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    <title>SALA Podcast</title>
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    <description>Podcast presented by the South Australian Living Artists (SALA) Festival.</description>
    <pubDate>Fri, 29 Aug 2025 15:09:29 +0900</pubDate>
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    <language>en</language>
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    <copyright>Copyright 2020 All rights reserved.</copyright>
    <category>Arts:Visual Arts</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
	<itunes:category text="Arts">
		<itunes:category text="Visual Arts" />
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        <itunes:name>SALA Festival</itunes:name>
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    <item>
        <title>Artist Interview: Elizabeth Close</title>
        <itunes:title>Artist Interview: Elizabeth Close</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-elizabeth-close/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-elizabeth-close/#comments</comments>        <pubDate>Fri, 29 Aug 2025 15:09:29 +0900</pubDate>
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                                    <description><![CDATA[<p>*Aboriginal and Torres Strait Islander audiences are advised that this program contains the name and voice of someone who has passed away.*</p>
<p>In this episode, SALA chats to artist Elizabeth Close. Elizabeth talks about the path she took to becoming a visual artist and how her love of art was influenced by her grandmother. She discusses how her work is inspired by other indigenous artists, such as Nyunmiti Burton, and non-indigenous artists like Georgina Hill, and how her practice has become more diverse over the years. She reveals some of her favourite works and the reasons why she holds them in high regard. She talks about her recent recovery from brain surgery and how keen she is to get back into the studio to work on a new cultural sovereignty project that’s in the making.</p>
<p>Finally, she tells listeners where they can find some of her collaborative works around the city of Adelaide, including the mural of Uncle Stevie Gadlabarti Goldsmith on Wright Street.</p>
<ul>
<li>APY Lands - <a href='https://anangu.com.au/'>https://anangu.com.au/</a></li>
<li><a href='https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/tarnanthi-2021/nyunmiti-burton/'>Nyunmiti Burton - AGSA</a></li>
<li><a href='https://www.biennaleofsydney.art/participants/yaritji-young/'>Yaritji Young - Biennale of Sydney</a></li>
<li>Blak Douglas <a href='https://blakdouglas.com.au/'>https://blakdouglas.com.au/</a></li>
<li>Karla Dickens - <a href='https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/'>https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/</a></li>
<li>Reko Rennie - <a href='https://rekorennie.com/'>https://rekorennie.com/</a></li>
<li>Georgina Hill - <a href='https://www.georgiahill.com.au/'>https://www.georgiahill.com.au/</a></li>
<li>More on the skink Tarutharu at the Adelaide Zoo - <a href='https://www.youtube.com/watch?v=HtbzgfG9SlY'>https://www.youtube.com/watch?v=HtbzgfG9SlY</a></li>
<li>A Blanck Canvas - <a href='https://ablanckcanvas.com/'>https://ablanckcanvas.com/</a></li>
<li>Jack Buckskin – Kaurna language: <a href='https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H'>https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H</a></li>
<li>James Chocran – Jimmy C - <a href='https://www.akajimmyc.com/Street_Art'>https://www.akajimmyc.com/Street_Art</a></li>
<li>The Pride and the Profit -<a href='https://www.instagram.com/p/CERC2cZDizH/?img_index=4'>https://www.instagram.com/p/CERC2cZDizH/?img_index=4</a></li>
<li>Elizabeth and Jimmy C’s mural of Uncle Stevie on Wright Street, Adelaide - <a href='https://www.instagram.com/p/CDD3tWvjgD7/'>https://www.instagram.com/p/CDD3tWvjgD7/</a></li>
<li>Elizabeth and Thomas Redett’s mural of frogs - <a href='https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&amp;img_index=1'>https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&amp;img_index=1</a></li>
<li><a href='https://www.instagram.com/elizabethclosearts/'>https://www.instagram.com/elizabethclosearts/</a></li>
<li><a href='https://www.facebook.com/elizabethclosearts'>https://www.facebook.com/elizabethclosearts</a></li>
</ul>
<p>Podcast theme music by <a href='https://transistor.fm/?via=music'>Transistor.fm</a>. Learn <a href='https://transistor.fm/how-to-start-a-podcast/?via=music'>how to start a podcast</a> here.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>*Aboriginal and Torres Strait Islander audiences are advised that this program contains the name and voice of someone who has passed away.*</p>
<p>In this episode, SALA chats to artist Elizabeth Close. Elizabeth talks about the path she took to becoming a visual artist and how her love of art was influenced by her grandmother. She discusses how her work is inspired by other indigenous artists, such as Nyunmiti Burton, and non-indigenous artists like Georgina Hill, and how her practice has become more diverse over the years. She reveals some of her favourite works and the reasons why she holds them in high regard. She talks about her recent recovery from brain surgery and how keen she is to get back into the studio to work on a new cultural sovereignty project that’s in the making.</p>
<p>Finally, she tells listeners where they can find some of her collaborative works around the city of Adelaide, including the mural of Uncle Stevie Gadlabarti Goldsmith on Wright Street.</p>
<ul>
<li>APY Lands - <a href='https://anangu.com.au/'>https://anangu.com.au/</a></li>
<li><a href='https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/tarnanthi-2021/nyunmiti-burton/'>Nyunmiti Burton - AGSA</a></li>
<li><a href='https://www.biennaleofsydney.art/participants/yaritji-young/'>Yaritji Young - Biennale of Sydney</a></li>
<li>Blak Douglas <a href='https://blakdouglas.com.au/'>https://blakdouglas.com.au/</a></li>
<li>Karla Dickens - <a href='https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/'>https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/</a></li>
<li>Reko Rennie - <a href='https://rekorennie.com/'>https://rekorennie.com/</a></li>
<li>Georgina Hill - <a href='https://www.georgiahill.com.au/'>https://www.georgiahill.com.au/</a></li>
<li>More on the skink Tarutharu at the Adelaide Zoo - <a href='https://www.youtube.com/watch?v=HtbzgfG9SlY'>https://www.youtube.com/watch?v=HtbzgfG9SlY</a></li>
<li>A Blanck Canvas - <a href='https://ablanckcanvas.com/'>https://ablanckcanvas.com/</a></li>
<li>Jack Buckskin – Kaurna language: <a href='https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H'>https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H</a></li>
<li>James Chocran – Jimmy C - <a href='https://www.akajimmyc.com/Street_Art'>https://www.akajimmyc.com/Street_Art</a></li>
<li>The Pride and the Profit -<a href='https://www.instagram.com/p/CERC2cZDizH/?img_index=4'>https://www.instagram.com/p/CERC2cZDizH/?img_index=4</a></li>
<li>Elizabeth and Jimmy C’s mural of Uncle Stevie on Wright Street, Adelaide - <a href='https://www.instagram.com/p/CDD3tWvjgD7/'>https://www.instagram.com/p/CDD3tWvjgD7/</a></li>
<li>Elizabeth and Thomas Redett’s mural of frogs - <a href='https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&amp;img_index=1'>https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&amp;img_index=1</a></li>
<li><a href='https://www.instagram.com/elizabethclosearts/'>https://www.instagram.com/elizabethclosearts/</a></li>
<li><a href='https://www.facebook.com/elizabethclosearts'>https://www.facebook.com/elizabethclosearts</a></li>
</ul>
<p><em>Podcast theme music by </em><a href='https://transistor.fm/?via=music'><em>Transistor.fm</em></a><em>. Learn </em><a href='https://transistor.fm/how-to-start-a-podcast/?via=music'><em>how to start a podcast</em></a><em> here.</em></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/733n96umvece29kf/Elizabeth.mp3" length="26648695" type="audio/mpeg"/>
        <itunes:summary><![CDATA[*Aboriginal and Torres Strait Islander audiences are advised that this program contains the name and voice of someone who has passed away.*
In this episode, SALA chats to artist Elizabeth Close. Elizabeth talks about the path she took to becoming a visual artist and how her love of art was influenced by her grandmother. She discusses how her work is inspired by other indigenous artists, such as Nyunmiti Burton, and non-indigenous artists like Georgina Hill, and how her practice has become more diverse over the years. She reveals some of her favourite works and the reasons why she holds them in high regard. She talks about her recent recovery from brain surgery and how keen she is to get back into the studio to work on a new cultural sovereignty project that’s in the making.
Finally, she tells listeners where they can find some of her collaborative works around the city of Adelaide, including the mural of Uncle Stevie Gadlabarti Goldsmith on Wright Street.

APY Lands - https://anangu.com.au/
Nyunmiti Burton - AGSA
Yaritji Young - Biennale of Sydney
Blak Douglas https://blakdouglas.com.au/
Karla Dickens - https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/
Reko Rennie - https://rekorennie.com/
Georgina Hill - https://www.georgiahill.com.au/
More on the skink Tarutharu at the Adelaide Zoo - https://www.youtube.com/watch?v=HtbzgfG9SlY
A Blanck Canvas - https://ablanckcanvas.com/
Jack Buckskin – Kaurna language: https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H
James Chocran – Jimmy C - https://www.akajimmyc.com/Street_Art
The Pride and the Profit -https://www.instagram.com/p/CERC2cZDizH/?img_index=4
Elizabeth and Jimmy C’s mural of Uncle Stevie on Wright Street, Adelaide - https://www.instagram.com/p/CDD3tWvjgD7/
Elizabeth and Thomas Redett’s mural of frogs - https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&amp;img_index=1
https://www.instagram.com/elizabethclosearts/
https://www.facebook.com/elizabethclosearts

Podcast theme music by Transistor.fm. Learn how to start a podcast here.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2127</itunes:duration>
                <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tilebdbcp.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/82g72b6u3vz73if2/Elizabeth_Close.srt" type="application/srt" />    </item>
    <item>
        <title>SALA Forum with 2025 Feature Artist Dr Sue Kneebone, and monograph writers Nicole Clift, Elle Freak &amp; Andrew Purvis</title>
        <itunes:title>SALA Forum with 2025 Feature Artist Dr Sue Kneebone, and monograph writers Nicole Clift, Elle Freak &amp; Andrew Purvis</itunes:title>
        <link>https://salafestival.podbean.com/e/draft/</link>
                    <comments>https://salafestival.podbean.com/e/draft/#comments</comments>        <pubDate>Wed, 27 Aug 2025 16:32:22 +0900</pubDate>
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                                    <description><![CDATA[<p>In this episode recorded at the Adelaide Central School of Art, Suzanne Close talks to 2025 SALA Feature Artist Sue Kneebone, and her monograph writers Nicole Clift, Elle Freak and Andrew Purvis.</p>
<p>They discuss the different approach each writer took in writing their essays, and how each was influenced by different aspects of Sue's work and career, in particular the use of found objects and other materials, and the role her family history has played in her body of work. </p>
<p>Sue discusses her influences and impulses, and reflects on her colonial settler history and the way it informs her practice, and how she wishes to keep vouching for First Nations voices and environmental awareness.</p>
<p>Show notes:</p>
<ul>
<li><a href='https://suekneebone.com/'>Sue Kneebone</a></li>
<li><a href='https://soundcloud.com/artgalleryofsa/tuesday-talks-tracey-lock-and-elle-freak-introduce-dangerously-modern?in=artgalleryofsa/sets/tuesday-talks'>Elle Freak talks</a> about the <a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/dangerously-modern-australian-women-artists-in-europe-1890-1940/'>Dangerously Modern</a> exhibition</li>
<li>Nicole Clift - <a href='https://www.nicoleclift.net/'>https://www.nicoleclift.net/</a></li>
<li><a href='https://acsa.sa.edu.au/academic-staff/andrew-purvis/'>Andrew Purvis</a></li>
<li><a href='https://www.jamestylor.com/bio.html'>James Tylor</a></li>
<li>Sue’s exhibitions:
<ul>
<li><a href='https://suekneebone.com/art-works-2/'>Naturally Disturbed</a></li>
<li><a href='https://suekneebone.com/the-ceaseless-tide/'>The Ceaseless Tide</a></li>
<li><a href='https://suekneebone.com/pamplemousses-garden/'>Pamplemousses Garden</a></li>
</ul>
</li>
<li><a href='https://www.tamarabaillie.com/'>Tamara Baillie</a></li>
<li><a href='https://australian.museum/learn/first-nations/unsettled/healing-nations/the-great-australian-silence/'>The Great Australian Silence</a></li>
<li><a href='https://www.incredibleindia.gov.in/en/kerala'>Kerala</a></li>
<li><a href='https://www.postofficeprojects.com.au/'>POP Studios</a></li>
<li><a href='https://juliegough.net/brief-biography/'>Julie Gough</a></li>
</ul>
<p>Photo by Sam Roberts.</p>
<p>Podcast theme music by <a href='https://transistor.fm/?via=music'>Transistor.fm</a>. Learn <a href='https://transistor.fm/how-to-start-a-podcast/?via=music'>how to start a podcast</a> here.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode recorded at the Adelaide Central School of Art, Suzanne Close talks to 2025 SALA Feature Artist Sue Kneebone, and her monograph writers Nicole Clift, Elle Freak and Andrew Purvis.</p>
<p>They discuss the different approach each writer took in writing their essays, and how each was influenced by different aspects of Sue's work and career, in particular the use of found objects and other materials, and the role her family history has played in her body of work. </p>
<p>Sue discusses her influences and impulses, and reflects on her colonial settler history and the way it informs her practice, and how she wishes to keep vouching for First Nations voices and environmental awareness.</p>
<p>Show notes:</p>
<ul>
<li><a href='https://suekneebone.com/'>Sue Kneebone</a></li>
<li><a href='https://soundcloud.com/artgalleryofsa/tuesday-talks-tracey-lock-and-elle-freak-introduce-dangerously-modern?in=artgalleryofsa/sets/tuesday-talks'>Elle Freak talks</a> about the <a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/dangerously-modern-australian-women-artists-in-europe-1890-1940/'>Dangerously Modern</a> exhibition</li>
<li>Nicole Clift - <a href='https://www.nicoleclift.net/'>https://www.nicoleclift.net/</a></li>
<li><a href='https://acsa.sa.edu.au/academic-staff/andrew-purvis/'>Andrew Purvis</a></li>
<li><a href='https://www.jamestylor.com/bio.html'>James Tylor</a></li>
<li>Sue’s exhibitions:
<ul>
<li><a href='https://suekneebone.com/art-works-2/'>Naturally Disturbed</a></li>
<li><a href='https://suekneebone.com/the-ceaseless-tide/'>The Ceaseless Tide</a></li>
<li><a href='https://suekneebone.com/pamplemousses-garden/'>Pamplemousses Garden</a></li>
</ul>
</li>
<li><a href='https://www.tamarabaillie.com/'>Tamara Baillie</a></li>
<li><a href='https://australian.museum/learn/first-nations/unsettled/healing-nations/the-great-australian-silence/'>The Great Australian Silence</a></li>
<li><a href='https://www.incredibleindia.gov.in/en/kerala'>Kerala</a></li>
<li><a href='https://www.postofficeprojects.com.au/'>POP Studios</a></li>
<li><a href='https://juliegough.net/brief-biography/'>Julie Gough</a></li>
</ul>
<p><em>Photo by Sam Roberts.</em></p>
<p><em>Podcast theme music by </em><a href='https://transistor.fm/?via=music'><em>Transistor.fm</em></a><em>. Learn </em><a href='https://transistor.fm/how-to-start-a-podcast/?via=music'><em>how to start a podcast</em></a><em> here.</em></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nnnujyt5nnksude2/Sue_Kneebone_forum.mp3" length="40719840" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode recorded at the Adelaide Central School of Art, Suzanne Close talks to 2025 SALA Feature Artist Sue Kneebone, and her monograph writers Nicole Clift, Elle Freak and Andrew Purvis.
They discuss the different approach each writer took in writing their essays, and how each was influenced by different aspects of Sue's work and career, in particular the use of found objects and other materials, and the role her family history has played in her body of work. 
Sue discusses her influences and impulses, and reflects on her colonial settler history and the way it informs her practice, and how she wishes to keep vouching for First Nations voices and environmental awareness.
Show notes:

Sue Kneebone
Elle Freak talks about the Dangerously Modern exhibition
Nicole Clift - https://www.nicoleclift.net/
Andrew Purvis
James Tylor
Sue’s exhibitions:

Naturally Disturbed
The Ceaseless Tide
Pamplemousses Garden


Tamara Baillie
The Great Australian Silence
Kerala
POP Studios
Julie Gough

Photo by Sam Roberts.
Podcast theme music by Transistor.fm. Learn how to start a podcast here.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2951</itunes:duration>
                <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/SALA_SALA_2025_Sue_Kneebone_Jun13_2025_003_LoRes_ift587.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/c86azjedg23w4nx4/Sue_Kneebone.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Annette Vincent</title>
        <itunes:title>Artist Interview: Annette Vincent</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-annette-vincent/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-annette-vincent/#comments</comments>        <pubDate>Thu, 21 Aug 2025 16:36:42 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/15000bf4-d188-378d-8bcf-67de9c6d3890</guid>
                                    <description><![CDATA[<p>For this special SALA podcast episode, Elise from Inspiring South Australia talks to scientist and artist Annette Vincent in her studio garage.</p>
<p>Annette talks about her background in science as a myrmecologist (someone who studies ants) and the path that led her to being an artist, and the work that inspired her 2025 SALA exhibition '15 Years On, Arkaroola Wildlife Sanctuary Revisited'.</p>
<p>She explains how she is driven by the threat of climate change to actively sketch during biodiversity surveys in her role as a volunteer with the Scientific Expedition Group, contributing to a visual history of changing landscapes.</p>
<p> </p>
<ul>
<li><a href='https://inspiringsa.org.au/'>Inspiring SA website</a></li>
<li><a href='https://www.daao.org.au/bio/annette-vincent/biography/'>Annette Vincent</a></li>
<li><a href='https://en.wikipedia.org/wiki/Vulkathunha-Gammon_Ranges_National_Park'>Gammon Ranges</a></li>
<li><a href='https://timecapsule.unisa.edu.au/nodes/view/139'>Underdale College</a></li>
<li><a href='https://www.arkaroola.com.au/'>Arkaroola</a></li>
<li><a href='https://en.wikipedia.org/wiki/Mount_Gee'>Mount Gee</a></li>
<li><a href='https://www.scientificexpeditiongroup.org/'>Scientific Expedition Group</a></li>
<li><a href='https://en.wikipedia.org/wiki/Myrmecology'>Myrmecology</a></li>
<li><a href='https://en.wikipedia.org/wiki/Myrmecia_(ant)'>Myrmecia</a></li>
<li><a href='https://www.okeeffemuseum.org/about-georgia-okeeffe/'>Georgia O’Keeffe</a></li>
<li><a href='https://en.wikipedia.org/wiki/Gawler_Ranges'>Gawler Ranges</a></li>
<li><a href='https://suekneebone.com/'>Sue Kneebone</a></li>
<li>A video showing the <a href='https://www.youtube.com/watch?v=PBg13GMGY_U'>Chine Collé process</a></li>
</ul>
<p> </p>
<p>Photo by Eugene Suleau.</p>
<p>Music I use: Bensound.com</p>
<p>License code: VDH5DVGOFPNHY24Q</p>
<p>Title: Crazy Coffeehouse</p>
<p>Artist:  Lunar Years</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>For this special SALA podcast episode, Elise from Inspiring South Australia talks to scientist and artist Annette Vincent in her studio garage.</p>
<p>Annette talks about her background in science as a myrmecologist (someone who studies ants) and the path that led her to being an artist, and the work that inspired her 2025 SALA exhibition '15 Years On, Arkaroola Wildlife Sanctuary Revisited'.</p>
<p>She explains how she is driven by the threat of climate change to actively sketch during biodiversity surveys in her role as a volunteer with the Scientific Expedition Group, contributing to a visual history of changing landscapes.</p>
<p> </p>
<ul>
<li><a href='https://inspiringsa.org.au/'>Inspiring SA website</a></li>
<li><a href='https://www.daao.org.au/bio/annette-vincent/biography/'>Annette Vincent</a></li>
<li><a href='https://en.wikipedia.org/wiki/Vulkathunha-Gammon_Ranges_National_Park'>Gammon Ranges</a></li>
<li><a href='https://timecapsule.unisa.edu.au/nodes/view/139'>Underdale College</a></li>
<li><a href='https://www.arkaroola.com.au/'>Arkaroola</a></li>
<li><a href='https://en.wikipedia.org/wiki/Mount_Gee'>Mount Gee</a></li>
<li><a href='https://www.scientificexpeditiongroup.org/'>Scientific Expedition Group</a></li>
<li><a href='https://en.wikipedia.org/wiki/Myrmecology'>Myrmecology</a></li>
<li><a href='https://en.wikipedia.org/wiki/Myrmecia_(ant)'>Myrmecia</a></li>
<li><a href='https://www.okeeffemuseum.org/about-georgia-okeeffe/'>Georgia O’Keeffe</a></li>
<li><a href='https://en.wikipedia.org/wiki/Gawler_Ranges'>Gawler Ranges</a></li>
<li><a href='https://suekneebone.com/'>Sue Kneebone</a></li>
<li>A video showing the <a href='https://www.youtube.com/watch?v=PBg13GMGY_U'>Chine Collé process</a></li>
</ul>
<p> </p>
<p><em>Photo by Eugene Suleau.</em></p>
<p><em>Music I use: Bensound.com</em></p>
<p><em>License code: VDH5DVGOFPNHY24Q</em></p>
<p><em>Title: Crazy Coffeehouse</em></p>
<p><em>Artist:  Lunar Years</em></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mmjrrgsxz9rfutz9/Artist_Interview_Annette_Vincent.mp3" length="31327497" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For this special SALA podcast episode, Elise from Inspiring South Australia talks to scientist and artist Annette Vincent in her studio garage.
Annette talks about her background in science as a myrmecologist (someone who studies ants) and the path that led her to being an artist, and the work that inspired her 2025 SALA exhibition '15 Years On, Arkaroola Wildlife Sanctuary Revisited'.
She explains how she is driven by the threat of climate change to actively sketch during biodiversity surveys in her role as a volunteer with the Scientific Expedition Group, contributing to a visual history of changing landscapes.
 

Inspiring SA website
Annette Vincent
Gammon Ranges
Underdale College
Arkaroola
Mount Gee
Scientific Expedition Group
Myrmecology
Myrmecia
Georgia O’Keeffe
Gawler Ranges
Sue Kneebone
A video showing the Chine Collé process

 
Photo by Eugene Suleau.
Music I use: Bensound.com
License code: VDH5DVGOFPNHY24Q
Title: Crazy Coffeehouse
Artist:  Lunar Years]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2667</itunes:duration>
                <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Annette_02_ihuzn2.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/nkpqkfy7zvh2vpjj/Annette.srt" type="application/srt" />    </item>
    <item>
        <title>SALA Forum with 2024 Feature Artist Julia Robinson, and monograph writers Hannah Kent, Leigh Robb, and Jess Taylor</title>
        <itunes:title>SALA Forum with 2024 Feature Artist Julia Robinson, and monograph writers Hannah Kent, Leigh Robb, and Jess Taylor</itunes:title>
        <link>https://salafestival.podbean.com/e/sala-forum-with-2024-feature-artist-julia-robinson-and-monograph-writers-hannah-kent-leigh-robb-and-jess-taylor/</link>
                    <comments>https://salafestival.podbean.com/e/sala-forum-with-2024-feature-artist-julia-robinson-and-monograph-writers-hannah-kent-leigh-robb-and-jess-taylor/#comments</comments>        <pubDate>Tue, 27 Aug 2024 14:50:16 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/8213552f-de1f-3a5a-9ec6-3e0d2befc50d</guid>
                                    <description><![CDATA[<p>In this special episode recorded at the Adelaide Central School of Art, Andrew Purvis talks to 2024 SALA Feature Artist Julia Robinson, and her monograph writers Hannah Kent, Leigh Robb, and Jess Taylor.</p>
<p>They discuss the collaborative process that brought the book to fruition, and how each of the writers used Julia’s work as inspiration for their pieces, particularly her interest in folklore, horror themes and feminism. Julia also delves into working with designer Rachel Harris on the visual representation of the monograph.</p>
<p>In the Q&amp;A section, Julia explains how the book was structured around each of the writer’s interests; the process for creating her sculptures; and the significance of dark themes in her art. Finally, Julia discusses the impact of receiving the Feature Artist award, and the influence and importance of SALA Festival on her career and the opportunities it affords all artists.</p>
<p>Show notes:</p>
<ul><li><a href='https://julia-robinson.net/'>JuliaRobinson.net</a></li>
<li><a href='http://hannahkentauthor.com/'>Hannah Kent</a></li>
<li><a href='https://www.instagram.com/curatorscocktail/'>Leigh Robb</a> – Instagram</li>
<li><a href='https://www.jesstaylorartist.com/'>Jess Taylor</a></li>
<li><a href='https://en.wikipedia.org/wiki/Satanic_panic'>Satanic Panic</a></li>
<li><a href='https://en.wikipedia.org/wiki/Tilberi'>Tilberi</a> – Icelandic Folklore</li>
<li><a href='https://en.wikipedia.org/wiki/The_Wicker_Man'>The Wicker Man</a> (film, 1973, directed by Robin Hardy)</li>
<li><a href='https://julia-robinson.net/the-song-of-master-john-goodfellow/'>The Song of Master John Goodfellow</a></li>
<li><a href='https://en.wikipedia.org/wiki/Gourd'>gourd</a> (fruit)</li>
<li><a href='https://www.thegourdfather.com.au/'>The Gourdfather</a></li>
<li><a href='https://julia-robinson.net/group-exhibitions/monster-theatres-2020-adelaide-biennial-of-australian-art/'>Beatrice</a> in the 2020 Adelaide Biennial at Museum of Economic Botany</li>
<li><a href='https://en.wikipedia.org/wiki/Rappaccini%27s_Daughter'>Rappaccini’s Daughter</a></li>
<li><a href='https://en.wikipedia.org/wiki/Scylla'>Scylla</a> – Greek mythology</li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1934'>Julia’s monograph at Wakefield Press</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this special episode recorded at the Adelaide Central School of Art, Andrew Purvis talks to 2024 SALA Feature Artist Julia Robinson, and her monograph writers Hannah Kent, Leigh Robb, and Jess Taylor.</p>
<p>They discuss the collaborative process that brought the book to fruition, and how each of the writers used Julia’s work as inspiration for their pieces, particularly her interest in folklore, horror themes and feminism. Julia also delves into working with designer Rachel Harris on the visual representation of the monograph.</p>
<p>In the Q&amp;A section, Julia explains how the book was structured around each of the writer’s interests; the process for creating her sculptures; and the significance of dark themes in her art. Finally, Julia discusses the impact of receiving the Feature Artist award, and the influence and importance of SALA Festival on her career and the opportunities it affords all artists.</p>
<p>Show notes:</p>
<ul><li><a href='https://julia-robinson.net/'>JuliaRobinson.net</a></li>
<li><a href='http://hannahkentauthor.com/'>Hannah Kent</a></li>
<li><a href='https://www.instagram.com/curatorscocktail/'>Leigh Robb</a> – Instagram</li>
<li><a href='https://www.jesstaylorartist.com/'>Jess Taylor</a></li>
<li><a href='https://en.wikipedia.org/wiki/Satanic_panic'>Satanic Panic</a></li>
<li><a href='https://en.wikipedia.org/wiki/Tilberi'>Tilberi</a> – Icelandic Folklore</li>
<li><a href='https://en.wikipedia.org/wiki/The_Wicker_Man'>The Wicker Man</a> (film, 1973, directed by Robin Hardy)</li>
<li><em><a href='https://julia-robinson.net/the-song-of-master-john-goodfellow/'>The Song of Master John Goodfellow</a></em></li>
<li><a href='https://en.wikipedia.org/wiki/Gourd'>gourd</a> (fruit)</li>
<li><a href='https://www.thegourdfather.com.au/'>The Gourdfather</a></li>
<li><em><a href='https://julia-robinson.net/group-exhibitions/monster-theatres-2020-adelaide-biennial-of-australian-art/'>Beatrice</a> </em>in the 2020 Adelaide Biennial at Museum of Economic Botany</li>
<li><a href='https://en.wikipedia.org/wiki/Rappaccini%27s_Daughter'>Rappaccini’s Daughter</a></li>
<li><a href='https://en.wikipedia.org/wiki/Scylla'>Scylla</a> – Greek mythology</li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1934'>Julia’s monograph at Wakefield Press</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xwkbecm9cy3dg89n/ACSAForum.mp3" length="57198868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this special episode recorded at the Adelaide Central School of Art, Andrew Purvis talks to 2024 SALA Feature Artist Julia Robinson, and her monograph writers Hannah Kent, Leigh Robb, and Jess Taylor.
They discuss the collaborative process that brought the book to fruition, and how each of the writers used Julia’s work as inspiration for their pieces, particularly her interest in folklore, horror themes and feminism. Julia also delves into working with designer Rachel Harris on the visual representation of the monograph.
In the Q&amp;A section, Julia explains how the book was structured around each of the writer’s interests; the process for creating her sculptures; and the significance of dark themes in her art. Finally, Julia discusses the impact of receiving the Feature Artist award, and the influence and importance of SALA Festival on her career and the opportunities it affords all artists.
Show notes:
JuliaRobinson.net
Hannah Kent
Leigh Robb – Instagram
Jess Taylor
Satanic Panic
Tilberi – Icelandic Folklore
The Wicker Man (film, 1973, directed by Robin Hardy)
The Song of Master John Goodfellow
gourd (fruit)
The Gourdfather
Beatrice in the 2020 Adelaide Biennial at Museum of Economic Botany
Rappaccini’s Daughter
Scylla – Greek mythology
Adelaide Central School of Art
Julia’s monograph at Wakefield Press
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3938</itunes:duration>
                <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/01_Hannah_Kent_Julia_Robinson_Leigh_Robb_Jess_Taylor_4vb792.jpg" />    </item>
    <item>
        <title>Artist Interview: Claire Foord</title>
        <itunes:title>Artist Interview: Claire Foord</itunes:title>
        <link>https://salafestival.podbean.com/e/sala-podcast-with-artist-claire-foord/</link>
                    <comments>https://salafestival.podbean.com/e/sala-podcast-with-artist-claire-foord/#comments</comments>        <pubDate>Mon, 12 Aug 2024 14:39:55 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/71d2c574-9616-3765-806f-735b9bc5655d</guid>
                                    <description><![CDATA[<p>For this special Science Week podcast, presented in partnership with Inspiring SA, SALA talks to Willunga-based artist Claire Foord.</p>
<p>Claire talks about her artistic journey, her inspiration, and the profound impact of her personal experiences on her art.</p>
<p>She delves into how her work has been influenced by a spontaneous bilateral cerebral arterial dissection she suffered three years ago, which serves as the basis for her SALA exhibition 'Occipital’. Claire also shares the story of the stillbirth of her daughter Alfie, and the charity called Still Aware she founded to raise awareness around stillbirth in Australia.</p>
<p>Claire is a finalist in the SALA Inspiring SA Science in Art Award, and The Advertiser Contemporary Art Award.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>For this special Science Week podcast, presented in partnership with Inspiring SA, SALA talks to Willunga-based artist Claire Foord.</p>
<p>Claire talks about her artistic journey, her inspiration, and the profound impact of her personal experiences on her art.</p>
<p>She delves into how her work has been influenced by a spontaneous bilateral cerebral arterial dissection she suffered three years ago, which serves as the basis for her SALA exhibition 'Occipital’. Claire also shares the story of the stillbirth of her daughter Alfie, and the charity called Still Aware she founded to raise awareness around stillbirth in Australia.</p>
<p>Claire is a finalist in the SALA Inspiring SA Science in Art Award, and The Advertiser Contemporary Art Award.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/acf8zsqza472izw2/Claire_Foord.mp3" length="29775256" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For this special Science Week podcast, presented in partnership with Inspiring SA, SALA talks to Willunga-based artist Claire Foord.
Claire talks about her artistic journey, her inspiration, and the profound impact of her personal experiences on her art.
She delves into how her work has been influenced by a spontaneous bilateral cerebral arterial dissection she suffered three years ago, which serves as the basis for her SALA exhibition 'Occipital’. Claire also shares the story of the stillbirth of her daughter Alfie, and the charity called Still Aware she founded to raise awareness around stillbirth in Australia.
Claire is a finalist in the SALA Inspiring SA Science in Art Award, and The Advertiser Contemporary Art Award.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1908</itunes:duration>
                <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Claire_Foord_ppvmm8.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/nry6q7eppdeyrsyz/Claire_Foord_Transcriptbh722.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Cheryl Bridgart</title>
        <itunes:title>Artist Interview: Cheryl Bridgart</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-cheryl-bridgart/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-cheryl-bridgart/#comments</comments>        <pubDate>Tue, 30 Jul 2024 13:01:42 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/e128ceba-c120-34d2-b84b-1a44a5e2601b</guid>
                                    <description><![CDATA[<p>In this episode, Eugene chats with freestyle embroidery artist Cheryl Bridgart. Cheryl talks about the history of her home/studio at Beltana House on Carrington St in the city, and how her work is inspired by her dreams and her love of the natural world. She shares her excitement at being part of the Lunar Codex program, which will see her work travelling to the moon early next year. Finally, Cheryl speaks of her love of working as a South Australian artist, especially during SALA Festival. </p>
<p> </p>
<ul><li><a href='https://www.monikamorgenstern.com/biography'>Cheryl's biography</a></li>
<li>History of <a href='https://en.wikipedia.org/wiki/Beltana_Station'>Beltana Station</a>.</li>
<li><a href='https://guildhouse.org.au/'>Guildhouse</a> &amp; <a href='https://guildhouse.org.au/?s=greets'>Guildhouse Greets</a></li>
<li><a href='https://www.adelaidezoo.com.au/'>Adelaide Zoo</a></li>
<li><a href='https://www.youtube.com/watch?v=wgC_x1-Ca1I'>‘Lose Yourself in Melbourne’ ad</a></li>
<li>More about the <a href='https://www.lunarcodex.com/'>Lunar Codex program</a></li>
<li><a href='https://www.poetsandartists.com/interviews/2023/4/12/samuel-peralta'>Doctor Samuel Peralta</a></li>
<li><a href='https://www.spacex.com/'>SpaceX</a></li>
<li>Cheryl’s episode on <a href='https://www.youtube.com/watch?v=9ClIbOV6ZgI'>Colour in Your Life</a>.</li>
<li><a href='https://southaustralia.com/destinations/fleurieu-peninsula/places/goolwa'>Goolwa</a>, South Australia</li>
<li><a href='https://www.instagram.com/bridgartcheryl/'>Cheryl on Instagram</a></li>
<li><a href='https://www.facebook.com/cheryl.bridgart'>Cheryl on Facebook</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/10187/fly-me-to-the-moon'>Cheryl’s SALA exhibition</a></li>
</ul>
<p> </p>
<p>Music: Dark Water by Xylo-Ziko</p>
<p>Photo by Jack Fenby</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Eugene chats with freestyle embroidery artist Cheryl Bridgart. Cheryl talks about the history of her home/studio at Beltana House on Carrington St in the city, and how her work is inspired by her dreams and her love of the natural world. She shares her excitement at being part of the Lunar Codex program, which will see her work travelling to the moon early next year. Finally, Cheryl speaks of her love of working as a South Australian artist, especially during SALA Festival. </p>
<p> </p>
<ul><li><a href='https://www.monikamorgenstern.com/biography'>Cheryl's biography</a></li>
<li>History of <a href='https://en.wikipedia.org/wiki/Beltana_Station'>Beltana Station</a>.</li>
<li><a href='https://guildhouse.org.au/'>Guildhouse</a> &amp; <a href='https://guildhouse.org.au/?s=greets'>Guildhouse Greets</a></li>
<li><a href='https://www.adelaidezoo.com.au/'>Adelaide Zoo</a></li>
<li><a href='https://www.youtube.com/watch?v=wgC_x1-Ca1I'>‘Lose Yourself in Melbourne’ ad</a></li>
<li>More about the <a href='https://www.lunarcodex.com/'>Lunar Codex program</a></li>
<li><a href='https://www.poetsandartists.com/interviews/2023/4/12/samuel-peralta'>Doctor Samuel Peralta</a></li>
<li><a href='https://www.spacex.com/'>SpaceX</a></li>
<li>Cheryl’s episode on <a href='https://www.youtube.com/watch?v=9ClIbOV6ZgI'>Colour in Your Life</a>.</li>
<li><a href='https://southaustralia.com/destinations/fleurieu-peninsula/places/goolwa'>Goolwa</a>, South Australia</li>
<li><a href='https://www.instagram.com/bridgartcheryl/'>Cheryl on Instagram</a></li>
<li><a href='https://www.facebook.com/cheryl.bridgart'>Cheryl on Facebook</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/10187/fly-me-to-the-moon'>Cheryl’s SALA exhibition</a></li>
</ul>
<p> </p>
<p>Music: Dark Water by Xylo-Ziko</p>
<p>Photo by Jack Fenby</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jn3pdnd3nznm6zja/Cheryl_podcast.mp3" length="23394486" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Eugene chats with freestyle embroidery artist Cheryl Bridgart. Cheryl talks about the history of her home/studio at Beltana House on Carrington St in the city, and how her work is inspired by her dreams and her love of the natural world. She shares her excitement at being part of the Lunar Codex program, which will see her work travelling to the moon early next year. Finally, Cheryl speaks of her love of working as a South Australian artist, especially during SALA Festival. 
 
