The Non-Toxic Fanboys Podcast

71: The Time Traveler’s Wife (2022) Season 1 Apparently?

Thu, 07 Jul 2022 04:18:00 -0400

Glenn and Scott complete their coverage of The Time Traveler's Wife with a review of the new HBO series adaptation. They discuss how the characters changed between the book and the screen, how the story fares in a visual format, how the series relates to Moffat Discourse (TM), the performances of the actors, the technological aspects of the historical setting, the choice to replace half of Episode 6 with a trailer for an as-yet-unannounced Season 2, and how this series made Scott doubt his own judgement.

Content note: One of the storylines from the show that we discuss in this episode involves the physical and sexual assault of one of the characters. This part of the discussion begins at 15:29 and ends at 24:14.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On this month's patron-exclusive show, Scott listened to an audiobook, and he has sooooooome opinions.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

70: The Many Failings of The Time Traveler’s Wife (2009)

Thu, 02 Jun 2022 04:57:00 -0400

In anticipation of the new Time Traveler's Wife series on HBO, Glenn & Scott take a look at the 2009 movie adaptation. They discuss the tightrope walked by the novel's main love story and how the movie fails to maintain that balance, how the main characters feel different in the movie versus the book, how the secondary characters mostly disappear, and how everybody has their idiosyncrasies filed off.

(This episode contains SPOILERS for the entire novel and the 2009 movie, so for anyone experiencing the story for the first time via the new show, listener beware.)

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On this month's patron-exclusive show, Scott listened to an audiobook, and he has sooooooome opinions.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

69: National Film Score Day 2022: Our Favorite Scores of 2021

Sun, 03 Apr 2022 04:35:00 -0400

Glenn & Scott once again celebrate National Film Score Day by talking exclusively about scores they actually like. This year's recommendations include a Finnish nature documentary, a French score that's seven minutes long, and of course the new Giacchino Spider-Man, which was surprisingly *not* Scott's favorite MCU score of the year. Along the way they also discuss cassingles, ASMR, the virtues of brevity, and this weird circumstance where the MCU has good scores now.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On this month's patron-exclusive show, Glenn & Scott try to figure out what to talk about on this month's patron-exclusive show.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

Musical Selections:

"La Musique du Futur - Mon Coeur" from Petite Maman by Para One
"Birth of a Reindeer" from Tale of the Sleeping Giants by Panu Aaltio
"The Message" from Tale of the Sleeping Giants by Panu Aaltio
"Arachnoverture" from Spider-Man: No Way Home by Michael Giacchino
"Shield of Pain" from Spider-Man: No Way Home by Michael Giacchino
"Forget Me Knots" from Spider-Man: No Way Home by Michael Giacchino
"Mission" from Eternals by Ramin Djawadi
"Eternals Theme" from Eternals by Ramin Djawadi
"Somewhere in Time" from Eternals by Ramin Djawadi
"The Domo" from Eternals by Ramin Djawadi
"This is Your Fight Now" from Eternals by Ramin Djawadi
"Life" from Eternals by Ramin Djawadi

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

68: Seventh Annual Oscar Preview: Best Original Score 2021

Mon, 21 Mar 2022 04:01:00 -0400

It is Oscar season, and despite the Academy banning the category from the telecast the Best Original Score award still exists, and Glenn & Scott are here to cover the nominees. After already examining Hans Zimmer's Dune score in the previous episode, now they review Encanto by Germaine Franco, The Power of the Dog by Jonny Greenwood, Don't Look Up by Nicholas Britell, and Parallel Mothers by Alberto Iglesias. Along the way they discuss how each score is helped or limited by its film, how french horns represent toxic masculinity, whether the Academy should rethink how it awards scores all together, and recent reporting about one of the nominees. Plus Scott declares war on fade-outs, Glenn shows ignorance of baseball terminology, and they digress into discussing the current state of the Star Wars franchise.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Glenn & Scott talk about preparing for next month's National Film Score Day episode, and also CPU names.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

Musical Selections:

"Abre Los Ojos" by Germaine Franco, from Encanto
"Antonio's Voice" by Germaine Franco, from Encanto
"Mirabel's Discovery" by Germaine Franco, from Encanto
"Dos Oruguitas" by Lin-Manuel Miranda, from Encanto
"We Don't Talk About Bruno" by Lin-Manuel Miranda, from Encanto
"Surface Pressure" by Lin-Manuel Miranda, from Encanto
"West" from The Power of the Dog by Jonny Greenwood
"Miss Nancy Arrives" from The Power of the Dog by Jonny Greenwood
"The Ravine" from The Power of the Dog by Jonny Greenwood
"Best Friends" from The Power of the Dog by Jonny Greenwood
"Paper Flowers" from The Power of the Dog by Jonny Greenwood
"Don't Look Up - Main Title Theme" from Don't Look Up by Nicholas Britell
"FEMA-BASH Commercial" from Don't Look Up by Nicholas Britell
"The Launch" from Don't Look Up by Nicholas Britell
"C-5 Galaxy" from Don't Look Up by Nicholas Britell
"El visillo volante" from Parallel Mothers by Alberto Iglesias
"En procesión / La fosa" from Parallel Mothers by Alberto Iglesias
"Leaving Caladan" from Dune by Hans Zimmer

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

67: Dune Scores, Part 2

Tue, 08 Feb 2022 00:42:00 -0500

Glenn & Scott close out DuneWatch by reviewing the final two adaptation scores, Dune (1984) by Toto and Dune (2021) by Hans Zimmer. They discuss the drastically different takes on the source material offered by the two scores and which, if either, feels appropriate. Scott shocks the world by actually enjoying a Zimmer score, and Glenn shocks no one by inferring story resonances that may actually be too abstract to express in music. Glenn struggles with how to describe the orchestration of a score made without an orchestra, while Scott struggles with his limited attention. Finally, they compare all four Dune scores, and consider whether such a comparison is even worth discussing.

Note: Only four different releases of Hans Zimmer's Dune music were available at the time of recording. If more of them have come out while we were editing, then we apologize for any oversight.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Glenn & Scott discuss time crunches.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

Musical Selections:

"Main Title" from Dune by Toto
"Africa" by Toto
"The Duke's Death" from Dune by Toto
"Final Dream" from Dune by Toto
"Riding the Sandworm" from Dune by Toto
"Big Battle" from Dune by Toto
"The Floating Fat Man (The Baron)" from Dune by Toto
"The Ambush" from Dune by Toto
"Leaving Caladan" from Dune by Hans Zimmer
"Paul's Dream" from Dune by Hans Zimmer
"Gom Jabbar" (CD version)from Dune by Hans Zimmer
"My Road Leads Into the Desert" from Dune by Hans Zimmer
"Gom Jabbar" (Oscar promo version) from Dune by Hans Zimmer
"Broken Tooth" from Dune by Hans Zimmer
"Bene Gesserit" from Dune by Hans Zimmer
"Armada" from Dune by Hans Zimmer
Atreides arrival on Arrakis from Dune by Hans Zimmer
"Summon the Worms" from Children of Dune by Brian Tyler

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

66: Dune Scores, Part 1

Fri, 14 Jan 2022 05:15:00 -0500

In honor of Dune (2020) finally opening in 2021, DuneWatch 2021 rolls on into 2022 with a transition to DuneListen, where Glenn & Scott review the scores from the Dune adaptations they’ve been watching lately. First up are the two miniseries scores, Frank Herbert’s Dune by Graeme Revell, and Frank Herbert’s Children of Dune by Brian Tyler. They cover the major themes of each score, discuss how the music relates to the setting and character drama in each series, and take a whirlwind tour of Brian Tyler's greatest hit. Plus, stay tuned at the end for a special guest review!

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Glenn & Scott discuss time crunches.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or just watch us play games badly.

Musical selections:

"Dreamscape" from Frank Herbert’s Dune by Graeme Revell
Irulan's Baroque Recital from Frank Herbert’s Dune by Graeme Revell
"Main Theme" from Frank Herbert’s Dune by Graeme Revell
"Main Title" from Gone With the Wind by Max Steiner
"Desert Love" from Frank Herbert’s Dune by Graeme Revell
"Outrun Worm" from Frank Herbert’s Dune by Graeme Revell
"Paul Chooses/Finale" from Frank Herbert’s Dune by Graeme Revell
"Summon the Worms" from Frank Herbert’s Children of Dune by Brian Tyler
"Dune Messiah" from Frank Herbert’s Children of Dune by Brian Tyler
"Summon the Worms" from Frank Herbert’s Children of Dune by Brian Tyler
"Children of Dune" from Frank Herbert’s Children of Dune by Brian Tyler
"The Impossible Wager" from Frank Herbert’s Children of Dune by Brian Tyler
"I Have Only Now" from Frank Herbert’s Children of Dune by Brian Tyler
"Sins of the Mother" from Frank Herbert’s Children of Dune by Brian Tyler
"Horizon" from Frank Herbert’s Children of Dune by Brian Tyler
"Trap the Worm" from Frank Herbert’s Children of Dune by Brian Tyler
"Inama Nushif (Montage)" from Frank Herbert’s Children of Dune by Brian Tyler
"Farewell" from Frank Herbert’s Children of Dune by Brian Tyler
End credits music from Frank Herbert’s Children of Dune by Brian Tyler
"End Title" from Frank Herbert’s Children of Dune by Brian Tyler
"The Council of Elrond Assembles" from The Lord of the Rings: The Fellowship of the Ring by Howard Shore
"End Titles" from Bubba Ho-Tep by Brian Tyler
"Journey to Asgard" from Thor: The Dark World by Brian Tyler
"Power Rangers Theme" from Power Rangers by Brian Tyler

The theme music used in this podcast is Discovery by Alexander Nakarada https://filmmusic.io/song/5756-discovery

65: The Golden Path - Children of Dune (2003)

Fri, 07 Jan 2022 06:00:00 -0500

DuneWatch continues as Glenn & Scott review the 2003 miniseries Frank Herbert’s Children of Dune, adapting the novels Dune Messiah and, well, Children of Dune. How well does this miniseries translate the story of the books to a television audience? What changes worked, and which didn’t? Is enjoyment of an adaptation helped or hindered by how well you remember the source material? What is the legal status of gholas? Who was this miniseries’ Celebrity Stunt Casting Who Was Featured In All Of The Ads? And is it even possible to explain the world of Dune without the benefit of three-page asides in the middle of scenes? Scott laments how the miniseries handled iconic lines from the end of each book, but then he wins the Obscure References Game when Glenn forgets the difference between Dukat and Dukhat. Finally they discuss roles that were recast from the first miniseries and evaluate all of this show’s acting performances, including an unknown newcomer named James McAvoy, who is absolutely this miniseries’ Actor Placed Front And Center On The Cover Of Every Recent Video Release.

Never fear, listeners, the saga of DuneWatch is far from over. Come back next month for part one of our DuneListen, when we begin our review of these adaptations’ scores. We promise at least one of them is good!

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Glenn & Scott discuss the modern landscape of media consumption, the difficulties of presenting science information on television, and the folly of war.

Every Monday night, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or catch the archive later on our Youtube channel if you just want to watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

64: So Far, So Good? - Dune (2020) (2021)

Mon, 06 Dec 2021 04:00:00 -0500

DuneWatch continues as Glenn & Scott review the newest Dune movie. They discuss what aspects of the story this movie emphasizes and what it leaves out all together, what it handles better than any previous adaptation and what it handles arguably even worse than the 1984 film. They evaluate the performances, the characterization, the production design, the color grading, and the relative importance of Duncan Idaho. Glenn has an estimate of when it might be safe to go back to movie theaters, while Scott has an update about his craw. Then they close the show by musing on the difficulties of reviewing half a movie and talking about what they’re looking forward to in Dune Part Two.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Scott discussed his recent bout of watcher's block.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

63: The Saga of Dune (2000)

Sun, 07 Nov 2021 05:00:00 -0400

DuneWatch continues as Glenn & Scott review the 2000 Sci-Fi Channel miniseries Frank Herbert's Dune. How does this series compare to the 1984 movie, how does it compare to the 1965 novel, and which one does it draw more inspiration from? They discuss how the miniseries handles the prophecy storyline, explore changes it made to the book story and whether or not they work, evaluate the acting performances, and Scott names two random products that were for sale in 2000. Glenn compares the Baron Harkonnen to Professor X, and has far too much interest in his intimate apparel. But remember, the saga of DuneWatch is far from over.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Scott discussed his recent bout of watcher's block.

