Musicians In Ordinary Podcast https://musiciansinordinary.podbean.com The historical and cultural context of music of the Renaissance at home, in court, in Shakespeare's theatre and beyond. Thu, 03 Aug 2023 10:55:53 -0500 https://podbean.com/?v=5.5 en ca Copyright 2019 All rights reserved. Music:Music History 1440 episodic The historical and cultural context of music of the Renaissance at home, in court, in Shakespeare‘s theatre and beyond. musiciansinordinary musiciansinordinary No false https://pbcdn1.podbean.com/imglogo/image-logo/6263337/Concert_by_Lorenzo_Costa_3a.jpg Musicians In Ordinary Podcast https://musiciansinordinary.podbean.com 144 144 Parthenia: Music for Virginals Ep. 4a - Louise Hung - Orlando Gibbons’ Fantasia of Foure Parts Parthenia: Music for Virginals Ep. 4a - Louise Hung - Orlando Gibbons’ Fantasia of Foure Parts https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-4a-louise-hung-orlando-gibbons-fantasia-of-foure-parts/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-4a-louise-hung-orlando-gibbons-fantasia-of-foure-parts/#comments Thu, 03 Aug 2023 10:55:53 -0500 musiciansinordinary.podbean.com/a11e5d69-a4a2-301d-83f3-c9f428f600e7 Louise Hung plays Orlando Gibbons' Galiardo Fantasia of Foure Parts from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> Louise Hung plays Orlando Gibbons' Galiardo Fantasia of Foure Parts from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> musiciansinordinary false No 396 64 full Parthenia: Music for Virginals Ep. 4 - Louise Hung on Tuning and Temperament - Orlando Gibbons’ Fantazia in Four Parts Parthenia: Music for Virginals Ep. 4 - Louise Hung on Tuning and Temperament - Orlando Gibbons’ Fantazia in Four Parts https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-4-louise-hung-on-tuning-and-temperament-orlando-gibbons-fantazia-in-four-parts/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-4-louise-hung-on-tuning-and-temperament-orlando-gibbons-fantazia-in-four-parts/#comments Fri, 28 Jul 2023 14:41:56 -0500 musiciansinordinary.podbean.com/6e60fecf-91ae-37d3-a768-6f4fd0866298 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to keyboardist Louise Hung about pitch and temperament - how early keyboards were not tuned the same way a modern piano is. We then hear Louise Hung perform Gibbons' Fantazia in Four Parts. 

]]> 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to keyboardist Louise Hung about pitch and temperament - how early keyboards were not tuned the same way a modern piano is. We then hear Louise Hung perform Gibbons' Fantazia in Four Parts. 

]]> musiciansinordinary false No 2151 63 full Parthenia: Music for Virginals Ep. 3a - Louise Hung - John Bull’s Pavana and Orlando Gibbons’ Galiardo and The Queenes Command Parthenia: Music for Virginals Ep. 3a - Louise Hung - John Bull’s Pavana and Orlando Gibbons’ Galiardo and The Queenes Command https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-3a-louise-hung-john-bull-s-pavana-and-orlando-gibbons-galiardo-and-the-queenes-command/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-3a-louise-hung-john-bull-s-pavana-and-orlando-gibbons-galiardo-and-the-queenes-command/#comments Sun, 16 Jul 2023 09:50:04 -0500 musiciansinordinary.podbean.com/8abfbfca-8947-3cbe-a192-1e32c6c2af11 Louise Hung plays John Bull's Pavana and Orlando Gibbons' Galiardo and The Queenes Command from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> Louise Hung plays John Bull's Pavana and Orlando Gibbons' Galiardo and The Queenes Command from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> musiciansinordinary false No 537 62 full Parthenia: Music for Virginals Ep. 3 - Deanne Williams - John Bull’s Pavan and Orlando Gibbons’ Galiardo and The Queen’s Command Parthenia: Music for Virginals Ep. 3 - Deanne Williams - John Bull’s Pavan and Orlando Gibbons’ Galiardo and The Queen’s Command https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-3-deanne-williams-john-bull-s-pavan-and-orlando-gibbons-galiardo-and-the-queen-s-command/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-3-deanne-williams-john-bull-s-pavan-and-orlando-gibbons-galiardo-and-the-queen-s-command/#comments Sun, 09 Jul 2023 14:49:20 -0500 musiciansinordinary.podbean.com/74e56a46-91df-3f66-a115-0bb40fe23f1a 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to Prof. Deanne Williams about the plays by Shakespeare, Beaumont and Fletcher and others, and masque performances during the run up to the marriage of Frederick, Count Palatine and Elizabeth Stuart. We then hear Louise Hung perform music by Bull and Gibbons from the book. 

]]> 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613 probably as part of the celebrations for a royal wedding. MIO's Artistic Director John Edwards talks to Prof. Deanne Williams about the plays by Shakespeare, Beaumont and Fletcher and others, and masque performances during the run up to the marriage of Frederick, Count Palatine and Elizabeth Stuart. We then hear Louise Hung perform music by Bull and Gibbons from the book. 

]]> musiciansinordinary false No 2137 61 full Parthenia: Music for Virginals Ep. 2a - Louise Hung - William Byrd’s Pavana Earle of Salisbury and Galiardo Secundo Parthenia: Music for Virginals Ep. 2a - Louise Hung - William Byrd’s Pavana Earle of Salisbury and Galiardo Secundo https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-2a-louise-hung-william-byrd-s-pavana-earle-of-salisbury-and-galiardo-secundo/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-2a-louise-hung-william-byrd-s-pavana-earle-of-salisbury-and-galiardo-secundo/#comments Wed, 14 Jun 2023 09:28:11 -0500 musiciansinordinary.podbean.com/0a16ce80-8e11-33cc-8eac-2fc47d3fc25c Louise Hung plays William Byrd's Earl of Salisbury’s Pavan and Galiardo Secundo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> Louise Hung plays William Byrd's Earl of Salisbury’s Pavan and Galiardo Secundo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. 

]]> musiciansinordinary false No 263 60 full Parthenia: Music for Virginals Ep. 2 - Louise Hung and John Edwards on The Earl of Salisbury - William Byrd’s Earl of Salisbury’s Pavan and Galiardo Secundo Parthenia: Music for Virginals Ep. 2 - Louise Hung and John Edwards on The Earl of Salisbury - William Byrd’s Earl of Salisbury’s Pavan and Galiardo Secundo https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-2-louise-hung-and-john-edwards-on-the-earl-of-salisbury-william-byrd-s-earl-of-salisbury-s-pavan-and-galiardo-secundo/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-2-louise-hung-and-john-edwards-on-the-earl-of-salisbury-william-byrd-s-earl-of-salisbury-s-pavan-and-galiardo-secundo/#comments Mon, 12 Jun 2023 14:52:13 -0500 musiciansinordinary.podbean.com/0afe6489-68b2-359f-b8a7-fc7090ac9dd0 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. As the chief counsellor in the last years of Queen Elizabeth I’s reign and the first years of James I’s, Robert Cecil, the Earl of Salisbury was at the centre of a web of political patronage, artistic patronage, and a web of spies that seems to have included musicians. John Edwards and Louise Hung talk about Salisbury’s patronage of the arts, especially the art of music, his musical instrument collection and his collection of musicians. At the end of the chat you’ll hear Louise play William Byrd’s Pavana Earl of Salisbury and Galiardo secundo from Parthenia. Further reading: Patronage, Culture and Power: The Early Cecils ed. Pauline Croft and John Dowland by Diana Poulton.

]]> 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. As the chief counsellor in the last years of Queen Elizabeth I’s reign and the first years of James I’s, Robert Cecil, the Earl of Salisbury was at the centre of a web of political patronage, artistic patronage, and a web of spies that seems to have included musicians. John Edwards and Louise Hung talk about Salisbury’s patronage of the arts, especially the art of music, his musical instrument collection and his collection of musicians. At the end of the chat you’ll hear Louise play William Byrd’s Pavana Earl of Salisbury and Galiardo secundo from Parthenia. Further reading: Patronage, Culture and Power: The Early Cecils ed. Pauline Croft and John Dowland by Diana Poulton.

]]> musiciansinordinary false No 2222 59 full Parthenia: Music for Virginals Ep. 1a - Louise Hung - William Byrd’s Preludium and Galiardo Mrs. Mary Brownlo Parthenia: Music for Virginals Ep. 1a - Louise Hung - William Byrd’s Preludium and Galiardo Mrs. Mary Brownlo https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-1a-louise-hung-william-byrd-s-preludium-and-galiardo-mrs-mary-brownlo/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-1a-louise-hung-william-byrd-s-preludium-and-galiardo-mrs-mary-brownlo/#comments Wed, 07 Jun 2023 15:17:41 -0500 musiciansinordinary.podbean.com/3f405fef-e7f7-3bc2-90a7-e96937c0a39f Louise Hung plays William Byrd's Preludium and Galiardo Mrs. Mary Brownlo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. Virginal made by Matthew Redsell after an instrument by Johannes Perticis in the Royal Ontario Museum. 

]]> Louise Hung plays William Byrd's Preludium and Galiardo Mrs. Mary Brownlo from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. Audio production by Matthew Antal. Virginal made by Matthew Redsell after an instrument by Johannes Perticis in the Royal Ontario Museum. 

]]> musiciansinordinary false No 270 58 full Parthenia: Music for Virginals Ep. 1 - Louise Hung - William Byrd’s Preludium and Galiardo Mrs. Mary Brownlo Parthenia: Music for Virginals Ep. 1 - Louise Hung - William Byrd’s Preludium and Galiardo Mrs. Mary Brownlo https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-1-louise-hung-william-byrd-s-preludium-and-galiardo-mrs-mary-brown/ https://musiciansinordinary.podbean.com/e/parthenia-music-for-virginals-ep-1-louise-hung-william-byrd-s-preludium-and-galiardo-mrs-mary-brown/#comments Fri, 02 Jun 2023 14:02:50 -0500 musiciansinordinary.podbean.com/9f85d24d-6ee1-3dfb-a192-24be726545db 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. MIO's Artistic Director John Edwards talks to harpsichordist Louise Hung about the terminology of plucked string keyboard instruments in the Elizabethan and Jacobean period, how they make their sound, the association of the virginals with young women in our period and the techniques and fingering which they used and which Louise deploys to get the characteristic sprightly articulation in Mary Brownlow’s Galliard and the spectacular passage work in the prelude by Byrd, both of which you’ll hear at the end of our chat. 