Cheryl's biography
History of Beltana Station.
Guildhouse &amp; Guildhouse Greets
Adelaide Zoo
‘Lose Yourself in Melbourne’ ad
More about the Lunar Codex program
Doctor Samuel Peralta
SpaceX
Cheryl’s episode on Colour in Your Life.
Goolwa, South Australia
Cheryl on Instagram
Cheryl on Facebook
Cheryl’s SALA exhibition
 
Music: Dark Water by Xylo-Ziko
Photo by Jack Fenby]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1836</itunes:duration>
                <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Cheryl_podcast_xw94yz.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/rd53vpx85rbtf49p/Cheryl_transcript_2_behow.srt" type="application/srt" />    </item>
    <item>
        <title>2023 SALA Feature Artist: Helen Fuller</title>
        <itunes:title>2023 SALA Feature Artist: Helen Fuller</itunes:title>
        <link>https://salafestival.podbean.com/e/2023-sala-feature-artist-helen-fuller/</link>
                    <comments>https://salafestival.podbean.com/e/2023-sala-feature-artist-helen-fuller/#comments</comments>        <pubDate>Fri, 13 Oct 2023 03:45:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/c808c595-904f-389e-9d13-fb6b6e85caeb</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with Helen Fuller in the artist’s home studio. Steph asks Helen about the range of mediums she has used over the years, what it’s like to have a book published about her career, and Helen gives context to the artwork that featured on the 2023 SALA Poster &amp; program. They also chat about the influence of family on her artmaking, and the joy of coming home from walks with a pocket full of curiosities. Her exhibition Shedding is on at Adelaide Central Gallery until 27 October 2023.</p>
<p> </p>
<p>Show notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_helen-fuller/'>Interview Transcript (PDF)</a></li>
<li>Helen Fuller, <a href='https://www.unisa.edu.au/connect/samstag-museum/'>Samstag Museum of Art</a>, UniSA, <a href='https://2022.adelaidefestival.com.au/events/helen-fuller/'>Adelaide Festival 2022</a> / <a href='https://www.unisa.edu.au/siteassets/samstag/blocks/modal-content-blocks/publication-item-blocks/sm0360-helen-fuller-catalogue.pdf'>catalogue</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1872&amp;cat=0&amp;page=&amp;featured=Y'>Helen Fuller (book) Wakefield press</a></li>
<li>SALA Feature Artist: <a href='https://www.salafestival.com/feature-artist/'>Info</a> / <a href='https://www.salafestival.com/feature-artist-archive/'>Archive</a></li>
<li><a href='https://www.salafestival.com/projects/south-australian-living-artist-publication/'>South Australian Living Artist Publication</a></li>
<li><a href='https://acsa.sa.edu.au/exhibitions/helen-fuller-shedding/'>Shedding</a>, at Adelaide Central Gallery (until 27 October 2023)</li>
</ul>
<p> </p>
<p>Music: Raven Warble - Chad Crouch</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with Helen Fuller in the artist’s home studio. Steph asks Helen about the range of mediums she has used over the years, what it’s like to have a book published about her career, and Helen gives context to the artwork that featured on the 2023 SALA Poster &amp; program. They also chat about the influence of family on her artmaking, and the joy of coming home from walks with a pocket full of curiosities. Her exhibition Shedding is on at Adelaide Central Gallery until 27 October 2023.</p>
<p> </p>
<p>Show notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_helen-fuller/'>Interview Transcript (PDF)</a></li>
<li>Helen Fuller, <a href='https://www.unisa.edu.au/connect/samstag-museum/'>Samstag Museum of Art</a>, UniSA, <a href='https://2022.adelaidefestival.com.au/events/helen-fuller/'>Adelaide Festival 2022</a> / <a href='https://www.unisa.edu.au/siteassets/samstag/blocks/modal-content-blocks/publication-item-blocks/sm0360-helen-fuller-catalogue.pdf'>catalogue</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1872&amp;cat=0&amp;page=&amp;featured=Y'>Helen Fuller (book) Wakefield press</a></li>
<li>SALA Feature Artist: <a href='https://www.salafestival.com/feature-artist/'>Info</a> / <a href='https://www.salafestival.com/feature-artist-archive/'>Archive</a></li>
<li><a href='https://www.salafestival.com/projects/south-australian-living-artist-publication/'>South Australian Living Artist Publication</a></li>
<li><a href='https://acsa.sa.edu.au/exhibitions/helen-fuller-shedding/'>Shedding</a>, at Adelaide Central Gallery (until 27 October 2023)</li>
</ul>
<p> </p>
<p>Music: Raven Warble - Chad Crouch</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/59qz55/HelenFuller_2.mp3" length="36304770" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with Helen Fuller in the artist’s home studio. Steph asks Helen about the range of mediums she has used over the years, what it’s like to have a book published about her career, and Helen gives context to the artwork that featured on the 2023 SALA Poster &amp; program. They also chat about the influence of family on her artmaking, and the joy of coming home from walks with a pocket full of curiosities. Her exhibition Shedding is on at Adelaide Central Gallery until 27 October 2023.
 
Show notes
Interview Transcript (PDF)
Helen Fuller, Samstag Museum of Art, UniSA, Adelaide Festival 2022 / catalogue
Helen Fuller (book) Wakefield press
SALA Feature Artist: Info / Archive
South Australian Living Artist Publication
Shedding, at Adelaide Central Gallery (until 27 October 2023)
 
Music: Raven Warble - Chad Crouch]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2495</itunes:duration>
                <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC8486_screen_podtile8e6jf.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/4fr4ta/HelenFuller_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Monika Morgenstern</title>
        <itunes:title>Artist Interview: Monika Morgenstern</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-monika-morgenstern/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-monika-morgenstern/#comments</comments>        <pubDate>Wed, 30 Aug 2023 12:46:34 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/34234800-950d-3997-81ba-0a3b8e3771da</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with artist Monika Morgenstern. They chat about the overarching theme of mysticism in her work, and what kind of materials she uses to explore something so intangible. They trace spiritual moments across her life, from childhood awe at Europe’s cathedrals, to the natural splendour of Lake Tyrrell in Australia.</p>
<p> </p>
<ul><li>Monika.Morgenstern.com/<a href='https://www.monikamorgenstern.com/biography'>biography</a></li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li>ArtsSA fellowship / <a href='https://www.dpc.sa.gov.au/responsibilities/arts-and-culture/news/arts-and-culture-grants-program-october-2022-outcomes-released'>Arts &amp; Culture Grants Program</a></li>
<li>Erni Tinesz (glass artist)</li>
<li>Numinous encounter</li>
<li><a href='https://www.monikamorgenstern.com/wordless-silence'>Wordless Silence</a> at <a href='https://barossagallery.com.au/events/monika-morgenstern-sala2023/'>Barossa Regional Gallery</a>, Mon-Sun 11am-4pm, 26 July – 2 October 2023.</li>
<li><a href='https://en.wikipedia.org/wiki/Prima_materia'>Prima materia</a> [wikipedia]</li>
<li>Jerome Lyons / <a href='https://www.cheesefactory.com.au/about.html'>Cheese Factory Studio Gallery</a>, Meadows SA</li>
<li><a href='https://southaustralia.com/destinations/fleurieu-peninsula/places/strathalbyn'>Strathalbyn</a>, South Australia</li>
<li><a href='https://www.sealake.vic.au/'>Sea Lake</a>, Victoria</li>
<li><a href='https://en.wikipedia.org/wiki/Masonic_lodge'>Masonic lodge</a></li>
<li>THRFG - <a href='https://creativehealth.org.au/whats-on/art-prize/'>Creative Health Art Prize</a> 2023</li>
<li><a href='https://www.instagram.com/monikamorgensternart/'>@MonikaMorgensternArt</a></li>
<li><a href='https://www.monikamorgenstern.com/'>MonikaMorgenstern.com</a></li>
<li>Monika on <a href='https://www.facebook.com/MorgensternArt7'>Facebook</a> &amp; <a href='https://www.youtube.com/channel/UCMSNdmwuzL6vNaEgG0-03qQ'>YouTube</a></li>
<li>Monika's work on <a href='https://www.shopsala.com.au/collections/monika-morgenstern'>Shop SALA</a></li>
</ul>
<p> </p>
<p>Music: Dark Water by Xylo-Ziko</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with artist Monika Morgenstern. They chat about the overarching theme of mysticism in her work, and what kind of materials she uses to explore something so intangible. They trace spiritual moments across her life, from childhood awe at Europe’s cathedrals, to the natural splendour of Lake Tyrrell in Australia.</p>
<p> </p>
<ul><li>Monika.Morgenstern.com/<a href='https://www.monikamorgenstern.com/biography'>biography</a></li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li>ArtsSA fellowship / <a href='https://www.dpc.sa.gov.au/responsibilities/arts-and-culture/news/arts-and-culture-grants-program-october-2022-outcomes-released'>Arts &amp; Culture Grants Program</a></li>
<li>Erni Tinesz (glass artist)</li>
<li>Numinous encounter</li>
<li><em><a href='https://www.monikamorgenstern.com/wordless-silence'>Wordless Silence</a></em> at <a href='https://barossagallery.com.au/events/monika-morgenstern-sala2023/'>Barossa Regional Gallery</a>, Mon-Sun 11am-4pm, 26 July – 2 October 2023.</li>
<li><a href='https://en.wikipedia.org/wiki/Prima_materia'>Prima materia</a> [wikipedia]</li>
<li>Jerome Lyons / <a href='https://www.cheesefactory.com.au/about.html'>Cheese Factory Studio Gallery</a>, Meadows SA</li>
<li><a href='https://southaustralia.com/destinations/fleurieu-peninsula/places/strathalbyn'>Strathalbyn</a>, South Australia</li>
<li><a href='https://www.sealake.vic.au/'>Sea Lake</a>, Victoria</li>
<li><a href='https://en.wikipedia.org/wiki/Masonic_lodge'>Masonic lodge</a></li>
<li>THRFG - <a href='https://creativehealth.org.au/whats-on/art-prize/'>Creative Health Art Prize</a> 2023</li>
<li><a href='https://www.instagram.com/monikamorgensternart/'>@MonikaMorgensternArt</a></li>
<li><a href='https://www.monikamorgenstern.com/'>MonikaMorgenstern.com</a></li>
<li>Monika on <a href='https://www.facebook.com/MorgensternArt7'>Facebook</a> &amp; <a href='https://www.youtube.com/channel/UCMSNdmwuzL6vNaEgG0-03qQ'>YouTube</a></li>
<li>Monika's work on <a href='https://www.shopsala.com.au/collections/monika-morgenstern'>Shop SALA</a></li>
</ul>
<p> </p>
<p>Music: Dark Water by Xylo-Ziko</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/23fq9u/Monika_3.mp3" length="22437367" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with artist Monika Morgenstern. They chat about the overarching theme of mysticism in her work, and what kind of materials she uses to explore something so intangible. They trace spiritual moments across her life, from childhood awe at Europe’s cathedrals, to the natural splendour of Lake Tyrrell in Australia.
 
Monika.Morgenstern.com/biography
Adelaide Central School of Art
ArtsSA fellowship / Arts &amp; Culture Grants Program
Erni Tinesz (glass artist)
Numinous encounter
Wordless Silence at Barossa Regional Gallery, Mon-Sun 11am-4pm, 26 July – 2 October 2023.
Prima materia [wikipedia]
Jerome Lyons / Cheese Factory Studio Gallery, Meadows SA
Strathalbyn, South Australia
Sea Lake, Victoria
Masonic lodge
THRFG - Creative Health Art Prize 2023
@MonikaMorgensternArt
MonikaMorgenstern.com
Monika on Facebook &amp; YouTube
Monika's work on Shop SALA
 
Music: Dark Water by Xylo-Ziko]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1501</itunes:duration>
                <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Monika_furthest_offcentre87r4g.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/z32yn7/Monika_3_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Ian Gibbins</title>
        <itunes:title>Artist Interview: Ian Gibbins</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-ian-gibbins/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-ian-gibbins/#comments</comments>        <pubDate>Fri, 18 Aug 2023 15:45:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/781269db-1982-31ba-9f35-f0d5a276c425</guid>
                                    <description><![CDATA[<p>Steph catches up with artist Ian Gibbins in this special science-themed episode presented in partnership with Inspiring SA. 
They chat about Ian's work as scientist and how it informs his art, and some surprising parallels between the fields of science and art – from the urge to show your work to others to the tedium of failed experiments.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.iangibbins.com.au/'>IanGibbins.com.au</a></li>
<li><a href='https://poetryarchive.org/poet/chris-wallace-crabbe/'>Chris Wallace-Crabbe</a></li>
<li><a href='https://en.wikipedia.org/wiki/Vincent_Buckley'>Vincent Buckley</a></li>
<li><a href='https://www.iangibbins.com.au/poetry/urban-biology/'>Urban Biology</a></li>
<li><a href='https://www.thejoinery.org.au/'>The Joinery</a></li>
<li>Ian Gibbins, <a href='https://www.iangibbins.com.au/2023/07/28/beyond-the-floodtide-sala-2023-at-the-joinery/'>Beyond the Floodtide</a></li>
<li><a href='https://www.conservationsa.org.au/'>Conservation Council South Australia</a></li>
<li><a href='http://catherinetruman.com.au/'>Catherine Truman</a></li>
<li>A Partnership for Uncertain Times: Art + Science + Technology [<a href='https://issuu.com/marchellematthew/docs/a-partnership-for-uncertain-times'>catalogue</a>]</li>
<li><a href='https://www.anat.org.au/'>ANAT</a> / the Australian Network for Art &amp; Technology</li>
<li>Ian Gibbins, <a href='https://www.iangibbins.com.au/sala-2020-the-unwelcome/dog-daze-2017/'>dog daze</a>, 2017</li>
</ul>
<p> </p>
<p>Image: lo</p>
<p>Music: Ian Gibbins (used with permission)</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with artist Ian Gibbins in this special science-themed episode presented in partnership with Inspiring SA. <br>
They chat about Ian's work as scientist and how it informs his art, and some surprising parallels between the fields of science and art – from the urge to show your work to others to the tedium of failed experiments.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.iangibbins.com.au/'>IanGibbins.com.au</a></li>
<li><a href='https://poetryarchive.org/poet/chris-wallace-crabbe/'>Chris Wallace-Crabbe</a></li>
<li><a href='https://en.wikipedia.org/wiki/Vincent_Buckley'>Vincent Buckley</a></li>
<li><a href='https://www.iangibbins.com.au/poetry/urban-biology/'>Urban Biology</a></li>
<li><a href='https://www.thejoinery.org.au/'>The Joinery</a></li>
<li>Ian Gibbins, <a href='https://www.iangibbins.com.au/2023/07/28/beyond-the-floodtide-sala-2023-at-the-joinery/'>Beyond the Floodtide</a></li>
<li><a href='https://www.conservationsa.org.au/'>Conservation Council South Australia</a></li>
<li><a href='http://catherinetruman.com.au/'>Catherine Truman</a></li>
<li>A Partnership for Uncertain Times: Art + Science + Technology [<a href='https://issuu.com/marchellematthew/docs/a-partnership-for-uncertain-times'>catalogue</a>]</li>
<li><a href='https://www.anat.org.au/'>ANAT</a> / the Australian Network for Art &amp; Technology</li>
<li>Ian Gibbins, <em><a href='https://www.iangibbins.com.au/sala-2020-the-unwelcome/dog-daze-2017/'>dog daze</a></em>, 2017</li>
</ul>
<p> </p>
<p>Image: lo</p>
<p>Music: Ian Gibbins (used with permission)</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5p7f9y/IanGibbins_519i7ce.mp3" length="44262952" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with artist Ian Gibbins in this special science-themed episode presented in partnership with Inspiring SA. They chat about Ian's work as scientist and how it informs his art, and some surprising parallels between the fields of science and art – from the urge to show your work to others to the tedium of failed experiments.
 
Show Notes
IanGibbins.com.au
Chris Wallace-Crabbe
Vincent Buckley
Urban Biology
The Joinery
Ian Gibbins, Beyond the Floodtide
Conservation Council South Australia
Catherine Truman
A Partnership for Uncertain Times: Art + Science + Technology [catalogue]
ANAT / the Australian Network for Art &amp; Technology
Ian Gibbins, dog daze, 2017
 
Image: lo
Music: Ian Gibbins (used with permission)]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2740</itunes:duration>
                <itunes:episode>42</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Ian_16xn72.jpg" />    </item>
    <item>
        <title>Artist Interview: Kaspar Schmidt Mumm</title>
        <itunes:title>Artist Interview: Kaspar Schmidt Mumm</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-kaspar-schmidt-mumm/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-kaspar-schmidt-mumm/#comments</comments>        <pubDate>Sun, 06 Aug 2023 21:40:51 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/e273851f-c640-3b4d-82b8-4e63d91c5a2d</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with multidisciplinary artist Kaspar Schmidt Mumm. They throw back to his mother's artistic influence, and trace that framing of art as a vehicle for bigger things through to his latest exhibition, Rockamora. Tune in to hear why participatory sculpture isn't at all like sitting in the front row of a comedy show, and what Ursula Le Guin has to do with offering chips to bullies.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_kaspar_2023/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://kasparschmidtmumm.com/'>KasparSchmidtMumm.com</a></li>
<li><a href='https://www.instagram.com/kaspartness/'>@Kaspartness</a> (Instagram)</li>
<li><a href='http://www.korunaschmidtmumm.com/'>Koruna Schmidt Mumm</a></li>
<li><a href='https://www.google.com/search?q=john+michel+basqiat&amp;oq=john+michel+basqiat&amp;gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIHCAEQLhiABDIJCAIQABgKGIAEMgkIAxAAGAoYgAQyCQgEEAAYChiABDIJCAUQABgKGIAEMgkIBhAAGAoYgAQyCQgHEAAYChiABDIJCAgQABgKGIAEMgYICRBFGEDSAQgyMzk5ajBqN6gCALACAA&amp;sourceid=chrome&amp;ie=UTF-8&amp;si=ACFMAn8hieP5aE6nZoDwYPRSCYx5eEwOJWDLmQUurA5my2PyaatYi33SXNGb6NDJRK_HGE37dmmmU-zaZFgfS7pB0u6p2C09xG19DAwMFjw7O3I-LzNyd4Y%3D&amp;ictx=1&amp;ved=2ahUKEwip9M2Ms8eAAxW_mlYBHZRuCPAQyNoBKAB6BAgfEAA'>Jean-Michel Basquiat</a></li>
<li><a href='https://kasparschmidtmumm.com/Painting-1'>Kaspar’s Painting works</a></li>
<li><a href='https://kasparschmidtmumm.com/Paper'>Kaspar’s Paper works</a></li>
<li><a href='https://kasparschmidtmumm.com/IMEMI'>IMMI / IMEMI</a></li>
<li><a href='https://www.humboldtforum.org/en/'>Humboldt Forum</a></li>
<li><a href='https://www.theguardian.com/culture/2021/sep/09/berlin-museum-humboldt-forum'>Berlin’s bizarre new museum (Guardian article)</a></li>
<li><a href='https://kasparschmidtmumm.com/ROCKAMORA'>ROCKAMORA</a> over the years</li>
<li><a href='https://www.ace.gallery/whats-on/exhibitions/rockamora'>ROCKAMORA</a> at <a href='https://www.ace.gallery/'>Adelaide Contemporary Experimental</a> (ACE)
10 June – 12 August 2023, 11am-4pm Tues-Sat, free entry</li>
<li><a href='https://www.ace.gallery/porter-street-commission'>Porter Street Commission</a></li>
<li><a href='https://www.google.com/search?q=the+carrier+bag+theory+of+fiction&amp;sxsrf=AB5stBh6JcB999vL32U_3UNtiLR8gi1asw%3A1691302267119&amp;ei=eznPZNb-BqPi1e8PxayKuAY&amp;ved=2ahUKEwi24YqisMeAAxWqpVYBHb_LDTcQyNoBKAB6BAgcEAA&amp;uact=5&amp;oq=carrier+bag+le+guin&amp;gs_lp=Egxnd3Mtd2l6LXNlcnAiE2NhcnJpZXIgYmFnIGxlIGd1aW4yBRAuGIAEMgYQABgWGB4yCBAAGIoFGIYDMggQABiKBRiGAzIIEAAYigUYhgMyCBAAGIoFGIYDMggQABiKBRiGAzIUEC4YgAQYlwUY3AQY3gQY4ATYAQFIyRdQAFjwFXABeAGQAQCYAe0CoAG6IKoBCDAuMTIuNy4xuAEDyAEA-AEBwgIHECMYigUYJ8ICBxAuGIoFGCfCAgcQLhiKBRhDwgIHEAAYigUYQ8ICDRAuGIoFGMcBGNEDGEPCAgUQABiABMICERAuGIAEGLEDGIMBGMcBGNEDwgIIEAAYgAQYsQPCAgQQIxgnwgIKEC4YigUY1AIYQ8ICEBAuGIMBGNQCGLEDGIoFGEPCAhAQLhiKBRixAxiDARjUAhhDwgIKEC4YigUYsQMYQ8ICEBAuGIoFGLEDGMcBGNEDGEPCAgoQABiKBRixAxhDwgIQEAAYgAQYFBiHAhixAxiDAcICCxAuGIAEGLEDGNQCwgIKEAAYgAQYFBiHAsICBxAAGIAEGArCAggQABiKBRiRAsICCBAAGBYYHhgPwgIKEC4YgAQYFBiHAuIDBBgAIEGIBgG6BgYIARABGBQ&amp;sclient=gws-wiz-serp&amp;si=ACFMAn_fyoqvdetnK4PTDdeMVBxOX-NLCbPWAJPNH7Pa0LbrnoqzU6kPyK0uezOYm2SujD4ltgM-0ufBhelI3oqoxHL1QmcmdetNkeWrdtSVP8G4axdBGoM45-FyKyWEBhaA2JW1qZ4n&amp;ictx=1'>The Carrier Bag Theory of Fiction – Ursula K. Le Guin</a></li>
<li><a href='https://thebaitfridge.com/ABOUT'>The Bait Fridge</a></li>
<li><a href='https://slowmango.com/'>Slowmango.com </a>/  <a href='https://www.instagram.com/slowmango_/?hl=en'>@Slowmango_</a></li>
</ul>
<p> </p>
<p>See also: <a href='https://iview.abc.net.au/video/AC2212H019S00'>ABC Art Works Series 3, Episode 19</a></p>
<p> </p>
<p>Image: photo of Kaspar by <a href='https://emmalinezanelli.com/'>Emmaline Zanelli</a>, courtesy of ACE</p>
<p>Music: <a href='https://songwhip.com/slowmango/hypercolour-miscellaneous'>Blob Funk – Slowmango, 2023, Hypercolour Miscellaneous</a>, courtesy of Kaspar</p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with multidisciplinary artist Kaspar Schmidt Mumm. They throw back to his mother's artistic influence, and trace that framing of art as a vehicle for bigger things through to his latest exhibition, <em>Rockamora</em>. Tune in to hear why participatory sculpture isn't at all like sitting in the front row of a comedy show, and what Ursula Le Guin has to do with offering chips to bullies.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_kaspar_2023/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://kasparschmidtmumm.com/'>KasparSchmidtMumm.com</a></li>
<li><a href='https://www.instagram.com/kaspartness/'>@Kaspartness</a> (Instagram)</li>
<li><a href='http://www.korunaschmidtmumm.com/'>Koruna Schmidt Mumm</a></li>
<li><a href='https://www.google.com/search?q=john+michel+basqiat&amp;oq=john+michel+basqiat&amp;gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIHCAEQLhiABDIJCAIQABgKGIAEMgkIAxAAGAoYgAQyCQgEEAAYChiABDIJCAUQABgKGIAEMgkIBhAAGAoYgAQyCQgHEAAYChiABDIJCAgQABgKGIAEMgYICRBFGEDSAQgyMzk5ajBqN6gCALACAA&amp;sourceid=chrome&amp;ie=UTF-8&amp;si=ACFMAn8hieP5aE6nZoDwYPRSCYx5eEwOJWDLmQUurA5my2PyaatYi33SXNGb6NDJRK_HGE37dmmmU-zaZFgfS7pB0u6p2C09xG19DAwMFjw7O3I-LzNyd4Y%3D&amp;ictx=1&amp;ved=2ahUKEwip9M2Ms8eAAxW_mlYBHZRuCPAQyNoBKAB6BAgfEAA'>Jean-Michel Basquiat</a></li>
<li><a href='https://kasparschmidtmumm.com/Painting-1'>Kaspar’s Painting works</a></li>
<li><a href='https://kasparschmidtmumm.com/Paper'>Kaspar’s Paper works</a></li>
<li><a href='https://kasparschmidtmumm.com/IMEMI'>IMMI / IMEMI</a></li>
<li><a href='https://www.humboldtforum.org/en/'>Humboldt Forum</a></li>
<li><em><a href='https://www.theguardian.com/culture/2021/sep/09/berlin-museum-humboldt-forum'>Berlin’s bizarre new museum (Guardian article)</a></em></li>
<li><a href='https://kasparschmidtmumm.com/ROCKAMORA'>ROCKAMORA</a> over the years</li>
<li><a href='https://www.ace.gallery/whats-on/exhibitions/rockamora'>ROCKAMORA</a> at <a href='https://www.ace.gallery/'>Adelaide Contemporary Experimental</a> (ACE)<br>
10 June – 12 August 2023, 11am-4pm Tues-Sat, free entry</li>
<li><a href='https://www.ace.gallery/porter-street-commission'>Porter Street Commission</a></li>
<li><em><a href='https://www.google.com/search?q=the+carrier+bag+theory+of+fiction&amp;sxsrf=AB5stBh6JcB999vL32U_3UNtiLR8gi1asw%3A1691302267119&amp;ei=eznPZNb-BqPi1e8PxayKuAY&amp;ved=2ahUKEwi24YqisMeAAxWqpVYBHb_LDTcQyNoBKAB6BAgcEAA&amp;uact=5&amp;oq=carrier+bag+le+guin&amp;gs_lp=Egxnd3Mtd2l6LXNlcnAiE2NhcnJpZXIgYmFnIGxlIGd1aW4yBRAuGIAEMgYQABgWGB4yCBAAGIoFGIYDMggQABiKBRiGAzIIEAAYigUYhgMyCBAAGIoFGIYDMggQABiKBRiGAzIUEC4YgAQYlwUY3AQY3gQY4ATYAQFIyRdQAFjwFXABeAGQAQCYAe0CoAG6IKoBCDAuMTIuNy4xuAEDyAEA-AEBwgIHECMYigUYJ8ICBxAuGIoFGCfCAgcQLhiKBRhDwgIHEAAYigUYQ8ICDRAuGIoFGMcBGNEDGEPCAgUQABiABMICERAuGIAEGLEDGIMBGMcBGNEDwgIIEAAYgAQYsQPCAgQQIxgnwgIKEC4YigUY1AIYQ8ICEBAuGIMBGNQCGLEDGIoFGEPCAhAQLhiKBRixAxiDARjUAhhDwgIKEC4YigUYsQMYQ8ICEBAuGIoFGLEDGMcBGNEDGEPCAgoQABiKBRixAxhDwgIQEAAYgAQYFBiHAhixAxiDAcICCxAuGIAEGLEDGNQCwgIKEAAYgAQYFBiHAsICBxAAGIAEGArCAggQABiKBRiRAsICCBAAGBYYHhgPwgIKEC4YgAQYFBiHAuIDBBgAIEGIBgG6BgYIARABGBQ&amp;sclient=gws-wiz-serp&amp;si=ACFMAn_fyoqvdetnK4PTDdeMVBxOX-NLCbPWAJPNH7Pa0LbrnoqzU6kPyK0uezOYm2SujD4ltgM-0ufBhelI3oqoxHL1QmcmdetNkeWrdtSVP8G4axdBGoM45-FyKyWEBhaA2JW1qZ4n&amp;ictx=1'>The Carrier Bag Theory of Fiction – Ursula K. Le Guin</a></em></li>
<li><a href='https://thebaitfridge.com/ABOUT'>The Bait Fridge</a></li>
<li><a href='https://slowmango.com/'>Slowmango.com </a>/  <a href='https://www.instagram.com/slowmango_/?hl=en'>@Slowmango_</a></li>
</ul>
<p> </p>
<p>See also: <a href='https://iview.abc.net.au/video/AC2212H019S00'>ABC Art Works Series 3, Episode 19</a></p>
<p> </p>
<p>Image: photo of Kaspar by <a href='https://emmalinezanelli.com/'>Emmaline Zanelli</a>, courtesy of ACE</p>
<p>Music: <a href='https://songwhip.com/slowmango/hypercolour-miscellaneous'>Blob Funk – Slowmango, 2023, Hypercolour Miscellaneous</a>, courtesy of Kaspar</p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n2snt6/Kaspar_237h0rw.mp3" length="46319717" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with multidisciplinary artist Kaspar Schmidt Mumm. They throw back to his mother's artistic influence, and trace that framing of art as a vehicle for bigger things through to his latest exhibition, Rockamora. Tune in to hear why participatory sculpture isn't at all like sitting in the front row of a comedy show, and what Ursula Le Guin has to do with offering chips to bullies.
 
Show Notes:
Interview Transcript (PDF)
KasparSchmidtMumm.com
@Kaspartness (Instagram)
Koruna Schmidt Mumm
Jean-Michel Basquiat
Kaspar’s Painting works
Kaspar’s Paper works
IMMI / IMEMI
Humboldt Forum
Berlin’s bizarre new museum (Guardian article)
ROCKAMORA over the years
ROCKAMORA at Adelaide Contemporary Experimental (ACE)10 June – 12 August 2023, 11am-4pm Tues-Sat, free entry
Porter Street Commission
The Carrier Bag Theory of Fiction – Ursula K. Le Guin
The Bait Fridge
Slowmango.com /  @Slowmango_
 
See also: ABC Art Works Series 3, Episode 19
 
Image: photo of Kaspar by Emmaline Zanelli, courtesy of ACE
Music: Blob Funk – Slowmango, 2023, Hypercolour Miscellaneous, courtesy of Kaspar
 ]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3000</itunes:duration>
                <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Kaspar_podbean_tile8d1i6.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/vfntd9/Kaspar_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Kasia Tons</title>
        <itunes:title>Artist Interview: Kasia Tons</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-kasia-tons/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-kasia-tons/#comments</comments>        <pubDate>Sun, 30 Apr 2023 19:32:54 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/83ee704c-e062-3799-a4ab-994cbdf93ff8</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with artist Kasia Tons in her cosy Adelaide Hills studio. They talk about her early days in the textile industry, the labour-intensive nature of her work, and how her work calls for a re-examining of the human relationship to nature.</p>
<p> </p>
<p>Show notes:</p>
<ul><li>Transcript (pending)</li>
<li><a href='https://kasiarosetons.com/earlyworks/'>One Year Dress project</a></li>
<li><a href='https://guildhouse.org.au/the-collections-project-kasia-tons/'>Guildhouse Collections Project</a></li>
<li><a href='https://www.botanicgardens.sa.gov.au/whats-on/biotic-commune-art-exhibition'>Biotic Commune at the Museum of Economic Botany</a></li>
<li><a href='https://www.instagram.com/pussyriot/?hl=en'>@PussyRiot</a></li>
<li><a href='https://www.guerrillagirls.com/'>GuerrillaGirls.com</a></li>
<li><a href='https://www.futurematerialsbank.com/'>Future Materials Bank</a></li>
<li><a href='https://www.instagram.com/fashion_for_bank_robbers/?hl=en'>@fashion_for_bank_robbers</a></li>
<li><a href='https://www.instagram.com/kasia.tons/'>@Kasia.Tons</a> on Instagram</li>
<li><a href='https://kasiarosetons.com/'>kasiarosetons.com</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with artist Kasia Tons in her cosy Adelaide Hills studio. They talk about her early days in the textile industry, the labour-intensive nature of her work, and how her work calls for a re-examining of the human relationship to nature.</p>
<p> </p>
<p>Show notes:</p>
<ul><li>Transcript (pending)</li>
<li><a href='https://kasiarosetons.com/earlyworks/'>One Year Dress project</a></li>
<li><a href='https://guildhouse.org.au/the-collections-project-kasia-tons/'>Guildhouse Collections Project</a></li>
<li><a href='https://www.botanicgardens.sa.gov.au/whats-on/biotic-commune-art-exhibition'>Biotic Commune at the Museum of Economic Botany</a></li>
<li><a href='https://www.instagram.com/pussyriot/?hl=en'>@PussyRiot</a></li>
<li><a href='https://www.guerrillagirls.com/'>GuerrillaGirls.com</a></li>
<li><a href='https://www.futurematerialsbank.com/'>Future Materials Bank</a></li>
<li><a href='https://www.instagram.com/fashion_for_bank_robbers/?hl=en'>@fashion_for_bank_robbers</a></li>
<li><a href='https://www.instagram.com/kasia.tons/'>@Kasia.Tons</a> on Instagram</li>
<li><a href='https://kasiarosetons.com/'>kasiarosetons.com</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j9izxj/KasiaTons_1.mp3" length="39816388" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with artist Kasia Tons in her cosy Adelaide Hills studio. They talk about her early days in the textile industry, the labour-intensive nature of her work, and how her work calls for a re-examining of the human relationship to nature.
 
Show notes:
Transcript (pending)
One Year Dress project
Guildhouse Collections Project
Biotic Commune at the Museum of Economic Botany
@PussyRiot
GuerrillaGirls.com
Future Materials Bank
@fashion_for_bank_robbers
@Kasia.Tons on Instagram
kasiarosetons.com
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2575</itunes:duration>
                <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Kasia_Tons5ye98.jpg" />    </item>
    <item>
        <title>Artist Interview: Chris De Rosa</title>
        <itunes:title>Artist Interview: Chris De Rosa</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-chris-de-rosa/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-chris-de-rosa/#comments</comments>        <pubDate>Fri, 31 Mar 2023 22:10:15 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/6a392e4d-eef1-3bb3-9213-ed86d55c5b42</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with artist Chris De Rosa in her home studio in Port Elliot. They chat about how she found her way to art-making, the versatility of paper as a material, her recent exhibition Seaweeding, and how living on the coast informs her practice.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_chris-de-rosa/'>Transcript of this interview</a> [PDF]</li>
<li><a href='https://en.wikipedia.org/wiki/Henri_de_Toulouse-Lautrec'>Henry de Toulouse-Lautrec</a> – French painter, printmaker, illustrator</li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a></li>
<li><a href='https://en.wikipedia.org/wiki/Papier-m%C3%A2ch%C3%A9'>Paper Mache / Papier Mache</a></li>
<li><a href='https://en.wikipedia.org/wiki/Flora'>flora</a> (noun): the plants of a particular region, habitat, or geological period.</li>
<li>Seaweeding exhibition [<a href='https://www.art-almanac.com.au/chris-de-rosa-seaweeding/'>art almanac</a>] [<a href='https://indaily.com.au/inreview/visual-art/2022/11/11/the-aquatic-takeover-in-a-botanic-gardens-institution/'>inDaily</a>]</li>
<li><a href='https://en.wikipedia.org/wiki/Beachcombing'>beachcombing</a> (noun): an activity that consists of an individual “combing” (or searching) the beach and the intertidal zone, looking for things of value, interest, or utility.</li>
<li><a href='https://www.botanicgardens.sa.gov.au/visit/adelaide-botanic-garden/santos-museum-economic-botany'>Museum of Economic Botany</a></li>
<li><a href='https://www.anbg.gov.au/biography/hussey-jessie.html'>Jessie Hussey</a></li>
<li><a href='https://en.wikipedia.org/wiki/Spongia'>Spongia</a>: a genus of marine sponges in the family Spongiidae containing more than 60 species.</li>
<li>Porifera: the phylum that sponges belong to.</li>
<li><a href='https://en.wikipedia.org/wiki/Taxonomic_rank'>Taxonomic rank</a> (phylum, class, order, family, genus, species)</li>
<li><a href='https://en.wikipedia.org/wiki/The_Drowned_World'>The Drowned World</a>, JG Ballard, 1962</li>
<li><a href='https://australian.museum/learn/animals/sea-squirts/sea-tulip/'>Sea Tulip</a></li>
<li><a href='https://en.wikipedia.org/wiki/Bust_(sculpture)'>bust</a> (noun): a sculpture of a person’s head, shoulders, and chest.</li>
<li><a href='https://www.honorfreeman.com/'>Honor Freeman</a>: artist, performer</li>
<li><a href='https://www.instagram.com/mickeymason.cowboy/?hl=en'>Mickey Mason</a>: artist & filmmaker</li>
<li>Susi Benger: eco-conscious swimwear designer <a href='https://www.instagram.com/cocoandshy/?hl=en'>@CocoAndShy</a></li>
<li><a href='https://southaustralia.com/products/fleurieu-peninsula/attraction/horseshoe-bay-port-elliot'>Horseshoe Bay</a>, Port Elliot</li>
<li><a href='https://en.wikipedia.org/wiki/Super_8_film_camera'>Super 8</a>: type of film camera</li>
<li>Giuseppe Faraone: sound designer</li>
<li>Cath Kenneally: writer, poet.</li>
<li><a href='https://rosinapossingham.com/'>Rosina Possingham</a>: artist, graphic designer
<a href='https://guildhouse.org.au/programs/catapult/'>Guildhouse Catapult mentorship program</a></li>
<li>Trent Walter & Stuart Geddes [<a href='https://artguide.com.au/trent-walter-and-stuart-geddes/'>artguide interview</a>]</li>
<li><a href='https://goodbankgallery.com.au/'>Good Bank Gallery</a>, McLaren Vale</li>
<li><a href='https://www.ronandvalerietaylor.com/artwork'>Valerie Taylor</a>: artist, filmmaker, marine conservationist</li>
<li>‘<a href='https://www.coralstreetartspace.com/exhibitions/water-people'>Water People</a>’ exhibition (28 May - 31 July 2023) at <a href='https://www.coralstreetartspace.com/'>Coral St Art Space</a>, Victor Harbor</li>
<li><a href='https://www.flinders.edu.au/museum-of-art'>Flinders University Museum of Art</a></li>
<li><a href='https://www.instagram.com/chris_derosa/?hl=en'>@Chris_DeRosa</a> on Instagram</li>
</ul>
<p> </p>
<p>Music: Monplaisir - The Rise The Walk The Hope via FMA.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with artist Chris De Rosa in her home studio in Port Elliot. They chat about how she found her way to art-making, the versatility of paper as a material, her recent exhibition <em>Seaweeding</em>, and how living on the coast informs her practice.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_chris-de-rosa/'>Transcript of this interview</a> [PDF]</li>
<li><a href='https://en.wikipedia.org/wiki/Henri_de_Toulouse-Lautrec'>Henry de Toulouse-Lautrec</a> – French painter, printmaker, illustrator</li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a></li>
<li><a href='https://en.wikipedia.org/wiki/Papier-m%C3%A2ch%C3%A9'>Paper Mache / Papier Mache</a></li>
<li><a href='https://en.wikipedia.org/wiki/Flora'>flora</a> (noun): the plants of a particular region, habitat, or geological period.</li>
<li>Seaweeding exhibition [<a href='https://www.art-almanac.com.au/chris-de-rosa-seaweeding/'>art almanac</a>] [<a href='https://indaily.com.au/inreview/visual-art/2022/11/11/the-aquatic-takeover-in-a-botanic-gardens-institution/'>inDaily</a>]</li>
<li><a href='https://en.wikipedia.org/wiki/Beachcombing'>beachcombing</a> (noun): an activity that consists of an individual “combing” (or searching) the beach and the intertidal zone, looking for things of value, interest, or utility.</li>
<li><a href='https://www.botanicgardens.sa.gov.au/visit/adelaide-botanic-garden/santos-museum-economic-botany'>Museum of Economic Botany</a></li>
<li><a href='https://www.anbg.gov.au/biography/hussey-jessie.html'>Jessie Hussey</a></li>
<li><a href='https://en.wikipedia.org/wiki/Spongia'>Spongia</a>: a genus of marine sponges in the family Spongiidae containing more than 60 species.</li>
<li>Porifera: the phylum that sponges belong to.</li>
<li><a href='https://en.wikipedia.org/wiki/Taxonomic_rank'>Taxonomic rank</a> (phylum, class, order, family, genus, species)</li>
<li><em><a href='https://en.wikipedia.org/wiki/The_Drowned_World'>The Drowned World</a></em>, JG Ballard, 1962</li>
<li><a href='https://australian.museum/learn/animals/sea-squirts/sea-tulip/'>Sea Tulip</a></li>
<li><a href='https://en.wikipedia.org/wiki/Bust_(sculpture)'>bust</a> (noun): a sculpture of a person’s head, shoulders, and chest.</li>
<li><a href='https://www.honorfreeman.com/'>Honor Freeman</a>: artist, performer</li>
<li><a href='https://www.instagram.com/mickeymason.cowboy/?hl=en'>Mickey Mason</a>: artist & filmmaker</li>
<li>Susi Benger: eco-conscious swimwear designer <a href='https://www.instagram.com/cocoandshy/?hl=en'>@CocoAndShy</a></li>
<li><a href='https://southaustralia.com/products/fleurieu-peninsula/attraction/horseshoe-bay-port-elliot'>Horseshoe Bay</a>, Port Elliot</li>
<li><a href='https://en.wikipedia.org/wiki/Super_8_film_camera'>Super 8</a>: type of film camera</li>
<li>Giuseppe Faraone: sound designer</li>
<li>Cath Kenneally: writer, poet.</li>
<li><a href='https://rosinapossingham.com/'>Rosina Possingham</a>: artist, graphic designer<br>
<a href='https://guildhouse.org.au/programs/catapult/'>Guildhouse Catapult mentorship program</a></li>
<li>Trent Walter & Stuart Geddes [<a href='https://artguide.com.au/trent-walter-and-stuart-geddes/'>artguide interview</a>]</li>
<li><a href='https://goodbankgallery.com.au/'>Good Bank Gallery</a>, McLaren Vale</li>
<li><a href='https://www.ronandvalerietaylor.com/artwork'>Valerie Taylor</a>: artist, filmmaker, marine conservationist</li>
<li>‘<a href='https://www.coralstreetartspace.com/exhibitions/water-people'>Water People</a>’ exhibition (28 May - 31 July 2023) at <a href='https://www.coralstreetartspace.com/'>Coral St Art Space</a>, Victor Harbor</li>
<li><a href='https://www.flinders.edu.au/museum-of-art'>Flinders University Museum of Art</a></li>
<li><a href='https://www.instagram.com/chris_derosa/?hl=en'>@Chris_DeRosa</a> on Instagram</li>
</ul>
<p> </p>
<p>Music: Monplaisir - The Rise The Walk The Hope via FMA.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gdrnmd/ChrisdeRosa_2.mp3" length="38231551" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with artist Chris De Rosa in her home studio in Port Elliot. They chat about how she found her way to art-making, the versatility of paper as a material, her recent exhibition Seaweeding, and how living on the coast informs her practice.
 