Every Monday night at 8pm Eastern time, Glenn & Scott stream video games live on https://www.twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or catch the archive later on our Youtube channel if you just want to watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

62: Dune (1984) Is A Terrible, Terrible Movie

Thu, 07 Oct 2021 09:00:00 -0400

Glenn & Scott prepare for the upcoming release of the new Dune movie by reviewing the first Dune movie. They evaluate it as a movie and as a Dune adaptation, and find it severely lacking on both counts. Along the way they discuss the various versions of the movie, what story elements survived the adaptation process and what story elements did not, the pitfalls that many book adaptations fall into, the use and appropriate placement of camp, the sexual politics of the Baron Harkonnen, and whether or not the writers of Dune (1984) understood the point of the novel Dune (1965).

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys. On the most recent patron-exclusive show, Scott discussed his recent bout of watcher's block.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

61: "Raising" the "Stakes" - U.S. Marshals

Sun, 08 Aug 2021 09:49:00 -0400

Glenn & Scott close out their journey through the The Fugitive Cinematic Universe with a look at the 1998 film U.S. Marshals. Tommy Lee Jones is back, and so is special guest Alanna Kelly to help us decide if this movie is as careful and intelligent as its predecessor. Does it copy the previous film, does it grow and evolve from the previous film, or does it merely try to one-up the previous film? And does it succeed at whichever of those it attempts? Along the way they also discuss Samuel Gerard’s manliness and it’s relative toxicity, the… mystery(?) plot at the center of the story, the movie’s score composed by Scott’s nemesis Late Nineties Jerry Goldsmith, and how each of the hosts would fare trying to vault over a chain link fence.

Alanna works for The Snack Sack, a food equity mutual aid organization. Find out more at www.thesnacksack.org.

You can support the show on Patreon at https://www.patreon.com/nontoxicfanboys.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

60: The Fugitive (1993) - Much Better Decisions!

Thu, 22 Jul 2021 03:30:00 -0400

In a tradition going back to Episode 4 of this podcast, friend of the show Alanna Kelly has demanded a follow-up to our last episode. So after our review of the 2020 Quibi series The Fugitive, Glenn, Scott, and Alanna gather to review the 1993 Harrison Ford movie The Fugitive. They cover the film’s plot structure, the mystery at the heart of the film, its four major action sequences, and Glenn & Scott spend perhaps too much time disparaging the series some more. Scott compliments how awful the final fight in the film is, Glenn shares a charming story from his innocent youth, and Alanna celebrates St. Patrick’s Day. Finally, in a very special episode of Glenn and Scott Read Wikipedia, Scott tells Glenn & Alanna about the real-life murder case that every producer of every iteration of The Fugitive has denied taking inspiration from, and how it relates to the wrestler Mick Foley.

Alanna works for The Snack Sack, a food equity mutual aid organization. Find out more at www.thesnacksack.org.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Every Monday night at 8pm Eastern time, Glenn & Scott stream video games live on twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or catch the archive later on our Youtube channel if you just want to watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Musical selections composed by James Newton Howard:

"I Need You" from The Hunger Games: Catching Fire
"The Courthouse/Stairway Chase" from The Fugitive
"It's Over/End Credits" from The Fugitive
"Memorial Hospital" from The Fugitive
"Air Raid Drill" from The Hunger Games: Mockingjay, Part 1

Buy the music cited in this episode:

The Fugitive score by James Newton Howard: https://amzn.to/3h8NYBY
The Hunger Games: Catching Fire score by James Newton Howard: https://amzn.to/3vXPPin
The Hunger Games: Mockingjay, Part 1 score by James Newton Howard: https://amzn.to/3zXGyu3

59: Extremely Poor Decisions - A Review of The Fugitive (2020) and of Quibi (Sort Of)

Thu, 08 Jul 2021 03:00:00 -0400

The 2020 streaming series The Fugitive, and the Quibi streaming service it was produced for, are both stories of people making the worst possible decisions at every turn. Series protagonist Not Richard Kimble tries to prove his innocence by going on a violent crime spree, while Quibi founders Jeffery Katzenberg and Meg Whitman launched a streaming television service that people couldn't watch on their televisions.

Now that Quibi content is resurfacing on Roku, Glenn & Scott follow up on their previous discussion of the 2020 The Fugitive series in Episode 55 of the podcast by actually watching the show. They seek to answer all the important questions about the series, such as: How does a serialized action thriller work when each episode is eight minutes long? WTF is Keifer Sutherland doing with his voice? Is the show actually any good apart from the weirdness of its creation? And seriously, a streaming television service you can’t watch on televisions?!

The show opens with a recap of Quibi and a non-spoiler review of The Fugitive series; spoilers abound after 13:50.

You can support the show on Patreon at patreon.com/nontoxicfanboys. On this month's Patron-exclusive podcast, Scott compared editing the show to a very particular kind of torture. Come join us at patreon.com/nontoxicfanboys to hear it!

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Buy the score album from The Hunger Games: Catching Fire by James Newton Howard: https://amzn.to/3sLKFWf.

58: The Confused Messaging of The Falcon and the Winter Soldier

Tue, 08 Jun 2021 03:00:00 -0400

Is Karli Morgenthau a young idealist forced into a desperate situation by the heartless decisions of detached multinational elites? Or is she the chief architect of an escalating campaign of terror who disturbs even her staunchest allies with her thirst for mass murder? Is John Walker an unhinged menace with an inferiority complex the size of Steve Rogers's pecs, whose violent outbursts lead to the escape of his enemy, the death of his best friend, and literal blood on his hands? Or is he an exemplary soldier who only wants to do the right thing and one little mistake really shouldn't be held against him? Has Isaiah Bradley been so badly mistreated and abused by his country that there's no longer any hope of meaningful restitution? Or will a museum exhibit make things better?

The Disney Marvel MCU miniseries The Falcon and the Winter Soldier seems to answer all of these questions with an inconclusive whynotboth.gif, leaving Glenn & Scott a bit confused as they try to figure out exactly what the show is trying to say and what its characters actually believe. Along the way they also discuss the various Captains America, the role of Lemar Hoskins, Bucky’s online dating profile, the use of villainy in depicting villains, and how all of this is really Iron Man’s fault. Scott passionately defends the virtue of knowing things, while Glenn is horrified at potential injustices that may or may not be happening under the incredibly ill-defined and inconsistent government and legal systems. Also, follow along at home by counting how many things get stuck in Glenn’s craw! (Where exactly is one’s craw? Is getting things stuck there NSFW?)

You can support the show on Patreon at patreon.com/nontoxicfanboys. In our latest Patron-exclusive podcast, Glenn shares a very personal story about his own experience with grief and how it shaped his view of Wanda in her series. Come join us at patreon.com/nontoxicfanboys to hear it!

Every Monday night at 8pm Eastern time, Glenn & Scott stream video games live on twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or catch the archive later on Youtube if you just want to watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Buy the score to The Falcon and the Winter Soldier by Henry Jackman reviewed in this episode:

Volume 1, Episodes 1-3: https://amzn.to/3yE7pe7
Volume 2, Episodes 4-6: https://amzn.to/3yFVexk

57: The Horrors of WandaVision

Sat, 15 May 2021 03:00:00 -0400

Now that they’re not on a podcast feed full of people with actual knowledge of comic books, Glenn & Scott branch out to examine the Disney Marvel MCU miniseries WandaVison. They examine issues like grief and selfishness, when metatext becomes too textual, and the pressure exerted by audience expectations and the ways creators respond to it. They do their best to determine who exactly the villain of this show is (is anybody on this show NOT the villain?), plus they review the show's score, because there haven’t been enough score reviews on this podcast lately.

You can support the show on Patreon at patreon.com/nontoxicfanboys. On this month's Patron-exclusive podcast, Glenn shares a very personal story about his own experience with grief and how it shaped his view of Wanda in this series. Come join us at patreon.com/nontoxicfanboys to hear it!

Every Monday night at 8pm Eastern time, Glenn & Scott stream video games live on twitch.tv/nontoxicfanboys. Come hang out with us in the chat, or catch the archive later if you just want to watch us play games badly.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Musical selections from the WandaVision score by Christophe Beck:

"Wanda's Theme (End Credits from 'WandaVision')"
"Rings"
"Wanda and Vision (Love Theme from 'WandaVision')"
"Uncharted Waters"
"Genesis"

Buy the WandaVision soundtracks reviewed in this episode:

Ep. 1 "Filmed Before a Live Studio Audience" Original Soundtrack: https://amzn.to/3uuAjLe
Ep. 2 "Don't Touch That Dial" Original Soundtrack: https://amzn.to/33jwAUF
Ep. 3 "Now in Color" Original Soundtrack: https://amzn.to/3h1Tat3
Ep. 4 "We Interrupt This Program" Original Soundtrack: https://amzn.to/3vOssbh
Ep. 5 "On a Very Special Episode..." Original Soundtrack: https://amzn.to/3h68TaA
Ep. 6 "All-New Halloween Spooktacular!" Original Soundtrack: https://amzn.to/3enVYiw
Ep. 7 "Breaking the Fourth Wall" Original Soundtrack: https://amzn.to/3eV1wQB
Ep. 8 "Previously On" Original Soundtrack: https://amzn.to/33kfh5U
Ep. 9 "The Series Finale" Original Soundtrack: https://amzn.to/2PXp7ro

56: Sixth Annual Oscar Preview: Best Original Score 2020

Mon, 19 Apr 2021 06:00:00 -0400

It's that time of year again, and Glenn & Scott are here to review the five Oscar-nominated scores: Da 5 Bloods by Terence Blanchard, Mank by Trent Reznor & Atticus Ross, Minari by Emile Mosseri, News of the World by James Newton Howard, and Soul by Trent Reznor, Atticus Ross, and Jon Batiste. Listen as Scott decides which of these scores counts as music, marvel as Glenn tries to define jazz, be amazed when Scott actually has positive things to say about Oscar nominees! Plus, find out who they pick to win the award: Trent Reznor and Atticus Ross, or Trent Reznor and Atticus Ross?

