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    <title>BACKSTAGE PASS with Carlos Miguel Prieto</title>
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    <description>Insights on upcoming classical concerts by the North Carolina Symphony with Music Director Carlos Miguel Prieto.</description>
    <pubDate>Fri, 04 Sep 2026 10:00:00 -0400</pubDate>
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    <copyright>Copyright 2026 All rights reserved.</copyright>
    <category>Music:Music Commentary</category>
    <ttl>1440</ttl>
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        <itunes:author>North Carolina Symphony</itunes:author>
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        <itunes:name>North Carolina Symphony</itunes:name>
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        <title>BACKSTAGE PASS with Carlos Miguel Prieto</title>
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    <item>
        <title>Opening Weekend: Rachmaninoff Piano Concerto No. 3 Plus Debussy and Stravinsky</title>
        <itunes:title>Opening Weekend: Rachmaninoff Piano Concerto No. 3 Plus Debussy and Stravinsky</itunes:title>
        <link>https://ncsymphony.podbean.com/e/opening-weekend-rachmaninoff-piano-concerto-no-3-plus-debussy-and-stravinsky/</link>
                    <comments>https://ncsymphony.podbean.com/e/opening-weekend-rachmaninoff-piano-concerto-no-3-plus-debussy-and-stravinsky/#comments</comments>        <pubDate>Fri, 04 Sep 2026 10:00:00 -0400</pubDate>
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                                    <description><![CDATA[<p>Music Director Carlos Miguel Prieto shares insights and connections behind our opening weekend program: Debussy’s Prelude to the Afternoon of a Faun, Stravinsky’s dazzling Petrushka, and the centerpiece of the program—Rachmaninoff’s breathtaking Piano Concerto No. 3.</p>
<p>The music discussed in this podcast will be performed by the <a href='https://ncsymphony.org/'>North Carolina Symphony</a>, with guest pianist <a href='https://borisgiltburg.com/'>Boris Giltburg</a>, at Raleigh's <a href='https://www.martinmariettacenter.com/'>Meymandi Concert Hall</a> on September 18-19, 2026.</p>
<p><a href='https://ncsymphony.org/tickets'>BUY TICKETS</a></p>
<p>© 2026 | A North Carolina Symphony Production</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Music Director Carlos Miguel Prieto shares insights and connections behind our opening weekend program: Debussy’s <em>Prelude to the Afternoon of a Faun</em>, Stravinsky’s dazzling <em>Petrushka,</em> and the centerpiece of the program—Rachmaninoff’s breathtaking Piano Concerto No. 3.</p>
<p>The music discussed in this podcast will be performed by the <a href='https://ncsymphony.org/'>North Carolina Symphony</a>, with guest pianist <a href='https://borisgiltburg.com/'>Boris Giltburg</a>, at Raleigh's <a href='https://www.martinmariettacenter.com/'>Meymandi Concert Hall</a> on September 18-19, 2026.</p>
<p><a href='https://ncsymphony.org/tickets'>BUY TICKETS</a></p>
<p>© 2026 | A North Carolina Symphony Production</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Music Director Carlos Miguel Prieto shares insights and connections behind our opening weekend program: Debussy’s Prelude to the Afternoon of a Faun, Stravinsky’s dazzling Petrushka, and the centerpiece of the program—Rachmaninoff’s breathtaking Piano Concerto No. 3.
The music discussed in this podcast will be performed by the North Carolina Symphony, with guest pianist Boris Giltburg, at Raleigh's Meymandi Concert Hall on September 18-19, 2026.