Show Notes
Transcript of this interview [PDF]
Henry de Toulouse-Lautrec – French painter, printmaker, illustrator
JamFactory
Paper Mache / Papier Mache
flora (noun): the plants of a particular region, habitat, or geological period.
Seaweeding exhibition [art almanac] [inDaily]
beachcombing (noun): an activity that consists of an individual “combing” (or searching) the beach and the intertidal zone, looking for things of value, interest, or utility.
Museum of Economic Botany
Jessie Hussey
Spongia: a genus of marine sponges in the family Spongiidae containing more than 60 species.
Porifera: the phylum that sponges belong to.
Taxonomic rank (phylum, class, order, family, genus, species)
The Drowned World, JG Ballard, 1962
Sea Tulip
bust (noun): a sculpture of a person’s head, shoulders, and chest.
Honor Freeman: artist, performer
Mickey Mason: artist & filmmaker
Susi Benger: eco-conscious swimwear designer @CocoAndShy
Horseshoe Bay, Port Elliot
Super 8: type of film camera
Giuseppe Faraone: sound designer
Cath Kenneally: writer, poet.
Rosina Possingham: artist, graphic designerGuildhouse Catapult mentorship program
Trent Walter & Stuart Geddes [artguide interview]
Good Bank Gallery, McLaren Vale
Valerie Taylor: artist, filmmaker, marine conservationist
‘Water People’ exhibition (28 May - 31 July 2023) at Coral St Art Space, Victor Harbor
Flinders University Museum of Art
@Chris_DeRosa on Instagram
 
Music: Monplaisir - The Rise The Walk The Hope via FMA.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2623</itunes:duration>
                <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Chris_de_Rosa_podbean_tile7ewv0.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/c6rax5/ChrisdeRosa_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Anna Horne</title>
        <itunes:title>Artist Interview: Anna Horne</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-anna-horne/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-anna-horne/#comments</comments>        <pubDate>Thu, 09 Feb 2023 14:38:27 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/f941ac92-2504-3028-be32-40d3d4fef67f</guid>
                                    <description><![CDATA[<p>Steph catches up with sculpture artist Anna Horne ahead of her exhibition Colour Me Soft at Hugo Michell Gallery. A bit of reminiscing about her first outdoor exhibition reveals how Anna found her way to using concrete in her work - which she is now known for using. They chat about the dynamics of being an artist driven by material and process (rather than pre-visualised ideas), and the influence of current issues on Anna’s artmaking.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_anna-horne/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li>Anna Horne, <a href='https://annahorne.com.au/exhibitions/feltnatural-ephemeral-public-art-project'>Weigh Down</a>, 2014, rope, concrete, dimensions variable, installed in Rymill Park as part of <a href='http://www.feltspace.org/projects-feltnatural-2014'>FELTnatural 2014</a></li>
<li>Jimmy Dodd / <a href='https://www.instagram.com/double__diamond__/?hl=en'>Double Diamond</a> art fabrication</li>
<li><a href='https://art21.org/'>Art 21</a></li>
<li>‘<a href='https://www.taisnaith.com/podcast'>A World Of One’s Own</a>’ (podcast) conversations between Tai Snaith and a diverse group of different female-identifying and non-binary artists.</li>
<li>Phyllida Barlow [<a href='https://en.wikipedia.org/wiki/Phyllida_Barlow'>wiki</a>]</li>
<li>Alison Wilding [<a href='https://en.wikipedia.org/wiki/Alison_Wilding'>wiki</a>]</li>
<li><a href='https://www.neotericexhibition.com/'>Neoteric exhibition</a>, 2022, Adelaide Train Station [<a href='https://static1.squarespace.com/static/617a5b08f0274b298a094f1d/t/623103637f431f602cbabaa8/1647379395707/NEOTERIC+CATALOGUE+DIGITAL.pdf'>catalogue</a>]</li>
<li><a href='https://creativehealth.org.au/previous-exhibitions/shifting/'>Shifting</a> exhibition by Centre for Creative Health at Dentons [<a href='https://creativehealth.org.au/wp-content/uploads/2022/10/shifting-exhibition-catalogue_for-website.pdf'>catalogue</a>]</li>
<li><a href='https://hugomichellgallery.com/collections/exhibitions-2023/products/exhibition-1'>Colour Me Soft</a> at <a href='https://hugomichellgallery.com/'>Hugo Michell Gallery</a></li>
<li>‘colour me [something]’ (idiom): An exclamation used to indicate some particular emotion or condition. 
‘You did the dishes and cleaned your room? Well, colour me amazed—I never thought the day would come!’</li>
<li><a href='https://annahorne.com.au/exhibitions/feltnatural-ephemeral-public-art-project'>AnnaHorne.com.au</a></li>
<li><a href='https://www.instagram.com/anna_horne/'>@Anna_Horne</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with sculpture artist Anna Horne ahead of her exhibition <em>Colour Me Soft </em>at Hugo Michell Gallery. A bit of reminiscing about her first outdoor exhibition reveals how Anna found her way to using concrete in her work - which she is now known for using. They chat about the dynamics of being an artist driven by material and process (rather than pre-visualised ideas), and the influence of current issues on Anna’s artmaking.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_anna-horne/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://acsa.sa.edu.au/'>Adelaide Central School of Art</a></li>
<li>Anna Horne, <em><a href='https://annahorne.com.au/exhibitions/feltnatural-ephemeral-public-art-project'>Weigh Down</a></em>, 2014, rope, concrete, dimensions variable, installed in Rymill Park as part of <a href='http://www.feltspace.org/projects-feltnatural-2014'>FELTnatural 2014</a></li>
<li>Jimmy Dodd / <a href='https://www.instagram.com/double__diamond__/?hl=en'>Double Diamond</a> art fabrication</li>
<li><a href='https://art21.org/'>Art 21</a></li>
<li>‘<a href='https://www.taisnaith.com/podcast'>A World Of One’s Own</a>’ (podcast) conversations between Tai Snaith and a diverse group of different female-identifying and non-binary artists.</li>
<li>Phyllida Barlow [<a href='https://en.wikipedia.org/wiki/Phyllida_Barlow'>wiki</a>]</li>
<li>Alison Wilding [<a href='https://en.wikipedia.org/wiki/Alison_Wilding'>wiki</a>]</li>
<li><a href='https://www.neotericexhibition.com/'><em>Neoteric</em> exhibition</a>, 2022, Adelaide Train Station [<a href='https://static1.squarespace.com/static/617a5b08f0274b298a094f1d/t/623103637f431f602cbabaa8/1647379395707/NEOTERIC+CATALOGUE+DIGITAL.pdf'>catalogue</a>]</li>
<li><em><a href='https://creativehealth.org.au/previous-exhibitions/shifting/'>Shifting</a></em> exhibition by Centre for Creative Health at Dentons [<a href='https://creativehealth.org.au/wp-content/uploads/2022/10/shifting-exhibition-catalogue_for-website.pdf'>catalogue</a>]</li>
<li><a href='https://hugomichellgallery.com/collections/exhibitions-2023/products/exhibition-1'>Colour Me Soft</a> at <a href='https://hugomichellgallery.com/'>Hugo Michell Gallery</a></li>
<li>‘<em>colour me [something]</em>’ (idiom): An exclamation used to indicate some particular emotion or condition. <br>
‘You did the dishes and cleaned your room? Well, colour me amazed—I never thought the day would come!’</li>
<li><a href='https://annahorne.com.au/exhibitions/feltnatural-ephemeral-public-art-project'>AnnaHorne.com.au</a></li>
<li><a href='https://www.instagram.com/anna_horne/'>@Anna_Horne</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/chsr3k/AnnaHorne_4c.mp3" length="29009016" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with sculpture artist Anna Horne ahead of her exhibition Colour Me Soft at Hugo Michell Gallery. A bit of reminiscing about her first outdoor exhibition reveals how Anna found her way to using concrete in her work - which she is now known for using. They chat about the dynamics of being an artist driven by material and process (rather than pre-visualised ideas), and the influence of current issues on Anna’s artmaking.
 
Show Notes
Interview Transcript (PDF)
Adelaide Central School of Art
Anna Horne, Weigh Down, 2014, rope, concrete, dimensions variable, installed in Rymill Park as part of FELTnatural 2014
Jimmy Dodd / Double Diamond art fabrication
Art 21
‘A World Of One’s Own’ (podcast) conversations between Tai Snaith and a diverse group of different female-identifying and non-binary artists.
Phyllida Barlow [wiki]
Alison Wilding [wiki]
Neoteric exhibition, 2022, Adelaide Train Station [catalogue]
Shifting exhibition by Centre for Creative Health at Dentons [catalogue]
Colour Me Soft at Hugo Michell Gallery
‘colour me [something]’ (idiom): An exclamation used to indicate some particular emotion or condition. ‘You did the dishes and cleaned your room? Well, colour me amazed—I never thought the day would come!’
AnnaHorne.com.au
@Anna_Horne
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1906</itunes:duration>
                <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tile_3_aalo9.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/4k8ygy/AnnaHorne_4c_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Shirley Wu</title>
        <itunes:title>Artist Interview: Shirley Wu</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-shirley-wu/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-shirley-wu/#comments</comments>        <pubDate>Tue, 24 Jan 2023 17:05:45 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/85d53bed-7048-38b5-8ace-324ffae7b032</guid>
                                    <description><![CDATA[<p>Steph catches up with artist Shirley Wu, who is known for her glass sculptures containing coloured oils. They chat about how her work is informed by previous training in aromatherapy and bodywork, and ultimately underpinned by mindfulness. Shirley is currently an artist-in-residence at Nexus Arts and gives us some insight into her upcoming exhibition Find that Pace as part of the Adelaide Fringe Festival 2023. </p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_shirley-wu/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://nexusarts.org.au/'>Nexus Arts</a></li>
<li>bodywork (noun): therapiesand techniques in complementary medicine that involve touching or manipulating the body.</li>
<li>aromatherapy (noun): the use of aromatic plant extracts and essential oils for healing and cosmetic purposes.</li>
<li>Shirley Wu, <a href='https://www.shirleywujianzhen.com/object?pgid=irngfjsm-fc72ac91-8b78-4be6-ad9f-ffbf98615750'>Holistic Therapy 3</a>, 2019, Blown glass filled with essential oil, cork. 30cm x 20cm x 15cm</li>
<li>City Rural Emerging Artist Award: a SALA Award sponsored by <a href='https://cityrural.au/'>City Rural Insurance</a>. See <a href='https://www.salafestival.com/awards/past-awards/'>past winners</a>.</li>
<li><a href='http://www.minsonartglass.com.au/'>Peter Minson</a></li>
<li><a href='http://www.feltspace.org/'>FELTspace</a> – Artist-Run-Initiative / Gallery in Adelaide</li>
<li><a href='https://ursulahalpin.com/'>Ursula Halpin</a></li>
<li><a href='https://canberraglassworks.com/'>Canberra Glassworks</a></li>
<li>Chinese calligraphy [<a href='https://en.wikipedia.org/wiki/Chinese_calligraphy'>wikipedia</a>]</li>
<li>joss house (noun): a Chinese temple</li>
<li>Kuan Ti Temple [<a href='https://www.samemory.sa.gov.au/site/page.cfm?c=851'>sa.gov.au</a>]</li>
<li><a href='https://www.unisa.edu.au/connect/galleries-museums-and-centres/architecture-museum/'>Architecture Museum – UniSA</a></li>
<li>Out of Site, curated by Melinda Rankin at the Lounge Gallery (SASA Gallery) in 2006, featuring Stephanie Radok, Annalise Rees and Qi Zhang. [<a href='https://www.artroom5.com.au/downloads/OutofSite.pdf'>PDF</a>]</li>
<li><a href='https://adelaidefringe.com.au/fringetix/find-that-pace-af2023'>Find that Pace</a> as part of the Adelaide Fringe Festival</li>
<li><a href='https://www.shirleywujianzhen.com/'>ShirleyWuJianzhen.com</a></li>
<li><a href='https://www.instagram.com/shirleywu.jewellery/'>@ShirleyWu.Jewellery</a></li>
</ul>
<p> </p>
<p>Shirley would like to acknowledge Bridget Currie and Jingwei Bu, her mentors for her current project; Dr Christine Garnaut and Dr Julie Collins from the Architecture Museum at UniSA; and Dr Eleen Deprez who is writing the essay for Find that Pace.</p>
<p>Main image by Juan Van Staden courtesy of the artist and the University of South Australia</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with artist Shirley Wu, who is known for her glass sculptures containing coloured oils. They chat about how her work is informed by previous training in aromatherapy and bodywork, and ultimately underpinned by mindfulness. Shirley is currently an artist-in-residence at Nexus Arts and gives us some insight into her upcoming exhibition <em>Find that Pace</em> as part of the Adelaide Fringe Festival 2023. </p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.salafestival.com/interview-transcript_shirley-wu/'>Interview Transcript</a> (PDF)</li>
<li><a href='https://nexusarts.org.au/'>Nexus Arts</a></li>
<li>bodywork (noun): therapiesand techniques in complementary medicine that involve touching or manipulating the body.</li>
<li>aromatherapy (noun): the use of aromatic plant extracts and essential oils for healing and cosmetic purposes.</li>
<li>Shirley Wu, <a href='https://www.shirleywujianzhen.com/object?pgid=irngfjsm-fc72ac91-8b78-4be6-ad9f-ffbf98615750'>Holistic Therapy 3</a>, 2019, Blown glass filled with essential oil, cork. 30cm x 20cm x 15cm</li>
<li>City Rural Emerging Artist Award: a SALA Award sponsored by <a href='https://cityrural.au/'>City Rural Insurance</a>. See <a href='https://www.salafestival.com/awards/past-awards/'>past winners</a>.</li>
<li><a href='http://www.minsonartglass.com.au/'>Peter Minson</a></li>
<li><a href='http://www.feltspace.org/'>FELTspace</a> – Artist-Run-Initiative / Gallery in Adelaide</li>
<li><a href='https://ursulahalpin.com/'>Ursula Halpin</a></li>
<li><a href='https://canberraglassworks.com/'>Canberra Glassworks</a></li>
<li>Chinese calligraphy [<a href='https://en.wikipedia.org/wiki/Chinese_calligraphy'>wikipedia</a>]</li>
<li>joss house (noun): a Chinese temple</li>
<li>Kuan Ti Temple [<a href='https://www.samemory.sa.gov.au/site/page.cfm?c=851'>sa.gov.au</a>]</li>
<li><a href='https://www.unisa.edu.au/connect/galleries-museums-and-centres/architecture-museum/'>Architecture Museum – UniSA</a></li>
<li><em>Out of Site</em>, curated by Melinda Rankin at the Lounge Gallery (SASA Gallery) in 2006, featuring Stephanie Radok, Annalise Rees and Qi Zhang. [<a href='https://www.artroom5.com.au/downloads/OutofSite.pdf'>PDF</a>]</li>
<li><em><a href='https://adelaidefringe.com.au/fringetix/find-that-pace-af2023'>Find that Pace</a></em> as part of the Adelaide Fringe Festival</li>
<li><a href='https://www.shirleywujianzhen.com/'>ShirleyWuJianzhen.com</a></li>
<li><a href='https://www.instagram.com/shirleywu.jewellery/'>@ShirleyWu.Jewellery</a></li>
</ul>
<p> </p>
<p>Shirley would like to acknowledge Bridget Currie and Jingwei Bu, her mentors for her current project; Dr Christine Garnaut and Dr Julie Collins from the Architecture Museum at UniSA; and Dr Eleen Deprez who is writing the essay for <em>Find that Pace</em>.</p>
<p>Main image by Juan Van Staden courtesy of the artist and the University of South Australia</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i4fdc4/Shirley_Wu_4b8w9dk.mp3" length="29216497" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with artist Shirley Wu, who is known for her glass sculptures containing coloured oils. They chat about how her work is informed by previous training in aromatherapy and bodywork, and ultimately underpinned by mindfulness. Shirley is currently an artist-in-residence at Nexus Arts and gives us some insight into her upcoming exhibition Find that Pace as part of the Adelaide Fringe Festival 2023. 
 
Show Notes
Interview Transcript (PDF)
Nexus Arts
bodywork (noun): therapiesand techniques in complementary medicine that involve touching or manipulating the body.
aromatherapy (noun): the use of aromatic plant extracts and essential oils for healing and cosmetic purposes.
Shirley Wu, Holistic Therapy 3, 2019, Blown glass filled with essential oil, cork. 30cm x 20cm x 15cm
City Rural Emerging Artist Award: a SALA Award sponsored by City Rural Insurance. See past winners.
Peter Minson
FELTspace – Artist-Run-Initiative / Gallery in Adelaide
Ursula Halpin
Canberra Glassworks
Chinese calligraphy [wikipedia]
joss house (noun): a Chinese temple
Kuan Ti Temple [sa.gov.au]
Architecture Museum – UniSA
Out of Site, curated by Melinda Rankin at the Lounge Gallery (SASA Gallery) in 2006, featuring Stephanie Radok, Annalise Rees and Qi Zhang. [PDF]
Find that Pace as part of the Adelaide Fringe Festival
ShirleyWuJianzhen.com
@ShirleyWu.Jewellery
 
Shirley would like to acknowledge Bridget Currie and Jingwei Bu, her mentors for her current project; Dr Christine Garnaut and Dr Julie Collins from the Architecture Museum at UniSA; and Dr Eleen Deprez who is writing the essay for Find that Pace.
Main image by Juan Van Staden courtesy of the artist and the University of South Australia]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1995</itunes:duration>
                <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tile7nsyz.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/iccagj/Shirley_Wu_Transcript_otter_ai_1_a7jbr.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Caitlin Möhr</title>
        <itunes:title>Artist Interview: Caitlin Möhr</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-caitlin-mohr/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-caitlin-mohr/#comments</comments>        <pubDate>Fri, 30 Dec 2022 14:04:24 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/62850f09-f9e1-3f4c-9c6b-0efe09f1cf1d</guid>
                                    <description><![CDATA[<p>Steph catches up with self-taught painter Caitlin Möhr after a busy year that included her debut solo exhibition ‘An Introspective Journey’ at Collective Haunt.</p>
<p><a href='https://www.salafestival.com/caitlin-mohr_interview-transcript/'>Transcript of this episode</a> [PDF]</p>
<p>Show Notes</p>
<ul><li><a href='https://en.wikipedia.org/wiki/Cadaver'>cadaver</a> (noun) a deceased human body that is used to study anatomy</li>
<li>introspection (noun) the examination or observation of one's own mental and emotional processes</li>
<li>breathwork (noun) conscious, controlled breathing done especially for relaxation, meditation, or therapeutic purposes</li>
<li>mindfulness (noun) 1. the quality or state of being conscious or aware of something. 2. a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique.</li>
<li>Viewpoint, 2022, Caitlin Möhr and <a href='https://www.instagram.com/miles.dunne.artist/?hl=en'>Miles Dunne</a> at <a href='https://www.thelabadl.com.au/'>The Lab</a></li>
<li>An Introspective Journey [<a href='https://www.caitlinmohr.com.au/gallery-3'>image gallery</a>] [<a href='https://www.caitlinmohr.com.au/new-page-1'>Essay</a> by Connor Foley]</li>
<li>Caitlin Möhr, <a href='https://images.squarespace-cdn.com/content/v1/5ff67c8deaa9b578ef9d0b37/1661943333333-7F8VHQVKBG8JK2WWUHJN/Caitlin_Mohr_An_Introspective_Journey_Opening_Night_Jack_Fenby_DSC_6934.jpg?format=750w'>Embracing</a>, 2022, oil, googly-eyes and gap filler on canvas, 122x91cm. 
Accompanying floor-text: Love yourself. Truly. Wholly. Deeply. The earth is crying for it. To resist yourself is to resist existence. Resist resistance?</li>
<li>Solomon Kammer [<a href='http://solomonkammer.com/'>website</a>] [<a href='https://solomonkammer.bigcartel.com/'>painting workshops</a>]</li>
<li>down pat (adjective) learned, mastered, or understood perfectly</li>
<li><a href='http://www.floatinggoose.com.au/'>Floating Goose</a> Studios & Gallery</li>
<li><a href='https://www.caitlinmohr.com.au/'>caitlinmohr.com.au</a></li>
<li><a href='https://www.instagram.com/cait.lin.mohr/?hl=en'>@cait.lin.mohr</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with self-taught painter Caitlin Möhr after a busy year that included her debut solo exhibition ‘An Introspective Journey’ at Collective Haunt.</p>
<p><a href='https://www.salafestival.com/caitlin-mohr_interview-transcript/'>Transcript of this episode</a> [PDF]</p>
<p>Show Notes</p>
<ul><li><a href='https://en.wikipedia.org/wiki/Cadaver'>cadaver</a> (noun) <em>a </em><em>deceased human body that is used to study anatomy</em></li>
<li>introspection (noun) <em>the examination or observation of one's own mental and emotional processes</em></li>
<li>breathwork (noun) <em>conscious, controlled breathing done especially for relaxation, meditation, or therapeutic purposes</em></li>
<li>mindfulness (noun) <em>1. the quality or state of being conscious or aware of something. 2. a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique.</em></li>
<li>Viewpoint, 2022, Caitlin Möhr and <a href='https://www.instagram.com/miles.dunne.artist/?hl=en'>Miles Dunne</a> at <a href='https://www.thelabadl.com.au/'>The Lab</a></li>
<li>An Introspective Journey [<a href='https://www.caitlinmohr.com.au/gallery-3'>image gallery</a>] [<a href='https://www.caitlinmohr.com.au/new-page-1'>Essay</a> by Connor Foley]</li>
<li>Caitlin Möhr, <a href='https://images.squarespace-cdn.com/content/v1/5ff67c8deaa9b578ef9d0b37/1661943333333-7F8VHQVKBG8JK2WWUHJN/Caitlin_Mohr_An_Introspective_Journey_Opening_Night_Jack_Fenby_DSC_6934.jpg?format=750w'><em>Embracing</em></a>, 2022, oil, googly-eyes and gap filler on canvas, 122x91cm. <br>
Accompanying floor-text: <em>Love yourself. Truly. Wholly. Deeply. The earth is crying for it. To resist yourself is to resist existence. Resist resistance?</em></li>
<li>Solomon Kammer [<a href='http://solomonkammer.com/'>website</a>] [<a href='https://solomonkammer.bigcartel.com/'>painting workshops</a>]</li>
<li>down pat (adjective) <em>learned, mastered, or understood perfectly</em></li>
<li><a href='http://www.floatinggoose.com.au/'>Floating Goose</a> Studios & Gallery</li>
<li><a href='https://www.caitlinmohr.com.au/'>caitlinmohr.com.au</a></li>
<li><a href='https://www.instagram.com/cait.lin.mohr/?hl=en'>@cait.lin.mohr</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jvqmft/Caitlin_Mohr_1a852b.mp3" length="22148243" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with self-taught painter Caitlin Möhr after a busy year that included her debut solo exhibition ‘An Introspective Journey’ at Collective Haunt.
Transcript of this episode [PDF]
Show Notes
cadaver (noun) a deceased human body that is used to study anatomy
introspection (noun) the examination or observation of one's own mental and emotional processes
breathwork (noun) conscious, controlled breathing done especially for relaxation, meditation, or therapeutic purposes
mindfulness (noun) 1. the quality or state of being conscious or aware of something. 2. a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique.
Viewpoint, 2022, Caitlin Möhr and Miles Dunne at The Lab
An Introspective Journey [image gallery] [Essay by Connor Foley]
Caitlin Möhr, Embracing, 2022, oil, googly-eyes and gap filler on canvas, 122x91cm. Accompanying floor-text: Love yourself. Truly. Wholly. Deeply. The earth is crying for it. To resist yourself is to resist existence. Resist resistance?
Solomon Kammer [website] [painting workshops]
down pat (adjective) learned, mastered, or understood perfectly
Floating Goose Studios & Gallery
caitlinmohr.com.au
@cait.lin.mohr
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1516</itunes:duration>
                <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tile_2_abxhb.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/vt3vx5/Caitlin_Mohr_1_otter_ai9o4r9.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Ash Tower</title>
        <itunes:title>Artist Interview: Ash Tower</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-ash-tower/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-ash-tower/#comments</comments>        <pubDate>Fri, 09 Dec 2022 09:49:15 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/6df8277a-8805-3a3f-ae23-5dca87765eae</guid>
                                    <description><![CDATA[<p>Steph catches up with artist Ash Tower during the exhibition Studios 2022 at Adelaide Contemporary Experimental (ACE). </p>
<p>They wax poetic about knowledge systems – from library shelves and scientific journals to the honor board at the RSL – which may sound like a dry subject, but Ash’s work reveals a contagious reverence for the humanness that surrounds the growing and organising of knowledge. There’s also talk of architecture, gaming, Baz Luhrmann film trivia, and coffins.</p>
<p><a href='https://www.salafestival.com/ash-tower-podcast-transcript/'>Transcript of this episode</a> (PDF)</p>
<p>Show Notes</p>
<ul><li><a href='http://www.ash-tower.com'>www.ash-tower.com</a></li>
<li><a href='https://www.ace.gallery/'>Adelaide Contemporary Experimental</a> (ACE)</li>
<li><a href='http://www.ash-tower.com/postcards-from-the-bibliopolis'>Postcards from the Bibliopolis</a>, 2013</li>
<li><a href='https://www.adelaide.edu.au/library/locations-hours/barr-smith-library'>Barr Smith Library</a>, Adelaide</li>
<li><a href='http://www.ash-tower.com/studies-of-nature'>Studies of Nature</a>, 2017</li>
<li><a href='https://www.nature.com/'>Nature</a> (journal)</li>
<li>RSL: The Returned and Services League of Australia is a support organisation for people who have served or are serving in the Australian Defence Force.</li>
<li><a href='http://www.ash-tower.com/the-burning-of-vision'>The Burning of Vision</a>, 2021</li>
<li><a href='https://en.wikipedia.org/wiki/Baroque_architecture'>Baroque architecture</a></li>
<li><a href='http://www.ash-tower.com/via-purifico'>Via Purifico</a>, 2021</li>
<li><a href='https://en.wikipedia.org/wiki/Romeo_%2B_Juliet'>Romeo + Juliet</a> (film), 1996, Baz Luhrmann</li>
<li><a href='https://en.wikipedia.org/wiki/Final_Fantasy_X'>Final Fantasy X</a> (game), 2001, Squaresoft</li>
<li>… underneath the grove of sycamore 
that westward rooteth from the city’s side, 
so early walking did I see your son. 
(Romeo and Juliet 1.1.119-121)</li>
<li><a href='https://www.cosmopolitan.com/entertainment/movies/a8056429/romeo-juliet-movie-facts-leonardo-dicaprio/'>14 Things You Didn’t Know About Baz Luhrmann’s Romeo + Juliet</a> [cosmo article]</li>
<li><a href='http://www.ash-tower.com/via-purifico'>underneath the grove of sycamore</a>, 2021, ink on paper. 760 x 560mm</li>
<li><a href='https://www.ace.gallery/studio-program'>ACE Studio Program</a></li>
<li><a href='https://www.ace.gallery/whats-on/exhibitions/studios-2022'>Studios 2022</a> exhibition at ACE</li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with artist Ash Tower during the exhibition <em>Studios 2022</em> at Adelaide Contemporary Experimental (ACE). </p>
<p>They wax poetic about knowledge systems – from library shelves and scientific journals to the honor board at the RSL – which may sound like a dry subject, but Ash’s work reveals a contagious reverence for the humanness that surrounds the growing and organising of knowledge. There’s also talk of architecture, gaming, Baz Luhrmann film trivia, and coffins.</p>
<p><a href='https://www.salafestival.com/ash-tower-podcast-transcript/'>Transcript of this episode</a> (PDF)</p>
<p>Show Notes</p>
<ul><li><a href='http://www.ash-tower.com'>www.ash-tower.com</a></li>
<li><a href='https://www.ace.gallery/'>Adelaide Contemporary Experimental</a> (ACE)</li>
<li><em><a href='http://www.ash-tower.com/postcards-from-the-bibliopolis'>Postcards from the Bibliopolis</a></em>, 2013</li>
<li><a href='https://www.adelaide.edu.au/library/locations-hours/barr-smith-library'>Barr Smith Library</a>, Adelaide</li>
<li><em><a href='http://www.ash-tower.com/studies-of-nature'>Studies of Nature</a></em>, 2017</li>
<li><a href='https://www.nature.com/'>Nature</a> (journal)</li>
<li>RSL:<em> The Returned and Services League of Australia</em> is a support organisation for people who have served or are serving in the Australian Defence Force.</li>
<li><em><a href='http://www.ash-tower.com/the-burning-of-vision'>The Burning of Vision</a></em>, 2021</li>
<li><a href='https://en.wikipedia.org/wiki/Baroque_architecture'>Baroque architecture</a></li>
<li><em><a href='http://www.ash-tower.com/via-purifico'>Via Purifico</a></em>, 2021</li>
<li><em><a href='https://en.wikipedia.org/wiki/Romeo_%2B_Juliet'>Romeo + Juliet</a></em> (film), 1996, Baz Luhrmann</li>
<li><em><a href='https://en.wikipedia.org/wiki/Final_Fantasy_X'>Final Fantasy X</a></em> (game), 2001, Squaresoft</li>
<li><em>… underneath the grove of sycamore <br>
</em><em>that westward rooteth from the city’s side, <br>
</em><em>so early walking did I see your son. <br>
</em>(Romeo and Juliet 1.1.119-121)</li>
<li><em><a href='https://www.cosmopolitan.com/entertainment/movies/a8056429/romeo-juliet-movie-facts-leonardo-dicaprio/'>14 Things You Didn’t Know About Baz Luhrmann’s Romeo + Juliet</a></em> [cosmo article]</li>
<li><em><a href='http://www.ash-tower.com/via-purifico'>underneath the grove of sycamore</a></em>, 2021, ink on paper. 760 x 560mm</li>
<li><a href='https://www.ace.gallery/studio-program'>ACE Studio Program</a></li>
<li><a href='https://www.ace.gallery/whats-on/exhibitions/studios-2022'>Studios 2022</a> exhibition at ACE</li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nwjv98/Ash_Tower_Podcast_29ng16.mp3" length="29296395" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with artist Ash Tower during the exhibition Studios 2022 at Adelaide Contemporary Experimental (ACE). 
They wax poetic about knowledge systems – from library shelves and scientific journals to the honor board at the RSL – which may sound like a dry subject, but Ash’s work reveals a contagious reverence for the humanness that surrounds the growing and organising of knowledge. There’s also talk of architecture, gaming, Baz Luhrmann film trivia, and coffins.
Transcript of this episode (PDF)
Show Notes
www.ash-tower.com
Adelaide Contemporary Experimental (ACE)
Postcards from the Bibliopolis, 2013
Barr Smith Library, Adelaide
Studies of Nature, 2017
Nature (journal)
RSL: The Returned and Services League of Australia is a support organisation for people who have served or are serving in the Australian Defence Force.
The Burning of Vision, 2021
Baroque architecture
Via Purifico, 2021
Romeo + Juliet (film), 1996, Baz Luhrmann
Final Fantasy X (game), 2001, Squaresoft
… underneath the grove of sycamore that westward rooteth from the city’s side, so early walking did I see your son. (Romeo and Juliet 1.1.119-121)
14 Things You Didn’t Know About Baz Luhrmann’s Romeo + Juliet [cosmo article]
underneath the grove of sycamore, 2021, ink on paper. 760 x 560mm
ACE Studio Program
Studios 2022 exhibition at ACE
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1872</itunes:duration>
                <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tile_Ash_Tower9ebz2.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/yd3bud/Ash_Tower_Podcast_2_otter_ai_3_7jktq.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Ruby Allegra</title>
        <itunes:title>Artist Interview: Ruby Allegra</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-ruby-allegra/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-ruby-allegra/#comments</comments>        <pubDate>Fri, 21 Oct 2022 12:01:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/817d31a1-e88c-3e3d-99d7-ea6bfc9049d2</guid>
                                    <description><![CDATA[<p>Steph catches up with Ruby Allegra ahead of their solo exhibition ‘From My Room’ at Newmarch Gallery. Fittingly, their chat takes place in Ruby’s room, where they discuss the concept of the bed as a workspace, (a key theme of the exhibition), accessibility in the arts, and a love of Matisse. See also: blanket forts, and what spoons have to do with anything.</p>
<p><a href='https://www.salafestival.com/ruby_allegra-interview-transcript/'>Transcript of this interview</a> (PDF)</p>

<p>Show Notes</p>
<ul><li><a href='https://www.instagram.com/rvbytheartist/'>@RvbyTheArtist</a> on Instagram</li>
<li>‘<a href='https://www.newmarchgallery.com.au/events/from-my-room'>From My Room</a>’ by Ruby Allegra at Newmarch Gallery</li>
<li><a href='https://www.instagram.com/newmarchgallery/'>@NewmarchGallery</a> on Instagram</li>
<li>From My Room Opening Night, Friday 4 November, RSVP for physical attendance or keep an eye out for online attendance option. [<a href='https://www.eventbrite.com.au/e/opening-night-from-my-room-a-celebration-of-disabled-joy-and-identity-tickets-426995644467'>Eventbrite link</a>]</li>
<li><a href='https://happiful.com/what-is-the-spoon-theory/'>What is Spoon Theory?</a> – Happiful article</li>
<li>Post Office Projects Gallery & Studios [<a href='https://www.postofficeprojects.com.au/'>website</a>][<a href='https://www.instagram.com/pop_gallerystudios/'>Instagram</a>]</li>
<li>‘Only use your bed for sex and sleep’ [<a href='https://www.theguardian.com/lifeandstyle/shortcuts/2018/may/14/only-use-your-bed-for-sex-and-sleep-and-other-tips-for-dealing-with-chronic-insomnia'>Guardian article</a>]</li>
<li>‘White cube gallery’ [<a href='https://en.wikipedia.org/wiki/White_cube_gallery'>Wikipedia</a>]</li>
<li>‘Visibility’ at Wyndham Art Gallery [<a href='https://decadewyndham.com.au/wp-content/uploads/2021/11/Catalogue_VIS.pdf'>Exhibition Catalogue</a> as PDF]</li>
<li>POC [person/s of colour]</li>
<li>Ruby Allegra, <a href='https://www.instagram.com/p/CVEbUcjoM60/?hl=en'>Disabled Nudes</a></li>
<li>‘The Blue Nudes’ by Matisse [<a href='https://en.wikipedia.org/wiki/Blue_Nudes'>Wikipedia</a>]</li>
<li>Frida Kahlo [<a href='https://en.wikipedia.org/wiki/Frida_Kahlo'>Wikipedia</a>]</li>
<li><a href='https://dch81km8r5tow.cloudfront.net/wp-content/uploads/2015/11/matisse-painting-in-bed.jpg'>Photo of Matisse in bed</a></li>
</ul>

<p> </p>
 


<p> </p>
<p>Main image: A person with brown hair in a pink jumper holds a gray short-haired cat and looks at the camera. Photo of Ruby Allegra by Sia Duff.</p>
<p>Music: Siddharta Corsus - Star of David via <a href='https://freemusicarchive.org/'>FreeMusicArchive.org</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with Ruby Allegra ahead of their solo exhibition ‘From My Room’ at Newmarch Gallery. Fittingly, their chat takes place in Ruby’s room, where they discuss the concept of the bed as a workspace, (a key theme of the exhibition), accessibility in the arts, and a love of Matisse. See also: blanket forts, and what spoons have to do with anything.</p>
<p><a href='https://www.salafestival.com/ruby_allegra-interview-transcript/'>Transcript of this interview</a> (PDF)</p>

<p>Show Notes</p>
<ul><li><a href='https://www.instagram.com/rvbytheartist/'>@RvbyTheArtist</a> on Instagram</li>
<li>‘<a href='https://www.newmarchgallery.com.au/events/from-my-room'>From My Room</a>’ by Ruby Allegra at Newmarch Gallery</li>
<li><a href='https://www.instagram.com/newmarchgallery/'>@NewmarchGallery</a> on Instagram</li>
<li>From My Room Opening Night, Friday 4 November, RSVP for physical attendance or keep an eye out for online attendance option. [<a href='https://www.eventbrite.com.au/e/opening-night-from-my-room-a-celebration-of-disabled-joy-and-identity-tickets-426995644467'>Eventbrite link</a>]</li>
<li><a href='https://happiful.com/what-is-the-spoon-theory/'>What is Spoon Theory?</a> – Happiful article</li>
<li>Post Office Projects Gallery & Studios [<a href='https://www.postofficeprojects.com.au/'>website</a>][<a href='https://www.instagram.com/pop_gallerystudios/'>Instagram</a>]</li>
<li>‘Only use your bed for sex and sleep’ [<a href='https://www.theguardian.com/lifeandstyle/shortcuts/2018/may/14/only-use-your-bed-for-sex-and-sleep-and-other-tips-for-dealing-with-chronic-insomnia'>Guardian article</a>]</li>
<li>‘White cube gallery’ [<a href='https://en.wikipedia.org/wiki/White_cube_gallery'>Wikipedia</a>]</li>
<li>‘Visibility’ at Wyndham Art Gallery [<a href='https://decadewyndham.com.au/wp-content/uploads/2021/11/Catalogue_VIS.pdf'>Exhibition Catalogue</a> as PDF]</li>
<li>POC [person/s of colour]</li>
<li>Ruby Allegra, <a href='https://www.instagram.com/p/CVEbUcjoM60/?hl=en'>Disabled Nudes</a></li>
<li>‘The Blue Nudes’ by Matisse [<a href='https://en.wikipedia.org/wiki/Blue_Nudes'>Wikipedia</a>]</li>
<li>Frida Kahlo [<a href='https://en.wikipedia.org/wiki/Frida_Kahlo'>Wikipedia</a>]</li>
<li><a href='https://dch81km8r5tow.cloudfront.net/wp-content/uploads/2015/11/matisse-painting-in-bed.jpg'>Photo of Matisse in bed</a></li>
</ul>

<p> </p>
 


<p> </p>
<p>Main image: A person with brown hair in a pink jumper holds a gray short-haired cat and looks at the camera. Photo of Ruby Allegra by Sia Duff.</p>
<p>Music: Siddharta Corsus - Star of David via <a href='https://freemusicarchive.org/'>FreeMusicArchive.org</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c397eu/Ruby_2.mp3" length="39987538" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with Ruby Allegra ahead of their solo exhibition ‘From My Room’ at Newmarch Gallery. Fittingly, their chat takes place in Ruby’s room, where they discuss the concept of the bed as a workspace, (a key theme of the exhibition), accessibility in the arts, and a love of Matisse. See also: blanket forts, and what spoons have to do with anything.
Transcript of this interview (PDF)

Show Notes
@RvbyTheArtist on Instagram
‘From My Room’ by Ruby Allegra at Newmarch Gallery
@NewmarchGallery on Instagram
From My Room Opening Night, Friday 4 November, RSVP for physical attendance or keep an eye out for online attendance option. [Eventbrite link]
What is Spoon Theory? – Happiful article
Post Office Projects Gallery & Studios [website][Instagram]
‘Only use your bed for sex and sleep’ [Guardian article]
‘White cube gallery’ [Wikipedia]
‘Visibility’ at Wyndham Art Gallery [Exhibition Catalogue as PDF]
POC [person/s of colour]
Ruby Allegra, Disabled Nudes
‘The Blue Nudes’ by Matisse [Wikipedia]
Frida Kahlo [Wikipedia]
Photo of Matisse in bed

 
 


 
Main image: A person with brown hair in a pink jumper holds a gray short-haired cat and looks at the camera. Photo of Ruby Allegra by Sia Duff.
Music: Siddharta Corsus - Star of David via FreeMusicArchive.org]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2662</itunes:duration>
                <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podbean_tilea9yie.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/9t264t/Ruby_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>ACSA Artspeak: Julia Robinson</title>
        <itunes:title>ACSA Artspeak: Julia Robinson</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-julia-robinson/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-julia-robinson/#comments</comments>        <pubDate>Fri, 23 Sep 2022 15:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/9a61fed3-cd00-3fc2-adbe-bb8bd6c8a7e5</guid>
                                    <description><![CDATA[<p>Andrew Purvis sits down with Julia Robinson to discuss her exhibition The Beckoning Blade at Hugo Michell Gallery during SALA Festival. From scythes to smocks, the Burry Man to the Wicker Man, witchfinders and gourdfathers; tune in to hear about the cultural, conceptual, and material considerations that drive Julia’s practice.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://julia-robinson.net/'>JuliaRobinson.net</a></li>
<li><a href='https://hugomichellgallery.com/collections/exhibitions-2022/products/the-beckoning-blade'>The Beckoning Blade</a> at Hugo Michell Gallery</li>
<li><a href='https://englishhistory.net/general/matthew-hopkins-witchfinder-general/'>Matthew Hopkins</a> - Witchfinder General</li>
<li><a href='https://en.wikipedia.org/wiki/The_Burryman'>The Burryman</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Wicker_Man'>The Wicker Man</a> (film, 1973, directed by Robin Hardy)</li>
<li><a href='https://julia-robinson.net/the-song-of-master-john-goodfellow/'>The Song of Master John Goodfellow</a></li>
<li><a href='https://en.wikipedia.org/wiki/Gourd'>gourd</a> (fruit)</li>
<li><a href='https://www.thegourdfather.com.au/'>The Gourdfather</a></li>
<li><a href='https://julia-robinson.net/group-exhibitions/monster-theatres-2020-adelaide-biennial-of-australian-art/'>Beatrice</a> in the 2020 Adelaide Biennial at Museum of Economic Botany</li>
<li><a href='https://en.wikipedia.org/wiki/Rappaccini%27s_Daughter'>Rappaccini’s Daughter</a></li>
<li><a href='https://ronnowpoetry.com/contents/anonymous/NamesoftheHare.html'>The Names of the Hare</a> (poem, translated by Seamus Heaney)

</li>
<li><a href='https://www.salafestival.com/julia-robinson-interview-transcript/'>Transcript of this episode</a> (PDF)</li>
</ul>
<p>Image: Julia Robinson by Sam Roberts.
Julia Robinson is represented by Hugo Michell Gallery. This project has been assisted by the Australian Government through Arts South Australia, its art funding and advisory body.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Andrew Purvis sits down with Julia Robinson to discuss her exhibition <em>The Beckoning Blade </em>at Hugo Michell Gallery during SALA Festival. From scythes to smocks, the Burry Man to the Wicker Man, witchfinders and gourdfathers; tune in to hear about the cultural, conceptual, and material considerations that drive Julia’s practice.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://julia-robinson.net/'>JuliaRobinson.net</a></li>
<li><em><a href='https://hugomichellgallery.com/collections/exhibitions-2022/products/the-beckoning-blade'>The Beckoning Blade</a></em> at Hugo Michell Gallery</li>
<li><a href='https://englishhistory.net/general/matthew-hopkins-witchfinder-general/'>Matthew Hopkins</a> - Witchfinder General</li>
<li><a href='https://en.wikipedia.org/wiki/The_Burryman'>The Burryman</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Wicker_Man'>The Wicker Man</a> (film, 1973, directed by Robin Hardy)</li>
<li><em><a href='https://julia-robinson.net/the-song-of-master-john-goodfellow/'>The Song of Master John Goodfellow</a></em></li>
<li><a href='https://en.wikipedia.org/wiki/Gourd'>gourd</a> (fruit)</li>
<li><a href='https://www.thegourdfather.com.au/'>The Gourdfather</a></li>
<li><em><a href='https://julia-robinson.net/group-exhibitions/monster-theatres-2020-adelaide-biennial-of-australian-art/'>Beatrice</a></em><em> </em>in the 2020 Adelaide Biennial at Museum of Economic Botany</li>
<li><a href='https://en.wikipedia.org/wiki/Rappaccini%27s_Daughter'>Rappaccini’s Daughter</a></li>
<li><em><a href='https://ronnowpoetry.com/contents/anonymous/NamesoftheHare.html'>The Names of the Hare</a></em> (poem, translated by Seamus Heaney)<br>
<br>
</li>
<li><a href='https://www.salafestival.com/julia-robinson-interview-transcript/'>Transcript of this episode</a> (PDF)</li>
</ul>
<p>Image: Julia Robinson by Sam Roberts.<br>
Julia Robinson is represented by Hugo Michell Gallery. This project has been assisted by the Australian Government through Arts South Australia, its art funding and advisory body.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i55h57/Julia_Robinson_SALA854gr.mp3" length="39583019" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Andrew Purvis sits down with Julia Robinson to discuss her exhibition The Beckoning Blade at Hugo Michell Gallery during SALA Festival. From scythes to smocks, the Burry Man to the Wicker Man, witchfinders and gourdfathers; tune in to hear about the cultural, conceptual, and material considerations that drive Julia’s practice.
 
