Jane is founder and executive producer of boutique photographic production agency Artboxblack. She started ABB with the intentions of promoting a spirit of collaboration, kindness and creativity, and showcasing the work of younger artists, and in particular, the work of young women photographers. Jane started in fine arts, studying a Bachelor of Fine Arts (Honours), before working in a film processing lab, then eventually moving into production houses.

With a career spanning over 25 years in the photography, film & TV industries, Jane brings an experienced eye to her work, and is proud of working hard to promote the artists she represents.

We were so thrilled that Jane could Zoom into the podcast and share her views on women in the industry. Her integrity and straight forward way of communicating how she feels about this and so much more is so genuine and inspiring to observe. What an incredible conversation. 

ARTBOXBLACK.COM  

@artboxblack

Renee is a social media and influencer manager obsessed with great storytelling and even better strategy. She’s been in the content world since she was six years old (camera in hand), editing videos at thirteen, attending book PR events at sixteen (before BookTok made it cool!) and managing social media the second she was allowed online.

She now spends her time diving deep into audience behaviour, figuring out what people actually care about, and why, then turning those insights into content that connects. She works closely with creators and influencers, knowing when to guide and when to step back so creativity can do its thing.

At her core, Renee loves building brands that feel cohesive and considered, bringing together content, social, design, and customer experience into campaigns that not only look good, but work.

Renee works for the great people at Red Herring Digital redherring.au and they have a fantastic offer for their studio Yarrville Studio Hire yarravillestudiohire.com.au

Exclusive offer for When Harri Met Sally listeners:

Get 20% off photo studio bookings with the discount code HAS20. Offer valid for bookings made until 26/06/2026. Listeners are welcome to book the studio for anytime for the discount to be valid, as long as the booking is confirmed and locked in over the next month. Need a photo studio to bring your vision to life? Book photo studio hire in Melbourne with Yarraville Studio Hire yarravillestudiohire.com.au.

“A Creative Space To Shoot Top Notch Content. Whether you’re an amateur or professional, Yarraville Studio Hire is perfect for your next shoot, whether it be a fashion shoot with models or merely needing product shots for a client’s e-commerce website. We're cost-effective and include all the bells and whistles with your booking... Cyc, lights, backdrops, it's all included.”

Call up to take up the offer… straight after you listen to this fabulous episode! 

yarravillestudiohire.com.au

instagram.com/yarravillestudiohire

linkedin.com/in.renee-chung

Originally from Aotearoa New Zealand, Pippa is a writer and curator based in Naarm/Melbourne. She is currently a curator with Art Museums, University of Melbourne and recently worked on A velvet ant, a flower and a bird by Chus Martínez at the Potter Museum of Art. Previously Pippa was Associate Curator for PHOTO Australia, with whom she went to Les Rencontres d'Arles with the exhibition On Country: photography from Australia. Previous positions to this have been Senior Curator for Museum of Australian Photography (previously MGA), Curator for Centre for Contemporary Photography and Associate Curator, International, for QAG|Goma, Queensland.

This is such a wonderful conversation with the incredibly articulate and intelligent Pippa, who not so quietly, Harriet could not stop fan girl-ing over! And we're happy to let you know that Pippa has another contract with the University, so she'll be working on more curatorial projects there. Hooray!

To our incredible sponsors RACV, Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers, thank you for all the support you have shown us. We couldn’t do it without you!

Nathan is a proud First Nations man, an in demand model and the creator of Mob in Fashion. Rhys has started multiple fashion magazines including Cobber and is an art director, producer and photographer. Together in life and business these two are an unstoppable force in the fashion industry.   

Mob in Fashion is an Australian Indigenous-led fashion initiative that celebrates and elevates First Nations creativity through style, culture, and storytelling. The platform highlights Indigenous designers, models, and artists while promoting authentic representation in the fashion industry. By blending contemporary fashion with cultural heritage, Mob in Fashion creates space for community, visibility, and economic opportunities for Indigenous talent, both on the runway and beyond.

This is a wonderful conversation with two incredible humans trying to make change in the fashion industry. 