BUY TICKETS
© 2026 | A North Carolina Symphony Production]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1100</itunes:duration>
        <itunes:season>2</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Across Borders and Landscapes: Carlos on Ortiz, Copland, and Revueltas</title>
        <itunes:title>Across Borders and Landscapes: Carlos on Ortiz, Copland, and Revueltas</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-across-borders-and-landscapes-carlos-on-ortiz-copland-and-revueltas/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-across-borders-and-landscapes-carlos-on-ortiz-copland-and-revueltas/#comments</comments>        <pubDate>Fri, 01 May 2026 15:10:00 -0400</pubDate>
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                                    <description><![CDATA[<p>Music Director Carlos Miguel Prieto shares the personal stories and connections behind our season finale: Gabriela Ortiz’s Kauyumari, Copland’s iconic Appalachian Spring, and Silvestre Revueltas’ powerful Night of the Mayas.</p>
<p>The music in this podcast will be performed by the North Carolina Symphony Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, May 8-9.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Music Director Carlos Miguel Prieto shares the personal stories and connections behind our season finale: Gabriela Ortiz’s Kauyumari, Copland’s iconic Appalachian Spring, and Silvestre Revueltas’ powerful Night of the Mayas.</p>
<p>The music in this podcast will be performed by the North Carolina Symphony Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, May 8-9.</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Music Director Carlos Miguel Prieto shares the personal stories and connections behind our season finale: Gabriela Ortiz’s Kauyumari, Copland’s iconic Appalachian Spring, and Silvestre Revueltas’ powerful Night of the Mayas.
The music in this podcast will be performed by the North Carolina Symphony Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, May 8-9.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>847</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
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    <item>
        <title>Mozart’s Great Mass and Rautavaara’s Vision: Carlos Explains</title>
        <itunes:title>Mozart’s Great Mass and Rautavaara’s Vision: Carlos Explains</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-mozart-s-great-mass-and-rautavaara-s-vision-carlos-explains/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-mozart-s-great-mass-and-rautavaara-s-vision-carlos-explains/#comments</comments>        <pubDate>Tue, 31 Mar 2026 12:59:00 -0400</pubDate>
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                                    <description><![CDATA[<p>In this week’s Backstage Pass, Music Director Carlos Miguel Prieto explores the rare and striking pairing at the heart of this program and discusses why this unusual combination creates a transcendent musical experience.</p>
<p>The music in this podcast will be performed by the North Carolina Symphony with the NC Master Chorale in Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, April 10-11.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this week’s Backstage Pass, Music Director Carlos Miguel Prieto explores the rare and striking pairing at the heart of this program and discusses why this unusual combination creates a transcendent musical experience.</p>
<p>The music in this podcast will be performed by the North Carolina Symphony with the NC Master Chorale in Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, April 10-11.</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[In this week’s Backstage Pass, Music Director Carlos Miguel Prieto explores the rare and striking pairing at the heart of this program and discusses why this unusual combination creates a transcendent musical experience.
The music in this podcast will be performed by the North Carolina Symphony with the NC Master Chorale in Raleigh's Meymandi Concert Hall at the Martin Marietta Center for the Performing Arts, April 10-11.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>523</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_web5zd8d.jpg" />    </item>
    <item>
        <title>The Emperor and the Art of Musical Friendship</title>
        <itunes:title>The Emperor and the Art of Musical Friendship</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-the-emperor-and-the-art-of-musical-friendship/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-the-emperor-and-the-art-of-musical-friendship/#comments</comments>        <pubDate>Sat, 14 Mar 2026 14:27:00 -0400</pubDate>
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                                    <description><![CDATA[<p>Music Director Carlos Miguel Prieto shares his insights on two major works of the orchestral repertoire—Beethoven’s “Emperor” Concerto and Bartók’s Concerto for Orchestra—and talks about collaborating with pianist Anne-Marie McDermott, who joins us for this weekend’s performances with your North Carolina Symphony.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Music Director Carlos Miguel Prieto shares his insights on two major works of the orchestral repertoire—Beethoven’s “Emperor” Concerto and Bartók’s Concerto for Orchestra—and talks about collaborating with pianist Anne-Marie McDermott, who joins us for this weekend’s performances with your North Carolina Symphony.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3ki8mjz07oeyjfki/yt_video_un6CnzSV2W8.mp4" length="178770520" type="video/mp4"/>