]]> 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls (in England at least), composed by three famous masters: William Byrd, Dr. John Bull and Orlando Gibbons' was probably printed in 1613. MIO's Artistic Director John Edwards talks to harpsichordist Louise Hung about the terminology of plucked string keyboard instruments in the Elizabethan and Jacobean period, how they make their sound, the association of the virginals with young women in our period and the techniques and fingering which they used and which Louise deploys to get the characteristic sprightly articulation in Mary Brownlow’s Galliard and the spectacular passage work in the prelude by Byrd, both of which you’ll hear at the end of our chat. 

]]> musiciansinordinary false No 1939 57 full John Milton’s Comus - Interview with Prof. Deanne Williams John Milton’s Comus - Interview with Prof. Deanne Williams https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-prof-deanne-williams/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-prof-deanne-williams/#comments Wed, 16 Feb 2022 15:05:29 -0500 musiciansinordinary.podbean.com/0c9568b9-f6fc-3f9f-a068-1db3ae37615a Deanne Williams is professor in English at York University, a Fellow of the Centre for Renaissance and Reformation Studies and a member of the College of New Scholars, Artists, and Scientists of the Royal Society of Canada. She was dramaturge for our production of Comus, has written extensively on girl performers in the Early Modern Period and dedicates a chapter to Milton’s character of The Lady in her book Shakespeare and the Performance of Girlhood published by Palgrave. In this episode she discusses what she learned about Milton, Comus, The Lady and the Brothers in preparing our performance.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> Deanne Williams is professor in English at York University, a Fellow of the Centre for Renaissance and Reformation Studies and a member of the College of New Scholars, Artists, and Scientists of the Royal Society of Canada. She was dramaturge for our production of Comus, has written extensively on girl performers in the Early Modern Period and dedicates a chapter to Milton’s character of The Lady in her book Shakespeare and the Performance of Girlhood published by Palgrave. In this episode she discusses what she learned about Milton, Comus, The Lady and the Brothers in preparing our performance.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 988 56 full John Milton’s Comus - Interview with John Edwards on the music of Comus - Pt. 2 John Milton’s Comus - Interview with John Edwards on the music of Comus - Pt. 2 https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-john-edwards-on-the-music-of-comus-pt-2/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-john-edwards-on-the-music-of-comus-pt-2/#comments Wed, 09 Feb 2022 16:24:22 -0500 musiciansinordinary.podbean.com/49ad7b49-5be7-3803-8464-6439f12cd686 Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the dance music of masques in general, and the dances of William Lawes which we used in our production.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the dance music of masques in general, and the dances of William Lawes which we used in our production.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 886 55 full John Milton’s Comus - Interview with John Edwards on the music of Comus - Pt. 1 John Milton’s Comus - Interview with John Edwards on the music of Comus - Pt. 1 https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-john-edwards-on-the-music-of-comus/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-john-edwards-on-the-music-of-comus/#comments Wed, 02 Feb 2022 16:23:42 -0500 musiciansinordinary.podbean.com/0c512056-4b6e-37ba-8d11-9e67bf1d41c5 Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the original songs by Henry Lawes.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the original songs by Henry Lawes.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 1183 54 full John Milton’s Comus - Interview with actor Bethany Jillard John Milton’s Comus - Interview with actor Bethany Jillard https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-director-bethany-jillard/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-director-bethany-jillard/#comments Wed, 26 Jan 2022 16:25:46 -0500 musiciansinordinary.podbean.com/4a7cf124-8474-3a35-ad8a-72ad41bc37c7 Actor Bethany Jillard chats about  playing the part of The Lady, a role first played by Alice Egerton, the teenaged daughter of  the Earl of Bridgewater, and the similarities and differences between preparing for this role from John Milton's Comus and her experience playing Shakespeare’s women.  Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist. As a company member with the Stratford Festival in Canada for five seasons, Bethany’s credits include A Midsummer Night’s Dream, The Beaux’ Stratagem, Othello, The Three Musketeers, Henry V, Much Ado About Nothing, Richard III, The Little Years, Dangerous Liaisons and Peter Pan. Regional credits include Othello (Chicago Shakespeare Theater); The Seagull, After Miss Julie and the world premiere of Gone with the Wind (Royal Manitoba Theatre Centre); How It Works, The Little Years and Cake and Dirt (Tarragon Theatre); My Name Is Rachel Corrie (Theatre PANIK); A Man of No Importance (Acting Up Stage Company); That Face (Canadian Stage Company/Nightwood Theatre) and Tough! (Factory Theatre). Her film and television credits include If I Were You with Marcia Gay Harden (Paragraph Pictures), Murdoch Mysteries (Shaftesbury Films), Bloodletting & Miraculous Cures (The Movie Network), Rookie Blue (ABC) and I Love You ... But I Lied (Lifetime). She is a graduate of the University of Toronto and The Birmingham Conservatory for classical theatre training. Ms. Jillard moonlights as a singer in the band Notes from Underground alongside her husband, Aaron, who is her rock, her inspiration and her joy.

]]> Actor Bethany Jillard chats about  playing the part of The Lady, a role first played by Alice Egerton, the teenaged daughter of  the Earl of Bridgewater, and the similarities and differences between preparing for this role from John Milton's Comus and her experience playing Shakespeare’s women. 
Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.
As a company member with the Stratford Festival in Canada for five seasons, Bethany’s credits include A Midsummer Night’s Dream, The Beaux’ Stratagem, Othello, The Three Musketeers, Henry V, Much Ado About Nothing, Richard III, The Little Years, Dangerous Liaisons and Peter Pan. Regional credits include Othello (Chicago Shakespeare Theater); The Seagull, After Miss Julie and the world premiere of Gone with the Wind (Royal Manitoba Theatre Centre); How It Works, The Little Years and Cake and Dirt (Tarragon Theatre); My Name Is Rachel Corrie (Theatre PANIK); A Man of No Importance (Acting Up Stage Company); That Face (Canadian Stage Company/Nightwood Theatre) and Tough! (Factory Theatre). Her film and television credits include If I Were You with Marcia Gay Harden (Paragraph Pictures), Murdoch Mysteries (Shaftesbury Films), Bloodletting & Miraculous Cures (The Movie Network), Rookie Blue (ABC) and I Love You ... But I Lied (Lifetime). She is a graduate of the University of Toronto and The Birmingham Conservatory for classical theatre training. Ms. Jillard moonlights as a singer in the band Notes from Underground alongside her husband, Aaron, who is her rock, her inspiration and her joy.

]]> musiciansinordinary false No 1394 53 full John Milton’s Comus - Interview with director Heather Davies John Milton’s Comus - Interview with director Heather Davies https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-director-heather-davies/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-interview-with-director-heather-davies/#comments Wed, 19 Jan 2022 15:09:30 -0500 musiciansinordinary.podbean.com/740c7aff-8c16-39b4-a5e0-f7da6b3cd147 Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

Heather Davies was born in Winnipeg, Manitoba and grew up in Toronto, Ontario. She’s trained as a dancer, singer, actor and musician and has worked professionally since her teens. Heather moved to the UK to continue her actor training; she lived and worked in theatre there for 18 years. In 2001 she began focusing on directing full-time when she joined the Royal Shakespeare Company as a resident director, working there for nearly three years. She returned to Canada in 2007 to attend the MFA- Theatre program at York University, graduating in April 2009. From September 2009 to February 2011 she was the Artistic Associate at The Grand Theatre in London Ontario. She continues to enjoy directing, writing, teaching and adapting in the UK and across Canada.

In 2017 Heather became the first Artistic Director of The Ryga Festival, (inspired by renowned Canadian writer, George Ryga) in Summerland, BC and directing Colours in the Storm at the Grand Theatre in London, Ontario. In 2018, as well as returning to Summerland, Heather’s stage adaptation, Judith: memories of a Lady Pig Farmer, (based on the original novel, Judith, by Alberta writer Ardith Van Herk), will premiere at the Blyth Festival. Other projects in development include Silverfish (an original play about economic migration) and the stage adaptation of Night Desk, (novel by George Ryga).

]]> Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

Heather Davies was born in Winnipeg, Manitoba and grew up in Toronto, Ontario. She’s trained as a dancer, singer, actor and musician and has worked professionally since her teens. Heather moved to the UK to continue her actor training; she lived and worked in theatre there for 18 years. In 2001 she began focusing on directing full-time when she joined the Royal Shakespeare Company as a resident director, working there for nearly three years. She returned to Canada in 2007 to attend the MFA- Theatre program at York University, graduating in April 2009. From September 2009 to February 2011 she was the Artistic Associate at The Grand Theatre in London Ontario. She continues to enjoy directing, writing, teaching and adapting in the UK and across Canada.

In 2017 Heather became the first Artistic Director of The Ryga Festival, (inspired by renowned Canadian writer, George Ryga) in Summerland, BC and directing Colours in the Storm at the Grand Theatre in London, Ontario. In 2018, as well as returning to Summerland, Heather’s stage adaptation, Judith: memories of a Lady Pig Farmer, (based on the original novel, Judith, by Alberta writer Ardith Van Herk), will premiere at the Blyth Festival. Other projects in development include Silverfish (an original play about economic migration) and the stage adaptation of Night Desk, (novel by George Ryga).

]]> musiciansinordinary false No 1335 52 full Music for Comus - Saraband in F from Royal Consorts Set 9 by William Lawes Music for Comus - Saraband in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-saraband-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-saraband-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 12 Jan 2022 17:40:10 -0500 musiciansinordinary.podbean.com/f716c829-f4d7-3c71-b2dd-01e95527ba44 The second Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The saraband was a fast vigourous dance when first introduced to the dance suite from the guitar repertoire. We used the Set in F for the dances of the Egerton children in our performance of John Milton's masque Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The second Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The saraband was a fast vigourous dance when first introduced to the dance suite from the guitar repertoire. We used the Set in F for the dances of the Egerton children in our performance of John Milton's masque Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 34 51 full Music for Comus - Corant 2 in F from Royal Consorts Set 9 by William Lawes Music for Comus - Corant 2 in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-corant-1-in-f-from-royal-consorts-set-9-by-william-lawes-1641401258/ https://musiciansinordinary.podbean.com/e/music-for-comus-corant-1-in-f-from-royal-consorts-set-9-by-william-lawes-1641401258/#comments Wed, 05 Jan 2022 11:47:38 -0500 musiciansinordinary.podbean.com/02b89c04-d12a-38f8-a711-b029691c8ade The second Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


Another Corant from the suite we used for the dances of the Egerton children in our performance of John Milton's masque Comus.


Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The second Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


Another Corant from the suite we used for the dances of the Egerton children in our performance of John Milton's masque Comus.


Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 80 50 full Music for Comus - Alman 3 in F from Royal Consorts Set 9 by William Lawes Music for Comus - Alman 3 in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-alman-3-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-alman-3-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 29 Dec 2021 17:46:04 -0500 musiciansinordinary.podbean.com/073fcece-cc29-36b4-bb06-8563aafb9dd6 The third Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


We used Lawes' Royal Consort Set 9, a dance suite heavy in Almans, the favourite dance of court masque, as the dances for the Egerton children for our performance of John Milton's domestic masque Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The third Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


We used Lawes' Royal Consort Set 9, a dance suite heavy in Almans, the favourite dance of court masque, as the dances for the Egerton children for our performance of John Milton's domestic masque Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 94 49 full Music for Comus - Corant 1 in F from Royal Consorts Set 9 by William Lawes Music for Comus - Corant 1 in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-corant-1-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-corant-1-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 22 Dec 2021 16:26:16 -0500 musiciansinordinary.podbean.com/e6472311-c119-32b4-afc7-f30ce4d83d8e The first Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. An Alman type dance is usually followed by a faster triple time dance in Jacobean court masques. By Lawes’ time the French influence of the courante can be heard in such dances.


Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The first Corant in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 



We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. An Alman type dance is usually followed by a faster triple time dance in Jacobean court masques. By Lawes’ time the French influence of the courante can be heard in such dances.



Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 67 48 full Music for Comus - Alman 2 in F from Royal Consorts Set 9 by William Lawes Music for Comus - Alman 2 in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-alman-2-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-alman-2-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 15 Dec 2021 21:05:44 -0500 musiciansinordinary.podbean.com/734d14bc-b331-3920-954f-41d93622eec2 The second Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. The Alman or Allemande was the staple dance for Stuart court masques.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The second Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 


We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. The Alman or Allemande was the staple dance for Stuart court masques.


Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 107 47 full Music for Comus - Alman 1 in F from Royal Consorts Set 9 by William Lawes Music for Comus - Alman 1 in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-alman-1-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-alman-1-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 08 Dec 2021 14:56:21 -0500 musiciansinordinary.podbean.com/0a56b2c4-63a1-3f7a-83a6-5d2297996716 The first Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. The Alman or Allemande was the staple dance for Stuart court masques. This alman is labelled 'Aire' in some sources.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> The first Alman in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

We used Lawes' Royal Consort Set 9 as the dances for the Egerton children  for our performance of John Milton's masque Comus. The Alman or Allemande was the staple dance for Stuart court masques. This alman is labelled 'Aire' in some sources.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

]]> musiciansinordinary false No 126 46 full Music for Comus - Pavan in F from Royal Consorts Set 9 by William Lawes Music for Comus - Pavan in F from Royal Consorts Set 9 by William Lawes https://musiciansinordinary.podbean.com/e/music-for-comus-pavan-in-f-from-royal-consorts-set-9-by-william-lawes/ https://musiciansinordinary.podbean.com/e/music-for-comus-pavan-in-f-from-royal-consorts-set-9-by-william-lawes/#comments Wed, 01 Dec 2021 07:20:27 -0500 musiciansinordinary.podbean.com/aac138f7-74ed-3dd8-b5c7-32cde044ec33 A Pavan in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The stately Pavan was used as an entrance dance in the 16th and 17th century and we used this as an 'overture' for our performance of John Milton's Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist. 

]]> A Pavan in F from Royal Consorts Set 9 by by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The stately Pavan was used as an entrance dance in the 16th and 17th century and we used this as an 'overture' for our performance of John Milton's Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist. 

]]> musiciansinordinary false No 339 45 full Music for Comus - Two Morris Dances by William Lawes Music for Comus - Two Morris Dances by William Lawes https://musiciansinordinary.podbean.com/e/two-morris-dances-by-william-lawes/ https://musiciansinordinary.podbean.com/e/two-morris-dances-by-william-lawes/#comments Wed, 24 Nov 2021 11:51:15 -0500 musiciansinordinary.podbean.com/3a31cd9f-90b0-308b-9f13-6146f47b100f Two Morris Dances from William Lawes' Royal Consorts (Sets No. 5 & 6 in D maj.) that we used for the 'Country Dances &c' in our performance of John Milton's Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist. 

The Musicians In Ordinary string band is led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

]]> Two Morris Dances from William Lawes' Royal Consorts (Sets No. 5 & 6 in D maj.) that we used for the 'Country Dances &c' in our performance of John Milton's Comus.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist. 

The Musicians In Ordinary string band is led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

]]> musiciansinordinary false No 80 44 full Music for Comus - Antic and Corant by William Lawes Music for Comus - Antic and Corant by William Lawes https://musiciansinordinary.podbean.com/e/antic-and-corant-by-william-lawes/ https://musiciansinordinary.podbean.com/e/antic-and-corant-by-william-lawes/#comments Thu, 18 Nov 2021 12:45:49 -0500 musiciansinordinary.podbean.com/7a2826f4-9a54-3099-bf11-c27af538fb1a The Antic dances of a masque were performed by professional dancers using preposterous gestures in the guise of some sort of subhuman species such as witches, apes or, in the case of John Milton's Comus, the entourage of the god of revelry 'a rout of monsters like men and women but headed like wild beasts their apparel glistering'.

An orphaned piece labelled 'Antic' by William Lawes (1602-1645) exists in a manuscript in two parts, treble and bass - here it is played with inner parts for 2nd violin and bass viol by Christopher Verrette. You will then hear a corant from Lawes' Royal Consort Set No. 5 in D maj. which has held notes in all parts at the beginning calling to mind The Witches' Dance from Macbeth and the Masque of Queens by Robert Johnson of the previous generation of masque music. The Musicians In Ordinary string band is led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

]]> The Antic dances of a masque were performed by professional dancers using preposterous gestures in the guise of some sort of subhuman species such as witches, apes or, in the case of John Milton's Comus, the entourage of the god of revelry 'a rout of monsters like men and women but headed like wild beasts their apparel glistering'.

An orphaned piece labelled 'Antic' by William Lawes (1602-1645) exists in a manuscript in two parts, treble and bass - here it is played with inner parts for 2nd violin and bass viol by Christopher Verrette. You will then hear a corant from Lawes' Royal Consort Set No. 5 in D maj. which has held notes in all parts at the beginning calling to mind The Witches' Dance from Macbeth and the Masque of Queens by Robert Johnson of the previous generation of masque music. The Musicians In Ordinary string band is led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

]]> musiciansinordinary false No 145 43 full Music for Comus - Pavan in d minor by William Lawes Music for Comus - Pavan in d minor by William Lawes https://musiciansinordinary.podbean.com/e/pavan-in-d-minor-by-william-lawes-the-musicians-in-ordinary-string-band/ https://musiciansinordinary.podbean.com/e/pavan-in-d-minor-by-william-lawes-the-musicians-in-ordinary-string-band/#comments Tue, 09 Nov 2021 17:10:05 -0500 musiciansinordinary.podbean.com/8c3b6638-c641-3976-ae52-e35ab08f52ba A Pavan by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

This pavan quotes John Dowland's 'Lachrimae' theme, which had become a musical emblem for melancholy, at the beginning and alludes to Dowland's earlier pavan throughout. Check back to our 'Board Lutebook' episodes to hear a performance of Dowland's lute model. 

Lawes' piece exists in a version in c minor for viols and organ. 

]]> A Pavan by William Lawes (1602-1645) is played by The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

This pavan quotes John Dowland's 'Lachrimae' theme, which had become a musical emblem for melancholy, at the beginning and alludes to Dowland's earlier pavan throughout. Check back to our 'Board Lutebook' episodes to hear a performance of Dowland's lute model. 

Lawes' piece exists in a version in c minor for viols and organ. 

]]> musiciansinordinary false No 334 42 full John Milton‘s Comus with music by Henry and William Lawes - Part 2 John Milton‘s Comus with music by Henry and William Lawes - Part 2 https://musiciansinordinary.podbean.com/e/john-milton-s-comus-with-music-by-henry-and-william-lawes-part-2/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-with-music-by-henry-and-william-lawes-part-2/#comments Thu, 28 Oct 2021 12:05:46 -0500 musiciansinordinary.podbean.com/55d03fcc-4a7e-365d-bd08-559f114bf028 John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul Hopkins - Comus, Bethany Jillard - The Lady, Tracy Ryan - Elder Brother, Beryl Bain - Second Brother, and Tahirih Vejdani - Sabrina, with The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

(Sc. 1) The scene changes to a stately palace set out with all manner of deliciousness, soft music, tables spread with all dainties. Comus appears with his rabble, and the Lady set in an enchanted chair, to whom he offers his glass; which she puts by, and goes about to rise. 