Thanks as always to our incredible sponsors RACV, Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers for supporting what we are doing and helping to keep the podcast growing. We couldn’t do it without you all!

Ted's Cameras stock all the photography and videography from all major leading brands, ensuring their customers have access to high quality gear. Beyond retail, Ted's Cameras emphasises customer education and community engagement, providing workshops, tutorials, and expert advice to help their customers improve their photography and media skills.

If this bonus episode has sparked your creativity, we have something special waiting for you! Ted's Cameras have an exclusive offer for listeners of When Harri Met Sally, so watch or listen to find out what it is and contact Ted’s - 

Contact Teresa at teresam@teds.com.au 

Don’t forget to mention: When Harri Met Sally, Ted’s Camera Store Episode, to unlock the offer!”

We can’t thank Teds enough for the support they have shown us, and for Teresa and Nick for coming in to talk to us.

Kylie’s “I Should Be So Lucky” was climbing the charts when Wendy landed her first advertising gig in 1987, and she’s felt lucky ever since.

Armed with a Graphic Design degree and a ridiculous passion for “junk mail,” she built a career art directing catalogues, press campaigns, television commercials and point-of-sale for a list of Australian retailers as long as your arm. One of the highlights along the way was collaborating with a brilliantly talented network of photographers, producers, stylists, and hair and makeup artists.

Wendy’s career evolved alongside the industry itself, spanning the shift from analogue to digital and taking her across the globe, always driven by a love of creativity in all its forms.

Now semi-retired, she’s come full circle, back in retail, working in fashion, and enjoying a little more downtime with the grandkids. As she puts it, “The Melbourne advertising industry has been like a family to me, beautiful, like-minded people doing what we love: making a living by being creative.”

Tune in to listen to this fantastic episode with the incredibly knowledgeable and darn right fantastic Wendy Mace. 

Thanks as always to our incredible sponsors RACV, Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers for supporting what we are doing and helping to keep the podcast growing. We couldn’t do it without you all!

RAGTRADER is a project spanning film, photography, and print, and is centred on Cherade, a Melbourne fashion label active from the 1970s to 1990s and founded by Adrian Callil. Developed by James, his grandson, the project begins with a fragmented archive of sketches, garments, and an unfinished manuscript. From this starting point, it follows a process of searching and tracing the remnants of a practice that sits outside of established fashion history. 

The film premier will be on Tuesday 5th May in Moonee Ponds, Melbourne and will include a Q&A with director James Morris. James will unpack his creative processes, sharing insight into how he created his Ragtrader project using Nikon’s ZR & Z8. Following the screening, everyone is welcome to join James and the team at Nikon at nearby Holmes Hall to view the photo exhibition, magazine and accompanying garments.

All information to book tickets can be found through our socials @whenharrimetsally_podcast/ or @jamesmmorris_ 

Nikon Australia has been a sponsor of When Harri met Sally for two seasons now and we can’t thank them enough. Come down to this wonderful event on Tuesday 5th May to meet them in person, and get your hands on their beautiful Nikon cameras to test out personally. 

https://www.nikon.com.au/

https://www.jamesmorris.com.au/

As always we start off the season with a candid chat about the last year, where our lives have been going and how we see the future unfolding. 

We’ll discuss where we are headed in season three and how we have decided to talk to people who employ photographers rather than the photographers themselves. We’ll be asking, What is it that you look for when working with photographers? Stay tuned for the end of this episode where we have the most unexpected finish to an episode yet! 

You can also tune in this season on our Youtube channel, as we have been videoing the episodes this year. It’s all very exciting! 

We want to thank our incredible sponsors RACV, Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers for supporting what we are doing and helping to keep the podcast growing. We couldn’t do it without you all!

We’re thrilled to be back in the pod suites, and we're ready and raring to chat with all the incredible guests who have generously spent their time hanging out with us. See you in there! 

      photocollective.com.au/         thebrownbilleffect.com/

Nikon Australia has been a sponsor of When Harri met Sally over this last season and we couldn't think of better people to work with. Not only are the Nikon cameras the best cameras and gear to be using, they are the most genuine people who are always there at the drop of a hat to support the photographic community.