        <itunes:summary><![CDATA[Music Director Carlos Miguel Prieto shares his insights on two major works of the orchestral repertoire—Beethoven’s “Emperor” Concerto and Bartók’s Concerto for Orchestra—and talks about collaborating with pianist Anne-Marie McDermott, who joins us for this weekend’s performances with your North Carolina Symphony.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>617</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_weba8wyw.jpg" />    </item>
    <item>
        <title>Carlos on Masterpieces, Myths, and the Violin that Almost Was</title>
        <itunes:title>Carlos on Masterpieces, Myths, and the Violin that Almost Was</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-carlos-on-masterpieces-myths-and-the-violin-that-almost-was/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-carlos-on-masterpieces-myths-and-the-violin-that-almost-was/#comments</comments>        <pubDate>Thu, 19 Feb 2026 14:39:00 -0500</pubDate>
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                                    <description><![CDATA[<p>Join Carlos for a vivid journey through Tchaikovsky and Ravel as he uncovers orchestral imagination, ballet lore, and the legendary “Auer” Stradivarius violin that once refused a premiere – revealing why these three masterpieces still thrill, surprise, and utterly captivate.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Join Carlos for a vivid journey through Tchaikovsky and Ravel as he uncovers orchestral imagination, ballet lore, and the legendary “Auer” Stradivarius violin that once refused a premiere – revealing why these three masterpieces still thrill, surprise, and utterly captivate.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ia4o3pz0x23gsohn/yt_video_DoPVW2wlor8.mp4" length="198820729" type="video/mp4"/>
        <itunes:summary><![CDATA[Join Carlos for a vivid journey through Tchaikovsky and Ravel as he uncovers orchestral imagination, ballet lore, and the legendary “Auer” Stradivarius violin that once refused a premiere – revealing why these three masterpieces still thrill, surprise, and utterly captivate.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>681</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_web6pzt1.jpg" />    </item>
    <item>
        <title>Gershwin and Bernstein: Bold American Voices</title>
        <itunes:title>Gershwin and Bernstein: Bold American Voices</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-gershwin-and-bernstein-bold-american-voices/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-gershwin-and-bernstein-bold-american-voices/#comments</comments>        <pubDate>Fri, 06 Feb 2026 15:09:00 -0500</pubDate>
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                                    <description><![CDATA[<p>Join Music Director Carlos Miguel Prieto as he dives into a vibrant, all‑American program—Gershwin’s Porgy and Bess: A Symphonic Picture, John Adams’ Saxophone Concerto featuring Timothy McAllister, Bernstein’s spirited excerpts from On the Town, and James P. Johnson’s jubilant "Victory Stride." Carlos shares the stories and musical threads that connect these iconic voices and illuminate the richness of America’s sound.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Join Music Director Carlos Miguel Prieto as he dives into a vibrant, all‑American program—Gershwin’s Porgy and Bess: A Symphonic Picture, John Adams’ Saxophone Concerto featuring Timothy McAllister, Bernstein’s spirited excerpts from On the Town, and James P. Johnson’s jubilant "Victory Stride." Carlos shares the stories and musical threads that connect these iconic voices and illuminate the richness of America’s sound.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yihhu0sj3ogkrad2/yt_video_SIELu_CsQb8.mp4" length="165338694" type="video/mp4"/>
        <itunes:summary><![CDATA[Join Music Director Carlos Miguel Prieto as he dives into a vibrant, all‑American program—Gershwin’s Porgy and Bess: A Symphonic Picture, John Adams’ Saxophone Concerto featuring Timothy McAllister, Bernstein’s spirited excerpts from On the Town, and James P. Johnson’s jubilant "Victory Stride." Carlos shares the stories and musical threads that connect these iconic voices and illuminate the richness of America’s sound.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>570</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_webayfm6.jpg" />    </item>
    <item>
        <title>Beethoven’s 3rd Symphony: The Eroica</title>
        <itunes:title>Beethoven’s 3rd Symphony: The Eroica</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-beethoven-s-3rd-symphony-the-eroica/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-beethoven-s-3rd-symphony-the-eroica/#comments</comments>        <pubDate>Wed, 05 Nov 2025 15:12:00 -0500</pubDate>