You can support the show on Patreon at patreon.com/nontoxicfanboys.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Musical excerpts:

"Finding the Gold" from Da 5 Bloods by Terence Blanchard
"Otis and Tien Have Dinner" from Da 5 Bloods by Terence Blanchard
"There is No Time for Stories" from News of the World by James Newton Howard
"Arriving at Red River" from News of the World by James Newton Howard
"Dime Mountain" from News of the World by James Newton Howard
"Birdslingers" from Minari by Emile Mosseri
"All This Time (Happily Ever After)" from Mank by Trent Reznor and Atticus Ross
"Welcome to Victorville" from Mank by Trent Reznor and Atticus Ross
"Born to Play" from Soul by Trent Reznor, Atticus Ross, and Jon Batiste
"The Great Beyond" from Soul by Trent Reznor, Atticus Ross, and Jon Batiste

Buy the music reviewed in this episode:

55: National Film Score Day 2021: Our Favorite Scores of 2020

Sat, 03 Apr 2021 05:00:00 -0400

As is rapidly becoming tradition, Glenn & Scott celebrate National Film Score Day by reviewing scores they actually like. After a surprisingly long discussion of endorsement opportunities for the Quibi reboot of The Fugitive, they present their favorite scores of 2020. Glenn reviews a score written by the film’s director, Scott reviews a composer he discovered (within certain very specific contexts), and of course we can’t do a score show without talking about the Great Satan Zimmer.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

The theme music used in this podcast is Discovery by Alexander Nakarada
Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

Musical excerpts:

"Enola Holmes (The Future Is Up to Us)" from Enola Holmes by Daniel Pemberton
"Enola Hollmes (Wild Child)" from Enola Holmes by Daniel Pemberton
"London Arrival" from Enola Holmes by Daniel Pemberton
"School Escaepe" from Enola Holmes by Daniel Pemberton
"Tick Tock" from Enola Holmes by Daniel Pemberton
"Fanny Lye Deliver'd" from Fanny Lye Deliver'd by Thomas Clay
"Approach of the Sheriff" from Fanny Lye Deliver'd by Thomas Clay
"The Sheriff's Rapture" from Fanny Lye Deliver'd by Thomas Clay
"Second Morning" from Fanny Lye Deliver'd by Thomas Clay
"March to Joy" from Fanny Lye Deliver'd by Thomas Clay
"Themyscira" from Wonder Woman 1984 by Hans Zimmer
"Wonder Woman Rescue" from Justice League by Danny Elfman
"Open Road" from Wonder Woman 1984 by Hans Zimmer
"Truth" from Wonder Woman 1984 by Hans Zimmer
"The White House" from Wonder Woman 1984 by Hans Zimmer
"Black Gold" from Wonder Woman 1984 by Hans Zimmer

Buy the music reviewed in this episode:

54: The Podcast is Reborn

Mon, 25 Jan 2021 13:50:31 -0500

When in the course of human events, it becomes necessary for one people to dissolve the bands which have connected them with another, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation. So in this first episode under the Non-Toxic Fanboys banner, Glenn & Scott talk about why the show is under a new banner, why they've decided to strike out on their own, what exactly the show’s gender is, and what their plans are for the next 8 years of the show.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

The theme song for the podcast is Discovery by Alexander Nakarada.
Direct Link: https://filmmusic.io/song/5756-discovery
License: https://filmmusic.io/standard-license

53: National Film Score Day 2020

Fri, 03 Apr 2020 00:34:00 -0400

In their latest episode, Glenn and Scott try to wash the taste of another disappointing slate of Oscar scores out of their mouths. In honor of National Film Score Day, they review ten scores they’ve never covered on the show before, selected for no reason other than that they’re good. These aren’t legendary scores or universally-acknowledged classics - one of the selection criteria was “Scott can’t just pick Superman” - but they make the case for why these ten scores deserve a listen from any film score fan, or anyone interested in becoming one. Come for the 1950s scores Glenn is finally able to bring to the show; stay for Scott’s favorite score from a Sinbad film.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

from Necessary Roughness by Bill Conti:
- “Main Title”
- “Featherstone Gets It”
- “The Iron Men”
- “Featherstone Follies”
- “The Big Ending”
- “Up Yours, Phil!”
- “First Kiss/Blake Quits”
from The Fountain by Clint Mansell:
- “The Last Man”
- “Death Is the Road to Awe”
from Conspiracy Theory by Carter Burwell:
- “Overture”
- “Riding”
from Columbus Circle by Brian Tyler:
- “Columbus Circle”
- “Puzzle Pieces”
from Transformers by Steve Jablonsky:
- “No Sacrifice, No Victory”
- “You’re a Soldier Now”
- “The All Spark”
- “Arrival to Earth”
from Land of the Pharaohs by Dimitri Tiomkin:
- “Pharaoh’s Procession”
- “Main Title”
- “End Title”
- “Pharaoh’s Procession”
from The Time Machine by Klaus Badelt:
- “I Don’t Belong Here”
- “Godspeed”
from The Return of Dracula by Gerald Fried:
- “Main Title”
- “Sunrise”
from Quigley Down Under by Basil Poledouris:
- “Main Title”
- “The Attack”
- “Cora’s Story”
- “Dingo Attack”
from Tron Legacy by Daft Punk:
- “Flynn Lives”
- “The Son of Flynn”
- "Finale”
- “End Title”

Buy the music excerpted in this episode:

52: Fifth Annual Oscar Preview: Best Original Score 2019

Mon, 03 Feb 2020 00:33:00 -0500

In this year's Oscar preview Glenn & Scott cover the distinctly different moods expressed in the scores for Joker, Marriage Story, 1917, Little Women, and The Rise of Skywalker — a Star Wars score by John Williams, something never before discussed on this podcast. In part 2 they discuss the one 2019 score Scott actually liked, some highlights Glenn found noteworthy, and the best single track from any score in the last five years. Glenn feels the joy of eucatastrophe, while Scott searches desperately for melodies.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Defeated Clown” from Joker by Hildur Guðnadóttir
“Bathroom Dance” from Joker by Hildur Guðnadóttir
“Following Sophie” from Joker by Hildur Guðnadóttir (2x speed)
“What I Love About Nicole” from Marriage Story by Randy Newman
“Shouting and Shopping” from Marriage Story by Randy Newman
“Canon in D” by Johann Pachelbel
“Sixteen Hundred Men” from 1917 by Thomas Newman
“Theatre in the Attic” from Little Women by Alexandre Desplat
“Ice Skating” from Little Women by Alexandre Desplat
“Main Title” from North and South by Bill Conti
“We Go Together” from Star Wars: The Rise of Skywalker by John Williams
“End of Story (Credits)” from Marriage Story by Randy Newman
“Main on End” from Avengers: Endgame by Alan Silvestri
“Far from Home Suite Home” from Spider-Man: Far from Home by Michael Giacchino
“Swinging Set” from Spider-Man: Far from Home by Michael Giacchino
“The Professor and the Madman” from The Professor and the Madman by Bear McCreary
“Rebirth” from Godzilla: King of the Monsters by Bear McCreary
“Portals” from Avengers: Endgame by Alan Silvestri
“Far from Home Suite Home” from Spider-Man: Far from Home by Michael Giacchino

Buy the music excerpted in this episode:

51: Star Wars Scores: The Final Chapter

Sun, 05 Jan 2020 00:32:00 -0500

Star Wars Month (observed) comes to an end as Glenn and Scott finish their examination of the franchise’s scores. First, they review the new score for The Rise of Skywalker, examining the use of new themes and old, as John Williams takes his final bow as a Star Wars composer for the third time. After the ad break, discussion turns to the franchise as a whole, as Glenn & Scott rank all 11 scores and cover topics like the best end title suite and the three best tracks from each score. Glenn discusses other composers who should be candidates to score future Star Wars movies, and Scott rates each opening title crash. (TROS spoilers begin at 5:04.)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

The Rise of Skywalker trailer
“The Force Is with You” from The Rise of Skywalker by John Williams
“The Rise of Skywalker” (“trio” theme segment) from The Rise of Skywalker by John Williams
“The Rise of Skywalker” (“rise” theme segment) from The Rise of Skywalker by John Williams
“The Speeder Chase” from The Rise of Skywalker by John Williams
“Parents” from The Rise of Skywalker by John Williams
“A New Home” from The Rise of Skywalker by John Williams
“Falcon Flight” from The Rise of Skywalker by John Williams
“They Will Come” from The Rise of Skywalker by John Williams
“The Jedi Steps and Finale” from The Force Awakens by John Williams
“Finale” from The Rise of Skywalker by John Williams
The Rise of Skywalker trailer
“Farewell” from The Rise of Skywalker by John Williams
“Star Wars” from Star Wars and Other Galactic Funk by Meco
“Finale” from The Rise of Skywalker by John Williams
“Main Title” from Star Wars by John Williams
“Main Title” from The Force Awakens by John Williams
“Main Title” from The Phantom Menace by John Williams
“Main Title” from Return of the Jedi by John Williams
“Fanfare” from The Rise of Skywalker by John Williams
“Main Title” from The Empire Strikes Back by John Williams
“Binary Sunset” from Star Wars by John Williams
“The Rebel Fleet” from The Empire Strikes Back by John Williams
“Finale” from The Rise of Skywalker by John Williams

Buy the music excerpted in this episode:

Star Wars original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
The Empire Strikes Back original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
Return of the Jedi original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
Star Wars, Episode I: The Phantom Menace original score by John Williams
- 2-Disc Ultimate Edition CD version
- 1-Disc version on CD or MP3
Star Wars, Episode II: Attack of the Clones original score by John Williams
Star Wars, Episode III: Revenge of the Sith original score by John Williams
Star Wars: The Force Awakens original score by John Williams
Star Wars: The Last Jedi original score by John Williams
Star Wars: The Rise of Skywalker original score by John Williams
Star Wars and Other Galactic Funk by Meco

50: The Skywalker Is Risen

Sun, 29 Dec 2019 00:31:00 -0500

The Star Wars sequel trilogy has come to an end with The Rise of Skywalker, and we are ON IT. Podcast diad Glenn & Scott welcome Alanna Kelly back to the show to cover all aspects of the new film, starting with a non-spoiler review to open the show. After that, they discuss how this movie treats its many characters, which storylines worked and which ones didn’t, and whether or not this is a satisfying conclusion to The Skywalker Saga. Don’t miss Alanna’s reaction to certain character developments, Glenn’s desperate search for hope, and Scott’s favorite part of the movie. Plus, it wouldn’t be a Star War without gratuitous cameos! (Spoilers begin after 16:00.)

Note: Our analysis of the TROS score will be included in our next episode, a final wrap-up of our Star Wars Scores series.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from The Rise of Skywalker by John Williams:

“The Rise of Skywalker”
“They Will Come”
“Anthem of Evil”
“Falcon Flight”

Buy the Star Wars: The Rise of Skywalker original score by John Williams.

49: Star Wars Scores: And the Rest

Sun, 15 Dec 2019 00:30:00 -0500

In the latest installment of Star Wars Month on The Glenn Butler Podcast Spectacular, Glenn & Scott take a whirlwind tour of the musical landscape of the Star Wars franchise outside of the first two trilogies, starting with the Disney era as John Williams returns for the sequel trilogy and other composers start to make their mark on the film franchise. Then they move on to other media from the breadth and depth of the Star Wars musical legacy, including television projects from the Caravan of Courage to Rebels, and even the original score to a book. How much do different tie-in scores feel the gravitational pull of Williams’ original film scores? And which of them are any good?

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“End Credits” from The Force Awakens by John Williams
“Follow Me” from The Force Awakens by John Williams
“The Resistance” from The Force Awakens by John Williams
“The Starkiller” from The Force Awakens by John Williams
“The Fathiers" from The Last Jedi by John Williams
“Captured” from The Last Jedi by John Williams
“He’s Here for Us” from Rogue One by Michael Giacchino
“When Has Become Now” from Rogue One by Michael Giacchino
“Krennic’s Aspirations” from Rogue One by Michael Giacchino
“Guardians of the Whills Suite” from Rogue One by Michael Giacchino
“A Long Road Ahead” from Rogue One by Michael Giacchino
“Hope” from Rogue One by Michael Giacchino
“L3 & Millennium Falcon” from Solo by John Powell
“The Adventures of Han” by John Williams, from Solo
“Mine Mission” from Solo by John Powell
“Reminiscence Therapy” from Solo by John Powell
“Lando’s Closet” from Solo by John Powell
“Flying with Chewie” from Solo by John Powell
“Marauders Arrive” from Solo by John Powell
“Jabba Flow” from The Force Awakens by Lin-Manuel Miranda and J.J. Abrams
“Trek” from Caravan of Courage by Peter Bernstein
“Prelude” from The Ten Commandments by Elmer Bernstein
“Noa’s Ark” from The Battle for Endor by Peter Bernstein
“Intro-Main Title” from Caravan of Courage by Peter Bernstein
“Main Title” from Star Trek by Alexander Courage
“Xizor’s Theme” from Shadows of the Empire by Joel McNeely
“The Destruction of Xizor’s Palace” from Shadows of the Empire by Joel McNeely
“The Seduction of Princess Leia” from Shadows of the Empire by Joel McNeely
“Battle of Christophsis” from The Clone Wars by Kevin Kiner
“Anakin Sees His Future” from The Clone Wars (TV) by Kevin Kiner
“Jedi Eulogy” from The Clone Wars (TV) by Kevin Kiner
“Rebels Theme” from Rebels (season 1) by Kevin Kiner
“Best Pilot in the Galaxy” from Rebels (season 2) by Kevin Kiner
“TIE Fighter Pursuit” from Rebels (season 1) by Kevin Kiner
“Inquisitor Duel” from Rebels (season 1) by Kevin Kiner

