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    <title>Talking Birds’ Podcasts</title>
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    <description>Podcasts from Talking Birds</description>
    <pubDate>Mon, 01 Jun 2026 12:15:08 +0100</pubDate>
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    <language>en</language>
        <copyright>Copyright 2014  . All rights reserved.</copyright>
    <category>Arts</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
<itunes:category text="Arts" />
    <itunes:owner>
        <itunes:name>Talking Birds</itunes:name>
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    <item>
        <title>Nestival of Ideas Ep. 11 - What does an artistic director *actually* do?</title>
        <itunes:title>Nestival of Ideas Ep. 11 - What does an artistic director *actually* do?</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-11-what-does-an-artistic-director-actually-do/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-11-what-does-an-artistic-director-actually-do/#comments</comments>        <pubDate>Mon, 01 Jun 2026 12:15:08 +0100</pubDate>
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                                    <description><![CDATA[<p>As far as we know, no-one is running a qualification in Artistic Director-ing, so how do you find out what skills you need, or what an Artistic Director really does, day to day? What sort of career path leads to becoming an Artistic Director? How do you go about becoming one? And – after this discussion – do you still actually want to? Our panellists are: Orit Azaz, Selina Thompson &amp; Corey Campbell, chaired by Talking Birds’ Co-Artistic Director Derek Nisbet. Ep. 11 of our Nestival of Ideas panel discussions.</p>
<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>As far as we know, no-one is running a qualification in Artistic Director-ing, so how do you find out what skills you need, or what an Artistic Director really does, day to day? What sort of career path leads to becoming an Artistic Director? How do you go about becoming one? And – after this discussion – do you still actually want to? Our panellists are: Orit Azaz, Selina Thompson &amp; Corey Campbell, chaired by Talking Birds’ Co-Artistic Director Derek Nisbet. Ep. 11 of our Nestival of Ideas panel discussions.</p>
<p></p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[As far as we know, no-one is running a qualification in Artistic Director-ing, so how do you find out what skills you need, or what an Artistic Director really does, day to day? What sort of career path leads to becoming an Artistic Director? How do you go about becoming one? And – after this discussion – do you still actually want to? Our panellists are: Orit Azaz, Selina Thompson &amp; Corey Campbell, chaired by Talking Birds’ Co-Artistic Director Derek Nisbet. Ep. 11 of our Nestival of Ideas panel discussions.
]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6630</itunes:duration>
                <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 10 - Power Station post-screening discussion</title>
        <itunes:title>Nestival of Ideas Ep. 10 - Power Station post-screening discussion</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-10-power-station-post-screening-discussion/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-10-power-station-post-screening-discussion/#comments</comments>        <pubDate>Wed, 13 May 2026 09:50:02 +0100</pubDate>
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                                    <description><![CDATA[<p>This discussion followed a screening at the Nest of Power Station - with panellists Jess Pinson, Farah Ahmed &amp; Phil Beardmore.</p>
<p>Two artists in Walthamstow set out to take their street off the grid, kickstarting a solar-powered energy revolution.</p>
<p>Inspired by lockdown mutual aid initiatives, artist-activists Hilary Powell and Dan Edelstyn decided to turn their street into an energy-generating powerhouse – a prototype for a new way of living, with the hope of galvanising a wider push towards sustainable alternatives.</p>
<p>Directed by the duo, POWER STATION charts their turbulent journey, from pitching the idea to their neighbours and sleeping on the roof of their home, to raising finance and launching a bid for a Christmas number one single.</p>
<p>By turns funny and heartwarming, Powell and Edelstyn’s film is a vibrant portrait of their local neighbourhood, and a charming testament to the power of art in changing minds about what could be possible.</p>
<p>More info: <a href='https://power.film/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBEwUlEzRHpRMzNvb0xUMWxuTnNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR65ac__ixz0rgI7XBw0coTEy2T9q9Ydzicyc8pj5OSB9wvPvoMAxyQkPTYZ3w_aem_kvs0j1GiwD3mpcUDLwZeyQ'>https://power.film/</a></p>
<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This discussion followed a screening at the Nest of Power Station - with panellists Jess Pinson, Farah Ahmed &amp; Phil Beardmore.</p>
<p>Two artists in Walthamstow set out to take their street off the grid, kickstarting a solar-powered energy revolution.</p>
<p>Inspired by lockdown mutual aid initiatives, artist-activists Hilary Powell and Dan Edelstyn decided to turn their street into an energy-generating powerhouse – a prototype for a new way of living, with the hope of galvanising a wider push towards sustainable alternatives.</p>
<p>Directed by the duo, POWER STATION charts their turbulent journey, from pitching the idea to their neighbours and sleeping on the roof of their home, to raising finance and launching a bid for a Christmas number one single.</p>
<p>By turns funny and heartwarming, Powell and Edelstyn’s film is a vibrant portrait of their local neighbourhood, and a charming testament to the power of art in changing minds about what could be possible.</p>
<p>More info: <a href='https://power.film/?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBEwUlEzRHpRMzNvb0xUMWxuTnNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR65ac__ixz0rgI7XBw0coTEy2T9q9Ydzicyc8pj5OSB9wvPvoMAxyQkPTYZ3w_aem_kvs0j1GiwD3mpcUDLwZeyQ'>https://power.film/</a></p>
<p></p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[This discussion followed a screening at the Nest of Power Station - with panellists Jess Pinson, Farah Ahmed &amp; Phil Beardmore.
Two artists in Walthamstow set out to take their street off the grid, kickstarting a solar-powered energy revolution.
Inspired by lockdown mutual aid initiatives, artist-activists Hilary Powell and Dan Edelstyn decided to turn their street into an energy-generating powerhouse – a prototype for a new way of living, with the hope of galvanising a wider push towards sustainable alternatives.
Directed by the duo, POWER STATION charts their turbulent journey, from pitching the idea to their neighbours and sleeping on the roof of their home, to raising finance and launching a bid for a Christmas number one single.
By turns funny and heartwarming, Powell and Edelstyn’s film is a vibrant portrait of their local neighbourhood, and a charming testament to the power of art in changing minds about what could be possible.
More info: https://power.film/
]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4048</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 9 - Face the Music</title>
        <itunes:title>Nestival of Ideas Ep. 9 - Face the Music</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-9-face-the-music/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-9-face-the-music/#comments</comments>        <pubDate>Sun, 02 Nov 2025 15:00:38 +0000</pubDate>
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                                    <description><![CDATA[Who is actually making money in the music industry? Labels? Venues? Promoters? Managers? And how can it be right for anyone to expect gigging musicians to play for free? A Nestival of Ideas Panel Discussion to explore what’s happening, where the money really is, and how to make a career out of creating music.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel:
 
Ellie Ball – Music Publicist and Radio PluggerFinlay Turner-Berry – Founder of Underbelly PromotionsAmmo Talwar MBE – CEO Punch RecordsCharlie Tophill aka Bar Pandora - Artist, Music Producer &amp; Facilitator
 
The discussion is chaired by Derek Nisbet, Composer and Co-Artistic Director of Talking Birds.
 

 
Ellie Ball is Head of Press and Radio at Someone Great PR, where she has spent the past decade running bespoke campaigns for independent artists and labels. Specialising in national radio, print press and online coverage, she has worked with acts across genres to amplify their stories and build sustainable careers in music. Ellie began her career at Tin Angel Records, overseeing press and radio for the label’s roster, and co-founded Boudica Festival, a Midlands-based, all-female music event.
 
Finlay Turner-Berry Underbelly is a Coventry based promoter that brings underground and left-field sounds to the Coventry masses. I was born and raised in Coventry and in my late teens was frustrated with the lack of alternative and left-field music available to me. Any time I wanted to see music that excited me live, I had to see them in other cities. It was no surprise then, that I left for the green pastures of Bristol for university and discovered a world of alternative music, an inclusive scene, and thriving DIY venues. Post-uni I moved back to cov and decided that I wanted to try and build a similar vibe in Coventry. I’ve been back in Coventry for three years now and the music scene has exploded in that time. There are so many great promoters, bands, and Venues all doing their thing in the city and it is fantastic. I think for the first time in a very long time a kid in their late teens now has a choice of DIY gigs to go to weekly, something I would never have pictured for Cov when I left the city at 18.
 
