Visit Travis's website, or the Stonecirclesampler bandcamp page for more. 

Subscribe to the Uncanny Landscapes substack for an exclusive album by Travis Elborough & Stonecirclesampler released 18th March and titled The Past I Remember and The Past I Don't. 

Travis has instagram; so does Luke. 

Follow Sam on Instagram, or visit the site for Field Zine; you can read about and order The Pin Jar at Rough Trade Books. 

The music is by Milkweed from the album Remscela, and is available from their Bandcamp Page

Lally's website is lallymacbeth.org; the Folk Archive instagram page is linked here.

The music on this episode is by Woodchester Piano Company from the album Ambient Tea Party, available via Bandcamp.

Rob's website is robstjohn.co.uk and he's also responsible for the music and recordings on this episode, many of which are through Blackford Hill Records.

Ken's website is at worpole.net and his publisher is Little Toller Books.

Music by Micro Moon from the album Figures in a Landscape.

I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds.

David's practice is DK-CM, and the book Mutual Aid, Everyday Anarchism: Essays on Colin Ward is from Five Leaves Publishing.

Music by Asher Levitas from his album Peripheral Lands.

I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds.

Check out Stick in the Wheel at their website, including tour dates, and get A Thousand Pokes from Bandcamp.

I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds.

Find Elizabeth on Instagram and find the book via Bloomsbury.

The music in this episode is from the new album by Stick in the Wheel, A Thousand Pokes, available from their Bandcamp.

Her website is https://lauracannell.com/ where you can find out about recordings and gigs, or you can visit her Brawl Records bandcamp site to check out music and buy recordings.

The music in this episode is from Laura's recent 'Lore' series, available through the bandcamp site.

James Canton is a writer and educator; the author of books including Ancient Wonderings, The Oak Papers, and Grounded: A Journey into the Landscapes of our Ancestors.

His website is https://jamescanton.co.uk/

He is also active on Instagram.

The music in this episode is Leaves Rustle and the Wind in my Hair by Pefkin, from the album Observations on Land and Sea, available from Pefkin's bandcamp page.

Cheryl E. Leonard is a musician, sound artist and composer who lives in Northern California and works there - or in Antarctice, or Scotland, or Scandinavia... Her practice of making compositions 'of' and 'with' place combines field recordings with music made from original instruments built from natural objects.

Her website is https://allwaysnorth.com/ and she's also on Instagram.

Her album Antarctica: Music from the Ice is available from Bandcamp: https://othermindsrecords.bandcamp.com/album/antarctica-music-from-the-ice

A new release just out is Littoral: https://ruralsituationism.bandcamp.com/album/littoral

Good friend of the podcast Jim Jupp recently released a new album under his Belbury Poly name, and through Ghost Box, the record label he co-founded with artist/designer Julian House.

Rather than a solo piece, however, this one involves a 'band' setting augmenting his synths and obsessions with library-music inspired claustrophobic soundtrack-funk, plus my own contribution as narrator, telling a vague tale of a walker descending into madness on the uncanny paths of England.

We walked and talked at the end of the summer, and here 'tis...

Check out Belbury Poly's The Path through all the normal record-shopping and streaming spots, and Ghost Box Records' own shoppe. The music is, obviously, also from that album. BP did the Uncanny Landscapes title theme, too...

Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.

Kirsty and Tom have an exhibition 9-12 November at Staffordshire Street Gallery in Peckham, London, UK, featuring new work made in the remaining patches of boreal forest in northern Scotland.

For information on the exhibition, visit Staffordshire St's website. 

Kirsty Badenoch and Tom Jeffreys each have a site, too, which will help you find out more about the artists book that accompanies the exhibition.

The music in this episode is the track Unnamed Unseen from Memory Islands, a highly recommended new album by violinist Ellie Wilson.

Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.

Frances Castle is a London-based artist, illustrator and musician who operates Clay Pipe Music, a record label producing beautiful landscape-inspired LPs and CDs of music combining folk, electronica and hauntological themes.

Clay Pipe's website is http://www.claypipemusic.co.uk/

Frances's own site is https://www.francescastle.com/

This episode includes partial and full tracks from a number of Clay Pipe artists including Frances's own The Hardy Tree. They are all available here from Clay Pipe's Greedbag page. In order of appearance:

Stone Club is an online and in-person affiliation of people in love with ancient landscapes, founded two years ago by artists MacBeth and Shaw. They'll talk about the background on 'why stone club', the importance of mystical landscape and the work influenced and inspired by the places they inhabit.

Stone Club's website is stoneclub.rocks where you can find out about membership, events and ways to join in.

The music in this episode is by Stone Club's Matthew Shaw, who has his own website.

Lally MacBeth also operates the Folk Archive, and other projects, available at this site o'er here.

Camilla Nelson is an artist whose work explores the materiality of language, particularly in regards to the other-than-human.

Her workshop BECOMING begins soon and is an exploration of ways to engage with fungus, birds, animals, plants and more through language and art. She'll discuss this online workshop as well as her own work as an artist, writer, performer and educator.

For more on her work and courses, Camilla's Singing Apple Press has a website.

The music in this episode is by Kyron from the album Dreaming Eden, available on LP or as a Download.

Dan Fox's substack is here.

Jem Finer is an artist and musician whose work spans the musical gamut from co-founding The Pogues to creating Longplayer, a 1,000-year-long composition that has been performing itself, so far, for 23 years.

On Mayday, Finer and co-conspirator Jimmy Cauty (of the KLF) release the first record as Local Psycho - a hurdy-gurdy led acid-barn-dance band - and will infuse a newly erected standing stone with its sounds.

Jem talks about Local Psycho and Longplayer, as well as other projects of his, archaeo-astronomy and 'psychocosmology', and more.

The music is by Swedish band Seeds in Barren Fields, from their project, Sånger som rämnar - available via their Bandcamp. Used by permission of the artists, and with great thanks.

We spoke about her project This Is a Picture of Wind - a digital exploration of wind and language, now in book form from Longbarrow Press; about weather, climate change and imperialism; about mapping invisible systems, and about Vahni Capildeo's poetic response to Picture of Wind.

Links:

JR Carpenter's This Is a Picture of Wind (digital version)

This is a Picture of Wind from Longbarrow Press

JR's website

(Host Justin Hopper has a website, too; twitter, even.)

Music by Chris Cannon

Title sounds by The Belbury Poly courtesy Ghost Box Records

Icons by Stefan Musgrove / Firebrand Creative

We spoke about his books of let’s-call-them-air-quotes-Nature-Writing that both reflect his lifelong love of the genre and some of the conflicts at its heart. About running through the downs at night. About nature writing and indices, and mental health, and hangovers, and about the dadaist bureaucracy through which he approaches the natural world.

There are a few technical glitches in these recordings. Please take these as they are - cracks, through which the light gets in.

Links: Angus Carlyle's Night Blooms from Makina Books

Angus's website and his Twitter and, why not?, his Instagram

(Host Justin Hopper has a website, too)

Music by Teleplasmiste

Title sounds by The Belbury Poly courtesy Ghost Box Records

Icons by Stefan Musgrove / Firebrand Creative