Show Notes
JuliaRobinson.net
The Beckoning Blade at Hugo Michell Gallery
Matthew Hopkins - Witchfinder General
The Burryman
The Wicker Man (film, 1973, directed by Robin Hardy)
The Song of Master John Goodfellow
gourd (fruit)
The Gourdfather
Beatrice in the 2020 Adelaide Biennial at Museum of Economic Botany
Rappaccini’s Daughter
The Names of the Hare (poem, translated by Seamus Heaney)
Transcript of this episode (PDF)
Image: Julia Robinson by Sam Roberts.Julia Robinson is represented by Hugo Michell Gallery. This project has been assisted by the Australian Government through Arts South Australia, its art funding and advisory body.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2456</itunes:duration>
                <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Julia_notext.jpg" />    </item>
    <item>
        <title>2022 SALA Feature Artist: Mark Valenzuela</title>
        <itunes:title>2022 SALA Feature Artist: Mark Valenzuela</itunes:title>
        <link>https://salafestival.podbean.com/e/2022-sala-feature-artist-mark-valenzuela/</link>
                    <comments>https://salafestival.podbean.com/e/2022-sala-feature-artist-mark-valenzuela/#comments</comments>        <pubDate>Tue, 09 Aug 2022 23:52:40 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/422f1ed8-6053-3526-906d-39c6b9be46ce</guid>
                                    <description><![CDATA[<p>Andrew Purvis chats with Mark Valenzuela about his journey as an artist and his current exhibition, 'Still Tied to a Tree' at Adelaide Central Gallery. Tune in to hear about his influences and connections to his practice – from Filipino culture, to chess, to the fictitious villain General Zod.</p>
<p> </p>
<p>Show Notes</p>
<ul><li>2022 <a href='https://www.salafestival.com/feature-artist/'>SALA Feature Artist</a></li>
<li>Still Tied to a Tree at <a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions/still-tied-to-a-tree'>Adelaide Central Gallery</a></li>
<li>Book: Mark Valenzuela by Belinda Howden, Anna O’Loughlin [<a href='https://www.wakefieldpress.com.au/product.php?productid=1823'>Wakefield Press</a>]</li>
<li><a href='https://art21.org/artist/paul-pfeiffer/'>Paul Pfieffer</a></li>
<li><a href='https://www.saatchiart.com/cristina_taniguchi'>Cristina Taniguchi,</a> <a href='https://www.artsy.net/artist/maria-taniguchi'>Maria Taniguchi</a></li>
<li>General Zod [<a href='https://en.wikipedia.org/wiki/General_Zod'>Wikipedia</a>]</li>
<li><a href='https://www.mark-valenzuela.com/terraforming'>Terraforming</a></li>
<li>Agimat (amulet) [<a href='https://en.wikipedia.org/wiki/Agimat'>Wikipedia</a></li>
<li>Opposition (direct opposition) in chess [<a href='https://en.wikipedia.org/wiki/Opposition_(chess)'>Wikipedia</a>]</li>
</ul>
<p> </p>
<p>Further Reading:</p>
<p>Meet your Maker: Mark Valenzuela - The Adelaide Review [<a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/09/27/meet-your-maker-mark-valenzuela/'>article</a>]</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Andrew Purvis chats with Mark Valenzuela about his journey as an artist and his current exhibition, 'Still Tied to a Tree' at Adelaide Central Gallery. Tune in to hear about his influences and connections to his practice – from Filipino culture, to chess, to the fictitious villain General Zod.</p>
<p> </p>
<p>Show Notes</p>
<ul><li>2022 <a href='https://www.salafestival.com/feature-artist/'>SALA Feature Artist</a></li>
<li><em>Still Tied to a Tree </em>at <a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions/still-tied-to-a-tree'>Adelaide Central Gallery</a></li>
<li>Book: <em>Mark Valenzuela</em> by Belinda Howden, Anna O’Loughlin [<a href='https://www.wakefieldpress.com.au/product.php?productid=1823'>Wakefield Press</a>]</li>
<li><a href='https://art21.org/artist/paul-pfeiffer/'>Paul Pfieffer</a></li>
<li><a href='https://www.saatchiart.com/cristina_taniguchi'>Cristina Taniguchi,</a> <a href='https://www.artsy.net/artist/maria-taniguchi'>Maria Taniguchi</a></li>
<li>General Zod [<a href='https://en.wikipedia.org/wiki/General_Zod'>Wikipedia</a>]</li>
<li><a href='https://www.mark-valenzuela.com/terraforming'>Terraforming</a></li>
<li>Agimat (amulet) [<a href='https://en.wikipedia.org/wiki/Agimat'>Wikipedia</a></li>
<li>Opposition (direct opposition) in chess [<a href='https://en.wikipedia.org/wiki/Opposition_(chess)'>Wikipedia</a>]</li>
</ul>
<p> </p>
<p>Further Reading:</p>
<p>Meet your Maker: Mark Valenzuela - The Adelaide Review [<a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/09/27/meet-your-maker-mark-valenzuela/'>article</a>]</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vpfusi/Mark_Valenzuela_2_SALA9ihgh.mp3" length="45969373" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Andrew Purvis chats with Mark Valenzuela about his journey as an artist and his current exhibition, 'Still Tied to a Tree' at Adelaide Central Gallery. Tune in to hear about his influences and connections to his practice – from Filipino culture, to chess, to the fictitious villain General Zod.
 
Show Notes
2022 SALA Feature Artist
Still Tied to a Tree at Adelaide Central Gallery
Book: Mark Valenzuela by Belinda Howden, Anna O’Loughlin [Wakefield Press]
Paul Pfieffer
Cristina Taniguchi, Maria Taniguchi
General Zod [Wikipedia]
Terraforming
Agimat (amulet) [Wikipedia
Opposition (direct opposition) in chess [Wikipedia]
 
Further Reading:
Meet your Maker: Mark Valenzuela - The Adelaide Review [article]]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3200</itunes:duration>
                <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Mark-no-text.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/s49rd8/Mark_Valenzuela_2_SALA_otter_aibn3ul.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Josh Juett</title>
        <itunes:title>Artist Interview: Josh Juett</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-josh-juett/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-josh-juett/#comments</comments>        <pubDate>Wed, 03 Aug 2022 06:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/88b94046-b015-3f52-a12f-859c1654d4fa</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with painter Josh Juett (and Winsor the lorikeet) at his homestudio ahead of his show LOST IN THOUGHT at Praxis Artspace. They chat about the early days of his practice (including his first sale, a seascape for $1 in primary school) and through various artistic and musical influences that Steph definitely had to google later. Tune in to hear about his new work that broaches new mediums and the rationale behind the exhibition.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://gregsimkinsart.com/'>Greg Simkins</a>  / <a href='https://www.instagram.com/craola/'>@Craola</a></li>
<li><a href='https://www.instagram.com/alexpardee/?hl=en'>Alex Pardee</a>  / <a href='https://www.instagram.com/alexpardee/'>@AlexPardee</a></li>
<li><a href='https://www.popaganda.com/about'>Ron English</a>  / <a href='https://www.instagram.com/ronenglish/'>@RonEnglish</a></li>
<li><a href='https://en.wikipedia.org/wiki/Lowbrow_(art_movement)'>Pop surrealism</a></li>
<li><a href='https://www.robineley.com/'>Robin Eley</a>  / <a href='https://www.instagram.com/robineleyartist/'>@RobinEleyArtist</a></li>
<li><a href='https://en.wikipedia.org/wiki/Otto_Marseus_van_Schrieck'>Otto Marseus van Schrieck</a></li>
<li><a href='https://aesoprock.com/pages/stream'>Aesop Rock</a></li>
<li>‘colonize Mars on Earth Day’ (<a href='https://music.youtube.com/watch?v=yn-0ll4Co4w&feature=share'>Tetra</a> - Aesop Rock)</li>
<li>LOST IN THOUGH at <a href='https://www.praxisartspace.com/'>praxis ARTSPACE</a> / <a href='https://www.instagram.com/praxisartspace'>@praxisARTSPACE</a></li>
<li><a href='https://www.instagram.com/joshjvett/?hl=en'>@JoshJvett</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with painter Josh Juett (and Winsor the lorikeet) at his homestudio ahead of his show LOST IN THOUGHT at Praxis Artspace. They chat about the early days of his practice (including his first sale, a seascape for $1 in primary school) and through various artistic and musical influences that Steph definitely had to google later. Tune in to hear about his new work that broaches new mediums and the rationale behind the exhibition.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://gregsimkinsart.com/'>Greg Simkins</a>  / <a href='https://www.instagram.com/craola/'>@Craola</a></li>
<li><a href='https://www.instagram.com/alexpardee/?hl=en'>Alex Pardee</a>  / <a href='https://www.instagram.com/alexpardee/'>@AlexPardee</a></li>
<li><a href='https://www.popaganda.com/about'>Ron English</a>  / <a href='https://www.instagram.com/ronenglish/'>@RonEnglish</a></li>
<li><a href='https://en.wikipedia.org/wiki/Lowbrow_(art_movement)'>Pop surrealism</a></li>
<li><a href='https://www.robineley.com/'>Robin Eley</a>  / <a href='https://www.instagram.com/robineleyartist/'>@RobinEleyArtist</a></li>
<li><a href='https://en.wikipedia.org/wiki/Otto_Marseus_van_Schrieck'>Otto Marseus van Schrieck</a></li>
<li><a href='https://aesoprock.com/pages/stream'>Aesop Rock</a></li>
<li>‘colonize Mars on Earth Day’ (<a href='https://music.youtube.com/watch?v=yn-0ll4Co4w&feature=share'>Tetra</a> - Aesop Rock)</li>
<li>LOST IN THOUGH at <a href='https://www.praxisartspace.com/'>praxis ARTSPACE</a> / <a href='https://www.instagram.com/praxisartspace'>@praxisARTSPACE</a></li>
<li><a href='https://www.instagram.com/joshjvett/?hl=en'>@JoshJvett</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggp32r/JoshJuett_2c.mp3" length="29787592" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with painter Josh Juett (and Winsor the lorikeet) at his homestudio ahead of his show LOST IN THOUGHT at Praxis Artspace. They chat about the early days of his practice (including his first sale, a seascape for $1 in primary school) and through various artistic and musical influences that Steph definitely had to google later. Tune in to hear about his new work that broaches new mediums and the rationale behind the exhibition.
 
Show Notes
Greg Simkins  / @Craola
Alex Pardee  / @AlexPardee
Ron English  / @RonEnglish
Pop surrealism
Robin Eley  / @RobinEleyArtist
Otto Marseus van Schrieck
Aesop Rock
‘colonize Mars on Earth Day’ (Tetra - Aesop Rock)
LOST IN THOUGH at praxis ARTSPACE / @praxisARTSPACE
@JoshJvett
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1861</itunes:duration>
                <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Josh-Juett-2c-notext.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/si568n/JoshJuett_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Carly Snoswell</title>
        <itunes:title>Artist Interview: Carly Snoswell</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-carly-snoswell/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-carly-snoswell/#comments</comments>        <pubDate>Wed, 27 Jul 2022 05:15:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/298e0999-639f-30fe-9ee9-c8d1830465f3</guid>
                                    <description><![CDATA[<p>Steph catches up with Carly Snoswell to talk about her practice and her new show, Day One, at Post Office Projects. They trace the development of her practice from learning to sew as a kid, through art school, residencies, and studios - shoutout to the 'art wives'! Tune in for some lovely musings on fandom, textile practice, and too many sewing puns!</p>
<p> </p>
<p>Show Notes</p>
<ul><li>Helpmann Academy <a href='https://www.helpmannacademy.com.au/residencies/sanskriti-residency-in-india/'>Sanskriti Kendra Residency</a> in New Delhi, India</li>
<li><a href='http://www.jennapippett.com/'>Jenna Pippett</a></li>
<li><a href='http://www.katekurucz.com/'>Kate Kurucz</a></li>
<li><a href='https://www.royananda.com/'>Roy Ananda</a></li>
<li><a href='http://www.carlysnoswell.com/feelin-fine'>Feelin’ Fine</a> at CACSA Project Space</li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2019/05/15/carly-snoswell-beyonce-port/'>Why artist Carly Snoswell thinks Beyonce is a Port Supporter</a> – [Adelaide Review article]</li>
<li><a href='http://www.carlysnoswell.com/crochet-your-character'>Crochet your Character</a></li>
<li><a href='https://www.instagram.com/steph_cibich/?hl=en'>Steph Cibich</a></li>
<li><a href='https://rosinapossingham.com/'>Rosina Possingham</a></li>
<li><a href='http://www.carlysnoswell.com/since-1989'>Since 1989</a> (Port Banner artwork) at <a href='https://www.floatinggoose.com.au/'>Floating Goose Studios</a></li>
<li>Day One, at <a href='https://www.postofficeprojects.com.au/'>Post Office Projects</a>, Port Adelaide.</li>
<li><a href='http://www.carlysnoswell.com/'>CarlySnoswell.com</a></li>
</ul>
 




]]></description>
                                                            <content:encoded><![CDATA[<p>Steph catches up with Carly Snoswell to talk about her practice and her new show, Day One, at Post Office Projects. They trace the development of her practice from learning to sew as a kid, through art school, residencies, and studios - shoutout to the 'art wives'! Tune in for some lovely musings on fandom, textile practice, and too many sewing puns!</p>
<p> </p>
<p>Show Notes</p>
<ul><li>Helpmann Academy <a href='https://www.helpmannacademy.com.au/residencies/sanskriti-residency-in-india/'>Sanskriti Kendra Residency</a> in New Delhi, India</li>
<li><a href='http://www.jennapippett.com/'>Jenna Pippett</a></li>
<li><a href='http://www.katekurucz.com/'>Kate Kurucz</a></li>
<li><a href='https://www.royananda.com/'>Roy Ananda</a></li>
<li><a href='http://www.carlysnoswell.com/feelin-fine'>Feelin’ Fine</a> at CACSA Project Space</li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2019/05/15/carly-snoswell-beyonce-port/'>Why artist Carly Snoswell thinks Beyonce is a Port Supporter</a> – [Adelaide Review article]</li>
<li><a href='http://www.carlysnoswell.com/crochet-your-character'>Crochet your Character</a></li>
<li><a href='https://www.instagram.com/steph_cibich/?hl=en'>Steph Cibich</a></li>
<li><a href='https://rosinapossingham.com/'>Rosina Possingham</a></li>
<li><a href='http://www.carlysnoswell.com/since-1989'>Since 1989</a> (Port Banner artwork) at <a href='https://www.floatinggoose.com.au/'>Floating Goose Studios</a></li>
<li>Day One, at <a href='https://www.postofficeprojects.com.au/'>Post Office Projects</a>, Port Adelaide.</li>
<li><a href='http://www.carlysnoswell.com/'>CarlySnoswell.com</a></li>
</ul>
 




]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nvpp48/CarlySnoswell_2b.mp3" length="25520807" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph catches up with Carly Snoswell to talk about her practice and her new show, Day One, at Post Office Projects. They trace the development of her practice from learning to sew as a kid, through art school, residencies, and studios - shoutout to the 'art wives'! Tune in for some lovely musings on fandom, textile practice, and too many sewing puns!
 
Show Notes
Helpmann Academy Sanskriti Kendra Residency in New Delhi, India
Jenna Pippett
Kate Kurucz
Roy Ananda
Feelin’ Fine at CACSA Project Space
Why artist Carly Snoswell thinks Beyonce is a Port Supporter – [Adelaide Review article]
Crochet your Character
Steph Cibich
Rosina Possingham
Since 1989 (Port Banner artwork) at Floating Goose Studios
Day One, at Post Office Projects, Port Adelaide.
CarlySnoswell.com
 




]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1689</itunes:duration>
                <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Carly2_notext.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/dxk6rq/CarlySnoswell_2_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>25 Years of SALA Festival</title>
        <itunes:title>25 Years of SALA Festival</itunes:title>
        <link>https://salafestival.podbean.com/e/moments-from-25-years-of-sala/</link>
                    <comments>https://salafestival.podbean.com/e/moments-from-25-years-of-sala/#comments</comments>        <pubDate>Wed, 27 Jul 2022 05:01:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/19495bd6-eb62-3586-a76b-f2e28a548ab7</guid>
                                    <description><![CDATA[<p>To celebrate this anniversary year, we handed the microphone over to you! Hear from people who have connected with SALA Festival over its 25 years and what it means to them.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>To celebrate this anniversary year, we handed the microphone over to you! Hear from people who have connected with SALA Festival over its 25 years and what it means to them.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kcnzri/25YearsofSALA_3aup.mp3" length="13861584" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To celebrate this anniversary year, we handed the microphone over to you! Hear from people who have connected with SALA Festival over its 25 years and what it means to them.]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1004</itunes:duration>
                <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-25_No-text.jpg" />    </item>
    <item>
        <title>ACSA Artspeak: Catherine Truman</title>
        <itunes:title>ACSA Artspeak: Catherine Truman</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-catherine-truman/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-catherine-truman/#comments</comments>        <pubDate>Wed, 20 Jul 2022 10:25:16 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/eb98d11d-ccd2-30b9-ae89-86a7850ddfe2</guid>
                                    <description><![CDATA[<p>Catherine Truman joins Andrew Purvis to discuss the dynamics of artist residencies, the importance of a self-imposed 'pause', the desire to artistically locate the person behind their research, and the beginnings of her work from her time in residency at Carrick Hill. This episode was recorded as part of the Adelaide Central School of Art's ArtSpeak Program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://graystreetworkshop.com/'>Gray Street Workshop</a></li>
<li><a href='https://www.iangibbins.com.au/'>Ian Gibbins</a></li>
<li><a href='https://www.carrickhill.sa.gov.au/'>Carrick Hill</a></li>
<li><a href='https://www.flinders.edu.au/fhmri-eye-vision'>Flinders Centre for Opthalmology and Vision Research</a></li>
<li><a href='https://vimeo.com/588165981'>'Epithelium' Film</a></li>
<li><a href='http://catherinetruman.com.au/'>Catherine Truman - website</a></li>
<li><a href='https://www.instagram.com/catherinetruman/'>Catherine Truman - Instagram</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Catherine Truman joins Andrew Purvis to discuss the dynamics of artist residencies, the importance of a self-imposed 'pause', the desire to artistically locate the person behind their research, and the beginnings of her work from her time in residency at Carrick Hill. This episode was recorded as part of the Adelaide Central School of Art's ArtSpeak Program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://graystreetworkshop.com/'>Gray Street Workshop</a></li>
<li><a href='https://www.iangibbins.com.au/'>Ian Gibbins</a></li>
<li><a href='https://www.carrickhill.sa.gov.au/'>Carrick Hill</a></li>
<li><a href='https://www.flinders.edu.au/fhmri-eye-vision'>Flinders Centre for Opthalmology and Vision Research</a></li>
<li><a href='https://vimeo.com/588165981'>'Epithelium' Film</a></li>
<li><a href='http://catherinetruman.com.au/'>Catherine Truman - website</a></li>
<li><a href='https://www.instagram.com/catherinetruman/'>Catherine Truman - Instagram</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tc3hwc/Catherine_Truman_SALA7mhjs.mp3" length="43922089" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Catherine Truman joins Andrew Purvis to discuss the dynamics of artist residencies, the importance of a self-imposed 'pause', the desire to artistically locate the person behind their research, and the beginnings of her work from her time in residency at Carrick Hill. This episode was recorded as part of the Adelaide Central School of Art's ArtSpeak Program.
 
Show Notes
Gray Street Workshop
Ian Gibbins
Carrick Hill
Flinders Centre for Opthalmology and Vision Research
'Epithelium' Film
Catherine Truman - website
Catherine Truman - Instagram
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2940</itunes:duration>
                <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Catherine_no-text.jpg" />    </item>
    <item>
        <title>ACSA ArtSpeak: Rosina Possingham</title>
        <itunes:title>ACSA ArtSpeak: Rosina Possingham</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-rosina-possingham/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-rosina-possingham/#comments</comments>        <pubDate>Tue, 28 Jun 2022 11:29:59 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/56b593ef-ecc9-35c1-b723-9ec211a8fadb</guid>
                                    <description><![CDATA[<p>Andrew Purvis catches up with Rosina Possingham to chat about her intricate photographic processes (that dote on old and new technology), collaboration, and 'the Patch' - a body of work recently exhibited at Praxis Artspace inspired by Lefevre Park/Namtu Wama. Recorded as part of the Adelaide Central School of Art's ArtSpeak Program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://rosinapossingham.com/'>RosinaPossingham.com</a></li>
<li><a href='https://rosinapossingham.com/art/zinc/'>ZINC</a></li>
<li><a href='https://www.briannaspeight.com/'>Brianna Speight</a></li>
<li><a href='https://rosinapossingham.com/art/park-lands-project/'>Park Lands Project</a></li>
<li><a href='https://rosinapossingham.com/art/the-patch/'>The Patch</a></li>
<li><a href='https://osca.org.au/about/'>OSCA - Open Space Contemporary Arts</a></li>
<li><a href='https://www.airborneresearch.org.au/'>Airborne Research Australia</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Andrew Purvis catches up with Rosina Possingham to chat about her intricate photographic processes (that dote on old and new technology), collaboration, and 'the Patch' - a body of work recently exhibited at Praxis Artspace inspired by Lefevre Park/Namtu Wama. Recorded as part of the Adelaide Central School of Art's ArtSpeak Program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://rosinapossingham.com/'>RosinaPossingham.com</a></li>
<li><a href='https://rosinapossingham.com/art/zinc/'>ZINC</a></li>
<li><a href='https://www.briannaspeight.com/'>Brianna Speight</a></li>
<li><a href='https://rosinapossingham.com/art/park-lands-project/'>Park Lands Project</a></li>
<li><a href='https://rosinapossingham.com/art/the-patch/'>The Patch</a></li>
<li><a href='https://osca.org.au/about/'>OSCA - Open Space Contemporary Arts</a></li>
<li><a href='https://www.airborneresearch.org.au/'>Airborne Research Australia</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ypytbg/Rosina_Possingham_SALA6iyf3.mp3" length="33497201" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Andrew Purvis catches up with Rosina Possingham to chat about her intricate photographic processes (that dote on old and new technology), collaboration, and 'the Patch' - a body of work recently exhibited at Praxis Artspace inspired by Lefevre Park/Namtu Wama. Recorded as part of the Adelaide Central School of Art's ArtSpeak Program.
 
Show Notes
RosinaPossingham.com
ZINC
Brianna Speight
Park Lands Project
The Patch
OSCA - Open Space Contemporary Arts
Airborne Research Australia
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2193</itunes:duration>
                <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Rosina-notext.jpg" />    </item>
    <item>
        <title>ACSA ArtSpeak: Tom Borgas</title>
        <itunes:title>ACSA ArtSpeak: Tom Borgas</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-tom-borgas/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-tom-borgas/#comments</comments>        <pubDate>Tue, 31 May 2022 22:09:50 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/c6b28144-3789-373d-8aa2-7cfd910ca079</guid>
                                    <description><![CDATA[<p>In this episode, Tom Borgas and Athanasios Lazarou make time to chat about Tom's practice; from feedback loops, to making the unseen seen, and the weather conditions that constitute a 'Tom day'.</p>
<p>This talk was hosted by the Adelaide Central School of Art as part of the ArtSpeak program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='http://kellereasterling.com/'>Keller Easterling</a></li>
<li><a href='https://en.wikipedia.org/wiki/Timothy_Morton'>Timothy Morton</a></li>
<li><a href='https://jamesbridle.com/'>James Bridle</a> </li>
<li><a href='http://www.madebytomborgas.com/index.php/what/postdigital-ruins/'>Post Digital Ruins</a> (Splendour in the Grass)</li>
<li><a href='https://www.therichest.com/lifestyles/cell-phones-dreams-theory/'>Researchers Reveal Why We Don't See Cell Phones In Our Dreams</a> [article], The Richest</li>
</ul>
<p> </p>
<p>Photo: Thomas McCammon</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Tom Borgas and Athanasios Lazarou make time to chat about Tom's practice; from feedback loops, to making the unseen seen, and the weather conditions that constitute a 'Tom day'.</p>
<p>This talk was hosted by the Adelaide Central School of Art as part of the ArtSpeak program.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='http://kellereasterling.com/'>Keller Easterling</a></li>
<li><a href='https://en.wikipedia.org/wiki/Timothy_Morton'>Timothy Morton</a></li>
<li><a href='https://jamesbridle.com/'>James Bridle</a> </li>
<li><a href='http://www.madebytomborgas.com/index.php/what/postdigital-ruins/'>Post Digital Ruins</a> (Splendour in the Grass)</li>
<li><a href='https://www.therichest.com/lifestyles/cell-phones-dreams-theory/'>Researchers Reveal Why We Don't See Cell Phones In Our Dreams</a> [article], The Richest</li>
</ul>
<p> </p>
<p>Photo: Thomas McCammon</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bkwx8d/Tom_Borgas_with_SALA_intro92k64.mp3" length="43992029" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Tom Borgas and Athanasios Lazarou make time to chat about Tom's practice; from feedback loops, to making the unseen seen, and the weather conditions that constitute a 'Tom day'.
This talk was hosted by the Adelaide Central School of Art as part of the ArtSpeak program.
 
Show Notes
Keller Easterling
Timothy Morton
James Bridle 
Post Digital Ruins (Splendour in the Grass)
Researchers Reveal Why We Don't See Cell Phones In Our Dreams [article], The Richest
 
Photo: Thomas McCammon]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2757</itunes:duration>
                <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Tom-notext1400.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/zyng83/Tom_Borgas_with_SALA_intro_otter_ai8f4vl.srt" type="application/srt" />    </item>
    <item>
        <title>ACSA ArtSpeak: Heidi Kenyon</title>
        <itunes:title>ACSA ArtSpeak: Heidi Kenyon</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-heidi-kenyon/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-heidi-kenyon/#comments</comments>        <pubDate>Sat, 30 Apr 2022 06:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/c814b9a9-4d62-316a-8fd4-ee210cd806c4</guid>
                                    <description><![CDATA[<p>In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Heidi Kenyon as part of the school's ArtSpeak program (recorded live). </p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://heidikenyon.com/'>HeidiKenyon.com</a></li>
<li><a href='https://www.instagram.com/heidikenyon.art/'>@HeidiKenyon.Art</a></li>
<li><a href='https://www.neotericexhibition.com/'>NeotericExhibition.com</a></li>
<li>Heidi Kenyon, <a href='https://heidikenyon.com/we-shall-by-morning-inherit-the-earth'>We shall by morning inherit the earth</a>, 2022, Pleurotus ostreatus and citrinopileatus, timber and mixed media, dimensions variable. Sound by Ben Davidson (Ben Sun) using electromagnetic sequences generated by the fungi.</li>
<li><a href='https://www.neotericexhibition.com/s/NEOTERIC-CATALOGUE-DIGITAL.pdf'>Neoteric Digital Catalogue</a> (pdf)</li>
<li>‘It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.’ - Rebecca Solnit, 'A Field Guide to Getting Lost' </li>
</ul>
<p> </p>
<p>photograph by Rosina Possingham</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Heidi Kenyon as part of the school's ArtSpeak program (recorded live). </p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://heidikenyon.com/'>HeidiKenyon.com</a></li>
<li><a href='https://www.instagram.com/heidikenyon.art/'>@HeidiKenyon.Art</a></li>
<li><a href='https://www.neotericexhibition.com/'>NeotericExhibition.com</a></li>
<li>Heidi Kenyon, <a href='https://heidikenyon.com/we-shall-by-morning-inherit-the-earth'><em>We shall by morning inherit the earth</em></a>, 2022, Pleurotus ostreatus and citrinopileatus, timber and mixed media, dimensions variable. Sound by Ben Davidson (Ben Sun) using electromagnetic sequences generated by the fungi.</li>
<li><a href='https://www.neotericexhibition.com/s/NEOTERIC-CATALOGUE-DIGITAL.pdf'>Neoteric Digital Catalogue</a> (pdf)</li>
<li>‘It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.’ - Rebecca Solnit, 'A Field Guide to Getting Lost' </li>
</ul>
<p> </p>
<p>photograph by Rosina Possingham</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b5uqhd/Heidi_Kenyon_3_with_introan7ch.mp3" length="40462504" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Heidi Kenyon as part of the school's ArtSpeak program (recorded live). 
 
Show Notes
HeidiKenyon.com
@HeidiKenyon.Art
NeotericExhibition.com
Heidi Kenyon, We shall by morning inherit the earth, 2022, Pleurotus ostreatus and citrinopileatus, timber and mixed media, dimensions variable. Sound by Ben Davidson (Ben Sun) using electromagnetic sequences generated by the fungi.
Neoteric Digital Catalogue (pdf)
‘It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.’ - Rebecca Solnit, 'A Field Guide to Getting Lost' 
 
photograph by Rosina Possingham]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2634</itunes:duration>
                <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Heidi_notext.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/6hccym/Heidi_Kenyon_3_with_intro_2_otter_ai_1_b065i.srt" type="application/srt" />    </item>
    <item>
        <title>ACSA ArtSpeak: Jess Taylor</title>
        <itunes:title>ACSA ArtSpeak: Jess Taylor</itunes:title>
        <link>https://salafestival.podbean.com/e/acsa-artspeak-jess-taylor/</link>
                    <comments>https://salafestival.podbean.com/e/acsa-artspeak-jess-taylor/#comments</comments>        <pubDate>Thu, 14 Apr 2022 14:24:42 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/a2898238-0e59-3862-83c7-ecec7de558ed</guid>
                                    <description><![CDATA[<p>In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Jess Taylor as part of the school's ArtSpeak program (recorded live). Tune in to hear about Jess' journey since art school, the ethics of creating artwork within the genre of horror, and what draws her to the mediums she uses.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/'>Primordial at Hugo Michell Gallery</a></li>
<li><a href='http://www.feltspace.org/jesstaylor'>View Master at FELTspace</a> (2014)</li>
<li><a href='https://aceopen.art/contemporary-art-centre-south-australia-cacsa/'>Contemporary Art Centre of South Australia (CACSA)</a></li>
<li><a href='http://www.floatinggoose.com.au/'>Floating Goose Gallery</a></li>
<li><a href='https://www.instagram.com/deborah_prior/?hl=en'>Deborah Prior</a></li>
<li><a href='https://aceopen.art/studios/'>ACE Open Studio Residency</a></li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a></li>
<li><a href='https://visualarts.net.au/Membership/'>NAVA membership</a></li>
<li><a href='https://en.wikipedia.org/wiki/Lenticular_printing'>Lenticular prints</a></li>
<li><a href='https://www.autodesk.in/solutions/photogrammetry-software#:~:text=Photogrammetry%20is%20the%20art%20and,2D%20or%203D%20digital%20models.'>Photogrammetry</a></li>
<li><a href='https://conceptartempire.com/what-is-rigging/'>What is 3D Rigging for Animation & Character Design?</a> [article]</li>
<li><a href='https://en.wikipedia.org/wiki/Francisco_Goya'>Francisco Goya</a></li>
<li><a href='https://en.wikipedia.org/wiki/Cha%C3%AFm_Soutine'>Chaïm Soutine</a></li>
<li><a href='https://en.wikipedia.org/wiki/Francis_Bacon_(artist)'>Francis Bacon</a></li>
<li><a href='https://en.wikipedia.org/wiki/Jake_and_Dinos_Chapman#:~:text=Iakovos%20%22Jake%22%20Chapman%20(born,original%20watercolours%20by%20Adolf%20Hitler.'>the Chapman Brothers</a></li>
<li>Francisco Goya, <a href='https://en.wikipedia.org/wiki/Saturn_Devouring_His_Son'>Saturn Devouring His Son</a></li>
<li><a href='https://www.acsa.sa.edu.au/graduate-resources/scammells-major-grant'>Scammells Major Grant</a></li>
<li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/?doing_wp_cron=1647848377.0375130176544189453125#jp-carousel-16776'>Jess Taylor, When I die, I’ll die on time</a>, 2022, 3D printed resin and paint, 35 x 21 x 13cm, ed. Of 3</li>
<li><a href='https://en.wikipedia.org/wiki/Cordyceps'>Cordyceps</a> is a genus of ascomycete fungi</li>
<li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/?doing_wp_cron=1647848377.0375130176544189453125#jp-carousel-16805'>Jess Taylor, Now I love You In The Dark</a>, 2022, 3D printed resin and paint 37 x 62 x 18cm, ed of 3</li>
<li><a href='https://www.blender.org/'>blender</a></li>
<li><a href='https://www.meshmixer.com/'>Meshmixer</a></li>
<li><a href='https://www.agisoft.com/'>Agisoft Metashape</a> (formerly Agisoft Photoscan)</li>
<li><a href='https://en.wikipedia.org/wiki/Midsommar'>Midsommar</a> (2019 film)</li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Jess Taylor as part of the school's ArtSpeak program (recorded live). Tune in to hear about Jess' journey since art school, the ethics of creating artwork within the genre of horror, and what draws her to the mediums she uses.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><em><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/'>Primordial at Hugo Michell Gallery</a></em></li>
<li><em><a href='http://www.feltspace.org/jesstaylor'>View Master at FELTspace</a></em> (2014)</li>
<li><a href='https://aceopen.art/contemporary-art-centre-south-australia-cacsa/'>Contemporary Art Centre of South Australia (CACSA)</a></li>
<li><a href='http://www.floatinggoose.com.au/'>Floating Goose Gallery</a></li>
<li><a href='https://www.instagram.com/deborah_prior/?hl=en'>Deborah Prior</a></li>
<li><a href='https://aceopen.art/studios/'>ACE Open Studio Residency</a></li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a></li>
<li><a href='https://visualarts.net.au/Membership/'>NAVA membership</a></li>
<li><a href='https://en.wikipedia.org/wiki/Lenticular_printing'>Lenticular prints</a></li>
<li><a href='https://www.autodesk.in/solutions/photogrammetry-software#:~:text=Photogrammetry%20is%20the%20art%20and,2D%20or%203D%20digital%20models.'>Photogrammetry</a></li>
<li><a href='https://conceptartempire.com/what-is-rigging/'>What is 3D Rigging for Animation & Character Design?</a> [article]</li>
<li><a href='https://en.wikipedia.org/wiki/Francisco_Goya'>Francisco Goya</a></li>
<li><a href='https://en.wikipedia.org/wiki/Cha%C3%AFm_Soutine'>Chaïm Soutine</a></li>
<li><a href='https://en.wikipedia.org/wiki/Francis_Bacon_(artist)'>Francis Bacon</a></li>
<li><a href='https://en.wikipedia.org/wiki/Jake_and_Dinos_Chapman#:~:text=Iakovos%20%22Jake%22%20Chapman%20(born,original%20watercolours%20by%20Adolf%20Hitler.'>the Chapman Brothers</a></li>
<li>Francisco Goya<em>, </em><em><a href='https://en.wikipedia.org/wiki/Saturn_Devouring_His_Son'>Saturn Devouring His Son</a></em></li>
<li><a href='https://www.acsa.sa.edu.au/graduate-resources/scammells-major-grant'>Scammells Major Grant</a></li>
<li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/?doing_wp_cron=1647848377.0375130176544189453125#jp-carousel-16776'>Jess Taylor, <em>When I die, I’ll die on time</em></a>, 2022, 3D printed resin and paint, 35 x 21 x 13cm, ed. Of 3</li>
<li><a href='https://en.wikipedia.org/wiki/Cordyceps'>Cordyceps</a> is a genus of ascomycete fungi</li>
<li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/jess-taylor/?doing_wp_cron=1647848377.0375130176544189453125#jp-carousel-16805'>Jess Taylor, <em>Now I love You In The Dark</em></a>, 2022, 3D printed resin and paint 37 x 62 x 18cm, ed of 3</li>
<li><a href='https://www.blender.org/'>blender</a></li>
<li><a href='https://www.meshmixer.com/'>Meshmixer</a></li>
<li><a href='https://www.agisoft.com/'>Agisoft Metashape</a> (formerly Agisoft Photoscan)</li>
<li><a href='https://en.wikipedia.org/wiki/Midsommar'>Midsommar</a> (2019 film)</li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6s5chf/Jess_Taylor_with_intro8l7n7.mp3" length="41507214" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Andrew Purvis of Adelaide Central School of Art speaks with artist Jess Taylor as part of the school's ArtSpeak program (recorded live). Tune in to hear about Jess' journey since art school, the ethics of creating artwork within the genre of horror, and what draws her to the mediums she uses.
 