Ammo Talwar started life as a music maverick selling vinyl at his specialist record shop in the late 90s, which became a hub for DJs and artists from across the country. This laid the foundation for a long-term commitment to supporting artists, building infrastructure, and shaping cultural policy. His vision and strategic leadership built Punch Records from a shop into a nationally recognised agency, partnering with major institutions including Google, Coca-Cola, the British Council, and the 2022 Commonwealth Games to support grassroots music and creativity. He is currently Chairman of the UK Music Diversity Taskforce, where he recently led on developing the innovative 5 P’s (UK Music Industry’s Action Plan), a major music industry intervention to drive change to rebalance the industry’s workforce diversity deficit. He is also a BPI Council Board member.
 
Charlie Tophill is a West Midlands-based music artist and producer who performs under the moniker Bar Pandora - a name inspired by the literary café in Madrid where she joined her first feminist book club. Bar Pandora's 'shape-shifting alt-pop for the proudly imperfect' seeks to challenge self-limitation, and has been championed by BBC 6 Music’s Amy Lamé, Steve Lamacq and Tom Robinson.
In addition to her own project, Charlie is also a seasoned touring and session musician, having toured the UK and Europe with bands Curtis Eller’s American Circus and The Howl &amp; The Hum.
Charlie is a passionate advocate for women in music, and has appeared on BBC Woman’s Hour to discuss gender inequality and the gender tech-gap in music production. She is committed to supporting and advocating for women and gender expansive artists in the industry, and Co-founded Holle In Music, a collective born out of frustration with the lack of supportive infrastructure for marginalised genders in the music business.

 
Derek Nisbet is a composer &amp; theatre-maker who specialises in creating music for unusual situations. He is Co-Artistic Director of Talking Birds and one third of The Sonoplasts. See less
]]></description>
                                                            <content:encoded><![CDATA[Who is actually making money in the music industry? Labels? Venues? Promoters? Managers? And how can it be right for anyone to expect gigging musicians to play for free? A Nestival of Ideas Panel Discussion to explore what’s happening, where the money really is, and how to make a career out of creating music.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel:
 
Ellie Ball – Music Publicist and Radio Plugger<br class="html-br" />Finlay Turner-Berry – Founder of Underbelly Promotions<br class="html-br" />Ammo Talwar MBE – CEO Punch Records<br class="html-br" />Charlie Tophill aka Bar Pandora - Artist, Music Producer &amp; Facilitator
 
The discussion is chaired by Derek Nisbet, Composer and Co-Artistic Director of Talking Birds.
 

 
Ellie Ball is Head of Press and Radio at Someone Great PR, where she has spent the past decade running bespoke campaigns for independent artists and labels. Specialising in national radio, print press and online coverage, she has worked with acts across genres to amplify their stories and build sustainable careers in music. Ellie began her career at Tin Angel Records, overseeing press and radio for the label’s roster, and co-founded Boudica Festival, a Midlands-based, all-female music event.
 
Finlay Turner-Berry Underbelly is a Coventry based promoter that brings underground and left-field sounds to the Coventry masses. I was born and raised in Coventry and in my late teens was frustrated with the lack of alternative and left-field music available to me. Any time I wanted to see music that excited me live, I had to see them in other cities. It was no surprise then, that I left for the green pastures of Bristol for university and discovered a world of alternative music, an inclusive scene, and thriving DIY venues. Post-uni I moved back to cov and decided that I wanted to try and build a similar vibe in Coventry. I’ve been back in Coventry for three years now and the music scene has exploded in that time. There are so many great promoters, bands, and Venues all doing their thing in the city and it is fantastic. I think for the first time in a very long time a kid in their late teens now has a choice of DIY gigs to go to weekly, something I would never have pictured for Cov when I left the city at 18.
 
Ammo Talwar started life as a music maverick selling vinyl at his specialist record shop in the late 90s, which became a hub for DJs and artists from across the country. This laid the foundation for a long-term commitment to supporting artists, building infrastructure, and shaping cultural policy. His vision and strategic leadership built Punch Records from a shop into a nationally recognised agency, partnering with major institutions including Google, Coca-Cola, the British Council, and the 2022 Commonwealth Games to support grassroots music and creativity. He is currently Chairman of the UK Music Diversity Taskforce, where he recently led on developing the innovative 5 P’s (UK Music Industry’s Action Plan), a major music industry intervention to drive change to rebalance the industry’s workforce diversity deficit. He is also a BPI Council Board member.
 
Charlie Tophill is a West Midlands-based music artist and producer who performs under the moniker Bar Pandora - a name inspired by the literary café in Madrid where she joined her first feminist book club. Bar Pandora's 'shape-shifting alt-pop for the proudly imperfect' seeks to challenge self-limitation, and has been championed by BBC 6 Music’s Amy Lamé, Steve Lamacq and Tom Robinson.
In addition to her own project, Charlie is also a seasoned touring and session musician, having toured the UK and Europe with bands Curtis Eller’s American Circus and The Howl &amp; The Hum.
Charlie is a passionate advocate for women in music, and has appeared on BBC Woman’s Hour to discuss gender inequality and the gender tech-gap in music production. She is committed to supporting and advocating for women and gender expansive artists in the industry, and Co-founded Holle In Music, a collective born out of frustration with the lack of supportive infrastructure for marginalised genders in the music business.

 
Derek Nisbet is a composer &amp; theatre-maker who specialises in creating music for unusual situations. He is Co-Artistic Director of Talking Birds and one third of The Sonoplasts. See less
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4ysub3gpzb8andab/Nestival_of_Ideas_9_Face_the_Musicacy2z.mp3" length="105561778" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Who is actually making money in the music industry? Labels? Venues? Promoters? Managers? And how can it be right for anyone to expect gigging musicians to play for free? A Nestival of Ideas Panel Discussion to explore what’s happening, where the money really is, and how to make a career out of creating music.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel:
 
Ellie Ball – Music Publicist and Radio PluggerFinlay Turner-Berry – Founder of Underbelly PromotionsAmmo Talwar MBE – CEO Punch RecordsCharlie Tophill aka Bar Pandora - Artist, Music Producer &amp; Facilitator
 
The discussion is chaired by Derek Nisbet, Composer and Co-Artistic Director of Talking Birds.
 

 
Ellie Ball is Head of Press and Radio at Someone Great PR, where she has spent the past decade running bespoke campaigns for independent artists and labels. Specialising in national radio, print press and online coverage, she has worked with acts across genres to amplify their stories and build sustainable careers in music. Ellie began her career at Tin Angel Records, overseeing press and radio for the label’s roster, and co-founded Boudica Festival, a Midlands-based, all-female music event.
 
Finlay Turner-Berry Underbelly is a Coventry based promoter that brings underground and left-field sounds to the Coventry masses. I was born and raised in Coventry and in my late teens was frustrated with the lack of alternative and left-field music available to me. Any time I wanted to see music that excited me live, I had to see them in other cities. It was no surprise then, that I left for the green pastures of Bristol for university and discovered a world of alternative music, an inclusive scene, and thriving DIY venues. Post-uni I moved back to cov and decided that I wanted to try and build a similar vibe in Coventry. I’ve been back in Coventry for three years now and the music scene has exploded in that time. There are so many great promoters, bands, and Venues all doing their thing in the city and it is fantastic. I think for the first time in a very long time a kid in their late teens now has a choice of DIY gigs to go to weekly, something I would never have pictured for Cov when I left the city at 18.
 
Ammo Talwar started life as a music maverick selling vinyl at his specialist record shop in the late 90s, which became a hub for DJs and artists from across the country. This laid the foundation for a long-term commitment to supporting artists, building infrastructure, and shaping cultural policy. His vision and strategic leadership built Punch Records from a shop into a nationally recognised agency, partnering with major institutions including Google, Coca-Cola, the British Council, and the 2022 Commonwealth Games to support grassroots music and creativity. He is currently Chairman of the UK Music Diversity Taskforce, where he recently led on developing the innovative 5 P’s (UK Music Industry’s Action Plan), a major music industry intervention to drive change to rebalance the industry’s workforce diversity deficit. He is also a BPI Council Board member.
 