Buy the music excerpted in this episode:

48: Star Wars Scores: The Prequel Trilogy

Sun, 08 Dec 2019 00:29:00 -0500

Star Wars Month continues as Glenn & Scott examine the epistemological quagmire that is John Williams’ scores for the Star Wars prequels. How hard was Williams trying to replicate the magic of his older Star Wars scores, and did he succeed? How did the music editing in The Phantom Menace affect his work on Attack of the Clones? Does Williams’ Revenge of the Sith score carry the emotional weight of that story, even when the movie largely fails to do so? What is the backbone of each score? What do the themes stand for? And can Glenn & Scott resist the temptation to take cheap shots at the movies and keep the focus on the scores? YOLO!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Section 1: Musical selections from The Phantom Menace by John Williams:

“Anakin’s Theme” (original release)
“Padme Meets Anakin” (Ultimate Edition)
“Anakin, Podracer Mechanic” (Ultimate Edition)
“Watto’s Roll of the Die” (Ultimate Edition)
“Hail to the Winner, Anakin Skywalker” (Ultimate Edition)
“Anakin and Group to Coruscant” (Ultimate Edition)
“Qui-Gon’s Mission/Obi-Wan’s Warning” (Ultimate Edition)
“Anakin Defeats Sebulba” (original release)
“The Death of Qui-Gon and the Surrender of the Gungans” (Ultimate Edition)
“The Flag Parade” (Ultimate Edition)
“Qui-Gon and Darth Maul Meet” (Ultimate Edition)
“The Tide Turns” (Ultimate Edition)
“The Battle Rages On” (Ultimate Edition)
“Qui-Gon’s Noble End” (original release)
“Augie’s Great Municipal Band” (original release)
“End Credits” (original release)

Section 2: Musical selections from Attack of the Clones by John Williams unless otherwise noted:

“Love Pledge and the Arena”
“Across the Stars (Love Theme)”
“The Moisture Farm” from Star Wars
“Meeting with Fett”
“Shmi’s Funeral”
“Zam the Assassin and the Chase Through Coruscant”
“The Meadow Picnic”
“Ambush on Coruscant”
“Return to Tatooine”
“The Tusken Camp and the Homestead”
“Bringing Mother Home”
“Confrontation with Count Dooku and Finale”
“The Arena”
“Dex’s Diner”

Section 3: Musical selections from Revenge of the Sith by John Williams:

“Battle of the Heroes”
“Star Wars and the Revenge of the Sith”
“Anakin’s Betrayal”
“Padme’s Funeral”
“End Credits”

Buy the music excerpted in this episode:

Star Wars, Episode I: The Phantom Menace original score by John Williams
- 2-Disc Ultimate Edition CD version
- 1-Disc version on CD or MP3
Star Wars, Episode II: Attack of the Clones original score by John Williams
Star Wars, Episode III: Revenge of the Sith original score by John Williams
Star Wars original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3

47: Star Wars Scores: The Original Trilogy

Sun, 01 Dec 2019 00:28:00 -0500

Glenn and Scott kick off Star Wars Month on PTBN Pop by examining John Williams’ scores for the original Star Wars trilogy the only way they know how: at great length. They take in three of the most widely beloved and influential scores of the past 40 years, and find more to say about them than they expected. Topics include the semiotics of thematic usage, temp-tracking, which themes lived beyond their introductions and which ones didn’t, and which themes introduced in The Empire Strikes Back and Return of the Jedi belong in A New Hope. Also, strap in for some Hot Takes!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Section 1: Musical selections from Star Wars by John Williams unless otherwise noted:

“Main Title”
“Learn About the Force”
“Wobani Imperial Labor Camp” from Rogue One by Michael Giacchino
“Burning Homestead”
“The Moisture Farm”
“Wookiee Prisoner”
“Detention Block Ambush”
“The Death Star”
“Imperial Attack”
“The Battle of Yavin: Use the Force”
“The Rite of Spring” by Igor Stravinsky
“The Dune Sea of Tatooine”
“The New World Symphony” by Antonin Dvorak
“The Throne Room”
“Prologue” from The Vikings by Mario Nascimbene, 2018 recording by Nic Raine and The City of Prague Philharmonic Orchestra & Chorus
“Imperial Attack”
“Main Title” from King’s Row by Erich Wolfgang Korngold
“End Title”
“Chasm Crossfire”

Section 2: Musical selections from The Empire Strikes Back by John Williams unless otherwise noted:

“The Imperial March”
“The Death Star” from Star Wars
“The Trash Compactor” from Star Wars
“The Battle of Hoth: Ion Cannon”
“Carbon Freeze”
“The Battle of Hoth: Imperial Walkers”
“Betrayal at Bespin”
“Imperial Starfleet Deployed”
“The Ice Planet Hoth”
“Rescue from Cloud City”
“Han Solo and the Princess”
“Han Solo and the Princess” (concert suite)
“End Title”
“Luke’s Nocturnal Visitor”
“Yoda and the Force”
“Darth Vader’s Trap”
“The Asteroid Field”
“Mynock Cave”
“The Wampa’s Lair/Vision of Obi-Wan”
“The Ice Planet Hoth”
“Deal with the Dark Lord”
“Rescue from Cloud City”
“Hyperspace”
“The Clash of Lightsabers”

Section 3: Musical selections from Return of the Jedi by John Williams unless otherwise noted:

“Jabba’s Baroque Recital”
“Lapti Nek” (film version)
“Jedi Rocks” by Jerry Hey
“Den of the Rancor”
“Sail Barge Assault”
“Han Solo Returns”
“Bounty for a Wookiee”
“Parade of the Ewoks”
“The Forest Battle” (concert suite)
“Ewok Celebration”
“Victory Celebration”
“The Emperor Arrives”
“The Emperor’s Death”
“Luke and Leia”
“Into the Trap”
“Final Duel”
“Alliance Assembly”
“The Fleet Goes Into Hyperspace”
“Light of the Force/Funeral Pyre for a Jedi (Alternate)”
“Darth Vader’s Death”
“Approaching the Death Star”
“Ewok Celebration”

Buy the music excerpted in this episode:

Star Wars original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
The Empire Strikes Back original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
Return of the Jedi original score by John Williams
- 2-Disc Special Edition CD version
- 1-Disc version on CD or MP3
Rogue One: A Star Wars Story original score by Michael Giacchino
The Vikings original score by Mario Nascimbene
King's Row original score by Erich Wolfgang Korngold

46: Stranger Things 3

Tue, 16 Jul 2019 00:26:00 -0400

Glenn and Alanna are back for another season of Stranger Things, as The Glenn Butler Podcast Hour Spectacular examines all of your favorite characters in an effort to decide who was well served and who wasn’t, who got their look right, rhymes that keep their secrets, and much more!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Stranger Things” from Stranger Things by Kyle Dixon and Michael Stein
“Land Deeds” from Stranger Things 3 by Kyle Dixon and Michael Stein
“Roundball Rock” by John Tesh
“The NeverEnding Story” – music by Giorgio Moroder, lyrics by Keith Forsey, performed by Limahl & Beth Anderson

Buy the music excerpted in this episode:

45: Despair on the Eve of a Debate

Tue, 25 Jun 2019 00:24:00 -0400

Glenn and Scott attempt to examine the wide array of yahoos contending for the Democratic presidential nomination, but keep getting sidetracked by the garbage fire our political system has become and whether or not capitalism should be thrown onto the pyre. Which candidate serves at the mercy of Twitter teens? Which candidate has a plan for first contact with space aliens? All of the biggest candidates are covered, including Bernie Sanders, Elizabeth Warren, Randy Steve Bullock, John McAfee, and Vermin Supreme.

Note: This episode was recorded before former Representative Joe Sestak announced, for reasons passing understanding, that he too is running for president. We apologize(?) for the omission.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“America, Fuck Yeah (Bummer Remix)” from Team America: World Police by Trey Parker and Marc Shaiman
“Crank That Mike Gravel“
“International Statement” from NFL Primetime by Roger Dexter and Alan Bell
“This Land Is Your Land” by Woody Guthrie, performed by Bernard Sanders

But the music excerpted in this episode:

44: Fight the Future — Star Trek: Discovery Season Two

Mon, 13 May 2019 00:22:00 -0400

Glenn & Scott are back to discuss Star Trek: Discovery’s second season, including the show’s new old characters, its whirlwind tour of Original Series episodes & concepts, and the priorities of the show’s writers. How did the show shift its focus from the first season, and how do its plot developments impact the bumper crop of spinoff shows on the horizon? Scott has things to say about the finale; Glenn has things to say about character deaths.

Should you want bare-bones thoughts on the show without plot details, the traditional non-spoiler segment of the show ends at the 9:00 mark.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

Star Trek: Discovery Main Title by Jeff Russo
“Pike’s Punishment” from Star Trek, “The Cage” by Alexander Courage
“Powersurge” from NFL Primetime by Ken Nelson and Jim Long of FirstCom Music
Star Trek: Discovery End Title by Jeff Russo

But the music excerpted in this episode:

43: Fourth Annual Oscar Preview – Best Original Score 2018

Tue, 12 Feb 2019 00:20:00 -0500

Glenn and Scott are back in the Oscar vault, on time and as expected! They're breaking down the nominees for the Best Original Score Oscar: Black Panther by Ludwig Göransson, If Beale Street Could Talk by Nicholas Britell, BlacKkKlansman by Terence Blanchard, Isle of Dogs by Alexandre Desplat, and Mary Poppins Returns by Marc Shaiman. Best Original Score is one of the categories that's actually being awarded on the broadcast this year, so you know it's a big one. There are major digressions aplenty in this outing, including your dose of Hamilton hot takes!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

WWE Hall of Fame Intro Theme
"Waterfall Fight" from Black Panther by Ludwig Göransson
"Glory to Bast" from Black Panther by Ludwig Göransson
"United Nations/End Titles" from Black Panther by Ludwig Göransson
"Eden (Harlem)" from If Beale Street Could Talk by Nicholas Britell
"What Have They Done?" from If Beale Street Could Talk by Nicholas Britell
"New Life" from If Beale Street Could Talk by Nicholas Britell
"The Ecstasy of Gold" from The Good, The Bad and the Ugly by Ennio Morricone
"Killmonger" from Black Panther by Ludwig Göransson
"The Ecstasy of Gold" from The Good, The Bad and the Ugly by Ennio Morricone
"Encomium" from If Beale Street Could Talk by Nicholas Britell
"Eden (Harlem)" (Double Speed) from If Beale Street Could Talk by Nicholas Britell
"Encomium" (Double Speed) from If Beale Street Could Talk by Nicholas Britell
"Blood and Soil" from BlacKkKlansman by Terence Blanchard
"Ron Meets FBI Agent" from BlacKkKlansman by Terence Blanchard
"Ron's Search" from BlacKkKlansman by Terence Blanchard
"Shinto Shrine" from Isle of Dogs by Alexandre Desplat
"First Crash-Landing" from Isle of Dogs by Alexandre Desplat
"Jupiter and Oracle + Aboriginal Dogs" from Isle of Dogs by Alexandre Desplat
"First Bath of a Stray Dog" from Isle of Dogs by Alexandre Desplat
"Outside the Tent" from Mary Poppins Returns by Marc Shaiman
"Royal Doulton Chase" from Mary Poppins Returns by Marc Shaiman
"Trip a Little Light Fantastic" from Mary Poppins Returns, music & lyrics by Marc Shaiman & Scott Wittman, vocals by Lin-Manuel Miranda & cast
"Ancestral Plane" from Black Panther by Ludwig Göransson
"The Place Where Lost Things Go" from Mary Poppins Returns, music & lyrics by Marc Shaiman & Scott Wittman, vocals by Emily Blunt
"Flying with Chewie" from Solo: A Star Wars Story by John Powell
"Main Title" from Ready Player One by Alan Silvestri
"Hooray for Hollywood" by Richard A. Whiting & Johnny Mercer, arranged & conducted by John Williams, performed by the Boston Pops Orchestra