So this conversation was a match made in heaven! 

Thank you David for your time, generosity and storytelling, and thank you Nikon Australia. We couldn't think of a better place to leave When Harri met Sally this year then by saying, thank you so much for everything you do to help our industry thrive.

https://www.nikon.com.au/

https://daviddareparker.photoshelter.com/index

https://www.instagram.com/daviddareparker/

https://youtu.be/adOdkWYvrd8

We talk a little about what led us to make When Harri met Sally and then move into a live recording of the podcast with the incredible woman that are Christina de Water and Fernanda Pedroso.

Christina studied photography and visual arts in Melbourne, graduated in photography with First Class Honours and went on to work in excellent fashion studios. She worked at Villawood Studios in London, then came back to co-found Australia's first Photographic agency and travelled the world to promote Australian photography with much delight. Christina loves the visual indulgence that photography can present to the eye through the lens. She has her own organic freehand style, which produces life filled photos with a visual surprise.

Fernanda, a Canberra based Photographer is originally from Brazil. She moved to Australia in 2020 where at the age of 40 she transitioned from a 20-year career in advertising to photography. Fernanda’s work is deeply inspired by her personal experiences, music, poems and the diverse cultures she has encountered. This unique blend of inspiration also informs her commercial and portrait photography, ensuring each project is infused with creativity and professional precision.

Tune in to hear more about these fabulous women and the incredible work they are doing within the photography industry.

https://www.refocusretreat.com.au/

https://www.christinadewater.com.au/

https://www.instagram.com/christina.dewater.photography/

https://www.fernandapedroso.com/

https://www.instagram.com/fernandapedroso_art/

With a background in education, fine arts and a dabble in styling, Emily decided to study photography later in life and she’s been wowing everyone ever since with her talent, drive and attitude.

Her work is stylish, bold, and graphic. Drawing on her love of art and design she has carved out a visual aesthetic that is molded by her strong sense of shape and form. In our chat, we explore her journey, inspirations and how she’s carved out such a strong visual voice.

Check out Emily’s stunning work here -

https://www.emilyraffaele.com/photography

https://www.instagram.com/emily_raffaele/

In our chat, Phương shares his journey and the ideas behind his work, which explore identity, family, sexuality and history in such a unique and moving way. He’s a truly impressive young artist and we can’t wait for you to hear his story and to see what incredible projects he brings to life next.

About Phuong’s exhibition:

Global perceptions of the American War in Vietnam have long been shaped by Western media, where iconic images like the Burning Monk, Saigon Execution, and Napalm Girl became the defining lens. Thành Phẩm presents Vietnamese artist Lê Nguyên Phương’s counter-archive, intimate photographs with his family in Vietnam and Cambodia that re-examine the war’s emotional legacy and hidden histories.

The Atrium, Ballarat Library, 178 Doveton Street North throughout the festival. 

See more of Phuong’s work:

https://lenguyenphuong.com

https://www.instagram.com/phuong.io

Penny will be part of an incredible panel discussion - Women Shaping Photojournalism with Carla Gottgens and Christina Simons, at the Ballarat International Foto Biennale and presented in partnership with Nikon Australia, this coming Sunday 14th September from 2-3pm at 101 Lydiard Street North. 

Based in Melbourne, Penny is a freelance photographer with an impressive career spanning over 20 years at The Age. These days she juggles a mix of media, corporate and personal projects. She works with clients like Western Health, World Vision, Australia Post, and Monash University, while still shooting news for The Guardian and The Age.

Her journey started in the most unexpected way, covering lawn bowls when the picture desk was short staffed! Love that. Since then, Penny’s passion for media work has only grown. She loves meeting people in their homes, capturing portraits, and telling stories at some of the most important moments in their lives.

