327 --> 00:09:39.747 interested in our great music here in Wisconsin.

127 00:09:40.287 --> 00:09:42.907 Donations are secured through PayPal and Stripe.

128 00:09:43.836 --> 00:09:47.056 Do is go to the website and click on Donate to WMP.

129 00:09:49.656 --> 00:09:53.656 So you just mentioned your newest recording. Why don't you kind of give the

130 00:09:53.656 --> 00:09:56.956 listeners a little journey from the beginning to the releases?

131 00:09:57.156 --> 00:10:00.056 You know, how did you start the project? Who's involved?

132 00:10:00.556 --> 00:10:04.316 Not only the musicians, but on the other side of the glass as well.

133 00:10:04.416 --> 00:10:06.936 Was it a DIY or did you go to a studio?

134 00:10:07.096 --> 00:10:12.516 Things of that nature yeah so our drummer has a home studio you know i've always

135 00:10:12.516 --> 00:10:16.876 i've always wanted to go into a studio but if i'm going to spend that much money

136 00:10:16.876 --> 00:10:22.316 it makes more sense to buy the equipment and i'll have the equipment and do

137 00:10:22.316 --> 00:10:25.156 it ourselves now of course it's not going to sound the same.

138 00:10:26.216 --> 00:10:30.176 But we'll save a lot of money and you know maybe the next album or the next

139 00:10:30.176 --> 00:10:34.816 album will will be expensive studio quality.

140 00:10:35.636 --> 00:10:42.896 So we started this almost two years ago. We recorded the basics in our drummer's basement.

141 00:10:43.356 --> 00:10:47.896 I brought the files home. I started building a studio at my house,

142 00:10:47.916 --> 00:10:50.076 so I started putting it together here.

143 00:10:50.776 --> 00:10:54.756 It would not have taken, it just was released this summer, it would not have

144 00:10:54.756 --> 00:10:59.796 taken as long if I went somewhere and paid a lot of money or if I knew how to

145 00:10:59.796 --> 00:11:02.296 run the software that I was editing it on.

146 00:11:02.376 --> 00:11:04.816 So there's a lot of trial and error, lots of error.

147 00:11:05.836 --> 00:11:09.256 But it was rewarding in the process.

148 00:11:09.636 --> 00:11:14.896 But yeah, so I got Lorenzo Rapani on lead guitar, John Steffes on bass,

149 00:11:15.136 --> 00:11:19.456 Kurt Weber on drums, and I'm on guitar and singing.

150 00:11:19.476 --> 00:11:21.836 I do play some piano on one song.

151 00:11:22.916 --> 00:11:27.076 Unfortunately, we lost John Steffes earlier this summer.

152 00:11:27.356 --> 00:11:34.936 To cancer, but was very grateful to have him on this album and kind of,

153 00:11:34.936 --> 00:11:37.796 you know, he helped out so much with the process.

154 00:11:38.056 --> 00:11:44.216 As far as, you know, other people, we did a Kickstarter campaign and I honestly

155 00:11:44.216 --> 00:11:49.016 did not think because we're older, we don't have a big social media presence.

156 00:11:49.236 --> 00:11:54.176 I did not think we would make our goal, but people really stepped up and we,

157 00:11:54.236 --> 00:12:01.216 we made it And I was able to release it on a real CD, release it on vinyl,

158 00:12:01.376 --> 00:12:03.296 you know, get a good recording and.

159 00:12:04.649 --> 00:12:10.369 Well, the artwork for the CD and the vinyl are all both in 3D.

160 00:12:10.609 --> 00:12:14.829 Oh, cool. And the glasses come with it. So they're custom made glasses.

161 00:12:15.449 --> 00:12:20.109 So it's kind of a fun, different release. I'm trying to kind of come up with

162 00:12:20.109 --> 00:12:23.389 different ways of releasing something to generate interest.

163 00:12:23.689 --> 00:12:29.209 Yeah. You know, it's not just an audio experience. It's a visual experience too.

164 00:12:30.149 --> 00:12:34.569 So I was really excited that that all turned out. On a side note,

165 00:12:34.649 --> 00:12:40.669 I've heard that getting vinyl from sending them your music to receiving the

166 00:12:40.669 --> 00:12:42.629 album back takes multiple months.

167 00:12:42.689 --> 00:12:45.409 How many months did it take for you to get that turnaround?