Buy the music excerpted in this episode:

42: Negative-15th Annual Oscar Preview – Best Original Score 2000

Mon, 04 Feb 2019 00:18:00 -0500

In the midst of Oscar season, Glenn & Scott take a detour to discuss the Best Original Score nominees from the year 2000! On the docket are Gladiator by Hans Zimmer, Malèna by Ennio Morricone, The Patriot by John Williams, Chocolat by Rachel Portman, and Crouching Tiger, Hidden Dragon by Tan Dun. Come for the celebrity guest star, stay for the Butler Brothers’ amazement at a genuinely compelling Zimmer score! This edition also boasts a discussion of when the last couple of decades ended, and ends with Glenn getting the most shocking news of the year.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

WWE Hall of Fame Intro Theme
“Barbarian Horde” from Gladiator by Hans Zimmer
“The Wheat” from Gladiator by Hans Zimmer
“The Battle” from Gladiator by Hans Zimmer
“Now We Are Free” from Gladiator by Hans Zimmer
“Malèna (Titoli Di Coda)” from Malèna by Ennio Morricone
“Inchini Ipocriti e Disperazione” from Malèna by Ennio Morricone
“Il Ritorno” from Malèna by Ennio Morricone
“Visioni (Fantasie D’Amore)” from Malèna by Ennio Morricone
“The Colonial Cause” from The Patriot by John Williams
“Martin vs. Tavington” from The Patriot by John Williams
“Ann and Gabriel” from The Patriot by John Williams
“The Patriot” from The Patriot by John Williams
“Main Titles” from Chocolat by Rachel Portman
“Party Preparations” from Chocolat by Rachel Portman
“Chocolate Sauce” from Chocolat by Rachel Portman
“Guillaume’s Confession” from Chocolat by Rachel Portman
“Three Women” from Chocolat by Rachel Portman
“Ashes to the Wind” from Chocolat by Rachel Portman
“Vianne Sets Up Shop” from Chocolat by Rachel Portman
“Eternal Vow” from Crouching Tiger, Hidden Dragon by Tan Dun
“Night Fight” from Crouching Tiger, Hidden Dragon by Tan Dun
“Farewell” from Crouching Tiger, Hidden Dragon by Tan Dun
“A Love Before Time” (English) from Crouching Tiger, Hidden Dragon, performed by CoCo Lee
“A Love Before Time” (Mandarin) from Crouching Tiger, Hidden Dragon, performed by CoCo Lee
“Cast Away” from Cast Away by Alan Silvestri
“Crossroads” from Cast Away by Alan Silvestri
“The Legend of Bagger Vance” from The Legend of Bagger Vance by Rachel Portman
“Remember the Titans” from Remember the Titans by Trevor Rabin
“Virginia” from Remember the Titans by Trevor Rabin
“Southern Hospitality” from Requiem for a Dream by Clint Mansell
“Lux Aeterna” from Requiem for a Dream by Clint Mansell
“End Title” from Unbreakable by James Newton Howard
“Unbreakable” from Unbreakable by James Newton Howard
“Requiem for a Tower” by Corner Stone Cues, based on themes by Clint Mansell

Buy the music excerpted in this episode:

41: Third Annual Oscar Preview – Best Original Score 2017

Mon, 14 Jan 2019 00:11:00 -0500

At long last, Glenn & Scott return to the Oscar vault to run down the nominees for best score of 2017! They discuss Phantom Thread by Jonny Greenwood, Dunkirk by Hans Zimmer, Three Billboards Outside Ebbing, Missouri by Carter Burwell, The Shape of Water by Alexandre Desplat, Star Wars: The Last Jedi by John Williams, and the definition of music. Stay after the break for their thoughts on selected non-nominated scores from 2017 as well.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

WWE Hall of Fame Intro Theme
“Barbara Rose” from Phantom Thread by Jonny Greenwood
“Supermarine” from Dunkirk by Hans Zimmer
“Billboards on Fire” from Three Billboards Outside Ebbing, Missouri by Carter Burwell
“The Shape of Water” from The Shape of Water by Alexandre Desplat
“Peace and Purpose” from Star Wars: The Last Jedi by John Williams
“Theme from ‘Spider Man’ (Original Television Series)” from Spider-Man: Homecoming by Michael Giacchino; original theme by Bob Harris and Paul Francis Webster
“No Vault of His Own” from Spider-Man: Homecoming by Michael Giacchino
“Spider-Man: Homecoming Suite” from Spider-Man: Homecoming by Michael Giacchino
“Vulture Clash” from Spider-Man: Homecoming by Michael Giacchino
“Lift Off” from Spider-Man: Homecoming by Michael Giacchino
“No Man’s Land” from Wonder Woman by Rupert Gregson-Williams
“The Mountain Between Us” from The Mountain Between Us by Ramin Djawadi
“Power Rangers Theme” from Power Rangers by Brian Tyler
“Go Go Power Rangers” from Power Rangers by Brian Tyler
“It’s Morphing Time!” from Power Rangers by Brian Tyler
“Tokyo Ghoul Main Title” from Tokyo Ghoul by Don Davis
“Eating Human Flesh” from Tokyo Ghoul by Don Davis
“Run Londinium” from King Arthur: Legend of the Sword by Daniel Pemberton

Buy the music excerpted in this episode:

40: Tell Me Something Good

Mon, 22 Oct 2018 00:10:00 -0400

Glenn Butler and Steve Wille focus on the positive and tell each other some things that are good. Along the way they touch on the legend of Cat Grandpa, the This Old House Cinematic Universe, other low-stakes TV, and butter cheese cheese. If you have something good you want to tell us about, reach out!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Louisiana Fairy Tale” by Haven Gillespie, Mitchell Parish, and J. Fred Coots, performed by Fats Waller
“Happy Pizza” from The Great British Bake Off by Tom Howe
“Sparkle” from The Great British Bake Off by Tom Howe
This Old House theme (90s) by Peter Bell

Buy the music excerpted in this episode:

39: Are We Klingon, Or Are We Dancer? — Star Trek: Discovery Season One

Mon, 30 Jul 2018 00:09:00 -0400

Glenn and Scott are back with a somewhat belated discussion of the first season of Star Trek: Discovery. They discuss what worked for them and what didn’t, why the show went too fast and felt too slow, and whether anyone was buried. They each have opinions, and Scott thinks you should ignore one of them.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“I Can’t Dance” from Star Trek: Discovery, “Magic to Make the Sanest Man Go Mad” by Jeff Russo
“Torchbearer” from Star Trek: Discovery, “The Vulcan Hello” by Jeff Russo
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“War Is Over” from Star Trek: Discovery, “Will You Take My Hand?” by Jeff Russo

Buy the music excerpted in this episode:

38: Duo: A Glenn Butler Podcast Hour Spectacular

Thu, 21 Jun 2018 00:07:00 -0400

Solo: A Star Wars Story is the subject of the latest Glenn Butler Podcast Hour Spectacular, as we still want that sweet sweet search engine optimization despite not putting the name of the movie in the title. Glenn & Scott convene to break down their expectations for the newest Star War and how they were greatly exceeded, plus Solo‘s characterization, the Han-Chewie dynamic, gratuitous sequel-bait, the qualities of scoundrels, droid liberation theology, and much more. Come for the analysis of where John Powell’s score fits in the Star Wars corpus, stay for the pilot episode of the hit new podcast Glenn and Scott Read Wookieepedia!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Meet Han” from Solo by John Powell
“Marauders Arrive” from Solo by John Powell
“Mine Mission” from Solo by John Powell
“Flying with Chewie” from Solo by John Powell
“I Can Fly Anything” from The Force Awakens by John Williams
“Lando’s Closet” from Solo by John Powell
“Nessun Dorma” from Turandot by Giacomo Puccini
“Into the Maw” from Solo by John Powell

Buy the music excerpted in this episode:

37: More Spectacular Advice

Mon, 11 Jun 2018 00:06:00 -0400

Steve Wille joins Glenn & Scott for another dip into the Spectacular Advice email, which you can reach right now at spectacularadvice@gmail.com! This time the three discuss family planning, privacy vs. secrecy, and grilled cheese sandwiches.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Perspectives” from Star Trek: The Next Generation, “A Matter of Perspective” by Ron Jones
“Baba Yetu” from Civilization IV by Christopher Tin, solo piano version performed by Peter Johnston
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“Sandwiches Are Beautiful” by Bob King

Buy the music excerpted in this episode:

36: The Force’s Biggest Secrets Finally Revealed

Wed, 10 Jan 2018 00:04:00 -0500

Having seen The Last Jedi again, Glenn, Scott, and Alanna are retreating to the far-off island known as The Glenn Butler Podcast Hour Spectacular to discuss the movie some more! Glenn is embarrassed about omissions in the score segment from last time, Scott is upset about Canto Bight, and Alanna is still yelling about Kylo. Other topics discussed include what it means to be Somebody, Objectivism, and…yes, love triangles. Are you a theme lumper or a theme splitter? Is “willingness to be evil” a make-or-break issue in your relationships? All this and more awaits you!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Ahch-To Island” from Star Wars: The Last Jedi by John Williams
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“Holdo’s Resolve” from Star Wars: The Last Jedi by John Williams
“The Fathiers” from Star Wars: The Last Jedi by John Williams
“The Last Jedi” from Star Wars: The Last Jedi by John Williams
“The Jedi Steps and Finale” from Star Wars: The Force Awakens by John Williams

Buy the music excerpted in this episode:

35: Spectacular Advice

Tue, 26 Dec 2017 00:03:00 -0500

Steve Wille joins Glenn & Scott to answer YOUR questions for the first Spectacular Advice edition of The Glenn Butler Podcast Hour Spectacular — big or small, we’ll consider them all! Email us at spectacularadvice@gmail.com or go to our Ask.fm page to send your questions today.

In their first foray into advice podcasting, the three have a headier-than-expected discussion of personal growth and shifting perspectives.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Perspectives” from Star Trek: The Next Generation, “A Matter of Perspective” by Ron Jones
“Moon Theme” from DuckTales by Hiroshige Tonomura, solo piano version performed by Giulio Capone

Buy the music excerpted in this episode:

34: The Last (Spoilers)

Thu, 21 Dec 2017 00:02:00 -0500

Star Wars: The Last Jedi has been chased down by the latest episode of The Glenn Butler Podcast Hour Spectacular, as Alanna Kelly joins Glenn & Scott to dissect the latest addition to the Star Wars saga. A brief spoiler-free discussion on their expectations for and impressions of the film (taking up the first twelve minutes of the show) is followed by a longer discussion of the depth and breadth of The Last Jedi. How does the movie carry everyone’s favorite characters forward? How does it play with preconceived notions of what a trilogy’s middle chapter does? Why does Glenn suddenly care about Kylo Ren? They discuss how one of the storylines seems to be a sidetrack from the main plot, and then Glenn & Scott get sidetracked by ranking all nine Star Wars scores.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Wars: The Last Jedi by John Williams:

“Main Title”
“The Supremacy”
“The Rebellion Is Reborn” (Rose’s Theme)
“The Spark”

Buy the Star Wars: The Last Jedi original score by John Williams.

33: Easy-Peasy - Stranger Things 2

Sun, 05 Nov 2017 01:01:00 -0400

Spoilers for the second season of Stranger Things abound when The Glenn Butler Podcast Hour Spectacular heads back to the Upside Down. Glenn is joined by Alanna Kelly to break down the differences in emphasis between the first and second seasons, how our beloved characters are being developed, and what the new ones bring to the show. Also…is Stranger Things over?