We just adore Penny and couldn’t be happier to have had this conversation. Get ready for an inspiring and heartwarming chat.

https://www.bypennystephens.com

https://www.pennystephens.com/

https://www.instagram.com/bypennystephens

It was pure joy sitting down with these two remarkable artists, each with their own powerful sense of self and overflowing creativity. What Campbell and Ibby bring to a shoot goes far beyond the camera; it’s about life, love, laughter, and ooooodles of talent. 

is on at the Ballarat Mining Exchange until October 19th. While you are there in Ballarat, make sure you check out their Niijournal exhibition at the RACV Goldfields Resort in Creswick as well. 

Straight after the announcement was made, Bronwyn was live on the podcast to talk all about the excitement of winning with her strikingly bold and beautiful portrait of Polly Borland, and the beautiful story behind the image. 

Two incredible women who have carved out an extraordinary path in photography. Clever, inspiring and absolutely brilliant.

Thank you Bronwyn, for joining us in our pop-up podcast studio, it made the festival even more special. Once again a huge congratulations!

Teds Cameras is a sponsor of When Harri met Sally this season, and it was just wonderful to get to hear the other fantastic work Teds does in the community. 

Teresa and Teds have an incredible offer for the When Harri met Sally audience. 

“Thanks for tuning in to When Harri Met Sally. If today’s episode sparked your creative side, we’ve got something special for you. Listeners get an exclusive offer from Ted’s Camera Store. Just mention the episode when you get in touch.

Contact Teresa at teresam@teds.com.au or call Teresa directly on 0433 116 472

Don’t forget to mention: When Harri Met Sally, Ted’s Camera Store Episode, to unlock the offer!”

We can’t thank Teds enough for the support they have shown us, and Teresa for her time on the podcast.

• “I have a practice in teaching where I like to see how the students see the world.”

Nic is the Convenor of Screen Media at Photography Studies College, where he develops and leads innovative courses that prepare students for the evolving media landscape. With a career spanning over two decades, Nic began as a staff photographer at The Age, capturing compelling images for feature stories and magazine spreads. Since transitioning to freelance work, he has collaborated with major clients, including government departments and corporate entities, while also specialising in time-lapse photography and projection-based media art.

His creative projects, such as The Absurdity of Infinity, showcased at Melbourne’s White Night Festival, highlight his ability to merge artistic vision with technical expertise. A passionate educator, Nic explores the intersection of AI and image-making, researching how emerging technologies are reshaping visual storytelling. 

As a writer, he contributes thought-provoking insights on photography and technology through Medium, Substack, and The Age, engaging a global audience in discussions about the future of media. Holding a Master’s in Visual Art from Monash University, Nic's work critically examines how AI is transforming creative practice, making art more accessible while challenging traditional boundaries.

• “Trusted institutions will play a bigger role in the future, they curate photography and that’s where we should be looking for real photography.”

Tune into the final episode of Season 2 where we have been asking all our guests what the future of photography looks like to them, and boy does Nic have some fascinating information on that!

Insta - @nic_kocher/

Medium - https://medium.com/@wayweroll

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

“I was born in Britain’s oldest town Camulodunum (now known as Colchester). After leaving High School I studied Photography at Berkshire College of Art & Design. In 1986 I moved to London and started assisting at Holborn Studios where I was lucky enough to work with some of my photographic heroes; Terence Donovan, David Bailey and Herb Ritts. In 1988 I spent a year backpacking around Australia and ended up in Melbourne. After assisting around the traps for a couple of years, I ended up at Decent Exposure Studios, where I would base myself for the next 25 years.

I have shot stills campaigns nationally & internationally. In 2001 I tried my hand at film making; I shot my first feature length documentary in Australia and India. Since then, I have shot films and commercials in Australia, US, Lebanon and Europe.

Today I still have that same passion for image making and storytelling I had when I started shooting. I consider myself one of the lucky ones that gets to do what one loves for a living.”

Tune in to listen to this real origin story of how Jon’s career started and all the twists and turns it has taken between then and now. 

• I’ve never said this is the direction I'm going in, it’s always been a little bit of falling into place. The trick is the right place with the right fit and relationships.

www.jonwebb.com.au

@jonwebbphotography/

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Michael is an Indigenous fine art photographer and poet, as well as being a media professional from Broome, Western Australia.