168 00:12:46.149 --> 00:12:50.669 That's what I heard too. In fact, I was told basically plan on it taking a year.

169 00:12:51.109 --> 00:12:53.429 So I was expecting it to be done in March.

170 00:12:53.909 --> 00:12:58.809 It came in the mail almost a month and a half, maybe two months ago at this point.

171 00:12:59.509 --> 00:13:02.449 So it took about six months, if that.

172 00:13:02.969 --> 00:13:07.249 Okay. It was quick considering what I was told. Right.

173 00:13:07.489 --> 00:13:10.949 You know, six months is definitely a long time, but you know,

174 00:13:10.949 --> 00:13:15.969 when you're expecting something a year later and it comes in half the time, you know.

175 00:13:16.529 --> 00:13:21.629 That's pretty cool. Yeah. There's hope for people that want to release something

176 00:13:21.629 --> 00:13:26.429 in a relatively short amount of time, half of a year.

177 00:13:26.809 --> 00:13:32.189 At least the company I went with, you know, I don't know what other companies.

178 00:13:32.449 --> 00:13:35.389 Are like but right and how

179 00:13:35.389 --> 00:13:39.449 many did you have made did you like a thousand run or half of that or what was

180 00:13:39.449 --> 00:13:45.369 it half of half of that we i think the total count was 245 that came in okay

181 00:13:45.369 --> 00:13:52.609 so yeah it's very limited run we'll see how this one sells this one has tricolor vinyl.

182 00:13:53.729 --> 00:14:00.269 The next printing if we actually are lucky enough to have to do that will just

183 00:14:00.269 --> 00:14:02.589 be either one color or just black.

184 00:14:03.649 --> 00:14:07.729 I don't think I'll have custom glasses made so that this first piece.

185 00:14:08.871 --> 00:14:12.851 Pressing might be a little bit more, I don't want to say valuable,

186 00:14:13.031 --> 00:14:14.811 because I don't think it will ever be valuable.

187 00:14:15.291 --> 00:14:18.771 I'd like for it to be, but you never know. Chances are it won't be,

188 00:14:18.851 --> 00:14:21.751 but it will be a special edition.

189 00:14:22.571 --> 00:14:29.511 Cool. Yeah, it's nice to see that some of this music being reproduced back onto

190 00:14:29.511 --> 00:14:31.551 vinyl has had a comeback.

191 00:14:31.751 --> 00:14:37.851 It's very cool, because I think vinyl has a very, it's not just a nostalgic niche thing,

192 00:14:37.851 --> 00:14:40.831 but it actually has a cool vibe to it of its

193 00:14:40.831 --> 00:14:43.651 own you know yeah absolutely yeah i've

194 00:14:43.651 --> 00:14:46.911 always i've always loved vinyl i obviously if

195 00:14:46.911 --> 00:14:50.231 you see behind me there's a small collection just

196 00:14:50.231 --> 00:14:56.891 just a small yeah yeah if someone asked you what were your i don't want to say

197 00:14:56.891 --> 00:15:01.071 your top or your favorites but if you wanted to show them or have them hear

198 00:15:01.071 --> 00:15:05.631 three great examples of songs off that album And what would it like be the three

199 00:15:05.631 --> 00:15:09.191 that you would like to pick and maybe we'll have put them on the podcast for you.

200 00:15:09.511 --> 00:15:17.011 The three songs would, first one would be coming down hard in my backyard would

201 00:15:17.011 --> 00:15:22.211 be another one and probably leave the lights on if I had, I mean,

202 00:15:22.211 --> 00:15:23.151 that's hard to pick three,

203 00:15:23.251 --> 00:15:26.251 you know, yeah,

204 00:15:26.391 --> 00:15:30.491 I would probably say those three because well, coming down hard,

205 00:15:30.571 --> 00:15:33.611 it's just a rocker it's opens the CD.

206 00:15:33.840 --> 00:17:09.680 Music.

207 00:17:09.529 --> 00:17:14.369 In my backyard, I wrote during COVID. Well, I started writing before COVID.

208 00:17:14.509 --> 00:17:15.769 I finished it during COVID.

209 00:17:16.469 --> 00:17:19.709 I always joke that it was, well, it's not a joke.

210 00:17:19.849 --> 00:17:23.569 It was a really depressing, sad time, and we needed happy songs.

211 00:17:23.709 --> 00:17:27.409 And I ended up writing a song about growing old, falling apart, and dying.

212 00:17:28.669 --> 00:17:33.589 A lot of my songs have humor in it. So that's in my backyard.

213 00:17:33.589 --> 00:17:36.589 Ours just talks about, you know, getting older and, you know,

214 00:17:36.589 --> 00:17:38.589 the issues health-wise.

215 00:17:39.589 --> 00:17:42.709 I'll save the rest for you guys just to listen to.

216 00:17:42.960 --> 00:19:12.560 Music.

217 00:18:03.589 --> 00:18:15.349 Hell came of me it hurts to wake up in the morning and in the middle of the night i've got a pee,

218 00:18:16.729 --> 00:18:30.469 no one ever said it easy no one ever said it could get this hard Just put me in a coffin,

219 00:18:30.709 --> 00:18:35.069 and bury my ass in the backyard.

220 00:18:43.749 --> 00:18:47.729 Well, that's what I get for daydreaming.

221 00:18:48.629 --> 00:18:52.769 The problem is that I never woke up.

222 00:18:53.869 --> 00:19:02.469 Now it's growing out of strange places and velcros replacing the laces,

223 00:19:06.449 --> 00:19:16.729 and then leave the lights on is just a special song because my mom when we were

224 00:19:16.729 --> 00:19:21.209 younger she said that she'd always leave the porch light on no matter what her kids were doing.

225 00:19:21.649 --> 00:19:26.129 So basically, if we got sent to prison, not that that would happen,

226 00:19:26.229 --> 00:19:31.049 and this is a drastic experience example, but if we got sent to prison,

227 00:19:31.229 --> 00:19:35.449 she'd always have the porch light on and welcome us back home.

228 00:19:35.569 --> 00:19:40.189 So no matter what happened, what the kids were doing, there'd always be a light.

229 00:19:40.349 --> 00:19:43.289 And so that kind of stuck with me. So I wrote that.

230 00:19:43.709 --> 00:19:49.149 The title inspired me. The lyrics themselves don't necessarily reflect that experience.

231 00:19:49.680 --> 00:21:45.200 Music.

232 00:21:45.043 --> 00:21:51.083 The Light Song is definitely a line that's stuck with me for 20, 30 years. Great.

233 00:21:52.223 --> 00:21:57.023 And yeah, that's amazing. So I'll insert those songs in there for you,

234 00:21:57.063 --> 00:22:00.223 and then the listeners can take a listen to that, and they can draw their own

235 00:22:00.223 --> 00:22:03.963 conclusions if they want to, and then go and see you play. Yeah.

236 00:22:03.983 --> 00:22:04.723 You and your group. Yeah.

237 00:22:06.103 --> 00:22:09.963 So speaking, you said you released this on CD and also on vinyl,

238 00:22:10.103 --> 00:22:12.743 but where can people see or hear this digitally?

239 00:22:12.943 --> 00:22:15.643 Do you have band camp? I mean, are they on the streaming sites?

240 00:22:15.763 --> 00:22:17.423 Where else can they hear this?

241 00:22:17.663 --> 00:22:22.263 Yeah, I think you could actually hear all the songs on Bandcamp, now that you mention it.

242 00:22:22.443 --> 00:22:27.163 Spotify, we have five singles from the album on there now.

243 00:22:27.863 --> 00:22:32.223 You can go to my website at brucehumphries.com. We have videos,

244 00:22:32.383 --> 00:22:40.483 links to all the YouTube and Instagram and all that, obviously come out to the shows.

245 00:22:40.483 --> 00:22:43.323 Shows so right now we have the vinyl and

246 00:22:43.323 --> 00:22:46.563 the cd we've been selling at shows we just don't not releasing

247 00:22:46.563 --> 00:22:50.383 them all online right and then there's uh four local

248 00:22:50.383 --> 00:22:53.543 record stores in town that you can pick them

249 00:22:53.543 --> 00:22:57.803 up at a record head bullseye records lily

250 00:22:57.803 --> 00:23:01.403 put and rush more cool so

251 00:23:01.403 --> 00:23:04.563 listeners out there if you want to go get your your hard

252 00:23:04.563 --> 00:23:07.463 copy of that you go see them at a show or go to

253 00:23:07.463 --> 00:23:10.663 to those record shops and check them out there or online like

254 00:23:10.663 --> 00:23:13.703 bandcamp.com where artists get a majority

255 00:23:13.703 --> 00:23:16.683 of what you spend on their music goes

256 00:23:16.683 --> 00:23:19.863 right back to them so that's definitely a good thing we're streaming

257 00:23:19.863 --> 00:23:27.963 unfortunately you get 0.001 of a penny on the dollar basically yeah where can

258 00:23:27.963 --> 00:23:33.703 they see you play yeah we've got a in february i believe i don't have the date

259 00:23:33.703 --> 00:23:38.943 in front of me We're playing at OPE O-P-E Brewery Okay That's in,

260 00:23:39.483 --> 00:23:44.163 West Allis Okay I believe It's right over there Near State Fair Park.

261 00:23:45.710 --> 00:23:52.470 We have been asked back for the Port Washington Fish Fry Festival.

262 00:23:52.930 --> 00:23:56.450 I don't have the dates for that, but you can go to my website,

263 00:23:56.570 --> 00:24:00.570 BruceHumphreys.com, and you can check out the dates that we have.

264 00:24:01.150 --> 00:24:03.450 Kind of in the middle of booking for next year.

265 00:24:04.510 --> 00:24:08.510 So listeners, go to this website when this airs, once you hear this,

266 00:24:08.530 --> 00:24:11.050 and go see when they're playing and go check them out.

267 00:24:11.150 --> 00:24:15.410 Because Rockabilly is an experience in and of itself, for sure.

268 00:24:16.030 --> 00:24:17.310 Yeah. Yeah, absolutely.

269 00:24:18.270 --> 00:24:21.530 As we're winding down here, there's a couple more questions I have for you.

270 00:24:21.570 --> 00:24:23.390 One of them is work-life balance.

271 00:24:23.630 --> 00:24:27.030 Is that, I know you've talked about you're now, you know, in your,

272 00:24:27.090 --> 00:24:29.070 close to your 50s or early 50s.

273 00:24:29.250 --> 00:24:33.330 You've been playing a long time. Is it a struggle still or you kind of got a

274 00:24:33.330 --> 00:24:34.790 good control over the balance?

275 00:24:35.630 --> 00:24:39.950 I wish I was almost 50 or in my early 50s. I'm 58, so I'm pushing 60.

276 00:24:40.270 --> 00:24:47.090 Okay. It could be a challenge because, well, you're getting older and you're

277 00:24:47.090 --> 00:24:52.050 not as, you don't have the energy like you had when you were younger.

278 00:24:52.410 --> 00:24:57.010 So I've realized that I need to go and do more aerobic workout exercises,

279 00:24:57.450 --> 00:25:01.710 you know, during the week so that I can catch my breath when I'm playing.

280 00:25:01.870 --> 00:25:07.650 Because there are definitely times when I get winded from running around there

281 00:25:07.650 --> 00:25:14.190 on stage or into the audience. And yeah, so that's a big hindrance.

282 00:25:14.350 --> 00:25:19.910 I do have an 11-year-old and a wife, so that could be challenging,

283 00:25:20.110 --> 00:25:25.010 especially in the summer because weekends are the time to go camping and all that.

284 00:25:25.110 --> 00:25:31.990 And so we're trying to find ways to be able to do that and do family stuff while

285 00:25:31.990 --> 00:25:35.810 I do the band stuff. because, you know, we don't play a lot in the winter and

286 00:25:35.810 --> 00:25:38.270 winter's obviously not a good time to go camping.

287 00:25:39.090 --> 00:25:42.770 My 11 year old daughter does get up and sing with me on stage from time to time.

288 00:25:42.830 --> 00:25:44.990 So that's a whole lot of fun. Very cool.

289 00:25:46.250 --> 00:25:51.090 Yeah. What else? Yeah. So, you know, as far as other work goes,

290 00:25:51.190 --> 00:25:53.410 I mean, I'm teaching guitar lessons.

291 00:25:53.590 --> 00:25:56.910 I just was recently hired to do a

292 00:25:56.910 --> 00:26:01.450 song for a soundtrack for an art video project that

293 00:26:01.450 --> 00:26:04.410 a local artist is working on you know i

294 00:26:04.410 --> 00:26:08.830 do ebay stuff so i mean it's just my life is insane nothing's

295 00:26:08.830 --> 00:26:13.810 i don't make anything simple for me you know if i make a cd i've got to have

296 00:26:13.810 --> 00:26:17.710 it in you know 3d so i got to figure out the 3d process and then figure out

297 00:26:17.710 --> 00:26:22.690 the getting the glasses from china to the printing company so they can put it

298 00:26:22.690 --> 00:26:24.550 in you You know, it's just like, why not?

299 00:26:24.590 --> 00:26:27.470 I just simplify and just make it normal.

300 00:26:27.850 --> 00:26:31.130 Yeah. I can't, I know I've never been that way. So. Gotcha.

301 00:26:31.690 --> 00:26:36.390 Cool. Yeah. But, but it seems like, you know, you have at least a decent control

302 00:26:36.390 --> 00:26:39.450 over, over the balance of most of the things that you're doing. It seems.

303 00:26:40.831 --> 00:26:41.931 Sure. Sure.

304 00:26:44.011 --> 00:26:47.771 As long as it appears that way. Your wife hasn't kicked you out of the house yet?

305 00:26:48.231 --> 00:26:52.791 Not yet, no. Yeah. No. The last question I ask is, gigs that have made an impression

306 00:26:52.791 --> 00:26:58.831 on you as an artist and even as an audience member, is there some experiences

307 00:26:58.831 --> 00:27:02.691 that just blew your mind that you could tell the audience?

308 00:27:03.091 --> 00:27:07.391 For my shows or just any shows? It could be a show that you performed at,

309 00:27:07.491 --> 00:27:09.291 shows you've seen, things of that nature.

310 00:27:09.291 --> 00:27:14.911 Sure well you know with the with the rockabilly thing since i've got a lot of rockabilly influence.

311 00:27:15.711 --> 00:27:18.611 So i bought the stray cats album when i

312 00:27:18.611 --> 00:27:21.311 was a kid and uh i listened to it and i'm

313 00:27:21.311 --> 00:27:24.051 like yeah it's okay you know it wasn't something that blew

314 00:27:24.051 --> 00:27:27.051 me away and then i saw them in concert

315 00:27:27.051 --> 00:27:29.971 and watching you know the bass player

316 00:27:29.971 --> 00:27:33.411 run around with his upright bass on his shoulder chasing guitar

317 00:27:33.411 --> 00:27:36.291 player and the drummer getting up and standing on top of

318 00:27:36.291 --> 00:27:38.951 his drums and jumping off and the guitar guitar

319 00:27:38.951 --> 00:27:41.671 player getting up on the drums it was just such a

320 00:27:41.671 --> 00:27:44.771 show yeah it was so high energy

321 00:27:44.771 --> 00:27:48.551 and it was life-changing and then

322 00:27:48.551 --> 00:27:51.311 you know on the opposite of that we went to go see

323 00:27:51.311 --> 00:27:58.031 the cars before rick okasik passed obviously because yeah and he's never been

324 00:27:58.031 --> 00:28:02.011 one to really move around on stage and he was a big influence when i was a kid

325 00:28:02.011 --> 00:28:07.591 also so you know it's just kind of like watching Imagine a band stand there,

326 00:28:07.611 --> 00:28:09.571 play their songs. Not real exciting.

327 00:28:10.011 --> 00:28:15.031 I'm thankful I saw them, but it's like, I want to go see a show that's high

328 00:28:15.031 --> 00:28:19.691 energy, that they're into it, they're moving around, they're doing something.

329 00:28:19.751 --> 00:28:24.231 So it's not just audio experience, it's a visual experience also.

330 00:28:25.806 --> 00:28:30.546 You know, so I try to incorporate that into our shows.

331 00:28:31.306 --> 00:28:36.906 And, you know, we did open, you know, the other life changing or the great experience

332 00:28:36.906 --> 00:28:42.686 was opening for Setzer for a few shows on the East Coast when he was doing his orchestra.

333 00:28:43.526 --> 00:28:46.986 Yeah, I mean, that's kind of a little bit longer story. And,

334 00:28:46.986 --> 00:28:54.646 but yeah, it was very surreal to be up on stage at the Trump Taj Mahal in Atlantic

335 00:28:54.646 --> 00:28:57.826 City with Setzer standing to the side, watching us play.