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Stranger Things 2 by Kyle Dixon and Michael Stein:

“Stranger Things”
“Soldiers”
“Rescue”
“The First Lie”

Buy the Stranger Things 2 score by Kyle Dixon & Michael Stein

32: Blood and Screams and Funerals – Star Trek: Discovery

Wed, 27 Sep 2017 23:58:00 -0400

As Star Trek: Discovery brings Trek back to your TV screen, so too does it herald the return of The Glenn Butler Podcast Hour Spectacular to the podcatcher of your choice. Glenn & Scott are back to discuss Discovery‘s two-part pilot, “The Vulcan Hello” and “Battle at the Binary Stars,” and a bevy of related issues. In the spoiler-free opening section, Scott tells a tale of his misbegotten youth…also they talk about the show. After that, SPOILERS abound as they break down Discovery‘s characters, plot, score, design aesthetic, and the surprising status of its eponymous starship.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

Star Trek: Discovery main title by Jeff Russo
Star Trek: Discovery end credits by Jeff Russo
“Title Theme” from Star Trek: The Animated Series by Ray Ellis
“The Jedi Steps” from Star Wars: The Force Awakens by John Williams

Buy the music excerpted in this episode:

Star Trek: Discovery Season 1 original score by Jeff Russo
Star Trek 50th Anniversary Soundtrack Collection (contains Star Trek: The Animated Series score on Disc 2)
Star Wars: The Force Awakens score by John Williams

31: Second Annual Oscar Preview – Best Original Score 2016

Sun, 19 Feb 2017 23:57:00 -0500

It’s Oscar season on The Glenn Butler Podcast Hour Spectacular! Glenn & Scott examine the Best Original Score category, noting the mildly pleasant, the bad, and the ugly, before also giving a brief rundown of the Best Original Song category and Lin-Manuel Miranda’s chances of achieving the coveted MacPEGOT. Along the way the Brothers Butler desperately try to remember which year The Full Monty came out and wonder when exactly white people took over jazz, before finishing with an impassioned rundown of 2016 scores they enjoyed more than any of the Academy’s nominees.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

WWE Hall of Fame Intro Theme
“Children” from Jackie by Mica Levi
“Credits” from La La Land by Justin Hurwitz
“The End” from La La Land by Justin Hurwitz
“Lion Theme” from Lion by Dustin O’Halloran and Hauschka
“The Culmination” from Moonlight by Nicholas Britell
“Zero-Gravity” from Passengers by Thomas Newman
“How Far I’ll Go” from Moana, performed by Auli’i Cravalho, music & lyrics by Lin-Manuel Miranda
“The Empty Chair” from Jim: The James Foley Story, performed by Sting, music & lyrics by J. Ralph and Sting
“A Long Road Ahead” from Rogue One: A Star Wars Story by Michael Giacchino
“Your Father Would Be Proud” from Rogue One: A Star Wars Story by Michael Giacchino
“Hope” from Rogue One: A Star Wars Story by Michael Giacchino
“Hitting the Saucer a Little Hard” from Star Trek Beyond by Michael Giacchino
“Mocking Jaylah” from Star Trek Beyond by Michael Giacchino
“Thank Your Lucky Stardate” from Star Trek Beyond by Michael Giacchino
“Night on the Yorktown” from Star Trek Beyond by Michael Giacchino
“Reverie” from Pete’s Dragon by Daniel Hart
“Takedown” from Pete’s Dragon by Daniel Hart
“Abyss” from Pete’s Dragon by Daniel Hart
“10 Cloverfield Lane” from 10 Cloverfield Lane by Bear McCreary
“Talk to Her” from Swiss Army Man by Andy Hull and Robert McDowell
“Gods of Egypt Prologue” from Gods of Egypt by Marco Beltrami
“Strange Days Ahead” from Doctor Strange by Michael Giacchino
“Battle of Times Square” from Ghostbusters by Theodore Shapiro
“The Birds’ Farewell” from Tale of a Lake by Panu Aaltio
“Rey’s Theme” from Star Wars: The Force Awakens by John Williams

Purchase the music excerpted in this episode:

30: Sherlock Series 4

Sat, 28 Jan 2017 23:56:00 -0500

Glenn and Alanna are back in the podcast mind palace to examine Sherlock on the occasion of its latest series. The takes flow as they move from appreciation to trepidation to disappointment and despair, stopping along the way to discuss the precise definition of fridging. Alanna identifies some plot holes while Glenn reflects on what this means for the upcoming season of Doctor Who. SPOILERS ABOUND for all of the deep dark secrets revealed.

Also, could it be that there’s a seeeeeeeeecret extra mini-podcast at the end???

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Sherlock series four by David Arnold and Michael Price:

“The Stranger” (from “The Six Thatchers”)
“You Look Different” (from “The Lying Detective”)
“She Was Different” (from “The Final Problem”)
“Who You Really Are” (from “The Final Problem”)

Buy the Sherlock Series 4 original score by David Arnold and Michael Price.

29: Rogue One

Mon, 26 Dec 2016 23:55:00 -0500

Rogue One: A Star Wars Story has arrived, and The Glenn Butler Podcast Hour Spectacular is ON IT. Glenn & Scott are joined by Alanna Kelly for a wide-ranging discussion on the value & uses of fanservice, the right & wrong ways to change the tone of a Star Wars movie, and much more. Are the new characters worth caring about? What does it mean for Our Heroes to live under a fascist regime? What can you really build on hope? How does everything from the graphic design of the film to Michael Giacchino’s score contribute to making this feel like a Star Wars movie? SPOILERS abound for Rogue One, other Star Wars properties, and possibly On the Beach.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections from Rogue One by Michael Giacchino:

“Jyn Erso & Hope Suite”
“Rogue One”
“Imperial Suite”
“Guardian of the Whills Suite”

Purchase the Rogue One: A Star Wars Story original score by Michael Giacchino.

28: Reflection, Surprise, Terror…for the Future

Thu, 15 Dec 2016 23:54:00 -0500

Glenn & Scott return from a medical hiatus to consider the course of human events. Their conclusion: we are so fucked.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

"War" by Edwin Starr
"For What It's Worth" by Buffalo Springfield
"Turn! Turn! Turn! (To Everything There is a Season)" by the Byrds
"Get Together" by the Youngbloods

Purchase the music used in this episode:

27: Stranger Things

Mon, 12 Sep 2016 23:53:00 -0400

Stranger Things has made a splash as the newest blockbuster Netflix original series, and The Glenn Butler Podcast Hour Spectacular is ON IT. Glenn is joined by Alanna Kelly to talk about the pacing concerns of streaming shows, a shared love of damaged people doing their best, Stranger Things‘ various models of parenting, and much more. So tune in on your walkie-talkie, make sure your compass is pointing in the right direction, and check out the latest episode of The Glenn Butler Podcast Hour Spectacular!

(Mentioned in the show: the Hyperbole and a Half post “Adventures in Depression“)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Stranger Things by Kyle Dixon and Michael Stein:

“Stranger Things”
“Breaking and Entering”
“Hanging Lights”
“Dispatch”

Purchase the music excerpted in this episode:

26: Life Is But a Dream - The Star Trek Mailbag

Thu, 01 Sep 2016 23:52:00 -0400

You sent in your Star Trek questions, and The Glenn Butler Podcast Hour Spectacular is ON THEM. Glenn & Scott reflect on their Star Trek film vault series with a short list of topics they missed, such as horsies and dreams, followed by questions sent in by listeners, friends of the show, and past guests. The mailbag leads the ol’ Spectacular on a journey through Shakespearean Klingons, the meaning of family, the future of the franchise, and much more. In the jingle-jangle morning, listen to the latest episode of The Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“End Credits” from Star Trek Into Darkness by Michael Giacchino
“Sub Prime Directive” from Star Trek Into Darkness by Michael Giacchino
“Sub Prime Directive” from Star Trek Into Darkness by Michael Giacchino
“Mr. Tambourine Man” by William Shatner & Bob Dylan

Purchase the music excerpted in this episode:

25: Happy Birthday – Star Trek Beyond

Sat, 23 Jul 2016 23:51:00 -0400

Star Trek: Beyond has arrived, and The Glenn Butler Podcast Hour Spectacular is ON IT. In this reaction show, Glenn & Scott follow their Star Trek vault series with their take on the fiftieth-anniversary film offering, including a spoiler-free section to start. After that they discuss the villain’s motivations, Starfleet’s mission, Kirk’s journey, the nature of family, and much more. The occasion of Rihanna’s contribution brings up the history of Star Trek movies’ engagement with the pop music. Also, of course, the film must deal with the losses of Leonard Nimoy and Anton Yelchin.

The spoiler-free section at the beginning of the show contains no spoilers for anything. The rest of the show contains SPOILERS for Star Trek Beyond, the Destiny trilogy, two Harry Potter books, and amazingly enough, the yet-to-be-written Star Trek 4.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Trek: Beyond by Michael Giacchino:

“Hitting the Saucer a Little Hard”
“Night on the Yorktown”
“Crash Decisions”
“A Lesson in Vulcan Mineralogy”
“Star Trek Main Theme”

Purchase the Star Trek: Beyond original score by Michael Giacchino.

24: It’s Nice to Have a Family – Star Trek: Into Darkness

Fri, 08 Jul 2016 23:49:00 -0400

Star Trek: Into Darkness crashes into the Star Trek film vault as The Glenn Butler Podcast Hour Spectacular’s archival journey reaches the most recent installment. Glenn & Scott are joined by Alanna Kelly to discuss warmongering, the rule of law, Admiral RoboCop’s A Few Good Men moment, the meaning of role-reversal in terms of the new Trek movies’ engagement with AU fanfic, Sassy Spock, more love triangles, Leonard Nimoy’s final appearance, Scotty’s tenure as the movie’s conscience, Kirk’s merry-go-round of ranks & jobs, Klingons who’re into body modification, and the movie’s issues with race & gender — particularly regarding The Actor of Many Names. Scott and Alanna indulge their love of the movie, while Glenn spends some time writhing around trying to adequately express his discomfort.

(Note: This show was recorded before the death of Anton Yelchin, and as such does not address the sad news.)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections from Star Trek: Into Darkness by Michael Giacchino:

“Ode to Vengeance”
“Warp Core Values”
“Klingon Chase”
“Warp Core Values”

Purchase the Star Trek: Into Darkness original score by Michael Giacchino.

23: It’s Exciting! – Star Trek (2009) Score

Fri, 24 Jun 2016 23:48:00 -0400

Michael Giacchino arrives in the pantheon of Star Trek composers as The Glenn Butler Podcast Hour Spectacular follows up on its discussion of the 2009 movie with a separate discussion just about its score. Glenn & Scott briefly summarize Giacchino’s career heading into Star Trek before breaking down the new themes he brought to bear, the plethora of alternate cues considered for the main title card, how a rare fully-original end credits sequence aids the musical storytelling of a film, what story is told by the return of Alexander Courage’s TOS theme in its entirety, and how Giacchino’s talent for crafting beautifully emotional music as well as thrilling bombast helped him make the most of the movie’s more intimate moments among its many action sequences. Scott can’t resist drawing comparisons to Jerry Goldsmith’s last several Trek scores, while Glenn prefers to concentrate on the positive. So tune in to this supplemental edition of The Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections from Star Trek by Michael Giacchino:

“Nero Death Experience”
“Nero Fiddles, Narada Burns”
“Labor of Love”
“Matter? I Barely Know Her!”
“Chutes and Matter”

Purchase the Star Trek original score by Michael Giacchino.

22: Captain of the Enterprise – Star Trek (2009)

Fri, 24 Jun 2016 23:46:00 -0400

JJ Abrams arrives in the Star Trek film vault as The Glenn Butler Podcast Hour Spectacular hits the 2009 movie. Glenn & Scott welcome special guest Greg Phillips for an extensive discussion of how Trek was rejuvenated for its eleventh film outing, what was involved in bringing the original series to the big screen in a way it had never been before, the different takes the new cast has on their roles, new designs for familiar objects & environments, how the movie has its cake and eats it too by moving the action to an alternate universe, Fratboy Dudebro Jim Kirk, and the many ways that Star Trek was brought back from the wilderness. Scott’s analysis of the title card in particular is not to be missed. So tune in to the new edition of The Glenn Butler Podcast Hour Spectacular — you can do zat!