As a Djugun-Yawuru/ man with tribal connections to the Gooniyandi/Jabbir Jabbir/Ngarluma peoples, Michael is inspired by the unique landscapes and people of the Kimberley region, which feature prominently in his work.

His photography draws on his own stories and personal history and explores contemporary social and political issues facing Indigenous people. Much of his work involves conceptual and innovative portraiture and abstract landscape photography.

He is a self-taught photographer and was drawn to photography as a visual medium because of its accessibility and the challenge of capturing stories in single images. However, he is regularly experiment with different mediums. Michael is interested in expanding his photography into installations and motion work and pushing the boundaries of conceptual photography.

Michael’s photography has appeared in exhibitions in China, Germany, Sydney, Melbourne, Perth and regional Western Australia.

“You’ve got to follow your dreams, if you don’t follow them it’s just an idea.” 

This is a heartfelt conversation full of warmth, that starts in Broome and travels right around Australia. 

www.jalaru.com

https://www.instagram.com/jalaruphotography/

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

“I have more of a direction now. I really feel like I am going somewhere.” - Matilda

Tom is working primarily in the music industry and is just about to complete a Diploma in Photography at Collarts, after pursuing degrees in Law, Psychology and Journalism. 

Matilda is a student photographer specialising in fashion and editorial photography. With a focus on vibrant, high-fashion aesthetics and experimental styling and visuals, she is always striving to push creative boundaries. For Matilda, the most rewarding part of her practice is witnessing the joy and confidence that shines through when her subjects see themselves reflected in her images.

“Capturing something that might only happen once or never happens again is really important” - Tom 

@technicoloursuper888

@tomgolsworthy.jpeg/ 

http://tomgolsworthyphotography.myportfolio.com 

This is such an engaging and inspirational conversation. We learnt so much from these intelligent and creative emerging artists. 

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Tajette is an Australian photographic artist known for her evocative explorations of human connection within the suburban and rural landscapes of Australia. Blending conceptual and documentary practices, her work draws heavily on personal memory to construct cinematic, emotionally resonant scenes that reflect the universal complexities of adolescence, family, and place.

Her long-term series In Australia is a deeply personal reflection on growing up in small-town Australia. Through a lens shaped by her own experiences, Tajette captures the nuance of unconventional family dynamics, peer structures, friendship, and hardship—building a body of work that feels both intimately local and globally relatable.

The Quarry centers on an abandoned brickworks quarry in rural New South Wales that has transformed into a community swimming hole. Through traditional documentary photography, the series examines the shifting relationship between people, environment, and time, revealing the site as a living, evolving microcosm.

Tajette is currently undertaking a 12-month commission with the Powerhouse Museum in Sydney, where she is documenting nightlife in the Northern Rivers, NSW. In July, she will present her first solo exhibition at Hillvale Gallery in Melbourne. Her work also features in In Suburbia – Recent Detours at the S.H. Ervin Gallery in Sydney and Agenda: The Lipstick Effect at the Sydney Opera House for International Women’s Day.

She is a finalist in the 2025 Galah Prize and has previously exhibited and curated as part of ACTS I–VII at Benalla Art Gallery for PHOTO 2022. Tajette is also a member of the Oculi Collective.

“If you can conjure some kind of community with what you are doing, it’s so important.”   

Web: www.tajetteohalloran.com/

Instagram: @tajette.ohalloran/

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Erhan centres his practice around long-term ethnography of culturally and linguistically diverse (CALD) communities in Melbourne, Australia. Utilising a background in social work and psychology Erhan employs a collaborative approach to creating culturally intimate images of CALD people and communities. Erhan’s work can be characterised as expanded documentary that delves into the themes of cross-cultural identity and belonging.

“What she taught me, knowing how to carry myself through this world, means inherently all of my images have an element of her in them, because I’m in them.”

Tune in to hear how important Erhan’s family and community are to him, and the ideas he’s exploring around being a part of multiple cultures simultaneously.  