Show Notes
Primordial at Hugo Michell Gallery
View Master at FELTspace (2014)
Contemporary Art Centre of South Australia (CACSA)
Floating Goose Gallery
Deborah Prior
ACE Open Studio Residency
JamFactory
NAVA membership
Lenticular prints
Photogrammetry
What is 3D Rigging for Animation & Character Design? [article]
Francisco Goya
Chaïm Soutine
Francis Bacon
the Chapman Brothers
Francisco Goya, Saturn Devouring His Son
Scammells Major Grant
Jess Taylor, When I die, I’ll die on time, 2022, 3D printed resin and paint, 35 x 21 x 13cm, ed. Of 3
Cordyceps is a genus of ascomycete fungi
Jess Taylor, Now I love You In The Dark, 2022, 3D printed resin and paint 37 x 62 x 18cm, ed of 3
blender
Meshmixer
Agisoft Metashape (formerly Agisoft Photoscan)
Midsommar (2019 film)
]]></itunes:summary>
        <itunes:author>SALA Festival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2361</itunes:duration>
                <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Jess-Taylor_2-nottext.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/zzzihs/Jess_Taylor_otter_ai7lpnb.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Sam Gold</title>
        <itunes:title>Artist Interview: Sam Gold</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-sam-gold/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-sam-gold/#comments</comments>        <pubDate>Fri, 04 Feb 2022 11:25:43 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/ecca6d26-e384-378a-af14-e9b796b5a2b0</guid>
                                    <description><![CDATA[<p>In this episode, Katya caught up with South Australian ceramic artist Sam Gold at their JamFactory studio.</p>
<p>Sam speaks candidly about their journey from art school to the present, including the mentorships and opportunities that informed their exciting trajectory towards interstate exhibitions like Primavera 2021 and securing gallery representation with Hugo Michell Gallery. Tune in to hear about the way that Sam’s training as an Art Therapist informs their reverence for clay as a material, its capacity to echo emotional states, and ceramics as a lesson in resilience and letting go.</p>
<p>Show Notes</p>
<ul><li><a href='https://www.sammgold.com/'>Sammgold.com</a> / <a href='https://www.instagram.com/s.amgol.d/?hl=en'>@s.amgol.d</a></li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a> / <a href='https://www.jamfactory.com.au/associate-program'>Associate Program</a></li>
<li><a href='https://www.mca.com.au/artists-works/exhibitions/primavera-2021-young-australian-artists/'>Primavera 2021</a> at the <a href='https://www.mca.com.au/'>Museum of Contemporary Art Australia</a></li>
<li><a href='http://kirstencoelho.com/'>KirstenCoelho.com</a></li>
<li><a href='https://www.salafestival.com/feature-artist-archive/'>SALA Feature Artist archive</a></li>
<li><a href='https://www.unisa.edu.au/connect/samstag-museum/'>Samstag Museum</a></li>
<li><a href='https://www.helpmannacademy.com.au/'>Helpmann Academy</a></li>
<li><a href='https://www.mark-valenzuela.com/'>Mark Valenzuela</a></li>
<li><a href='https://australiacouncil.gov.au/'>Australia Council for the Arts</a> / ‘AusCo’</li>
<li>Duncan Young / <a href='https://www.instagram.com/duncanyoungdesign/'>@DuncanYoungDesign</a></li>
<li>Ivana Taylor / <a href='https://www.instagram.com/ivanataylordesign/?hl=en'>@IvanaTaylorDesign</a></li>
<li>Francesca Sykes / <a href='https://www.instagram.com/francescasykes_studio/'>@FrancescaSykes_Studio</a></li>
<li><a href='https://en.wikipedia.org/wiki/Celadon'>Celadon glaze</a>, <a href='https://ceramicartsnetwork.org/daily/article/The-Beautiful-Variations-of-Chun-Glazes'>Chün glaze</a></li>
<li><a href='https://guildhouse.org.au/spotlight-sam-gold-on-catapult/'>Catapult Mentorship Program</a> / Guildhouse</li>
<li><a href='https://guildhouse.org.au/spotlight-sam-gold-on-catapult/'>Sam’s mentorship with David Pedler & Jane Robertson</a></li>
<li><a href='https://artcollector.net.au/sam-gold-joins-hugo-michell-gallery-stable/'>Sam Gold joins Hugo Michell Gallery stable</a> [ArtCollector article]</li>
<li><a href='https://www.hugomichellgallery.com/'>Hugo Michell Gallery</a> (SA) / <a href='https://www.instagram.com/hugomichellgallery/'>@HugoMichellGallery</a></li>
<li><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/sam-gold/'>Wet from a moonlight swim</a>, Sam Gold exhibition at Hugo Michell Gallery, 3 Feb – 5 March 2022.</li>
<li><a href='http://www.katepowerartist.com/bedroom/'>Bedroom, Kate Power</a></li>
<li>Kate Bohunnis / <a href='https://www.instagram.com/kate_bohunnis/?hl=en'>@Kate_Bohunnis</a></li>
<li><a href='https://www.georgeststudios.com/'>George Street Studios</a></li>
<li>Lou Cresp</li>
<li><a href='https://carclew.com.au/'>Carclew</a> / <a href='https://carclew.com.au/Program/pom-pom'>Pom Pom</a> program</li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Katya caught up with South Australian ceramic artist Sam Gold at their JamFactory studio.</p>
<p>Sam speaks candidly about their journey from art school to the present, including the mentorships and opportunities that informed their exciting trajectory towards interstate exhibitions like Primavera 2021 and securing gallery representation with Hugo Michell Gallery. Tune in to hear about the way that Sam’s training as an Art Therapist informs their reverence for clay as a material, its capacity to echo emotional states, and ceramics as a lesson in resilience and letting go.</p>
<p>Show Notes</p>
<ul><li><a href='https://www.sammgold.com/'>Sammgold.com</a> / <a href='https://www.instagram.com/s.amgol.d/?hl=en'>@s.amgol.d</a></li>
<li><a href='https://www.jamfactory.com.au/'>JamFactory</a> / <a href='https://www.jamfactory.com.au/associate-program'>Associate Program</a></li>
<li><a href='https://www.mca.com.au/artists-works/exhibitions/primavera-2021-young-australian-artists/'>Primavera 2021</a> at the <a href='https://www.mca.com.au/'>Museum of Contemporary Art Australia</a></li>
<li><a href='http://kirstencoelho.com/'>KirstenCoelho.com</a></li>
<li><a href='https://www.salafestival.com/feature-artist-archive/'>SALA Feature Artist archive</a></li>
<li><a href='https://www.unisa.edu.au/connect/samstag-museum/'>Samstag Museum</a></li>
<li><a href='https://www.helpmannacademy.com.au/'>Helpmann Academy</a></li>
<li><a href='https://www.mark-valenzuela.com/'>Mark Valenzuela</a></li>
<li><a href='https://australiacouncil.gov.au/'>Australia Council for the Arts</a> / ‘AusCo’</li>
<li>Duncan Young / <a href='https://www.instagram.com/duncanyoungdesign/'>@DuncanYoungDesign</a></li>
<li>Ivana Taylor / <a href='https://www.instagram.com/ivanataylordesign/?hl=en'>@IvanaTaylorDesign</a></li>
<li>Francesca Sykes / <a href='https://www.instagram.com/francescasykes_studio/'>@FrancescaSykes_Studio</a></li>
<li><a href='https://en.wikipedia.org/wiki/Celadon'>Celadon glaze</a>, <a href='https://ceramicartsnetwork.org/daily/article/The-Beautiful-Variations-of-Chun-Glazes'>Chün glaze</a></li>
<li><a href='https://guildhouse.org.au/spotlight-sam-gold-on-catapult/'>Catapult Mentorship Program</a> / Guildhouse</li>
<li><a href='https://guildhouse.org.au/spotlight-sam-gold-on-catapult/'>Sam’s mentorship with David Pedler & Jane Robertson</a></li>
<li><em><a href='https://artcollector.net.au/sam-gold-joins-hugo-michell-gallery-stable/'>Sam Gold joins Hugo Michell Gallery stable</a></em> [ArtCollector article]</li>
<li><a href='https://www.hugomichellgallery.com/'>Hugo Michell Gallery</a> (SA) / <a href='https://www.instagram.com/hugomichellgallery/'>@HugoMichellGallery</a></li>
<li><em><a href='https://www.hugomichellgallery.com/exhibition/2022-exhibitions/sam-gold/'>Wet from a moonlight swim</a></em>, Sam Gold exhibition at Hugo Michell Gallery, 3 Feb – 5 March 2022.</li>
<li><a href='http://www.katepowerartist.com/bedroom/'>Bedroom, Kate Power</a></li>
<li>Kate Bohunnis / <a href='https://www.instagram.com/kate_bohunnis/?hl=en'>@Kate_Bohunnis</a></li>
<li><a href='https://www.georgeststudios.com/'>George Street Studios</a></li>
<li>Lou Cresp</li>
<li><a href='https://carclew.com.au/'>Carclew</a> / <a href='https://carclew.com.au/Program/pom-pom'>Pom Pom</a> program</li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3a28pg/SamGold_7a.mp3" length="35043746" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Katya caught up with South Australian ceramic artist Sam Gold at their JamFactory studio.
Sam speaks candidly about their journey from art school to the present, including the mentorships and opportunities that informed their exciting trajectory towards interstate exhibitions like Primavera 2021 and securing gallery representation with Hugo Michell Gallery. Tune in to hear about the way that Sam’s training as an Art Therapist informs their reverence for clay as a material, its capacity to echo emotional states, and ceramics as a lesson in resilience and letting go.
Show Notes
Sammgold.com / @s.amgol.d
JamFactory / Associate Program
Primavera 2021 at the Museum of Contemporary Art Australia
KirstenCoelho.com
SALA Feature Artist archive
Samstag Museum
Helpmann Academy
Mark Valenzuela
Australia Council for the Arts / ‘AusCo’
Duncan Young / @DuncanYoungDesign
Ivana Taylor / @IvanaTaylorDesign
Francesca Sykes / @FrancescaSykes_Studio
Celadon glaze, Chün glaze
Catapult Mentorship Program / Guildhouse
Sam’s mentorship with David Pedler & Jane Robertson
Sam Gold joins Hugo Michell Gallery stable [ArtCollector article]
Hugo Michell Gallery (SA) / @HugoMichellGallery
Wet from a moonlight swim, Sam Gold exhibition at Hugo Michell Gallery, 3 Feb – 5 March 2022.
Bedroom, Kate Power
Kate Bohunnis / @Kate_Bohunnis
George Street Studios
Lou Cresp
Carclew / Pom Pom program
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2408</itunes:duration>
                <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Sam_notext.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/wesxn6/SamGold_4_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Tony Kearney</title>
        <itunes:title>Artist Interview: Tony Kearney</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-tony-kearney/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-tony-kearney/#comments</comments>        <pubDate>Fri, 21 Jan 2022 10:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/da11ab4f-e251-30a6-afa0-74c016e11c5c</guid>
                                    <description><![CDATA[<p>In this episode, Steph caught up with photographic artist Tony Kearney at his home in Port Adelaide. Tune in to hear about his journey to photography, his highly-acclaimed portrait work, competing with pigeons for exhibition space in Hart’s Mill, and that time he took 180 rolls of film through multiple airport x-ray machines en route to Syria.</p>
<p>Show Notes</p>
<ul><li><a href='https://en.wikipedia.org/wiki/Instamatic'>Kodak Instamatic</a></li>
<li>Reticulation, <a href='https://www.ephotozine.com/article/bas-relief---advanced-darkroom-technique-4701'>bas relief</a></li>
<li><a href='https://en.wikipedia.org/wiki/Bakelite'>Bakelite</a></li>
<li><a href='http://www.atomicartcompany.com/mug-shots.html'>Mug Shots</a></li>
<li>Fixer, developer, stop bath – photographic chemicals</li>
<li><a href='https://atkins.com.au/'>Atkins Lab</a></li>
<li><a href='https://en.wikipedia.org/wiki/Kodachrome'>Kodachrome</a></li>
<li><a href='http://www.msc.sa.edu.au/'>Marden Senior College</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/'>Tarnanthi Festival</a></li>
<li><a href='https://nrm.org.au/'>National Railway Museum</a></li>
<li><a href='https://gallery.tweed.nsw.gov.au/whats-on/prizes-awards/olive-cotton-award'>Olive Cotton Award</a> / 2021 <a href='https://online.fliphtml5.com/txcax/ceae/'>Exhibition Catalogue</a></li>
<li><a href='https://www.mga.org.au/bowness-prize'>Bowness Prize</a> / <a href='https://www.mga.org.au/bowness-prize/2021-finalists-gallery/index/pp/96/pg/1'>finalist images 2021</a></li>
<li><a href='https://www.npg.org.uk/whatson/twppp2021/exhibition/'>Taylor Wessing Photographic Portrait Prize</a></li>
<li><a href='https://www.npg.org.uk/'>National Portrait Gallery</a> London</li>
<li><a href='https://www.taylorwessing.com/en/insights-and-events/news/media-centre/press-releases/2021/11/twppp-2021-winner-announced'>David Prichard’s portraits of Australian First Nations stock women win the Taylor Wessing Photographic Portrait Prize 2021</a> [article]</li>
<li>Tony Kearney, <a href='https://www.npg.org.uk/whatson/twppp2021/exhibitors/jacob'>Jacob</a>, 2020</li>
<li><a href='https://www.theguardian.com/artanddesign/gallery/2021/nov/09/the-years-best-portrait-photography-in-pictures-taylor-wessing-prize'>‘Dignified, strong, beautiful’: the year’s best portrait photography – in pictures</a> (The Guardian) [article]</li>
<li><a href='https://www.imdb.com/title/tt9286908/'>High Ground</a> (2020) imdb</li>
<li><a href='https://www.theguardian.com/artanddesign/gallery/2021/nov/12/the-2021-bowness-photography-prize-selected-finalists-in-pictures'>The 2021 Bowness photography prize selected finalists – in pictures</a> (The Guardian) [article]</li>
<li><a href='https://www.tonykearneyportraiture.com/'>tonykearneyportraiture.com</a></li>
<li><a href='https://www.portrait.gov.au/portraits.php?i=both&p=57109'>3 of Tony’s portraits in NPG collection</a></li>
<li><a href='https://vitalstatistix.com.au/'>Vitalstatistix</a></li>
<li><a href='https://www.instagram.com/lanewayfest/?hl=en'>Laneway Festival</a></li>
<li><a href='https://www.tonykearneyphotography.com/uploads/5/8/0/1/5801570/billie-eilish-squarespace_orig.jpg'>Tony’s photograph</a> of <a href='https://www.instagram.com/billieeilish/'>@BillieEilish</a></li>
<li><a href='https://www.tonykearneyphotography.com/uploads/5/8/0/1/5801570/aurora-squarespace_orig.jpg'>Tony’s photograph</a> of <a href='https://www.instagram.com/auroramusic/'>@AuroraMusic</a></li>
<li>Tony Kearney, <a href='https://www.portrait.gov.au/portraits/2017.153/linda-syddick-tjunggkiya-napaltjarri/'>Linda Syddick Tjunggkiya Napaltjarri</a>, 2017, inkjet print on paper, image: 66.2cm x 66.2cm, purchased by NPG (Australia) in 2017
Tony Kearney, <a href='https://www.portrait.gov.au/portraits/2017.154/wentja-morgan-napaltjarri/'>Wentja Morgan Napaltjarri</a>, 2017, inkjet print on paper, image: 66.2cm x 66.1cm, purchased by NPG (Australia) in 2017</li>
<li><a href='http://www.tangentyereartists.org.au/'>Tangentyere Art Centre</a></li>
<li><a href='http://www.atomicartcompany.com/salt-rust-tar.html'>Rust</a>, ‘The corrosion of culture and the culture of corrosion’</li>
<li>‘Chandie’ by <a href='http://www.debjones.com.au/'>Deb Jones</a> & <a href='http://www.christinecholewa.com/about-1'>Christine Cholewa</a></li>
<li><a href='http://www.syrialost.net/'>Syria Lost</a></li>
<li><a href='https://ourport.com.au/precinct/harts-mill/'>Hart’s Mill</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph caught up with photographic artist Tony Kearney at his home in Port Adelaide. Tune in to hear about his journey to photography, his highly-acclaimed portrait work, competing with pigeons for exhibition space in Hart’s Mill, and that time he took 180 rolls of film through multiple airport x-ray machines en route to Syria.</p>
<p>Show Notes</p>
<ul><li><a href='https://en.wikipedia.org/wiki/Instamatic'>Kodak Instamatic</a></li>
<li>Reticulation, <a href='https://www.ephotozine.com/article/bas-relief---advanced-darkroom-technique-4701'>bas relief</a></li>
<li><a href='https://en.wikipedia.org/wiki/Bakelite'>Bakelite</a></li>
<li><a href='http://www.atomicartcompany.com/mug-shots.html'>Mug Shots</a></li>
<li>Fixer, developer, stop bath – photographic chemicals</li>
<li><a href='https://atkins.com.au/'>Atkins Lab</a></li>
<li><a href='https://en.wikipedia.org/wiki/Kodachrome'>Kodachrome</a></li>
<li><a href='http://www.msc.sa.edu.au/'>Marden Senior College</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/'>Tarnanthi Festival</a></li>
<li><a href='https://nrm.org.au/'>National Railway Museum</a></li>
<li><a href='https://gallery.tweed.nsw.gov.au/whats-on/prizes-awards/olive-cotton-award'>Olive Cotton Award</a> / 2021 <a href='https://online.fliphtml5.com/txcax/ceae/'>Exhibition Catalogue</a></li>
<li><a href='https://www.mga.org.au/bowness-prize'>Bowness Prize</a> / <a href='https://www.mga.org.au/bowness-prize/2021-finalists-gallery/index/pp/96/pg/1'>finalist images 2021</a></li>
<li><a href='https://www.npg.org.uk/whatson/twppp2021/exhibition/'>Taylor Wessing Photographic Portrait Prize</a></li>
<li><a href='https://www.npg.org.uk/'>National Portrait Gallery</a> London</li>
<li><em><a href='https://www.taylorwessing.com/en/insights-and-events/news/media-centre/press-releases/2021/11/twppp-2021-winner-announced'>David Prichard’s portraits of Australian First Nations stock women win the Taylor Wessing Photographic Portrait Prize 2021</a></em> [article]</li>
<li>Tony Kearney, <a href='https://www.npg.org.uk/whatson/twppp2021/exhibitors/jacob'><em>Jacob</em></a><em>,</em> 2020</li>
<li><em><a href='https://www.theguardian.com/artanddesign/gallery/2021/nov/09/the-years-best-portrait-photography-in-pictures-taylor-wessing-prize'>‘Dignified, strong, beautiful’: the year’s best portrait photography – in pictures</a></em> (The Guardian) [article]</li>
<li><a href='https://www.imdb.com/title/tt9286908/'>High Ground</a> (2020) imdb</li>
<li><em><a href='https://www.theguardian.com/artanddesign/gallery/2021/nov/12/the-2021-bowness-photography-prize-selected-finalists-in-pictures'>The 2021 Bowness photography prize selected finalists – in pictures</a></em> (The Guardian) [article]</li>
<li><a href='https://www.tonykearneyportraiture.com/'>tonykearneyportraiture.com</a></li>
<li><a href='https://www.portrait.gov.au/portraits.php?i=both&p=57109'>3 of Tony’s portraits in NPG collection</a></li>
<li><a href='https://vitalstatistix.com.au/'>Vitalstatistix</a></li>
<li><a href='https://www.instagram.com/lanewayfest/?hl=en'>Laneway Festival</a></li>
<li><a href='https://www.tonykearneyphotography.com/uploads/5/8/0/1/5801570/billie-eilish-squarespace_orig.jpg'>Tony’s photograph</a> of <a href='https://www.instagram.com/billieeilish/'>@BillieEilish</a></li>
<li><a href='https://www.tonykearneyphotography.com/uploads/5/8/0/1/5801570/aurora-squarespace_orig.jpg'>Tony’s photograph</a> of <a href='https://www.instagram.com/auroramusic/'>@AuroraMusic</a></li>
<li>Tony Kearney, <em><a href='https://www.portrait.gov.au/portraits/2017.153/linda-syddick-tjunggkiya-napaltjarri/'>Linda Syddick Tjunggkiya Napaltjarri</a></em>, 2017, inkjet print on paper, image: 66.2cm x 66.2cm, purchased by NPG (Australia) in 2017<br>
Tony Kearney, <em><a href='https://www.portrait.gov.au/portraits/2017.154/wentja-morgan-napaltjarri/'>Wentja Morgan Napaltjarri</a></em>, 2017, inkjet print on paper, image: 66.2cm x 66.1cm, purchased by NPG (Australia) in 2017</li>
<li><a href='http://www.tangentyereartists.org.au/'>Tangentyere Art Centre</a></li>
<li><a href='http://www.atomicartcompany.com/salt-rust-tar.html'>Rust</a>, ‘The corrosion of culture and the culture of corrosion’</li>
<li>‘Chandie’ by <a href='http://www.debjones.com.au/'>Deb Jones</a> & <a href='http://www.christinecholewa.com/about-1'>Christine Cholewa</a></li>
<li><a href='http://www.syrialost.net/'>Syria Lost</a></li>
<li><a href='https://ourport.com.au/precinct/harts-mill/'>Hart’s Mill</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w5mtau/TonyKearney_3.mp3" length="46613112" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph caught up with photographic artist Tony Kearney at his home in Port Adelaide. Tune in to hear about his journey to photography, his highly-acclaimed portrait work, competing with pigeons for exhibition space in Hart’s Mill, and that time he took 180 rolls of film through multiple airport x-ray machines en route to Syria.
Show Notes
Kodak Instamatic
Reticulation, bas relief
Bakelite
Mug Shots
Fixer, developer, stop bath – photographic chemicals
Atkins Lab
Kodachrome
Marden Senior College
Tarnanthi Festival
National Railway Museum
Olive Cotton Award / 2021 Exhibition Catalogue
Bowness Prize / finalist images 2021
Taylor Wessing Photographic Portrait Prize
National Portrait Gallery London
David Prichard’s portraits of Australian First Nations stock women win the Taylor Wessing Photographic Portrait Prize 2021 [article]
Tony Kearney, Jacob, 2020
‘Dignified, strong, beautiful’: the year’s best portrait photography – in pictures (The Guardian) [article]
High Ground (2020) imdb
The 2021 Bowness photography prize selected finalists – in pictures (The Guardian) [article]
tonykearneyportraiture.com
3 of Tony’s portraits in NPG collection
Vitalstatistix
Laneway Festival
Tony’s photograph of @BillieEilish
Tony’s photograph of @AuroraMusic
Tony Kearney, Linda Syddick Tjunggkiya Napaltjarri, 2017, inkjet print on paper, image: 66.2cm x 66.2cm, purchased by NPG (Australia) in 2017Tony Kearney, Wentja Morgan Napaltjarri, 2017, inkjet print on paper, image: 66.2cm x 66.1cm, purchased by NPG (Australia) in 2017
Tangentyere Art Centre
Rust, ‘The corrosion of culture and the culture of corrosion’
‘Chandie’ by Deb Jones & Christine Cholewa
Syria Lost
Hart’s Mill
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3043</itunes:duration>
                <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Tony-notext-small.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/wr992g/TonyKearney_3_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Jasmine Crisp</title>
        <itunes:title>Artist Interview: Jasmine Crisp</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-jasmine-crisp/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-jasmine-crisp/#comments</comments>        <pubDate>Tue, 14 Dec 2021 06:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/b73deefc-d9a4-37ab-a19e-af4493f7d042</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with Jasmine Crisp at her home studio in the Adelaide Hills. Jasmine paints across small and large scale, with her narrative paintings discoverable in both gallery spaces and on buildings around Adelaide and beyond. We talk about what drives her work, the ups and downs of working in public space, her time in residency in Iceland, and her painting that won the inaugural Centre for Creative Health Art Prize.</p>
<p><a href='https://www.salafestival.com/jasmine-crisp-interview-transcript/'>Transcript of this episode</a> (PDF)</p>
<p>Show Notes:</p>
<ul><li>Jasmine Crisp (<a href='https://www.instagram.com/jasmine_crisp/'>Instagram</a>) (<a href='https://www.jasminelcrisp.com/'>website</a>)</li>
<li><a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.youtube.com/watch?v=BzFbbmrzpd4&t=1360s'>SALA Festival Slide Night 2021</a></li>
<li><a href='https://news.artnet.com/art-world/art-demystified-artist-residencies-649592'>What is an artist residency?</a></li>
<li><a href='https://www.sim-residency.info/about'>SíM Artist Residency</a> - Seljavegur, Reykjavík, Iceland.  </li>
<li><a href='https://neslist.is/2019/06/artist-in-residence-jasmine-crisp/'>NES Artist Residency</a> - Skagaströnd, Iceland.  </li>
<li><a href='https://resartis.org/listings/kolin-ryyno_nen-residence-for-artists/'>Kolin Ryyanänen Artist Residency</a> - Koli, Finland</li>
<li><a href='https://creativehealth.org.au/whats-on/cch-art-prize'>Centre for Creative Health Art Prize</a></li>
<li>Jasmine Crisp, ‘<a href='https://www.jasminelcrisp.com/copy-of-2019?lightbox=dataItem-kfc7se7p1'>They had to share (a portrait of Ruby)</a>’, 2020, oil on linen, 91x152cm</li>
<li>Ruby Allegra (<a href='https://www.instagram.com/rvbyallegra/?hl=en'>Instagram</a>)</li>
<li><a href='https://indaily.com.au/inreview/visual-art/2021/10/01/portrait-of-ruby-wins-new-health-focused-art-prize/'>Portrait of Ruby wins new health-focused art prize</a> (InDaily article)</li>
<li><a href='https://en.wikipedia.org/wiki/Icon'>Religious Icon paintings</a></li>
<li><a href='https://bsafest.com.au/'>Brisbane Street Art Festival</a></li>
<li>Andrew Salgado (<a href='https://www.instagram.com/andrew.salgado.art/'>Instagram</a>) (<a href='https://andrewsalgado.com/'>website</a>)</li>
<li>Beers London (<a href='https://beerslondon.com/about/'>website</a>) (<a href='https://beerslondon.com/artists/andrew-salgado/'>Salgado bio</a>)</li>
</ul>
<p> </p>
<p></p>
<p>Jasmine Crisp, ‘They had to share (a portrait of Ruby)’, 2020, oil on linen, 91x152cm</p>
<p> </p>
<p>Music: Sky 5: The Rise, The Walk, The Hope - Monplaisir</p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with Jasmine Crisp at her home studio in the Adelaide Hills. Jasmine paints across small and large scale, with her narrative paintings discoverable in both gallery spaces and on buildings around Adelaide and beyond. We talk about what drives her work, the ups and downs of working in public space, her time in residency in Iceland, and her painting that won the inaugural Centre for Creative Health Art Prize.</p>
<p><a href='https://www.salafestival.com/jasmine-crisp-interview-transcript/'>Transcript of this episode</a> (PDF)</p>
<p>Show Notes:</p>
<ul><li>Jasmine Crisp (<a href='https://www.instagram.com/jasmine_crisp/'>Instagram</a>) (<a href='https://www.jasminelcrisp.com/'>website</a>)</li>
<li><a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.youtube.com/watch?v=BzFbbmrzpd4&t=1360s'>SALA Festival Slide Night 2021</a></li>
<li><a href='https://news.artnet.com/art-world/art-demystified-artist-residencies-649592'>What is an artist residency?</a></li>
<li><a href='https://www.sim-residency.info/about'>SíM Artist Residency</a> - Seljavegur, Reykjavík, Iceland.  </li>
<li><a href='https://neslist.is/2019/06/artist-in-residence-jasmine-crisp/'>NES Artist Residency</a> - Skagaströnd, Iceland.  </li>
<li><a href='https://resartis.org/listings/kolin-ryyno_nen-residence-for-artists/'>Kolin Ryyanänen Artist Residency</a> - Koli, Finland</li>
<li><a href='https://creativehealth.org.au/whats-on/cch-art-prize'>Centre for Creative Health Art Prize</a></li>
<li>Jasmine Crisp, ‘<a href='https://www.jasminelcrisp.com/copy-of-2019?lightbox=dataItem-kfc7se7p1'>They had to share (a portrait of Ruby)</a>’, 2020, oil on linen, 91x152cm</li>
<li>Ruby Allegra (<a href='https://www.instagram.com/rvbyallegra/?hl=en'>Instagram</a>)</li>
<li><a href='https://indaily.com.au/inreview/visual-art/2021/10/01/portrait-of-ruby-wins-new-health-focused-art-prize/'>Portrait of Ruby wins new health-focused art prize</a> (InDaily article)</li>
<li><a href='https://en.wikipedia.org/wiki/Icon'>Religious Icon paintings</a></li>
<li><a href='https://bsafest.com.au/'>Brisbane Street Art Festival</a></li>
<li>Andrew Salgado (<a href='https://www.instagram.com/andrew.salgado.art/'>Instagram</a>) (<a href='https://andrewsalgado.com/'>website</a>)</li>
<li>Beers London (<a href='https://beerslondon.com/about/'>website</a>) (<a href='https://beerslondon.com/artists/andrew-salgado/'>Salgado bio</a>)</li>
</ul>
<p> </p>
<p></p>
<p>Jasmine Crisp, ‘They had to share (a portrait of Ruby)’, 2020, oil on linen, 91x152cm</p>
<p> </p>
<p>Music: Sky 5: The Rise, The Walk, The Hope - Monplaisir</p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hqnvg2/21_Jasmine_Crisp_1bwd8g.mp3" length="36945334" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with Jasmine Crisp at her home studio in the Adelaide Hills. Jasmine paints across small and large scale, with her narrative paintings discoverable in both gallery spaces and on buildings around Adelaide and beyond. We talk about what drives her work, the ups and downs of working in public space, her time in residency in Iceland, and her painting that won the inaugural Centre for Creative Health Art Prize.
Transcript of this episode (PDF)
Show Notes:
Jasmine Crisp (Instagram) (website)
Adelaide Central School of Art
SALA Festival Slide Night 2021
What is an artist residency?
SíM Artist Residency - Seljavegur, Reykjavík, Iceland.  
NES Artist Residency - Skagaströnd, Iceland.  
Kolin Ryyanänen Artist Residency - Koli, Finland
Centre for Creative Health Art Prize
Jasmine Crisp, ‘They had to share (a portrait of Ruby)’, 2020, oil on linen, 91x152cm
Ruby Allegra (Instagram)
Portrait of Ruby wins new health-focused art prize (InDaily article)
Religious Icon paintings
Brisbane Street Art Festival
Andrew Salgado (Instagram) (website)
Beers London (website) (Salgado bio)
 

Jasmine Crisp, ‘They had to share (a portrait of Ruby)’, 2020, oil on linen, 91x152cm
 
Music: Sky 5: The Rise, The Walk, The Hope - Monplaisir
 ]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2320</itunes:duration>
                <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Jasmine.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/r73w4y/21_Jasmine_Crisp_1_otter_aian9y2.srt" type="application/srt" />    </item>
    <item>
        <title>Artist Interview: Shane Kooka</title>
        <itunes:title>Artist Interview: Shane Kooka</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-shane-kooka/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-shane-kooka/#comments</comments>        <pubDate>Tue, 16 Nov 2021 20:03:22 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/5763a479-aeff-3c25-b364-7668940f39a4</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with Shane Kooka.
Shane’s interest in art started at an early age and became an important way for him to connect with culture. Today, Shane works at small and large scale, making his mark on bodies, garments, buildings, and more. In this interview we hear about the role of collaboration and variety in sustaining his practice, and some of his work in Tarnanthi.</p>
<p> </p>
<p>Show Notes</p>
<ul><li>Cherbourg Mission
'Missions, reserves and stations were reserves of land to which Aboriginal people were forcibly located' – <a href='https://aiatsis.gov.au/family-history/family-history-sources/official-records/mission-and-reserve-records'>aiatsis.gov.au</a></li>
<li>Stolen Gen / Stolen Generation
<a href='https://healingfoundation.org.au/who-are-the-stolen-generations/'>Who are the Stolen Generations?</a> (healingfoundation.org.au)</li>
<li>Jack Buckskin (<a href='https://www.instagram.com/jackbuckskin_public/'>Instagram</a>)</li>
<li>Uncle Stevie
<a href='https://www.abc.net.au/news/2017-07-25/indigenous-leader-stephen-goldsmith-remembered/8742538'>ABC memorial article</a> (please note that this article contains images of people who have died)</li>
<li>Jamie Goldsmith
<a href='https://www.rundlestreet.com.au/news/art-in-the-east-end-jamie-goldsmith-mural/'>Honored with mural</a> by Jimmy C and Elizabeth Close in the East End of Adelaide.</li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/'>Tarnanthi 2021</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/tarnanthi-across-the-city-state/tarnanthi-lt3/'>LT3</a> at <a href='http://hahndorfacademy.org.au/'>Hahndorf Academy</a>, 9 Oct – 28 Nov 2021, 10am-5pm daily, free</li>
<li><a href='http://hahndorfacademy.org.au/upcoming-events/2021/11/20/lt3-artist-talk'>LT3 artist talk</a> | 12-1pm, 20 Nov 2021 at Hahndorf Academy</li>
<li>Elizabeth Close (<a href='https://www.elizabethclosearts.com/'>website</a>) (<a href='https://www.instagram.com/Elizabethclosearts/'>Instagram</a>)</li>
<li>Thomas Readett (<a href='https://www.trvisualarts.com/'>website</a>) (<a href='https://www.instagram.com/trvisualarts/'>Instagram</a>)</li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/tarnanthi-across-the-city-state/tarnanthi21-mirdilyayanthi-to-shine-bright/'>Mirdilyayanthi – to Shine Bright</a> at Women’s and Children’s hospital (Blue Heart Gallery, Ground Floor). 15 Oct 2021 – 31 Jan 2022. 9am-5pm daily, free.</li>
<li><a href='http://www.blackdiamondtattoo.com.au/'>Black Diamond Tattoo</a></li>
<li><a href='https://www.smh.com.au/sport/de-castella-s-indigenous-mission-in-new-york-marathon-20191101-p536ek.html'>De Castella’s Indigenous mission in New York Marathon</a> (SMH article, 2019)</li>
<li><a href='https://www.bbc.com/news/world-australia-49315063'>The fight to ‘free’ the Aboriginal flag</a> – BBC article</li>
<li><a href='https://www.afc.com.au/news/791218/adelaide-unveils-2020-indigenous-guernsey'>Adelaide Crows Football Club 2020 Indigenous</a> Guernsey designed by Eddie Hocking working with Shane Kooka</li>
<li><a href='https://www.sportingnews.com/au/mma/news/ufc-adelaide-tai-tuivasa-entrance-music-aboriginal-dance-video-results/yfuh5j64jkyw1nw5fauklk4ny'>UFC Adelaide: Tai Tuivasa’s entrance music honours his Aboriginal heritage</a> (sportingnews article)</li>
<li><a href='https://www.instagram.com/cold_krush/?hl=en'>Cold Krush</a></li>
<li><a href='https://www.instagram.com/p/CAvGr9wBnUn/'>Anthony Mundine wearing Shane’s art</a></li>
<li><a href='https://www.instagram.com/shanekooka_art/?hl=en'>@ShaneKooka_Art</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with Shane Kooka.<br>
Shane’s interest in art started at an early age and became an important way for him to connect with culture. Today, Shane works at small and large scale, making his mark on bodies, garments, buildings, and more. In this interview we hear about the role of collaboration and variety in sustaining his practice, and some of his work in Tarnanthi.</p>
<p> </p>
<p>Show Notes</p>
<ul><li>Cherbourg Mission<br>
'Missions, reserves and stations were reserves of land to which Aboriginal people were forcibly located' – <a href='https://aiatsis.gov.au/family-history/family-history-sources/official-records/mission-and-reserve-records'>aiatsis.gov.au</a></li>
<li>Stolen Gen / Stolen Generation<br>
<a href='https://healingfoundation.org.au/who-are-the-stolen-generations/'>Who are the Stolen Generations?</a> (healingfoundation.org.au)</li>
<li>Jack Buckskin (<a href='https://www.instagram.com/jackbuckskin_public/'>Instagram</a>)</li>
<li>Uncle Stevie<br>
<a href='https://www.abc.net.au/news/2017-07-25/indigenous-leader-stephen-goldsmith-remembered/8742538'>ABC memorial article</a> (please note that this article contains images of people who have died)</li>
<li>Jamie Goldsmith<br>
<a href='https://www.rundlestreet.com.au/news/art-in-the-east-end-jamie-goldsmith-mural/'>Honored with mural</a> by Jimmy C and Elizabeth Close in the East End of Adelaide.</li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/'>Tarnanthi 2021</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/tarnanthi-across-the-city-state/tarnanthi-lt3/'>LT3</a> at <a href='http://hahndorfacademy.org.au/'>Hahndorf Academy</a>, 9 Oct – 28 Nov 2021, 10am-5pm daily, free</li>
<li><a href='http://hahndorfacademy.org.au/upcoming-events/2021/11/20/lt3-artist-talk'>LT3 artist talk</a> | 12-1pm, 20 Nov 2021 at Hahndorf Academy</li>
<li>Elizabeth Close (<a href='https://www.elizabethclosearts.com/'>website</a>) (<a href='https://www.instagram.com/Elizabethclosearts/'>Instagram</a>)</li>
<li>Thomas Readett (<a href='https://www.trvisualarts.com/'>website</a>) (<a href='https://www.instagram.com/trvisualarts/'>Instagram</a>)</li>
<li><em><a href='https://www.agsa.sa.gov.au/whats-on/tarnanthi/tarnanthi-2021/tarnanthi-across-the-city-state/tarnanthi21-mirdilyayanthi-to-shine-bright/'>Mirdilyayanthi – to Shine Bright</a></em> at Women’s and Children’s hospital (Blue Heart Gallery, Ground Floor). 15 Oct 2021 – 31 Jan 2022. 9am-5pm daily, free.</li>
<li><a href='http://www.blackdiamondtattoo.com.au/'>Black Diamond Tattoo</a></li>
<li><a href='https://www.smh.com.au/sport/de-castella-s-indigenous-mission-in-new-york-marathon-20191101-p536ek.html'>De Castella’s Indigenous mission in New York Marathon</a> (SMH article, 2019)</li>
<li><a href='https://www.bbc.com/news/world-australia-49315063'>The fight to ‘free’ the Aboriginal flag</a> – BBC article</li>
<li><a href='https://www.afc.com.au/news/791218/adelaide-unveils-2020-indigenous-guernsey'>Adelaide Crows Football Club 2020 Indigenous</a> Guernsey designed by Eddie Hocking working with Shane Kooka</li>
<li><a href='https://www.sportingnews.com/au/mma/news/ufc-adelaide-tai-tuivasa-entrance-music-aboriginal-dance-video-results/yfuh5j64jkyw1nw5fauklk4ny'>UFC Adelaide: Tai Tuivasa’s entrance music honours his Aboriginal heritage</a> (sportingnews article)</li>
<li><a href='https://www.instagram.com/cold_krush/?hl=en'>Cold Krush</a></li>
<li><a href='https://www.instagram.com/p/CAvGr9wBnUn/'>Anthony Mundine wearing Shane’s art</a></li>
<li><a href='https://www.instagram.com/shanekooka_art/?hl=en'>@ShaneKooka_Art</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fpuy98/Shane_2.mp3" length="23541773" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with Shane Kooka.Shane’s interest in art started at an early age and became an important way for him to connect with culture. Today, Shane works at small and large scale, making his mark on bodies, garments, buildings, and more. In this interview we hear about the role of collaboration and variety in sustaining his practice, and some of his work in Tarnanthi.
 