(Note: This show was recorded before the death of Anton Yelchin, and as such does not address the sad and untimely news. Also, as this show was running long and the customary score discussion promised to be a lengthy one on its own, that topic was spun out into its own supplemental episode. Look for that episode directly following this one in your blog and podcast feeds.)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Booyaka 619” by P.O.D.
“End Credits” (main theme/Kirk’s Theme excerpt) from Star Trek by Michael Giacchino
“End Credits” (Spock’s Theme excerpt) from Star Trek by Michael Giacchino
“Sabotage” by the Beastie Boys
“End Credits” (TOS Theme excerpt) from Star Trek by Michael Giacchino; TOS Theme originally by Alexander Courage

Purchase the music excerpted in this episode:

21: On the Orlando Shooting

Mon, 13 Jun 2016 23:44:00 -0400

Feeling the need to explore some issues around the mass shooting at the Pulse nightclub in Orlando this past Sunday, Glenn & Scott convene again on The Glenn Butler Podcast Hour Spectacular. They discuss the nature of hate crimes, the widespread marginalization and dehumanization of LGBTQIAP+ people, easy access to guns, and the ubiquity of “thoughts and prayers.”

You can support the show on Patreon at patreon.com/nontoxicfanboys

Musical Selections:

“Fade To…” from Anonymous Rejected Filmscore by John Murphy
“A Warm Place” (string quartet version) written by Trent Reznor, performed by Melissa Dunphy
“Weather Storm” from The Space Between Us by Craig Armstrong
“Your Favorite Color Is Green” from The Hunger Games: Mockingjay Part 2 by James Newton Howard

Purchase the music excerpted in this episode:

20: This Is All a Damned Inconvenience – Star Trek: Nemesis

Thu, 09 Jun 2016 23:43:00 -0400

A generation comes to its end as Star Trek: Nemesis takes its place in the latest Star Trek film vault edition of The Glenn Butler Podcast Hour Spectacular. Glenn & Scott are joined by Steven Graham to try to figure out just what Shinzon’s plan is and how it’s supposed to work, what it means to seize the means of production on Romulus, how well the movie explores its ideas about mirroring and nature vs. nurture, action scenes that feel like they’re there to be used in a video game, and how the final voyage of The Next Generation treats The Next Generation. So set a collision course for the latest edition of The Glenn Butler Podcast Hour Spectacular! (Warning: discussion of sexual assault.)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“My Right Arm” from Star Trek: Nemesis by Jerry Goldsmith
“The Mine” from Star Trek: Nemesis by Jerry Goldsmith
“The Scorpion” from Star Trek: Nemesis by Jerry Goldsmith
“Repairs” from Star Trek: Nemesis by Jerry Goldsmith
“A New Ending” (Shinzon’s theme, plaintive setting) from Star Trek: Nemesis by Jerry Goldsmith
“The Mirror” from Star Trek: Nemesis by Jerry Goldsmith
“Remus” from Star Trek: Nemesis by Jerry Goldsmith
“A New Ending” (Shinzon’s theme in its final form) from Star Trek: Nemesis by Jerry Goldsmith
“A New Ending” (main theme, slow setting) from Star Trek: Nemesis by Jerry Goldsmith

Purchase the music excerpted in this episode:

19: It Becomes Wrong – Star Trek: Insurrection

Tue, 31 May 2016 23:41:00 -0400

Star Trek: Insurrection threatens to cause an insurrection of its own in the newest dive into the Star Trek film vault on The Glenn Butler Podcast Hour Spectacular. Glenn & Scott are joined by Scott Criscuolo to break down the fountain of youth, how a family feud becomes a parable about imperialism, F. Murray Abraham, what could have been done with Data in this movie that would actually have been interesting, the late stage of Jerry Goldsmith’s career, what insights can be gleaned from Michael Piller’s book about the writing of the film, and how The Next Generation deals with being jammed into a standard action movie formula. This podcast is replete with Scotts but doesn’t get confusing…not that we care about such things in this day and age. So pop a gorch and join the latest Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Trek: Insurrection by Jerry Goldsmith:

“End Credits”
“Ba’Ku Village”
“The Drones Attack”
“The Healing Process”

Buy the Star Trek: Insurrection score album by Jerry Goldsmith.

18: Where Was Your Evolved Sensibility – Star Trek: First Contact

Fri, 13 May 2016 23:39:00 -0400

Star Trek: First Contact tries to add The Glenn Butler Podcast Hour Spectacular’s distinctiveness to its own, as the Star Trek vintage vault series continues. Glenn & Scott discuss genre drift as First Contact lurches from horror film to action thriller to something more akin to a Star Trek story, and as the Borg lurch from zombies to vampires to insects. They also discuss the meaning of the Borg (and how that changes now that they have a queen), why Captain Picard invites the whole collective to the gun show, the bizarre eroticism of the Borg Queen, the beginning of the Star Trek future, and the beginning of the end of a Star Trek series. Now with the intense discussions of starship design you’ve all been asking for!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“End Credits” from Star Trek: First Contact by Jerry Goldsmith
“Main Title” from Star Trek: First Contact by Jerry Goldsmith
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“First Contact” (spaghetti western version) from Escapade Velocity by Steve Greaves

Purchase the music excerpted in this episode:

17: What’s So Civil About War Anyway?

Fri, 06 May 2016 23:36:00 -0400

Captain America: Civil War is here, and Glenn & company are ON IT. The Glenn Butler Podcast Hour Spectacular convenes its panel of Glenn, Scott, and special guest Tim Capel to take sides in this evitable conflict and break down Marvel’s latest marvel, including a spoiler-laden look at the causes and uses of the movie’s central conflict, how Our Heroes are used, the ways that Civil War changes the landscape of the MCU, and the Stan Lee solo movie we all really want to see. Scott gets bogged down in the physics of Ant-Man, while Tim provides the crucial perspective of someone who actually knows something about comics.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Cap’s Promise” from Captain America: Civil War by Henry Jackman
“Civil War” from Captain America: Civil War by Henry Jackman
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“Larger Than Life” from Captain America: Civil War by Henry Jackman

Purchase the music excerpted in this episode:

16: To Live Forever – Star Trek: Generations

Fri, 29 Apr 2016 23:32:00 -0400

The generations meet as Star Trek: Generations arrives in The Glenn Butler Podcast Hour Spectacular’s Star Trek film vault series. Glenn & Scott break down The Next Generation‘s arrival on the big screen, including all the ways and all the times the torch was passed, how Captain Picard is like Tom Bombadil, what it means to have a TV production staff making a movie, aging, regret, the pull of duty, the dual symbolism of the Nexus, James T. Kirk: Existentialist, Data & Picard’s feels, symbolic sacrifices, normality, and what we leave behind. You don’t have to wait until Tuesday for this episode of The Glenn Butler Podcast Hour Spectacular!

Find Glenn’s article on the wider Star Trek franchise in 1994 here.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections from Star Trek: Generations by Dennis McCarthy:

“Overture”
“Out of Control”
“A Christmas Hug”
“Final Fight”

Purchase the Star Trek: Generations original score by Dennis McCarthy.

15: Goy Vey

Fri, 15 Apr 2016 23:30:00 -0400

It’s time for a quick Campaign 2016 update on The Glenn Butler Podcast Hour Spectacular, as Glenn & Scott welcome Steve Wille back to the podcast to examine how some of the candidates are campaigning among Jews in the lead-up to the New York primary. Candidates are rolling out matzah, quizzing Yeshiva students, listing their favorite figures from the Tanakh, bragging about their grandkids, and much more — and the ol’ Spectacular is ON IT. By the end of the show Scott hardly has any face left to palm. So get a bagel, try to parlay it into some votes, and enjoy a policy-light and sarcasm-heavy discussion!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Hava Nagila” by Me First and the Gimme Gimmes
“Hava Nagila (Christmas Arrangement)” by Me First and the Gimme Gimmes
“Hatikvah”
“Hevenu Shalom Aleichem“

14: Don’t Let it End This Way – Star Trek VI: The Undiscovered Country

Fri, 15 Apr 2016 23:26:00 -0400

It’s the end of an era, as Star Trek VI: The Undiscovered Country comes under the watchful eye of The Glenn Butler Podcast Hour Spectacular. Glenn & Scott examine the final voyage of the collected Original Series cast, including its story’s parallels to the end of the Cold War, the celebration of Star Trek‘s 25th anniversary from the perspective of its 50th, the crew’s abruptly increased space-racism, the return of Nicholas Meyer, things and supplies, logic as the beginning of wisdom, and more adventures in budgetary restrictions. There’s also no small amount of debate as to what exactly one should call Spock’s violation of Valeris. (Warning: discussion of rape and torture from 38:31 to 53:40.)

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“Star Trek VI End Credits Suite” by Cliff Eidelman
“Sign Off” from Star Trek VI: The Undiscovered Country by Cliff Eidelman
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“Star Trek VI End Credits Suite” by Cliff Eidelman

Purchase the music excerpted in this episode:

13: What Does God Need with a Starship? – Star Trek V: The Final Frontier

Fri, 08 Apr 2016 23:21:00 -0400

Star Trek V: The Final Frontier is the latest entry into the Star Trek film vault series, as The Glenn Butler Podcast Hour Spectacular investigates one of the most derided entries in the franchise. Glenn & Scott welcome special guest Erik Amundsen for an in-depth discussion of the strengths and weaknesses of Star Trek V, the character dynamics, William Shatner’s turn in the director’s chair, how the film also reflects Shatner’s interests as an artist, the film’s place in the development of the Star Trek franchise, the meaning of Uhura’s nude fan dance, Doctor McCoy’s stance on euthanasia, and whether The Final Frontier deserves the reputation it’s accrued. The three also consider two very important questions: what does God need with a starship, and why is Captain Kirk climbing a mountain?

We need our pain, but sometimes the words aren’t important, what’s important is that you have a good time singing.

Find Erik’s published fiction at Jabberwocky, Apex Magazine, Lackington’s, and twice at Clarkesworld.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections from Star Trek V: The Final Frontier by Jerry Goldsmith:

“The Mountain (Main Title)”
“Life Is a Dream” (Klingon Theme excerpt)
“Cosmic Thoughts” (AKA Kirk and Spock’s Love Theme)
“Let’s Get Out of Here (Part 2)”

Purchase the Star Trek V: The Final Frontier original score by Jerry Goldsmith.

12: There Be Whales Here! – Star Trek IV: The Voyage Home

Fri, 18 Mar 2016 23:17:00 -0400

The Star Trek film vault continues with Star Trek IV: The Voyage Home in the latest Glenn Butler Podcast Hour Spectacular, when Glenn & Scott welcome Andy Halleen back to the show for a laid-back discussion of one of the most aesthetically and financially successful entries in the series. The three discuss The Voyage Home‘s shift into comedy, the ongoing transformation of William Shatner, colorful metaphors, orbital mechanics, the whale prime directive, and how each of the movie’s characters are used & developed. Also, Scott does his impression of whale song, because of course he does.

We won’t eschew you on the latest episode of The Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Trek IV: The Voyage Home:

“Home Again/End Credits” by Leonard Rosenman
“Chekov’s Run” by Leonard Rosenman
“I Hate You” by Edge of Etiquette
“Home Again/End Credits” by Leonard Rosenman

Purchase the Star Trek IV: The Voyage Home original score by Leonard Rosenman.

11: A Fighting Chance to Live – Star Trek III: The Search for Spock

Fri, 04 Mar 2016 23:15:00 -0500

The Star Trek film vault continues with Star Trek III: The Search for Spock, as The Glenn Butler Podcast Hour Spectacular takes a turn towards the meditative. Glenn & Scott welcome Tim Capel from PTBN Comics to an in-depth discussion of the third Star Trek movie’s place in an ongoing story, its theatricality, Klingon linguistics, Christopher Lloyd & Mark Lenard’s differing approaches to gravitas, how death can be turned into a fighting chance to live, the inability of Commander Kruge to see past his own worldview, the film’s distinct lack of Kirstie Alley & Bibi Besch, and finger-sex versus finger-foreplay. Glenn sings the praises of James Horner’s lyrical score, Tim gives a brief rundown of the state of Trek comics in the early 80’s, and Scott explains why the film’s finale might be the best single scene in Star Trek history.