@erhn.trl www.erhntrl.com

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Icelandic-American Christina, is an acclaimed international documentary photographer with over 25 years of experience in the visual arts. Her work has been showcased in various countries, including the US, UK, UAE, Europe, Russia, and Mexico. Based in Australia, Christina's photography has been featured in prominent publications like The New York Times, BBC Online, Newsweek, and The Guardian UK. She has collaborated with humanitarian organisations such as Medicines Sans Frontiers, the UN, Marie Stopes, and UNICEF. Simons’ passion for social justice and compulsion to observe has resulted in striking bodies of work that offer unique visual commentary upon important social, environmental and cultural issues.

Recently Christina has started teaching at Collarts in Melbourne. She shares with us her stories of her travels through work and life, and also about her role in education and mentoring. 

• “I feel like I needed to do something and I didn’t know what that looked like. And then eventually I started being a photographer, and all of those things came together, things that I cared about and have passion for.”

Christina has a way of absorbing us into her stories and transporting us into that experience. Tune in to hear this fabulous conversation. 

Website - christinasimons.com

Instagram - @christinasimons

LinkedIn - https://www.linkedin.com/in/christinasimons

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Leaving High School in the late 1970’s John worked as a still photographer’s assistant before discovering the film industry in the early 1980’s. Believing he’d left photography behind, he embraced the world of film and gravitated toward the camera department, becoming a Clapper-loader (2nd AC). In mid 1986 he was given the opportunity to pull focus on his first feature film, 'The Tale of Ruby Rose’. For the following twelve years John worked as a Focus Puller (1st AC). 

With the arrival of his first son in 1989, John rediscovered his love of photography and began what would eventually become a 40-year project. The recording of his crew mates on location. In 2014 after ten years as a Camera Operator, John moved into Unit Still Photography coming full circle and combining his two great passions, Still Photography and recording the crews he works with.

Today we talk with John about his career in moving image, his return to stills photography and his first book ‘Observations On Set 1983-2005’ which is available now and will be followed by volume two, ‘Observations On Set 2005-2024' in late 2025.

• “The key to longevity in the industry is keep relative, keep your work to a high standard and keep connected”

Unit Stills website: https://johnplatt.com.au

Book Website: https://observationsonset.com

Instagram: @johnplattphotos

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

Profile image by Mike Steel

Aldona is a photographic artist based in Melbourne, originally from Poland. After studying photography in London, she migrated to Australia in 2009 establishing a studio in Ballarat, where she worked on site-specific installations and paste-up projects. Her practice blends conceptual and documentary photography, about memory and belonging.

Aldona has been recognised as a finalist in photography prizes, as well as being widely exhibited across Australia and internationally, including at the Ballarat International Foto Biennale (2023). 'Hills Hoist', her latest solo exhibition, will show at City Library Gallery in November 2025, supported by City of Melbourne Arts Grant. 

• “I think you learn to manage your life and prioritise what’s important and don’t focus on something that isn’t.” 

Tune in to listen to this fascinating and wonderful story that all started on a dairy farm in Poland. 

W: https://aldonakmiec.com 

IG: instagram.com/aldonakmiec   

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

As the Picture Editor for The Guardian Australia, Carly works with the best photojournalists in the country. She is an award-winning photojournalist herself who has been working in the media for over twelve years. Carly's photography has accompanied some of The Guardian's biggest stories. Her passion is connecting an audience to the voiceless people of real news stories, while fostering a creative space for artists to showcase their best work to a global audience. 

“That was my mission when I started at The Guardian, I said I want this to be the place that photographers want to work with.” 

Tune in to this wonderful conversation to hear how Carly and her team advocate for not only the people whose stories they share, but for the photographers that work for The Guardian as well. 

@piceditor.theguardian.au/

The Guardian Australia 

Below are the links to some of the stories Carly mentions throughout the episode -

Droving story

Blacktown

Thanks as always to our amazing sponsors Nikon Australia, Ted’s Cameras, Collarts and A&L Artistic Framers. We couldn't do this without your support so thank you so much once again.