Charlie Tophill is a West Midlands-based music artist and producer who performs under the moniker Bar Pandora - a name inspired by the literary café in Madrid where she joined her first feminist book club. Bar Pandora's 'shape-shifting alt-pop for the proudly imperfect' seeks to challenge self-limitation, and has been championed by BBC 6 Music’s Amy Lamé, Steve Lamacq and Tom Robinson.
In addition to her own project, Charlie is also a seasoned touring and session musician, having toured the UK and Europe with bands Curtis Eller’s American Circus and The Howl &amp; The Hum.
Charlie is a passionate advocate for women in music, and has appeared on BBC Woman’s Hour to discuss gender inequality and the gender tech-gap in music production. She is committed to supporting and advocating for women and gender expansive artists in the industry, and ]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7540</itunes:duration>
                <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 8 - Anything for the Money?</title>
        <itunes:title>Nestival of Ideas Ep. 8 - Anything for the Money?</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-8-anything-for-the-money/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-8-anything-for-the-money/#comments</comments>        <pubDate>Sat, 17 May 2025 14:41:57 +0100</pubDate>
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                                    <description><![CDATA[<p style="outline: none;">Panel Discussion exploring where to draw the line in an impoverished sector when commissions, sponsors, or funders’ values might not necessarily align with your own.</p>
<p>Our panel: James Yarker (<a href='https://stans.cafe/'>Stan’s Cafe</a>), <a href='https://hazelsealeaf.co.uk/'>Hazel Sealeaf</a> (writer, researcher &amp; producer) Catherine Groom (<a href='https://wearefierce.org/'>Fierce</a>) and Justine Themen (Theatre Director). Chaired by Derek Nisbet (<a href='https://talkingbirds.co.uk/'>Talking Birds</a>). Recorded at Talking Birds' Nest in Coventry, 16th May 2025.</p>
<p style="outline: none;">Both Hazel and Catherine were part of the group involved in putting together the <a href='https://talkingbirds.co.uk/2024/09/27/ethical-fundraising-toolkit/'>Ethical Fundraising Toolkit</a> which launched last year.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="outline: none;">Panel Discussion exploring where to draw the line in an impoverished sector when commissions, sponsors, or funders’ values might not necessarily align with your own.</p>
<p>Our panel: James Yarker (<a href='https://stans.cafe/'>Stan’s Cafe</a>), <a href='https://hazelsealeaf.co.uk/'>Hazel Sealeaf</a> (writer, researcher &amp; producer) Catherine Groom (<a href='https://wearefierce.org/'>Fierce</a>) and Justine Themen (Theatre Director). Chaired by Derek Nisbet (<a href='https://talkingbirds.co.uk/'>Talking Birds</a>). Recorded at Talking Birds' Nest in Coventry, 16th May 2025.</p>
<p style="outline: none;">Both Hazel and Catherine were part of the group involved in putting together the <a href='https://talkingbirds.co.uk/2024/09/27/ethical-fundraising-toolkit/'>Ethical Fundraising Toolkit</a> which launched last year.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ytj4gyj9syw275ka/Nestival_of_Ideas_8_Anything_for_the_Money1aie0h.mp3" length="97637342" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Panel Discussion exploring where to draw the line in an impoverished sector when commissions, sponsors, or funders’ values might not necessarily align with your own.
Our panel: James Yarker (Stan’s Cafe), Hazel Sealeaf (writer, researcher &amp; producer) Catherine Groom (Fierce) and Justine Themen (Theatre Director). Chaired by Derek Nisbet (Talking Birds). Recorded at Talking Birds' Nest in Coventry, 16th May 2025.
Both Hazel and Catherine were part of the group involved in putting together the Ethical Fundraising Toolkit which launched last year.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6102</itunes:duration>
                <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Trevor Goose and his Dark Night of Lights - Part 2</title>
        <itunes:title>Trevor Goose and his Dark Night of Lights - Part 2</itunes:title>
        <link>https://talkingbirds.podbean.com/e/trevor-goose-and-his-dark-night-of-lights-part-2/</link>
                    <comments>https://talkingbirds.podbean.com/e/trevor-goose-and-his-dark-night-of-lights-part-2/#comments</comments>        <pubDate>Mon, 09 Dec 2024 19:47:11 +0000</pubDate>
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                                    <description><![CDATA[<p>Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22</p>
<p></p>
<p>Script &amp; lyrics by Nick 'Annika' Walker
Music/MD: Derek 'Fingers' Nisbet
Design: Janet 'Vorgen' Vaughan
Hans: Craig Stephens
Ingrid: Sam Frankie Fox
Trefor: Graeme Rose
Special Guest: Corinne Emerson
Accordion: Karen 'Gaten' Street
Clarinet: Kate 'Brigitte' Luxmoore
Percussion: Tom 'Tromme' Peverelle</p>
<p>Sound: Jonathon 'De Bungle' Blackford
Lighting: Arnim 'Belysning' Friess
LX assist &amp; livestream monitor: Tom 'Schnitzel' Simkins
Goose construction: Alison 'Kurt' Kirkpatrick
Production Manager: Tom 'Thomasz' Langford
General Management: Philippa 'Kris' Cross
Publicity Design &amp; Photography: Andy 'Ørusund' Moore</p>
<p>(Note: contains gross caricatures of the Danish accent). </p>
<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22</p>
<p></p>
<p>Script &amp; lyrics by Nick 'Annika' Walker<br>
Music/MD: Derek 'Fingers' Nisbet<br>
Design: Janet 'Vorgen' Vaughan<br>
Hans: Craig Stephens<br>
Ingrid: Sam Frankie Fox<br>
Trefor: Graeme Rose<br>
Special Guest: Corinne Emerson<br>
Accordion: Karen 'Gaten' Street<br>
Clarinet: Kate 'Brigitte' Luxmoore<br>
Percussion: Tom 'Tromme' Peverelle</p>
<p>Sound: Jonathon 'De Bungle' Blackford<br>
Lighting: Arnim 'Belysning' Friess<br>
LX assist &amp; livestream monitor: Tom 'Schnitzel' Simkins<br>
Goose construction: Alison 'Kurt' Kirkpatrick<br>
Production Manager: Tom 'Thomasz' Langford<br>
General Management: Philippa 'Kris' Cross<br>
Publicity Design &amp; Photography: Andy 'Ørusund' Moore</p>
<p>(Note: contains gross caricatures of the Danish accent). </p>
<p></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/34pedv3ajizpuk2d/trevor-goose-part-2_edit.mp3" length="40268276" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22