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                                    <description><![CDATA[<p>In this episode, discover the stories behind the music of one of this season’s most eclectic and emotional programs—featuring Beethoven’s epic "Eroica" Symphony, Schumann’s lyrical Cello Concerto performed by guest cellist Paul Watkins, and Pulitzer Prize-winning composer Jennifer Higdon’s Suite from Cold Mountain.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, discover the stories behind the music of one of this season’s most eclectic and emotional programs—featuring Beethoven’s epic "Eroica" Symphony, Schumann’s lyrical Cello Concerto performed by guest cellist Paul Watkins, and Pulitzer Prize-winning composer Jennifer Higdon’s Suite from Cold Mountain.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i3oo8w6wu9jzobgn/yt_video_T-PPzI_o0g0.mp4" length="135004611" type="video/mp4"/>
        <itunes:summary><![CDATA[In this episode, discover the stories behind the music of one of this season’s most eclectic and emotional programs—featuring Beethoven’s epic "Eroica" Symphony, Schumann’s lyrical Cello Concerto performed by guest cellist Paul Watkins, and Pulitzer Prize-winning composer Jennifer Higdon’s Suite from Cold Mountain.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>467</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_web7perr.jpg" />    </item>
    <item>
        <title>Copland &amp; Chávez: A Musical Friendship</title>
        <itunes:title>Copland &amp; Chávez: A Musical Friendship</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-copland-chavez-a-musical-friendship/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-copland-chavez-a-musical-friendship/#comments</comments>        <pubDate>Mon, 13 Oct 2025 11:18:00 -0400</pubDate>
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                                    <description><![CDATA[<p>Carlos Miguel Prieto explores the artistic bond between Copland and Chávez, joined by clarinetist Samuel Almaguer for a rich conversation on musical storytelling and performance.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Carlos Miguel Prieto explores the artistic bond between Copland and Chávez, joined by clarinetist Samuel Almaguer for a rich conversation on musical storytelling and performance.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/35rls4z934lgfgko/yt_video__2N9p8IV3uA.mp4" length="206059613" type="video/mp4"/>
        <itunes:summary><![CDATA[Carlos Miguel Prieto explores the artistic bond between Copland and Chávez, joined by clarinetist Samuel Almaguer for a rich conversation on musical storytelling and performance.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>716</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_webb7e4n.jpg" />    </item>
    <item>
        <title>So Much Genius: Beethoven’s Middle Years</title>
        <itunes:title>So Much Genius: Beethoven’s Middle Years</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-so-much-genius-beethoven-s-middle-years/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-so-much-genius-beethoven-s-middle-years/#comments</comments>        <pubDate>Fri, 03 Oct 2025 16:24:00 -0400</pubDate>
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                                    <description><![CDATA[<p>In this episode of BACKSTAGE PASS with Carlos Miguel Prieto, Carlos shares his love for Beethoven and focuses on his middle period—a time of bold ideas, emotional clarity, and music that helped usher in the Romantic era. In So Much Genius: Beethoven’s Middle Years, Carlos explores the beauty of Fidelio Overture, Symphony No. 4, and the Violin Concerto in D which is being performed by guest violinist Paul Huang.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode of BACKSTAGE PASS with Carlos Miguel Prieto, Carlos shares his love for Beethoven and focuses on his middle period—a time of bold ideas, emotional clarity, and music that helped usher in the Romantic era. In So Much Genius: Beethoven’s Middle Years, Carlos explores the beauty of Fidelio Overture, Symphony No. 4, and the Violin Concerto in D which is being performed by guest violinist Paul Huang.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/99yaxl0oh1guzwz3/yt_video_Hxc9WErbJlE.mp4" length="168345823" type="video/mp4"/>
        <itunes:summary><![CDATA[In this episode of BACKSTAGE PASS with Carlos Miguel Prieto, Carlos shares his love for Beethoven and focuses on his middle period—a time of bold ideas, emotional clarity, and music that helped usher in the Romantic era. In So Much Genius: Beethoven’s Middle Years, Carlos explores the beauty of Fidelio Overture, Symphony No. 4, and the Violin Concerto in D which is being performed by guest violinist Paul Huang.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>580</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_webaux7k.jpg" />    </item>
    <item>
        <title>Copland’s Clarinet Concerto: An American Soundscape</title>
        <itunes:title>Copland’s Clarinet Concerto: An American Soundscape</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-copland-s-clarinet-concerto-an-american-soundscape/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-copland-s-clarinet-concerto-an-american-soundscape/#comments</comments>        <pubDate>Wed, 24 Sep 2025 16:54:00 -0400</pubDate>
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                                    <description><![CDATA[<p>In episode 2 of BACKSTAGE PASS, Music Director Carlos Miguel Prieto shares exclusive insights into this week’s’ program of works by Aaron Copland, Samuel Barber, and Antonín Dvořák.