At the age of eight Sally was given an old Box Brownie camera by her great-aunt and learnt the elements of camera work from her mother. At aged 14, Sally bought a secondhand Yashicaflex and carried it around like a companion, observing beautiful, strange, sometimes quite unforeseen things. She has continued this practice of photography ever since, as a way of life.

“I think photography is a way of living in the here and now, living in the moment, there’s no other moment but the one you're in… and your camera can be like your companion, or doppelganger, who's always with you.” 

This is a truly special conversation. We hear not only about Sally’s journey through photography, but also some wonderful stories about growing up with her mother, Olive Cotton. 

sallymcinerneyphotogaraphy.com.au

@sallymcinerneyphotography

@tweedregionalgallery 

Profile picture credit - © Mohsen Soltani

In this episode the two of us have an open, honest, and lively chat as we share what we've learnt from starting the podcast last year. We discuss what has happened since season one, some thoughts on the photography industry on a whole and the exciting plans ahead for season two. This season we are asking all our guests one common question - What does the future of photography look like to you? In this episode we kick things off answering that question ourselves. 

Thanks for all the support you have shown us so far. We hope you love listening to Season 2 just just as much as we loved making it.

thebrownbilleffect.com/

photocollective.com.au/

Matilda is a student photographer specialising in portraiture, currently using photography as a tool for self-discovery. Through vibrant portraits and storytelling, her work explores identity, empowerment, and the beauty of stories often overlooked.

Lisa-Mary, creator behind Broke Stills, makes portfolios that intrigue her. From frying old photos to process grief, to seeking out abandoned chairs and connecting them to memories—who knows what she will create next?

Creating and sharing on the unceded lands of the Wurundjeri-willam people of the Kulin Nation in Australia, Gemma prioritises connection and collaboration in her practice. Her work explores a range of different themes to do with belonging including spirituality and land, lineage, textiles, and particularly the experiences of d/Disabled peoples within these contexts. 

These talented students share their creative journeys, inspirations and hopes for the future of photography. Their unique voices remind us of the beauty in starting out.

https://www.instagram.com/technicoloursuper888/

https://www.instagram.com/brokestills/

https://www.instagram.com/gemrasophotography/

https://www.collarts.edu.au/.  

Danie has been the Photographic Editor at The Age and The Sunday Age from 2018 to present. With a team of Photographers and Picture Editors they cover all aspects of daily news reporting, photojournalism and long form feature work for cross platform news media mastheads. Danie has worked in various photo editing roles at Fairfax Media/The Age (now Nine) such as Features and The Sunday Age for almost 20 years and has previously worked for independent publishers of bespoke print periodicals in Australia and Europe (2003-2021).

Today on the podcast Danie discusses the evolution of visual storytelling in journalism, from print to digital and how photography shapes how we see the world through news media.

https://www.theage.com.au/

Vanessa is leading the 11th Festival (open from 23rd August to 19th October 2025) and simultaneously transforming Ballarat's former Union Bank into the National Centre for Photography. Previously Gerrans served as Director of the Warrnambool Art Gallery from 2015-2022 and holds a Masters in Art Curatorship from the University of Melbourne. 

In this episode Vanessa shares her mission to elevate Australian photography, from leading festivals to establishing the National Centre for Photography with her passion for the arts shining through every endeavour.

https://ballaratfoto.org

https://www.instagram.com/vanessagerrans/

Photo by Alice Miles

Darrian is an Australian based award-winning photojournalist working as a staff photographer with Getty Images based in Sydney Australia. His editorial work appears in newspapers, magazines and online for publications all around the world. Prior to joining Getty Images as a staff photographer in 2024, Darrian worked in a freelance role for the company for over 10 years as well as work for Nine Media including mastheads such as The Age and The Sydney Morning Herald.

While having a strong background in sports photography Darrian’s reportage work has seen him cover global humanitarian issues particularly in the Middle East with an ongoing look at the issues surrounding refugees displaced by conflict.