Script &amp; lyrics by Nick 'Annika' WalkerMusic/MD: Derek 'Fingers' NisbetDesign: Janet 'Vorgen' VaughanHans: Craig StephensIngrid: Sam Frankie FoxTrefor: Graeme RoseSpecial Guest: Corinne EmersonAccordion: Karen 'Gaten' StreetClarinet: Kate 'Brigitte' LuxmoorePercussion: Tom 'Tromme' Peverelle
Sound: Jonathon 'De Bungle' BlackfordLighting: Arnim 'Belysning' FriessLX assist &amp; livestream monitor: Tom 'Schnitzel' SimkinsGoose construction: Alison 'Kurt' KirkpatrickProduction Manager: Tom 'Thomasz' LangfordGeneral Management: Philippa 'Kris' CrossPublicity Design &amp; Photography: Andy 'Ørusund' Moore
(Note: contains gross caricatures of the Danish accent). 
]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1677</itunes:duration>
                <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Trevor Goose and his Dark Night of Lights - Part 1</title>
        <itunes:title>Trevor Goose and his Dark Night of Lights - Part 1</itunes:title>
        <link>https://talkingbirds.podbean.com/e/trevor-goose-and-his-dark-night-of-lights/</link>
                    <comments>https://talkingbirds.podbean.com/e/trevor-goose-and-his-dark-night-of-lights/#comments</comments>        <pubDate>Tue, 03 Dec 2024 11:45:44 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/50a0b7fd-97a3-3c68-9a1c-62243a743ace</guid>
                                    <description><![CDATA[<p>Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22</p>
<p></p>
<p>Script &amp; lyrics by Nick 'Annika' Walker
Music/MD: Derek 'Fingers' Nisbet
Design: Janet 'Vorgen' Vaughan
Hans: Craig Stephens
Ingrid: Sam Frankie Fox
Trefor: Graeme Rose
Special Guest: Corinne Emerson
Accordion: Karen 'Gaten' Street
Clarinet: Kate 'Brigitte' Luxmoore
Percussion: Tom 'Tromme' Peverelle</p>
<p>Sound: Jonathon 'De Bungle' Blackford
Lighting: Arnim 'Belysning' Friess
LX assist &amp; livestream monitor: Tom 'Schnitzel' Simkins
Goose construction: Alison 'Kurt' Kirkpatrick
Production Manager: Tom 'Thomasz' Langford
General Management: Philippa 'Kris' Cross
Publicity Design &amp; Photography: Andy 'Ørusund' Moore</p>
<p>(Note: contains gross caricatures of the Danish accent). </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22</p>
<p></p>
<p>Script &amp; lyrics by Nick 'Annika' Walker<br>
Music/MD: Derek 'Fingers' Nisbet<br>
Design: Janet 'Vorgen' Vaughan<br>
Hans: Craig Stephens<br>
Ingrid: Sam Frankie Fox<br>
Trefor: Graeme Rose<br>
Special Guest: Corinne Emerson<br>
Accordion: Karen 'Gaten' Street<br>
Clarinet: Kate 'Brigitte' Luxmoore<br>
Percussion: Tom 'Tromme' Peverelle</p>
<p>Sound: Jonathon 'De Bungle' Blackford<br>
Lighting: Arnim 'Belysning' Friess<br>
LX assist &amp; livestream monitor: Tom 'Schnitzel' Simkins<br>
Goose construction: Alison 'Kurt' Kirkpatrick<br>
Production Manager: Tom 'Thomasz' Langford<br>
General Management: Philippa 'Kris' Cross<br>
Publicity Design &amp; Photography: Andy 'Ørusund' Moore</p>
<p>(Note: contains gross caricatures of the Danish accent). </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rh2v59ww8f3xsfzr/trevor-goose-part-1.mp3" length="53701234" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Trevor Goose (Talking Birds 30th Anniversary Edition) Live from The Nest/Daimler Powerhouse 17/12/22

Script &amp; lyrics by Nick 'Annika' WalkerMusic/MD: Derek 'Fingers' NisbetDesign: Janet 'Vorgen' VaughanHans: Craig StephensIngrid: Sam Frankie FoxTrefor: Graeme RoseSpecial Guest: Corinne EmersonAccordion: Karen 'Gaten' StreetClarinet: Kate 'Brigitte' LuxmoorePercussion: Tom 'Tromme' Peverelle
Sound: Jonathon 'De Bungle' BlackfordLighting: Arnim 'Belysning' FriessLX assist &amp; livestream monitor: Tom 'Schnitzel' SimkinsGoose construction: Alison 'Kurt' KirkpatrickProduction Manager: Tom 'Thomasz' LangfordGeneral Management: Philippa 'Kris' CrossPublicity Design &amp; Photography: Andy 'Ørusund' Moore
(Note: contains gross caricatures of the Danish accent). ]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2237</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 7 - Fair Pay - Balancing Creativity and Wage Labour</title>
        <itunes:title>Nestival of Ideas Ep. 7 - Fair Pay - Balancing Creativity and Wage Labour</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-6-balancing-creativity-and-wage-labour/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-6-balancing-creativity-and-wage-labour/#comments</comments>        <pubDate>Wed, 20 Nov 2024 11:21:33 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/46b37c9c-992d-3d2f-9b95-ee87c5b0ebfe</guid>
                                    <description><![CDATA[<p>Panel discussion with Mandip Seehra, freelance photographer &amp; part of the panel convened to draw up Fair Pay Principles for Coventry during 2021; Charlotte Jones, CEO of Independent Theatre Council (ITC), and Duncan Whitley, freelance artist &amp; part of team that drafted “<a href='https://wordsfromthebirds.uk/2023/07/11/5yo/'>Creating the Conditions for Creation</a>“. Chaired by Philippa Cross, Talking Birds. Held at The Nest, Coventry, 15th November 2024</p>
<p>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Panel discussion with Mandip Seehra, freelance photographer &amp; part of the panel convened to draw up Fair Pay Principles for Coventry during 2021; Charlotte Jones, CEO of Independent Theatre Council (ITC), and Duncan Whitley, freelance artist &amp; part of team that drafted “<a href='https://wordsfromthebirds.uk/2023/07/11/5yo/'>Creating the Conditions for Creation</a>“. Chaired by Philippa Cross, Talking Birds. Held at The Nest, Coventry, 15th November 2024</p>
<p>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qhrkjjtp4vf6cxt9/Nestival_of_Ideas_7_Fair_Pay18eq1r.mp3" length="99533858" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Panel discussion with Mandip Seehra, freelance photographer &amp; part of the panel convened to draw up Fair Pay Principles for Coventry during 2021; Charlotte Jones, CEO of Independent Theatre Council (ITC), and Duncan Whitley, freelance artist &amp; part of team that drafted “Creating the Conditions for Creation“. Chaired by Philippa Cross, Talking Birds. Held at The Nest, Coventry, 15th November 2024
.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6220</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 6 Rest: Necessity, Resistance or Privilege?</title>
        <itunes:title>Nestival of Ideas Ep. 6 Rest: Necessity, Resistance or Privilege?</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-6-rest-necessity-resistance-or-privilege/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-6-rest-necessity-resistance-or-privilege/#comments</comments>        <pubDate>Fri, 17 May 2024 17:13:50 +0100</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/162b4aa4-7c1b-3702-871d-e45955213b92</guid>
                                    <description><![CDATA[<p>Rest: Necessity, Resistance or Privilege? – a panel discussion exploring the notion of Rest as Resistance, but also considering the complexity of choice (and who has, or is able to exercise, it) in relation to rest. The panel: Sym Mendez, Samantha Holley-Horseman and Jaz Morrison, chaired by Janet Vaughan. Held at the Nest, Coventry 17th May 2024.</p>
<p> </p>
<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Rest: Necessity, Resistance or Privilege? – a panel discussion exploring the notion of Rest as Resistance, but also considering the complexity of choice (and who has, or is able to exercise, it) in relation to rest. The panel: Sym Mendez, Samantha Holley-Horseman and Jaz Morrison, chaired by Janet Vaughan. Held at the Nest, Coventry 17th May 2024.</p>
<p> </p>
<p></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggdzfnzqwbxbdxvq/Nestival_of_Ideas_6_Rest19gs27.mp3" length="99827009" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rest: Necessity, Resistance or Privilege? – a panel discussion exploring the notion of Rest as Resistance, but also considering the complexity of choice (and who has, or is able to exercise, it) in relation to rest. The panel: Sym Mendez, Samantha Holley-Horseman and Jaz Morrison, chaired by Janet Vaughan. Held at the Nest, Coventry 17th May 2024.
 
]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6239</itunes:duration>
                <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 5 Inside or Out? Where’s the best place to instigate change?</title>
        <itunes:title>Nestival of Ideas Ep. 5 Inside or Out? Where’s the best place to instigate change?</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-5-inside-or-out-where-s-the-best-place-to-instigate-change/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-5-inside-or-out-where-s-the-best-place-to-instigate-change/#comments</comments>        <pubDate>Wed, 29 Nov 2023 15:42:31 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/0641da98-7913-310e-aa0e-4e1ffb12b5fe</guid>
                                    <description><![CDATA[All sorts of people make change in all types of ways, and for all kinds of reasons, but if you want to change something, is it better to work from the inside or the outside?
 
In this panel discussion we explore the relative merits and challenges of making change from a position inside or outside of an organisation or system; how the circumstances and environment might affect how an individual might approach making change and how successful they might be; and whether particular people might be best suited to one method or another.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel, which includes: Ola Animashawun, Laura Nyahuye and Hardish Virk. Chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.
 

 
Ola Animashawun is a National Theatre Associate and Connections Dramaturg and the co-founder and Creative Director of the playwriting consultancy, Euphoric Ink. Ola is also a former Associate Director of the Royal Court Theatre.
 
Laura Nyahuye is a multi-disciplinary artist, storyteller, designer/maker, writer, curator, performer, changemaker and advocate. Challenging societal perceptions affecting minoritised groups, her work seeks to find the common thread that connect humans from all backgrounds and create a culture of solidarity and coexistence.
 
Hardish Virk has worked in the arts and cultural sectors since the 1980s as a DJ, actor, director, producer and author. The main focus of his work over the last 25 years has been on advising artists, arts companies and cultural institutions on organisational and audience development – specifically around access and equality.]]></description>
                                                            <content:encoded><![CDATA[All sorts of people make change in all types of ways, and for all kinds of reasons, but if you want to change something, is it better to work from the inside or the outside?
 
In this panel discussion we explore the relative merits and challenges of making change from a position inside or outside of an organisation or system; how the circumstances and environment might affect how an individual might approach making change and how successful they might be; and whether particular people might be best suited to one method or another.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel, which includes: Ola Animashawun, Laura Nyahuye and Hardish Virk. Chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.
 

 
Ola Animashawun is a National Theatre Associate and Connections Dramaturg and the co-founder and Creative Director of the playwriting consultancy, Euphoric Ink. Ola is also a former Associate Director of the Royal Court Theatre.
 
Laura Nyahuye is a multi-disciplinary artist, storyteller, designer/maker, writer, curator, performer, changemaker and advocate. Challenging societal perceptions affecting minoritised groups, her work seeks to find the common thread that connect humans from all backgrounds and create a culture of solidarity and coexistence.
 
Hardish Virk has worked in the arts and cultural sectors since the 1980s as a DJ, actor, director, producer and author. The main focus of his work over the last 25 years has been on advising artists, arts companies and cultural institutions on organisational and audience development – specifically around access and equality.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9pfun9/Nestival_of_Ideas_5_Inside_Outside38f3bq.mp3" length="93186848" type="audio/mpeg"/>
        <itunes:summary><![CDATA[All sorts of people make change in all types of ways, and for all kinds of reasons, but if you want to change something, is it better to work from the inside or the outside?
 
In this panel discussion we explore the relative merits and challenges of making change from a position inside or outside of an organisation or system; how the circumstances and environment might affect how an individual might approach making change and how successful they might be; and whether particular people might be best suited to one method or another.
 
In the latest of our Nestival of Ideas conversations, we unpick some of this with the help of our brilliant panel, which includes: Ola Animashawun, Laura Nyahuye and Hardish Virk. Chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.
 

 
Ola Animashawun is a National Theatre Associate and Connections Dramaturg and the co-founder and Creative Director of the playwriting consultancy, Euphoric Ink. Ola is also a former Associate Director of the Royal Court Theatre.
 
Laura Nyahuye is a multi-disciplinary artist, storyteller, designer/maker, writer, curator, performer, changemaker and advocate. Challenging societal perceptions affecting minoritised groups, her work seeks to find the common thread that connect humans from all backgrounds and create a culture of solidarity and coexistence.
 
Hardish Virk has worked in the arts and cultural sectors since the 1980s as a DJ, actor, director, producer and author. The main focus of his work over the last 25 years has been on advising artists, arts companies and cultural institutions on organisational and audience development – specifically around access and equality.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7765</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 4 War &amp; Peace - can civic society make a difference?</title>
        <itunes:title>Nestival of Ideas Ep. 4 War &amp; Peace - can civic society make a difference?</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-4-war-peace-can-civic-society-make-a-difference/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-4-war-peace-can-civic-society-make-a-difference/#comments</comments>        <pubDate>Sat, 10 Jun 2023 16:19:47 +0100</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/0b916ca0-c0ca-3176-be97-4b2ec49e0b19</guid>
                                    <description><![CDATA[<p>When conflict strikes, ordinary citizens are often the first to suffer the consequences, and will continue to live with the legacy of war well beyond the conclusion of hostilities. Reflecting on recent and current events, our expert panel will explore the role of citizens acting both individually and collectively to repair damaged communities and rebuild international bonds.</p>
<p>Panel: the Very Reverend John Witcombe, Dean of <a href='https://www.coventrycathedral.org.uk/'>Coventry Cathedral</a>; Laura Payne from the <a href='https://www.coventry.ac.uk/research/areas-of-research/trust-peace-social-relations/'>Centre for Trust, Peace and Social Relations</a> at Coventry University; and artist and activist Dr Seyedeh Naseriniaki, founder of <a href='https://chrysaliscov.org/'>Chrysalis Craft</a>; chaired by Talking Birds' Co-Artistic Director Derek Nisbet.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When conflict strikes, ordinary citizens are often the first to suffer the consequences, and will continue to live with the legacy of war well beyond the conclusion of hostilities. Reflecting on recent and current events, our expert panel will explore the role of citizens acting both individually and collectively to repair damaged communities and rebuild international bonds.</p>
<p>Panel: the Very Reverend John Witcombe, Dean of <a href='https://www.coventrycathedral.org.uk/'>Coventry Cathedral</a>; Laura Payne from the <a href='https://www.coventry.ac.uk/research/areas-of-research/trust-peace-social-relations/'>Centre for Trust, Peace and Social Relations</a> at Coventry University; and artist and activist Dr Seyedeh Naseriniaki, founder of <a href='https://chrysaliscov.org/'>Chrysalis Craft</a>; chaired by Talking Birds' Co-Artistic Director Derek Nisbet.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dvap7z/Nestival_of_Ideas_4.mp3" length="99404588" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When conflict strikes, ordinary citizens are often the first to suffer the consequences, and will continue to live with the legacy of war well beyond the conclusion of hostilities. Reflecting on recent and current events, our expert panel will explore the role of citizens acting both individually and collectively to repair damaged communities and rebuild international bonds.
Panel: the Very Reverend John Witcombe, Dean of Coventry Cathedral; Laura Payne from the Centre for Trust, Peace and Social Relations at Coventry University; and artist and activist Dr Seyedeh Naseriniaki, founder of Chrysalis Craft; chaired by Talking Birds' Co-Artistic Director Derek Nisbet.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6212</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 3 My Place, My Art. The joys and pains of artist-led spaces</title>
        <itunes:title>Nestival of Ideas Ep. 3 My Place, My Art. The joys and pains of artist-led spaces</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-3-my-place-my-art-the-joys-and-pains-of-artist-led-spaces/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-3-my-place-my-art-the-joys-and-pains-of-artist-led-spaces/#comments</comments>        <pubDate>Fri, 18 Nov 2022 15:20:59 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/037c19b5-46af-3f63-a4e5-8a7414d920fa</guid>
                                    <description><![CDATA[<p>We unpick some of the myths and practicalities of artist-led spaces with the help of our brilliant panel: Sandra Hall from <a href='https://www.frictionarts.com/project/the-edge/'>Friction Arts</a> based at The Edge in Birmingham, Julia Negus from <a href='https://www.theatreabsolute.co.uk'>Theatre Absolute</a> and the <a href='https://www.theatreabsolute.co.uk/shop-front-archive/'>Shop Front Theatre</a> in Coventry, Amahra Spence from <a href='https://www.maiagroup.co'>Maia Group</a> and <a href='https://www.yardarthouse.co/'>Yard Art House</a> in Birmingham, and Jon Wakeman from <a href='https://www.eaststreetarts.org.uk/'>East Street Arts</a> and the <a href='https://arthostel.org.uk/'>Art Hostel</a> in Leeds.</p>
My Place, My Art: the joys and pains of artist-led spaces
<p>Until the creation of The Nest, our shared making space, Talking Birds was – like many arts organisations – peripatetic: taking up temporary residence to make work in meanwhile spaces, and often moving from place to place – in unheated, damp offices or lodging with friends.</p>
<p>With this conversation, we want to explore the different routes artists have taken to inhabit or create spaces in which to make work – a place to belong – whether these are squats, meanwhile spaces, shared with arts or non-arts organisations, legitimate rentals or purchases.</p>
<p>What are the different motivations for creating artist-led spaces/why do we do it? Are artists naturally drawn to collective working? Is it about power in numbers, making a new commons, sharing resources? Is the drive to create these kinds of spaces unique to artists, or just the art version of an essential human characteristic? What part does chance, hunch and gentrification play in the spaces artists inhabit or build? What is it about spaces shaped by and for artists that sets them apart? Do artist-led spaces have clear characteristics in common, or is each space as unique as the artist(s) that created it? What are the different ways that these spaces can be financed? What are the pros and cons of different methods? Do these kinds of spaces have a shelf-life? How do they evolve when the founders move on? And what is it about the nesting instinct (sorry) that is so strong for artists anyway?</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We unpick some of the myths and practicalities of artist-led spaces with the help of our brilliant panel: Sandra Hall from <a href='https://www.frictionarts.com/project/the-edge/'>Friction Arts</a> based at The Edge in Birmingham, Julia Negus from <a href='https://www.theatreabsolute.co.uk'>Theatre Absolute</a> and the <a href='https://www.theatreabsolute.co.uk/shop-front-archive/'>Shop Front Theatre</a> in Coventry, Amahra Spence from <a href='https://www.maiagroup.co'>Maia Group</a> and <a href='https://www.yardarthouse.co/'>Yard Art House</a> in Birmingham, and Jon Wakeman from <a href='https://www.eaststreetarts.org.uk/'>East Street Arts</a> and the <a href='https://arthostel.org.uk/'>Art Hostel</a> in Leeds.</p>
My Place, My Art: the joys and pains of artist-led spaces
<p>Until the creation of The Nest, our shared making space, Talking Birds was – like many arts organisations – peripatetic: taking up temporary residence to make work in meanwhile spaces, and often moving from place to place – in unheated, damp offices or lodging with friends.</p>
<p>With this conversation, we want to explore the different routes artists have taken to inhabit or create spaces in which to make work – a place to belong – whether these are squats, meanwhile spaces, shared with arts or non-arts organisations, legitimate rentals or purchases.</p>
<p>What are the different motivations for creating artist-led spaces/why do we do it? Are artists naturally drawn to collective working? Is it about power in numbers, making a new commons, sharing resources? Is the drive to create these kinds of spaces unique to artists, or just the art version of an essential human characteristic? What part does chance, hunch and gentrification play in the spaces artists inhabit or build? What is it about spaces shaped by and for artists that sets them apart? Do artist-led spaces have clear characteristics in common, or is each space as unique as the artist(s) that created it? What are the different ways that these spaces can be financed? What are the pros and cons of different methods? Do these kinds of spaces have a shelf-life? How do they evolve when the founders move on? And what is it about the nesting instinct (sorry) that is so strong for artists anyway?</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xhbh7s/Nestival_of_Ideas_3.mp3" length="93170021" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We unpick some of the myths and practicalities of artist-led spaces with the help of our brilliant panel: Sandra Hall from Friction Arts based at The Edge in Birmingham, Julia Negus from Theatre Absolute and the Shop Front Theatre in Coventry, Amahra Spence from Maia Group and Yard Art House in Birmingham, and Jon Wakeman from East Street Arts and the Art Hostel in Leeds.
My Place, My Art: the joys and pains of artist-led spaces
Until the creation of The Nest, our shared making space, Talking Birds was – like many arts organisations – peripatetic: taking up temporary residence to make work in meanwhile spaces, and often moving from place to place – in unheated, damp offices or lodging with friends.
With this conversation, we want to explore the different routes artists have taken to inhabit or create spaces in which to make work – a place to belong – whether these are squats, meanwhile spaces, shared with arts or non-arts organisations, legitimate rentals or purchases.
What are the different motivations for creating artist-led spaces/why do we do it? Are artists naturally drawn to collective working? Is it about power in numbers, making a new commons, sharing resources? Is the drive to create these kinds of spaces unique to artists, or just the art version of an essential human characteristic? What part does chance, hunch and gentrification play in the spaces artists inhabit or build? What is it about spaces shaped by and for artists that sets them apart? Do artist-led spaces have clear characteristics in common, or is each space as unique as the artist(s) that created it? What are the different ways that these spaces can be financed? What are the pros and cons of different methods? Do these kinds of spaces have a shelf-life? How do they evolve when the founders move on? And what is it about the nesting instinct (sorry) that is so strong for artists anyway?]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5823</itunes:duration>
                <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 2 - Green Revolution or Greenwashing</title>
        <itunes:title>Nestival of Ideas Ep. 2 - Green Revolution or Greenwashing</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-2-green-revoluation-or-greenwashing/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-2-green-revoluation-or-greenwashing/#comments</comments>        <pubDate>Fri, 16 Sep 2022 16:38:40 +0100</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/3398842b-a6cd-356a-be9a-290602dfb457</guid>
                                    <description><![CDATA[Nestival of Ideas talk/panel discussion held at The Nest 16th Sept 2022

Green Revolution or Greenwashing? Can artists really change the world?
<p>With the Climate Emergency having truly (finally) hit the mainstream, this panel discussion seeks to explore the impact art and artists can actually have on changing behaviour and combating the climate emergency. We’ve long been told that the arts are the best tool for awareness raising – but is this enough? When awareness is raised, how is action galvanised? Where do the arts go next?</p>
<p>There’s a growing interest in making ‘green’ work, and increased funding available – but what are the funders’ motivations, and expectations? How do we spot virtue signalling or avoid our projects being derailed by others’ agendas? Many supposedly green projects are not made in a sustainable way, or are blatant greenwashing – and of course the arts are not alone in this – but what are the ethics here? If such a project succeeds in creating positive change, does that make it ok? Is anything that slows the handcart allowed, or must artists making green projects that seek to change people’s behaviour be beyond reproach?</p>
<p>We’re interested in untangling some of this, and provoking a lively discussion which will give people lots to think about afterwards (and hopefully lead to some lasting behaviour change!).</p>
<p>On the panel:</p>
<p>Farah Ahmed, Climate Justice Lead and Events Coordinator at Julie’s Bicycle; Amanda Roberts, Independent Producer, formerly Green Futures lead at Coventry 2021; and Mish Weaver, Artistic Director and originator of Parade of Horribles. The discussion will be chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.</p>
]]></description>
                                                            <content:encoded><![CDATA[<em>Nestival of Ideas talk/panel discussion held at The Nest 16th Sept 2022<br>
</em>
Green Revolution or Greenwashing? Can artists really change the world?
<p>With the Climate Emergency having truly (finally) hit the mainstream, this panel discussion seeks to explore the impact art and artists can actually have on changing behaviour and combating the climate emergency. We’ve long been told that the arts are the best tool for awareness raising – but is this enough? When awareness is raised, how is action galvanised? Where do the arts go next?</p>
<p>There’s a growing interest in making ‘green’ work, and increased funding available – but what are the funders’ motivations, and expectations? How do we spot virtue signalling or avoid our projects being derailed by others’ agendas? Many supposedly green projects are not made in a sustainable way, or are blatant greenwashing – and of course the arts are not alone in this – but what are the ethics here? If such a project succeeds in creating positive change, does that make it ok? Is anything that slows the handcart allowed, or must artists making green projects that seek to change people’s behaviour be beyond reproach?</p>
<p>We’re interested in untangling some of this, and provoking a lively discussion which will give people lots to think about afterwards (and hopefully lead to some lasting behaviour change!).</p>
<p>On the panel:</p>
<p>Farah Ahmed, Climate Justice Lead and Events Coordinator at Julie’s Bicycle; Amanda Roberts, Independent Producer, formerly Green Futures lead at Coventry 2021; and Mish Weaver, Artistic Director and originator of Parade of Horribles. The discussion will be chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t5ufpd/Nestival_of_Ideas2.mp3" length="101501153" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Nestival of Ideas talk/panel discussion held at The Nest 16th Sept 2022
Green Revolution or Greenwashing? Can artists really change the world?
With the Climate Emergency having truly (finally) hit the mainstream, this panel discussion seeks to explore the impact art and artists can actually have on changing behaviour and combating the climate emergency. We’ve long been told that the arts are the best tool for awareness raising – but is this enough? When awareness is raised, how is action galvanised? Where do the arts go next?
There’s a growing interest in making ‘green’ work, and increased funding available – but what are the funders’ motivations, and expectations? How do we spot virtue signalling or avoid our projects being derailed by others’ agendas? Many supposedly green projects are not made in a sustainable way, or are blatant greenwashing – and of course the arts are not alone in this – but what are the ethics here? If such a project succeeds in creating positive change, does that make it ok? Is anything that slows the handcart allowed, or must artists making green projects that seek to change people’s behaviour be beyond reproach?
We’re interested in untangling some of this, and provoking a lively discussion which will give people lots to think about afterwards (and hopefully lead to some lasting behaviour change!).
On the panel:
Farah Ahmed, Climate Justice Lead and Events Coordinator at Julie’s Bicycle; Amanda Roberts, Independent Producer, formerly Green Futures lead at Coventry 2021; and Mish Weaver, Artistic Director and originator of Parade of Horribles. The discussion will be chaired by Janet Vaughan, Co-Artistic Director of Talking Birds.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7250</itunes:duration>
                <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nestival of Ideas Ep. 1 - Artist Manifestos</title>
        <itunes:title>Nestival of Ideas Ep. 1 - Artist Manifestos</itunes:title>
        <link>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-1-artist-manifestos/</link>
                    <comments>https://talkingbirds.podbean.com/e/nestival-of-ideas-ep-1-artist-manifestos/#comments</comments>        <pubDate>Thu, 24 Mar 2022 19:37:41 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/42bbe462-8ea5-3bdb-9640-3c42d41b9fe3</guid>
                                    <description><![CDATA[<p>Nestival of Ideas talk/panel discussion held at The Nest 18th March 2022
</p>
<p>Words Into Actions: Can artist-led manifestos create real change?</p>
<p>Artists create manifestos as artworks, tools, provocations, rallying points, handbooks.... </p>
<p>Just how effective are manifestos at creating change? And what can we do to make them more effective? </p>
<p>What does a manifesto look like and what happens when it is finished? How do we galvanise people behind a manifesto? What are some of the barriers to change, and can artist-led manifestos creatively overcome these? </p>
<p>Are artist-led manifestos any more or less effective than other kinds of manifestos (or action)? Are manifestos something that artists in particular are drawn to? </p>
<p>How do we use manifestos to keep momentum and can we achieve real change through manifestos alone, or are they more effective as part of a suite of actions? </p>
<p>How do we use the manifesto to keep actively pushing at things even when they drop off the news agenda? How do we avoid empty words, good intentions or virtue signalling?</p>
<p>The panel includes Elizabeth Lawal, whose work includes <a href='https://www.culturecentral.co.uk/mtam/'>More Than A Moment Pledge</a> for action with and for Black creatives; <a href='https://mrdanthompson.wordpress.com/'>Dan Thompson</a>, who most recently pulled together the Coventry Artists' Manifesto for Access; and Derek Nisbet, composer, film-maker and Co-Artistic Director of <a href='https://talkingbirds.co.uk/'>Talking Birds</a>, talking about The Virtual Fringe (2004). Chaired by Philippa Cross, General Manager of Talking Birds.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p><em>Nestival of Ideas talk/panel discussion held at The Nest 18th March 2022</em><br>
</p>
<p>Words Into Actions: Can artist-led manifestos create real change?</p>
<p>Artists create manifestos as artworks, tools, provocations, rallying points, handbooks.... </p>
<p>Just how effective are manifestos at creating change? And what can we do to make them more effective? </p>
<p>What does a manifesto look like and what happens when it is finished? How do we galvanise people behind a manifesto? What are some of the barriers to change, and can artist-led manifestos creatively overcome these? </p>
<p>Are artist-led manifestos any more or less effective than other kinds of manifestos (or action)? Are manifestos something that artists in particular are drawn to? </p>
<p>How do we use manifestos to keep momentum and can we achieve real change through manifestos alone, or are they more effective as part of a suite of actions? </p>
<p>How do we use the manifesto to keep actively pushing at things even when they drop off the news agenda? How do we avoid empty words, good intentions or virtue signalling?</p>
<p>The panel includes Elizabeth Lawal, whose work includes <a href='https://www.culturecentral.co.uk/mtam/'>More Than A Moment Pledge</a> for action with and for Black creatives; <a href='https://mrdanthompson.wordpress.com/'>Dan Thompson</a>, who most recently pulled together the Coventry Artists' Manifesto for Access; and Derek Nisbet, composer, film-maker and Co-Artistic Director of <a href='https://talkingbirds.co.uk/'>Talking Birds</a>, talking about The Virtual Fringe (2004). Chaired by Philippa Cross, General Manager of Talking Birds.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jhkj63/Nestival_of_Ideas_17bjf0.mp3" length="100929974" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Nestival of Ideas talk/panel discussion held at The Nest 18th March 2022
Words Into Actions: Can artist-led manifestos create real change?
Artists create manifestos as artworks, tools, provocations, rallying points, handbooks.... 
Just how effective are manifestos at creating change? And what can we do to make them more effective? 
What does a manifesto look like and what happens when it is finished? How do we galvanise people behind a manifesto? What are some of the barriers to change, and can artist-led manifestos creatively overcome these? 
Are artist-led manifestos any more or less effective than other kinds of manifestos (or action)? Are manifestos something that artists in particular are drawn to? 
How do we use manifestos to keep momentum and can we achieve real change through manifestos alone, or are they more effective as part of a suite of actions? 
How do we use the manifesto to keep actively pushing at things even when they drop off the news agenda? How do we avoid empty words, good intentions or virtue signalling?
The panel includes Elizabeth Lawal, whose work includes More Than A Moment Pledge for action with and for Black creatives; Dan Thompson, who most recently pulled together the Coventry Artists' Manifesto for Access; and Derek Nisbet, composer, film-maker and Co-Artistic Director of Talking Birds, talking about The Virtual Fringe (2004). Chaired by Philippa Cross, General Manager of Talking Birds.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6308</itunes:duration>
                <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Words and Music Recorded (BBC R3)  live in Coventry (extract)</title>
        <itunes:title>Words and Music Recorded (BBC R3)  live in Coventry (extract)</itunes:title>
        <link>https://talkingbirds.podbean.com/e/words-and-music-recorded-live-in-coventry-extract/</link>
                    <comments>https://talkingbirds.podbean.com/e/words-and-music-recorded-live-in-coventry-extract/#comments</comments>        <pubDate>Mon, 21 Feb 2022 15:32:38 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/9337ee2c-d4bd-3a06-a0ac-f70de81f8a8d</guid>
                                    <description><![CDATA[<p>Music by Derek Nisbet; Lyrics by Liz Mytton (Scir Burna; Grandma's Song) and Peter Cann (I Dream of Flying). Performed by Amy Kakoura (vox), Simon Chalk (fiddle, BVs), Derek Nisbet (piano).</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Music by Derek Nisbet; Lyrics by Liz Mytton (Scir Burna; Grandma's Song) and Peter Cann (I Dream of Flying). Performed by Amy Kakoura (vox), Simon Chalk (fiddle, BVs), Derek Nisbet (piano).</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9fqvn3/Words_and_Music_BBC_TX7c91n.mp3" length="16498316" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Music by Derek Nisbet; Lyrics by Liz Mytton (Scir Burna; Grandma's Song) and Peter Cann (I Dream of Flying). Performed by Amy Kakoura (vox), Simon Chalk (fiddle, BVs), Derek Nisbet (piano).]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1031</itunes:duration>
                <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Into The (Russian) Ice</title>
        <itunes:title>Into The (Russian) Ice</itunes:title>
        <link>https://talkingbirds.podbean.com/e/into-the-russian-ice/</link>
                    <comments>https://talkingbirds.podbean.com/e/into-the-russian-ice/#comments</comments>        <pubDate>Thu, 20 Jan 2022 13:34:28 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/06e6e975-a86f-3ee7-a12d-7009409469f5</guid>
                                    <description><![CDATA[<p>New Orkestrion created & played by Slava Mishin; Piano composed & played by Derek Nisbet</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>New Orkestrion created & played by Slava Mishin; Piano composed & played by Derek Nisbet</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wpezn5/Into_The_Ice_Slava_version_7m5nl.mp3" length="22242742" type="audio/mpeg"/>
        <itunes:summary><![CDATA[New Orkestrion created & played by Slava Mishin; Piano composed & played by Derek Nisbet]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>556</itunes:duration>
                <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Into The Ice</title>
        <itunes:title>Into The Ice</itunes:title>
        <link>https://talkingbirds.podbean.com/e/into-the-ice/</link>
                    <comments>https://talkingbirds.podbean.com/e/into-the-ice/#comments</comments>        <pubDate>Thu, 20 Jan 2022 13:32:20 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/dc7d93e1-90c1-3e48-94b3-bdd790dbb377</guid>
                                    <description><![CDATA[<p>Composed and played by Derek Nisbet</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Composed and played by Derek Nisbet</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jjdb56/Into_the_ice_Instrumental89vqd.mp3" length="5728731" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Composed and played by Derek Nisbet]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>364</itunes:duration>
                <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Danse Macabre</title>
        <itunes:title>Danse Macabre</itunes:title>
        <link>https://talkingbirds.podbean.com/e/danse-macabre-1642685351/</link>
                    <comments>https://talkingbirds.podbean.com/e/danse-macabre-1642685351/#comments</comments>        <pubDate>Thu, 20 Jan 2022 13:29:11 +0000</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/6f296653-0233-3aed-aaff-a0ecf5b32ac6</guid>
                                    <description><![CDATA[<p>Composed and played by Derek Nisbet</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Composed and played by Derek Nisbet</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dygwfy/Danse_Macabre_3_min_edit82388.mp3" length="3201024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Composed and played by Derek Nisbet]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>200</itunes:duration>
                <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Resilience &amp; Remembering Installation Extract</title>
        <itunes:title>Resilience &amp; Remembering Installation Extract</itunes:title>
        <link>https://talkingbirds.podbean.com/e/resilience-remembering-installation-extract/</link>
                    <comments>https://talkingbirds.podbean.com/e/resilience-remembering-installation-extract/#comments</comments>        <pubDate>Mon, 20 Sep 2021 11:08:22 +0100</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/2a595a47-af7c-3dd0-8801-c7151b9b7b28</guid>
                                    <description><![CDATA[<p>Part of piece created for Coventry Moves as part of Coventry 2021, a multi-speaker installation in the ruins of Coventry Cathedral.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Part of piece created for Coventry Moves as part of Coventry 2021, a multi-speaker installation in the ruins of Coventry Cathedral.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7ku3kx/Resilience_Remembering_Installation_Extract7qbxz.mp3" length="8610794" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Part of piece created for Coventry Moves as part of Coventry 2021, a multi-speaker installation in the ruins of Coventry Cathedral.]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>269</itunes:duration>
                <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Montague's Song Listen Along</title>
        <itunes:title>Montague's Song Listen Along</itunes:title>
        <link>https://talkingbirds.podbean.com/e/montague-s-song-listen-along/</link>
                    <comments>https://talkingbirds.podbean.com/e/montague-s-song-listen-along/#comments</comments>        <pubDate>Fri, 03 Sep 2021 17:50:22 +0100</pubDate>
        <guid isPermaLink="false">talkingbirds.podbean.com/47bb9bda-e7bf-30db-9f09-48c092d27468</guid>
                                    <description><![CDATA[<p>To mark the 105th anniversary of the loss of Coventry Violinist Montague Johnson at the Somme. </p>
<p>Words: Chris O'Connell</p>
<p>Music: Derek Nisbet</p>
<p>Singer: Elinor Middleton</p>
<p>Producer / Textile Artist: Julia Negus</p>
<p>Sound: Bungle</p>
<p>You can see Montague's medal on display with Julia's stitched cushion in the War Memorial Park visitor centre.</p>
<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>To mark the 105th anniversary of the loss of Coventry Violinist Montague Johnson at the Somme. </p>
<p>Words: Chris O'Connell</p>
<p>Music: Derek Nisbet</p>
<p>Singer: Elinor Middleton</p>
<p>Producer / Textile Artist: Julia Negus</p>
<p>Sound: Bungle</p>
<p>You can see Montague's medal on display with Julia's stitched cushion in the War Memorial Park visitor centre.</p>
<p></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hk2y4e/Montagues_Song_Listen_Along908rq.mp3" length="35513516" type="audio/mpeg"/>
        <itunes:summary>Welcome to the Sonoplast Podcast from Talking Birds in Coventry UK City of Culture</itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2219</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Conversation with Ickworth : Researching Ickworth and the First World War</title>
        <itunes:title>A Conversation with Ickworth : Researching Ickworth and the First World War</itunes:title>
        <link>https://talkingbirds.podbean.com/e/a-conversation-with-ickworth-researching-ickworth-and-the-first-world-war/</link>
                    <comments>https://talkingbirds.podbean.com/e/a-conversation-with-ickworth-researching-ickworth-and-the-first-world-war/#comments</comments>        <pubDate>Fri, 01 Aug 2014 14:34:27 +0100</pubDate>
        <guid isPermaLink="false">http://talkingbirds.podbean.com/e/a-conversation-with-ickworth-researching-ickworth-and-the-first-world-war/</guid>
                                    <description><![CDATA[Our
first trial of the "Conversation with Ickworth" panel idea, the topic was ‘Researching Ickworth and the
First World War.’ Our panel comprised of Peter McGee, the volunteer who led this research
stream, Iris Taylor,
who also volunteers in the research team and Chloe Woodrow, Assistant House Manager. The Chair was Graham
Parker, an ‘Exemplar
Champion’ volunteer who has trialled the other ‘people phase’ concepts as well
as being a member of the research team.







Panel: 
Peter McGee, Volunteer
Researcher 
Iris Taylor, Volunteer Researcher
Chloe Woodrow, Assistant House Manager 
Chair: 
Graham Parker 
Engineer: 
Jonathan Blackford

Recorded at Ickworth House, Suffolk on 26.7.14

This panel discussion was convened as part of Ickworth's Exemplar 
Project, and is one of the 6 ideas put together by Talking Birds as part
 of the project. It is designed to disseminate the work of the volunteer
 research team at Ickworth. 
]]></description>
                                                            <content:encoded><![CDATA[Our
first trial of the "Conversation with Ickworth" panel idea, the topic was <b>‘<i>Researching Ickworth and the
First World War.</i></b>’ Our panel comprised of Peter McGee, the volunteer who led this research
stream, Iris Taylor,
who also volunteers in the research team and Chloe Woodrow, Assistant House Manager. The Chair was <b>Graham
Parker</b>, an ‘Exemplar
Champion’ volunteer who has trialled the other ‘people phase’ concepts as well
as being a member of the research team.





<br>
<br>
Panel: <br>
Peter McGee, Volunteer
Researcher <br>
Iris Taylor, Volunteer Researcher<br>
Chloe Woodrow, Assistant House Manager <br>
Chair: <br>
Graham Parker <br>
Engineer: <br>
Jonathan Blackford<br>
<br>
Recorded at Ickworth House, Suffolk on 26.7.14<br>
<br>
This panel discussion was convened as part of Ickworth's Exemplar 
Project, and is one of the 6 ideas put together by Talking Birds as part
 of the project. It is designed to disseminate the work of the volunteer
 research team at Ickworth. <br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/42v7pr/Exemplar-Limited-mix-22k-32b.mp3" length="11546854" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our
first trial of the "Conversation with Ickworth" panel idea, the topic was ‘Researching Ickworth and the
First World War.’ Our panel comprised of Peter McGee, the volunteer who led this research
stream, Iris Taylor,
who also volunteers in the research team and Chloe Woodrow, Assistant House Manager. The Chair was Graham
Parker, an ‘Exemplar
Champion’ volunteer who has trialled the other ‘people phase’ concepts as well
as being a member of the research team.





Panel: Peter McGee, Volunteer
Researcher Iris Taylor, Volunteer ResearcherChloe Woodrow, Assistant House Manager Chair: Graham Parker Engineer: Jonathan BlackfordRecorded at Ickworth House, Suffolk on 26.7.14This panel discussion was convened as part of Ickworth's Exemplar 
Project, and is one of the 6 ideas put together by Talking Birds as part
 of the project. It is designed to disseminate the work of the volunteer
 research team at Ickworth. ]]></itunes:summary>
        <itunes:author>Talking Birds</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2886</itunes:duration>
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