</p>
<p>
</p>
<p>Prieto is joined by Principal Clarinet Samuel Almaguer as they explore Copland’s Clarinet Concerto—a work that blends jazz rhythms and sweeping Americana into a singular musical voice. Almaguer shares his personal connection to this Copland masterwork, while Prieto also reflects on the emotional power of Barber’s Essay No. 2 and the enduring beauty of Dvořák’s “New World” Symphony.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In episode 2 of BACKSTAGE PASS, Music Director Carlos Miguel Prieto shares exclusive insights into this week’s’ program of works by Aaron Copland, Samuel Barber, and Antonín Dvořák.<br>
</p>
<p><br>
</p>
<p>Prieto is joined by Principal Clarinet Samuel Almaguer as they explore Copland’s Clarinet Concerto—a work that blends jazz rhythms and sweeping Americana into a singular musical voice. Almaguer shares his personal connection to this Copland masterwork, while Prieto also reflects on the emotional power of Barber’s Essay No. 2 and the enduring beauty of Dvořák’s “New World” Symphony.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/lksgpgtd9ts1s1y1/yt_video_B1oNbie2s0A.mp4" length="274754545" type="video/mp4"/>
        <itunes:summary><![CDATA[In episode 2 of BACKSTAGE PASS, Music Director Carlos Miguel Prieto shares exclusive insights into this week’s’ program of works by Aaron Copland, Samuel Barber, and Antonín Dvořák.Prieto is joined by Principal Clarinet Samuel Almaguer as they explore Copland’s Clarinet Concerto—a work that blends jazz rhythms and sweeping Americana into a singular musical voice. Almaguer shares his personal connection to this Copland masterwork, while Prieto also reflects on the emotional power of Barber’s Essay No. 2 and the enduring beauty of Dvořák’s “New World” Symphony.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>938</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C_webal6kt.jpg" />    </item>
    <item>
        <title>Let’s Talk About the New World</title>
        <itunes:title>Let’s Talk About the New World</itunes:title>
        <link>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-let-s-talk-about-the-new-world/</link>
                    <comments>https://ncsymphony.podbean.com/e/backstage-pass-with-carlos-miguel-prieto-let-s-talk-about-the-new-world/#comments</comments>        <pubDate>Thu, 18 Sep 2025 17:35:00 -0400</pubDate>
        <guid isPermaLink="false">yt:video:j-9QOjn2q68</guid>
                                    <description><![CDATA[<p>Introducing the North Carolina Symphony’s new podcast! In this premiere episode, Music Director Carlos Miguel Prieto shares exclusive insights on this weekend’s 2025/26 classical season opener. Hear Carlos’ thoughts on Dvorak’s “New World” Symphony, Rachmaninoff’s Piano Concerto No. 4, and Barber’s Overture to The School for Scandal.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Introducing the North Carolina Symphony’s new podcast! In this premiere episode, Music Director Carlos Miguel Prieto shares exclusive insights on this weekend’s 2025/26 classical season opener. Hear Carlos’ thoughts on Dvorak’s “New World” Symphony, Rachmaninoff’s Piano Concerto No. 4, and Barber’s Overture to The School for Scandal.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vul0k2ylsvt89hom/yt_video_j-9QOjn2q68.mp4" length="208609686" type="video/mp4"/>
        <itunes:summary><![CDATA[Introducing the North Carolina Symphony’s new podcast! In this premiere episode, Music Director Carlos Miguel Prieto shares exclusive insights on this weekend’s 2025/26 classical season opener. Hear Carlos’ thoughts on Dvorak’s “New World” Symphony, Rachmaninoff’s Piano Concerto No. 4, and Barber’s Overture to The School for Scandal.]]></itunes:summary>
        <itunes:author>North Carolina Symphony</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>718</itunes:duration>
        <itunes:season>1</itunes:season>
                <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog22573799/bsp_square_C9pas3.png" />    </item>
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