Darrian’s award-winning work captures breaking news, humanitarian issues and global events with heart and precision. Tune in to hear his insights on documenting truth in a fast-paced world.

https://www.darriantraynor.com/

https://www.instagram.com/darriantraynor/

Rikki is a passionate photographer and educator. After many years working as a professional photographer, he made the move into higher education and has spent the last 12 years teaching and managing photography courses. He is currently the Program Leader - Photography at Collarts Australia.  

Through self-exploration and introspection, Rikki’s work is an extension of their thoughts and questions, offering a powerful look into the subconscious through photography.

www.rikkipaul.com

https://www.instagram.com/rpbunder/

https://samanthaeverton.com/

https://www.instagram.com/samantha.everton/ 

Isamu, born in Japan and raised in Australia, has had a life long passion for photography since being gifted a Yashika 35 rangefinder camera from his father at the age of nine. Isamu’s career has spanned the commercial industry from rock and roll to car photography, and later to a beautiful artistic practice which he says has redefined his approach to his work at every level. Isamu says “I believe an image should stand the test of time—delivered through Japanese-inspired discipline, creativity and technical craft.”

A wonderful conversation with a photographer balancing the world of commercial and art photography. 

https://www.isamusawa.com.au/

https://instagram.com/isamu_sawa_photography/

Jesse is a Melbourne based photographer whose works are held in public and private collections across Australia, including the National Gallery of Victoria, Australian Parliament House Canberra, Monash Gallery of Art, City of Melbourne and State Library of Victoria.

Jesse is known for his street photography and has published multiple photobooks including being one of 45 street photographers from around the world profiled in the book Street Photography Now. He was awarded the International Street Photographer of the Year Award in 2011 and in 2012 won the Monash Gallery of Art’s Bowness Prize. He is a member of the international street photographers’ collective UP Photographers, a Leica ambassador and manages the Leica Academy in Melbourne. 

Jesse is a photographer that has diversified his business in so many different ways and it has been fascinating to hear how he has managed to stay so active in the photography industry. A wonderful conversation. 

https://www.jessemarlow.com/

https://www.instagram.com/jessemarlow

Andrew started his photographic work in suburban newspapers and graduated to freelance work in the mid 1980s. His work has been widely published in newspapers, magazines and corporate periodicals both here in Australia and overseas. Andrew has exhibited across Australia as well as the US and France and his work can be found in National Institutions. He is the author of 10 photographic books. Fifty five years as a photographer has not blunted his enthusiasm.

Andrew's wealth of knowledge and engaging stories had us completely enthralled. A wonderful conversation with a truly inspiring gentleman. 

www.andrewchapmanphotography.com

https://www.instagram.com/bigcheezoz/

Rowena is a photographer, relational therapist and crazy bird lady. She sees her work (photographic and therapeutic) with families as an opportunity to validate, reframe and shift the way people see themselves, both as a system and as individuals.

Rowena shares how her interest in psychology and photography go hand in hand through her process, and how this can be a therapy for both her and the sitters she works with. A truly heartwarming conversation. 

https://www.rowenameadows.com.au/

https://www.instagram.com/rowenameadowsphoto/

Aishah and Sean are innovative photographers, curators, and educators whose collaborative practices draw from a deep-rooted passion for documentary and observational photography. Their artistic visions centre on the intimacies of contemporary daily life and explores the nuanced intersection of personal experiences and broader social issues.

This is a wonderful insight into their collaborative process and a discovery in why they are passionate about photography and working together in this way. 

https://www.kentondavey.com.au/

https://www.instagram.com/kenton.davey/

In this first episode they reveal their backgrounds in the industry, how their podcast came to be and their love for the photography community.

Within this twelve part series, Sally and Harriet's expertise and humour make each interview feel like a heartfelt conversation, all centered around the question of why, in this day and age changing photography, do we do what we do?

When Harri Met Sally is a must-listen for anyone passionate about photography and creative practice within Australia, and further afield. 

Find out more about your hosts at photocollective.com.au and thebrownbilleffect.com.