Show Notes
Cherbourg Mission'Missions, reserves and stations were reserves of land to which Aboriginal people were forcibly located' – aiatsis.gov.au
Stolen Gen / Stolen GenerationWho are the Stolen Generations? (healingfoundation.org.au)
Jack Buckskin (Instagram)
Uncle StevieABC memorial article (please note that this article contains images of people who have died)
Jamie GoldsmithHonored with mural by Jimmy C and Elizabeth Close in the East End of Adelaide.
Tarnanthi 2021
LT3 at Hahndorf Academy, 9 Oct – 28 Nov 2021, 10am-5pm daily, free
LT3 artist talk | 12-1pm, 20 Nov 2021 at Hahndorf Academy
Elizabeth Close (website) (Instagram)
Thomas Readett (website) (Instagram)
Mirdilyayanthi – to Shine Bright at Women’s and Children’s hospital (Blue Heart Gallery, Ground Floor). 15 Oct 2021 – 31 Jan 2022. 9am-5pm daily, free.
Black Diamond Tattoo
De Castella’s Indigenous mission in New York Marathon (SMH article, 2019)
The fight to ‘free’ the Aboriginal flag – BBC article
Adelaide Crows Football Club 2020 Indigenous Guernsey designed by Eddie Hocking working with Shane Kooka
UFC Adelaide: Tai Tuivasa’s entrance music honours his Aboriginal heritage (sportingnews article)
Cold Krush
Anthony Mundine wearing Shane’s art
@ShaneKooka_Art
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1420</itunes:duration>
                <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Shane_no-text.jpg" /><podcast:transcript url="https://mcdn.podbean.com/mf/web/dqzkpz/Podcast20_ShaneKooka_otter_ai.srt" type="application/srt" />    </item>
    <item>
        <title>2021 Audio Tour - Adelaide's Public Art</title>
        <itunes:title>2021 Audio Tour - Adelaide's Public Art</itunes:title>
        <link>https://salafestival.podbean.com/e/2021-audio-tour-adelaides-public-art/</link>
                    <comments>https://salafestival.podbean.com/e/2021-audio-tour-adelaides-public-art/#comments</comments>        <pubDate>Fri, 27 Aug 2021 11:51:39 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/b506a82b-a0ea-36cf-aae8-359d3115495d</guid>
                                    <description><![CDATA[<p>Check out the new do-it-yourself audio tour of public art in the City of Adelaide! Join Steph in this meander around the CBD and find out more about the murals, sculptures, and installations that decorate our city. You can listen from the comfort of home or listen along while you walk the route yourself.</p>
<p> </p>
<ul><li>Stop 1: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/david-gulpilil-mural/'>David Gulpilil mural</a> by <a href='https://www.trvisualarts.com/'>Thomas Readett</a> with Laura Paige
[location: Tandanya, East Terrace, Adelaide]
<ul><li><a href='https://www.broadsheet.com.au/adelaide/art-and-design/article/screen-legend-david-gulpilil-subject-new-mural-adelaide'>Broadsheet: Screen Legend David Gulpilil Is the Subject of a New Mural in Adelaide</a></li>
<li><a href='https://www.youtube.com/watch?v=N1jN6mp-o5U'>Video documentation</a></li>
</ul>
</li>
<li>Stop 2: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/pigeon/'>Pigeon</a> by Paul Sloan, fabricated by <a href='http://iguanacreative.com.au/public-art/'>Iguana Creative</a>
[location: Rundle Mall/Gawler Place (South)]</li>
<li>Stop 3: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/flow/'>Flow</a> by Laura Wills and Will Cheesman, fabricated by <a href='https://exhibitionstudios.com/'>Exhibition Studios</a>
[location: Rundle Mall/Gawler Place (North)]</li>
<li>Stop 4: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/14-pieces/'>14 Pieces</a> by Hossein and Angela Valamanesh
[location: outside the South Australian Museum, North Terrace]

</li>
<li>Stop 5: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/city-of-music-mural/'>City of Music mural</a> by <a href='http://davecourt.art/'>Dave Court</a>
[location: East of the Morphett St Bridge]
<ul><li><a href='http://davecourt.art/city-of-music-mural'>Documentary Video</a></li>
</ul>
</li>
<li>Stop 6: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/she-imagined-buttons/'>She imaged buttons</a> by <a href='https://www.jasminelcrisp.com/'>Jasmine Crisp</a>
<p>[location: East wall of the Rockford Hotel, cnr Hindley St and Morphett St]</p>
</li>
<li>Stop 7: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/parking-pole/'>Parking Pole</a> by Michelle Nikou
<p>[location: Hindley St / Leigh St]</p>
</li>
<li>Stop 8: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/roy-mo-rene/'>Roy Rene</a> by Robert Hannaford
<p>[location: Hindley St, opposite McDonalds]</p>
</li>
<li>Stop 9: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/the-beatles-artwork/'>The Beatles</a> by Algo Mas Marketing
<p>[location: Adelaide Town Hall balcony]</p>
</li>
<li>Stop 10: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/golden-rhombohedron-obtuse/'>Golden Rhombohedron (Obtuse)</a> by <a href='http://www.jasonsims.com.au/'>Jason Sims</a>
<p>[location: Grote Street, opposite Her Majesty’s Theatre]</p>
<ul><li><a href='https://indaily.com.au/inreview/visual-art/2021/07/21/in-the-studio-with-jason-sims/?utm_medium=email&utm_campaign=InReview++21+July+2021&utm_content=InReview++21+July+2021+CID_200b4bd175752e2796981b70ee3c3bc3&utm_source=EDM&utm_term=READ+MORE'>InDaily: In the Studio with Jason Sims</a></li>
<li><a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/golden-rhombohedron-acute/'>Golden Rhombohedron (Acute)</a></li>
</ul>
</li>
<li><a href='https://explore.cityofadelaide.com.au/see-and-do/arts-entertainment/art-in-adelaide/'>City of Adelaide Public Art Map</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Check out the new do-it-yourself audio tour of public art in the City of Adelaide! Join Steph in this meander around the CBD and find out more about the murals, sculptures, and installations that decorate our city. You can listen from the comfort of home or listen along while you walk the route yourself.</p>
<p> </p>
<ul><li>Stop 1: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/david-gulpilil-mural/'>David Gulpilil mural</a> by <a href='https://www.trvisualarts.com/'>Thomas Readett</a> with Laura Paige<br>
[location: Tandanya, East Terrace, Adelaide]<br>
<ul><li><a href='https://www.broadsheet.com.au/adelaide/art-and-design/article/screen-legend-david-gulpilil-subject-new-mural-adelaide'>Broadsheet: Screen Legend David Gulpilil Is the Subject of a New Mural in Adelaide</a></li>
<li><a href='https://www.youtube.com/watch?v=N1jN6mp-o5U'>Video documentation</a></li>
</ul>
</li>
<li>Stop 2: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/pigeon/'>Pigeon</a> by Paul Sloan, fabricated by <a href='http://iguanacreative.com.au/public-art/'>Iguana Creative</a><br>
[location: Rundle Mall/Gawler Place (South)]</li>
<li>Stop 3: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/flow/'>Flow</a> by Laura Wills and Will Cheesman, fabricated by <a href='https://exhibitionstudios.com/'>Exhibition Studios</a><br>
[location: Rundle Mall/Gawler Place (North)]</li>
<li>Stop 4: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/14-pieces/'>14 Pieces</a> by Hossein and Angela Valamanesh<br>
[location: outside the South Australian Museum, North Terrace]<br>
<br>
</li>
<li>Stop 5: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/city-of-music-mural/'>City of Music mural</a> by <a href='http://davecourt.art/'>Dave Court</a><br>
[location: East of the Morphett St Bridge]<br>
<ul><li><a href='http://davecourt.art/city-of-music-mural'>Documentary Video</a></li>
</ul>
</li>
<li>Stop 6: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/she-imagined-buttons/'>She imaged buttons</a> by <a href='https://www.jasminelcrisp.com/'>Jasmine Crisp</a><br>
<p>[location: East wall of the Rockford Hotel, cnr Hindley St and Morphett St]</p>
</li>
<li>Stop 7: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/parking-pole/'>Parking Pole</a> by Michelle Nikou<br>
<p>[location: Hindley St / Leigh St]</p>
</li>
<li>Stop 8: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/roy-mo-rene/'>Roy Rene</a> by Robert Hannaford<br>
<p>[location: Hindley St, opposite McDonalds]</p>
</li>
<li>Stop 9: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/the-beatles-artwork/'>The Beatles</a> by Algo Mas Marketing<br>
<p>[location: Adelaide Town Hall balcony]</p>
</li>
<li>Stop 10: <a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/golden-rhombohedron-obtuse/'>Golden Rhombohedron (Obtuse)</a> by <a href='http://www.jasonsims.com.au/'>Jason Sims</a><br>
<p>[location: Grote Street, opposite Her Majesty’s Theatre]</p>
<ul><li><a href='https://indaily.com.au/inreview/visual-art/2021/07/21/in-the-studio-with-jason-sims/?utm_medium=email&utm_campaign=InReview++21+July+2021&utm_content=InReview++21+July+2021+CID_200b4bd175752e2796981b70ee3c3bc3&utm_source=EDM&utm_term=READ+MORE'>InDaily: In the Studio with Jason Sims</a></li>
<li><a href='https://explore.cityofadelaide.com.au/public-art/art-in-adelaide/golden-rhombohedron-acute/'>Golden Rhombohedron (Acute)</a></li>
</ul>
</li>
<li><a href='https://explore.cityofadelaide.com.au/see-and-do/arts-entertainment/art-in-adelaide/'>City of Adelaide Public Art Map</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g8xpws/Public_Art27jrls.mp3" length="26189233" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Check out the new do-it-yourself audio tour of public art in the City of Adelaide! Join Steph in this meander around the CBD and find out more about the murals, sculptures, and installations that decorate our city. You can listen from the comfort of home or listen along while you walk the route yourself.
 
Stop 1: David Gulpilil mural by Thomas Readett with Laura Paige[location: Tandanya, East Terrace, Adelaide]Broadsheet: Screen Legend David Gulpilil Is the Subject of a New Mural in Adelaide
Video documentation

Stop 2: Pigeon by Paul Sloan, fabricated by Iguana Creative[location: Rundle Mall/Gawler Place (South)]
Stop 3: Flow by Laura Wills and Will Cheesman, fabricated by Exhibition Studios[location: Rundle Mall/Gawler Place (North)]
Stop 4: 14 Pieces by Hossein and Angela Valamanesh[location: outside the South Australian Museum, North Terrace]
Stop 5: City of Music mural by Dave Court[location: East of the Morphett St Bridge]Documentary Video

Stop 6: She imaged buttons by Jasmine Crisp[location: East wall of the Rockford Hotel, cnr Hindley St and Morphett St]

Stop 7: Parking Pole by Michelle Nikou[location: Hindley St / Leigh St]

Stop 8: Roy Rene by Robert Hannaford[location: Hindley St, opposite McDonalds]

Stop 9: The Beatles by Algo Mas Marketing[location: Adelaide Town Hall balcony]

Stop 10: Golden Rhombohedron (Obtuse) by Jason Sims[location: Grote Street, opposite Her Majesty’s Theatre]
InDaily: In the Studio with Jason Sims
Golden Rhombohedron (Acute)

City of Adelaide Public Art Map
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1564</itunes:duration>
                <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Publicart_nologo.jpg" />    </item>
    <item>
        <title>Artist Interview: Bridget Currie</title>
        <itunes:title>Artist Interview: Bridget Currie</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-bridget-currie/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-bridget-currie/#comments</comments>        <pubDate>Tue, 17 Aug 2021 22:44:33 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/3b9d1a0c-745f-3d93-a2a8-500e5c66d502</guid>
                                    <description><![CDATA[<p>In this episode, Steph caught up with multidisciplinary artist Bridget Currie. 
Bridget was the inaugural recipient of ACE Open’s newly formed Porter St Commission, and her resulting exhibition, Message from the Meadow, is at ACE Open for this year’s SALA Festival. Tune in to this gentle discussion of Bridget’s practice of giving form to invisible things, the importance of artwork that ‘resists’ logical understanding, and a hint as to Bridget’s preferred corner of the rabbit hole that is ASMR videos.</p>
<p>
Show Notes</p>
<ul><li>John Barber</li>
<li>George Popperwell</li>
<li>Ian North</li>
<li><a href='https://carclew.com.au/'>Carclew</a></li>
<li>Experimental Art Foundation</li>
<li><a href='http://www.vivmiller.com/'>Viv Miller</a>  </li>
<li><a href='https://serawaters.com.au/'>Sera Waters</a>   </li>
<li><a href='https://www.louiseflaherty.com/'>Louise Flaherty</a>     </li>
<li>Chris Flannagan</li>
<li>Andrew Best</li>
<li>Downtown Art Space</li>
<li><a href='https://youtu.be/RwiarKrGmMA'>Downtown</a> [TV commercial]</li>
<li><a href='https://www.alisoncurrie.com/'>Alison Currie</a>             </li>
<li><a href='https://aceopen.art/exhibitions/bridget-currie-message-from-the-meadow/'>Message from the meadow</a>   </li>
<li><a href='https://aceopen.art/porter-street-commission/'>Porter St Commission</a>      </li>
<li><a href='https://aceopen.art/'>ACE Open</a>                     </li>
<li><a href='https://www.creativebloq.com/print-design/risograph-printing-51411803'>Riso print</a>                      </li>
<li><a href='https://www.personbooks.com.au/'>Person Books</a>              </li>
<li>Tyrone Ormsby</li>
<li><a href='https://www.meridiansculpture.com/'>Meridian Sculpture</a> (Melbourne)               </li>
<li><a href='https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/services/hospitals/flinders+medical+centre/services+and+clinics+at+flinders+medical+centre/services+at+flinders+medical+centre/arts+in+health+at+fmc'>Arts in Health at FMC</a>    </li>
<li><a href='https://en.wikipedia.org/wiki/Koan'>Koan</a> - Buddhist principle</li>
<li>The sound of one hand clapping</li>
<li>ASMR / Autonomous Sensory Meridian Response</li>
<li><a href='https://aceopen.art/events/meditation-tactile-tour/'>Meditation in the gallery</a>       </li>
<li><a href='http://www.kegdesouza.com/the-only-rock-we-eat-ace-open/'>Keg de Souza and Lucien Alperstein's salt banquet</a></li>
<li><a href='https://rupert.lt/about-us/'>Rupert</a> (Vilnius, Lithuania)</li>
<li><a href='https://www.deantoepfer.com/'>Dean Toepfer</a>                 </li>
<li><a href='https://www.instagram.com/mixedgoodsstudios/?hl=en'>Mixed Goods Studios</a> [Instagram]  </li>
<li><a href='https://www.bridgetcurrie.com/'>BridgetCurrie.com</a>             </li>
<li><a href='https://www.instagram.com/bridget_currie/?hl=en'>@Bridget_Currie</a>         </li>
</ul>
<p> </p>
<p>Music: Nothing will grow here, Komiko, free music archive</p>
<p>Image: Sam Roberts, courtesy of ACE Open</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph caught up with multidisciplinary artist Bridget Currie. <br>
Bridget was the inaugural recipient of ACE Open’s newly formed Porter St Commission, and her resulting exhibition, Message from the Meadow, is at ACE Open for this year’s SALA Festival. Tune in to this gentle discussion of Bridget’s practice of giving form to invisible things, the importance of artwork that ‘resists’ logical understanding, and a hint as to Bridget’s preferred corner of the rabbit hole that is ASMR videos.</p>
<p><br>
Show Notes</p>
<ul><li>John Barber</li>
<li>George Popperwell</li>
<li>Ian North</li>
<li><a href='https://carclew.com.au/'>Carclew</a></li>
<li>Experimental Art Foundation</li>
<li><a href='http://www.vivmiller.com/'>Viv Miller</a>  </li>
<li><a href='https://serawaters.com.au/'>Sera Waters</a>   </li>
<li><a href='https://www.louiseflaherty.com/'>Louise Flaherty</a>     </li>
<li>Chris Flannagan</li>
<li>Andrew Best</li>
<li>Downtown Art Space</li>
<li><a href='https://youtu.be/RwiarKrGmMA'>Downtown</a> [TV commercial]</li>
<li><a href='https://www.alisoncurrie.com/'>Alison Currie</a>             </li>
<li><em><a href='https://aceopen.art/exhibitions/bridget-currie-message-from-the-meadow/'>Message from the meadow</a>   </em></li>
<li><a href='https://aceopen.art/porter-street-commission/'>Porter St Commission</a>      </li>
<li><a href='https://aceopen.art/'>ACE Open</a>                     </li>
<li><a href='https://www.creativebloq.com/print-design/risograph-printing-51411803'>Riso print</a>                      </li>
<li><a href='https://www.personbooks.com.au/'>Person Books</a>              </li>
<li>Tyrone Ormsby</li>
<li><a href='https://www.meridiansculpture.com/'>Meridian Sculpture</a> (Melbourne)               </li>
<li><a href='https://www.sahealth.sa.gov.au/wps/wcm/connect/public+content/sa+health+internet/services/hospitals/flinders+medical+centre/services+and+clinics+at+flinders+medical+centre/services+at+flinders+medical+centre/arts+in+health+at+fmc'>Arts in Health at FMC</a>    </li>
<li><a href='https://en.wikipedia.org/wiki/Koan'>Koan</a> - Buddhist principle</li>
<li>The sound of one hand clapping</li>
<li>ASMR / Autonomous Sensory Meridian Response</li>
<li><a href='https://aceopen.art/events/meditation-tactile-tour/'>Meditation in the gallery</a>       </li>
<li><a href='http://www.kegdesouza.com/the-only-rock-we-eat-ace-open/'>Keg de Souza and Lucien Alperstein's salt banquet</a></li>
<li><a href='https://rupert.lt/about-us/'>Rupert</a> (Vilnius, Lithuania)</li>
<li><a href='https://www.deantoepfer.com/'>Dean Toepfer</a>                 </li>
<li><a href='https://www.instagram.com/mixedgoodsstudios/?hl=en'>Mixed Goods Studios</a> [Instagram]  </li>
<li><a href='https://www.bridgetcurrie.com/'>BridgetCurrie.com</a>             </li>
<li><a href='https://www.instagram.com/bridget_currie/?hl=en'>@Bridget_Currie</a>         </li>
</ul>
<p> </p>
<p>Music: Nothing will grow here, Komiko, free music archive</p>
<p>Image: Sam Roberts, courtesy of ACE Open</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8bc6rz/BridgetCurrie_2.mp3" length="36044196" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph caught up with multidisciplinary artist Bridget Currie. Bridget was the inaugural recipient of ACE Open’s newly formed Porter St Commission, and her resulting exhibition, Message from the Meadow, is at ACE Open for this year’s SALA Festival. Tune in to this gentle discussion of Bridget’s practice of giving form to invisible things, the importance of artwork that ‘resists’ logical understanding, and a hint as to Bridget’s preferred corner of the rabbit hole that is ASMR videos.
Show Notes
John Barber
George Popperwell
Ian North
Carclew
Experimental Art Foundation
Viv Miller  
Sera Waters   
Louise Flaherty     
Chris Flannagan
Andrew Best
Downtown Art Space
Downtown [TV commercial]
Alison Currie             
Message from the meadow   
Porter St Commission      
ACE Open                     
Riso print                      
Person Books              
Tyrone Ormsby
Meridian Sculpture (Melbourne)               
Arts in Health at FMC    
Koan - Buddhist principle
The sound of one hand clapping
ASMR / Autonomous Sensory Meridian Response
Meditation in the gallery       
Keg de Souza and Lucien Alperstein's salt banquet
Rupert (Vilnius, Lithuania)
Dean Toepfer                 
Mixed Goods Studios [Instagram]  
BridgetCurrie.com             
@Bridget_Currie         
 
Music: Nothing will grow here, Komiko, free music archive
Image: Sam Roberts, courtesy of ACE Open]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2425</itunes:duration>
                <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Bridfet-no-text.jpg" />    </item>
    <item>
        <title>Artist Interview: Henry Wolff</title>
        <itunes:title>Artist Interview: Henry Wolff</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-henry-wolff/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-henry-wolff/#comments</comments>        <pubDate>Tue, 10 Aug 2021 14:17:59 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/47139f61-9118-3d52-9054-a192f4a4f370</guid>
                                    <description><![CDATA[<p>In this episode, Steph catches up with artist Henry Wolff at their studio in Post Office Projects, Port Adelaide. Tune in to hear about Henry’s path from design and fashion to visual art, and the way that empathy and care are explored in their image making - most notably in their new moving-image work ‘CARE’ commissioned by fine print magazine and presented online as part of SALA Festival 2021.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects</a> / POP</li>
<li><a href='https://www.instagram.com/georgesantoni/?hl=en'>Georges Antoni</a> [Instagram]</li>
<li>
<p>“The way we choose to share and claim space in relation to those closest to us becomes a way of knowing ourselves.” – Kate O’Boyle</p>
</li>
<li><a href='https://www.praxisartspace.com/presence/'>Presence</a> at Praxis Artspace</li>
<li>Henry Wolff, '<a href='http://www.fineprintmagazine.com/'>CARE</a>', 2021, single channel moving image with audio, 16 mins</li>
<li><a href='http://www.fineprintmagazine.com/'>fine print magazine</a></li>
<li><a href='https://www.dpc.sa.gov.au/responsibilities/arts-and-culture'>Arts South Australia / Department of Premier and Cabinet</a></li>
<li>
<p>Lur Alghurabi</p>
</li>
<li><a href='https://au.linkedin.com/in/jai-mcgregor-6b143613b'>Jai McGregor</a></li>
<li>Henry Wolff, ‘Ourselves’, 2020. Single channel video with audio. 6:00 minutes. Feat. Jasmine Crisp and Jamilla Hujale. Videography by Jai McGregor. Production assistance Ingrid Wolff. Editing by Henry Wolff. Audio by Martin Davies and Henry Wolff.</li>
<li><a href='https://busprojects.org.au/program/ourselves'>Bus Projects</a></li>
<li>Henry Wolff, ‘Sibling’, 2020, Feat. Ingrid Wolff, single channel video, 7 minutes: 22 seconds. Videography Jai McGregor, Recal Media.</li>
<li><a href='https://www.hodaafshar.com/'>Hoda Afshar</a></li>
<li><a href='https://www.eugenialim.com/'>Eugenia Lim</a></li>
<li><a href='https://www.hayleymillarbaker.com/'>Hayley Millar Baker</a></li>
<li><a href='https://www.jesse-budel.com/'>Jesse Budel</a></li>
<li>Henry Wolff, ‘Kin’, 2021, Feat. Ingril Wolff, Two channel moving imag, videography Jai McGregor, Editing and audio by Henry Wolff</li>
<li><a href='https://henrywolff.net/'>HenryWolff.net</a></li>
<li><a href='https://www.instagram.com/henry___wolff/'>@Henry___Wolff</a> [Instagram]</li>
</ul>
<p>music: Nothing will grow here - Komiku via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph catches up with artist Henry Wolff at their studio in Post Office Projects, Port Adelaide. Tune in to hear about Henry’s path from design and fashion to visual art, and the way that empathy and care are explored in their image making - most notably in their new moving-image work ‘CARE’ commissioned by fine print magazine and presented online as part of SALA Festival 2021.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects</a> / POP</li>
<li><a href='https://www.instagram.com/georgesantoni/?hl=en'>Georges Antoni</a> [Instagram]</li>
<li>
<p>“The way we choose to share and claim space in relation to those closest to us becomes a way of knowing ourselves.” – Kate O’Boyle</p>
</li>
<li><a href='https://www.praxisartspace.com/presence/'>Presence</a> at Praxis Artspace</li>
<li>Henry Wolff, '<a href='http://www.fineprintmagazine.com/'>CARE</a>', 2021, single channel moving image with audio, 16 mins</li>
<li><a href='http://www.fineprintmagazine.com/'>fine print magazine</a></li>
<li><a href='https://www.dpc.sa.gov.au/responsibilities/arts-and-culture'>Arts South Australia / Department of Premier and Cabinet</a></li>
<li>
<p>Lur Alghurabi</p>
</li>
<li><a href='https://au.linkedin.com/in/jai-mcgregor-6b143613b'>Jai McGregor</a></li>
<li>Henry Wolff, ‘Ourselves’, 2020. Single channel video with audio. 6:00 minutes. Feat. Jasmine Crisp and Jamilla Hujale. Videography by Jai McGregor. Production assistance Ingrid Wolff. Editing by Henry Wolff. Audio by Martin Davies and Henry Wolff.</li>
<li><a href='https://busprojects.org.au/program/ourselves'>Bus Projects</a></li>
<li>Henry Wolff, ‘<em>Sibling’</em>, 2020, Feat. Ingrid Wolff, single channel video, 7 minutes: 22 seconds. Videography Jai McGregor, Recal Media.</li>
<li><a href='https://www.hodaafshar.com/'>Hoda Afshar</a></li>
<li><a href='https://www.eugenialim.com/'>Eugenia Lim</a></li>
<li><a href='https://www.hayleymillarbaker.com/'>Hayley Millar Baker</a></li>
<li><a href='https://www.jesse-budel.com/'>Jesse Budel</a></li>
<li>Henry Wolff, ‘Kin’, 2021, Feat. Ingril Wolff, Two channel moving imag, videography Jai McGregor, Editing and audio by Henry Wolff</li>
<li><a href='https://henrywolff.net/'>HenryWolff.net</a></li>
<li><a href='https://www.instagram.com/henry___wolff/'>@Henry___Wolff</a> [Instagram]</li>
</ul>
<p>music: Nothing will grow here - Komiku via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bstrbt/Henry_2b.mp3" length="42826492" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph catches up with artist Henry Wolff at their studio in Post Office Projects, Port Adelaide. Tune in to hear about Henry’s path from design and fashion to visual art, and the way that empathy and care are explored in their image making - most notably in their new moving-image work ‘CARE’ commissioned by fine print magazine and presented online as part of SALA Festival 2021.
 
Show Notes
Post Office Projects / POP
Georges Antoni [Instagram]

“The way we choose to share and claim space in relation to those closest to us becomes a way of knowing ourselves.” – Kate O’Boyle

Presence at Praxis Artspace
Henry Wolff, 'CARE', 2021, single channel moving image with audio, 16 mins
fine print magazine
Arts South Australia / Department of Premier and Cabinet

Lur Alghurabi

Jai McGregor
Henry Wolff, ‘Ourselves’, 2020. Single channel video with audio. 6:00 minutes. Feat. Jasmine Crisp and Jamilla Hujale. Videography by Jai McGregor. Production assistance Ingrid Wolff. Editing by Henry Wolff. Audio by Martin Davies and Henry Wolff.
Bus Projects
Henry Wolff, ‘Sibling’, 2020, Feat. Ingrid Wolff, single channel video, 7 minutes: 22 seconds. Videography Jai McGregor, Recal Media.
Hoda Afshar
Eugenia Lim
Hayley Millar Baker
Jesse Budel
Henry Wolff, ‘Kin’, 2021, Feat. Ingril Wolff, Two channel moving imag, videography Jai McGregor, Editing and audio by Henry Wolff
HenryWolff.net
@Henry___Wolff [Instagram]
music: Nothing will grow here - Komiku via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2794</itunes:duration>
                <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast-Henry-notext.jpg" />    </item>
    <item>
        <title>2021 SALA Feature Artist: Roy Ananda</title>
        <itunes:title>2021 SALA Feature Artist: Roy Ananda</itunes:title>
        <link>https://salafestival.podbean.com/e/2021-sala-feature-artist-roy-ananda/</link>
                    <comments>https://salafestival.podbean.com/e/2021-sala-feature-artist-roy-ananda/#comments</comments>        <pubDate>Mon, 02 Aug 2021 22:22:55 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/606de564-e9b3-3155-91c8-abba33978ead</guid>
                                    <description><![CDATA[<p>In this episode, Christina catches up with the 2021 SALA Feature Artist, Roy Ananda. Tune in to hear about the role of fandom and humor in Roy's work, the inspiration behind the 'heart' work that features on the 2021 SALA poster, and the process of creating this year's SA Living Artist Publication.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.royananda.com/comics-and-cartoons/84kzyd512ihonhzck8j8nt5rt0d4au'>Untitled</a>, 2006, Fabric, coat-hanger, fibreglass, dimensions variable</li>
<li>Bugs Bunny – ‘<a href='https://www.youtube.com/watch?v=TP6Ae6q4njE'>The Grey Hounded Hare</a>’</li>
<li><a href='https://www.royananda.com/processbased-works-20102013/zuflvpfepv59b6bl44pqn2i20l5azy'>Aether Drift</a>, 2013, timber, acrylic paint, fixings, aluminium trestles, 300x600x500cm</li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1719&cat=0&page=1'>Monograph – Roy Ananda</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/roy-ananda-further-annotations/'>Roy Ananda: Further Annotations</a> at the Art Gallery of South Australia (AGSA)</li>
<li><a href='https://www.royananda.com/annotations-series'>Annotations series</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/works/dark-matter-collective/64797/'>Olafur Eliasson, Dark matter collective, 2018, 217 partially silvered glass spheres, paint (black), stainless steel</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/works/painting-1982/23964/'>Peter Booth, Painting 1982, 1982, oil on canvas</a></li>
<li><a href='https://www.tate.org.uk/art/art-terms/f/formalism'>formalism</a></li>
<li><a href='https://en.wikipedia.org/wiki/Sol_LeWitt'>Sol LeWitt</a></li>
<li>MF Doom (member of hip-hop duo Madvillain) / <a href='https://www.youtube.com/watch?v=gSJeHDlhYls'>Madvillain – ALL CAPS</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/francisco-goya/3263/'>Fransisco Goya</a> in the AGSA collection</li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/giovanni-b-piranesi/3507/'>Giovanni Battista Piranesi</a> in the AGSA collection</li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/albrecht-durer/3185/'>Albrecht Dürer</a> in the AGSA collection</li>
<li><a href='https://www.deviantart.com/topic/fan-fiction'>Deviantart.com/fan-fiction</a></li>
<li><a href='https://www.royananda.com/text-sound-video-and-performance'>Death notice</a>, 2016, digital print on newsprint paper, 15x7cm</li>
<li><a href='https://www.salafestival.com/projects/south-australian-living-artist-publication/'>SA Living Artist Publication</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1373&cat=0&page=1'>Christopher Orchard: The uncertainty of the poet</a>, Peter Goldworthy, Margot Osborne, Roy Ananda, Julia Robinson, Rod Taylor</li>
<li><a href='http://petergoldsworthy.com/'>Peter Goldsworthy</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-school/staff/academic-staff/andrew-purvis'>Andrew Purvis</a></li>
<li><a href='http://bernadetteklavins.com/'>Bernadette Klavins</a></li>
<li><a href='http://seanwilliams.com/'>Sean Williams</a></li>
<li><a href='https://en.wikipedia.org/wiki/Dungeons_%26_Dragons'>D&D / Dungeons & Dragons</a></li>
<li><a href='https://www.wakefieldpress.com.au/'>Wakefield Press</a></li>
<li><a href='https://www.youtube.com/watch?v=FN2SKWSOdGM'>A house falls on Buster Keaton</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Empire_Strikes_Back'>The Empire Strikes Back</a> (Star Wars: Episode V)</li>
<li><a href='https://gws325fandom-blog.tumblr.com/post/117268924903/transformational-versus-affirmational-fans'>affirmational fandom vs transformational fandom</a></li>
<li>Roy Ananda <a href='https://www.salafestival.com/wp-content/uploads/2018/10/Roy-Ananda.pdf'>2004 SALA Keynote speech</a></li>
<li>ACSA / <a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions'>Adelaide Central Gallery</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/5694/supreme-library'>Supreme Library</a> at Adelaide Central Gallery</li>
<li><a href='https://www.fantasynamegenerators.com/'>FantasyNameGenerators.com</a></li>
<li><a href='https://www.royananda.com/star-wars'>Slow crawl to infinity</a>, 2014, Plywood, timber, fixings, 550x700x1050cm</li>
<li><a href='https://www.royananda.com/dungeons-dragons'>Thin walls between dimensions</a>, 2018, MDF, timber, acrylic paint, fixings, Dimensions variable</li>
<li><a href='https://starwars.fandom.com/wiki/Wookiee'>Wookie</a></li>
<li>‘Easter egg’ (noun) 1: a chocolate egg given at Easter, (2) an unexpected or undocumented feature in a piece of computer software or on a DVD, included as a joke or bonus.</li>
<li><a href='https://aceopen.art/contemporary-art-centre-south-australia-cacsa/'>CACSA / Contemporary Art Centre of South Australia</a></li>
<li>(Dueling rapiers): <a href='https://www.royananda.com/pop-culture-miscellany'>Roy Ananda, Untitled, 2015, swords, steel, springs, motor, and micro-controller, dimensions variable</a></li>
<li><a href='https://www.tate.org.uk/art/artists/alexander-calder-848/who-is-alexander-calder'>Alexander Calder</a></li>
<li><a href='https://entertainment.time.com/2010/08/13/top-10-movie-duels/slide/inigo-montoya-vs-man-in-black-the-princess-bride/'>Inigo Montoya vs Man in Black</a></li>
<li><a href='https://www.501st.com/'>501st legion</a></li>
<li><a href='https://en.wikipedia.org/wiki/Darth_Vader'>Darth Vader</a></li>
<li><a href='https://starwars.fandom.com/wiki/Boba_Fett'>Boba Fett</a></li>
<li>Roy Ananda, <a href='https://www.royananda.com/autobiography-series'>Autobiography series</a></li>
<li><a href='https://en.wikipedia.org/wiki/Melvyn_Bragg'>Melvyn Bragg</a></li>
<li><a href='https://www.royananda.com/'>RoyAnanda.com</a></li>
<li><a href='https://www.instagram.com/roy.ananda/'>@roy.ananda</a> on Instagram</li>
</ul>
<p> </p>
<p>Music:</p>
<p>Galactic by Seb Jaeger</p>
<p>Hungarian Rhapsody No2 by Hans Liszt performed by Brent Tucker</p>
<p> </p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Christina catches up with the 2021 SALA Feature Artist, Roy Ananda. Tune in to hear about the role of fandom and humor in Roy's work, the inspiration behind the 'heart' work that features on the 2021 SALA poster, and the process of creating this year's SA Living Artist Publication.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.royananda.com/comics-and-cartoons/84kzyd512ihonhzck8j8nt5rt0d4au'><em>Untitled</em></a>, 2006, Fabric, coat-hanger, fibreglass, dimensions variable</li>
<li>Bugs Bunny – ‘<a href='https://www.youtube.com/watch?v=TP6Ae6q4njE'>The Grey Hounded Hare</a>’</li>
<li><a href='https://www.royananda.com/processbased-works-20102013/zuflvpfepv59b6bl44pqn2i20l5azy'><em>Aether Drift</em></a>, 2013, timber, acrylic paint, fixings, aluminium trestles, 300x600x500cm</li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1719&cat=0&page=1'>Monograph – Roy Ananda</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/roy-ananda-further-annotations/'>Roy Ananda: Further Annotations</a> at the Art Gallery of South Australia (AGSA)</li>
<li><a href='https://www.royananda.com/annotations-series'>Annotations series</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/works/dark-matter-collective/64797/'>Olafur Eliasson, <em>Dark matter collective</em>, 2018, 217 partially silvered glass spheres, paint (black), stainless steel</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/works/painting-1982/23964/'>Peter Booth, <em>Painting 1982</em>, 1982, oil on canvas</a></li>
<li><a href='https://www.tate.org.uk/art/art-terms/f/formalism'>formalism</a></li>
<li><a href='https://en.wikipedia.org/wiki/Sol_LeWitt'>Sol LeWitt</a></li>
<li>MF Doom (member of hip-hop duo Madvillain) / <a href='https://www.youtube.com/watch?v=gSJeHDlhYls'>Madvillain – ALL CAPS</a></li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/francisco-goya/3263/'>Fransisco Goya</a> in the AGSA collection</li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/giovanni-b-piranesi/3507/'>Giovanni Battista Piranesi</a> in the AGSA collection</li>
<li><a href='https://www.agsa.sa.gov.au/collection-publications/collection/creators/albrecht-durer/3185/'>Albrecht Dürer</a> in the AGSA collection</li>
<li><a href='https://www.deviantart.com/topic/fan-fiction'>Deviantart.com/fan-fiction</a></li>
<li><a href='https://www.royananda.com/text-sound-video-and-performance'><em>Death notice</em></a>, 2016, digital print on newsprint paper, 15x7cm</li>
<li><a href='https://www.salafestival.com/projects/south-australian-living-artist-publication/'>SA Living Artist Publication</a></li>
<li><a href='https://www.wakefieldpress.com.au/product.php?productid=1373&cat=0&page=1'><em>Christopher Orchard: The uncertainty of the poet</em></a><em>,</em> Peter Goldworthy, Margot Osborne, Roy Ananda, Julia Robinson, Rod Taylor</li>
<li><a href='http://petergoldsworthy.com/'>Peter Goldsworthy</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-school/staff/academic-staff/andrew-purvis'>Andrew Purvis</a></li>
<li><a href='http://bernadetteklavins.com/'>Bernadette Klavins</a></li>
<li><a href='http://seanwilliams.com/'>Sean Williams</a></li>
<li><a href='https://en.wikipedia.org/wiki/Dungeons_%26_Dragons'>D&D / Dungeons & Dragons</a></li>
<li><a href='https://www.wakefieldpress.com.au/'>Wakefield Press</a></li>
<li><a href='https://www.youtube.com/watch?v=FN2SKWSOdGM'>A house falls on Buster Keaton</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Empire_Strikes_Back'>The Empire Strikes Back</a> (Star Wars: Episode V)</li>
<li><a href='https://gws325fandom-blog.tumblr.com/post/117268924903/transformational-versus-affirmational-fans'>affirmational fandom vs transformational fandom</a></li>
<li>Roy Ananda <a href='https://www.salafestival.com/wp-content/uploads/2018/10/Roy-Ananda.pdf'>2004 SALA Keynote speech</a></li>
<li>ACSA / <a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions'>Adelaide Central Gallery</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/5694/supreme-library'>Supreme Library</a> at Adelaide Central Gallery</li>
<li><a href='https://www.fantasynamegenerators.com/'>FantasyNameGenerators.com</a></li>
<li><a href='https://www.royananda.com/star-wars'><em>Slow crawl to infinity</em></a>, 2014, Plywood, timber, fixings, 550x700x1050cm</li>
<li><a href='https://www.royananda.com/dungeons-dragons'><em>Thin walls between dimensions</em></a>, 2018, MDF, timber, acrylic paint, fixings, Dimensions variable</li>
<li><a href='https://starwars.fandom.com/wiki/Wookiee'>Wookie</a></li>
<li>‘Easter egg’ (noun) 1: a chocolate egg given at Easter, (2) an unexpected or undocumented feature in a piece of computer software or on a DVD, included as a joke or bonus.</li>
<li><a href='https://aceopen.art/contemporary-art-centre-south-australia-cacsa/'>CACSA / Contemporary Art Centre of South Australia</a></li>
<li>(Dueling rapiers): <a href='https://www.royananda.com/pop-culture-miscellany'>Roy Ananda, <em>Untitled</em>, 2015, swords, steel, springs, motor, and micro-controller, dimensions variable</a></li>
<li><a href='https://www.tate.org.uk/art/artists/alexander-calder-848/who-is-alexander-calder'>Alexander Calder</a></li>
<li><a href='https://entertainment.time.com/2010/08/13/top-10-movie-duels/slide/inigo-montoya-vs-man-in-black-the-princess-bride/'>Inigo Montoya vs Man in Black</a></li>
<li><a href='https://www.501st.com/'>501st legion</a></li>
<li><a href='https://en.wikipedia.org/wiki/Darth_Vader'>Darth Vader</a></li>
<li><a href='https://starwars.fandom.com/wiki/Boba_Fett'>Boba Fett</a></li>
<li>Roy Ananda, <a href='https://www.royananda.com/autobiography-series'>Autobiography series</a></li>
<li><a href='https://en.wikipedia.org/wiki/Melvyn_Bragg'>Melvyn Bragg</a></li>
<li><a href='https://www.royananda.com/'>RoyAnanda.com</a></li>
<li><a href='https://www.instagram.com/roy.ananda/'>@roy.ananda</a> on Instagram</li>
</ul>
<p> </p>
<p>Music:</p>
<p>Galactic by Seb Jaeger</p>
<p>Hungarian Rhapsody No2 by Hans Liszt performed by Brent Tucker</p>
<p> </p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9hdy8i/RoyAnanda_5.mp3" length="39528937" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Christina catches up with the 2021 SALA Feature Artist, Roy Ananda. Tune in to hear about the role of fandom and humor in Roy's work, the inspiration behind the 'heart' work that features on the 2021 SALA poster, and the process of creating this year's SA Living Artist Publication.
 
Show Notes
Untitled, 2006, Fabric, coat-hanger, fibreglass, dimensions variable
Bugs Bunny – ‘The Grey Hounded Hare’
Aether Drift, 2013, timber, acrylic paint, fixings, aluminium trestles, 300x600x500cm
Monograph – Roy Ananda
Roy Ananda: Further Annotations at the Art Gallery of South Australia (AGSA)
Annotations series
Olafur Eliasson, Dark matter collective, 2018, 217 partially silvered glass spheres, paint (black), stainless steel
Peter Booth, Painting 1982, 1982, oil on canvas
formalism
Sol LeWitt
MF Doom (member of hip-hop duo Madvillain) / Madvillain – ALL CAPS
Fransisco Goya in the AGSA collection
Giovanni Battista Piranesi in the AGSA collection
Albrecht Dürer in the AGSA collection
Deviantart.com/fan-fiction
Death notice, 2016, digital print on newsprint paper, 15x7cm
SA Living Artist Publication
Christopher Orchard: The uncertainty of the poet, Peter Goldworthy, Margot Osborne, Roy Ananda, Julia Robinson, Rod Taylor
Peter Goldsworthy
Andrew Purvis
Bernadette Klavins
Sean Williams
D&D / Dungeons & Dragons
Wakefield Press
A house falls on Buster Keaton
The Empire Strikes Back (Star Wars: Episode V)
affirmational fandom vs transformational fandom
Roy Ananda 2004 SALA Keynote speech
ACSA / Adelaide Central School of Art
Adelaide Central Gallery
Supreme Library at Adelaide Central Gallery
FantasyNameGenerators.com
Slow crawl to infinity, 2014, Plywood, timber, fixings, 550x700x1050cm
Thin walls between dimensions, 2018, MDF, timber, acrylic paint, fixings, Dimensions variable
Wookie
‘Easter egg’ (noun) 1: a chocolate egg given at Easter, (2) an unexpected or undocumented feature in a piece of computer software or on a DVD, included as a joke or bonus.
CACSA / Contemporary Art Centre of South Australia
(Dueling rapiers): Roy Ananda, Untitled, 2015, swords, steel, springs, motor, and micro-controller, dimensions variable
Alexander Calder
Inigo Montoya vs Man in Black
501st legion
Darth Vader
Boba Fett
Roy Ananda, Autobiography series
Melvyn Bragg
RoyAnanda.com
@roy.ananda on Instagram
 
Music:
Galactic by Seb Jaeger
Hungarian Rhapsody No2 by Hans Liszt performed by Brent Tucker
 
 
 ]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1835</itunes:duration>
                <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast--Roy-right-size-podbean.jpg" />    </item>
    <item>
        <title>Interview: 100 Barossa Artists</title>
        <itunes:title>Interview: 100 Barossa Artists</itunes:title>
        <link>https://salafestival.podbean.com/e/interview-100-barossa-artists/</link>
                    <comments>https://salafestival.podbean.com/e/interview-100-barossa-artists/#comments</comments>        <pubDate>Wed, 21 Jul 2021 18:52:32 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/bfc3f77b-ad1e-3ad0-998c-dd005c941595</guid>
                                    <description><![CDATA[<p>In this episode, Steph caught up with Renee de Saxe, Kirsty Kingsley, and Rebecca Reynolds, who are the driving force behind the 100 Barossa Artists project that took place in SALA 2020. Tune in to hear about how they managed to put on such a big project, the importance of the ‘clubhouse’ in art, and what they’re planning to do next.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.instagram.com/reneesarthome/'>Renee de Saxe</a> [Instagram]</li>
<li><a href='https://www.instagram.com/valley_of_the_radicles/'>Kirsty Kingsley</a> [Instagram]</li>
<li><a href='https://www.instagram.com/rebe.ccareynolds/'>Rebecca Reynolds</a> [Instagram]</li>
<li><a href='https://www.100barossaartists.com/'>100 Barossa Artists</a> [website]</li>
<li><a href='https://www.instagram.com/sheis_art_barossa/'>@SheIs_art_barossa</a> [Instagram]</li>
<li><a href='https://www.instagram.com/100barossaartists/'>@100BarossaArtists</a> [Instagram]</li>
<li><a href='https://www.barossamag.com/news/100-barossa-artists-exhibition-an-unveiling-of-self-reflection/'>100 Barossa Artists exhibition: An unveiling of self-reflection</a> [article]</li>
<li>2020 SALA exhibitions mentioned:
<ul><li>100 Barossa Artists at She Is gallery</li>
<li>Future Artists at She Is gallery</li>
<li>10 Digital Artists in the main street of Tanunda</li>
</ul>
</li>
<li><a href='https://barossagallery.com.au/'>Barossa Regional Gallery</a> [website]</li>
<li><a href='https://barossaleader.com/over-3000-people-at-greenocks-wanderlust/'>Over 3,000 people at Greenock’s Wanderlust</a> [article]</li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/clarice-beckett-present-moment/'>Clarice Beckett at the Art Gallery of South Australia</a></li>
<li><a href='https://www.janeskeer.com/'>Jane Skeer</a></li>
<li><a href='https://www.domain.com.au/news/uki-the-country-town-with-the-hippest-post-office-in-australia-20180821-h1442k-759190/'>Uki, The country town with the hippest post office in Australia</a> [article]</li>
<li>Buy <a href='https://www.100barossaartists.com/product/grapevine-charcoal-barossa/6?cp=true&sa=true&sbp=false&q=false'>Grapevine Charcoal</a></li>
<li><a href='https://www.sfvineyards.com.au/'>Steinborner & Reynolds family vineyards</a> [website]</li>
<li><a href='https://www.100barossaartists.com/workshops'>Barossa Grape Vine Charcoal Workshops</a></li>
<li><a href='https://www.100barossaartists.com/product/100barossaartists-book/4?cp=true&sa=true&sbp=false&q=false'>100 Barossa Artist book</a></li>
<li><a href='https://barossaleader.com/she-is-pop-up-gallery-receives-sala-award/'>She is pop up gallery receives SALA award</a> [article]</li>
<li><a href='https://www.salafestival.com/artfuel/program/view/6168/passage'>Passage</a> exhibition at Karrawatta</li>
</ul>
<p> </p>
<p>Music: Pinky - Blue Dot Sessions via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph caught up with Renee de Saxe, Kirsty Kingsley, and Rebecca Reynolds, who are the driving force behind the 100 Barossa Artists project that took place in SALA 2020. Tune in to hear about how they managed to put on such a big project, the importance of the ‘clubhouse’ in art, and what they’re planning to do next.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.instagram.com/reneesarthome/'>Renee de Saxe</a> [Instagram]</li>
<li><a href='https://www.instagram.com/valley_of_the_radicles/'>Kirsty Kingsley</a> [Instagram]</li>
<li><a href='https://www.instagram.com/rebe.ccareynolds/'>Rebecca Reynolds</a> [Instagram]</li>
<li><a href='https://www.100barossaartists.com/'>100 Barossa Artists</a> [website]</li>
<li><a href='https://www.instagram.com/sheis_art_barossa/'>@SheIs_art_barossa</a> [Instagram]</li>
<li><a href='https://www.instagram.com/100barossaartists/'>@100BarossaArtists</a> [Instagram]</li>
<li><a href='https://www.barossamag.com/news/100-barossa-artists-exhibition-an-unveiling-of-self-reflection/'>100 Barossa Artists exhibition: An unveiling of self-reflection</a> [article]</li>
<li>2020 SALA exhibitions mentioned:
<ul><li><em>100 Barossa Artists</em> at She Is gallery</li>
<li><em>Future Artists</em> at She Is gallery</li>
<li><em>10 Digital Artists</em> in the main street of Tanunda</li>
</ul>
</li>
<li><a href='https://barossagallery.com.au/'>Barossa Regional Gallery</a> [website]</li>
<li><a href='https://barossaleader.com/over-3000-people-at-greenocks-wanderlust/'>Over 3,000 people at Greenock’s Wanderlust</a> [article]</li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/clarice-beckett-present-moment/'>Clarice Beckett at the Art Gallery of South Australia</a></li>
<li><a href='https://www.janeskeer.com/'>Jane Skeer</a></li>
<li><a href='https://www.domain.com.au/news/uki-the-country-town-with-the-hippest-post-office-in-australia-20180821-h1442k-759190/'>Uki, The country town with the hippest post office in Australia</a> [article]</li>
<li>Buy <a href='https://www.100barossaartists.com/product/grapevine-charcoal-barossa/6?cp=true&sa=true&sbp=false&q=false'>Grapevine Charcoal</a></li>
<li><a href='https://www.sfvineyards.com.au/'>Steinborner & Reynolds family vineyards</a> [website]</li>
<li><a href='https://www.100barossaartists.com/workshops'>Barossa Grape Vine Charcoal Workshops</a></li>
<li><a href='https://www.100barossaartists.com/product/100barossaartists-book/4?cp=true&sa=true&sbp=false&q=false'>100 Barossa Artist book</a></li>
<li><a href='https://barossaleader.com/she-is-pop-up-gallery-receives-sala-award/'>She is pop up gallery receives SALA award</a> [article]</li>
<li><a href='https://www.salafestival.com/artfuel/program/view/6168/passage'>Passage</a> exhibition at Karrawatta</li>
</ul>
<p> </p>
<p>Music: Pinky - Blue Dot Sessions via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2i5q86/100Barossa_3b.mp3" length="50881696" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph caught up with Renee de Saxe, Kirsty Kingsley, and Rebecca Reynolds, who are the driving force behind the 100 Barossa Artists project that took place in SALA 2020. Tune in to hear about how they managed to put on such a big project, the importance of the ‘clubhouse’ in art, and what they’re planning to do next.
 
Show Notes
Renee de Saxe [Instagram]
Kirsty Kingsley [Instagram]
Rebecca Reynolds [Instagram]
100 Barossa Artists [website]
@SheIs_art_barossa [Instagram]
@100BarossaArtists [Instagram]
100 Barossa Artists exhibition: An unveiling of self-reflection [article]
2020 SALA exhibitions mentioned:
100 Barossa Artists at She Is gallery
Future Artists at She Is gallery
10 Digital Artists in the main street of Tanunda

Barossa Regional Gallery [website]
Over 3,000 people at Greenock’s Wanderlust [article]
Clarice Beckett at the Art Gallery of South Australia
Jane Skeer
Uki, The country town with the hippest post office in Australia [article]
Buy Grapevine Charcoal
Steinborner & Reynolds family vineyards [website]
Barossa Grape Vine Charcoal Workshops
100 Barossa Artist book
She is pop up gallery receives SALA award [article]
Passage exhibition at Karrawatta
 
Music: Pinky - Blue Dot Sessions via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2560</itunes:duration>
                <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC6077-Edit-sq-couch-under1mb-no-logo.jpg" />    </item>
    <item>
        <title>Indigenous Cultural and Intellectual Property with Charisma Cubillo</title>
        <itunes:title>Indigenous Cultural and Intellectual Property with Charisma Cubillo</itunes:title>
        <link>https://salafestival.podbean.com/e/indigenous-cultural-and-intellectual-property-with-charisma-cubillo/</link>
                    <comments>https://salafestival.podbean.com/e/indigenous-cultural-and-intellectual-property-with-charisma-cubillo/#comments</comments>        <pubDate>Tue, 01 Jun 2021 12:15:14 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/379de206-1af1-3538-8982-bae654cec62a</guid>
                                    <description><![CDATA[<p>In this episode, Steph talks to Charisma Cubillo, a solicitor at Terri Janke and Company, about Indigenous Cultural and Intellectual Property (ICIP).</p>
<p>----more----</p>
<p>Show Notes</p>
<ul><li><a href='https://www.terrijanke.com.au/'>Terri Janke and Company</a></li>
<li>ICIP / Indigenous Cultural and Intellectual Property
<ul><li><a href='https://www.artslaw.com.au/information-sheet/indigenous-cultural-and-intellectual-property-icip-aitb/'>ICIP information sheet - ArtsLaw</a></li>
<li><a href='https://youtu.be/hISy0D05zO4'>ICIP educational video - ArtsLaw</a></li>
</ul>
</li>
<li>IP / Intellectual Property - a term that encompasses a range of legal rights such as copyright, patents, and trademarks.</li>
<li><a href='https://www.un.org/development/desa/indigenouspeoples/declaration-on-the-rights-of-indigenous-peoples.html'>United Nations Declaration on the Rights of Indigenous Peoples</a></li>
<li><a href='https://www.terrijanke.com.au/team/terri'>Dr Terri Janke</a></li>
<li><a href='https://www.terrijanke.com.au/true-tracks'>True Tracks Workshop</a></li>
<li><a href='https://www.australiacouncil.gov.au/programs-and-resources/Protocols-for-using-First-Nations-Cultural-and-Intellectual-Property-in-the-Arts/'>Australia Council Protocols for using First Nations Cultural and Intellectual Property in the Arts</a></li>
<li>Screen Australia: <a href='https://www.screenaustralia.gov.au/about-us/doing-business-with-us/indigenous-content/indigenous-protocols'>Pathways & Protocols: a filmmaker’s guide to working with Indigenous people, culture and concepts</a></li>
<li><a href='https://www.news.com.au/lifestyle/fashion/designers/australian-clothing-brand-zimmermann-apologises-for-copying-traditional-mexican-design/news-story/fd195a7c687edee5311d221c0a334ff7'>Australian clothing brand Zimmermann apologises for copying traditional Mexican design</a> (news.com article)</li>
<li><a href='https://www.abc.net.au/news/2017-05-16/chanels-$2000-boomerang-sparks-aboriginal-appropriation-claim/8531496'>Chanel's $2,000 boomerang sparks complaints and confusion from Indigenous Australians</a> (ABC article)</li>
</ul>
<p>----more----</p>
<p>music: 'Pinky' by Blue Dot Sessions on freemusicarchive.org</p>
<p>image: Charisma Cubillo, photo by Jamie James, artwork: Bibi Barba, Terri - Butterfly Flowers Dreaming, 2020</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph talks to Charisma Cubillo, a solicitor at Terri Janke and Company, about Indigenous Cultural and Intellectual Property (ICIP).</p>
<p>----more----</p>
<p>Show Notes</p>
<ul><li><a href='https://www.terrijanke.com.au/'>Terri Janke and Company</a></li>
<li>ICIP / Indigenous Cultural and Intellectual Property
<ul><li><a href='https://www.artslaw.com.au/information-sheet/indigenous-cultural-and-intellectual-property-icip-aitb/'>ICIP information sheet - ArtsLaw</a></li>
<li><a href='https://youtu.be/hISy0D05zO4'>ICIP educational video - ArtsLaw</a></li>
</ul>
</li>
<li>IP / Intellectual Property - a term that encompasses a range of legal rights such as copyright, patents, and trademarks.</li>
<li><a href='https://www.un.org/development/desa/indigenouspeoples/declaration-on-the-rights-of-indigenous-peoples.html'>United Nations Declaration on the Rights of Indigenous Peoples</a></li>
<li><a href='https://www.terrijanke.com.au/team/terri'>Dr Terri Janke</a></li>
<li><a href='https://www.terrijanke.com.au/true-tracks'>True Tracks Workshop</a></li>
<li><a href='https://www.australiacouncil.gov.au/programs-and-resources/Protocols-for-using-First-Nations-Cultural-and-Intellectual-Property-in-the-Arts/'>Australia Council Protocols for using First Nations Cultural and Intellectual Property in the Arts</a></li>
<li>Screen Australia: <a href='https://www.screenaustralia.gov.au/about-us/doing-business-with-us/indigenous-content/indigenous-protocols'><em>Pathways & Protocols</em>: a filmmaker’s guide to working with Indigenous people, culture and concepts</a></li>
<li><a href='https://www.news.com.au/lifestyle/fashion/designers/australian-clothing-brand-zimmermann-apologises-for-copying-traditional-mexican-design/news-story/fd195a7c687edee5311d221c0a334ff7'>Australian clothing brand Zimmermann apologises for copying traditional Mexican design</a> (news.com article)</li>
<li><a href='https://www.abc.net.au/news/2017-05-16/chanels-$2000-boomerang-sparks-aboriginal-appropriation-claim/8531496'>Chanel's $2,000 boomerang sparks complaints and confusion from Indigenous Australians</a> (ABC article)</li>
</ul>
<p>----more----</p>
<p>music: 'Pinky' by Blue Dot Sessions on freemusicarchive.org</p>
<p>image: Charisma Cubillo, photo by Jamie James, artwork: Bibi Barba, <em>Terri - Butterfly Flowers Dreaming</em>, 2020</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/azw5bd/ICIP_episode28rqs9.mp3" length="14820283" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph talks to Charisma Cubillo, a solicitor at Terri Janke and Company, about Indigenous Cultural and Intellectual Property (ICIP).
----more----
Show Notes
Terri Janke and Company
ICIP / Indigenous Cultural and Intellectual Property
ICIP information sheet - ArtsLaw
ICIP educational video - ArtsLaw

IP / Intellectual Property - a term that encompasses a range of legal rights such as copyright, patents, and trademarks.
United Nations Declaration on the Rights of Indigenous Peoples
Dr Terri Janke
True Tracks Workshop
Australia Council Protocols for using First Nations Cultural and Intellectual Property in the Arts
Screen Australia: Pathways & Protocols: a filmmaker’s guide to working with Indigenous people, culture and concepts
Australian clothing brand Zimmermann apologises for copying traditional Mexican design (news.com article)
Chanel's $2,000 boomerang sparks complaints and confusion from Indigenous Australians (ABC article)
----more----
music: 'Pinky' by Blue Dot Sessions on freemusicarchive.org
image: Charisma Cubillo, photo by Jamie James, artwork: Bibi Barba, Terri - Butterfly Flowers Dreaming, 2020
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1091</itunes:duration>
                <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Charisma-tile-no-logo.jpg" />    </item>
    <item>
        <title>Curator Interview: Steph Cibich</title>
        <itunes:title>Curator Interview: Steph Cibich</itunes:title>
        <link>https://salafestival.podbean.com/e/curator-interview-steph-cibich/</link>
                    <comments>https://salafestival.podbean.com/e/curator-interview-steph-cibich/#comments</comments>        <pubDate>Thu, 06 May 2021 12:44:38 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/7a92a074-17ff-3ab6-a490-0e7e176bf28d</guid>
                                    <description><![CDATA[<p>In this episode, Steph Fuller chats to Steph Cibich about her practice as an independent curator, and what it was like to win the City of Onkaparinga Contemporary Curator Award as part of SALA 2019. Tune in to hear about how Steph found her way to this role and how she curated an exhibition in the midst of a pandemic.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.adelaide.edu.au/alumni/get-involved/networks-clubs/art-history-and-curatorship'>Art History Curatorship Alumni Network (AHCAN)</a></li>
<li><a href='https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwjnhd2HtLLwAhWDYisKHdAxBJsQFjAAegQICxAD&url=https%3A%2F%2Fwww.onkaparingacity.com%2Ffiles%2Fassets%2Fpublic%2Farts%2Fsala-2021-city-of-onkaparinga-contemporary-curator-award-general-info.pdf&usg=AOvVaw2iTTWTj3tA_RbdwYI469VJ'>City of Onkaparinga Contemporary Curator Award</a></li>
<li><a href='https://www.salafestival.com/awards/'>SALA Awards</a></li>
<li><a href='http://www.floatinggoose.com.au/material-connections/'>Material Connections at Floating Goose Studios</a></li>
<li><a href='https://www.sammgold.com/about'>Sam Gold</a></li>
<li><a href='https://harrietmckay.com/'>Harriet Mckay</a></li>
<li><a href='https://thebaitfridge.com/'>The Bait Fridge</a></li>
<li><a href='https://www.instagram.com/arlonhall/'>Arlon Hall</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Arts-and-culture/Sauerbier-House'>Sauerbier House</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Events-directory/The-thingness-of-stuff/Thingness-of-Stuff-gallery'>Thingness of Stuff</a></li>
<li><a href='https://www.youtube.com/watch?v=yKRWV0yjqJ0'>"That’s good squishy"</a> – The Simpsons</li>
<li><a href='https://living.cityofadelaide.com.au/adelaide-art-vending-machine/'>Art Vending Machines Australia</a></li>
<li><a href='https://en.wikipedia.org/wiki/Art-o-mat'>Art-o-mat</a></li>
<li><a href='http://www.carlysnoswell.com/crochet-your-character'>Carly Snoswell</a></li>
<li><a href='https://guildhouse.org.au/spotlight-art-works-emerging-curator-steph-cibich/'>ART WORKS emerging curator</a> Guildhouse x City of Adelaide</li>
<li>Approaching Midnight at <a href='http://www.feltspace.org/'>FELTspace</a></li>
<li><a href='https://thebulletin.org/doomsday-clock/current-time/'>Doomsday clock</a></li>
<li><a href='https://www.instagram.com/emilija.kasumovic/'>Emilija Kasumovic</a></li>
<li><a href='https://www.stephfuller.com/approachingmidnight'>Steph Fuller</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph Fuller chats to Steph Cibich about her practice as an independent curator, and what it was like to win the City of Onkaparinga Contemporary Curator Award as part of SALA 2019. Tune in to hear about how Steph found her way to this role and how she curated an exhibition in the midst of a pandemic.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.adelaide.edu.au/alumni/get-involved/networks-clubs/art-history-and-curatorship'>Art History Curatorship Alumni Network (AHCAN)</a></li>
<li><a href='https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8&ved=2ahUKEwjnhd2HtLLwAhWDYisKHdAxBJsQFjAAegQICxAD&url=https%3A%2F%2Fwww.onkaparingacity.com%2Ffiles%2Fassets%2Fpublic%2Farts%2Fsala-2021-city-of-onkaparinga-contemporary-curator-award-general-info.pdf&usg=AOvVaw2iTTWTj3tA_RbdwYI469VJ'>City of Onkaparinga Contemporary Curator Award</a></li>
<li><a href='https://www.salafestival.com/awards/'>SALA Awards</a></li>
<li><a href='http://www.floatinggoose.com.au/material-connections/'>Material Connections at Floating Goose Studios</a></li>
<li><a href='https://www.sammgold.com/about'>Sam Gold</a></li>
<li><a href='https://harrietmckay.com/'>Harriet Mckay</a></li>
<li><a href='https://thebaitfridge.com/'>The Bait Fridge</a></li>
<li><a href='https://www.instagram.com/arlonhall/'>Arlon Hall</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Arts-and-culture/Sauerbier-House'>Sauerbier House</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Events-directory/The-thingness-of-stuff/Thingness-of-Stuff-gallery'>Thingness of Stuff</a></li>
<li><a href='https://www.youtube.com/watch?v=yKRWV0yjqJ0'>"That’s good squishy"</a> – The Simpsons</li>
<li><a href='https://living.cityofadelaide.com.au/adelaide-art-vending-machine/'>Art Vending Machines Australia</a></li>
<li><a href='https://en.wikipedia.org/wiki/Art-o-mat'>Art-o-mat</a></li>
<li><a href='http://www.carlysnoswell.com/crochet-your-character'>Carly Snoswell</a></li>
<li><a href='https://guildhouse.org.au/spotlight-art-works-emerging-curator-steph-cibich/'>ART WORKS emerging curator</a> Guildhouse x City of Adelaide</li>
<li>Approaching Midnight at <a href='http://www.feltspace.org/'>FELTspace</a></li>
<li><a href='https://thebulletin.org/doomsday-clock/current-time/'>Doomsday clock</a></li>
<li><a href='https://www.instagram.com/emilija.kasumovic/'>Emilija Kasumovic</a></li>
<li><a href='https://www.stephfuller.com/approachingmidnight'>Steph Fuller</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2iqkeu/StephCibich_1d.mp3" length="44830067" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph Fuller chats to Steph Cibich about her practice as an independent curator, and what it was like to win the City of Onkaparinga Contemporary Curator Award as part of SALA 2019. Tune in to hear about how Steph found her way to this role and how she curated an exhibition in the midst of a pandemic.
 
Show Notes:
Art History Curatorship Alumni Network (AHCAN)
City of Onkaparinga Contemporary Curator Award
SALA Awards
Material Connections at Floating Goose Studios
Sam Gold
Harriet Mckay
The Bait Fridge
Arlon Hall
Sauerbier House
Thingness of Stuff
"That’s good squishy" – The Simpsons
Art Vending Machines Australia
Art-o-mat
Carly Snoswell
ART WORKS emerging curator Guildhouse x City of Adelaide
Approaching Midnight at FELTspace
Doomsday clock
Emilija Kasumovic
Steph Fuller
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2896</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/StepCibich_notext.jpg" />    </item>
    <item>
        <title>Artist Interview: Jenna Pippett</title>
        <itunes:title>Artist Interview: Jenna Pippett</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-jenna-pippett/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-jenna-pippett/#comments</comments>        <pubDate>Tue, 30 Mar 2021 14:26:19 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/27e018af-e2ad-318f-80b3-da8261cf9e40</guid>
                                    <description><![CDATA[<p>In this episode, Steph asks artist Jenna Pippett about her practice and her new exhibition ‘From Czechoslovakia with Love’ at Post Office Projects. Jenna’s work explores at her maternal family history through moving image, photography, installation and performance. Tune in to this episode to hear about the incredible discovery that inspired her exhibition, and how she makes very personal subject matter accessible through humour.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects website</a></li>
<li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects Instagram</a></li>
<li><a href='https://www.jennapippett.com/'>Jenna Pippett website</a></li>
<li><a href='https://www.britannica.com/event/Prague-Spring'>Prague Spring</a></li>
<li><a href='https://en.wikipedia.org/wiki/Institute_for_the_Study_of_Totalitarian_Regimes'>Institute for the Study of Totalitarian Regimes</a></li>
<li><a href='https://www.jennapippett.com/bernek-little-lamb-cake-2018'>Beránek / Little Lamb Cake</a></li>
<li><a href='https://citymag.indaily.com.au/whats-on/psychache-exhibition-at-holy-rollers/'>Holy Rollers Studios – Psychache exhibition</a></li>
<li><a href='https://www.feltspace.org/'>FELTspace</a></li>
<li><a href='https://www.eventbrite.com/e/artist-talk-jenna-pippett-tickets-147937784897'>Jenna Pippett Artist Talk at POP - Tue 13 April 2021</a></li>
</ul>
<p>music - 'Pinky' by Blue Dot Sessions on freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph asks artist Jenna Pippett about her practice and her new exhibition ‘From Czechoslovakia with Love’ at Post Office Projects. Jenna’s work explores at her maternal family history through moving image, photography, installation and performance. Tune in to this episode to hear about the incredible discovery that inspired her exhibition, and how she makes very personal subject matter accessible through humour.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects website</a></li>
<li><a href='https://www.postofficeprojects.com.au/'>Post Office Projects Instagram</a></li>
<li><a href='https://www.jennapippett.com/'>Jenna Pippett website</a></li>
<li><a href='https://www.britannica.com/event/Prague-Spring'>Prague Spring</a></li>
<li><a href='https://en.wikipedia.org/wiki/Institute_for_the_Study_of_Totalitarian_Regimes'>Institute for the Study of Totalitarian Regimes</a></li>
<li><a href='https://www.jennapippett.com/bernek-little-lamb-cake-2018'>Beránek / Little Lamb Cake</a></li>
<li><a href='https://citymag.indaily.com.au/whats-on/psychache-exhibition-at-holy-rollers/'>Holy Rollers Studios – Psychache exhibition</a></li>
<li><a href='https://www.feltspace.org/'>FELTspace</a></li>
<li><a href='https://www.eventbrite.com/e/artist-talk-jenna-pippett-tickets-147937784897'>Jenna Pippett Artist Talk at POP - Tue 13 April 2021</a></li>
</ul>
<p>music - 'Pinky' by Blue Dot Sessions on freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5wge57/Jenna_Episode7g5fi.mp3" length="24707894" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph asks artist Jenna Pippett about her practice and her new exhibition ‘From Czechoslovakia with Love’ at Post Office Projects. Jenna’s work explores at her maternal family history through moving image, photography, installation and performance. Tune in to this episode to hear about the incredible discovery that inspired her exhibition, and how she makes very personal subject matter accessible through humour.
 
Show Notes
Post Office Projects website
Post Office Projects Instagram
Jenna Pippett website
Prague Spring
Institute for the Study of Totalitarian Regimes
Beránek / Little Lamb Cake
Holy Rollers Studios – Psychache exhibition
FELTspace
Jenna Pippett Artist Talk at POP - Tue 13 April 2021
music - 'Pinky' by Blue Dot Sessions on freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1598</itunes:duration>
                <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC4244-sq1_small.jpg" />    </item>
    <item>
        <title>Artist Interview: Jingwei Bu</title>
        <itunes:title>Artist Interview: Jingwei Bu</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-jingwei-bu/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-jingwei-bu/#comments</comments>        <pubDate>Mon, 01 Mar 2021 22:47:47 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/2e5599f2-924c-3390-885b-2b870fc256e6</guid>
                                    <description><![CDATA[<p>In this episode, Steph visits multidisciplinary visual artist Jingwei Bu at her home to talk about her arts practice, and the work in her exhibition ‘Life Maps’ at the Mill.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.themilladelaide.com/events/2020/10/27/exhibition-jingweibu-lifemaps'>Life Maps at the Mill</a></li>
<li><a href='https://www.bjwcreative.com/meditation'>Life Maps – Jingwei’s website</a></li>
<li><a href='https://www.bjwcreative.com/hairy-tales'>Hairy Tales</a></li>
<li><a href='https://www.bjwcreative.com/'>Jingwei Bu - website</a></li>
<li><a href='https://www.weekendnotes.com/exhibition-and-performance-jingwei-bu/'>Dare Hair exhibition review</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Steph visits multidisciplinary visual artist Jingwei Bu at her home to talk about her arts practice, and the work in her exhibition ‘Life Maps’ at the Mill.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.acsa.sa.edu.au/home'>Adelaide Central School of Art</a></li>
<li><a href='https://www.themilladelaide.com/events/2020/10/27/exhibition-jingweibu-lifemaps'>Life Maps at the Mill</a></li>
<li><a href='https://www.bjwcreative.com/meditation'>Life Maps – Jingwei’s website</a></li>
<li><a href='https://www.bjwcreative.com/hairy-tales'>Hairy Tales</a></li>
<li><a href='https://www.bjwcreative.com/'>Jingwei Bu - website</a></li>
<li><a href='https://www.weekendnotes.com/exhibition-and-performance-jingwei-bu/'>Dare Hair exhibition review</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7repj9/Jingwei_37miip.mp3" length="31341105" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Steph visits multidisciplinary visual artist Jingwei Bu at her home to talk about her arts practice, and the work in her exhibition ‘Life Maps’ at the Mill.
 
Show Notes
Adelaide Central School of Art
Life Maps at the Mill
Life Maps – Jingwei’s website
Hairy Tales
Jingwei Bu - website
Dare Hair exhibition review
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2151</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC3838-edit-no-text-lower-qual.jpg" />    </item>
    <item>
        <title>Artists in Schools: Louise Flaherty &amp; Jane Mant</title>
        <itunes:title>Artists in Schools: Louise Flaherty &amp; Jane Mant</itunes:title>
        <link>https://salafestival.podbean.com/e/artists-in-schools-louise-flaherty-jane-mant/</link>
                    <comments>https://salafestival.podbean.com/e/artists-in-schools-louise-flaherty-jane-mant/#comments</comments>        <pubDate>Thu, 28 Jan 2021 11:04:25 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/daf13c68-536b-32c3-bfe3-c914d7912afe</guid>
                                    <description><![CDATA[<p>In December 2020, Steph caught up with artist Louise Flaherty and educator Jane Mant to talk about their experience of the Schools Artist in Residence Program, presented by SALA Festival in partnership with Credit Union SA. Louise worked with Jane’s students in the wake of the December 2019 Adelaide Hills bushfires, connecting the students to their local landscapes through drawing.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.louiseflaherty.com/'>Louise Flaherty - website</a></li>
<li><a href='https://fabrik.org.au/about/'>Fabrik</a></li>
<li><a href='https://www.salafestival.com/schools-artist-in-residence-program/'>2020 Schools Artist in Residence Program</a></li>
<li><a href='https://www.creditunionsa.com.au/'>Credit Union SA</a></li>
<li><a href='https://www.ahc.sa.gov.au/ahc-visitor/Documents/Walking%20trails/VISITOR-WALKING-TRAILS-Lobethal-Bushland-Park-DL.pdf'>Bushland Park</a></li>
<li><a href='https://www.communitywebs.org/flbp/wildlife.php'>Friends of Lobethal Bushland Park - Flora species of conservation significance</a></li>
<li><a href='https://www.visualcom.com.au/'>Visualcom</a></li>
<li><a href='https://fabrik.org.au/solastalgia/'>Solastalgia exhibition</a></li>
</ul>
<p>Music: Nothing will grow here - Komiku</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In December 2020, Steph caught up with artist Louise Flaherty and educator Jane Mant to talk about their experience of the Schools Artist in Residence Program, presented by SALA Festival in partnership with Credit Union SA. Louise worked with Jane’s students in the wake of the December 2019 Adelaide Hills bushfires, connecting the students to their local landscapes through drawing.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.louiseflaherty.com/'>Louise Flaherty - website</a></li>
<li><a href='https://fabrik.org.au/about/'>Fabrik</a></li>
<li><a href='https://www.salafestival.com/schools-artist-in-residence-program/'>2020 Schools Artist in Residence Program</a></li>
<li><a href='https://www.creditunionsa.com.au/'>Credit Union SA</a></li>
<li><a href='https://www.ahc.sa.gov.au/ahc-visitor/Documents/Walking%20trails/VISITOR-WALKING-TRAILS-Lobethal-Bushland-Park-DL.pdf'>Bushland Park</a></li>
<li><a href='https://www.communitywebs.org/flbp/wildlife.php'>Friends of Lobethal Bushland Park - Flora species of conservation significance</a></li>
<li><a href='https://www.visualcom.com.au/'>Visualcom</a></li>
<li><a href='https://fabrik.org.au/solastalgia/'>Solastalgia exhibition</a></li>
</ul>
<p>Music: Nothing will grow here - Komiku</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hxfiis/LouiseJane2_stereo.mp3" length="34211193" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In December 2020, Steph caught up with artist Louise Flaherty and educator Jane Mant to talk about their experience of the Schools Artist in Residence Program, presented by SALA Festival in partnership with Credit Union SA. Louise worked with Jane’s students in the wake of the December 2019 Adelaide Hills bushfires, connecting the students to their local landscapes through drawing.
 
Show Notes
Louise Flaherty - website
Fabrik
2020 Schools Artist in Residence Program
Credit Union SA
Bushland Park
Friends of Lobethal Bushland Park - Flora species of conservation significance
Visualcom
Solastalgia exhibition
Music: Nothing will grow here - Komiku]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1630</itunes:duration>
                <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC0921-screen-2.jpg" />    </item>
    <item>
        <title>Revisit: Social engagement and working with communities</title>
        <itunes:title>Revisit: Social engagement and working with communities</itunes:title>
        <link>https://salafestival.podbean.com/e/revisit-social-engagement-and-working-with-communities/</link>
                    <comments>https://salafestival.podbean.com/e/revisit-social-engagement-and-working-with-communities/#comments</comments>        <pubDate>Thu, 17 Dec 2020 08:52:59 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/70b89f9a-1985-3c65-aff8-ad85fff9290a</guid>
                                    <description><![CDATA[<p>This episode takes us back to the 2018 SALA Forum for the second session of the day: Social Engagement and working with communities, a panel discussion featuring Daniel Connell, Laura Wills and Paul Gazzola.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://vimeo.com/296557502'>Youtube video of this talk</a></li>
<li><a href='http://christopherorchardartist.com.au/'>Christopher Orchard</a></li>
<li><a href='https://www.instagram.com/danielconnellartist/'>Daniel Connell Instagram</a></li>
<li><a href='https://www.laurawills.com.au/'>Laura Wills website</a> / <a href='https://www.instagram.com/laurafranceswills/'>Instagram</a></li>
<li><a href='https://paulgazzola.org/'>Paul Gazzola website</a> / <a href='https://www.instagram.com/mrgazzola/'>Instagram</a></li>
<li><a href='https://open-space.org.au/'>OSCA</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Arts-and-culture/Sauerbier-House'>Sauerbier House</a></li>
<li><a href='https://archive.onkaparingacity.com/onka/discover/parks_open_spaces/onkaparinga_river_estuary.jsp'>Onkaparinga Estuary</a></li>
<li><a href='https://www.naomikeytemusic.com/'>Naomi Keyte</a></li>
<li><a href='https://open-space.org.au/project/collectors-collections-waikerie-films/'>Collectors/Collections: Waikerie Films</a></li>
</ul>
<p> </p>
<p>Music: Pinky - Blue Dot Sessions</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This episode takes us back to the 2018 SALA Forum for the second session of the day: Social Engagement and working with communities, a panel discussion featuring Daniel Connell, Laura Wills and Paul Gazzola.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://vimeo.com/296557502'>Youtube video of this talk</a></li>
<li><a href='http://christopherorchardartist.com.au/'>Christopher Orchard</a></li>
<li><a href='https://www.instagram.com/danielconnellartist/'>Daniel Connell Instagram</a></li>
<li><a href='https://www.laurawills.com.au/'>Laura Wills website</a> / <a href='https://www.instagram.com/laurafranceswills/'>Instagram</a></li>
<li><a href='https://paulgazzola.org/'>Paul Gazzola website</a> / <a href='https://www.instagram.com/mrgazzola/'>Instagram</a></li>
<li><a href='https://open-space.org.au/'>OSCA</a></li>
<li><a href='https://www.onkaparingacity.com/Around-me/Arts-and-culture/Sauerbier-House'>Sauerbier House</a></li>
<li><a href='https://archive.onkaparingacity.com/onka/discover/parks_open_spaces/onkaparinga_river_estuary.jsp'>Onkaparinga Estuary</a></li>
<li><a href='https://www.naomikeytemusic.com/'>Naomi Keyte</a></li>
<li><a href='https://open-space.org.au/project/collectors-collections-waikerie-films/'>Collectors/Collections: Waikerie Films</a></li>
</ul>
<p> </p>
<p>Music: Pinky - Blue Dot Sessions</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t32ey8/Ep_8_Social_engagementb50zp.mp3" length="77642674" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This episode takes us back to the 2018 SALA Forum for the second session of the day: Social Engagement and working with communities, a panel discussion featuring Daniel Connell, Laura Wills and Paul Gazzola.
 
Show Notes:
Youtube video of this talk
Christopher Orchard
Daniel Connell Instagram
Laura Wills website / Instagram
Paul Gazzola website / Instagram
OSCA
Sauerbier House
Onkaparinga Estuary
Naomi Keyte
Collectors/Collections: Waikerie Films
 
Music: Pinky - Blue Dot Sessions]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3000</itunes:duration>
                <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/throwback8_sq.jpg" />    </item>
    <item>
        <title>Revisit: The Department of Non-Corporeal Affairs</title>
        <itunes:title>Revisit: The Department of Non-Corporeal Affairs</itunes:title>
        <link>https://salafestival.podbean.com/e/the-department-of-non-corporeal-affairs/</link>
                    <comments>https://salafestival.podbean.com/e/the-department-of-non-corporeal-affairs/#comments</comments>        <pubDate>Fri, 20 Nov 2020 09:00:00 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/57a9e779-140c-37d3-a715-bdad19bc3305</guid>
                                    <description><![CDATA[<p>This episode takes us back to the 2017 SALA Forum for a Q&A session from The Department of Non-Corporeal Affairs. Andrew Purvis and Sasha Grbich take us through what non-corporeal means, and what necessitates a paranomal research office in the City of Adelaide.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.adelaidenow.com.au/messenger/city/why-has-a-paranormal-research-office-popped-up-at-adelaide-city-council/news-story/d6918b68f93ee2b5e729592762d3758c'>City Messenger – Why has a paranormal research office popped up at Adelaide City Council? </a></li>
<li><a href='https://sanews.home.blog/2017/09/12/paranormal-research-office-cracks-open-adelaides-ghost-tales/amp/'>SAnews – Paranormal research office cracks open Adelaide’s ghost tales</a></li>
<li><a href='https://en.wikipedia.org/wiki/Ouija'>Ouija Board</a></li>
<li><a href='https://en.wikipedia.org/wiki/Fleetwood_Mac_discography'>Fleetwood Mac</a></li>
<li><a href='https://serawaters.com.au/Art-House-The-Local-Ghost-Laboratory~649'>Sera Waters</a></li>
<li><a href='https://twitter.com/Allen_Tiller'>Allen Tiller on Twitter</a></li>
<li><a href='http://hauntedadelaide.blogspot.com/p/learn-more.html'>Haunted Adelaide</a></li>
<li><a href='https://en.wikipedia.org/wiki/Richard_Dawkins'>Richard Dawkins</a></li>
<li><a href='https://www.cityofadelaide.com.au/community/creativity-culture/public-art/art-pod/'>Artpod</a></li>
<li><a href='https://www.sashagrbich.net/'>Sasha Grbich - website</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>This episode takes us back to the 2017 SALA Forum for a Q&A session from The Department of Non-Corporeal Affairs. Andrew Purvis and Sasha Grbich take us through what non-corporeal means, and what necessitates a paranomal research office in the City of Adelaide.</p>
<p> </p>
<p>Show Notes:</p>
<ul><li><a href='https://www.adelaidenow.com.au/messenger/city/why-has-a-paranormal-research-office-popped-up-at-adelaide-city-council/news-story/d6918b68f93ee2b5e729592762d3758c'>City Messenger – Why has a paranormal research office popped up at Adelaide City Council? </a></li>
<li><a href='https://sanews.home.blog/2017/09/12/paranormal-research-office-cracks-open-adelaides-ghost-tales/amp/'>SAnews – Paranormal research office cracks open Adelaide’s ghost tales</a></li>
<li><a href='https://en.wikipedia.org/wiki/Ouija'>Ouija Board</a></li>
<li><a href='https://en.wikipedia.org/wiki/Fleetwood_Mac_discography'>Fleetwood Mac</a></li>
<li><a href='https://serawaters.com.au/Art-House-The-Local-Ghost-Laboratory~649'>Sera Waters</a></li>
<li><a href='https://twitter.com/Allen_Tiller'>Allen Tiller on Twitter</a></li>
<li><a href='http://hauntedadelaide.blogspot.com/p/learn-more.html'>Haunted Adelaide</a></li>
<li><a href='https://en.wikipedia.org/wiki/Richard_Dawkins'>Richard Dawkins</a></li>
<li><a href='https://www.cityofadelaide.com.au/community/creativity-culture/public-art/art-pod/'>Artpod</a></li>
<li><a href='https://www.sashagrbich.net/'>Sasha Grbich - website</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rmmg7w/Ep_7_-_Dept_Non-Corporeal_Affairs37vtdh.mp3" length="26841975" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This episode takes us back to the 2017 SALA Forum for a Q&A session from The Department of Non-Corporeal Affairs. Andrew Purvis and Sasha Grbich take us through what non-corporeal means, and what necessitates a paranomal research office in the City of Adelaide.
 
Show Notes:
City Messenger – Why has a paranormal research office popped up at Adelaide City Council? 
SAnews – Paranormal research office cracks open Adelaide’s ghost tales
Ouija Board
Fleetwood Mac
Sera Waters
Allen Tiller on Twitter
Haunted Adelaide
Richard Dawkins
Artpod
Sasha Grbich - website
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1059</itunes:duration>
                <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast_8.jpg" />    </item>
    <item>
        <title>Artist Interview: Sundari Carmody</title>
        <itunes:title>Artist Interview: Sundari Carmody</itunes:title>
        <link>https://salafestival.podbean.com/e/sundari-carmody/</link>
                    <comments>https://salafestival.podbean.com/e/sundari-carmody/#comments</comments>        <pubDate>Thu, 29 Oct 2020 12:04:20 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/dbab0bbe-ac04-3f85-956d-5acaec1f7f2b</guid>
                                    <description><![CDATA[<p>In this episode, Kate interviews artist Sundari Carmody about her practice, which gives sculptural form to unseen phenomena. Carmody is drawn to research in the areas of dark matter, sleep and the study of nocturnal creatures, and in her work considers how to engage with universal systems and aspects of being using materials such as concrete, textiles, mist and neon. See her work at ACE Open as part of If the future is to be worth anything: 2020 South Australian Artist Survey.

Show Notes:</p>
<ul><li><a href='https://www.bbc.co.uk/programmes/b08wmk5j'>BBC Radio 4 'In Our Time' - Bird Migration</a></li>
<li><a href='https://www.sundaricarmody.com/steady-illiterate-movement/g4eerttrsepkmys0aknsyci67hsyh4'>Sundari Carmody, One: all that we can see</a>, 2017, neon light with 95% painted black, electrical components, 40 x 40cm</li>
<li><a href='https://www.sundaricarmody.com/steady-illiterate-movement/kcjcu9w1vexw01hega5kc49ip6v33p'>Sundari Carmody, white white (summer and winter solstice),</a> 2017, neon light, electrical components, 70 x 100cm</li>
<li><a href='https://www.penguin.com.au/books/why-we-sleep-9780141983769'> ‘Why We Sleep: The New Science of Sleep and Dreams’</a> Dr Matthew Walker</li>
<li><a href='https://www.sundaricarmody.com/work#/milky-way/'>Sundari Carmody, Milky Way, 2018</a></li>
<li>“What then is time? If no one asks me, I know: if I wish to explain it to one that asketh, I know not.” - <a href='https://en.wikipedia.org/wiki/Philosophy_of_space_and_time#Ancient_and_medieval_views'>Saint Augustine of Hippo (354 - 430 AD) in ‘Confessions’.</a></li>
<li><a href='https://www.sundaricarmody.com/work#/black-swan/'>Sundari Carmody, The Black Swan Suite, 2014</a></li>
<li><a href='https://www.sundaricarmody.com/the-build-up/mk2hhj8btu0r9k7rv3851ejpushtso'>Sundari Carmody, The Build Up – masks, 2014</a></li>
<li><a href='https://www.sundaricarmody.com/work#/the-build-up/'>Sundari Carmody, The Build Up, 2014</a></li>
<li>ACE Open - <a href='https://aceopen.art/exhibitions/2020-south-australian-artist-survey/'>If the future is to be worth anything: 2020 South Australian Artist Survey</a></li>
<li><a href='https://www.sundaricarmody.com/work#/if-the-future-is-to-be-worth-anything/'>Sundari Carmody at ACE Open, 2020</a></li>
<li><a href='https://en.wikipedia.org/wiki/Jantar_Mantar'>Jantar Mantar</a></li>
<li><a href='https://www.sundaricarmody.com/'>SundariCarmody.com</a></li>
</ul>
<p><a href='https://www.salafestival.com/sala-podcast/#EP6'>Transcipt available</a></p>
<p>Music: 'Nothing will grow here' by Komiku via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Kate interviews artist Sundari Carmody about her practice, which gives sculptural form to unseen phenomena. Carmody is drawn to research in the areas of dark matter, sleep and the study of nocturnal creatures, and in her work considers how to engage with universal systems and aspects of being using materials such as concrete, textiles, mist and neon. See her work at ACE Open as part of <em>If the future is to be worth anything: 2020 South Australian Artist Survey</em>.<br>
<br>
Show Notes:</p>
<ul><li><a href='https://www.bbc.co.uk/programmes/b08wmk5j'>BBC Radio 4 'In Our Time' - Bird Migration</a></li>
<li><a href='https://www.sundaricarmody.com/steady-illiterate-movement/g4eerttrsepkmys0aknsyci67hsyh4'>Sundari Carmody, <em>One: all that we can see</em></a>, 2017, neon light with 95% painted black, electrical components, 40 x 40cm</li>
<li><a href='https://www.sundaricarmody.com/steady-illiterate-movement/kcjcu9w1vexw01hega5kc49ip6v33p'>Sundari Carmody, <em>white white (summer and winter solstice),</em></a> 2017, neon light, electrical components, 70 x 100cm</li>
<li><a href='https://www.penguin.com.au/books/why-we-sleep-9780141983769'> ‘Why We Sleep: The New Science of Sleep and Dreams’</a> Dr Matthew Walker</li>
<li><a href='https://www.sundaricarmody.com/work#/milky-way/'>Sundari Carmody, Milky Way, 2018</a></li>
<li>“What then is time? If no one asks me, I know: if I wish to explain it to one that asketh, I know not.” - <a href='https://en.wikipedia.org/wiki/Philosophy_of_space_and_time#Ancient_and_medieval_views'>Saint Augustine of Hippo (354 - 430 AD) in ‘Confessions’.</a></li>
<li><a href='https://www.sundaricarmody.com/work#/black-swan/'>Sundari Carmody, <em>The Black Swan Suite</em>, 2014</a></li>
<li><a href='https://www.sundaricarmody.com/the-build-up/mk2hhj8btu0r9k7rv3851ejpushtso'>Sundari Carmody, <em>The Build Up – masks</em>, 2014</a></li>
<li><a href='https://www.sundaricarmody.com/work#/the-build-up/'>Sundari Carmody,<em> The Build Up</em>, 2014</a></li>
<li>ACE Open - <a href='https://aceopen.art/exhibitions/2020-south-australian-artist-survey/'>If the future is to be worth anything: 2020 South Australian Artist Survey</a></li>
<li><a href='https://www.sundaricarmody.com/work#/if-the-future-is-to-be-worth-anything/'>Sundari Carmody at ACE Open, 2020</a></li>
<li><a href='https://en.wikipedia.org/wiki/Jantar_Mantar'>Jantar Mantar</a></li>
<li><a href='https://www.sundaricarmody.com/'>SundariCarmody.com</a></li>
</ul>
<p><a href='https://www.salafestival.com/sala-podcast/#EP6'>Transcipt available</a></p>
<p>Music: 'Nothing will grow here' by Komiku via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ivgvug/Ep6_Sundari_4.mp3" length="48128715" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Kate interviews artist Sundari Carmody about her practice, which gives sculptural form to unseen phenomena. Carmody is drawn to research in the areas of dark matter, sleep and the study of nocturnal creatures, and in her work considers how to engage with universal systems and aspects of being using materials such as concrete, textiles, mist and neon. See her work at ACE Open as part of If the future is to be worth anything: 2020 South Australian Artist Survey.Show Notes:
BBC Radio 4 'In Our Time' - Bird Migration
Sundari Carmody, One: all that we can see, 2017, neon light with 95% painted black, electrical components, 40 x 40cm
Sundari Carmody, white white (summer and winter solstice), 2017, neon light, electrical components, 70 x 100cm
 ‘Why We Sleep: The New Science of Sleep and Dreams’ Dr Matthew Walker
Sundari Carmody, Milky Way, 2018
“What then is time? If no one asks me, I know: if I wish to explain it to one that asketh, I know not.” - Saint Augustine of Hippo (354 - 430 AD) in ‘Confessions’.
Sundari Carmody, The Black Swan Suite, 2014
Sundari Carmody, The Build Up – masks, 2014
Sundari Carmody, The Build Up, 2014
ACE Open - If the future is to be worth anything: 2020 South Australian Artist Survey
Sundari Carmody at ACE Open, 2020
Jantar Mantar
SundariCarmody.com
Transcipt available
Music: 'Nothing will grow here' by Komiku via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1947</itunes:duration>
                <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Podcast_6sfw.jpg" />    </item>
    <item>
        <title>Artist Interview: Juanella McKenzie</title>
        <itunes:title>Artist Interview: Juanella McKenzie</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-juanella-mckenzie/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-juanella-mckenzie/#comments</comments>        <pubDate>Wed, 30 Sep 2020 18:38:07 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/cf742569-dd61-36ff-b45c-b236d1a0059f</guid>
                                    <description><![CDATA[<p>In this episode, Kate interviews Port Augusta artist, Adnyamathanha and Luritja woman, Juanella McKenzie. Juanella is the recipient of the Country Arts SA Breaking Ground Award, and speaks to her next steps in developing this work.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.countryarts.org.au/news/juanella-mckenzie-wins-breaking-ground-award/'>Juanella McKenzie wins Breaking Ground Award (Country Arts)</a></li>
<li><a href='https://www.jessicaamyclark.com/resume'>Jessica Clark</a></li>
<li><a href='https://www.transcontinental.com.au/story/5796941/strong-woman-protecting-country/'>Family campaigns to stop the nuclear waste facility in Hawker</a></li>
<li><a href='https://news.aboriginalartdirectory.com/2019/07/the-mckenzie-powerhouse.php'>The McKenzie Powerhouse</a></li>
<li><a href='https://www.instagram.com/p/CFRctAiD1wv/?igshid=11t6z1sdjrcq6'>@woven_dreaming (Instagram)</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Kate interviews Port Augusta artist, Adnyamathanha and Luritja woman, Juanella McKenzie. Juanella is the recipient of the Country Arts SA Breaking Ground Award, and speaks to her next steps in developing this work.</p>
<p> </p>
<p>Show Notes</p>
<ul><li><a href='https://www.countryarts.org.au/news/juanella-mckenzie-wins-breaking-ground-award/'>Juanella McKenzie wins Breaking Ground Award (Country Arts)</a></li>
<li><a href='https://www.jessicaamyclark.com/resume'>Jessica Clark</a></li>
<li><a href='https://www.transcontinental.com.au/story/5796941/strong-woman-protecting-country/'>Family campaigns to stop the nuclear waste facility in Hawker</a></li>
<li><a href='https://news.aboriginalartdirectory.com/2019/07/the-mckenzie-powerhouse.php'>The McKenzie Powerhouse</a></li>
<li><a href='https://www.instagram.com/p/CFRctAiD1wv/?igshid=11t6z1sdjrcq6'>@woven_dreaming (Instagram)</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wkqg3i/Ep5_Juanella_2_b9ggum.mp3" length="24281812" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Kate interviews Port Augusta artist, Adnyamathanha and Luritja woman, Juanella McKenzie. Juanella is the recipient of the Country Arts SA Breaking Ground Award, and speaks to her next steps in developing this work.
 
Show Notes
Juanella McKenzie wins Breaking Ground Award (Country Arts)
Jessica Clark
Family campaigns to stop the nuclear waste facility in Hawker
The McKenzie Powerhouse
@woven_dreaming (Instagram)
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2264</itunes:duration>
                <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Juanella-2-podcastpic_shrunk.jpg" />    </item>
    <item>
        <title>DIY Audio Tour</title>
        <itunes:title>DIY Audio Tour</itunes:title>
        <link>https://salafestival.podbean.com/e/diy-audio-tour/</link>
                    <comments>https://salafestival.podbean.com/e/diy-audio-tour/#comments</comments>        <pubDate>Mon, 31 Aug 2020 10:47:56 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/0e141adf-e0d7-36d9-8f8a-a8468c29d689</guid>
                                    <description><![CDATA[<p>This episode actually doubles up as a do-it-yourself Audio Tour! You can follow along in real life with your headphones in, or simply enjoy tuning in like you would any other episode. Hear from Jacinta Koolmatrie as we roam the CBD and recontextualise some of Adelaide's sculptures and monuments, visit Troy-Anthony Baylis' Nomenclatures at the Art Gallery of South Australia and finish up at  Nexus Arts with Makeda Duong's exhibition Mixed Race Female. Each stop falls within Adelaide's free tram zone and you can press pause as you move between them.</p>
<p>
Stops:</p>
<ol><li>Tarntanyangga (Victoria Square)</li>
<li><a href='https://www.agsa.sa.gov.au/'>The Art Gallery of South Australia </a>(10am-5pm)</li>
<li><a href='http://nexusarts.org.au/'>Nexus Arts</a> (Tue-Fri, 10am-4pm; exhibition open until 17 Sep 2020)</li>
</ol><p>
Show Notes</p>
<ul><li><a href='https://www.adelaidereview.com.au/latest/opinion/2020/06/15/statues-erase-more-history-than-they-tell/'>Statues erase more history than they tell - Jacinta Koolmatrie</a></li>
<li><a href='https://www.britannica.com/event/White-Australia-Policy'>White Australia Policy</a></li>
<li><a href='https://www.agsa.sa.gov.au/'>Art Gallery of South Australia</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/troy-anthony-baylis-nomenclatures/'>Troy-Anthony Baylis: Nomenclatures at Art Gallery of South Australia</a></li>
<li><a href='https://vimeo.com/442592261'>Troy-Anthony Baylis (AGSA video)</a></li>
<li><a href='https://www.the-national.com.au/artists/troy-anthony-baylis/postcards/'>The National 2019</a></li>
<li><a href='http://classic.austlii.edu.au/au/legis/sa/num_act/na1284o1917196/'>Nomenclatures Act 1917</a></li>
<li><a href='https://guildhouse.org.au/fellowship-troy-anthony-baylis/'>Guildhouse fellowship</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Castle_(1997_Australian_film)'>The Castle (1997 film)</a></li>
<li><a href='https://www.ngv.vic.gov.au/explore/collection/work/55245/'>David McDiarmid, When I want your opinion, I'll give it to you, 1994</a></li>
<li><a href='https://issuu.com/artgalleryofsouthaustralia/docs/troy-anthony_baylis_final'>Catalogue Essay by Daniel Mudie Cunningham</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/05/21/meet-your-maker-troy-anthony-baylis/'>Meet Your Maker: Troy-Anthony Baylis (Adelaide Review)</a></li>
<li><a href='https://www.instagram.com/btroyanthony/'>Troy-Anthony Baylis - Instagram</a></li>
<li><a href='http://nexusarts.org.au/'>Nexus Arts</a></li>
<li><a href='https://www.nexusartsgallery.com/mixed-race-female/'>Mixed Race Female at Nexus Arts</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/08/06/makeda-duongs-mixed-race-sweater-i-was-born-wearing-one-and-i-can-never-take-it-off/'>Makeda Duong's Mixed Race Sweater: I was born wearing one, and I can never take it off' (Adelaide Review)</a></li>
<li><a href='https://citymag.indaily.com.au/culture/makeda-duong-and-the-warp-and-weft-of-identity/'>Makeda Duong and the warp and weft of identity (CityMag)</a></li>
<li><a href='http://www.makedaduong.com/'>Makeda Duong - website</a></li>
</ul>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This episode actually doubles up as a do-it-yourself Audio Tour! You can follow along in real life with your headphones in, or simply enjoy tuning in like you would any other episode. Hear from Jacinta Koolmatrie as we roam the CBD and recontextualise some of Adelaide's sculptures and monuments, visit Troy-Anthony Baylis' <em>Nomenclatures</em> at the Art Gallery of South Australia and finish up at  Nexus Arts with Makeda Duong's exhibition <em>Mixed Race Female</em>. Each stop falls within Adelaide's free tram zone and you can press pause as you move between them.</p>
<p><br>
Stops:</p>
<ol><li>Tarntanyangga (Victoria Square)</li>
<li><a href='https://www.agsa.sa.gov.au/'>The Art Gallery of South Australia </a>(10am-5pm)</li>
<li><a href='http://nexusarts.org.au/'>Nexus Arts</a> (Tue-Fri, 10am-4pm; exhibition open until 17 Sep 2020)</li>
</ol><p><br>
Show Notes</p>
<ul><li><a href='https://www.adelaidereview.com.au/latest/opinion/2020/06/15/statues-erase-more-history-than-they-tell/'><em>Statues erase more history than they tell </em>- Jacinta Koolmatrie</a></li>
<li><a href='https://www.britannica.com/event/White-Australia-Policy'>White Australia Policy</a></li>
<li><a href='https://www.agsa.sa.gov.au/'>Art Gallery of South Australia</a></li>
<li><a href='https://www.agsa.sa.gov.au/whats-on/exhibitions/troy-anthony-baylis-nomenclatures/'><em>Troy-Anthony Baylis: Nomenclatures </em>at Art Gallery of South Australia</a></li>
<li><a href='https://vimeo.com/442592261'>Troy-Anthony Baylis (AGSA video)</a></li>
<li><a href='https://www.the-national.com.au/artists/troy-anthony-baylis/postcards/'>The National 2019</a></li>
<li><a href='http://classic.austlii.edu.au/au/legis/sa/num_act/na1284o1917196/'>Nomenclatures Act 1917</a></li>
<li><a href='https://guildhouse.org.au/fellowship-troy-anthony-baylis/'>Guildhouse fellowship</a></li>
<li><a href='https://en.wikipedia.org/wiki/The_Castle_(1997_Australian_film)'>The Castle (1997 film)</a></li>
<li><a href='https://www.ngv.vic.gov.au/explore/collection/work/55245/'>David McDiarmid, <em>When I want your opinion, I'll give it to you</em>, 1994</a></li>
<li><a href='https://issuu.com/artgalleryofsouthaustralia/docs/troy-anthony_baylis_final'>Catalogue Essay by Daniel Mudie Cunningham</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/05/21/meet-your-maker-troy-anthony-baylis/'>Meet Your Maker: Troy-Anthony Baylis (Adelaide Review)</a></li>
<li><a href='https://www.instagram.com/btroyanthony/'>Troy-Anthony Baylis - Instagram</a></li>
<li><a href='http://nexusarts.org.au/'>Nexus Arts</a></li>
<li><a href='https://www.nexusartsgallery.com/mixed-race-female/'><em>Mixed Race Female</em> at Nexus Arts</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2020/08/06/makeda-duongs-mixed-race-sweater-i-was-born-wearing-one-and-i-can-never-take-it-off/'>Makeda Duong's Mixed Race Sweater: I was born wearing one, and I can never take it off' (Adelaide Review)</a></li>
<li><a href='https://citymag.indaily.com.au/culture/makeda-duong-and-the-warp-and-weft-of-identity/'>Makeda Duong and the warp and weft of identity (CityMag)</a></li>
<li><a href='http://www.makedaduong.com/'>Makeda Duong - website</a></li>
</ul>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rgb3s5/Audio_Tour_2b_stereo29s3j5.mp3" length="51569213" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This episode actually doubles up as a do-it-yourself Audio Tour! You can follow along in real life with your headphones in, or simply enjoy tuning in like you would any other episode. Hear from Jacinta Koolmatrie as we roam the CBD and recontextualise some of Adelaide's sculptures and monuments, visit Troy-Anthony Baylis' Nomenclatures at the Art Gallery of South Australia and finish up at  Nexus Arts with Makeda Duong's exhibition Mixed Race Female. Each stop falls within Adelaide's free tram zone and you can press pause as you move between them.
Stops:
Tarntanyangga (Victoria Square)
The Art Gallery of South Australia (10am-5pm)
Nexus Arts (Tue-Fri, 10am-4pm; exhibition open until 17 Sep 2020)
Show Notes
Statues erase more history than they tell - Jacinta Koolmatrie
White Australia Policy
Art Gallery of South Australia
Troy-Anthony Baylis: Nomenclatures at Art Gallery of South Australia
Troy-Anthony Baylis (AGSA video)
The National 2019
Nomenclatures Act 1917
Guildhouse fellowship
The Castle (1997 film)
David McDiarmid, When I want your opinion, I'll give it to you, 1994
Catalogue Essay by Daniel Mudie Cunningham
Meet Your Maker: Troy-Anthony Baylis (Adelaide Review)
Troy-Anthony Baylis - Instagram
Nexus Arts
Mixed Race Female at Nexus Arts
Makeda Duong's Mixed Race Sweater: I was born wearing one, and I can never take it off' (Adelaide Review)
Makeda Duong and the warp and weft of identity (CityMag)
Makeda Duong - website
 ]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2134</itunes:duration>
                <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC8201-c.jpg" />    </item>
    <item>
        <title>Textiles &amp; Craftivism with Britt Burton &amp; Sera Waters</title>
        <itunes:title>Textiles &amp; Craftivism with Britt Burton &amp; Sera Waters</itunes:title>
        <link>https://salafestival.podbean.com/e/textiles-craftivism-with-britt-burton-sera-waters/</link>
                    <comments>https://salafestival.podbean.com/e/textiles-craftivism-with-britt-burton-sera-waters/#comments</comments>        <pubDate>Mon, 17 Aug 2020 16:56:59 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/3cf95ced-76e1-3981-ba36-42db06de770f</guid>
                                    <description><![CDATA[<p>Christina talks to Britt Burton, Public Programs Coordinator at the Centre of Democracy, and South Australian artist Sera Waters, about craftivism and textiles in art.</p>
<p>Show Notes</p>
<ul><li><a href='https://centreofdemocracy.sa.gov.au/'>Centre of Democracy</a></li>
<li><a href='https://history.sa.gov.au/'>History Trust of South Australia</a></li>
<li><a href='http://www.hellobetsygreer.com/'>Betsy Greer</a></li>
<li><a href='https://stitchandresist.com/'>StitchandResist.com</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4014/stitch--resist'>Stitch & Resist - SALA listing</a></li>
<li><a href='https://www.blurb.com/b/8574713-craftivism'>Craftivism: A Manifesto/Methodology by Tal Fitzpatrick</a></li>
<li><a href='https://serawaters.com.au/'>Sera Waters</a></li>
<li><a href='https://riddochartgallery.org.au/telling-tales/'>Telling Tales</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4565/telling-tales---limestone-coast-community-stitch-project'>Telling Tales - SALA listing</a></li>
<li><a href='https://riddochartgallery.org.au/'>The Riddoch Art Gallery</a></li>
<li><a href='https://www.walkwaygallery.com/'>Walkway Gallery</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions/drastic-fabric'>Drastic Fabric</a></li>
<li><a href='https://vimeo.com/409603114'>Drastic Fabric virtual tour</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Christina talks to Britt Burton, Public Programs Coordinator at the Centre of Democracy, and South Australian artist Sera Waters, about craftivism and textiles in art.</p>
<p>Show Notes</p>
<ul><li><a href='https://centreofdemocracy.sa.gov.au/'>Centre of Democracy</a></li>
<li><a href='https://history.sa.gov.au/'>History Trust of South Australia</a></li>
<li><a href='http://www.hellobetsygreer.com/'>Betsy Greer</a></li>
<li><a href='https://stitchandresist.com/'>StitchandResist.com</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4014/stitch--resist'>Stitch & Resist - SALA listing</a></li>
<li><a href='https://www.blurb.com/b/8574713-craftivism'>Craftivism: A Manifesto/Methodology by Tal Fitzpatrick</a></li>
<li><a href='https://serawaters.com.au/'>Sera Waters</a></li>
<li><a href='https://riddochartgallery.org.au/telling-tales/'>Telling Tales</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4565/telling-tales---limestone-coast-community-stitch-project'>Telling Tales - SALA listing</a></li>
<li><a href='https://riddochartgallery.org.au/'>The Riddoch Art Gallery</a></li>
<li><a href='https://www.walkwaygallery.com/'>Walkway Gallery</a></li>
<li><a href='https://www.acsa.sa.edu.au/our-gallery/exhibitions/drastic-fabric'>Drastic Fabric</a></li>
<li><a href='https://vimeo.com/409603114'>Drastic Fabric virtual tour</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ssjqrb/Episode_3b3tur.mp3" length="33339846" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Christina talks to Britt Burton, Public Programs Coordinator at the Centre of Democracy, and South Australian artist Sera Waters, about craftivism and textiles in art.
Show Notes
Centre of Democracy
History Trust of South Australia
Betsy Greer
StitchandResist.com
Stitch & Resist - SALA listing
Craftivism: A Manifesto/Methodology by Tal Fitzpatrick
Sera Waters
Telling Tales
Telling Tales - SALA listing
The Riddoch Art Gallery
Walkway Gallery
Drastic Fabric
Drastic Fabric virtual tour
]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1790</itunes:duration>
                <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/_DSC7170-Edit-sera-podcast-2-smaller.jpg" />    </item>
    <item>
        <title>Artist Interview: Cassie Thring</title>
        <itunes:title>Artist Interview: Cassie Thring</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-cassie-thring/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-cassie-thring/#comments</comments>        <pubDate>Mon, 10 Aug 2020 17:31:31 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/34cf53ec-dad0-3c9c-a39a-1c33c28a10eb</guid>
                                    <description><![CDATA[<p>Steph talks to SA artist Cassie Thring about her practice, her work bringing art to different communities, what it's like to have a space in Floating Goose Studios plus a few words from Olive the dog.</p>
<p>Show Notes:</p>
<ul><li><a href='http://www.cassiethring.com/'>cassiethring.com</a></li>
<li><a href='http://www.floatinggoose.com.au/studios/'>Floating Goose Studios Inc.</a></li>
<li><a href='https://www.acsa.sa.edu.au/home'>ACSA (Adelaide Central School of Art)</a></li>
<li><a href='https://carclew.com.au/Program/pom-pom'>Carclew’s Pom Pom program</a></li>
<li><a href='https://www.helpinghand.org.au/residents-rise-sala-occasion/'>Helping Hand (2017 Article)</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2017/08/24/len-harvey-young-art/'>The Adelaide Review: Len Harvey is Young at Art</a></li>
<li><a href='http://nicholashanisch.com/'>Nicholas Hanisch</a></li>
<li><a href='https://praxisartspace.com.au/good-news-from-outer-space/'>Good News from Outer Space (praxis Artspace)</a></li>
</ul>
<p>Music: ‘Pinky’ by Blue Dot Sessions via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph talks to SA artist Cassie Thring about her practice, her work bringing art to different communities, what it's like to have a space in Floating Goose Studios plus a few words from Olive the dog.</p>
<p>Show Notes:</p>
<ul><li><a href='http://www.cassiethring.com/'>cassiethring.com</a></li>
<li><a href='http://www.floatinggoose.com.au/studios/'>Floating Goose Studios Inc.</a></li>
<li><a href='https://www.acsa.sa.edu.au/home'>ACSA (Adelaide Central School of Art)</a></li>
<li><a href='https://carclew.com.au/Program/pom-pom'>Carclew’s Pom Pom program</a></li>
<li><a href='https://www.helpinghand.org.au/residents-rise-sala-occasion/'>Helping Hand (2017 Article)</a></li>
<li><a href='https://www.adelaidereview.com.au/arts/visual-arts/2017/08/24/len-harvey-young-art/'>The Adelaide Review: Len Harvey is Young at Art</a></li>
<li><a href='http://nicholashanisch.com/'>Nicholas Hanisch</a></li>
<li><a href='https://praxisartspace.com.au/good-news-from-outer-space/'>Good News from Outer Space (praxis Artspace)</a></li>
</ul>
<p>Music: ‘Pinky’ by Blue Dot Sessions via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5fn7vd/SALA_Cassie_Interview_1b8t8c7.mp3" length="30113562" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph talks to SA artist Cassie Thring about her practice, her work bringing art to different communities, what it's like to have a space in Floating Goose Studios plus a few words from Olive the dog.
Show Notes:
cassiethring.com
Floating Goose Studios Inc.
ACSA (Adelaide Central School of Art)
Carclew’s Pom Pom program
Helping Hand (2017 Article)
The Adelaide Review: Len Harvey is Young at Art
Nicholas Hanisch
Good News from Outer Space (praxis Artspace)
Music: ‘Pinky’ by Blue Dot Sessions via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1901</itunes:duration>
                <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/LISTENcassie_Sfw.jpg" />    </item>
    <item>
        <title>Artist Interview: Yusuf Ali Hayat</title>
        <itunes:title>Artist Interview: Yusuf Ali Hayat</itunes:title>
        <link>https://salafestival.podbean.com/e/artist-interview-yusuf-ali-hayat/</link>
                    <comments>https://salafestival.podbean.com/e/artist-interview-yusuf-ali-hayat/#comments</comments>        <pubDate>Thu, 30 Jul 2020 22:05:23 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/2e84e444-8586-3372-9df9-10699b27c33d</guid>
                                    <description><![CDATA[<p>Steph interviews South Australian artist Yusuf Ali Hayat about his arts practice.</p>
<ul><li><a href='https://www.instagram.com/yusufalihayat/'>Yusuf's Instagram</a></li>
<li><a href='http://yusufalihayat.com/index.php/yusuf-ali-hayat/'>Yusuf's Website</a></li>
<li><a href='https://www.helpmannacademy.com.au/support/giving/david-mckee-yusuf-hayat/'>British School at Rome – Helpmann Academy</a></li>
<li><a href='https://aceopen.art/exhibitions/in-love/'>Hossein Valamanesh</a></li>
<li><a href='https://www.francallen.com/'>Fran Callen</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4262/just-add-water'>Just Add Water</a> at Collective Haunt Inc</li>
<li><a href='https://www.salafestival.com/artfuel/program/view/3906/on-being-an-artist-11-actions'>On Being an Artist: 11 Actions at </a><a href='https://www.praxisartspace.com/on-being-an-artist-11-actions/'>Praxis Artspace</a></li>
</ul>
<p>Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steph interviews South Australian artist Yusuf Ali Hayat about his arts practice.</p>
<ul><li><a href='https://www.instagram.com/yusufalihayat/'>Yusuf's Instagram</a></li>
<li><a href='http://yusufalihayat.com/index.php/yusuf-ali-hayat/'>Yusuf's Website</a></li>
<li><a href='https://www.helpmannacademy.com.au/support/giving/david-mckee-yusuf-hayat/'>British School at Rome – Helpmann Academy</a></li>
<li><a href='https://aceopen.art/exhibitions/in-love/'>Hossein Valamanesh</a></li>
<li><a href='https://www.francallen.com/'>Fran Callen</a></li>
<li><a href='https://www.salafestival.com/artfuel/program/view/4262/just-add-water'>Just Add Water</a> at Collective Haunt Inc</li>
<li><a href='https://www.salafestival.com/artfuel/program/view/3906/on-being-an-artist-11-actions'>On Being an Artist: 11 Actions at </a><a href='https://www.praxisartspace.com/on-being-an-artist-11-actions/'>Praxis Artspace</a></li>
</ul>
<p>Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w2p9au/yusuf_interview_46jpj8.mp3" length="41401394" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steph interviews South Australian artist Yusuf Ali Hayat about his arts practice.
Yusuf's Instagram
Yusuf's Website
British School at Rome – Helpmann Academy
Hossein Valamanesh
Fran Callen
Just Add Water at Collective Haunt Inc
On Being an Artist: 11 Actions at Praxis Artspace
Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2693</itunes:duration>
                <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog9167880/Yusuf_screen-3-5_1_767ha.jpg" />    </item>
    <item>
        <title>SALA Podcast Trailer</title>
        <itunes:title>SALA Podcast Trailer</itunes:title>
        <link>https://salafestival.podbean.com/e/sala-podcast-trailer/</link>
                    <comments>https://salafestival.podbean.com/e/sala-podcast-trailer/#comments</comments>        <pubDate>Thu, 30 Jul 2020 11:10:45 +0900</pubDate>
        <guid isPermaLink="false">salafestival.podbean.com/9d72bb1d-d113-3bac-aad5-abef24eb1777</guid>
                                    <description><![CDATA[<p>Welcome to the SALA Podcast! Hear from CEO Kate Moskwa on what to expect from this podcast.
Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Welcome to the SALA Podcast! Hear from CEO Kate Moskwa on what to expect from this podcast.<br>
Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8gaah8/sala_trailer_1_with_pinky_sound8ke8o.mp3" length="2561480" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Welcome to the SALA Podcast! Hear from CEO Kate Moskwa on what to expect from this podcast.Music: 'Pinky' by Blue Dot Sessions via freemusicarchive.org]]></itunes:summary>
        <itunes:author>salafestival</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>240</itunes:duration>
                        <itunes:episodeType>trailer</itunes:episodeType>
            </item>
</channel>
</rss>