336 00:28:57.906 --> 00:29:02.986 And, you know, I was a guitar player for someone that I was very much into when

337 00:29:02.986 --> 00:29:07.826 I was a kid and somehow it ended up playing with him and, you know,

338 00:29:07.826 --> 00:29:12.086 and then the next day I'm back home raking leaves in the front.

339 00:29:12.086 --> 00:29:17.646 I can't be playing a sold out show at the Trump Taj Mahal and then raking leaves.

340 00:29:17.866 --> 00:29:22.506 Yep. Yep. But I learned so much from those experiences over there that,

341 00:29:22.506 --> 00:29:30.106 you know, that I apply to the band now, you know, my, yeah, just so much, so many influences.

342 00:29:30.706 --> 00:29:34.426 Wonderful. Wonderful. Is there anything you'd like to add for the listeners

343 00:29:34.426 --> 00:29:35.926 to know about before I let you go today?

344 00:29:36.246 --> 00:29:40.146 Um, I can't, I can't really think of anything right off except for,

345 00:29:40.146 --> 00:29:44.646 you know, if you do Do pick up our CD, you know, with the glasses.

346 00:29:44.666 --> 00:29:49.866 There's a QR code on the side that will take you to our secret web page on my

347 00:29:49.866 --> 00:29:51.626 website that has more 3D images.

348 00:29:52.486 --> 00:29:58.826 So, you know, it's just trying to make this more of an experience for people

349 00:29:58.826 --> 00:30:03.386 that, you know, it's not just getting something and listening.

350 00:30:03.506 --> 00:30:08.866 You can, you know, find these things and go explore other places and hear our

351 00:30:08.866 --> 00:30:14.726 stuff. And yeah, support the band, support local music, support original music.

352 00:30:15.486 --> 00:30:18.626 Excellent. Bruce, thank you so much for being on the Wisconsin Music Podcast.

353 00:30:18.846 --> 00:30:22.426 It's been a pleasure talking with you, learning all about you and your music

354 00:30:22.426 --> 00:30:25.126 and the things you've been doing. So thank you so much for being on the show.

355 00:30:25.406 --> 00:30:27.486 Yeah, I appreciate you having me. Thanks, man.

356 00:30:31.155 --> 00:30:34.695 Well, thanks again for tuning in to another episode of the Wisconsin Music Podcast.

357 00:30:35.155 --> 00:30:38.815 Once again, I'm Zach Fell, your host and creator of the Wisconsin Music Podcast,

358 00:30:38.975 --> 00:30:43.615 where I love to amplify the great sounds coming out of the Wisconsin state.

359 00:30:43.655 --> 00:30:47.115 We have great talent here, great support, great listeners.

360 00:30:47.535 --> 00:30:53.035 Thanks to Fox City's Indie Radio for syndicating this on Wednesdays and Sundays,

361 00:30:53.095 --> 00:30:54.575 along with their other great programs.

362 00:30:54.655 --> 00:30:59.335 So make sure you check out the Fox City's Indie Radio. Thanks so much to Bruce.

363 00:31:00.515 --> 00:31:02.215 For being on the show this week.

364 00:31:04.115 --> 00:31:08.955 If you'd like to be on the show, just go up to wisconsinmusicpodcast.com,

365 00:31:09.055 --> 00:31:13.875 fill out the guest request form up at the top, ask for your email and your name,

366 00:31:14.495 --> 00:31:17.755 and then I'll send you an auto email asking you for more information.

367 00:31:18.055 --> 00:31:22.195 If you are enjoying these episodes, please consider donating to the Wisconsin Music Podcast.

368 00:31:22.735 --> 00:31:26.915 Donations help pay for the website and putting the podcast up on streaming services

369 00:31:26.915 --> 00:31:31.515 and also getting our name out there to all Wisconsinites and others that are.

370 00:31:31.515 --> 00:31:33.935 Interested in our great music here in Wisconsin.

371 00:31:34.475 --> 00:31:38.355 Donations are secure through PayPal and Stripe. All you have to do is go to

372 00:31:38.355 --> 00:31:41.215 the website and click on Donate to WMP.

373 00:31:42.555 --> 00:31:45.535 And also make sure you like and subscribe us on.

374 00:31:45.680 --> 00:31:55.189 Music.