(Sc.2) The scene changes, then is presented Ludlow town and the President's castle, then come in country dances, and the like etc. Towards the end of these sports the Dæmon with the 2 brothers and the Lady come in. 

]]> John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul Hopkins - Comus, Bethany Jillard - The Lady, Tracy Ryan - Elder Brother, Beryl Bain - Second Brother, and Tahirih Vejdani - Sabrina, with The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

(Sc. 1) The scene changes to a stately palace set out with all manner of deliciousness, soft music, tables spread with all dainties. Comus appears with his rabble, and the Lady set in an enchanted chair, to whom he offers his glass; which she puts by, and goes about to rise. 

(Sc.2) The scene changes, then is presented Ludlow town and the President's castle, then come in country dances, and the like etc. Towards the end of these sports the Dæmon with the 2 brothers and the Lady come in. 

]]> musiciansinordinary false No 2062 41 full John Milton‘s Comus with music by Henry and William Lawes - Part 1 John Milton‘s Comus with music by Henry and William Lawes - Part 1 https://musiciansinordinary.podbean.com/e/john-milton-s-comus-with-music-by-henry-and-william-lawes-part-1/ https://musiciansinordinary.podbean.com/e/john-milton-s-comus-with-music-by-henry-and-william-lawes-part-1/#comments Thu, 28 Oct 2021 11:54:35 -0500 musiciansinordinary.podbean.com/1d959cfa-d378-35e9-809a-597544a2b438 John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul Hopkins - Comus, Bethany Jillard - The Lady, Tracy Ryan - Elder Brother, Beryl Bain - Second Brother and Tahirih Vejdani - Sabrina, with The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The first scene discovers a wild wood. Then a guardian spirit or Dæmon descends or enters. 

]]> John Milton's Comus (Bridgewater manuscript version), with the original songs set by Henry Lawes and dance music by William Lawes, directed by Heather Davies, performed by Roger Honeywell - Attendant Spirit, Paul Hopkins - Comus, Bethany Jillard - The Lady, Tracy Ryan - Elder Brother, Beryl Bain - Second Brother and Tahirih Vejdani - Sabrina, with The Musicians In Ordinary string band led by Christopher Verrette, 1st vln. with Patricia Ahern, 2nd vln. Felix Deak and Laura Jones, violas da gamba and John Edwards, theorbo. 

The first scene discovers a wild wood. Then a guardian spirit or Dæmon descends or enters. 

]]> musiciansinordinary false No 2794 40 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 8b - Dump Philli Pleasure Might Make Her Read - Poems and Music for the Sidneys 8b - Dump Philli https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-8b-dump-philli/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-8b-dump-philli/#comments Sat, 12 Dec 2020 14:42:48 -0500 musiciansinordinary.podbean.com/cbf6716a-7225-3bde-a438-3a0d50c15fd3 Lutenist John Edwards plays Dump Philli from the Marsh Lutebook. Pieces called 'Dump' are often memorial pieces and are often built on ground basses of as few as two notes, as is this one. In a much earlier, and much shorter version this piece is titled 'Arthur's Dump' and it has been suggested that this is a memorial piece for court lutenist Arthur Dewes by his colleague Philip van Wilder. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays Dump Philli from the Marsh Lutebook. Pieces called 'Dump' are often memorial pieces and are often built on ground basses of as few as two notes, as is this one. In a much earlier, and much shorter version this piece is titled 'Arthur's Dump' and it has been suggested that this is a memorial piece for court lutenist Arthur Dewes by his colleague Philip van Wilder. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 406 39 full Pleasure Might Make Her Read 8a - Poems and Music for the Sidneys - With how sad steps, o Moone from Astrophel and Stella Pleasure Might Make Her Read 8a - Poems and Music for the Sidneys - With how sad steps, o Moone from Astrophel and Stella https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-8a-poems-and-music-for-the-sidneys-with-how-sad-steps-o-moone-from-astrophel-and-stella/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-8a-poems-and-music-for-the-sidneys-with-how-sad-steps-o-moone-from-astrophel-and-stella/#comments Sat, 12 Dec 2020 14:35:03 -0500 musiciansinordinary.podbean.com/054b7c1b-b5f9-36f2-af89-f17b570fbd78 Tracy Ryan reads 'With how sad steps, O Moon, Sonnet 31 from Sir Philip Sidney's Astrophel and Stella, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.

]]> Tracy Ryan reads 'With how sad steps, O Moon, Sonnet 31 from Sir Philip Sidney's Astrophel and Stella, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.

]]> musiciansinordinary false No 55 38 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 7b - The Countess of Pembrokes Funerals Pleasure Might Make Her Read - Poems and Music for the Sidneys 7b - The Countess of Pembrokes Funerals https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-7b-the-countess-of-pembrokes-funerals/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-7b-the-countess-of-pembrokes-funerals/#comments Sat, 05 Dec 2020 20:30:11 -0500 musiciansinordinary.podbean.com/fb10e032-6cd0-368a-97f3-d8c6b24b6a30 Lutenist John Edwards plays Anthony Holborne's sombre pavan 'The Countiss of pembruth fineralle' as it is called in Jane Pickeringe's Lutebook, from which this highly decorated version is taken. The Countess of Pembroke is Lady Mary Sidney, whose father and brother died the same year. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays Anthony Holborne's sombre pavan 'The Countiss of pembruth fineralle' as it is called in Jane Pickeringe's Lutebook, from which this highly decorated version is taken. The Countess of Pembroke is Lady Mary Sidney, whose father and brother died the same year. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 333 37 full Pleasure Might Make Her Read Poems and Music for the Sidneys 7a - The Dolefull Lay of Clorinda by Lady Mary Sidney, Countess of Pembroke Pleasure Might Make Her Read Poems and Music for the Sidneys 7a - The Dolefull Lay of Clorinda by Lady Mary Sidney, Countess of Pembroke https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-7a-the-dolefull-lay-of-clorinda-by-lady-mary-sidney-countess-of-pembroke/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-7a-the-dolefull-lay-of-clorinda-by-lady-mary-sidney-countess-of-pembroke/#comments Sat, 05 Dec 2020 20:23:51 -0500 musiciansinordinary.podbean.com/d7541c24-5f1c-31de-bf15-82dcf1e513b6 Tracy Ryan reads part of a lament by Lady Mary Sidney, on the death of her brother Sir Philip Sidney, author of Astrophel and Stella and The Countess of Pembroke’s Arcadia, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.

]]> Tracy Ryan reads part of a lament by Lady Mary Sidney, on the death of her brother Sir Philip Sidney, author of Astrophel and Stella and The Countess of Pembroke’s Arcadia, in original pronunciation of the time of Shakespeare and Sidney. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. Pronunciation prepared by Hallie Fishel.

]]> musiciansinordinary false No 207 36 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 6b - Sir Phillip Sidneys Lamentacion by Anon. Pleasure Might Make Her Read - Poems and Music for the Sidneys 6b - Sir Phillip Sidneys Lamentacion by Anon. https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-6b-sir-phillip-sidneys-lamentacion-by-anon/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-6b-sir-phillip-sidneys-lamentacion-by-anon/#comments Sat, 28 Nov 2020 17:04:22 -0500 musiciansinordinary.podbean.com/6a367429-12c7-30df-a3ae-cd07fe293acd Lutenist John Edwards plays Sir Phillip Sidneys Lamentacion from Matthew Holmes' Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays Sir Phillip Sidneys Lamentacion from Matthew Holmes' Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 94 35 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 6a - A Description of the Battle of Zutphen from John Stow's Annals of England pt. 2 Pleasure Might Make Her Read - Poems and Music for the Sidneys 6a - A Description of the Battle of Zutphen from John Stow's Annals of England pt. 2 https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-6a-a-description-of-the-battle-of-zutphen-from-john-stows-annals-of-england-pt-2/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-6a-a-description-of-the-battle-of-zutphen-from-john-stows-annals-of-england-pt-2/#comments Sat, 28 Nov 2020 17:00:02 -0500 musiciansinordinary.podbean.com/d5f7fa3b-86e6-3679-adfe-4f120df2b49e Tracy Ryan reads a description of the death of Phillip Sidney at Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603 in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Tracy Ryan reads a description of the death of Phillip Sidney at Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603 in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 69 34 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 5b - The Battell Galyerd by John Dowland Pleasure Might Make Her Read - Poems and Music for the Sidneys 5b - The Battell Galyerd by John Dowland https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-5b-the-battell-galyerd-by-john-dowland/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-5b-the-battell-galyerd-by-john-dowland/#comments Sat, 21 Nov 2020 18:38:39 -0500 musiciansinordinary.podbean.com/19c783a3-ef38-3200-80a6-1cf868b17a77 Lutenist John Edwards plays John Dowland's The Battell Galyerd, also known as The King of Denmark's Galliard, in a version from Jane Pickeringe's Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays John Dowland's The Battell Galyerd, also known as The King of Denmark's Galliard, in a version from Jane Pickeringe's Lute Book. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 203 33 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 5a - A Description of the Battle of Zutphen from John Stow's Annals of England pt. 1 Pleasure Might Make Her Read - Poems and Music for the Sidneys 5a - A Description of the Battle of Zutphen from John Stow's Annals of England pt. 1 https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-5a-a-description-of-the-battle-of-zutphen-from-john-stows-annals-of-england-pt-1/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-poems-and-music-for-the-sidneys-5a-a-description-of-the-battle-of-zutphen-from-john-stows-annals-of-england-pt-1/#comments Sat, 21 Nov 2020 18:31:19 -0500 musiciansinordinary.podbean.com/cb2305ef-ad91-3c5b-b92b-e2a7c24b3bd6 Tracy Ryan reads a description of the Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603  in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Tracy Ryan reads a description of the Battle of Zutphen from Elizabethan historian John Stow's The Annals of England to 1603  in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 140 32 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 4b - The Lord Viscount Lisle His Galliard by John Dowland Pleasure Might Make Her Read - Poems and Music for the Sidneys 4b - The Lord Viscount Lisle His Galliard by John Dowland https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-4b-the-lord-viscount-lisle-his-galliard-by-john-dowland/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-4b-the-lord-viscount-lisle-his-galliard-by-john-dowland/#comments Sat, 14 Nov 2020 17:12:39 -0500 musiciansinordinary.podbean.com/a45c09c3-d56d-3999-9008-5de3b746d1e3 Lutenist John Edwards plays The Right Honourable the Lord Viscount Lisle his Galliard composed by John Dowland, based on Orlando di Lasso's Susanne un jour. Viscount Lisle is Robert Sidney, younger brother to Sir Philip and  Mary Sidney, the Countess of Pembroke. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays The Right Honourable the Lord Viscount Lisle his Galliard composed by John Dowland, based on Orlando di Lasso's Susanne un jour. Viscount Lisle is Robert Sidney, younger brother to Sir Philip and  Mary Sidney, the Countess of Pembroke. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 170 31 full Pleasure Might Make Her Read - Poems and Music for the Sidneys 4a - Forsaken Woods by Robert Sidney, Viscount Lisle Pleasure Might Make Her Read - Poems and Music for the Sidneys 4a - Forsaken Woods by Robert Sidney, Viscount Lisle https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-4a-forsaken-woods-by-robert-sidney-viscount-lisle/ https://musiciansinordinary.podbean.com/e/pleasure-might-make-her-read-4a-forsaken-woods-by-robert-sidney-viscount-lisle/#comments Sat, 14 Nov 2020 17:01:05 -0500 musiciansinordinary.podbean.com/a36f0a75-6252-3268-b4ad-85d44c8c8692 Tracy Ryan reads a sonnet by Robert Sidney, the Viscount Lisle, found in manuscript, in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Tracy Ryan reads a sonnet by Robert Sidney, the Viscount Lisle, found in manuscript, in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 66 30 full Pleasure Might Cause Her Read - Poems and Music for the Sidneys 3b - The Woods so Wilde by William Byrd Pleasure Might Cause Her Read - Poems and Music for the Sidneys 3b - The Woods so Wilde by William Byrd https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-3b-the-woods-so-wilde-by-william-byrd/ https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-3b-the-woods-so-wilde-by-william-byrd/#comments Sat, 07 Nov 2020 17:06:46 -0500 musiciansinordinary.podbean.com/fbec1e32-e73b-386c-9f0d-cfdfa7a8f450 Lutenist John Edwards plays William Byrd's setting of Will you Walk the Woods So Wild  anonymously arranged for the lute. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Lutenist John Edwards plays William Byrd's setting of Will you Walk the Woods So Wild  anonymously arranged for the lute. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 362 29 full Pleasure Might Cause Her Read - Poems and Music for the Sidneys 3a - O sweet woodes from The Countess of Pembrokes Arcadia Pleasure Might Cause Her Read - Poems and Music for the Sidneys 3a - O sweet woodes from The Countess of Pembrokes Arcadia https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-3a-o-sweet-woodes-from-the-countess-of-pembrokes-arcadia/ https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-3a-o-sweet-woodes-from-the-countess-of-pembrokes-arcadia/#comments Sat, 07 Nov 2020 17:02:57 -0500 musiciansinordinary.podbean.com/9ce02d54-7da2-34d6-a1f2-094f1cf917bb Tracy Ryan reads a poem from Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. 

]]> Tracy Ryan reads a poem from Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation. 

]]> musiciansinordinary false No 174 28 full Pleasure Might Cause Her Read - Poems and Music for the Sidneys 2 - From The Countess of Pembrokes Arcadia, As I my little flocke on Ister banke - The Countess of Pembrookes Paradice by Holborne Pleasure Might Cause Her Read - Poems and Music for the Sidneys 2 - From The Countess of Pembrokes Arcadia, As I my little flocke on Ister banke - The Countess of Pembrookes Paradice by Holborne https://musiciansinordinary.podbean.com/e/pleasure-mightcauseherreadpoems-and-music-for-thesidneys-2from-the-countessof-pembrokes-arcadia-asi-mylittle-flockeon-ister-bankethecountessof-pembroo/ https://musiciansinordinary.podbean.com/e/pleasure-mightcauseherreadpoems-and-music-for-thesidneys-2from-the-countessof-pembrokes-arcadia-asi-mylittle-flockeon-ister-bankethecountessof-pembroo/#comments Sat, 31 Oct 2020 16:46:41 -0500 musiciansinordinary.podbean.com/637b20d0-3fea-3158-8186-4d1f831af81a Actor Tracy Ryan reads and excerpt from the First Eclogues Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Countess of Pembroke's Paradise by Anthony Holborne. The Countess of Pembroke was Mary Sidney Herbert, the sister of Philip. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Actor Tracy Ryan reads and excerpt from the First Eclogues Sir Philip Sidney's romance The Countesss of Pembrokes Arcadia in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Countess of Pembroke's Paradise by Anthony Holborne. The Countess of Pembroke was Mary Sidney Herbert, the sister of Philip. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 360 27 full Pleasure Might Cause Her Read - Poems and Music for the Sidneys 1 - Astrophel and Stella 1, Loving in truth - The Right Honourable the Lady Rich, her Galliard by Dowland Pleasure Might Cause Her Read - Poems and Music for the Sidneys 1 - Astrophel and Stella 1, Loving in truth - The Right Honourable the Lady Rich, her Galliard by Dowland https://musiciansinordinary.podbean.com/e/pleasure-mightcauseherreadpoems-and-music-for-thesidneys-1astrophel-and-stella-1loving-in-truththe-righthonourabletheladyrichhergalliard-by-dowland/ https://musiciansinordinary.podbean.com/e/pleasure-mightcauseherreadpoems-and-music-for-thesidneys-1astrophel-and-stella-1loving-in-truththe-righthonourabletheladyrichhergalliard-by-dowland/#comments Sat, 24 Oct 2020 14:46:19 -0500 musiciansinordinary.podbean.com/290a3d38-7412-3148-95a8-d3f71e8c8301 Actor Tracy Ryan reads the first poem from Sir Philip Sidney's sonnet cycle Astrophel and Stella in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Right Honourable the Lady Rich, her Galliard by John Dowland. Lady Rich is Penelope Devereux, the 'Stella' of Sidney's poems who never requited the love expressed therein. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Actor Tracy Ryan reads the first poem from Sir Philip Sidney's sonnet cycle Astrophel and Stella in original pronunciation from the time of Sidney and Shakespeare. Lutenist John Edwards plays The Right Honourable the Lady Rich, her Galliard by John Dowland. Lady Rich is Penelope Devereux, the 'Stella' of Sidney's poems who never requited the love expressed therein. Pronunciation prepared by Hallie Fishel. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 183 26 full Pleasure Might Cause Her Read - Poems and Music for the Sidneys - Introduction Pleasure Might Cause Her Read - Poems and Music for the Sidneys - Introduction https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-introduction/ https://musiciansinordinary.podbean.com/e/pleasure-might-cause-her-read-poems-and-music-for-the-sidneys-introduction/#comments Sat, 17 Oct 2020 17:19:14 -0500 musiciansinordinary.podbean.com/cd67a1da-59b7-3d97-87a2-4e5cd179eaa6 Professor Deanne Williams talks to John Edwards about Philip, Mary and Robert Sidney and their contribution to literature as inspirers and innovators, practitioners and patrons in the Elizabethan and Jacobean period. This episode is an introduction to a new series of readings, prepared in texts in original pronunciation by Hallie Fishel, read by Tracy Ryan, by and about the Sidneys as well as lute pieces dedicated to them, and programmatic of their lives. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> Professor Deanne Williams talks to John Edwards about Philip, Mary and Robert Sidney and their contribution to literature as inspirers and innovators, practitioners and patrons in the Elizabethan and Jacobean period. This episode is an introduction to a new series of readings, prepared in texts in original pronunciation by Hallie Fishel, read by Tracy Ryan, by and about the Sidneys as well as lute pieces dedicated to them, and programmatic of their lives. These podcasts are supported by the Social Sciences and Humanities Research Council of Canada and the Spem in Alium Fund of the Toronto Foundation.

]]> musiciansinordinary false No 1901 25 full John Come Kiss Me Now and Johnny Cock Thy Beaver from The Division Violin John Come Kiss Me Now and Johnny Cock Thy Beaver from The Division Violin https://musiciansinordinary.podbean.com/e/john-come-kiss-me-now-and-johnny-cock-thy-beaver-from-the-division-violin/ https://musiciansinordinary.podbean.com/e/john-come-kiss-me-now-and-johnny-cock-thy-beaver-from-the-division-violin/#comments Tue, 31 Mar 2020 15:59:32 -0500 musiciansinordinary.podbean.com/a8046d11-4017-5adf-bf2f-de8099ea980a Christopher Verrette, violin, plays divisions by Davis Mell on John Come Kiss Me Now and anonymous divisions on Johnny Cock Thy Beaver from Playford's The Division Violin accompanied by The Musicians In Ordinary Renaissance Violin Band: Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin and John Edwards, lute. 

]]> Christopher Verrette, violin, plays divisions by Davis Mell on John Come Kiss Me Now and anonymous divisions on Johnny Cock Thy Beaver from Playford's The Division Violin accompanied by The Musicians In Ordinary Renaissance Violin Band: Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin and John Edwards, lute. 

]]> musiciansinordinary false No 237 24 full Masque and Theatre Podcasts-Deanne Williams-John Come Kiss Me Now-Johnny Cock Thy Beaver Masque and Theatre Podcasts-Deanne Williams-John Come Kiss Me Now-Johnny Cock Thy Beaver https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-deanne-williams-john-come-kiss-me-now-johnny-cock-thy-beaver/ https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-deanne-williams-john-come-kiss-me-now-johnny-cock-thy-beaver/#comments Fri, 27 Mar 2020 18:12:44 -0500 musiciansinordinary.podbean.com/c3127120-b0ed-53e0-8a56-d2577db233e8 Deanne Williams and John Edwards discuss John Milton's Comus, The Lady, Alice Egerton, her experience and her exemplars as a performer. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Davis Mell's divisions on John Come Kiss Me Now and the anonymous Johnny Cock Thy Beaver. 

]]> Deanne Williams and John Edwards discuss John Milton's Comus, The Lady, Alice Egerton, her experience and her exemplars as a performer. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Davis Mell's divisions on John Come Kiss Me Now and the anonymous Johnny Cock Thy Beaver. 

]]> musiciansinordinary false No 1633 23 full Antiq Masque-First Witches' Dance-Second Witches' Dance Antiq Masque-First Witches' Dance-Second Witches' Dance https://musiciansinordinary.podbean.com/e/antiq-masque-first-witches-dance-second-witches-dance/ https://musiciansinordinary.podbean.com/e/antiq-masque-first-witches-dance-second-witches-dance/#comments Tue, 24 Mar 2020 15:27:31 -0500 musiciansinordinary.podbean.com/9e30b4f5-737c-582b-a432-0e89bde1336b The Musicians In Ordinary Renaissance Violin Band plays Antiq Masque by John Coprario, and the Robert Johnson's First Witches' Dance and Second Witches Dance from The Masque of Queens by Ben Jonson, probably revived in Middleton's The Witch and Shakespeare's Macbeth. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

]]> The Musicians In Ordinary Renaissance Violin Band plays Antiq Masque by John Coprario, and the Robert Johnson's First Witches' Dance and Second Witches Dance from The Masque of Queens by Ben Jonson, probably revived in Middleton's The Witch and Shakespeare's Macbeth. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

]]> musiciansinordinary false No 223 22 full Masque and Theatre Podcasts-Natalia Khomenko-VK Preston-Antiq Masque-1st Witches Dance-2nd Witches Dance Masque and Theatre Podcasts-Natalia Khomenko-VK Preston-Antiq Masque-1st Witches Dance-2nd Witches Dance https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-natalia-khomenko-vk-preston-antiq-masque-1st-witches-dance-2nd-witches-dance/ https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-natalia-khomenko-vk-preston-antiq-masque-1st-witches-dance-2nd-witches-dance/#comments Fri, 20 Mar 2020 15:39:16 -0500 musiciansinordinary.podbean.com/9c381314-b4ed-5a65-9081-ef8f6d0ccdb4 Dr. Natalia Khomenko, Lecturer at York Univ. and VK Preston, Asst. Prof. at Univ. of Toronto’s Centre for Drama, Theatre & Performance Studies, talk about depictions of witches in 16th and 17th century England and France. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario’s Antiq Masque and Robert Johnson’s First & Second Witches’ Dances.

]]> Dr. Natalia Khomenko, Lecturer at York Univ. and VK Preston, Asst. Prof. at Univ. of Toronto’s Centre for Drama, Theatre & Performance Studies, talk about depictions of witches in 16th and 17th century England and France. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario’s Antiq Masque and Robert Johnson’s First & Second Witches’ Dances.

]]> musiciansinordinary false No 2715 21 full The King of Denmark's Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo The King of Denmark's Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo https://musiciansinordinary.podbean.com/e/the-king-of-denmarks-galiard-fairie-round-deth-sir-henry-umptons-funerall-paradizo/ https://musiciansinordinary.podbean.com/e/the-king-of-denmarks-galiard-fairie-round-deth-sir-henry-umptons-funerall-paradizo/#comments Tue, 17 Mar 2020 10:04:40 -0500 musiciansinordinary.podbean.com/325d840b-1446-5c53-bd1e-8fd203914a41 The Musicians In Ordinary Renaissance Violin Band plays The King of Denmark's Galliard from John Dowland's Lachrimae or Seven Tears, The Fairy Round from Anthony Holborne's Pavans, Galliards etc., Sir Henry Umpton's Funeral (Dowland) and Paradizo, or The Countess of Pembroke's Paradise (Holborne). Special guest Felix Deak, (viola da gamba) plays Deth by Tobias Hume. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

]]> The Musicians In Ordinary Renaissance Violin Band plays The King of Denmark's Galliard from John Dowland's Lachrimae or Seven Tears, The Fairy Round from Anthony Holborne's Pavans, Galliards etc., Sir Henry Umpton's Funeral (Dowland) and Paradizo, or The Countess of Pembroke's Paradise (Holborne). Special guest Felix Deak, (viola da gamba) plays Deth by Tobias Hume. The MIO Violin Band is Matt Antal, Brandon Chui, Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin. 

]]> musiciansinordinary false No 967 20 full Masque and Theatre Podcasts-Tom Bishop & Linda Austern-King of Denmarks Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo Masque and Theatre Podcasts-Tom Bishop & Linda Austern-King of Denmarks Galiard-Fairie Round-Deth-Sir Henry Umptons Funerall-Paradizo https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-tom-bishop-linda-austern-king-of-denmarks-galiard-fairie-round-deth-sir-henry-umptons-funerall-paradizo/ https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-tom-bishop-linda-austern-king-of-denmarks-galiard-fairie-round-deth-sir-henry-umptons-funerall-paradizo/#comments Fri, 13 Mar 2020 14:11:34 -0500 musiciansinordinary.podbean.com/6f03cdd8-ecb3-5075-ba96-b391d04f3b31 Prof. Tom Bishop (Univ. of Auckland) talks about Shakespeare’s Pericles. Prof. Linda Austern (Northwestern U.) talks about music and medicine in the 17th century. Felix Deak plays Deth by Tobias Hume. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Dowland’s King of Denmarks Galiard & Sir Henry Umptons Funerall and Holborne’s Fairie Round & Paradizo.

]]> Prof. Tom Bishop (Univ. of Auckland) talks about Shakespeare’s Pericles. Prof. Linda Austern (Northwestern U.) talks about music and medicine in the 17th century. Felix Deak plays Deth by Tobias Hume. The Musicians In Ordinary Renaissance Violin Band (Matt Antal, Brandon Chui & Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays Dowland’s King of Denmarks Galiard & Sir Henry Umptons Funerall and Holborne’s Fairie Round & Paradizo.

]]> musiciansinordinary false No 4001 19 full 1st, 2nd and 3rd of the Lords', The Tempest , The Haymakers' Dance, The Nymphs Dance 1st, 2nd and 3rd of the Lords', The Tempest , The Haymakers' Dance, The Nymphs Dance https://musiciansinordinary.podbean.com/e/1st-2nd-and-3rd-of-the-lords-the-tempest-the-haymakers-dance-the-nymphs_dance/ https://musiciansinordinary.podbean.com/e/1st-2nd-and-3rd-of-the-lords-the-tempest-the-haymakers-dance-the-nymphs_dance/#comments Tue, 10 Mar 2020 13:29:12 -0500 musiciansinordinary.podbean.com/674eb4b4-84d9-574d-b2e4-db0685ab5e20 The Musicians In Ordinary Renaissance String Band, (Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario's dances from The Lord's Masque in versions published in 1617 by William Brade, The Tempest from Squires’ Masque and The Haymakers' Dance (both anon. with viola parts by Christopher Verrette after Brade), and The Nymphs' Dance from Masque of the Inner Temple and Gray's Inn (Coprario/Brade).

]]> The Musicians In Ordinary Renaissance String Band, (Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin) plays John Coprario's dances from The Lord's Masque in versions published in 1617 by William Brade, The Tempest from Squires’ Masque and The Haymakers' Dance (both anon. with viola parts by Christopher Verrette after Brade), and The Nymphs' Dance from Masque of the Inner Temple and Gray's Inn (Coprario/Brade).

]]> musiciansinordinary false No 521 18 full Masque and Theatre Podcasts-Stephen Orgel-1st, 2nd, 3rd of the Lords-Tempest-Haymakers Dance Masque and Theatre Podcasts-Stephen Orgel-1st, 2nd, 3rd of the Lords-Tempest-Haymakers Dance https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-stephen-orgel-1st-2nd-3rd-of-the-lords-tempest-haymakers-dance/ https://musiciansinordinary.podbean.com/e/masque-and-theatre-podcasts-stephen-orgel-1st-2nd-3rd-of-the-lords-tempest-haymakers-dance/#comments Fri, 06 Mar 2020 17:10:22 -0500 musiciansinordinary.podbean.com/196510fb-cec0-51b7-a8a3-fc3d35a047bf Stephen Orgel, Professor Emeritus at Stanford Univ. talks to John Edwards about the Stuart court masque, its performers, its expressions of power and the meaning of the masque conjured by the triumphant Prospero in The Tempest. The Musicians In Ordinary string band, Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin, play The First, Second & Third of the Lords, The Tempest, The Haymakers Dance and The Nymphs Dance.

]]> Stephen Orgel, Professor Emeritus at Stanford Univ. talks to John Edwards about the Stuart court masque, its performers, its expressions of power and the meaning of the masque conjured by the triumphant Prospero in The Tempest. The Musicians In Ordinary string band, Matt Antal, Brandon Chui and Sheila Smyth, violas, Laura Jones, bass violin, John Edwards, lute, led by Christopher Verrette, violin, play The First, Second & Third of the Lords, The Tempest, The Haymakers Dance and The Nymphs Dance.

]]> musiciansinordinary false No 2748 17 full Delight Pavan and Delight Galliard-I Cannot Keep my Wife at Home Delight Pavan and Delight Galliard-I Cannot Keep my Wife at Home https://musiciansinordinary.podbean.com/e/delight-pavan-and-delight-galliard-i-cannot-keep-my-wife-at-home/ https://musiciansinordinary.podbean.com/e/delight-pavan-and-delight-galliard-i-cannot-keep-my-wife-at-home/#comments Tue, 24 Dec 2019 13:17:27 -0500 musiciansinordinary.podbean.com/d57309d6-782a-530f-9108-c4f122d6b2e5 Delyght Pavan and Delyght Gallyard by John Johnson and the ballad tune I Can not keepe my wife at howme from Margaret Board's Lutebook, played by John Edwards

]]> Delyght Pavan and Delyght Gallyard by John Johnson and the ballad tune I Can not keepe my wife at howme from Margaret Board's Lutebook, played by John Edwards

]]> musiciansinordinary false No 426 16 full Board Lutebook Podcasts-George Torres-Deanne Williams-Delyght Pavan & Gallyard-I cannot keepe my wyfe at Howme Board Lutebook Podcasts-George Torres-Deanne Williams-Delyght Pavan & Gallyard-I cannot keepe my wyfe at Howme https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-george-torres-deanne-williams-delyght-pavan-gallyard-i-cannot-keepe-my-wyfe-at-howme/ https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-george-torres-deanne-williams-delyght-pavan-gallyard-i-cannot-keepe-my-wyfe-at-howme/#comments Fri, 20 Dec 2019 11:26:49 -0500 musiciansinordinary.podbean.com/board-lutebook-podcasts-george-torres-deanne-williams-delyght-pavan-gallyard-i-cannot-keepe-my-wyfe-at-howme-900a4debb275a59ab9f045c5e465cf27 George Torres, Prof. in Music at Lafayette College, Deanne Williams, Prof. in English at York University, and John Edwards discuss correspondences between lute instruction manuals and manuals on civility from 16th and 17th century in France & England, how lute lessons were also decorum lessons, & the lute lesson in Taming of the Shrew. We hear Delyght Pavan & Gallyard (Johnson) & I Cannot keepe my wyfe at howme (anon.) from Margaret Board’s lutebook.

]]> George Torres, Prof. in Music at Lafayette College, Deanne Williams, Prof. in English at York University, and John Edwards discuss correspondences between lute instruction manuals and manuals on civility from 16th and 17th century in France & England, how lute lessons were also decorum lessons, & the lute lesson in Taming of the Shrew. We hear Delyght Pavan & Gallyard (Johnson) & I Cannot keepe my wyfe at howme (anon.) from Margaret Board’s lutebook.

]]> musiciansinordinary false No 2533 15 full Antiq Masque-Witches Daunce-Lady Phillyes Masque-La: Elyza her Masque-The Prince his Almayne-The Prince his Coranto Antiq Masque-Witches Daunce-Lady Phillyes Masque-La: Elyza her Masque-The Prince his Almayne-The Prince his Coranto https://musiciansinordinary.podbean.com/e/antiq-masque-witches-daunce-lady-phillyes-masque-la-elyza-her-masque-the-prince-his-almayne-the-prince-his-coranto/ https://musiciansinordinary.podbean.com/e/antiq-masque-witches-daunce-lady-phillyes-masque-la-elyza-her-masque-the-prince-his-almayne-the-prince-his-coranto/#comments Tue, 17 Dec 2019 17:51:07 -0500 musiciansinordinary.podbean.com/antiq-masque-witches-daunce-lady-phillyes-masque-la-elyza-her-masque-the-prince-his-almayne-the-prince-his-coranto-f7e8e80b117a236a897ee17b016684b1 Music from court masques arranged for lute played by John Edwards: Antiq Masque per Mr. Confesso set by Mr. Taylor, originally by John Coprario, Witches Daunce by Robert Johnson, Lady Phillyes Masque, Anon. La: Elyza her Masque, The Prince his Almayne and The Prince his Coranto all by Johnson and from Margaret Board's Lutebook.

]]> Music from court masques arranged for lute played by John Edwards: Antiq Masque per Mr. Confesso set by Mr. Taylor, originally by John Coprario, Witches Daunce by Robert Johnson, Lady Phillyes Masque, Anon. La: Elyza her Masque, The Prince his Almayne and The Prince his Coranto all by Johnson and from Margaret Board's Lutebook.

]]> musiciansinordinary false No 473 14 full Board Lutebook Podcasts - Deanne Williams - Masque Dances Board Lutebook Podcasts - Deanne Williams - Masque Dances https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-deanne-williams-masque-dances/ https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-deanne-williams-masque-dances/#comments Fri, 13 Dec 2019 14:29:17 -0500 musiciansinordinary.podbean.com/board-lutebook-podcasts-deanne-williams-masque-dances-d89591f5d635395025bf4b89563fb416 Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq Masque, The Witches Daunce, The Lady Phyllyes Masque, The Lady Elyza, her Masque, The Prince his Almayne and The Prince his Corrento played by John Edwards. 

]]> Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq Masque, The Witches Daunce, The Lady Phyllyes Masque, The Lady Elyza, her Masque, The Prince his Almayne and The Prince his Corrento played by John Edwards. 

]]> musiciansinordinary false No 1967 13 full Lachrimae Pavan-Poor Tom-Bonny Sweet Robin-Go from my Window Lachrimae Pavan-Poor Tom-Bonny Sweet Robin-Go from my Window https://musiciansinordinary.podbean.com/e/lachrimae-pavan-poor-tom-bonny-sweet-robin-go-from-my-window/ https://musiciansinordinary.podbean.com/e/lachrimae-pavan-poor-tom-bonny-sweet-robin-go-from-my-window/#comments Tue, 10 Dec 2019 11:09:22 -0500 musiciansinordinary.podbean.com/lachrimae-pavan-poor-tom-bonny-sweet-robin-go-from-my-window-a49ca42e348d352732af0bf76b85e745 Lachrymae by John Dowland, anonymous settings of the ballads Poore Tome and Bony Sweete Robyn, and Richard Allison's setting of Goe from my Wyndowe, all from Margaret Board's Lutebook, played by John Edwards.

]]> Lachrymae by John Dowland, anonymous settings of the ballads Poore Tome and Bony Sweete Robyn, and Richard Allison's setting of Goe from my Wyndowe, all from Margaret Board's Lutebook, played by John Edwards.

]]> musiciansinordinary false No 558 12 full Board Lutebook Podcasts – Tom Bishop – Lachrymae, Poore Tome, Bony Sweete Robyn, Goe from my Wyndowe Board Lutebook Podcasts – Tom Bishop – Lachrymae, Poore Tome, Bony Sweete Robyn, Goe from my Wyndowe https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-%e2%80%93-tom-bishop-%e2%80%93-lachrymae-poore-tome-bony-sweete-robyn-goe-from-my-wyndowe/ https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-%e2%80%93-tom-bishop-%e2%80%93-lachrymae-poore-tome-bony-sweete-robyn-goe-from-my-wyndowe/#comments Fri, 06 Dec 2019 12:17:46 -0500 musiciansinordinary.podbean.com/board-lutebook-podcasts-%e2%80%93-tom-bishop-%e2%80%93-lachrymae-poore-tome-bony-sweete-robyn-goe-from-my-wyndowe-b35840e64749e0c8a636d4452d1ce8cb Prof. Tom Bishop (Univ. of Auckland) talks to John Edwards about plays, theatres, playgoers and pieces in Margaret Board's Lutebook she’d need to know to get all the references in the plays of Jacobean London. From Margaret’s book we hear Lachrymae, by John Dowland, referenced in Knight of the Burning Pestle, anonymous settings of ballads Poore Tome (King Lear) and Bony Sweete Robyn (Hamlet), and Richard Allison's setting of Goe from my Wyndowe (also Knight of the Burning Pestle).

]]> Prof. Tom Bishop (Univ. of Auckland) talks to John Edwards about plays, theatres, playgoers and pieces in Margaret Board's Lutebook she’d need to know to get all the references in the plays of Jacobean London. From Margaret’s book we hear Lachrymae, by John Dowland, referenced in Knight of the Burning Pestle, anonymous settings of ballads Poore Tome (King Lear) and Bony Sweete Robyn (Hamlet), and Richard Allison's setting of Goe from my Wyndowe (also Knight of the Burning Pestle).

]]> musiciansinordinary false No 1955 11 full Delacourt Pavin-Markanthonyes Gallyard-Orlando (Anon. M.A. Galliardello?, John Dowland) Delacourt Pavin-Markanthonyes Gallyard-Orlando (Anon. M.A. Galliardello?, John Dowland) https://musiciansinordinary.podbean.com/e/delacourt-pavin-markanthonyes-gallyard-orlando-anon-ma-galliardello-john-dowland/ https://musiciansinordinary.podbean.com/e/delacourt-pavin-markanthonyes-gallyard-orlando-anon-ma-galliardello-john-dowland/#comments Tue, 03 Dec 2019 11:24:39 -0500 musiciansinordinary.podbean.com/delacourt-pavin-markanthonyes-gallyard-orlando-anon-ma-galliardello-john-dowland-8d88a1ae4ea35b8782a7ba5bdb1c738f The anonymous Delacourt Pavin, Markanthonyes Gallyard, probably by Mark Anthony Galliardello or Mark Anthony Bassano, and Orlando by John Dowland, from Margaret Board's Lutebook, played by John Edwards, lute. 

]]> The anonymous Delacourt Pavin, Markanthonyes Gallyard, probably by Mark Anthony Galliardello or Mark Anthony Bassano, and Orlando by John Dowland, from Margaret Board's Lutebook, played by John Edwards, lute. 

]]> musiciansinordinary false No 196 10 full Board Lutebook Podcasts - John Edwards - Delacourt Pavan, Markanthonyes Gallyard, Orlando Board Lutebook Podcasts - John Edwards - Delacourt Pavan, Markanthonyes Gallyard, Orlando https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-john-edwards-delacourt-pavan-markanthonyes-gallyard-orlando/ https://musiciansinordinary.podbean.com/e/board-lutebook-podcasts-john-edwards-delacourt-pavan-markanthonyes-gallyard-orlando/#comments Fri, 29 Nov 2019 12:22:30 -0500 musiciansinordinary.podbean.com/board-lutebook-podcasts-john-edwards-delacourt-pavan-markanthonyes-gallyard-orlando-9647a2d54bbf77c84f567d4e70b5c97f Margaret Board was born in 1600, the daughter of a rich merchant, and had Europe's leading lutenist, John Dowland, as a teacher. Her book of lute pieces, notated in tablature in her hand and that of her teacher, is a collaboration between what her lute master thinks she needs to know and her taste as a young woman in Jacobean London. 

]]> Margaret Board was born in 1600, the daughter of a rich merchant, and had Europe's leading lutenist, John Dowland, as a teacher. Her book of lute pieces, notated in tablature in her hand and that of her teacher, is a collaboration between what her lute master thinks she needs to know and her taste as a young woman in Jacobean London. 

]]> musiciansinordinary false No 1443 9 full La Magdalena, Recoupe & Tourdion by Pierre Blondeau La Magdalena, Recoupe & Tourdion by Pierre Blondeau https://musiciansinordinary.podbean.com/e/la-magdalena-recoupe-tourdion-by-pierre-blondeau/ https://musiciansinordinary.podbean.com/e/la-magdalena-recoupe-tourdion-by-pierre-blondeau/#comments Tue, 26 Nov 2019 16:35:14 -0500 musiciansinordinary.podbean.com/la-magdalena-recoupe-tourdion-by-pierre-blondeau-56d6db1c1bc1689e0d4327927a37c6e5 The basse dance set La Magdalena probably by Pierre Blondeau, published in Attaingnant's 'Dixhuit Basses Dances garnie de Recoupe et Tordions' of 1529,  played by John Edwards, lute. 

]]> The basse dance set La Magdalena probably by Pierre Blondeau, published in Attaingnant's 'Dixhuit Basses Dances garnie de Recoupe et Tordions' of 1529,  played by John Edwards, lute. 

]]> musiciansinordinary false No 155 8 full Anne Boleyn Podcasts - Matt Kavaler - La Magdalena Anne Boleyn Podcasts - Matt Kavaler - La Magdalena https://musiciansinordinary.podbean.com/e/anne-boleyn-podcasts-matt-kavaler-la-magdelena/ https://musiciansinordinary.podbean.com/e/anne-boleyn-podcasts-matt-kavaler-la-magdelena/#comments Fri, 22 Nov 2019 19:04:28 -0500 musiciansinordinary.podbean.com/anne-boleyn-podcasts-matt-kavaler-la-magdelena-07a2c863afb56248cf0b9051f84ed778 Profs. Matt Kavaler and Deanne Williams talk with John Edwards about the paintings of the Master of the Female Half-lengths and their shared context with Anne Boleyn's songbook. We hear the Basse Danse La Magdalena by Pierre Blondeau played by John Edwards.

]]> Profs. Matt Kavaler and Deanne Williams talk with John Edwards about the paintings of the Master of the Female Half-lengths and their shared context with Anne Boleyn's songbook. We hear the Basse Danse La Magdalena by Pierre Blondeau played by John Edwards.

]]> musiciansinordinary false No 1801 7 full Sicut Lilium (Brumel) from the Anne Boleyn Songbook Sicut Lilium (Brumel) from the Anne Boleyn Songbook https://musiciansinordinary.podbean.com/e/sicut-lilium-brumel-from-the-anne-boleyn-songbook/ https://musiciansinordinary.podbean.com/e/sicut-lilium-brumel-from-the-anne-boleyn-songbook/#comments Wed, 20 Nov 2019 17:05:12 -0500 musiciansinordinary.podbean.com/sicut-lilium-brumel-from-the-anne-boleyn-songbook-2b99f751479df6b6dde80dbcc8240060 Performed by Julia Morson, sop. Whitney O'Hearn, ms, singing the alto, Katherine Anderson, singing the bass, John Edwards, lute, led by Hallie Fishel, also singing the tenor.

]]> Performed by Julia Morson, sop. Whitney O'Hearn, ms, singing the alto, Katherine Anderson, singing the bass, John Edwards, lute, led by Hallie Fishel, also singing the tenor.

]]> musiciansinordinary false No 94 6 full Anne Boleyn Podcasts - Lisa Wang - Sicut Lilium Anne Boleyn Podcasts - Lisa Wang - Sicut Lilium https://musiciansinordinary.podbean.com/e/anne-boleyn-podcasts-lisa-wang-sicut-lilium/ https://musiciansinordinary.podbean.com/e/anne-boleyn-podcasts-lisa-wang-sicut-lilium/#comments Fri, 15 Nov 2019 09:53:49 -0500 musiciansinordinary.podbean.com/anne-boleyn-podcasts-lisa-wang-sicut-lilium-089676c7c81775fe28fe63f54236bad8 The Rev. Dr Lisa Wang speaks to John Edwards about the adoration of the Virgin Mary and the Song of Solomon in the context of the Anne Boleyn Songbook. We hear Sicut Lilium by Antoine Brumel sung by The Musicians In Ordinary, Julia Morson, Whitney O'Hearn and Katherine Anderson, led by Hallie Fishel with John Edwards on lute.

]]> The Rev. Dr Lisa Wang speaks to John Edwards about the adoration of the Virgin Mary and the Song of Solomon in the context of the Anne Boleyn Songbook. We hear Sicut Lilium by Antoine Brumel sung by The Musicians In Ordinary, Julia Morson, Whitney O'Hearn and Katherine Anderson, led by Hallie Fishel with John Edwards on lute.

]]> musiciansinordinary false No 1014 5 full Alma Redemptoris Mater (Obrecht) from the Anne Boleyn Songbook Alma Redemptoris Mater (Obrecht) from the Anne Boleyn Songbook https://musiciansinordinary.podbean.com/e/alma-redemptoris-mater-obrecht-from-the-anne-boleyn-songbook/ https://musiciansinordinary.podbean.com/e/alma-redemptoris-mater-obrecht-from-the-anne-boleyn-songbook/#comments Tue, 12 Nov 2019 17:16:57 -0500 musiciansinordinary.podbean.com/alma-redemptoris-mater-obrecht-from-the-anne-boleyn-songbook-a6b4519ff0e7eee840338879ed72f69a Performed by Julia Morson, sop. Whitney O'Hearn, MS, Katherine Anderson singing the tenor with Eleanor Verrette, vielle, and John Edwards, lute, led by Hallie Fishel, also singing the tenor.

]]> Performed by Julia Morson, sop. Whitney O'Hearn, MS, Katherine Anderson singing the tenor with Eleanor Verrette, vielle, and John Edwards, lute, led by Hallie Fishel, also singing the tenor.

]]> musiciansinordinary false No 546 4 full Anne Boleyn Songbook Podcasts - John Edwards - Alma Redemptoris Mater Anne Boleyn Songbook Podcasts - John Edwards - Alma Redemptoris Mater https://musiciansinordinary.podbean.com/e/anne-boleyn-songbook-podcasts-john-edwards-alma-redemptoris-mater/ https://musiciansinordinary.podbean.com/e/anne-boleyn-songbook-podcasts-john-edwards-alma-redemptoris-mater/#comments Fri, 08 Nov 2019 17:55:40 -0500 musiciansinordinary.podbean.com/anne-boleyn-songbook-podcasts-john-edwards-alma-redemptoris-mater-1eff7102fda4a2befd16b8952d31cd48 John Edwards talks to Prof. Deanne Williams about performance practice questions thrown up by the Anne Boleyn Songbook. We hear Alma Redemptoris Mater composed by Jacob Obrecht performed by Julia Morson, sop. Whitney O'Hearn, mezzo, Katherine Anderson alto, Eleanor Verrette, vielle, John Edwards, lute all led by Hallie Fishel, singing alto. Check musiciansinordinary.ca for pictures. 

]]> John Edwards talks to Prof. Deanne Williams about performance practice questions thrown up by the Anne Boleyn Songbook. We hear Alma Redemptoris Mater composed by Jacob Obrecht performed by Julia Morson, sop. Whitney O'Hearn, mezzo, Katherine Anderson alto, Eleanor Verrette, vielle, John Edwards, lute all led by Hallie Fishel, singing alto. Check musiciansinordinary.ca for pictures. 

]]> musiciansinordinary false No 1304 3 full Gabrielem Archangelum (Anon.) from the Anne Boleyn Songbook Gabrielem Archangelum (Anon.) from the Anne Boleyn Songbook https://musiciansinordinary.podbean.com/e/gabrielem-archangelum-anon-from-the-anne-boleyn-songbook/ https://musiciansinordinary.podbean.com/e/gabrielem-archangelum-anon-from-the-anne-boleyn-songbook/#comments Wed, 06 Nov 2019 09:40:30 -0500 musiciansinordinary.podbean.com/gabrielem-archangelum-anon-from-the-anne-boleyn-songbook-20734795b3f227577c1fdb1a70f490bb Performed by Julia Morson, sop. Whitney O'Hearn, MS, led by Hallie Fishel, singing alto.

]]> Performed by Julia Morson, sop. Whitney O'Hearn, MS, led by Hallie Fishel, singing alto.

]]> musiciansinordinary false No 429 2 full Anne Boleyn Songbook Podcasts - Deanne Williams - Gabrielem Archangelum Anne Boleyn Songbook Podcasts - Deanne Williams - Gabrielem Archangelum https://musiciansinordinary.podbean.com/e/anne-boleyn-songbook-podcasts-deanne-williams-gabrielem-archangelum/ https://musiciansinordinary.podbean.com/e/anne-boleyn-songbook-podcasts-deanne-williams-gabrielem-archangelum/#comments Fri, 18 Oct 2019 15:16:25 -0500 musiciansinordinary.podbean.com/anne-boleyn-songbook-podcasts-deanne-williams-gabrielem-archangelum-2a78e178b7987d214cd456f749d4b83e Prof. Deanne Williams talks to John Edwards about Anne Boleyn's Songbook. We hear the anonymous Gabrielem Archangelum sung by Julia Morson, Whitney O'Hearn and Hallie Fishel.

]]> Prof. Deanne Williams talks to John Edwards about Anne Boleyn's Songbook. We hear the anonymous Gabrielem Archangelum sung by Julia Morson, Whitney O'Hearn and Hallie Fishel.

]]> musiciansinordinary false No 1573 1 full