Get yourself an Altair water, hit the antimatter inducer, and enjoy the latest episode of The Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Music selections:

“Main Title” from Star Trek III: The Search for Spock by James Horner
“Bird of Prey Decloaks” from Star Trek III: The Search for Spock by James Horner
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“Returning to Vulcan” from Star Trek III: The Search for Spock by James Horner

Purchase the music excerpted in this episode:

10: Re-Closing the X-Files

Fri, 26 Feb 2016 23:13:00 -0500

The X-Files have been closed once again, and Glenn & Scott welcome Andy Halleen back to The Glenn Butler Podcast Hour Spectacular to follow up on their discussion at the beginning of season ten now that the miniseries has fully taken shape. They discuss the return of various styles of X-Files episodes, whether the limited six-episode run hurt or helped the show, the value and quality of cliffhangers, the launch of The X-Files: The Next Generation with Agents Einstein and M-Something, a drug trip to remember, X-Files as viewed through the lens of sports announcers, terrorism, and much more. Also, Scott lists all (and we mean ALL) of the people who could possibly be on the ship.

Spoilers abound in the latest episode of The Glenn Butler Podcast Hour Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical Selections:

“X-Files (Variation on a Theme)” from The X-Files: I Want to Believe by Mark Snow (remixed by UNKLE)
“Crater Hug” from The X-Files: Fight the Future by Mark Snow
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
The PCR Song

Purchase the scores excerpted in this episode:

09: Madness and Death – Star Trek II: The Wrath of Khan

Fri, 19 Feb 2016 23:10:00 -0500

Star Trek II: The Wrath of Khan is the subject of The Glenn Butler Podcast Hour Spectacular’s latest dive into the Star Trek vault, as Glenn & Scott welcome Todd Weber from PTBN’s comics contingent to break down the Trek movie with what is probably the best reputation. They discuss how & why Star Trek II differed from Star Trek I, check in on the movie’s characters, examine the pull it exerted on all future Trek movies, sing the praises of actors from Ricardo Montalbán to William Shatner to Bibi Besch, lament the absence of Madeline Kahn, and much more!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Trek II: The Wrath of Khan by James Horner:

“Main Title”
“Amazing Grace”
“Surprise Attack”
“Epilogue”

Purchase the 2-disc expanded score to Star Trek II: The Wrath of Khan.

08: First Annual Oscar Preview – Best Original Score 2015

Fri, 12 Feb 2016 23:06:00 -0500

Oscar season is here, and The Glenn Butler Podcast Hour Spectacular is ON IT. Glenn & Scott cover this year’s Oscars the only way they know how: by running down the five nominees for Best Original Score! They discuss Jóhann Jóhannsson’s score for Sicario, Ennio Morricone’s The Hateful Eight, Thomas Newman’s Bridge of Spies, Carter Burwell’s Carol, and last but not least, John Williams’ Star Wars: The Force Awakens. They discuss their reactions to the commercial albums for all five scores, the differences between those and what Academy voters have received, some other scores by the nominated composers, which score they think will win, the political decision-making that goes into an actual Academy vote for Best Score, and more!

For an extended discussion of The Force Awakens‘ score, check out episode three of the ol’ Podcast Hour Spectacular.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Desert Music” from Sicario by Jóhann Jóhannsson
“L’Ultima Diligenza di Red Rock (#2)” from The Hateful Eight by Ennio Morricone
“La Lettera di Lincoln (Strumentale)” from The Hateful Eight by Ennio Morricone
“Homecoming” from Bridge of Spies by Thomas Newman
“Opening” from Carol by Carter Burwell
“Christmas Trees” from Carol by Carter Burwell

Purchase the scores discussed in this episode:

07: Where No One’s Ever Flown – Star Trek: The Motion Picture

Mon, 08 Feb 2016 23:02:00 -0500

To mark Star Trek’s 50th-anniversary year, The Glenn Butler Podcast Hour Spectacular launches a special rewind series examining the twelve Trek films, leading up to the release of the thirteenth this July! In this installment, the journey begins with a dive into Star Trek: The Motion Picture. Glenn & Scott Butler look at the first Star Trek movie’s development, its pacing issues, its iconic score, its relationship with fandom as it existed in the 70’s, which pieces of the original series are retained and which are discarded, new characters that are introduced and done away with in short order, beloved characters whose actual characterization might be considered thin, the effect the film had on the franchise’s development heading into the eighties, and whether it deserves its poor reputation. Tune in to find out how many times Scott can say the phrase “dreadfully dull” in eighty-four minutes!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Main Title” from Star Trek: The Motion Picture by Jerry Goldsmith
“Overture” (Ilia’s Theme) from Star Trek: The Motion Picture by Jerry Goldsmith
“I Need You” from The Hunger Games: Catching Fire by James Newton Howard
“The Enterprise” from Star Trek: The Motion Picture by Jerry Goldsmith

Purchase the music excerpted in this episode:

06: Re-Opening the X-Files

Thu, 28 Jan 2016 23:00:00 -0500

The truth is still out there, and The Glenn Butler Podcast Hour Spectacular is all over the return of The X-Files in pursuit of it. Glenn & Scott welcome special guest Andy Halleen to the podcast to talk about some of their favorite episodes & moments over the course of The X-Files‘ long run, the way that the first two episodes of the new miniseries reintroduce both the larger mythology and case-of-the-week styles of the series, Gillian Anderson having to hold out for equal pay, the relationship between real-world conspiracy theories and TV conspiracy theories, and AD Skinner’s stalled career.

You don’t have to register an account on MindQuad to listen to this brand-new episode of The Glenn Butler Podcast Spectacular!

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Threnody in X” from The X-Files: Fight the Future by Mark Snow
“Crossroads” from The X-Files: Fight the Future by Mark Snow
“Big Happening” from The X-Files, “This Is Not Happening” by Mark Snow
The X-Files Theme in a Major Key

Buy the music excerpted in this episode:

(Special thanks to Andy for the radio-style intro.)

05: Despair on the Eve of Iowa

Fri, 22 Jan 2016 22:57:00 -0500

With the long hard slog of the US presidential campaign slogging along, The Glenn Butler Podcast Hour Spectacular is back with a despairing and at times contemptuous look at all of the people who for some reason are still running for President on the eve of the Iowa caucus. Then, considering the ascendancy of Donald Trump, Glenn & Scott contemplate other WWE Hall of Famers who might make better Presidents of the United States. Finally, there’s a brief look at the 2016 US Senate race in Connecticut and the idea of Linda McMahon joining the fray once again.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“America (Fuck Yeah)” by Marc Shaiman and Trey Parker, from Team America: World Police
“I Got a Crush…on Obama” by Leah Kauffman, Ben Relles, and Rick Friedrich
“Let’s Go Joe” by Cody Harris
“I’m Afraid of Americans” by David Bowie and Brian Eno

Purchase the music excerpted in this episode:

04: Didn’t We Already Talk About Star Wars?

Tue, 19 Jan 2016 22:55:00 -0500

In a blockbuster new episode of The Glenn Butler Podcast Hour Spectacular, Glenn & Scott are joined by special guest and friend of the show Alanna Kelly to dive just a little deeper into Star Wars: The Force Awakens than the last episode did. The three discuss their histories of Star Wars fandom and expectations going into Episode VII before getting into the marketing of this new movie as a return to the old and beloved tropes of Star Wars, as well as the development of the new characters, including their motivations and costuming (are you on #TeamCape?). Glenn accidentally winds up engaging in a little more prequel apologia than expected, Scott shares a story about an Empire Strikes Back bootleg video tape, and hosts & guest alike desperately try to remember Alfred Molina’s name.

After the break, Glenn, Scott, and Alanna examine the aesthetic construction of The Force Awakens, the Star Wars universe’s newfound diversity, and how this film fits in JJ Abrams’ career. The show closes with a new segment on various other media the participants have been consuming lately, including Another Round and extensive discussions about the recent Sherlock special and season two of the Serial podcast.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections from Star Wars: The Force Awakens by John Williams:

“Finale” (Finn’s Theme/Poe’s Theme excerpt)
“The March of the Resistance”
“Finale” (Force Theme/Rey’s Theme counterpoint)
“Finale” (Rey’s Theme excerpt)

Buy the original score album from Star Wars: The Force Awakens by John Williams.

03: Star Trek: Beyond Trailer & Star Wars: The Force Awakens Score

Tue, 22 Dec 2015 22:49:00 -0500

The month’s humongous sci-fi premiere has arrived with the big-screen debut of the Star Trek: Beyond trailer, and Glenn & Scott are ON IT. What is there to look forward to, or not, in Star Trek (X)III? Other topics covered include the balance of action and ideas in Star Trek movies, Kirk’s characterization, the new uniforms, and the Hater Brigade.

Following that, the hosts give their thoughts on John Williams’ new score to Star Wars: The Force Awakens. Where does it lie on the spectrum between the trilogy and prequel scores? Does every Williams action score from the last fifteen years sound the same? How do the new themes measure up? The actual movie might come up as well.

A blanket SPOILER WARNING applies to all topics of discussion.

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Trekking Down the Narada” from Star Trek by Michael Giacchino
“End Credits” from Star Trek by Michael Giacchino
“The Jedi Steps” from Star Wars: The Force Awakens by John Williams
“Rey’s Theme” from Star Wars: The Force Awakens by John Williams

Purchase the music excerpted in this episode:

02: PTBN’s Holiday Tournament Spectacular

Wed, 25 Nov 2015 22:46:00 -0500

This installment of The Glenn Butler Podcast Hour Spectacular sees Glenn & Scott Butler welcome Steve Wille to a discussion of another Spectacular, PTBN’s Holiday Tournament Spectacular, coming to The Place to Be at the stroke of midnight as Thanksgiving turns to Black Friday and the holiday season blasts off. The three men run down all four regions of the tournament and break down 128 different holiday movies, TV episodes, songs, albums, foods, and experiences…and, we like to think, learn a little bit about each other in the process. After all, isn’t that what the holidays are all about?

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections come from 8-Bit Jesus by Doctor Octoroc:

“We Three Konami”
“The Legend of Noel”
“Super Jingle Bros.”
“Have Yourself a Final Little Fantasy”

Purchase the album 8-Bit Jesus by Doctor Octoroc.

01: The Hunger Games

Sun, 22 Nov 2015 21:59:00 -0500

The Glenn Butler Podcast Hour Spectacular kicks off when the now-titular Glenn Butler welcomes his brother Scott to the land of podcasts and welcomes listeners to a deep dive into The Hunger Games series. They discuss the hugely successful film franchise along the following criteria: 1. Did Glenn understand the story despite never reading any of the books, or did the movies leave out too many details in favor of flash and explosions? 2. Was Scott satisfied that the books and the movies are telling the same story, or was it garbled beyond recognition in the transition from novel to screenplay? Other topics covered include the construction of competing mythologies, the mechanisms of soft vs. hard population control, Capitol Couture, personal agency, a Love Triangle of Doom, depictions of trauma, whether it’s possible to depict war without ennobling it, and pairs of actors that Glenn can’t tell apart.

A BLANKET SPOILER WARNING for the new movie applies to the last section. Each section has spoilers for the movie & book being covered as well as the previous entries.

Chapters:

0:00:23 – Intro
0:08:30 – The Hunger Games
1:14:26 – Catching Fire
2:11:56 – Mockingjay Part 1
2:56:03 – Mockingjay Part 2

You can support the show on Patreon at patreon.com/nontoxicfanboys.

Musical selections:

“Horn of Plenty” by Arcade Fire, from The Hunger Games
“I Need You” by James Newton Howard, from Catching Fire
“The Hanging Tree” by Jeremiah Fraites, Wesley Schultz, Suzanne Collins, and James Newton Howard, performed by Jennifer Lawrence, from Mockingjay Part 1
“Air Raid Drill” by James Newton Howard, from Mockingjay Part 1
“Returning Home” by James Newton Howard, from The Hunger Games

Buy the music excerpted in this episode: