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    <title>Dig Me Out: 90s &amp; 00s Rock</title>
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    <link>http://www.digmeoutpodcast.com/</link>
    <description><![CDATA[<p>J and Tim dig into the grunge, alt-rock, and indie albums that changed everything—the forgotten classics, the underappreciated masterpieces, and the legends worth hearing again. One album at a time. Let’s dig it out.</p>]]></description>
    <pubDate>Tue, 14 Apr 2026 01:00:00 -0500</pubDate>
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        <copyright>Copyright © 2022 Dig Me Out Podcast. All rights reserved. 348716</copyright>
    <category>Music:Music Commentary</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary>Weekly episodes digging up lost and forgotten 90s rock — in-depth album reviews, roundtable discussions, and artist interviews that reveal the unique story of the 90s.</itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
	<itunes:category text="Music">
		<itunes:category text="Music Commentary" />
		<itunes:category text="Music History" />
	</itunes:category>
    <itunes:owner>
        <itunes:name>Dig Me Out</itunes:name>
            </itunes:owner>
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    <item>
        <title>Reacharound - Who's Tommy Cooper? | 90s Album Review</title>
        <itunes:title>Reacharound - Who's Tommy Cooper? | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/reacharound-whos-tommy-cooper-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/reacharound-whos-tommy-cooper-90s-album-review/#comments</comments>        <pubDate>Tue, 14 Apr 2026 01:00:00 -0500</pubDate>
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                                    <description><![CDATA[<p style="text-align: center;">Never heard of Reacharound? You're not alone, which is a shame, because this band of UK expats playing punked-up rockabilly and 60s Kinks and Who influenced garage rock deserved your attention. Their only album, 1996's Who's Tommy Cooper? is a charming, straight-up rock album with enough variety to keep fans of Reverend Horton Heat, Social Distortion, or The Living End interested.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Big &amp; Mean</p>
<p style="text-align: center;">22:22 - Big Chair</p>
<p style="text-align: center;">26:37 - Seen It Before</p>
<p style="text-align: center;">33:36 - Gene Autry</p>
<p style="text-align: center;">Outro - Shaking Like A Leaf</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Never heard of Reacharound? You're not alone, which is a shame, because this band of UK expats playing punked-up rockabilly and 60s Kinks and Who influenced garage rock deserved your attention. Their only album, 1996's Who's Tommy Cooper? is a charming, straight-up rock album with enough variety to keep fans of Reverend Horton Heat, Social Distortion, or The Living End interested.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Big &amp; Mean</p>
<p style="text-align: center;">22:22 - Big Chair</p>
<p style="text-align: center;">26:37 - Seen It Before</p>
<p style="text-align: center;">33:36 - Gene Autry</p>
<p style="text-align: center;">Outro - Shaking Like A Leaf</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hweesirn648crsht/reacharound.mp3" length="113999392" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Never heard of Reacharound? You're not alone, which is a shame, because this band of UK expats playing punked-up rockabilly and 60s Kinks and Who influenced garage rock deserved your attention. Their only album, 1996's Who's Tommy Cooper? is a charming, straight-up rock album with enough variety to keep fans of Reverend Horton Heat, Social Distortion, or The Living End interested.
 
Songs In This Episode
Intro - Big &amp; Mean
22:22 - Big Chair
26:37 - Seen It Before
33:36 - Gene Autry
Outro - Shaking Like A Leaf
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3559</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>809</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Albums of 2006 | Roundtable</title>
        <itunes:title>Albums of 2006 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/albums-of-2006-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/albums-of-2006-roundtable/#comments</comments>        <pubDate>Tue, 31 Mar 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2f4b8235-ed1f-30c6-b52b-d4ae5e3018ec</guid>
                                    <description><![CDATA[<p style="text-align: center;">2006 wasn't just any year in the 00s. It's the year Twitter launched, the year before the release of the iPhone, Nintendo debuted the Wii console, Borat burst into movie theaters, and Justin Timberlake made sure sexy was back. It was also when danceable post-punk, alternative metal, and UK post-Brit pop were making waves bubbling up to the underground, and much more. We've invited a group of our Patrons to revisit the year and discuss albums that stood the test of time (and a few that did not), overlooked and underappreciated albums, albums we were late to discover, and much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Supermassive Black Hole by Muse, Young Folks by Peter, Bjorn and John, Crazy by Gnarls Barkley</p>
<p style="text-align: center;">22:00 - Unleashed by Front Line Assembly</p>
<p style="text-align: center;">31:53 - Family Band by The Tragically Hip</p>
<p style="text-align: center;">43:58 - Rockstar by The Fags</p>
<p style="text-align: center;">56:46 - Master Exploder by Tenacious D</p>
<p style="text-align: center;">1:00:39 - Tear You Apart by She Wants Revenge</p>
<p style="text-align: center;">1:17:39 - Star Witness by Neko Case</p>
<p style="text-align: center;">1:22:34 - Come Clarity by In Flames</p>
<p style="text-align: center;">1:32:26 - Standing In The Way Of Control - Gossip</p>
<p style="text-align: center;">Outro - Different World by Iron Maiden</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">2006 wasn't just any year in the 00s. It's the year Twitter launched, the year before the release of the iPhone, Nintendo debuted the Wii console, Borat burst into movie theaters, and Justin Timberlake made sure sexy was back. It was also when danceable post-punk, alternative metal, and UK post-Brit pop were making waves bubbling up to the underground, and much more. We've invited a group of our Patrons to revisit the year and discuss albums that stood the test of time (and a few that did not), overlooked and underappreciated albums, albums we were late to discover, and much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Supermassive Black Hole by Muse, Young Folks by Peter, Bjorn and John, Crazy by Gnarls Barkley</p>
<p style="text-align: center;">22:00 - Unleashed by Front Line Assembly</p>
<p style="text-align: center;">31:53 - Family Band by The Tragically Hip</p>
<p style="text-align: center;">43:58 - Rockstar by The Fags</p>
<p style="text-align: center;">56:46 - Master Exploder by Tenacious D</p>
<p style="text-align: center;">1:00:39 - Tear You Apart by She Wants Revenge</p>
<p style="text-align: center;">1:17:39 - Star Witness by Neko Case</p>
<p style="text-align: center;">1:22:34 - Come Clarity by In Flames</p>
<p style="text-align: center;">1:32:26 - Standing In The Way Of Control - Gossip</p>
<p style="text-align: center;">Outro - Different World by Iron Maiden</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/segkfm75d572ew2e/albumsof2006.mp3" length="203352949" type="audio/mpeg"/>
        <itunes:summary><![CDATA[2006 wasn't just any year in the 00s. It's the year Twitter launched, the year before the release of the iPhone, Nintendo debuted the Wii console, Borat burst into movie theaters, and Justin Timberlake made sure sexy was back. It was also when danceable post-punk, alternative metal, and UK post-Brit pop were making waves bubbling up to the underground, and much more. We've invited a group of our Patrons to revisit the year and discuss albums that stood the test of time (and a few that did not), overlooked and underappreciated albums, albums we were late to discover, and much more.
 
Songs In This Episode
Intro - Supermassive Black Hole by Muse, Young Folks by Peter, Bjorn and John, Crazy by Gnarls Barkley
22:00 - Unleashed by Front Line Assembly
31:53 - Family Band by The Tragically Hip
43:58 - Rockstar by The Fags
56:46 - Master Exploder by Tenacious D
1:00:39 - Tear You Apart by She Wants Revenge
1:17:39 - Star Witness by Neko Case
1:22:34 - Come Clarity by In Flames
1:32:26 - Standing In The Way Of Control - Gossip
Outro - Different World by Iron Maiden
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6354</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>808</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Josh Ritter - The Animal Ritter | 00s Album Review</title>
        <itunes:title>Josh Ritter - The Animal Ritter | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/josh-ritter-the-animal-ritter-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/josh-ritter-the-animal-ritter-00s-album-review/#comments</comments>        <pubDate>Tue, 24 Mar 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d0110d36-ceb4-30b9-a39d-8d5a30c5580b</guid>
                                    <description><![CDATA[<p style="text-align: center;">Released during the protracted second Iraq war, Josh Ritter's fourth album The Animal Years layers a singer/songwriter album with somber lyrical depth softened by effective melodies and thoughtful instrumentation.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Wolves</p>
<p style="text-align: center;">17:04 - Girl In The War</p>
<p style="text-align: center;">18:58 - Monster Ballads</p>
<p style="text-align: center;">25:29 - Thin Blue Flame</p>
<p style="text-align: center;">32:36 - Good Man</p>
<p style="text-align: center;">Outro - Here at the Right Time</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Released during the protracted second Iraq war, Josh Ritter's fourth album The Animal Years layers a singer/songwriter album with somber lyrical depth softened by effective melodies and thoughtful instrumentation.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Wolves</p>
<p style="text-align: center;">17:04 - Girl In The War</p>
<p style="text-align: center;">18:58 - Monster Ballads</p>
<p style="text-align: center;">25:29 - Thin Blue Flame</p>
<p style="text-align: center;">32:36 - Good Man</p>
<p style="text-align: center;">Outro - Here at the Right Time</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fct3vskpk9zy5qfp/joshritter.mp3" length="90453362" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Released during the protracted second Iraq war, Josh Ritter's fourth album The Animal Years layers a singer/songwriter album with somber lyrical depth softened by effective melodies and thoughtful instrumentation.
 
Songs In This Episode
Intro - Wolves
17:04 - Girl In The War
18:58 - Monster Ballads
25:29 - Thin Blue Flame
32:36 - Good Man
Outro - Here at the Right Time
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2821</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>807</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Silkworm - Firewater | 90s Album Review</title>
        <itunes:title>Silkworm - Firewater | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/silkworm-firewater-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/silkworm-firewater-90s-album-review/#comments</comments>        <pubDate>Tue, 10 Mar 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5faf8d7a-80af-3f9f-a034-ec12cf66e7f4</guid>
                                    <description><![CDATA[<p style="text-align: center;">Earnest without sliding into overwrought emo, Silkworm struck a balance between raw and refined on their fourth album, 1996's Firewater. Like most of their releases, the band turned to Steve Albini to engineer, capturing the live sound of the band crisp and clearly across the nearly hour running time. The band rarely overindulge, leaving those spare moments to the guitarist Andy Cohen, who channels the overdriven chaos of J. Mascis and Neil Young on tracks like "Wet Firecracker" and "Drag the River." The rhythm section, though never flashy, are tight and locked-in, with the bass taking melodic turns to support the sing-speak vocals that waver between understated and explosive. Though the band called Seattle home for the early part of the 1990s, the band eschews any grunge influence for post-punk and indie rock influences that helped separate the band from their homebase peers.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Nerves</p>
<p style="text-align: center;">19:28 - Quicksand</p>
<p style="text-align: center;">21:28 - Drag the River</p>
<p style="text-align: center;">29:06 - Cannibal Cannibal</p>
<p style="text-align: center;">31:07 - The Lure of Beauty</p>
<p style="text-align: center;">Outro - Don't Make Plans This Friday</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Earnest without sliding into overwrought emo, Silkworm struck a balance between raw and refined on their fourth album, 1996's Firewater. Like most of their releases, the band turned to Steve Albini to engineer, capturing the live sound of the band crisp and clearly across the nearly hour running time. The band rarely overindulge, leaving those spare moments to the guitarist Andy Cohen, who channels the overdriven chaos of J. Mascis and Neil Young on tracks like "Wet Firecracker" and "Drag the River." The rhythm section, though never flashy, are tight and locked-in, with the bass taking melodic turns to support the sing-speak vocals that waver between understated and explosive. Though the band called Seattle home for the early part of the 1990s, the band eschews any grunge influence for post-punk and indie rock influences that helped separate the band from their homebase peers.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Nerves</p>
<p style="text-align: center;">19:28 - Quicksand</p>
<p style="text-align: center;">21:28 - Drag the River</p>
<p style="text-align: center;">29:06 - Cannibal Cannibal</p>
<p style="text-align: center;">31:07 - The Lure of Beauty</p>
<p style="text-align: center;">Outro - Don't Make Plans This Friday</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c7p9hskdrxegqgtp/SILKWORM.mp3" length="99547181" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Earnest without sliding into overwrought emo, Silkworm struck a balance between raw and refined on their fourth album, 1996's Firewater. Like most of their releases, the band turned to Steve Albini to engineer, capturing the live sound of the band crisp and clearly across the nearly hour running time. The band rarely overindulge, leaving those spare moments to the guitarist Andy Cohen, who channels the overdriven chaos of J. Mascis and Neil Young on tracks like "Wet Firecracker" and "Drag the River." The rhythm section, though never flashy, are tight and locked-in, with the bass taking melodic turns to support the sing-speak vocals that waver between understated and explosive. Though the band called Seattle home for the early part of the 1990s, the band eschews any grunge influence for post-punk and indie rock influences that helped separate the band from their homebase peers.
 
Songs In This Episode
Intro - Nerves
19:28 - Quicksand
21:28 - Drag the River
29:06 - Cannibal Cannibal
31:07 - The Lure of Beauty
Outro - Don't Make Plans This Friday
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3105</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>806</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>12 Rods - Lost Time | 00s Album Review</title>
        <itunes:title>12 Rods - Lost Time | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/12-rods-lost-time-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/12-rods-lost-time-00s-album-review/#comments</comments>        <pubDate>Tue, 24 Feb 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cabd74e3-a6e9-3fbf-96b4-1798f77dc7cc</guid>
                                    <description><![CDATA[<p style="text-align: center;">Self-produced after parting ways with their major label, <a href='https://12rods.bandcamp.com/'>12 Rods</a> released the genre-bending Lost Time in 2002, combining elements of power pop, indie rock, 70s art rock and more. Eclectic songwriting, dynamic shifts, and a mixture of organic and treated sounds balance an album full of catchy hooks with inventive and occasionally straight-up weird choices, like the loungy-groove of "Fake Magic 8-Ball," falling somewhere between Eels and Ben Folds Five, or the relentlessly melodic "Twenty Four Hours Ago." The lack of cohesion is offset by the versatility of the material, never overstaying its welcome, and quality of the songwriting that welcomes repeated listens.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Terrible Hands</p>
<p style="text-align: center;">17:12 - Fake Magic 8-Ball</p>
<p style="text-align: center;">21:19 - Summertime Vertigo</p>
<p style="text-align: center;">26:05 - Boy in the Woods</p>
<p style="text-align: center;">30:16 - Twenty Four Hours Ago</p>
<p style="text-align: center;">41:31 - The Time Is Right (To Be Wrong)</p>
<p style="text-align: center;">Outro - Accidents Waiting to Happen</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Self-produced after parting ways with their major label, <a href='https://12rods.bandcamp.com/'>12 Rods</a> released the genre-bending Lost Time in 2002, combining elements of power pop, indie rock, 70s art rock and more. Eclectic songwriting, dynamic shifts, and a mixture of organic and treated sounds balance an album full of catchy hooks with inventive and occasionally straight-up weird choices, like the loungy-groove of "Fake Magic 8-Ball," falling somewhere between Eels and Ben Folds Five, or the relentlessly melodic "Twenty Four Hours Ago." The lack of cohesion is offset by the versatility of the material, never overstaying its welcome, and quality of the songwriting that welcomes repeated listens.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Terrible Hands</p>
<p style="text-align: center;">17:12 - Fake Magic 8-Ball</p>
<p style="text-align: center;">21:19 - Summertime Vertigo</p>
<p style="text-align: center;">26:05 - Boy in the Woods</p>
<p style="text-align: center;">30:16 - Twenty Four Hours Ago</p>
<p style="text-align: center;">41:31 - The Time Is Right (To Be Wrong)</p>
<p style="text-align: center;">Outro - Accidents Waiting to Happen</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/utu8jm2nwfby8j79/12rods.mp3" length="136971339" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Self-produced after parting ways with their major label, 12 Rods released the genre-bending Lost Time in 2002, combining elements of power pop, indie rock, 70s art rock and more. Eclectic songwriting, dynamic shifts, and a mixture of organic and treated sounds balance an album full of catchy hooks with inventive and occasionally straight-up weird choices, like the loungy-groove of "Fake Magic 8-Ball," falling somewhere between Eels and Ben Folds Five, or the relentlessly melodic "Twenty Four Hours Ago." The lack of cohesion is offset by the versatility of the material, never overstaying its welcome, and quality of the songwriting that welcomes repeated listens.
 
Songs In This Episode
Intro - Terrible Hands
17:12 - Fake Magic 8-Ball
21:19 - Summertime Vertigo
26:05 - Boy in the Woods
30:16 - Twenty Four Hours Ago
41:31 - The Time Is Right (To Be Wrong)
Outro - Accidents Waiting to Happen
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4277</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>805</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>KMFDM - Naïve/Hell to Go | 90s Album Review</title>
        <itunes:title>KMFDM - Naïve/Hell to Go | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/kmfdm-naivehell-to-go-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/kmfdm-naivehell-to-go-90s-album-review/#comments</comments>        <pubDate>Tue, 10 Feb 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ce531352-8361-38e2-aabd-7eadc20c91d7</guid>
                                    <description><![CDATA[<p style="text-align: center;">Is an industrial song ever really done? KMFDM’s 1993 release Naïve/Hell to Go asks that question, revisiting tracks from their 1990 release Naïve and offering new remixes and modified versions. Leaning heavily on sequenced aggression - pounding drum machines, serrated metal guitar loops, and chant-ready slogans that feel engineered as much for the dance floor as the mosh pit. Tracks like “Go to Hell” and “A Drug Against War” distill the band’s confrontational ethos into blunt, almost cartoonishly militant hooks that nonetheless hit with real force.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Welcome/Naïve</p>
<p style="text-align: center;">19:10 - Got To Hell (Fuck MTV Mix)</p>
<p style="text-align: center;">24:57 - Godlike (Doglike Mix)</p>
<p style="text-align: center;">27:47 - Die Now Live Later (Born Again Mix)</p>
<p style="text-align: center;">Outro - Disgust (Live in Seattle)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Is an industrial song ever really done? KMFDM’s 1993 release Naïve/Hell to Go asks that question, revisiting tracks from their 1990 release Naïve and offering new remixes and modified versions. Leaning heavily on sequenced aggression - pounding drum machines, serrated metal guitar loops, and chant-ready slogans that feel engineered as much for the dance floor as the mosh pit. Tracks like “Go to Hell” and “A Drug Against War” distill the band’s confrontational ethos into blunt, almost cartoonishly militant hooks that nonetheless hit with real force.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Welcome/Naïve</p>
<p style="text-align: center;">19:10 - Got To Hell (Fuck MTV Mix)</p>
<p style="text-align: center;">24:57 - Godlike (Doglike Mix)</p>
<p style="text-align: center;">27:47 - Die Now Live Later (Born Again Mix)</p>
<p style="text-align: center;">Outro - Disgust (Live in Seattle)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tn3fy2ez7nwtk7qk/KMFDM.mp3" length="132789217" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Is an industrial song ever really done? KMFDM’s 1993 release Naïve/Hell to Go asks that question, revisiting tracks from their 1990 release Naïve and offering new remixes and modified versions. Leaning heavily on sequenced aggression - pounding drum machines, serrated metal guitar loops, and chant-ready slogans that feel engineered as much for the dance floor as the mosh pit. Tracks like “Go to Hell” and “A Drug Against War” distill the band’s confrontational ethos into blunt, almost cartoonishly militant hooks that nonetheless hit with real force.
 
Songs In This Episode
Intro - Welcome/Naïve
19:10 - Got To Hell (Fuck MTV Mix)
24:57 - Godlike (Doglike Mix)
27:47 - Die Now Live Later (Born Again Mix)
Outro - Disgust (Live in Seattle)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4135</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>804</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Broken Social Scene - You Forgot It In People | 00s Album Review</title>
        <itunes:title>Broken Social Scene - You Forgot It In People | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/broken-social-scene-you-forgot-it-in-people-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/broken-social-scene-you-forgot-it-in-people-00s-album-review/#comments</comments>        <pubDate>Tue, 27 Jan 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/db0d172f-86cf-30bc-840b-780c63862a9c</guid>
                                    <description><![CDATA[<p style="text-align: center;">You Forgot It in People captures Broken Social Scene at their most expansive, an indie rock communal experience balancing meticulous arrangements and unhinged joyfulness. Layers of guitars, synths, horns, and rotating vocalists creates a warm chaos that rewards repeated listens, as new details constantly surface. Songs like “Anthems for a Seventeen Year-Old Girl” and “Cause = Time” balance intimacy and grandeur, pairing fragile emotion with sweeping crescendos. Two decades on, it still sounds like the 2000s blueprint for how indie rock bands like Arcade Fire, Godspeed, You Black Emperor, and many more could be messy, emotional, and deeply human without losing their ambition.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Stars and Sons</p>
<p style="text-align: center;">12:15 - KC Accidental</p>
<p style="text-align: center;">20:29 - Cause = Time</p>
<p style="text-align: center;">26:03 - Anthems For A Seventeen Year-Old Girl</p>
<p style="text-align: center;">Outro - Pacific Theme</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">You Forgot It in People captures Broken Social Scene at their most expansive, an indie rock communal experience balancing meticulous arrangements and unhinged joyfulness. Layers of guitars, synths, horns, and rotating vocalists creates a warm chaos that rewards repeated listens, as new details constantly surface. Songs like “Anthems for a Seventeen Year-Old Girl” and “Cause = Time” balance intimacy and grandeur, pairing fragile emotion with sweeping crescendos. Two decades on, it still sounds like the 2000s blueprint for how indie rock bands like Arcade Fire, Godspeed, You Black Emperor, and many more could be messy, emotional, and deeply human without losing their ambition.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Stars and Sons</p>
<p style="text-align: center;">12:15 - KC Accidental</p>
<p style="text-align: center;">20:29 - Cause = Time</p>
<p style="text-align: center;">26:03 - Anthems For A Seventeen Year-Old Girl</p>
<p style="text-align: center;">Outro - Pacific Theme</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ub6pbshspwei45yh/bss.mp3" length="101185694" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You Forgot It in People captures Broken Social Scene at their most expansive, an indie rock communal experience balancing meticulous arrangements and unhinged joyfulness. Layers of guitars, synths, horns, and rotating vocalists creates a warm chaos that rewards repeated listens, as new details constantly surface. Songs like “Anthems for a Seventeen Year-Old Girl” and “Cause = Time” balance intimacy and grandeur, pairing fragile emotion with sweeping crescendos. Two decades on, it still sounds like the 2000s blueprint for how indie rock bands like Arcade Fire, Godspeed, You Black Emperor, and many more could be messy, emotional, and deeply human without losing their ambition.
 
Songs In This Episode
Intro - Stars and Sons
12:15 - KC Accidental
20:29 - Cause = Time
26:03 - Anthems For A Seventeen Year-Old Girl
Outro - Pacific Theme
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3156</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>803</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bush - Sixteen Stone | 90s Album Review</title>
        <itunes:title>Bush - Sixteen Stone | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/bush-sixteen-stone-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/bush-sixteen-stone-90s-album-review/#comments</comments>        <pubDate>Tue, 13 Jan 2026 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7b0323a7-8ef1-385c-b3c9-10c5d89f05d0</guid>
                                    <description><![CDATA[<p style="text-align: center;">Naomi Carmack of the <a href='https://dopenostalgia.podbean.com/'>Dope Nostalgia</a> podcast joins us to revisit the six times platinum debut album Sixteen Stone by Bush. Released in May of 1995, the album spawned five inescapable singles and videos released in 1995 and 1996, propelling the band into the bright media spotlight. While the band had their share of fans, they also had detractors labeling the band as radio made grunge-lite thanks to frontman Gavin Rossdale appealing to more than just a young, male audience. In revisiting the record, we take time to appreciate the guitar work of Nigel Pulsford, who riffs and slides with taste and noise throughout the well crafted record despite some lackluster album tracks.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Machinehead</p>
<p style="text-align: center;">24:13 - Testosterone</p>
<p style="text-align: center;">28:37 - Monkey</p>
<p style="text-align: center;">41:09 - Comedown</p>
<p style="text-align: center;">Outro - Little Things</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Naomi Carmack of the <a href='https://dopenostalgia.podbean.com/'>Dope Nostalgia</a> podcast joins us to revisit the six times platinum debut album Sixteen Stone by Bush. Released in May of 1995, the album spawned five inescapable singles and videos released in 1995 and 1996, propelling the band into the bright media spotlight. While the band had their share of fans, they also had detractors labeling the band as radio made grunge-lite thanks to frontman Gavin Rossdale appealing to more than just a young, male audience. In revisiting the record, we take time to appreciate the guitar work of Nigel Pulsford, who riffs and slides with taste and noise throughout the well crafted record despite some lackluster album tracks.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Machinehead</p>
<p style="text-align: center;">24:13 - Testosterone</p>
<p style="text-align: center;">28:37 - Monkey</p>
<p style="text-align: center;">41:09 - Comedown</p>
<p style="text-align: center;">Outro - Little Things</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6ksc4aa59eqq3uib/bushsixteenstone.mp3" length="121874312" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Naomi Carmack of the Dope Nostalgia podcast joins us to revisit the six times platinum debut album Sixteen Stone by Bush. Released in May of 1995, the album spawned five inescapable singles and videos released in 1995 and 1996, propelling the band into the bright media spotlight. While the band had their share of fans, they also had detractors labeling the band as radio made grunge-lite thanks to frontman Gavin Rossdale appealing to more than just a young, male audience. In revisiting the record, we take time to appreciate the guitar work of Nigel Pulsford, who riffs and slides with taste and noise throughout the well crafted record despite some lackluster album tracks.
 
Songs In This Episode
Intro - Machinehead
24:13 - Testosterone
28:37 - Monkey
41:09 - Comedown
Outro - Little Things
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3802</itunes:duration>
        <itunes:season>16</itunes:season>
        <itunes:episode>802</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Season Fifteen Review</title>
        <itunes:title>Season Fifteen Review</itunes:title>
        <link>https://digmeout.podbean.com/e/season-fifteen-review/</link>
                    <comments>https://digmeout.podbean.com/e/season-fifteen-review/#comments</comments>        <pubDate>Tue, 30 Dec 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4b681ce2-659a-347d-a166-a91b95552a13</guid>
                                    <description><![CDATA[<p style="text-align: center;">Our fifteenth season is in the books. Check out our picks for most surprising discoveries, the top review albums, and more from 2025. Stay tuned as towards the end we cover some changes to the DMO schedule and more choices for album picking patrons starting in 2026.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Our fifteenth season is in the books. Check out our picks for most surprising discoveries, the top review albums, and more from 2025. Stay tuned as towards the end we cover some changes to the DMO schedule and more choices for album picking patrons starting in 2026.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uke57qxnbdguytvr/2025review.mp3" length="69849259" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our fifteenth season is in the books. Check out our picks for most surprising discoveries, the top review albums, and more from 2025. Stay tuned as towards the end we cover some changes to the DMO schedule and more choices for album picking patrons starting in 2026.
 
Songs In This Episode
Intro - Dig Me Out by Sleater-Kinney
Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2177</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>801</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Heart - Surviving The 90s</title>
        <itunes:title>Heart - Surviving The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/heart-surviving-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/heart-surviving-the-90s/#comments</comments>        <pubDate>Tue, 23 Dec 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f3e09d7b-0f8d-3147-962e-1d3be5b304ce</guid>
                                    <description><![CDATA[<p style="text-align: center;">In our fourth installment of Surviving the 90s, we’re revisiting Heart - the band that not only churned out hits across multiple decades, but played a key role in the burgeoning Seattle music scene of the 80s and 90s. Known for a string of massive hits like "Barracuda," "Crazy On You," "Magic Man,"  and more in the 70s, the chart-topping band suffered a downturn in the early 80s only to return with two successful albums, 1985's self-titled record and the 1987 follow-up Bad Animals, both of which achieved multi-Platinum status. But as the musical landscape shifted in the 90s, the band released their 1990 album Brigade to a shifting musical landscape, and doubled-down with the out-of-step Desire Walks In in 1993. Though new hits failed to materialize, they continued to remain relevant thanks to their strong ties to the Seattle scene and the undeniable talent of Ann and Nancy Wilson. We revisit their biggest hits, their activity in the 90s, and try to determine: did Heart thrive, adapt, or fade during the decade?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Barracuda</p>
<p style="text-align: center;">21:49 - Heartless</p>
<p style="text-align: center;">41:31 - Wild Child</p>
<p style="text-align: center;">51:16 - Will You Be There (In The Morning)</p>
<p style="text-align: center;">Outro - Magic Man</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In our fourth installment of <em>Surviving the 90s</em>, we’re revisiting Heart - the band that not only churned out hits across multiple decades, but played a key role in the burgeoning Seattle music scene of the 80s and 90s. Known for a string of massive hits like "Barracuda," "Crazy On You," "Magic Man,"  and more in the 70s, the chart-topping band suffered a downturn in the early 80s only to return with two successful albums, 1985's self-titled record and the 1987 follow-up Bad Animals, both of which achieved multi-Platinum status. But as the musical landscape shifted in the 90s, the band released their 1990 album Brigade to a shifting musical landscape, and doubled-down with the out-of-step Desire Walks In in 1993. Though new hits failed to materialize, they continued to remain relevant thanks to their strong ties to the Seattle scene and the undeniable talent of Ann and Nancy Wilson. We revisit their biggest hits, their activity in the 90s, and try to determine: did Heart thrive, adapt, or fade during the decade?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Barracuda</p>
<p style="text-align: center;">21:49 - Heartless</p>
<p style="text-align: center;">41:31 - Wild Child</p>
<p style="text-align: center;">51:16 - Will You Be There (In The Morning)</p>
<p style="text-align: center;">Outro - Magic Man</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r6ci89ji77ckgb9r/heartsurviving90s.mp3" length="171297988" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our fourth installment of Surviving the 90s, we’re revisiting Heart - the band that not only churned out hits across multiple decades, but played a key role in the burgeoning Seattle music scene of the 80s and 90s. Known for a string of massive hits like "Barracuda," "Crazy On You," "Magic Man,"  and more in the 70s, the chart-topping band suffered a downturn in the early 80s only to return with two successful albums, 1985's self-titled record and the 1987 follow-up Bad Animals, both of which achieved multi-Platinum status. But as the musical landscape shifted in the 90s, the band released their 1990 album Brigade to a shifting musical landscape, and doubled-down with the out-of-step Desire Walks In in 1993. Though new hits failed to materialize, they continued to remain relevant thanks to their strong ties to the Seattle scene and the undeniable talent of Ann and Nancy Wilson. We revisit their biggest hits, their activity in the 90s, and try to determine: did Heart thrive, adapt, or fade during the decade?
 
Songs In This Episode
Intro - Barracuda
21:49 - Heartless
41:31 - Wild Child
51:16 - Will You Be There (In The Morning)
Outro - Magic Man
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5347</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>800</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fantômas - Fantômas | 90s Album Review</title>
        <itunes:title>Fantômas - Fantômas | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/fantomas-fantomas-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/fantomas-fantomas-90s-album-review/#comments</comments>        <pubDate>Tue, 16 Dec 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/45e8a298-1420-3c65-9b3f-b2721cb7e065</guid>
                                    <description><![CDATA[<p style="text-align: center;">Fantômas’ self-titled 1999 debut establishes the concept from note one: an exercise in extreme, avant-garde expression, and as a listener it’s easy to understand what the band is attempting. The barrage of short, fragmented pieces and sudden stylistic shifts signal a deliberate rejection of traditional song structure. Mike Patton’s vocalizations function more as sound effects than performances, reinforcing the record’s abstract intent. While the musicianship, particularly Dave Lombardo’s precision drumming and the band’s tight execution, is impossible to deny, the experience can feel more clinical than engaging. The experimental nature creates distance, making it difficult to emotionally connect despite appreciating the idea behind it. In the end, Fantômas succeeds intellectually, but the album’s confrontational approach may leave some listeners admiring the concept more than the music itself.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Book 1: Page 1</p>
<p style="text-align: center;">12:12 - Book 1: Page 4</p>
<p style="text-align: center;">16:42 - Book 1: Page 17</p>
<p style="text-align: center;">21:12 - Book 1: Page 7</p>
<p style="text-align: center;">Outro - Book 1: Page 30</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Fantômas’ self-titled 1999 debut establishes the concept from note one: an exercise in extreme, avant-garde expression, and as a listener it’s easy to understand what the band is attempting. The barrage of short, fragmented pieces and sudden stylistic shifts signal a deliberate rejection of traditional song structure. Mike Patton’s vocalizations function more as sound effects than performances, reinforcing the record’s abstract intent. While the musicianship, particularly Dave Lombardo’s precision drumming and the band’s tight execution, is impossible to deny, the experience can feel more clinical than engaging. The experimental nature creates distance, making it difficult to emotionally connect despite appreciating the idea behind it. In the end, Fantômas succeeds intellectually, but the album’s confrontational approach may leave some listeners admiring the concept more than the music itself.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Book 1: Page 1</p>
<p style="text-align: center;">12:12 - Book 1: Page 4</p>
<p style="text-align: center;">16:42 - Book 1: Page 17</p>
<p style="text-align: center;">21:12 - Book 1: Page 7</p>
<p style="text-align: center;">Outro - Book 1: Page 30</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hhnbmmxib8qu7p5c/fantomas.mp3" length="66296605" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fantômas’ self-titled 1999 debut establishes the concept from note one: an exercise in extreme, avant-garde expression, and as a listener it’s easy to understand what the band is attempting. The barrage of short, fragmented pieces and sudden stylistic shifts signal a deliberate rejection of traditional song structure. Mike Patton’s vocalizations function more as sound effects than performances, reinforcing the record’s abstract intent. While the musicianship, particularly Dave Lombardo’s precision drumming and the band’s tight execution, is impossible to deny, the experience can feel more clinical than engaging. The experimental nature creates distance, making it difficult to emotionally connect despite appreciating the idea behind it. In the end, Fantômas succeeds intellectually, but the album’s confrontational approach may leave some listeners admiring the concept more than the music itself.
 
Songs In This Episode
Intro - Book 1: Page 1
12:12 - Book 1: Page 4
16:42 - Book 1: Page 17
21:12 - Book 1: Page 7
Outro - Book 1: Page 30
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2071</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>799</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Belly - King | 90s Album Review</title>
        <itunes:title>Belly - King | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/belly-king-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/belly-king-90s-album-review/#comments</comments>        <pubDate>Tue, 09 Dec 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/740310d2-81f1-342b-985f-d6274445e34e</guid>
                                    <description><![CDATA[<p style="text-align: center;">Star, the 1993 debut album by Belly, blends dreamy alt-rock textures with Tanya Donnelly’s airy, emotionally charged vocals and songwriting. Shimmering guitars and off-kilter hooks give the album a distinctive, almost fairy-tale quality that set it apart from its grunge-era peers, drawing as much from UK dream and jangle pop as American alternative. Singles like “Feed the Tree” and “Gepetto” highlight Donnelly’s knack for bright melodies wrapped around enigmatic lyrics. Throughout the album, the band balances buoyant energy with darker undercurrents, creating a sound that feels both inviting and haunting, though it does a bit long at fifteen tracks and over fifty minutes.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Feed The Tree</p>
<p style="text-align: center;">15:36 - White Belly</p>
<p style="text-align: center;">20:06 - Gepetto</p>
<p style="text-align: center;">21:58 - Angel</p>
<p style="text-align: center;">Outro - Dusted</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Star, the 1993 debut album by Belly, blends dreamy alt-rock textures with Tanya Donnelly’s airy, emotionally charged vocals and songwriting. Shimmering guitars and off-kilter hooks give the album a distinctive, almost fairy-tale quality that set it apart from its grunge-era peers, drawing as much from UK dream and jangle pop as American alternative. Singles like “Feed the Tree” and “Gepetto” highlight Donnelly’s knack for bright melodies wrapped around enigmatic lyrics. Throughout the album, the band balances buoyant energy with darker undercurrents, creating a sound that feels both inviting and haunting, though it does a bit long at fifteen tracks and over fifty minutes.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Feed The Tree</p>
<p style="text-align: center;">15:36 - White Belly</p>
<p style="text-align: center;">20:06 - Gepetto</p>
<p style="text-align: center;">21:58 - Angel</p>
<p style="text-align: center;">Outro - Dusted</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3r9hrabuyqr5kvce/belly.mp3" length="82152247" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Star, the 1993 debut album by Belly, blends dreamy alt-rock textures with Tanya Donnelly’s airy, emotionally charged vocals and songwriting. Shimmering guitars and off-kilter hooks give the album a distinctive, almost fairy-tale quality that set it apart from its grunge-era peers, drawing as much from UK dream and jangle pop as American alternative. Singles like “Feed the Tree” and “Gepetto” highlight Donnelly’s knack for bright melodies wrapped around enigmatic lyrics. Throughout the album, the band balances buoyant energy with darker undercurrents, creating a sound that feels both inviting and haunting, though it does a bit long at fifteen tracks and over fifty minutes.
 
Songs In This Episode
Intro - Feed The Tree
15:36 - White Belly
20:06 - Gepetto
21:58 - Angel
Outro - Dusted
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2565</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>798</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Eve 6 - Eve 6 | 90s Album Review</title>
        <itunes:title>Eve 6 - Eve 6 | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/eve-6-eve-6-90s-album/</link>
                    <comments>https://digmeout.podbean.com/e/eve-6-eve-6-90s-album/#comments</comments>        <pubDate>Tue, 02 Dec 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a087d00c-caf4-303a-9319-8bfda23c868b</guid>
                                    <description><![CDATA[<p style="text-align: center;">Eve 6’s 1998 self-titled debut delivered a punchy slice of late-’90s alternative rock loaded with catchy hooks and teenage urgency. The band utilizes pop-punk energy without the whine, creating a sound that’s both radio-friendly and tightly performed, showcasing their knack for clever, rapid-fire lyrics and instantly memorable choruses. The album balances angst and humor, giving it a charm that sets it apart from many of its era peers, and more twists and turns than one might expected based on the lead single "Inside Out."
</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Inside Out</p>
<p style="text-align: center;">19:51 - Jesus Nitelite</p>
<p style="text-align: center;">23:44 - Leech</p>
<p style="text-align: center;">39:26 - Showerhead</p>
<p style="text-align: center;">Outro - Small Town Trap</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Eve 6’s 1998 self-titled debut delivered a punchy slice of late-’90s alternative rock loaded with catchy hooks and teenage urgency. The band utilizes pop-punk energy without the whine, creating a sound that’s both radio-friendly and tightly performed, showcasing their knack for clever, rapid-fire lyrics and instantly memorable choruses. The album balances angst and humor, giving it a charm that sets it apart from many of its era peers, and more twists and turns than one might expected based on the lead single "Inside Out."<br>
</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Inside Out</p>
<p style="text-align: center;">19:51 - Jesus Nitelite</p>
<p style="text-align: center;">23:44 - Leech</p>
<p style="text-align: center;">39:26 - Showerhead</p>
<p style="text-align: center;">Outro - Small Town Trap</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hkhhcqk4cnwgptaa/eve6.mp3" length="98696935" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Eve 6’s 1998 self-titled debut delivered a punchy slice of late-’90s alternative rock loaded with catchy hooks and teenage urgency. The band utilizes pop-punk energy without the whine, creating a sound that’s both radio-friendly and tightly performed, showcasing their knack for clever, rapid-fire lyrics and instantly memorable choruses. The album balances angst and humor, giving it a charm that sets it apart from many of its era peers, and more twists and turns than one might expected based on the lead single "Inside Out."
 
Songs In This Episode
Intro - Inside Out
19:51 - Jesus Nitelite
23:44 - Leech
39:26 - Showerhead
Outro - Small Town Trap
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3079</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>797</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Music We're Thankful for in 2025 | Roundtable</title>
        <itunes:title>New Music We're Thankful for in 2025 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/new-music-were-thankful-for-in-2025-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/new-music-were-thankful-for-in-2025-roundtable/#comments</comments>        <pubDate>Tue, 25 Nov 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3412f69c-24a2-3f48-a52c-fbc1abdbe4bf</guid>
                                    <description><![CDATA[<p style="text-align: center;">Another Thanksgiving is upon us, and our yearly post-Covid tradition continues as we gather patrons together and give thanks for the new music that gave us happiness and good vibes in 2025. There's a wide array of bands and artists, new and old, that helped make 2025 another great year for music!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Critical Thinking by Manic Street Preachers</p>
<p style="text-align: center;">Outro - Disintegrate by Suede</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Another Thanksgiving is upon us, and our yearly post-Covid tradition continues as we gather patrons together and give thanks for the new music that gave us happiness and good vibes in 2025. There's a wide array of bands and artists, new and old, that helped make 2025 another great year for music!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Critical Thinking by Manic Street Preachers</p>
<p style="text-align: center;">Outro - Disintegrate by Suede</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kcmpfbdmgi7imndf/thanks2025.mp3" length="108761709" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Another Thanksgiving is upon us, and our yearly post-Covid tradition continues as we gather patrons together and give thanks for the new music that gave us happiness and good vibes in 2025. There's a wide array of bands and artists, new and old, that helped make 2025 another great year for music!
 
Songs In This Episode
Intro - Critical Thinking by Manic Street Preachers
Outro - Disintegrate by Suede
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3315</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>796</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Creed And Butt Rock | 90s Album Review and Genre Discussion</title>
        <itunes:title>Creed And Butt Rock | 90s Album Review and Genre Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/creed-and-butt-rock-90s-album-review-and-genre-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/creed-and-butt-rock-90s-album-review-and-genre-discussion/#comments</comments>        <pubDate>Tue, 18 Nov 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f8738a84-7025-3879-8d04-9d2d645bd957</guid>
                                    <description><![CDATA[<p style="text-align: center;">Human Clay by Creed is a polished, radio-ready slab of late-’90s hard rock that helped define (fairly or unfairly) the aesthetic now cheekily labeled “butt rock.” The album leans heavily on soaring, overly-earnest choruses and Mark Tremonti’s muscular guitar work, which give tracks like “Higher” and “With Arms Wide Open” a memorable arena-rock punch. Scott Stapp’s vocals, full of dramatic baritone gravitas, remain divisive but central to the band’s signature sound. The record can feel repetitive in its reliance on inspirational platitudes, its glossy production, and melodic hooks without much depth. Ultimately, Human Clay stands as both a commercial triumph and a touchstone for the era’s post-grunge mainstream, embracing the very qualities that later sparked the backlash “butt rock” label.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Higher</p>
<p style="text-align: center;">28:42 - Beautiful</p>
<p style="text-align: center;">33:40 - Are You Ready</p>
<p style="text-align: center;">37:57 - Never Die</p>
<p style="text-align: center;">53:57 - What If</p>
<p style="text-align: center;">Outro - With Arms Wide Open</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Human Clay by Creed is a polished, radio-ready slab of late-’90s hard rock that helped define (fairly or unfairly) the aesthetic now cheekily labeled “butt rock.” The album leans heavily on soaring, overly-earnest choruses and Mark Tremonti’s muscular guitar work, which give tracks like “Higher” and “With Arms Wide Open” a memorable arena-rock punch. Scott Stapp’s vocals, full of dramatic baritone gravitas, remain divisive but central to the band’s signature sound. The record can feel repetitive in its reliance on inspirational platitudes, its glossy production, and melodic hooks without much depth. Ultimately, Human Clay stands as both a commercial triumph and a touchstone for the era’s post-grunge mainstream, embracing the very qualities that later sparked the backlash “butt rock” label.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Higher</p>
<p style="text-align: center;">28:42 - Beautiful</p>
<p style="text-align: center;">33:40 - Are You Ready</p>
<p style="text-align: center;">37:57 - Never Die</p>
<p style="text-align: center;">53:57 - What If</p>
<p style="text-align: center;">Outro - With Arms Wide Open</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6iejvfkrdus3hnuk/creedbutt.mp3" length="144748008" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Human Clay by Creed is a polished, radio-ready slab of late-’90s hard rock that helped define (fairly or unfairly) the aesthetic now cheekily labeled “butt rock.” The album leans heavily on soaring, overly-earnest choruses and Mark Tremonti’s muscular guitar work, which give tracks like “Higher” and “With Arms Wide Open” a memorable arena-rock punch. Scott Stapp’s vocals, full of dramatic baritone gravitas, remain divisive but central to the band’s signature sound. The record can feel repetitive in its reliance on inspirational platitudes, its glossy production, and melodic hooks without much depth. Ultimately, Human Clay stands as both a commercial triumph and a touchstone for the era’s post-grunge mainstream, embracing the very qualities that later sparked the backlash “butt rock” label.
 
Songs In This Episode
Intro - Higher
28:42 - Beautiful
33:40 - Are You Ready
37:57 - Never Die
53:57 - What If
Outro - With Arms Wide Open
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4519</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>795</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Speedstar - Bruises You Can Touch | 00s Album Review</title>
        <itunes:title>Speedstar - Bruises You Can Touch | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/speedstar-bruises-you-can-touch-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/speedstar-bruises-you-can-touch-00s-album-review/#comments</comments>        <pubDate>Tue, 11 Nov 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6a961686-573b-362f-83bc-99464204f56e</guid>
                                    <description><![CDATA[<p style="text-align: center;">In 2002 Speedstar released their debut, Bruises You Can Touch, and unless you were in Australia, you probably never heard it. The Australian band's first album is a quietly affecting collection of melancholic indie pop that trades in mood and atmosphere over flash. Restrained production gives the band’s delicate melodies and wistful vocals room to breathe, creating an intimate and emotionally resonant experience. The album blends acoustic warmth and subtle distorted textures that recalls early Coldplay, Keane, Starsailor, and other 2000s post-Britpop bands, and stands as an overlooked gem of early-2000s indie.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song For You</p>
<p style="text-align: center;">9:24 - Crazy Happy</p>
<p style="text-align: center;">16:39 - This Everyday Life (Into Your Arms)</p>
<p style="text-align: center;">22:59 - Piano Song (Sometimes)</p>
<p style="text-align: center;">26:09 - Wishing Your Life Away</p>
<p style="text-align: center;">29:12 - It's Ok To Be Sad When It Rains</p>
<p style="text-align: center;">Outro - Revolution</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In 2002 Speedstar released their debut, Bruises You Can Touch, and unless you were in Australia, you probably never heard it. The Australian band's first album is a quietly affecting collection of melancholic indie pop that trades in mood and atmosphere over flash. Restrained production gives the band’s delicate melodies and wistful vocals room to breathe, creating an intimate and emotionally resonant experience. The album blends acoustic warmth and subtle distorted textures that recalls early Coldplay, Keane, Starsailor, and other 2000s post-Britpop bands, and stands as an overlooked gem of early-2000s indie.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song For You</p>
<p style="text-align: center;">9:24 - Crazy Happy</p>
<p style="text-align: center;">16:39 - This Everyday Life (Into Your Arms)</p>
<p style="text-align: center;">22:59 - Piano Song (Sometimes)</p>
<p style="text-align: center;">26:09 - Wishing Your Life Away</p>
<p style="text-align: center;">29:12 - It's Ok To Be Sad When It Rains</p>
<p style="text-align: center;">Outro - Revolution</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/26evuae453j9w733/speedstar.mp3" length="78921362" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 2002 Speedstar released their debut, Bruises You Can Touch, and unless you were in Australia, you probably never heard it. The Australian band's first album is a quietly affecting collection of melancholic indie pop that trades in mood and atmosphere over flash. Restrained production gives the band’s delicate melodies and wistful vocals room to breathe, creating an intimate and emotionally resonant experience. The album blends acoustic warmth and subtle distorted textures that recalls early Coldplay, Keane, Starsailor, and other 2000s post-Britpop bands, and stands as an overlooked gem of early-2000s indie.
 
Songs In This Episode
Intro - Song For You
9:24 - Crazy Happy
16:39 - This Everyday Life (Into Your Arms)
22:59 - Piano Song (Sometimes)
26:09 - Wishing Your Life Away
29:12 - It's Ok To Be Sad When It Rains
Outro - Revolution
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2462</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>794</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nuno - Schizophonic | 90s Album Review</title>
        <itunes:title>Nuno - Schizophonic | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/nuno-schizophonic-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/nuno-schizophonic-90s-album-review/#comments</comments>        <pubDate>Tue, 04 Nov 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a37eec26-da1b-316f-a7f6-a180baa157fc</guid>
                                    <description><![CDATA[<p style="text-align: center;">Virtuoso guitarist Nuno Bettencourt of Extreme stepped out on his own for the 1997 solo debut Schizophonic to explore a more diverse sonic landscape. Blending alt-rock, power pop, and electronic influences, the album showcases Bettencourt’s strong sense of melody and knack for songwriting. Tracks like “Gravity” and “Swollen Princess” highlight his ability to fuse inventive guitar riffs with catchy hooks, with production that leans toward the dense, experimental textures of late-’90s rock. Having flown under the radar, Schizophonic stands as an underrated and inventive record that captures an artist unafraid to reinvent himself, a fascinating glimpse of what happens when a guitar hero eschews showmanship for songwriting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Gravity</p>
<p style="text-align: center;">14:23 - What You Want</p>
<p style="text-align: center;">19:28 - Karmalaa</p>
<p style="text-align: center;">25:43 - Swollen Princess</p>
<p style="text-align: center;">36:31 - Fine By Me</p>
<p style="text-align: center;">47:28 - Fallen Angels</p>
<p style="text-align: center;">Outro - Severed</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Virtuoso guitarist Nuno Bettencourt of Extreme stepped out on his own for the 1997 solo debut Schizophonic to explore a more diverse sonic landscape. Blending alt-rock, power pop, and electronic influences, the album showcases Bettencourt’s strong sense of melody and knack for songwriting. Tracks like “Gravity” and “Swollen Princess” highlight his ability to fuse inventive guitar riffs with catchy hooks, with production that leans toward the dense, experimental textures of late-’90s rock. Having flown under the radar, Schizophonic stands as an underrated and inventive record that captures an artist unafraid to reinvent himself, a fascinating glimpse of what happens when a guitar hero eschews showmanship for songwriting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Gravity</p>
<p style="text-align: center;">14:23 - What You Want</p>
<p style="text-align: center;">19:28 - Karmalaa</p>
<p style="text-align: center;">25:43 - Swollen Princess</p>
<p style="text-align: center;">36:31 - Fine By Me</p>
<p style="text-align: center;">47:28 - Fallen Angels</p>
<p style="text-align: center;">Outro - Severed</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/26uznzsvvi7kxmgc/nuno.mp3" length="115263861" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Virtuoso guitarist Nuno Bettencourt of Extreme stepped out on his own for the 1997 solo debut Schizophonic to explore a more diverse sonic landscape. Blending alt-rock, power pop, and electronic influences, the album showcases Bettencourt’s strong sense of melody and knack for songwriting. Tracks like “Gravity” and “Swollen Princess” highlight his ability to fuse inventive guitar riffs with catchy hooks, with production that leans toward the dense, experimental textures of late-’90s rock. Having flown under the radar, Schizophonic stands as an underrated and inventive record that captures an artist unafraid to reinvent himself, a fascinating glimpse of what happens when a guitar hero eschews showmanship for songwriting.
 
Songs In This Episode
Intro - Gravity
14:23 - What You Want
19:28 - Karmalaa
25:43 - Swollen Princess
36:31 - Fine By Me
47:28 - Fallen Angels
Outro - Severed
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3599</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>793</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sixteen Horsepower - Sackcloth 'N' Ashes | 90s Album Review</title>
        <itunes:title>Sixteen Horsepower - Sackcloth 'N' Ashes | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/sixteen-horsepower-sackcloth-n-ashes-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/sixteen-horsepower-sackcloth-n-ashes-90s-album-review/#comments</comments>        <pubDate>Tue, 28 Oct 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e5cab714-e359-3d70-9593-21473c35a976</guid>
                                    <description><![CDATA[<p style="text-align: center;">Appalachian folk, Gothic country, and fire-and-brimstone intensity are not sounds you heard often on alternative albums in the 1990s. Sixteen Horsepower, led by David Eugene Edwards’ trembling voice and Old Testament fervor, sings like a sermon delivered from the traveling pulpit of redemption and ruin on their 1996 debut Sackcloth 'N Ashes. Songs churn with banjo, accordion, and tremolo guitar, evoking both frontier hardship and Calvinistic spiritual warfare. The production is stark yet cinematic, allowing every haunted whisper and stomped rhythm to resonate. While fans of Nick Cave, The Handsome Family, The Gun Club, etc. will find commonality, those unfamiliar may take a bit to warm up.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Soul Choir</p>
<p style="text-align: center;">21:14 - Prison Shoe Romp</p>
<p style="text-align: center;">23:37 - Horse Head</p>
<p style="text-align: center;">34:09 - Red Neck Reel</p>
<p style="text-align: center;">Outro - Strong Man</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Appalachian folk, Gothic country, and fire-and-brimstone intensity are not sounds you heard often on alternative albums in the 1990s. Sixteen Horsepower, led by David Eugene Edwards’ trembling voice and Old Testament fervor, sings like a sermon delivered from the traveling pulpit of redemption and ruin on their 1996 debut Sackcloth 'N Ashes. Songs churn with banjo, accordion, and tremolo guitar, evoking both frontier hardship and Calvinistic spiritual warfare. The production is stark yet cinematic, allowing every haunted whisper and stomped rhythm to resonate. While fans of Nick Cave, The Handsome Family, The Gun Club, etc. will find commonality, those unfamiliar may take a bit to warm up.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Soul Choir</p>
<p style="text-align: center;">21:14 - Prison Shoe Romp</p>
<p style="text-align: center;">23:37 - Horse Head</p>
<p style="text-align: center;">34:09 - Red Neck Reel</p>
<p style="text-align: center;">Outro - Strong Man</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sxdmg8s6dnntjqnh/16horse.mp3" length="83346389" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Appalachian folk, Gothic country, and fire-and-brimstone intensity are not sounds you heard often on alternative albums in the 1990s. Sixteen Horsepower, led by David Eugene Edwards’ trembling voice and Old Testament fervor, sings like a sermon delivered from the traveling pulpit of redemption and ruin on their 1996 debut Sackcloth 'N Ashes. Songs churn with banjo, accordion, and tremolo guitar, evoking both frontier hardship and Calvinistic spiritual warfare. The production is stark yet cinematic, allowing every haunted whisper and stomped rhythm to resonate. While fans of Nick Cave, The Handsome Family, The Gun Club, etc. will find commonality, those unfamiliar may take a bit to warm up.
 
Songs In This Episode
Intro - Black Soul Choir
21:14 - Prison Shoe Romp
23:37 - Horse Head
34:09 - Red Neck Reel
Outro - Strong Man
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2596</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>792</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Charm Farm - Pervert | 90s Album Review</title>
        <itunes:title>Charm Farm - Pervert | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/charm-farm-pervert-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/charm-farm-pervert-90s-album-review/#comments</comments>        <pubDate>Tue, 21 Oct 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d1117d7d-bf45-3f8a-b755-b369e878f9fa</guid>
                                    <description><![CDATA[<p style="text-align: center;">Pervert by Charm Farm swaggered into the mid-’90s with industrial-tinged alternative rock that fused sleazy hooks with gritty guitar licks. Mechanical grooves create a sound that feels both nightclub-ready and deeply personal. Tracks like “Superstar” and “Sick” capture the era’s obsession with fame and self-destruction while wrapped in infectious, neon-lit melodies. Completely overlooked upon release, Pervert offers sleek and subversive rock at a time the mainstream sought a more radio friendly (i.e. marketable) sound.</p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - I'm A Man</p>
<p style="text-align: center;">13:52 - Sick</p>
<p style="text-align: center;">18:44 - Superstar</p>
<p style="text-align: center;">26:07 - Pain</p>
<p style="text-align: center;">31:14 - Pervert</p>
<p style="text-align: center;">Outro - Desire</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Pervert by Charm Farm swaggered into the mid-’90s with industrial-tinged alternative rock that fused sleazy hooks with gritty guitar licks. Mechanical grooves create a sound that feels both nightclub-ready and deeply personal. Tracks like “Superstar” and “Sick” capture the era’s obsession with fame and self-destruction while wrapped in infectious, neon-lit melodies. Completely overlooked upon release, Pervert offers sleek and subversive rock at a time the mainstream sought a more radio friendly (i.e. marketable) sound.</p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - I'm A Man</p>
<p style="text-align: center;">13:52 - Sick</p>
<p style="text-align: center;">18:44 - Superstar</p>
<p style="text-align: center;">26:07 - Pain</p>
<p style="text-align: center;">31:14 - Pervert</p>
<p style="text-align: center;">Outro - Desire</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4tuywxiz2xnwg9qq/charmfarm.mp3" length="124187632" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pervert by Charm Farm swaggered into the mid-’90s with industrial-tinged alternative rock that fused sleazy hooks with gritty guitar licks. Mechanical grooves create a sound that feels both nightclub-ready and deeply personal. Tracks like “Superstar” and “Sick” capture the era’s obsession with fame and self-destruction while wrapped in infectious, neon-lit melodies. Completely overlooked upon release, Pervert offers sleek and subversive rock at a time the mainstream sought a more radio friendly (i.e. marketable) sound.
Songs In This Episode
Intro - I'm A Man
13:52 - Sick
18:44 - Superstar
26:07 - Pain
31:14 - Pervert
Outro - Desire
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3879</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>791</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pearl Jam Live! Author Serena Fragassi | Interview</title>
        <itunes:title>Pearl Jam Live! Author Serena Fragassi | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/pearl-jam-live-author-serena-fragassi-interview/</link>
                    <comments>https://digmeout.podbean.com/e/pearl-jam-live-author-serena-fragassi-interview/#comments</comments>        <pubDate>Tue, 14 Oct 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1cda94a3-38c2-3675-85db-5042ee575bb2</guid>
                                    <description><![CDATA[<p style="text-align: center;">Author Serena Fragassi joins us to discuss her new book, "Pearl Jam Live! 35 Years Of Legendary Music And Revolutionary Shows." Filled with band history, archival photography, interviews, and more, the book covers Pearl Jam's evolution, influence, fan culture and community, behind-the-scenes stories, and much, much more. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - State of Love and Trust*</p>
<p style="text-align: center;">31:49 - Evenflow*</p>
<p style="text-align: center;">Outro - Black*</p>
<p style="text-align: center;">(*Live from the Dissident singles)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Author Serena Fragassi joins us to discuss her new book, "Pearl Jam Live! 35 Years Of Legendary Music And Revolutionary Shows." Filled with band history, archival photography, interviews, and more, the book covers Pearl Jam's evolution, influence, fan culture and community, behind-the-scenes stories, and much, much more. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - State of Love and Trust*</p>
<p style="text-align: center;">31:49 - Evenflow*</p>
<p style="text-align: center;">Outro - Black*</p>
<p style="text-align: center;">(*Live from the Dissident singles)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vyhvsjew5dnrzrvp/pj35withserena.mp3" length="113552872" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Author Serena Fragassi joins us to discuss her new book, "Pearl Jam Live! 35 Years Of Legendary Music And Revolutionary Shows." Filled with band history, archival photography, interviews, and more, the book covers Pearl Jam's evolution, influence, fan culture and community, behind-the-scenes stories, and much, much more. 
 
Songs In This Episode
Intro - State of Love and Trust*
31:49 - Evenflow*
Outro - Black*
(*Live from the Dissident singles)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3545</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>790</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Eve's Plum - Envy | 90s Album Review</title>
        <itunes:title>Eve's Plum - Envy | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/eves-plum-envy-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/eves-plum-envy-90s-album-review/#comments</comments>        <pubDate>Tue, 07 Oct 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9c8e0dbc-79e7-3e06-892f-30a6e8bec05a</guid>
                                    <description><![CDATA[<p style="text-align: center;">Eve’s Plum captured the multi-genre energy of the early 90s on their 1993 debut Envy. Fronted by Colleen Fitzpatrick (later known as pop star Vitamin C) the band blended fuzzed-out guitars and hook-heavy melodies that sat comfortably between the noisy shoegaze of Swervedriver and the sweet hooks of Letters to Cleo. Tracks like “Blue” and “I Want It All” showcase their sharp, dynamic songwriting wrapped in punchy production. While Envy didn’t break through commercially, it hinted at the band’s knack for balancing angst and charm, that maybe a little editing could have improved.</p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Once Twice</p>
<p style="text-align: center;">20:02 - I Want It All</p>
<p style="text-align: center;">23:47 - Blue</p>
<p style="text-align: center;">37:21 - Die Like Someone</p>
<p style="text-align: center;">Outro - Lovely You</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Eve’s Plum captured the multi-genre energy of the early 90s on their 1993 debut Envy. Fronted by Colleen Fitzpatrick (later known as pop star Vitamin C) the band blended fuzzed-out guitars and hook-heavy melodies that sat comfortably between the noisy shoegaze of Swervedriver and the sweet hooks of Letters to Cleo. Tracks like “Blue” and “I Want It All” showcase their sharp, dynamic songwriting wrapped in punchy production. While Envy didn’t break through commercially, it hinted at the band’s knack for balancing angst and charm, that maybe a little editing could have improved.</p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Once Twice</p>
<p style="text-align: center;">20:02 - I Want It All</p>
<p style="text-align: center;">23:47 - Blue</p>
<p style="text-align: center;">37:21 - Die Like Someone</p>
<p style="text-align: center;">Outro - Lovely You</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b3xik3znfjihn542/evesplum.mp3" length="104134024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Eve’s Plum captured the multi-genre energy of the early 90s on their 1993 debut Envy. Fronted by Colleen Fitzpatrick (later known as pop star Vitamin C) the band blended fuzzed-out guitars and hook-heavy melodies that sat comfortably between the noisy shoegaze of Swervedriver and the sweet hooks of Letters to Cleo. Tracks like “Blue” and “I Want It All” showcase their sharp, dynamic songwriting wrapped in punchy production. While Envy didn’t break through commercially, it hinted at the band’s knack for balancing angst and charm, that maybe a little editing could have improved.
Songs In This Episode
Intro - Once Twice
20:02 - I Want It All
23:47 - Blue
37:21 - Die Like Someone
Outro - Lovely You
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3250</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>789</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Maximo Park - A Certain Trigger | 00s Album Review</title>
        <itunes:title>Maximo Park - A Certain Trigger | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/maximo-park-a-certain-trigger-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/maximo-park-a-certain-trigger-00s-album-review/#comments</comments>        <pubDate>Tue, 30 Sep 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/798d5f59-055d-3bb8-92ca-398e383cbfe1</guid>
                                    <description><![CDATA[<p style="text-align: center;">Twenty years since their debut, Maxïmo Park’s A Certain Trigger announces itself with angular guitars, driving rhythms, and Paul Smith’s earnest, impassioned vocals that give the songs both urgency and heart. Tracks like “Apply Some Pressure” and “Graffiti” capture the restless energy of youth, the album skillfully marries wiry indie-rock grit with pop immediacy. The band carved out their own voice amid a crowded scene that included the likes of The Futureheads, Bloc Party, The Kaiser Chiefs, and more post-Britpop bands with tight arrangements and inspired studio choices with a variety of keyboard sounds.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Apply Some Pressure</p>
<p style="text-align: center;">14:03 - Signal And Sign</p>
<p style="text-align: center;">28:46 - I Want You To Stay</p>
<p style="text-align: center;">35:45 - Postcard of a Painting</p>
<p style="text-align: center;">Outro - Graffiti</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Twenty years since their debut, Maxïmo Park’s A Certain Trigger announces itself with angular guitars, driving rhythms, and Paul Smith’s earnest, impassioned vocals that give the songs both urgency and heart. Tracks like “Apply Some Pressure” and “Graffiti” capture the restless energy of youth, the album skillfully marries wiry indie-rock grit with pop immediacy. The band carved out their own voice amid a crowded scene that included the likes of The Futureheads, Bloc Party, The Kaiser Chiefs, and more post-Britpop bands with tight arrangements and inspired studio choices with a variety of keyboard sounds.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Apply Some Pressure</p>
<p style="text-align: center;">14:03 - Signal And Sign</p>
<p style="text-align: center;">28:46 - I Want You To Stay</p>
<p style="text-align: center;">35:45 - Postcard of a Painting</p>
<p style="text-align: center;">Outro - Graffiti</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cx9b4y82caq4wvrh/maximopark.mp3" length="76025825" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Twenty years since their debut, Maxïmo Park’s A Certain Trigger announces itself with angular guitars, driving rhythms, and Paul Smith’s earnest, impassioned vocals that give the songs both urgency and heart. Tracks like “Apply Some Pressure” and “Graffiti” capture the restless energy of youth, the album skillfully marries wiry indie-rock grit with pop immediacy. The band carved out their own voice amid a crowded scene that included the likes of The Futureheads, Bloc Party, The Kaiser Chiefs, and more post-Britpop bands with tight arrangements and inspired studio choices with a variety of keyboard sounds.
 
Songs In This Episode
Intro - Apply Some Pressure
14:03 - Signal And Sign
28:46 - I Want You To Stay
35:45 - Postcard of a Painting
Outro - Graffiti
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2371</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>788</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Adrian Belew - Young Lions | 90s Album Review</title>
        <itunes:title>Adrian Belew - Young Lions | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/adrian-belew-young-lions-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/adrian-belew-young-lions-90s-album-review/#comments</comments>        <pubDate>Tue, 23 Sep 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/91c1ed06-c87c-3709-b288-3708c2132625</guid>
                                    <description><![CDATA[<p style="text-align: center;">Adrian Belew’s 1990 album Young Lions blends his signature experimental guitar work with pop-friendly rock songwriting. Though it features David Bowie on two excellent tracks, “Pretty Pink Rose” and closer "Gunman," it does not take away from Belew's opportunities behind the mic, finding a balance between the croon of Roy Orbison and quirk of David Byrne. He balances quirky, textured arrangements with strong melodies, making the album both adventurous and approachable. Lyrically, it touches on themes of modern anxieties and cultural shifts, filtered through Belew’s surreal perspective on UFOs,  government helicopters, and more, without being preachy or on the nose.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Young Lions</p>
<p style="text-align: center;">22:17 - Pretty Pink Rose</p>
<p style="text-align: center;">29:30 - Looking For A UFO</p>
<p style="text-align: center;">38:44 - Heartbeat</p>
<p style="text-align: center;">Outro - Gunman</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Adrian Belew’s 1990 album Young Lions blends his signature experimental guitar work with pop-friendly rock songwriting. Though it features David Bowie on two excellent tracks, “Pretty Pink Rose” and closer "Gunman," it does not take away from Belew's opportunities behind the mic, finding a balance between the croon of Roy Orbison and quirk of David Byrne. He balances quirky, textured arrangements with strong melodies, making the album both adventurous and approachable. Lyrically, it touches on themes of modern anxieties and cultural shifts, filtered through Belew’s surreal perspective on UFOs,  government helicopters, and more, without being preachy or on the nose.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Young Lions</p>
<p style="text-align: center;">22:17 - Pretty Pink Rose</p>
<p style="text-align: center;">29:30 - Looking For A UFO</p>
<p style="text-align: center;">38:44 - Heartbeat</p>
<p style="text-align: center;">Outro - Gunman</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aqmr777ckarac9vm/adrianbelew.mp3" length="99616819" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Adrian Belew’s 1990 album Young Lions blends his signature experimental guitar work with pop-friendly rock songwriting. Though it features David Bowie on two excellent tracks, “Pretty Pink Rose” and closer "Gunman," it does not take away from Belew's opportunities behind the mic, finding a balance between the croon of Roy Orbison and quirk of David Byrne. He balances quirky, textured arrangements with strong melodies, making the album both adventurous and approachable. Lyrically, it touches on themes of modern anxieties and cultural shifts, filtered through Belew’s surreal perspective on UFOs,  government helicopters, and more, without being preachy or on the nose.
 
Songs In This Episode
Intro - Young Lions
22:17 - Pretty Pink Rose
29:30 - Looking For A UFO
38:44 - Heartbeat
Outro - Gunman
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3108</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>787</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Candy Harlots - Five Wicked Sins | 90s Album Review</title>
        <itunes:title>Candy Harlots - Five Wicked Sins | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/candy-harlots-five-wicked-sins-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/candy-harlots-five-wicked-sins-90s-album-review/#comments</comments>        <pubDate>Tue, 16 Sep 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4859c78c-dcb9-317f-a888-13a75091bb54</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1992 album Five Deadly Sins by Australian hard rockers Candy Harlots was the last gasp of glam-influenced sleaze rock before grunge reshaped the musical landscape. Packed with swaggering riffs and arena-ready vocals, the record channels the spirit of Guns N’ Roses, Kix, and Bang Tango while with a raw edge. Songs like “Sister’s Crazy” and “Danger” showcase the band’s knack for solid hooks. Despite strong material, the album’s impact was limited by shifting industry tastes and lineup turmoil within the band.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Backstreet Boys</p>
<p style="text-align: center;">21:19 - Danger</p>
<p style="text-align: center;">23:15 - The Wildest Way</p>
<p style="text-align: center;">32:44 - What Are We Fightin' For</p>
<p style="text-align: center;">38:32 - The Lady Shakes</p>
<p style="text-align: center;">41:35 - Cheat On Me</p>
<p style="text-align: center;">Outro - Sister's Crazy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1992 album Five Deadly Sins by Australian hard rockers Candy Harlots was the last gasp of glam-influenced sleaze rock before grunge reshaped the musical landscape. Packed with swaggering riffs and arena-ready vocals, the record channels the spirit of Guns N’ Roses, Kix, and Bang Tango while with a raw edge. Songs like “Sister’s Crazy” and “Danger” showcase the band’s knack for solid hooks. Despite strong material, the album’s impact was limited by shifting industry tastes and lineup turmoil within the band.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Backstreet Boys</p>
<p style="text-align: center;">21:19 - Danger</p>
<p style="text-align: center;">23:15 - The Wildest Way</p>
<p style="text-align: center;">32:44 - What Are We Fightin' For</p>
<p style="text-align: center;">38:32 - The Lady Shakes</p>
<p style="text-align: center;">41:35 - Cheat On Me</p>
<p style="text-align: center;">Outro - Sister's Crazy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ek8wc35bpyrmdww9/candyharlots.mp3" length="120296264" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1992 album Five Deadly Sins by Australian hard rockers Candy Harlots was the last gasp of glam-influenced sleaze rock before grunge reshaped the musical landscape. Packed with swaggering riffs and arena-ready vocals, the record channels the spirit of Guns N’ Roses, Kix, and Bang Tango while with a raw edge. Songs like “Sister’s Crazy” and “Danger” showcase the band’s knack for solid hooks. Despite strong material, the album’s impact was limited by shifting industry tastes and lineup turmoil within the band.
 
Songs In This Episode
Intro - Backstreet Boys
21:19 - Danger
23:15 - The Wildest Way
32:44 - What Are We Fightin' For
38:32 - The Lady Shakes
41:35 - Cheat On Me
Outro - Sister's Crazy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3754</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>786</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Drivin N Cryin - Fly Me Courageous | 90s Album Review</title>
        <itunes:title>Drivin N Cryin - Fly Me Courageous | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/drivin-n-cryin-fly-me-courageous-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/drivin-n-cryin-fly-me-courageous-90s-album-review/#comments</comments>        <pubDate>Tue, 09 Sep 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/97063a3a-de7d-3d75-9c40-3711751a813b</guid>
                                    <description><![CDATA[<p style="text-align: center;">In 1991, Drivin N Cryin took a bold step towards the mainstream with their album Fly Me Courageous. While the title track became an anthemic staple of early ’90s rock radio thanks to Gulf War pilots, the album failed to connect beyond the band's regional fanbase. To help us dig into this record, we're joined by <a href='https://starsafterstarsafterstars.substack.com/'>James Barber</a>, former manager to the band, to dig into what works, what left us scratching our heads, and much much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fly Me Courageous</p>
<p style="text-align: center;">25:51 - Rush Hour</p>
<p style="text-align: center;">34:44 - Let's Go Dancing</p>
<p style="text-align: center;">41:24 - Chain Reaction</p>
<p style="text-align: center;">Outro - Look What You've Done To Your Brother</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In 1991, Drivin N Cryin took a bold step towards the mainstream with their album Fly Me Courageous. While the title track became an anthemic staple of early ’90s rock radio thanks to Gulf War pilots, the album failed to connect beyond the band's regional fanbase. To help us dig into this record, we're joined by <a href='https://starsafterstarsafterstars.substack.com/'>James Barber</a>, former manager to the band, to dig into what works, what left us scratching our heads, and much much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fly Me Courageous</p>
<p style="text-align: center;">25:51 - Rush Hour</p>
<p style="text-align: center;">34:44 - Let's Go Dancing</p>
<p style="text-align: center;">41:24 - Chain Reaction</p>
<p style="text-align: center;">Outro - Look What You've Done To Your Brother</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jy9z9qn972mne7fy/dncfmc.mp3" length="143496471" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 1991, Drivin N Cryin took a bold step towards the mainstream with their album Fly Me Courageous. While the title track became an anthemic staple of early ’90s rock radio thanks to Gulf War pilots, the album failed to connect beyond the band's regional fanbase. To help us dig into this record, we're joined by James Barber, former manager to the band, to dig into what works, what left us scratching our heads, and much much more.
 
Songs In This Episode
Intro - Fly Me Courageous
25:51 - Rush Hour
34:44 - Let's Go Dancing
41:24 - Chain Reaction
Outro - Look What You've Done To Your Brother
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4478</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>785</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Not From There - Sand From Seven | 90s Album Review</title>
        <itunes:title>Not From There - Sand From Seven | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/not-from-there-sand-from-seven-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/not-from-there-sand-from-seven-90s-album-review/#comments</comments>        <pubDate>Tue, 02 Sep 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/71be1a35-5c5d-3e17-bbd6-61d475b6f43b</guid>
                                    <description><![CDATA[<p style="text-align: center;">Jagged, urgent, experimental - the 1998 album Sand On Seven by Not From There is an inventive debut that effectively blends post-punk, slowcore, and noise rock. The Australian trio incorporate German-language vocals on several tracks, giving the album an otherworldly edge to pair with angular guitars, throbbing basslines, and restless rhythms giving 90s indie rock a uniquely disorienting twist. Songs move between abrasive noise and moody atmosphere, reflecting both tension and restraint. Though it didn’t reach massive commercial heights, Sand On Seven became a cult favorite in alternative circles and won the ARIA Award for Best Alternative Release in 1999.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sich Öffnen</p>
<p style="text-align: center;">10:57 - Hurricane Charlie</p>
<p style="text-align: center;">14:57 - Neurons</p>
<p style="text-align: center;">16:57 - Juanita's Cocktail Party</p>
<p style="text-align: center;">19:52 - The Orb of Discomfort</p>
<p style="text-align: center;">26:18 - Abgedroschen</p>
<p style="text-align: center;">Outro - What Is Better Now</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Jagged, urgent, experimental - the 1998 album Sand On Seven by Not From There is an inventive debut that effectively blends post-punk, slowcore, and noise rock. The Australian trio incorporate German-language vocals on several tracks, giving the album an otherworldly edge to pair with angular guitars, throbbing basslines, and restless rhythms giving 90s indie rock a uniquely disorienting twist. Songs move between abrasive noise and moody atmosphere, reflecting both tension and restraint. Though it didn’t reach massive commercial heights, Sand On Seven became a cult favorite in alternative circles and won the ARIA Award for Best Alternative Release in 1999.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sich Öffnen</p>
<p style="text-align: center;">10:57 - Hurricane Charlie</p>
<p style="text-align: center;">14:57 - Neurons</p>
<p style="text-align: center;">16:57 - Juanita's Cocktail Party</p>
<p style="text-align: center;">19:52 - The Orb of Discomfort</p>
<p style="text-align: center;">26:18 - Abgedroschen</p>
<p style="text-align: center;">Outro - What Is Better Now</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/972np6rdx39zk4tf/notfromthere.mp3" length="88332469" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jagged, urgent, experimental - the 1998 album Sand On Seven by Not From There is an inventive debut that effectively blends post-punk, slowcore, and noise rock. The Australian trio incorporate German-language vocals on several tracks, giving the album an otherworldly edge to pair with angular guitars, throbbing basslines, and restless rhythms giving 90s indie rock a uniquely disorienting twist. Songs move between abrasive noise and moody atmosphere, reflecting both tension and restraint. Though it didn’t reach massive commercial heights, Sand On Seven became a cult favorite in alternative circles and won the ARIA Award for Best Alternative Release in 1999.
 
Songs In This Episode
Intro - Sich Öffnen
10:57 - Hurricane Charlie
14:57 - Neurons
16:57 - Juanita's Cocktail Party
19:52 - The Orb of Discomfort
26:18 - Abgedroschen
Outro - What Is Better Now
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2758</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>784</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Love Cup - ...Grefus Gronks and Sheet | 90s Album Review</title>
        <itunes:title>Love Cup - ...Grefus Gronks and Sheet | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/love-cup-grefus-gronks-and-sheet-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/love-cup-grefus-gronks-and-sheet-90s-album-review/#comments</comments>        <pubDate>Tue, 26 Aug 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a3c228c5-afec-37a2-9979-61821db885e9</guid>
                                    <description><![CDATA[<p style="text-align: center;">From the same Champaign-Urbana, IL music scene as Hum, Poster Children, National Skyline, and others, Love Cup is a name you might not be familiar with. Their lone 90s release, ..Grefus Gronks and Sheet, is a snapshot of mid-’90s alternative rock, tinged with grunge and post-hardcore, as well as shoegaze and space rock. Tracks like "Even When I Sleep" and "Nothing in Particular" showcase the band's knack for crafting big, straightforward yet infectious riffs, while the eight-minute closer "Green Machine / Scientifically Yours" allows for more sprawling, immersive exploration. Though not as complex instrumentally or melodically as some of their peers, the album begs to be cranked at high volume.
</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Entirely Made of Wood</p>
<p style="text-align: center;">12:54 - Billfershort</p>
<p style="text-align: center;">15:46 - Heroine</p>
<p style="text-align: center;">26:50 - Nothing in Particular</p>
<p style="text-align: center;">32:34 - Even When I Sleep</p>
<p style="text-align: center;">Outro - Green Machine / Scientifically Yours</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">From the same Champaign-Urbana, IL music scene as Hum, Poster Children, National Skyline, and others, Love Cup is a name you might not be familiar with. Their lone 90s release, ..Grefus Gronks and Sheet, is a snapshot of mid-’90s alternative rock, tinged with grunge and post-hardcore, as well as shoegaze and space rock. Tracks like "Even When I Sleep" and "Nothing in Particular" showcase the band's knack for crafting big, straightforward yet infectious riffs, while the eight-minute closer "Green Machine / Scientifically Yours" allows for more sprawling, immersive exploration. Though not as complex instrumentally or melodically as some of their peers, the album begs to be cranked at high volume.<br>
</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Entirely Made of Wood</p>
<p style="text-align: center;">12:54 - Billfershort</p>
<p style="text-align: center;">15:46 - Heroine</p>
<p style="text-align: center;">26:50 - Nothing in Particular</p>
<p style="text-align: center;">32:34 - Even When I Sleep</p>
<p style="text-align: center;">Outro - Green Machine / Scientifically Yours</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i5ibepj38n3f2mjv/lovecup.mp3" length="72564579" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From the same Champaign-Urbana, IL music scene as Hum, Poster Children, National Skyline, and others, Love Cup is a name you might not be familiar with. Their lone 90s release, ..Grefus Gronks and Sheet, is a snapshot of mid-’90s alternative rock, tinged with grunge and post-hardcore, as well as shoegaze and space rock. Tracks like "Even When I Sleep" and "Nothing in Particular" showcase the band's knack for crafting big, straightforward yet infectious riffs, while the eight-minute closer "Green Machine / Scientifically Yours" allows for more sprawling, immersive exploration. Though not as complex instrumentally or melodically as some of their peers, the album begs to be cranked at high volume.
 
Songs In This Episode
Intro - Entirely Made of Wood
12:54 - Billfershort
15:46 - Heroine
26:50 - Nothing in Particular
32:34 - Even When I Sleep
Outro - Green Machine / Scientifically Yours
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2263</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>783</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sky Cries Mary - A Return to the Inner Experience | 90s Album Review</title>
        <itunes:title>Sky Cries Mary - A Return to the Inner Experience | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/sky-cries-mary-a-return-to-the-inner-experience-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/sky-cries-mary-a-return-to-the-inner-experience-90s-album-review/#comments</comments>        <pubDate>Tue, 19 Aug 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6d53f1f4-a09d-3724-a3e1-e616c3adbd8c</guid>
                                    <description><![CDATA[<p style="text-align: center;">Sky Cries Mary’s 1993 album A Return to the Inner Experience is a sprawling, psychedelic journey unlike almost anything else out of Seattle in the 90s. Formed in the late 1980s, Sky Cries Mary blends elements of trance, space rock, ambient textures, and spoken word, and this album marked their first major label release, giving them wider exposure. Across 17 tracks, the record flows like a hallucinatory dream, shifting between hypnotic rhythms, swirling guitar effects, and ethereal male-female vocal interplay from Roderick Wolgamott and Anisa Romero.  At once atmospheric and tribal, the record reflects the early ’90s fascination with both electronic textures and post-psychedelic exploration, balancing cosmic ambition and underground sensibility.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Lay Down Your Head</p>
<p style="text-align: center;">17:53 - 2000 Light Years From Home</p>
<p style="text-align: center;">22:03 - Gone</p>
<p style="text-align: center;">25:39 - Walla Walla</p>
<p style="text-align: center;">34:17 - Broken Down</p>
<p style="text-align: center;">Outro - Moving Like Water</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Sky Cries Mary’s 1993 album A Return to the Inner Experience is a sprawling, psychedelic journey unlike almost anything else out of Seattle in the 90s. Formed in the late 1980s, Sky Cries Mary blends elements of trance, space rock, ambient textures, and spoken word, and this album marked their first major label release, giving them wider exposure. Across 17 tracks, the record flows like a hallucinatory dream, shifting between hypnotic rhythms, swirling guitar effects, and ethereal male-female vocal interplay from Roderick Wolgamott and Anisa Romero.  At once atmospheric and tribal, the record reflects the early ’90s fascination with both electronic textures and post-psychedelic exploration, balancing cosmic ambition and underground sensibility.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Lay Down Your Head</p>
<p style="text-align: center;">17:53 - 2000 Light Years From Home</p>
<p style="text-align: center;">22:03 - Gone</p>
<p style="text-align: center;">25:39 - Walla Walla</p>
<p style="text-align: center;">34:17 - Broken Down</p>
<p style="text-align: center;">Outro - Moving Like Water</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bjbajrpdzy9cx9gw/skycriesmary.mp3" length="108748871" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sky Cries Mary’s 1993 album A Return to the Inner Experience is a sprawling, psychedelic journey unlike almost anything else out of Seattle in the 90s. Formed in the late 1980s, Sky Cries Mary blends elements of trance, space rock, ambient textures, and spoken word, and this album marked their first major label release, giving them wider exposure. Across 17 tracks, the record flows like a hallucinatory dream, shifting between hypnotic rhythms, swirling guitar effects, and ethereal male-female vocal interplay from Roderick Wolgamott and Anisa Romero.  At once atmospheric and tribal, the record reflects the early ’90s fascination with both electronic textures and post-psychedelic exploration, balancing cosmic ambition and underground sensibility.
 
Songs In This Episode
Intro - Lay Down Your Head
17:53 - 2000 Light Years From Home
22:03 - Gone
25:39 - Walla Walla
34:17 - Broken Down
Outro - Moving Like Water
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3394</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>782</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mogwai - Come On Die Young | 90s Album Review</title>
        <itunes:title>Mogwai - Come On Die Young | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/mogwai-come-on-die-young-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/mogwai-come-on-die-young-90s-album-review/#comments</comments>        <pubDate>Tue, 12 Aug 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1b1f8a58-e1ee-34fd-b23c-daab7d645f3a</guid>
                                    <description><![CDATA[<p style="text-align: center;">Mogwai’s 1999 album Come On Die Young trades some of the explosive catharsis of their debut for a slower, more deliberate exploration of mood and texture. Opening with Iggy Pop’s laconic musings on punk ethos, the record unfolds in hushed tones, with fragile guitar lines and patient rhythms evoking a late-night, half-lit world. Songs like “Cody” favor aching melancholy over the band’s trademark crescendos, making the few bursts of volume feel seismic. The production by Dave Fridmann is spacious and shadowy - it broods like an atmospheric statement that rewards deep, uninterrupted listening.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Helps Both Ways</p>
<p style="text-align: center;">12:31 - Chocky</p>
<p style="text-align: center;">20:26 - Cody</p>
<p style="text-align: center;">25:20 - Christmas Steps</p>
<p style="text-align: center;">39:22 - Oh! How the Dogs Stack Up</p>
<p style="text-align: center;">Outro - Kappa</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Mogwai’s 1999 album Come On Die Young trades some of the explosive catharsis of their debut for a slower, more deliberate exploration of mood and texture. Opening with Iggy Pop’s laconic musings on punk ethos, the record unfolds in hushed tones, with fragile guitar lines and patient rhythms evoking a late-night, half-lit world. Songs like “Cody” favor aching melancholy over the band’s trademark crescendos, making the few bursts of volume feel seismic. The production by Dave Fridmann is spacious and shadowy - it broods like an atmospheric statement that rewards deep, uninterrupted listening.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Helps Both Ways</p>
<p style="text-align: center;">12:31 - Chocky</p>
<p style="text-align: center;">20:26 - Cody</p>
<p style="text-align: center;">25:20 - Christmas Steps</p>
<p style="text-align: center;">39:22 - Oh! How the Dogs Stack Up</p>
<p style="text-align: center;">Outro - Kappa</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k5bhr67z2nv6e3hn/mogwai.mp3" length="111973866" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Mogwai’s 1999 album Come On Die Young trades some of the explosive catharsis of their debut for a slower, more deliberate exploration of mood and texture. Opening with Iggy Pop’s laconic musings on punk ethos, the record unfolds in hushed tones, with fragile guitar lines and patient rhythms evoking a late-night, half-lit world. Songs like “Cody” favor aching melancholy over the band’s trademark crescendos, making the few bursts of volume feel seismic. The production by Dave Fridmann is spacious and shadowy - it broods like an atmospheric statement that rewards deep, uninterrupted listening.
 
Songs In This Episode
Intro - Helps Both Ways
12:31 - Chocky
20:26 - Cody
25:20 - Christmas Steps
39:22 - Oh! How the Dogs Stack Up
Outro - Kappa
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3496</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>781</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Flaming Lips - In A Priest Driven Ambulance | 90s Album Review</title>
        <itunes:title>The Flaming Lips - In A Priest Driven Ambulance | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-flaming-lips-in-a-priest-driven-ambulance-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-flaming-lips-in-a-priest-driven-ambulance-90s-album-review/#comments</comments>        <pubDate>Tue, 05 Aug 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d14e9fbb-2c58-3684-b2ed-b438913137d6</guid>
                                    <description><![CDATA[<p style="text-align: center;">In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It’s an ambitious, unpolished gem that foreshadows the band’s later sonic evolutions.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sweet Jesus (Jesus Song No. 1)</p>
<p style="text-align: center;">23:20 - Raining Babies</p>
<p style="text-align: center;">32:42 - Take Meta Mars</p>
<p style="text-align: center;">37:30 - Five Stop Mother Superior Rain</p>
<p style="text-align: center;">Outro - Unconsciously Screaming</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It’s an ambitious, unpolished gem that foreshadows the band’s later sonic evolutions.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sweet Jesus (Jesus Song No. 1)</p>
<p style="text-align: center;">23:20 - Raining Babies</p>
<p style="text-align: center;">32:42 - Take Meta Mars</p>
<p style="text-align: center;">37:30 - Five Stop Mother Superior Rain</p>
<p style="text-align: center;">Outro - Unconsciously Screaming</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xeibt3r8wy7vezaz/flaminglips.mp3" length="103562770" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It’s an ambitious, unpolished gem that foreshadows the band’s later sonic evolutions.
 
Songs In This Episode
Intro - Sweet Jesus (Jesus Song No. 1)
23:20 - Raining Babies
32:42 - Take Meta Mars
37:30 - Five Stop Mother Superior Rain
Outro - Unconsciously Screaming
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3232</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>780</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Greta - No Biting | 90s Album Review</title>
        <itunes:title>Greta - No Biting | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/greta-no-biting-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/greta-no-biting-90s-album-review/#comments</comments>        <pubDate>Tue, 29 Jul 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9c87f310-0ea4-3491-a5d3-cd02f01af5c9</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1993 debut album No Biting by Los Angeles-based band Greta blends post-grunge aggression with quirky, off-kilter alternative rock. Led by Paul Plagens’ distinctive vocals and lyrics, the album features tracks like “Revolver” and “School On Fire” showcase a mix of heaviness and melody. The willingness to veer into funk, noise, and pseudo-progressive territory adds a level of chaotic charm to the record that fans of Faith No More or Jane's Addiction might enjoy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - School on Fire</p>
<p style="text-align: center;">14:28 - Is It What You Wanted</p>
<p style="text-align: center;">20:33 - Revolver</p>
<p style="text-align: center;">23:08 - Love Is Dead</p>
<p style="text-align: center;">30:44 - Insomnia</p>
<p style="text-align: center;">Outro - Sleepyhead</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1993 debut album No Biting by Los Angeles-based band Greta blends post-grunge aggression with quirky, off-kilter alternative rock. Led by Paul Plagens’ distinctive vocals and lyrics, the album features tracks like “Revolver” and “School On Fire” showcase a mix of heaviness and melody. The willingness to veer into funk, noise, and pseudo-progressive territory adds a level of chaotic charm to the record that fans of Faith No More or Jane's Addiction might enjoy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - School on Fire</p>
<p style="text-align: center;">14:28 - Is It What You Wanted</p>
<p style="text-align: center;">20:33 - Revolver</p>
<p style="text-align: center;">23:08 - Love Is Dead</p>
<p style="text-align: center;">30:44 - Insomnia</p>
<p style="text-align: center;">Outro - Sleepyhead</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggnsaea5thfrr7z7/gretanobiting.mp3" length="90429607" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1993 debut album No Biting by Los Angeles-based band Greta blends post-grunge aggression with quirky, off-kilter alternative rock. Led by Paul Plagens’ distinctive vocals and lyrics, the album features tracks like “Revolver” and “School On Fire” showcase a mix of heaviness and melody. The willingness to veer into funk, noise, and pseudo-progressive territory adds a level of chaotic charm to the record that fans of Faith No More or Jane's Addiction might enjoy.
 
Songs In This Episode
Intro - School on Fire
14:28 - Is It What You Wanted
20:33 - Revolver
23:08 - Love Is Dead
30:44 - Insomnia
Outro - Sleepyhead
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2825</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>779</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Richard Thompson - Mock Tudor | 90s Album Review</title>
        <itunes:title>Richard Thompson - Mock Tudor | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/richard-thompson-mock-tudor/</link>
                    <comments>https://digmeout.podbean.com/e/richard-thompson-mock-tudor/#comments</comments>        <pubDate>Tue, 22 Jul 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b91c3aa3-1075-3ddc-b63c-9b93907d3df7</guid>
                                    <description><![CDATA[<p style="text-align: center;">Legendary guitarist and songwriter Richard Thompson's 1999 album Mock Tudor explores the dark corners of suburban England with sharp wit and rich storytelling. Produced by Tom Rothrock and Rob Schnapf, the album steers away from Thompson's signature folk-rock sound towards a leaner, more contemporary approach. While still rooted in traditional genres with touches of rockabilly and reggae, the album feels urgent and modern, capturing a sense of unease beneath its melodic surface.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sibella</p>
<p style="text-align: center;">9:42 - Hard On Me</p>
<p style="text-align: center;">11:44 - Bathsheba Smiles</p>
<p style="text-align: center;">22:24 - Dry My Tears and Move On</p>
<p style="text-align: center;">33:39 - Cooksferry Queen</p>
<p style="text-align: center;">Outro - Sights And Sounds of London Town</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Legendary guitarist and songwriter Richard Thompson's 1999 album Mock Tudor explores the dark corners of suburban England with sharp wit and rich storytelling. Produced by Tom Rothrock and Rob Schnapf, the album steers away from Thompson's signature folk-rock sound towards a leaner, more contemporary approach. While still rooted in traditional genres with touches of rockabilly and reggae, the album feels urgent and modern, capturing a sense of unease beneath its melodic surface.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sibella</p>
<p style="text-align: center;">9:42 - Hard On Me</p>
<p style="text-align: center;">11:44 - Bathsheba Smiles</p>
<p style="text-align: center;">22:24 - Dry My Tears and Move On</p>
<p style="text-align: center;">33:39 - Cooksferry Queen</p>
<p style="text-align: center;">Outro - Sights And Sounds of London Town</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5pe4c3j89revnsed/richardthompson.mp3" length="96492523" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Legendary guitarist and songwriter Richard Thompson's 1999 album Mock Tudor explores the dark corners of suburban England with sharp wit and rich storytelling. Produced by Tom Rothrock and Rob Schnapf, the album steers away from Thompson's signature folk-rock sound towards a leaner, more contemporary approach. While still rooted in traditional genres with touches of rockabilly and reggae, the album feels urgent and modern, capturing a sense of unease beneath its melodic surface.
 
Songs In This Episode
Intro - Sibella
9:42 - Hard On Me
11:44 - Bathsheba Smiles
22:24 - Dry My Tears and Move On
33:39 - Cooksferry Queen
Outro - Sights And Sounds of London Town
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3012</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>778</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jewel - Pieces Of You | 90s Album Review</title>
        <itunes:title>Jewel - Pieces Of You | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/jewel-pieces-of-you-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/jewel-pieces-of-you-90s-album-review/#comments</comments>        <pubDate>Tue, 15 Jul 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fd6c74a1-a27a-39fa-9aae-a1bbcf55d338</guid>
                                    <description><![CDATA[<p style="text-align: center;">For our latest Diamond Episode, we're checking out Jewel’s 1995 debut Pieces of You. A blend of minimalist folk ballads with polished pop, Pieces of You is a showcase for Jewel's rich and varied soprano voice. Hits like “Who Will Save Your Soul” and “You Were Meant for Me" are the rarity featuring multi-tracked instrumentation. Much of the record was recorded live at a San Diego coffeehouse, which gives an intimate feel to its confessional lyrics, but also lacks the dynamic and filled-out sound of the singles.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Who Will Save Your Soul</p>
<p style="text-align: center;">32:20 - Foolish Games</p>
<p style="text-align: center;">38:32 - Near You Always</p>
<p style="text-align: center;">42:37 - I'm Sensitive</p>
<p style="text-align: center;">Outro - You Were Meant For Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For our latest Diamond Episode, we're checking out Jewel’s 1995 debut Pieces of You. A blend of minimalist folk ballads with polished pop, Pieces of You is a showcase for Jewel's rich and varied soprano voice. Hits like “Who Will Save Your Soul” and “You Were Meant for Me" are the rarity featuring multi-tracked instrumentation. Much of the record was recorded live at a San Diego coffeehouse, which gives an intimate feel to its confessional lyrics, but also lacks the dynamic and filled-out sound of the singles.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Who Will Save Your Soul</p>
<p style="text-align: center;">32:20 - Foolish Games</p>
<p style="text-align: center;">38:32 - Near You Always</p>
<p style="text-align: center;">42:37 - I'm Sensitive</p>
<p style="text-align: center;">Outro - You Were Meant For Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/efwbtynzsbuuefqg/jewelpieces.mp3" length="123933104" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest Diamond Episode, we're checking out Jewel’s 1995 debut Pieces of You. A blend of minimalist folk ballads with polished pop, Pieces of You is a showcase for Jewel's rich and varied soprano voice. Hits like “Who Will Save Your Soul” and “You Were Meant for Me" are the rarity featuring multi-tracked instrumentation. Much of the record was recorded live at a San Diego coffeehouse, which gives an intimate feel to its confessional lyrics, but also lacks the dynamic and filled-out sound of the singles.
 
Songs In This Episode
Intro - Who Will Save Your Soul
32:20 - Foolish Games
38:32 - Near You Always
42:37 - I'm Sensitive
Outro - You Were Meant For Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3870</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>777</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fig Dish - That's What Love Songs Often Do | 90s Album Review</title>
        <itunes:title>Fig Dish - That's What Love Songs Often Do | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/fig-dish-thats-what-love-songs-often-do-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/fig-dish-thats-what-love-songs-often-do-90s-album-review/#comments</comments>        <pubDate>Tue, 08 Jul 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/745019b3-4812-32d0-8031-9b1f0c0a0908</guid>
                                    <description><![CDATA[<p style="text-align: center;">Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That’s What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Weak and Mean</p>
<p style="text-align: center;">25:17 - Bury Me</p>
<p style="text-align: center;">29:29 - Seeds</p>
<p style="text-align: center;">35:29 - Going Gone</p>
<p style="text-align: center;">Outro - Chew Toy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That’s What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Weak and Mean</p>
<p style="text-align: center;">25:17 - Bury Me</p>
<p style="text-align: center;">29:29 - Seeds</p>
<p style="text-align: center;">35:29 - Going Gone</p>
<p style="text-align: center;">Outro - Chew Toy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a2tgcb3ji898hffi/figdish.mp3" length="103961756" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Released in 1995, the waning years of grunge and riding the big wave of the alternative rock explosion, That’s What Love Songs Often Do by Fig Dish was a punchy major label debut from Chicago quartet Fig Dish. Lyrically, Fig Dish steers away from overwrought introspection in favor of sly, observational jabs at love and life, delivered with rasp and grit. Raw yet clear production allows the interplay between all the instruments shine, with just enough hooks and attitude to keep you interested.
 
Songs In This Episode
Intro - Weak and Mean
25:17 - Bury Me
29:29 - Seeds
35:29 - Going Gone
Outro - Chew Toy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3238</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>776</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hawksley Workman - For Him and the Girls | 90s Album Review</title>
        <itunes:title>Hawksley Workman - For Him and the Girls | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/hawksley-workman-for-him-and-the-girls-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/hawksley-workman-for-him-and-the-girls-90s-album-review/#comments</comments>        <pubDate>Tue, 01 Jul 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8fa43cf3-0bca-3883-8cfe-f53bc436d927</guid>
                                    <description><![CDATA[<p style="text-align: center;">For Him and the Girls, the debut album by Canadian singer-songwriter Hawksley Workman, is an eclectic blend of glam rock, cabaret, and indie pop. Recorded largely in his home studio, the album revels in his uniquely quirky and theatrical style. Songs like “Tarantulove” and “Safe and Sound” feature lush arrangements, dramatic tempo shifts, and playful yet poignant lyrics that shift between earnest and odd. Lo-fi production adds raw intimacy, complementing the unconventional approach.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Bullets</p>
<p style="text-align: center;">17:05 - Maniacs</p>
<p style="text-align: center;">20:37 - Don't Be Crushed</p>
<p style="text-align: center;">23:07 - No Sissies</p>
<p style="text-align: center;">27:33 - Tarantulove</p>
<p style="text-align: center;">39:34 - Baby This Night</p>
<p style="text-align: center;">Outro - Bullets</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><em>For Him and the Girls, </em>the debut album by Canadian singer-songwriter Hawksley Workman, is an eclectic blend of glam rock, cabaret, and indie pop. Recorded largely in his home studio, the album revels in his uniquely quirky and theatrical style. Songs like “Tarantulove” and “Safe and Sound” feature lush arrangements, dramatic tempo shifts, and playful yet poignant lyrics that shift between earnest and odd. Lo-fi production adds raw intimacy, complementing the unconventional approach.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Bullets</p>
<p style="text-align: center;">17:05 - Maniacs</p>
<p style="text-align: center;">20:37 - Don't Be Crushed</p>
<p style="text-align: center;">23:07 - No Sissies</p>
<p style="text-align: center;">27:33 - Tarantulove</p>
<p style="text-align: center;">39:34 - Baby This Night</p>
<p style="text-align: center;">Outro - Bullets</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sk5rd84pwhvef3cs/hawksleyworkman.mp3" length="96903643" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For Him and the Girls, the debut album by Canadian singer-songwriter Hawksley Workman, is an eclectic blend of glam rock, cabaret, and indie pop. Recorded largely in his home studio, the album revels in his uniquely quirky and theatrical style. Songs like “Tarantulove” and “Safe and Sound” feature lush arrangements, dramatic tempo shifts, and playful yet poignant lyrics that shift between earnest and odd. Lo-fi production adds raw intimacy, complementing the unconventional approach.
 
Songs In This Episode
Intro - Bullets
17:05 - Maniacs
20:37 - Don't Be Crushed
23:07 - No Sissies
27:33 - Tarantulove
39:34 - Baby This Night
Outro - Bullets
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3021</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>775</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Connells - One Simple Word | 90s Album Review</title>
        <itunes:title>The Connells - One Simple Word | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-connells-one-simple-word-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-connells-one-simple-word-90s-album-review/#comments</comments>        <pubDate>Tue, 24 Jun 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/0946375a-0fdd-361e-acbc-2b0cb993c1dc</guid>
                                    <description><![CDATA[<p style="text-align: center;">One Simple Word, the fourth studio album by The Connells, showcases the band’s melodic southern jangle pop sound with a more polished and introspective tone. While not a commercial blockbuster, the album scored with critics and college radio listeners thanks to catchy but not overly sugary melodies that sound like attempts at a mainstream radio hit. Lush guitar interplay and heartfelt lyrics highlight their knack for emotionally resonant songwriting without leaning into melancholy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Stone Cold Yesterday</p>
<p style="text-align: center;">20:27 - Speak To Me</p>
<p style="text-align: center;">25:04 - Get A Gun</p>
<p style="text-align: center;">31:32 - Too Gone</p>
<p style="text-align: center;">36.21 - What Do You Want?</p>
<p style="text-align: center;">Outro - Take A Bow</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">One Simple Word, the fourth studio album by The Connells, showcases the band’s melodic southern jangle pop sound with a more polished and introspective tone. While not a commercial blockbuster, the album scored with critics and college radio listeners thanks to catchy but not overly sugary melodies that sound like attempts at a mainstream radio hit. Lush guitar interplay and heartfelt lyrics highlight their knack for emotionally resonant songwriting without leaning into melancholy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Stone Cold Yesterday</p>
<p style="text-align: center;">20:27 - Speak To Me</p>
<p style="text-align: center;">25:04 - Get A Gun</p>
<p style="text-align: center;">31:32 - Too Gone</p>
<p style="text-align: center;">36.21 - What Do You Want?</p>
<p style="text-align: center;">Outro - Take A Bow</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/apmxq8wiatj22bg4/the_connells85xiv.mp3" length="92812030" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One Simple Word, the fourth studio album by The Connells, showcases the band’s melodic southern jangle pop sound with a more polished and introspective tone. While not a commercial blockbuster, the album scored with critics and college radio listeners thanks to catchy but not overly sugary melodies that sound like attempts at a mainstream radio hit. Lush guitar interplay and heartfelt lyrics highlight their knack for emotionally resonant songwriting without leaning into melancholy.
 
Songs In This Episode
Intro - Stone Cold Yesterday
20:27 - Speak To Me
25:04 - Get A Gun
31:32 - Too Gone
36.21 - What Do You Want?
Outro - Take A Bow
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2888</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>774</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Underworld - Second Toughest in the Infants | 90s Album Review</title>
        <itunes:title>Underworld - Second Toughest in the Infants | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/underworld-second-toughest-in-the-infants-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/underworld-second-toughest-in-the-infants-90s-album-review/#comments</comments>        <pubDate>Tue, 17 Jun 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/034f7608-4b8a-3380-b80c-458bff68aabf</guid>
                                    <description><![CDATA[<p style="text-align: center;">Blending progressive house, techno, and ambient, the 1996 album Second Toughest in the Infants is Underworld’s ambitious follow-up to their breakout album Dubnobasswithmyheadman. Crafted with expansive, hypnotic soundscapes, tracks like “Pearl’s Girl” and the multipart suite “Juanita/Kiteless/To Dream of Love” highlight their exploration of rhythm and texture, while Karl Hyde’s cryptic, stream-of-consciousness lyrics add a surreal and poetic layer to the music.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Confusion the Waitress</p>
<p style="text-align: center;">16:28 - Stagger</p>
<p style="text-align: center;">19:26 - Juanita : Kiteless : To Dream of Love</p>
<p style="text-align: center;">23:34 -Banstyle/Sappy's Curry</p>
<p style="text-align: center;">27:06 - Rowla</p>
<p style="text-align: center;">Outro - Pearls Girl</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Blending progressive house, techno, and ambient, the 1996 album Second Toughest in the Infants is Underworld’s ambitious follow-up to their breakout album Dubnobasswithmyheadman. Crafted with expansive, hypnotic soundscapes, tracks like “Pearl’s Girl” and the multipart suite “Juanita/Kiteless/To Dream of Love” highlight their exploration of rhythm and texture, while Karl Hyde’s cryptic, stream-of-consciousness lyrics add a surreal and poetic layer to the music.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Confusion the Waitress</p>
<p style="text-align: center;">16:28 - Stagger</p>
<p style="text-align: center;">19:26 - Juanita : Kiteless : To Dream of Love</p>
<p style="text-align: center;">23:34 -Banstyle/Sappy's Curry</p>
<p style="text-align: center;">27:06 - Rowla</p>
<p style="text-align: center;">Outro - Pearls Girl</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t9bugsuf6hvgnfsa/underworld.mp3" length="95373761" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Blending progressive house, techno, and ambient, the 1996 album Second Toughest in the Infants is Underworld’s ambitious follow-up to their breakout album Dubnobasswithmyheadman. Crafted with expansive, hypnotic soundscapes, tracks like “Pearl’s Girl” and the multipart suite “Juanita/Kiteless/To Dream of Love” highlight their exploration of rhythm and texture, while Karl Hyde’s cryptic, stream-of-consciousness lyrics add a surreal and poetic layer to the music.
 
Songs In This Episode
Intro - Confusion the Waitress
16:28 - Stagger
19:26 - Juanita : Kiteless : To Dream of Love
23:34 -Banstyle/Sappy's Curry
27:06 - Rowla
Outro - Pearls Girl
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2978</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>773</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Foreigner - Surviving the 90s</title>
        <itunes:title>Foreigner - Surviving the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/foreigner-surviving-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/foreigner-surviving-the-90s/#comments</comments>        <pubDate>Tue, 10 Jun 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/0bc60f45-2583-3f49-ae8b-932ad9d509f5</guid>
                                    <description><![CDATA[<p style="text-align: center;">In our third installment of Surviving the 90s, we’re revisiting one of the arena rock powerhouses of the late '70s and early '80s — Foreigner. Known for a string of massive hits like "Cold as Ice," "Hot Blooded," "Urgent," "Juke Box Hero," and the chart-topping ballad "I Want to Know What Love Is," Foreigner dominated radio and MTV in their prime. Albums like Double Vision, Head Games, and 4 went multi-Platinum, cementing their legacy. But as the musical landscape shifted in the 90s, the band faced lineup changes and a changing industry. Though new material was scarce, they continued touring and remained a fixture on classic rock airwaves. We revisit their biggest hits, their activity in the 90s, and try to determine: did Foreigner thrive, adapt, or fade during the decade?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Feels Like The First Time</p>
<p style="text-align: center;">30:29 - Headknocker</p>
<p style="text-align: center;">34:03 - Blue Morning, Blue Day</p>
<p style="text-align: center;">47:29 - Double Vision</p>
<p style="text-align: center;">50:52 - Moment of Truth</p>
<p style="text-align: center;">56:34 - Lowdown and Dirty</p>
<p style="text-align: center;">1:10:54 - Big Dog</p>
<p style="text-align: center;">1:19:35 - White Lie</p>
<p style="text-align: center;">Outro - Juke Box Hero</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In our third installment of <em>Surviving the 90s</em>, we’re revisiting one of the arena rock powerhouses of the late '70s and early '80s — Foreigner. Known for a string of massive hits like "Cold as Ice," "Hot Blooded," "Urgent," "Juke Box Hero," and the chart-topping ballad "I Want to Know What Love Is," Foreigner dominated radio and MTV in their prime. Albums like <em>Double Vision</em>, <em>Head Games</em>, and <em>4</em> went multi-Platinum, cementing their legacy. But as the musical landscape shifted in the 90s, the band faced lineup changes and a changing industry. Though new material was scarce, they continued touring and remained a fixture on classic rock airwaves. We revisit their biggest hits, their activity in the 90s, and try to determine: did Foreigner thrive, adapt, or fade during the decade?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Feels Like The First Time</p>
<p style="text-align: center;">30:29 - Headknocker</p>
<p style="text-align: center;">34:03 - Blue Morning, Blue Day</p>
<p style="text-align: center;">47:29 - Double Vision</p>
<p style="text-align: center;">50:52 - Moment of Truth</p>
<p style="text-align: center;">56:34 - Lowdown and Dirty</p>
<p style="text-align: center;">1:10:54 - Big Dog</p>
<p style="text-align: center;">1:19:35 - White Lie</p>
<p style="text-align: center;">Outro - Juke Box Hero</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ygu7ipnjy98cjjtp/foreignersurvive90s.mp3" length="215128533" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our third installment of Surviving the 90s, we’re revisiting one of the arena rock powerhouses of the late '70s and early '80s — Foreigner. Known for a string of massive hits like "Cold as Ice," "Hot Blooded," "Urgent," "Juke Box Hero," and the chart-topping ballad "I Want to Know What Love Is," Foreigner dominated radio and MTV in their prime. Albums like Double Vision, Head Games, and 4 went multi-Platinum, cementing their legacy. But as the musical landscape shifted in the 90s, the band faced lineup changes and a changing industry. Though new material was scarce, they continued touring and remained a fixture on classic rock airwaves. We revisit their biggest hits, their activity in the 90s, and try to determine: did Foreigner thrive, adapt, or fade during the decade?
 
Songs In This Episode
Intro - Feels Like The First Time
30:29 - Headknocker
34:03 - Blue Morning, Blue Day
47:29 - Double Vision
50:52 - Moment of Truth
56:34 - Lowdown and Dirty
1:10:54 - Big Dog
1:19:35 - White Lie
Outro - Juke Box Hero
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6717</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>772</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ground Components - An Eye for a Brow, a Tooth for a Pick | 00s Album Review</title>
        <itunes:title>Ground Components - An Eye for a Brow, a Tooth for a Pick | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/ground-components-an-eye-for-a-brow-a-tooth-for-a-pick-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/ground-components-an-eye-for-a-brow-a-tooth-for-a-pick-00s-album-review/#comments</comments>        <pubDate>Tue, 03 Jun 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2d304267-4329-32e9-8f4f-6be8184ef53e</guid>
                                    <description><![CDATA[<p style="text-align: center;">An Eye For A Brow, A Tooth For A Pick, the 2006 debut album by Australian band Ground Components, blends elements of garage, punk, and soul that fits in nicely with the garage rock revival of the early '00s. Featuring a mix of aggressive punk-ish guitar riffs, driving and boogie rhythms, and horn arrangements give the album a unique sound compared to contemporaries. All that is a playground lead for lead singer Joe McGuigan, who yelps and screams with soulful veracity throughout the record.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hands In The Air</p>
<p style="text-align: center;">15:27 - Stale Thoughts</p>
<p style="text-align: center;">20:43 - On Your Living Room Floor</p>
<p style="text-align: center;">28:01 - Head In The Sand</p>
<p style="text-align: center;">38:23 - Fistful of Dallas</p>
<p style="text-align: center;">Outro - Coming In from All Angles</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">An Eye For A Brow, A Tooth For A Pick, the 2006 debut album by Australian band Ground Components, blends elements of garage, punk, and soul that fits in nicely with the garage rock revival of the early '00s. Featuring a mix of aggressive punk-ish guitar riffs, driving and boogie rhythms, and horn arrangements give the album a unique sound compared to contemporaries. All that is a playground lead for lead singer Joe McGuigan, who yelps and screams with soulful veracity throughout the record.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hands In The Air</p>
<p style="text-align: center;">15:27 - Stale Thoughts</p>
<p style="text-align: center;">20:43 - On Your Living Room Floor</p>
<p style="text-align: center;">28:01 - Head In The Sand</p>
<p style="text-align: center;">38:23 - Fistful of Dallas</p>
<p style="text-align: center;">Outro - Coming In from All Angles</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/isdjdkqy6jm7imtj/groundcomponents.mp3" length="102849223" type="audio/mpeg"/>
        <itunes:summary><![CDATA[An Eye For A Brow, A Tooth For A Pick, the 2006 debut album by Australian band Ground Components, blends elements of garage, punk, and soul that fits in nicely with the garage rock revival of the early '00s. Featuring a mix of aggressive punk-ish guitar riffs, driving and boogie rhythms, and horn arrangements give the album a unique sound compared to contemporaries. All that is a playground lead for lead singer Joe McGuigan, who yelps and screams with soulful veracity throughout the record.
 
Songs In This Episode
Intro - Hands In The Air
15:27 - Stale Thoughts
20:43 - On Your Living Room Floor
28:01 - Head In The Sand
38:23 - Fistful of Dallas
Outro - Coming In from All Angles
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3207</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>771</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Buffalo Tom - Birdbrain | 90s Album Review</title>
        <itunes:title>Buffalo Tom - Birdbrain | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/buffalo-tom-birdbrain-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/buffalo-tom-birdbrain-90s-album-review/#comments</comments>        <pubDate>Tue, 27 May 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3191e23b-fb0b-3fdf-bbcf-e4cc2a46ea82</guid>
                                    <description><![CDATA[<p style="text-align: center;">While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album emphasizes emotional intensity over polish, with songs like "Birdbrain" and "Enemy" showcase the band’s knack for combining distorted guitars with introspective lyrics. Though not a commercial hit, the album helped solidify Buffalo Tom’s place in the early '90s indie rock scene and shows a significant step in the band’s evolution toward the more refined sound of their later work.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fortune Teller</p>
<p style="text-align: center;">17:23 - Birdbrain</p>
<p style="text-align: center;">23:07 - Crawl</p>
<p style="text-align: center;">26:26 - Heaven</p>
<p style="text-align: center;">29:40 - Skeleton Key</p>
<p style="text-align: center;">Outro - Guy Who Is Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album emphasizes emotional intensity over polish, with songs like "Birdbrain" and "Enemy" showcase the band’s knack for combining distorted guitars with introspective lyrics. Though not a commercial hit, the album helped solidify Buffalo Tom’s place in the early '90s indie rock scene and shows a significant step in the band’s evolution toward the more refined sound of their later work.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fortune Teller</p>
<p style="text-align: center;">17:23 - Birdbrain</p>
<p style="text-align: center;">23:07 - Crawl</p>
<p style="text-align: center;">26:26 - Heaven</p>
<p style="text-align: center;">29:40 - Skeleton Key</p>
<p style="text-align: center;">Outro - Guy Who Is Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sznxg2majyuinf8w/buftombirdbrain.mp3" length="98522124" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album emphasizes emotional intensity over polish, with songs like "Birdbrain" and "Enemy" showcase the band’s knack for combining distorted guitars with introspective lyrics. Though not a commercial hit, the album helped solidify Buffalo Tom’s place in the early '90s indie rock scene and shows a significant step in the band’s evolution toward the more refined sound of their later work.
 
Songs In This Episode
Intro - Fortune Teller
17:23 - Birdbrain
23:07 - Crawl
26:26 - Heaven
29:40 - Skeleton Key
Outro - Guy Who Is Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3065</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>770</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Non-Intentional Lifeform - Uisce | 90s Album Review</title>
        <itunes:title>Non-Intentional Lifeform - Uisce | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/non-intentional-lifeform-uisce-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/non-intentional-lifeform-uisce-90s-album-review/#comments</comments>        <pubDate>Tue, 20 May 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7c28d70e-757c-36ce-a391-2bb0d5ded031</guid>
                                    <description><![CDATA[<p style="text-align: center;">Uisce (pronounced "ish-ka," the Irish word for "water") is the sole full-length album by Australian band Non-Intentional Lifeform (N.I.L.), released in 1997 by Roadrunner Records. Formed in Perth in 1995, N.I.L. was known for their eclectic fusion of hard rock, thrash metal, post-punk, rap, and funk. Energetic and unpredictable, the album is an inventive blend of genres anchored by stellar musical performances that sound like a bridge between rap-rock pioneers Rage Against The Machine and Faith No More, and late 90s alternative and nu-metal of System of a Down and Incubus.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Living or Existing</p>
<p style="text-align: center;">21:36 - Farm Animals</p>
<p style="text-align: center;">23:37 - Sister Julienne</p>
<p style="text-align: center;">33.22 - Spilling All Over The Floor</p>
<p style="text-align: center;">Outro - Living or Existing</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Uisce (pronounced "ish-ka," the Irish word for "water") is the sole full-length album by Australian band Non-Intentional Lifeform (N.I.L.), released in 1997 by Roadrunner Records. Formed in Perth in 1995, N.I.L. was known for their eclectic fusion of hard rock, thrash metal, post-punk, rap, and funk. Energetic and unpredictable, the album is an inventive blend of genres anchored by stellar musical performances that sound like a bridge between rap-rock pioneers Rage Against The Machine and Faith No More, and late 90s alternative and nu-metal of System of a Down and Incubus.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Living or Existing</p>
<p style="text-align: center;">21:36 - Farm Animals</p>
<p style="text-align: center;">23:37 - Sister Julienne</p>
<p style="text-align: center;">33.22 - Spilling All Over The Floor</p>
<p style="text-align: center;">Outro - Living or Existing</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/diautdjrcu6qj87a/nonexistlife.mp3" length="128909602" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Uisce (pronounced "ish-ka," the Irish word for "water") is the sole full-length album by Australian band Non-Intentional Lifeform (N.I.L.), released in 1997 by Roadrunner Records. Formed in Perth in 1995, N.I.L. was known for their eclectic fusion of hard rock, thrash metal, post-punk, rap, and funk. Energetic and unpredictable, the album is an inventive blend of genres anchored by stellar musical performances that sound like a bridge between rap-rock pioneers Rage Against The Machine and Faith No More, and late 90s alternative and nu-metal of System of a Down and Incubus.
 
Songs In This Episode
Intro - Living or Existing
21:36 - Farm Animals
23:37 - Sister Julienne
33.22 - Spilling All Over The Floor
Outro - Living or Existing
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4016</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>769</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Lee Harvey Oswald Band -  Blastronaut | 90s Album Review</title>
        <itunes:title>The Lee Harvey Oswald Band -  Blastronaut | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-lee-harvey-oswald-band-blastronaut-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-lee-harvey-oswald-band-blastronaut-90s-album-review/#comments</comments>        <pubDate>Tue, 13 May 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f9ba0c00-acbb-3167-b2a6-136ee122703a</guid>
                                    <description><![CDATA[<p style="text-align: center;">A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while incorporating elements of Southern culture and psychedelic weirdness. The alias-driven mystique and off-kilter presentation of the band begets an aggressive, theatrical style that may have been out of touch with the mid-1990s, but is worth revisiting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Rocket 69</p>
<p style="text-align: center;">12:27 -The Greatest Man Who Ever Walked the Face of the Earth</p>
<p style="text-align: center;">16:50 -Green Like the Color of Blood</p>
<p style="text-align: center;">18:59 - Panic in Hanoi</p>
<p style="text-align: center;">32:37 - Brontosaurus</p>
<p style="text-align: center;">35:14 - The Scorpio Letter</p>
<p style="text-align: center;">Outro - Morphodite</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while incorporating elements of Southern culture and psychedelic weirdness. The alias-driven mystique and off-kilter presentation of the band begets an aggressive, theatrical style that may have been out of touch with the mid-1990s, but is worth revisiting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Rocket 69</p>
<p style="text-align: center;">12:27 -The Greatest Man Who Ever Walked the Face of the Earth</p>
<p style="text-align: center;">16:50 -Green Like the Color of Blood</p>
<p style="text-align: center;">18:59 - Panic in Hanoi</p>
<p style="text-align: center;">32:37 - Brontosaurus</p>
<p style="text-align: center;">35:14 - The Scorpio Letter</p>
<p style="text-align: center;">Outro - Morphodite</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nyedzqe72trwmfn8/theleehoband.mp3" length="113554459" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while incorporating elements of Southern culture and psychedelic weirdness. The alias-driven mystique and off-kilter presentation of the band begets an aggressive, theatrical style that may have been out of touch with the mid-1990s, but is worth revisiting.
 
Songs In This Episode
Intro - Rocket 69
12:27 -The Greatest Man Who Ever Walked the Face of the Earth
16:50 -Green Like the Color of Blood
18:59 - Panic in Hanoi
32:37 - Brontosaurus
35:14 - The Scorpio Letter
Outro - Morphodite
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3538</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>768</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Social Distortion - Social Distortion | 90s Album Review</title>
        <itunes:title>Social Distortion - Social Distortion | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/social-distortion-social-distortion-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/social-distortion-social-distortion-90s-album-review/#comments</comments>        <pubDate>Tue, 06 May 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/43b47b65-db2d-371e-b3d7-bf3f43b1cac4</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1990 self-titled album by Social Distortion marked a significant turning point for the band, showcasing a more refined and mature sound compared to their hardcore roots. Frontman Mike Ness emerged from a turbulent period in the 1980s, including a stint in rehab that deeply influenced the album’s themes of struggle, redemption, and personal reflection. The album saw the band evolve from hardcore beginnings into a more melodic blend of punk rock infused with rockabilly, country, and roots rock. Tracks like “Ball and Chain” and their cover of Johnny Cash’s “Ring of Fire” highlighted this shift, combining punk’s edge with a distinctly American roots sensibility. The album's lyrical content often reflected Ness’s battles with addiction and the search for meaning, giving it a gritty authenticity that helped the band reach a larger audience and keep them on the charts throughout the 90s.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sick Boys</p>
<p style="text-align: center;">19:35 - Ring of Fire</p>
<p style="text-align: center;">29:10 - Ball and Chain</p>
<p style="text-align: center;">35:00 - Story Of My Life</p>
<p style="text-align: center;">40:49 - Drug Train</p>
<p style="text-align: center;">Outro - She's a Knockout</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1990 self-titled album by Social Distortion marked a significant turning point for the band, showcasing a more refined and mature sound compared to their hardcore roots. Frontman Mike Ness emerged from a turbulent period in the 1980s, including a stint in rehab that deeply influenced the album’s themes of struggle, redemption, and personal reflection. The album saw the band evolve from hardcore beginnings into a more melodic blend of punk rock infused with rockabilly, country, and roots rock. Tracks like “Ball and Chain” and their cover of Johnny Cash’s “Ring of Fire” highlighted this shift, combining punk’s edge with a distinctly American roots sensibility. The album's lyrical content often reflected Ness’s battles with addiction and the search for meaning, giving it a gritty authenticity that helped the band reach a larger audience and keep them on the charts throughout the 90s.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sick Boys</p>
<p style="text-align: center;">19:35 - Ring of Fire</p>
<p style="text-align: center;">29:10 - Ball and Chain</p>
<p style="text-align: center;">35:00 - Story Of My Life</p>
<p style="text-align: center;">40:49 - Drug Train</p>
<p style="text-align: center;">Outro - She's a Knockout</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8vah7zpxik94bafm/socialdistortion.mp3" length="102386576" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1990 self-titled album by Social Distortion marked a significant turning point for the band, showcasing a more refined and mature sound compared to their hardcore roots. Frontman Mike Ness emerged from a turbulent period in the 1980s, including a stint in rehab that deeply influenced the album’s themes of struggle, redemption, and personal reflection. The album saw the band evolve from hardcore beginnings into a more melodic blend of punk rock infused with rockabilly, country, and roots rock. Tracks like “Ball and Chain” and their cover of Johnny Cash’s “Ring of Fire” highlighted this shift, combining punk’s edge with a distinctly American roots sensibility. The album's lyrical content often reflected Ness’s battles with addiction and the search for meaning, giving it a gritty authenticity that helped the band reach a larger audience and keep them on the charts throughout the 90s.
 
Songs In This Episode
Intro - Sick Boys
19:35 - Ring of Fire
29:10 - Ball and Chain
35:00 - Story Of My Life
40:49 - Drug Train
Outro - She's a Knockout
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3193</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>767</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Front Line Assembly - Hard Wired | 90s Album Review</title>
        <itunes:title>Front Line Assembly - Hard Wired | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/front-line-assembly-hard-wired-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/front-line-assembly-hard-wired-90s-album-review/#comments</comments>        <pubDate>Tue, 29 Apr 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e7ff9676-28a6-370a-9fc7-e27432fb3909</guid>
                                    <description><![CDATA[<p style="text-align: center;">Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Neologic Spasm</p>
<p style="text-align: center;">33:47 - Condemned</p>
<p style="text-align: center;">40:12 - Modus Operandi</p>
<p style="text-align: center;">50:29 - Infra Rec Combat</p>
<p style="text-align: center;">1:01:52 - Circuitry</p>
<p style="text-align: center;">Outro - Barcode</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Neologic Spasm</p>
<p style="text-align: center;">33:47 - Condemned</p>
<p style="text-align: center;">40:12 - Modus Operandi</p>
<p style="text-align: center;">50:29 - Infra Rec Combat</p>
<p style="text-align: center;">1:01:52 - Circuitry</p>
<p style="text-align: center;">Outro - Barcode</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pswt7pnzwyys9qyg/frontlineassembly.mp3" length="141394679" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.
 
Songs In This Episode
Intro - Neologic Spasm
33:47 - Condemned
40:12 - Modus Operandi
50:29 - Infra Rec Combat
1:01:52 - Circuitry
Outro - Barcode
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4412</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>766</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kill Holiday - Somewhere Between the Wrong Is Right | 90s Album Review</title>
        <itunes:title>Kill Holiday - Somewhere Between the Wrong Is Right | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/kill-holiday-somewhere-between-the-wrong-is-right-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/kill-holiday-somewhere-between-the-wrong-is-right-90s-album-review/#comments</comments>        <pubDate>Tue, 22 Apr 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b1e86335-7043-35e8-b6bd-914d2371467c</guid>
                                    <description><![CDATA[<p style="text-align: center;">Kill Holiday, formed by members of San Diego hardcore band Unbroken, made a surprising shift from aggressive post-hardcore to dreamy shoegaze with their 1999 album Somewhere Between the Wrong and the Right. Released on Revelation Records, the album channels British influences like Ride and The Stone Roses, with shimmering guitars and laid-back, melancholic melodies. Despite its shoegaze and Britpop sound, the album resonates with the emotional core of the emo genre, more in feeling rather than form, standing out as a reflective, genre-crossing record from a label known for hardcore.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Somewhere Between the Wrong Is Right</p>
<p style="text-align: center;">11:49 - Someday You Will Lose and I Will Win</p>
<p style="text-align: center;">18:21 - Know You Your Friends Are</p>
<p style="text-align: center;">Outro - In Closing (Memorial Day)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Kill Holiday, formed by members of San Diego hardcore band Unbroken, made a surprising shift from aggressive post-hardcore to dreamy shoegaze with their 1999 album Somewhere Between the Wrong and the Right. Released on Revelation Records, the album channels British influences like Ride and The Stone Roses, with shimmering guitars and laid-back, melancholic melodies. Despite its shoegaze and Britpop sound, the album resonates with the emotional core of the emo genre, more in feeling rather than form, standing out as a reflective, genre-crossing record from a label known for hardcore.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Somewhere Between the Wrong Is Right</p>
<p style="text-align: center;">11:49 - Someday You Will Lose and I Will Win</p>
<p style="text-align: center;">18:21 - Know You Your Friends Are</p>
<p style="text-align: center;">Outro - In Closing (Memorial Day)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w9hpyyyf55d7icc3/killholiday.mp3" length="72994820" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Kill Holiday, formed by members of San Diego hardcore band Unbroken, made a surprising shift from aggressive post-hardcore to dreamy shoegaze with their 1999 album Somewhere Between the Wrong and the Right. Released on Revelation Records, the album channels British influences like Ride and The Stone Roses, with shimmering guitars and laid-back, melancholic melodies. Despite its shoegaze and Britpop sound, the album resonates with the emotional core of the emo genre, more in feeling rather than form, standing out as a reflective, genre-crossing record from a label known for hardcore.
 
Songs In This Episode
Intro - Somewhere Between the Wrong Is Right
11:49 - Someday You Will Lose and I Will Win
18:21 - Know You Your Friends Are
Outro - In Closing (Memorial Day)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2275</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>765</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pavement - Slanted and Enchanted | 90s Album Review</title>
        <itunes:title>Pavement - Slanted and Enchanted | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pavement-slanted-and-enchanted-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pavement-slanted-and-enchanted-90s-album-review/#comments</comments>        <pubDate>Tue, 15 Apr 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b173986d-bfb5-344a-aa97-0d8afc2b0369</guid>
                                    <description><![CDATA[<p style="text-align: center;">Pavement's 1992 debut album Slanted and Enchanted is a landmark in 1990s alternative music. Featuring cryptic lyrics, jagged guitar riffs, and a laid-back, DIY aesthetic that defined the band's early sound and the emergent lo-fi movement. The low budget recording contributes to its raw and unpolished sound, blending noise rock, pop hooks, and experimental structures with an ear for unusual melodies and hooks. While not everyone's cup of tea thanks to out-of-tune guitars and the unpolished recording quality, even those not familiar or fans of lo-fi might still find something to check out.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Conduit for Sale!</p>
<p style="text-align: center;">15:35 - Perfume-V</p>
<p style="text-align: center;">18:35 - Here (alternate mix)</p>
<p style="text-align: center;">24:05 - Two States</p>
<p style="text-align: center;">30:51 - No Life Singed Her</p>
<p style="text-align: center;">34:57 - Loretta's Scars</p>
<p style="text-align: center;">Outro - Trigger Cut/Wounded-Kite at:17</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Pavement's 1992 debut album <em>Slanted and Enchanted</em> is a landmark in 1990s alternative music. Featuring cryptic lyrics, jagged guitar riffs, and a laid-back, DIY aesthetic that defined the band's early sound and the emergent lo-fi movement. The low budget recording contributes to its raw and unpolished sound, blending noise rock, pop hooks, and experimental structures with an ear for unusual melodies and hooks. While not everyone's cup of tea thanks to out-of-tune guitars and the unpolished recording quality, even those not familiar or fans of lo-fi might still find something to check out.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Conduit for Sale!</p>
<p style="text-align: center;">15:35 - Perfume-V</p>
<p style="text-align: center;">18:35 - Here (alternate mix)</p>
<p style="text-align: center;">24:05 - Two States</p>
<p style="text-align: center;">30:51 - No Life Singed Her</p>
<p style="text-align: center;">34:57 - Loretta's Scars</p>
<p style="text-align: center;">Outro - Trigger Cut/Wounded-Kite at:17</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2n47hsd8wpsdicy9/pavementslanted.mp3" length="106542733" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pavement's 1992 debut album Slanted and Enchanted is a landmark in 1990s alternative music. Featuring cryptic lyrics, jagged guitar riffs, and a laid-back, DIY aesthetic that defined the band's early sound and the emergent lo-fi movement. The low budget recording contributes to its raw and unpolished sound, blending noise rock, pop hooks, and experimental structures with an ear for unusual melodies and hooks. While not everyone's cup of tea thanks to out-of-tune guitars and the unpolished recording quality, even those not familiar or fans of lo-fi might still find something to check out.
 
Songs In This Episode
Intro - Conduit for Sale!
15:35 - Perfume-V
18:35 - Here (alternate mix)
24:05 - Two States
30:51 - No Life Singed Her
34:57 - Loretta's Scars
Outro - Trigger Cut/Wounded-Kite at:17
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3323</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>764</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Squarepusher - Hard Normal Daddy | 90s Album Review</title>
        <itunes:title>Squarepusher - Hard Normal Daddy | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/squarepusher-hard-normal-daddy-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/squarepusher-hard-normal-daddy-90s-album-review/#comments</comments>        <pubDate>Tue, 08 Apr 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d23f11ed-3913-3ceb-931a-0fa2aaac19af</guid>
                                    <description><![CDATA[<p style="text-align: center;">A groundbreaking fusion of drum and bass, jazz, and experimental electronic music, the 1997 album Hard Normal Daddy by <a href='https://squarepusher.net/?lang=en_GB'>Squarepusher</a> showcases Tom Jenkinson’s virtuosic bass playing and intricate programming. Blending frenetic breakbeats with lush, jazz-inspired melodies, tracks like “Coopers World” and “Beep Street” highlight his unique ability to balance chaos and groove, creating an experience that’s both cerebral and rhythmically infectious. Dense and detailed production reward repeated listens revealing new textures and layers bold, resulting in a genre-defying record that pushed the boundaries of IDM at the time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - E8 Boogie</p>
<p style="text-align: center;">22:00 - Beep Street</p>
<p style="text-align: center;">26:03 - Papalon</p>
<p style="text-align: center;">32:05 - Coopers World</p>
<p style="text-align: center;">39:22 - Fat Controller</p>
<p style="text-align: center;">46:06 - Chin Hippy</p>
<p style="text-align: center;">Outro - Rebus</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">A groundbreaking fusion of drum and bass, jazz, and experimental electronic music, the 1997 album Hard Normal Daddy by <a href='https://squarepusher.net/?lang=en_GB'>Squarepusher</a> showcases Tom Jenkinson’s virtuosic bass playing and intricate programming. Blending frenetic breakbeats with lush, jazz-inspired melodies, tracks like “Coopers World” and “Beep Street” highlight his unique ability to balance chaos and groove, creating an experience that’s both cerebral and rhythmically infectious. Dense and detailed production reward repeated listens revealing new textures and layers bold, resulting in a genre-defying record that pushed the boundaries of IDM at the time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - E8 Boogie</p>
<p style="text-align: center;">22:00 - Beep Street</p>
<p style="text-align: center;">26:03 - Papalon</p>
<p style="text-align: center;">32:05 - Coopers World</p>
<p style="text-align: center;">39:22 - Fat Controller</p>
<p style="text-align: center;">46:06 - Chin Hippy</p>
<p style="text-align: center;">Outro - Rebus</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ap23j8e5mje3ii9m/squarepusher.mp3" length="126689647" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A groundbreaking fusion of drum and bass, jazz, and experimental electronic music, the 1997 album Hard Normal Daddy by Squarepusher showcases Tom Jenkinson’s virtuosic bass playing and intricate programming. Blending frenetic breakbeats with lush, jazz-inspired melodies, tracks like “Coopers World” and “Beep Street” highlight his unique ability to balance chaos and groove, creating an experience that’s both cerebral and rhythmically infectious. Dense and detailed production reward repeated listens revealing new textures and layers bold, resulting in a genre-defying record that pushed the boundaries of IDM at the time.
 
Songs In This Episode
Intro - E8 Boogie
22:00 - Beep Street
26:03 - Papalon
32:05 - Coopers World
39:22 - Fat Controller
46:06 - Chin Hippy
Outro - Rebus
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3947</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>763</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chevelle - Point #1 | 90s Album Review</title>
        <itunes:title>Chevelle - Point #1 | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/chevelle-point-1-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/chevelle-point-1-90s-album-review/#comments</comments>        <pubDate>Tue, 01 Apr 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/05d729a5-daf7-3aea-81ad-59dd874d15ea</guid>
                                    <description><![CDATA[<p style="text-align: center;">​"Point #1," <a href='https://getmorechevelle.com/'>Chevelle</a>'s 1999 debut album, showcases the Chicago-based Loeffler brothers' fusion of alternative metal and indie rock. Produced by Steve Albini, known for his work with Nirvana and PJ Harvey, the album delivers a raw, unrefined sound that captures the band's early energy. Coming in at the end of the decades, it's not surprising to hear similarities to bands like Tool and Helmet, particularly in tracks such as "Skeptic" and "Anticipation," which feature syncopated riffs and dynamic shifts between aggressive and mellow passages. While the album's repetitive structures and lack of big hooks pin this is a debut, , "Point #1" definitely laid the groundwork for Chevelle's evolving sound and hinted at their future success in the alternative metal scene.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Earth</p>
<p style="text-align: center;">19:08 - Mia</p>
<p style="text-align: center;">29:32 - Open</p>
<p style="text-align: center;">37:49 - Anticipation</p>
<p style="text-align: center;">42:23 - Long</p>
<p style="text-align: center;">Outro - Peer</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">​"Point #1," <a href='https://getmorechevelle.com/'>Chevelle</a>'s 1999 debut album, showcases the Chicago-based Loeffler brothers' fusion of alternative metal and indie rock. Produced by Steve Albini, known for his work with Nirvana and PJ Harvey, the album delivers a raw, unrefined sound that captures the band's early energy. Coming in at the end of the decades, it's not surprising to hear similarities to bands like Tool and Helmet, particularly in tracks such as "Skeptic" and "Anticipation," which feature syncopated riffs and dynamic shifts between aggressive and mellow passages. While the album's repetitive structures and lack of big hooks pin this is a debut, , "Point #1" definitely laid the groundwork for Chevelle's evolving sound and hinted at their future success in the alternative metal scene.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Earth</p>
<p style="text-align: center;">19:08 - Mia</p>
<p style="text-align: center;">29:32 - Open</p>
<p style="text-align: center;">37:49 - Anticipation</p>
<p style="text-align: center;">42:23 - Long</p>
<p style="text-align: center;">Outro - Peer</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pm8mkpzdhm7fnrg4/chevelle.mp3" length="92116327" type="audio/mpeg"/>
        <itunes:summary><![CDATA[​"Point #1," Chevelle's 1999 debut album, showcases the Chicago-based Loeffler brothers' fusion of alternative metal and indie rock. Produced by Steve Albini, known for his work with Nirvana and PJ Harvey, the album delivers a raw, unrefined sound that captures the band's early energy. Coming in at the end of the decades, it's not surprising to hear similarities to bands like Tool and Helmet, particularly in tracks such as "Skeptic" and "Anticipation," which feature syncopated riffs and dynamic shifts between aggressive and mellow passages. While the album's repetitive structures and lack of big hooks pin this is a debut, , "Point #1" definitely laid the groundwork for Chevelle's evolving sound and hinted at their future success in the alternative metal scene.
 
Songs In This Episode
Intro - Black Earth
19:08 - Mia
29:32 - Open
37:49 - Anticipation
42:23 - Long
Outro - Peer
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2877</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>762</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Thelonious Monster - Beautiful Mess | 90s Album Review</title>
        <itunes:title>Thelonious Monster - Beautiful Mess | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/thelonious-monster-beautiful-mess-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/thelonious-monster-beautiful-mess-90s-album-review/#comments</comments>        <pubDate>Tue, 25 Mar 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b9378dbd-0d3c-3770-84c1-2f8ecc57d601</guid>
                                    <description><![CDATA[<p style="text-align: center;">Upon its release in 1992, Beautiful Mess by <a href='https://theloniousmonster.com/'>Thelonious Monster</a> received plenty of critical acclaim yet not the sales or media exposure to launch the band into the new alternative explosion. Lead singer Bob Forrest’s deeply personal lyrics explored themes of addiction, relationships, and self-destruction, not all that different from other bands at the time, but musically the band sounds more in step with Minneapolis bands like The Replacements and Soul Asylum the late 1980s. Featuring a slew of notable names from bands like the Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Porno for Pyros, and more as his backing band, the band succeeds at bringing Forrest's stories to life even if a few lyrics choices didn't stand the test of time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song For A Politically Correct Girl From The Valley</p>
<p style="text-align: center;">28:33 - Vegas Weekend</p>
<p style="text-align: center;">35:36 - Body and Soul</p>
<p style="text-align: center;">39:20 - Adios Lounge</p>
<p style="text-align: center;">46:57 - I Live In A Nice House</p>
<p style="text-align: center;">Outro - Bus With No Driver</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Upon its release in 1992, Beautiful Mess by <a href='https://theloniousmonster.com/'>Thelonious Monster</a> received plenty of critical acclaim yet not the sales or media exposure to launch the band into the new alternative explosion. Lead singer Bob Forrest’s deeply personal lyrics explored themes of addiction, relationships, and self-destruction, not all that different from other bands at the time, but musically the band sounds more in step with Minneapolis bands like The Replacements and Soul Asylum the late 1980s. Featuring a slew of notable names from bands like the Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Porno for Pyros, and more as his backing band, the band succeeds at bringing Forrest's stories to life even if a few lyrics choices didn't stand the test of time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song For A Politically Correct Girl From The Valley</p>
<p style="text-align: center;">28:33 - Vegas Weekend</p>
<p style="text-align: center;">35:36 - Body and Soul</p>
<p style="text-align: center;">39:20 - Adios Lounge</p>
<p style="text-align: center;">46:57 - I Live In A Nice House</p>
<p style="text-align: center;">Outro - Bus With No Driver</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/buz7579ptmzt2xi8/theloniousmonster.mp3" length="134519270" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Upon its release in 1992, Beautiful Mess by Thelonious Monster received plenty of critical acclaim yet not the sales or media exposure to launch the band into the new alternative explosion. Lead singer Bob Forrest’s deeply personal lyrics explored themes of addiction, relationships, and self-destruction, not all that different from other bands at the time, but musically the band sounds more in step with Minneapolis bands like The Replacements and Soul Asylum the late 1980s. Featuring a slew of notable names from bands like the Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Porno for Pyros, and more as his backing band, the band succeeds at bringing Forrest's stories to life even if a few lyrics choices didn't stand the test of time.
 
Songs In This Episode
Intro - Song For A Politically Correct Girl From The Valley
28:33 - Vegas Weekend
35:36 - Body and Soul
39:20 - Adios Lounge
46:57 - I Live In A Nice House
Outro - Bus With No Driver
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4202</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>761</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Tom Beaujour, Co-author of Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival</title>
        <itunes:title>Interview with Tom Beaujour, Co-author of Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival</itunes:title>
        <link>https://digmeout.podbean.com/e/interview-with-tom-beaujour-co-author-of-lollapalooza-the-uncensored-story-of-alternative-rocks-wildest-festival/</link>
                    <comments>https://digmeout.podbean.com/e/interview-with-tom-beaujour-co-author-of-lollapalooza-the-uncensored-story-of-alternative-rocks-wildest-festival/#comments</comments>        <pubDate>Tue, 18 Mar 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4be6ae2c-8dcd-3212-9c7a-56fc58f39050</guid>
                                    <description><![CDATA[<p style="text-align: center;">With 2024's 3-part documentary LOLLA: The Story of Lollapalooza, and our own Lollapalooza episode many years ago, you might wonder what's left to learn about the famed traveling music festival of the 1990s. Turns out, a lot. Thanks to the hundreds of interviews and thousands of hours of work by authors Tom Beaujour and Richard Bienstock completed for their second book "<a href='https://us.macmillan.com/books/9781250283702/lollapalooza/'>Lollapalooza - The Uncensored Story of Alternative Rock's Wildest Festival</a>," this extensive oral history talks with everyone involved: artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Terrible Lie by Nine Inch Nails (Live at Lollapalooza 1991)</p>
<p style="text-align: center;">Outro - The Last Beat Of My Heart by Siouxsie and the Banshees (Live at Lollapalooza 1991)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With 2024's 3-part documentary LOLLA: The Story of Lollapalooza, and our own Lollapalooza episode many years ago, you might wonder what's left to learn about the famed traveling music festival of the 1990s. Turns out, a lot. Thanks to the hundreds of interviews and thousands of hours of work by authors Tom Beaujour and Richard Bienstock completed for their second book "<a href='https://us.macmillan.com/books/9781250283702/lollapalooza/'>Lollapalooza - The Uncensored Story of Alternative Rock's Wildest Festival</a>," this extensive oral history talks with everyone involved: artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Terrible Lie by Nine Inch Nails (Live at Lollapalooza 1991)</p>
<p style="text-align: center;">Outro - The Last Beat Of My Heart by Siouxsie and the Banshees (Live at Lollapalooza 1991)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3yyy7ph4yfpcj4hq/tombeaujourlolla.mp3" length="152974656" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With 2024's 3-part documentary LOLLA: The Story of Lollapalooza, and our own Lollapalooza episode many years ago, you might wonder what's left to learn about the famed traveling music festival of the 1990s. Turns out, a lot. Thanks to the hundreds of interviews and thousands of hours of work by authors Tom Beaujour and Richard Bienstock completed for their second book "Lollapalooza - The Uncensored Story of Alternative Rock's Wildest Festival," this extensive oral history talks with everyone involved: artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more. 
 
Songs In This Episode
Intro - Terrible Lie by Nine Inch Nails (Live at Lollapalooza 1991)
Outro - The Last Beat Of My Heart by Siouxsie and the Banshees (Live at Lollapalooza 1991)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4774</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>760</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Billy Squier - Surviving The 90s</title>
        <itunes:title>Billy Squier - Surviving The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/billy-squier-surviving-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/billy-squier-surviving-the-90s/#comments</comments>        <pubDate>Tue, 11 Mar 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fefc1e90-9d86-3a5a-bbff-275619922dae</guid>
                                    <description><![CDATA[<p style="text-align: center;">In our second installment of Surviving the 90s, we're revisiting one of the hitmakers from the first half of the 80s - <a href='https://billysquier.com/'>Billy Squier</a>. Responsible for such hits as The Stroke, Lonely Is The Night, Everybody Wants You, My Kinda Lover, and Rock Me Tonite, to name a few, Squier was all over radio and early MTV. Albums like Don't Say No, Emotions in Motion, and Signs of Life each went Platinum, and while musical trends changed, Squier still managed radio airplay into the early 90s. But by 1998, he was done, releasing his final record, Happy Blue, an all acoustic affair. We revisit his greatest hits, his 90s releases, and try to determine if Billy Squier thrived, adapted, or died in the 90s.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Stroke (from Don't Say No)</p>
<p style="text-align: center;">10:32 - 42nd Street by Piper (from self-titled)</p>
<p style="text-align: center;">17:41 - The Big Beat (from The Tale of the Tape)</p>
<p style="text-align: center;">28:19 - Rock Me Tonite (from Signs of Life)</p>
<p style="text-align: center;">38:28 - Young at Heart (from Creatures of Habit)</p>
<p style="text-align: center;">1:02:42 - Happy Blues (from Happy Blue)</p>
<p style="text-align: center;">Outro - Angry (from Tell The Truth)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In our second installment of Surviving the 90s, we're revisiting one of the hitmakers from the first half of the 80s - <a href='https://billysquier.com/'>Billy Squier</a>. Responsible for such hits as The Stroke, Lonely Is The Night, Everybody Wants You, My Kinda Lover, and Rock Me Tonite, to name a few, Squier was all over radio and early MTV. Albums like Don't Say No, Emotions in Motion, and Signs of Life each went Platinum, and while musical trends changed, Squier still managed radio airplay into the early 90s. But by 1998, he was done, releasing his final record, Happy Blue, an all acoustic affair. We revisit his greatest hits, his 90s releases, and try to determine if Billy Squier thrived, adapted, or died in the 90s.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Stroke (from Don't Say No)</p>
<p style="text-align: center;">10:32 - 42nd Street by Piper (from self-titled)</p>
<p style="text-align: center;">17:41 - The Big Beat (from The Tale of the Tape)</p>
<p style="text-align: center;">28:19 - Rock Me Tonite (from Signs of Life)</p>
<p style="text-align: center;">38:28 - Young at Heart (from Creatures of Habit)</p>
<p style="text-align: center;">1:02:42 - Happy Blues (from Happy Blue)</p>
<p style="text-align: center;">Outro - Angry (from Tell The Truth)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/phymdsy7thmq97ha/billysquier.mp3" length="168382304" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our second installment of Surviving the 90s, we're revisiting one of the hitmakers from the first half of the 80s - Billy Squier. Responsible for such hits as The Stroke, Lonely Is The Night, Everybody Wants You, My Kinda Lover, and Rock Me Tonite, to name a few, Squier was all over radio and early MTV. Albums like Don't Say No, Emotions in Motion, and Signs of Life each went Platinum, and while musical trends changed, Squier still managed radio airplay into the early 90s. But by 1998, he was done, releasing his final record, Happy Blue, an all acoustic affair. We revisit his greatest hits, his 90s releases, and try to determine if Billy Squier thrived, adapted, or died in the 90s.
 
Songs In This Episode
Intro - The Stroke (from Don't Say No)
10:32 - 42nd Street by Piper (from self-titled)
17:41 - The Big Beat (from The Tale of the Tape)
28:19 - Rock Me Tonite (from Signs of Life)
38:28 - Young at Heart (from Creatures of Habit)
1:02:42 - Happy Blues (from Happy Blue)
Outro - Angry (from Tell The Truth)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5256</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>759</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Idlewild - Hope Is Important | 90s Album Review</title>
        <itunes:title>Idlewild - Hope Is Important | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/idlewild-hope-is-important-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/idlewild-hope-is-important-90s-album-review/#comments</comments>        <pubDate>Tue, 04 Mar 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a5000d3f-f1d5-34ac-a46e-c92fb810e88e</guid>
                                    <description><![CDATA[<p style="text-align: center;">Previously we revisited Idlewild's 2000 breakthrough sophomore album <a href='https://www.digmeoutpodcast.com/p/474-100-broken-windows-by-idlewild-0c7'>100 Broken Windows</a>, but for this episode we're going backward to their 1998 debut. The punkier, more aggressive Hope Is Important leans into noisy, almost unpolished intensity, while moments of introspection hint at the more refined songwriting the band would develop on following albums. Frenetic guitars and urgent vocals create a chaotic yet compelling sound, with tracks like "When I Argue I See Shapes" showcase their knack for anthemic hooks. Though it may lack the polish of their later work, Hope Is Important captures Idlewild’s youthful spirit and unfiltered passion.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Everyone's Says you're so Fragile</p>
<p style="text-align: center;">19:58 - You've Lost Your Way</p>
<p style="text-align: center;">25:54 - I'm Happy to be here Tonight</p>
<p style="text-align: center;">30:27 - A Film for the Future</p>
<p style="text-align: center;">34:34 - When I Argue I See Shapes</p>
<p style="text-align: center;">Outro - Paint Nothing</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Previously we revisited Idlewild's 2000 breakthrough sophomore album <a href='https://www.digmeoutpodcast.com/p/474-100-broken-windows-by-idlewild-0c7'>100 Broken Windows</a>, but for this episode we're going backward to their 1998 debut. The punkier, more aggressive Hope Is Important leans into noisy, almost unpolished intensity, while moments of introspection hint at the more refined songwriting the band would develop on following albums. Frenetic guitars and urgent vocals create a chaotic yet compelling sound, with tracks like "When I Argue I See Shapes" showcase their knack for anthemic hooks. Though it may lack the polish of their later work, Hope Is Important captures Idlewild’s youthful spirit and unfiltered passion.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Everyone's Says you're so Fragile</p>
<p style="text-align: center;">19:58 - You've Lost Your Way</p>
<p style="text-align: center;">25:54 - I'm Happy to be here Tonight</p>
<p style="text-align: center;">30:27 - A Film for the Future</p>
<p style="text-align: center;">34:34 - When I Argue I See Shapes</p>
<p style="text-align: center;">Outro - Paint Nothing</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/exnn2s9228dqpvyf/idlewild-hopeisimportant.mp3" length="91622832" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Previously we revisited Idlewild's 2000 breakthrough sophomore album 100 Broken Windows, but for this episode we're going backward to their 1998 debut. The punkier, more aggressive Hope Is Important leans into noisy, almost unpolished intensity, while moments of introspection hint at the more refined songwriting the band would develop on following albums. Frenetic guitars and urgent vocals create a chaotic yet compelling sound, with tracks like "When I Argue I See Shapes" showcase their knack for anthemic hooks. Though it may lack the polish of their later work, Hope Is Important captures Idlewild’s youthful spirit and unfiltered passion.
 
Songs In This Episode
Intro - Everyone's Says you're so Fragile
19:58 - You've Lost Your Way
25:54 - I'm Happy to be here Tonight
30:27 - A Film for the Future
34:34 - When I Argue I See Shapes
Outro - Paint Nothing
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2860</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>758</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Guided By Voices - Alien Lanes | 90s Album Review</title>
        <itunes:title>Guided By Voices - Alien Lanes | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/guided-by-voices-alien-lanes-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/guided-by-voices-alien-lanes-90s-album-review/#comments</comments>        <pubDate>Tue, 25 Feb 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/24c75ecd-0339-39a9-8d2b-357f9c32e65e</guid>
                                    <description><![CDATA[<p style="text-align: center;">Alien Lanes by <a href='https://www.guidedbyvoices.com/'>Guided By Voices</a>, their first for Matador Records, expanded upon the lo-fi, hook-driven bursts of songs from previous release Bee Thousand. Its chaotic, collage-like structure packs 28 tracks into just over 40 minutes, thanks to the raw, four-track production gives the album an intimate, unpolished feel. Songs end abruptly, vocals are buried, guitars are out of tune, yet the melodies emerge from the fuzz with a mix of power pop charm and punk spontaneity.Widely considered one of their best works, Alien Lanes remains a cult favorite and a defining record of '90s indie rock.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Watch Me Jumpstart</p>
<p style="text-align: center;">17:09 - Motor Away</p>
<p style="text-align: center;">20:20 - Closer You Are</p>
<p style="text-align: center;">30:38 - Ex-Supermodel</p>
<p style="text-align: center;">36:20 - Strawdogs</p>
<p style="text-align: center;">38:19 - My Valuable Hunting Knife</p>
<p style="text-align: center;">Outro - Blimps Go 90</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Alien Lanes by <a href='https://www.guidedbyvoices.com/'>Guided By Voices</a>, their first for Matador Records, expanded upon the lo-fi, hook-driven bursts of songs from previous release Bee Thousand. Its chaotic, collage-like structure packs 28 tracks into just over 40 minutes, thanks to the raw, four-track production gives the album an intimate, unpolished feel. Songs end abruptly, vocals are buried, guitars are out of tune, yet the melodies emerge from the fuzz with a mix of power pop charm and punk spontaneity.Widely considered one of their best works, Alien Lanes remains a cult favorite and a defining record of '90s indie rock.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Watch Me Jumpstart</p>
<p style="text-align: center;">17:09 - Motor Away</p>
<p style="text-align: center;">20:20 - Closer You Are</p>
<p style="text-align: center;">30:38 - Ex-Supermodel</p>
<p style="text-align: center;">36:20 - Strawdogs</p>
<p style="text-align: center;">38:19 - My Valuable Hunting Knife</p>
<p style="text-align: center;">Outro - Blimps Go 90</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c96j4kxs2ifkvaa7/gbvalienlanes.mp3" length="113324600" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Alien Lanes by Guided By Voices, their first for Matador Records, expanded upon the lo-fi, hook-driven bursts of songs from previous release Bee Thousand. Its chaotic, collage-like structure packs 28 tracks into just over 40 minutes, thanks to the raw, four-track production gives the album an intimate, unpolished feel. Songs end abruptly, vocals are buried, guitars are out of tune, yet the melodies emerge from the fuzz with a mix of power pop charm and punk spontaneity.Widely considered one of their best works, Alien Lanes remains a cult favorite and a defining record of '90s indie rock.
 
Songs In This Episode
Intro - Watch Me Jumpstart
17:09 - Motor Away
20:20 - Closer You Are
30:38 - Ex-Supermodel
36:20 - Strawdogs
38:19 - My Valuable Hunting Knife
Outro - Blimps Go 90
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3483</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>757</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Cock Sparrer - Two Monkeys | 90s Album Review</title>
        <itunes:title>Cock Sparrer - Two Monkeys | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/cock-sparrer-two-monkeys-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/cock-sparrer-two-monkeys-90s-album-review/#comments</comments>        <pubDate>Tue, 18 Feb 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d24c5668-2be0-373d-a672-07c166bd8a1e</guid>
                                    <description><![CDATA[<p style="text-align: center;">Two Monkeys, the 1997 album by veteran punk band <a href='http://www.cocksparrer.co.uk/'>Cock Sparrer</a>, blends old school British pub rock and Oi! with surprising melodic elements. Despite being released twenty-five years into their career, the album retains the raw energy of their early work, featuring socially conscious lyrics while tackling themes like working-class struggles and personal resilience. The production is cleaner than their classic albums, but it still maintains a gritty, pub-rock feel, though a few of the faster tracks could benefit from a remix due to overly-compressed and thin sounding drums. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Bats Out</p>
<p style="text-align: center;">21:10 - Back Home</p>
<p style="text-align: center;">24:36 - A.U.</p>
<p style="text-align: center;">29:05 - Time To Be Me</p>
<p style="text-align: center;">32:52 - Battersea Bardot</p>
<p style="text-align: center;">37:00 - Goodbye</p>
<p style="text-align: center;">Outro - Lies</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Two Monkeys, the 1997 album by veteran punk band <a href='http://www.cocksparrer.co.uk/'>Cock Sparrer</a>, blends old school British pub rock and Oi! with surprising melodic elements. Despite being released twenty-five years into their career, the album retains the raw energy of their early work, featuring socially conscious lyrics while tackling themes like working-class struggles and personal resilience. The production is cleaner than their classic albums, but it still maintains a gritty, pub-rock feel, though a few of the faster tracks could benefit from a remix due to overly-compressed and thin sounding drums. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Bats Out</p>
<p style="text-align: center;">21:10 - Back Home</p>
<p style="text-align: center;">24:36 - A.U.</p>
<p style="text-align: center;">29:05 - Time To Be Me</p>
<p style="text-align: center;">32:52 - Battersea Bardot</p>
<p style="text-align: center;">37:00 - Goodbye</p>
<p style="text-align: center;">Outro - Lies</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kiz8xxbhpmj4hmeb/cocksparrer.mp3" length="98701523" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Two Monkeys, the 1997 album by veteran punk band Cock Sparrer, blends old school British pub rock and Oi! with surprising melodic elements. Despite being released twenty-five years into their career, the album retains the raw energy of their early work, featuring socially conscious lyrics while tackling themes like working-class struggles and personal resilience. The production is cleaner than their classic albums, but it still maintains a gritty, pub-rock feel, though a few of the faster tracks could benefit from a remix due to overly-compressed and thin sounding drums. 
 
Songs In This Episode
Intro - Bats Out
21:10 - Back Home
24:36 - A.U.
29:05 - Time To Be Me
32:52 - Battersea Bardot
37:00 - Goodbye
Outro - Lies
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3079</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>756</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Los Lobos - The Neighborhood | 90s Album Review</title>
        <itunes:title>Los Lobos - The Neighborhood | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/los-lobos-the-neighborhood-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/los-lobos-the-neighborhood-90s-album-review/#comments</comments>        <pubDate>Tue, 11 Feb 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4b64b750-8c27-3914-a714-4cb1bdb9f679</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://www.loslobos.org/site/'>Los Lobos</a>' 1990 album The Neighborhood showcases their signature blend of rock, blues, and Latin influences through the lense and ears of East Los Angeles. While it didn’t achieve the commercial success of La Bamba, the album captures Los Lobos’ musical versatility and deep-rooted cultural influences. The band shifts from Texas blues and roots rock to old school rock 'n roll and acoustic balladry with the ease of seasoned players, with lead singer/guitarist David Hidalgo guiding the band all the way. At times the reliance on traditional blues structures can stifle the endlessly creative band by locking them into particular styles and arrangements, whereas tracks written outside the format flourish thanks to the skilled band.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Down On The Riverbed</p>
<p style="text-align: center;">19:17 - I Walk Alone</p>
<p style="text-align: center;">24:25 - The Giving Tree</p>
<p style="text-align: center;">26:25 - Georgia Slop</p>
<p style="text-align: center;">43:37 - Be Still</p>
<p style="text-align: center;">Outro - The Neighborhood</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://www.loslobos.org/site/'>Los Lobos</a>' 1990 album The Neighborhood showcases their signature blend of rock, blues, and Latin influences through the lense and ears of East Los Angeles. While it didn’t achieve the commercial success of La Bamba, the album captures Los Lobos’ musical versatility and deep-rooted cultural influences. The band shifts from Texas blues and roots rock to old school rock 'n roll and acoustic balladry with the ease of seasoned players, with lead singer/guitarist David Hidalgo guiding the band all the way. At times the reliance on traditional blues structures can stifle the endlessly creative band by locking them into particular styles and arrangements, whereas tracks written outside the format flourish thanks to the skilled band.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Down On The Riverbed</p>
<p style="text-align: center;">19:17 - I Walk Alone</p>
<p style="text-align: center;">24:25 - The Giving Tree</p>
<p style="text-align: center;">26:25 - Georgia Slop</p>
<p style="text-align: center;">43:37 - Be Still</p>
<p style="text-align: center;">Outro - The Neighborhood</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4cnjznxfx8w9edcu/loslobos.mp3" length="112393376" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Los Lobos' 1990 album The Neighborhood showcases their signature blend of rock, blues, and Latin influences through the lense and ears of East Los Angeles. While it didn’t achieve the commercial success of La Bamba, the album captures Los Lobos’ musical versatility and deep-rooted cultural influences. The band shifts from Texas blues and roots rock to old school rock 'n roll and acoustic balladry with the ease of seasoned players, with lead singer/guitarist David Hidalgo guiding the band all the way. At times the reliance on traditional blues structures can stifle the endlessly creative band by locking them into particular styles and arrangements, whereas tracks written outside the format flourish thanks to the skilled band.
 
Songs In This Episode
Intro - Down On The Riverbed
19:17 - I Walk Alone
24:25 - The Giving Tree
26:25 - Georgia Slop
43:37 - Be Still
Outro - The Neighborhood
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3507</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>755</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fiona Apple - Tidal | 90s Album Review</title>
        <itunes:title>Fiona Apple - Tidal | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/fiona-apple-tidal-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/fiona-apple-tidal-90s-album-review/#comments</comments>        <pubDate>Tue, 04 Feb 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/67cee57f-fac8-302e-9d15-c1ec1941f29c</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://www.digmeoutpodcast.com/p/homework-alert-dig-into-tidal-by'>Fiona Apple</a>'s 1996 debut album Tidal remains a landmark in alternative music, blending jazz-infused piano melodies with deeply introspective lyrics. The album's breakout single, "Criminal," propelled Apple into the mainstream, earning her a Grammy and solidifying her as a unique voice in the industry. With raw emotion and poetic lyricism, songs like "Shadowboxer" and "Sleep to Dream" showcased her maturity beyond her years. Tidal was both critically acclaimed and commercially successful, influencing a generation of singer-songwriters with its confessional style. Nearly three decades later, the album's haunting beauty and vulnerability continue to resonate with listeners.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sleep To Dream</p>
<p style="text-align: center;">25:03 - Shadowboxer</p>
<p style="text-align: center;">34:26 - Pale September</p>
<p style="text-align: center;">46:16 - Criminal</p>
<p style="text-align: center;">50:12 - The First Taste</p>
<p style="text-align: center;">Outro - Slow Like Honey</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://www.digmeoutpodcast.com/p/homework-alert-dig-into-tidal-by'>Fiona Apple</a>'s 1996 debut album Tidal remains a landmark in alternative music, blending jazz-infused piano melodies with deeply introspective lyrics. The album's breakout single, "Criminal," propelled Apple into the mainstream, earning her a Grammy and solidifying her as a unique voice in the industry. With raw emotion and poetic lyricism, songs like "Shadowboxer" and "Sleep to Dream" showcased her maturity beyond her years. Tidal was both critically acclaimed and commercially successful, influencing a generation of singer-songwriters with its confessional style. Nearly three decades later, the album's haunting beauty and vulnerability continue to resonate with listeners.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sleep To Dream</p>
<p style="text-align: center;">25:03 - Shadowboxer</p>
<p style="text-align: center;">34:26 - Pale September</p>
<p style="text-align: center;">46:16 - Criminal</p>
<p style="text-align: center;">50:12 - The First Taste</p>
<p style="text-align: center;">Outro - Slow Like Honey</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4fkcuaba6bfvtttr/fionaapple.mp3" length="136244670" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fiona Apple's 1996 debut album Tidal remains a landmark in alternative music, blending jazz-infused piano melodies with deeply introspective lyrics. The album's breakout single, "Criminal," propelled Apple into the mainstream, earning her a Grammy and solidifying her as a unique voice in the industry. With raw emotion and poetic lyricism, songs like "Shadowboxer" and "Sleep to Dream" showcased her maturity beyond her years. Tidal was both critically acclaimed and commercially successful, influencing a generation of singer-songwriters with its confessional style. Nearly three decades later, the album's haunting beauty and vulnerability continue to resonate with listeners.
 
Songs In This Episode
Intro - Sleep To Dream
25:03 - Shadowboxer
34:26 - Pale September
46:16 - Criminal
50:12 - The First Taste
Outro - Slow Like Honey
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4256</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>754</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Swimmer - Surreal | 90s Album Review</title>
        <itunes:title>Swimmer - Surreal | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/swimmer-surreal-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/swimmer-surreal-90s-album-review/#comments</comments>        <pubDate>Tue, 28 Jan 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/988e4e40-c65f-31b9-a544-6ffe7d0a5e6f</guid>
                                    <description><![CDATA[<p style="text-align: center;">We'll forgive you if you missed <a href='https://www.discogs.com/artist/1578351-Swimmer-2'>Swimmer</a>'s one and only album, 1999's Surreal, because we did as well. Though released on Madonna's Maverick label, the band came and went rather quickly, leaving without making a blip on Billboard, radio, MTV, and the internet in general. What they did leave behind was a forty-three minute long compact disc full of drama-laden alternative rock that sweeps through the eleven tracks with equal parts quiet emoting and bombastic explosion. Nothing about the record is ground-breaking, but as is usually the case, the sum is equal to more than the parts.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Playing Jesus</p>
<p style="text-align: center;">19:12 - Dumb</p>
<p style="text-align: center;">21:12 - Because Today</p>
<p style="text-align: center;">30:11 - Kick In The Head</p>
<p style="text-align: center;">34:59 - Spaced Out Hat</p>
<p style="text-align: center;">42:50 - Dirty Word</p>
<p style="text-align: center;">Outro - Surreal</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We'll forgive you if you missed <a href='https://www.discogs.com/artist/1578351-Swimmer-2'>Swimmer</a>'s one and only album, 1999's Surreal, because we did as well. Though released on Madonna's Maverick label, the band came and went rather quickly, leaving without making a blip on Billboard, radio, MTV, and the internet in general. What they did leave behind was a forty-three minute long compact disc full of drama-laden alternative rock that sweeps through the eleven tracks with equal parts quiet emoting and bombastic explosion. Nothing about the record is ground-breaking, but as is usually the case, the sum is equal to more than the parts.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Playing Jesus</p>
<p style="text-align: center;">19:12 - Dumb</p>
<p style="text-align: center;">21:12 - Because Today</p>
<p style="text-align: center;">30:11 - Kick In The Head</p>
<p style="text-align: center;">34:59 - Spaced Out Hat</p>
<p style="text-align: center;">42:50 - Dirty Word</p>
<p style="text-align: center;">Outro - Surreal</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8dwdps648smfzpez/swimmer.mp3" length="110126352" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We'll forgive you if you missed Swimmer's one and only album, 1999's Surreal, because we did as well. Though released on Madonna's Maverick label, the band came and went rather quickly, leaving without making a blip on Billboard, radio, MTV, and the internet in general. What they did leave behind was a forty-three minute long compact disc full of drama-laden alternative rock that sweeps through the eleven tracks with equal parts quiet emoting and bombastic explosion. Nothing about the record is ground-breaking, but as is usually the case, the sum is equal to more than the parts.
 
Songs In This Episode
Intro - Playing Jesus
19:12 - Dumb
21:12 - Because Today
30:11 - Kick In The Head
34:59 - Spaced Out Hat
42:50 - Dirty Word
Outro - Surreal
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3440</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>753</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>...And You Will Know Us by the Trail of Dead - Source Tags &amp; Codes | 00s Album Review</title>
        <itunes:title>...And You Will Know Us by the Trail of Dead - Source Tags &amp; Codes | 00s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/and-you-will-know-us-by-the-trail-of-dead-source-tags-codes-00s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/and-you-will-know-us-by-the-trail-of-dead-source-tags-codes-00s-album-review/#comments</comments>        <pubDate>Tue, 21 Jan 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a1971df7-5a63-3bcb-bf63-9806061ac1b3</guid>
                                    <description><![CDATA[<p style="text-align: center;">Back in the day (i.e. the 90s), the idea of an indie band jumping to a major label was usually followed by the words "sell out." But without the restrictions of a smaller budget and less time, many artists put their increased resources to good use. Source Tags and Codes, released in 2002 by <a href='https://www.trailofdeadband.com/'>...And You Will Know Us by the Trail of Dead</a>, might be one of the first landmark albums in the post-hardcore world of the 2000s. The album blends intense, chaotic energy with lush, orchestral arrangements, creating a sound that is both visceral and melodic. It received near-universal critical acclaim upon release, with many praising its ambitious scope and emotional depth, but has it retained a lasting influence Source Tags and Codes remains a defining moment in the band's career and is considered a classic by fans of the band, but does it stand up over twenty years later?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - It Was There That I Saw You</p>
<p style="text-align: center;">18:09 - Another Morning Stoner</p>
<p style="text-align: center;">22:09 - How Near How Far</p>
<p style="text-align: center;">25:23 - Baudelaire</p>
<p style="text-align: center;">30:34 - Relative Ways</p>
<p style="text-align: center;">Outro - Monsoon</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Back in the day (i.e. the 90s), the idea of an indie band jumping to a major label was usually followed by the words "sell out." But without the restrictions of a smaller budget and less time, many artists put their increased resources to good use. Source Tags and Codes, released in 2002 by <a href='https://www.trailofdeadband.com/'>...And You Will Know Us by the Trail of Dead</a>, might be one of the first landmark albums in the post-hardcore world of the 2000s. The album blends intense, chaotic energy with lush, orchestral arrangements, creating a sound that is both visceral and melodic. It received near-universal critical acclaim upon release, with many praising its ambitious scope and emotional depth, but has it retained a lasting influence Source Tags and Codes remains a defining moment in the band's career and is considered a classic by fans of the band, but does it stand up over twenty years later?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - It Was There That I Saw You</p>
<p style="text-align: center;">18:09 - Another Morning Stoner</p>
<p style="text-align: center;">22:09 - How Near How Far</p>
<p style="text-align: center;">25:23 - Baudelaire</p>
<p style="text-align: center;">30:34 - Relative Ways</p>
<p style="text-align: center;">Outro - Monsoon</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/chujhjxct4ji3yc6/trailofdead.mp3" length="95357874" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Back in the day (i.e. the 90s), the idea of an indie band jumping to a major label was usually followed by the words "sell out." But without the restrictions of a smaller budget and less time, many artists put their increased resources to good use. Source Tags and Codes, released in 2002 by ...And You Will Know Us by the Trail of Dead, might be one of the first landmark albums in the post-hardcore world of the 2000s. The album blends intense, chaotic energy with lush, orchestral arrangements, creating a sound that is both visceral and melodic. It received near-universal critical acclaim upon release, with many praising its ambitious scope and emotional depth, but has it retained a lasting influence Source Tags and Codes remains a defining moment in the band's career and is considered a classic by fans of the band, but does it stand up over twenty years later?
 
Songs In This Episode
Intro - It Was There That I Saw You
18:09 - Another Morning Stoner
22:09 - How Near How Far
25:23 - Baudelaire
30:34 - Relative Ways
Outro - Monsoon
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2973</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>752</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Singles of 1995 | Roundtable</title>
        <itunes:title>Singles of 1995 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/singles-of-1995-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/singles-of-1995-roundtable/#comments</comments>        <pubDate>Tue, 14 Jan 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9b92ead5-fe74-36c0-9b4f-ca43a71f13b4</guid>
                                    <description><![CDATA[<p style="text-align: center;">Here at Dig Me Out we spent the last ten years starting each new season by looking back at the albums from each year that stood the test of time, disappeared without a trace, and everything in between. We kicked off with a roundtable in 2015 and revisited the albums of 1995, so it made sense to start a new series of roundtables in 1995 as well. This time we're checking out the singles of each year, looking at the year-end Modern Rock/Alternative and Hot 100 charts in the US, as well as charts from Canada, the UK and Australia for comparison. Like with all roundtables, we enlisted the help of some special guests to revisit this interesting transitional year that saw the rise of the second generation of grunge bands like Bush and Silverchair, the continued success of 1994's pop-punk breakthroughs by Green Day and The Offspring, and the juggernaut that was Jagged Little Pill by Alanis Morissette. But that doesn't tell the entire tale, so former A&amp;R executive and audio tech writer <a href='https://substack.com/@starsafterstarsafterstars'>James Barber</a> and music writer <a href='https://thekevinalexander.substack.com/'>Kevin Alexander</a> join us to talk about all the hits, the near misses, and the weirdness that was 1995.</p>
<p style="text-align: center;">Lastly, our third guest, <a href='https://rememberthelightning.substack.com/'>S.W. Lauden</a> aka Steve Coulter was unable to attend due to the tragic loss of his and his family's home in the Eaton, CA. fires. If you are able, please consider donating to the <a href='https://www.gofundme.com/f/help-our-friend-steve-coulter-rebuild-after-la-wildfires'>Go Fund Me</a> set-up by Steve's friends.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - You Oughta Know by Alanis Morissette (Jagged Little Pill)</p>
<p style="text-align: center;">12:15 - Possum Kingdom by Toadies (Marvel's Thunderbolts 2025 trailer)</p>
<p style="text-align: center;">24:48 - A Girl Like You by Edwyn Collins (Empire Records soundtrack)</p>
<p style="text-align: center;">33:18 - Bright Yellow Gun by Throwing Muses (University)</p>
<p style="text-align: center;">53:24 - No More I Love You's by Annie Lennox (Medusa)</p>
<p style="text-align: center;">1:00:23 - Common People by Pulp  (Different Class)</p>
<p style="text-align: center;">Outro - Alright by Supergrass (I Should Coco)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Here at Dig Me Out we spent the last ten years starting each new season by looking back at the albums from each year that stood the test of time, disappeared without a trace, and everything in between. We kicked off with a roundtable in 2015 and revisited the albums of 1995, so it made sense to start a new series of roundtables in 1995 as well. This time we're checking out the singles of each year, looking at the year-end Modern Rock/Alternative and Hot 100 charts in the US, as well as charts from Canada, the UK and Australia for comparison. Like with all roundtables, we enlisted the help of some special guests to revisit this interesting transitional year that saw the rise of the second generation of grunge bands like Bush and Silverchair, the continued success of 1994's pop-punk breakthroughs by Green Day and The Offspring, and the juggernaut that was Jagged Little Pill by Alanis Morissette. But that doesn't tell the entire tale, so former A&amp;R executive and audio tech writer <a href='https://substack.com/@starsafterstarsafterstars'>James Barber</a> and music writer <a href='https://thekevinalexander.substack.com/'>Kevin Alexander</a> join us to talk about all the hits, the near misses, and the weirdness that was 1995.</p>
<p style="text-align: center;">Lastly, our third guest, <a href='https://rememberthelightning.substack.com/'>S.W. Lauden</a> aka Steve Coulter was unable to attend due to the tragic loss of his and his family's home in the Eaton, CA. fires. If you are able, please consider donating to the <a href='https://www.gofundme.com/f/help-our-friend-steve-coulter-rebuild-after-la-wildfires'>Go Fund Me</a> set-up by Steve's friends.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - You Oughta Know by Alanis Morissette (Jagged Little Pill)</p>
<p style="text-align: center;">12:15 - Possum Kingdom by Toadies (Marvel's Thunderbolts 2025 trailer)</p>
<p style="text-align: center;">24:48 - A Girl Like You by Edwyn Collins (Empire Records soundtrack)</p>
<p style="text-align: center;">33:18 - Bright Yellow Gun by Throwing Muses (University)</p>
<p style="text-align: center;">53:24 - No More I Love You's by Annie Lennox (Medusa)</p>
<p style="text-align: center;">1:00:23 - Common People by Pulp  (Different Class)</p>
<p style="text-align: center;">Outro - Alright by Supergrass (I Should Coco)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q3f9ufneqbi28ytk/singlesof1995.mp3" length="147177775" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Here at Dig Me Out we spent the last ten years starting each new season by looking back at the albums from each year that stood the test of time, disappeared without a trace, and everything in between. We kicked off with a roundtable in 2015 and revisited the albums of 1995, so it made sense to start a new series of roundtables in 1995 as well. This time we're checking out the singles of each year, looking at the year-end Modern Rock/Alternative and Hot 100 charts in the US, as well as charts from Canada, the UK and Australia for comparison. Like with all roundtables, we enlisted the help of some special guests to revisit this interesting transitional year that saw the rise of the second generation of grunge bands like Bush and Silverchair, the continued success of 1994's pop-punk breakthroughs by Green Day and The Offspring, and the juggernaut that was Jagged Little Pill by Alanis Morissette. But that doesn't tell the entire tale, so former A&amp;R executive and audio tech writer James Barber and music writer Kevin Alexander join us to talk about all the hits, the near misses, and the weirdness that was 1995.
Lastly, our third guest, S.W. Lauden aka Steve Coulter was unable to attend due to the tragic loss of his and his family's home in the Eaton, CA. fires. If you are able, please consider donating to the Go Fund Me set-up by Steve's friends.
 
Songs In This Episode
Intro - You Oughta Know by Alanis Morissette (Jagged Little Pill)
12:15 - Possum Kingdom by Toadies (Marvel's Thunderbolts 2025 trailer)
24:48 - A Girl Like You by Edwyn Collins (Empire Records soundtrack)
33:18 - Bright Yellow Gun by Throwing Muses (University)
53:24 - No More I Love You's by Annie Lennox (Medusa)
1:00:23 - Common People by Pulp  (Different Class)
Outro - Alright by Supergrass (I Should Coco)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4553</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>751</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Papa Vegas - Hello Vertigo | 90s Album Review</title>
        <itunes:title>Papa Vegas - Hello Vertigo | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/papa-vegas-hello-vertigo-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/papa-vegas-hello-vertigo-90s-album-review/#comments</comments>        <pubDate>Tue, 07 Jan 2025 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1ae2e12d-724c-30b1-98fb-5368e120fd3f</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://en.wikipedia.org/wiki/Papa_Vegas'>Papa Vegas</a>' 1999 album Hello Vertigo offers a radio friendly mix of alternative rock with polished production. It showcases the band's bi hit potential, but the songwriting occasionally feels formulaic, relying on the familiar soft/loud trope from the mid to late '90s rock scene. Tracks like "Bombshell" stand out with catchy hooks and a radio-friendly vibe, but others struggle to maintain the same level of energy or memorability. While the album has moments of creativity, such as its layered guitar work and atmospheric touches, it tends to play it safe, rarely straying from the verse/prechorus/chorus format. The album is more than competent at delivering a chorus, but the safe rhythm section and lack of dynamics give the overall record a consistency that could use a shake-up from time to time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Super Telepathy</p>
<p style="text-align: center;">17:57 - Something Wrong</p>
<p style="text-align: center;">20:42 - No Destination</p>
<p style="text-align: center;">36.37 - Mesmerized</p>
<p style="text-align: center;">46:38 - Bombshell</p>
<p style="text-align: center;">Outro - Sermon Underground</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://en.wikipedia.org/wiki/Papa_Vegas'>Papa Vegas</a>' 1999 album Hello Vertigo offers a radio friendly mix of alternative rock with polished production. It showcases the band's bi hit potential, but the songwriting occasionally feels formulaic, relying on the familiar soft/loud trope from the mid to late '90s rock scene. Tracks like "Bombshell" stand out with catchy hooks and a radio-friendly vibe, but others struggle to maintain the same level of energy or memorability. While the album has moments of creativity, such as its layered guitar work and atmospheric touches, it tends to play it safe, rarely straying from the verse/prechorus/chorus format. The album is more than competent at delivering a chorus, but the safe rhythm section and lack of dynamics give the overall record a consistency that could use a shake-up from time to time.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Super Telepathy</p>
<p style="text-align: center;">17:57 - Something Wrong</p>
<p style="text-align: center;">20:42 - No Destination</p>
<p style="text-align: center;">36.37 - Mesmerized</p>
<p style="text-align: center;">46:38 - Bombshell</p>
<p style="text-align: center;">Outro - Sermon Underground</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7y9wem9cwqrbbiy6/papvegasedited.mp3" length="118560558" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Papa Vegas' 1999 album Hello Vertigo offers a radio friendly mix of alternative rock with polished production. It showcases the band's bi hit potential, but the songwriting occasionally feels formulaic, relying on the familiar soft/loud trope from the mid to late '90s rock scene. Tracks like "Bombshell" stand out with catchy hooks and a radio-friendly vibe, but others struggle to maintain the same level of energy or memorability. While the album has moments of creativity, such as its layered guitar work and atmospheric touches, it tends to play it safe, rarely straying from the verse/prechorus/chorus format. The album is more than competent at delivering a chorus, but the safe rhythm section and lack of dynamics give the overall record a consistency that could use a shake-up from time to time.
 
Songs In This Episode
Intro - Super Telepathy
17:57 - Something Wrong
20:42 - No Destination
36.37 - Mesmerized
46:38 - Bombshell
Outro - Sermon Underground
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3701</itunes:duration>
        <itunes:season>15</itunes:season>
        <itunes:episode>750</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Arcwelder - Pull | 90s Album Review</title>
        <itunes:title>Arcwelder - Pull | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/arcwelder-pull-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/arcwelder-pull-90s-album-review/#comments</comments>        <pubDate>Tue, 31 Dec 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3658e7b5-de12-3d15-9ec1-a37be55ac2d5</guid>
                                    <description><![CDATA[<p style="text-align: center;">Despite being a three piece, the Midwestern trio <a href='https://www.arcwelderband.com/'>Arcwelder</a> put each instrument to optimum use on their 1993 album Pull. A big, post-hardcore sound without layer upon layer of overdubs thanks to off-kilter chord and melody choices that recall heavier 90s acts like Helmet and the next in the vein of noisier drone of Swervedriver. Arcwelder find a consistent, engaging sound that balances indie rock intensity with an accessibility that reveals itself over the course of several listens, the definition of a slow grower. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Truth</p>
<p style="text-align: center;">14:04 - Lahabim</p>
<p style="text-align: center;">20:08 - Cranberry Sauce</p>
<p style="text-align: center;">23:33 - Remember to Forget</p>
<p style="text-align: center;">34:59 - What Did You Call It That For</p>
<p style="text-align: center;">Outro - It's A Wonderful Lie</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Despite being a three piece, the Midwestern trio <a href='https://www.arcwelderband.com/'>Arcwelder</a> put each instrument to optimum use on their 1993 album Pull. A big, post-hardcore sound without layer upon layer of overdubs thanks to off-kilter chord and melody choices that recall heavier 90s acts like Helmet and the next in the vein of noisier drone of Swervedriver. Arcwelder find a consistent, engaging sound that balances indie rock intensity with an accessibility that reveals itself over the course of several listens, the definition of a slow grower. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Truth</p>
<p style="text-align: center;">14:04 - Lahabim</p>
<p style="text-align: center;">20:08 - Cranberry Sauce</p>
<p style="text-align: center;">23:33 - Remember to Forget</p>
<p style="text-align: center;">34:59 - What Did You Call It That For</p>
<p style="text-align: center;">Outro - It's A Wonderful Lie</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uef994rxahe98dcz/748-arcwelder.mp3" length="81016338" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Despite being a three piece, the Midwestern trio Arcwelder put each instrument to optimum use on their 1993 album Pull. A big, post-hardcore sound without layer upon layer of overdubs thanks to off-kilter chord and melody choices that recall heavier 90s acts like Helmet and the next in the vein of noisier drone of Swervedriver. Arcwelder find a consistent, engaging sound that balances indie rock intensity with an accessibility that reveals itself over the course of several listens, the definition of a slow grower. 
 
Songs In This Episode
Intro - Truth
14:04 - Lahabim
20:08 - Cranberry Sauce
23:33 - Remember to Forget
34:59 - What Did You Call It That For
Outro - It's A Wonderful Lie
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2518</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>749</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Season Fourteen Review</title>
        <itunes:title>Season Fourteen Review</itunes:title>
        <link>https://digmeout.podbean.com/e/season-fourteen-review/</link>
                    <comments>https://digmeout.podbean.com/e/season-fourteen-review/#comments</comments>        <pubDate>Tue, 24 Dec 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/34a9d13b-0421-33b9-ac73-43aaa5a0cdb5</guid>
                                    <description><![CDATA[<p style="text-align: center;">So much to to talk about when we look back on 2024. Like with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s Metal episodes, before previewing what's in store for next year. Here's to season fifteen in 2025!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;">5:17 - 0 for 1 by Poster Children</p>
<p style="text-align: center;">10:40 - Don't Go Out with Your Friends Tonite by Ho-Hum</p>
<p style="text-align: center;">18:07 - Love Bomb Baby by Tigertailz</p>
<p style="text-align: center;">Outro - Mirror Mirror by Blind Guardian</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">So much to to talk about when we look back on 2024. Like with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s Metal episodes, before previewing what's in store for next year. Here's to season fifteen in 2025!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;">5:17 - 0 for 1 by Poster Children</p>
<p style="text-align: center;">10:40 - Don't Go Out with Your Friends Tonite by Ho-Hum</p>
<p style="text-align: center;">18:07 - Love Bomb Baby by Tigertailz</p>
<p style="text-align: center;">Outro - Mirror Mirror by Blind Guardian</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b6h7i2efwhts4uw5/747-2024review.mp3" length="61418177" type="audio/mpeg"/>
        <itunes:summary><![CDATA[So much to to talk about when we look back on 2024. Like with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s Metal episodes, before previewing what's in store for next year. Here's to season fifteen in 2025!
 
Songs In This Episode
Intro - Dig Me Out by Sleater-Kinney
5:17 - 0 for 1 by Poster Children
10:40 - Don't Go Out with Your Friends Tonite by Ho-Hum
18:07 - Love Bomb Baby by Tigertailz
Outro - Mirror Mirror by Blind Guardian
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1914</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>748</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Styx - Surviving The 90s</title>
        <itunes:title>Styx - Surviving The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/styx-surviving-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/styx-surviving-the-90s/#comments</comments>        <pubDate>Tue, 17 Dec 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/57acfe23-7ee0-3ac5-b184-91ed066d680d</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're always looking at new ways to approach the 90s, and in the past we've revisited the output from bands and artists that got that start in the 1970s and 80s, like Tom Petty, KISS, Van Halen, and others. At the suggestion of our friend and 80s Metal co-host Chip, we've revamped the format for a fresh start. We kick it off with progressive arena rock veterans <a href='https://styxworld.com/'>Styx</a>, and start by checking out their 70s and 80s greatest hits to re-familiarize ourselves with the songs that became staples on classic rock radio for decades - "Come Sail Away," "Renegade," "Mr. Roboto," "Lady," and many more. Then we check out their 90s releases - the 1990 album Edge of the Century, which did not feature guitarist Tommy Shaw, then guitarist for Damn Yankees, and then their 1999 reunion with Shaw, and last with lead singer/keyboardist Dennis DeYoung, Brave New World. Unlike many of their classic rock peers, Styx managed to score a hit single at the start of the decade with the ballad "Show Me The Way." From their, we catch up with the band and current status to determine if the band thrived in the 90s, merely adapted to the times, or creatively died.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Show Me The Way (from Edge of the Century)</p>
<p style="text-align: center;">7:40 - Blue Collar Man (Long Nights) (from Pieces of Eight)</p>
<p style="text-align: center;">28:42 - Suite Madame Blue (from Equinox)</p>
<p style="text-align: center;">38:56 - Back To Chicago (from Edge of the Century)</p>
<p style="text-align: center;">41.57 - All In A Day's Work (from Edge of the Century)</p>
<p style="text-align: center;">58:57 - What Have They Done to You (from Brave New World)</p>
<p style="text-align: center;">Outro - Everything Is Cool (from Brave New World)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're always looking at new ways to approach the 90s, and in the past we've revisited the output from bands and artists that got that start in the 1970s and 80s, like Tom Petty, KISS, Van Halen, and others. At the suggestion of our friend and 80s Metal co-host Chip, we've revamped the format for a fresh start. We kick it off with progressive arena rock veterans <a href='https://styxworld.com/'>Styx</a>, and start by checking out their 70s and 80s greatest hits to re-familiarize ourselves with the songs that became staples on classic rock radio for decades - "Come Sail Away," "Renegade," "Mr. Roboto," "Lady," and many more. Then we check out their 90s releases - the 1990 album Edge of the Century, which did not feature guitarist Tommy Shaw, then guitarist for Damn Yankees, and then their 1999 reunion with Shaw, and last with lead singer/keyboardist Dennis DeYoung, Brave New World. Unlike many of their classic rock peers, Styx managed to score a hit single at the start of the decade with the ballad "Show Me The Way." From their, we catch up with the band and current status to determine if the band thrived in the 90s, merely adapted to the times, or creatively died.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Show Me The Way (from Edge of the Century)</p>
<p style="text-align: center;">7:40 - Blue Collar Man (Long Nights) (from Pieces of Eight)</p>
<p style="text-align: center;">28:42 - Suite Madame Blue (from Equinox)</p>
<p style="text-align: center;">38:56 - Back To Chicago (from Edge of the Century)</p>
<p style="text-align: center;">41.57 - All In A Day's Work (from Edge of the Century)</p>
<p style="text-align: center;">58:57 - What Have They Done to You (from Brave New World)</p>
<p style="text-align: center;">Outro - Everything Is Cool (from Brave New World)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wb5dbnx8yfy8uq8z/746-styx.mp3" length="169457875" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're always looking at new ways to approach the 90s, and in the past we've revisited the output from bands and artists that got that start in the 1970s and 80s, like Tom Petty, KISS, Van Halen, and others. At the suggestion of our friend and 80s Metal co-host Chip, we've revamped the format for a fresh start. We kick it off with progressive arena rock veterans Styx, and start by checking out their 70s and 80s greatest hits to re-familiarize ourselves with the songs that became staples on classic rock radio for decades - "Come Sail Away," "Renegade," "Mr. Roboto," "Lady," and many more. Then we check out their 90s releases - the 1990 album Edge of the Century, which did not feature guitarist Tommy Shaw, then guitarist for Damn Yankees, and then their 1999 reunion with Shaw, and last with lead singer/keyboardist Dennis DeYoung, Brave New World. Unlike many of their classic rock peers, Styx managed to score a hit single at the start of the decade with the ballad "Show Me The Way." From their, we catch up with the band and current status to determine if the band thrived in the 90s, merely adapted to the times, or creatively died.
 
Songs In This Episode
Intro - Show Me The Way (from Edge of the Century)
7:40 - Blue Collar Man (Long Nights) (from Pieces of Eight)
28:42 - Suite Madame Blue (from Equinox)
38:56 - Back To Chicago (from Edge of the Century)
41.57 - All In A Day's Work (from Edge of the Century)
58:57 - What Have They Done to You (from Brave New World)
Outro - Everything Is Cool (from Brave New World)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5212</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>747</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Howlin Maggie - Honeysuckle Strange | 90s Album Review</title>
        <itunes:title>Howlin Maggie - Honeysuckle Strange | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/howlin-maggie-honeysuckle-strange-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/howlin-maggie-honeysuckle-strange-90s-album-review/#comments</comments>        <pubDate>Tue, 10 Dec 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4a91b0f8-292e-3ecb-92eb-af5cd4962178</guid>
                                    <description><![CDATA[<p style="text-align: center;">From the ashes of acclaimed but underheard Royal Crescent Mob, bass player Harold "Happy" Chichester switched to guitar and lead vocal for his new band <a href='https://en.wikipedia.org/wiki/Howlin_Maggie'>Howlin Maggie</a>, who released their debut album Honeysuckle Strange in 1996. With an all-star cast of Columbus, Ohio players, the band produced a fierce yet catchy album for Columbia Records at the height of alternative rock, but didn't make a dent with national radio or MTV. Which is a shame, because Honeysuckle Strange is more than just your run-of-the-mill 90s alt-rock album. Carrying over from his funk rock background in RC Mob, the album never rests on simple rhythms, chord progressions, or vocal hooks, always coming up with something a bit more interesting or challenging, even if it means pushing the volume and harshness up a notch.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">I</p>
<p style="text-align: center;">Intro - Miss Universe</p>
<p style="text-align: center;">18:54 - Rubbing The Industry Raw</p>
<p style="text-align: center;">21:40 - You Are</p>
<p style="text-align: center;">25:57 - $3.99</p>
<p style="text-align: center;">31:45 - Promise To Be Happy</p>
<p style="text-align: center;">34:56 - I'm A Slut</p>
<p style="text-align: center;">40:13 - How The West Was Won</p>
<p style="text-align: center;">Outro - Easy To Be Stupid (Beautiful Girls soundtrack)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">From the ashes of acclaimed but underheard Royal Crescent Mob, bass player Harold "Happy" Chichester switched to guitar and lead vocal for his new band <a href='https://en.wikipedia.org/wiki/Howlin_Maggie'>Howlin Maggie</a>, who released their debut album Honeysuckle Strange in 1996. With an all-star cast of Columbus, Ohio players, the band produced a fierce yet catchy album for Columbia Records at the height of alternative rock, but didn't make a dent with national radio or MTV. Which is a shame, because Honeysuckle Strange is more than just your run-of-the-mill 90s alt-rock album. Carrying over from his funk rock background in RC Mob, the album never rests on simple rhythms, chord progressions, or vocal hooks, always coming up with something a bit more interesting or challenging, even if it means pushing the volume and harshness up a notch.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">I</p>
<p style="text-align: center;">Intro - Miss Universe</p>
<p style="text-align: center;">18:54 - Rubbing The Industry Raw</p>
<p style="text-align: center;">21:40 - You Are</p>
<p style="text-align: center;">25:57 - $3.99</p>
<p style="text-align: center;">31:45 - Promise To Be Happy</p>
<p style="text-align: center;">34:56 - I'm A Slut</p>
<p style="text-align: center;">40:13 - How The West Was Won</p>
<p style="text-align: center;">Outro - Easy To Be Stupid (Beautiful Girls soundtrack)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hhmqda2hpz6xcxvp/745-howlinmaggie.mp3" length="106918705" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From the ashes of acclaimed but underheard Royal Crescent Mob, bass player Harold "Happy" Chichester switched to guitar and lead vocal for his new band Howlin Maggie, who released their debut album Honeysuckle Strange in 1996. With an all-star cast of Columbus, Ohio players, the band produced a fierce yet catchy album for Columbia Records at the height of alternative rock, but didn't make a dent with national radio or MTV. Which is a shame, because Honeysuckle Strange is more than just your run-of-the-mill 90s alt-rock album. Carrying over from his funk rock background in RC Mob, the album never rests on simple rhythms, chord progressions, or vocal hooks, always coming up with something a bit more interesting or challenging, even if it means pushing the volume and harshness up a notch.
 
Songs In This Episode
I
Intro - Miss Universe
18:54 - Rubbing The Industry Raw
21:40 - You Are
25:57 - $3.99
31:45 - Promise To Be Happy
34:56 - I'm A Slut
40:13 - How The West Was Won
Outro - Easy To Be Stupid (Beautiful Girls soundtrack)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3337</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>746</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>No Knife - Hit Man Dreams | 90s Album Review</title>
        <itunes:title>No Knife - Hit Man Dreams | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/no-knife-hit-man-dreams-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/no-knife-hit-man-dreams-90s-album-review/#comments</comments>        <pubDate>Tue, 03 Dec 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/715efb35-e7f3-3cc6-8d25-47684035dff7</guid>
                                    <description><![CDATA[<p style="text-align: center;">San Diego-based band <a href='https://en.wikipedia.org/wiki/No_Knife'>No Knife</a> released their sophomore album Hit Man Dreams in 1997 during the peak era of underground emo and post-grunge indie rock. The album marked a pivotal moment in their evolution thanks to the intricate guitar work by Mitch Wilson and Ryan Ferguson, who blend angular post-hardcore riffs with melodic indie rock sensibility. Tracks like "Your Albatross" and the title track showcase the band's knack for crafting dynamic compositions that shift seamlessly between tension and release. Producer Mark Trombino dials in their sound to perfection, highlighting the two-guitar attack and melodic vocals that define their style. While the band isn't as well know as many of their former pre-00s emo and post-hardcore contemporaries, Hit Man Dreams and the pair of album that follow suggest a serious reconsideration.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">I</p>
<p style="text-align: center;">Intro - Roped In - Lock On</p>
<p style="text-align: center;">13:30 - Your Albatross</p>
<p style="text-align: center;">21:34 - Charades</p>
<p style="text-align: center;">30:25 - Median</p>
<p style="text-align: center;">Outro - Jackboots</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">San Diego-based band <a href='https://en.wikipedia.org/wiki/No_Knife'>No Knife</a> released their sophomore album Hit Man Dreams in 1997 during the peak era of underground emo and post-grunge indie rock. The album marked a pivotal moment in their evolution thanks to the intricate guitar work by Mitch Wilson and Ryan Ferguson, who blend angular post-hardcore riffs with melodic indie rock sensibility. Tracks like "Your Albatross" and the title track showcase the band's knack for crafting dynamic compositions that shift seamlessly between tension and release. Producer Mark Trombino dials in their sound to perfection, highlighting the two-guitar attack and melodic vocals that define their style. While the band isn't as well know as many of their former pre-00s emo and post-hardcore contemporaries, Hit Man Dreams and the pair of album that follow suggest a serious reconsideration.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">I</p>
<p style="text-align: center;">Intro - Roped In - Lock On</p>
<p style="text-align: center;">13:30 - Your Albatross</p>
<p style="text-align: center;">21:34 - Charades</p>
<p style="text-align: center;">30:25 - Median</p>
<p style="text-align: center;">Outro - Jackboots</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yi63a4b5iatmwiia/744-noknife.mp3" length="96167966" type="audio/mpeg"/>
        <itunes:summary><![CDATA[San Diego-based band No Knife released their sophomore album Hit Man Dreams in 1997 during the peak era of underground emo and post-grunge indie rock. The album marked a pivotal moment in their evolution thanks to the intricate guitar work by Mitch Wilson and Ryan Ferguson, who blend angular post-hardcore riffs with melodic indie rock sensibility. Tracks like "Your Albatross" and the title track showcase the band's knack for crafting dynamic compositions that shift seamlessly between tension and release. Producer Mark Trombino dials in their sound to perfection, highlighting the two-guitar attack and melodic vocals that define their style. While the band isn't as well know as many of their former pre-00s emo and post-hardcore contemporaries, Hit Man Dreams and the pair of album that follow suggest a serious reconsideration.
 
Songs In This Episode
I
Intro - Roped In - Lock On
13:30 - Your Albatross
21:34 - Charades
30:25 - Median
Outro - Jackboots
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3001</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>745</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Thankful in 2024 | Roundtable</title>
        <itunes:title>Thankful in 2024 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/thankful-in-2024-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/thankful-in-2024-roundtable/#comments</comments>        <pubDate>Tue, 26 Nov 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8ccab787-7392-30f2-9c56-874bf684f3aa</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's our fifth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2024. There's a wide array of bands and artists, new and old, that helped make 2024 a great year for music. New albums from 1980s, 90s and 00s artists like The Cure, Pearl Jam, Judas Priest, Underworld, The Black Crowes, John Davis (Superdrag), The Sheila Divine, Jack White, Pig, the Pixies, Watershed, Sebastian Bach, Silver Sun, D-A-D, J. Mascis, Nick Cave and the Bad Seeds, Primal Scream, The Smile, and many more all released great late career records, while newer bands like Return to Dust, Ahem, Friko, The Blackburns, Crows, and several others landed on our radar.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Alone by The Cure (from Songs from a Lost World)</p>
<p style="text-align: center;">3:38 - Trust In Me by Silver Sun (from Mild Peril)</p>
<p style="text-align: center;">11:49 - (Hold On) To The Dream by Sebastian Bach (from Child Within The Man)</p>
<p style="text-align: center;">18:11 - Lapdog by Ahem (from Avoider)</p>
<p style="text-align: center;">21:34 - Fallout by Pig (from Feast of Agony EP)</p>
<p style="text-align: center;">31:17 - Free To Fall by John Davis (from JINX)</p>
<p style="text-align: center;">34:32 - Trial By Fire by Judas Priest (from Invincible Shield)</p>
<p style="text-align: center;">42:00 - Automaticity by J. Robbins (from Basilisk)</p>
<p style="text-align: center;">52:01 - Wanting and Waiting by The Black Crowes (from Happiness Bastards)</p>
<p style="text-align: center;">1:08:41 - The Darkness by The Sheila Divine (from I Am The Darkness. We Are The Light)</p>
<p style="text-align: center;">Outro - Dark Matter by Pearl Jam (from Dark Matter)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's our fifth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2024. There's a wide array of bands and artists, new and old, that helped make 2024 a great year for music. New albums from 1980s, 90s and 00s artists like The Cure, Pearl Jam, Judas Priest, Underworld, The Black Crowes, John Davis (Superdrag), The Sheila Divine, Jack White, Pig, the Pixies, Watershed, Sebastian Bach, Silver Sun, D-A-D, J. Mascis, Nick Cave and the Bad Seeds, Primal Scream, The Smile, and many more all released great late career records, while newer bands like Return to Dust, Ahem, Friko, The Blackburns, Crows, and several others landed on our radar.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Alone by The Cure (from Songs from a Lost World)</p>
<p style="text-align: center;">3:38 - Trust In Me by Silver Sun (from Mild Peril)</p>
<p style="text-align: center;">11:49 - (Hold On) To The Dream by Sebastian Bach (from Child Within The Man)</p>
<p style="text-align: center;">18:11 - Lapdog by Ahem (from Avoider)</p>
<p style="text-align: center;">21:34 - Fallout by Pig (from Feast of Agony EP)</p>
<p style="text-align: center;">31:17 - Free To Fall by John Davis (from JINX)</p>
<p style="text-align: center;">34:32 - Trial By Fire by Judas Priest (from Invincible Shield)</p>
<p style="text-align: center;">42:00 - Automaticity by J. Robbins (from Basilisk)</p>
<p style="text-align: center;">52:01 - Wanting and Waiting by The Black Crowes (from Happiness Bastards)</p>
<p style="text-align: center;">1:08:41 - The Darkness by The Sheila Divine (from I Am The Darkness. We Are The Light)</p>
<p style="text-align: center;">Outro - Dark Matter by Pearl Jam (from Dark Matter)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gsrshqkvfxhvsmvj/743-thankful2024.mp3" length="152093478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's our fifth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2024. There's a wide array of bands and artists, new and old, that helped make 2024 a great year for music. New albums from 1980s, 90s and 00s artists like The Cure, Pearl Jam, Judas Priest, Underworld, The Black Crowes, John Davis (Superdrag), The Sheila Divine, Jack White, Pig, the Pixies, Watershed, Sebastian Bach, Silver Sun, D-A-D, J. Mascis, Nick Cave and the Bad Seeds, Primal Scream, The Smile, and many more all released great late career records, while newer bands like Return to Dust, Ahem, Friko, The Blackburns, Crows, and several others landed on our radar.
 
Songs In This Episode
Intro - Alone by The Cure (from Songs from a Lost World)
3:38 - Trust In Me by Silver Sun (from Mild Peril)
11:49 - (Hold On) To The Dream by Sebastian Bach (from Child Within The Man)
18:11 - Lapdog by Ahem (from Avoider)
21:34 - Fallout by Pig (from Feast of Agony EP)
31:17 - Free To Fall by John Davis (from JINX)
34:32 - Trial By Fire by Judas Priest (from Invincible Shield)
42:00 - Automaticity by J. Robbins (from Basilisk)
52:01 - Wanting and Waiting by The Black Crowes (from Happiness Bastards)
1:08:41 - The Darkness by The Sheila Divine (from I Am The Darkness. We Are The Light)
Outro - Dark Matter by Pearl Jam (from Dark Matter)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4718</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>744</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nick Cave and the Bad Seeds - Let Love In | 90s Album Review</title>
        <itunes:title>Nick Cave and the Bad Seeds - Let Love In | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/nick-cave-and-the-bad-seeds-let-love-in-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/nick-cave-and-the-bad-seeds-let-love-in-90s-album-review/#comments</comments>        <pubDate>Tue, 19 Nov 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cd4ac626-0649-3a6e-abd1-38bc3d07e288</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1994 album Let Love In by <a href='https://www.nickcave.com/'>Nick Cave and the Bad Seeds</a> is a masterful exploration of beauty and brutality. Blending gothic rock with bluesy undertones, Cave delivers haunting melodies with vivid, poetic lyrics. Tracks like "Do You Love Me?" and "Red Right Hand" showcase Cave's magnetic storytelling and the band's dynamic range, taking the wildness of his previous band The Birthday Party, and the noisy experimentation of fellow Aussies The Dirty Three, and utilizes it in surprisingly restrained ways. Themes of passion, despair, and redemption weave through the music, and while a few of the louder tracks break up the flow, overall the album creates a dark, immersive experience unlike anything from the decade.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Red Right Hand</p>
<p style="text-align: center;">15:55 - Do You Love Me?</p>
<p style="text-align: center;">20:02 - Ain't Gonna Rain Anymore</p>
<p style="text-align: center;">23:45 - Jangling Jack</p>
<p style="text-align: center;">27:06 - Do You Love Me? (Part 2)</p>
<p style="text-align: center;">30:48 - Thirsty Dog</p>
<p style="text-align: center;">Outro - I Let Love In</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1994 album Let Love In by <a href='https://www.nickcave.com/'>Nick Cave and the Bad Seeds</a> is a masterful exploration of beauty and brutality. Blending gothic rock with bluesy undertones, Cave delivers haunting melodies with vivid, poetic lyrics. Tracks like "Do You Love Me?" and "Red Right Hand" showcase Cave's magnetic storytelling and the band's dynamic range, taking the wildness of his previous band The Birthday Party, and the noisy experimentation of fellow Aussies The Dirty Three, and utilizes it in surprisingly restrained ways. Themes of passion, despair, and redemption weave through the music, and while a few of the louder tracks break up the flow, overall the album creates a dark, immersive experience unlike anything from the decade.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Red Right Hand</p>
<p style="text-align: center;">15:55 - Do You Love Me?</p>
<p style="text-align: center;">20:02 - Ain't Gonna Rain Anymore</p>
<p style="text-align: center;">23:45 - Jangling Jack</p>
<p style="text-align: center;">27:06 - Do You Love Me? (Part 2)</p>
<p style="text-align: center;">30:48 - Thirsty Dog</p>
<p style="text-align: center;">Outro - I Let Love In</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dgw2rd4pvnanmcst/742-nickcave.mp3" length="91830457" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1994 album Let Love In by Nick Cave and the Bad Seeds is a masterful exploration of beauty and brutality. Blending gothic rock with bluesy undertones, Cave delivers haunting melodies with vivid, poetic lyrics. Tracks like "Do You Love Me?" and "Red Right Hand" showcase Cave's magnetic storytelling and the band's dynamic range, taking the wildness of his previous band The Birthday Party, and the noisy experimentation of fellow Aussies The Dirty Three, and utilizes it in surprisingly restrained ways. Themes of passion, despair, and redemption weave through the music, and while a few of the louder tracks break up the flow, overall the album creates a dark, immersive experience unlike anything from the decade.
 
Songs In This Episode
Intro - Red Right Hand
15:55 - Do You Love Me?
20:02 - Ain't Gonna Rain Anymore
23:45 - Jangling Jack
27:06 - Do You Love Me? (Part 2)
30:48 - Thirsty Dog
Outro - I Let Love In
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2866</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>743</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Blind Guardian - Nightfall in Middle-Earth | 90s Album Review</title>
        <itunes:title>Blind Guardian - Nightfall in Middle-Earth | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/blind-guardian-nightfall-in-middle-earth-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/blind-guardian-nightfall-in-middle-earth-90s-album-review/#comments</comments>        <pubDate>Tue, 12 Nov 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c5000299-de66-3037-a62a-d035300ef96e</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1998 concept album Nightfall in Middle-Earth by <a href='https://www.blind-guardian.com/'>Blind Guardian</a> brings the epic scope of J.R.R. Tolkien’s The Silmarillion to life through power metal. The album tells the tragic tales of elves, men, and gods embroiled in a war against the dark lord Morgoth, blending rich lyrical storytelling with complex arrangements, and finds a sweet spot between the technical skill of bands like Metallica and Helloween with the melodic bombast of Queen. Each track serves as a chapter in the larger saga, with both interludes and full songs capturing key moments via a variety of unique approaches. Mixing soaring vocals, symphonic elements, and Brian May-esque guitar riffage, the band create a sense of grandeur that mirrors the mythic subject matter.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Into The Storm</p>
<p style="text-align: center;">14:49 - A Dark Passage</p>
<p style="text-align: center;">19:42 - Nightfall</p>
<p style="text-align: center;">24:50 - The Eldar</p>
<p style="text-align: center;">34:08 - Thorn</p>
<p style="text-align: center;">38:53 - Mirror Mirror</p>
<p style="text-align: center;">Outro - The Minstrel</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1998 concept album Nightfall in Middle-Earth by <a href='https://www.blind-guardian.com/'>Blind Guardian</a> brings the epic scope of J.R.R. Tolkien’s The Silmarillion to life through power metal. The album tells the tragic tales of elves, men, and gods embroiled in a war against the dark lord Morgoth, blending rich lyrical storytelling with complex arrangements, and finds a sweet spot between the technical skill of bands like Metallica and Helloween with the melodic bombast of Queen. Each track serves as a chapter in the larger saga, with both interludes and full songs capturing key moments via a variety of unique approaches. Mixing soaring vocals, symphonic elements, and Brian May-esque guitar riffage, the band create a sense of grandeur that mirrors the mythic subject matter.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Into The Storm</p>
<p style="text-align: center;">14:49 - A Dark Passage</p>
<p style="text-align: center;">19:42 - Nightfall</p>
<p style="text-align: center;">24:50 - The Eldar</p>
<p style="text-align: center;">34:08 - Thorn</p>
<p style="text-align: center;">38:53 - Mirror Mirror</p>
<p style="text-align: center;">Outro - The Minstrel</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dprgbyfx96i4rkd8/741-blindguardian.mp3" length="107116537" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1998 concept album Nightfall in Middle-Earth by Blind Guardian brings the epic scope of J.R.R. Tolkien’s The Silmarillion to life through power metal. The album tells the tragic tales of elves, men, and gods embroiled in a war against the dark lord Morgoth, blending rich lyrical storytelling with complex arrangements, and finds a sweet spot between the technical skill of bands like Metallica and Helloween with the melodic bombast of Queen. Each track serves as a chapter in the larger saga, with both interludes and full songs capturing key moments via a variety of unique approaches. Mixing soaring vocals, symphonic elements, and Brian May-esque guitar riffage, the band create a sense of grandeur that mirrors the mythic subject matter.
 
Songs In This Episode
Intro - Into The Storm
14:49 - A Dark Passage
19:42 - Nightfall
24:50 - The Eldar
34:08 - Thorn
38:53 - Mirror Mirror
Outro - The Minstrel
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3343</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>742</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Unbelievable Truth - Almost Here | 90s Album Review</title>
        <itunes:title>Unbelievable Truth - Almost Here | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/unbelievable-truth-almost-here-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/unbelievable-truth-almost-here-90s-album-review/#comments</comments>        <pubDate>Tue, 05 Nov 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a4bc7bde-aa29-382d-ad9d-8c1c70a601d4</guid>
                                    <description><![CDATA[<p style="text-align: center;">Almost Here is the 1998 debut album by the <a href='https://www.unbelievabletruth.co.uk/'>Unbelievable Truth</a>, fronted by Andy Yorke, who you may have just discovered (like us) is the younger brother of Radiohead’s Thom Yorke. Infused with haunting melodies and introspective lyrics that lean on melancholy, emotional conflict, and introspection, the album showcases Yorke's evocative vocals and a minimalist approach Throughout the album, songs like "Settle Down" and "Stone" highlights the band’s thoughtful arrangements and subdued sound, tasteful integrating keys and organs without overpowering the mix.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Solved</p>
<p style="text-align: center;">15:27 - Higher Than Reason</p>
<p style="text-align: center;">18:02 - Stone</p>
<p style="text-align: center;">25:57 - Settle Down</p>
<p style="text-align: center;">Outro - Finest Little Space</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Almost Here is the 1998 debut album by the <a href='https://www.unbelievabletruth.co.uk/'>Unbelievable Truth</a>, fronted by Andy Yorke, who you may have just discovered (like us) is the younger brother of Radiohead’s Thom Yorke. Infused with haunting melodies and introspective lyrics that lean on melancholy, emotional conflict, and introspection, the album showcases Yorke's evocative vocals and a minimalist approach Throughout the album, songs like "Settle Down" and "Stone" highlights the band’s thoughtful arrangements and subdued sound, tasteful integrating keys and organs without overpowering the mix.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Solved</p>
<p style="text-align: center;">15:27 - Higher Than Reason</p>
<p style="text-align: center;">18:02 - Stone</p>
<p style="text-align: center;">25:57 - Settle Down</p>
<p style="text-align: center;">Outro - Finest Little Space</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z6i4zhmdspgj68y7/740-unbelievabletruth.mp3" length="88244149" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Almost Here is the 1998 debut album by the Unbelievable Truth, fronted by Andy Yorke, who you may have just discovered (like us) is the younger brother of Radiohead’s Thom Yorke. Infused with haunting melodies and introspective lyrics that lean on melancholy, emotional conflict, and introspection, the album showcases Yorke's evocative vocals and a minimalist approach Throughout the album, songs like "Settle Down" and "Stone" highlights the band’s thoughtful arrangements and subdued sound, tasteful integrating keys and organs without overpowering the mix.
 
Songs In This Episode
Intro - Solved
15:27 - Higher Than Reason
18:02 - Stone
25:57 - Settle Down
Outro - Finest Little Space
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2754</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>741</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Smashing Pumpkins - Gish | 90s Album Review</title>
        <itunes:title>Smashing Pumpkins - Gish | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/smashing-pumpkins-gish-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/smashing-pumpkins-gish-90s-album-review/#comments</comments>        <pubDate>Tue, 29 Oct 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2868ac42-b5fa-3708-80ce-29b31ac6f722</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1991 debut album Gish by <a href='https://smashingpumpkins.com/'>The Smashing Pumpkins</a> marked the band's entry into the alternative rock scene with a unique mix of psychedelic rock, heavy metal, and dream pop elements. Produced by Butch Vig, who would later work with Nirvana on Nevermind, the album showcases the band's early experimentation with layered guitars, intricate rhythms, raw energy, and dense sonic textures that would become hallmarks of the Pumpkins sound. Although Gish did not initially achieve mainstream success, it garnered a strong underground following, helping to set the stage for the band's breakthrough with Siamese Dream in 1993. Celebrated for its unique blend of intensity and melody, it serves as an early glimpse into the Pumpkins' evolving musical ambitions, complete the fingerprints of Jane's Addiction, Van Halen, and Black Sabbath.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Tristessa</p>
<p style="text-align: center;">16:57 - I Am One</p>
<p style="text-align: center;">21:57 - Rhinoceros</p>
<p style="text-align: center;">30:36 - Window Paine</p>
<p style="text-align: center;">33:46 - Siva</p>
<p style="text-align: center;">Outro - Bury Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1991 debut album Gish by <a href='https://smashingpumpkins.com/'>The Smashing Pumpkins</a> marked the band's entry into the alternative rock scene with a unique mix of psychedelic rock, heavy metal, and dream pop elements. Produced by Butch Vig, who would later work with Nirvana on Nevermind, the album showcases the band's early experimentation with layered guitars, intricate rhythms, raw energy, and dense sonic textures that would become hallmarks of the Pumpkins sound. Although Gish did not initially achieve mainstream success, it garnered a strong underground following, helping to set the stage for the band's breakthrough with Siamese Dream in 1993. Celebrated for its unique blend of intensity and melody, it serves as an early glimpse into the Pumpkins' evolving musical ambitions, complete the fingerprints of Jane's Addiction, Van Halen, and Black Sabbath.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Tristessa</p>
<p style="text-align: center;">16:57 - I Am One</p>
<p style="text-align: center;">21:57 - Rhinoceros</p>
<p style="text-align: center;">30:36 - Window Paine</p>
<p style="text-align: center;">33:46 - Siva</p>
<p style="text-align: center;">Outro - Bury Me</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/65w2px6yx72bwdn5/739-smashingpumpkins.mp3" length="88593707" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1991 debut album Gish by The Smashing Pumpkins marked the band's entry into the alternative rock scene with a unique mix of psychedelic rock, heavy metal, and dream pop elements. Produced by Butch Vig, who would later work with Nirvana on Nevermind, the album showcases the band's early experimentation with layered guitars, intricate rhythms, raw energy, and dense sonic textures that would become hallmarks of the Pumpkins sound. Although Gish did not initially achieve mainstream success, it garnered a strong underground following, helping to set the stage for the band's breakthrough with Siamese Dream in 1993. Celebrated for its unique blend of intensity and melody, it serves as an early glimpse into the Pumpkins' evolving musical ambitions, complete the fingerprints of Jane's Addiction, Van Halen, and Black Sabbath.
 
Songs In This Episode
Intro - Tristessa
16:57 - I Am One
21:57 - Rhinoceros
30:36 - Window Paine
33:46 - Siva
Outro - Bury Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2764</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>740</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jesus Jones - Perverse | 90s Album Review</title>
        <itunes:title>Jesus Jones - Perverse | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/jesus-jones-perverse-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/jesus-jones-perverse-90s-album-review/#comments</comments>        <pubDate>Tue, 22 Oct 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/59f1522e-a051-3d16-a954-2c038158e197</guid>
                                    <description><![CDATA[<p style="text-align: center;">Most people know <a href='https://www.jesusjones.com/'>Jesus Jones</a> from their big hit in 1991, "Right Here Right Now." Thanks to the explosion of grunge and alternative rock that was already bubbling up from the underground to the mainstream, the techno-rock of Jesus Jones took a back seat and relegated them to one-hit wonder status. But instead of changing their sound to blend in with the loud guitars from Seattle, the band and primary songwriter/singer Mike Edwards went in the opposite direction and leaned into their electronic elements for 1993's Perverse. Recorded entirely on computers, the album marks on the second fully digital release, and the sounds Edwards and band created sound positively futuristic compared the 1993 musical landscape.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Zeroes and Ones</p>
<p style="text-align: center;">24:43 - Spiral</p>
<p style="text-align: center;">27:49 - The Devil You Know</p>
<p style="text-align: center;">41:09 - Yellow Brown</p>
<p style="text-align: center;">Outro - Magazine</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Most people know <a href='https://www.jesusjones.com/'>Jesus Jones</a> from their big hit in 1991, "Right Here Right Now." Thanks to the explosion of grunge and alternative rock that was already bubbling up from the underground to the mainstream, the techno-rock of Jesus Jones took a back seat and relegated them to one-hit wonder status. But instead of changing their sound to blend in with the loud guitars from Seattle, the band and primary songwriter/singer Mike Edwards went in the opposite direction and leaned into their electronic elements for 1993's Perverse. Recorded entirely on computers, the album marks on the second fully digital release, and the sounds Edwards and band created sound positively futuristic compared the 1993 musical landscape.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Zeroes and Ones</p>
<p style="text-align: center;">24:43 - Spiral</p>
<p style="text-align: center;">27:49 - The Devil You Know</p>
<p style="text-align: center;">41:09 - Yellow Brown</p>
<p style="text-align: center;">Outro - Magazine</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ny224ezxbxvmev2t/738-jesusjones.mp3" length="97901098" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Most people know Jesus Jones from their big hit in 1991, "Right Here Right Now." Thanks to the explosion of grunge and alternative rock that was already bubbling up from the underground to the mainstream, the techno-rock of Jesus Jones took a back seat and relegated them to one-hit wonder status. But instead of changing their sound to blend in with the loud guitars from Seattle, the band and primary songwriter/singer Mike Edwards went in the opposite direction and leaned into their electronic elements for 1993's Perverse. Recorded entirely on computers, the album marks on the second fully digital release, and the sounds Edwards and band created sound positively futuristic compared the 1993 musical landscape.
 
Songs In This Episode
Intro - Zeroes and Ones
24:43 - Spiral
27:49 - The Devil You Know
41:09 - Yellow Brown
Outro - Magazine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3053</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>739</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pig - Sinsation | 90s Album Review</title>
        <itunes:title>Pig - Sinsation | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pig-sinsation-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pig-sinsation-90s-album-review/#comments</comments>        <pubDate>Tue, 15 Oct 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c23c4291-023b-3d07-93fd-cc09ab0fb697</guid>
                                    <description><![CDATA[<p style="text-align: center;">An original member of KMFDM, producer, musician and singer Raymond Watts has been ensconced in the electronic and industrial music scenes for going on five decades. His own project <a href='https://pigindustries.com/home'>PIG</a> started out far more raw and aggressive, but over time Watts evolved the sound and eventually found a home on Trent Reznor's NOTHING label for the 1996 release of Sinsation (released the previous year in Japan only). With nods to Reznor's Nine Inch Nails and fellow industrial metal act Ministry, among others, Sinsation adds some unexpected and well-placed orchestra and horn samples to give the album a cinematic feel that would sound appropriate backing a dystopian science fiction film.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hamstrung on the Highway</p>
<p style="text-align: center;">16:01 - The Sick</p>
<p style="text-align: center;">22:04 - Serial Killer Thriller</p>
<p style="text-align: center;">30:31 - Transceration</p>
<p style="text-align: center;">35:48 - Hot Hole</p>
<p style="text-align: center;">Outro - Paniac</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">An original member of KMFDM, producer, musician and singer Raymond Watts has been ensconced in the electronic and industrial music scenes for going on five decades. His own project <a href='https://pigindustries.com/home'>PIG</a> started out far more raw and aggressive, but over time Watts evolved the sound and eventually found a home on Trent Reznor's NOTHING label for the 1996 release of Sinsation (released the previous year in Japan only). With nods to Reznor's Nine Inch Nails and fellow industrial metal act Ministry, among others, Sinsation adds some unexpected and well-placed orchestra and horn samples to give the album a cinematic feel that would sound appropriate backing a dystopian science fiction film.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hamstrung on the Highway</p>
<p style="text-align: center;">16:01 - The Sick</p>
<p style="text-align: center;">22:04 - Serial Killer Thriller</p>
<p style="text-align: center;">30:31 - Transceration</p>
<p style="text-align: center;">35:48 - Hot Hole</p>
<p style="text-align: center;">Outro - Paniac</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8469cfppew7pc4jk/737-pig.mp3" length="105119157" type="audio/mpeg"/>
        <itunes:summary><![CDATA[An original member of KMFDM, producer, musician and singer Raymond Watts has been ensconced in the electronic and industrial music scenes for going on five decades. His own project PIG started out far more raw and aggressive, but over time Watts evolved the sound and eventually found a home on Trent Reznor's NOTHING label for the 1996 release of Sinsation (released the previous year in Japan only). With nods to Reznor's Nine Inch Nails and fellow industrial metal act Ministry, among others, Sinsation adds some unexpected and well-placed orchestra and horn samples to give the album a cinematic feel that would sound appropriate backing a dystopian science fiction film.
 
Songs In This Episode
Intro - Hamstrung on the Highway
16:01 - The Sick
22:04 - Serial Killer Thriller
30:31 - Transceration
35:48 - Hot Hole
Outro - Paniac
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3283</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>738</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Soul Asylum In The 80s | Roundtable</title>
        <itunes:title>Soul Asylum In The 80s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/soul-asylum-in-the-80s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/soul-asylum-in-the-80s-roundtable/#comments</comments>        <pubDate>Tue, 08 Oct 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7fcdbdff-6d62-3c75-8ae5-e26249cf7152</guid>
                                    <description><![CDATA[<p style="text-align: center;">Although they've released over a dozen albums covering four decades, odds are if you ask someone on the street to name a song by <a href='https://www.soulasylum.com/'>Soul Asylum</a>, it's going to be the mega-hit "Runaway Train" off their 1992 album Grave Dancers Union. There were other singles, "Black Gold" and "Somebody To Shove" off Grave Dancers Union, "Misery" and "Just Like Anyone" off the follow-up Let Your Dim Light Shine, but those albums and songs represented a band that had worked and toured and recorded since the early 1980s, taking a primordial post-punk and hardcore sound and slowly evolving album by album, starting with their debut Say What You Will, Clarence...Karl Sold The Truck in 1984. Like their Twin/Tone Records labelmates The Replacements, the manic youthful energy gave their lead singers an opportunity to gradually find their literal and lyrical voice. On each successive album, and a jump to major label A&amp;M, the band continued to refine and improve their brand of midwestern alternative college rock, and reached the heights of their songwriting prowess just as a second major, Columbia, took a chance that would land them a home for their sixth album and eventual double platinum seller, the aforementioned Grave Dancers Union.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Down On Up To Me (from Hang Time)</p>
<p style="text-align: center;">22:24 - Voodoo Doll (from Say What You Will, Clarence...Karl Sold The Truck)</p>
<p style="text-align: center;">28:36 - Masquerade (from Say What You Will, Clarence...Karl Sold The Truck)</p>
<p style="text-align: center;">33:16 - Tied to the Tracks (from Made To Be Broken)</p>
<p style="text-align: center;">36:46 - Can't Go Back (from Made To Be Broken)</p>
<p style="text-align: center;">40:20 - Freaks (While You Were Out)</p>
<p style="text-align: center;">47:22 - Endless Farwell (Hang Time)</p>
<p style="text-align: center;">51:30 - Cartoon (Hang Time)</p>
<p style="text-align: center;">Outro - Closer To The Stars (While You Were Out)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Although they've released over a dozen albums covering four decades, odds are if you ask someone on the street to name a song by <a href='https://www.soulasylum.com/'>Soul Asylum</a>, it's going to be the mega-hit "Runaway Train" off their 1992 album Grave Dancers Union. There were other singles, "Black Gold" and "Somebody To Shove" off Grave Dancers Union, "Misery" and "Just Like Anyone" off the follow-up Let Your Dim Light Shine, but those albums and songs represented a band that had worked and toured and recorded since the early 1980s, taking a primordial post-punk and hardcore sound and slowly evolving album by album, starting with their debut Say What You Will, Clarence...Karl Sold The Truck in 1984. Like their Twin/Tone Records labelmates The Replacements, the manic youthful energy gave their lead singers an opportunity to gradually find their literal and lyrical voice. On each successive album, and a jump to major label A&amp;M, the band continued to refine and improve their brand of midwestern alternative college rock, and reached the heights of their songwriting prowess just as a second major, Columbia, took a chance that would land them a home for their sixth album and eventual double platinum seller, the aforementioned Grave Dancers Union.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Down On Up To Me (from Hang Time)</p>
<p style="text-align: center;">22:24 - Voodoo Doll (from Say What You Will, Clarence...Karl Sold The Truck)</p>
<p style="text-align: center;">28:36 - Masquerade (from Say What You Will, Clarence...Karl Sold The Truck)</p>
<p style="text-align: center;">33:16 - Tied to the Tracks (from Made To Be Broken)</p>
<p style="text-align: center;">36:46 - Can't Go Back (from Made To Be Broken)</p>
<p style="text-align: center;">40:20 - Freaks (While You Were Out)</p>
<p style="text-align: center;">47:22 - Endless Farwell (Hang Time)</p>
<p style="text-align: center;">51:30 - Cartoon (Hang Time)</p>
<p style="text-align: center;">Outro - Closer To The Stars (While You Were Out)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8m8n9na767fva82d/736-soulasylum.mp3" length="150977787" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Although they've released over a dozen albums covering four decades, odds are if you ask someone on the street to name a song by Soul Asylum, it's going to be the mega-hit "Runaway Train" off their 1992 album Grave Dancers Union. There were other singles, "Black Gold" and "Somebody To Shove" off Grave Dancers Union, "Misery" and "Just Like Anyone" off the follow-up Let Your Dim Light Shine, but those albums and songs represented a band that had worked and toured and recorded since the early 1980s, taking a primordial post-punk and hardcore sound and slowly evolving album by album, starting with their debut Say What You Will, Clarence...Karl Sold The Truck in 1984. Like their Twin/Tone Records labelmates The Replacements, the manic youthful energy gave their lead singers an opportunity to gradually find their literal and lyrical voice. On each successive album, and a jump to major label A&amp;M, the band continued to refine and improve their brand of midwestern alternative college rock, and reached the heights of their songwriting prowess just as a second major, Columbia, took a chance that would land them a home for their sixth album and eventual double platinum seller, the aforementioned Grave Dancers Union.
 
Songs In This Episode
Intro - Down On Up To Me (from Hang Time)
22:24 - Voodoo Doll (from Say What You Will, Clarence...Karl Sold The Truck)
28:36 - Masquerade (from Say What You Will, Clarence...Karl Sold The Truck)
33:16 - Tied to the Tracks (from Made To Be Broken)
36:46 - Can't Go Back (from Made To Be Broken)
40:20 - Freaks (While You Were Out)
47:22 - Endless Farwell (Hang Time)
51:30 - Cartoon (Hang Time)
Outro - Closer To The Stars (While You Were Out)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4621</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>737</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Magic Dirt - Young And Full Of The Devil | 90s Album Review</title>
        <itunes:title>Magic Dirt - Young And Full Of The Devil | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/magic-dirt-young-and-full-of-the-devil-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/magic-dirt-young-and-full-of-the-devil-90s-album-review/#comments</comments>        <pubDate>Tue, 01 Oct 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e43fd1cc-dc02-33e7-a9c7-e07b019dac36</guid>
                                    <description><![CDATA[<p style="text-align: center;">On their second album Young And Full Of The Devil, <a href='https://magicdirt.com/'>Magic Dirt</a> blended fuzzed out psych and stoner riffage with a grunge-tinged snarl. The throat shredding vocals of Adalita Srsen lend comparisons to bands like Hole, The Distillers, or L7, but the band delves into darker, scuzzier territory on tracks like the opening opus "Babycakes" and the closer and bonus track "Babycakes You Always Freeze Me Up." The foursome display a penchant for uptempo riffage on songs like "Rabbit With Fangs" and the appropriately titled "She-Riff" layered in a variety of guitar pedals and effects, but some odd choices on the back half of the record left us scratching our heads about what started out with strong intentions but veered into less concise territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Short Black</p>
<p style="text-align: center;">22:03 - Shrinko</p>
<p style="text-align: center;">28:54 - She-Riff</p>
<p style="text-align: center;">35:02 - Ascot Red</p>
<p style="text-align: center;">43:36 - X-Ray</p>
<p style="text-align: center;">Outro - Rabbit With Fangs</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On their second album Young And Full Of The Devil, <a href='https://magicdirt.com/'>Magic Dirt</a> blended fuzzed out psych and stoner riffage with a grunge-tinged snarl. The throat shredding vocals of Adalita Srsen lend comparisons to bands like Hole, The Distillers, or L7, but the band delves into darker, scuzzier territory on tracks like the opening opus "Babycakes" and the closer and bonus track "Babycakes You Always Freeze Me Up." The foursome display a penchant for uptempo riffage on songs like "Rabbit With Fangs" and the appropriately titled "She-Riff" layered in a variety of guitar pedals and effects, but some odd choices on the back half of the record left us scratching our heads about what started out with strong intentions but veered into less concise territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Short Black</p>
<p style="text-align: center;">22:03 - Shrinko</p>
<p style="text-align: center;">28:54 - She-Riff</p>
<p style="text-align: center;">35:02 - Ascot Red</p>
<p style="text-align: center;">43:36 - X-Ray</p>
<p style="text-align: center;">Outro - Rabbit With Fangs</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fd565ifbajdcz28r/735-magicdirt.mp3" length="130870541" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their second album Young And Full Of The Devil, Magic Dirt blended fuzzed out psych and stoner riffage with a grunge-tinged snarl. The throat shredding vocals of Adalita Srsen lend comparisons to bands like Hole, The Distillers, or L7, but the band delves into darker, scuzzier territory on tracks like the opening opus "Babycakes" and the closer and bonus track "Babycakes You Always Freeze Me Up." The foursome display a penchant for uptempo riffage on songs like "Rabbit With Fangs" and the appropriately titled "She-Riff" layered in a variety of guitar pedals and effects, but some odd choices on the back half of the record left us scratching our heads about what started out with strong intentions but veered into less concise territory.
 
Songs In This Episode
Intro - Short Black
22:03 - Shrinko
28:54 - She-Riff
35:02 - Ascot Red
43:36 - X-Ray
Outro - Rabbit With Fangs
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4076</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>736</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pavement - Crooked Rain, Crooked Rain | 90s Album Review</title>
        <itunes:title>Pavement - Crooked Rain, Crooked Rain | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pavement-crooked-rain-crooked-rain-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pavement-crooked-rain-crooked-rain-90s-album-review/#comments</comments>        <pubDate>Tue, 24 Sep 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fd4d9e3e-a773-393f-8b7c-0564d947feac</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's hard to reconcile the importance of a band like <a href='https://pavementband.com/'>Pavement</a> considering their lack of mainstream popularity and pedestrian album sales But like The Velvet Underground and others before them whose underground popularity helped launch a thousand bands, Pavement's twisted takes on pop rock, post-punk, jam bands, and even country somehow make their 1994 sophomore album Crooked Rain, Crooked Rain made a big impression on those looking for something the radio and MTV didn't offer. Witty lyrics, slacker vibes, jangly and occasionally conflicting guitars were present on their debut, but the band honed their skills to craft catchy, off-kilter melodies on tracks like "Cut Your Hair" and "Range Life." </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Cut Your Hair</p>
<p style="text-align: center;">24:36 - Silence Kid</p>
<p style="text-align: center;">37:06 - Fillmore Jive</p>
<p style="text-align: center;">46:59 - Heaven Is a Truck</p>
<p style="text-align: center;">56:53 - Range Life</p>
<p style="text-align: center;">Outro - Gold Soundz</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's hard to reconcile the importance of a band like <a href='https://pavementband.com/'>Pavement</a> considering their lack of mainstream popularity and pedestrian album sales But like The Velvet Underground and others before them whose underground popularity helped launch a thousand bands, Pavement's twisted takes on pop rock, post-punk, jam bands, and even country somehow make their 1994 sophomore album Crooked Rain, Crooked Rain made a big impression on those looking for something the radio and MTV didn't offer. Witty lyrics, slacker vibes, jangly and occasionally conflicting guitars were present on their debut, but the band honed their skills to craft catchy, off-kilter melodies on tracks like "Cut Your Hair" and "Range Life." </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Cut Your Hair</p>
<p style="text-align: center;">24:36 - Silence Kid</p>
<p style="text-align: center;">37:06 - Fillmore Jive</p>
<p style="text-align: center;">46:59 - Heaven Is a Truck</p>
<p style="text-align: center;">56:53 - Range Life</p>
<p style="text-align: center;">Outro - Gold Soundz</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qek9e4pnzdz3fyzc/734-pavement.mp3" length="149544322" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to reconcile the importance of a band like Pavement considering their lack of mainstream popularity and pedestrian album sales But like The Velvet Underground and others before them whose underground popularity helped launch a thousand bands, Pavement's twisted takes on pop rock, post-punk, jam bands, and even country somehow make their 1994 sophomore album Crooked Rain, Crooked Rain made a big impression on those looking for something the radio and MTV didn't offer. Witty lyrics, slacker vibes, jangly and occasionally conflicting guitars were present on their debut, but the band honed their skills to craft catchy, off-kilter melodies on tracks like "Cut Your Hair" and "Range Life." 
 
Songs In This Episode
Intro - Cut Your Hair
24:36 - Silence Kid
37:06 - Fillmore Jive
46:59 - Heaven Is a Truck
56:53 - Range Life
Outro - Gold Soundz
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4667</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>735</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>doubleDrive - 1000 Yard Stare | 90s Album Review</title>
        <itunes:title>doubleDrive - 1000 Yard Stare | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/doubledrive-1000-yard-stare-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/doubledrive-1000-yard-stare-90s-album-review/#comments</comments>        <pubDate>Tue, 17 Sep 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e60e7d35-592b-399d-bf6a-c6a09972c723</guid>
                                    <description><![CDATA[<p style="text-align: center;">Like so many second and third wave grunge bands, aka post-grunge, the opportunity for chart and sales success depended on a big hit. For Atlanta, Georgia's <a href='https://en.wikipedia.org/wiki/DoubleDrive'>doubleDrive</a>, they didn't manage to score the big radio or MTV single in 1999 with their debut album 1000 Yard Stare, but what they produced was something more interesting than what many of their contemporaries had to offer. The production gives the entire band a chance to shine, and the twin guitar attack gets closer to the post-hardcore of Helmet, Quicksand, and Handsome at times. Unlike their post-grunge contemporaries Puddle of Mudd or Creed, the band doesn't slog around the mid-tempo for long, injecting plenty of energy and avoiding a ballad completely. But also like their post-grunge contemporaries, a reliance on the vocal stylings of singers like Eddie Vedder and Scott Weiland put a stamp on the sound that chips away at the originality.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - 1000 Yard Stare</p>
<p style="text-align: center;">22:31 - Belief System</p>
<p style="text-align: center;">27:12 - Tattooed Bruise</p>
<p style="text-align: center;">35:02 - Vamp</p>
<p style="text-align: center;">38:45 - Gone</p>
<p style="text-align: center;">40:50 - Reason</p>
<p style="text-align: center;">Outro - Hell</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Like so many second and third wave grunge bands, aka post-grunge, the opportunity for chart and sales success depended on a big hit. For Atlanta, Georgia's <a href='https://en.wikipedia.org/wiki/DoubleDrive'>doubleDrive</a>, they didn't manage to score the big radio or MTV single in 1999 with their debut album 1000 Yard Stare, but what they produced was something more interesting than what many of their contemporaries had to offer. The production gives the entire band a chance to shine, and the twin guitar attack gets closer to the post-hardcore of Helmet, Quicksand, and Handsome at times. Unlike their post-grunge contemporaries Puddle of Mudd or Creed, the band doesn't slog around the mid-tempo for long, injecting plenty of energy and avoiding a ballad completely. But also like their post-grunge contemporaries, a reliance on the vocal stylings of singers like Eddie Vedder and Scott Weiland put a stamp on the sound that chips away at the originality.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - 1000 Yard Stare</p>
<p style="text-align: center;">22:31 - Belief System</p>
<p style="text-align: center;">27:12 - Tattooed Bruise</p>
<p style="text-align: center;">35:02 - Vamp</p>
<p style="text-align: center;">38:45 - Gone</p>
<p style="text-align: center;">40:50 - Reason</p>
<p style="text-align: center;">Outro - Hell</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/abkutay5ztzk3qpu/733-doubledrive.mp3" length="127047963" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Like so many second and third wave grunge bands, aka post-grunge, the opportunity for chart and sales success depended on a big hit. For Atlanta, Georgia's doubleDrive, they didn't manage to score the big radio or MTV single in 1999 with their debut album 1000 Yard Stare, but what they produced was something more interesting than what many of their contemporaries had to offer. The production gives the entire band a chance to shine, and the twin guitar attack gets closer to the post-hardcore of Helmet, Quicksand, and Handsome at times. Unlike their post-grunge contemporaries Puddle of Mudd or Creed, the band doesn't slog around the mid-tempo for long, injecting plenty of energy and avoiding a ballad completely. But also like their post-grunge contemporaries, a reliance on the vocal stylings of singers like Eddie Vedder and Scott Weiland put a stamp on the sound that chips away at the originality.
 
Songs In This Episode
Intro - 1000 Yard Stare
22:31 - Belief System
27:12 - Tattooed Bruise
35:02 - Vamp
38:45 - Gone
40:50 - Reason
Outro - Hell
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3964</itunes:duration>
                <itunes:episode>734</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Green Day - Dookie | 90s Album Review</title>
        <itunes:title>Green Day - Dookie | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/green-day-dookie-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/green-day-dookie-90s-album-review/#comments</comments>        <pubDate>Tue, 10 Sep 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f1f20750-a935-3175-b54a-dbd527e1bcd2</guid>
                                    <description><![CDATA[<p style="text-align: center;">The only way a radio listener or MTV watcher could avoid Basket Case, Longview, Welcome To Paradise, or When I Come Around in 1994 or 1995 was to be in a remote jungle or alone on the moon. The pop-punk explosion, led by the Bay-area trio <a href='https://greenday.com/'>Green Day</a> and followed a few months later by The Offspring, would unseat grunge as the dominant underground scene making waves in the mainstream and open the door for a plethora of bands getting signed to major labels, like Rancid, NOFX, and Jawbreaker. With Dookie, the band found the perfect collaborator in producer Rob Cavallo, who kept punk energy and edge while helping the band dial in the guitars, bass, and drum sounds that would pop off the speakers. Thirty (!) years later, the album retains its energy, and repeated listens get under the hood of the band, showcasing the lock-step rhythm section of drummer Tre Cool and bassist Mike Dirnt that often carries the songs while lead singer Billie Joe Armstrong crafts catchy, relatable lyrics with tasteful harmonies that elevate the album to something special.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Burnout</p>
<p style="text-align: center;">19:35 - Basket Case</p>
<p style="text-align: center;">37:41 - Longview</p>
<p style="text-align: center;">42:44 - F.O.D.</p>
<p style="text-align: center;">47:59 - When I Come Around</p>
<p style="text-align: center;">Outro - She</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The only way a radio listener or MTV watcher could avoid Basket Case, Longview, Welcome To Paradise, or When I Come Around in 1994 or 1995 was to be in a remote jungle or alone on the moon. The pop-punk explosion, led by the Bay-area trio <a href='https://greenday.com/'>Green Day</a> and followed a few months later by The Offspring, would unseat grunge as the dominant underground scene making waves in the mainstream and open the door for a plethora of bands getting signed to major labels, like Rancid, NOFX, and Jawbreaker. With Dookie, the band found the perfect collaborator in producer Rob Cavallo, who kept punk energy and edge while helping the band dial in the guitars, bass, and drum sounds that would pop off the speakers. Thirty (!) years later, the album retains its energy, and repeated listens get under the hood of the band, showcasing the lock-step rhythm section of drummer Tre Cool and bassist Mike Dirnt that often carries the songs while lead singer Billie Joe Armstrong crafts catchy, relatable lyrics with tasteful harmonies that elevate the album to something special.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Burnout</p>
<p style="text-align: center;">19:35 - Basket Case</p>
<p style="text-align: center;">37:41 - Longview</p>
<p style="text-align: center;">42:44 - F.O.D.</p>
<p style="text-align: center;">47:59 - When I Come Around</p>
<p style="text-align: center;">Outro - She</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/af6fe8hsd53fwh8r/732-greenday.mp3" length="143999274" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The only way a radio listener or MTV watcher could avoid Basket Case, Longview, Welcome To Paradise, or When I Come Around in 1994 or 1995 was to be in a remote jungle or alone on the moon. The pop-punk explosion, led by the Bay-area trio Green Day and followed a few months later by The Offspring, would unseat grunge as the dominant underground scene making waves in the mainstream and open the door for a plethora of bands getting signed to major labels, like Rancid, NOFX, and Jawbreaker. With Dookie, the band found the perfect collaborator in producer Rob Cavallo, who kept punk energy and edge while helping the band dial in the guitars, bass, and drum sounds that would pop off the speakers. Thirty (!) years later, the album retains its energy, and repeated listens get under the hood of the band, showcasing the lock-step rhythm section of drummer Tre Cool and bassist Mike Dirnt that often carries the songs while lead singer Billie Joe Armstrong crafts catchy, relatable lyrics with tasteful harmonies that elevate the album to something special.
 
Songs In This Episode
Intro - Burnout
19:35 - Basket Case
37:41 - Longview
42:44 - F.O.D.
47:59 - When I Come Around
Outro - She
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4491</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>733</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ho Hum - Local | 90s Album Review</title>
        <itunes:title>Ho Hum - Local | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/ho-hum-local-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/ho-hum-local-90s-album-review/#comments</comments>        <pubDate>Tue, 03 Sep 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f78b6a64-926c-33ec-8138-f8799f628b1a</guid>
                                    <description><![CDATA[<p style="text-align: center;">Not many 90s rock bands called Arkansas home, and even fewer looked to the straightforward radio pop of 1970s and 80s as a launching point for their sound. Yet on <a href='https://www.facebook.com/hohumband/'>Ho Hum</a>'s 1996 debut Local, the band from Bradley, Arkansas tuned the radio dial to sounds of Big Star, The Plimsouls, The Knack, Dramarama, and early Tom Petty, to name a few, for their catchy, unpretentious sound. Though released in the middle of alternative decade, there isn't a note of angst or grunge to be found, instead forging a sound closer to likes of Velvet Crush, Sloan, Superdrag and Matthew Sweet at their most straightforward. From uptempo gems like opener "Around the World" to the infectious "Don't Go Out with Your Friends Tonite," to soulful ballads "Disappear" and "Superhuman," both featuring horn sections, the band clearly has an ear for an earworm melody.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Around the World</p>
<p style="text-align: center;">21:15 - Here She Comes</p>
<p style="text-align: center;">24:41 - Pills and Guns</p>
<p style="text-align: center;">27:04 - Frozen</p>
<p style="text-align: center;">31:06 - Disappear</p>
<p style="text-align: center;">34:12 - Superhuman</p>
<p style="text-align: center;">Outro - Don't Go Out with Your Friends Tonite</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Not many 90s rock bands called Arkansas home, and even fewer looked to the straightforward radio pop of 1970s and 80s as a launching point for their sound. Yet on <a href='https://www.facebook.com/hohumband/'>Ho Hum</a>'s 1996 debut Local, the band from Bradley, Arkansas tuned the radio dial to sounds of Big Star, The Plimsouls, The Knack, Dramarama, and early Tom Petty, to name a few, for their catchy, unpretentious sound. Though released in the middle of alternative decade, there isn't a note of angst or grunge to be found, instead forging a sound closer to likes of Velvet Crush, Sloan, Superdrag and Matthew Sweet at their most straightforward. From uptempo gems like opener "Around the World" to the infectious "Don't Go Out with Your Friends Tonite," to soulful ballads "Disappear" and "Superhuman," both featuring horn sections, the band clearly has an ear for an earworm melody.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Around the World</p>
<p style="text-align: center;">21:15 - Here She Comes</p>
<p style="text-align: center;">24:41 - Pills and Guns</p>
<p style="text-align: center;">27:04 - Frozen</p>
<p style="text-align: center;">31:06 - Disappear</p>
<p style="text-align: center;">34:12 - Superhuman</p>
<p style="text-align: center;">Outro - Don't Go Out with Your Friends Tonite</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ff7jiydakx6gusa5/731-hohum.mp3" length="101326115" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Not many 90s rock bands called Arkansas home, and even fewer looked to the straightforward radio pop of 1970s and 80s as a launching point for their sound. Yet on Ho Hum's 1996 debut Local, the band from Bradley, Arkansas tuned the radio dial to sounds of Big Star, The Plimsouls, The Knack, Dramarama, and early Tom Petty, to name a few, for their catchy, unpretentious sound. Though released in the middle of alternative decade, there isn't a note of angst or grunge to be found, instead forging a sound closer to likes of Velvet Crush, Sloan, Superdrag and Matthew Sweet at their most straightforward. From uptempo gems like opener "Around the World" to the infectious "Don't Go Out with Your Friends Tonite," to soulful ballads "Disappear" and "Superhuman," both featuring horn sections, the band clearly has an ear for an earworm melody.
 
Songs In This Episode
Intro - Around the World
21:15 - Here She Comes
24:41 - Pills and Guns
27:04 - Frozen
31:06 - Disappear
34:12 - Superhuman
Outro - Don't Go Out with Your Friends Tonite
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3163</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>732</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Blake Smith and Rick Ness of Fig Dish | Interview</title>
        <itunes:title>Blake Smith and Rick Ness of Fig Dish | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/blake-smith-and-rick-ness-of-fig-dish-interview/</link>
                    <comments>https://digmeout.podbean.com/e/blake-smith-and-rick-ness-of-fig-dish-interview/#comments</comments>        <pubDate>Thu, 29 Aug 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7432d80c-861a-38ab-99f8-ef5e113f8505</guid>
                                    <description><![CDATA[<p style="text-align: center;">Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip.</p>
<p style="text-align: center;">Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV’s 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned’s Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That’s What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality.</p>
<p style="text-align: center;">By 1998, Fig Dish’s tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber’s Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness.</p>
<p style="text-align: center;">Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl.</p>
<p style="text-align: center;">In this interview, Smith and Ness reveal there was no dramatic story behind the band’s breakup; the members remain friends and stay in touch. While they won’t be quitting their day jobs to relive their (less than) glory days, there’s a strong possibility that Fig Dish will release new material in the near future.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Burn Bright For Now</p>
<p style="text-align: center;">13:54 - Pretty Never Hurts</p>
<p style="text-align: center;">Outro - When Shirts Get Tight</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip.</p>
<p style="text-align: center;">Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV’s 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned’s Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That’s What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality.</p>
<p style="text-align: center;">By 1998, Fig Dish’s tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber’s Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness.</p>
<p style="text-align: center;">Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl.</p>
<p style="text-align: center;">In this interview, Smith and Ness reveal there was no dramatic story behind the band’s breakup; the members remain friends and stay in touch. While they won’t be quitting their day jobs to relive their (less than) glory days, there’s a strong possibility that Fig Dish will release new material in the near future.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Burn Bright For Now</p>
<p style="text-align: center;">13:54 - Pretty Never Hurts</p>
<p style="text-align: center;">Outro - When Shirts Get Tight</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z5s65rt9z45idut6/730-figdish.mp3" length="42207368" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip.
Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV’s 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned’s Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That’s What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality.
By 1998, Fig Dish’s tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber’s Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness.
Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl.
In this interview, Smith and Ness reveal there was no dramatic story behind the band’s breakup; the members remain friends and stay in touch. While they won’t be quitting their day jobs to relive their (less than) glory days, there’s a strong possibility that Fig Dish will release new material in the near future.
 
Songs In This Episode
Intro - Burn Bright For Now
13:54 - Pretty Never Hurts
Outro - When Shirts Get Tight
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3922</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>731</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nü Metal in the 90s | Roundtable</title>
        <itunes:title>Nü Metal in the 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/nu-metal-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/nu-metal-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 27 Aug 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9b38f741-d7fe-338d-bc59-d47962fbd0b7</guid>
                                    <description><![CDATA[<p style="text-align: center;">Is Nü Metal the most divisive music subgenre of the 1990s? It sure seems to generate a lot of hate, but is also beloved by millions of fans. Eschewing the traditions of classic NWOBHM bands (guitar solos, leather, fist-pumping athems), Nü Metal rose from the same underground that embraced both hip-hop and mosh pits, with its own style (baggy pants, tracksuits, baseball caps) more reminiscent of Run D.M.C. than Judas Priest. In the same way that punk was a response to the bloated stylings of 70s corporate and progressive rock, Nü Metal stripped away the overindulgence of previous metal incarnations and focused on rhythm and catharsis. Bands like Korn, Papa Roach, and Linkin Park wrote about the dark underbelly of suburban home life, with varying musical approaches, while others like Slipknot, Mudvayne, and Static-X added a layer of theatrical presentation in their looks. We revisit not just the Nü Metal period, but also what came before it, bands like Anthrax and Public Enemy teaming up, the alternative approaches of Primus, Faith No More, and Rage Against The Machine, and explore the looks, the sounds and legacy of Nü Metal.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Blind by Korn (from Korn)</p>
<p style="text-align: center;">17:11 - Snap Your Fingers, Snap Your Neck by Prong (from Cleansing)</p>
<p style="text-align: center;">26:20 - We Care A Lot by Faith No More (from Introduce Yourself)</p>
<p style="text-align: center;">37:04 - Denial by Sevendust (from Home)</p>
<p style="text-align: center;">49:32 - Last Resort by Papa Roach (from Infest)</p>
<p style="text-align: center;">50:27 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">58:21 - A.D.I.D.A.S. by Korn (from Life Is Peachy)</p>
<p style="text-align: center;">1:11:24 - 10 Seconds Down by Sugar Ray (from Lemonade and Brownies)</p>
<p style="text-align: center;">1:24:35 - Boom by P.O.D. (from Satellite)</p>
<p style="text-align: center;">Outro - Rollin' (Air Raid Vehicle) by Limp Bizkit (from Chocolate Starfish And The Hot Dog Flavored Water)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Is Nü Metal the most divisive music subgenre of the 1990s? It sure seems to generate a lot of hate, but is also beloved by millions of fans. Eschewing the traditions of classic NWOBHM bands (guitar solos, leather, fist-pumping athems), Nü Metal rose from the same underground that embraced both hip-hop and mosh pits, with its own style (baggy pants, tracksuits, baseball caps) more reminiscent of Run D.M.C. than Judas Priest. In the same way that punk was a response to the bloated stylings of 70s corporate and progressive rock, Nü Metal stripped away the overindulgence of previous metal incarnations and focused on rhythm and catharsis. Bands like Korn, Papa Roach, and Linkin Park wrote about the dark underbelly of suburban home life, with varying musical approaches, while others like Slipknot, Mudvayne, and Static-X added a layer of theatrical presentation in their looks. We revisit not just the Nü Metal period, but also what came before it, bands like Anthrax and Public Enemy teaming up, the alternative approaches of Primus, Faith No More, and Rage Against The Machine, and explore the looks, the sounds and legacy of Nü Metal.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Blind by Korn (from Korn)</p>
<p style="text-align: center;">17:11 - Snap Your Fingers, Snap Your Neck by Prong (from Cleansing)</p>
<p style="text-align: center;">26:20 - We Care A Lot by Faith No More (from Introduce Yourself)</p>
<p style="text-align: center;">37:04 - Denial by Sevendust (from Home)</p>
<p style="text-align: center;">49:32 - Last Resort by Papa Roach (from Infest)</p>
<p style="text-align: center;">50:27 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">58:21 - A.D.I.D.A.S. by Korn (from Life Is Peachy)</p>
<p style="text-align: center;">1:11:24 - 10 Seconds Down by Sugar Ray (from Lemonade and Brownies)</p>
<p style="text-align: center;">1:24:35 - Boom by P.O.D. (from Satellite)</p>
<p style="text-align: center;">Outro - Rollin' (Air Raid Vehicle) by Limp Bizkit (from Chocolate Starfish And The Hot Dog Flavored Water)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dfymuqs27y2vjynq/729-numetal.mp3" length="194046953" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Is Nü Metal the most divisive music subgenre of the 1990s? It sure seems to generate a lot of hate, but is also beloved by millions of fans. Eschewing the traditions of classic NWOBHM bands (guitar solos, leather, fist-pumping athems), Nü Metal rose from the same underground that embraced both hip-hop and mosh pits, with its own style (baggy pants, tracksuits, baseball caps) more reminiscent of Run D.M.C. than Judas Priest. In the same way that punk was a response to the bloated stylings of 70s corporate and progressive rock, Nü Metal stripped away the overindulgence of previous metal incarnations and focused on rhythm and catharsis. Bands like Korn, Papa Roach, and Linkin Park wrote about the dark underbelly of suburban home life, with varying musical approaches, while others like Slipknot, Mudvayne, and Static-X added a layer of theatrical presentation in their looks. We revisit not just the Nü Metal period, but also what came before it, bands like Anthrax and Public Enemy teaming up, the alternative approaches of Primus, Faith No More, and Rage Against The Machine, and explore the looks, the sounds and legacy of Nü Metal.
 
Songs In This Episode
Intro - Blind by Korn (from Korn)
17:11 - Snap Your Fingers, Snap Your Neck by Prong (from Cleansing)
26:20 - We Care A Lot by Faith No More (from Introduce Yourself)
37:04 - Denial by Sevendust (from Home)
49:32 - Last Resort by Papa Roach (from Infest)
50:27 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
58:21 - A.D.I.D.A.S. by Korn (from Life Is Peachy)
1:11:24 - 10 Seconds Down by Sugar Ray (from Lemonade and Brownies)
1:24:35 - Boom by P.O.D. (from Satellite)
Outro - Rollin' (Air Raid Vehicle) by Limp Bizkit (from Chocolate Starfish And The Hot Dog Flavored Water)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6029</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>730</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Faithless - Sunday 8 PM | 90s Album Review</title>
        <itunes:title>Faithless - Sunday 8 PM | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/faithless-sunday-8-pm-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/faithless-sunday-8-pm-90s-album-review/#comments</comments>        <pubDate>Tue, 20 Aug 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7f61870c-576b-3fa0-bdaa-43b01e7e61d5</guid>
                                    <description><![CDATA[<p style="text-align: center;">Bands scoring a hit with a single that doesn't sound much like the rest of the album is not unusual. Blur, Sugar Ray, the Butthole Surfers, Nada Surf, and more had hits that might have confused buyers when the bought the respective albums, and the same goes for <a href='https://faithless.co.uk/'>Faithless</a>, and their 1998 album Sunday 8 PM. Thanks to the uptempo house hit "God Is A DJ," the band gained fans on both sides of the Atlantic. However, aside from one other track, the rest of the album runs at half that speed, mixing electronic downtempo and soul sampled trip-hop. It results in an uneven album that feels more like a collection of really good singles instead of a cohesive musical statement, but the highs, including a stirring vocal performance by Boy George, make the record one worth checking out.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Garden</p>
<p style="text-align: center;">20:19 - Why Go?</p>
<p style="text-align: center;">32:02 - Hour of Need</p>
<p style="text-align: center;">36:01 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">39:03 - Bring My Family Back</p>
<p style="text-align: center;">42:12 - God Is A DJ</p>
<p style="text-align: center;">Outro - Killer's Lullaby</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Bands scoring a hit with a single that doesn't sound much like the rest of the album is not unusual. Blur, Sugar Ray, the Butthole Surfers, Nada Surf, and more had hits that might have confused buyers when the bought the respective albums, and the same goes for <a href='https://faithless.co.uk/'>Faithless</a>, and their 1998 album Sunday 8 PM. Thanks to the uptempo house hit "God Is A DJ," the band gained fans on both sides of the Atlantic. However, aside from one other track, the rest of the album runs at half that speed, mixing electronic downtempo and soul sampled trip-hop. It results in an uneven album that feels more like a collection of really good singles instead of a cohesive musical statement, but the highs, including a stirring vocal performance by Boy George, make the record one worth checking out.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Garden</p>
<p style="text-align: center;">20:19 - Why Go?</p>
<p style="text-align: center;">32:02 - Hour of Need</p>
<p style="text-align: center;">36:01 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">39:03 - Bring My Family Back</p>
<p style="text-align: center;">42:12 - God Is A DJ</p>
<p style="text-align: center;">Outro - Killer's Lullaby</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zd3v5ijbeds8qn5m/728-faithless.mp3" length="127517525" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bands scoring a hit with a single that doesn't sound much like the rest of the album is not unusual. Blur, Sugar Ray, the Butthole Surfers, Nada Surf, and more had hits that might have confused buyers when the bought the respective albums, and the same goes for Faithless, and their 1998 album Sunday 8 PM. Thanks to the uptempo house hit "God Is A DJ," the band gained fans on both sides of the Atlantic. However, aside from one other track, the rest of the album runs at half that speed, mixing electronic downtempo and soul sampled trip-hop. It results in an uneven album that feels more like a collection of really good singles instead of a cohesive musical statement, but the highs, including a stirring vocal performance by Boy George, make the record one worth checking out.
 
Songs In This Episode
Intro - The Garden
20:19 - Why Go?
32:02 - Hour of Need
36:01 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
39:03 - Bring My Family Back
42:12 - God Is A DJ
Outro - Killer's Lullaby
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3978</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>729</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Massive Attack - Mezzanine | 90s Album Review</title>
        <itunes:title>Massive Attack - Mezzanine | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/massive-attack-mezzanine-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/massive-attack-mezzanine-90s-album-review/#comments</comments>        <pubDate>Tue, 13 Aug 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/0b7122c2-1c82-327a-9dac-aba276e29a52</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 90s featured the rise of a several varieties of electronic music into the mainstream. The electronica of Prodigy and The Chemical Brothers and the industrial of Nine Inch Nails and Stabbing Westward became household names thanks to MTV and alternative radio station playlists, but not far behind were the late night grooves of trip-hop thanks to Portishead and <a href='https://massiveattack.ie/'>Massive Attack</a>. Combining samples and live instrumentation, and taking influence from reggae, dub, soul, jazz and more, the 1998 third album Mezzanine slowly unfurls from the start with opener "Angel" and keeps the listener entranced. From there, the band carefully weaves drum, bass, synths, and a variety of other instruments with three perfectly matched guest vocalists into a constantly shifting sonic landscape.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Teardrop (from Mezzanine)</p>
<p style="text-align: center;">27:20 - Angel (from Mezzanine)</p>
<p style="text-align: center;">32:57 - Risingson (from Mezzanine)</p>
<p style="text-align: center;">35:57 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">52:54 - Paradise Circus (from Heligoland)</p>
<p style="text-align: center;">Outro - Inertia Creeps (from Mezzanine)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 90s featured the rise of a several varieties of electronic music into the mainstream. The electronica of Prodigy and The Chemical Brothers and the industrial of Nine Inch Nails and Stabbing Westward became household names thanks to MTV and alternative radio station playlists, but not far behind were the late night grooves of trip-hop thanks to Portishead and <a href='https://massiveattack.ie/'>Massive Attack</a>. Combining samples and live instrumentation, and taking influence from reggae, dub, soul, jazz and more, the 1998 third album Mezzanine slowly unfurls from the start with opener "Angel" and keeps the listener entranced. From there, the band carefully weaves drum, bass, synths, and a variety of other instruments with three perfectly matched guest vocalists into a constantly shifting sonic landscape.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Teardrop (from Mezzanine)</p>
<p style="text-align: center;">27:20 - Angel (from Mezzanine)</p>
<p style="text-align: center;">32:57 - Risingson (from Mezzanine)</p>
<p style="text-align: center;">35:57 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">52:54 - Paradise Circus (from Heligoland)</p>
<p style="text-align: center;">Outro - Inertia Creeps (from Mezzanine)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/67p8rbmca5x2zgpc/727-massiveattack.mp3" length="117083465" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 90s featured the rise of a several varieties of electronic music into the mainstream. The electronica of Prodigy and The Chemical Brothers and the industrial of Nine Inch Nails and Stabbing Westward became household names thanks to MTV and alternative radio station playlists, but not far behind were the late night grooves of trip-hop thanks to Portishead and Massive Attack. Combining samples and live instrumentation, and taking influence from reggae, dub, soul, jazz and more, the 1998 third album Mezzanine slowly unfurls from the start with opener "Angel" and keeps the listener entranced. From there, the band carefully weaves drum, bass, synths, and a variety of other instruments with three perfectly matched guest vocalists into a constantly shifting sonic landscape.
 
Songs In This Episode
Intro - Teardrop (from Mezzanine)
27:20 - Angel (from Mezzanine)
32:57 - Risingson (from Mezzanine)
35:57 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
52:54 - Paradise Circus (from Heligoland)
Outro - Inertia Creeps (from Mezzanine)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3653</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>728</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Poster Children - RTFM | 90s Album Review</title>
        <itunes:title>Poster Children - RTFM | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/poster-children-rtfm-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/poster-children-rtfm-90s-album-review/#comments</comments>        <pubDate>Tue, 06 Aug 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8700c584-8e37-3f9c-b468-58c2deef4036</guid>
                                    <description><![CDATA[<p style="text-align: center;">Though hailing from the same Champaign, Illinois scene that birthed Hum and Braid, <a href='https://posterchildren.com/'>Poster Children</a> might have flown under your radar. Their major label years were fruitful artistically, but record sales didn't match the critical acclaim, and so the band ended their deal with 1997's RTFM. Opener "Black Dog" unleashes a thumping uppercut with massive guitars and a pummeling rhythm section, and while some of their indie-rock brethren from the time esched showy guitar licks, brothers Rick and Jim Valentin have no qualms about turning up the distortion and letting it rip, like on the frenzied "Music Of America" or dancy "21st Century." The album packs an unexpected punch, but doesn't ignore the subtle moments as well, like on the new wave-ish "Afterglow" or bass-driven "King Of The Hill."</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Dog</p>
<p style="text-align: center;">18:49 - 0 for 1</p>
<p style="text-align: center;">22:39 - Dream Small</p>
<p style="text-align: center;">25:33 - King Of The Hill</p>
<p style="text-align: center;">30:45 - Rock That Doesn't Roll/Dope Nostalgia podcast promos</p>
<p style="text-align: center;">44:55 - 21st Century</p>
<p style="text-align: center;">48:00 - Music Of America</p>
<p style="text-align: center;">1:01:40 - Afterglow</p>
<p style="text-align: center;">Outro - Happens Everyday</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Though hailing from the same Champaign, Illinois scene that birthed Hum and Braid, <a href='https://posterchildren.com/'>Poster Children</a> might have flown under your radar. Their major label years were fruitful artistically, but record sales didn't match the critical acclaim, and so the band ended their deal with 1997's RTFM. Opener "Black Dog" unleashes a thumping uppercut with massive guitars and a pummeling rhythm section, and while some of their indie-rock brethren from the time esched showy guitar licks, brothers Rick and Jim Valentin have no qualms about turning up the distortion and letting it rip, like on the frenzied "Music Of America" or dancy "21st Century." The album packs an unexpected punch, but doesn't ignore the subtle moments as well, like on the new wave-ish "Afterglow" or bass-driven "King Of The Hill."</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Black Dog</p>
<p style="text-align: center;">18:49 - 0 for 1</p>
<p style="text-align: center;">22:39 - Dream Small</p>
<p style="text-align: center;">25:33 - King Of The Hill</p>
<p style="text-align: center;">30:45 - Rock That Doesn't Roll/Dope Nostalgia podcast promos</p>
<p style="text-align: center;">44:55 - 21st Century</p>
<p style="text-align: center;">48:00 - Music Of America</p>
<p style="text-align: center;">1:01:40 - Afterglow</p>
<p style="text-align: center;">Outro - Happens Everyday</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6bqxrj9mdakyhpgw/726-posterchildren.mp3" length="156428627" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though hailing from the same Champaign, Illinois scene that birthed Hum and Braid, Poster Children might have flown under your radar. Their major label years were fruitful artistically, but record sales didn't match the critical acclaim, and so the band ended their deal with 1997's RTFM. Opener "Black Dog" unleashes a thumping uppercut with massive guitars and a pummeling rhythm section, and while some of their indie-rock brethren from the time esched showy guitar licks, brothers Rick and Jim Valentin have no qualms about turning up the distortion and letting it rip, like on the frenzied "Music Of America" or dancy "21st Century." The album packs an unexpected punch, but doesn't ignore the subtle moments as well, like on the new wave-ish "Afterglow" or bass-driven "King Of The Hill."
 
Songs In This Episode
Intro - Black Dog
18:49 - 0 for 1
22:39 - Dream Small
25:33 - King Of The Hill
30:45 - Rock That Doesn't Roll/Dope Nostalgia podcast promos
44:55 - 21st Century
48:00 - Music Of America
1:01:40 - Afterglow
Outro - Happens Everyday
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4883</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>727</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Depeche Mode - World In My Eyes Maxi-Single | 90s Album Review</title>
        <itunes:title>Depeche Mode - World In My Eyes Maxi-Single | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/depeche-mode-world-in-my-eyes-maxi-single-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/depeche-mode-world-in-my-eyes-maxi-single-90s-album-review/#comments</comments>        <pubDate>Tue, 30 Jul 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/453d9c3e-94ba-39fc-844c-7c6b8cf03f16</guid>
                                    <description><![CDATA[<p style="text-align: center;">Thanks to the sales explosion of compact discs in the 1990s, the expanded playable length of time from forty-four minutes of vinyl to nearly eight minutes gave bands plenty of room to stretch and experiment not only on albums but other releases as well. Re-enter the single, once the domain of 7" vinyl and cassingles, cd singles allowed for bands to release even more material across multiple formats, occasionally helping to propel bands on multiple charts with dance remixes and such. Depeche Mode were no stranger to using singles to release non-album material, and one fine example is the 1990 World In My Eyes maxi-single released by their American label, Sire Records. Compiling the single remix of the title track along with 12" club remixes, and adding a pair of non-album tracks in multiple mixes, turns a simple single into a forty minute, seven-track mini-album, and gives us even more Depeche Mode material to talk about.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - World In My Eyes 7" Version</p>
<p style="text-align: center;">29:13 - World In My Eyes (Oil Tank Mix)</p>
<p style="text-align: center;">33:25 - World In My Eyes (Mode to Joy)</p>
<p style="text-align: center;">38:50 - Rock That's Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">50:02 - Happiest Girl (Jack Mix)</p>
<p style="text-align: center;">55:11 - Sea of Sin (Tonal Mix)</p>
<p style="text-align: center;">Outro - Happiest Girl (The Pulsating Orbital Mix)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Thanks to the sales explosion of compact discs in the 1990s, the expanded playable length of time from forty-four minutes of vinyl to nearly eight minutes gave bands plenty of room to stretch and experiment not only on albums but other releases as well. Re-enter the single, once the domain of 7" vinyl and cassingles, cd singles allowed for bands to release even more material across multiple formats, occasionally helping to propel bands on multiple charts with dance remixes and such. Depeche Mode were no stranger to using singles to release non-album material, and one fine example is the 1990 World In My Eyes maxi-single released by their American label, Sire Records. Compiling the single remix of the title track along with 12" club remixes, and adding a pair of non-album tracks in multiple mixes, turns a simple single into a forty minute, seven-track mini-album, and gives us even more Depeche Mode material to talk about.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - World In My Eyes 7" Version</p>
<p style="text-align: center;">29:13 - World In My Eyes (Oil Tank Mix)</p>
<p style="text-align: center;">33:25 - World In My Eyes (Mode to Joy)</p>
<p style="text-align: center;">38:50 - Rock That's Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">50:02 - Happiest Girl (Jack Mix)</p>
<p style="text-align: center;">55:11 - Sea of Sin (Tonal Mix)</p>
<p style="text-align: center;">Outro - Happiest Girl (The Pulsating Orbital Mix)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8q6e2jqyejgwf7yw/725-dmwime.mp3" length="140565395" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to the sales explosion of compact discs in the 1990s, the expanded playable length of time from forty-four minutes of vinyl to nearly eight minutes gave bands plenty of room to stretch and experiment not only on albums but other releases as well. Re-enter the single, once the domain of 7" vinyl and cassingles, cd singles allowed for bands to release even more material across multiple formats, occasionally helping to propel bands on multiple charts with dance remixes and such. Depeche Mode were no stranger to using singles to release non-album material, and one fine example is the 1990 World In My Eyes maxi-single released by their American label, Sire Records. Compiling the single remix of the title track along with 12" club remixes, and adding a pair of non-album tracks in multiple mixes, turns a simple single into a forty minute, seven-track mini-album, and gives us even more Depeche Mode material to talk about.
 
Songs In This Episode
Intro - World In My Eyes 7" Version
29:13 - World In My Eyes (Oil Tank Mix)
33:25 - World In My Eyes (Mode to Joy)
38:50 - Rock That's Doesn't Roll / Dope Nostalgia podcast promos
50:02 - Happiest Girl (Jack Mix)
55:11 - Sea of Sin (Tonal Mix)
Outro - Happiest Girl (The Pulsating Orbital Mix)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4389</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>726</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Big Hate - You're Soaking In It | 90s Album Review</title>
        <itunes:title>Big Hate - You're Soaking In It | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/big-hate-youre-soaking-in-it-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/big-hate-youre-soaking-in-it-90s-album-review/#comments</comments>        <pubDate>Mon, 22 Jul 2024 18:10:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6a2c5bfb-c9a7-39c4-8752-72d66cdf5fc3</guid>
                                    <description><![CDATA[<p style="text-align: center;">Plenty of guitar-oriented bands rose to prominence in the 1990s thanks to wave after wave of new artists from various genres. The Seattle sound, pop punk, Britpop, etc. all offered a diverse array of sounds for six-string fans. It was like the 1980s era of guitar heroes, but with an emphasis on diversity of tone and style - the melodic mayhem of J. Mascis to the angular buzzsaw of Kim Thayil to the jazzy funk of John Frusciante - all finding the balance between creative tangents and serving the songs. That brings us to <a href='https://x.com/Acyn/status/1815454907291627927'>Big Hate</a>, an Atlanta via New York band that utilize a fuzz pedal to its maximum potential. From the opener "Century," that features a lazy slide adding just the right amount of dissonance, to the riffing "Writer's Block," the band takes full advantage of their twin guitar attack. But while it shines musically, the band leaves a bit to be desired vocally, from not nailing a truly hooky chorus, to often sliding into early Our Lady Peace / Raine Maida territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Century</p>
<p style="text-align: center;">15:46 - West Virginia</p>
<p style="text-align: center;">20:34 - Disappointed</p>
<p style="text-align: center;">22:45 - Writer's Block</p>
<p style="text-align: center;">24:41 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">34:35 - Lemonade</p>
<p style="text-align: center;">38:13 - Sufi</p>
<p style="text-align: center;">Outro - Beauty Mark</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Plenty of guitar-oriented bands rose to prominence in the 1990s thanks to wave after wave of new artists from various genres. The Seattle sound, pop punk, Britpop, etc. all offered a diverse array of sounds for six-string fans. It was like the 1980s era of guitar heroes, but with an emphasis on diversity of tone and style - the melodic mayhem of J. Mascis to the angular buzzsaw of Kim Thayil to the jazzy funk of John Frusciante - all finding the balance between creative tangents and serving the songs. That brings us to <a href='https://x.com/Acyn/status/1815454907291627927'>Big Hate</a>, an Atlanta via New York band that utilize a fuzz pedal to its maximum potential. From the opener "Century," that features a lazy slide adding just the right amount of dissonance, to the riffing "Writer's Block," the band takes full advantage of their twin guitar attack. But while it shines musically, the band leaves a bit to be desired vocally, from not nailing a truly hooky chorus, to often sliding into early Our Lady Peace / Raine Maida territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Century</p>
<p style="text-align: center;">15:46 - West Virginia</p>
<p style="text-align: center;">20:34 - Disappointed</p>
<p style="text-align: center;">22:45 - Writer's Block</p>
<p style="text-align: center;">24:41 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">34:35 - Lemonade</p>
<p style="text-align: center;">38:13 - Sufi</p>
<p style="text-align: center;">Outro - Beauty Mark</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wp5w9d8z89nz279y/724-bighate.mp3" length="105423667" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Plenty of guitar-oriented bands rose to prominence in the 1990s thanks to wave after wave of new artists from various genres. The Seattle sound, pop punk, Britpop, etc. all offered a diverse array of sounds for six-string fans. It was like the 1980s era of guitar heroes, but with an emphasis on diversity of tone and style - the melodic mayhem of J. Mascis to the angular buzzsaw of Kim Thayil to the jazzy funk of John Frusciante - all finding the balance between creative tangents and serving the songs. That brings us to Big Hate, an Atlanta via New York band that utilize a fuzz pedal to its maximum potential. From the opener "Century," that features a lazy slide adding just the right amount of dissonance, to the riffing "Writer's Block," the band takes full advantage of their twin guitar attack. But while it shines musically, the band leaves a bit to be desired vocally, from not nailing a truly hooky chorus, to often sliding into early Our Lady Peace / Raine Maida territory.
 
Songs In This Episode
Intro - Century
15:46 - West Virginia
20:34 - Disappointed
22:45 - Writer's Block
24:41 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
34:35 - Lemonade
38:13 - Sufi
Outro - Beauty Mark
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3290</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>725</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>311 - Grassroots | 90s Album Review</title>
        <itunes:title>311 - Grassroots | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/311-grassroots-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/311-grassroots-90s-album-review/#comments</comments>        <pubDate>Tue, 16 Jul 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b68902c7-1384-3e6c-bffc-e40ac78dfd0c</guid>
                                    <description><![CDATA[<p style="text-align: center;">By the end of the 1990s, mixing rock and other genres was no big deal, but in the first half the first half of the decade it was still a novel idea. <a href='https://311.com/'>311</a> established their unique sound by mixing elements rock, reggae, hip-hop, and funk, and on their sophomore album Grassroots, bits of 70s progressive rock and psychedelic jam bands. The innovative fusion of genres, combined with high-energy vocal and musical performances, make the album an undeniable head-bobber. On the flip-side, the band can lock into a staccato delivery across instruments, not exploring interesting counter melodies or rhythms, while certain genre touches can go overboard into straight-up imitation. Depending on your musical preferences, it can make for an exciting experience or a repetitive disappointment.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Homebrew</p>
<p style="text-align: center;">23:54 - Lucky</p>
<p style="text-align: center;">28:32 - Salsa</p>
<p style="text-align: center;">40:40 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">48:47 - Omaha Stylee</p>
<p style="text-align: center;">57:43 - 8:16 AM</p>
<p style="text-align: center;">Outro - 1, 2, 3</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">By the end of the 1990s, mixing rock and other genres was no big deal, but in the first half the first half of the decade it was still a novel idea. <a href='https://311.com/'>311</a> established their unique sound by mixing elements rock, reggae, hip-hop, and funk, and on their sophomore album Grassroots, bits of 70s progressive rock and psychedelic jam bands. The innovative fusion of genres, combined with high-energy vocal and musical performances, make the album an undeniable head-bobber. On the flip-side, the band can lock into a staccato delivery across instruments, not exploring interesting counter melodies or rhythms, while certain genre touches can go overboard into straight-up imitation. Depending on your musical preferences, it can make for an exciting experience or a repetitive disappointment.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Homebrew</p>
<p style="text-align: center;">23:54 - Lucky</p>
<p style="text-align: center;">28:32 - Salsa</p>
<p style="text-align: center;">40:40 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">48:47 - Omaha Stylee</p>
<p style="text-align: center;">57:43 - 8:16 AM</p>
<p style="text-align: center;">Outro - 1, 2, 3</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2r2vegvdyq54sp6x/723-311.mp3" length="138489162" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the end of the 1990s, mixing rock and other genres was no big deal, but in the first half the first half of the decade it was still a novel idea. 311 established their unique sound by mixing elements rock, reggae, hip-hop, and funk, and on their sophomore album Grassroots, bits of 70s progressive rock and psychedelic jam bands. The innovative fusion of genres, combined with high-energy vocal and musical performances, make the album an undeniable head-bobber. On the flip-side, the band can lock into a staccato delivery across instruments, not exploring interesting counter melodies or rhythms, while certain genre touches can go overboard into straight-up imitation. Depending on your musical preferences, it can make for an exciting experience or a repetitive disappointment.
 
Songs In This Episode
Intro - Homebrew
23:54 - Lucky
28:32 - Salsa
40:40 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
48:47 - Omaha Stylee
57:43 - 8:16 AM
Outro - 1, 2, 3
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4324</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>724</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bruce Springsteen In The 90s | Roundtable</title>
        <itunes:title>Bruce Springsteen In The 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/bruce-springsteen-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/bruce-springsteen-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 09 Jul 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ac8c56bd-10b2-3d7c-be6b-b0430a856f56</guid>
                                    <description><![CDATA[<p style="text-align: center;">After achieving massive success in the 1970s and 80s, <a href='https://brucespringsteen.net/'>Bruce Springsteen</a> began the 1990s with the release of two albums in 1992, "Human Touch" and "Lucky Town," which showcased a departure from his work with the E Street Band. Like with his 1987 album "Tunnel of Love," Springsteen explored more personal themes at the end of his marriage and relocation from New Jersey to Los Angeles. Despite mixed critical reception, the albums produced notable singles like "Human Touch" and "Better Days." While some wrote off Springsteen as stale and out of touch, he returned on the soundtrack to the movie Philadelphia with the haunting and sparse "Streets of Philadelphia." He followed that up in 1995 with "The Ghost of Tom Joad," a stark, acoustic folk album that harkened back to the style of "Nebraska" and focused on social and economic issues, earning him critical acclaim and a Grammy Award for the title track. This period, though less commercially dominant than the 1980s, demonstrated Springsteen's versatility and commitment to evolving as an artist, and the 1998 four-disc compilation Tracks made up of 66-outtakes from the earliest years of his career up to the 90s showcased his hidden gems and concert-only favorites, leading up to his induction into the Rock 'n Roll Hall of Fame in 1999.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Better Days (Lucky Town)</p>
<p style="text-align: center;">19:12 - Leap of Faith (Lucky Town)</p>
<p style="text-align: center;">34:42 - Streets of Philadelphia (Philadelphia soundtrack)</p>
<p style="text-align: center;">45:27 - Rock That Doesn't Roll / Dop Nostalgia podcast promos</p>
<p style="text-align: center;">50:20 - Youngstown (The Ghost of Tom Joad)</p>
<p style="text-align: center;">1:03:45 - Born In The U.S.A. (Tracks)</p>
<p style="text-align: center;">1:11:52 - American Skin (41 Shots) (Live)</p>
<p style="text-align: center;">Outro - 57 Channels (And Nothin' On) (Human Touch)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">After achieving massive success in the 1970s and 80s, <a href='https://brucespringsteen.net/'>Bruce Springsteen</a> began the 1990s with the release of two albums in 1992, "Human Touch" and "Lucky Town," which showcased a departure from his work with the E Street Band. Like with his 1987 album "Tunnel of Love," Springsteen explored more personal themes at the end of his marriage and relocation from New Jersey to Los Angeles. Despite mixed critical reception, the albums produced notable singles like "Human Touch" and "Better Days." While some wrote off Springsteen as stale and out of touch, he returned on the soundtrack to the movie Philadelphia with the haunting and sparse "Streets of Philadelphia." He followed that up in 1995 with "The Ghost of Tom Joad," a stark, acoustic folk album that harkened back to the style of "Nebraska" and focused on social and economic issues, earning him critical acclaim and a Grammy Award for the title track. This period, though less commercially dominant than the 1980s, demonstrated Springsteen's versatility and commitment to evolving as an artist, and the 1998 four-disc compilation Tracks made up of 66-outtakes from the earliest years of his career up to the 90s showcased his hidden gems and concert-only favorites, leading up to his induction into the Rock 'n Roll Hall of Fame in 1999.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Better Days (Lucky Town)</p>
<p style="text-align: center;">19:12 - Leap of Faith (Lucky Town)</p>
<p style="text-align: center;">34:42 - Streets of Philadelphia (Philadelphia soundtrack)</p>
<p style="text-align: center;">45:27 - Rock That Doesn't Roll / Dop Nostalgia podcast promos</p>
<p style="text-align: center;">50:20 - Youngstown (The Ghost of Tom Joad)</p>
<p style="text-align: center;">1:03:45 - Born In The U.S.A. (Tracks)</p>
<p style="text-align: center;">1:11:52 - American Skin (41 Shots) (Live)</p>
<p style="text-align: center;">Outro - 57 Channels (And Nothin' On) (Human Touch)</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cps9q923kzm92jcb/722-bruceinthe90s.mp3" length="176787999" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After achieving massive success in the 1970s and 80s, Bruce Springsteen began the 1990s with the release of two albums in 1992, "Human Touch" and "Lucky Town," which showcased a departure from his work with the E Street Band. Like with his 1987 album "Tunnel of Love," Springsteen explored more personal themes at the end of his marriage and relocation from New Jersey to Los Angeles. Despite mixed critical reception, the albums produced notable singles like "Human Touch" and "Better Days." While some wrote off Springsteen as stale and out of touch, he returned on the soundtrack to the movie Philadelphia with the haunting and sparse "Streets of Philadelphia." He followed that up in 1995 with "The Ghost of Tom Joad," a stark, acoustic folk album that harkened back to the style of "Nebraska" and focused on social and economic issues, earning him critical acclaim and a Grammy Award for the title track. This period, though less commercially dominant than the 1980s, demonstrated Springsteen's versatility and commitment to evolving as an artist, and the 1998 four-disc compilation Tracks made up of 66-outtakes from the earliest years of his career up to the 90s showcased his hidden gems and concert-only favorites, leading up to his induction into the Rock 'n Roll Hall of Fame in 1999.
 
Songs In This Episode:
Intro - Better Days (Lucky Town)
19:12 - Leap of Faith (Lucky Town)
34:42 - Streets of Philadelphia (Philadelphia soundtrack)
45:27 - Rock That Doesn't Roll / Dop Nostalgia podcast promos
50:20 - Youngstown (The Ghost of Tom Joad)
1:03:45 - Born In The U.S.A. (Tracks)
1:11:52 - American Skin (41 Shots) (Live)
Outro - 57 Channels (And Nothin' On) (Human Touch)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5522</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>723</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Dwarves - The Dwarves Are Young and Good Looking | 90s Album Review</title>
        <itunes:title>The Dwarves - The Dwarves Are Young and Good Looking | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-dwarves-the-dwarves-are-young-and-good-looking-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-dwarves-the-dwarves-are-young-and-good-looking-90s-album-review/#comments</comments>        <pubDate>Tue, 02 Jul 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/877df6dd-87cc-305a-bb4a-4f6a34036fe7</guid>
                                    <description><![CDATA[<p style="text-align: center;">The provocative album covers and lyrical content have kept the <a href='https://thedwarves.com/'>Dwarves</a> an underground band for four decades, appreciated by punk enthusiasts and fellow musicians across musical genres. After getting dropped by Sub Pop, the band returned with The Dwarves Are Young and Good Looking in 1997. While a cursory listen pins this as classic punk rock, the band isn't afraid to push the pop end of punk thanks to doubled and harmonized vocals spitting out obviously catch choruses that only missed mainstream attention thanks to a liberal use of explicit language and themes.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Crucifixion Is Now</p>
<p style="text-align: center;">20:43 - I Will Deny</p>
<p style="text-align: center;">25:54 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">28:17 - Everybodies Girl</p>
<p style="text-align: center;">30:08 - You Gotta Burn</p>
<p style="text-align: center;">39:02 - Unrepentant</p>
<p style="text-align: center;">45:52 - Demonica</p>
<p style="text-align: center;">Outro - We Must Have Blood</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The provocative album covers and lyrical content have kept the <a href='https://thedwarves.com/'>Dwarves</a> an underground band for four decades, appreciated by punk enthusiasts and fellow musicians across musical genres. After getting dropped by Sub Pop, the band returned with The Dwarves Are Young and Good Looking in 1997. While a cursory listen pins this as classic punk rock, the band isn't afraid to push the pop end of punk thanks to doubled and harmonized vocals spitting out obviously catch choruses that only missed mainstream attention thanks to a liberal use of explicit language and themes.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Crucifixion Is Now</p>
<p style="text-align: center;">20:43 - I Will Deny</p>
<p style="text-align: center;">25:54 - Rock That Doesn't Roll / Dope Nostalgia podcast promos</p>
<p style="text-align: center;">28:17 - Everybodies Girl</p>
<p style="text-align: center;">30:08 - You Gotta Burn</p>
<p style="text-align: center;">39:02 - Unrepentant</p>
<p style="text-align: center;">45:52 - Demonica</p>
<p style="text-align: center;">Outro - We Must Have Blood</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y7xeyk5uiybqbkks/721-dwarves.mp3" length="108609656" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The provocative album covers and lyrical content have kept the Dwarves an underground band for four decades, appreciated by punk enthusiasts and fellow musicians across musical genres. After getting dropped by Sub Pop, the band returned with The Dwarves Are Young and Good Looking in 1997. While a cursory listen pins this as classic punk rock, the band isn't afraid to push the pop end of punk thanks to doubled and harmonized vocals spitting out obviously catch choruses that only missed mainstream attention thanks to a liberal use of explicit language and themes.
 
Songs In This Episode
Intro - Crucifixion Is Now
20:43 - I Will Deny
25:54 - Rock That Doesn't Roll / Dope Nostalgia podcast promos
28:17 - Everybodies Girl
30:08 - You Gotta Burn
39:02 - Unrepentant
45:52 - Demonica
Outro - We Must Have Blood
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3392</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>722</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Subrosa - Never Bet The Devil Your Head | 90s Album Review</title>
        <itunes:title>Subrosa - Never Bet The Devil Your Head | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/subrosa-never-bet-the-devil-your-head-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/subrosa-never-bet-the-devil-your-head-90s-album-review/#comments</comments>        <pubDate>Tue, 25 Jun 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b708e6db-50cc-37c7-9490-1c27ab3bb0cb</guid>
                                    <description><![CDATA[<p style="text-align: center;">No one would have faulted the surviving members of <a href='https://en.wikipedia.org/wiki/For_Squirrels'>For Squirrels</a> for moving on from music after the horrific accident that claimed the life of their singer, bassist, and road manager. It took years for guitarist/singer Travis Tooke and drummer Jack Griego to regroup with new bassist Andy Jim Lord under the new moniker <a href='https://www.discogs.com/artist/936219-Subrosa-2'>Subrosa</a> and land a new record deal, the end result being their 1997 lone release Never Bet The Devil Your Head. While For Squirrels drew comparisons to the college rock of R.E.M., Subrosa dials up rock, dabbling in a post-hardocre riffage while Tooke switches between a lower register singing voice and a fiery growl. Passionate but uneven, the record doesn't shy away from the past for the Tooke and Griego, who channel their catharsis in equal parts volume and melancholy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Never The Best</p>
<p style="text-align: center;">13:42 - World's Greatest Lover</p>
<p style="text-align: center;">23:01 - The Life Inside Me Killed This Song</p>
<p style="text-align: center;">28:38 - Antigen Fiend</p>
<p style="text-align: center;">32:33 - Dope Nostalgia Promo</p>
<p style="text-align: center;">34:27 - Damn The Youth</p>
<p style="text-align: center;">Outro - Rollercoaster</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">No one would have faulted the surviving members of <a href='https://en.wikipedia.org/wiki/For_Squirrels'>For Squirrels</a> for moving on from music after the horrific accident that claimed the life of their singer, bassist, and road manager. It took years for guitarist/singer Travis Tooke and drummer Jack Griego to regroup with new bassist Andy Jim Lord under the new moniker <a href='https://www.discogs.com/artist/936219-Subrosa-2'>Subrosa</a> and land a new record deal, the end result being their 1997 lone release Never Bet The Devil Your Head. While For Squirrels drew comparisons to the college rock of R.E.M., Subrosa dials up rock, dabbling in a post-hardocre riffage while Tooke switches between a lower register singing voice and a fiery growl. Passionate but uneven, the record doesn't shy away from the past for the Tooke and Griego, who channel their catharsis in equal parts volume and melancholy.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Never The Best</p>
<p style="text-align: center;">13:42 - World's Greatest Lover</p>
<p style="text-align: center;">23:01 - The Life Inside Me Killed This Song</p>
<p style="text-align: center;">28:38 - Antigen Fiend</p>
<p style="text-align: center;">32:33 - Dope Nostalgia Promo</p>
<p style="text-align: center;">34:27 - Damn The Youth</p>
<p style="text-align: center;">Outro - Rollercoaster</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/re6bkqtx6mid5cbb/720-subrosa.mp3" length="109810888" type="audio/mpeg"/>
        <itunes:summary><![CDATA[No one would have faulted the surviving members of For Squirrels for moving on from music after the horrific accident that claimed the life of their singer, bassist, and road manager. It took years for guitarist/singer Travis Tooke and drummer Jack Griego to regroup with new bassist Andy Jim Lord under the new moniker Subrosa and land a new record deal, the end result being their 1997 lone release Never Bet The Devil Your Head. While For Squirrels drew comparisons to the college rock of R.E.M., Subrosa dials up rock, dabbling in a post-hardocre riffage while Tooke switches between a lower register singing voice and a fiery growl. Passionate but uneven, the record doesn't shy away from the past for the Tooke and Griego, who channel their catharsis in equal parts volume and melancholy.
 
Songs In This Episode
Intro - Never The Best
13:42 - World's Greatest Lover
23:01 - The Life Inside Me Killed This Song
28:38 - Antigen Fiend
32:33 - Dope Nostalgia Promo
34:27 - Damn The Youth
Outro - Rollercoaster
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3426</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>721</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Alanis Morissette - Jagged Little Pill | 90s Album Review</title>
        <itunes:title>Alanis Morissette - Jagged Little Pill | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/alanis-morissette-jagged-little-pill-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/alanis-morissette-jagged-little-pill-90s-album-review/#comments</comments>        <pubDate>Mon, 17 Jun 2024 15:34:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ceeeb18c-3e20-3ac4-83ee-1c9f89a8abcc</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's hard to look back on the 1990s and remember a time when <a href='https://alanis.com/'>Alanis Morissette</a> was not one of its most recognizable artists. At the start of the decade, unless you were familiar with Canadian pop music or the Nickelodeon show "You Can't Do That On Television," you'd be forgiven for not knowing her name. In 1995, that all changed. Thanks to a meeting with songwriter/producer Glen Ballard, the creatively frustrated 19-year old teen pop star was able to reinvent herself by stripping away the restraints of her previous career and starting anew. Songwriting sessions with Ballard allowed Morissette to unleash her voice, sonically and lyrically, one demo at a time into what would become one of the most successful albums in history. As impressive as the sales numbers are, unlike other massive multi-platinum world sellers, Jagged Little Pill does it without being glossy and over-produced, relying on simple drum loops, tasteful guitars, and the occasional bouncy bassline to provide the foundation for Morissette's singular voice.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - You Outta Know</p>
<p style="text-align: center;">29:52 - Right Through You</p>
<p style="text-align: center;">32:35 - Dope Nostalgia Promo</p>
<p style="text-align: center;">37:03 - All I Really Want</p>
<p style="text-align: center;">46:55 - Not The Doctor</p>
<p style="text-align: center;">50:56 - Mary Jane</p>
<p style="text-align: center;">Outro - Head Over Feet</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's hard to look back on the 1990s and remember a time when <a href='https://alanis.com/'>Alanis Morissette</a> was not one of its most recognizable artists. At the start of the decade, unless you were familiar with Canadian pop music or the Nickelodeon show "You Can't Do That On Television," you'd be forgiven for not knowing her name. In 1995, that all changed. Thanks to a meeting with songwriter/producer Glen Ballard, the creatively frustrated 19-year old teen pop star was able to reinvent herself by stripping away the restraints of her previous career and starting anew. Songwriting sessions with Ballard allowed Morissette to unleash her voice, sonically and lyrically, one demo at a time into what would become one of the most successful albums in history. As impressive as the sales numbers are, unlike other massive multi-platinum world sellers, Jagged Little Pill does it without being glossy and over-produced, relying on simple drum loops, tasteful guitars, and the occasional bouncy bassline to provide the foundation for Morissette's singular voice.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - You Outta Know</p>
<p style="text-align: center;">29:52 - Right Through You</p>
<p style="text-align: center;">32:35 - Dope Nostalgia Promo</p>
<p style="text-align: center;">37:03 - All I Really Want</p>
<p style="text-align: center;">46:55 - Not The Doctor</p>
<p style="text-align: center;">50:56 - Mary Jane</p>
<p style="text-align: center;">Outro - Head Over Feet</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zhivzr8gdva7vcnz/718-alanis.mp3" length="134938505" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to look back on the 1990s and remember a time when Alanis Morissette was not one of its most recognizable artists. At the start of the decade, unless you were familiar with Canadian pop music or the Nickelodeon show "You Can't Do That On Television," you'd be forgiven for not knowing her name. In 1995, that all changed. Thanks to a meeting with songwriter/producer Glen Ballard, the creatively frustrated 19-year old teen pop star was able to reinvent herself by stripping away the restraints of her previous career and starting anew. Songwriting sessions with Ballard allowed Morissette to unleash her voice, sonically and lyrically, one demo at a time into what would become one of the most successful albums in history. As impressive as the sales numbers are, unlike other massive multi-platinum world sellers, Jagged Little Pill does it without being glossy and over-produced, relying on simple drum loops, tasteful guitars, and the occasional bouncy bassline to provide the foundation for Morissette's singular voice.
 
Songs In This Episode
Intro - You Outta Know
29:52 - Right Through You
32:35 - Dope Nostalgia Promo
37:03 - All I Really Want
46:55 - Not The Doctor
50:56 - Mary Jane
Outro - Head Over Feet
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4215</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>720</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nine Inch Nails - The Downward Spiral | 90s Album Review</title>
        <itunes:title>Nine Inch Nails - The Downward Spiral | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/nine-inch-nails-the-downward-spiral-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/nine-inch-nails-the-downward-spiral-90s-album-review/#comments</comments>        <pubDate>Tue, 11 Jun 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/584f6ec2-03f6-32fb-9596-2fa3864326ba</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://www.nin.com/'>Nine Inch Nails</a>' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Mr. Self Destruct</p>
<p style="text-align: center;">33:07 - Piggy</p>
<p style="text-align: center;">36:42 - I Do Not Want This</p>
<p style="text-align: center;">40:58 - The Becoming</p>
<p style="text-align: center;">46:02 - Heresy</p>
<p style="text-align: center;">58:39 - Closer To God (single)</p>
<p style="text-align: center;">Outro - Hurt</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://www.nin.com/'>Nine Inch Nails</a>' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Mr. Self Destruct</p>
<p style="text-align: center;">33:07 - Piggy</p>
<p style="text-align: center;">36:42 - I Do Not Want This</p>
<p style="text-align: center;">40:58 - The Becoming</p>
<p style="text-align: center;">46:02 - Heresy</p>
<p style="text-align: center;">58:39 - Closer To God (single)</p>
<p style="text-align: center;">Outro - Hurt</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cy7izbuh5nvya933/718-nin.mp3" length="186914094" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Nine Inch Nails' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.
 
Songs In This Episode
Intro - Mr. Self Destruct
33:07 - Piggy
36:42 - I Do Not Want This
40:58 - The Becoming
46:02 - Heresy
58:39 - Closer To God (single)
Outro - Hurt
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5837</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>719</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Buffalo Tom - Let Me Come Over | 90s Album Review</title>
        <itunes:title>Buffalo Tom - Let Me Come Over | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/buffalo-tom-let-me-come-over-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/buffalo-tom-let-me-come-over-90s-album-review/#comments</comments>        <pubDate>Tue, 04 Jun 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/12ceb89d-9b6a-3570-9e7b-442641be5485</guid>
                                    <description><![CDATA[<p style="text-align: center;">With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed <a href='https://www.buffalotom.com/'>Buffalo Tom</a>'s third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Staples</p>
<p style="text-align: center;">15:27 - Mineral</p>
<p style="text-align: center;">17:24 - Stymied</p>
<p style="text-align: center;">26:25 - Taillights Fade</p>
<p style="text-align: center;">29:54 - I'm Not There</p>
<p style="text-align: center;">Outro - Porchlight</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed <a href='https://www.buffalotom.com/'>Buffalo Tom</a>'s third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Staples</p>
<p style="text-align: center;">15:27 - Mineral</p>
<p style="text-align: center;">17:24 - Stymied</p>
<p style="text-align: center;">26:25 - Taillights Fade</p>
<p style="text-align: center;">29:54 - I'm Not There</p>
<p style="text-align: center;">Outro - Porchlight</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ntnkwm2gtbwv24ur/717-buffalotom.mp3" length="97660361" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed Buffalo Tom's third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.
 
Songs In This Episode
Intro - Staples
15:27 - Mineral
17:24 - Stymied
26:25 - Taillights Fade
29:54 - I'm Not There
Outro - Porchlight
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3048</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>718</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Damon and Naomi - More Sad Hits | 90s Album Review</title>
        <itunes:title>Damon and Naomi - More Sad Hits | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/damon-and-naomi-more-sad-hits-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/damon-and-naomi-more-sad-hits-90s-album-review/#comments</comments>        <pubDate>Tue, 28 May 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/17deadf7-f43d-3bc4-8fd5-3170e64cc7be</guid>
                                    <description><![CDATA[<p style="text-align: center;">Following the end of Galaxie 500, Damon Krukowski and Naomi Yang were ready to give up on music. Thanks to Mark Kramer of Shimmy Disc, who coaxed them back into the studio, the pair formed <a href='https://www.damonandnaomi.com/'>Damon and Naomi</a>, and released their debut More Sad Hits in 1992. While continuing the dream pop/slowcore sound of Galaxie 500, the band stretch their sound in various ways, with subtle basslines playing off the vocal melodies, hits of French pop and jazz, and the varied vocal approach with each taking lead, as well as harmonizing on several tracks. Neither high or lo-fi, it's melancholy but not depressing, a fine needle to thread.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Boston's Daily Temperature</p>
<p style="text-align: center;">13:25 - E.T.A.</p>
<p style="text-align: center;">17:28 - Information Age</p>
<p style="text-align: center;">24:19 - Once More</p>
<p style="text-align: center;">28:43 - Astrafiammante</p>
<p style="text-align: center;">Outro - This Changing World</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Following the end of Galaxie 500, Damon Krukowski and Naomi Yang were ready to give up on music. Thanks to Mark Kramer of Shimmy Disc, who coaxed them back into the studio, the pair formed <a href='https://www.damonandnaomi.com/'>Damon and Naomi</a>, and released their debut More Sad Hits in 1992. While continuing the dream pop/slowcore sound of Galaxie 500, the band stretch their sound in various ways, with subtle basslines playing off the vocal melodies, hits of French pop and jazz, and the varied vocal approach with each taking lead, as well as harmonizing on several tracks. Neither high or lo-fi, it's melancholy but not depressing, a fine needle to thread.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Boston's Daily Temperature</p>
<p style="text-align: center;">13:25 - E.T.A.</p>
<p style="text-align: center;">17:28 - Information Age</p>
<p style="text-align: center;">24:19 - Once More</p>
<p style="text-align: center;">28:43 - Astrafiammante</p>
<p style="text-align: center;">Outro - This Changing World</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sg99m3qxzecbxdhz/716-damonnaomi.mp3" length="87823113" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Following the end of Galaxie 500, Damon Krukowski and Naomi Yang were ready to give up on music. Thanks to Mark Kramer of Shimmy Disc, who coaxed them back into the studio, the pair formed Damon and Naomi, and released their debut More Sad Hits in 1992. While continuing the dream pop/slowcore sound of Galaxie 500, the band stretch their sound in various ways, with subtle basslines playing off the vocal melodies, hits of French pop and jazz, and the varied vocal approach with each taking lead, as well as harmonizing on several tracks. Neither high or lo-fi, it's melancholy but not depressing, a fine needle to thread.
 
Songs In This Episode
Intro - Boston's Daily Temperature
13:25 - E.T.A.
17:28 - Information Age
24:19 - Once More
28:43 - Astrafiammante
Outro - This Changing World
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2742</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>717</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Finger Eleven - Tip | 90s Album Review</title>
        <itunes:title>Finger Eleven - Tip | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/finger-eleven-tip-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/finger-eleven-tip-90s-album-review/#comments</comments>        <pubDate>Tue, 21 May 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/66008cd4-026f-3aad-b03f-924ca672304f</guid>
                                    <description><![CDATA[<p style="text-align: center;">Starting as the inexplicable Rainbow Butt Monkeys in the early 90s, the band wisely changed their name after the 1995 debut release and reconfigured their sound on 1998's Tip as <a href='https://fingereleven.com/'>Finger Eleven</a>. With the capable Arnold Lanni behind the board, the band combined contemporary elements of Our Lady Peace, Helmet, Quicksand, and more in their post-grunge approach. A pair of big, thick guitar sounds with a rock steady rhythm section give singer Scott Anderson a strong base to work with, like on the riff-heavy "Condenser" and "Glimpse." But the band has multiple gears, like the subdued "Awake and Dreaming" and Tool-lite closer, "Swallowtail." If there is anything working against the band, it's the restraint they adhere to, keeping second guitar leads to a minimum and occasionally drifting vocally into Raine Maida territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Condenser</p>
<p style="text-align: center;">26:46 - Alone</p>
<p style="text-align: center;">35:33 - Quicksand</p>
<p style="text-align: center;">40:25 - Swallowtail</p>
<p style="text-align: center;">Outro - Glimpse</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Starting as the inexplicable Rainbow Butt Monkeys in the early 90s, the band wisely changed their name after the 1995 debut release and reconfigured their sound on 1998's Tip as <a href='https://fingereleven.com/'>Finger Eleven</a>. With the capable Arnold Lanni behind the board, the band combined contemporary elements of Our Lady Peace, Helmet, Quicksand, and more in their post-grunge approach. A pair of big, thick guitar sounds with a rock steady rhythm section give singer Scott Anderson a strong base to work with, like on the riff-heavy "Condenser" and "Glimpse." But the band has multiple gears, like the subdued "Awake and Dreaming" and Tool-lite closer, "Swallowtail." If there is anything working against the band, it's the restraint they adhere to, keeping second guitar leads to a minimum and occasionally drifting vocally into Raine Maida territory.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Condenser</p>
<p style="text-align: center;">26:46 - Alone</p>
<p style="text-align: center;">35:33 - Quicksand</p>
<p style="text-align: center;">40:25 - Swallowtail</p>
<p style="text-align: center;">Outro - Glimpse</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s2ihw378w9musqvb/715-fingereleven.mp3" length="115710389" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Starting as the inexplicable Rainbow Butt Monkeys in the early 90s, the band wisely changed their name after the 1995 debut release and reconfigured their sound on 1998's Tip as Finger Eleven. With the capable Arnold Lanni behind the board, the band combined contemporary elements of Our Lady Peace, Helmet, Quicksand, and more in their post-grunge approach. A pair of big, thick guitar sounds with a rock steady rhythm section give singer Scott Anderson a strong base to work with, like on the riff-heavy "Condenser" and "Glimpse." But the band has multiple gears, like the subdued "Awake and Dreaming" and Tool-lite closer, "Swallowtail." If there is anything working against the band, it's the restraint they adhere to, keeping second guitar leads to a minimum and occasionally drifting vocally into Raine Maida territory.
 
Songs In This Episode
Intro - Condenser
26:46 - Alone
35:33 - Quicksand
40:25 - Swallowtail
Outro - Glimpse
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3611</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>716</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hootie &amp; the Blowfish - Cracked Rear View | 90s Album Review</title>
        <itunes:title>Hootie &amp; the Blowfish - Cracked Rear View | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/hootie-the-blowfish-cracked-rear-view-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/hootie-the-blowfish-cracked-rear-view-90s-album-review/#comments</comments>        <pubDate>Tue, 14 May 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4ec4089b-c12e-38d0-8821-98a22f51306f</guid>
                                    <description><![CDATA[<p style="text-align: center;">In terms of unexpected successes in the music industry, <a href='https://www.hootie.com/'>Hootie &amp; the Blowfish</a> might be the biggest one of all. Having spent years playing southern bars as the 80s gave way to the 90s, the band couldn't get a record deal despite success with an independent EP. The A&amp;R rep that signed them did so because they didn't sound like what was popular, and Atlantic Records gave them a fraction of their standard advance and no money to make a video for their 1994 debut Cracked Rear View. Years of honing their chops on the SEC circuit meant the pop-rock tunes with a tinge of southern flavor were tight and catchy - the perfect antidote to the domination of minor chord and drop-tuned Seattle sound that dominated after the release of Nevermind. Naturally, as their record sales exploded, backlash wasn't far behind, which quickly made the band fodder for <a href='https://www.onesnladay.com/2019/10/17/'>comedians</a> and music journalist poison pens. So is the hate directed at four compentent musicians with a goofy band name and over twenty-million albums sold valid?</p>
<p style="text-align: center;">Thank you to Tara for her years of support, please check out <a href='https://prismunited.org/'>Prism United</a>.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hold My Hand</p>
<p style="text-align: center;">26:47 - Hannah Jane</p>
<p style="text-align: center;">29:35 - Drowning</p>
<p style="text-align: center;">48:40 - Only Wanna Be With You</p>
<p style="text-align: center;">52:29 - Running From An Angel</p>
<p style="text-align: center;">Outro - Goodbye</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In terms of unexpected successes in the music industry, <a href='https://www.hootie.com/'>Hootie &amp; the Blowfish</a> might be the biggest one of all. Having spent years playing southern bars as the 80s gave way to the 90s, the band couldn't get a record deal despite success with an independent EP. The A&amp;R rep that signed them did so because they didn't sound like what was popular, and Atlantic Records gave them a fraction of their standard advance and no money to make a video for their 1994 debut Cracked Rear View. Years of honing their chops on the SEC circuit meant the pop-rock tunes with a tinge of southern flavor were tight and catchy - the perfect antidote to the domination of minor chord and drop-tuned Seattle sound that dominated after the release of Nevermind. Naturally, as their record sales exploded, backlash wasn't far behind, which quickly made the band fodder for <a href='https://www.onesnladay.com/2019/10/17/'>comedians</a> and music journalist poison pens. So is the hate directed at four compentent musicians with a goofy band name and over twenty-million albums sold valid?</p>
<p style="text-align: center;">Thank you to Tara for her years of support, please check out <a href='https://prismunited.org/'>Prism United</a>.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Hold My Hand</p>
<p style="text-align: center;">26:47 - Hannah Jane</p>
<p style="text-align: center;">29:35 - Drowning</p>
<p style="text-align: center;">48:40 - Only Wanna Be With You</p>
<p style="text-align: center;">52:29 - Running From An Angel</p>
<p style="text-align: center;">Outro - Goodbye</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d4jedvytdmrgq8fh/714-hootie.mp3" length="160342651" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In terms of unexpected successes in the music industry, Hootie &amp; the Blowfish might be the biggest one of all. Having spent years playing southern bars as the 80s gave way to the 90s, the band couldn't get a record deal despite success with an independent EP. The A&amp;R rep that signed them did so because they didn't sound like what was popular, and Atlantic Records gave them a fraction of their standard advance and no money to make a video for their 1994 debut Cracked Rear View. Years of honing their chops on the SEC circuit meant the pop-rock tunes with a tinge of southern flavor were tight and catchy - the perfect antidote to the domination of minor chord and drop-tuned Seattle sound that dominated after the release of Nevermind. Naturally, as their record sales exploded, backlash wasn't far behind, which quickly made the band fodder for comedians and music journalist poison pens. So is the hate directed at four compentent musicians with a goofy band name and over twenty-million albums sold valid?
Thank you to Tara for her years of support, please check out Prism United.
 
Songs In This Episode
Intro - Hold My Hand
26:47 - Hannah Jane
29:35 - Drowning
48:40 - Only Wanna Be With You
52:29 - Running From An Angel
Outro - Goodbye
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4997</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>715</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Frente! - Marvin the Album | 90s Album Review</title>
        <itunes:title>Frente! - Marvin the Album | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/frente-marvin-the-album-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/frente-marvin-the-album-90s-album-review/#comments</comments>        <pubDate>Tue, 07 May 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/eae289b4-b20d-3a2a-ab48-63a4bccd359f</guid>
                                    <description><![CDATA[<p style="text-align: center;">Led by vocalist Angie Hart and guitarist Simon Austin, <a href='https://www.facebook.com/frentemusic/'>Frente!</a> emerged from Melbourne, Australia, with a sound that blended acoustic folk with a touch of alternative rock. On their 1992 debut Marvin the Album, Hart's angelic vocals combined with Austin's intricate guitar work create an intimate listening experience. It was completely out of step with the heavy Seattle sounds dominating radio playlists at the time, but the band made commercial inroads thanks to their non-album cover of New Order's classic synth-pop dance hit "Bizarre Love Triangle." For such a focused, stripped down record, some of the production choices left us scratching our heads, like an obnoxiously loud snare caked in heavy reverb, or a free jazz excursion completely out of step with the rest of the record.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Accidently Kelly Street</p>
<p style="text-align: center;">23:17 - No Time</p>
<p style="text-align: center;">27:00 - Cuscatlan</p>
<p style="text-align: center;">32:38 - 1.9.0</p>
<p style="text-align: center;">35:23 - Ordinary Angels</p>
<p style="text-align: center;">39:58 - Most Beautiful</p>
<p style="text-align: center;">Outro - Labour of Love</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Led by vocalist Angie Hart and guitarist Simon Austin, <a href='https://www.facebook.com/frentemusic/'>Frente!</a> emerged from Melbourne, Australia, with a sound that blended acoustic folk with a touch of alternative rock. On their 1992 debut Marvin the Album, Hart's angelic vocals combined with Austin's intricate guitar work create an intimate listening experience. It was completely out of step with the heavy Seattle sounds dominating radio playlists at the time, but the band made commercial inroads thanks to their non-album cover of New Order's classic synth-pop dance hit "Bizarre Love Triangle." For such a focused, stripped down record, some of the production choices left us scratching our heads, like an obnoxiously loud snare caked in heavy reverb, or a free jazz excursion completely out of step with the rest of the record.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Accidently Kelly Street</p>
<p style="text-align: center;">23:17 - No Time</p>
<p style="text-align: center;">27:00 - Cuscatlan</p>
<p style="text-align: center;">32:38 - 1.9.0</p>
<p style="text-align: center;">35:23 - Ordinary Angels</p>
<p style="text-align: center;">39:58 - Most Beautiful</p>
<p style="text-align: center;">Outro - Labour of Love</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gaxf45d7bae2fken/713-frente.mp3" length="119075965" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Led by vocalist Angie Hart and guitarist Simon Austin, Frente! emerged from Melbourne, Australia, with a sound that blended acoustic folk with a touch of alternative rock. On their 1992 debut Marvin the Album, Hart's angelic vocals combined with Austin's intricate guitar work create an intimate listening experience. It was completely out of step with the heavy Seattle sounds dominating radio playlists at the time, but the band made commercial inroads thanks to their non-album cover of New Order's classic synth-pop dance hit "Bizarre Love Triangle." For such a focused, stripped down record, some of the production choices left us scratching our heads, like an obnoxiously loud snare caked in heavy reverb, or a free jazz excursion completely out of step with the rest of the record.
 
Songs In This Episode
Intro - Accidently Kelly Street
23:17 - No Time
27:00 - Cuscatlan
32:38 - 1.9.0
35:23 - Ordinary Angels
39:58 - Most Beautiful
Outro - Labour of Love
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3713</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>714</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Superchunk - Foolish | 90s Album Review</title>
        <itunes:title>Superchunk - Foolish | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/superchunk-foolish-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/superchunk-foolish-90s-album-review/#comments</comments>        <pubDate>Tue, 30 Apr 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f84329a2-9577-3364-a609-e598899ed808</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1994 album Foolish by <a href='https://www.mergerecords.com/artist/superchunk'>Superchunk</a> might be the defining indie rock album of the 1990s. Raw musical energy paired with introspective lyrics and hooks that grab hold from the first track to the last. The band's signature blend of punk and pop shines through in every distorted chord or note that guitarist and lead singer Mac McCaughan sings or strums, creating an album that feels both urgent and timeless. Tracks like "Driveway to Driveway" and "Like a Fool" showcase the band's knack for crafting sneakily catchy melodies while maintaining the emotional depth of a record that famously followed the breakup of McCaughan and bassist Laura Balance. The end result is a vital record that defines the 1990s indie rock sound.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Water Wings</p>
<p style="text-align: center;">17:23 - Driveway to Driveway</p>
<p style="text-align: center;">29:41 - Why Do You Have to Put a Date on Everything</p>
<p style="text-align: center;">35:07 - Kicked In</p>
<p style="text-align: center;">40:18 - Like A Fool</p>
<p style="text-align: center;">Outro - The First Part</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1994 album Foolish by <a href='https://www.mergerecords.com/artist/superchunk'>Superchunk</a> might be the defining indie rock album of the 1990s. Raw musical energy paired with introspective lyrics and hooks that grab hold from the first track to the last. The band's signature blend of punk and pop shines through in every distorted chord or note that guitarist and lead singer Mac McCaughan sings or strums, creating an album that feels both urgent and timeless. Tracks like "Driveway to Driveway" and "Like a Fool" showcase the band's knack for crafting sneakily catchy melodies while maintaining the emotional depth of a record that famously followed the breakup of McCaughan and bassist Laura Balance. The end result is a vital record that defines the 1990s indie rock sound.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Water Wings</p>
<p style="text-align: center;">17:23 - Driveway to Driveway</p>
<p style="text-align: center;">29:41 - Why Do You Have to Put a Date on Everything</p>
<p style="text-align: center;">35:07 - Kicked In</p>
<p style="text-align: center;">40:18 - Like A Fool</p>
<p style="text-align: center;">Outro - The First Part</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dv4jdw86asygxgp2/712-superchunkfoolish.mp3" length="121244546" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1994 album Foolish by Superchunk might be the defining indie rock album of the 1990s. Raw musical energy paired with introspective lyrics and hooks that grab hold from the first track to the last. The band's signature blend of punk and pop shines through in every distorted chord or note that guitarist and lead singer Mac McCaughan sings or strums, creating an album that feels both urgent and timeless. Tracks like "Driveway to Driveway" and "Like a Fool" showcase the band's knack for crafting sneakily catchy melodies while maintaining the emotional depth of a record that famously followed the breakup of McCaughan and bassist Laura Balance. The end result is a vital record that defines the 1990s indie rock sound.
 
Songs In This Episode
Intro - Water Wings
17:23 - Driveway to Driveway
29:41 - Why Do You Have to Put a Date on Everything
35:07 - Kicked In
40:18 - Like A Fool
Outro - The First Part
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3783</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>713</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Muse - Showbiz | 90s Album Review</title>
        <itunes:title>Muse - Showbiz | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/muse-showbiz-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/muse-showbiz-90s-album-review/#comments</comments>        <pubDate>Tue, 23 Apr 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/823a3f7e-f6c7-3b0c-a3ce-5a90a4eb838b</guid>
                                    <description><![CDATA[<p style="text-align: center;">When <a href='https://www.muse.mu/'>Muse</a> released their debut album Showbiz in 1999, the Radiohead and Jeff Buckley comparison were unavoidable. Lumped in with Coldplay, Paloalto, Ours, and other bands whose male vocalists utilized a falsetto, the band never actually quite fit in, and their trajectory in the 2000s is evidence they were thinking bigger. While so many music critics were happy to cast aspersions of Matthew Bellamy for his vocal approach, the actual music got less attention than it deserved. Only a three piece, the rhythm section of bassist Chris Wolstenholme and drummer Dominic Howard were largely overlooked, which is a shame. Plenty has been written about Bellamy's vocals, but combined with the melodic bass lines often harmonizing with the vocal, or the variety in Howard's playing, that slyly incorporates non-rock rhythms like on the tango-influenced "Uno," the band is much more adventurous than any of its contemporaries. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sunburn</p>
<p style="text-align: center;">16:11 - Muscle Museum</p>
<p style="text-align: center;">23:39 - Falling Down</p>
<p style="text-align: center;">30:20 - Uno</p>
<p style="text-align: center;">Outro - Sober</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">When <a href='https://www.muse.mu/'>Muse</a> released their debut album Showbiz in 1999, the Radiohead and Jeff Buckley comparison were unavoidable. Lumped in with Coldplay, Paloalto, Ours, and other bands whose male vocalists utilized a falsetto, the band never actually quite fit in, and their trajectory in the 2000s is evidence they were thinking bigger. While so many music critics were happy to cast aspersions of Matthew Bellamy for his vocal approach, the actual music got less attention than it deserved. Only a three piece, the rhythm section of bassist Chris Wolstenholme and drummer Dominic Howard were largely overlooked, which is a shame. Plenty has been written about Bellamy's vocals, but combined with the melodic bass lines often harmonizing with the vocal, or the variety in Howard's playing, that slyly incorporates non-rock rhythms like on the tango-influenced "Uno," the band is much more adventurous than any of its contemporaries. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Sunburn</p>
<p style="text-align: center;">16:11 - Muscle Museum</p>
<p style="text-align: center;">23:39 - Falling Down</p>
<p style="text-align: center;">30:20 - Uno</p>
<p style="text-align: center;">Outro - Sober</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2x7e6dc26zydzu8z/711-muse.mp3" length="118726581" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When Muse released their debut album Showbiz in 1999, the Radiohead and Jeff Buckley comparison were unavoidable. Lumped in with Coldplay, Paloalto, Ours, and other bands whose male vocalists utilized a falsetto, the band never actually quite fit in, and their trajectory in the 2000s is evidence they were thinking bigger. While so many music critics were happy to cast aspersions of Matthew Bellamy for his vocal approach, the actual music got less attention than it deserved. Only a three piece, the rhythm section of bassist Chris Wolstenholme and drummer Dominic Howard were largely overlooked, which is a shame. Plenty has been written about Bellamy's vocals, but combined with the melodic bass lines often harmonizing with the vocal, or the variety in Howard's playing, that slyly incorporates non-rock rhythms like on the tango-influenced "Uno," the band is much more adventurous than any of its contemporaries. 
 
Songs In This Episode
Intro - Sunburn
16:11 - Muscle Museum
23:39 - Falling Down
30:20 - Uno
Outro - Sober
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3706</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>712</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>INXS - Full Moon, Dirty Hearts | 90s Album Review</title>
        <itunes:title>INXS - Full Moon, Dirty Hearts | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/inxs-full-moon-dirty-hearts-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/inxs-full-moon-dirty-hearts-90s-album-review/#comments</comments>        <pubDate>Tue, 16 Apr 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/29e8d304-b624-378e-90d2-328bceab3e72</guid>
                                    <description><![CDATA[<p style="text-align: center;">In 1992, <a href='https://www.inxs.com/'>INXS</a> released Welcome to Wherever You Are and instead of touring, headed back into the studio for a quick follow-up. 1993's Full Moon, Dirty Hearts was the result, a mixed bag of innovation incorporating bass grooves on tracks like "The Gift" and "Cut Your Roses Down" while still writing anthemic choruses on tracks like "Days of Rust" and "Time." In the midst of the grunge takeover of America, it's not surprising the album didn't fare well with radio or the charts. While guest vocalists Ray Charles and Chrissie Hynde of The Pretenders are welcome, their inclusion didn't push the needle. Revisiting the album, it's an interesting crossroads of what the band was and the sounds of the decade to come, with electronic elements sneaking in that wouldn't sound out of place later in the decade. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Gift</p>
<p style="text-align: center;">21:17 - Time</p>
<p style="text-align: center;">25:13 - Cut Your Roses Down</p>
<p style="text-align: center;">32:16 - Kill The Pain</p>
<p style="text-align: center;">41:12 - Please (You Got That...)</p>
<p style="text-align: center;">Outro - Days of Rust</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In 1992, <a href='https://www.inxs.com/'>INXS</a> released Welcome to Wherever You Are and instead of touring, headed back into the studio for a quick follow-up. 1993's Full Moon, Dirty Hearts was the result, a mixed bag of innovation incorporating bass grooves on tracks like "The Gift" and "Cut Your Roses Down" while still writing anthemic choruses on tracks like "Days of Rust" and "Time." In the midst of the grunge takeover of America, it's not surprising the album didn't fare well with radio or the charts. While guest vocalists Ray Charles and Chrissie Hynde of The Pretenders are welcome, their inclusion didn't push the needle. Revisiting the album, it's an interesting crossroads of what the band was and the sounds of the decade to come, with electronic elements sneaking in that wouldn't sound out of place later in the decade. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - The Gift</p>
<p style="text-align: center;">21:17 - Time</p>
<p style="text-align: center;">25:13 - Cut Your Roses Down</p>
<p style="text-align: center;">32:16 - Kill The Pain</p>
<p style="text-align: center;">41:12 - Please (You Got That...)</p>
<p style="text-align: center;">Outro - Days of Rust</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fcqmhsskzwe7jpga/710-inxs.mp3" length="122818834" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 1992, INXS released Welcome to Wherever You Are and instead of touring, headed back into the studio for a quick follow-up. 1993's Full Moon, Dirty Hearts was the result, a mixed bag of innovation incorporating bass grooves on tracks like "The Gift" and "Cut Your Roses Down" while still writing anthemic choruses on tracks like "Days of Rust" and "Time." In the midst of the grunge takeover of America, it's not surprising the album didn't fare well with radio or the charts. While guest vocalists Ray Charles and Chrissie Hynde of The Pretenders are welcome, their inclusion didn't push the needle. Revisiting the album, it's an interesting crossroads of what the band was and the sounds of the decade to come, with electronic elements sneaking in that wouldn't sound out of place later in the decade. 
 
Songs In This Episode
Intro - The Gift
21:17 - Time
25:13 - Cut Your Roses Down
32:16 - Kill The Pain
41:12 - Please (You Got That...)
Outro - Days of Rust
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3832</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>711</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Monique Powell of Save Ferris | 90s Artist Interview</title>
        <itunes:title>Monique Powell of Save Ferris | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/monique-powell-of-save-ferris-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/monique-powell-of-save-ferris-90s-artist-interview/#comments</comments>        <pubDate>Thu, 11 Apr 2024 12:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/362c1bd8-ce70-3711-9ad0-e975e6265b0c</guid>
                                    <description><![CDATA[<p style="text-align: center;">All the way back in season seven, we <a href='https://www.digmeoutpodcast.com/episode/347-it-means-everything-by-save-ferris'>reviewed </a>Save Ferris’s 1997 release It Means Everything, the first ska album discussed on a deep dive for the podcast. Seven years later, we catch up with Save Ferris lead singer Monique Powell who discusses how she joined the ska-punk band, the highs and lows of signing to a major label, what it was like being on the road with artists like Sugar Ray and The Offspring in the late ‘90s and the current status of the band. During the interview, we briefly discussed the legal fight Powell was engaged in with former members which led to Powell taking ownership of the group and retroactively being given co-songwriting credits for songs that appeared on It Means Everything and 1999’s Modified. To read more about the case, read the 2019 Forbes magazine <a href='https://www.forbes.com/sites/jimryan1/2019/11/23/monique-powell-of-save-ferris-on-taking-control-of-her-bands-business-amidst-music-industry-upheaval/?sh=22d311501464'>feature</a>.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - The World Is New</p>
<p style="text-align: center;">30:47 - Come On Eileen</p>
<p style="text-align: center;">Outro - The World Is New</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">All the way back in season seven, we <a href='https://www.digmeoutpodcast.com/episode/347-it-means-everything-by-save-ferris'>reviewed </a>Save Ferris’s 1997 release <em>It Means Everything</em>, the first ska album discussed on a deep dive for the podcast. Seven years later, we catch up with Save Ferris lead singer Monique Powell who discusses how she joined the ska-punk band, the highs and lows of signing to a major label, what it was like being on the road with artists like Sugar Ray and The Offspring in the late ‘90s and the current status of the band. During the interview, we briefly discussed the legal fight Powell was engaged in with former members which led to Powell taking ownership of the group and retroactively being given co-songwriting credits for songs that appeared on <em>It Means Everything</em> and 1999’s <em>Modified</em>. To read more about the case, read the 2019 <em>Forbes</em> magazine <a href='https://www.forbes.com/sites/jimryan1/2019/11/23/monique-powell-of-save-ferris-on-taking-control-of-her-bands-business-amidst-music-industry-upheaval/?sh=22d311501464'>feature</a>.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - The World Is New</p>
<p style="text-align: center;">30:47 - Come On Eileen</p>
<p style="text-align: center;">Outro - The World Is New</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bxxrfi6scgvhpbuz/709-moniquepowellinterview.mp3" length="30640988" type="audio/mpeg"/>
        <itunes:summary><![CDATA[All the way back in season seven, we reviewed Save Ferris’s 1997 release It Means Everything, the first ska album discussed on a deep dive for the podcast. Seven years later, we catch up with Save Ferris lead singer Monique Powell who discusses how she joined the ska-punk band, the highs and lows of signing to a major label, what it was like being on the road with artists like Sugar Ray and The Offspring in the late ‘90s and the current status of the band. During the interview, we briefly discussed the legal fight Powell was engaged in with former members which led to Powell taking ownership of the group and retroactively being given co-songwriting credits for songs that appeared on It Means Everything and 1999’s Modified. To read more about the case, read the 2019 Forbes magazine feature.
 
Songs in this Episode:
Intro - The World Is New
30:47 - Come On Eileen
Outro - The World Is New
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2747</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>710</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Supergrass - In It for the Money | 90s Album Review</title>
        <itunes:title>Supergrass - In It for the Money | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/supergrass-in-it-for-the-money-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/supergrass-in-it-for-the-money-90s-album-review/#comments</comments>        <pubDate>Tue, 09 Apr 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/057504df-6814-3a5d-a611-d8a13a95285b</guid>
                                    <description><![CDATA[<p style="text-align: center;">Rock music genres often get reduced to a "Big Four." For Grunge, it was Alice In Chains, Nirvana, Pearl Jam, and Soundgarden. For Thrash, Anthrax, Megadeth, Metallica, and Slayer made the grade. In 90s Britpop, Oasis, Blur, Pulp and Suede got the nod. But as if often the case, the bands on the cusp are often as interesting or even more-so thanks to being just outside the spotlight. In the case of <a href='https://www.supergrass.com/'>Supergrass</a>, The Beatles and The Rolling Stones creep in as influences like their Britpop contemporaries, but the energetic attitude and willingness to embrace the chaos of The Who's rhythm section and the concise songwriting perfection of The Kinks helps their second album, 1997's In It for the Money, exceed not just their debut, but most of the Britpop catalog. Looking at the charts, it's not hard to see why killer singles like "Richard III," "Cheapskate," "Sun Hits The Sky" and "Late in the Day" failed to impact American radio and pop culture consciousness. While Blur had "woo-hoos" and Third Eye Blind had "do do do's," Supergrass ditched guitar solos for theremins and vintage synthesizers, constructing layered pop gems that deserve revisiting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - In It for the Money</p>
<p style="text-align: center;">27:40 - Sun Hits the Sky</p>
<p style="text-align: center;">31:42 - You Can See Me</p>
<p style="text-align: center;">35:45 - Going Out</p>
<p style="text-align: center;">40:08 - Tonight</p>
<p style="text-align: center;">Outro - Richard III</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Rock music genres often get reduced to a "Big Four." For Grunge, it was Alice In Chains, Nirvana, Pearl Jam, and Soundgarden. For Thrash, Anthrax, Megadeth, Metallica, and Slayer made the grade. In 90s Britpop, Oasis, Blur, Pulp and Suede got the nod. But as if often the case, the bands on the cusp are often as interesting or even more-so thanks to being just outside the spotlight. In the case of <a href='https://www.supergrass.com/'>Supergrass</a>, The Beatles and The Rolling Stones creep in as influences like their Britpop contemporaries, but the energetic attitude and willingness to embrace the chaos of The Who's rhythm section and the concise songwriting perfection of The Kinks helps their second album, 1997's In It for the Money, exceed not just their debut, but most of the Britpop catalog. Looking at the charts, it's not hard to see why killer singles like "Richard III," "Cheapskate," "Sun Hits The Sky" and "Late in the Day" failed to impact American radio and pop culture consciousness. While Blur had "woo-hoos" and Third Eye Blind had "do do do's," Supergrass ditched guitar solos for theremins and vintage synthesizers, constructing layered pop gems that deserve revisiting.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - In It for the Money</p>
<p style="text-align: center;">27:40 - Sun Hits the Sky</p>
<p style="text-align: center;">31:42 - You Can See Me</p>
<p style="text-align: center;">35:45 - Going Out</p>
<p style="text-align: center;">40:08 - Tonight</p>
<p style="text-align: center;">Outro - Richard III</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n7x522/708-supergrass.mp3" length="126787816" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rock music genres often get reduced to a "Big Four." For Grunge, it was Alice In Chains, Nirvana, Pearl Jam, and Soundgarden. For Thrash, Anthrax, Megadeth, Metallica, and Slayer made the grade. In 90s Britpop, Oasis, Blur, Pulp and Suede got the nod. But as if often the case, the bands on the cusp are often as interesting or even more-so thanks to being just outside the spotlight. In the case of Supergrass, The Beatles and The Rolling Stones creep in as influences like their Britpop contemporaries, but the energetic attitude and willingness to embrace the chaos of The Who's rhythm section and the concise songwriting perfection of The Kinks helps their second album, 1997's In It for the Money, exceed not just their debut, but most of the Britpop catalog. Looking at the charts, it's not hard to see why killer singles like "Richard III," "Cheapskate," "Sun Hits The Sky" and "Late in the Day" failed to impact American radio and pop culture consciousness. While Blur had "woo-hoos" and Third Eye Blind had "do do do's," Supergrass ditched guitar solos for theremins and vintage synthesizers, constructing layered pop gems that deserve revisiting.
 
Songs In This Episode
Intro - In It for the Money
27:40 - Sun Hits the Sky
31:42 - You Can See Me
35:45 - Going Out
40:08 - Tonight
Outro - Richard III
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3955</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>709</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pollen - The Glorious Couch Life | 90s Album Review</title>
        <itunes:title>Pollen - The Glorious Couch Life | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pollen-the-glorious-couch-life-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pollen-the-glorious-couch-life-90s-album-review/#comments</comments>        <pubDate>Tue, 02 Apr 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/478fb177-6f5c-3b24-bb6a-cd45bd453a44</guid>
                                    <description><![CDATA[<p style="text-align: center;">You're forgiven if you tried to search for Pollen on the internet and struggled to find this band. Besides the numerous bands named Pollen, there is also the issue of their debut 1998 album <a href='https://pollenmusic.bandcamp.com/album/the-glorious-couch-life'>The Glorious Couch Life</a> not appearing on streaming services, rendering it hard to find for the average music listener. That's a shame, because throughout the record, Pollen finds the combination of indie rock energy tinged with a little garage and some danceable rhythms, topped with catchy melodies and smart lyrics. Shades of American bands like Superchunk, Guided By Voices, Beck, Death Cab For Cutie, and Sebadoh peak through, as well as Australian contemporaries like Screamfeeder, Ratcat, Ammonia, and Moler, permeate the sound, from the propulsive "Greater Than" and "Sin as Fast as You Can" to the angular "Walruses to Whales" and quirky "Settle the Score on the Dancefloor."</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Million Destinations</p>
<p style="text-align: center;">12:25 - Sin as Fast as You Can</p>
<p style="text-align: center;">16:18 - Brighter Day</p>
<p style="text-align: center;">21:28 - Settle the Score on the Dancefloor</p>
<p style="text-align: center;">25:08 - Soma and Nerves of Steel</p>
<p style="text-align: center;">27:56 - Special Features</p>
<p style="text-align: center;">Outro - Not Rocket Science</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">You're forgiven if you tried to search for Pollen on the internet and struggled to find this band. Besides the numerous bands named Pollen, there is also the issue of their debut 1998 album <a href='https://pollenmusic.bandcamp.com/album/the-glorious-couch-life'>The Glorious Couch Life</a> not appearing on streaming services, rendering it hard to find for the average music listener. That's a shame, because throughout the record, Pollen finds the combination of indie rock energy tinged with a little garage and some danceable rhythms, topped with catchy melodies and smart lyrics. Shades of American bands like Superchunk, Guided By Voices, Beck, Death Cab For Cutie, and Sebadoh peak through, as well as Australian contemporaries like Screamfeeder, Ratcat, Ammonia, and Moler, permeate the sound, from the propulsive "Greater Than" and "Sin as Fast as You Can" to the angular "Walruses to Whales" and quirky "Settle the Score on the Dancefloor."</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Million Destinations</p>
<p style="text-align: center;">12:25 - Sin as Fast as You Can</p>
<p style="text-align: center;">16:18 - Brighter Day</p>
<p style="text-align: center;">21:28 - Settle the Score on the Dancefloor</p>
<p style="text-align: center;">25:08 - Soma and Nerves of Steel</p>
<p style="text-align: center;">27:56 - Special Features</p>
<p style="text-align: center;">Outro - Not Rocket Science</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/iiqyhi/707-pollen.mp3" length="91905748" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You're forgiven if you tried to search for Pollen on the internet and struggled to find this band. Besides the numerous bands named Pollen, there is also the issue of their debut 1998 album The Glorious Couch Life not appearing on streaming services, rendering it hard to find for the average music listener. That's a shame, because throughout the record, Pollen finds the combination of indie rock energy tinged with a little garage and some danceable rhythms, topped with catchy melodies and smart lyrics. Shades of American bands like Superchunk, Guided By Voices, Beck, Death Cab For Cutie, and Sebadoh peak through, as well as Australian contemporaries like Screamfeeder, Ratcat, Ammonia, and Moler, permeate the sound, from the propulsive "Greater Than" and "Sin as Fast as You Can" to the angular "Walruses to Whales" and quirky "Settle the Score on the Dancefloor."
 
Songs In This Episode
Intro - Million Destinations
12:25 - Sin as Fast as You Can
16:18 - Brighter Day
21:28 - Settle the Score on the Dancefloor
25:08 - Soma and Nerves of Steel
27:56 - Special Features
Outro - Not Rocket Science
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2871</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>708</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hobey Echlin of Majesty Crush | 90s Artist Interview</title>
        <itunes:title>Hobey Echlin of Majesty Crush | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/hobey-echlin-of-majesty-crush-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/hobey-echlin-of-majesty-crush-90s-artist-interview/#comments</comments>        <pubDate>Thu, 28 Mar 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7f959ff0-d860-3479-9d98-f83616bdc531</guid>
                                    <description><![CDATA[<p style="text-align: center;">Formed in a city best known for either Motown Soul or Garage Rock, shoegazers <a href='https://majestycrush.bandcamp.com/album/butterflies-dont-go-away'>Majesty Crush</a> were an anomaly in the early ‘90s Detroit music scene. Inspired by the music coming out of the UK, Majesty Crush’s sound employed swirling guitars, hazy vocals, and captivating dreaminess while incorporating elements of soul and R&amp;B. After their song “No. 1 Fan” received significant airplay during prime hours on the Windsor radio station 89X, Majesty Crush - David Stroughter (vocals), Mike Segal (guitars), Hobey Echlin (bass) and Odell Nails (drums) - signed with Dali Records, a subsidiary of Warner/Elektra and released their debut full-length, Love 15, in 1993. However, just a month after the album came out, Dali Records folded bringing Majesty Crush’s momentum to a halt and, ultimately, to an end just a few years later. Though their time was short, the band amassed a small but loyal following in the shoegaze scene of the early ‘90s and have been cited as an influence for everything from indie guitar groups to metal bands. And curators of this style of music have sought out Majesty Crush’s music to include on compilations like Third Man Records’ Southeast of Saturn which features 19 tracks from Detroit shoegaze and dream pop artists. In March 2024, <a href='https://numerogroup.com/products/butterflies-dont-go-away'>Numero Group released Butterflies Don’t Go Away</a>, a 2 LP set featuring the Love 15 album as well as singles, EPs, and rarities, all remastered from the original tapes. The package is completed by a 24-page booklet. Majesty Crush bassist Hobey Echlin joins us on this episode for a deep dive into not only his band’s career but the ‘90s independent music world. As a music journalist, Echlin has amassed a number of stories over the years and this conversation - at times - goes to places you’d never expect.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - No. 1 Fan</p>
<p style="text-align: center;">29:33 - "Club Connect" TV show intro</p>
<p style="text-align: center;">33:46 - Worri</p>
<p style="text-align: center;">1:25:17 - Space Between Your Moles</p>
<p style="text-align: center;">1:30:47 - Where the F**k is Kevin Shields? (by PS I Love You)</p>
<p style="text-align: center;">Outro - Uma</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Formed in a city best known for either Motown Soul or Garage Rock, shoegazers <a href='https://majestycrush.bandcamp.com/album/butterflies-dont-go-away'>Majesty Crush</a> were an anomaly in the early ‘90s Detroit music scene. Inspired by the music coming out of the UK, Majesty Crush’s sound employed swirling guitars, hazy vocals, and captivating dreaminess while incorporating elements of soul and R&amp;B. After their song “No. 1 Fan” received significant airplay during prime hours on the Windsor radio station 89X, Majesty Crush - David Stroughter (vocals), Mike Segal (guitars), Hobey Echlin (bass) and Odell Nails (drums) - signed with Dali Records, a subsidiary of Warner/Elektra and released their debut full-length, Love 15, in 1993. However, just a month after the album came out, Dali Records folded bringing Majesty Crush’s momentum to a halt and, ultimately, to an end just a few years later. Though their time was short, the band amassed a small but loyal following in the shoegaze scene of the early ‘90s and have been cited as an influence for everything from indie guitar groups to metal bands. And curators of this style of music have sought out Majesty Crush’s music to include on compilations like Third Man Records’ Southeast of Saturn which features 19 tracks from Detroit shoegaze and dream pop artists. In March 2024, <a href='https://numerogroup.com/products/butterflies-dont-go-away'>Numero Group released Butterflies Don’t Go Away</a>, a 2 LP set featuring the Love 15 album as well as singles, EPs, and rarities, all remastered from the original tapes. The package is completed by a 24-page booklet. Majesty Crush bassist Hobey Echlin joins us on this episode for a deep dive into not only his band’s career but the ‘90s independent music world. As a music journalist, Echlin has amassed a number of stories over the years and this conversation - at times - goes to places you’d never expect.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - No. 1 Fan</p>
<p style="text-align: center;">29:33 - "Club Connect" TV show intro</p>
<p style="text-align: center;">33:46 - Worri</p>
<p style="text-align: center;">1:25:17 - Space Between Your Moles</p>
<p style="text-align: center;">1:30:47 - Where the F**k is Kevin Shields? (by PS I Love You)</p>
<p style="text-align: center;">Outro - Uma</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/65t8se/706-majestycrush.mp3" length="71989656" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Formed in a city best known for either Motown Soul or Garage Rock, shoegazers Majesty Crush were an anomaly in the early ‘90s Detroit music scene. Inspired by the music coming out of the UK, Majesty Crush’s sound employed swirling guitars, hazy vocals, and captivating dreaminess while incorporating elements of soul and R&amp;B. After their song “No. 1 Fan” received significant airplay during prime hours on the Windsor radio station 89X, Majesty Crush - David Stroughter (vocals), Mike Segal (guitars), Hobey Echlin (bass) and Odell Nails (drums) - signed with Dali Records, a subsidiary of Warner/Elektra and released their debut full-length, Love 15, in 1993. However, just a month after the album came out, Dali Records folded bringing Majesty Crush’s momentum to a halt and, ultimately, to an end just a few years later. Though their time was short, the band amassed a small but loyal following in the shoegaze scene of the early ‘90s and have been cited as an influence for everything from indie guitar groups to metal bands. And curators of this style of music have sought out Majesty Crush’s music to include on compilations like Third Man Records’ Southeast of Saturn which features 19 tracks from Detroit shoegaze and dream pop artists. In March 2024, Numero Group released Butterflies Don’t Go Away, a 2 LP set featuring the Love 15 album as well as singles, EPs, and rarities, all remastered from the original tapes. The package is completed by a 24-page booklet. Majesty Crush bassist Hobey Echlin joins us on this episode for a deep dive into not only his band’s career but the ‘90s independent music world. As a music journalist, Echlin has amassed a number of stories over the years and this conversation - at times - goes to places you’d never expect.
 
Songs in this Episode:
Intro - No. 1 Fan
29:33 - "Club Connect" TV show intro
33:46 - Worri
1:25:17 - Space Between Your Moles
1:30:47 - Where the F**k is Kevin Shields? (by PS I Love You)
Outro - Uma
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7162</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>707</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dredg - Leitmotif | 90s Album Review</title>
        <itunes:title>Dredg - Leitmotif | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/dredg-leitmotif-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/dredg-leitmotif-90s-album-review/#comments</comments>        <pubDate>Tue, 26 Mar 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7a7cabe6-82cb-31f4-8ba2-e6deb282c0bd</guid>
                                    <description><![CDATA[<p style="text-align: center;">Leitmotif, released in 1999 by Los Gatos, California quartet <a href='https://dredgstore.com/'>Dredg</a>, is a concept album exploring themes of identity and time. The album blends elements of alternative rock, progressive rock, nu-metal, and post-hardcore, showcasing the band's skillful versatility, drawing comparison to fellow California bands Tool and Deftones. With its intricate instrumentations and dynamic shifts, Leitmotif takes listeners on an emotive musical journey through its narrative arc. Where the band runs into trouble is in the indulgences, stretching out noisy outros or delayed intros far too long, and ending on an unnecessary jam below their skill set. What looks like an album quickly shrinks to something more like a long EP, missing a few tracks that focused on their talents instead of their experimentation.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Movement I: @45N. 180W</p>
<p style="text-align: center;">13:15 - Lechium</p>
<p style="text-align: center;">16:57 - Movement IV: RR</p>
<p style="text-align: center;">23:40 - Penguins in the Desert</p>
<p style="text-align: center;">32:13 - Traversing Through the Arctic Cold, We Search for the Spirit of Yuta</p>
<p style="text-align: center;">Outro - Yatahaze</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Leitmotif, released in 1999 by Los Gatos, California quartet <a href='https://dredgstore.com/'>Dredg</a>, is a concept album exploring themes of identity and time. The album blends elements of alternative rock, progressive rock, nu-metal, and post-hardcore, showcasing the band's skillful versatility, drawing comparison to fellow California bands Tool and Deftones. With its intricate instrumentations and dynamic shifts, Leitmotif takes listeners on an emotive musical journey through its narrative arc. Where the band runs into trouble is in the indulgences, stretching out noisy outros or delayed intros far too long, and ending on an unnecessary jam below their skill set. What looks like an album quickly shrinks to something more like a long EP, missing a few tracks that focused on their talents instead of their experimentation.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Movement I: @45N. 180W</p>
<p style="text-align: center;">13:15 - Lechium</p>
<p style="text-align: center;">16:57 - Movement IV: RR</p>
<p style="text-align: center;">23:40 - Penguins in the Desert</p>
<p style="text-align: center;">32:13 - Traversing Through the Arctic Cold, We Search for the Spirit of Yuta</p>
<p style="text-align: center;">Outro - Yatahaze</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5xvqqj/705-dredg.mp3" length="89591561" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Leitmotif, released in 1999 by Los Gatos, California quartet Dredg, is a concept album exploring themes of identity and time. The album blends elements of alternative rock, progressive rock, nu-metal, and post-hardcore, showcasing the band's skillful versatility, drawing comparison to fellow California bands Tool and Deftones. With its intricate instrumentations and dynamic shifts, Leitmotif takes listeners on an emotive musical journey through its narrative arc. Where the band runs into trouble is in the indulgences, stretching out noisy outros or delayed intros far too long, and ending on an unnecessary jam below their skill set. What looks like an album quickly shrinks to something more like a long EP, missing a few tracks that focused on their talents instead of their experimentation.
 
Songs In This Episode
Intro - Movement I: @45N. 180W
13:15 - Lechium
16:57 - Movement IV: RR
23:40 - Penguins in the Desert
32:13 - Traversing Through the Arctic Cold, We Search for the Spirit of Yuta
Outro - Yatahaze
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2794</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>706</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Lemonheads - It's A Shame About Ray | 90s Album Review</title>
        <itunes:title>The Lemonheads - It's A Shame About Ray | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-lemonheads-its-a-shame-about-ray-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-lemonheads-its-a-shame-about-ray-90s-album-review/#comments</comments>        <pubDate>Tue, 19 Mar 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2dfdf880-4ab5-3d2c-bb67-88a863b993fa</guid>
                                    <description><![CDATA[<p style="text-align: center;">Released during the decline of 80s hair metal and rise of 90s Seattle grunge and alternative, the 1992 album It's A Shame About Ray by <a href='https://www.thelemonheads.net/'>The Lemonheads</a> is rarely mentioned as being in the pantheon of 90s album, but maybe it should. Sporting tight and smart songwriting arrangements with track after track of catchy hooks, lead singer and guitarist Evan Dando, bassist and backup singer Juliana Hatfield, and drummer David Ryan make the most of their sub-thirty minute album, packing short songs with simple but well-thought-out changes and dynamics on par with contemporaries like Sugar, Buffalo Tom, and Dinosaur Jr. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - It's A Shame About Ray</p>
<p style="text-align: center;">21:39 - Hannah &amp; Gabi</p>
<p style="text-align: center;">27:41 - My Drug Buddy</p>
<p style="text-align: center;">33:05 - Alison's Starting to Happen</p>
<p style="text-align: center;">40:30 - Bit Part</p>
<p style="text-align: center;">Outro - Confetti</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Released during the decline of 80s hair metal and rise of 90s Seattle grunge and alternative, the 1992 album It's A Shame About Ray by <a href='https://www.thelemonheads.net/'>The Lemonheads</a> is rarely mentioned as being in the pantheon of 90s album, but maybe it should. Sporting tight and smart songwriting arrangements with track after track of catchy hooks, lead singer and guitarist Evan Dando, bassist and backup singer Juliana Hatfield, and drummer David Ryan make the most of their sub-thirty minute album, packing short songs with simple but well-thought-out changes and dynamics on par with contemporaries like Sugar, Buffalo Tom, and Dinosaur Jr. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - It's A Shame About Ray</p>
<p style="text-align: center;">21:39 - Hannah &amp; Gabi</p>
<p style="text-align: center;">27:41 - My Drug Buddy</p>
<p style="text-align: center;">33:05 - Alison's Starting to Happen</p>
<p style="text-align: center;">40:30 - Bit Part</p>
<p style="text-align: center;">Outro - Confetti</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9mw6be/704-lemonheads.mp3" length="100044463" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Released during the decline of 80s hair metal and rise of 90s Seattle grunge and alternative, the 1992 album It's A Shame About Ray by The Lemonheads is rarely mentioned as being in the pantheon of 90s album, but maybe it should. Sporting tight and smart songwriting arrangements with track after track of catchy hooks, lead singer and guitarist Evan Dando, bassist and backup singer Juliana Hatfield, and drummer David Ryan make the most of their sub-thirty minute album, packing short songs with simple but well-thought-out changes and dynamics on par with contemporaries like Sugar, Buffalo Tom, and Dinosaur Jr. 
 
Songs In This Episode
Intro - It's A Shame About Ray
21:39 - Hannah &amp; Gabi
27:41 - My Drug Buddy
33:05 - Alison's Starting to Happen
40:30 - Bit Part
Outro - Confetti
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3098</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>705</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Keith and Glenn Kochanowicz of Riverside | 90s Artist Interview</title>
        <itunes:title>Keith and Glenn Kochanowicz of Riverside | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/keith-and-glenn-kochanowicz-of-riverside-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/keith-and-glenn-kochanowicz-of-riverside-90s-artist-interview/#comments</comments>        <pubDate>Thu, 14 Mar 2024 12:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/00db77e3-fde8-30c8-a0be-a7e775125acf</guid>
                                    <description><![CDATA[<p style="text-align: center;">With the music landscape dominated by the grunge movement coming out of Seattle, it’s little wonder that Pennsylvania’s <a href='https://www.facebook.com/RiversideUSA'>Riverside</a>, a band influenced by the likes of The Smiths and Echo and the Bunnymen, didn’t stand a chance. Featuring Keith Kochanowicz (vocals, guitar, organ) and his brother Glenn Kochanowicz (bass, vocals), Kenneth Jackson (guitars), and Geoff Verne (drums), the band’s debut - and ultimately lone - album for Sire Records, One, was released in 1992. While featuring a number of alt-rock-radio friendly songs (“Waterfall,” “Cinnamon Eyes,”), Riverside couldn’t catch a break and were dropped by the label despite finishing a sophomore album, Taste. More than 30 years after One’s release, the Kochanowicz brothers hooked up with the Lost in Ohio record label and a <a href='https://www.kickstarter.com/projects/lostinohio/reissue-riversides-one-on-vinyl'>Kickstarter campaign</a> was launched to fund the first-ever pressing of the album on vinyl. Despite never achieving massive success in the ‘90s, the campaign was fully funded within weeks of the announcement and the vinyl will be available later this summer. In this conversation, the Kochanowicz brothers discuss the formation of the band, how fellow Pennsylvania band The Ocean Blue served as mentors, the realities of having a major label record deal in the ‘90s, and what happened after Sire dropped Riverside.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Waterfall</p>
<p style="text-align: center;">7:15 - General Nature</p>
<p style="text-align: center;">57:00 - Waterfall</p>
<p style="text-align: center;">1:04:48 - Marvel (from Taste)</p>
<p style="text-align: center;">Outro - Cinnamon Eyes</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With the music landscape dominated by the grunge movement coming out of Seattle, it’s little wonder that Pennsylvania’s <a href='https://www.facebook.com/RiversideUSA'>Riverside</a>, a band influenced by the likes of The Smiths and Echo and the Bunnymen, didn’t stand a chance. Featuring Keith Kochanowicz (vocals, guitar, organ) and his brother Glenn Kochanowicz (bass, vocals), Kenneth Jackson (guitars), and Geoff Verne (drums), the band’s debut - and ultimately lone - album for Sire Records, <em>One</em>, was released in 1992. While featuring a number of alt-rock-radio friendly songs (“Waterfall,” “Cinnamon Eyes,”), Riverside couldn’t catch a break and were dropped by the label despite finishing a sophomore album, <em>Taste.</em> More than 30 years after <em>One</em>’s release, the Kochanowicz brothers hooked up with the Lost in Ohio record label and a <a href='https://www.kickstarter.com/projects/lostinohio/reissue-riversides-one-on-vinyl'>Kickstarter campaign</a> was launched to fund the first-ever pressing of the album on vinyl. Despite never achieving massive success in the ‘90s, the campaign was fully funded within weeks of the announcement and the vinyl will be available later this summer. In this conversation, the Kochanowicz brothers discuss the formation of the band, how fellow Pennsylvania band The Ocean Blue served as mentors, the realities of having a major label record deal in the ‘90s, and what happened after Sire dropped Riverside.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Waterfall</p>
<p style="text-align: center;">7:15 - General Nature</p>
<p style="text-align: center;">57:00 - Waterfall</p>
<p style="text-align: center;">1:04:48 - Marvel (from Taste)</p>
<p style="text-align: center;">Outro - Cinnamon Eyes</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align: center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t796pn/703-riverside.mp3" length="61045165" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With the music landscape dominated by the grunge movement coming out of Seattle, it’s little wonder that Pennsylvania’s Riverside, a band influenced by the likes of The Smiths and Echo and the Bunnymen, didn’t stand a chance. Featuring Keith Kochanowicz (vocals, guitar, organ) and his brother Glenn Kochanowicz (bass, vocals), Kenneth Jackson (guitars), and Geoff Verne (drums), the band’s debut - and ultimately lone - album for Sire Records, One, was released in 1992. While featuring a number of alt-rock-radio friendly songs (“Waterfall,” “Cinnamon Eyes,”), Riverside couldn’t catch a break and were dropped by the label despite finishing a sophomore album, Taste. More than 30 years after One’s release, the Kochanowicz brothers hooked up with the Lost in Ohio record label and a Kickstarter campaign was launched to fund the first-ever pressing of the album on vinyl. Despite never achieving massive success in the ‘90s, the campaign was fully funded within weeks of the announcement and the vinyl will be available later this summer. In this conversation, the Kochanowicz brothers discuss the formation of the band, how fellow Pennsylvania band The Ocean Blue served as mentors, the realities of having a major label record deal in the ‘90s, and what happened after Sire dropped Riverside.
 
Songs in this Episode:
Intro - Waterfall
7:15 - General Nature
57:00 - Waterfall
1:04:48 - Marvel (from Taste)
Outro - Cinnamon Eyes
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5279</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>704</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sinéad O'Connor - Universal Mother | 90s Album Review</title>
        <itunes:title>Sinéad O'Connor - Universal Mother | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/sinead-oconnor-universal-mother-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/sinead-oconnor-universal-mother-90s-album-review/#comments</comments>        <pubDate>Tue, 12 Mar 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/abc7a803-6462-3057-a6a1-8b1b8cb9a962</guid>
                                    <description><![CDATA[<p style="text-align: center;">By 1994, <a href='https://www.sineadoconnor.com/'>Sinéad O'Connor</a> had established herself as a musical powerhouse willing to take risks behind the microphone and under the hot spotlight of the media. Following up her third album, the 1992 release Am I Not Your Girl?, consisting mostly of jazz standards, O'Connor returned with an album of diverse musical styles, blending elements of folk, rock, and traditional Irish sounds. The mix of acoustic and electric instrumentation, from the trip-hop flavored singles "Fire On Babylon" and "Thank You For Hearing Me," bookend a much more subdued and intimate affair, including a cappella tracks and a hushed cover of "All Apologies" by Nirvana. While some of the 90s electronic production ends up sounding dating, overall the album reflects a generational talent pushing the limits of mainstream music.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - My Darling Child</p>
<p style="text-align: center;">20:36 - John I Love You</p>
<p style="text-align: center;">23:41 - Fire on Babylon</p>
<p style="text-align: center;">34:44 - All Babies</p>
<p style="text-align: center;">40:59 - Famine</p>
<p style="text-align: center;">1:00:26 - Thank You For Hearing Me</p>
<p style="text-align: center;">Outro - Red Football</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">By 1994, <a href='https://www.sineadoconnor.com/'>Sinéad O'Connor</a> had established herself as a musical powerhouse willing to take risks behind the microphone and under the hot spotlight of the media. Following up her third album, the 1992 release Am I Not Your Girl?, consisting mostly of jazz standards, O'Connor returned with an album of diverse musical styles, blending elements of folk, rock, and traditional Irish sounds. The mix of acoustic and electric instrumentation, from the trip-hop flavored singles "Fire On Babylon" and "Thank You For Hearing Me," bookend a much more subdued and intimate affair, including a cappella tracks and a hushed cover of "All Apologies" by Nirvana. While some of the 90s electronic production ends up sounding dating, overall the album reflects a generational talent pushing the limits of mainstream music.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - My Darling Child</p>
<p style="text-align: center;">20:36 - John I Love You</p>
<p style="text-align: center;">23:41 - Fire on Babylon</p>
<p style="text-align: center;">34:44 - All Babies</p>
<p style="text-align: center;">40:59 - Famine</p>
<p style="text-align: center;">1:00:26 - Thank You For Hearing Me</p>
<p style="text-align: center;">Outro - Red Football</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/afsfj3/702-sinead.mp3" length="146092566" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1994, Sinéad O'Connor had established herself as a musical powerhouse willing to take risks behind the microphone and under the hot spotlight of the media. Following up her third album, the 1992 release Am I Not Your Girl?, consisting mostly of jazz standards, O'Connor returned with an album of diverse musical styles, blending elements of folk, rock, and traditional Irish sounds. The mix of acoustic and electric instrumentation, from the trip-hop flavored singles "Fire On Babylon" and "Thank You For Hearing Me," bookend a much more subdued and intimate affair, including a cappella tracks and a hushed cover of "All Apologies" by Nirvana. While some of the 90s electronic production ends up sounding dating, overall the album reflects a generational talent pushing the limits of mainstream music.
 
Songs In This Episode
Intro - My Darling Child
20:36 - John I Love You
23:41 - Fire on Babylon
34:44 - All Babies
40:59 - Famine
1:00:26 - Thank You For Hearing Me
Outro - Red Football
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4557</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>703</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>It Came From Slimey Valley compilation | 80s Album Review</title>
        <itunes:title>It Came From Slimey Valley compilation | 80s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/it-came-from-slimey-valley-compilation-80s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/it-came-from-slimey-valley-compilation-80s-album-review/#comments</comments>        <pubDate>Tue, 05 Mar 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/14203199-ae87-31e9-b358-ee5c50c6db79</guid>
                                    <description><![CDATA[<p style="text-align: center;">Compilation albums have helped define a musical scene or time period for decades, and the roots of 90s alternative rock are unmistakably tied to the underground music of the 1980s. While punk exploded into the mainstream 1994 thanks to million selling albums by Green Day and The Offspring, the seeds were planted in the small scenes across the country more than a decade earlier, many of which were never documented. Luckily, those that got laid down on vinyl or tape often have unknown gems waiting to be discovered. In the case of the 1984 compilation, <a href='https://mxrecords.bandcamp.com/album/va-it-came-from-slimey-valley'>It Came From Slimey Valley</a>, which documents the Oxnard, California "nardcore" scene, the hardcore sound isn't as predictable as one might expect, with bands occasionally slowing the tempo, incorporating more dynamics, or turning up the fuzz.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Prophesy by False Confession</p>
<p style="text-align: center;">16:24 - Death of Two Lovers by Flower Leperds</p>
<p style="text-align: center;">20:08 - Violent Children by Reign of Terror</p>
<p style="text-align: center;">22:43 - In the Trenches by Rigor Mortis</p>
<p style="text-align: center;">34:37 - Old Towne Mall by The Grim</p>
<p style="text-align: center;">39:09 - Boy's Life by Dr. Know</p>
<p style="text-align: center;">Outro - There's Someone in the Cellar by Crankshaft</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Compilation albums have helped define a musical scene or time period for decades, and the roots of 90s alternative rock are unmistakably tied to the underground music of the 1980s. While punk exploded into the mainstream 1994 thanks to million selling albums by Green Day and The Offspring, the seeds were planted in the small scenes across the country more than a decade earlier, many of which were never documented. Luckily, those that got laid down on vinyl or tape often have unknown gems waiting to be discovered. In the case of the 1984 compilation, <a href='https://mxrecords.bandcamp.com/album/va-it-came-from-slimey-valley'>It Came From Slimey Valley</a>, which documents the Oxnard, California "nardcore" scene, the hardcore sound isn't as predictable as one might expect, with bands occasionally slowing the tempo, incorporating more dynamics, or turning up the fuzz.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Prophesy by False Confession</p>
<p style="text-align: center;">16:24 - Death of Two Lovers by Flower Leperds</p>
<p style="text-align: center;">20:08 - Violent Children by Reign of Terror</p>
<p style="text-align: center;">22:43 - In the Trenches by Rigor Mortis</p>
<p style="text-align: center;">34:37 - Old Towne Mall by The Grim</p>
<p style="text-align: center;">39:09 - Boy's Life by Dr. Know</p>
<p style="text-align: center;">Outro - There's Someone in the Cellar by Crankshaft</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hd5kpc/701-slimeyvalley.mp3" length="134462910" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Compilation albums have helped define a musical scene or time period for decades, and the roots of 90s alternative rock are unmistakably tied to the underground music of the 1980s. While punk exploded into the mainstream 1994 thanks to million selling albums by Green Day and The Offspring, the seeds were planted in the small scenes across the country more than a decade earlier, many of which were never documented. Luckily, those that got laid down on vinyl or tape often have unknown gems waiting to be discovered. In the case of the 1984 compilation, It Came From Slimey Valley, which documents the Oxnard, California "nardcore" scene, the hardcore sound isn't as predictable as one might expect, with bands occasionally slowing the tempo, incorporating more dynamics, or turning up the fuzz.
 
Songs In This Episode
Intro - Prophesy by False Confession
16:24 - Death of Two Lovers by Flower Leperds
20:08 - Violent Children by Reign of Terror
22:43 - In the Trenches by Rigor Mortis
34:37 - Old Towne Mall by The Grim
39:09 - Boy's Life by Dr. Know
Outro - There's Someone in the Cellar by Crankshaft
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4196</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>702</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Hookers - Black Visions of Crimson Wisdom | 90s Album Review</title>
        <itunes:title>The Hookers - Black Visions of Crimson Wisdom | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-hookers-black-visions-of-crimson-wisdom/</link>
                    <comments>https://digmeout.podbean.com/e/the-hookers-black-visions-of-crimson-wisdom/#comments</comments>        <pubDate>Tue, 27 Feb 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cf4aad41-100e-3f72-887b-aeb4452fe682</guid>
                                    <description><![CDATA[<p style="text-align: center;">The 1999 album Black Visions of Crimson Wisdom by <a href='https://hookersofficial.bandcamp.com/album/black-visions-of-crimson-wisdom'>The Hookers</a> is a loud, pummeling rock record that draws influence from the New Wave of British Heavy Metal as well as '80s hardcore and punk. Guitar riffs that would sound at home on Iron Maiden or Judas Priest albums rip while a thundering rhythm section propels the band with hardcore energy, keeping the songs short and tight and the album under thirty minutes. That turns out to be the right move, as the pummeling sound of the band never lets up, and lead singer Adam Neal has one gear - full-throat-shredding-throttle. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Maximum Overdrive</p>
<p style="text-align: center;">19:03 - Behold God's Candy</p>
<p style="text-align: center;">23:38 - Black Magic Stallion</p>
<p style="text-align: center;">27:10 - The End Is Comin'</p>
<p style="text-align: center;">47:09 - Ride The Dragon To The Crimson Light</p>
<p style="text-align: center;">Outro - Ball Crusher Love Machine</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The 1999 album Black Visions of Crimson Wisdom by <a href='https://hookersofficial.bandcamp.com/album/black-visions-of-crimson-wisdom'>The Hookers</a> is a loud, pummeling rock record that draws influence from the New Wave of British Heavy Metal as well as '80s hardcore and punk. Guitar riffs that would sound at home on Iron Maiden or Judas Priest albums rip while a thundering rhythm section propels the band with hardcore energy, keeping the songs short and tight and the album under thirty minutes. That turns out to be the right move, as the pummeling sound of the band never lets up, and lead singer Adam Neal has one gear - full-throat-shredding-throttle. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Maximum Overdrive</p>
<p style="text-align: center;">19:03 - Behold God's Candy</p>
<p style="text-align: center;">23:38 - Black Magic Stallion</p>
<p style="text-align: center;">27:10 - The End Is Comin'</p>
<p style="text-align: center;">47:09 - Ride The Dragon To The Crimson Light</p>
<p style="text-align: center;">Outro - Ball Crusher Love Machine</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yiq6ry/700-hookers.mp3" length="115589430" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1999 album Black Visions of Crimson Wisdom by The Hookers is a loud, pummeling rock record that draws influence from the New Wave of British Heavy Metal as well as '80s hardcore and punk. Guitar riffs that would sound at home on Iron Maiden or Judas Priest albums rip while a thundering rhythm section propels the band with hardcore energy, keeping the songs short and tight and the album under thirty minutes. That turns out to be the right move, as the pummeling sound of the band never lets up, and lead singer Adam Neal has one gear - full-throat-shredding-throttle. 
 
Songs In This Episode
Intro - Maximum Overdrive
19:03 - Behold God's Candy
23:38 - Black Magic Stallion
27:10 - The End Is Comin'
47:09 - Ride The Dragon To The Crimson Light
Outro - Ball Crusher Love Machine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3609</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>701</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Brady Bunch Lawnmower Massacre - Desperate Football | 90s Album Review</title>
        <itunes:title>The Brady Bunch Lawnmower Massacre - Desperate Football | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-brady-bunch-lawnmower-massacre-desperate-football-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-brady-bunch-lawnmower-massacre-desperate-football-90s-album-review/#comments</comments>        <pubDate>Tue, 20 Feb 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/33441ff5-1032-3ec8-9ec5-0a39881ae978</guid>
                                    <description><![CDATA[<p style="text-align: center;">In a bar in Perth, Australia in the late 1980s and early 1990s, Fred Negro and his various bands tore through country-tinged punk rock soaked in beer and satire. One of these incarnations was <a href='https://www.discogs.com/artist/2020831-The-Brady-Bunch-Lawnmower-Massacre'>The Brady Bunch Lawnmower Massacre</a>, a short-lived name that produced a single, an EP, and the 1992 album Desperate Football. Like fellow garage post-punks The Scientists or The Birthday Party, on the surface the sound is big, loud and messy. But repeated listens reveal tighter than anticipated musicianship with some chorus hooks that will stay in your brain longer than expected. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Drink Myself to Live</p>
<p style="text-align: center;">20:21 - Nothing on Telly</p>
<p style="text-align: center;">24:59 - When Jesus Goes Surfing</p>
<p style="text-align: center;">31:09 - Carpark</p>
<p style="text-align: center;">36:00 - Blood Money</p>
<p style="text-align: center;">Outro - I've Only Got One Dick</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In a bar in Perth, Australia in the late 1980s and early 1990s, Fred Negro and his various bands tore through country-tinged punk rock soaked in beer and satire. One of these incarnations was <a href='https://www.discogs.com/artist/2020831-The-Brady-Bunch-Lawnmower-Massacre'>The Brady Bunch Lawnmower Massacre</a>, a short-lived name that produced a single, an EP, and the 1992 album Desperate Football. Like fellow garage post-punks The Scientists or The Birthday Party, on the surface the sound is big, loud and messy. But repeated listens reveal tighter than anticipated musicianship with some chorus hooks that will stay in your brain longer than expected. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Drink Myself to Live</p>
<p style="text-align: center;">20:21 - Nothing on Telly</p>
<p style="text-align: center;">24:59 - When Jesus Goes Surfing</p>
<p style="text-align: center;">31:09 - Carpark</p>
<p style="text-align: center;">36:00 - Blood Money</p>
<p style="text-align: center;">Outro - I've Only Got One Dick</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bi8ep2/699-bblm.mp3" length="121035153" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In a bar in Perth, Australia in the late 1980s and early 1990s, Fred Negro and his various bands tore through country-tinged punk rock soaked in beer and satire. One of these incarnations was The Brady Bunch Lawnmower Massacre, a short-lived name that produced a single, an EP, and the 1992 album Desperate Football. Like fellow garage post-punks The Scientists or The Birthday Party, on the surface the sound is big, loud and messy. But repeated listens reveal tighter than anticipated musicianship with some chorus hooks that will stay in your brain longer than expected. 
 
Songs In This Episode
Intro - Drink Myself to Live
20:21 - Nothing on Telly
24:59 - When Jesus Goes Surfing
31:09 - Carpark
36:00 - Blood Money
Outro - I've Only Got One Dick
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3780</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>700</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jawbreaker - Dear You | 90s Album Review</title>
        <itunes:title>Jawbreaker - Dear You | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/jawbreaker-dear-you-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/jawbreaker-dear-you-90s-album-review/#comments</comments>        <pubDate>Tue, 13 Feb 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ad2617fd-5e38-386f-92ae-d7b1fe201871</guid>
                                    <description><![CDATA[<p style="text-align: center;">By the time 1995 rolled around, punk had exploded into the mainstream thanks to releases the previous year by Green Day and The Offspring, as well as Bad Religion, Rancid, NOFX, and many more. It was also the year <a href='https://en.wikipedia.org/wiki/Jawbreaker_(band)'>Jawbreaker</a> released their third album 24 Hour Revenge Therapy, as well as the year they made the jump to a major label for their fourth and final album, Dear You. Showcasing a departure from their earlier raw sound towards a more polished, melodic approach, the band faced criticism from some punk purists who felt the band had strayed too far from their DIY roots, with accusations of selling out and alienating their hardcore fanbase. Despite the divided opinions, the album's impact has endured, influencing subsequent generations of punk and alternative rock musicians.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - I Love You So Much It's Killing Us Both</p>
<p style="text-align: center;">19:00 - Save Your Generation</p>
<p style="text-align: center;">30:10 - Bad Scene, Everyone's Fault</p>
<p style="text-align: center;">42:04 - Oyster</p>
<p style="text-align: center;">Outro - Fireman</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">By the time 1995 rolled around, punk had exploded into the mainstream thanks to releases the previous year by Green Day and The Offspring, as well as Bad Religion, Rancid, NOFX, and many more. It was also the year <a href='https://en.wikipedia.org/wiki/Jawbreaker_(band)'>Jawbreaker</a> released their third album 24 Hour Revenge Therapy, as well as the year they made the jump to a major label for their fourth and final album, Dear You. Showcasing a departure from their earlier raw sound towards a more polished, melodic approach, the band faced criticism from some punk purists who felt the band had strayed too far from their DIY roots, with accusations of selling out and alienating their hardcore fanbase. Despite the divided opinions, the album's impact has endured, influencing subsequent generations of punk and alternative rock musicians.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - I Love You So Much It's Killing Us Both</p>
<p style="text-align: center;">19:00 - Save Your Generation</p>
<p style="text-align: center;">30:10 - Bad Scene, Everyone's Fault</p>
<p style="text-align: center;">42:04 - Oyster</p>
<p style="text-align: center;">Outro - Fireman</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x5wpcw/698-jawdear.mp3" length="91499874" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the time 1995 rolled around, punk had exploded into the mainstream thanks to releases the previous year by Green Day and The Offspring, as well as Bad Religion, Rancid, NOFX, and many more. It was also the year Jawbreaker released their third album 24 Hour Revenge Therapy, as well as the year they made the jump to a major label for their fourth and final album, Dear You. Showcasing a departure from their earlier raw sound towards a more polished, melodic approach, the band faced criticism from some punk purists who felt the band had strayed too far from their DIY roots, with accusations of selling out and alienating their hardcore fanbase. Despite the divided opinions, the album's impact has endured, influencing subsequent generations of punk and alternative rock musicians.
 
Songs In This Episode
Intro - I Love You So Much It's Killing Us Both
19:00 - Save Your Generation
30:10 - Bad Scene, Everyone's Fault
42:04 - Oyster
Outro - Fireman
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2852</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>699</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Indigo Girls - Swamp Ophelia | 90s Album Review</title>
        <itunes:title>Indigo Girls - Swamp Ophelia | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/indigo-girls-swamp-ophelia-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/indigo-girls-swamp-ophelia-90s-album-review/#comments</comments>        <pubDate>Tue, 06 Feb 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c30bb32e-0023-3b6f-b92e-b4c4dd80ea22</guid>
                                    <description><![CDATA[<p style="text-align: center;">Released in 1994, the <a href='https://www.indigogirls.com/'>Indigo Girls</a>' fifth album "Swamp Ophelia" marked a significant chapter in their career, following the critical and commercial success of their earlier works. The album, co-produced by Peter Collins, showcases the duo's distinctive harmonies and poignant songwriting, seamlessly blending folk and rock influences. Tracks like "Galileo" and "Power of Two" became anthems of the era, displaying their lyrical prowess and melodic charm. "Swamp Ophelia" received acclaim for its introspective and socially conscious themes, tackling issues such as love, identity, and environmental concerns. Despite its positive reception, the album leans towards a more polished sound compared to their previous works, potentially sacrificing some of the rawness that defined their earlier releases.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fugitive</p>
<p style="text-align: center;">15:16 - Reunion</p>
<p style="text-align: center;">21:37 - The Wood Song</p>
<p style="text-align: center;">31:17 - The Power of Two</p>
<p style="text-align: center;">45:09 - Touch Me Fall</p>
<p style="text-align: center;">Outro - Least Complicated</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Released in 1994, the <a href='https://www.indigogirls.com/'>Indigo Girls</a>' fifth album "Swamp Ophelia" marked a significant chapter in their career, following the critical and commercial success of their earlier works. The album, co-produced by Peter Collins, showcases the duo's distinctive harmonies and poignant songwriting, seamlessly blending folk and rock influences. Tracks like "Galileo" and "Power of Two" became anthems of the era, displaying their lyrical prowess and melodic charm. "Swamp Ophelia" received acclaim for its introspective and socially conscious themes, tackling issues such as love, identity, and environmental concerns. Despite its positive reception, the album leans towards a more polished sound compared to their previous works, potentially sacrificing some of the rawness that defined their earlier releases.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Fugitive</p>
<p style="text-align: center;">15:16 - Reunion</p>
<p style="text-align: center;">21:37 - The Wood Song</p>
<p style="text-align: center;">31:17 - The Power of Two</p>
<p style="text-align: center;">45:09 - Touch Me Fall</p>
<p style="text-align: center;">Outro - Least Complicated</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9eqzgm/697-indigogirls.mp3" length="103614324" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Released in 1994, the Indigo Girls' fifth album "Swamp Ophelia" marked a significant chapter in their career, following the critical and commercial success of their earlier works. The album, co-produced by Peter Collins, showcases the duo's distinctive harmonies and poignant songwriting, seamlessly blending folk and rock influences. Tracks like "Galileo" and "Power of Two" became anthems of the era, displaying their lyrical prowess and melodic charm. "Swamp Ophelia" received acclaim for its introspective and socially conscious themes, tackling issues such as love, identity, and environmental concerns. Despite its positive reception, the album leans towards a more polished sound compared to their previous works, potentially sacrificing some of the rawness that defined their earlier releases.
 
Songs In This Episode
Intro - Fugitive
15:16 - Reunion
21:37 - The Wood Song
31:17 - The Power of Two
45:09 - Touch Me Fall
Outro - Least Complicated
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3230</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>698</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Albums of 1994 | 90s Roundtable</title>
        <itunes:title>Albums of 1994 | 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/albums-of-1994-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/albums-of-1994-90s-roundtable/#comments</comments>        <pubDate>Tue, 30 Jan 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/05b4b596-a5b9-3690-ba7e-27643c503d56</guid>
                                    <description><![CDATA[<p style="text-align: center;">In our latest and final "Albums of..." roundtable, we're tackling what might have been the most prolific year for releases of the entire decade. With the major labels scooping up bands to ride the alternative and grunge wave explosion into mainstream radio and on MTV, 1994 saw not only huge album releases from Soundgarden, Pearl Jam, Stone Temple Pilots, Nine Inch Nails, Alice In Chains, R.E.M. Nirvana, and more, but also the punk explosion thanks to Green Day, The Offspring, Rancid, Bad Religion, and others. This was also the year that across the pond from the US, Britpop topped the charts in the UK thanks to Blur and Oasis, while a new wave of alternative bands shot up the charts like Veruca Salt, Bush, Live, Weezer, Toadies, etc. while the indie underground produced classic records from Pavement, Guided By Voices, Low, Stereolab, Sebadoh, and Superchunk, to name a few. For a big year, we have a big group with a super-sized length. Enjoy!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - 1994 Medley (Interstate Love Song by Stone Temple Pilots, Loser by Beck, Self Esteem by The Offspring, Buddy Holly by Weezer, I'm Broken by Pantera, March of the Pigs by Nine Inch Nails)</p>
<p style="text-align: center;">16:05 - Last Goodbye by Jeff Buckley</p>
<p style="text-align: center;">23:36 - Girls &amp; Boys by Blur</p>
<p style="text-align: center;">39:10 - Everything Zen by Bush</p>
<p style="text-align: center;">50:25 - Very Best Years by The Grays</p>
<p style="text-align: center;">1:07:19 - Suffering by Satchel</p>
<p style="text-align: center;">1:13:30 - Bernie by Failure</p>
<p style="text-align: center;">1:30:40 - I Am I by Queensrÿche</p>
<p style="text-align: center;">1:50:51 - Feel The Pain by Dinosaur Jr.</p>
<p style="text-align: center;">Outro - Faster by Manic Street Preachers</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In our latest and final "Albums of..." roundtable, we're tackling what might have been the most prolific year for releases of the entire decade. With the major labels scooping up bands to ride the alternative and grunge wave explosion into mainstream radio and on MTV, 1994 saw not only huge album releases from Soundgarden, Pearl Jam, Stone Temple Pilots, Nine Inch Nails, Alice In Chains, R.E.M. Nirvana, and more, but also the punk explosion thanks to Green Day, The Offspring, Rancid, Bad Religion, and others. This was also the year that across the pond from the US, Britpop topped the charts in the UK thanks to Blur and Oasis, while a new wave of alternative bands shot up the charts like Veruca Salt, Bush, Live, Weezer, Toadies, etc. while the indie underground produced classic records from Pavement, Guided By Voices, Low, Stereolab, Sebadoh, and Superchunk, to name a few. For a big year, we have a big group with a super-sized length. Enjoy!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - 1994 Medley (Interstate Love Song by Stone Temple Pilots, Loser by Beck, Self Esteem by The Offspring, Buddy Holly by Weezer, I'm Broken by Pantera, March of the Pigs by Nine Inch Nails)</p>
<p style="text-align: center;">16:05 - Last Goodbye by Jeff Buckley</p>
<p style="text-align: center;">23:36 - Girls &amp; Boys by Blur</p>
<p style="text-align: center;">39:10 - Everything Zen by Bush</p>
<p style="text-align: center;">50:25 - Very Best Years by The Grays</p>
<p style="text-align: center;">1:07:19 - Suffering by Satchel</p>
<p style="text-align: center;">1:13:30 - Bernie by Failure</p>
<p style="text-align: center;">1:30:40 - I Am I by Queensrÿche</p>
<p style="text-align: center;">1:50:51 - Feel The Pain by Dinosaur Jr.</p>
<p style="text-align: center;">Outro - Faster by Manic Street Preachers</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pg8zue/696-1994albums.mp3" length="234032315" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our latest and final "Albums of..." roundtable, we're tackling what might have been the most prolific year for releases of the entire decade. With the major labels scooping up bands to ride the alternative and grunge wave explosion into mainstream radio and on MTV, 1994 saw not only huge album releases from Soundgarden, Pearl Jam, Stone Temple Pilots, Nine Inch Nails, Alice In Chains, R.E.M. Nirvana, and more, but also the punk explosion thanks to Green Day, The Offspring, Rancid, Bad Religion, and others. This was also the year that across the pond from the US, Britpop topped the charts in the UK thanks to Blur and Oasis, while a new wave of alternative bands shot up the charts like Veruca Salt, Bush, Live, Weezer, Toadies, etc. while the indie underground produced classic records from Pavement, Guided By Voices, Low, Stereolab, Sebadoh, and Superchunk, to name a few. For a big year, we have a big group with a super-sized length. Enjoy!
 
Songs In This Episode:
Intro - 1994 Medley (Interstate Love Song by Stone Temple Pilots, Loser by Beck, Self Esteem by The Offspring, Buddy Holly by Weezer, I'm Broken by Pantera, March of the Pigs by Nine Inch Nails)
16:05 - Last Goodbye by Jeff Buckley
23:36 - Girls &amp; Boys by Blur
39:10 - Everything Zen by Bush
50:25 - Very Best Years by The Grays
1:07:19 - Suffering by Satchel
1:13:30 - Bernie by Failure
1:30:40 - I Am I by Queensrÿche
1:50:51 - Feel The Pain by Dinosaur Jr.
Outro - Faster by Manic Street Preachers
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7255</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>697</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Love Nut - ¡Baltimucho! | 90s Album Review</title>
        <itunes:title>Love Nut - ¡Baltimucho! | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/love-nut-%c2%a1baltimucho-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/love-nut-%c2%a1baltimucho-90s-album-review/#comments</comments>        <pubDate>Tue, 23 Jan 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e82f49a1-5c81-3d2d-8b4e-7040ee9c1e6f</guid>
                                    <description><![CDATA[<p style="text-align: center;">Although only active for a short time in the 1990s, Baltimore, Maryland's Love Nut still managed to bounce from indie to major labels back to the indies over the course of their two albums. Originally recorded for Interscope Records, the band ended up releasing their second and last album on the smaller label Big Deal, meaning more freedom but less budget money for promotion and marketing. Which is a shame, because revisiting ¡Baltimucho! it's clear the band were ripe for discovery with big, hooky power pop choruses that leaned on the 70s glam pop of Sweet as much as Cheap Trick. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Love Found You</p>
<p style="text-align: center;">15:58 - Everchanging World</p>
<p style="text-align: center;">21:20 - Bomb Pine</p>
<p style="text-align: center;">26:48: Everything Is Going Your Way</p>
<p style="text-align: center;">34:48 - Crop Duster</p>
<p style="text-align: center;">Outro - Stolen Picture</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Although only active for a short time in the 1990s, Baltimore, Maryland's Love Nut still managed to bounce from indie to major labels back to the indies over the course of their two albums. Originally recorded for Interscope Records, the band ended up releasing their second and last album on the smaller label Big Deal, meaning more freedom but less budget money for promotion and marketing. Which is a shame, because revisiting ¡Baltimucho! it's clear the band were ripe for discovery with big, hooky power pop choruses that leaned on the 70s glam pop of Sweet as much as Cheap Trick. </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Love Found You</p>
<p style="text-align: center;">15:58 - Everchanging World</p>
<p style="text-align: center;">21:20 - Bomb Pine</p>
<p style="text-align: center;">26:48: Everything Is Going Your Way</p>
<p style="text-align: center;">34:48 - Crop Duster</p>
<p style="text-align: center;">Outro - Stolen Picture</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/evn362/695-lovenut.mp3" length="143796136" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Although only active for a short time in the 1990s, Baltimore, Maryland's Love Nut still managed to bounce from indie to major labels back to the indies over the course of their two albums. Originally recorded for Interscope Records, the band ended up releasing their second and last album on the smaller label Big Deal, meaning more freedom but less budget money for promotion and marketing. Which is a shame, because revisiting ¡Baltimucho! it's clear the band were ripe for discovery with big, hooky power pop choruses that leaned on the 70s glam pop of Sweet as much as Cheap Trick. 
 
Songs In This Episode
Intro - Love Found You
15:58 - Everchanging World
21:20 - Bomb Pine
26:48: Everything Is Going Your Way
34:48 - Crop Duster
Outro - Stolen Picture
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4464</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>696</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Verve - A Northern Soul | 90s Album Review</title>
        <itunes:title>The Verve - A Northern Soul | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-verve-a-northern-soul-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-verve-a-northern-soul-90s-album-review/#comments</comments>        <pubDate>Tue, 16 Jan 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5c6c460f-e9e0-35be-b5a3-95dbecfd7c90</guid>
                                    <description><![CDATA[<p style="text-align: center;">While Britpop bands like Oasis and Blur aped the sounds of British invasion bands like The Beatles and The Kinks, other UK bands explored less radio-friendly material. In the case of The Verve, long psychedelic jams improvised in the studio established the sound of the band on their 1993 debut album A Storm in Heaven. For their long-play 1995 follow-up, A Northern Soul, the band entered the studio with more composed ideas that edged away from formless psychedelia to incorporate more defined verses and choruses, and even an acoustic ballad on par with Wonderwall.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - A New Decade</p>
<p style="text-align: center;">16:50 - On Your Own</p>
<p style="text-align: center;">19:12 - Life's An Ocean</p>
<p style="text-align: center;">21:58 - So It Goes</p>
<p style="text-align: center;">31:57 - History</p>
<p style="text-align: center;">Outro - A Northern Soul</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">While Britpop bands like Oasis and Blur aped the sounds of British invasion bands like The Beatles and The Kinks, other UK bands explored less radio-friendly material. In the case of The Verve, long psychedelic jams improvised in the studio established the sound of the band on their 1993 debut album A Storm in Heaven. For their long-play 1995 follow-up, A Northern Soul, the band entered the studio with more composed ideas that edged away from formless psychedelia to incorporate more defined verses and choruses, and even an acoustic ballad on par with Wonderwall.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - A New Decade</p>
<p style="text-align: center;">16:50 - On Your Own</p>
<p style="text-align: center;">19:12 - Life's An Ocean</p>
<p style="text-align: center;">21:58 - So It Goes</p>
<p style="text-align: center;">31:57 - History</p>
<p style="text-align: center;">Outro - A Northern Soul</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dxxvkc/694-verve.mp3" length="100214827" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While Britpop bands like Oasis and Blur aped the sounds of British invasion bands like The Beatles and The Kinks, other UK bands explored less radio-friendly material. In the case of The Verve, long psychedelic jams improvised in the studio established the sound of the band on their 1993 debut album A Storm in Heaven. For their long-play 1995 follow-up, A Northern Soul, the band entered the studio with more composed ideas that edged away from formless psychedelia to incorporate more defined verses and choruses, and even an acoustic ballad on par with Wonderwall.
 
Songs In This Episode
Intro - A New Decade
16:50 - On Your Own
19:12 - Life's An Ocean
21:58 - So It Goes
31:57 - History
Outro - A Northern Soul
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3123</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>695</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fountains of Wayne - Utopia Parkway | 90s Album Review</title>
        <itunes:title>Fountains of Wayne - Utopia Parkway | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/fountains-of-wayne-utopia-parkway-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/fountains-of-wayne-utopia-parkway-90s-album-review/#comments</comments>        <pubDate>Tue, 09 Jan 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/77b2e093-d5d6-3cd9-9969-b1944d06bd51</guid>
                                    <description><![CDATA[<p style="text-align: center;">Nailing down what exactly is "power pop" can be frustrating (we did a whole roundtable on it!), but the "power" end of it is usually found in the guitar section. From the big riffs of Cheap Trick's Rick Nielsen to Robert Quine's excited guitar leads on Matthew Sweet albums, just because it's "pop" doesn't mean it doesn't rock. For their second album, <a href='http://www.fountainsofwayne.com/home/'>Fountains of Wayne</a> duo Adam Schlesinger and Chris Collingwood recruited former Belltower guitarist Joey Porter and former Poises drummer Brian Young to complete the foursome. Two veteran players mean a tightened rhythm section and a bigger guitar sound that allows the band to expand their sound, touching not only on power pop from the 70s, 80s, and 90s, but elements of Britpop, psychedelia, and Queen grandiosity.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Red Dragon Tattoo</p>
<p style="text-align: center;">13:00 - Utopia Parkway</p>
<p style="text-align: center;">17:48 - Lost In Space</p>
<p style="text-align: center;">25:45 - Denise</p>
<p style="text-align: center;">Outro - A Fine Day For A Parade</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Nailing down what exactly is "power pop" can be frustrating (we did a whole roundtable on it!), but the "power" end of it is usually found in the guitar section. From the big riffs of Cheap Trick's Rick Nielsen to Robert Quine's excited guitar leads on Matthew Sweet albums, just because it's "pop" doesn't mean it doesn't rock. For their second album, <a href='http://www.fountainsofwayne.com/home/'>Fountains of Wayne</a> duo Adam Schlesinger and Chris Collingwood recruited former Belltower guitarist Joey Porter and former Poises drummer Brian Young to complete the foursome. Two veteran players mean a tightened rhythm section and a bigger guitar sound that allows the band to expand their sound, touching not only on power pop from the 70s, 80s, and 90s, but elements of Britpop, psychedelia, and Queen grandiosity.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Red Dragon Tattoo</p>
<p style="text-align: center;">13:00 - Utopia Parkway</p>
<p style="text-align: center;">17:48 - Lost In Space</p>
<p style="text-align: center;">25:45 - Denise</p>
<p style="text-align: center;">Outro - A Fine Day For A Parade</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gi5c9z/693-fowup.mp3" length="104470656" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Nailing down what exactly is "power pop" can be frustrating (we did a whole roundtable on it!), but the "power" end of it is usually found in the guitar section. From the big riffs of Cheap Trick's Rick Nielsen to Robert Quine's excited guitar leads on Matthew Sweet albums, just because it's "pop" doesn't mean it doesn't rock. For their second album, Fountains of Wayne duo Adam Schlesinger and Chris Collingwood recruited former Belltower guitarist Joey Porter and former Poises drummer Brian Young to complete the foursome. Two veteran players mean a tightened rhythm section and a bigger guitar sound that allows the band to expand their sound, touching not only on power pop from the 70s, 80s, and 90s, but elements of Britpop, psychedelia, and Queen grandiosity.
 
Songs In This Episode
Intro - Red Dragon Tattoo
13:00 - Utopia Parkway
17:48 - Lost In Space
25:45 - Denise
Outro - A Fine Day For A Parade
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3260</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>694</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ben Folds Five - Ben Folds Five | 90s Album Review</title>
        <itunes:title>Ben Folds Five - Ben Folds Five | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/ben-folds-five-ben-folds-five-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/ben-folds-five-ben-folds-five-90s-album-review/#comments</comments>        <pubDate>Tue, 02 Jan 2024 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/587a859c-f3e7-3000-80b2-0649c99f023b</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's hard to imagine a piano-led trio playing power-pop and 70s singer-songwriter influenced songs making headway in the sea of sorrow that was the first half of the 90s. Maybe it's better <a href='https://en.wikipedia.org/wiki/Ben_Folds_Five'>Ben Folds Five</a> made their debut in 1995, when labels abandoned looking for the next Pearl Jam or Nirvana and went after anyone with a radio-friendly song that could pair with an MTV video. Boasting Billy Joel and Elton John-style piano flourishes over fuzzed out basslines and active drums, the trio move deftly through a dozen tracks of "punk rock for sissies" with smarts and savvy, keeping the songs tight with memorable melodies throughout. Though they would shoot into the mainstream on their follow-up, the self-titled debut effort shows the band had the songwriting chops from the start.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Jackson Cannery</p>
<p style="text-align: center;">21:55 - The Best Imitation of Myself</p>
<p style="text-align: center;">38:32 - Video</p>
<p style="text-align: center;">44:47 - Underground</p>
<p style="text-align: center;">Outro - Philosophy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's hard to imagine a piano-led trio playing power-pop and 70s singer-songwriter influenced songs making headway in the sea of sorrow that was the first half of the 90s. Maybe it's better <a href='https://en.wikipedia.org/wiki/Ben_Folds_Five'>Ben Folds Five</a> made their debut in 1995, when labels abandoned looking for the next Pearl Jam or Nirvana and went after anyone with a radio-friendly song that could pair with an MTV video. Boasting Billy Joel and Elton John-style piano flourishes over fuzzed out basslines and active drums, the trio move deftly through a dozen tracks of "punk rock for sissies" with smarts and savvy, keeping the songs tight with memorable melodies throughout. Though they would shoot into the mainstream on their follow-up, the self-titled debut effort shows the band had the songwriting chops from the start.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Jackson Cannery</p>
<p style="text-align: center;">21:55 - The Best Imitation of Myself</p>
<p style="text-align: center;">38:32 - Video</p>
<p style="text-align: center;">44:47 - Underground</p>
<p style="text-align: center;">Outro - Philosophy</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fub4b9/693-bff.mp3" length="119279686" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to imagine a piano-led trio playing power-pop and 70s singer-songwriter influenced songs making headway in the sea of sorrow that was the first half of the 90s. Maybe it's better Ben Folds Five made their debut in 1995, when labels abandoned looking for the next Pearl Jam or Nirvana and went after anyone with a radio-friendly song that could pair with an MTV video. Boasting Billy Joel and Elton John-style piano flourishes over fuzzed out basslines and active drums, the trio move deftly through a dozen tracks of "punk rock for sissies" with smarts and savvy, keeping the songs tight with memorable melodies throughout. Though they would shoot into the mainstream on their follow-up, the self-titled debut effort shows the band had the songwriting chops from the start.
 
Songs In This Episode
Intro - Jackson Cannery
21:55 - The Best Imitation of Myself
38:32 - Video
44:47 - Underground
Outro - Philosophy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3725</itunes:duration>
        <itunes:season>14</itunes:season>
        <itunes:episode>693</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Season Thirteen Review</title>
        <itunes:title>Season Thirteen Review</itunes:title>
        <link>https://digmeout.podbean.com/e/season-thirteen-review/</link>
                    <comments>https://digmeout.podbean.com/e/season-thirteen-review/#comments</comments>        <pubDate>Tue, 26 Dec 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5de8afc2-717a-3a2b-9f70-92158edcd81a</guid>
                                    <description><![CDATA[<p style="text-align: center;">There is a lot to talk about when we look back on 2023. Albums new and old from 90s and 00s artists blasted from our speakers and headphones everyday. As with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season fourteen in 2024!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">There is a lot to talk about when we look back on 2023. Albums new and old from 90s and 00s artists blasted from our speakers and headphones everyday. As with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season fourteen in 2024!</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/iwntqb/691-year13review.mp3" length="43358351" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There is a lot to talk about when we look back on 2023. Albums new and old from 90s and 00s artists blasted from our speakers and headphones everyday. As with our previous year-in-review episodes, we look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season fourteen in 2024!
 
Songs In This Episode:
Intro/Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1321</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>692</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Warrant - Dog Eat Dog | 90s Album Review</title>
        <itunes:title>Warrant - Dog Eat Dog | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/warrant-dog-eat-dog-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/warrant-dog-eat-dog-90s-album-review/#comments</comments>        <pubDate>Tue, 19 Dec 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f40596a8-9452-38bd-b072-82be872e89cb</guid>
                                    <description><![CDATA[<p style="text-align: center;">The explosion of Nevermind in 1991 pushed Sunset Strip bands that dominated the 1980s off of radio and MTV in favor of Seattle's Big 4 - Nirvana, Pearl Jam, Soundgarden, and Alice in Chains. Promotion and marketing budgets dried up, tours saw decreasing attendance, and it left many hair and glam rock bands wondering what to do next. For <a href='https://www.warrantrocks.com/'>Warrant</a>, who made a name on power ballads and Cherry Pie, the shifting winds allowed them to explore the songwriting talent of frontman Jani Lane. On 1992's Dog Eat Dog, innuendo is swapped for political and social commentary on "April 2031" while "All the Bridges Are Burning" tackles drug addiction, neither standard fare for LA bands. While there are a few straightforward nods to the first two albums, the band make it clear they were capable of entering Queensryche or other previously unexplored territory with ease, whether their fanbase and radio were ready or not.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Machine Gun</p>
<p style="text-align: center;">13:06 - April 2031</p>
<p style="text-align: center;">32:01 - Sad Theresa</p>
<p style="text-align: center;">41:13 - The Hole In My Wall</p>
<p style="text-align: center;">57:12 - Inside Out</p>
<p style="text-align: center;">Outro - Bonfire</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The explosion of Nevermind in 1991 pushed Sunset Strip bands that dominated the 1980s off of radio and MTV in favor of Seattle's Big 4 - Nirvana, Pearl Jam, Soundgarden, and Alice in Chains. Promotion and marketing budgets dried up, tours saw decreasing attendance, and it left many hair and glam rock bands wondering what to do next. For <a href='https://www.warrantrocks.com/'>Warrant</a>, who made a name on power ballads and Cherry Pie, the shifting winds allowed them to explore the songwriting talent of frontman Jani Lane. On 1992's Dog Eat Dog, innuendo is swapped for political and social commentary on "April 2031" while "All the Bridges Are Burning" tackles drug addiction, neither standard fare for LA bands. While there are a few straightforward nods to the first two albums, the band make it clear they were capable of entering Queensryche or other previously unexplored territory with ease, whether their fanbase and radio were ready or not.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Machine Gun</p>
<p style="text-align: center;">13:06 - April 2031</p>
<p style="text-align: center;">32:01 - Sad Theresa</p>
<p style="text-align: center;">41:13 - The Hole In My Wall</p>
<p style="text-align: center;">57:12 - Inside Out</p>
<p style="text-align: center;">Outro - Bonfire</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggz62r/690-warrant.mp3" length="162959140" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The explosion of Nevermind in 1991 pushed Sunset Strip bands that dominated the 1980s off of radio and MTV in favor of Seattle's Big 4 - Nirvana, Pearl Jam, Soundgarden, and Alice in Chains. Promotion and marketing budgets dried up, tours saw decreasing attendance, and it left many hair and glam rock bands wondering what to do next. For Warrant, who made a name on power ballads and Cherry Pie, the shifting winds allowed them to explore the songwriting talent of frontman Jani Lane. On 1992's Dog Eat Dog, innuendo is swapped for political and social commentary on "April 2031" while "All the Bridges Are Burning" tackles drug addiction, neither standard fare for LA bands. While there are a few straightforward nods to the first two albums, the band make it clear they were capable of entering Queensryche or other previously unexplored territory with ease, whether their fanbase and radio were ready or not.
 
Songs In This Episode
Intro - Machine Gun
13:06 - April 2031
32:01 - Sad Theresa
41:13 - The Hole In My Wall
57:12 - Inside Out
Outro - Bonfire
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5086</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>691</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pearl Jam - Ten | 90s Album Review</title>
        <itunes:title>Pearl Jam - Ten | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pearl-jam-ten-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pearl-jam-ten-90s-album-review/#comments</comments>        <pubDate>Tue, 12 Dec 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/74ebf971-e05e-314b-b144-558a9380b56c</guid>
                                    <description><![CDATA[<p style="text-align: center;">For the next installment of our series looking back at the Diamond selling albums of the 1990s, we're revisiting the 1991 debut album Ten by <a href='https://pearljam.com/'>Pearl Jam</a>. Though it wasn't an immediate smash upon release, Ten built success on the back of singles like "Alive," "Evenflow," and "Jeremy" with heavy support from radio and MTV. Though the band pulled the plug on videos from then until their 1998 album Yield, demand for the band didn't diminish, as the follow-up Vs. became one of the bestselling debut weeks in music history. But Pearl Jam was not without their detractors, criticizing everything from Eddie Vedder's singing style to album production choices, lyrical content, their credibility as "Seattle band," dismissed as nothing more than classic rock, and more. Much has been said and written over the two-plus decades since its release, so is there really much more to explore? Yes, there is. Like, was Jeff Ament's bass playing the secret sauce that drove the Pearl Jam engine? Is the derided reverb-tinged production actually what makes the album special? And in the world of Gen Z and Alpha sporting Nirvana t-shirts, is Pearl Jam relevant to anyone under forty? Or have they become the new Grateful Dead?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Evenflow</p>
<p style="text-align: center;">28:49 - Once</p>
<p style="text-align: center;">38:35 - Yellow Ledbetter</p>
<p style="text-align: center;">45:07 - Footsteps</p>
<p style="text-align: center;">45:47 - Times of Trouble (Temple Of The Dog)</p>
<p style="text-align: center;">55:18 - Alive</p>
<p style="text-align: center;">1:14:59 - Black (Live, Dissident Single)</p>
<p style="text-align: center;">Outro - Release</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For the next installment of our series looking back at the Diamond selling albums of the 1990s, we're revisiting the 1991 debut album Ten by <a href='https://pearljam.com/'>Pearl Jam</a>. Though it wasn't an immediate smash upon release, Ten built success on the back of singles like "Alive," "Evenflow," and "Jeremy" with heavy support from radio and MTV. Though the band pulled the plug on videos from then until their 1998 album Yield, demand for the band didn't diminish, as the follow-up Vs. became one of the bestselling debut weeks in music history. But Pearl Jam was not without their detractors, criticizing everything from Eddie Vedder's singing style to album production choices, lyrical content, their credibility as "Seattle band," dismissed as nothing more than classic rock, and more. Much has been said and written over the two-plus decades since its release, so is there really much more to explore? Yes, there is. Like, was Jeff Ament's bass playing the secret sauce that drove the Pearl Jam engine? Is the derided reverb-tinged production actually what makes the album special? And in the world of Gen Z and Alpha sporting Nirvana t-shirts, is Pearl Jam relevant to anyone under forty? Or have they become the new Grateful Dead?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Evenflow</p>
<p style="text-align: center;">28:49 - Once</p>
<p style="text-align: center;">38:35 - Yellow Ledbetter</p>
<p style="text-align: center;">45:07 - Footsteps</p>
<p style="text-align: center;">45:47 - Times of Trouble (Temple Of The Dog)</p>
<p style="text-align: center;">55:18 - Alive</p>
<p style="text-align: center;">1:14:59 - Black (Live, Dissident Single)</p>
<p style="text-align: center;">Outro - Release</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ik2nxe/689-pearljam.mp3" length="164385061" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the next installment of our series looking back at the Diamond selling albums of the 1990s, we're revisiting the 1991 debut album Ten by Pearl Jam. Though it wasn't an immediate smash upon release, Ten built success on the back of singles like "Alive," "Evenflow," and "Jeremy" with heavy support from radio and MTV. Though the band pulled the plug on videos from then until their 1998 album Yield, demand for the band didn't diminish, as the follow-up Vs. became one of the bestselling debut weeks in music history. But Pearl Jam was not without their detractors, criticizing everything from Eddie Vedder's singing style to album production choices, lyrical content, their credibility as "Seattle band," dismissed as nothing more than classic rock, and more. Much has been said and written over the two-plus decades since its release, so is there really much more to explore? Yes, there is. Like, was Jeff Ament's bass playing the secret sauce that drove the Pearl Jam engine? Is the derided reverb-tinged production actually what makes the album special? And in the world of Gen Z and Alpha sporting Nirvana t-shirts, is Pearl Jam relevant to anyone under forty? Or have they become the new Grateful Dead?
 
Songs In This Episode
Intro - Evenflow
28:49 - Once
38:35 - Yellow Ledbetter
45:07 - Footsteps
45:47 - Times of Trouble (Temple Of The Dog)
55:18 - Alive
1:14:59 - Black (Live, Dissident Single)
Outro - Release
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5130</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>690</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sigur Rós - Ágætis byrjun | 90s Album Review</title>
        <itunes:title>Sigur Rós - Ágætis byrjun | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/sigur-ros-ag%c3%a6tis-byrjun-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/sigur-ros-ag%c3%a6tis-byrjun-90s-album-review/#comments</comments>        <pubDate>Tue, 05 Dec 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e4712232-d5c1-3695-afd9-5b4af3d93ff7</guid>
                                    <description><![CDATA[<p style="text-align: center;">"Ágætis byrjun" by <a href='https://sigurros.com/'>Sigur Rós</a> was released in 1999 but didn't get proper attention until touring with Radiohead in 2000. The Icelandic post-rock band's sophomore album is lead by Jónsi Birgisson's haunting falsetto vocals partially in Hopelandic, a nonsensical language created by the band, is unlike anything from the time period. The album blends ambient, classical, and rock elements, creating a dreamlike and cinematic atmosphere. Each track is like it's own mini-movie, exploring a new sonic landscape that evokes everything from blissful euphoria to introspective melancholy. Hailed as a landmark album that pushed the boundaries of experimental music, the band employ a mix of classical orchestration and modern electronic elements, creating a one-of-a-kind cinematic and atmospheric experience.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Starálfur</p>
<p style="text-align: center;">21:14 - Svefn-g-englar</p>
<p style="text-align: center;">25:33 - Hjartað hamast (bamm bamm bamm)</p>
<p style="text-align: center;">45:06 - Olsen Olsen</p>
<p style="text-align: center;">Outro - Ný batterí</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">"Ágætis byrjun" by <a href='https://sigurros.com/'>Sigur Rós</a> was released in 1999 but didn't get proper attention until touring with Radiohead in 2000. The Icelandic post-rock band's sophomore album is lead by Jónsi Birgisson's haunting falsetto vocals partially in Hopelandic, a nonsensical language created by the band, is unlike anything from the time period. The album blends ambient, classical, and rock elements, creating a dreamlike and cinematic atmosphere. Each track is like it's own mini-movie, exploring a new sonic landscape that evokes everything from blissful euphoria to introspective melancholy. Hailed as a landmark album that pushed the boundaries of experimental music, the band employ a mix of classical orchestration and modern electronic elements, creating a one-of-a-kind cinematic and atmospheric experience.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Starálfur</p>
<p style="text-align: center;">21:14 - Svefn-g-englar</p>
<p style="text-align: center;">25:33 - Hjartað hamast (bamm bamm bamm)</p>
<p style="text-align: center;">45:06 - Olsen Olsen</p>
<p style="text-align: center;">Outro - Ný batterí</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5f9kwt/688-sigurros.mp3" length="137435855" type="audio/mpeg"/>
        <itunes:summary><![CDATA["Ágætis byrjun" by Sigur Rós was released in 1999 but didn't get proper attention until touring with Radiohead in 2000. The Icelandic post-rock band's sophomore album is lead by Jónsi Birgisson's haunting falsetto vocals partially in Hopelandic, a nonsensical language created by the band, is unlike anything from the time period. The album blends ambient, classical, and rock elements, creating a dreamlike and cinematic atmosphere. Each track is like it's own mini-movie, exploring a new sonic landscape that evokes everything from blissful euphoria to introspective melancholy. Hailed as a landmark album that pushed the boundaries of experimental music, the band employ a mix of classical orchestration and modern electronic elements, creating a one-of-a-kind cinematic and atmospheric experience.
 
Songs In This Episode
Intro - Starálfur
21:14 - Svefn-g-englar
25:33 - Hjartað hamast (bamm bamm bamm)
45:06 - Olsen Olsen
Outro - Ný batterí
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4286</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>689</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Velocity Girl - Copacetic | 90s Album Review</title>
        <itunes:title>Velocity Girl - Copacetic | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/velocity-girl-copacetic-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/velocity-girl-copacetic-90s-album-review/#comments</comments>        <pubDate>Tue, 28 Nov 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5405677f-21b1-388d-b136-cdb523e0156d</guid>
                                    <description><![CDATA[<p style="text-align: center;">After a string of indie label seven inch releases, <a href='https://www.facebook.com/profile.php?id=100091826422416'>Velocity Girl</a> from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic.</p>
<p style="text-align: center;">This episode is dedicated to <a href='https://www.digmeoutpodcast.com/special-guests/steve-muczynski'>Steven Jon</a>, who passed away on November 23rd, 2023. RIP.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Crazy Town</p>
<p style="text-align: center;">19:15 - Audrey's Eyes</p>
<p style="text-align: center;">26:09 - Here Comes</p>
<p style="text-align: center;">30:49 - Pop Loser</p>
<p style="text-align: center;">38:29 - A Chang</p>
<p style="text-align: center;">Outro - Void I: Thousand Year Drift by Hollow Earth</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">After a string of indie label seven inch releases, <a href='https://www.facebook.com/profile.php?id=100091826422416'>Velocity Girl</a> from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic.</p>
<p style="text-align: center;">This episode is dedicated to <a href='https://www.digmeoutpodcast.com/special-guests/steve-muczynski'>Steven Jon</a>, who passed away on November 23rd, 2023. RIP.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Crazy Town</p>
<p style="text-align: center;">19:15 - Audrey's Eyes</p>
<p style="text-align: center;">26:09 - Here Comes</p>
<p style="text-align: center;">30:49 - Pop Loser</p>
<p style="text-align: center;">38:29 - A Chang</p>
<p style="text-align: center;">Outro - Void I: Thousand Year Drift by Hollow Earth</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6xxnwp/687-velocitygirl.mp3" length="112579942" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After a string of indie label seven inch releases, Velocity Girl from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic.
This episode is dedicated to Steven Jon, who passed away on November 23rd, 2023. RIP.
 
Songs In This Episode
Intro - Crazy Town
19:15 - Audrey's Eyes
26:09 - Here Comes
30:49 - Pop Loser
38:29 - A Chang
Outro - Void I: Thousand Year Drift by Hollow Earth
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3513</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>688</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Music We’re Thankful For In 2023 | Roundtable</title>
        <itunes:title>Music We’re Thankful For In 2023 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/music-we-re-thankful-for-in-2023-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/music-we-re-thankful-for-in-2023-roundtable/#comments</comments>        <pubDate>Tue, 21 Nov 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6af0dc6d-7672-30a3-901c-34d7502c8d4b</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's our fourth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2023. There's a wide array of bands and artists, new and old, that helped make 2023 a great year for music. New albums from 1980s, 90s and 00s artists like Slowdive, The Hives, Louise Post of Veruca Salt, Depeche Mode, Drop Nineteens, Samiam, Gaz Coombes of Supergrass, Madder Rose, Juliana Hatfield, The Hold Steady, Brad, Ash, OMD, Allen Epley of Shiner and The Life And Times, The Church, PJ Harvey, Blur, DJ Shadow, and many more all released great late career records, while newer bands like Crown Hands, Spotlights, Houston, Vast Robot Armies, and several others landed on our radar. We also spend an inordinate amount of time rambling about the new Andre 3000 album, New Blue Sun.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Scapa Flow by Drop Nineteens</p>
<p style="text-align: center;">5:30 - Ghosts Again by Depeche Mode</p>
<p style="text-align: center;">20:43 - In The Moment That You're Born by Brad</p>
<p style="text-align: center;">35:40 - Graveyard Love by Mutoid Man</p>
<p style="text-align: center;">57:30 - Ants To You, Gods To Who? - Andre 3000</p>
<p style="text-align: center;">Outro - Countdown to Shutdown - The Hives</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's our fourth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2023. There's a wide array of bands and artists, new and old, that helped make 2023 a great year for music. New albums from 1980s, 90s and 00s artists like Slowdive, The Hives, Louise Post of Veruca Salt, Depeche Mode, Drop Nineteens, Samiam, Gaz Coombes of Supergrass, Madder Rose, Juliana Hatfield, The Hold Steady, Brad, Ash, OMD, Allen Epley of Shiner and The Life And Times, The Church, PJ Harvey, Blur, DJ Shadow, and many more all released great late career records, while newer bands like Crown Hands, Spotlights, Houston, Vast Robot Armies, and several others landed on our radar. We also spend an inordinate amount of time rambling about the new Andre 3000 album, New Blue Sun.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Scapa Flow by Drop Nineteens</p>
<p style="text-align: center;">5:30 - Ghosts Again by Depeche Mode</p>
<p style="text-align: center;">20:43 - In The Moment That You're Born by Brad</p>
<p style="text-align: center;">35:40 - Graveyard Love by Mutoid Man</p>
<p style="text-align: center;">57:30 - Ants To You, Gods To Who? - Andre 3000</p>
<p style="text-align: center;">Outro - Countdown to Shutdown - The Hives</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/crhrvh/686-thankful2023.mp3" length="166098583" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's our fourth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2023. There's a wide array of bands and artists, new and old, that helped make 2023 a great year for music. New albums from 1980s, 90s and 00s artists like Slowdive, The Hives, Louise Post of Veruca Salt, Depeche Mode, Drop Nineteens, Samiam, Gaz Coombes of Supergrass, Madder Rose, Juliana Hatfield, The Hold Steady, Brad, Ash, OMD, Allen Epley of Shiner and The Life And Times, The Church, PJ Harvey, Blur, DJ Shadow, and many more all released great late career records, while newer bands like Crown Hands, Spotlights, Houston, Vast Robot Armies, and several others landed on our radar. We also spend an inordinate amount of time rambling about the new Andre 3000 album, New Blue Sun.
 
Songs In This Episode
Intro - Scapa Flow by Drop Nineteens
5:30 - Ghosts Again by Depeche Mode
20:43 - In The Moment That You're Born by Brad
35:40 - Graveyard Love by Mutoid Man
57:30 - Ants To You, Gods To Who? - Andre 3000
Outro - Countdown to Shutdown - The Hives
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5178</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>687</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Elastica - Elastica with special guest Rob Harvilla | 90s Album Review</title>
        <itunes:title>Elastica - Elastica with special guest Rob Harvilla | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/elastica-elastica-with-special-guest-rob-harvilla-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/elastica-elastica-with-special-guest-rob-harvilla-90s-album-review/#comments</comments>        <pubDate>Tue, 14 Nov 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/eb87c283-6944-3e20-8491-80b952aa24d6</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://en.wikipedia.org/wiki/Elastica'>Elastica</a> burst onto the scene in 1995 with their highly acclaimed self-titled debut album, showcasing the band's distinctive blend of punk-inspired energy and catchy pop hooks. Elastica's minimalist sound and frontwoman Justine Frischmann's laid back vocals separated the band from their Britpop counterparts Blur, Suede, Oasis and Pulp. To help us revisit their freshman effort, we're joined by Rob Harvilla, host of the <a href='https://open.spotify.com/show/0njxeKJKFtoJhCRF1ShmL4?si=e5f4a27e56174c08'>60 Songs That Define the 90s podcast</a> and his <a href='https://a.co/d/70EVEEL'>new corresponding book</a>, out November 14th.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Connection</p>
<p style="text-align: center;">27:09 - Car Song</p>
<p style="text-align: center;">35:05 - Blue</p>
<p style="text-align: center;">39:43 - Indian Song</p>
<p style="text-align: center;">Outro - Line Up</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://en.wikipedia.org/wiki/Elastica'>Elastica</a> burst onto the scene in 1995 with their highly acclaimed self-titled debut album, showcasing the band's distinctive blend of punk-inspired energy and catchy pop hooks. Elastica's minimalist sound and frontwoman Justine Frischmann's laid back vocals separated the band from their Britpop counterparts Blur, Suede, Oasis and Pulp. To help us revisit their freshman effort, we're joined by Rob Harvilla, host of the <a href='https://open.spotify.com/show/0njxeKJKFtoJhCRF1ShmL4?si=e5f4a27e56174c08'>60 Songs That Define the 90s podcast</a> and his <a href='https://a.co/d/70EVEEL'>new corresponding book</a>, out November 14th.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Connection</p>
<p style="text-align: center;">27:09 - Car Song</p>
<p style="text-align: center;">35:05 - Blue</p>
<p style="text-align: center;">39:43 - Indian Song</p>
<p style="text-align: center;">Outro - Line Up</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3fdkpv/684-elastica.mp3" length="161337204" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Elastica burst onto the scene in 1995 with their highly acclaimed self-titled debut album, showcasing the band's distinctive blend of punk-inspired energy and catchy pop hooks. Elastica's minimalist sound and frontwoman Justine Frischmann's laid back vocals separated the band from their Britpop counterparts Blur, Suede, Oasis and Pulp. To help us revisit their freshman effort, we're joined by Rob Harvilla, host of the 60 Songs That Define the 90s podcast and his new corresponding book, out November 14th.
 
Songs In This Episode
Intro - Connection
27:09 - Car Song
35:05 - Blue
39:43 - Indian Song
Outro - Line Up
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5037</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>686</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dirty Three - Horse Stories | 90s Album Review</title>
        <itunes:title>Dirty Three - Horse Stories | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/dirty-three-horse-stories-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/dirty-three-horse-stories-90s-album-review/#comments</comments>        <pubDate>Tue, 07 Nov 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/708dd9c0-ff7c-3db7-b37e-136d774f4b77</guid>
                                    <description><![CDATA[<p style="text-align: center;">Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the <a href='https://dirtythree.bandcamp.com/'>Dirty Three</a> accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro -Sue's Last Ride</p>
<p style="text-align: center;">19:39 - At The Bar</p>
<p style="text-align: center;">28:03 - Warren's Lament</p>
<p style="text-align: center;">Outro - Red</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the <a href='https://dirtythree.bandcamp.com/'>Dirty Three</a> accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro -Sue's Last Ride</p>
<p style="text-align: center;">19:39 - At The Bar</p>
<p style="text-align: center;">28:03 - Warren's Lament</p>
<p style="text-align: center;">Outro - Red</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kmb5tp/684-dirtythree.mp3" length="112131743" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Leaving behind traditional rock 'n roll structures for more experimental avenues is nothing new for post-rock bands stretching back to The Velvet Underground drones or Brian Eno's ambient albums. It's stretches boundaries into free jazz, krautrock, math rock, and more often with a mechanical feel. That is quite the opposite of what the Dirty Three accomplish on their 1996 album Horse Stories, filled with the improvisations of Warren Ellis on violin, Mick Turners on guitars and bass, and Jim White on drum. The three-piece creates a wide cinematic scope, using space and slow building dynamics to evoke European folk ballads, traditional blues, classical music and much more.
 
Songs In This Episode
Intro -Sue's Last Ride
19:39 - At The Bar
28:03 - Warren's Lament
Outro - Red
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3488</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>685</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Superdrag - Head Trip In Every Key | 90s Album Review</title>
        <itunes:title>Superdrag - Head Trip In Every Key | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/superdrag-head-trip-in-every-key-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/superdrag-head-trip-in-every-key-90s-album-review/#comments</comments>        <pubDate>Tue, 31 Oct 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/aaa52cbe-79b5-318c-a46e-be5f526b6ffc</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://www.facebook.com/superdragofficial/'>Superdrag</a> first gained recognition with their debut album, "Regretfully Yours," which featured the hit single "Sucked Out." Elektra records upped the dough for a sophomore album hoping the band would follow-up the hit with more radio friendly singles. Instead, "Head Trip in Every Key," marked a significant departure from their freshman effort. The band continued to deliver their trademark catchy melodies, but this time, they incorporated more diverse musical elements, like psychedelic rock and Beach Boys-esque pop. The album featured a broader range of instruments and experimental sounds, showcasing the band's evolving musical maturity. The band's sound became more intricate and layered, reflecting a greater musical complexity in their compositions. Despite these changes, Superdrag's unmistakable energy and John Davis' distinctive vocals remained at the core of their sound, making "Head Trip in Every Key" an important milestone in their musical evolution.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Do The Vampire</p>
<p style="text-align: center;">19:32 - I'm Expanding My Mind</p>
<p style="text-align: center;">30:36 - Pine Away</p>
<p style="text-align: center;">42.25 - Mr. Underground</p>
<p style="text-align: center;">Outro - Hellbent</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://www.facebook.com/superdragofficial/'>Superdrag</a> first gained recognition with their debut album, "Regretfully Yours," which featured the hit single "Sucked Out." Elektra records upped the dough for a sophomore album hoping the band would follow-up the hit with more radio friendly singles. Instead, "Head Trip in Every Key," marked a significant departure from their freshman effort. The band continued to deliver their trademark catchy melodies, but this time, they incorporated more diverse musical elements, like psychedelic rock and Beach Boys-esque pop. The album featured a broader range of instruments and experimental sounds, showcasing the band's evolving musical maturity. The band's sound became more intricate and layered, reflecting a greater musical complexity in their compositions. Despite these changes, Superdrag's unmistakable energy and John Davis' distinctive vocals remained at the core of their sound, making "Head Trip in Every Key" an important milestone in their musical evolution.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Do The Vampire</p>
<p style="text-align: center;">19:32 - I'm Expanding My Mind</p>
<p style="text-align: center;">30:36 - Pine Away</p>
<p style="text-align: center;">42.25 - Mr. Underground</p>
<p style="text-align: center;">Outro - Hellbent</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/unekyn/683-sdhtiek.mp3" length="142278003" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Superdrag first gained recognition with their debut album, "Regretfully Yours," which featured the hit single "Sucked Out." Elektra records upped the dough for a sophomore album hoping the band would follow-up the hit with more radio friendly singles. Instead, "Head Trip in Every Key," marked a significant departure from their freshman effort. The band continued to deliver their trademark catchy melodies, but this time, they incorporated more diverse musical elements, like psychedelic rock and Beach Boys-esque pop. The album featured a broader range of instruments and experimental sounds, showcasing the band's evolving musical maturity. The band's sound became more intricate and layered, reflecting a greater musical complexity in their compositions. Despite these changes, Superdrag's unmistakable energy and John Davis' distinctive vocals remained at the core of their sound, making "Head Trip in Every Key" an important milestone in their musical evolution.
 
Songs In This Episode
Intro - Do The Vampire
19:32 - I'm Expanding My Mind
30:36 - Pine Away
42.25 - Mr. Underground
Outro - Hellbent
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4441</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>684</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Course Of Empire by Course Of Empire | 90s Album Review</title>
        <itunes:title>Course Of Empire by Course Of Empire | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/course-of-empire-by-course-of-empire-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/course-of-empire-by-course-of-empire-90s-album-review/#comments</comments>        <pubDate>Tue, 24 Oct 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3e825c97-386f-3803-8e26-3c4468d84796</guid>
                                    <description><![CDATA[<p style="text-align: center;">Dark, brooding atmospheres with intense, pulsating rhythms complemented by searing guitar work and haunting, enigmatic lyrics roughly sum up the wild ride that it is self-titled debut album by <a href='https://en.wikipedia.org/wiki/Course_of_Empire_(band)'>Course Of Empire</a>. If an album can be called "dystopian," which is usually reserved for science fiction novels and movies, Course Of Empire may qualify. Thanks to hypnotic, almost tribal percussion via a pair of drummers, the band stretches from tabla jams to industrial beats to ambient drone guitar to poppy new wave, all drenched in a very specific moodiness. Defined by its experimental and uncompromising nature, the album is a great example of the 1980s/90s crossroads that alternative music found itself as college rock rose to prominence on MTV and radio, resulting in the band re-releasing the album in 1992 via a major label deal with Zoo Entertainment.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Ptah</p>
<p style="text-align: center;">17:40 - Peace Child</p>
<p style="text-align: center;">23:14 - Copious</p>
<p style="text-align: center;">27:01 - Dawn Of The Great Eastern Sun</p>
<p style="text-align: center;">35:58 - Sins of the Fathers</p>
<p style="text-align: center;">Outro - Mountains Of The Spoken</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Dark, brooding atmospheres with intense, pulsating rhythms complemented by searing guitar work and haunting, enigmatic lyrics roughly sum up the wild ride that it is self-titled debut album by <a href='https://en.wikipedia.org/wiki/Course_of_Empire_(band)'>Course Of Empire</a>. If an album can be called "dystopian," which is usually reserved for science fiction novels and movies, Course Of Empire may qualify. Thanks to hypnotic, almost tribal percussion via a pair of drummers, the band stretches from tabla jams to industrial beats to ambient drone guitar to poppy new wave, all drenched in a very specific moodiness. Defined by its experimental and uncompromising nature, the album is a great example of the 1980s/90s crossroads that alternative music found itself as college rock rose to prominence on MTV and radio, resulting in the band re-releasing the album in 1992 via a major label deal with Zoo Entertainment.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Ptah</p>
<p style="text-align: center;">17:40 - Peace Child</p>
<p style="text-align: center;">23:14 - Copious</p>
<p style="text-align: center;">27:01 - Dawn Of The Great Eastern Sun</p>
<p style="text-align: center;">35:58 - Sins of the Fathers</p>
<p style="text-align: center;">Outro - Mountains Of The Spoken</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ujajry/682-courseofempire.mp3" length="116570721" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Dark, brooding atmospheres with intense, pulsating rhythms complemented by searing guitar work and haunting, enigmatic lyrics roughly sum up the wild ride that it is self-titled debut album by Course Of Empire. If an album can be called "dystopian," which is usually reserved for science fiction novels and movies, Course Of Empire may qualify. Thanks to hypnotic, almost tribal percussion via a pair of drummers, the band stretches from tabla jams to industrial beats to ambient drone guitar to poppy new wave, all drenched in a very specific moodiness. Defined by its experimental and uncompromising nature, the album is a great example of the 1980s/90s crossroads that alternative music found itself as college rock rose to prominence on MTV and radio, resulting in the band re-releasing the album in 1992 via a major label deal with Zoo Entertainment.
 
Songs In This Episode
Intro - Ptah
17:40 - Peace Child
23:14 - Copious
27:01 - Dawn Of The Great Eastern Sun
35:58 - Sins of the Fathers
Outro - Mountains Of The Spoken
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3639</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>683</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Duster - Stratosphere | 90s Album Review</title>
        <itunes:title>Duster - Stratosphere | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/duster-stratosphere-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/duster-stratosphere-90s-album-review/#comments</comments>        <pubDate>Tue, 17 Oct 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4171cc8d-c8b1-3de1-8f52-ca183dd8c5e0</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='https://dusternumero.bandcamp.com/music'>Duster</a>'s 1998 debut Stratosphere came out to little fanfare at the time of release. Featuring a distinctive blend of dreamy, reverb-soaked guitars, buried vocals, and a deliberate, slow tempo, the band creates an atmospheric sound that is occasionally mesmerizing. Characterized by its introspective and melancholic mood, tracks like "Heading for the Door" and "Gold Dust" transport listeners to a sonically immersive and otherworldly place, making it a cult classic in the indie rock and shoegaze communities. Over the years, the album has gained recognition for its influence on subsequent generations of musicians exploring similar sonic landscapes. But buzz can be a double-edged sword, so will this revered record live up to the hype?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Inside Out</p>
<p style="text-align: center;">22:00 - Heading For The Door</p>
<p style="text-align: center;">26:32 - Stratosphere</p>
<p style="text-align: center;">29:23 - Gold Dust</p>
<p style="text-align: center;">33:50 - Earth Moon Transit</p>
<p style="text-align: center;">37:23 - Topical Solution</p>
<p style="text-align: center;">Outro - Docking The Pod</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='https://dusternumero.bandcamp.com/music'>Duster</a>'s 1998 debut Stratosphere came out to little fanfare at the time of release. Featuring a distinctive blend of dreamy, reverb-soaked guitars, buried vocals, and a deliberate, slow tempo, the band creates an atmospheric sound that is occasionally mesmerizing. Characterized by its introspective and melancholic mood, tracks like "Heading for the Door" and "Gold Dust" transport listeners to a sonically immersive and otherworldly place, making it a cult classic in the indie rock and shoegaze communities. Over the years, the album has gained recognition for its influence on subsequent generations of musicians exploring similar sonic landscapes. But buzz can be a double-edged sword, so will this revered record live up to the hype?</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Inside Out</p>
<p style="text-align: center;">22:00 - Heading For The Door</p>
<p style="text-align: center;">26:32 - Stratosphere</p>
<p style="text-align: center;">29:23 - Gold Dust</p>
<p style="text-align: center;">33:50 - Earth Moon Transit</p>
<p style="text-align: center;">37:23 - Topical Solution</p>
<p style="text-align: center;">Outro - Docking The Pod</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tzpjxw/681-duster.mp3" length="116611689" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Duster's 1998 debut Stratosphere came out to little fanfare at the time of release. Featuring a distinctive blend of dreamy, reverb-soaked guitars, buried vocals, and a deliberate, slow tempo, the band creates an atmospheric sound that is occasionally mesmerizing. Characterized by its introspective and melancholic mood, tracks like "Heading for the Door" and "Gold Dust" transport listeners to a sonically immersive and otherworldly place, making it a cult classic in the indie rock and shoegaze communities. Over the years, the album has gained recognition for its influence on subsequent generations of musicians exploring similar sonic landscapes. But buzz can be a double-edged sword, so will this revered record live up to the hype?
 
Songs In This Episode
Intro - Inside Out
22:00 - Heading For The Door
26:32 - Stratosphere
29:23 - Gold Dust
33:50 - Earth Moon Transit
37:23 - Topical Solution
Outro - Docking The Pod
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3630</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>682</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Samiam - You Are Freaking Me Out | 90s Album Review</title>
        <itunes:title>Samiam - You Are Freaking Me Out | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/samiam-you-are-freaking-me-out-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/samiam-you-are-freaking-me-out-90s-album-review/#comments</comments>        <pubDate>Tue, 10 Oct 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8ec06fab-66e2-3f4e-882d-bc9299d872f9</guid>
                                    <description><![CDATA[<p style="text-align: center;">Following the release of 1994's Clumsy for Atlantic, <a href='https://www.facebook.com/samiamband'>Samiam</a> took their completed fifth album back from the major label and found a new home with Ignition. Unfortunately, that label ran into money troubles, leaving copies of You Are Freaking Me Out difficult to come by. For a band that evolved out of the same Bay Area punk scene as Green Day, Bad Religion, Operation Ivy, and many more, the band never reached the same commercial heights as some of their contemporaries, but maintains a dedicated fanbase to this day. While some may have questioned the band's evolution from skate punks to something closer to post-hardcore, emo, and even pop-punk, the key ingredients - catchy hooks, big guitar riffs, and a propulsive rhythm section, keep the record on track even when they take chances with quieter and more subdued moments, and even a Beatles cover.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - She Found You</p>
<p style="text-align: center;">20:44- Full On</p>
<p style="text-align: center;">27:06 - Cry Baby Cry</p>
<p style="text-align: center;">29:46 - Charity</p>
<p style="text-align: center;">Outro - Ordinary</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Following the release of 1994's Clumsy for Atlantic, <a href='https://www.facebook.com/samiamband'>Samiam</a> took their completed fifth album back from the major label and found a new home with Ignition. Unfortunately, that label ran into money troubles, leaving copies of You Are Freaking Me Out difficult to come by. For a band that evolved out of the same Bay Area punk scene as Green Day, Bad Religion, Operation Ivy, and many more, the band never reached the same commercial heights as some of their contemporaries, but maintains a dedicated fanbase to this day. While some may have questioned the band's evolution from skate punks to something closer to post-hardcore, emo, and even pop-punk, the key ingredients - catchy hooks, big guitar riffs, and a propulsive rhythm section, keep the record on track even when they take chances with quieter and more subdued moments, and even a Beatles cover.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - She Found You</p>
<p style="text-align: center;">20:44- Full On</p>
<p style="text-align: center;">27:06 - Cry Baby Cry</p>
<p style="text-align: center;">29:46 - Charity</p>
<p style="text-align: center;">Outro - Ordinary</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggbcrw/679-samiam.mp3" length="88011271" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Following the release of 1994's Clumsy for Atlantic, Samiam took their completed fifth album back from the major label and found a new home with Ignition. Unfortunately, that label ran into money troubles, leaving copies of You Are Freaking Me Out difficult to come by. For a band that evolved out of the same Bay Area punk scene as Green Day, Bad Religion, Operation Ivy, and many more, the band never reached the same commercial heights as some of their contemporaries, but maintains a dedicated fanbase to this day. While some may have questioned the band's evolution from skate punks to something closer to post-hardcore, emo, and even pop-punk, the key ingredients - catchy hooks, big guitar riffs, and a propulsive rhythm section, keep the record on track even when they take chances with quieter and more subdued moments, and even a Beatles cover.
 
Songs In This Episode
Intro - She Found You
20:44- Full On
27:06 - Cry Baby Cry
29:46 - Charity
Outro - Ordinary
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2743</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>681</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Blur - Blur | 90s Album Review</title>
        <itunes:title>Blur - Blur | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/blur-blur-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/blur-blur-90s-album-review/#comments</comments>        <pubDate>Tue, 03 Oct 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c947de3e-03c4-3e4e-b0c8-7457a5a2ffee</guid>
                                    <description><![CDATA[<p style="text-align: center;">Having blazed a trail with some of the most successful Britpop albums of the 1990s, <a href='https://www.blur.co.uk/'>Blur</a> was heading for implosion following their tabloid battle with Oasis in 1995 and inter-band turmoil. To reorient themselves, they turned to the country that used to be a target of scorn - America. Specifically, American indie rock like Pavement. You can hear the influence throughout the album as the band takes the noise, the jagged guitar lines, the lo-fi aesthetics, and put their unique spin on it. That unique spin, of course, would end up creating one of the most memorable songs of the 90s, "Song 2," that still gets played in stadiums at sporting events around the world, and is a staple on 90s classic radio. But "Song 2" is just the tip of a very weird, very singular sound that would find the band taking chances that mostly paid off.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song 2</p>
<p style="text-align: center;">18:57 - Strange News From Another Star</p>
<p style="text-align: center;">24:40 - On Your Own</p>
<p style="text-align: center;">29:56 - Death of a Party</p>
<p style="text-align: center;">37:56 - I'm Just A Killer For Your Love</p>
<p style="text-align: center;">Outro - Beetlebum</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Having blazed a trail with some of the most successful Britpop albums of the 1990s, <a href='https://www.blur.co.uk/'>Blur</a> was heading for implosion following their tabloid battle with Oasis in 1995 and inter-band turmoil. To reorient themselves, they turned to the country that used to be a target of scorn - America. Specifically, American indie rock like Pavement. You can hear the influence throughout the album as the band takes the noise, the jagged guitar lines, the lo-fi aesthetics, and put their unique spin on it. That unique spin, of course, would end up creating one of the most memorable songs of the 90s, "Song 2," that still gets played in stadiums at sporting events around the world, and is a staple on 90s classic radio. But "Song 2" is just the tip of a very weird, very singular sound that would find the band taking chances that mostly paid off.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Song 2</p>
<p style="text-align: center;">18:57 - Strange News From Another Star</p>
<p style="text-align: center;">24:40 - On Your Own</p>
<p style="text-align: center;">29:56 - Death of a Party</p>
<p style="text-align: center;">37:56 - I'm Just A Killer For Your Love</p>
<p style="text-align: center;">Outro - Beetlebum</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r6bmgv/679-blur.mp3" length="131949862" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Having blazed a trail with some of the most successful Britpop albums of the 1990s, Blur was heading for implosion following their tabloid battle with Oasis in 1995 and inter-band turmoil. To reorient themselves, they turned to the country that used to be a target of scorn - America. Specifically, American indie rock like Pavement. You can hear the influence throughout the album as the band takes the noise, the jagged guitar lines, the lo-fi aesthetics, and put their unique spin on it. That unique spin, of course, would end up creating one of the most memorable songs of the 90s, "Song 2," that still gets played in stadiums at sporting events around the world, and is a staple on 90s classic radio. But "Song 2" is just the tip of a very weird, very singular sound that would find the band taking chances that mostly paid off.
 
Songs In This Episode
Intro - Song 2
18:57 - Strange News From Another Star
24:40 - On Your Own
29:56 - Death of a Party
37:56 - I'm Just A Killer For Your Love
Outro - Beetlebum
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4119</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>680</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tracy Bonham - The Burdens of Being Upright | 90s Album Review</title>
        <itunes:title>Tracy Bonham - The Burdens of Being Upright | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/tracy-bonham-the-burdens-of-being-upright-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/tracy-bonham-the-burdens-of-being-upright-90s-album-review/#comments</comments>        <pubDate>Tue, 26 Sep 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/456d1376-6581-3eb0-8978-63e3c804f0ff</guid>
                                    <description><![CDATA[<p style="text-align: center;">Major label debuts for any artist can be a double-edged sword. Recording a group of songs you've had years to craft means they've spent plenty of time in the woodshed, but the pressure to produce a hit, especially in the back half of the 90s, means sometimes the obvious singles get the most attention in the studio and post-production. That is the semi-issue with <a href='https://www.tracybonham.com/'>Tracy Bonham</a>'s 1996 freshman release The Burdens of Being Upright. Chock full of interesting, catchy tunes like the hit single "Mother Mother," the bouncy "The One," the punky "Bulldog," and others helps the record fly by in entertaining fashion. As high as the highs are, there are no low lows, just some disappointing valleys that sound like the first draft of what could have been much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Navy Bean</p>
<p style="text-align: center;">16:28 - Mother Mother</p>
<p style="text-align: center;">22:45 - Tell It To The Sky</p>
<p style="text-align: center;">32:29 - Sharks Can't Sleep</p>
<p style="text-align: center;">Outro - The One</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Major label debuts for any artist can be a double-edged sword. Recording a group of songs you've had years to craft means they've spent plenty of time in the woodshed, but the pressure to produce a hit, especially in the back half of the 90s, means sometimes the obvious singles get the most attention in the studio and post-production. That is the semi-issue with <a href='https://www.tracybonham.com/'>Tracy Bonham</a>'s 1996 freshman release The Burdens of Being Upright. Chock full of interesting, catchy tunes like the hit single "Mother Mother," the bouncy "The One," the punky "Bulldog," and others helps the record fly by in entertaining fashion. As high as the highs are, there are no low lows, just some disappointing valleys that sound like the first draft of what could have been much more.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode</p>
<p style="text-align: center;">Intro - Navy Bean</p>
<p style="text-align: center;">16:28 - Mother Mother</p>
<p style="text-align: center;">22:45 - Tell It To The Sky</p>
<p style="text-align: center;">32:29 - Sharks Can't Sleep</p>
<p style="text-align: center;">Outro - The One</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hp8hg2/678-tracybonham.mp3" length="95018003" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Major label debuts for any artist can be a double-edged sword. Recording a group of songs you've had years to craft means they've spent plenty of time in the woodshed, but the pressure to produce a hit, especially in the back half of the 90s, means sometimes the obvious singles get the most attention in the studio and post-production. That is the semi-issue with Tracy Bonham's 1996 freshman release The Burdens of Being Upright. Chock full of interesting, catchy tunes like the hit single "Mother Mother," the bouncy "The One," the punky "Bulldog," and others helps the record fly by in entertaining fashion. As high as the highs are, there are no low lows, just some disappointing valleys that sound like the first draft of what could have been much more.
 
Songs In This Episode
Intro - Navy Bean
16:28 - Mother Mother
22:45 - Tell It To The Sky
32:29 - Sharks Can't Sleep
Outro - The One
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2966</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>679</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Flu Thirteen - In the Foul Key of V | 90s Album Review</title>
        <itunes:title>Flu Thirteen - In the Foul Key of V | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/flu-thirteen-in-the-foul-key-of-v-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/flu-thirteen-in-the-foul-key-of-v-90s-album-review/#comments</comments>        <pubDate>Tue, 19 Sep 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/57783aa8-8404-37ae-b5bb-22853cb3c4c4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Before changing their name to Diffuser and scoring a couple of hits in the early 00s, the long island quartet <a href='https://www.discogs.com/artist/2254920-Flu-Thirteen'>Flu Thirteen</a> banged out jagged post-hardcore riffs and rhythms on par with bands of the time. Getting producer J. Robbins, whose work in the 90s on albums by Braid, Texas Is The Reason, The Promise Ring, and many more helped define the late 90s indie rock sound, was a perfect match to help refine and define the band's sound. On their 1998 album In The Foul Key of V, the band unleashes a steady stream of dynamic arrangements, shifting between blazing dissonance and subdued restraint that occasionally recalls the valleys of Sunny Day Real Estate.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Romeo-Core</p>
<p style="text-align:center;">12:30 - Stale</p>
<p style="text-align:center;">17:41 - The Ghost of the Organ Player at the Hockey Coliseum</p>
<p style="text-align:center;">20:45 - Accessing the Know-How</p>
<p style="text-align:center;">26:10 -Jerome Does a Dance in Hi-Fidelity</p>
<p style="text-align:center;">Outro - My Beijing Hot Rod</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Before changing their name to Diffuser and scoring a couple of hits in the early 00s, the long island quartet <a href='https://www.discogs.com/artist/2254920-Flu-Thirteen'>Flu Thirteen</a> banged out jagged post-hardcore riffs and rhythms on par with bands of the time. Getting producer J. Robbins, whose work in the 90s on albums by Braid, Texas Is The Reason, The Promise Ring, and many more helped define the late 90s indie rock sound, was a perfect match to help refine and define the band's sound. On their 1998 album In The Foul Key of V, the band unleashes a steady stream of dynamic arrangements, shifting between blazing dissonance and subdued restraint that occasionally recalls the valleys of Sunny Day Real Estate.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Romeo-Core</p>
<p style="text-align:center;">12:30 - Stale</p>
<p style="text-align:center;">17:41 - The Ghost of the Organ Player at the Hockey Coliseum</p>
<p style="text-align:center;">20:45 - Accessing the Know-How</p>
<p style="text-align:center;">26:10 -Jerome Does a Dance in Hi-Fidelity</p>
<p style="text-align:center;">Outro - My Beijing Hot Rod</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4tsvcg/677-flu13.mp3" length="92055863" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Before changing their name to Diffuser and scoring a couple of hits in the early 00s, the long island quartet Flu Thirteen banged out jagged post-hardcore riffs and rhythms on par with bands of the time. Getting producer J. Robbins, whose work in the 90s on albums by Braid, Texas Is The Reason, The Promise Ring, and many more helped define the late 90s indie rock sound, was a perfect match to help refine and define the band's sound. On their 1998 album In The Foul Key of V, the band unleashes a steady stream of dynamic arrangements, shifting between blazing dissonance and subdued restraint that occasionally recalls the valleys of Sunny Day Real Estate.
 
Songs In This Episode
Intro - Romeo-Core
12:30 - Stale
17:41 - The Ghost of the Organ Player at the Hockey Coliseum
20:45 - Accessing the Know-How
26:10 -Jerome Does a Dance in Hi-Fidelity
Outro - My Beijing Hot Rod
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2874</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>678</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bad Religion - Stranger Than Fiction | 90s Album Review</title>
        <itunes:title>Bad Religion - Stranger Than Fiction | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/bad-religion-stranger-than-fiction-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/bad-religion-stranger-than-fiction-90s-album-review/#comments</comments>        <pubDate>Tue, 12 Sep 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3b4ac896-6ab4-3153-b855-0f2bb5bd1fac</guid>
                                    <description><![CDATA[<p style="text-align:center;">"Sell-out" was a phrase tossed around in the 1990s whenever an indie or small-label band jumped to a major record label. Among the most surprising were <a href='https://badreligion.com/'>Bad Religion</a> because their guitarist Brett Gurewitz owned the label they had released their first seven albums on Epitaph Records. While sell-outs were accused of trading integrity for money, Bad Religion's eighth album "Stranger Than Fiction" makes the case that not only was the jump a good move, but helped kick-start the pop-punk takeover of 1994 along with Green Day and The Offspring, who released million-selling albums the same year in "Dookie" and "Smash," respectively. Thanks to a re-recording of "21st Century (Digital Boy)," a song the band was unhappy with the previous studio version, they had a proper radio and MTV single to expose the suburban masses around the United States to a headier lyrical approach backed by sugar-sweet harmonies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Incomplete</p>
<p style="text-align:center;">25:23 - 21st Century (Digital Boy)</p>
<p style="text-align:center;">30:46 - Stranger Than Fiction</p>
<p style="text-align:center;">38:39 - Infected</p>
<p style="text-align:center;">Outro - The Handshake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">"Sell-out" was a phrase tossed around in the 1990s whenever an indie or small-label band jumped to a major record label. Among the most surprising were <a href='https://badreligion.com/'>Bad Religion</a> because their guitarist Brett Gurewitz owned the label they had released their first seven albums on Epitaph Records. While sell-outs were accused of trading integrity for money, Bad Religion's eighth album "Stranger Than Fiction" makes the case that not only was the jump a good move, but helped kick-start the pop-punk takeover of 1994 along with Green Day and The Offspring, who released million-selling albums the same year in "Dookie" and "Smash," respectively. Thanks to a re-recording of "21st Century (Digital Boy)," a song the band was unhappy with the previous studio version, they had a proper radio and MTV single to expose the suburban masses around the United States to a headier lyrical approach backed by sugar-sweet harmonies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Incomplete</p>
<p style="text-align:center;">25:23 - 21st Century (Digital Boy)</p>
<p style="text-align:center;">30:46 - Stranger Than Fiction</p>
<p style="text-align:center;">38:39 - Infected</p>
<p style="text-align:center;">Outro - The Handshake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/scjtx3/676-badreligion.mp3" length="113495129" type="audio/mpeg"/>
        <itunes:summary><![CDATA["Sell-out" was a phrase tossed around in the 1990s whenever an indie or small-label band jumped to a major record label. Among the most surprising were Bad Religion because their guitarist Brett Gurewitz owned the label they had released their first seven albums on Epitaph Records. While sell-outs were accused of trading integrity for money, Bad Religion's eighth album "Stranger Than Fiction" makes the case that not only was the jump a good move, but helped kick-start the pop-punk takeover of 1994 along with Green Day and The Offspring, who released million-selling albums the same year in "Dookie" and "Smash," respectively. Thanks to a re-recording of "21st Century (Digital Boy)," a song the band was unhappy with the previous studio version, they had a proper radio and MTV single to expose the suburban masses around the United States to a headier lyrical approach backed by sugar-sweet harmonies.
 
Songs In This Episode
Intro - Incomplete
25:23 - 21st Century (Digital Boy)
30:46 - Stranger Than Fiction
38:39 - Infected
Outro - The Handshake
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3539</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>677</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Downset by Downset | 90s Album Review</title>
        <itunes:title>Downset by Downset | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/downset-by-downset-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/downset-by-downset-90s-album-review/#comments</comments>        <pubDate>Tue, 05 Sep 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6f5a58a3-dbc0-34bb-8edc-cd156165a8ed</guid>
                                    <description><![CDATA[<p style="text-align:center;">Incorrectly tagged as Rage Against The Machine followers (they actually existed before Rage), <a href='https://www.facebook.com/DownsetLA/'>downset.</a> offer a glimpse into the Los Angeles hardcore and metal scene as it transitioned from the 80s to the 90s. Like Rage, downset. combined big guitar riffs with social and political commentary on their self-titled 1994 debut, but traded the guitar histrionics of Tom Morello for a more streamlined approach. The result is a prime example of the unique 90s rock subgenre of rap rock, which would later evolve into nu-metal with the emergence of bands like Korn and Limp Bizkit, who brought the volume without the content.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Downset</p>
<p style="text-align:center;">18:54 - Ritual</p>
<p style="text-align:center;">22:18 - Anger</p>
<p style="text-align:center;">30:22 - My American Prayer</p>
<p style="text-align:center;">Outro - About To Blast</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Incorrectly tagged as Rage Against The Machine followers (they actually existed before Rage), <a href='https://www.facebook.com/DownsetLA/'>downset.</a> offer a glimpse into the Los Angeles hardcore and metal scene as it transitioned from the 80s to the 90s. Like Rage, downset. combined big guitar riffs with social and political commentary on their self-titled 1994 debut, but traded the guitar histrionics of Tom Morello for a more streamlined approach. The result is a prime example of the unique 90s rock subgenre of rap rock, which would later evolve into nu-metal with the emergence of bands like Korn and Limp Bizkit, who brought the volume without the content.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Downset</p>
<p style="text-align:center;">18:54 - Ritual</p>
<p style="text-align:center;">22:18 - Anger</p>
<p style="text-align:center;">30:22 - My American Prayer</p>
<p style="text-align:center;">Outro - About To Blast</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qczvgs/675-downset.mp3" length="103464292" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Incorrectly tagged as Rage Against The Machine followers (they actually existed before Rage), downset. offer a glimpse into the Los Angeles hardcore and metal scene as it transitioned from the 80s to the 90s. Like Rage, downset. combined big guitar riffs with social and political commentary on their self-titled 1994 debut, but traded the guitar histrionics of Tom Morello for a more streamlined approach. The result is a prime example of the unique 90s rock subgenre of rap rock, which would later evolve into nu-metal with the emergence of bands like Korn and Limp Bizkit, who brought the volume without the content.
 
Songs In This Episode
Intro - Downset
18:54 - Ritual
22:18 - Anger
30:22 - My American Prayer
Outro - About To Blast
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3226</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>676</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Milk - Tantrum | 90s Album Review</title>
        <itunes:title>Milk - Tantrum | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/milk-tantrum-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/milk-tantrum-90s-album-review/#comments</comments>        <pubDate>Tue, 29 Aug 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9e6e9970-ea9c-3097-af4c-da038683a585</guid>
                                    <description><![CDATA[<p style="text-align:center;">We don't think of many bands coming out of the UK in the early nineties that could fit nicely on a bill with The Jesus Lizard or Mudhoney, but the 1991 album Tantrum by UK band <a href='https://www.discogs.com/artist/307686-Milk-8'>Milk</a> makes the case that noise rock wasn't just an American phenomenon coming out of hardcore. Frenetic rhythms and dissonant guitars shine on the record, covering for a solid but unremarkable vocal performance. The band is at its best when the volume and intensity quickly shift into quasi-blues riffs and thrash metal shredding via Neil Young.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Is That It?</p>
<p style="text-align:center;">13:08 - Claws</p>
<p style="text-align:center;">19:46 - Hot Seat</p>
<p style="text-align:center;">28:36 - Book One, Page One</p>
<p style="text-align:center;">Outro - Billy and Bobby</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We don't think of many bands coming out of the UK in the early nineties that could fit nicely on a bill with The Jesus Lizard or Mudhoney, but the 1991 album Tantrum by UK band <a href='https://www.discogs.com/artist/307686-Milk-8'>Milk</a> makes the case that noise rock wasn't just an American phenomenon coming out of hardcore. Frenetic rhythms and dissonant guitars shine on the record, covering for a solid but unremarkable vocal performance. The band is at its best when the volume and intensity quickly shift into quasi-blues riffs and thrash metal shredding via Neil Young.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Is That It?</p>
<p style="text-align:center;">13:08 - Claws</p>
<p style="text-align:center;">19:46 - Hot Seat</p>
<p style="text-align:center;">28:36 - Book One, Page One</p>
<p style="text-align:center;">Outro - Billy and Bobby</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pz5fh4/674-milk.mp3" length="120166076" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We don't think of many bands coming out of the UK in the early nineties that could fit nicely on a bill with The Jesus Lizard or Mudhoney, but the 1991 album Tantrum by UK band Milk makes the case that noise rock wasn't just an American phenomenon coming out of hardcore. Frenetic rhythms and dissonant guitars shine on the record, covering for a solid but unremarkable vocal performance. The band is at its best when the volume and intensity quickly shift into quasi-blues riffs and thrash metal shredding via Neil Young.
 
Songs In This Episode
Intro - Is That It?
13:08 - Claws
19:46 - Hot Seat
28:36 - Book One, Page One
Outro - Billy and Bobby
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3751</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>675</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Idaho - Three Sheets To The Wind | 90s Album Review</title>
        <itunes:title>Idaho - Three Sheets To The Wind | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/idaho-three-sheets-to-the-wind-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/idaho-three-sheets-to-the-wind-90s-album-review/#comments</comments>        <pubDate>Tue, 22 Aug 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/499b2992-6f9c-389f-bc7a-f48ff08811d5</guid>
                                    <description><![CDATA[<p style="text-align:center;">The slowcore sound can be simplified down to tempo and a minimalist approach, but like every genre or subgenre of rock music, there are always those pushing the boundaries and reinventing. On the 1996 album Three Sheets To The Wind by<a href='https://www.idahoband.com/'> Idaho</a>, the boundary pushing comes as a pair of straight-up rock songs that wouldn't sound out place on a Dinosaur Jr. or Heatmiser album. From there, the band adds jazzy and soulful elements - brushed drums here, an electric piano there - paired with Jeff Martin's evocative vocal that falls somewhere between the folky sadcore of American Music Club's Mark Eitzel and the more experimental post-rock of Low's Alan Sparhawk.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - If You Dare</p>
<p style="text-align:center;">18:18 - A Sound Awake</p>
<p style="text-align:center;">23:03 - Shame</p>
<p style="text-align:center;">30:08 - Alive Again</p>
<p style="text-align:center;">34:00 - Pomegranate Bleeding</p>
<p style="text-align:center;">Outro - Catapult</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The slowcore sound can be simplified down to tempo and a minimalist approach, but like every genre or subgenre of rock music, there are always those pushing the boundaries and reinventing. On the 1996 album Three Sheets To The Wind by<a href='https://www.idahoband.com/'> Idaho</a>, the boundary pushing comes as a pair of straight-up rock songs that wouldn't sound out place on a Dinosaur Jr. or Heatmiser album. From there, the band adds jazzy and soulful elements - brushed drums here, an electric piano there - paired with Jeff Martin's evocative vocal that falls somewhere between the folky sadcore of American Music Club's Mark Eitzel and the more experimental post-rock of Low's Alan Sparhawk.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - If You Dare</p>
<p style="text-align:center;">18:18 - A Sound Awake</p>
<p style="text-align:center;">23:03 - Shame</p>
<p style="text-align:center;">30:08 - Alive Again</p>
<p style="text-align:center;">34:00 - Pomegranate Bleeding</p>
<p style="text-align:center;">Outro - Catapult</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2zcxpv/673-idaho.mp3" length="109979930" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The slowcore sound can be simplified down to tempo and a minimalist approach, but like every genre or subgenre of rock music, there are always those pushing the boundaries and reinventing. On the 1996 album Three Sheets To The Wind by Idaho, the boundary pushing comes as a pair of straight-up rock songs that wouldn't sound out place on a Dinosaur Jr. or Heatmiser album. From there, the band adds jazzy and soulful elements - brushed drums here, an electric piano there - paired with Jeff Martin's evocative vocal that falls somewhere between the folky sadcore of American Music Club's Mark Eitzel and the more experimental post-rock of Low's Alan Sparhawk.
 
Songs In This Episode
Intro - If You Dare
18:18 - A Sound Awake
23:03 - Shame
30:08 - Alive Again
34:00 - Pomegranate Bleeding
Outro - Catapult
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3429</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>674</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>T-Ride - T-Ride | 90s Album Review</title>
        <itunes:title>T-Ride - T-Ride | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/t-ride-t-ride-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/t-ride-t-ride-90s-album-review/#comments</comments>        <pubDate>Tue, 15 Aug 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/38d44955-e110-3894-a3ef-aaa3b84bd536</guid>
                                    <description><![CDATA[<p style="text-align:center;">Ever wonder what it would sound like if Terry Lewis and Jimmy Jam, famous for producing the likes of Janet Jackson and Boyz II Men, got behind the board of a three-piece rock band? And what if that band drew influence from bands like Queen, Van Halen, and Faith No More? You might end up with the 1992 self-titled (and lone) album from <a href='https://en.wikipedia.org/wiki/T-Ride'>T-Ride</a>, a record that sounds simultaneously of the time and completely out of place during the grunge explosion. Though tagged as "heavy metal," even a cursory listen informs the listener that there is much more going on, from the deranged power-pop of "Luxury Cruiser" to the industrial dance of "Hit Squad." At just thirty-four minutes long, the band finds a sweet spot of not overstaying their welcome but loading up each song with sonic gold nuggets that demand multiple listens.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Luxury Cruiser</p>
<p style="text-align:center;">15:28 - Hit Squad</p>
<p style="text-align:center;">25:09 - I Hunger</p>
<p style="text-align:center;">31:40 - Fire It Up</p>
<p style="text-align:center;">Outro - Zombies From Hell</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Ever wonder what it would sound like if Terry Lewis and Jimmy Jam, famous for producing the likes of Janet Jackson and Boyz II Men, got behind the board of a three-piece rock band? And what if that band drew influence from bands like Queen, Van Halen, and Faith No More? You might end up with the 1992 self-titled (and lone) album from <a href='https://en.wikipedia.org/wiki/T-Ride'>T-Ride</a>, a record that sounds simultaneously of the time and completely out of place during the grunge explosion. Though tagged as "heavy metal," even a cursory listen informs the listener that there is much more going on, from the deranged power-pop of "Luxury Cruiser" to the industrial dance of "Hit Squad." At just thirty-four minutes long, the band finds a sweet spot of not overstaying their welcome but loading up each song with sonic gold nuggets that demand multiple listens.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Luxury Cruiser</p>
<p style="text-align:center;">15:28 - Hit Squad</p>
<p style="text-align:center;">25:09 - I Hunger</p>
<p style="text-align:center;">31:40 - Fire It Up</p>
<p style="text-align:center;">Outro - Zombies From Hell</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/47qkmx/672-tride.mp3" length="97987839" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ever wonder what it would sound like if Terry Lewis and Jimmy Jam, famous for producing the likes of Janet Jackson and Boyz II Men, got behind the board of a three-piece rock band? And what if that band drew influence from bands like Queen, Van Halen, and Faith No More? You might end up with the 1992 self-titled (and lone) album from T-Ride, a record that sounds simultaneously of the time and completely out of place during the grunge explosion. Though tagged as "heavy metal," even a cursory listen informs the listener that there is much more going on, from the deranged power-pop of "Luxury Cruiser" to the industrial dance of "Hit Squad." At just thirty-four minutes long, the band finds a sweet spot of not overstaying their welcome but loading up each song with sonic gold nuggets that demand multiple listens.
 
Songs In This Episode
Intro - Luxury Cruiser
15:28 - Hit Squad
25:09 - I Hunger
31:40 - Fire It Up
Outro - Zombies From Hell
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3059</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>673</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pale Saints - Slow Buildings | 90s Album Review</title>
        <itunes:title>Pale Saints - Slow Buildings | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/pale-saints-slow-buildings-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/pale-saints-slow-buildings-90s-album-review/#comments</comments>        <pubDate>Mon, 07 Aug 2023 18:23:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5e161ae6-3b35-314c-a6bf-004f7d2206d7</guid>
                                    <description><![CDATA[<p style="text-align:center;">An established band changing lead singers is always a tricky proposition. With the departure of founding member, singer, and bassist Ian Masters following their second album In Ribbons due to a lack of interest in touring, <a href='https://en.wikipedia.org/wiki/Pale_Saints'>Pale Saints</a> could have called it quits. Instead, guitarist and backing vocalist Meriel Barham stepped into the fire, having briefly filled the same spot in Lush well before the band established themselves. The result draws obvious comparisons to Barham's former band, but Pale Saints have a few more tricks of their sleeves on their third album Slow Buildings. Whether it is long, slow burn tracks like "Henry" or "Suggestion," or three-minute rockers like "Under Your Nose" or "Angel (Will You Be My)," the band gels around the ethereal voice of Barham.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Angel (Will You Be My)</p>
<p style="text-align:center;">18:59 - Under Your Nose</p>
<p style="text-align:center;">27:53 - King Fade</p>
<p style="text-align:center;">33:19 - Little Friend</p>
<p style="text-align:center;">Outro - Henry</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">An established band changing lead singers is always a tricky proposition. With the departure of founding member, singer, and bassist Ian Masters following their second album In Ribbons due to a lack of interest in touring, <a href='https://en.wikipedia.org/wiki/Pale_Saints'>Pale Saints</a> could have called it quits. Instead, guitarist and backing vocalist Meriel Barham stepped into the fire, having briefly filled the same spot in Lush well before the band established themselves. The result draws obvious comparisons to Barham's former band, but Pale Saints have a few more tricks of their sleeves on their third album Slow Buildings. Whether it is long, slow burn tracks like "Henry" or "Suggestion," or three-minute rockers like "Under Your Nose" or "Angel (Will You Be My)," the band gels around the ethereal voice of Barham.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Angel (Will You Be My)</p>
<p style="text-align:center;">18:59 - Under Your Nose</p>
<p style="text-align:center;">27:53 - King Fade</p>
<p style="text-align:center;">33:19 - Little Friend</p>
<p style="text-align:center;">Outro - Henry</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e38wyj/671-palesaints.mp3" length="84741980" type="audio/mpeg"/>
        <itunes:summary><![CDATA[An established band changing lead singers is always a tricky proposition. With the departure of founding member, singer, and bassist Ian Masters following their second album In Ribbons due to a lack of interest in touring, Pale Saints could have called it quits. Instead, guitarist and backing vocalist Meriel Barham stepped into the fire, having briefly filled the same spot in Lush well before the band established themselves. The result draws obvious comparisons to Barham's former band, but Pale Saints have a few more tricks of their sleeves on their third album Slow Buildings. Whether it is long, slow burn tracks like "Henry" or "Suggestion," or three-minute rockers like "Under Your Nose" or "Angel (Will You Be My)," the band gels around the ethereal voice of Barham.
 
Songs In This Episode
Intro - Angel (Will You Be My)
18:59 - Under Your Nose
27:53 - King Fade
33:19 - Little Friend
Outro - Henry
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2642</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>672</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Recoil - Unsound Methods | 90s Album Review</title>
        <itunes:title>Recoil - Unsound Methods | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/recoil-unsound-methods-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/recoil-unsound-methods-90s-album-review/#comments</comments>        <pubDate>Tue, 01 Aug 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fd950a36-81e2-396e-b968-87011a46ab1d</guid>
                                    <description><![CDATA[<p style="text-align:center;">After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on <a href='http://www.recoil.co.uk/'>Recoil</a>, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Stalker</p>
<p style="text-align:center;">16:19 - Incubus</p>
<p style="text-align:center;">29:11 - Control Freak</p>
<p style="text-align:center;">36:14 - Drifting</p>
<p style="text-align:center;">Outro - Missing Piece</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on <a href='http://www.recoil.co.uk/'>Recoil</a>, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Stalker</p>
<p style="text-align:center;">16:19 - Incubus</p>
<p style="text-align:center;">29:11 - Control Freak</p>
<p style="text-align:center;">36:14 - Drifting</p>
<p style="text-align:center;">Outro - Missing Piece</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s6wt8h/670-recoil.mp3" length="108654262" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on Recoil, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.
 
Songs In This Episode
Intro - Stalker
16:19 - Incubus
29:11 - Control Freak
36:14 - Drifting
Outro - Missing Piece
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3389</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>671</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chris Whitley - Din of Ecstasy | 90s Album Review</title>
        <itunes:title>Chris Whitley - Din of Ecstasy | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/chris-whitley-din-of-ecstasy-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/chris-whitley-din-of-ecstasy-90s-album-review/#comments</comments>        <pubDate>Tue, 25 Jul 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f79d0c3a-a2b8-315b-be77-53e2d4a9d136</guid>
                                    <description><![CDATA[<p style="text-align:center;">Skirting the edges of stardom, <a href='https://en.wikipedia.org/wiki/Chris_Whitley'>Chris Whitley</a> passed away far too young at 45, but left a catalog of albums more influential than they were ever popular. A wide array of artists, from John Mayer to Joe Bonamassa have lauded Whitley's playing and songwriting, so we're diving into this 1995 sophomore album Din of Ecstasy. Whereas his debut was a slickly produced blues rock album that produced a Top 40 Mainstream Rock chart hit, the follow-up sounds more in line with the happenings of the decade. The big fuzz of Dinosaur Jr. appears on "Din," while a guitar solo on "God Thing" conjures images of Soundgarden's Kim Thayil, as Whitley embraces complex guitar riffs and atmospheric production that sound both of the time and timeless. The only hitch? The album is a slow burn, and a checked-out, background noise listen won't do it justice.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Din</p>
<p style="text-align:center;">22:21 - God Thing</p>
<p style="text-align:center;">40:06 - Know</p>
<p style="text-align:center;">45:20 - Some Candy Talking</p>
<p style="text-align:center;">59:02 - Never</p>
<p style="text-align:center;">Outro - Narcotic Prayer</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Skirting the edges of stardom, <a href='https://en.wikipedia.org/wiki/Chris_Whitley'>Chris Whitley</a> passed away far too young at 45, but left a catalog of albums more influential than they were ever popular. A wide array of artists, from John Mayer to Joe Bonamassa have lauded Whitley's playing and songwriting, so we're diving into this 1995 sophomore album Din of Ecstasy. Whereas his debut was a slickly produced blues rock album that produced a Top 40 Mainstream Rock chart hit, the follow-up sounds more in line with the happenings of the decade. The big fuzz of Dinosaur Jr. appears on "Din," while a guitar solo on "God Thing" conjures images of Soundgarden's Kim Thayil, as Whitley embraces complex guitar riffs and atmospheric production that sound both of the time and timeless. The only hitch? The album is a slow burn, and a checked-out, background noise listen won't do it justice.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Din</p>
<p style="text-align:center;">22:21 - God Thing</p>
<p style="text-align:center;">40:06 - Know</p>
<p style="text-align:center;">45:20 - Some Candy Talking</p>
<p style="text-align:center;">59:02 - Never</p>
<p style="text-align:center;">Outro - Narcotic Prayer</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bpe9fe/669-chriswhitley.mp3" length="138682123" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Skirting the edges of stardom, Chris Whitley passed away far too young at 45, but left a catalog of albums more influential than they were ever popular. A wide array of artists, from John Mayer to Joe Bonamassa have lauded Whitley's playing and songwriting, so we're diving into this 1995 sophomore album Din of Ecstasy. Whereas his debut was a slickly produced blues rock album that produced a Top 40 Mainstream Rock chart hit, the follow-up sounds more in line with the happenings of the decade. The big fuzz of Dinosaur Jr. appears on "Din," while a guitar solo on "God Thing" conjures images of Soundgarden's Kim Thayil, as Whitley embraces complex guitar riffs and atmospheric production that sound both of the time and timeless. The only hitch? The album is a slow burn, and a checked-out, background noise listen won't do it justice.
 
Songs In This Episode
Intro - Din
22:21 - God Thing
40:06 - Know
45:20 - Some Candy Talking
59:02 - Never
Outro - Narcotic Prayer
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4328</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>670</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Spot - Spot | 90s Album Review</title>
        <itunes:title>Spot - Spot | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/spot-spot-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/spot-spot-90s-album-review/#comments</comments>        <pubDate>Tue, 18 Jul 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8e5b72df-b3a1-3976-b3a9-d98983d8df8d</guid>
                                    <description><![CDATA[<p style="text-align:center;">The line between rock and metal is a thin one, often based on the listener and their personal preferences. Numerous bands in the 1990s blurred the line, injecting heavy riffs and guitar tones into their sound that pushed bands like Alice in Chains and Soundgarden onto Headbanger's Ball alongside Metallica and Slayer. But other bands like <a href='https://www.discogs.com/artist/546316-Spot-3'>Spot</a> took their inspiration and applied it differently, like on their self-titled debut from 1995. Opening with "Drop Down," the rhythm section gallops like Iron Maiden, while the riffs on Hole draw from 80s thrash, all while the vocals shift from the boozy "L'America" to harmonized power-pop without a hitch. It's a weird, singular sound that works when it works, but limps when it doesn't.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Ground</p>
<p style="text-align:center;">22:57 - Moon June Spoon</p>
<p style="text-align:center;">28:02 - Drop Down</p>
<p style="text-align:center;">33:12 - L'America</p>
<p style="text-align:center;">39:11 - Hole</p>
<p style="text-align:center;">Outro - Absalom</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The line between rock and metal is a thin one, often based on the listener and their personal preferences. Numerous bands in the 1990s blurred the line, injecting heavy riffs and guitar tones into their sound that pushed bands like Alice in Chains and Soundgarden onto Headbanger's Ball alongside Metallica and Slayer. But other bands like <a href='https://www.discogs.com/artist/546316-Spot-3'>Spot</a> took their inspiration and applied it differently, like on their self-titled debut from 1995. Opening with "Drop Down," the rhythm section gallops like Iron Maiden, while the riffs on Hole draw from 80s thrash, all while the vocals shift from the boozy "L'America" to harmonized power-pop without a hitch. It's a weird, singular sound that works when it works, but limps when it doesn't.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Ground</p>
<p style="text-align:center;">22:57 - Moon June Spoon</p>
<p style="text-align:center;">28:02 - Drop Down</p>
<p style="text-align:center;">33:12 - L'America</p>
<p style="text-align:center;">39:11 - Hole</p>
<p style="text-align:center;">Outro - Absalom</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zvmh9x/668-spot.mp3" length="106964035" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The line between rock and metal is a thin one, often based on the listener and their personal preferences. Numerous bands in the 1990s blurred the line, injecting heavy riffs and guitar tones into their sound that pushed bands like Alice in Chains and Soundgarden onto Headbanger's Ball alongside Metallica and Slayer. But other bands like Spot took their inspiration and applied it differently, like on their self-titled debut from 1995. Opening with "Drop Down," the rhythm section gallops like Iron Maiden, while the riffs on Hole draw from 80s thrash, all while the vocals shift from the boozy "L'America" to harmonized power-pop without a hitch. It's a weird, singular sound that works when it works, but limps when it doesn't.
 
Songs In This Episode
Intro - Ground
22:57 - Moon June Spoon
28:02 - Drop Down
33:12 - L'America
39:11 - Hole
Outro - Absalom
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3336</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>669</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Glide - Open Up and Croon | 90s Album Review</title>
        <itunes:title>Glide - Open Up and Croon | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/glide-open-up-and-croon-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/glide-open-up-and-croon-90s-album-review/#comments</comments>        <pubDate>Tue, 11 Jul 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a0ca3b36-2f83-336a-b846-3c91aac7e04c</guid>
                                    <description><![CDATA[<p style="text-align:center;">The story of <a href='https://www.allmusic.com/artist/glide-mn0001833914'>Glide</a> is one of potential cut short with the death of lead singer William Arthur before the end of the decade. Commanding a voice with equal parts sneer and croon, the appropriately titled debut Open Up &amp; Croon from 1995 manages to fuse a variety of sounds into a coherent vision. Jangly acoustic guitars accompany fuzzed electrics and a potent rhythm section across the twelve tracks that range from the uptempo title track opener to a wide array of moods, from the Westerbergian "Why You Asking?" to the more dramatic twists in turns on the back-half of the album like "Caterwaul" and closer "Picking At Your Paws."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - He Sees A Way</p>
<p style="text-align:center;">14:30 - Caterwaul</p>
<p style="text-align:center;">18:21 - Line</p>
<p style="text-align:center;">21:59 - Why You Asking?</p>
<p style="text-align:center;">27:43 - Spin Doctor</p>
<p style="text-align:center;">31:36 - Open Up and Croon</p>
<p style="text-align:center;">Outro - Something</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The story of <a href='https://www.allmusic.com/artist/glide-mn0001833914'>Glide</a> is one of potential cut short with the death of lead singer William Arthur before the end of the decade. Commanding a voice with equal parts sneer and croon, the appropriately titled debut Open Up &amp; Croon from 1995 manages to fuse a variety of sounds into a coherent vision. Jangly acoustic guitars accompany fuzzed electrics and a potent rhythm section across the twelve tracks that range from the uptempo title track opener to a wide array of moods, from the Westerbergian "Why You Asking?" to the more dramatic twists in turns on the back-half of the album like "Caterwaul" and closer "Picking At Your Paws."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - He Sees A Way</p>
<p style="text-align:center;">14:30 - Caterwaul</p>
<p style="text-align:center;">18:21 - Line</p>
<p style="text-align:center;">21:59 - Why You Asking?</p>
<p style="text-align:center;">27:43 - Spin Doctor</p>
<p style="text-align:center;">31:36 - Open Up and Croon</p>
<p style="text-align:center;">Outro - Something</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bp9q8y/667-glide.mp3" length="81215241" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The story of Glide is one of potential cut short with the death of lead singer William Arthur before the end of the decade. Commanding a voice with equal parts sneer and croon, the appropriately titled debut Open Up &amp; Croon from 1995 manages to fuse a variety of sounds into a coherent vision. Jangly acoustic guitars accompany fuzzed electrics and a potent rhythm section across the twelve tracks that range from the uptempo title track opener to a wide array of moods, from the Westerbergian "Why You Asking?" to the more dramatic twists in turns on the back-half of the album like "Caterwaul" and closer "Picking At Your Paws."
 
Songs In This Episode
Intro - He Sees A Way
14:30 - Caterwaul
18:21 - Line
21:59 - Why You Asking?
27:43 - Spin Doctor
31:36 - Open Up and Croon
Outro - Something
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2532</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>668</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Controversial Albums and Music of the 1990s | Roundtable</title>
        <itunes:title>Controversial Albums and Music of the 1990s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/controversial-albums-and-music-of-the-1990s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/controversial-albums-and-music-of-the-1990s-roundtable/#comments</comments>        <pubDate>Tue, 04 Jul 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c8a99796-8a1e-3289-8bb3-75ad405ccbb5</guid>
                                    <description><![CDATA[<p style="text-align:center;">From the cover art for Ritual de lo Habitual by Jane's Addiction to the music videos for Jeremy by Pearl Jam or Closer by Nine Inch Nails, the 1990s were full of controversial and provocative artists and music. Whether it was rapper Ice-T fronting hardcore thrash band Body Count and their single "Cop Killer" to Marilyn Manson pushing boundaries musically and visually, there was no shortage of outrage and hysteria aimed at Gen-X musicians and their fandom. Bands and artists as varied as Tool, Soundgarden, Nirvana, Madonna, Green Day, Megadeth, NOFX, Tin Machine, Ministry, Sublime The Prodigy, Suede, Van Halen, Manic Street Preachers, Slayer and many more faced backlashes for lyrics, album artwork, videos, or just existing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Closer by Nine Inch Nails</p>
<p style="text-align:center;">25:55 - Jesus Christ Pose by Soundgarden</p>
<p style="text-align:center;">32:55 - Smack My Bitch Up by The Prodigy</p>
<p style="text-align:center;">40:52 - Cop Killer by Body Count</p>
<p style="text-align:center;">55:24 - Love Is a Good Thing by Sheryl Crow</p>
<p style="text-align:center;">Outro - Jeremy by Pearl Jam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">From the cover art for Ritual de lo Habitual by Jane's Addiction to the music videos for Jeremy by Pearl Jam or Closer by Nine Inch Nails, the 1990s were full of controversial and provocative artists and music. Whether it was rapper Ice-T fronting hardcore thrash band Body Count and their single "Cop Killer" to Marilyn Manson pushing boundaries musically and visually, there was no shortage of outrage and hysteria aimed at Gen-X musicians and their fandom. Bands and artists as varied as Tool, Soundgarden, Nirvana, Madonna, Green Day, Megadeth, NOFX, Tin Machine, Ministry, Sublime The Prodigy, Suede, Van Halen, Manic Street Preachers, Slayer and many more faced backlashes for lyrics, album artwork, videos, or just existing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Closer by Nine Inch Nails</p>
<p style="text-align:center;">25:55 - Jesus Christ Pose by Soundgarden</p>
<p style="text-align:center;">32:55 - Smack My Bitch Up by The Prodigy</p>
<p style="text-align:center;">40:52 - Cop Killer by Body Count</p>
<p style="text-align:center;">55:24 - Love Is a Good Thing by Sheryl Crow</p>
<p style="text-align:center;">Outro - Jeremy by Pearl Jam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u4v82u/666-controversy.mp3" length="147704190" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From the cover art for Ritual de lo Habitual by Jane's Addiction to the music videos for Jeremy by Pearl Jam or Closer by Nine Inch Nails, the 1990s were full of controversial and provocative artists and music. Whether it was rapper Ice-T fronting hardcore thrash band Body Count and their single "Cop Killer" to Marilyn Manson pushing boundaries musically and visually, there was no shortage of outrage and hysteria aimed at Gen-X musicians and their fandom. Bands and artists as varied as Tool, Soundgarden, Nirvana, Madonna, Green Day, Megadeth, NOFX, Tin Machine, Ministry, Sublime The Prodigy, Suede, Van Halen, Manic Street Preachers, Slayer and many more faced backlashes for lyrics, album artwork, videos, or just existing.
 
Songs In This Episode
Intro - Closer by Nine Inch Nails
25:55 - Jesus Christ Pose by Soundgarden
32:55 - Smack My Bitch Up by The Prodigy
40:52 - Cop Killer by Body Count
55:24 - Love Is a Good Thing by Sheryl Crow
Outro - Jeremy by Pearl Jam
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4610</itunes:duration>
                <itunes:episode>667</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Holly McNarland - Stuff | 90s Album Review</title>
        <itunes:title>Holly McNarland - Stuff | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/holly-mcnarland-stuff-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/holly-mcnarland-stuff-90s-album-review/#comments</comments>        <pubDate>Tue, 27 Jun 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/210e423a-3caa-308f-8809-6c4ab80235a5</guid>
                                    <description><![CDATA[<p style="text-align:center;">After her 1996 self-released EP was picked-up and re-released by MCA, Holly McNarland set out to make her debut album Stuff. In the wake of the success of fellow Canadian singer/songwriters Alanis Morissette and Sarah McLachlan, the table was set for McNarland to make similar waves even if the alternative rock field was getting more crowded by the day. While there is no "You Oughta Know" or "Building a Mystery" on Stuff, there is McNarland's voice, which finds the balance between on edgy angst rockers one moment and soaring pop balladry the next. Backed by a solid band, including then ex-Pixies guitarist Joey Santiago in the studio, the songs are elevated beyond straightforward singer-songwriter material to deeper depths thanks to occasional cello and synths popping in and out of tracks. But while the first half is full of knock-out material, the back half left us divided on experiments with trip-hop and Seattle grunge.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Elmo</p>
<p style="text-align:center;">11:27 - The Box</p>
<p style="text-align:center;">17:34 - Mystery Song</p>
<p style="text-align:center;">23:46 - Water</p>
<p style="text-align:center;">31:07 - Twisty Mirror</p>
<p style="text-align:center;">Outro - U.F.O.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After her 1996 self-released EP was picked-up and re-released by MCA, Holly McNarland set out to make her debut album Stuff. In the wake of the success of fellow Canadian singer/songwriters Alanis Morissette and Sarah McLachlan, the table was set for McNarland to make similar waves even if the alternative rock field was getting more crowded by the day. While there is no "You Oughta Know" or "Building a Mystery" on Stuff, there is McNarland's voice, which finds the balance between on edgy angst rockers one moment and soaring pop balladry the next. Backed by a solid band, including then ex-Pixies guitarist Joey Santiago in the studio, the songs are elevated beyond straightforward singer-songwriter material to deeper depths thanks to occasional cello and synths popping in and out of tracks. But while the first half is full of knock-out material, the back half left us divided on experiments with trip-hop and Seattle grunge.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Elmo</p>
<p style="text-align:center;">11:27 - The Box</p>
<p style="text-align:center;">17:34 - Mystery Song</p>
<p style="text-align:center;">23:46 - Water</p>
<p style="text-align:center;">31:07 - Twisty Mirror</p>
<p style="text-align:center;">Outro - U.F.O.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a4pudq/665-hollymcnarland.mp3" length="87872495" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After her 1996 self-released EP was picked-up and re-released by MCA, Holly McNarland set out to make her debut album Stuff. In the wake of the success of fellow Canadian singer/songwriters Alanis Morissette and Sarah McLachlan, the table was set for McNarland to make similar waves even if the alternative rock field was getting more crowded by the day. While there is no "You Oughta Know" or "Building a Mystery" on Stuff, there is McNarland's voice, which finds the balance between on edgy angst rockers one moment and soaring pop balladry the next. Backed by a solid band, including then ex-Pixies guitarist Joey Santiago in the studio, the songs are elevated beyond straightforward singer-songwriter material to deeper depths thanks to occasional cello and synths popping in and out of tracks. But while the first half is full of knock-out material, the back half left us divided on experiments with trip-hop and Seattle grunge.
 
Songs In This Episode
Intro - Elmo
11:27 - The Box
17:34 - Mystery Song
23:46 - Water
31:07 - Twisty Mirror
Outro - U.F.O.
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2740</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>666</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Black Lab - Your Body Above Me | 90s Album Review</title>
        <itunes:title>Black Lab - Your Body Above Me | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/black-lab-your-body-above-me-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/black-lab-your-body-above-me-90s-album-review/#comments</comments>        <pubDate>Tue, 20 Jun 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/54e7dafd-d569-3179-be1d-fb3b43abb7ae</guid>
                                    <description><![CDATA[<p style="text-align:center;">The back half of the 1990s was deluged with more post-grunge bands that we can count, and cutting through the noise wasn't always easy. For bands like <a href='https://www.blacklabworld.com/'>Black Lab</a>, who aimed for both radio and something more interesting, that meant not reaching the chart-topping highs of bands like Our Lady Peace, Semisonic, or Live. Their 1997 debut You Body Above Me for Geffen is a prime example of making the most of the back-half album tracks, as vocalist Paul Durham takes some inventive detours with his vocals, bouncing between the emotive lead single "Wash It Away" and the more expressive attack of "All the Money in the World" or Bring It On." A cursory pass may leave the listener wondering what the fuss is about, but slap on the headphones and you'll hear some impressive choices from each instrument, playing off of and pushing each other for something more with a clear and full sound that impresses even today.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Wash It Away</p>
<p style="text-align:center;">18:23 - Can't Keep the Rain</p>
<p style="text-align:center;">23:30 - All the Money in the World</p>
<p style="text-align:center;">29:15 - She Loves Me</p>
<p style="text-align:center;">39:52 - Sleeps With Angels</p>
<p style="text-align:center;">Outro - Time Ago</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The back half of the 1990s was deluged with more post-grunge bands that we can count, and cutting through the noise wasn't always easy. For bands like <a href='https://www.blacklabworld.com/'>Black Lab</a>, who aimed for both radio and something more interesting, that meant not reaching the chart-topping highs of bands like Our Lady Peace, Semisonic, or Live. Their 1997 debut You Body Above Me for Geffen is a prime example of making the most of the back-half album tracks, as vocalist Paul Durham takes some inventive detours with his vocals, bouncing between the emotive lead single "Wash It Away" and the more expressive attack of "All the Money in the World" or Bring It On." A cursory pass may leave the listener wondering what the fuss is about, but slap on the headphones and you'll hear some impressive choices from each instrument, playing off of and pushing each other for something more with a clear and full sound that impresses even today.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Wash It Away</p>
<p style="text-align:center;">18:23 - Can't Keep the Rain</p>
<p style="text-align:center;">23:30 - All the Money in the World</p>
<p style="text-align:center;">29:15 - She Loves Me</p>
<p style="text-align:center;">39:52 - Sleeps With Angels</p>
<p style="text-align:center;">Outro - Time Ago</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fphh5t/664blacklab.mp3" length="110834337" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The back half of the 1990s was deluged with more post-grunge bands that we can count, and cutting through the noise wasn't always easy. For bands like Black Lab, who aimed for both radio and something more interesting, that meant not reaching the chart-topping highs of bands like Our Lady Peace, Semisonic, or Live. Their 1997 debut You Body Above Me for Geffen is a prime example of making the most of the back-half album tracks, as vocalist Paul Durham takes some inventive detours with his vocals, bouncing between the emotive lead single "Wash It Away" and the more expressive attack of "All the Money in the World" or Bring It On." A cursory pass may leave the listener wondering what the fuss is about, but slap on the headphones and you'll hear some impressive choices from each instrument, playing off of and pushing each other for something more with a clear and full sound that impresses even today.
 
Songs In This Episode
Intro - Wash It Away
18:23 - Can't Keep the Rain
23:30 - All the Money in the World
29:15 - She Loves Me
39:52 - Sleeps With Angels
Outro - Time Ago
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3457</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>665</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Catherine Wheel - Chrome | 90s Album Review</title>
        <itunes:title>Catherine Wheel - Chrome | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/catherine-wheel-chrome-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/catherine-wheel-chrome-90s-album-review/#comments</comments>        <pubDate>Tue, 13 Jun 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2c18a9fe-3fee-37c6-a4e8-a3727905e5f6</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/TheCatherineWheel/'>Catherine Wheel</a>'s 1992 debut Ferment is a bonafide shoegaze classic, full of swirling guitars and ethereal vocals. For their 1993 follow-up Chrome, the band brought in Gil Norton, who had a resume boasting bands like the Pixies, Throwing Muses, Pale Saints, Echo & the Bunnymen, and more. With Norton on board, the band dialed down the waves of distortion and used it more sparingly, and a more crafted sound emerged. Harder guitar riffs, paired with Rob Dickinson's chameleon-like voice that could deliver throaty shouts and crooning coos, edged the band towards a more refined sound without leaving their shoegaze roots completely behind. The end result is a exceptional transitional album before the band would fully embrace a harder edge on their third album Happy Days.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Crank</p>
<p style="text-align:center;">26:22 - Chrome</p>
<p style="text-align:center;">34:22 - Ursa Major Space Station</p>
<p style="text-align:center;">47:57 - Fripp</p>
<p style="text-align:center;">Outro - Show Me Mary</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/TheCatherineWheel/'>Catherine Wheel</a>'s 1992 debut Ferment is a bonafide shoegaze classic, full of swirling guitars and ethereal vocals. For their 1993 follow-up Chrome, the band brought in Gil Norton, who had a resume boasting bands like the Pixies, Throwing Muses, Pale Saints, Echo & the Bunnymen, and more. With Norton on board, the band dialed down the waves of distortion and used it more sparingly, and a more crafted sound emerged. Harder guitar riffs, paired with Rob Dickinson's chameleon-like voice that could deliver throaty shouts and crooning coos, edged the band towards a more refined sound without leaving their shoegaze roots completely behind. The end result is a exceptional transitional album before the band would fully embrace a harder edge on their third album Happy Days.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Crank</p>
<p style="text-align:center;">26:22 - Chrome</p>
<p style="text-align:center;">34:22 - Ursa Major Space Station</p>
<p style="text-align:center;">47:57 - Fripp</p>
<p style="text-align:center;">Outro - Show Me Mary</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ep64z5/663catherinewheel.mp3" length="121446321" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Catherine Wheel's 1992 debut Ferment is a bonafide shoegaze classic, full of swirling guitars and ethereal vocals. For their 1993 follow-up Chrome, the band brought in Gil Norton, who had a resume boasting bands like the Pixies, Throwing Muses, Pale Saints, Echo & the Bunnymen, and more. With Norton on board, the band dialed down the waves of distortion and used it more sparingly, and a more crafted sound emerged. Harder guitar riffs, paired with Rob Dickinson's chameleon-like voice that could deliver throaty shouts and crooning coos, edged the band towards a more refined sound without leaving their shoegaze roots completely behind. The end result is a exceptional transitional album before the band would fully embrace a harder edge on their third album Happy Days.
 
Songs In This Episode
Intro - Crank
26:22 - Chrome
34:22 - Ursa Major Space Station
47:57 - Fripp
Outro - Show Me Mary
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3789</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>664</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dave Smalley of Down By Law, All, Don’t Sleep, and Dag Nasty | 90s Artist Interview</title>
        <itunes:title>Dave Smalley of Down By Law, All, Don’t Sleep, and Dag Nasty | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/dave-smalley-of-down-by-law-all-don-t-sleep-and-dag-nasty-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/dave-smalley-of-down-by-law-all-don-t-sleep-and-dag-nasty-90s-artist-interview/#comments</comments>        <pubDate>Tue, 06 Jun 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8ecc45b0-628d-3d73-bccb-75b2e9c219ea</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/profile.php?id=100057768623280'>Dave Smalley</a>’s been a punk rock fixture since the early ‘80s when he fronted DYS. Stints as the lead singer in Dag Nasty and ALL followed before the touring life caused him to reconsider what it meant to be in a band. In 1991, Smalley formed Down By Law, signed with Epitaph Records, and released six full length albums before the decade was done and another four in the 2000’s with the most recent being 2021’s Lonely Town. In addition to Down By Law, Smalley currently lists Dave Smalley & The Bandoleros and Don’t Sleep on his punk rock resume, the latter of which is releasing their fourth album, See Change, on June 2.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Promise Made by Don't Sleep</p>
<p style="text-align:center;">9:41 - Still Waiting by Dag Nasty</p>
<p style="text-align:center;">Outro - Denim and Leather by Down By Law</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/profile.php?id=100057768623280'>Dave Smalley</a>’s been a punk rock fixture since the early ‘80s when he fronted DYS. Stints as the lead singer in Dag Nasty and ALL followed before the touring life caused him to reconsider what it meant to be in a band. In 1991, Smalley formed Down By Law, signed with Epitaph Records, and released six full length albums before the decade was done and another four in the 2000’s with the most recent being 2021’s <em>Lonely Town</em>. In addition to Down By Law, Smalley currently lists Dave Smalley & The Bandoleros and Don’t Sleep on his punk rock resume, the latter of which is releasing their fourth album, <em>See Change</em>, on June 2.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Promise Made by Don't Sleep</p>
<p style="text-align:center;">9:41 - Still Waiting by Dag Nasty</p>
<p style="text-align:center;">Outro - Denim and Leather by Down By Law</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ettjk9/662-davesmalley.mp3" length="180711264" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Dave Smalley’s been a punk rock fixture since the early ‘80s when he fronted DYS. Stints as the lead singer in Dag Nasty and ALL followed before the touring life caused him to reconsider what it meant to be in a band. In 1991, Smalley formed Down By Law, signed with Epitaph Records, and released six full length albums before the decade was done and another four in the 2000’s with the most recent being 2021’s Lonely Town. In addition to Down By Law, Smalley currently lists Dave Smalley & The Bandoleros and Don’t Sleep on his punk rock resume, the latter of which is releasing their fourth album, See Change, on June 2.
 
Songs in this Episode:
Intro - Promise Made by Don't Sleep
9:41 - Still Waiting by Dag Nasty
Outro - Denim and Leather by Down By Law
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5641</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>662</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Something For Kate - Beautiful Sharks | 90s Album Review</title>
        <itunes:title>Something For Kate - Beautiful Sharks | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/something-for-kate-beautiful-sharks-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/something-for-kate-beautiful-sharks-90s-album-review/#comments</comments>        <pubDate>Tue, 30 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d3d00476-59c1-3236-a78c-1337f023f9d4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Many, many years ago, we checked out <a href='https://www.digmeoutpodcast.com/episode/168-elsewhere-for-8-minutes-by-something-for-kate'>the 1997 debut album Elsewhere For Eight Minutes</a> by the Melbourne, Australian trio <a href='https://somethingforkate.com/'>Something For Kate</a>. Thanks to a Patreon patron we checked out their 1999 sophomore follow-up Beautiful Sharks to hear the evolution of the band. Whereas the debut offered some catchy alt-rock, Beautiful Sharks is a more subdued yet intricate album, putting new bassist Stephanie Ashworth on display as the guitars back-off to allow more space for lead singer/guitarist Paul Dempsey to weave intricate vocal and musical melodies. The result uniquely combines alt-rock that forgoes volume for dynamics and speed for tension.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Beautiful Sharks</p>
<p style="text-align:center;">10:51 - Before Butterfly's Wings</p>
<p style="text-align:center;">16:41 - Big Screen Television</p>
<p style="text-align:center;">23:55 - Electricity</p>
<p style="text-align:center;">Outro - Easy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Many, many years ago, we checked out <a href='https://www.digmeoutpodcast.com/episode/168-elsewhere-for-8-minutes-by-something-for-kate'>the 1997 debut album Elsewhere For Eight Minutes</a> by the Melbourne, Australian trio <a href='https://somethingforkate.com/'>Something For Kate</a>. Thanks to a Patreon patron we checked out their 1999 sophomore follow-up Beautiful Sharks to hear the evolution of the band. Whereas the debut offered some catchy alt-rock, Beautiful Sharks is a more subdued yet intricate album, putting new bassist Stephanie Ashworth on display as the guitars back-off to allow more space for lead singer/guitarist Paul Dempsey to weave intricate vocal and musical melodies. The result uniquely combines alt-rock that forgoes volume for dynamics and speed for tension.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Beautiful Sharks</p>
<p style="text-align:center;">10:51 - Before Butterfly's Wings</p>
<p style="text-align:center;">16:41 - Big Screen Television</p>
<p style="text-align:center;">23:55 - Electricity</p>
<p style="text-align:center;">Outro - Easy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dk34hc/661-sfk-bs.mp3" length="94268942" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Many, many years ago, we checked out the 1997 debut album Elsewhere For Eight Minutes by the Melbourne, Australian trio Something For Kate. Thanks to a Patreon patron we checked out their 1999 sophomore follow-up Beautiful Sharks to hear the evolution of the band. Whereas the debut offered some catchy alt-rock, Beautiful Sharks is a more subdued yet intricate album, putting new bassist Stephanie Ashworth on display as the guitars back-off to allow more space for lead singer/guitarist Paul Dempsey to weave intricate vocal and musical melodies. The result uniquely combines alt-rock that forgoes volume for dynamics and speed for tension.
 
Songs In This Episode
Intro - Beautiful Sharks
10:51 - Before Butterfly's Wings
16:41 - Big Screen Television
23:55 - Electricity
Outro - Easy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2940</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>663</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kylie Minogue - Impossible Princess | 90s Album Review</title>
        <itunes:title>Kylie Minogue - Impossible Princess | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/kylie-minogue-impossible-princess-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/kylie-minogue-impossible-princess-90s-album-review/#comments</comments>        <pubDate>Tue, 23 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7c6f40f6-f24b-3226-b9bc-b3dedb58611f</guid>
                                    <description><![CDATA[<p style="text-align:center;">We're as shocked as anyone to be talking about a <a href='https://www.kylie.com/'>Kylie Minogue</a> album, but here we are thanks to a Patron. If you're a 90s grunge and alternative fan, chances are your exposure to Kylie is limited to her late 80s cover of "The Loco-Motion" or her earworm early 00s hit "Can't Get You Out Of My Head." But after growing tired of the musical restrictions of her pop success, Minogue explored collaborations with artists like Nick Cave and the Manic Street Preachers in the mid-90s. The end result is her 1997 album Impossible Princess, still full of dance and pop singles, but with very deliberate attempts to stretch into new sounds. Trip-hop, electronica, trance, Britpop and more are explored, making for a diverse if sometimes uneven album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Too Far</p>
<p style="text-align:center;">15:09 - Dreams</p>
<p style="text-align:center;">21:05 - Some Kind Of Bliss</p>
<p style="text-align:center;">28:02 - Cowboy Style</p>
<p style="text-align:center;">32:37 - Drunk</p>
<p style="text-align:center;">Outro - I Don't Need Anyone</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We're as shocked as anyone to be talking about a <a href='https://www.kylie.com/'>Kylie Minogue</a> album, but here we are thanks to a Patron. If you're a 90s grunge and alternative fan, chances are your exposure to Kylie is limited to her late 80s cover of "The Loco-Motion" or her earworm early 00s hit "Can't Get You Out Of My Head." But after growing tired of the musical restrictions of her pop success, Minogue explored collaborations with artists like Nick Cave and the Manic Street Preachers in the mid-90s. The end result is her 1997 album Impossible Princess, still full of dance and pop singles, but with very deliberate attempts to stretch into new sounds. Trip-hop, electronica, trance, Britpop and more are explored, making for a diverse if sometimes uneven album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Too Far</p>
<p style="text-align:center;">15:09 - Dreams</p>
<p style="text-align:center;">21:05 - Some Kind Of Bliss</p>
<p style="text-align:center;">28:02 - Cowboy Style</p>
<p style="text-align:center;">32:37 - Drunk</p>
<p style="text-align:center;">Outro - I Don't Need Anyone</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7a62jq/660_kylie_minogueacpz7.mp3" length="96907937" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're as shocked as anyone to be talking about a Kylie Minogue album, but here we are thanks to a Patron. If you're a 90s grunge and alternative fan, chances are your exposure to Kylie is limited to her late 80s cover of "The Loco-Motion" or her earworm early 00s hit "Can't Get You Out Of My Head." But after growing tired of the musical restrictions of her pop success, Minogue explored collaborations with artists like Nick Cave and the Manic Street Preachers in the mid-90s. The end result is her 1997 album Impossible Princess, still full of dance and pop singles, but with very deliberate attempts to stretch into new sounds. Trip-hop, electronica, trance, Britpop and more are explored, making for a diverse if sometimes uneven album.
 
Songs In This Episode
Intro - Too Far
15:09 - Dreams
21:05 - Some Kind Of Bliss
28:02 - Cowboy Style
32:37 - Drunk
Outro - I Don't Need Anyone
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3022</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>661</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Joe Pernice of Pernice Brothers and Scud Mountain Boys | 90s Artist Interview</title>
        <itunes:title>Interview with Joe Pernice of Pernice Brothers and Scud Mountain Boys | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/interview-with-joe-pernice-of-pernice-brothers-and-scud-mountain-boys-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/interview-with-joe-pernice-of-pernice-brothers-and-scud-mountain-boys-90s-artist-interview/#comments</comments>        <pubDate>Thu, 18 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/92d9761a-29e8-3feb-9f41-d0ead6182139</guid>
                                    <description><![CDATA[<p style="text-align:center;">Following the breakup of the mid-90s alt-country band Scud Mountain Boys, lead singer/songwriter <a href='https://joepernice.bandcamp.com/music'>Joe Pernice</a> teamed up with his brother to write and record the debut <a href='https://pernicebrothers.bandcamp.com/'>Pernice Brothers</a> album,  Overcome by Happiness, for SubPop Records in 1998. While it was the only Pernice Brothers album released by the legendary Seattle label, Joe’s continued to release music under that moniker through a label, Ashmont Records, that he started with his long-time business partner, Joyce Linehan. Superfan, and New West Records Vice President of Publicity, Brady Brock is responsible for the 25th anniversary, first-time-on-vinyl, reissue of Overcome by Happiness which is available in a deluxe version that includes a comprehensive 52-page hardback book documenting the history of the band, recollections of the recording of the album, lyrics, and a track-by-track walkthrough.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Overcome By Happiness by Pernice Brothers</p>
<p style="text-align:center;">11:03 - In A Ditch by the Scud Mountain Boys</p>
<p style="text-align:center;">Outro - Bum Leg by Joe Pernice</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Following the breakup of the mid-90s alt-country band Scud Mountain Boys, lead singer/songwriter <a href='https://joepernice.bandcamp.com/music'>Joe Pernice</a> teamed up with his brother to write and record the debut <a href='https://pernicebrothers.bandcamp.com/'>Pernice Brothers</a> album,  <em>Overcome by Happiness</em>, for SubPop Records in 1998. While it was the only Pernice Brothers album released by the legendary Seattle label, Joe’s continued to release music under that moniker through a label, Ashmont Records, that he started with his long-time business partner, Joyce Linehan. Superfan, and New West Records Vice President of Publicity, Brady Brock is responsible for the 25th anniversary, first-time-on-vinyl, reissue of <em>Overcome by Happiness</em> which is available in a deluxe version that includes a comprehensive 52-page hardback book documenting the history of the band, recollections of the recording of the album, lyrics, and a track-by-track walkthrough.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Overcome By Happiness by Pernice Brothers</p>
<p style="text-align:center;">11:03 - In A Ditch by the Scud Mountain Boys</p>
<p style="text-align:center;">Outro - Bum Leg by Joe Pernice</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a27vkq/659-joepernice.mp3" length="105588113" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Following the breakup of the mid-90s alt-country band Scud Mountain Boys, lead singer/songwriter Joe Pernice teamed up with his brother to write and record the debut Pernice Brothers album,  Overcome by Happiness, for SubPop Records in 1998. While it was the only Pernice Brothers album released by the legendary Seattle label, Joe’s continued to release music under that moniker through a label, Ashmont Records, that he started with his long-time business partner, Joyce Linehan. Superfan, and New West Records Vice President of Publicity, Brady Brock is responsible for the 25th anniversary, first-time-on-vinyl, reissue of Overcome by Happiness which is available in a deluxe version that includes a comprehensive 52-page hardback book documenting the history of the band, recollections of the recording of the album, lyrics, and a track-by-track walkthrough.
 
Songs in this Episode:
Intro - Overcome By Happiness by Pernice Brothers
11:03 - In A Ditch by the Scud Mountain Boys
Outro - Bum Leg by Joe Pernice
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3293</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>660</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Oleander - February Son | 90s Album Review</title>
        <itunes:title>Oleander - February Son | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/oleander-february-son-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/oleander-february-son-90s-album-review/#comments</comments>        <pubDate>Tue, 16 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5b3e15be-1a0c-3363-90e5-071862ebb9d5</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the end of the 1990s, grunge had run its course, seeing two and three waves of followers come and go. Nu-metal was ascendant thanks to the likes of Korn, Limp Bizkit, Deftones and others ruling MTV and radio, along with post-grunge acts like Creed, Chevelle, Drowning Pool and more. For a band like <a href='http://www.oleander.net/'>Oleander</a>, their take on Nirvana-tinged grunge meant leaning into the manic energy of Bleach as much as the sculpted songwriting of Nevermind. On their 1999 major label debut February Son, itself a recording of an earlier independent album with a few track changes, the band shoot for radio with solid targeting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Stupid</p>
<p style="text-align:center;">22:13 - Never Again</p>
<p style="text-align:center;">31:22 - Boys Don't Cry</p>
<p style="text-align:center;">38:00 - I Walk Alone</p>
<p style="text-align:center;">Outro - Why I'm Here</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the end of the 1990s, grunge had run its course, seeing two and three waves of followers come and go. Nu-metal was ascendant thanks to the likes of Korn, Limp Bizkit, Deftones and others ruling MTV and radio, along with post-grunge acts like Creed, Chevelle, Drowning Pool and more. For a band like <a href='http://www.oleander.net/'>Oleander</a>, their take on Nirvana-tinged grunge meant leaning into the manic energy of <em>Bleach</em> as much as the sculpted songwriting of <em>Nevermind</em>. On their 1999 major label debut <em>February Son</em>, itself a recording of an earlier independent album with a few track changes, the band shoot for radio with solid targeting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Stupid</p>
<p style="text-align:center;">22:13 - Never Again</p>
<p style="text-align:center;">31:22 - Boys Don't Cry</p>
<p style="text-align:center;">38:00 - I Walk Alone</p>
<p style="text-align:center;">Outro - Why I'm Here</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wvtfzg/658-oleander.mp3" length="111459604" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the end of the 1990s, grunge had run its course, seeing two and three waves of followers come and go. Nu-metal was ascendant thanks to the likes of Korn, Limp Bizkit, Deftones and others ruling MTV and radio, along with post-grunge acts like Creed, Chevelle, Drowning Pool and more. For a band like Oleander, their take on Nirvana-tinged grunge meant leaning into the manic energy of Bleach as much as the sculpted songwriting of Nevermind. On their 1999 major label debut February Son, itself a recording of an earlier independent album with a few track changes, the band shoot for radio with solid targeting.
 
Songs In This Episode
Intro - Stupid
22:13 - Never Again
31:22 - Boys Don't Cry
38:00 - I Walk Alone
Outro - Why I'm Here
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3477</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>659</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Thomas Andrew Doyle (TAD) | 90s Artist Interview</title>
        <itunes:title>Thomas Andrew Doyle (TAD) | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/thomas-andrew-doyle-tad-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/thomas-andrew-doyle-tad-90s-artist-interview/#comments</comments>        <pubDate>Thu, 11 May 2023 08:47:52 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/86a9daee-36b4-3a38-ad44-f62391d68555</guid>
                                    <description><![CDATA[<p style="text-align:center;">Formed in 1988 and one of the earliest acts to put out music on SubPop, <a href='https://www.taddoyle.com/'>TAD</a> paved the way for bands like Nirvana and Soundgarden with their heavy and sludgy guitar noise. After releasing three albums on the infamous Seattle label, TAD put out two albums on majors, 1993’s Inhaler on Giant/Warner Bros and 1995’s Infrared Riding Hood on East West/Elektra before breaking up by the end of the decade. Lead singer Tad Doyle went on to front Hog Molly and Brothers of the Sonic Cloth before going the solo route and releasing albums that sound like SciFi-Horror soundtracks under his given name, Thomas Andrew Doyle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Grease Box (from Inhaler)</p>
<p style="text-align:center;">8:04 - Clairvoyant Witness (from Aberrant)</p>
<p style="text-align:center;">Outro - Probabilities (from Aberrant)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Formed in 1988 and one of the earliest acts to put out music on SubPop, <a href='https://www.taddoyle.com/'>TAD</a> paved the way for bands like Nirvana and Soundgarden with their heavy and sludgy guitar noise. After releasing three albums on the infamous Seattle label, TAD put out two albums on majors, 1993’s <em>Inhaler</em> on Giant/Warner Bros and 1995’s <em>Infrared Riding Hood</em> on East West/Elektra before breaking up by the end of the decade. Lead singer Tad Doyle went on to front Hog Molly and Brothers of the Sonic Cloth before going the solo route and releasing albums that sound like SciFi-Horror soundtracks under his given name, Thomas Andrew Doyle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Grease Box (from Inhaler)</p>
<p style="text-align:center;">8:04 - Clairvoyant Witness (from Aberrant)</p>
<p style="text-align:center;">Outro - Probabilities (from Aberrant)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xgjreg/657-tad.mp3" length="139115128" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Formed in 1988 and one of the earliest acts to put out music on SubPop, TAD paved the way for bands like Nirvana and Soundgarden with their heavy and sludgy guitar noise. After releasing three albums on the infamous Seattle label, TAD put out two albums on majors, 1993’s Inhaler on Giant/Warner Bros and 1995’s Infrared Riding Hood on East West/Elektra before breaking up by the end of the decade. Lead singer Tad Doyle went on to front Hog Molly and Brothers of the Sonic Cloth before going the solo route and releasing albums that sound like SciFi-Horror soundtracks under his given name, Thomas Andrew Doyle.
 
Songs in this Episode:
Intro - Grease Box (from Inhaler)
8:04 - Clairvoyant Witness (from Aberrant)
Outro - Probabilities (from Aberrant)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4341</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>658</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jets To Brazil - Orange Rhyming Dictionary | 90s Album Review</title>
        <itunes:title>Jets To Brazil - Orange Rhyming Dictionary | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/jets-to-brazil-orange-rhyming-dictionary-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/jets-to-brazil-orange-rhyming-dictionary-90s-album-review/#comments</comments>        <pubDate>Tue, 09 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a67c744f-461b-30f7-a443-a62cc380a532</guid>
                                    <description><![CDATA[<p style="text-align:center;">After the dissolution of Jawbreaker in 1996, lead singer and guitarist Blake Schwarzenbach spent the next year not playing music, but DJ'ing and writing video game reviews. But the itch to create came back with the help of former Texas Is The Reason drummer Chris Daly and Handsome singer Jeremy Chatelain on bass. <a href='https://en.wikipedia.org/wiki/Jets_to_Brazil'>Jets To Brazil</a> isn't so much a reinvention as a natural evolution, leaving behind the sometimes rigid restraints of punk and hardcore, and exploring new sounds with keyboards and guitar effects. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Crown of the Valley</p>
<p style="text-align:center;">20:37 - Starry Configurations</p>
<p style="text-align:center;">24:24 - Resistance is Futile</p>
<p style="text-align:center;">30:15 - King Medicine</p>
<p style="text-align:center;">40:16 - I Typed For Miles</p>
<p style="text-align:center;">Outro - Morning New Disease</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After the dissolution of Jawbreaker in 1996, lead singer and guitarist Blake Schwarzenbach spent the next year not playing music, but DJ'ing and writing video game reviews. But the itch to create came back with the help of former Texas Is The Reason drummer Chris Daly and Handsome singer Jeremy Chatelain on bass. <a href='https://en.wikipedia.org/wiki/Jets_to_Brazil'>Jets To Brazil</a> isn't so much a reinvention as a natural evolution, leaving behind the sometimes rigid restraints of punk and hardcore, and exploring new sounds with keyboards and guitar effects. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Crown of the Valley</p>
<p style="text-align:center;">20:37 - Starry Configurations</p>
<p style="text-align:center;">24:24 - Resistance is Futile</p>
<p style="text-align:center;">30:15 - King Medicine</p>
<p style="text-align:center;">40:16 - I Typed For Miles</p>
<p style="text-align:center;">Outro - Morning New Disease</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jag7ce/656-jetstobrazil.mp3" length="128619337" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After the dissolution of Jawbreaker in 1996, lead singer and guitarist Blake Schwarzenbach spent the next year not playing music, but DJ'ing and writing video game reviews. But the itch to create came back with the help of former Texas Is The Reason drummer Chris Daly and Handsome singer Jeremy Chatelain on bass. Jets To Brazil isn't so much a reinvention as a natural evolution, leaving behind the sometimes rigid restraints of punk and hardcore, and exploring new sounds with keyboards and guitar effects. 
 
Songs In This Episode
Intro - Crown of the Valley
20:37 - Starry Configurations
24:24 - Resistance is Futile
30:15 - King Medicine
40:16 - I Typed For Miles
Outro - Morning New Disease
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4013</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>657</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Afghan Whigs - 1965 | 90s Album Review</title>
        <itunes:title>The Afghan Whigs - 1965 | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-afghan-whigs-1965-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-afghan-whigs-1965-90s-album-review/#comments</comments>        <pubDate>Tue, 02 May 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/25cda925-a376-3cfd-a79a-725c715af5d3</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the end of the 1990s, <a href='https://theafghanwhigs.com/'>The Afghan Whigs</a> were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - 66</p>
<p style="text-align:center;">17:53 - Somethin' Hot</p>
<p style="text-align:center;">35:27- The Slide Song</p>
<p style="text-align:center;">39:29 - Omerta</p>
<p style="text-align:center;">45:46 - Uptown Again</p>
<p style="text-align:center;">Outro - John The Baptist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the end of the 1990s, <a href='https://theafghanwhigs.com/'>The Afghan Whigs</a> were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - 66</p>
<p style="text-align:center;">17:53 - Somethin' Hot</p>
<p style="text-align:center;">35:27- The Slide Song</p>
<p style="text-align:center;">39:29 - Omerta</p>
<p style="text-align:center;">45:46 - Uptown Again</p>
<p style="text-align:center;">Outro - John The Baptist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mzxfyq/655-aw1965.mp3" length="141761646" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the end of the 1990s, The Afghan Whigs were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers.
 
Intro - 66
17:53 - Somethin' Hot
35:27- The Slide Song
39:29 - Omerta
45:46 - Uptown Again
Outro - John The Baptist
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4424</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>656</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Moving Targets - Fall | 90s Album Review</title>
        <itunes:title>Moving Targets - Fall | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/moving-targets-fall-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/moving-targets-fall-90s-album-review/#comments</comments>        <pubDate>Tue, 25 Apr 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b9f353b4-e03d-327c-8b45-ca087b199b27</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1991, <a href='https://www.facebook.com/burninginwater/'>Moving Targets</a> were already well established in the Boston music scene upon the release of their third full-length, Fall. Lead by Kenny Chambers on vocals and guitar, the band that started out playing Husker Du-esque hardcore evolved like their contemporaries, downshifting the tempos and finding more melody. Tracks like "Answer" and "Away From Me" were primed for college radio alongside The Replacements, Goo Goo Dolls, Dramarama, and other post-punks finding their songwriting footing. The twists and turns, like using an e-bow on a mid-album instrumental track, add a layer of creativity not many other post-hardcore bands would attempt, even if the payoff doesn't always hit.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Taang! Intro</p>
<p style="text-align:center;">14:18 - Answer</p>
<p style="text-align:center;">22:00 - Overated</p>
<p style="text-align:center;">31:50 - Away From Me</p>
<p style="text-align:center;">Outro - Travel Music</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1991, <a href='https://www.facebook.com/burninginwater/'>Moving Targets</a> were already well established in the Boston music scene upon the release of their third full-length, Fall. Lead by Kenny Chambers on vocals and guitar, the band that started out playing Husker Du-esque hardcore evolved like their contemporaries, downshifting the tempos and finding more melody. Tracks like "Answer" and "Away From Me" were primed for college radio alongside The Replacements, Goo Goo Dolls, Dramarama, and other post-punks finding their songwriting footing. The twists and turns, like using an e-bow on a mid-album instrumental track, add a layer of creativity not many other post-hardcore bands would attempt, even if the payoff doesn't always hit.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Taang! Intro</p>
<p style="text-align:center;">14:18 - Answer</p>
<p style="text-align:center;">22:00 - Overated</p>
<p style="text-align:center;">31:50 - Away From Me</p>
<p style="text-align:center;">Outro - Travel Music</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7e8s7v/654-moving_targets9uwdq.mp3" length="114407888" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1991, Moving Targets were already well established in the Boston music scene upon the release of their third full-length, Fall. Lead by Kenny Chambers on vocals and guitar, the band that started out playing Husker Du-esque hardcore evolved like their contemporaries, downshifting the tempos and finding more melody. Tracks like "Answer" and "Away From Me" were primed for college radio alongside The Replacements, Goo Goo Dolls, Dramarama, and other post-punks finding their songwriting footing. The twists and turns, like using an e-bow on a mid-album instrumental track, add a layer of creativity not many other post-hardcore bands would attempt, even if the payoff doesn't always hit.
 
Songs In This Episode:
Intro - Taang! Intro
14:18 - Answer
22:00 - Overated
31:50 - Away From Me
Outro - Travel Music
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3569</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>655</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The 6ths - Wasps’ Nests | 90s Album Review</title>
        <itunes:title>The 6ths - Wasps’ Nests | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-6ths-wasps-nests-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-6ths-wasps-nests-90s-album-review/#comments</comments>        <pubDate>Tue, 18 Apr 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2652cf6a-3284-3763-90bc-33522ae6ed9c</guid>
                                    <description><![CDATA[<p style="text-align:center;">Often side-project bands don't live up to the hype of the artist or band's main gig. But for Stephin Merritt, this isn't the case with several of his non-Magnetic Fields bands. With <a href='https://en.wikipedia.org/wiki/The_6ths'>The 6ths</a>, he's taken on the challenge of writing the songs but handing them over to guest vocalists. On the 1995 debut Wasps' Nests, that means a wide array of contributors, including Lou Barlow from Sebadoh and Dinosaur Jr., Mary Timony of Helium and Ex Hex, Dean Wareham of Galaxie 500 and Luna, Georgia Hubley of Yo La Tengo, Mac McCaughan of Superchunk, Mitch Easter of Let's Active, and more. The musical landscape shifts from song to song, one minute aping the motortik of Stereolab and next the harmony sunshine of Laurel Canyon in the 1970s. But it's all in Stephin Merritt's wheelhouse, utilizing an array of synth and keyboard sounds over minimalist rhythms that reveal layers upon repeated listens.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Aging Spinsters</p>
<p style="text-align:center;">15:56 - All Dressed Up in Dreams</p>
<p style="text-align:center;">20:23 - San Diego Zoo</p>
<p style="text-align:center;">35:02 - Here in My Heart</p>
<p style="text-align:center;">Outro - Falling Out of Love (With You)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Often side-project bands don't live up to the hype of the artist or band's main gig. But for Stephin Merritt, this isn't the case with several of his non-Magnetic Fields bands. With <a href='https://en.wikipedia.org/wiki/The_6ths'>The 6ths</a>, he's taken on the challenge of writing the songs but handing them over to guest vocalists. On the 1995 debut Wasps' Nests, that means a wide array of contributors, including Lou Barlow from Sebadoh and Dinosaur Jr., Mary Timony of Helium and Ex Hex, Dean Wareham of Galaxie 500 and Luna, Georgia Hubley of Yo La Tengo, Mac McCaughan of Superchunk, Mitch Easter of Let's Active, and more. The musical landscape shifts from song to song, one minute aping the motortik of Stereolab and next the harmony sunshine of Laurel Canyon in the 1970s. But it's all in Stephin Merritt's wheelhouse, utilizing an array of synth and keyboard sounds over minimalist rhythms that reveal layers upon repeated listens.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Aging Spinsters</p>
<p style="text-align:center;">15:56 - All Dressed Up in Dreams</p>
<p style="text-align:center;">20:23 - San Diego Zoo</p>
<p style="text-align:center;">35:02 - Here in My Heart</p>
<p style="text-align:center;">Outro - Falling Out of Love (With You)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7tw7k9/653-the6ths.mp3" length="106693197" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Often side-project bands don't live up to the hype of the artist or band's main gig. But for Stephin Merritt, this isn't the case with several of his non-Magnetic Fields bands. With The 6ths, he's taken on the challenge of writing the songs but handing them over to guest vocalists. On the 1995 debut Wasps' Nests, that means a wide array of contributors, including Lou Barlow from Sebadoh and Dinosaur Jr., Mary Timony of Helium and Ex Hex, Dean Wareham of Galaxie 500 and Luna, Georgia Hubley of Yo La Tengo, Mac McCaughan of Superchunk, Mitch Easter of Let's Active, and more. The musical landscape shifts from song to song, one minute aping the motortik of Stereolab and next the harmony sunshine of Laurel Canyon in the 1970s. But it's all in Stephin Merritt's wheelhouse, utilizing an array of synth and keyboard sounds over minimalist rhythms that reveal layers upon repeated listens.
 
Songs In This Episode:
Intro - Aging Spinsters
15:56 - All Dressed Up in Dreams
20:23 - San Diego Zoo
35:02 - Here in My Heart
Outro - Falling Out of Love (With You)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3328</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>654</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Juliana Hatfield - Only Everything | 90s Album Review</title>
        <itunes:title>Juliana Hatfield - Only Everything | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/juliana-hatfield-only-everything-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/juliana-hatfield-only-everything-90s-album-review/#comments</comments>        <pubDate>Mon, 10 Apr 2023 13:50:40 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5b391973-afe0-38e3-8a72-2716376675f8</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1995, the alternative music revolution was in full swing, dominated MTV and radio across the US and around the world. While some of the original trailblazers, like the Pixies and Jane's Addiction, were no more, others continued and evolved their sound. <a href='https://www.julianahatfield.com/'>Juliana Hatfield</a>, who started out in the mid-1980s with the Blake Babies, had already released two acclaimed alternative rock albums before unleashing 1995's Only Everything. For her third release, Hatfield cranked up the guitar distortion, using big, fuzzy tones to give tracks like "What A Life" and "Dumb Fun" more punch while exploring slower, shoegaze vibes on several back half tracks. The end result is the rare combination of catchy, smart songwriting that rocks.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What A Life</p>
<p style="text-align:center;">20:53 - Hang Down From Heaven</p>
<p style="text-align:center;">26:59 - Fleur De Lys</p>
<p style="text-align:center;">34:15 - Dumb Fun</p>
<p style="text-align:center;">39:32 - Live On Tomorrow</p>
<p style="text-align:center;">Outro - Universal Heart-Beat</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1995, the alternative music revolution was in full swing, dominated MTV and radio across the US and around the world. While some of the original trailblazers, like the Pixies and Jane's Addiction, were no more, others continued and evolved their sound. <a href='https://www.julianahatfield.com/'>Juliana Hatfield</a>, who started out in the mid-1980s with the Blake Babies, had already released two acclaimed alternative rock albums before unleashing 1995's Only Everything. For her third release, Hatfield cranked up the guitar distortion, using big, fuzzy tones to give tracks like "What A Life" and "Dumb Fun" more punch while exploring slower, shoegaze vibes on several back half tracks. The end result is the rare combination of catchy, smart songwriting that rocks.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What A Life</p>
<p style="text-align:center;">20:53 - Hang Down From Heaven</p>
<p style="text-align:center;">26:59 - Fleur De Lys</p>
<p style="text-align:center;">34:15 - Dumb Fun</p>
<p style="text-align:center;">39:32 - Live On Tomorrow</p>
<p style="text-align:center;">Outro - Universal Heart-Beat</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hj27mw/652-julianahatfieldonly.mp3" length="116093936" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1995, the alternative music revolution was in full swing, dominated MTV and radio across the US and around the world. While some of the original trailblazers, like the Pixies and Jane's Addiction, were no more, others continued and evolved their sound. Juliana Hatfield, who started out in the mid-1980s with the Blake Babies, had already released two acclaimed alternative rock albums before unleashing 1995's Only Everything. For her third release, Hatfield cranked up the guitar distortion, using big, fuzzy tones to give tracks like "What A Life" and "Dumb Fun" more punch while exploring slower, shoegaze vibes on several back half tracks. The end result is the rare combination of catchy, smart songwriting that rocks.
 
Songs In This Episode:
Intro - What A Life
20:53 - Hang Down From Heaven
26:59 - Fleur De Lys
34:15 - Dumb Fun
39:32 - Live On Tomorrow
Outro - Universal Heart-Beat
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3622</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>653</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Old 97s - Fight Songs | 90s Album Review</title>
        <itunes:title>Old 97s - Fight Songs | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/old-97s-fight-songs-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/old-97s-fight-songs-90s-album-review/#comments</comments>        <pubDate>Tue, 04 Apr 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/138dca63-cb67-3075-a9c8-04e381cf7e54</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1999, fans of the alternative country rock sound had a lot to choose from. At the start of the decade, the mostly underground and regional scenes were known to college radio listeners and other non-mainstream outlets. But by 1999, major labels Geffen and Warner Brothers were putting out albums and developing artists. On Elektra, the <a href='https://old97s.com/'>Old 97s</a> from Dallas, Texas released their second major label release, and fourth overall. Fight Songs found the band in transition, moving away from the harsher elements of their earlier years, cleaning up the production, and find the hooks for radio.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jagged</p>
<p style="text-align:center;">18:36 - What We Talk About</p>
<p style="text-align:center;">23:48 - Busted Afternoon</p>
<p style="text-align:center;">29:15 - Murder (Or A Heart Attack)</p>
<p style="text-align:center;">39:25 - Oppenheimer</p>
<p style="text-align:center;">Outro - Nineteen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1999, fans of the alternative country rock sound had a lot to choose from. At the start of the decade, the mostly underground and regional scenes were known to college radio listeners and other non-mainstream outlets. But by 1999, major labels Geffen and Warner Brothers were putting out albums and developing artists. On Elektra, the <a href='https://old97s.com/'>Old 97s</a> from Dallas, Texas released their second major label release, and fourth overall. Fight Songs found the band in transition, moving away from the harsher elements of their earlier years, cleaning up the production, and find the hooks for radio.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jagged</p>
<p style="text-align:center;">18:36 - What We Talk About</p>
<p style="text-align:center;">23:48 - Busted Afternoon</p>
<p style="text-align:center;">29:15 - Murder (Or A Heart Attack)</p>
<p style="text-align:center;">39:25 - Oppenheimer</p>
<p style="text-align:center;">Outro - Nineteen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2mhhjj/651-old97s.mp3" length="116282853" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1999, fans of the alternative country rock sound had a lot to choose from. At the start of the decade, the mostly underground and regional scenes were known to college radio listeners and other non-mainstream outlets. But by 1999, major labels Geffen and Warner Brothers were putting out albums and developing artists. On Elektra, the Old 97s from Dallas, Texas released their second major label release, and fourth overall. Fight Songs found the band in transition, moving away from the harsher elements of their earlier years, cleaning up the production, and find the hooks for radio.
 
Songs In This Episode:
Intro - Jagged
18:36 - What We Talk About
23:48 - Busted Afternoon
29:15 - Murder (Or A Heart Attack)
39:25 - Oppenheimer
Outro - Nineteen
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3628</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>652</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Will Copley and Dave Allsopp of Fretblanket | 90s Artist Interview</title>
        <itunes:title>Will Copley and Dave Allsopp of Fretblanket | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/will-copley-and-dave-allsopp-of-fretblanket-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/will-copley-and-dave-allsopp-of-fretblanket-90s-artist-interview/#comments</comments>        <pubDate>Thu, 30 Mar 2023 09:17:49 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c7e9d616-6e8d-3115-a8b2-930d4b086baf</guid>
                                    <description><![CDATA[<p style="text-align:center;">A perfect pick for a Dig Me Out episode, <a href='https://fretblanket.uk/'>Fretblanket</a> never seemed to get the mainstream attention the way their peers did. Formed in Stourbridge, England when the members were still in high school, the band caught the attention of Polygram Records in ‘93 and signed a deal before singer/guitarist Will Copley had graduated. A year later, Junkfuel was released with the single “Twisted” gaining a modest amount of airplay on U.S. alternative and college rock stations. Guitarist Clive Powell wrote most of the guitar-rich songs which fit in alongside artists like Sugar, The Doughboys, The Wedding Present and Ride while Copley’s grungy vocals earned comparisons to Kurt Cobain. Though they were very much of the time, the biggest touring exposure they had was opening for Oingo Boingo, a sad mismatch that likely didn’t earn the band any new fans. In 1997, they released Home Truths From Abroad which leaned more into the Brit rock side of things than the grungier side and caused a minor MTV buzz with their video for “Into the Ocean.” Songs for a third album were recorded in Michigan with Tim Patalan (Sponge, Watershed) but shelved after it was apparent there was no longer label interest and the members went their separate ways. On March 30, 2023, that long lost album, The Distance In Between, was released as a way to celebrate the 30th anniversary of Fretblanket signing a record deal.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Twisted from Junkfuel</p>
<p style="text-align:center;">13:06 - Digging Your Scene from The Distance In Between</p>
<p style="text-align:center;">Outro - Into The Ocean from Home Truths From Abroad</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">A perfect pick for a Dig Me Out episode, <a href='https://fretblanket.uk/'>Fretblanket</a> never seemed to get the mainstream attention the way their peers did. Formed in Stourbridge, England when the members were still in high school, the band caught the attention of Polygram Records in ‘93 and signed a deal before singer/guitarist Will Copley had graduated. A year later, <em>Junkfuel </em>was released with the single “Twisted” gaining a modest amount of airplay on U.S. alternative and college rock stations. Guitarist Clive Powell wrote most of the guitar-rich songs which fit in alongside artists like Sugar, The Doughboys, The Wedding Present and Ride while Copley’s grungy vocals earned comparisons to Kurt Cobain. Though they were very much of the time, the biggest touring exposure they had was opening for Oingo Boingo, a sad mismatch that likely didn’t earn the band any new fans. In 1997, they released <em>Home Truths From Abroad</em> which leaned more into the Brit rock side of things than the grungier side and caused a minor MTV buzz with their video for “Into the Ocean.” Songs for a third album were recorded in Michigan with Tim Patalan (Sponge, Watershed) but shelved after it was apparent there was no longer label interest and the members went their separate ways. On March 30, 2023, that long lost album, <em>The Distance In Between</em>, was released as a way to celebrate the 30th anniversary of Fretblanket signing a record deal.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Twisted from Junkfuel</p>
<p style="text-align:center;">13:06 - Digging Your Scene from The Distance In Between</p>
<p style="text-align:center;">Outro - Into The Ocean from Home Truths From Abroad</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/26e9ua/650-fretblanket.mp3" length="189174101" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A perfect pick for a Dig Me Out episode, Fretblanket never seemed to get the mainstream attention the way their peers did. Formed in Stourbridge, England when the members were still in high school, the band caught the attention of Polygram Records in ‘93 and signed a deal before singer/guitarist Will Copley had graduated. A year later, Junkfuel was released with the single “Twisted” gaining a modest amount of airplay on U.S. alternative and college rock stations. Guitarist Clive Powell wrote most of the guitar-rich songs which fit in alongside artists like Sugar, The Doughboys, The Wedding Present and Ride while Copley’s grungy vocals earned comparisons to Kurt Cobain. Though they were very much of the time, the biggest touring exposure they had was opening for Oingo Boingo, a sad mismatch that likely didn’t earn the band any new fans. In 1997, they released Home Truths From Abroad which leaned more into the Brit rock side of things than the grungier side and caused a minor MTV buzz with their video for “Into the Ocean.” Songs for a third album were recorded in Michigan with Tim Patalan (Sponge, Watershed) but shelved after it was apparent there was no longer label interest and the members went their separate ways. On March 30, 2023, that long lost album, The Distance In Between, was released as a way to celebrate the 30th anniversary of Fretblanket signing a record deal.
 
Songs in this Episode:
Intro - Twisted from Junkfuel
13:06 - Digging Your Scene from The Distance In Between
Outro - Into The Ocean from Home Truths From Abroad
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5906</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>651</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Depeche Mode In The 90s | Roundtable</title>
        <itunes:title>Depeche Mode In The 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/depeche-mode-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/depeche-mode-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 28 Mar 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9f6ff09b-83e7-3489-868a-6fd128fd989b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Few bands have stayed artistically and commercially relevant over forty years into their career, but with the release of their new album Memento Mori in March 2023, <a href='https://www.depechemode.com/'>Depeche Mode</a> continue to defy the odds. In the 80s the band built a fanbase in Europe over their first few releases before entering the global stage with "People Are People" in 1984. By the end of the decade, they were regularly a top ten album charting band in the UK while making serious inroads in North America. They entered the 90s with an album primed by the infectious single "Personal Jesus" that would launch them into the stratosphere. With Violator and its many singles, like R.E.M. and other alternative acts, mainstream radio and MTV formerly dominated by pop and hair metal were beginning to shift direction before the dam burst in 1991. But lurking beneath the surface was inter-band tensions and various addictions that would threaten to derail the band at the height of their global success.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Personal Jesus (from Violator)</p>
<p style="text-align:center;">19:59 - World in My Eyes (from Violator)</p>
<p style="text-align:center;">35:11 - Death's Door (Until The End Of The World soundtrack)</p>
<p style="text-align:center;">43:31 - One Caress (from Songs of Faith and Devotion)</p>
<p style="text-align:center;">1:03:11 - Home (from Ultra)</p>
<p style="text-align:center;">Outro - Only When I Lose Myself (from The Singles 86>98)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Few bands have stayed artistically and commercially relevant over forty years into their career, but with the release of their new album Memento Mori in March 2023, <a href='https://www.depechemode.com/'>Depeche Mode</a> continue to defy the odds. In the 80s the band built a fanbase in Europe over their first few releases before entering the global stage with "People Are People" in 1984. By the end of the decade, they were regularly a top ten album charting band in the UK while making serious inroads in North America. They entered the 90s with an album primed by the infectious single "Personal Jesus" that would launch them into the stratosphere. With Violator and its many singles, like R.E.M. and other alternative acts, mainstream radio and MTV formerly dominated by pop and hair metal were beginning to shift direction before the dam burst in 1991. But lurking beneath the surface was inter-band tensions and various addictions that would threaten to derail the band at the height of their global success.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Personal Jesus (from Violator)</p>
<p style="text-align:center;">19:59 - World in My Eyes (from Violator)</p>
<p style="text-align:center;">35:11 - Death's Door (Until The End Of The World soundtrack)</p>
<p style="text-align:center;">43:31 - One Caress (from Songs of Faith and Devotion)</p>
<p style="text-align:center;">1:03:11 - Home (from Ultra)</p>
<p style="text-align:center;">Outro - Only When I Lose Myself (from The Singles 86>98)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mv7qr7/649-depechemodeinthe90s.mp3" length="181127551" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Few bands have stayed artistically and commercially relevant over forty years into their career, but with the release of their new album Memento Mori in March 2023, Depeche Mode continue to defy the odds. In the 80s the band built a fanbase in Europe over their first few releases before entering the global stage with "People Are People" in 1984. By the end of the decade, they were regularly a top ten album charting band in the UK while making serious inroads in North America. They entered the 90s with an album primed by the infectious single "Personal Jesus" that would launch them into the stratosphere. With Violator and its many singles, like R.E.M. and other alternative acts, mainstream radio and MTV formerly dominated by pop and hair metal were beginning to shift direction before the dam burst in 1991. But lurking beneath the surface was inter-band tensions and various addictions that would threaten to derail the band at the height of their global success.
 
Songs in this Episode:
Intro - Personal Jesus (from Violator)
19:59 - World in My Eyes (from Violator)
35:11 - Death's Door (Until The End Of The World soundtrack)
43:31 - One Caress (from Songs of Faith and Devotion)
1:03:11 - Home (from Ultra)
Outro - Only When I Lose Myself (from The Singles 86>98)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5654</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>650</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>No Doubt - Tragic Kingdom | 90s Album Review</title>
        <itunes:title>No Doubt - Tragic Kingdom | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/no-doubt-tragic-kingdom-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/no-doubt-tragic-kingdom-90s-album-review/#comments</comments>        <pubDate>Tue, 21 Mar 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c9b7a965-d116-3850-9654-603ff4051458</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/RIAA_certification#:~:text=Reflecting%20additional%20growth%20in%20music,singles%20selling%20ten%20million%20units.'>Diamond certified records</a>, those that have sold ten million or more albums in the United States, are a rare achievement that few bands and artists can lay claim to. But as important as it is to talk about obscure and underappreciated 90s rock albums, we thought it was time to go in the opposite direction for a new series diving into the full albums of 90s rock Diamonds. With that, we start our Diamond series with the 1995 album Tragic Kingdom by <a href='https://www.nodoubt.com/'>No Doubt</a>. Was there any escaping "Don't Speak" in 1996? No, there wasn't. Every media outlet was covering the chart topping single not only for its chart performance but the drama that surrounded the band. Along with huge singles "Spiderwebs" and "Just a Girl," Tragic Kingdom was in the cultural zeitgeist for years after its release, but how many people actually listened to the whole album? We definitely didn't, and we're here to correct that oversight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Speak</p>
<p style="text-align:center;">19:04 - Happy Now?</p>
<p style="text-align:center;">21:29 - Sunday Morning</p>
<p style="text-align:center;">24:14 - Tragic Kingdom</p>
<p style="text-align:center;">35:25 - Just A Girl</p>
<p style="text-align:center;">40:15- Spiderwebs</p>
<p style="text-align:center;">Outro - Hey You</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/RIAA_certification#:~:text=Reflecting%20additional%20growth%20in%20music,singles%20selling%20ten%20million%20units.'>Diamond certified records</a>, those that have sold ten million or more albums in the United States, are a rare achievement that few bands and artists can lay claim to. But as important as it is to talk about obscure and underappreciated 90s rock albums, we thought it was time to go in the opposite direction for a new series diving into the full albums of 90s rock Diamonds. With that, we start our Diamond series with the 1995 album Tragic Kingdom by <a href='https://www.nodoubt.com/'>No Doubt</a>. Was there any escaping "Don't Speak" in 1996? No, there wasn't. Every media outlet was covering the chart topping single not only for its chart performance but the drama that surrounded the band. Along with huge singles "Spiderwebs" and "Just a Girl," Tragic Kingdom was in the cultural zeitgeist for years after its release, but how many people actually listened to the whole album? We definitely didn't, and we're here to correct that oversight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Speak</p>
<p style="text-align:center;">19:04 - Happy Now?</p>
<p style="text-align:center;">21:29 - Sunday Morning</p>
<p style="text-align:center;">24:14 - Tragic Kingdom</p>
<p style="text-align:center;">35:25 - Just A Girl</p>
<p style="text-align:center;">40:15- Spiderwebs</p>
<p style="text-align:center;">Outro - Hey You</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j8ucp3/648-nodoubt.mp3" length="128769802" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Diamond certified records, those that have sold ten million or more albums in the United States, are a rare achievement that few bands and artists can lay claim to. But as important as it is to talk about obscure and underappreciated 90s rock albums, we thought it was time to go in the opposite direction for a new series diving into the full albums of 90s rock Diamonds. With that, we start our Diamond series with the 1995 album Tragic Kingdom by No Doubt. Was there any escaping "Don't Speak" in 1996? No, there wasn't. Every media outlet was covering the chart topping single not only for its chart performance but the drama that surrounded the band. Along with huge singles "Spiderwebs" and "Just a Girl," Tragic Kingdom was in the cultural zeitgeist for years after its release, but how many people actually listened to the whole album? We definitely didn't, and we're here to correct that oversight.
 
Songs In This Episode:
Intro - Don't Speak
19:04 - Happy Now?
21:29 - Sunday Morning
24:14 - Tragic Kingdom
35:25 - Just A Girl
40:15- Spiderwebs
Outro - Hey You
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4018</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>649</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Filter - Title of Record | 90s Album Review</title>
        <itunes:title>Filter - Title of Record | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/filter-title-of-record-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/filter-title-of-record-90s-album-review/#comments</comments>        <pubDate>Tue, 14 Mar 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5e90ebd5-a51a-3551-9083-5df5f93eec0b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Sophomore albums can be a difficult proposition. The standard refrain is you get a lifetime to make the first one and a few months to make the follow-up. In the case of Filter, it took a little longer, four years to be exact. Title of Record came out in 1999 in a much different musical landscape than their 1995 debut Short Bus. Luckily, their hard rock sound, with a touch of industrial, fit in well with the end of the decade, and they struck literal gold with the atypical single "Take A Picture." Even with an entirely new backing band and the loss of his songwriting counterpart, Richard Patrick separated himself further from the Nine Inch Nails comparisons by embracing a big rock sound with a few interesting diversions.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Welcome To The Fold</p>
<p style="text-align:center;">26:02 - The Best Things</p>
<p style="text-align:center;">32:24 - Cancer</p>
<p style="text-align:center;">37:56 - Take A Picture</p>
<p style="text-align:center;">Outro - It's Gonna Kill Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Sophomore albums can be a difficult proposition. The standard refrain is you get a lifetime to make the first one and a few months to make the follow-up. In the case of Filter, it took a little longer, four years to be exact. Title of Record came out in 1999 in a much different musical landscape than their 1995 debut Short Bus. Luckily, their hard rock sound, with a touch of industrial, fit in well with the end of the decade, and they struck literal gold with the atypical single "Take A Picture." Even with an entirely new backing band and the loss of his songwriting counterpart, Richard Patrick separated himself further from the Nine Inch Nails comparisons by embracing a big rock sound with a few interesting diversions.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Welcome To The Fold</p>
<p style="text-align:center;">26:02 - The Best Things</p>
<p style="text-align:center;">32:24 - Cancer</p>
<p style="text-align:center;">37:56 - Take A Picture</p>
<p style="text-align:center;">Outro - It's Gonna Kill Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qw7mgk/647-filter.mp3" length="121514867" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sophomore albums can be a difficult proposition. The standard refrain is you get a lifetime to make the first one and a few months to make the follow-up. In the case of Filter, it took a little longer, four years to be exact. Title of Record came out in 1999 in a much different musical landscape than their 1995 debut Short Bus. Luckily, their hard rock sound, with a touch of industrial, fit in well with the end of the decade, and they struck literal gold with the atypical single "Take A Picture." Even with an entirely new backing band and the loss of his songwriting counterpart, Richard Patrick separated himself further from the Nine Inch Nails comparisons by embracing a big rock sound with a few interesting diversions.
 
Songs In This Episode:
Intro - Welcome To The Fold
26:02 - The Best Things
32:24 - Cancer
37:56 - Take A Picture
Outro - It's Gonna Kill Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3791</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>648</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Gits - Frenching The Bully | 90s Album Review</title>
        <itunes:title>The Gits - Frenching The Bully | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-gits-frenching-the-bully-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-gits-frenching-the-bully-90s-album-review/#comments</comments>        <pubDate>Tue, 07 Mar 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/545ac5b1-5969-34e0-8e1c-9e62d57ba4ad</guid>
                                    <description><![CDATA[<p style="text-align:center;">Blessed with fire and passion on display through her voice and lyrics, the murder of Mia Zapata robbed the world of her potential. With <a href='http://www.thegits.com/'>The Gits</a>, she and guitarist Joe Spleen, bass player Matt Dresdner, and drummer Steve Moriarty made grunge mixed with hardcore punk on their 1992 album Frenching The Bully. With only four years together, the debut record displays potential in the same way Bleach gives hints of what Nirvana was to become on the released but unfinished follow-up album Enter: The Conquering Chicken.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Another Shot of Whiskey</p>
<p style="text-align:center;">17:18 - Spear and Magic Helmet</p>
<p style="text-align:center;">23:08 - It All Dies Anyway</p>
<p style="text-align:center;">27:39 - Insecurities</p>
<p style="text-align:center;">Outro - Absynthe</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Blessed with fire and passion on display through her voice and lyrics, the murder of Mia Zapata robbed the world of her potential. With <a href='http://www.thegits.com/'>The Gits</a>, she and guitarist Joe Spleen, bass player Matt Dresdner, and drummer Steve Moriarty made grunge mixed with hardcore punk on their 1992 album Frenching The Bully. With only four years together, the debut record displays potential in the same way Bleach gives hints of what Nirvana was to become on the released but unfinished follow-up album Enter: The Conquering Chicken.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Another Shot of Whiskey</p>
<p style="text-align:center;">17:18 - Spear and Magic Helmet</p>
<p style="text-align:center;">23:08 - It All Dies Anyway</p>
<p style="text-align:center;">27:39 - Insecurities</p>
<p style="text-align:center;">Outro - Absynthe</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4ds6f2/646-gits.mp3" length="100807496" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Blessed with fire and passion on display through her voice and lyrics, the murder of Mia Zapata robbed the world of her potential. With The Gits, she and guitarist Joe Spleen, bass player Matt Dresdner, and drummer Steve Moriarty made grunge mixed with hardcore punk on their 1992 album Frenching The Bully. With only four years together, the debut record displays potential in the same way Bleach gives hints of what Nirvana was to become on the released but unfinished follow-up album Enter: The Conquering Chicken.
 
Songs In This Episode:
Intro - Another Shot of Whiskey
17:18 - Spear and Magic Helmet
23:08 - It All Dies Anyway
27:39 - Insecurities
Outro - Absynthe
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3144</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>647</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dominique Durand and Andy Chase of Ivy | 90s Artist Interview</title>
        <itunes:title>Dominique Durand and Andy Chase of Ivy | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/dominique-durand-and-andy-chase-of-ivy-90s-artist-interview/</link>
                    <comments>https://digmeout.podbean.com/e/dominique-durand-and-andy-chase-of-ivy-90s-artist-interview/#comments</comments>        <pubDate>Thu, 02 Mar 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a1e9e106-d0e7-3679-bc86-4226000b8c18</guid>
                                    <description><![CDATA[<p style="text-align:center;">There was never a question that <a href='https://ivy-band.bandcamp.com/album/apartment-life-25th-anniversary-edition'>Ivy</a> would make it, though they did so with many strokes of luck, good fortune, and heart ache along the way. With talented songwriters Andy Chase and Adam Schlesinger writing sophisticated pop songs showcasing their love of ‘80s and ‘90s UK music, the only thing missing was a voice to go with the sounds. Chase’s girlfriend at the time (now wife), Dominique Durand, had moved to New York City from Paris to study fashion. While growing up in a house full of music journalists in France, Durand enjoyed the lifestyle and the personalities but never entertained the thought of taking center stage until she was reluctantly talked into it by Chase and Schlesinger. And the industry took notice. In the bumpy times of the mid-90s where labels were signing every band with a pulse, and subsequently dropping the ones that didn’t meet sales targets, Ivy was the type of band to earn glowing reviews that didn’t always translate to units shifted. 1995’s debut Realistic was released by Seed Records. 1997’s critically-acclaimed Apartment Life was originally put out by Atlantic Records and reissued the following year by 550 Music after Atlantic unceremoniously dropped the band while they were in the middle of a tour. Since that time, Ivy has released music on Nettwerk, Minty Fresh and, now, Bar-None, who is releasing Apartment Life on vinyl for the first time. For Chase and Durand, it’s been a bittersweet few years as the rights to Apartment Life came back to the band shortly after Schlesinger passed away from Covid complications in 2020.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Best Thing</p>
<p style="text-align:center;">5:55 - I've Got A Feeling</p>
<p style="text-align:center;">Outro - This Is The Day</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There was never a question that <a href='https://ivy-band.bandcamp.com/album/apartment-life-25th-anniversary-edition'>Ivy</a> would make it, though they did so with many strokes of luck, good fortune, and heart ache along the way. With talented songwriters Andy Chase and Adam Schlesinger writing sophisticated pop songs showcasing their love of ‘80s and ‘90s UK music, the only thing missing was a voice to go with the sounds. Chase’s girlfriend at the time (now wife), Dominique Durand, had moved to New York City from Paris to study fashion. While growing up in a house full of music journalists in France, Durand enjoyed the lifestyle and the personalities but never entertained the thought of taking center stage until she was reluctantly talked into it by Chase and Schlesinger. And the industry took notice. In the bumpy times of the mid-90s where labels were signing every band with a pulse, and subsequently dropping the ones that didn’t meet sales targets, Ivy was the type of band to earn glowing reviews that didn’t always translate to units shifted. 1995’s debut Realistic was released by Seed Records. 1997’s critically-acclaimed Apartment Life was originally put out by Atlantic Records and reissued the following year by 550 Music after Atlantic unceremoniously dropped the band while they were in the middle of a tour. Since that time, Ivy has released music on Nettwerk, Minty Fresh and, now, Bar-None, who is releasing Apartment Life on vinyl for the first time. For Chase and Durand, it’s been a bittersweet few years as the rights to Apartment Life came back to the band shortly after Schlesinger passed away from Covid complications in 2020.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Best Thing</p>
<p style="text-align:center;">5:55 - I've Got A Feeling</p>
<p style="text-align:center;">Outro - This Is The Day</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3rnp5t/645-ivy.mp3" length="152361091" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There was never a question that Ivy would make it, though they did so with many strokes of luck, good fortune, and heart ache along the way. With talented songwriters Andy Chase and Adam Schlesinger writing sophisticated pop songs showcasing their love of ‘80s and ‘90s UK music, the only thing missing was a voice to go with the sounds. Chase’s girlfriend at the time (now wife), Dominique Durand, had moved to New York City from Paris to study fashion. While growing up in a house full of music journalists in France, Durand enjoyed the lifestyle and the personalities but never entertained the thought of taking center stage until she was reluctantly talked into it by Chase and Schlesinger. And the industry took notice. In the bumpy times of the mid-90s where labels were signing every band with a pulse, and subsequently dropping the ones that didn’t meet sales targets, Ivy was the type of band to earn glowing reviews that didn’t always translate to units shifted. 1995’s debut Realistic was released by Seed Records. 1997’s critically-acclaimed Apartment Life was originally put out by Atlantic Records and reissued the following year by 550 Music after Atlantic unceremoniously dropped the band while they were in the middle of a tour. Since that time, Ivy has released music on Nettwerk, Minty Fresh and, now, Bar-None, who is releasing Apartment Life on vinyl for the first time. For Chase and Durand, it’s been a bittersweet few years as the rights to Apartment Life came back to the band shortly after Schlesinger passed away from Covid complications in 2020.
 
Songs In This Episode:
Intro - The Best Thing
5:55 - I've Got A Feeling
Outro - This Is The Day
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4755</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>646</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lowcraft - Manticore | 90s Album Review</title>
        <itunes:title>Lowcraft - Manticore | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/lowcraft-manticore-90s-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/lowcraft-manticore-90s-album-review/#comments</comments>        <pubDate>Tue, 28 Feb 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b6cd05df-7da9-3c30-8086-115a9cb1123d</guid>
                                    <description><![CDATA[<p style="text-align:center;">Aside from Suede and Spacehog, few bands in the 90s embraced the glam sound as wholly as <a href='https://www.discogs.com/artist/2379531-Lowcraft'>Lowcraft</a>. Except Lowcraft wasn't from the UK, instead claiming Portland, Oregon in the U.S. as their home. The one and only album, 1999's Manticore, is baked with the sound and feel of Marc Bolan and T. Rex, David Bowie, and Mott the Hoople. How exactly? Can certain guitar chords and riffs sound glam? Sure, but it helps if there is a big vocal from the likes of lead singer Nathan Khyber. But like many 90s albums, the extended runtime of the compact disc gives time for songs to go on too long, and what should have been a tight forty-four-minute LP turns ends up a flabby fifty-seven minutes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - An Inch Away From Heaven</p>
<p style="text-align:center;">13:32 - Transcendental Meltdown</p>
<p style="text-align:center;">19:21 - Pornstar</p>
<p style="text-align:center;">31:15 - One of Us</p>
<p style="text-align:center;">Outro - Happy in My Pants</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Aside from Suede and Spacehog, few bands in the 90s embraced the glam sound as wholly as <a href='https://www.discogs.com/artist/2379531-Lowcraft'>Lowcraft</a>. Except Lowcraft wasn't from the UK, instead claiming Portland, Oregon in the U.S. as their home. The one and only album, 1999's Manticore, is baked with the sound and feel of Marc Bolan and T. Rex, David Bowie, and Mott the Hoople. How exactly? Can certain guitar chords and riffs sound glam? Sure, but it helps if there is a big vocal from the likes of lead singer Nathan Khyber. But like many 90s albums, the extended runtime of the compact disc gives time for songs to go on too long, and what should have been a tight forty-four-minute LP turns ends up a flabby fifty-seven minutes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - An Inch Away From Heaven</p>
<p style="text-align:center;">13:32 - Transcendental Meltdown</p>
<p style="text-align:center;">19:21 - Pornstar</p>
<p style="text-align:center;">31:15 - One of Us</p>
<p style="text-align:center;">Outro - Happy in My Pants</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/54wkkx/644-lowcraft.mp3" length="100535823" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Aside from Suede and Spacehog, few bands in the 90s embraced the glam sound as wholly as Lowcraft. Except Lowcraft wasn't from the UK, instead claiming Portland, Oregon in the U.S. as their home. The one and only album, 1999's Manticore, is baked with the sound and feel of Marc Bolan and T. Rex, David Bowie, and Mott the Hoople. How exactly? Can certain guitar chords and riffs sound glam? Sure, but it helps if there is a big vocal from the likes of lead singer Nathan Khyber. But like many 90s albums, the extended runtime of the compact disc gives time for songs to go on too long, and what should have been a tight forty-four-minute LP turns ends up a flabby fifty-seven minutes.
 
Songs In This Episode:
Intro - An Inch Away From Heaven
13:32 - Transcendental Meltdown
19:21 - Pornstar
31:15 - One of Us
Outro - Happy in My Pants
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3136</itunes:duration>
                <itunes:episode>645</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Red Lorry Yellow Lorry - Blasting Off | 90s Album Review</title>
        <itunes:title>Red Lorry Yellow Lorry - Blasting Off | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/red-lorry-yellow-lorry-blasting-off-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/red-lorry-yellow-lorry-blasting-off-album-review/#comments</comments>        <pubDate>Tue, 21 Feb 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9499a8e1-7d02-30c2-96c2-c5476cec7571</guid>
                                    <description><![CDATA[<p style="text-align:center;">With a lower register in the vein of Richard Butler or Ian Astbury, Chris Reed of <a href='https://en.wikipedia.org/wiki/Red_Lorry_Yellow_Lorry'>Red Lorry Yellow Lorry</a> dismissed goth comparison during the 80s and focused on their guitar driven post-punk sound. For the final release, 1991's Blasting Off, the band backing Reed is new, but the sound is familiar thanks to Reed's unique vocals, unfussy songwriting, and precise guitar paying that works in a variety of well chosen effects. The unremarkable rhythm section is the only slight on an album that fans of bands like the Psychedelic Furs, The Mission, or Clan of Xymox probably should check out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Think About It</p>
<p style="text-align:center;">15:18 - Train of Hope</p>
<p style="text-align:center;">23:05 - Talking Back</p>
<p style="text-align:center;">35:01 - Sea of Tears</p>
<p style="text-align:center;">Outro - This Is Energy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With a lower register in the vein of Richard Butler or Ian Astbury, Chris Reed of <a href='https://en.wikipedia.org/wiki/Red_Lorry_Yellow_Lorry'>Red Lorry Yellow Lorry</a> dismissed goth comparison during the 80s and focused on their guitar driven post-punk sound. For the final release, 1991's Blasting Off, the band backing Reed is new, but the sound is familiar thanks to Reed's unique vocals, unfussy songwriting, and precise guitar paying that works in a variety of well chosen effects. The unremarkable rhythm section is the only slight on an album that fans of bands like the Psychedelic Furs, The Mission, or Clan of Xymox probably should check out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Think About It</p>
<p style="text-align:center;">15:18 - Train of Hope</p>
<p style="text-align:center;">23:05 - Talking Back</p>
<p style="text-align:center;">35:01 - Sea of Tears</p>
<p style="text-align:center;">Outro - This Is Energy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qt4jc8/643-redlorryellowlorry.mp3" length="119401665" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a lower register in the vein of Richard Butler or Ian Astbury, Chris Reed of Red Lorry Yellow Lorry dismissed goth comparison during the 80s and focused on their guitar driven post-punk sound. For the final release, 1991's Blasting Off, the band backing Reed is new, but the sound is familiar thanks to Reed's unique vocals, unfussy songwriting, and precise guitar paying that works in a variety of well chosen effects. The unremarkable rhythm section is the only slight on an album that fans of bands like the Psychedelic Furs, The Mission, or Clan of Xymox probably should check out.
 
Songs In This Episode:
Intro - Don't Think About It
15:18 - Train of Hope
23:05 - Talking Back
35:01 - Sea of Tears
Outro - This Is Energy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3725</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>644</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Letters To Cleo - Wholesale Meats and Fish | 90s Album Review</title>
        <itunes:title>Letters To Cleo - Wholesale Meats and Fish | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/letters-to-cleo-wholesale-meats-and-fish-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/letters-to-cleo-wholesale-meats-and-fish-album-review/#comments</comments>        <pubDate>Tue, 14 Feb 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cc0004ff-d4f0-3e20-9da8-cb2c66b7dcd2</guid>
                                    <description><![CDATA[<p style="text-align:center;">Coming off the hit "Here and Now" from their debut Aurora Gory Alice, <a href='https://www.letterstocleo.net/'>Letters To Cleo</a> followed-up with the equally catchy Wholesale Meats and Fish. Lead single "Awake," with it's handclaps and catchy hook by lead singer Kay Hanley, is just one of many power-pop adjacent tunes that lean more towards the noisy side of the genre inhabited by The Posies and Matthew Sweet. But to pin down LTC would be a mistake, as the opening ripper "Demon Rock" demonstrates, or the sixties-infused "Little Rosa" demonstrate. The band packs a nice sonic punch, even when diverging from comfortable sounds for quieter moments that are hit and miss.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fast Way</p>
<p style="text-align:center;">14:44 - Demon Rock</p>
<p style="text-align:center;">21:08 - Little Rosa</p>
<p style="text-align:center;">27:27 - Acid Jed</p>
<p style="text-align:center;">32:13 - I Could Sleep (The Wuss Song)</p>
<p style="text-align:center;">Outro - Awake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Coming off the hit "Here and Now" from their debut Aurora Gory Alice, <a href='https://www.letterstocleo.net/'>Letters To Cleo</a> followed-up with the equally catchy Wholesale Meats and Fish. Lead single "Awake," with it's handclaps and catchy hook by lead singer Kay Hanley, is just one of many power-pop adjacent tunes that lean more towards the noisy side of the genre inhabited by The Posies and Matthew Sweet. But to pin down LTC would be a mistake, as the opening ripper "Demon Rock" demonstrates, or the sixties-infused "Little Rosa" demonstrate. The band packs a nice sonic punch, even when diverging from comfortable sounds for quieter moments that are hit and miss.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fast Way</p>
<p style="text-align:center;">14:44 - Demon Rock</p>
<p style="text-align:center;">21:08 - Little Rosa</p>
<p style="text-align:center;">27:27 - Acid Jed</p>
<p style="text-align:center;">32:13 - I Could Sleep (The Wuss Song)</p>
<p style="text-align:center;">Outro - Awake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xawgbz/642-letterstocleo.mp3" length="98721880" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Coming off the hit "Here and Now" from their debut Aurora Gory Alice, Letters To Cleo followed-up with the equally catchy Wholesale Meats and Fish. Lead single "Awake," with it's handclaps and catchy hook by lead singer Kay Hanley, is just one of many power-pop adjacent tunes that lean more towards the noisy side of the genre inhabited by The Posies and Matthew Sweet. But to pin down LTC would be a mistake, as the opening ripper "Demon Rock" demonstrates, or the sixties-infused "Little Rosa" demonstrate. The band packs a nice sonic punch, even when diverging from comfortable sounds for quieter moments that are hit and miss.
 
Songs In This Episode:
Intro - Fast Way
14:44 - Demon Rock
21:08 - Little Rosa
27:27 - Acid Jed
32:13 - I Could Sleep (The Wuss Song)
Outro - Awake
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3079</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>643</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chad Clark of Smart Went Crazy and Beauty Pill | 90s Artist Interview</title>
        <itunes:title>Chad Clark of Smart Went Crazy and Beauty Pill | 90s Artist Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/chad-clark-of-smart-went-crazy-and-beauty-pill-interview/</link>
                    <comments>https://digmeout.podbean.com/e/chad-clark-of-smart-went-crazy-and-beauty-pill-interview/#comments</comments>        <pubDate>Thu, 09 Feb 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/293fc550-91bf-3c5d-bb3d-31ab28b856e1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Born in NYC but spending his formative years in Washington DC, Chad Clark’s passion for music was born when his dad dropped a pair of headphones on his son’s head and introduced him to the Beatles. In the mid-90s, Clark formed the artsy, indie rock outfit Smart Went Crazy with Abram Goodrich and Hilary Soldati, signed with Dischord Records and released an EP and two full lengths - 1995’s Now We’re Even and 1997’s Con Art. Even before Smart Went Crazy’s ending, Clark was thinking about his next project, Beauty Pill, which he started with Goodrich in 2001 and continues through this day. With members coming and going over the last 20+ years, Beauty Pill’s released two full lengths - 2004’s The Unsustainable Lifestyle and 2015’s Beauty Pill Describes Things As They Are - and a handful of EPs, most of which have been critically lauded. Earlier this year, Beauty Pill released a double album, Blue Period, consisting of their Dischord output - The Unsustainable Lifestyle and the You Are Right to Be Afraid EP - as well as previously unreleased outtakes and demos. On this episode, Beauty Pill members past (Ryan Nelson) and present (Erin Nelson), join Clark to talk about the last 25+ years of music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - A Good Day by Smart Went Crazy</p>
<p style="text-align:center;">6:39 - Goodnight For Real by Beauty Pill</p>
<p style="text-align:center;">Outro - Fugue State Companion by Beauty Pill</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Born in NYC but spending his formative years in Washington DC, Chad Clark’s passion for music was born when his dad dropped a pair of headphones on his son’s head and introduced him to the Beatles. In the mid-90s, Clark formed the artsy, indie rock outfit Smart Went Crazy with Abram Goodrich and Hilary Soldati, signed with Dischord Records and released an EP and two full lengths - 1995’s <em>Now We’re Even</em> and 1997’s <em>Con Art</em>. Even before Smart Went Crazy’s ending, Clark was thinking about his next project, Beauty Pill, which he started with Goodrich in 2001 and continues through this day. With members coming and going over the last 20+ years, Beauty Pill’s released two full lengths - 2004’s <em>The Unsustainable Lifestyle</em> and 2015’s <em>Beauty Pill Describes Things As They Are</em> - and a handful of EPs, most of which have been critically lauded. Earlier this year, Beauty Pill released a double album, Blue Period, consisting of their Dischord output - <em>The Unsustainable Lifestyle</em> and the <em>You Are Right to Be Afraid</em> EP - as well as previously unreleased outtakes and demos. On this episode, Beauty Pill members past (Ryan Nelson) and present (Erin Nelson), join Clark to talk about the last 25+ years of music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - A Good Day by Smart Went Crazy</p>
<p style="text-align:center;">6:39 - Goodnight For Real by Beauty Pill</p>
<p style="text-align:center;">Outro - Fugue State Companion by Beauty Pill</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e35cur/641-chadclark.mp3" length="288563963" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Born in NYC but spending his formative years in Washington DC, Chad Clark’s passion for music was born when his dad dropped a pair of headphones on his son’s head and introduced him to the Beatles. In the mid-90s, Clark formed the artsy, indie rock outfit Smart Went Crazy with Abram Goodrich and Hilary Soldati, signed with Dischord Records and released an EP and two full lengths - 1995’s Now We’re Even and 1997’s Con Art. Even before Smart Went Crazy’s ending, Clark was thinking about his next project, Beauty Pill, which he started with Goodrich in 2001 and continues through this day. With members coming and going over the last 20+ years, Beauty Pill’s released two full lengths - 2004’s The Unsustainable Lifestyle and 2015’s Beauty Pill Describes Things As They Are - and a handful of EPs, most of which have been critically lauded. Earlier this year, Beauty Pill released a double album, Blue Period, consisting of their Dischord output - The Unsustainable Lifestyle and the You Are Right to Be Afraid EP - as well as previously unreleased outtakes and demos. On this episode, Beauty Pill members past (Ryan Nelson) and present (Erin Nelson), join Clark to talk about the last 25+ years of music.
 
Songs In This Episode:
Intro - A Good Day by Smart Went Crazy
6:39 - Goodnight For Real by Beauty Pill
Outro - Fugue State Companion by Beauty Pill
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>9011</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>642</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hole - Live Through This | 90s Album Review</title>
        <itunes:title>Hole - Live Through This | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/hole-live-through-this-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/hole-live-through-this-album-review/#comments</comments>        <pubDate>Tue, 07 Feb 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ce8bc43d-b674-36ca-b4d8-a20113cbc13e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Released in the shadow of her husband's death, Courtney Love and <a href='https://en.wikipedia.org/wiki/Hole_(band)'>Hole</a> delivered their sophomore album Live Through This in a tsunami of emotional turmoil. Propelled by three hit singles, the album would launch Love into stardom and influence a generation of visceral, outspoken musicians that took inspiration from songs about motherhood, abuse, postpartum depression, and other topics not found on Billboard 200 charting albums. In looking back almost thirty years, the layers of musicianship that might have been glossed over by the larger moment are revealed. Guitarist Eric Erlandson's shifts between vitriolic riffing and crunchy leads to subtle and understated without missing a beat. Speaking of beats, drummer Patty Schemel shines, adding controlled bombast that, paired with bassist Kristen Pfaff, gives the album a tightness without feeling stale or rote.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Miss World</p>
<p style="text-align:center;">23:54 - Violet</p>
<p style="text-align:center;">36:38 - Credit in the Straight World</p>
<p style="text-align:center;">40:00 - Rock Star</p>
<p style="text-align:center;">Outro - Doll Parts</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Released in the shadow of her husband's death, Courtney Love and <a href='https://en.wikipedia.org/wiki/Hole_(band)'>Hole</a> delivered their sophomore album Live Through This in a tsunami of emotional turmoil. Propelled by three hit singles, the album would launch Love into stardom and influence a generation of visceral, outspoken musicians that took inspiration from songs about motherhood, abuse, postpartum depression, and other topics not found on Billboard 200 charting albums. In looking back almost thirty years, the layers of musicianship that might have been glossed over by the larger moment are revealed. Guitarist Eric Erlandson's shifts between vitriolic riffing and crunchy leads to subtle and understated without missing a beat. Speaking of beats, drummer Patty Schemel shines, adding controlled bombast that, paired with bassist Kristen Pfaff, gives the album a tightness without feeling stale or rote.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Miss World</p>
<p style="text-align:center;">23:54 - Violet</p>
<p style="text-align:center;">36:38 - Credit in the Straight World</p>
<p style="text-align:center;">40:00 - Rock Star</p>
<p style="text-align:center;">Outro - Doll Parts</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jy3mn9/640-hole.mp3" length="105182693" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Released in the shadow of her husband's death, Courtney Love and Hole delivered their sophomore album Live Through This in a tsunami of emotional turmoil. Propelled by three hit singles, the album would launch Love into stardom and influence a generation of visceral, outspoken musicians that took inspiration from songs about motherhood, abuse, postpartum depression, and other topics not found on Billboard 200 charting albums. In looking back almost thirty years, the layers of musicianship that might have been glossed over by the larger moment are revealed. Guitarist Eric Erlandson's shifts between vitriolic riffing and crunchy leads to subtle and understated without missing a beat. Speaking of beats, drummer Patty Schemel shines, adding controlled bombast that, paired with bassist Kristen Pfaff, gives the album a tightness without feeling stale or rote.
 
Songs In This Episode:
Intro - Miss World
23:54 - Violet
36:38 - Credit in the Straight World
40:00 - Rock Star
Outro - Doll Parts
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3281</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>641</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wünderband by Wünderband | 90s Album Review</title>
        <itunes:title>Wünderband by Wünderband | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/wunderband-by-wunderband-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/wunderband-by-wunderband-album-review/#comments</comments>        <pubDate>Tue, 31 Jan 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4069e003-e31b-3574-9b8d-4ef9d3d4af58</guid>
                                    <description><![CDATA[<p style="text-align:center;">We've revisited plenty of albums released on major and independent labels from the 90s, but digging into self-released albums isn't something we've explored much - until now! Take New York City's Wünderband, who self-released their self-titled album in 1997. On the opening track, the band make their sound clear - punchy, catchy power-pop with some twists and turns. From the opening Aimee Mann call-out track "Yes Yes Hey Hey" to the Jellyfish inflected "I Don't Mind," the band sounds right at home alongside fellow 90s three-and-a-half-minute power pop magicians like Fountains of Wayne, Sloan, or The Figgs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pinup</p>
<p style="text-align:center;">13:18 - Yes Yes Hey Hey</p>
<p style="text-align:center;">21:30 - Mayqueen</p>
<p style="text-align:center;">25:26 - I Don't Mind</p>
<p style="text-align:center;">35:46 - Circle and Fall</p>
<p style="text-align:center;">Outro - Another Guy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We've revisited plenty of albums released on major and independent labels from the 90s, but digging into self-released albums isn't something we've explored much - until now! Take New York City's Wünderband, who self-released their self-titled album in 1997. On the opening track, the band make their sound clear - punchy, catchy power-pop with some twists and turns. From the opening Aimee Mann call-out track "Yes Yes Hey Hey" to the Jellyfish inflected "I Don't Mind," the band sounds right at home alongside fellow 90s three-and-a-half-minute power pop magicians like Fountains of Wayne, Sloan, or The Figgs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pinup</p>
<p style="text-align:center;">13:18 - Yes Yes Hey Hey</p>
<p style="text-align:center;">21:30 - Mayqueen</p>
<p style="text-align:center;">25:26 - I Don't Mind</p>
<p style="text-align:center;">35:46 - Circle and Fall</p>
<p style="text-align:center;">Outro - Another Guy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z7fhic/639-wunderband.mp3" length="106055392" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've revisited plenty of albums released on major and independent labels from the 90s, but digging into self-released albums isn't something we've explored much - until now! Take New York City's Wünderband, who self-released their self-titled album in 1997. On the opening track, the band make their sound clear - punchy, catchy power-pop with some twists and turns. From the opening Aimee Mann call-out track "Yes Yes Hey Hey" to the Jellyfish inflected "I Don't Mind," the band sounds right at home alongside fellow 90s three-and-a-half-minute power pop magicians like Fountains of Wayne, Sloan, or The Figgs.
 
Songs In This Episode:
Intro - Pinup
13:18 - Yes Yes Hey Hey
21:30 - Mayqueen
25:26 - I Don't Mind
35:46 - Circle and Fall
Outro - Another Guy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3308</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>640</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Soundgarden - Badmotorfinger | 90s Album Review</title>
        <itunes:title>Soundgarden - Badmotorfinger | 90s Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/soundgarden-badmotorfinger-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/soundgarden-badmotorfinger-album-review/#comments</comments>        <pubDate>Tue, 24 Jan 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/664f2869-312f-38a2-bd0d-3e58c3866b38</guid>
                                    <description><![CDATA[<p style="text-align:center;">Badmotorfinger sits in the middle of the <a href='https://www.soundgardenworld.com/'>Soundgarden</a> discography at an interesting crossroads. With new bass player Ben Shepherd on board, the band expanded upon their Black Sabbath meets Black Flag twist on metal with precision riffs and rhythms that integrate odd time signatures and alternate guitar tunings. While other bands were relegated to in-the-know hardcore fandom, thanks to the once-in-a-generation vocals of Chris Cornell, Soundgarden began their ascent as a commercial entity on MTV and mainstream radio.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Outshined</p>
<p style="text-align:center;">4:39 - Birth Ritual</p>
<p style="text-align:center;">29:01 - Jesus Christ Pose</p>
<p style="text-align:center;">36:05 - Somewhere</p>
<p style="text-align:center;">45:18 - Mind Riot</p>
<p style="text-align:center;">50:39 - Room A Thousand Years Wide</p>
<p style="text-align:center;">Outro - Rusty Cage</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Badmotorfinger sits in the middle of the <a href='https://www.soundgardenworld.com/'>Soundgarden</a> discography at an interesting crossroads. With new bass player Ben Shepherd on board, the band expanded upon their Black Sabbath meets Black Flag twist on metal with precision riffs and rhythms that integrate odd time signatures and alternate guitar tunings. While other bands were relegated to in-the-know hardcore fandom, thanks to the once-in-a-generation vocals of Chris Cornell, Soundgarden began their ascent as a commercial entity on MTV and mainstream radio.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Outshined</p>
<p style="text-align:center;">4:39 - Birth Ritual</p>
<p style="text-align:center;">29:01 - Jesus Christ Pose</p>
<p style="text-align:center;">36:05 - Somewhere</p>
<p style="text-align:center;">45:18 - Mind Riot</p>
<p style="text-align:center;">50:39 - Room A Thousand Years Wide</p>
<p style="text-align:center;">Outro - Rusty Cage</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9dzwcg/638-badmotorfinger.mp3" length="158490881" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Badmotorfinger sits in the middle of the Soundgarden discography at an interesting crossroads. With new bass player Ben Shepherd on board, the band expanded upon their Black Sabbath meets Black Flag twist on metal with precision riffs and rhythms that integrate odd time signatures and alternate guitar tunings. While other bands were relegated to in-the-know hardcore fandom, thanks to the once-in-a-generation vocals of Chris Cornell, Soundgarden began their ascent as a commercial entity on MTV and mainstream radio.
 
Songs In This Episode:
Intro - Outshined
4:39 - Birth Ritual
29:01 - Jesus Christ Pose
36:05 - Somewhere
45:18 - Mind Riot
50:39 - Room A Thousand Years Wide
Outro - Rusty Cage
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4947</itunes:duration>
                <itunes:episode>639</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Albums of 1993 | 90s Roundtable</title>
        <itunes:title>Albums of 1993 | 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/albums-of-1993-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/albums-of-1993-roundtable/#comments</comments>        <pubDate>Tue, 17 Jan 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/14f405f4-403b-3f8e-89cc-d8db0c89f190</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1993, it was an alternative world, from MTV to mainstream radio. The Smashing Pumpkins, Nirvana, Counting Crows, Depeche Mode, Radiohead, Tool, and many more became household names with million selling albums while college radio and indie labels saw bands take off unexpectedly, with hits from The Breeders, The Lemonheads, Mazzy Star, Juliana Hatfield, Letters to Cleo, Ween, and many more. While pop music maintained its position with the likes of Mariah Carey, Billy Joel, and Duran Duran scoring hits, hip-hop was also ascendant with landmark albums from A Tribe Called Quest, Snoop Doggy Dogg, The Wu-Tang Clan, and more. We dive into it all, talking about records that have stood the test of time and those that haven't, albums overlooked upon their release and those best left to the dustbin of history.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 1993 Medley (Lemon by U2, Animal Nitrate by Suede, Fade Into You by Mazzy Star, 20th Century by Brad, Give Back The Key To My Heart by Uncle Tupelo)</p>
<p style="text-align:center;">Outro - I Feel You by Depeche Mode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1993, it was an alternative world, from MTV to mainstream radio. The Smashing Pumpkins, Nirvana, Counting Crows, Depeche Mode, Radiohead, Tool, and many more became household names with million selling albums while college radio and indie labels saw bands take off unexpectedly, with hits from The Breeders, The Lemonheads, Mazzy Star, Juliana Hatfield, Letters to Cleo, Ween, and many more. While pop music maintained its position with the likes of Mariah Carey, Billy Joel, and Duran Duran scoring hits, hip-hop was also ascendant with landmark albums from A Tribe Called Quest, Snoop Doggy Dogg, The Wu-Tang Clan, and more. We dive into it all, talking about records that have stood the test of time and those that haven't, albums overlooked upon their release and those best left to the dustbin of history.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 1993 Medley (Lemon by U2, Animal Nitrate by Suede, Fade Into You by Mazzy Star, 20th Century by Brad, Give Back The Key To My Heart by Uncle Tupelo)</p>
<p style="text-align:center;">Outro - I Feel You by Depeche Mode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/87fmsc/637-albumsof1993.mp3" length="216523680" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1993, it was an alternative world, from MTV to mainstream radio. The Smashing Pumpkins, Nirvana, Counting Crows, Depeche Mode, Radiohead, Tool, and many more became household names with million selling albums while college radio and indie labels saw bands take off unexpectedly, with hits from The Breeders, The Lemonheads, Mazzy Star, Juliana Hatfield, Letters to Cleo, Ween, and many more. While pop music maintained its position with the likes of Mariah Carey, Billy Joel, and Duran Duran scoring hits, hip-hop was also ascendant with landmark albums from A Tribe Called Quest, Snoop Doggy Dogg, The Wu-Tang Clan, and more. We dive into it all, talking about records that have stood the test of time and those that haven't, albums overlooked upon their release and those best left to the dustbin of history.
 
Songs In This Episode:
Intro - 1993 Medley (Lemon by U2, Animal Nitrate by Suede, Fade Into You by Mazzy Star, 20th Century by Brad, Give Back The Key To My Heart by Uncle Tupelo)
Outro - I Feel You by Depeche Mode
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6760</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>638</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Limblifter - Limblifter | Album Review</title>
        <itunes:title>Limblifter - Limblifter | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/limblifter-limblifter-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/limblifter-limblifter-album-review/#comments</comments>        <pubDate>Tue, 10 Jan 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c224d219-e5b9-3283-accb-b1444854c3ae</guid>
                                    <description><![CDATA[<p style="text-align:center;">Taking time off from The Age of Electric, Ian Summers (bass) joined the Dahle Brothers (Ryan on vocals, guitars and keys, Kurt on drums and vocals) for <a href='https://www.limblifter.com/'>Limblifter</a> in 1996. Those familiar with TAOE will recognize the sharp songwriting and guitar pop sensibilities, as the band effortlessly blasts out three-minute, radio-ready tunes like "Vicious" and "Tinfoil." Their sensibilities are definitely on the pop side, but the choruses aren't necessarily syrupy blandness. If anything, the band could have turned up the melodic hooks a bit more for our tastes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Vicious</p>
<p style="text-align:center;">1:15 - First impression of Sideways Skull by The Hold Steady</p>
<p style="text-align:center;">20:04 - Opiñata</p>
<p style="text-align:center;">27:50 - Round The "2"</p>
<p style="text-align:center;">35:14 - Do I Feel Involved?</p>
<p style="text-align:center;">Outro -Screwed It Up</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Taking time off from The Age of Electric, Ian Summers (bass) joined the Dahle Brothers (Ryan on vocals, guitars and keys, Kurt on drums and vocals) for <a href='https://www.limblifter.com/'>Limblifter</a> in 1996. Those familiar with TAOE will recognize the sharp songwriting and guitar pop sensibilities, as the band effortlessly blasts out three-minute, radio-ready tunes like "Vicious" and "Tinfoil." Their sensibilities are definitely on the pop side, but the choruses aren't necessarily syrupy blandness. If anything, the band could have turned up the melodic hooks a bit more for our tastes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Vicious</p>
<p style="text-align:center;">1:15 - First impression of Sideways Skull by The Hold Steady</p>
<p style="text-align:center;">20:04 - Opiñata</p>
<p style="text-align:center;">27:50 - Round The "2"</p>
<p style="text-align:center;">35:14 - Do I Feel Involved?</p>
<p style="text-align:center;">Outro -Screwed It Up</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yvc4tt/636-limblifter.mp3" length="102193449" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Taking time off from The Age of Electric, Ian Summers (bass) joined the Dahle Brothers (Ryan on vocals, guitars and keys, Kurt on drums and vocals) for Limblifter in 1996. Those familiar with TAOE will recognize the sharp songwriting and guitar pop sensibilities, as the band effortlessly blasts out three-minute, radio-ready tunes like "Vicious" and "Tinfoil." Their sensibilities are definitely on the pop side, but the choruses aren't necessarily syrupy blandness. If anything, the band could have turned up the melodic hooks a bit more for our tastes.
 
Songs In This Episode:
Intro - Vicious
1:15 - First impression of Sideways Skull by The Hold Steady
20:04 - Opiñata
27:50 - Round The "2"
35:14 - Do I Feel Involved?
Outro -Screwed It Up
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3187</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>637</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Carcass - Heartwork | Album Review</title>
        <itunes:title>Carcass - Heartwork | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/carcass-heartwork-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/carcass-heartwork-album-review/#comments</comments>        <pubDate>Tue, 03 Jan 2023 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/30056987-3972-3ff6-9ae5-18b3d889d56e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Heavy but melodic guitar riffs, intricate beats that switch between a Pantera groove and extreme metal blast beats, and otherworldly vocals are the cornerstones of Heartwork, the fourth studio album by English band <a href='https://carcass.bandcamp.com/'>Carcass</a>. Expanding upon their earlier grindcore approach, Heartwork is a journey that grabs you by the (shredded) throat and won't let go for nearly forty-two minutes. From the NWOBHM styled "This Mortal Coil" to the ferocious hardcore stomp of "Carnal Forge," the band never lets up. In addition to tackling this classic of the genre, we also check out the YouTube video by Steve Welch, "<a href='https://www.youtube.com/watch?v=lJIohE7W_gU'>If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands</a>" to find out how Steve did turning G N' R songs into tracks by Oasis, W.A.S.P., Danzig and more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Carnal Forge</p>
<p style="text-align:center;">2:22 - If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands - by Steve Welch</p>
<p style="text-align:center;">18:55 - Buried Dreams</p>
<p style="text-align:center;">22:37 - This Mortal Coil</p>
<p style="text-align:center;">27:27 - Heartwork</p>
<p style="text-align:center;">35:07 - Doctrinal Expletives</p>
<p style="text-align:center;">Outro - Embodiment</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Heavy but melodic guitar riffs, intricate beats that switch between a Pantera groove and extreme metal blast beats, and otherworldly vocals are the cornerstones of Heartwork, the fourth studio album by English band <a href='https://carcass.bandcamp.com/'>Carcass</a>. Expanding upon their earlier grindcore approach, Heartwork is a journey that grabs you by the (shredded) throat and won't let go for nearly forty-two minutes. From the NWOBHM styled "This Mortal Coil" to the ferocious hardcore stomp of "Carnal Forge," the band never lets up. In addition to tackling this classic of the genre, we also check out the YouTube video by Steve Welch, "<a href='https://www.youtube.com/watch?v=lJIohE7W_gU'>If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands</a>" to find out how Steve did turning G N' R songs into tracks by Oasis, W.A.S.P., Danzig and more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Carnal Forge</p>
<p style="text-align:center;">2:22 - If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands - by Steve Welch</p>
<p style="text-align:center;">18:55 - Buried Dreams</p>
<p style="text-align:center;">22:37 - This Mortal Coil</p>
<p style="text-align:center;">27:27 - Heartwork</p>
<p style="text-align:center;">35:07 - Doctrinal Expletives</p>
<p style="text-align:center;">Outro - Embodiment</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g9rqsp/635-carcass.mp3" length="93388720" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Heavy but melodic guitar riffs, intricate beats that switch between a Pantera groove and extreme metal blast beats, and otherworldly vocals are the cornerstones of Heartwork, the fourth studio album by English band Carcass. Expanding upon their earlier grindcore approach, Heartwork is a journey that grabs you by the (shredded) throat and won't let go for nearly forty-two minutes. From the NWOBHM styled "This Mortal Coil" to the ferocious hardcore stomp of "Carnal Forge," the band never lets up. In addition to tackling this classic of the genre, we also check out the YouTube video by Steve Welch, "If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands" to find out how Steve did turning G N' R songs into tracks by Oasis, W.A.S.P., Danzig and more.
 
Songs In This Episode:
Intro - Carnal Forge
2:22 - If Guns N' Roses 'Appetite For Destruction' was written by 12 different bands - by Steve Welch
18:55 - Buried Dreams
22:37 - This Mortal Coil
27:27 - Heartwork
35:07 - Doctrinal Expletives
Outro - Embodiment
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2912</itunes:duration>
        <itunes:season>13</itunes:season>
        <itunes:episode>636</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Season Twelve In Review</title>
        <itunes:title>Season Twelve In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/season-twelve-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/season-twelve-in-review/#comments</comments>        <pubDate>Tue, 27 Dec 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/34a4166a-8bac-3da8-b613-09389eb0a1a7</guid>
                                    <description><![CDATA[<p style="text-align:center;">There is a lot to talk about when we look back on 2022. Albums new and old from 80s and 90s artists blasted from our speakers and headphones on a daily basis. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season thirteen in 2023!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There is a lot to talk about when we look back on 2022. Albums new and old from 80s and 90s artists blasted from our speakers and headphones on a daily basis. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season thirteen in 2023!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6uanvn/634-year12review.mp3" length="98334849" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There is a lot to talk about when we look back on 2022. Albums new and old from 80s and 90s artists blasted from our speakers and headphones on a daily basis. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite interviews conducted by Chip Midnight. Here's to season thirteen in 2023!
 
Songs In This Episode:
Intro - Dig Me Out by Sleater-Kinney
Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3067</itunes:duration>
                <itunes:episode>635</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Love Battery - Dayglo | Album Review</title>
        <itunes:title>Love Battery - Dayglo | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/love-battery-dayglo-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/love-battery-dayglo-album-review/#comments</comments>        <pubDate>Tue, 20 Dec 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ba7368fa-9b6c-39a9-9b2e-a761fd4ebade</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though <a href='https://www.facebook.com/profile.php?id=100063468314848'>Love Battery</a> emerged from the Seattle scene with numerous connections and an ascendant Sub Pop label backing them, the band never managed to breakthrough to the mainstream like their various label mates. Their 1992 debut Dayglo may shed some light on the reasons. The guitars are loud, loud, loud, sometimes overpowering the other instruments the way James Williamson would in The Stooges, but that's not necessarily a bad thing. Thanks to a group of innovative, stellar musicians, the band can fluidly move from aggressive garage rock to punk indie rock without missing a beat.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Out of Focus</p>
<p style="text-align:center;">16:59 - See Your Mind</p>
<p style="text-align:center;">20:57 - Foot</p>
<p style="text-align:center;">26:23 - Side (With You)</p>
<p style="text-align:center;">32:02 - Blonde</p>
<p style="text-align:center;">Outro - Cool School (Trane of Thought)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though <a href='https://www.facebook.com/profile.php?id=100063468314848'>Love Battery</a> emerged from the Seattle scene with numerous connections and an ascendant Sub Pop label backing them, the band never managed to breakthrough to the mainstream like their various label mates. Their 1992 debut Dayglo may shed some light on the reasons. The guitars are loud, loud, loud, sometimes overpowering the other instruments the way James Williamson would in The Stooges, but that's not necessarily a bad thing. Thanks to a group of innovative, stellar musicians, the band can fluidly move from aggressive garage rock to punk indie rock without missing a beat.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Out of Focus</p>
<p style="text-align:center;">16:59 - See Your Mind</p>
<p style="text-align:center;">20:57 - Foot</p>
<p style="text-align:center;">26:23 - Side (With You)</p>
<p style="text-align:center;">32:02 - Blonde</p>
<p style="text-align:center;">Outro - Cool School (Trane of Thought)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vhhaed/633-love_battery6x4wk.mp3" length="89033585" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though Love Battery emerged from the Seattle scene with numerous connections and an ascendant Sub Pop label backing them, the band never managed to breakthrough to the mainstream like their various label mates. Their 1992 debut Dayglo may shed some light on the reasons. The guitars are loud, loud, loud, sometimes overpowering the other instruments the way James Williamson would in The Stooges, but that's not necessarily a bad thing. Thanks to a group of innovative, stellar musicians, the band can fluidly move from aggressive garage rock to punk indie rock without missing a beat.
 
Songs In This Episode:
Intro - Out of Focus
16:59 - See Your Mind
20:57 - Foot
26:23 - Side (With You)
32:02 - Blonde
Outro - Cool School (Trane of Thought)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2776</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>634</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hayden - Everything I Long For | Album Review</title>
        <itunes:title>Hayden - Everything I Long For | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/hayden-everything-i-long-for-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/hayden-everything-i-long-for-album-review/#comments</comments>        <pubDate>Tue, 13 Dec 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5a15cd9e-cc42-37e1-9d93-e43df81a1d31</guid>
                                    <description><![CDATA[<p style="text-align:center;">Canadian singer/songwriter Paul Hayden Desser, known simply as <a href='https://www.wasteyourdaysaway.com/'>Hayden</a>, released his debut Everything I Long For on his own label in 1995. Shortly after, it was picked up and later re-released in 1996 on Sonic Unyon (internationally on Outpost Recordings/Geffen Records) after receiving acclaim in his home country. Channeling the likes of Leonard Cohen and Tom Waits, Hayden deep voice carves out a unique niche in 1990s folk, indie, and alternative rock. Though the album is almost always in first gear, Hayden ups the volume occasionally, matching it with a more aggressive, guttural vocal. If you enjoy confessional singer/songwriters with a penchant for deliberate slowcore, this might be an album worth checking out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Bad As They Seem</p>
<p style="text-align:center;">14:30 - I'm To Blame</p>
<p style="text-align:center;">20:24 - Hardly</p>
<p style="text-align:center;">24:56 - Skates</p>
<p style="text-align:center;">Outro - In September</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Canadian singer/songwriter Paul Hayden Desser, known simply as <a href='https://www.wasteyourdaysaway.com/'>Hayden</a>, released his debut Everything I Long For on his own label in 1995. Shortly after, it was picked up and later re-released in 1996 on Sonic Unyon (internationally on Outpost Recordings/Geffen Records) after receiving acclaim in his home country. Channeling the likes of Leonard Cohen and Tom Waits, Hayden deep voice carves out a unique niche in 1990s folk, indie, and alternative rock. Though the album is almost always in first gear, Hayden ups the volume occasionally, matching it with a more aggressive, guttural vocal. If you enjoy confessional singer/songwriters with a penchant for deliberate slowcore, this might be an album worth checking out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Bad As They Seem</p>
<p style="text-align:center;">14:30 - I'm To Blame</p>
<p style="text-align:center;">20:24 - Hardly</p>
<p style="text-align:center;">24:56 - Skates</p>
<p style="text-align:center;">Outro - In September</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g3xvsv/632-hayden.mp3" length="80454555" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Canadian singer/songwriter Paul Hayden Desser, known simply as Hayden, released his debut Everything I Long For on his own label in 1995. Shortly after, it was picked up and later re-released in 1996 on Sonic Unyon (internationally on Outpost Recordings/Geffen Records) after receiving acclaim in his home country. Channeling the likes of Leonard Cohen and Tom Waits, Hayden deep voice carves out a unique niche in 1990s folk, indie, and alternative rock. Though the album is almost always in first gear, Hayden ups the volume occasionally, matching it with a more aggressive, guttural vocal. If you enjoy confessional singer/songwriters with a penchant for deliberate slowcore, this might be an album worth checking out.
 
Songs In This Episode:
Intro - Bad As They Seem
14:30 - I'm To Blame
20:24 - Hardly
24:56 - Skates
Outro - In September
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2508</itunes:duration>
                <itunes:episode>633</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jeremy Toback of Brad | Interview</title>
        <itunes:title>Jeremy Toback of Brad | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/jeremy-toback-of-brad-interview/</link>
                    <comments>https://digmeout.podbean.com/e/jeremy-toback-of-brad-interview/#comments</comments>        <pubDate>Fri, 09 Dec 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b7d0c1b5-3ec9-388f-b18c-112cdd5182c1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Dig Me Out listeners know <a href='https://jeremytoback.net/'>Jeremy Toback</a> from his time playing bass in Brad with Shawn Smith (vocals), Stone Gossard (guitars) and Regan Hagar and his appearance on that band’s first three albums: Shame (1993), Interiors (1997) and Welcome to Discovery Park (2002). During the ‘90s, he also released 2 full-lengths, Perfect Flux Thing (1997) and Another True Fiction (1999), as well as a self-titled EP (1996). After being burned out by the music industry and the major label experience, Jeremy took some time off before discovering a new outlet for his songwriting. With the help of a long-time friend, Renee Stahl, Jeremy began recording softer lullabies for young children which eventually led to peaceful reinterpretations of popular rock songs by artists ranging from the Red Hot Chili Peppers to Led Zeppelin to INXS. <a href='https://reneeandjeremy.com/'>Renee and Jeremy</a>’s latest single is a cover of Harry Styles’ “As It Was.” In November, Jeremy released his first new solo song in two decades, the beautifully minimalistic “Conjuring,” with an equally <a href='https://youtu.be/1MgCWisC52A'>enthralling video</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Unbecome (from Perfect Flux Thing)</p>
<p style="text-align:center;">4:24 - Circle & Line (from Interiors by Brad)</p>
<p style="text-align:center;">34:26 - 20th Century (from Shame by Brad)</p>
<p style="text-align:center;">1:08:36 - Buttercup (from Shame by Brad)</p>
<p style="text-align:center;">Outro - Butterfly Elephant (from Perfect Flux Thing)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Dig Me Out listeners know <a href='https://jeremytoback.net/'>Jeremy Toback</a> from his time playing bass in Brad with Shawn Smith (vocals), Stone Gossard (guitars) and Regan Hagar and his appearance on that band’s first three albums: Shame (1993), Interiors (1997) and Welcome to Discovery Park (2002). During the ‘90s, he also released 2 full-lengths, Perfect Flux Thing (1997) and Another True Fiction (1999), as well as a self-titled EP (1996). After being burned out by the music industry and the major label experience, Jeremy took some time off before discovering a new outlet for his songwriting. With the help of a long-time friend, Renee Stahl, Jeremy began recording softer lullabies for young children which eventually led to peaceful reinterpretations of popular rock songs by artists ranging from the Red Hot Chili Peppers to Led Zeppelin to INXS. <a href='https://reneeandjeremy.com/'>Renee and Jeremy</a>’s latest single is a cover of Harry Styles’ “As It Was.” In November, Jeremy released his first new solo song in two decades, the beautifully minimalistic “Conjuring,” with an equally <a href='https://youtu.be/1MgCWisC52A'>enthralling video</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Unbecome (from Perfect Flux Thing)</p>
<p style="text-align:center;">4:24 - Circle & Line (from Interiors by Brad)</p>
<p style="text-align:center;">34:26 - 20th Century (from Shame by Brad)</p>
<p style="text-align:center;">1:08:36 - Buttercup (from Shame by Brad)</p>
<p style="text-align:center;">Outro - Butterfly Elephant (from Perfect Flux Thing)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fi5yem/631-jeremy_toback96b21.mp3" length="253216318" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Dig Me Out listeners know Jeremy Toback from his time playing bass in Brad with Shawn Smith (vocals), Stone Gossard (guitars) and Regan Hagar and his appearance on that band’s first three albums: Shame (1993), Interiors (1997) and Welcome to Discovery Park (2002). During the ‘90s, he also released 2 full-lengths, Perfect Flux Thing (1997) and Another True Fiction (1999), as well as a self-titled EP (1996). After being burned out by the music industry and the major label experience, Jeremy took some time off before discovering a new outlet for his songwriting. With the help of a long-time friend, Renee Stahl, Jeremy began recording softer lullabies for young children which eventually led to peaceful reinterpretations of popular rock songs by artists ranging from the Red Hot Chili Peppers to Led Zeppelin to INXS. Renee and Jeremy’s latest single is a cover of Harry Styles’ “As It Was.” In November, Jeremy released his first new solo song in two decades, the beautifully minimalistic “Conjuring,” with an equally enthralling video.
 
Songs In This Episode:
Intro - Unbecome (from Perfect Flux Thing)
4:24 - Circle & Line (from Interiors by Brad)
34:26 - 20th Century (from Shame by Brad)
1:08:36 - Buttercup (from Shame by Brad)
Outro - Butterfly Elephant (from Perfect Flux Thing)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7907</itunes:duration>
                <itunes:episode>632</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Swervedriver - Raise | Album Review</title>
        <itunes:title>Swervedriver - Raise | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/swervedriver-raise-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/swervedriver-raise-album-review/#comments</comments>        <pubDate>Tue, 06 Dec 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/913814d0-c665-3a11-9de4-7d05f40a9f9a</guid>
                                    <description><![CDATA[<p style="text-align:center;">The twin guitar attack by Adam Franklin and Jimmy Hartridge on <a href='https://www.swervedriver.com/home/'>Swervedriver</a>'s 1991 debut Raise is unlike anything else under the shoegaze umbrella. While 80s dream pop was a touchstone for many of their contemporaries, the band from Oxford, England took some American influences like Dinosaur Jr., The Stooges, Sonic Youth, and Hüsker Dü into consideration. Their sound is more aggressive, more visceral, and often more exciting, leaning into the guitar's ability to shift tones quickly without relying on a wall of noise and feedback.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Raise</p>
<p style="text-align:center;">12:10 - Sci-Flyer</p>
<p style="text-align:center;">17:29 - Son of Mustang Ford</p>
<p style="text-align:center;">25:15 - Feel So Real</p>
<p style="text-align:center;">Outro - Deep Seat</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The twin guitar attack by Adam Franklin and Jimmy Hartridge on <a href='https://www.swervedriver.com/home/'>Swervedriver</a>'s 1991 debut Raise is unlike anything else under the shoegaze umbrella. While 80s dream pop was a touchstone for many of their contemporaries, the band from Oxford, England took some American influences like Dinosaur Jr., The Stooges, Sonic Youth, and Hüsker Dü into consideration. Their sound is more aggressive, more visceral, and often more exciting, leaning into the guitar's ability to shift tones quickly without relying on a wall of noise and feedback.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Raise</p>
<p style="text-align:center;">12:10 - Sci-Flyer</p>
<p style="text-align:center;">17:29 - Son of Mustang Ford</p>
<p style="text-align:center;">25:15 - Feel So Real</p>
<p style="text-align:center;">Outro - Deep Seat</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ftnf2d/630-swerveraise.mp3" length="78837053" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The twin guitar attack by Adam Franklin and Jimmy Hartridge on Swervedriver's 1991 debut Raise is unlike anything else under the shoegaze umbrella. While 80s dream pop was a touchstone for many of their contemporaries, the band from Oxford, England took some American influences like Dinosaur Jr., The Stooges, Sonic Youth, and Hüsker Dü into consideration. Their sound is more aggressive, more visceral, and often more exciting, leaning into the guitar's ability to shift tones quickly without relying on a wall of noise and feedback.
 
Songs In This Episode:
Intro - Raise
12:10 - Sci-Flyer
17:29 - Son of Mustang Ford
25:15 - Feel So Real
Outro - Deep Seat
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2458</itunes:duration>
                <itunes:episode>631</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Music We’re Thankful For in 2022 | Roundtable</title>
        <itunes:title>New Music We’re Thankful For in 2022 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/new-music-we-re-thankful-for-in-2022-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/new-music-we-re-thankful-for-in-2022-roundtable/#comments</comments>        <pubDate>Tue, 29 Nov 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4774d756-9c11-370d-b3a6-a740c66e0555</guid>
                                    <description><![CDATA[<p style="text-align:center;">It's our third year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2022. There's a wide array of bands and artists, new and old, that helped make 2022 a great year for music. New albums from 1980s and 90s artists like <a href='https://theafghanwhigs.com/'>The Afghan Whigs</a>, <a href='https://www.suede.co.uk/'>Suede</a>, <a href='https://www.archersofloaf.net/'>Archers of Loaf</a>, <a href='https://thecult.us/UTMS/index.html'>The Cult</a>, <a href='https://www.rammstein.de/en/'>Rammstein</a>, <a href='https://thecrystalmethod.com/'>The Crystal Method</a>, <a href='https://www.facebook.com/thehellacopters/'>The Hellacopters</a>, and many more all released great late career records, while newer bands like <a href='https://thegladmachine.bandcamp.com/album/hey'>The Glad Machine</a>, <a href='https://noiseheads.bandcamp.com/album/somehow-ep'>Noiseheads</a>, <a href='https://thebishop.bandcamp.com/album/vanishing-point'>The Bishop's Daredevil Stunt Club</a>, <a href='https://goodbyejune.bandcamp.com/album/see-where-the-night-goes'>Goodbye June</a>, and a number of others landed on our radar.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'll Make You See God by The Afghan Whigs (How Do You Burn?)</p>
<p style="text-align:center;">11:43 - Nervous by Noise Unit (Cheeba City Blues)</p>
<p style="text-align:center;">26:23 - Times Like These by Soulside (A Brief Moment In The Sun)</p>
<p style="text-align:center;">32:44 - Magical Thinking by Sloan (Steady)</p>
<p style="text-align:center;">41:40 - Feed The Wound by Pig (The Merciless Light)</p>
<p style="text-align:center;">53:00 - October's Song by Skid Row (The Gang's All Here)</p>
<p style="text-align:center;">1:10:39 - Reality Spiral by Greg Puciato (Mirrorcell)</p>
<p style="text-align:center;">Outro - Personality Disorder by Suede (Autofiction)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It's our third year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2022. There's a wide array of bands and artists, new and old, that helped make 2022 a great year for music. New albums from 1980s and 90s artists like <a href='https://theafghanwhigs.com/'>The Afghan Whigs</a>, <a href='https://www.suede.co.uk/'>Suede</a>, <a href='https://www.archersofloaf.net/'>Archers of Loaf</a>, <a href='https://thecult.us/UTMS/index.html'>The Cult</a>, <a href='https://www.rammstein.de/en/'>Rammstein</a>, <a href='https://thecrystalmethod.com/'>The Crystal Method</a>, <a href='https://www.facebook.com/thehellacopters/'>The Hellacopters</a>, and many more all released great late career records, while newer bands like <a href='https://thegladmachine.bandcamp.com/album/hey'>The Glad Machine</a>, <a href='https://noiseheads.bandcamp.com/album/somehow-ep'>Noiseheads</a>, <a href='https://thebishop.bandcamp.com/album/vanishing-point'>The Bishop's Daredevil Stunt Club</a>, <a href='https://goodbyejune.bandcamp.com/album/see-where-the-night-goes'>Goodbye June</a>, and a number of others landed on our radar.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'll Make You See God by The Afghan Whigs (How Do You Burn?)</p>
<p style="text-align:center;">11:43 - Nervous by Noise Unit (Cheeba City Blues)</p>
<p style="text-align:center;">26:23 - Times Like These by Soulside (A Brief Moment In The Sun)</p>
<p style="text-align:center;">32:44 - Magical Thinking by Sloan (Steady)</p>
<p style="text-align:center;">41:40 - Feed The Wound by Pig (The Merciless Light)</p>
<p style="text-align:center;">53:00 - October's Song by Skid Row (The Gang's All Here)</p>
<p style="text-align:center;">1:10:39 - Reality Spiral by Greg Puciato (Mirrorcell)</p>
<p style="text-align:center;">Outro - Personality Disorder by Suede (Autofiction)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3yknsi/629-thankful2022.mp3" length="171996814" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's our third year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2022. There's a wide array of bands and artists, new and old, that helped make 2022 a great year for music. New albums from 1980s and 90s artists like The Afghan Whigs, Suede, Archers of Loaf, The Cult, Rammstein, The Crystal Method, The Hellacopters, and many more all released great late career records, while newer bands like The Glad Machine, Noiseheads, The Bishop's Daredevil Stunt Club, Goodbye June, and a number of others landed on our radar.
 
Songs In This Episode:
Intro - I'll Make You See God by The Afghan Whigs (How Do You Burn?)
11:43 - Nervous by Noise Unit (Cheeba City Blues)
26:23 - Times Like These by Soulside (A Brief Moment In The Sun)
32:44 - Magical Thinking by Sloan (Steady)
41:40 - Feed The Wound by Pig (The Merciless Light)
53:00 - October's Song by Skid Row (The Gang's All Here)
1:10:39 - Reality Spiral by Greg Puciato (Mirrorcell)
Outro - Personality Disorder by Suede (Autofiction)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5369</itunes:duration>
                <itunes:episode>630</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Gun - Swagger | Album Review</title>
        <itunes:title>Gun - Swagger | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/gun-swagger-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/gun-swagger-album-review/#comments</comments>        <pubDate>Tue, 22 Nov 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/34a4304a-befa-3344-a794-2401d101edbf</guid>
                                    <description><![CDATA[<p style="text-align:center;">Scotland's <a href='https://www.gunofficial.co.uk/'>Gun</a> didn't make much of a dent stateside in the 80s or 90s, slightly out of tune with what was happening in mainstream. Their third album, Swagger, is aptly named, as the band is fully in control of their 80s AOR meets 90s hard rock approach. While 1994 was ground zero for grunge and alternative on US radio and MTV, Gun injected their sound with Bon Jovi big rock, Billy Idol energy, and even some Red Hot Chili Peppers funk on the questionable cover of "Word Up" by Cameo.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Say It's Over</p>
<p style="text-align:center;">13:43 - Find My Way</p>
<p style="text-align:center;">21:59 - Something Worthwhile</p>
<p style="text-align:center;">31:52 - Word Up</p>
<p style="text-align:center;">Outro - Vicious Heart</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Scotland's <a href='https://www.gunofficial.co.uk/'>Gun</a> didn't make much of a dent stateside in the 80s or 90s, slightly out of tune with what was happening in mainstream. Their third album, Swagger, is aptly named, as the band is fully in control of their 80s AOR meets 90s hard rock approach. While 1994 was ground zero for grunge and alternative on US radio and MTV, Gun injected their sound with Bon Jovi big rock, Billy Idol energy, and even some Red Hot Chili Peppers funk on the questionable cover of "Word Up" by Cameo.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Say It's Over</p>
<p style="text-align:center;">13:43 - Find My Way</p>
<p style="text-align:center;">21:59 - Something Worthwhile</p>
<p style="text-align:center;">31:52 - Word Up</p>
<p style="text-align:center;">Outro - Vicious Heart</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zuczmm/628-gun.mp3" length="88348132" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Scotland's Gun didn't make much of a dent stateside in the 80s or 90s, slightly out of tune with what was happening in mainstream. Their third album, Swagger, is aptly named, as the band is fully in control of their 80s AOR meets 90s hard rock approach. While 1994 was ground zero for grunge and alternative on US radio and MTV, Gun injected their sound with Bon Jovi big rock, Billy Idol energy, and even some Red Hot Chili Peppers funk on the questionable cover of "Word Up" by Cameo.
 
Songs In This Episode:
Intro - Don't Say It's Over
13:43 - Find My Way
21:59 - Something Worthwhile
31:52 - Word Up
Outro - Vicious Heart
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2755</itunes:duration>
                <itunes:episode>629</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Keith and Susie Ulrey of Pohgoh | Interview</title>
        <itunes:title>Keith and Susie Ulrey of Pohgoh | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/keith-and-susie-ulrey-of-pohgoh-interview/</link>
                    <comments>https://digmeout.podbean.com/e/keith-and-susie-ulrey-of-pohgoh-interview/#comments</comments>        <pubDate>Thu, 17 Nov 2022 01:01:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3e74d2fd-063f-3a3a-96a2-8a8c4f4693f6</guid>
                                    <description><![CDATA[<p style="text-align:center;">Formed in 1994 out of punk rock roots, <a href='https://pohgoh.bandcamp.com/'>Pohgoh</a>’s poppier sounds earned the Florida band comparisons to acts like Velocity Girl and Superchunk. A split single with Braid was released in 1996 and by the time Pohgoh was ready to record a full length, singer Kobi Finley had been replaced by Susie Richardson. What should have been the start of a great relationship with the newly created label Deep Elm Records wound up dissolving quickly after drummer Keith Ulrey unceremoniously quit the band after the full length, In Memory of Bab, had been recorded but shortly before a record deal was signed. Ulrey’s departure led the band to break up in 1997 though Ulrey and Richardson’s relationship developed and the former bandmates wound up getting married in 2000. In 2016, Pohgoh reunited and two years later released Secret Club on Ulrey’s New Granada Records. An opening slot on a Jawbreaker reunion tour happened in 2019 which led to the band recording another new album, Du Und Ich, which came out in October 2022.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Friend X (from The Emo Diaries Chapter One: What's Mine Is Yours)</p>
<p style="text-align:center;">6:03 - Tell Me Truly (from In Memory of Bab)</p>
<p style="text-align:center;">Outro - Try Harder (from Secret Club)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Formed in 1994 out of punk rock roots, <a href='https://pohgoh.bandcamp.com/'>Pohgoh</a>’s poppier sounds earned the Florida band comparisons to acts like Velocity Girl and Superchunk. A split single with Braid was released in 1996 and by the time Pohgoh was ready to record a full length, singer Kobi Finley had been replaced by Susie Richardson. What should have been the start of a great relationship with the newly created label Deep Elm Records wound up dissolving quickly after drummer Keith Ulrey unceremoniously quit the band after the full length, <em>In Memory of Bab</em>, had been recorded but shortly before a record deal was signed. Ulrey’s departure led the band to break up in 1997 though Ulrey and Richardson’s relationship developed and the former bandmates wound up getting married in 2000. In 2016, Pohgoh reunited and two years later released <em>Secret Club</em> on Ulrey’s New Granada Records. An opening slot on a Jawbreaker reunion tour happened in 2019 which led to the band recording another new album, <em>Du Und Ich</em>, which came out in October 2022.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Friend X (from The Emo Diaries Chapter One: What's Mine Is Yours)</p>
<p style="text-align:center;">6:03 - Tell Me Truly (from In Memory of Bab)</p>
<p style="text-align:center;">Outro - Try Harder (from Secret Club)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fugeej/627-pohgoh_interview7vka9.mp3" length="129292251" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Formed in 1994 out of punk rock roots, Pohgoh’s poppier sounds earned the Florida band comparisons to acts like Velocity Girl and Superchunk. A split single with Braid was released in 1996 and by the time Pohgoh was ready to record a full length, singer Kobi Finley had been replaced by Susie Richardson. What should have been the start of a great relationship with the newly created label Deep Elm Records wound up dissolving quickly after drummer Keith Ulrey unceremoniously quit the band after the full length, In Memory of Bab, had been recorded but shortly before a record deal was signed. Ulrey’s departure led the band to break up in 1997 though Ulrey and Richardson’s relationship developed and the former bandmates wound up getting married in 2000. In 2016, Pohgoh reunited and two years later released Secret Club on Ulrey’s New Granada Records. An opening slot on a Jawbreaker reunion tour happened in 2019 which led to the band recording another new album, Du Und Ich, which came out in October 2022.
 
Songs In This Episode:
Intro - Friend X (from The Emo Diaries Chapter One: What's Mine Is Yours)
6:03 - Tell Me Truly (from In Memory of Bab)
Outro - Try Harder (from Secret Club)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4034</itunes:duration>
                <itunes:episode>628</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chris Cornell - Euphoria Morning | Album Review</title>
        <itunes:title>Chris Cornell - Euphoria Morning | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/chris-cornell-euphoria-morning-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/chris-cornell-euphoria-morning-album-review/#comments</comments>        <pubDate>Tue, 15 Nov 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1a5ff7b1-5e6f-383e-a2a6-8c5867d5335b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Although <a href='https://chriscornell.com/'>Chris Cornell</a> had written solo tracks for soundtracks during the Soundgarden era, it wasn't until the band had broken up that he released his proper solo debut. 1999's Euphoria Morning is both expected and unexpected, as some songs aren't far off from "Blow Up The Outside World" or "Fell on Black Days," minus the band bombast, while others showcase his phenomenal vocal talent over folk, blues, and psychedelic turns. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Can't Change Me</p>
<p style="text-align:center;">17:15 - Moonchild</p>
<p style="text-align:center;">21:50 - Wave Goodbye</p>
<p style="text-align:center;">27:13 - Preaching The End Of The World</p>
<p style="text-align:center;">33:38 - Disappearing One</p>
<p style="text-align:center;">Outro - When I'm Down</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Although <a href='https://chriscornell.com/'>Chris Cornell</a> had written solo tracks for soundtracks during the Soundgarden era, it wasn't until the band had broken up that he released his proper solo debut. 1999's Euphoria Morning is both expected and unexpected, as some songs aren't far off from "Blow Up The Outside World" or "Fell on Black Days," minus the band bombast, while others showcase his phenomenal vocal talent over folk, blues, and psychedelic turns. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Can't Change Me</p>
<p style="text-align:center;">17:15 - Moonchild</p>
<p style="text-align:center;">21:50 - Wave Goodbye</p>
<p style="text-align:center;">27:13 - Preaching The End Of The World</p>
<p style="text-align:center;">33:38 - Disappearing One</p>
<p style="text-align:center;">Outro - When I'm Down</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ntyaqx/626-chriscornell.mp3" length="87159456" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Although Chris Cornell had written solo tracks for soundtracks during the Soundgarden era, it wasn't until the band had broken up that he released his proper solo debut. 1999's Euphoria Morning is both expected and unexpected, as some songs aren't far off from "Blow Up The Outside World" or "Fell on Black Days," minus the band bombast, while others showcase his phenomenal vocal talent over folk, blues, and psychedelic turns. 
 
Songs In This Episode:
Intro - Can't Change Me
17:15 - Moonchild
21:50 - Wave Goodbye
27:13 - Preaching The End Of The World
33:38 - Disappearing One
Outro - When I'm Down
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2718</itunes:duration>
                <itunes:episode>627</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>I Mother Earth - Scenery and Fish | Album Review</title>
        <itunes:title>I Mother Earth - Scenery and Fish | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/i-mother-earth-scenery-and-fish-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/i-mother-earth-scenery-and-fish-album-review/#comments</comments>        <pubDate>Tue, 08 Nov 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2d635189-18d1-38d3-98f6-f39c1c6e7391</guid>
                                    <description><![CDATA[<p style="text-align:center;">Lead by brothers Jag (guitarist) and Chris (drummer) Tanna, <a href='http://imotherearth.ca/'>I Mother Earth</a> made layered Latin percussion, alternative rock bombast, and hints of progressive and psychedelic rock a part of the formula from the get go. But the band comes into their own on the 1996 sophomore release Scenery and Fish, opening with Afro-Cuban-influenced percussion that weaves throughout the record. Where some bands might trim out extended jams or unexpected divergences mid-song to attract a more commercial audience, the band plants the flag with full-throated bravado that no musical stone will be left unturned.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - One More Astronaut</p>
<p style="text-align:center;">12:50 - Songburst And Delirium</p>
<p style="text-align:center;">16:22 - Raspberry</p>
<p style="text-align:center;">24:41 - Pisser</p>
<p style="text-align:center;">29:37 - Another Sunday</p>
<p style="text-align:center;">Outro - Hello Dave</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Lead by brothers Jag (guitarist) and Chris (drummer) Tanna, <a href='http://imotherearth.ca/'>I Mother Earth</a> made layered Latin percussion, alternative rock bombast, and hints of progressive and psychedelic rock a part of the formula from the get go. But the band comes into their own on the 1996 sophomore release Scenery and Fish, opening with Afro-Cuban-influenced percussion that weaves throughout the record. Where some bands might trim out extended jams or unexpected divergences mid-song to attract a more commercial audience, the band plants the flag with full-throated bravado that no musical stone will be left unturned.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - One More Astronaut</p>
<p style="text-align:center;">12:50 - Songburst And Delirium</p>
<p style="text-align:center;">16:22 - Raspberry</p>
<p style="text-align:center;">24:41 - Pisser</p>
<p style="text-align:center;">29:37 - Another Sunday</p>
<p style="text-align:center;">Outro - Hello Dave</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mzyew4/625-IME.mp3" length="96860289" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lead by brothers Jag (guitarist) and Chris (drummer) Tanna, I Mother Earth made layered Latin percussion, alternative rock bombast, and hints of progressive and psychedelic rock a part of the formula from the get go. But the band comes into their own on the 1996 sophomore release Scenery and Fish, opening with Afro-Cuban-influenced percussion that weaves throughout the record. Where some bands might trim out extended jams or unexpected divergences mid-song to attract a more commercial audience, the band plants the flag with full-throated bravado that no musical stone will be left unturned.
 
Songs In This Episode:
Intro - One More Astronaut
12:50 - Songburst And Delirium
16:22 - Raspberry
24:41 - Pisser
29:37 - Another Sunday
Outro - Hello Dave
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3021</itunes:duration>
                <itunes:episode>626</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bedhead - Transaction de Novo | Album Review</title>
        <itunes:title>Bedhead - Transaction de Novo | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/bedhead-transaction-de-novo-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/bedhead-transaction-de-novo-album-review/#comments</comments>        <pubDate>Tue, 01 Nov 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ae3a4f00-9c30-3c6c-a0b7-26903c3f893d</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their third and final studio album, <a href='https://bedhead.bandcamp.com/music'>Bedhead</a>, lead by brothers Matt and Bubba Kadane, craft an intimate record built on space and restraint. But 1998's Transaction de Novo isn't entirely a down-tempo affair, as the band pushes the sonic envelope on noisier tracks like "Extramundane" and "Psychosomatica" with mixed results. The sweet spot lies in the slowcore creep of opener "Exhume," which remains instrumental for most of its four plus minute running time, or expansive closer "The Present," which builds like an Explosions in the Sky song. The band finds new and interesting ways to stay true to their sound while tweaking it along the way.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Lepidoptera</p>
<p style="text-align:center;">10:25 - Exhume</p>
<p style="text-align:center;">13:48 - More Than Ever</p>
<p style="text-align:center;">21:54 - Extramundane</p>
<p style="text-align:center;">26:09 - The Present</p>
<p style="text-align:center;">Outro - Half-Thought</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their third and final studio album, <a href='https://bedhead.bandcamp.com/music'>Bedhead</a>, lead by brothers Matt and Bubba Kadane, craft an intimate record built on space and restraint. But 1998's Transaction de Novo isn't entirely a down-tempo affair, as the band pushes the sonic envelope on noisier tracks like "Extramundane" and "Psychosomatica" with mixed results. The sweet spot lies in the slowcore creep of opener "Exhume," which remains instrumental for most of its four plus minute running time, or expansive closer "The Present," which builds like an Explosions in the Sky song. The band finds new and interesting ways to stay true to their sound while tweaking it along the way.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Lepidoptera</p>
<p style="text-align:center;">10:25 - Exhume</p>
<p style="text-align:center;">13:48 - More Than Ever</p>
<p style="text-align:center;">21:54 - Extramundane</p>
<p style="text-align:center;">26:09 - The Present</p>
<p style="text-align:center;">Outro - Half-Thought</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nnhqwq/624-bedhead.mp3" length="78979995" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their third and final studio album, Bedhead, lead by brothers Matt and Bubba Kadane, craft an intimate record built on space and restraint. But 1998's Transaction de Novo isn't entirely a down-tempo affair, as the band pushes the sonic envelope on noisier tracks like "Extramundane" and "Psychosomatica" with mixed results. The sweet spot lies in the slowcore creep of opener "Exhume," which remains instrumental for most of its four plus minute running time, or expansive closer "The Present," which builds like an Explosions in the Sky song. The band finds new and interesting ways to stay true to their sound while tweaking it along the way.
 
Songs In This Episode:
Intro - Lepidoptera
10:25 - Exhume
13:48 - More Than Ever
21:54 - Extramundane
26:09 - The Present
Outro - Half-Thought
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2462</itunes:duration>
                <itunes:episode>625</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>4 Non Blondes - Bigger, Better, Faster, More! | Album Review</title>
        <itunes:title>4 Non Blondes - Bigger, Better, Faster, More! | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/4-non-blondes-bigger-better-faster-more-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/4-non-blondes-bigger-better-faster-more-album-review/#comments</comments>        <pubDate>Tue, 25 Oct 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/26076764-bf31-36d7-8811-70cbeebcfaeb</guid>
                                    <description><![CDATA[<p style="text-align:center;">The past few decades have solidified Linda Perry as a pop songwriting machine for the likes of Pink, Christina Aguilera, Gwen Stefani, and many more artists in the 2000s. But the talent was already there in 1992 when "What's Up!" struck a chord with listeners as the first track off of the one and only <a href='https://en.wikipedia.org/wiki/4_Non_Blondes'>4 Non Blondes</a> album "Bigger, Better, Faster, More!" While the neo-folk of "What's Up!" slotted in nicely alongside fellow non-grunge acts like Blind Melon, Spin Doctors, Blues Traveler, Dave Matthews Band, and others, the rest of the record tackles a variety of genres, like the shuffling blues of "Pleasantly Blue" to the bass-popping funk of "Superfly" to mixed results.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What's Up!</p>
<p style="text-align:center;">17:12 - Drifting</p>
<p style="text-align:center;">23:56 - Old Mr. Heffer</p>
<p style="text-align:center;">32:15 - Calling All The People</p>
<p style="text-align:center;">Outro - Superfly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The past few decades have solidified Linda Perry as a pop songwriting machine for the likes of Pink, Christina Aguilera, Gwen Stefani, and many more artists in the 2000s. But the talent was already there in 1992 when "What's Up!" struck a chord with listeners as the first track off of the one and only <a href='https://en.wikipedia.org/wiki/4_Non_Blondes'>4 Non Blondes</a> album "Bigger, Better, Faster, More!" While the neo-folk of "What's Up!" slotted in nicely alongside fellow non-grunge acts like Blind Melon, Spin Doctors, Blues Traveler, Dave Matthews Band, and others, the rest of the record tackles a variety of genres, like the shuffling blues of "Pleasantly Blue" to the bass-popping funk of "Superfly" to mixed results.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What's Up!</p>
<p style="text-align:center;">17:12 - Drifting</p>
<p style="text-align:center;">23:56 - Old Mr. Heffer</p>
<p style="text-align:center;">32:15 - Calling All The People</p>
<p style="text-align:center;">Outro - Superfly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xhftf8/623-4NB.mp3" length="123205929" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The past few decades have solidified Linda Perry as a pop songwriting machine for the likes of Pink, Christina Aguilera, Gwen Stefani, and many more artists in the 2000s. But the talent was already there in 1992 when "What's Up!" struck a chord with listeners as the first track off of the one and only 4 Non Blondes album "Bigger, Better, Faster, More!" While the neo-folk of "What's Up!" slotted in nicely alongside fellow non-grunge acts like Blind Melon, Spin Doctors, Blues Traveler, Dave Matthews Band, and others, the rest of the record tackles a variety of genres, like the shuffling blues of "Pleasantly Blue" to the bass-popping funk of "Superfly" to mixed results.
 
Songs In This Episode:
Intro - What's Up!
17:12 - Drifting
23:56 - Old Mr. Heffer
32:15 - Calling All The People
Outro - Superfly
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3844</itunes:duration>
                <itunes:episode>624</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Soulwax - Much Against Everyone’s Advice | Album Review</title>
        <itunes:title>Soulwax - Much Against Everyone’s Advice | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/soulwax-much-against-everyone-s-advice-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/soulwax-much-against-everyone-s-advice-album-review/#comments</comments>        <pubDate>Tue, 18 Oct 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/74d84c0d-eff9-317d-8e40-9dc3d184fe96</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://soulwax.com/'>Soulwax</a> is best known for their remixes of such 2000s artists as LCD Soundsystem, Tame Impala, Gorillaz, Tiga, and more, but the band actually got their start as a catchy alternative rock band produced by the Chris Goss (of Masters of Reality) on their debut and Dave Sardy (Barkmarket) on their sophomore album, Much Against Everyone's Advice. Splitting their sound between chunky distorted guitars on tracks like "Too Many DJs" and "Conversation Intercom" and more a delicate approach on "Overweight Karate Kid" and "Flying Without Wings," it gives the album variety. But depending on which version you listen, the album can run long after an elongated lull in the middle that could be rectified with a reshuffling of the track list.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Much Against Everyone's Advice</p>
<p style="text-align:center;">14:27 - Too Many DJs</p>
<p style="text-align:center;">16:48 - Overweight Karate Kid</p>
<p style="text-align:center;">21:05 - Flying Without Wings</p>
<p style="text-align:center;">25:13 - My Cruel Joke</p>
<p style="text-align:center;">Outro - When Logics Die</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://soulwax.com/'>Soulwax</a> is best known for their remixes of such 2000s artists as LCD Soundsystem, Tame Impala, Gorillaz, Tiga, and more, but the band actually got their start as a catchy alternative rock band produced by the Chris Goss (of Masters of Reality) on their debut and Dave Sardy (Barkmarket) on their sophomore album, Much Against Everyone's Advice. Splitting their sound between chunky distorted guitars on tracks like "Too Many DJs" and "Conversation Intercom" and more a delicate approach on "Overweight Karate Kid" and "Flying Without Wings," it gives the album variety. But depending on which version you listen, the album can run long after an elongated lull in the middle that could be rectified with a reshuffling of the track list.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Much Against Everyone's Advice</p>
<p style="text-align:center;">14:27 - Too Many DJs</p>
<p style="text-align:center;">16:48 - Overweight Karate Kid</p>
<p style="text-align:center;">21:05 - Flying Without Wings</p>
<p style="text-align:center;">25:13 - My Cruel Joke</p>
<p style="text-align:center;">Outro - When Logics Die</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vuddn4/622-soulwax.mp3" length="71087253" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Soulwax is best known for their remixes of such 2000s artists as LCD Soundsystem, Tame Impala, Gorillaz, Tiga, and more, but the band actually got their start as a catchy alternative rock band produced by the Chris Goss (of Masters of Reality) on their debut and Dave Sardy (Barkmarket) on their sophomore album, Much Against Everyone's Advice. Splitting their sound between chunky distorted guitars on tracks like "Too Many DJs" and "Conversation Intercom" and more a delicate approach on "Overweight Karate Kid" and "Flying Without Wings," it gives the album variety. But depending on which version you listen, the album can run long after an elongated lull in the middle that could be rectified with a reshuffling of the track list.
 
Songs In This Episode:
Intro - Much Against Everyone's Advice
14:27 - Too Many DJs
16:48 - Overweight Karate Kid
21:05 - Flying Without Wings
25:13 - My Cruel Joke
Outro - When Logics Die
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2215</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>623</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Le Tigre - Le Tigre | Album Review</title>
        <itunes:title>Le Tigre - Le Tigre | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/le-tigre-le-tigre-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/le-tigre-le-tigre-album-review/#comments</comments>        <pubDate>Tue, 11 Oct 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8bbc4e6f-10ad-3f9c-9e2f-86dd9ad981c7</guid>
                                    <description><![CDATA[<p style="text-align:center;">An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired <a href='https://en.wikipedia.org/wiki/Le_Tigre'>Le Tigre</a>, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Deceptacon</p>
<p style="text-align:center;">11:22 - Les and Ray</p>
<p style="text-align:center;">17:36 - What's Yr Take On Cassavetes</p>
<p style="text-align:center;">24:46 - Phanta</p>
<p style="text-align:center;">28:56 - Eau D'Bedroom Dancing</p>
<p style="text-align:center;">Outro - My My Metrocard</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired <a href='https://en.wikipedia.org/wiki/Le_Tigre'>Le Tigre</a>, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Deceptacon</p>
<p style="text-align:center;">11:22 - Les and Ray</p>
<p style="text-align:center;">17:36 - What's Yr Take On Cassavetes</p>
<p style="text-align:center;">24:46 - Phanta</p>
<p style="text-align:center;">28:56 - Eau D'Bedroom Dancing</p>
<p style="text-align:center;">Outro - My My Metrocard</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dbu5vn/621-letigre.mp3" length="80549014" type="audio/mpeg"/>
        <itunes:summary><![CDATA[An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired Le Tigre, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.
 
Songs In This Episode:
Intro - Deceptacon
11:22 - Les and Ray
17:36 - What's Yr Take On Cassavetes
24:46 - Phanta
28:56 - Eau D'Bedroom Dancing
Outro - My My Metrocard
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2511</itunes:duration>
                <itunes:episode>622</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Salmonblaster - Salmonblaster | Album Review</title>
        <itunes:title>Salmonblaster - Salmonblaster | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/salmonblaster-salmonblaster-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/salmonblaster-salmonblaster-album-review/#comments</comments>        <pubDate>Tue, 04 Oct 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/60cffe76-31af-36af-8ff7-9052a11f3070</guid>
                                    <description><![CDATA[<p style="text-align:center;">The line between influence and blatant copying is thin, but bands like <a href='https://en.wikipedia.org/wiki/Salmonblaster'>Salmonblaster</a> fall more towards the former on their 1996 self-titled and only officially released album. The howling vocals and chugging guitar riffs easily recall Nirvana but in a way that pays respect rather than simply aping the sound, and it's not the only trick the band has up their sleeves. Guitars are big and occasionally chaotic in a shoegaze way that makes the more restrained elements shine brighter, while the band shifts between sounds as easily as their lead vocalist jumps from cathartic screams to melodic harmonies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sugarrush</p>
<p style="text-align:center;">14:26 - Transistors & Turbines</p>
<p style="text-align:center;">20:36 - Freeway</p>
<p style="text-align:center;">26:46 - Brian Jones</p>
<p style="text-align:center;">31:49 - Visonblur</p>
<p style="text-align:center;">Outro - The Perfect Fit</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The line between influence and blatant copying is thin, but bands like <a href='https://en.wikipedia.org/wiki/Salmonblaster'>Salmonblaster</a> fall more towards the former on their 1996 self-titled and only officially released album. The howling vocals and chugging guitar riffs easily recall Nirvana but in a way that pays respect rather than simply aping the sound, and it's not the only trick the band has up their sleeves. Guitars are big and occasionally chaotic in a shoegaze way that makes the more restrained elements shine brighter, while the band shifts between sounds as easily as their lead vocalist jumps from cathartic screams to melodic harmonies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sugarrush</p>
<p style="text-align:center;">14:26 - Transistors & Turbines</p>
<p style="text-align:center;">20:36 - Freeway</p>
<p style="text-align:center;">26:46 - Brian Jones</p>
<p style="text-align:center;">31:49 - Visonblur</p>
<p style="text-align:center;">Outro - The Perfect Fit</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/awfrmz/620-salmonblaster.mp3" length="97335927" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The line between influence and blatant copying is thin, but bands like Salmonblaster fall more towards the former on their 1996 self-titled and only officially released album. The howling vocals and chugging guitar riffs easily recall Nirvana but in a way that pays respect rather than simply aping the sound, and it's not the only trick the band has up their sleeves. Guitars are big and occasionally chaotic in a shoegaze way that makes the more restrained elements shine brighter, while the band shifts between sounds as easily as their lead vocalist jumps from cathartic screams to melodic harmonies.
 
Songs In This Episode:
Intro - Sugarrush
14:26 - Transistors & Turbines
20:36 - Freeway
26:46 - Brian Jones
31:49 - Visonblur
Outro - The Perfect Fit
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3036</itunes:duration>
                <itunes:episode>621</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Garage Rock Revival | Roundtable</title>
        <itunes:title>Garage Rock Revival | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/garage-rock-revival-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/garage-rock-revival-roundtable/#comments</comments>        <pubDate>Tue, 27 Sep 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1fbfd121-9fac-3b71-97bf-8feb80bdd1b4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Garage rock can be a catch-all term that rubs shoulders with punk, rockabilly, surf, and more. But thanks to a variety of known and lesser-known bands, there has always been a group of dedicated musicians writing and playing revved up and relatively simple rock that traces its lineage back to the primitive and raw sounds of 60s that popped up after the British Invasion with roots in American rhythm and blues. After a very underground 80s, the sound returned in fits and starts with bands like Jon Spencer Blues Explosion and later The White Stripes, The Hives, The Strokes, and plenty of other bands starting with "The." We dig into the whole sound, the local scenes that helped foster the sound over decades, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fell In Love With A Girl by The White Stripes</p>
<p style="text-align:center;">16:20 - Paint It Black by The Avengers</p>
<p style="text-align:center;">21:49 - Touch Me I'm Sick by Mudhoney</p>
<p style="text-align:center;">31:09 - (Gotta Get Some Action) Now! by The Hellacopters</p>
<p style="text-align:center;">40:11 - Heaven by The Hydromatics</p>
<p style="text-align:center;">1:07:31 - The Reproduction of Death by The (International) Noise Conspiracy</p>
<p style="text-align:center;">Outro - Singin' A Song About Today by The Mooney Suzuki</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Garage rock can be a catch-all term that rubs shoulders with punk, rockabilly, surf, and more. But thanks to a variety of known and lesser-known bands, there has always been a group of dedicated musicians writing and playing revved up and relatively simple rock that traces its lineage back to the primitive and raw sounds of 60s that popped up after the British Invasion with roots in American rhythm and blues. After a very underground 80s, the sound returned in fits and starts with bands like Jon Spencer Blues Explosion and later The White Stripes, The Hives, The Strokes, and plenty of other bands starting with "The." We dig into the whole sound, the local scenes that helped foster the sound over decades, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fell In Love With A Girl by The White Stripes</p>
<p style="text-align:center;">16:20 - Paint It Black by The Avengers</p>
<p style="text-align:center;">21:49 - Touch Me I'm Sick by Mudhoney</p>
<p style="text-align:center;">31:09 - (Gotta Get Some Action) Now! by The Hellacopters</p>
<p style="text-align:center;">40:11 - Heaven by The Hydromatics</p>
<p style="text-align:center;">1:07:31 - The Reproduction of Death by The (International) Noise Conspiracy</p>
<p style="text-align:center;">Outro - Singin' A Song About Today by The Mooney Suzuki</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6trnqc/619-garagerock.mp3" length="149407792" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Garage rock can be a catch-all term that rubs shoulders with punk, rockabilly, surf, and more. But thanks to a variety of known and lesser-known bands, there has always been a group of dedicated musicians writing and playing revved up and relatively simple rock that traces its lineage back to the primitive and raw sounds of 60s that popped up after the British Invasion with roots in American rhythm and blues. After a very underground 80s, the sound returned in fits and starts with bands like Jon Spencer Blues Explosion and later The White Stripes, The Hives, The Strokes, and plenty of other bands starting with "The." We dig into the whole sound, the local scenes that helped foster the sound over decades, and much more.
 
Songs In This Episode:
Intro - Fell In Love With A Girl by The White Stripes
16:20 - Paint It Black by The Avengers
21:49 - Touch Me I'm Sick by Mudhoney
31:09 - (Gotta Get Some Action) Now! by The Hellacopters
40:11 - Heaven by The Hydromatics
1:07:31 - The Reproduction of Death by The (International) Noise Conspiracy
Outro - Singin' A Song About Today by The Mooney Suzuki
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4663</itunes:duration>
                <itunes:episode>620</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Adorable - Against Perfection | Album Review</title>
        <itunes:title>Adorable - Against Perfection | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/adorable-against-perfection-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/adorable-against-perfection-album-review/#comments</comments>        <pubDate>Tue, 20 Sep 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/09ba139f-5948-368a-b9c8-dabf739357f4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Shoegaze is a term tossed out whenever a band leans in on the wall-of-sound distortion and pairs it with obscured vocals and dreamy feedback. But few bands actually stuck to My Bloody Valentine's template, adding their own flavors like the 1993 debut album Against Perfection by <a href='https://en.wikipedia.org/wiki/Adorable_(band)'>Adorable</a>. Here the vocals are less obscured, and even hooky at times, recalling everyone from Echo & the Bunnymen and The Smiths to The Verve and Spiritualized. But it's not just the vocals that give Adorable a unique twist, as the rhythm section, especially an occasional Pixies-like bassline, gets their times to shine as well.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Breathless</p>
<p style="text-align:center;">17:49 - Sister Chapel Ceiling</p>
<p style="text-align:center;">21:26 - Homeboy</p>
<p style="text-align:center;">28:07 - Sunshine Smile</p>
<p style="text-align:center;">34:45 - Still Life</p>
<p style="text-align:center;">Outro - A To Fade In</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Shoegaze is a term tossed out whenever a band leans in on the wall-of-sound distortion and pairs it with obscured vocals and dreamy feedback. But few bands actually stuck to My Bloody Valentine's template, adding their own flavors like the 1993 debut album Against Perfection by <a href='https://en.wikipedia.org/wiki/Adorable_(band)'>Adorable</a>. Here the vocals are less obscured, and even hooky at times, recalling everyone from Echo & the Bunnymen and The Smiths to The Verve and Spiritualized. But it's not just the vocals that give Adorable a unique twist, as the rhythm section, especially an occasional Pixies-like bassline, gets their times to shine as well.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Breathless</p>
<p style="text-align:center;">17:49 - Sister Chapel Ceiling</p>
<p style="text-align:center;">21:26 - Homeboy</p>
<p style="text-align:center;">28:07 - Sunshine Smile</p>
<p style="text-align:center;">34:45 - Still Life</p>
<p style="text-align:center;">Outro - A To Fade In</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qhq9gx/618-adorable.mp3" length="93824234" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Shoegaze is a term tossed out whenever a band leans in on the wall-of-sound distortion and pairs it with obscured vocals and dreamy feedback. But few bands actually stuck to My Bloody Valentine's template, adding their own flavors like the 1993 debut album Against Perfection by Adorable. Here the vocals are less obscured, and even hooky at times, recalling everyone from Echo & the Bunnymen and The Smiths to The Verve and Spiritualized. But it's not just the vocals that give Adorable a unique twist, as the rhythm section, especially an occasional Pixies-like bassline, gets their times to shine as well.
 
Songs In This Episode:
Intro - Breathless
17:49 - Sister Chapel Ceiling
21:26 - Homeboy
28:07 - Sunshine Smile
34:45 - Still Life
Outro - A To Fade In
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2926</itunes:duration>
                <itunes:episode>619</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Menthol - Menthol | Album Review</title>
        <itunes:title>Menthol - Menthol | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/menthol-menthol-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/menthol-menthol-album-review/#comments</comments>        <pubDate>Tue, 13 Sep 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9f87f8a7-ee3e-3141-b740-713bf1e7ffed</guid>
                                    <description><![CDATA[<p style="text-align:center;">Chicago and the surrounding areas like Champaign-Urbana nurtured a big guitar rock sound found in the Smashing Pumpkins, Hum, Catherine, Veruca Salt, Fig Dish, and others. Originally called Mother for their debut, the band signed to a major label, changed their name to <a href='https://www.discogs.com/artist/1048598-Menthol-5'>Menthol</a>, and produced an album worthy of that group with 1995's self-titled release. But the band takes a different approach vocally, spitting big chunks of lyrics filled with a variety of references and twisted wordplay.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dry Heaves (Of The Well-Adorned)</p>
<p style="text-align:center;">17:34 - Stress Is Best</p>
<p style="text-align:center;">20:35 - U.S.A. Capable</p>
<p style="text-align:center;">26:35 - Perfect Spirals</p>
<p style="text-align:center;">32:58 - Briefcase Full Of Cash</p>
<p style="text-align:center;">Outro - Francis Scott Key</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Chicago and the surrounding areas like Champaign-Urbana nurtured a big guitar rock sound found in the Smashing Pumpkins, Hum, Catherine, Veruca Salt, Fig Dish, and others. Originally called Mother for their debut, the band signed to a major label, changed their name to <a href='https://www.discogs.com/artist/1048598-Menthol-5'>Menthol</a>, and produced an album worthy of that group with 1995's self-titled release. But the band takes a different approach vocally, spitting big chunks of lyrics filled with a variety of references and twisted wordplay.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dry Heaves (Of The Well-Adorned)</p>
<p style="text-align:center;">17:34 - Stress Is Best</p>
<p style="text-align:center;">20:35 - U.S.A. Capable</p>
<p style="text-align:center;">26:35 - Perfect Spirals</p>
<p style="text-align:center;">32:58 - Briefcase Full Of Cash</p>
<p style="text-align:center;">Outro - Francis Scott Key</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aziteg/617-menthol.mp3" length="98524603" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Chicago and the surrounding areas like Champaign-Urbana nurtured a big guitar rock sound found in the Smashing Pumpkins, Hum, Catherine, Veruca Salt, Fig Dish, and others. Originally called Mother for their debut, the band signed to a major label, changed their name to Menthol, and produced an album worthy of that group with 1995's self-titled release. But the band takes a different approach vocally, spitting big chunks of lyrics filled with a variety of references and twisted wordplay.
 
Songs In This Episode:
Intro - Dry Heaves (Of The Well-Adorned)
17:34 - Stress Is Best
20:35 - U.S.A. Capable
26:35 - Perfect Spirals
32:58 - Briefcase Full Of Cash
Outro - Francis Scott Key
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3073</itunes:duration>
                <itunes:episode>618</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Sharp - This Is The Sharp | Album Review</title>
        <itunes:title>The Sharp - This Is The Sharp | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/the-sharp-this-is-the-sharp-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/the-sharp-this-is-the-sharp-album-review/#comments</comments>        <pubDate>Tue, 06 Sep 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8c5ecaba-9c5a-3b1a-b80e-a6570d66d079</guid>
                                    <description><![CDATA[<p style="text-align:center;">Bands cultivating a look to match their sound in rock and roll is nothing new, but the 90s weren't the most receptive decade to a well thought out image. <a href='https://en.wikipedia.org/wiki/The_Sharp'>The Sharp</a>, with their black and white color scheme, upright bass, and precise take on 80s new wave with twists of rockabilly and power-pop, make a case that The White Stripes would follow at the end of the decade with their 1993 debut This Is The Sharp. Sounding blender filled with albums by The Knack, Brian Setzer, sElf, Joe Jackson, Fountains of Wayne, Jellyfish, and more, the tight, clean sounds are at odds with the distorted grunge overtaking the music world in 1993. But their charm of being totally at odds with the times means the skill and craftsmanship of the songwriting really shines, even if it dips into familiar patterns at times.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Scratch My Back</p>
<p style="text-align:center;">17:28 - Talking Sly</p>
<p style="text-align:center;">24:12 - Love Kiss</p>
<p style="text-align:center;">33:04 - Kiss Me Again</p>
<p style="text-align:center;">Outro - Don't Waste My Time</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Bands cultivating a look to match their sound in rock and roll is nothing new, but the 90s weren't the most receptive decade to a well thought out image. <a href='https://en.wikipedia.org/wiki/The_Sharp'>The Sharp</a>, with their black and white color scheme, upright bass, and precise take on 80s new wave with twists of rockabilly and power-pop, make a case that The White Stripes would follow at the end of the decade with their 1993 debut This Is The Sharp. Sounding blender filled with albums by The Knack, Brian Setzer, sElf, Joe Jackson, Fountains of Wayne, Jellyfish, and more, the tight, clean sounds are at odds with the distorted grunge overtaking the music world in 1993. But their charm of being totally at odds with the times means the skill and craftsmanship of the songwriting really shines, even if it dips into familiar patterns at times.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Scratch My Back</p>
<p style="text-align:center;">17:28 - Talking Sly</p>
<p style="text-align:center;">24:12 - Love Kiss</p>
<p style="text-align:center;">33:04 - Kiss Me Again</p>
<p style="text-align:center;">Outro - Don't Waste My Time</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/unsevi/616-thesharp.mp3" length="104527333" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bands cultivating a look to match their sound in rock and roll is nothing new, but the 90s weren't the most receptive decade to a well thought out image. The Sharp, with their black and white color scheme, upright bass, and precise take on 80s new wave with twists of rockabilly and power-pop, make a case that The White Stripes would follow at the end of the decade with their 1993 debut This Is The Sharp. Sounding blender filled with albums by The Knack, Brian Setzer, sElf, Joe Jackson, Fountains of Wayne, Jellyfish, and more, the tight, clean sounds are at odds with the distorted grunge overtaking the music world in 1993. But their charm of being totally at odds with the times means the skill and craftsmanship of the songwriting really shines, even if it dips into familiar patterns at times.
 
Songs In This Episode:
Intro - Scratch My Back
17:28 - Talking Sly
24:12 - Love Kiss
33:04 - Kiss Me Again
Outro - Don't Waste My Time
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3260</itunes:duration>
                <itunes:episode>617</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Antenna - Hideout | Album Review</title>
        <itunes:title>Antenna - Hideout | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/antenna-hideout-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/antenna-hideout-album-review/#comments</comments>        <pubDate>Tue, 30 Aug 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1d06072b-62c5-375a-83d9-2057fce99dd4</guid>
                                    <description><![CDATA[<p style="text-align:center;">College rock is a broad term, but one that can be applied to the post-Blake Babies band Antenna founded by John Strohm and Freda Love. On the second and final album by the band, 1993's Hideout, the influences of American indie and underground pop are infused with strands of shoegaze and dream-pop noise, with tasteful guitar effects, and unexpectedly crafty baselines and backing vocals. All of that makes it not entirely appealing to mainstream radio in 1993 looking for the next Nirvana or Pearl Jam, but ideal for the college radio crowd in search of something different.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Wallpaper</p>
<p style="text-align:center;">12:43 - Don't Be Late</p>
<p style="text-align:center;">21:09 - Easy Listening</p>
<p style="text-align:center;">31:21 - Stillife</p>
<p style="text-align:center;">Outro - Shine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">College rock is a broad term, but one that can be applied to the post-Blake Babies band Antenna founded by John Strohm and Freda Love. On the second and final album by the band, 1993's Hideout, the influences of American indie and underground pop are infused with strands of shoegaze and dream-pop noise, with tasteful guitar effects, and unexpectedly crafty baselines and backing vocals. All of that makes it not entirely appealing to mainstream radio in 1993 looking for the next Nirvana or Pearl Jam, but ideal for the college radio crowd in search of something different.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Wallpaper</p>
<p style="text-align:center;">12:43 - Don't Be Late</p>
<p style="text-align:center;">21:09 - Easy Listening</p>
<p style="text-align:center;">31:21 - Stillife</p>
<p style="text-align:center;">Outro - Shine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e88esm/615-antenna.mp3" length="97529024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[College rock is a broad term, but one that can be applied to the post-Blake Babies band Antenna founded by John Strohm and Freda Love. On the second and final album by the band, 1993's Hideout, the influences of American indie and underground pop are infused with strands of shoegaze and dream-pop noise, with tasteful guitar effects, and unexpectedly crafty baselines and backing vocals. All of that makes it not entirely appealing to mainstream radio in 1993 looking for the next Nirvana or Pearl Jam, but ideal for the college radio crowd in search of something different.
 
Songs In This Episode:
Intro - Wallpaper
12:43 - Don't Be Late
21:09 - Easy Listening
31:21 - Stillife
Outro - Shine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3042</itunes:duration>
                <itunes:episode>616</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Into Another - Ignaurus | Album Review</title>
        <itunes:title>Into Another - Ignaurus | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/into-another-ignaurus-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/into-another-ignaurus-album-review/#comments</comments>        <pubDate>Tue, 23 Aug 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2b5e40bf-2121-3180-b429-cd2f229c5bad</guid>
                                    <description><![CDATA[<p style="text-align:center;">The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included <a href='http://www.intoanother.com/'>Into Another</a>. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Running Into Walls</p>
<p style="text-align:center;">14:44 - Maritime Murder</p>
<p style="text-align:center;">30:24 - Anxious</p>
<p style="text-align:center;">45:02 - Poison Fingers</p>
<p style="text-align:center;">Outro - Ungodly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included <a href='http://www.intoanother.com/'>Into Another</a>. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Running Into Walls</p>
<p style="text-align:center;">14:44 - Maritime Murder</p>
<p style="text-align:center;">30:24 - Anxious</p>
<p style="text-align:center;">45:02 - Poison Fingers</p>
<p style="text-align:center;">Outro - Ungodly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jhipij/614-intoanother.mp3" length="148434783" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included Into Another. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.
 
Songs In This Episode:
Intro - Running Into Walls
14:44 - Maritime Murder
30:24 - Anxious
45:02 - Poison Fingers
Outro - Ungodly
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4632</itunes:duration>
                <itunes:episode>615</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>VAST - Visual Audio Sensory Theater | Album Review</title>
        <itunes:title>VAST - Visual Audio Sensory Theater | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/vast-visual-audio-sensory-theater-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/vast-visual-audio-sensory-theater-album-review/#comments</comments>        <pubDate>Tue, 16 Aug 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/efab8035-36d6-348f-bc8b-87e33beb9b26</guid>
                                    <description><![CDATA[<p style="text-align:center;">Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of <a href='https://www.realvastshop.com/'>VAST</a>, was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundscapes that compliment his wide vocal range that can belt it out or croon with equal effectiveness. Visual Audio Sensory Theater is a true album, with extended intros and subtle connective tissue running throughout the record that will divide listeners today just as it did in 1998.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Niles Edge</p>
<p style="text-align:center;">18:42 - I'm Dying</p>
<p style="text-align:center;">21:56 - Here</p>
<p style="text-align:center;">32:13 - Dirty Hole</p>
<p style="text-align:center;">40:24 - Touched</p>
<p style="text-align:center;">Outro - Pretty When You Cry</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of <a href='https://www.realvastshop.com/'>VAST</a>, was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundscapes that compliment his wide vocal range that can belt it out or croon with equal effectiveness. Visual Audio Sensory Theater is a true album, with extended intros and subtle connective tissue running throughout the record that will divide listeners today just as it did in 1998.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Niles Edge</p>
<p style="text-align:center;">18:42 - I'm Dying</p>
<p style="text-align:center;">21:56 - Here</p>
<p style="text-align:center;">32:13 - Dirty Hole</p>
<p style="text-align:center;">40:24 - Touched</p>
<p style="text-align:center;">Outro - Pretty When You Cry</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gcn4s2/613-vast.mp3" length="96575241" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of VAST, was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundscapes that compliment his wide vocal range that can belt it out or croon with equal effectiveness. Visual Audio Sensory Theater is a true album, with extended intros and subtle connective tissue running throughout the record that will divide listeners today just as it did in 1998.
 
Songs In This Episode:
Intro - The Niles Edge
18:42 - I'm Dying
21:56 - Here
32:13 - Dirty Hole
40:24 - Touched
Outro - Pretty When You Cry
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3012</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>614</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ben Harper &amp; The Innocent Criminals - Burn To Shine | Album Review</title>
        <itunes:title>Ben Harper &amp; The Innocent Criminals - Burn To Shine | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/ben-harper-the-innocent-criminals-burn-to-shine-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/ben-harper-the-innocent-criminals-burn-to-shine-album-review/#comments</comments>        <pubDate>Tue, 09 Aug 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f1175409-e88e-382a-9809-2a0d4e7006aa</guid>
                                    <description><![CDATA[<p style="text-align:center;">Known for his talents on various stringed instruments, <a href='https://www.benharper.com/'>Ben Harper</a> solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and turns, from 70s-influenced blues rock to minor-key Zeppelin riffing, Harper and his band play with volume and dynamics throughout to create a unique sonic pallet that works until it doesn't.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Burn To Shine</p>
<p style="text-align:center;">15:53 - Steal My Kisses</p>
<p style="text-align:center;">27:00 - In The Lord's Arms</p>
<p style="text-align:center;">38:04 - Two Hands of a Prayer</p>
<p style="text-align:center;">56:33 - Beloved One</p>
<p style="text-align:center;">Outro - Forgiven</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Known for his talents on various stringed instruments, <a href='https://www.benharper.com/'>Ben Harper</a> solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and turns, from 70s-influenced blues rock to minor-key Zeppelin riffing, Harper and his band play with volume and dynamics throughout to create a unique sonic pallet that works until it doesn't.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Burn To Shine</p>
<p style="text-align:center;">15:53 - Steal My Kisses</p>
<p style="text-align:center;">27:00 - In The Lord's Arms</p>
<p style="text-align:center;">38:04 - Two Hands of a Prayer</p>
<p style="text-align:center;">56:33 - Beloved One</p>
<p style="text-align:center;">Outro - Forgiven</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/takwyh/612-benharper.mp3" length="155066959" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Known for his talents on various stringed instruments, Ben Harper solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and turns, from 70s-influenced blues rock to minor-key Zeppelin riffing, Harper and his band play with volume and dynamics throughout to create a unique sonic pallet that works until it doesn't.
 
Songs In This Episode:
Intro - Burn To Shine
15:53 - Steal My Kisses
27:00 - In The Lord's Arms
38:04 - Two Hands of a Prayer
56:33 - Beloved One
Outro - Forgiven
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4840</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>613</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fu Manchu - King of the Road | Album Review</title>
        <itunes:title>Fu Manchu - King of the Road | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/fu-manchu-king-of-the-road-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/fu-manchu-king-of-the-road-album-review/#comments</comments>        <pubDate>Tue, 02 Aug 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/986daa7b-5fdb-363d-b02e-30a9683beaf6</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and restraint, Fu Manchu marks all our boxes. The fact they do such a good job not only writing great music, but creating an entire look and feel from album artwork to merchandise helps us look into what was once an aspirational idea of the West Coast to a pair of flat-land Ohio boys.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - No Dice</p>
<p style="text-align:center;">18:33 - Drive</p>
<p style="text-align:center;">27:15 - King of the Road</p>
<p style="text-align:center;">34:56 - Boogie Van</p>
<p style="text-align:center;">40:35 - Weird Beard</p>
<p style="text-align:center;">Outro - Freedom of Choice</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and restraint, Fu Manchu marks all our boxes. The fact they do such a good job not only writing great music, but creating an entire look and feel from album artwork to merchandise helps us look into what was once an aspirational idea of the West Coast to a pair of flat-land Ohio boys.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - No Dice</p>
<p style="text-align:center;">18:33 - Drive</p>
<p style="text-align:center;">27:15 - King of the Road</p>
<p style="text-align:center;">34:56 - Boogie Van</p>
<p style="text-align:center;">40:35 - Weird Beard</p>
<p style="text-align:center;">Outro - Freedom of Choice</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dynye4/611-fumanchu.mp3" length="100998085" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and restraint, Fu Manchu marks all our boxes. The fact they do such a good job not only writing great music, but creating an entire look and feel from album artwork to merchandise helps us look into what was once an aspirational idea of the West Coast to a pair of flat-land Ohio boys.
 
Songs In This Episode:
Intro - No Dice
18:33 - Drive
27:15 - King of the Road
34:56 - Boogie Van
40:35 - Weird Beard
Outro - Freedom of Choice
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3150</itunes:duration>
                <itunes:episode>612</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Doughboys - Crush | Album Review</title>
        <itunes:title>Doughboys - Crush | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/doughboys-crush-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/doughboys-crush-album-review/#comments</comments>        <pubDate>Tue, 26 Jul 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3230a7ec-4fec-3513-a16b-9cacfb177949</guid>
                                    <description><![CDATA[<p style="text-align:center;">Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with catchy leads and an occasional ripping solo. Only when the band slows down and gets dirgy does the momentum falter on an overall underappreciated gem.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Tearin' Away</p>
<p style="text-align:center;">18:00 - Fix Me</p>
<p style="text-align:center;">27:03 - Everything</p>
<p style="text-align:center;">30:25 - Neighborhood Villain</p>
<p style="text-align:center;">Outro - Shine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with catchy leads and an occasional ripping solo. Only when the band slows down and gets dirgy does the momentum falter on an overall underappreciated gem.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Tearin' Away</p>
<p style="text-align:center;">18:00 - Fix Me</p>
<p style="text-align:center;">27:03 - Everything</p>
<p style="text-align:center;">30:25 - Neighborhood Villain</p>
<p style="text-align:center;">Outro - Shine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8zh7mh/610-doughboys.mp3" length="84497056" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with catchy leads and an occasional ripping solo. Only when the band slows down and gets dirgy does the momentum falter on an overall underappreciated gem.
 
Songs In This Episode:
Intro - Tearin' Away
18:00 - Fix Me
27:03 - Everything
30:25 - Neighborhood Villain
Outro - Shine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2634</itunes:duration>
                <itunes:episode>611</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Union by Union | Album Review</title>
        <itunes:title>Union by Union | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/union-by-union-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/union-by-union-album-review/#comments</comments>        <pubDate>Tue, 19 Jul 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/714d9981-804d-317c-ae32-a2db14559016</guid>
                                    <description><![CDATA[<p style="text-align:center;">Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form <a href='https://en.wikipedia.org/wiki/Union_(band)'>Union</a> with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative and grunge, such as Alice In Chains. What helps make this something more than just another album is the small touches - the harmony vocals from all members paired with clean and unfussy production that serve the songs well.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Old Man Wise</p>
<p style="text-align:center;">13:56 - Around Again</p>
<p style="text-align:center;">20:20 - October Morning Wind</p>
<p style="text-align:center;">28:40 - Let It Flow</p>
<p style="text-align:center;">39:26 - Pain Behind Your Eyes</p>
<p style="text-align:center;">Outro - Get Off My Cloud</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form <a href='https://en.wikipedia.org/wiki/Union_(band)'>Union</a> with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative and grunge, such as Alice In Chains. What helps make this something more than just another album is the small touches - the harmony vocals from all members paired with clean and unfussy production that serve the songs well.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Old Man Wise</p>
<p style="text-align:center;">13:56 - Around Again</p>
<p style="text-align:center;">20:20 - October Morning Wind</p>
<p style="text-align:center;">28:40 - Let It Flow</p>
<p style="text-align:center;">39:26 - Pain Behind Your Eyes</p>
<p style="text-align:center;">Outro - Get Off My Cloud</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rad5yz/609-union.mp3" length="135142008" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form Union with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative and grunge, such as Alice In Chains. What helps make this something more than just another album is the small touches - the harmony vocals from all members paired with clean and unfussy production that serve the songs well.
 
Songs In This Episode:
Intro - Old Man Wise
13:56 - Around Again
20:20 - October Morning Wind
28:40 - Let It Flow
39:26 - Pain Behind Your Eyes
Outro - Get Off My Cloud
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4217</itunes:duration>
                <itunes:episode>610</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>G. Love | Interview</title>
        <itunes:title>G. Love | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/g-love-interview/</link>
                    <comments>https://digmeout.podbean.com/e/g-love-interview/#comments</comments>        <pubDate>Thu, 14 Jul 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6521d0dd-fc49-3f2b-a383-07102bebd131</guid>
                                    <description><![CDATA[<p style="text-align:center;">While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire Records, all the while maintaining a consistent touring lifestyle. 2022’s Philadelphia Mississippi was born out of pandemic SoulBques where G and his makeshift group of musician friends would hang out, grill up some meats, and sit around playing blues music. You can catch G. Love on stage opening the Dispatch/O.A.R. tour as well as headlining some of his own dates this summer.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Rhyme for the Summertime</p>
<p style="text-align:center;">8:06 - Baby's Got Sauce</p>
<p style="text-align:center;">Outro - Blues Music</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While G. Love is currently doing the press circuit to discuss his latest album, <em>Philadelphia Mississippi</em>, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire Records, all the while maintaining a consistent touring lifestyle. 2022’s <em>Philadelphia Mississippi</em> was born out of pandemic SoulBques where G and his makeshift group of musician friends would hang out, grill up some meats, and sit around playing blues music. You can catch G. Love on stage opening the Dispatch/O.A.R. tour as well as headlining some of his own dates this summer.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Rhyme for the Summertime</p>
<p style="text-align:center;">8:06 - Baby's Got Sauce</p>
<p style="text-align:center;">Outro - Blues Music</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/du6fzn/g_love_interviewbdg9v.mp3" length="106261864" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire Records, all the while maintaining a consistent touring lifestyle. 2022’s Philadelphia Mississippi was born out of pandemic SoulBques where G and his makeshift group of musician friends would hang out, grill up some meats, and sit around playing blues music. You can catch G. Love on stage opening the Dispatch/O.A.R. tour as well as headlining some of his own dates this summer.
 
Songs In This Episode:
Intro - Rhyme for the Summertime
8:06 - Baby's Got Sauce
Outro - Blues Music
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3315</itunes:duration>
                <itunes:episode>609</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dinosaur Jr. in the 80s | Roundtable</title>
        <itunes:title>Dinosaur Jr. in the 80s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/dinosaur-jr-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/dinosaur-jr-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 12 Jul 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9e4acd7f-5543-3cd1-9c3f-0037fb42c344</guid>
                                    <description><![CDATA[<p style="text-align:center;">In the 1990s <a href='https://www.dinosaurjr.com/'>Dinosaur Jr.</a> was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Leper from Dinosaur</p>
<p style="text-align:center;">17:49 - Repulsion from Dinosaur</p>
<p style="text-align:center;">28:21 - In a Jar from You're Living All Over Me</p>
<p style="text-align:center;">34:03 - The Lung from You're Living All Over Me</p>
<p style="text-align:center;">41:06 - No Bones from Bug</p>
<p style="text-align:center;">Outro - Freak Scene from Bug</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In the 1990s <a href='https://www.dinosaurjr.com/'>Dinosaur Jr.</a> was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Leper from Dinosaur</p>
<p style="text-align:center;">17:49 - Repulsion from Dinosaur</p>
<p style="text-align:center;">28:21 - In a Jar from You're Living All Over Me</p>
<p style="text-align:center;">34:03 - The Lung from You're Living All Over Me</p>
<p style="text-align:center;">41:06 - No Bones from Bug</p>
<p style="text-align:center;">Outro - Freak Scene from Bug</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vhemn3/607-dinojrinthe80s.mp3" length="119003768" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the 1990s Dinosaur Jr. was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.
 
Songs In This Episode:
Intro - The Leper from Dinosaur
17:49 - Repulsion from Dinosaur
28:21 - In a Jar from You're Living All Over Me
34:03 - The Lung from You're Living All Over Me
41:06 - No Bones from Bug
Outro - Freak Scene from Bug
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3713</itunes:duration>
                <itunes:episode>608</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Skeleton Key - Fantastic Spikes Through Balloon | Album Review</title>
        <itunes:title>Skeleton Key - Fantastic Spikes Through Balloon | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/skeleton-key-fantastic-spikes-through-balloon-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/skeleton-key-fantastic-spikes-through-balloon-album-review/#comments</comments>        <pubDate>Tue, 05 Jul 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/90276953-6f7d-3ef5-b606-86c13e925a84</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Watch The Fat Man Swing</p>
<p style="text-align:center;">23:05 - Wide Open</p>
<p style="text-align:center;">28:22 - All The Things I've Lost</p>
<p style="text-align:center;">35:24 - Vomit Ascot</p>
<p style="text-align:center;">Outro - The Worlds Most Famous Undertaker</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Watch The Fat Man Swing</p>
<p style="text-align:center;">23:05 - Wide Open</p>
<p style="text-align:center;">28:22 - All The Things I've Lost</p>
<p style="text-align:center;">35:24 - Vomit Ascot</p>
<p style="text-align:center;">Outro - The Worlds Most Famous Undertaker</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pdt9j8/606-skeletonkey.mp3" length="129007203" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.
 
Songs In This Episode:
Intro - Watch The Fat Man Swing
23:05 - Wide Open
28:22 - All The Things I've Lost
35:24 - Vomit Ascot
Outro - The Worlds Most Famous Undertaker
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4025</itunes:duration>
                <itunes:episode>607</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dishwalla - And You Think You Know What Life’s About | Album Review</title>
        <itunes:title>Dishwalla - And You Think You Know What Life’s About | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/dishwalla-and-you-think-you-know-what-life-s-about-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/dishwalla-and-you-think-you-know-what-life-s-about-album-review/#comments</comments>        <pubDate>Tue, 28 Jun 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fa0bed10-70bb-362f-bde9-e98609ca274b</guid>
                                    <description><![CDATA[<p style="text-align:center;">One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, <a href='https://dishwalla.com/'>Dishwalla</a> returned in 1998 with And You Think You Know What Life's About. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Healing Star</p>
<p style="text-align:center;">11:56 - Stay Awake</p>
<p style="text-align:center;">18:03 - Until I Wake Up</p>
<p style="text-align:center;">23:06 - Pop Guru</p>
<p style="text-align:center;">Outro - Bottom Of The Floor</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut <em>Pet Your Friends</em>, <a href='https://dishwalla.com/'>Dishwalla</a> returned in 1998 with <em>And You Think You Know What Life's About</em>. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Healing Star</p>
<p style="text-align:center;">11:56 - Stay Awake</p>
<p style="text-align:center;">18:03 - Until I Wake Up</p>
<p style="text-align:center;">23:06 - Pop Guru</p>
<p style="text-align:center;">Outro - Bottom Of The Floor</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zcxnfn/605-dishwalla.mp3" length="93959653" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, Dishwalla returned in 1998 with And You Think You Know What Life's About. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?
 
Songs In This Episode:
Intro - Healing Star
11:56 - Stay Awake
18:03 - Until I Wake Up
23:06 - Pop Guru
Outro - Bottom Of The Floor
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2930</itunes:duration>
                <itunes:episode>606</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Little John - Derailer | Album Review</title>
        <itunes:title>Little John - Derailer | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/little-john-derailer-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/little-john-derailer-album-review/#comments</comments>        <pubDate>Tue, 21 Jun 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/00a98cf0-f0e6-3a99-8342-822008594e07</guid>
                                    <description><![CDATA[<p style="text-align:center;">The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like <a href='https://www.facebook.com/littlejohnband/'>Little John</a> either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fell From The Sun</p>
<p style="text-align:center;">15:24 - Shoelace</p>
<p style="text-align:center;">22:05 - Scared</p>
<p style="text-align:center;">31:40 - Evel Knievel</p>
<p style="text-align:center;">40:49 - Derailer</p>
<p style="text-align:center;">Outro - Down On Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like <a href='https://www.facebook.com/littlejohnband/'>Little John</a> either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fell From The Sun</p>
<p style="text-align:center;">15:24 - Shoelace</p>
<p style="text-align:center;">22:05 - Scared</p>
<p style="text-align:center;">31:40 - Evel Knievel</p>
<p style="text-align:center;">40:49 - Derailer</p>
<p style="text-align:center;">Outro - Down On Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9a29y6/604-littlejohn.mp3" length="114223986" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like Little John either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.
 
Songs In This Episode:
Intro - Fell From The Sun
15:24 - Shoelace
22:05 - Scared
31:40 - Evel Knievel
40:49 - Derailer
Outro - Down On Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3563</itunes:duration>
                <itunes:episode>605</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Art Alexakis of Everclear | Interview</title>
        <itunes:title>Art Alexakis of Everclear | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/art-alexakis-of-everclear-interview/</link>
                    <comments>https://digmeout.podbean.com/e/art-alexakis-of-everclear-interview/#comments</comments>        <pubDate>Thu, 16 Jun 2022 09:15:44 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9d79f6b1-ef7f-3e36-9e8e-26abcb0a7b43</guid>
                                    <description><![CDATA[<p style="text-align:center;">There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, World of Noise, Everclear might have been just another footnote in a long line of forgotten bands. Singer Art Alexakis had tried his luck in San Francisco with the band Colorfinger in the late ‘80s/early ‘90s but after that band’s demise, moved with his pregnant girlfriend to Portland, Oregon where he decided to give the music thing one last try. Though World of Noise was cheap to make, the songs that Alexakis recorded with bassist Craig Montoya and drummer Scott Cuthbert - rough and raw as they were - caught the ears of major label A&R reps looking for the “next Nirvana.” After an initial release on indie label Tim/Kerr Records, Capitol Records picked up the band and reissued the debut, and set Alexakis on the way to a career that has lasted 30+ years. For the first time ever, World of Noise is now available on all major streaming services, and a vinyl reissue is planned for later 2022. While Montoya and Scott Cuthbert (and Cuthbert’s replacement, Greg Eklund) are long gone, Alexakis continues to make a living by releasing new Everclear music and touring. While the venues may be smaller, the passion is still there and Everclear will be celebrating World of Noise, and the rest of its catalog, on a summer tour with openers Fastball and The Nixons.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fire Maple Song</p>
<p style="text-align:center;">4:38 - Nervous and Weird</p>
<p style="text-align:center;">Outro - Sick and Tired</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, World of Noise, Everclear might have been just another footnote in a long line of forgotten bands. Singer Art Alexakis had tried his luck in San Francisco with the band Colorfinger in the late ‘80s/early ‘90s but after that band’s demise, moved with his pregnant girlfriend to Portland, Oregon where he decided to give the music thing one last try. Though World of Noise was cheap to make, the songs that Alexakis recorded with bassist Craig Montoya and drummer Scott Cuthbert - rough and raw as they were - caught the ears of major label A&R reps looking for the “next Nirvana.” After an initial release on indie label Tim/Kerr Records, Capitol Records picked up the band and reissued the debut, and set Alexakis on the way to a career that has lasted 30+ years. For the first time ever, World of Noise is now available on all major streaming services, and a vinyl reissue is planned for later 2022. While Montoya and Scott Cuthbert (and Cuthbert’s replacement, Greg Eklund) are long gone, Alexakis continues to make a living by releasing new Everclear music and touring. While the venues may be smaller, the passion is still there and Everclear will be celebrating World of Noise, and the rest of its catalog, on a summer tour with openers Fastball and The Nixons.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fire Maple Song</p>
<p style="text-align:center;">4:38 - Nervous and Weird</p>
<p style="text-align:center;">Outro - Sick and Tired</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6jy7s2/603-arteverclear.mp3" length="58725692" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, World of Noise, Everclear might have been just another footnote in a long line of forgotten bands. Singer Art Alexakis had tried his luck in San Francisco with the band Colorfinger in the late ‘80s/early ‘90s but after that band’s demise, moved with his pregnant girlfriend to Portland, Oregon where he decided to give the music thing one last try. Though World of Noise was cheap to make, the songs that Alexakis recorded with bassist Craig Montoya and drummer Scott Cuthbert - rough and raw as they were - caught the ears of major label A&R reps looking for the “next Nirvana.” After an initial release on indie label Tim/Kerr Records, Capitol Records picked up the band and reissued the debut, and set Alexakis on the way to a career that has lasted 30+ years. For the first time ever, World of Noise is now available on all major streaming services, and a vinyl reissue is planned for later 2022. While Montoya and Scott Cuthbert (and Cuthbert’s replacement, Greg Eklund) are long gone, Alexakis continues to make a living by releasing new Everclear music and touring. While the venues may be smaller, the passion is still there and Everclear will be celebrating World of Noise, and the rest of its catalog, on a summer tour with openers Fastball and The Nixons.
 
Songs In This Episode:
Intro - Fire Maple Song
4:38 - Nervous and Weird
Outro - Sick and Tired
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1829</itunes:duration>
                <itunes:episode>604</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Face To Face - Ignorance Is Bliss | Album Review</title>
        <itunes:title>Face To Face - Ignorance Is Bliss | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/face-to-face-ignorance-is-bliss-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/face-to-face-ignorance-is-bliss-album-review/#comments</comments>        <pubDate>Tue, 14 Jun 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b2272879-e767-3a65-81a6-9292d687a9a2</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://facetofacemusic.com/'>Face To Face</a> had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist or prefer creative detours, there is plenty to enjoy on the album, which sounds confident and catchy in a way that only veteran players with songwriting chops could pull off.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Heart of Hearts</p>
<p style="text-align:center;">15:37 - The Devil You Know (God Is A Man)</p>
<p style="text-align:center;">22:33 - Prodigal</p>
<p style="text-align:center;">27:26 - (A)Pathetic</p>
<p style="text-align:center;">40:25 - I Know What You Are</p>
<p style="text-align:center;">Outro - Overcome</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://facetofacemusic.com/'>Face To Face</a> had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist or prefer creative detours, there is plenty to enjoy on the album, which sounds confident and catchy in a way that only veteran players with songwriting chops could pull off.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Heart of Hearts</p>
<p style="text-align:center;">15:37 - The Devil You Know (God Is A Man)</p>
<p style="text-align:center;">22:33 - Prodigal</p>
<p style="text-align:center;">27:26 - (A)Pathetic</p>
<p style="text-align:center;">40:25 - I Know What You Are</p>
<p style="text-align:center;">Outro - Overcome</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vdjikp/602-facetoface.mp3" length="96051956" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Face To Face had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist or prefer creative detours, there is plenty to enjoy on the album, which sounds confident and catchy in a way that only veteran players with songwriting chops could pull off.
 
Songs In This Episode:
Intro - Heart of Hearts
15:37 - The Devil You Know (God Is A Man)
22:33 - Prodigal
27:26 - (A)Pathetic
40:25 - I Know What You Are
Outro - Overcome
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2995</itunes:duration>
                <itunes:episode>603</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Headstones - Picture of Health | Album Review</title>
        <itunes:title>Headstones - Picture of Health | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/headstones-picture-of-health-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/headstones-picture-of-health-album-review/#comments</comments>        <pubDate>Tue, 07 Jun 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a329e060-3b5e-39d5-9444-6e027b23289f</guid>
                                    <description><![CDATA[<p style="text-align:center;">Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of <a href='https://headstonesband.com/'>Headstones</a>, it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of Guns 'n Roses and even a ballad or two. On their 1993 debut Picture of Health, all the ingredients for a smash hit debut are there, and while the band is beloved in Canada, they didn't make a ripple outside their home country. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - When Something Stands for Nothing</p>
<p style="text-align:center;">17:10 - Heart of Darkness</p>
<p style="text-align:center;">22:39 - Oh My God</p>
<p style="text-align:center;">35:19 - It's All Over</p>
<p style="text-align:center;">Outro - Judy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of <a href='https://headstonesband.com/'>Headstones</a>, it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of Guns 'n Roses and even a ballad or two. On their 1993 debut Picture of Health, all the ingredients for a smash hit debut are there, and while the band is beloved in Canada, they didn't make a ripple outside their home country. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - When Something Stands for Nothing</p>
<p style="text-align:center;">17:10 - Heart of Darkness</p>
<p style="text-align:center;">22:39 - Oh My God</p>
<p style="text-align:center;">35:19 - It's All Over</p>
<p style="text-align:center;">Outro - Judy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7fptnt/601-headstones.mp3" length="86910353" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of Headstones, it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of Guns 'n Roses and even a ballad or two. On their 1993 debut Picture of Health, all the ingredients for a smash hit debut are there, and while the band is beloved in Canada, they didn't make a ripple outside their home country. 
 
Songs In This Episode:
Intro - When Something Stands for Nothing
17:10 - Heart of Darkness
22:39 - Oh My God
35:19 - It's All Over
Outro - Judy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2710</itunes:duration>
                <itunes:episode>602</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>C-Tec - Darker | Album Review</title>
        <itunes:title>C-Tec - Darker | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/c-tec-darker-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/c-tec-darker-album-review/#comments</comments>        <pubDate>Tue, 31 May 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/20b3d163-2a25-315a-ab0b-f8b98f6944fd</guid>
                                    <description><![CDATA[<p style="text-align:center;">Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n.T.i., along with special appearances by members of Front Line Assembly and Haujobb, <a href='https://armalyte.bandcamp.com/album/c-tec-darker'>C-Tec</a> is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being Nothing," going 80s on "The Lost," or punishing noise on "Shift IV." Of course, there are some four-one-the-floor thumpers made for the 12" remix, like the Rammstein-esque "Foetal" and driving "Stateless." A few of the tracks take a little more time than necessary to get going, and De Meyer's vocal approach won't be for everyone, but Darker is a worthwhile album to add to your industrial collection.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Flowing</p>
<p style="text-align:center;">10:25 - Being Nothing</p>
<p style="text-align:center;">15:37 - Foetal</p>
<p style="text-align:center;">25:38 - Flowing</p>
<p style="text-align:center;">28:19 - Shift IV</p>
<p style="text-align:center;">Outro - The Lost</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n.T.i., along with special appearances by members of Front Line Assembly and Haujobb, <a href='https://armalyte.bandcamp.com/album/c-tec-darker'>C-Tec</a> is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being Nothing," going 80s on "The Lost," or punishing noise on "Shift IV." Of course, there are some four-one-the-floor thumpers made for the 12" remix, like the Rammstein-esque "Foetal" and driving "Stateless." A few of the tracks take a little more time than necessary to get going, and De Meyer's vocal approach won't be for everyone, but Darker is a worthwhile album to add to your industrial collection.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Flowing</p>
<p style="text-align:center;">10:25 - Being Nothing</p>
<p style="text-align:center;">15:37 - Foetal</p>
<p style="text-align:center;">25:38 - Flowing</p>
<p style="text-align:center;">28:19 - Shift IV</p>
<p style="text-align:center;">Outro - The Lost</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a3tc7i/600-ctec.mp3" length="88063084" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n.T.i., along with special appearances by members of Front Line Assembly and Haujobb, C-Tec is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being Nothing," going 80s on "The Lost," or punishing noise on "Shift IV." Of course, there are some four-one-the-floor thumpers made for the 12" remix, like the Rammstein-esque "Foetal" and driving "Stateless." A few of the tracks take a little more time than necessary to get going, and De Meyer's vocal approach won't be for everyone, but Darker is a worthwhile album to add to your industrial collection.
 
Songs In This Episode:
Intro - Flowing
10:25 - Being Nothing
15:37 - Foetal
25:38 - Flowing
28:19 - Shift IV
Outro - The Lost
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2746</itunes:duration>
                <itunes:episode>601</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>EPs of the 90s | Roundtable</title>
        <itunes:title>EPs of the 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/eps-of-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/eps-of-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 24 May 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/172ee4f3-7c07-38b9-a0eb-c27cb1eaeecd</guid>
                                    <description><![CDATA[<p style="text-align:center;">The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number one on the Billboard 200 chart, and that wasn't the only commercially successful EP of the era. Nine Inch Nails, Ugly Kid Joe, Radiohead, My Bloody Valentine, Nirvana, Ride, The Smashing Pumpkins, and many more released essential music on EPs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - EP of the 90s Medley (Wish by Nine Inch Nails, I Stay Away by Alice In Chains, Blue by The Smashing Pumpkins)</p>
<p style="text-align:center;">15:15 - Everything About You by Ugly Kid Joe</p>
<p style="text-align:center;">22:40 - Making Love by Shiner</p>
<p style="text-align:center;">35:23 - Come See About Me by The Afghan Whigs</p>
<p style="text-align:center;">42:51 - JC Auto by Sugar</p>
<p style="text-align:center;">53:38 - One Too Many Mornings - The Dust Brothers</p>
<p style="text-align:center;">1:08:54 - I Could See The Dude by Spoon</p>
<p style="text-align:center;">Outro - Shooting Star by Golden Smog</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number one on the Billboard 200 chart, and that wasn't the only commercially successful EP of the era. Nine Inch Nails, Ugly Kid Joe, Radiohead, My Bloody Valentine, Nirvana, Ride, The Smashing Pumpkins, and many more released essential music on EPs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - EP of the 90s Medley (Wish by Nine Inch Nails, I Stay Away by Alice In Chains, Blue by The Smashing Pumpkins)</p>
<p style="text-align:center;">15:15 - Everything About You by Ugly Kid Joe</p>
<p style="text-align:center;">22:40 - Making Love by Shiner</p>
<p style="text-align:center;">35:23 - Come See About Me by The Afghan Whigs</p>
<p style="text-align:center;">42:51 - JC Auto by Sugar</p>
<p style="text-align:center;">53:38 - One Too Many Mornings - The Dust Brothers</p>
<p style="text-align:center;">1:08:54 - I Could See The Dude by Spoon</p>
<p style="text-align:center;">Outro - Shooting Star by Golden Smog</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zqpj7t/599-epsofthe90s.mp3" length="152451370" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number one on the Billboard 200 chart, and that wasn't the only commercially successful EP of the era. Nine Inch Nails, Ugly Kid Joe, Radiohead, My Bloody Valentine, Nirvana, Ride, The Smashing Pumpkins, and many more released essential music on EPs.
 
Songs In This Episode:
Intro - EP of the 90s Medley (Wish by Nine Inch Nails, I Stay Away by Alice In Chains, Blue by The Smashing Pumpkins)
15:15 - Everything About You by Ugly Kid Joe
22:40 - Making Love by Shiner
35:23 - Come See About Me by The Afghan Whigs
42:51 - JC Auto by Sugar
53:38 - One Too Many Mornings - The Dust Brothers
1:08:54 - I Could See The Dude by Spoon
Outro - Shooting Star by Golden Smog
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4758</itunes:duration>
                <itunes:episode>600</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sandpit - On Second Thought | Album Review</title>
        <itunes:title>Sandpit - On Second Thought | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/sandpit-on-second-thought-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/sandpit-on-second-thought-album-review/#comments</comments>        <pubDate>Tue, 17 May 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8e5ea79d-0400-3339-bc90-366fe1aa19c8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Melbourne, Australia's <a href='https://sandpit.bandcamp.com/album/on-second-thought'>Sandpit</a> only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hold Yr Horses</p>
<p style="text-align:center;">11:23 - Walking in a Straight Line</p>
<p style="text-align:center;">19:04 - Metamorphosis</p>
<p style="text-align:center;">21:52 - I Positively Hate You Now</p>
<p style="text-align:center;">24:16 - Along The Moors</p>
<p style="text-align:center;">Outro - Helicopters</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Melbourne, Australia's <a href='https://sandpit.bandcamp.com/album/on-second-thought'>Sandpit</a> only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hold Yr Horses</p>
<p style="text-align:center;">11:23 - Walking in a Straight Line</p>
<p style="text-align:center;">19:04 - Metamorphosis</p>
<p style="text-align:center;">21:52 - I Positively Hate You Now</p>
<p style="text-align:center;">24:16 - Along The Moors</p>
<p style="text-align:center;">Outro - Helicopters</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3a26up/598-sandpit.mp3" length="71704161" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Melbourne, Australia's Sandpit only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits. 
 
Songs In This Episode:
Intro - Hold Yr Horses
11:23 - Walking in a Straight Line
19:04 - Metamorphosis
21:52 - I Positively Hate You Now
24:16 - Along The Moors
Outro - Helicopters
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2235</itunes:duration>
                <itunes:episode>599</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bike - Take In The Sun | Album Review</title>
        <itunes:title>Bike - Take In The Sun | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/bike-take-in-the-sun-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/bike-take-in-the-sun-album-review/#comments</comments>        <pubDate>Tue, 10 May 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e1e5c8a6-cfd7-3c0b-8d70-76031402e9a8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, <a href='https://en.wikipedia.org/wiki/Andrew_Brough'>Andrew Brough</a> left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry out for sunshine and warmth. But the band isn't a 60s retro act, incorporating fevered 80s alternative like on "Keeping You In Mine" or shoegaze noise on "Inside." On a pair of headphones, the album swirls and surrounds the listener, an aspect lost on lesser speakers that may turn off less engaged ears. As mentioned in the episode, our Patreon suggester <a href='https://www.pundit.co.nz/content/a-eulogy-for-andrew-brough'>wrote a eulogy for Andrew Brough after his passing in 2020 that is worth your time</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Take In The Sun</p>
<p style="text-align:center;">10:35 - Save My Life</p>
<p style="text-align:center;">18:20 - Inside</p>
<p style="text-align:center;">23:44 - Keeping You In Mine</p>
<p style="text-align:center;">Outro - Circus Kids</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, <a href='https://en.wikipedia.org/wiki/Andrew_Brough'>Andrew Brough</a> left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry out for sunshine and warmth. But the band isn't a 60s retro act, incorporating fevered 80s alternative like on "Keeping You In Mine" or shoegaze noise on "Inside." On a pair of headphones, the album swirls and surrounds the listener, an aspect lost on lesser speakers that may turn off less engaged ears. As mentioned in the episode, our Patreon suggester <a href='https://www.pundit.co.nz/content/a-eulogy-for-andrew-brough'>wrote a eulogy for Andrew Brough after his passing in 2020 that is worth your time</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Take In The Sun</p>
<p style="text-align:center;">10:35 - Save My Life</p>
<p style="text-align:center;">18:20 - Inside</p>
<p style="text-align:center;">23:44 - Keeping You In Mine</p>
<p style="text-align:center;">Outro - Circus Kids</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/djkpv6/597-bike.mp3" length="66402767" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, Andrew Brough left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry out for sunshine and warmth. But the band isn't a 60s retro act, incorporating fevered 80s alternative like on "Keeping You In Mine" or shoegaze noise on "Inside." On a pair of headphones, the album swirls and surrounds the listener, an aspect lost on lesser speakers that may turn off less engaged ears. As mentioned in the episode, our Patreon suggester wrote a eulogy for Andrew Brough after his passing in 2020 that is worth your time.
 
Songs In This Episode:
Intro - Take In The Sun
10:35 - Save My Life
18:20 - Inside
23:44 - Keeping You In Mine
Outro - Circus Kids
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2069</itunes:duration>
                <itunes:episode>598</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Madder Rose - Bring It Down | Album Review</title>
        <itunes:title>Madder Rose - Bring It Down | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/madder-rose-bring-it-down-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/madder-rose-bring-it-down-album-review/#comments</comments>        <pubDate>Tue, 03 May 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c9908c1a-6024-3488-82a1-ad263c63d07d</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their 1993 debut Bring It Down, <a href='http://www.madderroseband.com/'>Madder Rose</a>'s Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of Belly, Letters to Cleo, or the Breeders along with UK bands like Lush or Slowdive. But with all the magic happening in the songwriting and performances, the end result is missing a gear. A lackluster production, with thin guitars and bass, doesn't give the band a needed punch when the energy levels rise.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Beautiful John</p>
<p style="text-align:center;">22:03 - While Away</p>
<p style="text-align:center;">29:22 - Swim</p>
<p style="text-align:center;">34:43 - Altar Boy</p>
<p style="text-align:center;">Outro - Bring It Down</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their 1993 debut Bring It Down, <a href='http://www.madderroseband.com/'>Madder Rose</a>'s Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of Belly, Letters to Cleo, or the Breeders along with UK bands like Lush or Slowdive. But with all the magic happening in the songwriting and performances, the end result is missing a gear. A lackluster production, with thin guitars and bass, doesn't give the band a needed punch when the energy levels rise.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Beautiful John</p>
<p style="text-align:center;">22:03 - While Away</p>
<p style="text-align:center;">29:22 - Swim</p>
<p style="text-align:center;">34:43 - Altar Boy</p>
<p style="text-align:center;">Outro - Bring It Down</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yyyhb7/596-madderrose.mp3" length="84591515" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their 1993 debut Bring It Down, Madder Rose's Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of Belly, Letters to Cleo, or the Breeders along with UK bands like Lush or Slowdive. But with all the magic happening in the songwriting and performances, the end result is missing a gear. A lackluster production, with thin guitars and bass, doesn't give the band a needed punch when the energy levels rise.
 
Songs In This Episode:
Intro - Beautiful John
22:03 - While Away
29:22 - Swim
34:43 - Altar Boy
Outro - Bring It Down
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2637</itunes:duration>
                <itunes:episode>597</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Miljenko Matijevic of Steelheart | Interview</title>
        <itunes:title>Miljenko Matijevic of Steelheart | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/miljenko-matijevic-of-steelheart-interview/</link>
                    <comments>https://digmeout.podbean.com/e/miljenko-matijevic-of-steelheart-interview/#comments</comments>        <pubDate>Thu, 28 Apr 2022 07:27:54 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f5d81c61-49d4-3173-b0c0-dc35109fe4f3</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though <a href='https://steelheart.com/'>Steelheart </a>was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song demo cassette in hand, the band, now called Steelheart, scored a record deal almost immediately after relocating to Los Angeles and within a year of moving to the West Coast, Steelheart was topping charts with “<a href='https://youtu.be/F-nyeiKk35M'>I’ll Never Let You Go (Angel Eyes)</a>” which showcased Milijenko Matijevic’s soaring and glass-shattering vocals. With a modest level of success, the age old question of, “What would have happened had Steelheart moved to L.A. five years earlier?” is one that Matijevic has considered but knows he’s powerless to answer. After playing 50 shows in support of 1992’s Tangled in Reins, Steelheart played a Halloween gig opening for Slaughter. Matijevic attempted to climb a lighting truss only to discover it had not been properly secured. The <a href='https://youtu.be/0YnCnFHDPyA'>1,000 pound truss fell on Matijevic</a> breaking his nose, cheekbone and jaw and, subsequently, led to Steelheart’s breakup as Matijevic was in the hospital and rehab for a considerable amount of time. With a new lineup in tow, Matijevic has carried on the Steelheart name and released Wait (1996), Good 2B Alive (2008) and Through Worlds of Stardust (2017) while playing gigs whenever he can. The singer also provided the vocals for Mark Wahlberg’s character in the 2001 film Rock Star which featured Steelheart’s “<a href='https://youtu.be/00DkPyT2LiE'>We All Die Young</a>”. In 2022, Matijevic released the single “<a href='https://youtu.be/GGs9VvIe5zc'>Trust in Love</a>” in multiple languages in support of global peace and hopes that the song becomes an anthem for those who need hope in their lives.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'll Never Let You Go</p>
<p style="text-align:center;">10:27 - She's Gone</p>
<p style="text-align:center;">Outro - Can't Stop Me Lovin'</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though <a href='https://steelheart.com/'>Steelheart </a>was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song demo cassette in hand, the band, now called Steelheart, scored a record deal almost immediately after relocating to Los Angeles and within a year of moving to the West Coast, Steelheart was topping charts with “<a href='https://youtu.be/F-nyeiKk35M'>I’ll Never Let You Go (Angel Eyes)</a>” which showcased Milijenko Matijevic’s soaring and glass-shattering vocals. With a modest level of success, the age old question of, “What would have happened had Steelheart moved to L.A. five years earlier?” is one that Matijevic has considered but knows he’s powerless to answer. After playing 50 shows in support of 1992’s <em>Tangled in Reins</em>, Steelheart played a Halloween gig opening for Slaughter. Matijevic attempted to climb a lighting truss only to discover it had not been properly secured. The <a href='https://youtu.be/0YnCnFHDPyA'>1,000 pound truss fell on Matijevic</a> breaking his nose, cheekbone and jaw and, subsequently, led to Steelheart’s breakup as Matijevic was in the hospital and rehab for a considerable amount of time. With a new lineup in tow, Matijevic has carried on the Steelheart name and released <em>Wait </em>(1996), <em>Good 2B Alive</em> (2008) and <em>Through Worlds of Stardust</em> (2017) while playing gigs whenever he can. The singer also provided the vocals for Mark Wahlberg’s character in the 2001 film <em>Rock Star</em> which featured Steelheart’s “<a href='https://youtu.be/00DkPyT2LiE'>We All Die Young</a>”. In 2022, Matijevic released the single “<a href='https://youtu.be/GGs9VvIe5zc'>Trust in Love</a>” in multiple languages in support of global peace and hopes that the song becomes an anthem for those who need hope in their lives.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'll Never Let You Go</p>
<p style="text-align:center;">10:27 - She's Gone</p>
<p style="text-align:center;">Outro - Can't Stop Me Lovin'</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k8kczw/595-steelheart.mp3" length="104846654" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though Steelheart was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song demo cassette in hand, the band, now called Steelheart, scored a record deal almost immediately after relocating to Los Angeles and within a year of moving to the West Coast, Steelheart was topping charts with “I’ll Never Let You Go (Angel Eyes)” which showcased Milijenko Matijevic’s soaring and glass-shattering vocals. With a modest level of success, the age old question of, “What would have happened had Steelheart moved to L.A. five years earlier?” is one that Matijevic has considered but knows he’s powerless to answer. After playing 50 shows in support of 1992’s Tangled in Reins, Steelheart played a Halloween gig opening for Slaughter. Matijevic attempted to climb a lighting truss only to discover it had not been properly secured. The 1,000 pound truss fell on Matijevic breaking his nose, cheekbone and jaw and, subsequently, led to Steelheart’s breakup as Matijevic was in the hospital and rehab for a considerable amount of time. With a new lineup in tow, Matijevic has carried on the Steelheart name and released Wait (1996), Good 2B Alive (2008) and Through Worlds of Stardust (2017) while playing gigs whenever he can. The singer also provided the vocals for Mark Wahlberg’s character in the 2001 film Rock Star which featured Steelheart’s “We All Die Young”. In 2022, Matijevic released the single “Trust in Love” in multiple languages in support of global peace and hopes that the song becomes an anthem for those who need hope in their lives.
 
Songs In This Episode:
Intro - I'll Never Let You Go
10:27 - She's Gone
Outro - Can't Stop Me Lovin'
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3270</itunes:duration>
                <itunes:episode>596</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>East River Pipe - Shining Hours In A Can | Album Review</title>
        <itunes:title>East River Pipe - Shining Hours In A Can | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/east-river-pipe-shining-hours-in-a-can-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/east-river-pipe-shining-hours-in-a-can-album-review/#comments</comments>        <pubDate>Tue, 26 Apr 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/dece99d0-14f6-3623-9453-0d1cfd24f40a</guid>
                                    <description><![CDATA[<p style="text-align:center;">While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name <a href='https://eastriverpipe.bandcamp.com/'>East River Pipe</a>, figured out to take an eight-track reel-to-reel home recording set-up and eschew any limitations. On the 1994 compilation Shining Hours In A Can, shimmering guitars and atmospheric keys backed by minimalist production give the sound a lo-fi Bruce Springsteen feel, with songs loaded up on regret, solitude, and loneliness.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Make A Deal With The City</p>
<p style="text-align:center;">10:48 - Helmet On</p>
<p style="text-align:center;">14:48 - My Life Is Wrong</p>
<p style="text-align:center;">22:00 - She's A Real Good Time</p>
<p style="text-align:center;">31:55 - Psychic Whore</p>
<p style="text-align:center;">Outro - Axl or Iggy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name <a href='https://eastriverpipe.bandcamp.com/'>East River Pipe</a>, figured out to take an eight-track reel-to-reel home recording set-up and eschew any limitations. On the 1994 compilation Shining Hours In A Can, shimmering guitars and atmospheric keys backed by minimalist production give the sound a lo-fi Bruce Springsteen feel, with songs loaded up on regret, solitude, and loneliness.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Make A Deal With The City</p>
<p style="text-align:center;">10:48 - Helmet On</p>
<p style="text-align:center;">14:48 - My Life Is Wrong</p>
<p style="text-align:center;">22:00 - She's A Real Good Time</p>
<p style="text-align:center;">31:55 - Psychic Whore</p>
<p style="text-align:center;">Outro - Axl or Iggy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i9epb8/594-eastriverpipe.mp3" length="80330839" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name East River Pipe, figured out to take an eight-track reel-to-reel home recording set-up and eschew any limitations. On the 1994 compilation Shining Hours In A Can, shimmering guitars and atmospheric keys backed by minimalist production give the sound a lo-fi Bruce Springsteen feel, with songs loaded up on regret, solitude, and loneliness.
 
Songs In This Episode:
Intro - Make A Deal With The City
10:48 - Helmet On
14:48 - My Life Is Wrong
22:00 - She's A Real Good Time
31:55 - Psychic Whore
Outro - Axl or Iggy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2504</itunes:duration>
                <itunes:episode>595</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Madchester: The Sound and the Scene | Roundtable</title>
        <itunes:title>Madchester: The Sound and the Scene | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/madchester-the-sound-and-the-scene-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/madchester-the-sound-and-the-scene-roundtable/#comments</comments>        <pubDate>Tue, 19 Apr 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4213710f-524b-3777-9c40-7bb2c471a7cc</guid>
                                    <description><![CDATA[<p style="text-align:center;">The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and underground rave music that morphed into what became known as Madchester. Combining funky, percussive rhythms with everything from 80s college rock to 60s psychedelic, the brief window of the late 80s and early 90s created a unique blend of danceable rock music paired with DJs and club music that became a small factor in the eventual rise of Britpop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fool's Gold by The Stone Roses</p>
<p style="text-align:center;">13:27 - Dragging Me Down by Inspiral Carpets</p>
<p style="text-align:center;">26:08 - I'm Free by The Soup Dragons</p>
<p style="text-align:center;">33:15 - Pacific State by 808 State</p>
<p style="text-align:center;">46:02 - Sit Down by James</p>
<p style="text-align:center;">Outro - Step On by Happy Mondays</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and underground rave music that morphed into what became known as Madchester. Combining funky, percussive rhythms with everything from 80s college rock to 60s psychedelic, the brief window of the late 80s and early 90s created a unique blend of danceable rock music paired with DJs and club music that became a small factor in the eventual rise of Britpop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Fool's Gold by The Stone Roses</p>
<p style="text-align:center;">13:27 - Dragging Me Down by Inspiral Carpets</p>
<p style="text-align:center;">26:08 - I'm Free by The Soup Dragons</p>
<p style="text-align:center;">33:15 - Pacific State by 808 State</p>
<p style="text-align:center;">46:02 - Sit Down by James</p>
<p style="text-align:center;">Outro - Step On by Happy Mondays</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2e2rkt/593-madchester.mp3" length="115216221" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and underground rave music that morphed into what became known as Madchester. Combining funky, percussive rhythms with everything from 80s college rock to 60s psychedelic, the brief window of the late 80s and early 90s created a unique blend of danceable rock music paired with DJs and club music that became a small factor in the eventual rise of Britpop.
 
Songs In This Episode:
Intro - Fool's Gold by The Stone Roses
13:27 - Dragging Me Down by Inspiral Carpets
26:08 - I'm Free by The Soup Dragons
33:15 - Pacific State by 808 State
46:02 - Sit Down by James
Outro - Step On by Happy Mondays
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3594</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>594</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Karate - In Place of Real Insight | Album Review</title>
        <itunes:title>Karate - In Place of Real Insight | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/in-place-of-real-insight-by-karate-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/in-place-of-real-insight-by-karate-album-review/#comments</comments>        <pubDate>Tue, 12 Apr 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9a6f3123-1dfe-3551-a827-1763e4819c14</guid>
                                    <description><![CDATA[<p style="text-align:center;">Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - It's 98 Stop</p>
<p style="text-align:center;">17:30 - New Martini</p>
<p style="text-align:center;">27:22 - New Hangout Condition</p>
<p style="text-align:center;">35:46 - Wake Up, Decide</p>
<p style="text-align:center;">Outro - Die Die</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - It's 98 Stop</p>
<p style="text-align:center;">17:30 - New Martini</p>
<p style="text-align:center;">27:22 - New Hangout Condition</p>
<p style="text-align:center;">35:46 - Wake Up, Decide</p>
<p style="text-align:center;">Outro - Die Die</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cfrz29/592-karate.mp3" length="82454908" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.
 
Songs In This Episode:
Intro - It's 98 Stop
17:30 - New Martini
27:22 - New Hangout Condition
35:46 - Wake Up, Decide
Outro - Die Die
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2571</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>593</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chad Fischer of Lazlo Bane and School of Fish | Interview</title>
        <itunes:title>Chad Fischer of Lazlo Bane and School of Fish | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/chad-fischer-of-lazlo-bane-and-school-of-fish-interview/</link>
                    <comments>https://digmeout.podbean.com/e/chad-fischer-of-lazlo-bane-and-school-of-fish-interview/#comments</comments>        <pubDate>Fri, 08 Apr 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/604d2b22-e731-3142-a83d-c86181226a3b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though <a href='https://www.chadfischermusic.com/'>Chad Fischer</a>’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s Human Cannonball, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the live drummer until the band broke up shortly thereafter. Knowing that he wanted to make a living in music, Fischer acquired gear and built a recording studio where he recorded not only his post-School of Fish band, Lazlo Bane, where he sang and played guitars, but worked on a number of releases by artists like Star 69 and Jeremy Toback. A chance meeting with Colin Hay (Men at Work) resulted in a personal - and working - relationship that continues to this day. Perhaps Fischer’s biggest musical accomplishment, however, was writing the song “<a href='https://youtu.be/uAAt5FFRdgc'>Superman</a>” which became the theme song for the long-running NBC comedy, Scrubs. These days, Fischer is writing, recording and producing for TV and movies, staying busy by releasing cover songs (and videos) and starting to work on new Lazlo Bane material.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Superman by Lazlo Bane (from All The Time In The World)</p>
<p style="text-align:center;">7:47 - Alone Again by Chad Fischer (from Ice Age: Dawn of the Dinosaurs soundtrack)</p>
<p style="text-align:center;">Outro - 3 Strange Days by Lazlo Bane and School of Fish (from Someday We'll Be Together)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though <a href='https://www.chadfischermusic.com/'>Chad Fischer</a>’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s <em>Human Cannonball</em>, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the live drummer until the band broke up shortly thereafter. Knowing that he wanted to make a living in music, Fischer acquired gear and built a recording studio where he recorded not only his post-School of Fish band, Lazlo Bane, where he sang and played guitars, but worked on a number of releases by artists like Star 69 and Jeremy Toback. A chance meeting with Colin Hay (Men at Work) resulted in a personal - and working - relationship that continues to this day. Perhaps Fischer’s biggest musical accomplishment, however, was writing the song “<a href='https://youtu.be/uAAt5FFRdgc'>Superman</a>” which became the theme song for the long-running NBC comedy, <em>Scrubs</em>. These days, Fischer is writing, recording and producing for TV and movies, staying busy by releasing cover songs (and videos) and starting to work on new Lazlo Bane material.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Superman by Lazlo Bane (from All The Time In The World)</p>
<p style="text-align:center;">7:47 - Alone Again by Chad Fischer (from Ice Age: Dawn of the Dinosaurs soundtrack)</p>
<p style="text-align:center;">Outro - 3 Strange Days by Lazlo Bane and School of Fish (from Someday We'll Be Together)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tk2p2e/591-chadfischer.mp3" length="148505000" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though Chad Fischer’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s Human Cannonball, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the live drummer until the band broke up shortly thereafter. Knowing that he wanted to make a living in music, Fischer acquired gear and built a recording studio where he recorded not only his post-School of Fish band, Lazlo Bane, where he sang and played guitars, but worked on a number of releases by artists like Star 69 and Jeremy Toback. A chance meeting with Colin Hay (Men at Work) resulted in a personal - and working - relationship that continues to this day. Perhaps Fischer’s biggest musical accomplishment, however, was writing the song “Superman” which became the theme song for the long-running NBC comedy, Scrubs. These days, Fischer is writing, recording and producing for TV and movies, staying busy by releasing cover songs (and videos) and starting to work on new Lazlo Bane material.
 
Songs In This Episode:
Intro - Superman by Lazlo Bane (from All The Time In The World)
7:47 - Alone Again by Chad Fischer (from Ice Age: Dawn of the Dinosaurs soundtrack)
Outro - 3 Strange Days by Lazlo Bane and School of Fish (from Someday We'll Be Together)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4635</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>592</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Radicals - Maybe You’ve Been Brainwashed Too | Album Review</title>
        <itunes:title>New Radicals - Maybe You’ve Been Brainwashed Too | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/new-radicals-maybe-you-ve-been-brainwashed-too-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/new-radicals-maybe-you-ve-been-brainwashed-too-album-review/#comments</comments>        <pubDate>Tue, 05 Apr 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/76af0b08-3e5e-3986-92a6-594927a269e8</guid>
                                    <description><![CDATA[<p style="text-align:center;">New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics something to spill ink about, but the overall 1998 release Maybe You've Been Brainwashed Too never got the attention the single managed. Drawing on pop from several decades and angles, the band moves effortlessly between 90s alt-rock less expected sounds like the soulful bounce of Hall and Oates or twists and turns of Todd Rundgren. While the album hones in on specific moods, like longing blue-eyed soul on one track and Badfinger-esque 70s pop on the next, the variety of players gives the overall record an inconsistent vibe with tracks often exceeding their welcome by a minute or two.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Get What You Give</p>
<p style="text-align:center;">22:16 - Mother We Just Can't Get Enough</p>
<p style="text-align:center;">30:06 - In Need of a Miracle</p>
<p style="text-align:center;">37:47 - I Don't Wanna Die Anymore</p>
<p style="text-align:center;">Outro - Flowers</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics something to spill ink about, but the overall 1998 release Maybe You've Been Brainwashed Too never got the attention the single managed. Drawing on pop from several decades and angles, the band moves effortlessly between 90s alt-rock less expected sounds like the soulful bounce of Hall and Oates or twists and turns of Todd Rundgren. While the album hones in on specific moods, like longing blue-eyed soul on one track and Badfinger-esque 70s pop on the next, the variety of players gives the overall record an inconsistent vibe with tracks often exceeding their welcome by a minute or two.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Get What You Give</p>
<p style="text-align:center;">22:16 - Mother We Just Can't Get Enough</p>
<p style="text-align:center;">30:06 - In Need of a Miracle</p>
<p style="text-align:center;">37:47 - I Don't Wanna Die Anymore</p>
<p style="text-align:center;">Outro - Flowers</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mbexw3/590-newradicals.mp3" length="103518379" type="audio/mpeg"/>
        <itunes:summary><![CDATA[New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics something to spill ink about, but the overall 1998 release Maybe You've Been Brainwashed Too never got the attention the single managed. Drawing on pop from several decades and angles, the band moves effortlessly between 90s alt-rock less expected sounds like the soulful bounce of Hall and Oates or twists and turns of Todd Rundgren. While the album hones in on specific moods, like longing blue-eyed soul on one track and Badfinger-esque 70s pop on the next, the variety of players gives the overall record an inconsistent vibe with tracks often exceeding their welcome by a minute or two.
 
Songs In This Episode:
Intro - You Get What You Give
22:16 - Mother We Just Can't Get Enough
30:06 - In Need of a Miracle
37:47 - I Don't Wanna Die Anymore
Outro - Flowers
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3229</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>591</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Defryme - Pure Killer | Album Review</title>
        <itunes:title>Defryme - Pure Killer | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/defryme-pure-killer-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/defryme-pure-killer-album-review/#comments</comments>        <pubDate>Tue, 29 Mar 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/62e3a484-4464-338a-ac4e-0e184633111e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, <a href='https://www.facebook.com/defryme'>Defryme</a> would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less original concept, and while Defryme craft a handful of tight tracks, the band struggles with consistency. The catchy hook of "Therapy" is absent on at least half of the record, which dips into yarling grunge territory on "Sanity" and attempts an ill-advised cover of LL Cool J's "Mama Said Knock You Out."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pure Killer</p>
<p style="text-align:center;">12:03 - Gunn</p>
<p style="text-align:center;">22:57 - Therapy</p>
<p style="text-align:center;">33:12 - Sanity</p>
<p style="text-align:center;">Outro - Rivers</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, <a href='https://www.facebook.com/defryme'>Defryme</a> would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less original concept, and while Defryme craft a handful of tight tracks, the band struggles with consistency. The catchy hook of "Therapy" is absent on at least half of the record, which dips into yarling grunge territory on "Sanity" and attempts an ill-advised cover of LL Cool J's "Mama Said Knock You Out."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pure Killer</p>
<p style="text-align:center;">12:03 - Gunn</p>
<p style="text-align:center;">22:57 - Therapy</p>
<p style="text-align:center;">33:12 - Sanity</p>
<p style="text-align:center;">Outro - Rivers</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8vkvky/589-defryme.mp3" length="102424162" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, Defryme would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less original concept, and while Defryme craft a handful of tight tracks, the band struggles with consistency. The catchy hook of "Therapy" is absent on at least half of the record, which dips into yarling grunge territory on "Sanity" and attempts an ill-advised cover of LL Cool J's "Mama Said Knock You Out."
 
Songs In This Episode:
Intro - Pure Killer
12:03 - Gunn
22:57 - Therapy
33:12 - Sanity
Outro - Rivers
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3195</itunes:duration>
                <itunes:episode>590</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Faith No More - Angel Dust | Album Review</title>
        <itunes:title>Faith No More - Angel Dust | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/faith-no-more-angel-dust-album-review/</link>
                    <comments>https://digmeout.podbean.com/e/faith-no-more-angel-dust-album-review/#comments</comments>        <pubDate>Tue, 22 Mar 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d22c385e-711b-3064-b2e4-e18bde1c72d1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Before the alternative explosion led by Nirvana in 1991, bands like Jane's Addiction, R.E.M., Red Hot Chili Peppers, and Faith No More were already paving the way on MTV and modern rock playlists. Coming off the success of iconic rap-rock tune "Epic" from their sophomore album The Real Thing, <a href='https://www.fnm.com/'>Faith No More</a> followed up with 1992's Angel Dust, further exploring the edges of thrash metal, funk, new wave, and more. While the record stretches the boundaries of what could still be called a mainstream, major label release, the end result is full of relentlessly catchy earworms that often defy categorization.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Smaller And Smaller</p>
<p style="text-align:center;">16:30 - A Small Victory</p>
<p style="text-align:center;">21:43 - RV</p>
<p style="text-align:center;">29:07 - Be Aggressive</p>
<p style="text-align:center;">40:30 - Midlife Crisis</p>
<p style="text-align:center;">Outro - Everything's Ruined</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Before the alternative explosion led by Nirvana in 1991, bands like Jane's Addiction, R.E.M., Red Hot Chili Peppers, and Faith No More were already paving the way on MTV and modern rock playlists. Coming off the success of iconic rap-rock tune "Epic" from their sophomore album The Real Thing, <a href='https://www.fnm.com/'>Faith No More</a> followed up with 1992's Angel Dust, further exploring the edges of thrash metal, funk, new wave, and more. While the record stretches the boundaries of what could still be called a mainstream, major label release, the end result is full of relentlessly catchy earworms that often defy categorization.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Smaller And Smaller</p>
<p style="text-align:center;">16:30 - A Small Victory</p>
<p style="text-align:center;">21:43 - RV</p>
<p style="text-align:center;">29:07 - Be Aggressive</p>
<p style="text-align:center;">40:30 - Midlife Crisis</p>
<p style="text-align:center;">Outro - Everything's Ruined</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/35aebs/588-faithnomore.mp3" length="101092544" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Before the alternative explosion led by Nirvana in 1991, bands like Jane's Addiction, R.E.M., Red Hot Chili Peppers, and Faith No More were already paving the way on MTV and modern rock playlists. Coming off the success of iconic rap-rock tune "Epic" from their sophomore album The Real Thing, Faith No More followed up with 1992's Angel Dust, further exploring the edges of thrash metal, funk, new wave, and more. While the record stretches the boundaries of what could still be called a mainstream, major label release, the end result is full of relentlessly catchy earworms that often defy categorization.
 
Songs In This Episode:
Intro - Smaller And Smaller
16:30 - A Small Victory
21:43 - RV
29:07 - Be Aggressive
40:30 - Midlife Crisis
Outro - Everything's Ruined
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3153</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>589</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Powderfinger - Double Allergic | Album Review</title>
        <itunes:title>Powderfinger - Double Allergic | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/586-double-allergic-by-powderfinger/</link>
                    <comments>https://digmeout.podbean.com/e/586-double-allergic-by-powderfinger/#comments</comments>        <pubDate>Tue, 15 Mar 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/18a006a8-4a0f-3105-8815-4ed40f94b494</guid>
                                    <description><![CDATA[<p style="text-align:center;">After their 1994 debut album not only failed to make a commercial dent for Polydor Records, but was also panned by critics and even the band themselves, <a href='https://powderfinger.com/'>Powderfinger</a> returned to the studio with veteran Australian producer Tim Whitten (Hoodoo Gurus, The Go-Betweens, Clouds, etc.) for the sophomore album Double Allergic. The pairing paid off as the group put the studio to good use while maintaining a tight band feel that shifts between American alternative and more adventures diversions. The twin guitar work of Ian Haug and Darren Middleton carves out a wide range of sounds and textures that remain tasteful while dropping enough ear candy to make repeated listens pay off, while vocalist Bernard Fanning finds simple yet effective melodies to craft several radio-friendly tunes, all with the backing of a tight and versatile rhythm section.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pick You Up</p>
<p style="text-align:center;">16:25 - Boing Boing</p>
<p style="text-align:center;">23:08 - Oipic</p>
<p style="text-align:center;">32:05 - Skinny Jean</p>
<p style="text-align:center;">40:09 - Come Away (Hidden Track)</p>
<p style="text-align:center;">Outro - Living Type</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After their 1994 debut album not only failed to make a commercial dent for Polydor Records, but was also panned by critics and even the band themselves, <a href='https://powderfinger.com/'>Powderfinger</a> returned to the studio with veteran Australian producer Tim Whitten (Hoodoo Gurus, The Go-Betweens, Clouds, etc.) for the sophomore album Double Allergic. The pairing paid off as the group put the studio to good use while maintaining a tight band feel that shifts between American alternative and more adventures diversions. The twin guitar work of Ian Haug and Darren Middleton carves out a wide range of sounds and textures that remain tasteful while dropping enough ear candy to make repeated listens pay off, while vocalist Bernard Fanning finds simple yet effective melodies to craft several radio-friendly tunes, all with the backing of a tight and versatile rhythm section.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pick You Up</p>
<p style="text-align:center;">16:25 - Boing Boing</p>
<p style="text-align:center;">23:08 - Oipic</p>
<p style="text-align:center;">32:05 - Skinny Jean</p>
<p style="text-align:center;">40:09 - Come Away (Hidden Track)</p>
<p style="text-align:center;">Outro - Living Type</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/876asq/586-powderfinger2.mp3" length="105372446" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After their 1994 debut album not only failed to make a commercial dent for Polydor Records, but was also panned by critics and even the band themselves, Powderfinger returned to the studio with veteran Australian producer Tim Whitten (Hoodoo Gurus, The Go-Betweens, Clouds, etc.) for the sophomore album Double Allergic. The pairing paid off as the group put the studio to good use while maintaining a tight band feel that shifts between American alternative and more adventures diversions. The twin guitar work of Ian Haug and Darren Middleton carves out a wide range of sounds and textures that remain tasteful while dropping enough ear candy to make repeated listens pay off, while vocalist Bernard Fanning finds simple yet effective melodies to craft several radio-friendly tunes, all with the backing of a tight and versatile rhythm section.
 
Songs In This Episode:
Intro - Pick You Up
16:25 - Boing Boing
23:08 - Oipic
32:05 - Skinny Jean
40:09 - Come Away (Hidden Track)
Outro - Living Type
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3287</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>587</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Christopher Hall of Stabbing Westward | Interview</title>
        <itunes:title>Christopher Hall of Stabbing Westward | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/586-interview-with-christopher-hall-of-stabbing-westward/</link>
                    <comments>https://digmeout.podbean.com/e/586-interview-with-christopher-hall-of-stabbing-westward/#comments</comments>        <pubDate>Tue, 08 Mar 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/67efbf82-82ab-38f5-a56c-28e63ecef099</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though most people’s introduction to <a href='https://www.facebook.com/stabbingwestwrd/'>Stabbing Westward</a> was via their major label debut, Ungod, in 1994, Christopher Hall (vocals) and Walter Flakus (keyboards) had been making music together since their college days nearly a decade earlier. Blending the industrial influences of Nine Inch Nails, Ministry and Skinny Puppy with the goth rock of early Smashing Pumpkins and Depeche Mode, Stabbing Westward found themselves smack dab in the middle of the mid-90s alternative wave and toured with a wide range of acts ranging from KISS to the Sex Pistols to Killing Joke to Placebo. While fans may have appreciated the consistent releases (Ungod in ‘94, Wither Blister Burn & Peel in ‘96, Darkest Days in ‘98), it put a strain on relationships within the band and, after being dropped by Columbia and releasing a self-titled album on Koch Records in ‘01, Stabbing Westward came to end. Hall started The Dreaming, a band very much in the vein of Stabbing Westward’s sound, while Flakus got into the radio business as a program director and DJ. A reunion in 2015 to celebrate the band’s formation 30 years prior led to occasional live shows and eventually Hall retired The Dreaming name to reform Stabbing Westward with Flakus and some of his Dreaming band members. In 2020, Stabbing Westward released three new songs which led to a full album of new material, <a href='https://stabbingwestward.bandcamp.com/album/chasing-ghosts-2'>Chasing Ghosts</a>, out on March 18, the first Stabbing Westward in 21 years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Save Yourself (from Darkest Days)</p>
<p style="text-align:center;">6:52 - Ghost (from Ghost EP)</p>
<p style="text-align:center;">Outro - What Do I Have To Do (from Wither Blister Burn & Peel)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though most people’s introduction to <a href='https://www.facebook.com/stabbingwestwrd/'>Stabbing Westward</a> was via their major label debut, <em>Ungod</em>, in 1994, Christopher Hall (vocals) and Walter Flakus (keyboards) had been making music together since their college days nearly a decade earlier. Blending the industrial influences of Nine Inch Nails, Ministry and Skinny Puppy with the goth rock of early Smashing Pumpkins and Depeche Mode, Stabbing Westward found themselves smack dab in the middle of the mid-90s alternative wave and toured with a wide range of acts ranging from KISS to the Sex Pistols to Killing Joke to Placebo. While fans may have appreciated the consistent releases (<em>Ungod</em> in ‘94, <em>Wither Blister Burn & Peel</em> in ‘96, <em>Darkest Days</em> in ‘98), it put a strain on relationships within the band and, after being dropped by Columbia and releasing a self-titled album on Koch Records in ‘01, Stabbing Westward came to end. Hall started The Dreaming, a band very much in the vein of Stabbing Westward’s sound, while Flakus got into the radio business as a program director and DJ. A reunion in 2015 to celebrate the band’s formation 30 years prior led to occasional live shows and eventually Hall retired The Dreaming name to reform Stabbing Westward with Flakus and some of his Dreaming band members. In 2020, Stabbing Westward released three new songs which led to a full album of new material, <a href='https://stabbingwestward.bandcamp.com/album/chasing-ghosts-2'><em>Chasing Ghosts</em></a>, out on March 18, the first Stabbing Westward in 21 years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Save Yourself (from Darkest Days)</p>
<p style="text-align:center;">6:52 - Ghost (from Ghost EP)</p>
<p style="text-align:center;">Outro - What Do I Have To Do (from Wither Blister Burn & Peel)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7wid8m/586-christopherhall.mp3" length="112182674" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though most people’s introduction to Stabbing Westward was via their major label debut, Ungod, in 1994, Christopher Hall (vocals) and Walter Flakus (keyboards) had been making music together since their college days nearly a decade earlier. Blending the industrial influences of Nine Inch Nails, Ministry and Skinny Puppy with the goth rock of early Smashing Pumpkins and Depeche Mode, Stabbing Westward found themselves smack dab in the middle of the mid-90s alternative wave and toured with a wide range of acts ranging from KISS to the Sex Pistols to Killing Joke to Placebo. While fans may have appreciated the consistent releases (Ungod in ‘94, Wither Blister Burn & Peel in ‘96, Darkest Days in ‘98), it put a strain on relationships within the band and, after being dropped by Columbia and releasing a self-titled album on Koch Records in ‘01, Stabbing Westward came to end. Hall started The Dreaming, a band very much in the vein of Stabbing Westward’s sound, while Flakus got into the radio business as a program director and DJ. A reunion in 2015 to celebrate the band’s formation 30 years prior led to occasional live shows and eventually Hall retired The Dreaming name to reform Stabbing Westward with Flakus and some of his Dreaming band members. In 2020, Stabbing Westward released three new songs which led to a full album of new material, Chasing Ghosts, out on March 18, the first Stabbing Westward in 21 years.
 
Songs In This Episode:
Intro - Save Yourself (from Darkest Days)
6:52 - Ghost (from Ghost EP)
Outro - What Do I Have To Do (from Wither Blister Burn & Peel)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3500</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>588</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pure - Generation Six-Pack  | Album Review</title>
        <itunes:title>Pure - Generation Six-Pack  | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/585-generation-six-pack-by-pure/</link>
                    <comments>https://digmeout.podbean.com/e/585-generation-six-pack-by-pure/#comments</comments>        <pubDate>Tue, 01 Mar 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a834bda0-6285-35a7-9522-1cd746956e75</guid>
                                    <description><![CDATA[<p style="text-align:center;">A disaffected and laid-back vocal combined with loose playing will always draw a comparison to Pavement when talking 90s rock. And Pure definitely dabble in the slacker rock vibe, albeit with more chill than snark, and on Generation Six-Pack the chill is via a nice layer of fuzzy guitar that is somewhere between early Weezer and space rock Hum. The band uses some standard 90s tropes to good effect, like the quiet/loud dynamic of "Anna," while also integrating slide guitar to add a layer of distortion and countermelody while also integrating some bluesy licks, like on "The Tip" and "Denial." Where the record falters for us it may not for others - the relaxed approach occasionally smoothers what could have been some delicious power-pop-esque gems like on "Lemonade," where a slightly tighter approach would have resulted in a resilient earworm.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What It Is</p>
<p style="text-align:center;">12:52 - Nobody Knows I'm New Wave</p>
<p style="text-align:center;">18:37 - Monster</p>
<p style="text-align:center;">24:00 -The Tip</p>
<p style="text-align:center;">31:05 - Lemonade</p>
<p style="text-align:center;">Outro - Anna</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">A disaffected and laid-back vocal combined with loose playing will always draw a comparison to Pavement when talking 90s rock. And Pure definitely dabble in the slacker rock vibe, albeit with more chill than snark, and on Generation Six-Pack the chill is via a nice layer of fuzzy guitar that is somewhere between early Weezer and space rock Hum. The band uses some standard 90s tropes to good effect, like the quiet/loud dynamic of "Anna," while also integrating slide guitar to add a layer of distortion and countermelody while also integrating some bluesy licks, like on "The Tip" and "Denial." Where the record falters for us it may not for others - the relaxed approach occasionally smoothers what could have been some delicious power-pop-esque gems like on "Lemonade," where a slightly tighter approach would have resulted in a resilient earworm.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - What It Is</p>
<p style="text-align:center;">12:52 - Nobody Knows I'm New Wave</p>
<p style="text-align:center;">18:37 - Monster</p>
<p style="text-align:center;">24:00 -The Tip</p>
<p style="text-align:center;">31:05 - Lemonade</p>
<p style="text-align:center;">Outro - Anna</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2qjfsj/585-pure.mp3" length="74557151" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A disaffected and laid-back vocal combined with loose playing will always draw a comparison to Pavement when talking 90s rock. And Pure definitely dabble in the slacker rock vibe, albeit with more chill than snark, and on Generation Six-Pack the chill is via a nice layer of fuzzy guitar that is somewhere between early Weezer and space rock Hum. The band uses some standard 90s tropes to good effect, like the quiet/loud dynamic of "Anna," while also integrating slide guitar to add a layer of distortion and countermelody while also integrating some bluesy licks, like on "The Tip" and "Denial." Where the record falters for us it may not for others - the relaxed approach occasionally smoothers what could have been some delicious power-pop-esque gems like on "Lemonade," where a slightly tighter approach would have resulted in a resilient earworm.
 
Songs In This Episode:
Intro - What It Is
12:52 - Nobody Knows I'm New Wave
18:37 - Monster
24:00 -The Tip
31:05 - Lemonade
Outro - Anna
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2324</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>586</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Heather Duby | Interview</title>
        <itunes:title>Heather Duby | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/584-interview-with-heather-duby/</link>
                    <comments>https://digmeout.podbean.com/e/584-interview-with-heather-duby/#comments</comments>        <pubDate>Thu, 24 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ac6989b6-9507-302d-b266-a1c6863396a4</guid>
                                    <description><![CDATA[<p style="text-align:center;">After her band Clementine, with Reggie Watts (Comedy Bang! Bang!, The Late Late Show with James Corden) and Ryan Link, broke up, <a href='http://www.heatherduby.com/'>Heather Duby</a> joined forces with noted Seattle producer <a href='https://www.stevefisk.com/'>Steve Fisk</a> (Pigeonhed) to write and record what would become her 1999 Sub Pop debut, Post to Wire. A far cry from the punk and grunge acts the label was known for, Duby was released from her contract when Post to Wire failed to make waves. While she continued to make albums for Sonic Boom Records (2003’s Come Across the River, 2006’s Heather Duby), Duby was going through some deeply personal things which put her music career in the back seat. She moved to New York in 2007, was involved in a terrible bike accident in 2011, earned a Law degree in 2017 and recorded a new EP in 2018 with John Agnello (Dinosaur Jr., Sonic Youth, Son Volt) that hit streaming services until 2020. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Judith</p>
<p style="text-align:center;">6:16 - Falter</p>
<p style="text-align:center;">Outro - September</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After her band Clementine, with Reggie Watts (Comedy Bang! Bang!, The Late Late Show with James Corden) and Ryan Link, broke up, <a href='http://www.heatherduby.com/'>Heather Duby</a> joined forces with noted Seattle producer <a href='https://www.stevefisk.com/'>Steve Fisk</a> (Pigeonhed) to write and record what would become her 1999 Sub Pop debut, <em>Post to Wire</em>. A far cry from the punk and grunge acts the label was known for, Duby was released from her contract when<em> Post to Wire</em> failed to make waves. While she continued to make albums for Sonic Boom Records (2003’s <em>Come Across the River</em>, 2006’s <em>Heather Duby</em>), Duby was going through some deeply personal things which put her music career in the back seat. She moved to New York in 2007, was involved in a terrible bike accident in 2011, earned a Law degree in 2017 and recorded a new EP in 2018 with John Agnello (Dinosaur Jr., Sonic Youth, Son Volt) that hit streaming services until 2020. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Judith</p>
<p style="text-align:center;">6:16 - Falter</p>
<p style="text-align:center;">Outro - September</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nqwqbd/584-heatherduby.mp3" length="100759849" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After her band Clementine, with Reggie Watts (Comedy Bang! Bang!, The Late Late Show with James Corden) and Ryan Link, broke up, Heather Duby joined forces with noted Seattle producer Steve Fisk (Pigeonhed) to write and record what would become her 1999 Sub Pop debut, Post to Wire. A far cry from the punk and grunge acts the label was known for, Duby was released from her contract when Post to Wire failed to make waves. While she continued to make albums for Sonic Boom Records (2003’s Come Across the River, 2006’s Heather Duby), Duby was going through some deeply personal things which put her music career in the back seat. She moved to New York in 2007, was involved in a terrible bike accident in 2011, earned a Law degree in 2017 and recorded a new EP in 2018 with John Agnello (Dinosaur Jr., Sonic Youth, Son Volt) that hit streaming services until 2020. 
 
Songs In This Episode:
Intro - Judith
6:16 - Falter
Outro - September
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3143</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>585</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Deathray - Deathray  | Album Review</title>
        <itunes:title>Deathray - Deathray  | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/583-deathray-by-deathray/</link>
                    <comments>https://digmeout.podbean.com/e/583-deathray-by-deathray/#comments</comments>        <pubDate>Tue, 22 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b272d387-9eb9-332a-a045-4bf4b7119678</guid>
                                    <description><![CDATA[<p style="text-align:center;">After the platinum, multi-hit single success of Cake's sophomore album Fashion Nugget, members Greg Brown (guitar and keyboard) and Victor Damiani (bass) left to form <a href='https://deathray.bandcamp.com/'>Deathray</a>. It would take three years for their self-titled debut to be released, and while catchy pop-power and new-wave revivalists had brief moments in the spotlight during the 90s (Weezer, Matthew Sweet, The Posies, The Rentals, Imperial Teen), by 2000 their brand of dry, quick, and quirky pop had been kicked off the radio and MTV. As a result, Deathray probably isn't as well known to power-pop and general 90s rock audiences as it should be, with a quick thirty-five minutes and thirteen songs of catchy earworms that deserve a discovery.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Lunatic Friend</p>
<p style="text-align:center;">13:07 - Scott</p>
<p style="text-align:center;">16:26 - Baby Polygon</p>
<p style="text-align:center;">22:41 - Zero</p>
<p style="text-align:center;">34:08 - This Time</p>
<p style="text-align:center;">Outro - Only Lies</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After the platinum, multi-hit single success of Cake's sophomore album <em>Fashion Nugget</em>, members Greg Brown (guitar and keyboard) and Victor Damiani (bass) left to form <a href='https://deathray.bandcamp.com/'>Deathray</a>. It would take three years for their self-titled debut to be released, and while catchy pop-power and new-wave revivalists had brief moments in the spotlight during the 90s (Weezer, Matthew Sweet, The Posies, The Rentals, Imperial Teen), by 2000 their brand of dry, quick, and quirky pop had been kicked off the radio and MTV. As a result, Deathray probably isn't as well known to power-pop and general 90s rock audiences as it should be, with a quick thirty-five minutes and thirteen songs of catchy earworms that deserve a discovery.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Lunatic Friend</p>
<p style="text-align:center;">13:07 - Scott</p>
<p style="text-align:center;">16:26 - Baby Polygon</p>
<p style="text-align:center;">22:41 - Zero</p>
<p style="text-align:center;">34:08 - This Time</p>
<p style="text-align:center;">Outro - Only Lies</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x4re9m/583-deathray.mp3" length="97919398" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After the platinum, multi-hit single success of Cake's sophomore album Fashion Nugget, members Greg Brown (guitar and keyboard) and Victor Damiani (bass) left to form Deathray. It would take three years for their self-titled debut to be released, and while catchy pop-power and new-wave revivalists had brief moments in the spotlight during the 90s (Weezer, Matthew Sweet, The Posies, The Rentals, Imperial Teen), by 2000 their brand of dry, quick, and quirky pop had been kicked off the radio and MTV. As a result, Deathray probably isn't as well known to power-pop and general 90s rock audiences as it should be, with a quick thirty-five minutes and thirteen songs of catchy earworms that deserve a discovery.
 
Songs In This Episode:
Intro - My Lunatic Friend
13:07 - Scott
16:26 - Baby Polygon
22:41 - Zero
34:08 - This Time
Outro - Only Lies
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3054</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>584</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Cure In The 90s | Roundtable</title>
        <itunes:title>The Cure In The 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/582-the-cure-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/582-the-cure-in-the-90s/#comments</comments>        <pubDate>Tue, 15 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4a1398d2-b034-3b19-b430-1a8831ce1136</guid>
                                    <description><![CDATA[<p style="text-align:center;">Ending the 1980s with the creative one-two punch of Kiss Me Kiss Me Kiss Me and Disintegration, like many of their alternative college rock counterparts, <a href='https://www.thecure.com/'>The Cure</a> were poised for global superstardom at the start of the next decade. Filled with compilations, live albums, and contributions to various soundtracks, the band managed two proper albums - 1992's Wish, which featured the now ubiquitous single "Friday, I'm In Love," and the polarizing "Wild Mood Swings," whose title accurately describes the inconsistent sound and musical approach. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - A Letter To Elise (from Wish)</p>
<p style="text-align:center;">16:48 - Never Enough (from Mixed Up)</p>
<p style="text-align:center;">26:03 - Friday, I'm In Love (from Wish)</p>
<p style="text-align:center;">47:19 - The 13th (from Wild Mood Swings)</p>
<p style="text-align:center;">Outro - Maybe Someday (from Bloodflowers)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Ending the 1980s with the creative one-two punch of <em>Kiss Me Kiss Me Kiss Me</em> and <em>Disintegration</em>, like many of their alternative college rock counterparts, <a href='https://www.thecure.com/'>The Cure</a> were poised for global superstardom at the start of the next decade. Filled with compilations, live albums, and contributions to various soundtracks, the band managed two proper albums - 1992's Wish, which featured the now ubiquitous single "Friday, I'm In Love," and the polarizing "Wild Mood Swings," whose title accurately describes the inconsistent sound and musical approach. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - A Letter To Elise (from Wish)</p>
<p style="text-align:center;">16:48 - Never Enough (from Mixed Up)</p>
<p style="text-align:center;">26:03 - Friday, I'm In Love (from Wish)</p>
<p style="text-align:center;">47:19 - The 13th (from Wild Mood Swings)</p>
<p style="text-align:center;">Outro - Maybe Someday (from Bloodflowers)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dy322q/582-thecureinthe90s.mp3" length="147935739" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ending the 1980s with the creative one-two punch of Kiss Me Kiss Me Kiss Me and Disintegration, like many of their alternative college rock counterparts, The Cure were poised for global superstardom at the start of the next decade. Filled with compilations, live albums, and contributions to various soundtracks, the band managed two proper albums - 1992's Wish, which featured the now ubiquitous single "Friday, I'm In Love," and the polarizing "Wild Mood Swings," whose title accurately describes the inconsistent sound and musical approach. 
 
Songs In This Episode:
Intro - A Letter To Elise (from Wish)
16:48 - Never Enough (from Mixed Up)
26:03 - Friday, I'm In Love (from Wish)
47:19 - The 13th (from Wild Mood Swings)
Outro - Maybe Someday (from Bloodflowers)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4617</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>583</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ride - Nowhere | Album Review</title>
        <itunes:title>Ride - Nowhere | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/581-nowhere-by-ride/</link>
                    <comments>https://digmeout.podbean.com/e/581-nowhere-by-ride/#comments</comments>        <pubDate>Tue, 08 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/88c26cc5-76e2-311e-9a40-ac37c3cf6106</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.thebandride.com/'>Ride</a>'s debut album Nowhere sits at the crossroad of 1980s and 90s rock. Shoegaze was still an underground curiosity, and Rider were initially lumped in with Slowdive, My Bloody Valentine, and Lush. But as much guitar noise and neo-psychedelia as the band dabbles in, there is an equal amount of 1960s jangle pop and Who-like bombast from the explosive rhythm section to help them stand out from the crowd. Sure, the production is stamped in 1980s reverb and chorus, but Ride were able to craft songs as well as noise to maximum effect.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Seagull</p>
<p style="text-align:center;">17:03 - Kaleidoscope</p>
<p style="text-align:center;">24:43 - Dreams Burn Down</p>
<p style="text-align:center;">30:21 - Nowhere</p>
<p style="text-align:center;">40:09 - Vapour Trail</p>
<p style="text-align:center;">Outro - In A Different Place</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.thebandride.com/'>Ride</a>'s debut album Nowhere sits at the crossroad of 1980s and 90s rock. Shoegaze was still an underground curiosity, and Rider were initially lumped in with Slowdive, My Bloody Valentine, and Lush. But as much guitar noise and neo-psychedelia as the band dabbles in, there is an equal amount of 1960s jangle pop and Who-like bombast from the explosive rhythm section to help them stand out from the crowd. Sure, the production is stamped in 1980s reverb and chorus, but Ride were able to craft songs as well as noise to maximum effect.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Seagull</p>
<p style="text-align:center;">17:03 - Kaleidoscope</p>
<p style="text-align:center;">24:43 - Dreams Burn Down</p>
<p style="text-align:center;">30:21 - Nowhere</p>
<p style="text-align:center;">40:09 - Vapour Trail</p>
<p style="text-align:center;">Outro - In A Different Place</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4n8fra/581-ride.mp3" length="97526516" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ride's debut album Nowhere sits at the crossroad of 1980s and 90s rock. Shoegaze was still an underground curiosity, and Rider were initially lumped in with Slowdive, My Bloody Valentine, and Lush. But as much guitar noise and neo-psychedelia as the band dabbles in, there is an equal amount of 1960s jangle pop and Who-like bombast from the explosive rhythm section to help them stand out from the crowd. Sure, the production is stamped in 1980s reverb and chorus, but Ride were able to craft songs as well as noise to maximum effect.
 
Songs In This Episode:
Intro - Seagull
17:03 - Kaleidoscope
24:43 - Dreams Burn Down
30:21 - Nowhere
40:09 - Vapour Trail
Outro - In A Different Place
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3042</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>582</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Adam Elk of The Mommyheads | Interview</title>
        <itunes:title>Adam Elk of The Mommyheads | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/580-interview-with-adam-elk-of-the-mommyheads/</link>
                    <comments>https://digmeout.podbean.com/e/580-interview-with-adam-elk-of-the-mommyheads/#comments</comments>        <pubDate>Thu, 03 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/996b6a58-aa5e-3877-b92d-d4a66677dea2</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.mommyheads.com/'>The Mommyheads</a> are the quintessential artist for Dig Me Out. Formed in the late ‘80s by guys who went to a performing arts high school in New York City (yes, the same one that the movie/TV show Fame was based on) and who enjoyed experimenting with lo-fi recording equipment, The Mommyheads had no interest in aping what they were hearing on FM radio or MTV. Instead, they looked up to the underground bands that were also experimenting with 4-track recording, bands like Fish & Roses, They Might Be Giants, and Flaming Lips. In the early ‘90s, they signed with <a href='http://www.simplemachines.net/'>Simple Machines</a> and released a long out-of-print collection of demos and 4-track recordings titled Swiss Army Knife. Dreams of “making it” led to a relocation to San Francisco where, after a string of indie releases on various labels, Geffen Records came calling. Like so many bands covered on the Dig Me Out podcast, the major label deal was not all it was cracked up to be and shortly after The Mommyheads’ self-titled album came out in ‘97, they were dropped and the band broke up. After drummer Jan Kotik passed away from cancer in 2008, the other members got back together and have been active (VERY active) ever since <a href='https://mommyheads.bandcamp.com/'>releasing new albums and re-issuing the albums from the ‘90s</a> at a regular pace. A new album is due later in 2022 and there are no signs of slowing down.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - In In Awe from The Mommyheads</p>
<p style="text-align:center;">8:31 - Wedding Day from Coming Into Beauty</p>
<p style="text-align:center;">Outro - Spiders from Flying Suit</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.mommyheads.com/'>The Mommyheads</a> are the quintessential artist for Dig Me Out. Formed in the late ‘80s by guys who went to a performing arts high school in New York City (yes, the same one that the movie/TV show Fame was based on) and who enjoyed experimenting with lo-fi recording equipment, The Mommyheads had no interest in aping what they were hearing on FM radio or MTV. Instead, they looked up to the underground bands that were also experimenting with 4-track recording, bands like Fish & Roses, They Might Be Giants, and Flaming Lips. In the early ‘90s, they signed with <a href='http://www.simplemachines.net/'>Simple Machines</a> and released a long out-of-print collection of demos and 4-track recordings titled Swiss Army Knife. Dreams of “making it” led to a relocation to San Francisco where, after a string of indie releases on various labels, Geffen Records came calling. Like so many bands covered on the Dig Me Out podcast, the major label deal was not all it was cracked up to be and shortly after The Mommyheads’ self-titled album came out in ‘97, they were dropped and the band broke up. After drummer Jan Kotik passed away from cancer in 2008, the other members got back together and have been active (VERY active) ever since <a href='https://mommyheads.bandcamp.com/'>releasing new albums and re-issuing the albums from the ‘90s</a> at a regular pace. A new album is due later in 2022 and there are no signs of slowing down.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - In In Awe from The Mommyheads</p>
<p style="text-align:center;">8:31 - Wedding Day from Coming Into Beauty</p>
<p style="text-align:center;">Outro - Spiders from Flying Suit</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qjrrp2/580-mommyheaads.mp3" length="132003135" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Mommyheads are the quintessential artist for Dig Me Out. Formed in the late ‘80s by guys who went to a performing arts high school in New York City (yes, the same one that the movie/TV show Fame was based on) and who enjoyed experimenting with lo-fi recording equipment, The Mommyheads had no interest in aping what they were hearing on FM radio or MTV. Instead, they looked up to the underground bands that were also experimenting with 4-track recording, bands like Fish & Roses, They Might Be Giants, and Flaming Lips. In the early ‘90s, they signed with Simple Machines and released a long out-of-print collection of demos and 4-track recordings titled Swiss Army Knife. Dreams of “making it” led to a relocation to San Francisco where, after a string of indie releases on various labels, Geffen Records came calling. Like so many bands covered on the Dig Me Out podcast, the major label deal was not all it was cracked up to be and shortly after The Mommyheads’ self-titled album came out in ‘97, they were dropped and the band broke up. After drummer Jan Kotik passed away from cancer in 2008, the other members got back together and have been active (VERY active) ever since releasing new albums and re-issuing the albums from the ‘90s at a regular pace. A new album is due later in 2022 and there are no signs of slowing down.
 
Songs In This Episode:
Intro - In In Awe from The Mommyheads
8:31 - Wedding Day from Coming Into Beauty
Outro - Spiders from Flying Suit
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4119</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>581</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Black Grape - It’s Great When You’re Straight...Yeah | Album Review</title>
        <itunes:title>Black Grape - It’s Great When You’re Straight...Yeah | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/579-it-s-great-when-you-re-straightyeah-by-black-grape/</link>
                    <comments>https://digmeout.podbean.com/e/579-it-s-great-when-you-re-straightyeah-by-black-grape/#comments</comments>        <pubDate>Tue, 01 Feb 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d190050c-c2dd-3ea3-aff7-ad0bca709041</guid>
                                    <description><![CDATA[<p style="text-align:center;">Making commercially successful funky dance pop music amid Britpop's reign may have only been possible via Shaun Ryder. The then ex-Happy Monday hooked up with producer Danny Saber and a group of new cohorts to produce 1995's debut album by <a href='https://www.facebook.com/BlackGrapeOfficial/'>Black Grape</a>, It's Great When You're Straight...Yeah. Mixing the big beats of Big Audio Dynamite with touches of ascendent electronic music like trip-hop, while still dipping a toe in the Madchester scene, there's plenty going as slide guitars and sitars brush up against funk basslines and saxophone solos. It's not entirely successful, but Ryder and Co. manage to push the best material to the limits and create a truly unique sound for the middle of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Reverend Black Grape</p>
<p style="text-align:center;">12:48 - Tramazi Party</p>
<p style="text-align:center;">20:08 - A Big Day In The North</p>
<p style="text-align:center;">30:41 - Shake Well Before Opening</p>
<p style="text-align:center;">Outro - Kelly's Heroes</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Making commercially successful funky dance pop music amid Britpop's reign may have only been possible via Shaun Ryder. The then ex-Happy Monday hooked up with producer Danny Saber and a group of new cohorts to produce 1995's debut album by <a href='https://www.facebook.com/BlackGrapeOfficial/'>Black Grape</a>, <em>It's Great When You're Straight...Yeah</em>. Mixing the big beats of Big Audio Dynamite with touches of ascendent electronic music like trip-hop, while still dipping a toe in the Madchester scene, there's plenty going as slide guitars and sitars brush up against funk basslines and saxophone solos. It's not entirely successful, but Ryder and Co. manage to push the best material to the limits and create a truly unique sound for the middle of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Reverend Black Grape</p>
<p style="text-align:center;">12:48 - Tramazi Party</p>
<p style="text-align:center;">20:08 - A Big Day In The North</p>
<p style="text-align:center;">30:41 - Shake Well Before Opening</p>
<p style="text-align:center;">Outro - Kelly's Heroes</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zw8k4v/579-blackgrape.mp3" length="84734457" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Making commercially successful funky dance pop music amid Britpop's reign may have only been possible via Shaun Ryder. The then ex-Happy Monday hooked up with producer Danny Saber and a group of new cohorts to produce 1995's debut album by Black Grape, It's Great When You're Straight...Yeah. Mixing the big beats of Big Audio Dynamite with touches of ascendent electronic music like trip-hop, while still dipping a toe in the Madchester scene, there's plenty going as slide guitars and sitars brush up against funk basslines and saxophone solos. It's not entirely successful, but Ryder and Co. manage to push the best material to the limits and create a truly unique sound for the middle of the decade.
 
Songs In This Episode:
Intro - Reverend Black Grape
12:48 - Tramazi Party
20:08 - A Big Day In The North
30:41 - Shake Well Before Opening
Outro - Kelly's Heroes
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2642</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>580</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The White Stripes - The White Stripes  | Album Review</title>
        <itunes:title>The White Stripes - The White Stripes  | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/578-the-white-stripes-by-the-white-stripes/</link>
                    <comments>https://digmeout.podbean.com/e/578-the-white-stripes-by-the-white-stripes/#comments</comments>        <pubDate>Tue, 25 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4499699c-612f-3631-ac88-a9c42788da99</guid>
                                    <description><![CDATA[<p style="text-align:center;">Little did anyone know that a two-piece garage rock band from Detroit would kick off a sonic revolution in 1999. <a href='https://www.whitestripes.com/'>The White Stripes</a> debut of minimalist blues paired down to just vocals, guitar, and drums wasn't completely without precedent in the underground music scene with bands like the Flat Duo Jets and Bassholes preceding them. And while it would be a few years and a few albums before the mainstream caught on, the core elements of The White Stripes sound were there from the start.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jimmy the Exploder</p>
<p style="text-align:center;">20:07 - The Big Three Killed My Baby</p>
<p style="text-align:center;">26:53 - Sugar Never Tasted So Good</p>
<p style="text-align:center;">35:26 - Astro</p>
<p style="text-align:center;">40:56 - Slicker Drips</p>
<p style="text-align:center;">Outro - Cannon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Little did anyone know that a two-piece garage rock band from Detroit would kick off a sonic revolution in 1999. <a href='https://www.whitestripes.com/'>The White Stripes</a> debut of minimalist blues paired down to just vocals, guitar, and drums wasn't completely without precedent in the underground music scene with bands like the Flat Duo Jets and Bassholes preceding them. And while it would be a few years and a few albums before the mainstream caught on, the core elements of The White Stripes sound were there from the start.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jimmy the Exploder</p>
<p style="text-align:center;">20:07 - The Big Three Killed My Baby</p>
<p style="text-align:center;">26:53 - Sugar Never Tasted So Good</p>
<p style="text-align:center;">35:26 - Astro</p>
<p style="text-align:center;">40:56 - Slicker Drips</p>
<p style="text-align:center;">Outro - Cannon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2akhpb/578-whitestripes.mp3" length="122825587" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Little did anyone know that a two-piece garage rock band from Detroit would kick off a sonic revolution in 1999. The White Stripes debut of minimalist blues paired down to just vocals, guitar, and drums wasn't completely without precedent in the underground music scene with bands like the Flat Duo Jets and Bassholes preceding them. And while it would be a few years and a few albums before the mainstream caught on, the core elements of The White Stripes sound were there from the start.
 
Songs In This Episode:
Intro - Jimmy the Exploder
20:07 - The Big Three Killed My Baby
26:53 - Sugar Never Tasted So Good
35:26 - Astro
40:56 - Slicker Drips
Outro - Cannon
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3832</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>579</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ben Osmundson and Ali Tabatabaee of Zebrahead | Interview</title>
        <itunes:title>Ben Osmundson and Ali Tabatabaee of Zebrahead | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/577-interview-with-ben-osmundson-and-ali-tabatabaee-of-zebrahead/</link>
                    <comments>https://digmeout.podbean.com/e/577-interview-with-ben-osmundson-and-ali-tabatabaee-of-zebrahead/#comments</comments>        <pubDate>Thu, 20 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cbfdfb6a-2c1e-3c06-bbd3-97068ce0bd75</guid>
                                    <description><![CDATA[<p style="text-align:center;">With the success of acts like Rage Against the Machine, Limp Bizkit, 311, and Korn in the mid-90s, by the end of the decade, labels were jumping on the bandwagon and signing bands that incorporated rap and hip-hop into rock, metal, and punk. <a href='https://www.zebrahead.com/'>Zebrahead</a>, from the pop-punk hotbed Orange County, were one of the bands to benefit from this trend and released their debut, Waste of Mind, on Columbia Records in 1998 featuring the singles “Get Back” and “The Real Me.” Though the music industry would shift to boy bands and teen starlets by the early 2000s, Zebrahead soldiered on, finding success in Europe and Japan. As two of the founding, and original members, of Zebrahead, Ben Osmundson and Ali Tabatabaee join us to discuss the band’s longevity, why their sound clicked with listeners, and how they’ve managed to stay together for 25 years while continuously releasing new music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Check from Waste Of Mind</p>
<p style="text-align:center;">6:30 - Playmate of the Year from Playmate of the Year</p>
<p style="text-align:center;">Outro - Falling Apart from MFZB</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With the success of acts like Rage Against the Machine, Limp Bizkit, 311, and Korn in the mid-90s, by the end of the decade, labels were jumping on the bandwagon and signing bands that incorporated rap and hip-hop into rock, metal, and punk. <a href='https://www.zebrahead.com/'>Zebrahead</a>, from the pop-punk hotbed Orange County, were one of the bands to benefit from this trend and released their debut, Waste of Mind, on Columbia Records in 1998 featuring the singles “Get Back” and “The Real Me.” Though the music industry would shift to boy bands and teen starlets by the early 2000s, Zebrahead soldiered on, finding success in Europe and Japan. As two of the founding, and original members, of Zebrahead, Ben Osmundson and Ali Tabatabaee join us to discuss the band’s longevity, why their sound clicked with listeners, and how they’ve managed to stay together for 25 years while continuously releasing new music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Check from Waste Of Mind</p>
<p style="text-align:center;">6:30 - Playmate of the Year from Playmate of the Year</p>
<p style="text-align:center;">Outro - Falling Apart from MFZB</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yy8rri/577-zebrahead.mp3" length="75089631" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With the success of acts like Rage Against the Machine, Limp Bizkit, 311, and Korn in the mid-90s, by the end of the decade, labels were jumping on the bandwagon and signing bands that incorporated rap and hip-hop into rock, metal, and punk. Zebrahead, from the pop-punk hotbed Orange County, were one of the bands to benefit from this trend and released their debut, Waste of Mind, on Columbia Records in 1998 featuring the singles “Get Back” and “The Real Me.” Though the music industry would shift to boy bands and teen starlets by the early 2000s, Zebrahead soldiered on, finding success in Europe and Japan. As two of the founding, and original members, of Zebrahead, Ben Osmundson and Ali Tabatabaee join us to discuss the band’s longevity, why their sound clicked with listeners, and how they’ve managed to stay together for 25 years while continuously releasing new music.
 
Songs In This Episode:
Intro - Check from Waste Of Mind
6:30 - Playmate of the Year from Playmate of the Year
Outro - Falling Apart from MFZB
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2340</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>578</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Suicidal Tendencies - The Art of Rebellion | Album Review</title>
        <itunes:title>Suicidal Tendencies - The Art of Rebellion | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/576-the-art-of-rebellion-by-suicidal-tendencies/</link>
                    <comments>https://digmeout.podbean.com/e/576-the-art-of-rebellion-by-suicidal-tendencies/#comments</comments>        <pubDate>Tue, 18 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a5fa60d8-7c4c-3aa7-a91e-7cf719863ce1</guid>
                                    <description><![CDATA[<p style="text-align:center;">California thrashers <a href='https://www.suicidaltendencies.eu/'>Suicidal Tendencies</a> had already been called "sell outs" when they released the video for the iconic single "Institutionalized." Mike Muir, never one to buck to expectations, took ST in the directions he wanted through the 80s and early 90s, and their 1992 album The Art of Rebellion might be the creative apex for the band. Yes, they thrash. Yes, the rock. But the band was already evolving, and TAOR shows a level of arrangement and playing craftsmanship that doesn't come easy. From the charted MTV single "Nobody Hears" to the shape-shifting opener "Can't Stop," Muir is the most surprising discovery in our revisit, taking his voice and lyrics into a variety of sounds and ideas that still resonate. Of course, having an already established line-up of killer musicians backed by the lone appearance of drumming monster Josh Freese helps to further flesh out all the ideas and sounds into a truly unique record for the time period.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Accept My Sacrifice</p>
<p style="text-align:center;">19:06 - Can't Stop</p>
<p style="text-align:center;">23:56 - It's Going Down</p>
<p style="text-align:center;">27:09 - Gotta Kill Captain Stupid</p>
<p style="text-align:center;">31:34 - Nobody Hears</p>
<p style="text-align:center;">Outro - Tap Into The Power</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">California thrashers <a href='https://www.suicidaltendencies.eu/'>Suicidal Tendencies</a> had already been called "sell outs" when they released the video for the iconic single "Institutionalized." Mike Muir, never one to buck to expectations, took ST in the directions he wanted through the 80s and early 90s, and their 1992 album <em>The Art of Rebellion</em> might be the creative apex for the band. Yes, they thrash. Yes, the rock. But the band was already evolving, and TAOR shows a level of arrangement and playing craftsmanship that doesn't come easy. From the charted MTV single "Nobody Hears" to the shape-shifting opener "Can't Stop," Muir is the most surprising discovery in our revisit, taking his voice and lyrics into a variety of sounds and ideas that still resonate. Of course, having an already established line-up of killer musicians backed by the lone appearance of drumming monster Josh Freese helps to further flesh out all the ideas and sounds into a truly unique record for the time period.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Accept My Sacrifice</p>
<p style="text-align:center;">19:06 - Can't Stop</p>
<p style="text-align:center;">23:56 - It's Going Down</p>
<p style="text-align:center;">27:09 - Gotta Kill Captain Stupid</p>
<p style="text-align:center;">31:34 - Nobody Hears</p>
<p style="text-align:center;">Outro - Tap Into The Power</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/34gkzv/576-suicidaltendencies.mp3" length="111554899" type="audio/mpeg"/>
        <itunes:summary><![CDATA[California thrashers Suicidal Tendencies had already been called "sell outs" when they released the video for the iconic single "Institutionalized." Mike Muir, never one to buck to expectations, took ST in the directions he wanted through the 80s and early 90s, and their 1992 album The Art of Rebellion might be the creative apex for the band. Yes, they thrash. Yes, the rock. But the band was already evolving, and TAOR shows a level of arrangement and playing craftsmanship that doesn't come easy. From the charted MTV single "Nobody Hears" to the shape-shifting opener "Can't Stop," Muir is the most surprising discovery in our revisit, taking his voice and lyrics into a variety of sounds and ideas that still resonate. Of course, having an already established line-up of killer musicians backed by the lone appearance of drumming monster Josh Freese helps to further flesh out all the ideas and sounds into a truly unique record for the time period.
 
Songs In This Episode:
Intro - Accept My Sacrifice
19:06 - Can't Stop
23:56 - It's Going Down
27:09 - Gotta Kill Captain Stupid
31:34 - Nobody Hears
Outro - Tap Into The Power
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3480</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>577</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Albums of 1992 | Roundtable</title>
        <itunes:title>Albums of 1992 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/575-albums-of-1992-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/575-albums-of-1992-roundtable/#comments</comments>        <pubDate>Tue, 11 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c993b8d6-528f-389d-848b-b89d6a360d21</guid>
                                    <description><![CDATA[<p style="text-align:center;">While 1991 is regarded as the true launch of the 1990s alternative explosion into the mainstream, the sheer volume and diversity of music that followed in 1992 might lay claim to the crown as the most interesting year of the decade. The mainstays of 80s college rock were alive and well, with albums by R.E.M., Bob Mould's new band Sugar, Faith No More, The Cure, The Lemonheads, Sonic Youth, Soul Asylum, and many more. The ubiquitous "grunge" sound was fully ensconced in radio and MTV with Stone Temple Pilots, Alice In Chains, and Screaming Trees added to playlists, while more aggressive sounds emerged from the likes of Rage Against the Machine, Helmet, Pantera, and White Zombie. Underground scenes cracked the mainstream as well, as industrial and electronic acts such as Ministry, Nine Inch Nails, The Orb, Curve, Aphex Twin, and others made significant noise, and the growing UK shoegaze scene produced records from Lush, Catherine Wheel, Ride, Moose, etc. And this barely scratches the surface, as hip-hop saw the release of the decade-defining albums The Chronic by Dr. Dre and Check Your Head by the Beastie Boys, as well as albums by Arrested Development, Ice Cube, Das EFX, Redman, The Pharcyde, and more. And that barely scratches the surface.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 1992 Medley (Them Bones by Alice In Chains, Wish by Nine Inch Nails, Unsung by Helmet, Somebody To Shove by Soul Asylum)</p>
<p style="text-align:center;">Outro - Miles Iz Dead by The Afghan Whigs</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While 1991 is regarded as the true launch of the 1990s alternative explosion into the mainstream, the sheer volume and diversity of music that followed in 1992 might lay claim to the crown as the most interesting year of the decade. The mainstays of 80s college rock were alive and well, with albums by R.E.M., Bob Mould's new band Sugar, Faith No More, The Cure, The Lemonheads, Sonic Youth, Soul Asylum, and many more. The ubiquitous "grunge" sound was fully ensconced in radio and MTV with Stone Temple Pilots, Alice In Chains, and Screaming Trees added to playlists, while more aggressive sounds emerged from the likes of Rage Against the Machine, Helmet, Pantera, and White Zombie. Underground scenes cracked the mainstream as well, as industrial and electronic acts such as Ministry, Nine Inch Nails, The Orb, Curve, Aphex Twin, and others made significant noise, and the growing UK shoegaze scene produced records from Lush, Catherine Wheel, Ride, Moose, etc. And this barely scratches the surface, as hip-hop saw the release of the decade-defining albums The Chronic by Dr. Dre and Check Your Head by the Beastie Boys, as well as albums by Arrested Development, Ice Cube, Das EFX, Redman, The Pharcyde, and more. And that barely scratches the surface.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 1992 Medley (Them Bones by Alice In Chains, Wish by Nine Inch Nails, Unsung by Helmet, Somebody To Shove by Soul Asylum)</p>
<p style="text-align:center;">Outro - Miles Iz Dead by The Afghan Whigs</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/22ymyc/575-albumsof1992.mp3" length="211752257" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While 1991 is regarded as the true launch of the 1990s alternative explosion into the mainstream, the sheer volume and diversity of music that followed in 1992 might lay claim to the crown as the most interesting year of the decade. The mainstays of 80s college rock were alive and well, with albums by R.E.M., Bob Mould's new band Sugar, Faith No More, The Cure, The Lemonheads, Sonic Youth, Soul Asylum, and many more. The ubiquitous "grunge" sound was fully ensconced in radio and MTV with Stone Temple Pilots, Alice In Chains, and Screaming Trees added to playlists, while more aggressive sounds emerged from the likes of Rage Against the Machine, Helmet, Pantera, and White Zombie. Underground scenes cracked the mainstream as well, as industrial and electronic acts such as Ministry, Nine Inch Nails, The Orb, Curve, Aphex Twin, and others made significant noise, and the growing UK shoegaze scene produced records from Lush, Catherine Wheel, Ride, Moose, etc. And this barely scratches the surface, as hip-hop saw the release of the decade-defining albums The Chronic by Dr. Dre and Check Your Head by the Beastie Boys, as well as albums by Arrested Development, Ice Cube, Das EFX, Redman, The Pharcyde, and more. And that barely scratches the surface.
 
Songs In This Episode:
Intro - 1992 Medley (Them Bones by Alice In Chains, Wish by Nine Inch Nails, Unsung by Helmet, Somebody To Shove by Soul Asylum)
Outro - Miles Iz Dead by The Afghan Whigs
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6611</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>576</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Terry Ilous of XYZ, Great White, and Land of Gypsies | Interview</title>
        <itunes:title>Terry Ilous of XYZ, Great White, and Land of Gypsies | Interview</itunes:title>
        <link>https://digmeout.podbean.com/e/574-interview-with-terry-ilous-of-xyz-great-white-and-land-of-gypsies/</link>
                    <comments>https://digmeout.podbean.com/e/574-interview-with-terry-ilous-of-xyz-great-white-and-land-of-gypsies/#comments</comments>        <pubDate>Thu, 06 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/73dd4312-672e-382e-812f-381bcd2c095d</guid>
                                    <description><![CDATA[<p style="text-align:center;">Of late, <a href='https://terryilous.com/'>Terry Ilous</a> is probably best known as Jack Russell’s replacement in <a href='http://www.officialgreatwhite.com/'>Great White</a> (“Once Bitten, Twice Shy”), a position he held from 2010 until his surprising dismissal in 2018, but from the mid-80s until the mid-90s, Ilous fronted the Sunset Strip band <a href='http://www.officialxyz.com/'>XYZ</a> (“Inside Out”, “What Keeps Me Loving You”, “Face Down in the Gutter”). In this revealing conversation, Ilous shares how XYZ bassist Pat Fontaine tricked him into moving to the U.S. from France with promises of sex, drugs, and rock n’ roll, the unlikely way XYZ landed a record deal with Enigma Records, working with Don Dokken on the band’s 1989 debut, touring with the likes of Foreigner, Ozzy Osbourne, and Ted Nugent, the arrival of grunge and the devastating effects it had on Ilous’s career for the rest of the ‘90s and how he left the music business for a number of years before being lured back in through the unlikeliest of ways (voiceover work for cartoons). Ilous has reformed XYZ and still plays shows under that band name while also releasing solo material and fronting <a href='http://www.frontiers.it/album/5740'>Land of Gypsies</a>, whose self-titled debut was released by Frontiers Music in December.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Inside Out by XYZ (from self-titled)</p>
<p style="text-align:center;">12:56 - Face Down In The Gutter by XYZ (from Hungry)</p>
<p style="text-align:center;">Outro - Don't Say No by XYZ (from Hungry)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Of late, <a href='https://terryilous.com/'>Terry Ilous</a> is probably best known as Jack Russell’s replacement in <a href='http://www.officialgreatwhite.com/'>Great White</a> (“Once Bitten, Twice Shy”), a position he held from 2010 until his surprising dismissal in 2018, but from the mid-80s until the mid-90s, Ilous fronted the Sunset Strip band <a href='http://www.officialxyz.com/'>XYZ</a> (“Inside Out”, “What Keeps Me Loving You”, “Face Down in the Gutter”). In this revealing conversation, Ilous shares how XYZ bassist Pat Fontaine tricked him into moving to the U.S. from France with promises of sex, drugs, and rock n’ roll, the unlikely way XYZ landed a record deal with Enigma Records, working with Don Dokken on the band’s 1989 debut, touring with the likes of Foreigner, Ozzy Osbourne, and Ted Nugent, the arrival of grunge and the devastating effects it had on Ilous’s career for the rest of the ‘90s and how he left the music business for a number of years before being lured back in through the unlikeliest of ways (voiceover work for cartoons). Ilous has reformed XYZ and still plays shows under that band name while also releasing solo material and fronting <a href='http://www.frontiers.it/album/5740'>Land of Gypsies</a>, whose self-titled debut was released by Frontiers Music in December.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Inside Out by XYZ (from self-titled)</p>
<p style="text-align:center;">12:56 - Face Down In The Gutter by XYZ (from Hungry)</p>
<p style="text-align:center;">Outro - Don't Say No by XYZ (from Hungry)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g6iiug/574-terryilous.mp3" length="116788584" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Of late, Terry Ilous is probably best known as Jack Russell’s replacement in Great White (“Once Bitten, Twice Shy”), a position he held from 2010 until his surprising dismissal in 2018, but from the mid-80s until the mid-90s, Ilous fronted the Sunset Strip band XYZ (“Inside Out”, “What Keeps Me Loving You”, “Face Down in the Gutter”). In this revealing conversation, Ilous shares how XYZ bassist Pat Fontaine tricked him into moving to the U.S. from France with promises of sex, drugs, and rock n’ roll, the unlikely way XYZ landed a record deal with Enigma Records, working with Don Dokken on the band’s 1989 debut, touring with the likes of Foreigner, Ozzy Osbourne, and Ted Nugent, the arrival of grunge and the devastating effects it had on Ilous’s career for the rest of the ‘90s and how he left the music business for a number of years before being lured back in through the unlikeliest of ways (voiceover work for cartoons). Ilous has reformed XYZ and still plays shows under that band name while also releasing solo material and fronting Land of Gypsies, whose self-titled debut was released by Frontiers Music in December.
 
Songs In This Episode:
Intro - Inside Out by XYZ (from self-titled)
12:56 - Face Down In The Gutter by XYZ (from Hungry)
Outro - Don't Say No by XYZ (from Hungry)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3644</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>575</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Meat Puppets - Too High To Die | Album Review</title>
        <itunes:title>Meat Puppets - Too High To Die | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/573-too-high-to-die-by-meat-puppets/</link>
                    <comments>https://digmeout.podbean.com/e/573-too-high-to-die-by-meat-puppets/#comments</comments>        <pubDate>Tue, 04 Jan 2022 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/345d014e-e247-36e8-958a-fe173e0fee21</guid>
                                    <description><![CDATA[<p style="text-align:center;">In the fall of 1993, if you heard the name <a href='http://themeatpuppets.com/'>Meat Puppets</a> attached to the newest single Backwater blasting from your local alternative radio station or on MTV, you would be forgiven for thinking this was a new band from Seattle riding the grunge wave. In truth, this was the band's eighth release, and they hailed from the much sunnier climate of Phoenix, Arizona. As veterans of the indie rock scene who had spent the 80s on famed SST Records, Too High To Die was their second major-label release, and the band was as much an influence on the current wave of alternative acts breaking through as a contemporary, as evidenced by Nirvana's choice to cover three of the band's songs on their MTV Unplugged performance and have the Kirkwood brothers join them onstage. With Too High To Die, the band shows off all of their skills, crafting finger-picked bluegrass tracks alongside ripping Soundgarden-esque tunes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Backwater</p>
<p style="text-align:center;">20:27 - Shine</p>
<p style="text-align:center;">24:19 - Things</p>
<p style="text-align:center;">29:17 - Severed Goddess Hand</p>
<p style="text-align:center;">37:48 - Evil Love</p>
<p style="text-align:center;">Outro - We Don't Exist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In the fall of 1993, if you heard the name <a href='http://themeatpuppets.com/'>Meat Puppets</a> attached to the newest single Backwater blasting from your local alternative radio station or on MTV, you would be forgiven for thinking this was a new band from Seattle riding the grunge wave. In truth, this was the band's eighth release, and they hailed from the much sunnier climate of Phoenix, Arizona. As veterans of the indie rock scene who had spent the 80s on famed SST Records, Too High To Die was their second major-label release, and the band was as much an influence on the current wave of alternative acts breaking through as a contemporary, as evidenced by Nirvana's choice to cover three of the band's songs on their MTV Unplugged performance and have the Kirkwood brothers join them onstage. With Too High To Die, the band shows off all of their skills, crafting finger-picked bluegrass tracks alongside ripping Soundgarden-esque tunes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Backwater</p>
<p style="text-align:center;">20:27 - Shine</p>
<p style="text-align:center;">24:19 - Things</p>
<p style="text-align:center;">29:17 - Severed Goddess Hand</p>
<p style="text-align:center;">37:48 - Evil Love</p>
<p style="text-align:center;">Outro - We Don't Exist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jvtfk8/573-meatpuppets.mp3" length="101520534" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the fall of 1993, if you heard the name Meat Puppets attached to the newest single Backwater blasting from your local alternative radio station or on MTV, you would be forgiven for thinking this was a new band from Seattle riding the grunge wave. In truth, this was the band's eighth release, and they hailed from the much sunnier climate of Phoenix, Arizona. As veterans of the indie rock scene who had spent the 80s on famed SST Records, Too High To Die was their second major-label release, and the band was as much an influence on the current wave of alternative acts breaking through as a contemporary, as evidenced by Nirvana's choice to cover three of the band's songs on their MTV Unplugged performance and have the Kirkwood brothers join them onstage. With Too High To Die, the band shows off all of their skills, crafting finger-picked bluegrass tracks alongside ripping Soundgarden-esque tunes.
 
Songs In This Episode:
Intro - Backwater
20:27 - Shine
24:19 - Things
29:17 - Severed Goddess Hand
37:48 - Evil Love
Outro - We Don't Exist
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3166</itunes:duration>
        <itunes:season>12</itunes:season>
        <itunes:episode>574</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Season Eleven In Review</title>
        <itunes:title>Season Eleven In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/572-season-eleven-year-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/572-season-eleven-year-in-review/#comments</comments>        <pubDate>Tue, 28 Dec 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6fea9778-a874-3d63-a1a5-9c15c04f261c</guid>
                                    <description><![CDATA[<p style="text-align:center;">While 2020 seemed like it lasted several terrifying years, 2021 flew by with somehow the same number of days, and for us, episodes. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s album discoveries, episodes which are exclusive to our patrons. And we've got news to share about 2022!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While 2020 seemed like it lasted several terrifying years, 2021 flew by with somehow the same number of days, and for us, episodes. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s album discoveries, episodes which are exclusive to our patrons. And we've got news to share about 2022!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yc6m26/572-yearinreview.mp3" length="62433826" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While 2020 seemed like it lasted several terrifying years, 2021 flew by with somehow the same number of days, and for us, episodes. As with our previous year-in-review episodes, we take a look back at our favorite new album discoveries, most brought to us by our Patreon community, as well as our most enjoyable round table experiences, and our favorite 80s album discoveries, episodes which are exclusive to our patrons. And we've got news to share about 2022!
 
Songs In This Episode:
Intro - Dig Me Out by Sleater-Kinney
Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1945</itunes:duration>
                <itunes:episode>573</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Clouds - Penny Century | Album Review</title>
        <itunes:title>Clouds - Penny Century | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/571-penny-century-by-clouds/</link>
                    <comments>https://digmeout.podbean.com/e/571-penny-century-by-clouds/#comments</comments>        <pubDate>Tue, 21 Dec 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ceb0b62b-b864-3449-9bcf-6fd8c3cd63b2</guid>
                                    <description><![CDATA[<p style="text-align:center;">While Nirvana famously helped give the college and underground rock scene one final push into the mainstream, the late 80s and early 90s were full of US and UK bands already making noise that connected with more than just the hip in-crowd. In Australia, the quick bursts of the Pixies and twin vocals of Throwing Muses and The Breeders are paralleled by the dual-songwriters fronting <a href='https://www.facebook.com/TheCloudsAustralia'>Clouds</a>, whose 1991 debut Penny Century is full of two and three minute catchy harmonized indie pop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Immorta</p>
<p style="text-align:center;">11:29 - Hieronymus</p>
<p style="text-align:center;">18:33 - Pocket</p>
<p style="text-align:center;">23:43 - Visionary</p>
<p style="text-align:center;">27:30 - Souleater</p>
<p style="text-align:center;">Outro - Foxes Wedding</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While Nirvana famously helped give the college and underground rock scene one final push into the mainstream, the late 80s and early 90s were full of US and UK bands already making noise that connected with more than just the hip in-crowd. In Australia, the quick bursts of the Pixies and twin vocals of Throwing Muses and The Breeders are paralleled by the dual-songwriters fronting <a href='https://www.facebook.com/TheCloudsAustralia'>Clouds</a>, whose 1991 debut Penny Century is full of two and three minute catchy harmonized indie pop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Immorta</p>
<p style="text-align:center;">11:29 - Hieronymus</p>
<p style="text-align:center;">18:33 - Pocket</p>
<p style="text-align:center;">23:43 - Visionary</p>
<p style="text-align:center;">27:30 - Souleater</p>
<p style="text-align:center;">Outro - Foxes Wedding</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f3uj2c/571-clouds.mp3" length="108416025" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While Nirvana famously helped give the college and underground rock scene one final push into the mainstream, the late 80s and early 90s were full of US and UK bands already making noise that connected with more than just the hip in-crowd. In Australia, the quick bursts of the Pixies and twin vocals of Throwing Muses and The Breeders are paralleled by the dual-songwriters fronting Clouds, whose 1991 debut Penny Century is full of two and three minute catchy harmonized indie pop.
 
Songs In This Episode:
Intro - Immorta
11:29 - Hieronymus
18:33 - Pocket
23:43 - Visionary
27:30 - Souleater
Outro - Foxes Wedding
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3382</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>572</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Coverdale Page - Coverdale Page | Album Review</title>
        <itunes:title>Coverdale Page - Coverdale Page | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/570-coverdale-page-by-coverdale-page/</link>
                    <comments>https://digmeout.podbean.com/e/570-coverdale-page-by-coverdale-page/#comments</comments>        <pubDate>Tue, 14 Dec 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/99c952e0-0614-3ed4-b55d-9d4c0eaf0e46</guid>
                                    <description><![CDATA[<p style="text-align:center;">Throughout his career, David Coverdale has been dogged with comparisons to Robert Plant's Led Zeppelin years thanks to a similar style and range, even if the performances rendered different musical outcomes. By the time the early 90s rolled around, Coverdale put Whitesnake on hiatus and Page was working on Led Zeppelin compact disc remasters when the two met up and began a casual songwriting relationship that eventually led to their (so far) lone record together - the eponymous 1993 release Coverdale * Page. Fans of both bands, of which there was probably plenty of crossover, had much to rejoice about. Page riffing sounds invigorated and Coverdale is his equal, coming up with memorable hooks on several tracks. But while these artists made their names during the vinyl era, the bloat of the compact disc is length is in full display, as tracks better suited for three or four minutes get stretched to six and seven. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Shake My Tree</p>
<p style="text-align:center;">25:03 - Pride And Joy</p>
<p style="text-align:center;">29:28 - Over Now</p>
<p style="text-align:center;">33:38 - Feeling Hot</p>
<p style="text-align:center;">Outro - Waiting On You</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Throughout his career, David Coverdale has been dogged with comparisons to Robert Plant's Led Zeppelin years thanks to a similar style and range, even if the performances rendered different musical outcomes. By the time the early 90s rolled around, Coverdale put Whitesnake on hiatus and Page was working on Led Zeppelin compact disc remasters when the two met up and began a casual songwriting relationship that eventually led to their (so far) lone record together - the eponymous 1993 release Coverdale * Page. Fans of both bands, of which there was probably plenty of crossover, had much to rejoice about. Page riffing sounds invigorated and Coverdale is his equal, coming up with memorable hooks on several tracks. But while these artists made their names during the vinyl era, the bloat of the compact disc is length is in full display, as tracks better suited for three or four minutes get stretched to six and seven. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Shake My Tree</p>
<p style="text-align:center;">25:03 - Pride And Joy</p>
<p style="text-align:center;">29:28 - Over Now</p>
<p style="text-align:center;">33:38 - Feeling Hot</p>
<p style="text-align:center;">Outro - Waiting On You</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tj3ddz/570-coverdalepage.mp3" length="114122840" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Throughout his career, David Coverdale has been dogged with comparisons to Robert Plant's Led Zeppelin years thanks to a similar style and range, even if the performances rendered different musical outcomes. By the time the early 90s rolled around, Coverdale put Whitesnake on hiatus and Page was working on Led Zeppelin compact disc remasters when the two met up and began a casual songwriting relationship that eventually led to their (so far) lone record together - the eponymous 1993 release Coverdale * Page. Fans of both bands, of which there was probably plenty of crossover, had much to rejoice about. Page riffing sounds invigorated and Coverdale is his equal, coming up with memorable hooks on several tracks. But while these artists made their names during the vinyl era, the bloat of the compact disc is length is in full display, as tracks better suited for three or four minutes get stretched to six and seven. 
 
Songs In This Episode:
Intro - Shake My Tree
25:03 - Pride And Joy
29:28 - Over Now
33:38 - Feeling Hot
Outro - Waiting On You
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3560</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>571</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Black Crowes - Amorica | Album Review</title>
        <itunes:title>The Black Crowes - Amorica | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/569-amorica-by-the-black-crowes/</link>
                    <comments>https://digmeout.podbean.com/e/569-amorica-by-the-black-crowes/#comments</comments>        <pubDate>Tue, 07 Dec 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5a755526-76c9-3196-871a-7f14a215c6be</guid>
                                    <description><![CDATA[<p style="text-align:center;">Trends came and went in the 90s, some propelling underground subgenres into the mainstream, while others revitalized previously dormant sounds. A few bands, mostly under the radar like Cry Of Love, The Four Horsemen, The Screamin' Cheetah Wheelies, Raging Slab, and Brother Cane, were ignoring the sounds of Seattle for rock rooted in 60s and 70s blues, r&b, southern, country, and hard rock. Leading the pack was Marietta, Georgia's The Black Crowes, who had been kicking around since the 1980s under various names, led by the mercurial Robinson brothers, Chris and Rich. Their debut is full of well-known radio singles, while their follow-up expanded their sound and garnered further accolades. But sessions for their third album, originally titled Tall, became mired in endless and expensive experimentation. After refocusing, the band wrote and rewrote to land on Amorica, displaying a matured and relaxed vibe with the guitar fire that made the band favorites, but without devolving into navel-gazing jams that others in the compact disc era regularly abused.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Gone</p>
<p style="text-align:center;">24:59 - Wiser Time</p>
<p style="text-align:center;">30:17 - P.25 London</p>
<p style="text-align:center;">37:28 - A Conspiracy</p>
<p style="text-align:center;">Outro - High Head Blues</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Trends came and went in the 90s, some propelling underground subgenres into the mainstream, while others revitalized previously dormant sounds. A few bands, mostly under the radar like Cry Of Love, The Four Horsemen, The Screamin' Cheetah Wheelies, Raging Slab, and Brother Cane, were ignoring the sounds of Seattle for rock rooted in 60s and 70s blues, r&b, southern, country, and hard rock. Leading the pack was Marietta, Georgia's The Black Crowes, who had been kicking around since the 1980s under various names, led by the mercurial Robinson brothers, Chris and Rich. Their debut is full of well-known radio singles, while their follow-up expanded their sound and garnered further accolades. But sessions for their third album, originally titled Tall, became mired in endless and expensive experimentation. After refocusing, the band wrote and rewrote to land on Amorica, displaying a matured and relaxed vibe with the guitar fire that made the band favorites, but without devolving into navel-gazing jams that others in the compact disc era regularly abused.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Gone</p>
<p style="text-align:center;">24:59 - Wiser Time</p>
<p style="text-align:center;">30:17 - P.25 London</p>
<p style="text-align:center;">37:28 - A Conspiracy</p>
<p style="text-align:center;">Outro - High Head Blues</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/iebm5f/569-blackcrowes.mp3" length="118545762" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Trends came and went in the 90s, some propelling underground subgenres into the mainstream, while others revitalized previously dormant sounds. A few bands, mostly under the radar like Cry Of Love, The Four Horsemen, The Screamin' Cheetah Wheelies, Raging Slab, and Brother Cane, were ignoring the sounds of Seattle for rock rooted in 60s and 70s blues, r&b, southern, country, and hard rock. Leading the pack was Marietta, Georgia's The Black Crowes, who had been kicking around since the 1980s under various names, led by the mercurial Robinson brothers, Chris and Rich. Their debut is full of well-known radio singles, while their follow-up expanded their sound and garnered further accolades. But sessions for their third album, originally titled Tall, became mired in endless and expensive experimentation. After refocusing, the band wrote and rewrote to land on Amorica, displaying a matured and relaxed vibe with the guitar fire that made the band favorites, but without devolving into navel-gazing jams that others in the compact disc era regularly abused.
 
Songs In This Episode:
Intro - Gone
24:59 - Wiser Time
30:17 - P.25 London
37:28 - A Conspiracy
Outro - High Head Blues
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3698</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>570</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Music We‘re Thankful For In 2021 | Roundtable</title>
        <itunes:title>Music We‘re Thankful For In 2021 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/568-music-we-re-thankful-for-in-2021/</link>
                    <comments>https://digmeout.podbean.com/e/568-music-we-re-thankful-for-in-2021/#comments</comments>        <pubDate>Tue, 30 Nov 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4e19ac08-7db7-386d-b0fe-fed6bbeff0e4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Last year we spent Thanksgiving Eve with our patrons and friends sharing new music we were thankful for during a difficult year. 2021 has presented its own challenges, but we're lucky to have so many musical artists and creatives to turn to for escape. From the metal and hard rock of Iron Maiden, Danko Jones, and Mammoth WVH to the trip-hop of Morcheeba, Sneaker Pimps, and Hooverphonic, to the electronic and industrial of Front Line Assembly, Martin Gore, and Gary Numan, to a host of other artists like Brandi Carlisle, Dave Gutter, Palm Ghosts, The Hold Steady, Spectres, King Buffalo, Ben Kweller, and many more, there was plenty to celebrate.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Back Down by Mammoth WVH (from Mammoth WVH)</p>
<p style="text-align:center;">7:27 - All My Heroes Are Dead by Dave Gutter (from I've Been Here Awhile EP)</p>
<p style="text-align:center;">15:12 - John Carpenter by Palm Ghosts (from The Lost Frequency)</p>
<p style="text-align:center;">18:24 - The Creeps by Garbage (from No Gods No Masters)</p>
<p style="text-align:center;">24:29 - Family Farm by The Hold Steady (from Open Door Policy)</p>
<p style="text-align:center;">30:13 - Blink Twice by Jim Ward (from Daggers)</p>
<p style="text-align:center;">36:42 - Swan Song by Lindsey Buckingham (from Lindsey Buckingham)</p>
<p style="text-align:center;">46:12 - Submarines by Failure (from Wild Type Droid)</p>
<p style="text-align:center;">57:38 - Ouch by The Tragically Hip (from Saskadelphia EP)</p>
<p style="text-align:center;">Outro - This Love Ain't Dead by Aaron and the Lord (from Aaron and the Lord)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Last year we spent Thanksgiving Eve with our patrons and friends sharing new music we were thankful for during a difficult year. 2021 has presented its own challenges, but we're lucky to have so many musical artists and creatives to turn to for escape. From the metal and hard rock of Iron Maiden, Danko Jones, and Mammoth WVH to the trip-hop of Morcheeba, Sneaker Pimps, and Hooverphonic, to the electronic and industrial of Front Line Assembly, Martin Gore, and Gary Numan, to a host of other artists like Brandi Carlisle, Dave Gutter, Palm Ghosts, The Hold Steady, Spectres, King Buffalo, Ben Kweller, and many more, there was plenty to celebrate.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Don't Back Down by Mammoth WVH (from Mammoth WVH)</p>
<p style="text-align:center;">7:27 - All My Heroes Are Dead by Dave Gutter (from I've Been Here Awhile EP)</p>
<p style="text-align:center;">15:12 - John Carpenter by Palm Ghosts (from The Lost Frequency)</p>
<p style="text-align:center;">18:24 - The Creeps by Garbage (from No Gods No Masters)</p>
<p style="text-align:center;">24:29 - Family Farm by The Hold Steady (from Open Door Policy)</p>
<p style="text-align:center;">30:13 - Blink Twice by Jim Ward (from Daggers)</p>
<p style="text-align:center;">36:42 - Swan Song by Lindsey Buckingham (from Lindsey Buckingham)</p>
<p style="text-align:center;">46:12 - Submarines by Failure (from Wild Type Droid)</p>
<p style="text-align:center;">57:38 - Ouch by The Tragically Hip (from Saskadelphia EP)</p>
<p style="text-align:center;">Outro - This Love Ain't Dead by Aaron and the Lord (from Aaron and the Lord)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u8s5ev/568-thanks2021.mp3" length="184091718" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Last year we spent Thanksgiving Eve with our patrons and friends sharing new music we were thankful for during a difficult year. 2021 has presented its own challenges, but we're lucky to have so many musical artists and creatives to turn to for escape. From the metal and hard rock of Iron Maiden, Danko Jones, and Mammoth WVH to the trip-hop of Morcheeba, Sneaker Pimps, and Hooverphonic, to the electronic and industrial of Front Line Assembly, Martin Gore, and Gary Numan, to a host of other artists like Brandi Carlisle, Dave Gutter, Palm Ghosts, The Hold Steady, Spectres, King Buffalo, Ben Kweller, and many more, there was plenty to celebrate.
 
Songs In This Episode:
Intro - Don't Back Down by Mammoth WVH (from Mammoth WVH)
7:27 - All My Heroes Are Dead by Dave Gutter (from I've Been Here Awhile EP)
15:12 - John Carpenter by Palm Ghosts (from The Lost Frequency)
18:24 - The Creeps by Garbage (from No Gods No Masters)
24:29 - Family Farm by The Hold Steady (from Open Door Policy)
30:13 - Blink Twice by Jim Ward (from Daggers)
36:42 - Swan Song by Lindsey Buckingham (from Lindsey Buckingham)
46:12 - Submarines by Failure (from Wild Type Droid)
57:38 - Ouch by The Tragically Hip (from Saskadelphia EP)
Outro - This Love Ain't Dead by Aaron and the Lord (from Aaron and the Lord)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5747</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>569</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Polvo - Today‘s Active Lifestyles | Album Review</title>
        <itunes:title>Polvo - Today‘s Active Lifestyles | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/567-today-s-active-lifestyles-by-polvo/</link>
                    <comments>https://digmeout.podbean.com/e/567-today-s-active-lifestyles-by-polvo/#comments</comments>        <pubDate>Tue, 23 Nov 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/91d6f23d-0533-37c3-8dff-da80360e64aa</guid>
                                    <description><![CDATA[<p style="text-align:center;">Out of the fertile Chapel Hill, North Carolina scene emerged <a href='https://polvonc.bandcamp.com/'>Polvo</a> at the start of the 1990s. Their sound is lumped into math rock, a term the band themselves reject, but the elements are there - progressive rock filtered through an indie lens. On their 1993 sophomore album Today's Active Lifestyles, you'd be hard-pressed to find any evidence of Jethro Tull, Yes, or Emerson, Lake & Palmer. But King Crimson meets Sonic Youth? Now we're warmer. Guitar lines criss-cross with noise and bends that lesser bands would likely turn into a messy dirge, while Polvo creates a singular sound unto themselves. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sure Shot</p>
<p style="text-align:center;">20:25 - Thermal Treasure</p>
<p style="text-align:center;">30:11 - Action vs. Vibe</p>
<p style="text-align:center;">39:42 - Lazy Comet</p>
<p style="text-align:center;">Outro - Gemini Cusp</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Out of the fertile Chapel Hill, North Carolina scene emerged <a href='https://polvonc.bandcamp.com/'>Polvo</a> at the start of the 1990s. Their sound is lumped into math rock, a term the band themselves reject, but the elements are there - progressive rock filtered through an indie lens. On their 1993 sophomore album Today's Active Lifestyles, you'd be hard-pressed to find any evidence of Jethro Tull, Yes, or Emerson, Lake & Palmer. But King Crimson meets Sonic Youth? Now we're warmer. Guitar lines criss-cross with noise and bends that lesser bands would likely turn into a messy dirge, while Polvo creates a singular sound unto themselves. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sure Shot</p>
<p style="text-align:center;">20:25 - Thermal Treasure</p>
<p style="text-align:center;">30:11 - Action vs. Vibe</p>
<p style="text-align:center;">39:42 - Lazy Comet</p>
<p style="text-align:center;">Outro - Gemini Cusp</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n8ccqr/567-polvo.mp3" length="99718294" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Out of the fertile Chapel Hill, North Carolina scene emerged Polvo at the start of the 1990s. Their sound is lumped into math rock, a term the band themselves reject, but the elements are there - progressive rock filtered through an indie lens. On their 1993 sophomore album Today's Active Lifestyles, you'd be hard-pressed to find any evidence of Jethro Tull, Yes, or Emerson, Lake & Palmer. But King Crimson meets Sonic Youth? Now we're warmer. Guitar lines criss-cross with noise and bends that lesser bands would likely turn into a messy dirge, while Polvo creates a singular sound unto themselves. 
 
Songs In This Episode:
Intro - Sure Shot
20:25 - Thermal Treasure
30:11 - Action vs. Vibe
39:42 - Lazy Comet
Outro - Gemini Cusp
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3110</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>568</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Brian Jonestown Massacre - Give It Back! | Album Review</title>
        <itunes:title>The Brian Jonestown Massacre - Give It Back! | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/566-give-it-back-by-the-brian-jonestown-massacre/</link>
                    <comments>https://digmeout.podbean.com/e/566-give-it-back-by-the-brian-jonestown-massacre/#comments</comments>        <pubDate>Tue, 16 Nov 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/105eb002-78d9-3049-92f0-459be04b49a3</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1990s definitely saw its fair share of pastiche in music from The Rolling Stones raunch of The Black Crowes to the underground Los Angeles swing revival that briefly bubbled into the mainstream. Out in San Francisco, The Brian Jonestown Massacre was taking full advantage of the Haight-Ashbury vibes to experiment with sounds old and new, dabbling in shoegaze, psychedelia, jangle-pop, and more. On their sixth album, 1997's Give It Back!, the one and only with future Black Rebel Motorcycle Club founder Peter Hayes, the band puts all the elements to use on slinky bass-driven jams like "Super-Sonic" and "Whoever you Are" while also finding time to bliss out on tracks like the sitar-driven "Salaam." But it's not all good vibes, as the bands more evil half of the namesake shows up on the disturbing noise collage "Their Satanic Majesties' Second Request," and "#1 Hit Jam" is definitely not.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Satellite</p>
<p style="text-align:center;">13:53 - This Is Why You Love Me</p>
<p style="text-align:center;">18:55 - Whoever You Are</p>
<p style="text-align:center;">25:05 - Super-sonic</p>
<p style="text-align:center;">34:00 - Servo</p>
<p style="text-align:center;">Outro - Salaam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1990s definitely saw its fair share of pastiche in music from The Rolling Stones raunch of The Black Crowes to the underground Los Angeles swing revival that briefly bubbled into the mainstream. Out in San Francisco, The Brian Jonestown Massacre was taking full advantage of the Haight-Ashbury vibes to experiment with sounds old and new, dabbling in shoegaze, psychedelia, jangle-pop, and more. On their sixth album, 1997's Give It Back!, the one and only with future Black Rebel Motorcycle Club founder Peter Hayes, the band puts all the elements to use on slinky bass-driven jams like "Super-Sonic" and "Whoever you Are" while also finding time to bliss out on tracks like the sitar-driven "Salaam." But it's not all good vibes, as the bands more evil half of the namesake shows up on the disturbing noise collage "Their Satanic Majesties' Second Request," and "#1 Hit Jam" is definitely not.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Satellite</p>
<p style="text-align:center;">13:53 - This Is Why You Love Me</p>
<p style="text-align:center;">18:55 - Whoever You Are</p>
<p style="text-align:center;">25:05 - Super-sonic</p>
<p style="text-align:center;">34:00 - Servo</p>
<p style="text-align:center;">Outro - Salaam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u76rih/566-brianjonestown.mp3" length="131005048" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1990s definitely saw its fair share of pastiche in music from The Rolling Stones raunch of The Black Crowes to the underground Los Angeles swing revival that briefly bubbled into the mainstream. Out in San Francisco, The Brian Jonestown Massacre was taking full advantage of the Haight-Ashbury vibes to experiment with sounds old and new, dabbling in shoegaze, psychedelia, jangle-pop, and more. On their sixth album, 1997's Give It Back!, the one and only with future Black Rebel Motorcycle Club founder Peter Hayes, the band puts all the elements to use on slinky bass-driven jams like "Super-Sonic" and "Whoever you Are" while also finding time to bliss out on tracks like the sitar-driven "Salaam." But it's not all good vibes, as the bands more evil half of the namesake shows up on the disturbing noise collage "Their Satanic Majesties' Second Request," and "#1 Hit Jam" is definitely not.
 
Songs In This Episode:
Intro - Satellite
13:53 - This Is Why You Love Me
18:55 - Whoever You Are
25:05 - Super-sonic
34:00 - Servo
Outro - Salaam
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4088</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>567</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Wildhearts - P.H.U.Q. | Album Review</title>
        <itunes:title>The Wildhearts - P.H.U.Q. | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/565-phuq-by-the-wildhearts/</link>
                    <comments>https://digmeout.podbean.com/e/565-phuq-by-the-wildhearts/#comments</comments>        <pubDate>Tue, 09 Nov 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b695307a-ad6f-3815-b2f4-ea6256969fe4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Almost six years to the day, we revisited the debut album Earth Vs. The Wildhearts by the UK hard rock band. All the ingredients were there for us to love and champion this band, but for various reasons, we were both underwhelmed and disappointed. Thanks to a member of our Patreon Union, we're giving <a href='https://www.thewildhearts.com/'>The Wildhearts </a>a second shot with their 1995 follow-up P.H.U.Q. Far from a sophomore slump, the second album by the band pulls successfully from metal, hard rock, and power pop to create a riff-laden record that matches it on the vocal front with big, sugary hooks and loads of backing vocals.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Nita Nitro</p>
<p style="text-align:center;">18:14 - I Wanna Go Where The People Go</p>
<p style="text-align:center;">21:46 - Just In Lust</p>
<p style="text-align:center;">27:46 - Getting It</p>
<p style="text-align:center;">37:14 - Caprice</p>
<p style="text-align:center;">Outro - Naivety Play</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Almost six years to the day, we revisited the debut album Earth Vs. The Wildhearts by the UK hard rock band. All the ingredients were there for us to love and champion this band, but for various reasons, we were both underwhelmed and disappointed. Thanks to a member of our Patreon Union, we're giving <a href='https://www.thewildhearts.com/'>The Wildhearts </a>a second shot with their 1995 follow-up P.H.U.Q. Far from a sophomore slump, the second album by the band pulls successfully from metal, hard rock, and power pop to create a riff-laden record that matches it on the vocal front with big, sugary hooks and loads of backing vocals.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Nita Nitro</p>
<p style="text-align:center;">18:14 - I Wanna Go Where The People Go</p>
<p style="text-align:center;">21:46 - Just In Lust</p>
<p style="text-align:center;">27:46 - Getting It</p>
<p style="text-align:center;">37:14 - Caprice</p>
<p style="text-align:center;">Outro - Naivety Play</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bzqz3r/565-wildheartsphuq.mp3" length="127355428" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Almost six years to the day, we revisited the debut album Earth Vs. The Wildhearts by the UK hard rock band. All the ingredients were there for us to love and champion this band, but for various reasons, we were both underwhelmed and disappointed. Thanks to a member of our Patreon Union, we're giving The Wildhearts a second shot with their 1995 follow-up P.H.U.Q. Far from a sophomore slump, the second album by the band pulls successfully from metal, hard rock, and power pop to create a riff-laden record that matches it on the vocal front with big, sugary hooks and loads of backing vocals.
 
Songs In This Episode:
Intro - Nita Nitro
18:14 - I Wanna Go Where The People Go
21:46 - Just In Lust
27:46 - Getting It
37:14 - Caprice
Outro - Naivety Play
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3974</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>566</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Alabama 3 - Exile on Coldharbour Lane | Album Review</title>
        <itunes:title>Alabama 3 - Exile on Coldharbour Lane | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/564-exile-on-coldharbour-lane-by-alabama-3/</link>
                    <comments>https://digmeout.podbean.com/e/564-exile-on-coldharbour-lane-by-alabama-3/#comments</comments>        <pubDate>Tue, 02 Nov 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/89a62cf7-0ee5-3d0a-b3c4-4fd8456e2d2b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Country, blues, and gospel are a winning combination. So are mixing trip-hop with acid house. But what if we threw that all into a big stew, layered it with a John Prine cover, Jim Jones (of Jonestown infamy) audio samples, and a druggy, capitalist critiquing, night-on-a-bender lyrical bent that also stayed away from strident political commentary while being entirely political? A big stew, eh? That's what <a href='https://www.alabama3.co.uk/the-band/'>Alabama 3</a> are serving up on their 1997 debut album Exile on Coldharbour Lane. If the band name sounds familiar, and you were alive at the start of the 21st century, you probably heard their track "Woke Up This Morning" introducing the weekly exploits of one Tony Soprano. Hearing that song gives listeners a nice primer on the band, but they do much more with their sixty-minute run-time, even if occasionally indulging a bit too much, like any fully exploited bender.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Woke Up This Morning</p>
<p style="text-align:center;">18:42 - Speed of the Sound of Loneliness</p>
<p style="text-align:center;">24:44 - Sister Rosetta</p>
<p style="text-align:center;">39:46 - Mao Tse Tung Said</p>
<p style="text-align:center;">1:07:34 - Peace in the Valley</p>
<p style="text-align:center;">Outro - U Don't Dans 2 Tekno Anymore</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Country, blues, and gospel are a winning combination. So are mixing trip-hop with acid house. But what if we threw that all into a big stew, layered it with a John Prine cover, Jim Jones (of Jonestown infamy) audio samples, and a druggy, capitalist critiquing, night-on-a-bender lyrical bent that also stayed away from strident political commentary while being entirely political? A big stew, eh? That's what <a href='https://www.alabama3.co.uk/the-band/'>Alabama 3</a> are serving up on their 1997 debut album Exile on Coldharbour Lane. If the band name sounds familiar, and you were alive at the start of the 21st century, you probably heard their track "Woke Up This Morning" introducing the weekly exploits of one Tony Soprano. Hearing that song gives listeners a nice primer on the band, but they do much more with their sixty-minute run-time, even if occasionally indulging a bit too much, like any fully exploited bender.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Woke Up This Morning</p>
<p style="text-align:center;">18:42 - Speed of the Sound of Loneliness</p>
<p style="text-align:center;">24:44 - Sister Rosetta</p>
<p style="text-align:center;">39:46 - Mao Tse Tung Said</p>
<p style="text-align:center;">1:07:34 - Peace in the Valley</p>
<p style="text-align:center;">Outro - U Don't Dans 2 Tekno Anymore</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/66sa6j/564-a3.mp3" length="157825490" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Country, blues, and gospel are a winning combination. So are mixing trip-hop with acid house. But what if we threw that all into a big stew, layered it with a John Prine cover, Jim Jones (of Jonestown infamy) audio samples, and a druggy, capitalist critiquing, night-on-a-bender lyrical bent that also stayed away from strident political commentary while being entirely political? A big stew, eh? That's what Alabama 3 are serving up on their 1997 debut album Exile on Coldharbour Lane. If the band name sounds familiar, and you were alive at the start of the 21st century, you probably heard their track "Woke Up This Morning" introducing the weekly exploits of one Tony Soprano. Hearing that song gives listeners a nice primer on the band, but they do much more with their sixty-minute run-time, even if occasionally indulging a bit too much, like any fully exploited bender.
 
Songs In This Episode:
Intro - Woke Up This Morning
18:42 - Speed of the Sound of Loneliness
24:44 - Sister Rosetta
39:46 - Mao Tse Tung Said
1:07:34 - Peace in the Valley
Outro - U Don't Dans 2 Tekno Anymore
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4926</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>565</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Phantom Blue - Built to Perform | Album Review</title>
        <itunes:title>Phantom Blue - Built to Perform | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/563-built-to-perform-by-phantom-blue/</link>
                    <comments>https://digmeout.podbean.com/e/563-built-to-perform-by-phantom-blue/#comments</comments>        <pubDate>Tue, 26 Oct 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/eeb59734-3367-3f19-9630-1d76b1a895b6</guid>
                                    <description><![CDATA[<p style="text-align:center;">Just like how the 1990s produced hundreds of alternative bands signed to major labels that barely made a dent in radio, MTV, or Billboard, the 80s had their fair share of obscure and forgotten acts of might-have-beens. Those rock bands that straddled the line between the two decades often suffered the worst, coming in at the tail end of hair/glam rock dominance into the emergent alternative and college rock scene ready to explode. Phantom Blue is a perfect example of this interesting time, a band whose 1989 debut is more in line with 80s metal, while their 1993 follow-up (and last) record Built to Perform shows growth in multiple directions, incorporating the drop-d riffing of Soundgarden and Alice In Chains flawlessly with Guns 'n Roses licks and energy.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Better Off Dead</p>
<p style="text-align:center;">15:32 - Lied To Me</p>
<p style="text-align:center;">21:11 - Little Man</p>
<p style="text-align:center;">31:01 - My Misery</p>
<p style="text-align:center;">Outro - Time to Run</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Just like how the 1990s produced hundreds of alternative bands signed to major labels that barely made a dent in radio, MTV, or Billboard, the 80s had their fair share of obscure and forgotten acts of might-have-beens. Those rock bands that straddled the line between the two decades often suffered the worst, coming in at the tail end of hair/glam rock dominance into the emergent alternative and college rock scene ready to explode. Phantom Blue is a perfect example of this interesting time, a band whose 1989 debut is more in line with 80s metal, while their 1993 follow-up (and last) record Built to Perform shows growth in multiple directions, incorporating the drop-d riffing of Soundgarden and Alice In Chains flawlessly with Guns 'n Roses licks and energy.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Better Off Dead</p>
<p style="text-align:center;">15:32 - Lied To Me</p>
<p style="text-align:center;">21:11 - Little Man</p>
<p style="text-align:center;">31:01 - My Misery</p>
<p style="text-align:center;">Outro - Time to Run</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/84j489/563-phantomblue.mp3" length="102002023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Just like how the 1990s produced hundreds of alternative bands signed to major labels that barely made a dent in radio, MTV, or Billboard, the 80s had their fair share of obscure and forgotten acts of might-have-beens. Those rock bands that straddled the line between the two decades often suffered the worst, coming in at the tail end of hair/glam rock dominance into the emergent alternative and college rock scene ready to explode. Phantom Blue is a perfect example of this interesting time, a band whose 1989 debut is more in line with 80s metal, while their 1993 follow-up (and last) record Built to Perform shows growth in multiple directions, incorporating the drop-d riffing of Soundgarden and Alice In Chains flawlessly with Guns 'n Roses licks and energy.
 
Songs In This Episode:
Intro - Better Off Dead
15:32 - Lied To Me
21:11 - Little Man
31:01 - My Misery
Outro - Time to Run
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3181</itunes:duration>
                <itunes:episode>564</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bands From the 90s Reuniting - Part 2 | Roundtable</title>
        <itunes:title>Bands From the 90s Reuniting - Part 2 | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/562-bands-from-the-90s-reuniting-part-2/</link>
                    <comments>https://digmeout.podbean.com/e/562-bands-from-the-90s-reuniting-part-2/#comments</comments>        <pubDate>Tue, 19 Oct 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9b411e1e-d1a6-3ac1-8063-4c4b1b72f9b6</guid>
                                    <description><![CDATA[<p style="text-align:center;">Band reunions aren't new, as some of the best-selling and most well-known bands have gone on hiatus or broken up for extended periods of time. Back in 2015, we discussed 1990s rock bands that had broken up and gotten back together. Six years have passed, and more bands have reunited, released material, or at least toured. We decided to revisit the topic and discuss bands like Swervedriver, Hum, The Psychedelic Furs, The Vapors, Guns 'n Roses, and many more who have been back in the studio (either to record or rerecord) and hit the road together.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Step Into You by Hum</p>
<p style="text-align:center;">11:50 - Thread by Shades Apart</p>
<p style="text-align:center;">18:09 - Don't Believe by The Psychedelic Furs</p>
<p style="text-align:center;">34:50 - Amputation by The Jesus And Mary Chain</p>
<p style="text-align:center;">47:00 - The Colour of Love by The Smashing Pumpkins</p>
<p style="text-align:center;">Outro - Mary Winter by Swervedriver</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Band reunions aren't new, as some of the best-selling and most well-known bands have gone on hiatus or broken up for extended periods of time. Back in 2015, we discussed 1990s rock bands that had broken up and gotten back together. Six years have passed, and more bands have reunited, released material, or at least toured. We decided to revisit the topic and discuss bands like Swervedriver, Hum, The Psychedelic Furs, The Vapors, Guns 'n Roses, and many more who have been back in the studio (either to record or rerecord) and hit the road together.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Step Into You by Hum</p>
<p style="text-align:center;">11:50 - Thread by Shades Apart</p>
<p style="text-align:center;">18:09 - Don't Believe by The Psychedelic Furs</p>
<p style="text-align:center;">34:50 - Amputation by The Jesus And Mary Chain</p>
<p style="text-align:center;">47:00 - The Colour of Love by The Smashing Pumpkins</p>
<p style="text-align:center;">Outro - Mary Winter by Swervedriver</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/55uuku/562-bandsreuniting2.mp3" length="143416764" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Band reunions aren't new, as some of the best-selling and most well-known bands have gone on hiatus or broken up for extended periods of time. Back in 2015, we discussed 1990s rock bands that had broken up and gotten back together. Six years have passed, and more bands have reunited, released material, or at least toured. We decided to revisit the topic and discuss bands like Swervedriver, Hum, The Psychedelic Furs, The Vapors, Guns 'n Roses, and many more who have been back in the studio (either to record or rerecord) and hit the road together.
 
Songs In This Episode:
Intro - Step Into You by Hum
11:50 - Thread by Shades Apart
18:09 - Don't Believe by The Psychedelic Furs
34:50 - Amputation by The Jesus And Mary Chain
47:00 - The Colour of Love by The Smashing Pumpkins
Outro - Mary Winter by Swervedriver
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4476</itunes:duration>
                <itunes:episode>563</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Creeper Lagoon - I Become Small and Go | Album Review</title>
        <itunes:title>Creeper Lagoon - I Become Small and Go | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/561-i-become-small-and-go-by-creeper-lagoon/</link>
                    <comments>https://digmeout.podbean.com/e/561-i-become-small-and-go-by-creeper-lagoon/#comments</comments>        <pubDate>Tue, 12 Oct 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ec9d4c99-27c5-3a13-b657-9b54377fb3c1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Before <a href='https://www.creeperlagoon.com/'>Creeper Lagoon</a> scored a minor hit with "Wrecking Ball" on their 2001 major label, radio-friendly alternative rock album Take Back The Universe and Give Me Yesterday, the band released a much more intimate debut. 1998's I Become Small and Go, co-produced in part by John King of The Dust Brothers, finds an even balance between catchy indie-pop, and more produced and layered tracks. Using a host of loops, oddball sounds, and other studio tricks gives tracks like "Wonderful Love" just enough earworm material to balance with the more subdued songs like "Sylvia." Unfortunately, the band can't hold up the momentum, and the album takes a noticeable dive in quality towards the end, but that doesn't erase what is a re-listenable record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dear Deadly</p>
<p style="text-align:center;">17:16 - Wonderful Love</p>
<p style="text-align:center;">20:23 - Sylvia</p>
<p style="text-align:center;">24:04 - Drink and Drive</p>
<p style="text-align:center;">Outro - Empty Ships</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Before <a href='https://www.creeperlagoon.com/'>Creeper Lagoon</a> scored a minor hit with "Wrecking Ball" on their 2001 major label, radio-friendly alternative rock album <em>Take Back The Universe and Give Me Yesterday</em>, the band released a much more intimate debut. 1998's <em>I Become Small and Go</em>, co-produced in part by John King of The Dust Brothers, finds an even balance between catchy indie-pop, and more produced and layered tracks. Using a host of loops, oddball sounds, and other studio tricks gives tracks like "Wonderful Love" just enough earworm material to balance with the more subdued songs like "Sylvia." Unfortunately, the band can't hold up the momentum, and the album takes a noticeable dive in quality towards the end, but that doesn't erase what is a re-listenable record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Dear Deadly</p>
<p style="text-align:center;">17:16 - Wonderful Love</p>
<p style="text-align:center;">20:23 - Sylvia</p>
<p style="text-align:center;">24:04 - Drink and Drive</p>
<p style="text-align:center;">Outro - Empty Ships</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r8urri/561-creeper_lagoon9hdar.mp3" length="84543868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Before Creeper Lagoon scored a minor hit with "Wrecking Ball" on their 2001 major label, radio-friendly alternative rock album Take Back The Universe and Give Me Yesterday, the band released a much more intimate debut. 1998's I Become Small and Go, co-produced in part by John King of The Dust Brothers, finds an even balance between catchy indie-pop, and more produced and layered tracks. Using a host of loops, oddball sounds, and other studio tricks gives tracks like "Wonderful Love" just enough earworm material to balance with the more subdued songs like "Sylvia." Unfortunately, the band can't hold up the momentum, and the album takes a noticeable dive in quality towards the end, but that doesn't erase what is a re-listenable record.
 
Songs In This Episode:
Intro - Dear Deadly
17:16 - Wonderful Love
20:23 - Sylvia
24:04 - Drink and Drive
Outro - Empty Ships
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2636</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>562</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tom Waits - Bone Machine | Album Review</title>
        <itunes:title>Tom Waits - Bone Machine | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/560-bone-machine-by-tom-waits/</link>
                    <comments>https://digmeout.podbean.com/e/560-bone-machine-by-tom-waits/#comments</comments>        <pubDate>Tue, 05 Oct 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/084e7e92-43c6-38b4-bd18-c43a0f4e3dd2</guid>
                                    <description><![CDATA[<p style="text-align:center;">He's an outlier, an enigma, an iconoclast, an original. We're talking about <a href='http://www.tomwaits.com/'>Tom Waits</a>, whose career is more closely tied to the 70s and 80s, but who released his Grammy Award-winning album Bone Machine in 1992 just as the first wave of grunge was talking off in 90s rock. Trying to compare Waits, and this album in particular, to any of his contemporaries, is a fool's errand. Sure, there's a bit of Nick Cave here, some Mark Lanegan there, even some Morphine and Beck, but Waits is often on another planet entirely. Using a collection of non-traditional percussion instruments (some homemade) combined with buzzing guitars and ramshackle pianos, to create a junkyard orchestra. It often sounds like it's falling apart before it even starts, but Waits can bring it together with his vocals, even if they are the most divisive aspect of a Tom Waits album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I Don't Wanna Grow Up</p>
<p style="text-align:center;">17:26 - Black Wings</p>
<p style="text-align:center;">24:49 - That Feel</p>
<p style="text-align:center;">29:54 - Whistle Down The Wind</p>
<p style="text-align:center;">34:26 - Goin' Out West</p>
<p style="text-align:center;">Outro - The Earth Died Screaming</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">He's an outlier, an enigma, an iconoclast, an original. We're talking about <a href='http://www.tomwaits.com/'>Tom Waits</a>, whose career is more closely tied to the 70s and 80s, but who released his Grammy Award-winning album Bone Machine in 1992 just as the first wave of grunge was talking off in 90s rock. Trying to compare Waits, and this album in particular, to any of his contemporaries, is a fool's errand. Sure, there's a bit of Nick Cave here, some Mark Lanegan there, even some Morphine and Beck, but Waits is often on another planet entirely. Using a collection of non-traditional percussion instruments (some homemade) combined with buzzing guitars and ramshackle pianos, to create a junkyard orchestra. It often sounds like it's falling apart before it even starts, but Waits can bring it together with his vocals, even if they are the most divisive aspect of a Tom Waits album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I Don't Wanna Grow Up</p>
<p style="text-align:center;">17:26 - Black Wings</p>
<p style="text-align:center;">24:49 - That Feel</p>
<p style="text-align:center;">29:54 - Whistle Down The Wind</p>
<p style="text-align:center;">34:26 - Goin' Out West</p>
<p style="text-align:center;">Outro - The Earth Died Screaming</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/reyyna/560-tomwaits.mp3" length="137102237" type="audio/mpeg"/>
        <itunes:summary><![CDATA[He's an outlier, an enigma, an iconoclast, an original. We're talking about Tom Waits, whose career is more closely tied to the 70s and 80s, but who released his Grammy Award-winning album Bone Machine in 1992 just as the first wave of grunge was talking off in 90s rock. Trying to compare Waits, and this album in particular, to any of his contemporaries, is a fool's errand. Sure, there's a bit of Nick Cave here, some Mark Lanegan there, even some Morphine and Beck, but Waits is often on another planet entirely. Using a collection of non-traditional percussion instruments (some homemade) combined with buzzing guitars and ramshackle pianos, to create a junkyard orchestra. It often sounds like it's falling apart before it even starts, but Waits can bring it together with his vocals, even if they are the most divisive aspect of a Tom Waits album.
 
Songs In This Episode:
Intro - I Don't Wanna Grow Up
17:26 - Black Wings
24:49 - That Feel
29:54 - Whistle Down The Wind
34:26 - Goin' Out West
Outro - The Earth Died Screaming
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4278</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>561</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>90s Guilty Pleasures | Roundtable</title>
        <itunes:title>90s Guilty Pleasures | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/559-guilty-pleasures-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/559-guilty-pleasures-roundtable/#comments</comments>        <pubDate>Tue, 28 Sep 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9f6db721-00fe-3d97-82da-388b15881776</guid>
                                    <description><![CDATA[<p style="text-align:center;">In popular culture, whether it's music, films, books, or television, the idea of a Guilty Pleasure has existed as long as people have formed opinions on entertainment. High versus low art, serious versus inconsequential, intimate versus manufactured - everyone has their own criteria. We discuss the power of shame, such as when a once-popular genre falls out of favor, or when the personal behavior of an artist can affect an audience, the phrase can take on an even more serious interpretation. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Barbie Girl by Aqua</p>
<p style="text-align:center;">Outro - I'm Too Sexy by Right Said Fred</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In popular culture, whether it's music, films, books, or television, the idea of a Guilty Pleasure has existed as long as people have formed opinions on entertainment. High versus low art, serious versus inconsequential, intimate versus manufactured - everyone has their own criteria. We discuss the power of shame, such as when a once-popular genre falls out of favor, or when the personal behavior of an artist can affect an audience, the phrase can take on an even more serious interpretation. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Barbie Girl by Aqua</p>
<p style="text-align:center;">Outro - I'm Too Sexy by Right Said Fred</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q7894g/559-guiltypleasures.mp3" length="130766811" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In popular culture, whether it's music, films, books, or television, the idea of a Guilty Pleasure has existed as long as people have formed opinions on entertainment. High versus low art, serious versus inconsequential, intimate versus manufactured - everyone has their own criteria. We discuss the power of shame, such as when a once-popular genre falls out of favor, or when the personal behavior of an artist can affect an audience, the phrase can take on an even more serious interpretation. 
 
Songs In This Episode:
Intro - Barbie Girl by Aqua
Outro - I'm Too Sexy by Right Said Fred
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4080</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>560</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wellwater Conspiracy - Brotherhood of Electric: Operational Directives | Album Review</title>
        <itunes:title>Wellwater Conspiracy - Brotherhood of Electric: Operational Directives | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/558-brotherhood-of-electric-operational-directives-by-wellwater-conspiracy/</link>
                    <comments>https://digmeout.podbean.com/e/558-brotherhood-of-electric-operational-directives-by-wellwater-conspiracy/#comments</comments>        <pubDate>Tue, 21 Sep 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/493a1eaa-4d0d-3b32-8729-786e4f92c974</guid>
                                    <description><![CDATA[<p style="text-align:center;">Members of Seattle's biggest bands of the 90s rock scene were often dabbling in side projects, like Temple of the Dog, Mad Season, and Brad. Matt Cameron and John McBain had previously played together in Hater, and along with Soundgarden bassist Ben Sheppard started Wellwater Conspiracy By the time they got around to album number two, Sheppard left, leaving Cameron and McBain to make the 1999's Brotherhood of Electric: Operational Directives, along with some friends. One of those friends is Josh Homme, not long after the end of Kyuss and just as Queens of the Stone Age is starting up, who hops on board for vocals on three tracks. Cameron tackles most of the rest and does a nice job with some 60s-influenced garage rock tunes that wouldn't sound out of place on a Hives record. Unfortunately, the side-project nature of the band leaves room for lots of noodling and experimentation. Some good, most not, which turns what would have been a tight, rockin' record into a much more bloated affair in need of a editor.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Good Pushin'</p>
<p style="text-align:center;">13:09 - Compellor</p>
<p style="text-align:center;">20:55 - Right Of Left Field</p>
<p style="text-align:center;">23:38 - B.O.U.</p>
<p style="text-align:center;">28:07 - Van Vanishing</p>
<p style="text-align:center;">Outro - Red Light Green Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Members of Seattle's biggest bands of the 90s rock scene were often dabbling in side projects, like Temple of the Dog, Mad Season, and Brad. Matt Cameron and John McBain had previously played together in Hater, and along with Soundgarden bassist Ben Sheppard started Wellwater Conspiracy By the time they got around to album number two, Sheppard left, leaving Cameron and McBain to make the 1999's Brotherhood of Electric: Operational Directives, along with some friends. One of those friends is Josh Homme, not long after the end of Kyuss and just as Queens of the Stone Age is starting up, who hops on board for vocals on three tracks. Cameron tackles most of the rest and does a nice job with some 60s-influenced garage rock tunes that wouldn't sound out of place on a Hives record. Unfortunately, the side-project nature of the band leaves room for lots of noodling and experimentation. Some good, most not, which turns what would have been a tight, rockin' record into a much more bloated affair in need of a editor.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Good Pushin'</p>
<p style="text-align:center;">13:09 - Compellor</p>
<p style="text-align:center;">20:55 - Right Of Left Field</p>
<p style="text-align:center;">23:38 - B.O.U.</p>
<p style="text-align:center;">28:07 - Van Vanishing</p>
<p style="text-align:center;">Outro - Red Light Green Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hs6gfs/558-wellcon.mp3" length="81086509" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Members of Seattle's biggest bands of the 90s rock scene were often dabbling in side projects, like Temple of the Dog, Mad Season, and Brad. Matt Cameron and John McBain had previously played together in Hater, and along with Soundgarden bassist Ben Sheppard started Wellwater Conspiracy By the time they got around to album number two, Sheppard left, leaving Cameron and McBain to make the 1999's Brotherhood of Electric: Operational Directives, along with some friends. One of those friends is Josh Homme, not long after the end of Kyuss and just as Queens of the Stone Age is starting up, who hops on board for vocals on three tracks. Cameron tackles most of the rest and does a nice job with some 60s-influenced garage rock tunes that wouldn't sound out of place on a Hives record. Unfortunately, the side-project nature of the band leaves room for lots of noodling and experimentation. Some good, most not, which turns what would have been a tight, rockin' record into a much more bloated affair in need of a editor.
 
Songs in this Episode:
Intro - Good Pushin'
13:09 - Compellor
20:55 - Right Of Left Field
23:38 - B.O.U.
28:07 - Van Vanishing
Outro - Red Light Green Light
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2528</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>559</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pinback - Pinback | Album Review</title>
        <itunes:title>Pinback - Pinback | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/557-pinback-by-pinback/</link>
                    <comments>https://digmeout.podbean.com/e/557-pinback-by-pinback/#comments</comments>        <pubDate>Tue, 14 Sep 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3670285f-6b4a-3997-a89f-1002b1355d00</guid>
                                    <description><![CDATA[<p style="text-align:center;">Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's <a href='https://pinback.bandcamp.com/'>Pinback</a>, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Hurley</p>
<p style="text-align:center;">17:34 - Tripoli</p>
<p style="text-align:center;">20:20 - Rousseau</p>
<p style="text-align:center;">25:33 - Crutch</p>
<p style="text-align:center;">Outro - Lyon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's <a href='https://pinback.bandcamp.com/'>Pinback</a>, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Hurley</p>
<p style="text-align:center;">17:34 - Tripoli</p>
<p style="text-align:center;">20:20 - Rousseau</p>
<p style="text-align:center;">25:33 - Crutch</p>
<p style="text-align:center;">Outro - Lyon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/86njwm/557-pinback.mp3" length="85399848" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's Pinback, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.
 
Songs in this Episode:
Intro - Hurley
17:34 - Tripoli
20:20 - Rousseau
25:33 - Crutch
Outro - Lyon
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2663</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>558</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ida - Will You Find Me | Album Review</title>
        <itunes:title>Ida - Will You Find Me | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/556-will-you-find-me-by-ida/</link>
                    <comments>https://digmeout.podbean.com/e/556-will-you-find-me-by-ida/#comments</comments>        <pubDate>Tue, 07 Sep 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5237e672-1c7a-37a8-bc15-dddcf81ab3de</guid>
                                    <description><![CDATA[<p style="text-align:center;">While 90s rock is known for the volume-pushing bands from Seattle, Boston, Chicago, and other parts around the world, a loose movement of quiet and introspective artists rallied (quietly) around sparse arrangements, hushed vocals, and an appreciation for traditional to 60s folk. <a href='https://www.facebook.com/Ida-130541196984234/'>Ida</a> covers most of that ground and more on their fourth album, 2000's Will You Find Me. Thanks to a wide range of guest musicians and a major label budget, the band incorporates electric piano, moog, wurlitzer, viola, and a host of other instruments to fill out the nooks and crannies of their deliberate sound. When at their best, the foursome use the three vocals to perfection, crafting haunting and beautiful sound scapes. But on the flip-side, some of the less fussed-over tracks sound bare in comparison, or tracks meander when they should be more concise.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Shrug</p>
<p style="text-align:center;">21:24 - Down on Your Back</p>
<p style="text-align:center;">26:19 - Turn Me On</p>
<p style="text-align:center;">32:29 - Encantada</p>
<p style="text-align:center;">40:18 - Shotgun</p>
<p style="text-align:center;">48:09 - Man in Mind</p>
<p style="text-align:center;">Outro - The Radiator</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While 90s rock is known for the volume-pushing bands from Seattle, Boston, Chicago, and other parts around the world, a loose movement of quiet and introspective artists rallied (quietly) around sparse arrangements, hushed vocals, and an appreciation for traditional to 60s folk. <a href='https://www.facebook.com/Ida-130541196984234/'>Ida</a> covers most of that ground and more on their fourth album, 2000's Will You Find Me. Thanks to a wide range of guest musicians and a major label budget, the band incorporates electric piano, moog, wurlitzer, viola, and a host of other instruments to fill out the nooks and crannies of their deliberate sound. When at their best, the foursome use the three vocals to perfection, crafting haunting and beautiful sound scapes. But on the flip-side, some of the less fussed-over tracks sound bare in comparison, or tracks meander when they should be more concise.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Shrug</p>
<p style="text-align:center;">21:24 - Down on Your Back</p>
<p style="text-align:center;">26:19 - Turn Me On</p>
<p style="text-align:center;">32:29 - Encantada</p>
<p style="text-align:center;">40:18 - Shotgun</p>
<p style="text-align:center;">48:09 - Man in Mind</p>
<p style="text-align:center;">Outro - The Radiator</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5y36sn/556-ida.mp3" length="174196116" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While 90s rock is known for the volume-pushing bands from Seattle, Boston, Chicago, and other parts around the world, a loose movement of quiet and introspective artists rallied (quietly) around sparse arrangements, hushed vocals, and an appreciation for traditional to 60s folk. Ida covers most of that ground and more on their fourth album, 2000's Will You Find Me. Thanks to a wide range of guest musicians and a major label budget, the band incorporates electric piano, moog, wurlitzer, viola, and a host of other instruments to fill out the nooks and crannies of their deliberate sound. When at their best, the foursome use the three vocals to perfection, crafting haunting and beautiful sound scapes. But on the flip-side, some of the less fussed-over tracks sound bare in comparison, or tracks meander when they should be more concise.
 
Songs in this Episode:
Intro - Shrug
21:24 - Down on Your Back
26:19 - Turn Me On
32:29 - Encantada
40:18 - Shotgun
48:09 - Man in Mind
Outro - The Radiator
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5437</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>557</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Deftones in the 90s | Roundtable</title>
        <itunes:title>Deftones in the 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/555-origins-deftones-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/555-origins-deftones-in-the-90s/#comments</comments>        <pubDate>Tue, 31 Aug 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3a38e0df-f21a-3aef-ad89-7e049869383e</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the early 90s metal music faced a crossroads - fixtures of the 70s and 80s influenced by Black Sabbath and Led Zeppelin were less connecting less with a younger generation of fans whose exposure to the thrash of Metallica, the hardcore of Bad Brains, and a new wave of guitar gods like Vernon Reid of Living Colour and Tom Morello of Rage Against The Machine. From their early years in high school through years of demoing and playing gigs in Southern California, the <a href='https://www.deftones.com/'>Deftones</a> tapped into this wide variety of sounds, as well as new wave and post-punk, to craft a uniquely 90s take on metal. Thought dubbed nu-metal at the time on their 1995 debut album Adrenaline and 1997 follow-up Around The Fur, both with producer Terry Date, their sound continued to expand in the 2000s, incorporating shoegaze, space rock, and more. We revisit their 1990s output to trace the beginnings of one of the most interesting and influential alternative metal bands of the past twenty years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Own Summer (Shove It) from Around The Fur</p>
<p style="text-align:center;">20:11 - 7 Words from Adrenaline</p>
<p style="text-align:center;">35:23 - Be Quiet And Drive (Far Away) from Around The fur</p>
<p style="text-align:center;">42:28 - The Chauffeur (Duran Duran cover)</p>
<p style="text-align:center;">Outro - Bored from Adrenalin</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the early 90s metal music faced a crossroads - fixtures of the 70s and 80s influenced by Black Sabbath and Led Zeppelin were less connecting less with a younger generation of fans whose exposure to the thrash of Metallica, the hardcore of Bad Brains, and a new wave of guitar gods like Vernon Reid of Living Colour and Tom Morello of Rage Against The Machine. From their early years in high school through years of demoing and playing gigs in Southern California, the <a href='https://www.deftones.com/'>Deftones</a> tapped into this wide variety of sounds, as well as new wave and post-punk, to craft a uniquely 90s take on metal. Thought dubbed nu-metal at the time on their 1995 debut album Adrenaline and 1997 follow-up Around The Fur, both with producer Terry Date, their sound continued to expand in the 2000s, incorporating shoegaze, space rock, and more. We revisit their 1990s output to trace the beginnings of one of the most interesting and influential alternative metal bands of the past twenty years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Own Summer (Shove It) from Around The Fur</p>
<p style="text-align:center;">20:11 - 7 Words from Adrenaline</p>
<p style="text-align:center;">35:23 - Be Quiet And Drive (Far Away) from Around The fur</p>
<p style="text-align:center;">42:28 - The Chauffeur (Duran Duran cover)</p>
<p style="text-align:center;">Outro - Bored from Adrenalin</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sz4mky/555-originsdeftones.mp3" length="111887594" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the early 90s metal music faced a crossroads - fixtures of the 70s and 80s influenced by Black Sabbath and Led Zeppelin were less connecting less with a younger generation of fans whose exposure to the thrash of Metallica, the hardcore of Bad Brains, and a new wave of guitar gods like Vernon Reid of Living Colour and Tom Morello of Rage Against The Machine. From their early years in high school through years of demoing and playing gigs in Southern California, the Deftones tapped into this wide variety of sounds, as well as new wave and post-punk, to craft a uniquely 90s take on metal. Thought dubbed nu-metal at the time on their 1995 debut album Adrenaline and 1997 follow-up Around The Fur, both with producer Terry Date, their sound continued to expand in the 2000s, incorporating shoegaze, space rock, and more. We revisit their 1990s output to trace the beginnings of one of the most interesting and influential alternative metal bands of the past twenty years.
 
Songs In This Episode:
Intro - My Own Summer (Shove It) from Around The Fur
20:11 - 7 Words from Adrenaline
35:23 - Be Quiet And Drive (Far Away) from Around The fur
42:28 - The Chauffeur (Duran Duran cover)
Outro - Bored from Adrenalin
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3490</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>556</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ned’s Atomic Dustbin - Are You Normal? | Album Review</title>
        <itunes:title>Ned’s Atomic Dustbin - Are You Normal? | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/554-are-you-normal-by-neds-atomic-dustbin/</link>
                    <comments>https://digmeout.podbean.com/e/554-are-you-normal-by-neds-atomic-dustbin/#comments</comments>        <pubDate>Tue, 24 Aug 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4a4fe286-beb0-399e-93df-6846aacfe691</guid>
                                    <description><![CDATA[<p style="text-align:center;">Few names evoke the 90s like Ned's Atomic Dustbin. It doesn't hurt that the band also sported an unusual line-up of two bass players that made full use of the sonic range - one carrying the low end and the other mid-range riffs ala Peter Hook of New Order. It gave The Neds something extra to play with, and on 1992's Are You Normal? the band shed their punkier, less polished debut sound for a rhythmic, bouncy follow-up effort. While the rhythm section carries a large amount of songs, if gives the guitar room to roam, from metalish funk riffs to blissed out delays. On the stronger material, it gels nicely, but the album takes time to find its footing, with a back-half that shows more range and depth that keeps us from loving the whole.</p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Suave And Suffocated</p>
<p style="text-align:center;">29:42 - Walking Through Syrup</p>
<p style="text-align:center;">40:30 - Not Sleeping Around</p>
<p style="text-align:center;">57:03 - Intact</p>
<p style="text-align:center;">Outro - Swallowing Air</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Few names evoke the 90s like Ned's Atomic Dustbin. It doesn't hurt that the band also sported an unusual line-up of two bass players that made full use of the sonic range - one carrying the low end and the other mid-range riffs ala Peter Hook of New Order. It gave The Neds something extra to play with, and on 1992's Are You Normal? the band shed their punkier, less polished debut sound for a rhythmic, bouncy follow-up effort. While the rhythm section carries a large amount of songs, if gives the guitar room to roam, from metalish funk riffs to blissed out delays. On the stronger material, it gels nicely, but the album takes time to find its footing, with a back-half that shows more range and depth that keeps us from loving the whole.</p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Suave And Suffocated</p>
<p style="text-align:center;">29:42 - Walking Through Syrup</p>
<p style="text-align:center;">40:30 - Not Sleeping Around</p>
<p style="text-align:center;">57:03 - Intact</p>
<p style="text-align:center;">Outro - Swallowing Air</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eb5ds7/554-nedsatomicdustbin.mp3" length="140515292" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Few names evoke the 90s like Ned's Atomic Dustbin. It doesn't hurt that the band also sported an unusual line-up of two bass players that made full use of the sonic range - one carrying the low end and the other mid-range riffs ala Peter Hook of New Order. It gave The Neds something extra to play with, and on 1992's Are You Normal? the band shed their punkier, less polished debut sound for a rhythmic, bouncy follow-up effort. While the rhythm section carries a large amount of songs, if gives the guitar room to roam, from metalish funk riffs to blissed out delays. On the stronger material, it gels nicely, but the album takes time to find its footing, with a back-half that shows more range and depth that keeps us from loving the whole.
Songs In This Episode:
Intro - Suave And Suffocated
29:42 - Walking Through Syrup
40:30 - Not Sleeping Around
57:03 - Intact
Outro - Swallowing Air
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4385</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>555</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wicker Man - Wicker Man | Album Review</title>
        <itunes:title>Wicker Man - Wicker Man | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/553-wicker-man-by-wicker-man/</link>
                    <comments>https://digmeout.podbean.com/e/553-wicker-man-by-wicker-man/#comments</comments>        <pubDate>Tue, 17 Aug 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fe1c13af-192c-3781-8239-5a746225e002</guid>
                                    <description><![CDATA[<p style="text-align:center;">Chicago had a reputation for producing some of the notable heavier bands of the 1990s, including Ministry, Smashing Pumpkins, The Jesus Lizard, Shellac, and My Life with the Thrill Kill Kult. You can now add Wicker Man to that list. Not familiar with the band Wicker Man, you say? We're here to help, thanks to one of our knowledgeable Patreon patrons. The band managed just one full-length, their 1995 self-titled debut for Hollywood Records, and it's both hard and easy to understand why the band is all but forgotten. The quality and craftsmanship is clear, heavy riffs that touch on power metal, stoner rock, post-hardcore, and more that could satisfy a wide variety of metal fans. But looking back on 1995, it's also easy to see how the band was out of step with the emerging nu metal and industrial scenes, which makes rediscovering the band all the sweeter.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Annoy Me</p>
<p style="text-align:center;">19:26 - Party Grrrl</p>
<p style="text-align:center;">26:56 - Don't Believe A Word</p>
<p style="text-align:center;">29:58 - Hey Hey Hey</p>
<p style="text-align:center;">39:47 - Brainfreeze</p>
<p style="text-align:center;">Outro - Sugarfoot</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Chicago had a reputation for producing some of the notable heavier bands of the 1990s, including Ministry, Smashing Pumpkins, The Jesus Lizard, Shellac, and My Life with the Thrill Kill Kult. You can now add Wicker Man to that list. Not familiar with the band Wicker Man, you say? We're here to help, thanks to one of our knowledgeable Patreon patrons. The band managed just one full-length, their 1995 self-titled debut for Hollywood Records, and it's both hard and easy to understand why the band is all but forgotten. The quality and craftsmanship is clear, heavy riffs that touch on power metal, stoner rock, post-hardcore, and more that could satisfy a wide variety of metal fans. But looking back on 1995, it's also easy to see how the band was out of step with the emerging nu metal and industrial scenes, which makes rediscovering the band all the sweeter.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Annoy Me</p>
<p style="text-align:center;">19:26 - Party Grrrl</p>
<p style="text-align:center;">26:56 - Don't Believe A Word</p>
<p style="text-align:center;">29:58 - Hey Hey Hey</p>
<p style="text-align:center;">39:47 - Brainfreeze</p>
<p style="text-align:center;">Outro - Sugarfoot</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xcakk9/553-wickerman.mp3" length="89111326" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Chicago had a reputation for producing some of the notable heavier bands of the 1990s, including Ministry, Smashing Pumpkins, The Jesus Lizard, Shellac, and My Life with the Thrill Kill Kult. You can now add Wicker Man to that list. Not familiar with the band Wicker Man, you say? We're here to help, thanks to one of our knowledgeable Patreon patrons. The band managed just one full-length, their 1995 self-titled debut for Hollywood Records, and it's both hard and easy to understand why the band is all but forgotten. The quality and craftsmanship is clear, heavy riffs that touch on power metal, stoner rock, post-hardcore, and more that could satisfy a wide variety of metal fans. But looking back on 1995, it's also easy to see how the band was out of step with the emerging nu metal and industrial scenes, which makes rediscovering the band all the sweeter.
 
Songs In This Episode:
Intro - You Annoy Me
19:26 - Party Grrrl
26:56 - Don't Believe A Word
29:58 - Hey Hey Hey
39:47 - Brainfreeze
Outro - Sugarfoot
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2779</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>554</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rusty - Fluke | Album Review</title>
        <itunes:title>Rusty - Fluke | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/552-fluke-by-rusty/</link>
                    <comments>https://digmeout.podbean.com/e/552-fluke-by-rusty/#comments</comments>        <pubDate>Tue, 10 Aug 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f9e23c42-cc3c-30ca-9362-93b1e44a185c</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://rustyband.com/'>Rusty</a>'s 1995 debut album Fluke pulls off a neat trick, sound both of the times and yet somehow ticking the boxes of previous generations. There is the swampy garage blues of "Warning" that Royal Trux or Beck would appreciate as much as ZZ Top of Rory Gallagher. There is a blast of hardcore-ish punk on the aptly titled "Punk" and nods from everyone to the Stooges, Nirvana, Dinosaur Jr. and The Replacements across the record. Separated, the guitars might sound too gnarly or the drums to lo-fi, but the overall combination mostly finds the sweet spot.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Groovy Dead</p>
<p style="text-align:center;">13:22 - Misogyny</p>
<p style="text-align:center;">18:07 - K.D. Lang</p>
<p style="text-align:center;">19:52 - Warning</p>
<p style="text-align:center;">23:50 - Punk</p>
<p style="text-align:center;">Outro - California</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://rustyband.com/'>Rusty</a>'s 1995 debut album Fluke pulls off a neat trick, sound both of the times and yet somehow ticking the boxes of previous generations. There is the swampy garage blues of "Warning" that Royal Trux or Beck would appreciate as much as ZZ Top of Rory Gallagher. There is a blast of hardcore-ish punk on the aptly titled "Punk" and nods from everyone to the Stooges, Nirvana, Dinosaur Jr. and The Replacements across the record. Separated, the guitars might sound too gnarly or the drums to lo-fi, but the overall combination mostly finds the sweet spot.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Groovy Dead</p>
<p style="text-align:center;">13:22 - Misogyny</p>
<p style="text-align:center;">18:07 - K.D. Lang</p>
<p style="text-align:center;">19:52 - Warning</p>
<p style="text-align:center;">23:50 - Punk</p>
<p style="text-align:center;">Outro - California</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dgwc87/552-rusty.mp3" length="74224455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rusty's 1995 debut album Fluke pulls off a neat trick, sound both of the times and yet somehow ticking the boxes of previous generations. There is the swampy garage blues of "Warning" that Royal Trux or Beck would appreciate as much as ZZ Top of Rory Gallagher. There is a blast of hardcore-ish punk on the aptly titled "Punk" and nods from everyone to the Stooges, Nirvana, Dinosaur Jr. and The Replacements across the record. Separated, the guitars might sound too gnarly or the drums to lo-fi, but the overall combination mostly finds the sweet spot.
 
Song In This Episode:
Intro - Groovy Dead
13:22 - Misogyny
18:07 - K.D. Lang
19:52 - Warning
23:50 - Punk
Outro - California
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2313</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>553</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Collective Soul - Disciplined Breakdown | Album Review</title>
        <itunes:title>Collective Soul - Disciplined Breakdown | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/551-disciplined-breakdown-dy-collective-soul/</link>
                    <comments>https://digmeout.podbean.com/e/551-disciplined-breakdown-dy-collective-soul/#comments</comments>        <pubDate>Tue, 03 Aug 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/6bfc881d-7455-33b8-82e0-c8bce43d27a2</guid>
                                    <description><![CDATA[<p style="text-align:center;">Best known for their string of mid-90s hit singles that smoothed off the harder edges of what we once called alternative rock, <a href='http://www.collectivesoul.com/'>Collective Soul</a> returned in 1997 under difficult circumstances with Disciplined Breakdown. A legal battle with their ex-manager lead to a canceled tour and recording the record on their own. Thanks to Ed Roland's tenured history as a musician and songwriter, the band barely misses a step combining pop-friendly melodies with rock arrangements and sounds, even taking some unexpected detours that work ("Link") and don't work ("Full Circle").</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Precious Declaration</p>
<p style="text-align:center;">25:02 - Disciplined Breakdown</p>
<p style="text-align:center;">34:51 - Link</p>
<p style="text-align:center;">40:18 - Crowded Head</p>
<p style="text-align:center;">Outro - Listen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Best known for their string of mid-90s hit singles that smoothed off the harder edges of what we once called alternative rock, <a href='http://www.collectivesoul.com/'>Collective Soul</a> returned in 1997 under difficult circumstances with Disciplined Breakdown. A legal battle with their ex-manager lead to a canceled tour and recording the record on their own. Thanks to Ed Roland's tenured history as a musician and songwriter, the band barely misses a step combining pop-friendly melodies with rock arrangements and sounds, even taking some unexpected detours that work ("Link") and don't work ("Full Circle").</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Precious Declaration</p>
<p style="text-align:center;">25:02 - Disciplined Breakdown</p>
<p style="text-align:center;">34:51 - Link</p>
<p style="text-align:center;">40:18 - Crowded Head</p>
<p style="text-align:center;">Outro - Listen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a26cci/551-collectivesoul.mp3" length="131766570" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Best known for their string of mid-90s hit singles that smoothed off the harder edges of what we once called alternative rock, Collective Soul returned in 1997 under difficult circumstances with Disciplined Breakdown. A legal battle with their ex-manager lead to a canceled tour and recording the record on their own. Thanks to Ed Roland's tenured history as a musician and songwriter, the band barely misses a step combining pop-friendly melodies with rock arrangements and sounds, even taking some unexpected detours that work ("Link") and don't work ("Full Circle").
 
Songs in this Episode:
Intro - Precious Declaration
25:02 - Disciplined Breakdown
34:51 - Link
40:18 - Crowded Head
Outro - Listen
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4112</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>552</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Double Albums of the 90s | Roundtable</title>
        <itunes:title>Double Albums of the 90s | Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/550-double-albums-of-the-1990s/</link>
                    <comments>https://digmeout.podbean.com/e/550-double-albums-of-the-1990s/#comments</comments>        <pubDate>Tue, 27 Jul 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/83b8cbbf-55cc-36fa-9615-3c4b63170b3a</guid>
                                    <description><![CDATA[<p style="text-align:center;">While the double album (two vinyl LPs) has long been the medium for big-thinking artists from Bob Dylan to Pink Floyd, introducing cassettes and compact discs in the 1980s changed the format length and what actually qualified as a double album. In the 1990s, artists again began pushing the limits of the dominant medium, as evidenced by double album releases over two compact discs not only by 90s rock bands like The Smashing Pumpkins or Wilco, but with hip-hop, electronic and others expanding their releases like from The Notorious B.I.G., Nine Inch Nails, The Orb, Tupac Shakur, and others. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - We're In This Together by Nine Inch Nails (from The Fragile)</p>
<p style="text-align:center;">21:26 - Bodies by The Smashing Pumpkins (from Mellon Collie and the Infinite Sadness)</p>
<p style="text-align:center;">30:06 - Outta Mind (Outta Sight) by Wilco (from Being There)</p>
<p style="text-align:center;">46:40 - Brown Paper Bag (Single Remix) by Roni Size - Reprazent (from New Forms)</p>
<p style="text-align:center;">56:20 - The Sound by Swans (from Soundtracks For The Blind)</p>
<p style="text-align:center;">Outro - Little Fluffy Clouds by The Orb (from The Orb's Adventures Beyond The Ultraworld)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While the double album (two vinyl LPs) has long been the medium for big-thinking artists from Bob Dylan to Pink Floyd, introducing cassettes and compact discs in the 1980s changed the format length and what actually qualified as a double album. In the 1990s, artists again began pushing the limits of the dominant medium, as evidenced by double album releases over two compact discs not only by 90s rock bands like The Smashing Pumpkins or Wilco, but with hip-hop, electronic and others expanding their releases like from The Notorious B.I.G., Nine Inch Nails, The Orb, Tupac Shakur, and others. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - We're In This Together by Nine Inch Nails (from The Fragile)</p>
<p style="text-align:center;">21:26 - Bodies by The Smashing Pumpkins (from Mellon Collie and the Infinite Sadness)</p>
<p style="text-align:center;">30:06 - Outta Mind (Outta Sight) by Wilco (from Being There)</p>
<p style="text-align:center;">46:40 - Brown Paper Bag (Single Remix) by Roni Size - Reprazent (from New Forms)</p>
<p style="text-align:center;">56:20 - The Sound by Swans (from Soundtracks For The Blind)</p>
<p style="text-align:center;">Outro - Little Fluffy Clouds by The Orb (from The Orb's Adventures Beyond The Ultraworld)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/att2s2/550-doublealbums.mp3" length="140610586" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While the double album (two vinyl LPs) has long been the medium for big-thinking artists from Bob Dylan to Pink Floyd, introducing cassettes and compact discs in the 1980s changed the format length and what actually qualified as a double album. In the 1990s, artists again began pushing the limits of the dominant medium, as evidenced by double album releases over two compact discs not only by 90s rock bands like The Smashing Pumpkins or Wilco, but with hip-hop, electronic and others expanding their releases like from The Notorious B.I.G., Nine Inch Nails, The Orb, Tupac Shakur, and others. 
 
Songs in this Episode:
Intro - We're In This Together by Nine Inch Nails (from The Fragile)
21:26 - Bodies by The Smashing Pumpkins (from Mellon Collie and the Infinite Sadness)
30:06 - Outta Mind (Outta Sight) by Wilco (from Being There)
46:40 - Brown Paper Bag (Single Remix) by Roni Size - Reprazent (from New Forms)
56:20 - The Sound by Swans (from Soundtracks For The Blind)
Outro - Little Fluffy Clouds by The Orb (from The Orb's Adventures Beyond The Ultraworld)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4388</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>551</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Widespread Panic - Bombs and Butterflies | Album Review</title>
        <itunes:title>Widespread Panic - Bombs and Butterflies | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/549-bombs-and-butterflies-by-widespread-panic/</link>
                    <comments>https://digmeout.podbean.com/e/549-bombs-and-butterflies-by-widespread-panic/#comments</comments>        <pubDate>Tue, 20 Jul 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8abac7da-e297-3228-b093-e71973d5e51b</guid>
                                    <description><![CDATA[<p style="text-align:center;">The moniker "jam bands" had been around for decades before their 90s counterparts in Phish, Rusted Root, and String Cheese Incident brought their own takes out on the road. Athens, Georgia based Widespread Panic draw on the southern sounds of The Allman Brothers Band as well as other guitar heroes like Eric Clapton and J. J. Cale to craft their guitar and keyboard driven sounds. The trick with jam bands, regardless of decade, has always been converting the energy and improvisation of the live performance into a crafted studio product. On 1997's Bombs and Butterflies, Widespread Panic smartly avoids overly long passages for trimmed down and concise songwriting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Radio Child</p>
<p style="text-align:center;">17:18 - Aunt Avis</p>
<p style="text-align:center;">19:06 - You Got Yours</p>
<p style="text-align:center;">41:18 - Glory</p>
<p style="text-align:center;">52:32 - Hope In A Hopeless World</p>
<p style="text-align:center;">Outro - Gradle</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The moniker "jam bands" had been around for decades before their 90s counterparts in Phish, Rusted Root, and String Cheese Incident brought their own takes out on the road. Athens, Georgia based Widespread Panic draw on the southern sounds of The Allman Brothers Band as well as other guitar heroes like Eric Clapton and J. J. Cale to craft their guitar and keyboard driven sounds. The trick with jam bands, regardless of decade, has always been converting the energy and improvisation of the live performance into a crafted studio product. On 1997's Bombs and Butterflies, Widespread Panic smartly avoids overly long passages for trimmed down and concise songwriting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Radio Child</p>
<p style="text-align:center;">17:18 - Aunt Avis</p>
<p style="text-align:center;">19:06 - You Got Yours</p>
<p style="text-align:center;">41:18 - Glory</p>
<p style="text-align:center;">52:32 - Hope In A Hopeless World</p>
<p style="text-align:center;">Outro - Gradle</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ci4pn8/549-widespreadpanic.mp3" length="142773943" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The moniker "jam bands" had been around for decades before their 90s counterparts in Phish, Rusted Root, and String Cheese Incident brought their own takes out on the road. Athens, Georgia based Widespread Panic draw on the southern sounds of The Allman Brothers Band as well as other guitar heroes like Eric Clapton and J. J. Cale to craft their guitar and keyboard driven sounds. The trick with jam bands, regardless of decade, has always been converting the energy and improvisation of the live performance into a crafted studio product. On 1997's Bombs and Butterflies, Widespread Panic smartly avoids overly long passages for trimmed down and concise songwriting.
 
Songs in this Episode:
Intro - Radio Child
17:18 - Aunt Avis
19:06 - You Got Yours
41:18 - Glory
52:32 - Hope In A Hopeless World
Outro - Gradle
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4456</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>550</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Swell - Too Many Days Without Thinking | Album Review</title>
        <itunes:title>Swell - Too Many Days Without Thinking | Album Review</itunes:title>
        <link>https://digmeout.podbean.com/e/548-too-many-days-without-thinking-by-swell/</link>
                    <comments>https://digmeout.podbean.com/e/548-too-many-days-without-thinking-by-swell/#comments</comments>        <pubDate>Tue, 13 Jul 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3703c582-cb61-3721-9237-1e1631c01af7</guid>
                                    <description><![CDATA[<p style="text-align:center;">Plenty of bands messed around with a lo-fi sound in the 90s, sometimes to euphoric effects, sometimes not so much. <a href='https://psychospecificmusic.bandcamp.com/music'>Swell</a> dabbles: a white noise fractured guitar lead here, a flat acoustic guitar riff there. But on Too Many Days Without Thinking, they are merely small pieces of a more layered puzzle. Had it been played on Les Paul's through big amps, the album would have sounded very familiar, so dialing back the noise and putting it to sparing use helps elevate the band above their 90s rock peers.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Make Mine You</p>
<p style="text-align:center;">14:27 - When You Come Over</p>
<p style="text-align:center;">19:08 - Throw the Wine</p>
<p style="text-align:center;">22:36 - What I Always Wanted</p>
<p style="text-align:center;">29:01 - (I Know) The Trip</p>
<p style="text-align:center;">Outro - F*ck Even Flow</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Plenty of bands messed around with a lo-fi sound in the 90s, sometimes to euphoric effects, sometimes not so much. <a href='https://psychospecificmusic.bandcamp.com/music'>Swell</a> dabbles: a white noise fractured guitar lead here, a flat acoustic guitar riff there. But on Too Many Days Without Thinking, they are merely small pieces of a more layered puzzle. Had it been played on Les Paul's through big amps, the album would have sounded very familiar, so dialing back the noise and putting it to sparing use helps elevate the band above their 90s rock peers.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Make Mine You</p>
<p style="text-align:center;">14:27 - When You Come Over</p>
<p style="text-align:center;">19:08 - Throw the Wine</p>
<p style="text-align:center;">22:36 - What I Always Wanted</p>
<p style="text-align:center;">29:01 - (I Know) The Trip</p>
<p style="text-align:center;">Outro - F*ck Even Flow</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dsz3mi/548-swell.mp3" length="83926124" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Plenty of bands messed around with a lo-fi sound in the 90s, sometimes to euphoric effects, sometimes not so much. Swell dabbles: a white noise fractured guitar lead here, a flat acoustic guitar riff there. But on Too Many Days Without Thinking, they are merely small pieces of a more layered puzzle. Had it been played on Les Paul's through big amps, the album would have sounded very familiar, so dialing back the noise and putting it to sparing use helps elevate the band above their 90s rock peers.
 
Songs in this Episode:
Intro - Make Mine You
14:27 - When You Come Over
19:08 - Throw the Wine
22:36 - What I Always Wanted
29:01 - (I Know) The Trip
Outro - F*ck Even Flow
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2617</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>549</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#547: Hash by Hash</title>
        <itunes:title>#547: Hash by Hash</itunes:title>
        <link>https://digmeout.podbean.com/e/547-hash-by-hash/</link>
                    <comments>https://digmeout.podbean.com/e/547-hash-by-hash/#comments</comments>        <pubDate>Tue, 06 Jul 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8e985dea-8b8d-35f4-86c8-45de725ce553</guid>
                                    <description><![CDATA[<p style="text-align:center;">Well-regarded music historians often explain the 90s explosion of alternative music into the mainstream boiled down as the rise of Seattle grunge, the So-Cal pop-punk sound going national, and the movements that followed like the swing revival, electronica, nu-metal, and more. But lost in that simplicity is the more difficult and (quite frankly) weirder starting point of the decade, where bands were mixing and moshing across a spectrum of hard rock, funk, and more. A prime example is the one-and-done band <a href='https://www.discogs.com/Hash-Hash/release/8065003'>Hash</a>, who released their self-titled album on Elektra in 1993. The band sounds comfortable mixing Red Hot Chili Peppers-style funk with Living Colour-esque swagger and shredding with touches of 60s sitar-spiked psychedelia, all topped with big melodies and harmonies. It's a talented if at times overcooked stew, but finding bands that can play in this many sandboxes and maintain a level of quality is few and far between, even if some of the big swings are misses.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Twilight Ball</p>
<p style="text-align:center;">17:09 - In The Grass</p>
<p style="text-align:center;">22:08 - Ghetto</p>
<p style="text-align:center;">27:58 - Mr. Hello</p>
<p style="text-align:center;">29:36 - Traveling</p>
<p style="text-align:center;">Outro - American Chorus</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Well-regarded music historians often explain the 90s explosion of alternative music into the mainstream boiled down as the rise of Seattle grunge, the So-Cal pop-punk sound going national, and the movements that followed like the swing revival, electronica, nu-metal, and more. But lost in that simplicity is the more difficult and (quite frankly) weirder starting point of the decade, where bands were mixing and moshing across a spectrum of hard rock, funk, and more. A prime example is the one-and-done band <a href='https://www.discogs.com/Hash-Hash/release/8065003'>Hash</a>, who released their self-titled album on Elektra in 1993. The band sounds comfortable mixing Red Hot Chili Peppers-style funk with Living Colour-esque swagger and shredding with touches of 60s sitar-spiked psychedelia, all topped with big melodies and harmonies. It's a talented if at times overcooked stew, but finding bands that can play in this many sandboxes and maintain a level of quality is few and far between, even if some of the big swings are misses.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Twilight Ball</p>
<p style="text-align:center;">17:09 - In The Grass</p>
<p style="text-align:center;">22:08 - Ghetto</p>
<p style="text-align:center;">27:58 - Mr. Hello</p>
<p style="text-align:center;">29:36 - Traveling</p>
<p style="text-align:center;">Outro - American Chorus</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ujr5ty/547-hash.mp3" length="97150353" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Well-regarded music historians often explain the 90s explosion of alternative music into the mainstream boiled down as the rise of Seattle grunge, the So-Cal pop-punk sound going national, and the movements that followed like the swing revival, electronica, nu-metal, and more. But lost in that simplicity is the more difficult and (quite frankly) weirder starting point of the decade, where bands were mixing and moshing across a spectrum of hard rock, funk, and more. A prime example is the one-and-done band Hash, who released their self-titled album on Elektra in 1993. The band sounds comfortable mixing Red Hot Chili Peppers-style funk with Living Colour-esque swagger and shredding with touches of 60s sitar-spiked psychedelia, all topped with big melodies and harmonies. It's a talented if at times overcooked stew, but finding bands that can play in this many sandboxes and maintain a level of quality is few and far between, even if some of the big swings are misses.
 
Songs In This Episode:
Intro - Twilight Ball
17:09 - In The Grass
22:08 - Ghetto
27:58 - Mr. Hello
29:36 - Traveling
Outro - American Chorus
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3030</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>548</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#546: Make A Pest A Pet by The Age of Electric</title>
        <itunes:title>#546: Make A Pest A Pet by The Age of Electric</itunes:title>
        <link>https://digmeout.podbean.com/e/546-make-a-pest-a-pet-by-the-age-of-electric/</link>
                    <comments>https://digmeout.podbean.com/e/546-make-a-pest-a-pet-by-the-age-of-electric/#comments</comments>        <pubDate>Tue, 29 Jun 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a23bf292-f08d-3a74-bf92-3168e9bbe2a1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Lots of bands have brothers, but how about two pairs of brothers? Perhaps growing up with a musical sibling is the reason the Kerns and Dahle brothers are able to crafty such a hooky and satisfying album of power-pop tinged rock on their third and final released as The Age of Electric - 1996's Make A Pest A Pet. Along with fellow Canadian 90s rock bands like Sloan, Odds, and Zumpano, TAOE bring their own take to the nebulous power-pop genre, bashing through three-minute guitar lead bursts without sacrificing dynamics or melody. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Remote Control</p>
<p style="text-align:center;">18:56 - Mad at the World</p>
<p style="text-align:center;">21:34 - Nothing Happens</p>
<p style="text-align:center;">29:35 - Don't Wreck It</p>
<p style="text-align:center;">Outro - Unity or Grenadine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Lots of bands have brothers, but how about two pairs of brothers? Perhaps growing up with a musical sibling is the reason the Kerns and Dahle brothers are able to crafty such a hooky and satisfying album of power-pop tinged rock on their third and final released as The Age of Electric - 1996's Make A Pest A Pet. Along with fellow Canadian 90s rock bands like Sloan, Odds, and Zumpano, TAOE bring their own take to the nebulous power-pop genre, bashing through three-minute guitar lead bursts without sacrificing dynamics or melody. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Remote Control</p>
<p style="text-align:center;">18:56 - Mad at the World</p>
<p style="text-align:center;">21:34 - Nothing Happens</p>
<p style="text-align:center;">29:35 - Don't Wreck It</p>
<p style="text-align:center;">Outro - Unity or Grenadine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/78hkk4/546-theageofelectric.mp3" length="89537644" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lots of bands have brothers, but how about two pairs of brothers? Perhaps growing up with a musical sibling is the reason the Kerns and Dahle brothers are able to crafty such a hooky and satisfying album of power-pop tinged rock on their third and final released as The Age of Electric - 1996's Make A Pest A Pet. Along with fellow Canadian 90s rock bands like Sloan, Odds, and Zumpano, TAOE bring their own take to the nebulous power-pop genre, bashing through three-minute guitar lead bursts without sacrificing dynamics or melody. 
 
Songs In This Episode:
Intro - Remote Control
18:56 - Mad at the World
21:34 - Nothing Happens
29:35 - Don't Wreck It
Outro - Unity or Grenadine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2792</itunes:duration>
                <itunes:episode>547</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#545: Lollapalooza in the 90s</title>
        <itunes:title>#545: Lollapalooza in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/545-lollapalooza-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/545-lollapalooza-in-the-90s/#comments</comments>        <pubDate>Tue, 22 Jun 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e348a05e-739c-3763-a0e2-34cae7dab0d8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Launched in 1991 by Perry Farrell as a farewell tour for Jane's Addiction, <a href='https://www.lollapalooza.com/'>Lollapalooza</a> immediately became the defining musical tour of the decade. Inspired by the UK festivals like Reading, Farrell concocted an underground music celebration based on the bands he wanted to see and tour with - Siouxsie and the Banshees, Living Colour, Nine Inch Nails, Ice-T & Body Count, Butthole Surfers, Rollins Band, Violent Femmes, and Fishbone. After it proved a success, the tour exploded in size until, but seemed to lose steam at point through the decade, as the once groundbreaking festival became another opportunity to chase trends and showcase already hugely popular bands. We look back at each tour in the 90s, as well as compare it to the current incarnation as a corporate-driven destination festival in Chicago.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Smells Like Teen Spirit by Soundgarden (Nirvana cover, 7/22/92)</p>
<p style="text-align:center;">Outro - Sabotage by Beastie Boys (8/6/94)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Launched in 1991 by Perry Farrell as a farewell tour for Jane's Addiction, <a href='https://www.lollapalooza.com/'>Lollapalooza</a> immediately became the defining musical tour of the decade. Inspired by the UK festivals like Reading, Farrell concocted an underground music celebration based on the bands he wanted to see and tour with - Siouxsie and the Banshees, Living Colour, Nine Inch Nails, Ice-T & Body Count, Butthole Surfers, Rollins Band, Violent Femmes, and Fishbone. After it proved a success, the tour exploded in size until, but seemed to lose steam at point through the decade, as the once groundbreaking festival became another opportunity to chase trends and showcase already hugely popular bands. We look back at each tour in the 90s, as well as compare it to the current incarnation as a corporate-driven destination festival in Chicago.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Smells Like Teen Spirit by Soundgarden (Nirvana cover, 7/22/92)</p>
<p style="text-align:center;">Outro - Sabotage by Beastie Boys (8/6/94)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8zey5p/545-lollapalooza.mp3" length="160773774" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Launched in 1991 by Perry Farrell as a farewell tour for Jane's Addiction, Lollapalooza immediately became the defining musical tour of the decade. Inspired by the UK festivals like Reading, Farrell concocted an underground music celebration based on the bands he wanted to see and tour with - Siouxsie and the Banshees, Living Colour, Nine Inch Nails, Ice-T & Body Count, Butthole Surfers, Rollins Band, Violent Femmes, and Fishbone. After it proved a success, the tour exploded in size until, but seemed to lose steam at point through the decade, as the once groundbreaking festival became another opportunity to chase trends and showcase already hugely popular bands. We look back at each tour in the 90s, as well as compare it to the current incarnation as a corporate-driven destination festival in Chicago.
 
Songs in this Episode:
Intro - Smells Like Teen Spirit by Soundgarden (Nirvana cover, 7/22/92)
Outro - Sabotage by Beastie Boys (8/6/94)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5018</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>546</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#544: Throwing Copper by Live</title>
        <itunes:title>#544: Throwing Copper by Live</itunes:title>
        <link>https://digmeout.podbean.com/e/544-throwing-copper-by-live/</link>
                    <comments>https://digmeout.podbean.com/e/544-throwing-copper-by-live/#comments</comments>        <pubDate>Tue, 15 Jun 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3b35cf71-6f59-3bf4-a0a4-3f6d25d5c5c1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Of all the bands to release big albums in 1994, there may be none bigger than <a href='http://www.freaks4live.com/'>Live</a>'s sophomore album Throwing Copper. In the studio heavyweights like Jerry Harrison (production), Lou Giordano (engineering), and Tom Lord-Alge (mixing) helmed the album that prepared the band for multiple radio singles, MTV hits, album sales around the globe. It also helped that they leaned into their successful influences, channeling U2, R.E.M., and Pearl Jam without coming across as imitators. Revisiting an album that was everywhere for over a year (it took fifty-two weeks to reach number one, the third-longest ever), digging into the lesser-known album tracks reveals a band that could embrace simplistic fun as easily as dour universalism. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - All Over You</p>
<p style="text-align:center;">17:19 - Selling The Drama</p>
<p style="text-align:center;">22:11 - Stage</p>
<p style="text-align:center;">33:13 - Lightning Crashes</p>
<p style="text-align:center;">44:19 - Waitress</p>
<p style="text-align:center;">Outro - I Alone</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Of all the bands to release big albums in 1994, there may be none bigger than <a href='http://www.freaks4live.com/'>Live</a>'s sophomore album Throwing Copper. In the studio heavyweights like Jerry Harrison (production), Lou Giordano (engineering), and Tom Lord-Alge (mixing) helmed the album that prepared the band for multiple radio singles, MTV hits, album sales around the globe. It also helped that they leaned into their successful influences, channeling U2, R.E.M., and Pearl Jam without coming across as imitators. Revisiting an album that was everywhere for over a year (it took fifty-two weeks to reach number one, the third-longest ever), digging into the lesser-known album tracks reveals a band that could embrace simplistic fun as easily as dour universalism. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - All Over You</p>
<p style="text-align:center;">17:19 - Selling The Drama</p>
<p style="text-align:center;">22:11 - Stage</p>
<p style="text-align:center;">33:13 - Lightning Crashes</p>
<p style="text-align:center;">44:19 - Waitress</p>
<p style="text-align:center;">Outro - I Alone</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cx7ay9/544-live.mp3" length="112267937" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Of all the bands to release big albums in 1994, there may be none bigger than Live's sophomore album Throwing Copper. In the studio heavyweights like Jerry Harrison (production), Lou Giordano (engineering), and Tom Lord-Alge (mixing) helmed the album that prepared the band for multiple radio singles, MTV hits, album sales around the globe. It also helped that they leaned into their successful influences, channeling U2, R.E.M., and Pearl Jam without coming across as imitators. Revisiting an album that was everywhere for over a year (it took fifty-two weeks to reach number one, the third-longest ever), digging into the lesser-known album tracks reveals a band that could embrace simplistic fun as easily as dour universalism. 
 
Songs in this Episode
Intro - All Over You
17:19 - Selling The Drama
22:11 - Stage
33:13 - Lightning Crashes
44:19 - Waitress
Outro - I Alone
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3502</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>545</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#543:Golden Duck by Moler</title>
        <itunes:title>#543:Golden Duck by Moler</itunes:title>
        <link>https://digmeout.podbean.com/e/543golden-duck-by-moler/</link>
                    <comments>https://digmeout.podbean.com/e/543golden-duck-by-moler/#comments</comments>        <pubDate>Tue, 08 Jun 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/faf28734-09c6-3633-ac78-7574aad4094d</guid>
                                    <description><![CDATA[<p style="text-align:center;">With vocals equal part sneer and sweet, supported by a thick and fuzzy bass, <a href='https://en.wikipedia.org/wiki/Moler'>Moler</a> is a little pop, a little punk, slightly grunge, and very interesting on their lone album from 1997, Golden Duck. The three-piece is at no loss for volume, cranking out over a dozen two and a half to four-minute gems that have plenty of attitude and energy. Lead singer and bassist Helen Cattanach, along with Julien Poulson on guitar and Steven Boyle on the drums, are a tight unit that only falters when the melodies don't shine, which happens a few times on the back half of an otherwise engaging album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs on this Episode:</p>
<p style="text-align:center;">Intro - Mustang Base</p>
<p style="text-align:center;">11:35 - Pseudoephedrine</p>
<p style="text-align:center;">23:06 - I Do, I Do</p>
<p style="text-align:center;">31:39 - Warning Sign</p>
<p style="text-align:center;">Outro - Red Light Disco</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With vocals equal part sneer and sweet, supported by a thick and fuzzy bass, <a href='https://en.wikipedia.org/wiki/Moler'>Moler</a> is a little pop, a little punk, slightly grunge, and very interesting on their lone album from 1997, Golden Duck. The three-piece is at no loss for volume, cranking out over a dozen two and a half to four-minute gems that have plenty of attitude and energy. Lead singer and bassist Helen Cattanach, along with Julien Poulson on guitar and Steven Boyle on the drums, are a tight unit that only falters when the melodies don't shine, which happens a few times on the back half of an otherwise engaging album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs on this Episode:</p>
<p style="text-align:center;">Intro - Mustang Base</p>
<p style="text-align:center;">11:35 - Pseudoephedrine</p>
<p style="text-align:center;">23:06 - I Do, I Do</p>
<p style="text-align:center;">31:39 - Warning Sign</p>
<p style="text-align:center;">Outro - Red Light Disco</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d688su/543-moler.mp3" length="92485928" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With vocals equal part sneer and sweet, supported by a thick and fuzzy bass, Moler is a little pop, a little punk, slightly grunge, and very interesting on their lone album from 1997, Golden Duck. The three-piece is at no loss for volume, cranking out over a dozen two and a half to four-minute gems that have plenty of attitude and energy. Lead singer and bassist Helen Cattanach, along with Julien Poulson on guitar and Steven Boyle on the drums, are a tight unit that only falters when the melodies don't shine, which happens a few times on the back half of an otherwise engaging album.
 
Songs on this Episode:
Intro - Mustang Base
11:35 - Pseudoephedrine
23:06 - I Do, I Do
31:39 - Warning Sign
Outro - Red Light Disco
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2884</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>544</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#542: Maximum Sincere by Big Heavy Stuff</title>
        <itunes:title>#542: Maximum Sincere by Big Heavy Stuff</itunes:title>
        <link>https://digmeout.podbean.com/e/542-maximum-sincere-by-big-heavy-stuff/</link>
                    <comments>https://digmeout.podbean.com/e/542-maximum-sincere-by-big-heavy-stuff/#comments</comments>        <pubDate>Tue, 01 Jun 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/db9a2368-d637-3d3d-b9be-f9432a05d115</guid>
                                    <description><![CDATA[<p style="text-align:center;">We've revisited many 90s rock bands from Australia of various types, but <a href='https://en.wikipedia.org/wiki/Big_Heavy_Stuff'>Big Heavy Stuff</a> is the first to nail the post-hardcore sound made (underground) famous by bands in D.C., Kansas City, and Chicago. On 1997's Maximum Sincere, the band takes full advantage of the spacious room recording to showcase the drumming via slowed tempos and minimal arrangements that spark and blaze sonically at just the right times. There is enough melody and interesting guitar work to keep the album interesting, always a tricky proposition when slowing down, but that leads to some less than stellar material on the back half the overall strong album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - The Train Stops Here</p>
<p style="text-align:center;">14:07 - Maximum Sincere</p>
<p style="text-align:center;">25:31 - Cheating on a Dead Wife</p>
<p style="text-align:center;">29:43 - May</p>
<p style="text-align:center;">Outro - Big Mouth</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We've revisited many 90s rock bands from Australia of various types, but <a href='https://en.wikipedia.org/wiki/Big_Heavy_Stuff'>Big Heavy Stuff</a> is the first to nail the post-hardcore sound made (underground) famous by bands in D.C., Kansas City, and Chicago. On 1997's Maximum Sincere, the band takes full advantage of the spacious room recording to showcase the drumming via slowed tempos and minimal arrangements that spark and blaze sonically at just the right times. There is enough melody and interesting guitar work to keep the album interesting, always a tricky proposition when slowing down, but that leads to some less than stellar material on the back half the overall strong album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - The Train Stops Here</p>
<p style="text-align:center;">14:07 - Maximum Sincere</p>
<p style="text-align:center;">25:31 - Cheating on a Dead Wife</p>
<p style="text-align:center;">29:43 - May</p>
<p style="text-align:center;">Outro - Big Mouth</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/inxujq/542-bhs.mp3" length="92961670" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've revisited many 90s rock bands from Australia of various types, but Big Heavy Stuff is the first to nail the post-hardcore sound made (underground) famous by bands in D.C., Kansas City, and Chicago. On 1997's Maximum Sincere, the band takes full advantage of the spacious room recording to showcase the drumming via slowed tempos and minimal arrangements that spark and blaze sonically at just the right times. There is enough melody and interesting guitar work to keep the album interesting, always a tricky proposition when slowing down, but that leads to some less than stellar material on the back half the overall strong album.
 
Songs in this Episode:
Intro - The Train Stops Here
14:07 - Maximum Sincere
25:31 - Cheating on a Dead Wife
29:43 - May
Outro - Big Mouth
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2899</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>543</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#541: Soundgarden in the 80s</title>
        <itunes:title>#541: Soundgarden in the 80s</itunes:title>
        <link>https://digmeout.podbean.com/e/541-soundgarden-in-the-80s/</link>
                    <comments>https://digmeout.podbean.com/e/541-soundgarden-in-the-80s/#comments</comments>        <pubDate>Tue, 25 May 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a02fd07b-6a2b-30d3-9082-b24ad675f1a8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Few bands are more rightly associated with the rise of alternative music from the underground to the mainstream than Soundgarden. Starting out in the mid 80s as a prototypical Seattle band backed by Sub Pop, produced by Jack Endino, and indebted to the heavy thud of 70s Black Sabbath combined with punk aggression, the original line-up quickly coalesced, releasing a slew of material in just three years. With Sub Pop in financial dire straits, the band recorded the debut album for SST, and showcased Chris Cornell's unique falsetto paired with the band's growing technical proficiency. A year later, they would end the decade on A&M records and release Louder Than Love, which further evolved the band into the metal sound that drove original bassist Hiro Yamamoto to quit, unhappy with the musical direction of the band. Within these recordings are the DNA that would lead to the breakthrough Badmotorfinger, and set the band up as the pre-eminent hard rock band of the 90s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hands All Over (from Louder Than Love)</p>
<p style="text-align:center;">14:48 - Nothing To Say (from Screaming Life EP)</p>
<p style="text-align:center;">32:07 - Flower (from Ultramega OK)</p>
<p style="text-align:center;">42:26 - Head Injury (from Ultramega OK)</p>
<p style="text-align:center;">50:46 - Ugly Truth (from Louder Than Love)</p>
<p style="text-align:center;">Outro - I Awake (from Louder Than Love)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Few bands are more rightly associated with the rise of alternative music from the underground to the mainstream than Soundgarden. Starting out in the mid 80s as a prototypical Seattle band backed by Sub Pop, produced by Jack Endino, and indebted to the heavy thud of 70s Black Sabbath combined with punk aggression, the original line-up quickly coalesced, releasing a slew of material in just three years. With Sub Pop in financial dire straits, the band recorded the debut album for SST, and showcased Chris Cornell's unique falsetto paired with the band's growing technical proficiency. A year later, they would end the decade on A&M records and release Louder Than Love, which further evolved the band into the metal sound that drove original bassist Hiro Yamamoto to quit, unhappy with the musical direction of the band. Within these recordings are the DNA that would lead to the breakthrough Badmotorfinger, and set the band up as the pre-eminent hard rock band of the 90s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hands All Over (from Louder Than Love)</p>
<p style="text-align:center;">14:48 - Nothing To Say (from Screaming Life EP)</p>
<p style="text-align:center;">32:07 - Flower (from Ultramega OK)</p>
<p style="text-align:center;">42:26 - Head Injury (from Ultramega OK)</p>
<p style="text-align:center;">50:46 - Ugly Truth (from Louder Than Love)</p>
<p style="text-align:center;">Outro - I Awake (from Louder Than Love)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c323rb/541-soundgardeninthe80s.mp3" length="151976569" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Few bands are more rightly associated with the rise of alternative music from the underground to the mainstream than Soundgarden. Starting out in the mid 80s as a prototypical Seattle band backed by Sub Pop, produced by Jack Endino, and indebted to the heavy thud of 70s Black Sabbath combined with punk aggression, the original line-up quickly coalesced, releasing a slew of material in just three years. With Sub Pop in financial dire straits, the band recorded the debut album for SST, and showcased Chris Cornell's unique falsetto paired with the band's growing technical proficiency. A year later, they would end the decade on A&M records and release Louder Than Love, which further evolved the band into the metal sound that drove original bassist Hiro Yamamoto to quit, unhappy with the musical direction of the band. Within these recordings are the DNA that would lead to the breakthrough Badmotorfinger, and set the band up as the pre-eminent hard rock band of the 90s.
 
Songs In This Episode:
Intro - Hands All Over (from Louder Than Love)
14:48 - Nothing To Say (from Screaming Life EP)
32:07 - Flower (from Ultramega OK)
42:26 - Head Injury (from Ultramega OK)
50:46 - Ugly Truth (from Louder Than Love)
Outro - I Awake (from Louder Than Love)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4743</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>542</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#540: Spilt Milk by Jellyfish</title>
        <itunes:title>#540: Spilt Milk by Jellyfish</itunes:title>
        <link>https://digmeout.podbean.com/e/540-spilt-milk-by-jellyfish/</link>
                    <comments>https://digmeout.podbean.com/e/540-spilt-milk-by-jellyfish/#comments</comments>        <pubDate>Tue, 18 May 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/985bc4ec-96dd-37b4-bed4-7a7588d9c3d7</guid>
                                    <description><![CDATA[<p style="text-align:center;">For such a short career, Jellyfish managed to pack decades worth of musical ambition and melodic knowhow into just two studio albums. The comparisons are nothing new - The Beatles, Queen, The Beach Boys, Badfinger, Wings - but while plenty of bands have been tagged with the "power-pop" label over the years, Jellyfish occupy a unique space of both defining and transcending the label. On 1993's Spilt Milk, for as much Raspberries and Cheap Trick influence a listener can spot, the band is clearly going for a bigger, more grandiose sound that draws inspiration from the stage and screen.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Joining A Fan Club</p>
<p style="text-align:center;">17:36 - All Is Forgiven</p>
<p style="text-align:center;">28:13 - Brighter Day</p>
<p style="text-align:center;">32:55 - Sebrina, Paste and Plato</p>
<p style="text-align:center;">Outro - New Mistake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For such a short career, Jellyfish managed to pack decades worth of musical ambition and melodic knowhow into just two studio albums. The comparisons are nothing new - The Beatles, Queen, The Beach Boys, Badfinger, Wings - but while plenty of bands have been tagged with the "power-pop" label over the years, Jellyfish occupy a unique space of both defining and transcending the label. On 1993's Spilt Milk, for as much Raspberries and Cheap Trick influence a listener can spot, the band is clearly going for a bigger, more grandiose sound that draws inspiration from the stage and screen.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Joining A Fan Club</p>
<p style="text-align:center;">17:36 - All Is Forgiven</p>
<p style="text-align:center;">28:13 - Brighter Day</p>
<p style="text-align:center;">32:55 - Sebrina, Paste and Plato</p>
<p style="text-align:center;">Outro - New Mistake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uqrksk/540-jfsm.mp3" length="97719613" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For such a short career, Jellyfish managed to pack decades worth of musical ambition and melodic knowhow into just two studio albums. The comparisons are nothing new - The Beatles, Queen, The Beach Boys, Badfinger, Wings - but while plenty of bands have been tagged with the "power-pop" label over the years, Jellyfish occupy a unique space of both defining and transcending the label. On 1993's Spilt Milk, for as much Raspberries and Cheap Trick influence a listener can spot, the band is clearly going for a bigger, more grandiose sound that draws inspiration from the stage and screen.
 
Songs In This Episode:
Intro - Joining A Fan Club
17:36 - All Is Forgiven
28:13 - Brighter Day
32:55 - Sebrina, Paste and Plato
Outro - New Mistake
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3048</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>541</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#539: Killjoy by Shihad</title>
        <itunes:title>#539: Killjoy by Shihad</itunes:title>
        <link>https://digmeout.podbean.com/e/539-killjoy-by-shihad/</link>
                    <comments>https://digmeout.podbean.com/e/539-killjoy-by-shihad/#comments</comments>        <pubDate>Tue, 11 May 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/faa65820-e27d-3e7c-87a1-28b1c85152be</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their 1995 sophomore album Killjoy, New Zealand's <a href='https://shihad.com/'>Shihad</a> might fool you with their opening Helmet-like salvo of "You Again" and "Gimme Gimme," two tracks of chugging down-tuned riffage with bass and kick locked-in. But this is not a Helmet clone, or a clone of any American post-punk band you might conjure, as the band shows off a variety of stylistic and rhythmic approaches that recall late 80s albums by The Cure. Somehow this band managed to slip under our radar in the mid-nineties, which is surprising considering the comparisons to bands such as Barkmarket and Jawbox.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Again</p>
<p style="text-align:center;">19:22 - Deb's Night Out</p>
<p style="text-align:center;">26:55 - The Call</p>
<p style="text-align:center;">34:34 - Bitter</p>
<p style="text-align:center;">41:49 - Silvercup</p>
<p style="text-align:center;">Outro - Gimme Gimme</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their 1995 sophomore album Killjoy, New Zealand's <a href='https://shihad.com/'>Shihad</a> might fool you with their opening Helmet-like salvo of "You Again" and "Gimme Gimme," two tracks of chugging down-tuned riffage with bass and kick locked-in. But this is not a Helmet clone, or a clone of any American post-punk band you might conjure, as the band shows off a variety of stylistic and rhythmic approaches that recall late 80s albums by The Cure. Somehow this band managed to slip under our radar in the mid-nineties, which is surprising considering the comparisons to bands such as Barkmarket and Jawbox.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - You Again</p>
<p style="text-align:center;">19:22 - Deb's Night Out</p>
<p style="text-align:center;">26:55 - The Call</p>
<p style="text-align:center;">34:34 - Bitter</p>
<p style="text-align:center;">41:49 - Silvercup</p>
<p style="text-align:center;">Outro - Gimme Gimme</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yxy5n7/539-shihad.mp3" length="114598478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their 1995 sophomore album Killjoy, New Zealand's Shihad might fool you with their opening Helmet-like salvo of "You Again" and "Gimme Gimme," two tracks of chugging down-tuned riffage with bass and kick locked-in. But this is not a Helmet clone, or a clone of any American post-punk band you might conjure, as the band shows off a variety of stylistic and rhythmic approaches that recall late 80s albums by The Cure. Somehow this band managed to slip under our radar in the mid-nineties, which is surprising considering the comparisons to bands such as Barkmarket and Jawbox.
 
Songs In This Episode:
Intro - You Again
19:22 - Deb's Night Out
26:55 - The Call
34:34 - Bitter
41:49 - Silvercup
Outro - Gimme Gimme
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3575</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>540</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#538: Abort by Tribe</title>
        <itunes:title>#538: Abort by Tribe</itunes:title>
        <link>https://digmeout.podbean.com/e/538-abort-by-tribe/</link>
                    <comments>https://digmeout.podbean.com/e/538-abort-by-tribe/#comments</comments>        <pubDate>Tue, 04 May 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/0e4a8dea-38f1-38b5-8447-8dcb774f7fcd</guid>
                                    <description><![CDATA[<p style="text-align:center;">Eclectic bands can be a tricky proposition. Too much genre-switching and musical diversity can strip a band of an identity, with the disparate parts not adding up too much. But done right, and finding a unified sound in the song-to-song evolution, can make for an exciting listen. Luckily, with Boston's <a href='http://tribe.stevelatham.net/index.htm'>Tribe</a> and their 1991 album Abort, it's the latter. While chronologically they're at the start of the emerging 90s rock scene, their sound harkens back to the 80s in a variety of ways, weaving in new wave, jangle pop, and underground college rock with layered harmonies, nods to shoegaze and dream pop, while keeping the arrangements tight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Joyride (I Saw The Film)</p>
<p style="text-align:center;">19:19 - Abort</p>
<p style="text-align:center;">21:03 - Here At Home</p>
<p style="text-align:center;">29:42 - Jackpot</p>
<p style="text-align:center;">32:25 - Daddy's Home</p>
<p style="text-align:center;">Outro - Tied</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Eclectic bands can be a tricky proposition. Too much genre-switching and musical diversity can strip a band of an identity, with the disparate parts not adding up too much. But done right, and finding a unified sound in the song-to-song evolution, can make for an exciting listen. Luckily, with Boston's <a href='http://tribe.stevelatham.net/index.htm'>Tribe</a> and their 1991 album Abort, it's the latter. While chronologically they're at the start of the emerging 90s rock scene, their sound harkens back to the 80s in a variety of ways, weaving in new wave, jangle pop, and underground college rock with layered harmonies, nods to shoegaze and dream pop, while keeping the arrangements tight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Joyride (I Saw The Film)</p>
<p style="text-align:center;">19:19 - Abort</p>
<p style="text-align:center;">21:03 - Here At Home</p>
<p style="text-align:center;">29:42 - Jackpot</p>
<p style="text-align:center;">32:25 - Daddy's Home</p>
<p style="text-align:center;">Outro - Tied</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ee5bwp/538-tribe.mp3" length="100474800" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Eclectic bands can be a tricky proposition. Too much genre-switching and musical diversity can strip a band of an identity, with the disparate parts not adding up too much. But done right, and finding a unified sound in the song-to-song evolution, can make for an exciting listen. Luckily, with Boston's Tribe and their 1991 album Abort, it's the latter. While chronologically they're at the start of the emerging 90s rock scene, their sound harkens back to the 80s in a variety of ways, weaving in new wave, jangle pop, and underground college rock with layered harmonies, nods to shoegaze and dream pop, while keeping the arrangements tight.
 
Songs In This Episode:
Intro - Joyride (I Saw The Film)
19:19 - Abort
21:03 - Here At Home
29:42 - Jackpot
32:25 - Daddy's Home
Outro - Tied
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3134</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>539</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#537: Are You With Me? by Cowboy Mouth</title>
        <itunes:title>#537: Are You With Me? by Cowboy Mouth</itunes:title>
        <link>https://digmeout.podbean.com/e/537-are-you-with-me-by-cowboy-mouth/</link>
                    <comments>https://digmeout.podbean.com/e/537-are-you-with-me-by-cowboy-mouth/#comments</comments>        <pubDate>Tue, 27 Apr 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a97c7905-8a5e-39e3-aaf7-4d60b82eac0c</guid>
                                    <description><![CDATA[<p style="text-align:center;">Regionality isn't talked about much outside Seattle with regard to 90s rock, but just like how the Pacific Northwest was experimenting with punk and metal in unique ways, other parts of the United States had an impact on the bands from their locales. Like our recent Better Than Ezra episode, <a href='https://www.cowboymouth.com/'>Cowboy Mouth</a> is from Louisiana, a state which boasts a deep and rich musical history that can't help but imprint on the latest generation. In the case of Cowboy Mouth and their 1996 album Are You With Me?, and the members' previous 80s bands Dash Rip Rock and Red Rockers, the influence of roots rock, blues, Americana, and more can be heard throughout in subtle nods and swinging rhythms. Unfortunately, some of the personality gets sanded off for a sound that is ready for mainstream radio, but also lacking some needed edge.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - Jenny Says</p>
<p style="text-align:center;">20:39 - Man On The Run</p>
<p style="text-align:center;">30:27 - God Makes The Rain</p>
<p style="text-align:center;">34:28 - Love Of My Life</p>
<p style="text-align:center;">38:02 - How Do You Tell Someone</p>
<p style="text-align:center;">Outro - New Orleans</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Regionality isn't talked about much outside Seattle with regard to 90s rock, but just like how the Pacific Northwest was experimenting with punk and metal in unique ways, other parts of the United States had an impact on the bands from their locales. Like our recent Better Than Ezra episode, <a href='https://www.cowboymouth.com/'>Cowboy Mouth</a> is from Louisiana, a state which boasts a deep and rich musical history that can't help but imprint on the latest generation. In the case of Cowboy Mouth and their 1996 album Are You With Me?, and the members' previous 80s bands Dash Rip Rock and Red Rockers, the influence of roots rock, blues, Americana, and more can be heard throughout in subtle nods and swinging rhythms. Unfortunately, some of the personality gets sanded off for a sound that is ready for mainstream radio, but also lacking some needed edge.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - Jenny Says</p>
<p style="text-align:center;">20:39 - Man On The Run</p>
<p style="text-align:center;">30:27 - God Makes The Rain</p>
<p style="text-align:center;">34:28 - Love Of My Life</p>
<p style="text-align:center;">38:02 - How Do You Tell Someone</p>
<p style="text-align:center;">Outro - New Orleans</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/brsjcn/537-cowboymouth.mp3" length="123395683" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Regionality isn't talked about much outside Seattle with regard to 90s rock, but just like how the Pacific Northwest was experimenting with punk and metal in unique ways, other parts of the United States had an impact on the bands from their locales. Like our recent Better Than Ezra episode, Cowboy Mouth is from Louisiana, a state which boasts a deep and rich musical history that can't help but imprint on the latest generation. In the case of Cowboy Mouth and their 1996 album Are You With Me?, and the members' previous 80s bands Dash Rip Rock and Red Rockers, the influence of roots rock, blues, Americana, and more can be heard throughout in subtle nods and swinging rhythms. Unfortunately, some of the personality gets sanded off for a sound that is ready for mainstream radio, but also lacking some needed edge.
 
Song In This Episode
Intro - Jenny Says
20:39 - Man On The Run
30:27 - God Makes The Rain
34:28 - Love Of My Life
38:02 - How Do You Tell Someone
Outro - New Orleans
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3850</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>538</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#536: Lo-Fi in the 90s</title>
        <itunes:title>#536: Lo-Fi in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/536-lo-fi-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/536-lo-fi-in-the-90s/#comments</comments>        <pubDate>Tue, 20 Apr 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a3fa4737-3ec8-393d-b7f9-3bcb70d45bde</guid>
                                    <description><![CDATA[<p style="text-align:center;">Lo-fi isn't unique to the 1990s, but it is the first decade that the recording technique (meaning literally "lo-fidelity") merged with indie rock and take on a genre identity. Artists like Pavement, Sebadoh, Guided By Voices, Liz Phair, and more found their bedroom and basement recordings appealing to more than just a tape-trading crowd with the advent of cheap CD reproduction and small labels with better distribution. But it begs the question - is lo-fi simply a recording technique based on circumstance, or an aesthetic artists strive for to attain a particular emotional effect.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - I Am A Scientist by Guided By Voices</p>
<p style="text-align:center;">12:57 - Splendid Isolation by The Bevis Frond</p>
<p style="text-align:center;">22:49 - Drive All Over Town by Elliott Smith</p>
<p style="text-align:center;">32:37 - Losercore by Sentridoh</p>
<p style="text-align:center;">45:56 - Parting Shot by The Grifter</p>
<p style="text-align:center;">1:06:38 - Anytime You Want by Eric's Trip</p>
<p style="text-align:center;">Outro - Summer Babe (Winter Version) by Pavement</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Lo-fi isn't unique to the 1990s, but it is the first decade that the recording technique (meaning literally "lo-fidelity") merged with indie rock and take on a genre identity. Artists like Pavement, Sebadoh, Guided By Voices, Liz Phair, and more found their bedroom and basement recordings appealing to more than just a tape-trading crowd with the advent of cheap CD reproduction and small labels with better distribution. But it begs the question - is lo-fi simply a recording technique based on circumstance, or an aesthetic artists strive for to attain a particular emotional effect.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - I Am A Scientist by Guided By Voices</p>
<p style="text-align:center;">12:57 - Splendid Isolation by The Bevis Frond</p>
<p style="text-align:center;">22:49 - Drive All Over Town by Elliott Smith</p>
<p style="text-align:center;">32:37 - Losercore by Sentridoh</p>
<p style="text-align:center;">45:56 - Parting Shot by The Grifter</p>
<p style="text-align:center;">1:06:38 - Anytime You Want by Eric's Trip</p>
<p style="text-align:center;">Outro - Summer Babe (Winter Version) by Pavement</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f7wctf/536-lofi.mp3" length="159774852" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lo-fi isn't unique to the 1990s, but it is the first decade that the recording technique (meaning literally "lo-fidelity") merged with indie rock and take on a genre identity. Artists like Pavement, Sebadoh, Guided By Voices, Liz Phair, and more found their bedroom and basement recordings appealing to more than just a tape-trading crowd with the advent of cheap CD reproduction and small labels with better distribution. But it begs the question - is lo-fi simply a recording technique based on circumstance, or an aesthetic artists strive for to attain a particular emotional effect.
 
Song In This Episode
Intro - I Am A Scientist by Guided By Voices
12:57 - Splendid Isolation by The Bevis Frond
22:49 - Drive All Over Town by Elliott Smith
32:37 - Losercore by Sentridoh
45:56 - Parting Shot by The Grifter
1:06:38 - Anytime You Want by Eric's Trip
Outro - Summer Babe (Winter Version) by Pavement
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4987</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>537</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#535: Rotting Piñata by Sponge</title>
        <itunes:title>#535: Rotting Piñata by Sponge</itunes:title>
        <link>https://digmeout.podbean.com/e/535-rotting-pinata-by-sponge/</link>
                    <comments>https://digmeout.podbean.com/e/535-rotting-pinata-by-sponge/#comments</comments>        <pubDate>Tue, 13 Apr 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/3b175549-e940-3406-8ee2-d55689a2946e</guid>
                                    <description><![CDATA[<p style="text-align:center;">After the early 90s explosions of Seattle grunge and alternative rock, labels swept up bands from across the country (and globe) that had any sonic resemblance to the chart toppers. By 1994, the signing frenzy was in full swing, and bands new and old found their way to major labels. Some were teenagers from Australia, while others might have veterans of midwestern hard rock and metal bands, as was the case with <a href='http://www.spongetheband.com/'>Sponge</a>. If there is a reason why their major label debut Rotting Piñata from 1994 sounds so confident, it's because these weren't first timers figuring it out. That confidence shows as the album balances tight, melodic singles with album tracks that incorporate a wide pallet of influences from 80s Psychedelic Furs and R.E.M. to 90s shoegaze and metal.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Molly</p>
<p style="text-align:center;">16:32 - Miles</p>
<p style="text-align:center;">18:00 - Neenah Menasha</p>
<p style="text-align:center;">28:00 - Giants</p>
<p style="text-align:center;">31:36 - Pennywheels</p>
<p style="text-align:center;">Outro - Drowned</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After the early 90s explosions of Seattle grunge and alternative rock, labels swept up bands from across the country (and globe) that had any sonic resemblance to the chart toppers. By 1994, the signing frenzy was in full swing, and bands new and old found their way to major labels. Some were teenagers from Australia, while others might have veterans of midwestern hard rock and metal bands, as was the case with <a href='http://www.spongetheband.com/'>Sponge</a>. If there is a reason why their major label debut Rotting Piñata from 1994 sounds so confident, it's because these weren't first timers figuring it out. That confidence shows as the album balances tight, melodic singles with album tracks that incorporate a wide pallet of influences from 80s Psychedelic Furs and R.E.M. to 90s shoegaze and metal.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Molly</p>
<p style="text-align:center;">16:32 - Miles</p>
<p style="text-align:center;">18:00 - Neenah Menasha</p>
<p style="text-align:center;">28:00 - Giants</p>
<p style="text-align:center;">31:36 - Pennywheels</p>
<p style="text-align:center;">Outro - Drowned</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n5942e/535-spongerp.mp3" length="106514311" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After the early 90s explosions of Seattle grunge and alternative rock, labels swept up bands from across the country (and globe) that had any sonic resemblance to the chart toppers. By 1994, the signing frenzy was in full swing, and bands new and old found their way to major labels. Some were teenagers from Australia, while others might have veterans of midwestern hard rock and metal bands, as was the case with Sponge. If there is a reason why their major label debut Rotting Piñata from 1994 sounds so confident, it's because these weren't first timers figuring it out. That confidence shows as the album balances tight, melodic singles with album tracks that incorporate a wide pallet of influences from 80s Psychedelic Furs and R.E.M. to 90s shoegaze and metal.
 
Songs In This Episode:
Intro - Molly
16:32 - Miles
18:00 - Neenah Menasha
28:00 - Giants
31:36 - Pennywheels
Outro - Drowned
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3322</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>536</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#534: Pushing the Salmanilla Envelope by Jimmie's Chicken Shack</title>
        <itunes:title>#534: Pushing the Salmanilla Envelope by Jimmie's Chicken Shack</itunes:title>
        <link>https://digmeout.podbean.com/e/534-pushing-the-salmanilla-envelope-by-jimmies-chicken-shack/</link>
                    <comments>https://digmeout.podbean.com/e/534-pushing-the-salmanilla-envelope-by-jimmies-chicken-shack/#comments</comments>        <pubDate>Mon, 05 Apr 2021 11:05:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/bda5ae55-da50-381b-9318-21dc3c424777</guid>
                                    <description><![CDATA[<p style="text-align:center;">Bands only get to make their debut album once, but for <a href='https://www.facebook.com/JimmiesChickenShack/'>Jimmie's Chicken Shack</a>, a few practice swings paid off. Taking tracks from several low-profile independent releases and combining them for the 1997 major label debut means the material on Pushing the Salmanilla Envelope sounds refined and well-thought-out without being stale and lifeless. Unlike some contemporaries who relied on thick, down-tuned guitars to push their angst, JCS work in layers of intricate guitar leads that recall 1970s progressive rock or 90s math rock but with a funk metal twist.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - High</p>
<p style="text-align:center;">21:00 - Dropping Anchor</p>
<p style="text-align:center;">24:16 - When You Die You're Dead</p>
<p style="text-align:center;">33:14 - This Is Not Hell</p>
<p style="text-align:center;">36:02 - Milk</p>
<p style="text-align:center;">Outro - Hole</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Bands only get to make their debut album once, but for <a href='https://www.facebook.com/JimmiesChickenShack/'>Jimmie's Chicken Shack</a>, a few practice swings paid off. Taking tracks from several low-profile independent releases and combining them for the 1997 major label debut means the material on Pushing the Salmanilla Envelope sounds refined and well-thought-out without being stale and lifeless. Unlike some contemporaries who relied on thick, down-tuned guitars to push their angst, JCS work in layers of intricate guitar leads that recall 1970s progressive rock or 90s math rock but with a funk metal twist.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - High</p>
<p style="text-align:center;">21:00 - Dropping Anchor</p>
<p style="text-align:center;">24:16 - When You Die You're Dead</p>
<p style="text-align:center;">33:14 - This Is Not Hell</p>
<p style="text-align:center;">36:02 - Milk</p>
<p style="text-align:center;">Outro - Hole</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2dbyhu/534-jimmieschickenshack.mp3" length="124933773" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bands only get to make their debut album once, but for Jimmie's Chicken Shack, a few practice swings paid off. Taking tracks from several low-profile independent releases and combining them for the 1997 major label debut means the material on Pushing the Salmanilla Envelope sounds refined and well-thought-out without being stale and lifeless. Unlike some contemporaries who relied on thick, down-tuned guitars to push their angst, JCS work in layers of intricate guitar leads that recall 1970s progressive rock or 90s math rock but with a funk metal twist.
 
Songs In This Episode
Intro - High
21:00 - Dropping Anchor
24:16 - When You Die You're Dead
33:14 - This Is Not Hell
36:02 - Milk
Outro - Hole
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3898</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>535</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#533: Bring On The Juice by Hoss</title>
        <itunes:title>#533: Bring On The Juice by Hoss</itunes:title>
        <link>https://digmeout.podbean.com/e/533-bring-on-the-juice-by-hoss/</link>
                    <comments>https://digmeout.podbean.com/e/533-bring-on-the-juice-by-hoss/#comments</comments>        <pubDate>Tue, 30 Mar 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d9404573-9da1-332b-8b8a-b106e032de09</guid>
                                    <description><![CDATA[<p style="text-align:center;">We've listened to plenty of Australian 90s rock that made little to no impact in the United States many times but rarely has a band sounded so US-based in its influences as Hoss. On their third album Bring On The Juice, swinging punk rhythms recall Detroit's 70s action rock scene, while more dissonant moments sound like pre-90s grunge from the likes of Mudhoney or early Dinosaur Jr. Attitude, confidence, and swagger abound on these eleven tracks, sometimes leading the band into overly long excursions that could use some trimming. But overall, Hoss finds a way to sound off the moment and timeless concurrently, not an easy feat to pull off.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - 11:11 Again</p>
<p style="text-align:center;">21:36 - Mighty Hand</p>
<p style="text-align:center;">28:04 - Lip From Lip</p>
<p style="text-align:center;">31:27 - Gentle Claws</p>
<p style="text-align:center;">Outro - The Tiredest Man Awake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We've listened to plenty of Australian 90s rock that made little to no impact in the United States many times but rarely has a band sounded so US-based in its influences as Hoss. On their third album Bring On The Juice, swinging punk rhythms recall Detroit's 70s action rock scene, while more dissonant moments sound like pre-90s grunge from the likes of Mudhoney or early Dinosaur Jr. Attitude, confidence, and swagger abound on these eleven tracks, sometimes leading the band into overly long excursions that could use some trimming. But overall, Hoss finds a way to sound off the moment and timeless concurrently, not an easy feat to pull off.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - 11:11 Again</p>
<p style="text-align:center;">21:36 - Mighty Hand</p>
<p style="text-align:center;">28:04 - Lip From Lip</p>
<p style="text-align:center;">31:27 - Gentle Claws</p>
<p style="text-align:center;">Outro - The Tiredest Man Awake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/478ktm/533-hoss.mp3" length="116834559" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've listened to plenty of Australian 90s rock that made little to no impact in the United States many times but rarely has a band sounded so US-based in its influences as Hoss. On their third album Bring On The Juice, swinging punk rhythms recall Detroit's 70s action rock scene, while more dissonant moments sound like pre-90s grunge from the likes of Mudhoney or early Dinosaur Jr. Attitude, confidence, and swagger abound on these eleven tracks, sometimes leading the band into overly long excursions that could use some trimming. But overall, Hoss finds a way to sound off the moment and timeless concurrently, not an easy feat to pull off.
 
Songs In This Episode
Intro - 11:11 Again
21:36 - Mighty Hand
28:04 - Lip From Lip
31:27 - Gentle Claws
Outro - The Tiredest Man Awake
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3645</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>534</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#532: Sophomore Slump Revisited - Congratulations, I'm Sorry by Gin Blossoms</title>
        <itunes:title>#532: Sophomore Slump Revisited - Congratulations, I'm Sorry by Gin Blossoms</itunes:title>
        <link>https://digmeout.podbean.com/e/532-sophomore-slump-revisited-congratulations-im-sorry-by-gin-blossoms/</link>
                    <comments>https://digmeout.podbean.com/e/532-sophomore-slump-revisited-congratulations-im-sorry-by-gin-blossoms/#comments</comments>        <pubDate>Tue, 23 Mar 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d6d4ac1e-1528-3d03-9641-91b35ecb80ba</guid>
                                    <description><![CDATA[<p style="text-align:center;">While 1996's Congratulations, I'm Sorry charted higher than 1992's New Miserable Experience for the Gin Blossoms, it failed to produce the same number of singles and managed only a quarter of the sales. The simplistic answer is to pin the decline on the loss of guitarist and songwriter Doug Hopkins, who penned their biggest and most enduring hit "Hey Jealousy." But as we have learned, the landscape changed fast for bands in 90s rock. NME singles made an impact in 1993 and 1994, and the band's contribution to the Empire Records soundtrack, "Til I Hear It From You," was also a hit. Is it possible listeners had Gin Blossoms fatigue in 1996? The album charted well upon release, and "Follow You Down" was a hit, but no other singles connected, and the band would break-up the following year for a four-year hiatus. So does Congratulations, I'm Sorry deserve its sophomore slump status, or is it worthy of redemption?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Follow You Down</p>
<p style="text-align:center;">20:38 - Virginia</p>
<p style="text-align:center;">30:54 - Day Job</p>
<p style="text-align:center;">45:46 - Competition Smile</p>
<p style="text-align:center;">Outro - As Long As It Matters</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While 1996's Congratulations, I'm Sorry charted higher than 1992's New Miserable Experience for the Gin Blossoms, it failed to produce the same number of singles and managed only a quarter of the sales. The simplistic answer is to pin the decline on the loss of guitarist and songwriter Doug Hopkins, who penned their biggest and most enduring hit "Hey Jealousy." But as we have learned, the landscape changed fast for bands in 90s rock. NME singles made an impact in 1993 and 1994, and the band's contribution to the Empire Records soundtrack, "Til I Hear It From You," was also a hit. Is it possible listeners had Gin Blossoms fatigue in 1996? The album charted well upon release, and "Follow You Down" was a hit, but no other singles connected, and the band would break-up the following year for a four-year hiatus. So does Congratulations, I'm Sorry deserve its sophomore slump status, or is it worthy of redemption?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;">Intro - Follow You Down</p>
<p style="text-align:center;">20:38 - Virginia</p>
<p style="text-align:center;">30:54 - Day Job</p>
<p style="text-align:center;">45:46 - Competition Smile</p>
<p style="text-align:center;">Outro - As Long As It Matters</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2qhbu3/532-ginblossoms.mp3" length="160013088" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While 1996's Congratulations, I'm Sorry charted higher than 1992's New Miserable Experience for the Gin Blossoms, it failed to produce the same number of singles and managed only a quarter of the sales. The simplistic answer is to pin the decline on the loss of guitarist and songwriter Doug Hopkins, who penned their biggest and most enduring hit "Hey Jealousy." But as we have learned, the landscape changed fast for bands in 90s rock. NME singles made an impact in 1993 and 1994, and the band's contribution to the Empire Records soundtrack, "Til I Hear It From You," was also a hit. Is it possible listeners had Gin Blossoms fatigue in 1996? The album charted well upon release, and "Follow You Down" was a hit, but no other singles connected, and the band would break-up the following year for a four-year hiatus. So does Congratulations, I'm Sorry deserve its sophomore slump status, or is it worthy of redemption?
 
Songs In This Episode
Intro - Follow You Down
20:38 - Virginia
30:54 - Day Job
45:46 - Competition Smile
Outro - As Long As It Matters
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4994</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>533</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#531: Mint 400 by Ammonia</title>
        <itunes:title>#531: Mint 400 by Ammonia</itunes:title>
        <link>https://digmeout.podbean.com/e/531-mint-400-by-ammonia/</link>
                    <comments>https://digmeout.podbean.com/e/531-mint-400-by-ammonia/#comments</comments>        <pubDate>Tue, 16 Mar 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fd6de87e-f27a-3869-b2d8-d099955867b2</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1995, it was difficult for American "alternative" bands to make a dent in the US, let alone a rookie Australian band on a new label with just a handful of releases to crack MTV and radio. Ammonia did that with the quirky single "Drugs," which found singer/guitarist Dave Johnstone melding the quiet/loud bombast of Nirvana with a delivery more reminiscent of Wayne Coyne. But "Drugs" is the classic case of a single not exactly representing the sound of the record, as the rest of Mint 400 shifts between big fuzzed-out riffing in the vein of Swervedriver's shoegaze and Superchunk's early noise pop. The band works best in short, loud bursts, only losing focus when the tempo drops and running time drags.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Drugs</p>
<p style="text-align:center;">22:17 - Suzi Q</p>
<p style="text-align:center;">30:40 - Ken Carter</p>
<p style="text-align:center;">43:41 - Mint 400</p>
<p style="text-align:center;">Outro - Sleepwalking</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1995, it was difficult for American "alternative" bands to make a dent in the US, let alone a rookie Australian band on a new label with just a handful of releases to crack MTV and radio. Ammonia did that with the quirky single "Drugs," which found singer/guitarist Dave Johnstone melding the quiet/loud bombast of Nirvana with a delivery more reminiscent of Wayne Coyne. But "Drugs" is the classic case of a single not exactly representing the sound of the record, as the rest of Mint 400 shifts between big fuzzed-out riffing in the vein of Swervedriver's shoegaze and Superchunk's early noise pop. The band works best in short, loud bursts, only losing focus when the tempo drops and running time drags.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Drugs</p>
<p style="text-align:center;">22:17 - Suzi Q</p>
<p style="text-align:center;">30:40 - Ken Carter</p>
<p style="text-align:center;">43:41 - Mint 400</p>
<p style="text-align:center;">Outro - Sleepwalking</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q7fc5u/531-ammonia.mp3" length="125678576" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1995, it was difficult for American "alternative" bands to make a dent in the US, let alone a rookie Australian band on a new label with just a handful of releases to crack MTV and radio. Ammonia did that with the quirky single "Drugs," which found singer/guitarist Dave Johnstone melding the quiet/loud bombast of Nirvana with a delivery more reminiscent of Wayne Coyne. But "Drugs" is the classic case of a single not exactly representing the sound of the record, as the rest of Mint 400 shifts between big fuzzed-out riffing in the vein of Swervedriver's shoegaze and Superchunk's early noise pop. The band works best in short, loud bursts, only losing focus when the tempo drops and running time drags.
 
Songs In This Episode:
Intro - Drugs
22:17 - Suzi Q
30:40 - Ken Carter
43:41 - Mint 400
Outro - Sleepwalking
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3921</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>532</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#530: Friction, Baby by Better Than Ezra</title>
        <itunes:title>#530: Friction, Baby by Better Than Ezra</itunes:title>
        <link>https://digmeout.podbean.com/e/530-friction-baby-by-better-than-ezra/</link>
                    <comments>https://digmeout.podbean.com/e/530-friction-baby-by-better-than-ezra/#comments</comments>        <pubDate>Tue, 09 Mar 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/186b407f-9ce1-33f2-aedd-814e7f8336b7</guid>
                                    <description><![CDATA[<p style="text-align:center;">Of the all bands that scored alternative hits in the 90s rock, few managed to recapture that sales magic on ensuing albums. But that doesn't mean their follow-ups records were lesser, and in some cases they made superior albums that got overlooked by fickle record buyers. Case in point: <a href='https://www.betterthanezra.com/'>Better Than Ezra</a>. After having their 1993 self-released sophomore album Deluxe repackaged and reissued by Elektra in 1995, and scoring a hit single with "Good," the band quickly reconvened and recorded the follow-up Friction, Baby. What the 1996 album lacks is the killer-hook single, but what it gains is confidence. While still boasting a pair of quality radio friend tracks in "King of New Orleans" and "Desperately Wanting," the album overall has the air of a band confident and secure in the sound while still stretching. That can lead to some magic, like on the blazing "Long Lost" and somber "Speeding Up To Slow Down," but also some hubris to go too far on the bad funk of "Normal Town" and "Still Live with Cooley."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - King of New Orleans</p>
<p style="text-align:center;">19:36 - Long Lost</p>
<p style="text-align:center;">27:33 - Scared, Are You?</p>
<p style="text-align:center;">31:24 - Speeding Up To Slow Down</p>
<p style="text-align:center;">34:31 - Normal Town</p>
<p style="text-align:center;">Outro - Desperately Wanting</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Of the all bands that scored alternative hits in the 90s rock, few managed to recapture that sales magic on ensuing albums. But that doesn't mean their follow-ups records were lesser, and in some cases they made superior albums that got overlooked by fickle record buyers. Case in point: <a href='https://www.betterthanezra.com/'>Better Than Ezra</a>. After having their 1993 self-released sophomore album Deluxe repackaged and reissued by Elektra in 1995, and scoring a hit single with "Good," the band quickly reconvened and recorded the follow-up Friction, Baby. What the 1996 album lacks is the killer-hook single, but what it gains is confidence. While still boasting a pair of quality radio friend tracks in "King of New Orleans" and "Desperately Wanting," the album overall has the air of a band confident and secure in the sound while still stretching. That can lead to some magic, like on the blazing "Long Lost" and somber "Speeding Up To Slow Down," but also some hubris to go too far on the bad funk of "Normal Town" and "Still Live with Cooley."</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - King of New Orleans</p>
<p style="text-align:center;">19:36 - Long Lost</p>
<p style="text-align:center;">27:33 - Scared, Are You?</p>
<p style="text-align:center;">31:24 - Speeding Up To Slow Down</p>
<p style="text-align:center;">34:31 - Normal Town</p>
<p style="text-align:center;">Outro - Desperately Wanting</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eun4bq/530-betterthanezra.mp3" length="86541713" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Of the all bands that scored alternative hits in the 90s rock, few managed to recapture that sales magic on ensuing albums. But that doesn't mean their follow-ups records were lesser, and in some cases they made superior albums that got overlooked by fickle record buyers. Case in point: Better Than Ezra. After having their 1993 self-released sophomore album Deluxe repackaged and reissued by Elektra in 1995, and scoring a hit single with "Good," the band quickly reconvened and recorded the follow-up Friction, Baby. What the 1996 album lacks is the killer-hook single, but what it gains is confidence. While still boasting a pair of quality radio friend tracks in "King of New Orleans" and "Desperately Wanting," the album overall has the air of a band confident and secure in the sound while still stretching. That can lead to some magic, like on the blazing "Long Lost" and somber "Speeding Up To Slow Down," but also some hubris to go too far on the bad funk of "Normal Town" and "Still Live with Cooley."
 
Songs In This Episode:
Intro - King of New Orleans
19:36 - Long Lost
27:33 - Scared, Are You?
31:24 - Speeding Up To Slow Down
34:31 - Normal Town
Outro - Desperately Wanting
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2698</itunes:duration>
                <itunes:episode>531</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#529: Eyewitness by Shades Apart</title>
        <itunes:title>#529: Eyewitness by Shades Apart</itunes:title>
        <link>https://digmeout.podbean.com/e/529-eyewitness-by-shades-apart/</link>
                    <comments>https://digmeout.podbean.com/e/529-eyewitness-by-shades-apart/#comments</comments>        <pubDate>Tue, 02 Mar 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9afc513f-db6d-3e37-b4bf-0c887bbcba61</guid>
                                    <description><![CDATA[<p style="text-align:center;">The balance between the "pop" and the "punk" in "pop-punk" can be tricky, especially when a band comes from the latter scene. On the <a href='https://www.facebook.com/shadesapartnj/'>Shades Apart</a> 1999 album Eyewitness, the punk of the 90s (i.e. Green Day, The Offspring, Blink-182, Rancid, etc.) is represented more in the songwriting than the speed, something a lot of those bands would incorporate as time wore one. But Eyewitness goes one step further by adding subtle yet effective ska and reggae flourishes more akin to The Police than Less Than Jake. With producer Lou Giordano behind the board, the band crafts a well-manicured sonic pallet but like many, falls victim to the late 90s/early 00s guitar tones that haven't aged as well as the songwriting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Edge Of The Century</p>
<p style="text-align:center;">19:35 - Stranger By The Day</p>
<p style="text-align:center;">31:14 - One Starry Night</p>
<p style="text-align:center;">37:03 - Chasing Daydreams</p>
<p style="text-align:center;">Outro - 100 Days</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The balance between the "pop" and the "punk" in "pop-punk" can be tricky, especially when a band comes from the latter scene. On the <a href='https://www.facebook.com/shadesapartnj/'>Shades Apart</a> 1999 album Eyewitness, the punk of the 90s (i.e. Green Day, The Offspring, Blink-182, Rancid, etc.) is represented more in the songwriting than the speed, something a lot of those bands would incorporate as time wore one. But Eyewitness goes one step further by adding subtle yet effective ska and reggae flourishes more akin to The Police than Less Than Jake. With producer Lou Giordano behind the board, the band crafts a well-manicured sonic pallet but like many, falls victim to the late 90s/early 00s guitar tones that haven't aged as well as the songwriting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Edge Of The Century</p>
<p style="text-align:center;">19:35 - Stranger By The Day</p>
<p style="text-align:center;">31:14 - One Starry Night</p>
<p style="text-align:center;">37:03 - Chasing Daydreams</p>
<p style="text-align:center;">Outro - 100 Days</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5923x4/529-shadesapart.mp3" length="106847006" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The balance between the "pop" and the "punk" in "pop-punk" can be tricky, especially when a band comes from the latter scene. On the Shades Apart 1999 album Eyewitness, the punk of the 90s (i.e. Green Day, The Offspring, Blink-182, Rancid, etc.) is represented more in the songwriting than the speed, something a lot of those bands would incorporate as time wore one. But Eyewitness goes one step further by adding subtle yet effective ska and reggae flourishes more akin to The Police than Less Than Jake. With producer Lou Giordano behind the board, the band crafts a well-manicured sonic pallet but like many, falls victim to the late 90s/early 00s guitar tones that haven't aged as well as the songwriting.
 
Songs In This Episode:
Intro - Edge Of The Century
19:35 - Stranger By The Day
31:14 - One Starry Night
37:03 - Chasing Daydreams
Outro - 100 Days
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3333</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>530</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#528: Tokyo An*l Dynamite by The Gerogerigegege</title>
        <itunes:title>#528: Tokyo An*l Dynamite by The Gerogerigegege</itunes:title>
        <link>https://digmeout.podbean.com/e/528-tokyo-anal-dynamite-by-the-gerogerigegege/</link>
                    <comments>https://digmeout.podbean.com/e/528-tokyo-anal-dynamite-by-the-gerogerigegege/#comments</comments>        <pubDate>Tue, 23 Feb 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1e554ebc-41c0-3b9f-aae5-c39d7699cf1c</guid>
                                    <description><![CDATA[<p style="text-align:center;">Count to four. Do it seventy-five times, only interrupted by blistering feedback, screaming, and manic drums. And do it in about thirty-one minutes. That is <a href='https://www.youtube.com/watch?v=kYaRV6EwI3U'>Tokyo An*l Dynamite by The Gerogerigegege</a>. In the world of experimental and avante-garde, noise has been tackled by artists as big as Neil Young and Lou Reed. Sonic Youth made a career out of crafting feedback into a symphony of melody. But if punk is about stripping rock 'n roll down to components and putting in the hands of the most rudimentary players, Tokyo Anal Dynamite might be the most punk rock album ever made.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Rock 'n Roll</p>
<p style="text-align:center;">Outro - Atama</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Count to four. Do it seventy-five times, only interrupted by blistering feedback, screaming, and manic drums. And do it in about thirty-one minutes. That is <a href='https://www.youtube.com/watch?v=kYaRV6EwI3U'>Tokyo An*l Dynamite by The Gerogerigegege</a>. In the world of experimental and avante-garde, noise has been tackled by artists as big as Neil Young and Lou Reed. Sonic Youth made a career out of crafting feedback into a symphony of melody. But if punk is about stripping rock 'n roll down to components and putting in the hands of the most rudimentary players, Tokyo Anal Dynamite might be the most punk rock album ever made.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Rock 'n Roll</p>
<p style="text-align:center;">Outro - Atama</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hdrqr9/528-Gerogerigegege.mp3" length="93086118" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Count to four. Do it seventy-five times, only interrupted by blistering feedback, screaming, and manic drums. And do it in about thirty-one minutes. That is Tokyo An*l Dynamite by The Gerogerigegege. In the world of experimental and avante-garde, noise has been tackled by artists as big as Neil Young and Lou Reed. Sonic Youth made a career out of crafting feedback into a symphony of melody. But if punk is about stripping rock 'n roll down to components and putting in the hands of the most rudimentary players, Tokyo Anal Dynamite might be the most punk rock album ever made.
 
Songs In This Episode:
Intro - Rock 'n Roll
Outro - Atama
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2903</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>529</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#527: Cats and Dogs by Royal Trux</title>
        <itunes:title>#527: Cats and Dogs by Royal Trux</itunes:title>
        <link>https://digmeout.podbean.com/e/527-cats-and-dogs-by-royal-trux/</link>
                    <comments>https://digmeout.podbean.com/e/527-cats-and-dogs-by-royal-trux/#comments</comments>        <pubDate>Tue, 16 Feb 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/fd2ce220-a45c-3546-bc65-e203d53a9b23</guid>
                                    <description><![CDATA[<p style="text-align:center;">Despite what the million-dollar deal with Virgin Records might have implied, <a href='https://royaltruxmusic.bandcamp.com/'>Royal Trux</a> we're never going to be hitmakers. The label bought their cool factor based largely on the 1993 album Cats and Dogs, their first to embrace the songwriting end of their lo-fi aesthetic that danced on the edges of 90s rock via critical praise and underground hype. Part droning Velvet Underground, part deconstructed Exile On Main Street-era Rolling Stones, with touches of Sonic Youth and Pavement, Royal Trux concocted a stew of brittle, off-kilter blues without a hint of irony. The result is occasionally blistering, but not without fragile moments that sound like collapse is imminent.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Flag</p>
<p style="text-align:center;">15:48 - Let's Get Lost</p>
<p style="text-align:center;">18:38 - Up the Sleeve</p>
<p style="text-align:center;">25:42 - Turn of the Century</p>
<p style="text-align:center;">37:22 - Driving in That Car (with the Eagle on the Hood)</p>
<p style="text-align:center;">Outro - The Spectre</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Despite what the million-dollar deal with Virgin Records might have implied, <a href='https://royaltruxmusic.bandcamp.com/'>Royal Trux</a> we're never going to be hitmakers. The label bought their cool factor based largely on the 1993 album Cats and Dogs, their first to embrace the songwriting end of their lo-fi aesthetic that danced on the edges of 90s rock via critical praise and underground hype. Part droning Velvet Underground, part deconstructed Exile On Main Street-era Rolling Stones, with touches of Sonic Youth and Pavement, Royal Trux concocted a stew of brittle, off-kilter blues without a hint of irony. The result is occasionally blistering, but not without fragile moments that sound like collapse is imminent.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Flag</p>
<p style="text-align:center;">15:48 - Let's Get Lost</p>
<p style="text-align:center;">18:38 - Up the Sleeve</p>
<p style="text-align:center;">25:42 - Turn of the Century</p>
<p style="text-align:center;">37:22 - Driving in That Car (with the Eagle on the Hood)</p>
<p style="text-align:center;">Outro - The Spectre</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q8eukf/527-royaltrux.mp3" length="112173478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Despite what the million-dollar deal with Virgin Records might have implied, Royal Trux we're never going to be hitmakers. The label bought their cool factor based largely on the 1993 album Cats and Dogs, their first to embrace the songwriting end of their lo-fi aesthetic that danced on the edges of 90s rock via critical praise and underground hype. Part droning Velvet Underground, part deconstructed Exile On Main Street-era Rolling Stones, with touches of Sonic Youth and Pavement, Royal Trux concocted a stew of brittle, off-kilter blues without a hint of irony. The result is occasionally blistering, but not without fragile moments that sound like collapse is imminent.
 
Songs In This Episode:
Intro - The Flag
15:48 - Let's Get Lost
18:38 - Up the Sleeve
25:42 - Turn of the Century
37:22 - Driving in That Car (with the Eagle on the Hood)
Outro - The Spectre
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3499</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>528</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#526: Neil Young In The 90s</title>
        <itunes:title>#526: Neil Young In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/526-neil-young-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/526-neil-young-in-the-90s/#comments</comments>        <pubDate>Tue, 09 Feb 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/84a6c22c-3a4d-383a-89b2-984c720d7188</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://neilyoungarchives.com/'>Neil Young</a> has always been one to buck convention and follow his own muse, but the 80s saw him fall out of favor with mainstream audiences as he explored rockabilly, synthesizers, hard rock, traditional country, etc. with half-baked results. By the end of the decade, he was back on solid footing with Freedom, setting up Young's renaissance in the 90s. 1990's Ragged Glory paired him again with Crazy Horse, marking the start of a decade that found him touring with a variety of taste-making young acts, like Sonic Youth, Soundgarden, and Pearl Jam, who backed him on the generational crossover album Mirror Ball. Unlike many well-known acts from the 70s and 80s that continued in the 90s, Young might have been the most fully immersed in what was actually happening in 90s rock and pop culture.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Downtown from Mirror Ball</p>
<p style="text-align:center;">17:47 - Love To Burn from Ragged Glory</p>
<p style="text-align:center;">22:25 - Harvest Moon from Harvest Moon</p>
<p style="text-align:center;">37:56 - Peace And Love from Mirror Ball</p>
<p style="text-align:center;">49:31 - Big Time from Broken Arrow</p>
<p style="text-align:center;">Outro - Arc</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://neilyoungarchives.com/'>Neil Young</a> has always been one to buck convention and follow his own muse, but the 80s saw him fall out of favor with mainstream audiences as he explored rockabilly, synthesizers, hard rock, traditional country, etc. with half-baked results. By the end of the decade, he was back on solid footing with Freedom, setting up Young's renaissance in the 90s. 1990's Ragged Glory paired him again with Crazy Horse, marking the start of a decade that found him touring with a variety of taste-making young acts, like Sonic Youth, Soundgarden, and Pearl Jam, who backed him on the generational crossover album Mirror Ball. Unlike many well-known acts from the 70s and 80s that continued in the 90s, Young might have been the most fully immersed in what was actually happening in 90s rock and pop culture.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Downtown from Mirror Ball</p>
<p style="text-align:center;">17:47 - Love To Burn from Ragged Glory</p>
<p style="text-align:center;">22:25 - Harvest Moon from Harvest Moon</p>
<p style="text-align:center;">37:56 - Peace And Love from Mirror Ball</p>
<p style="text-align:center;">49:31 - Big Time from Broken Arrow</p>
<p style="text-align:center;">Outro - Arc</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uqphsi/526-neilyoung90s.mp3" length="139423582" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Neil Young has always been one to buck convention and follow his own muse, but the 80s saw him fall out of favor with mainstream audiences as he explored rockabilly, synthesizers, hard rock, traditional country, etc. with half-baked results. By the end of the decade, he was back on solid footing with Freedom, setting up Young's renaissance in the 90s. 1990's Ragged Glory paired him again with Crazy Horse, marking the start of a decade that found him touring with a variety of taste-making young acts, like Sonic Youth, Soundgarden, and Pearl Jam, who backed him on the generational crossover album Mirror Ball. Unlike many well-known acts from the 70s and 80s that continued in the 90s, Young might have been the most fully immersed in what was actually happening in 90s rock and pop culture.
 
Song In This Episode:
Intro - Downtown from Mirror Ball
17:47 - Love To Burn from Ragged Glory
22:25 - Harvest Moon from Harvest Moon
37:56 - Peace And Love from Mirror Ball
49:31 - Big Time from Broken Arrow
Outro - Arc
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4351</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>527</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#525: Clutch by Clutch</title>
        <itunes:title>#525: Clutch by Clutch</itunes:title>
        <link>https://digmeout.podbean.com/e/525-clutch-by-clutch/</link>
                    <comments>https://digmeout.podbean.com/e/525-clutch-by-clutch/#comments</comments>        <pubDate>Tue, 02 Feb 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f65333ba-530f-3caf-8200-8a4c4ea38bb0</guid>
                                    <description><![CDATA[<p style="text-align:center;">While stoner and desert rock has been associated primarily with California bands like Kyuss, Fu Manchu, and Sleep, in reality artists across the country were putting their own spin on Black Sabbath's tracks like "Sweet Leaf" for decades. Bands like Monster Magnet in New Jersey, Corrosion of Conformity in North Carolina, and Clutch in Maryland have each contributed to 90s rock and beyond. On <a href='http://www.pro-rock.com/'>Clutch</a>'s sophomore self-titled album from 1995, the band tone down their freshman punk and louder tendencies, dialing back the distortion and locking into 70s psychedelic head-nodding grooves paired with the occasional frantic jammy freak out. The dividing line for listeners is vocalist Neil Fallon, who possesses one of the most otherworldly heavy voices that can bellow with the best, but is unafraid to explore funkier, sing-songy melodies that may not be for everyone.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Big News II</p>
<p style="text-align:center;">15:31 - Rock N Roll Outlaw</p>
<p style="text-align:center;">23:42 - Spacegrass</p>
<p style="text-align:center;">30:40 - Droid</p>
<p style="text-align:center;">Outro - Seven Jam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While stoner and desert rock has been associated primarily with California bands like Kyuss, Fu Manchu, and Sleep, in reality artists across the country were putting their own spin on Black Sabbath's tracks like "Sweet Leaf" for decades. Bands like Monster Magnet in New Jersey, Corrosion of Conformity in North Carolina, and Clutch in Maryland have each contributed to 90s rock and beyond. On <a href='http://www.pro-rock.com/'>Clutch</a>'s sophomore self-titled album from 1995, the band tone down their freshman punk and louder tendencies, dialing back the distortion and locking into 70s psychedelic head-nodding grooves paired with the occasional frantic jammy freak out. The dividing line for listeners is vocalist Neil Fallon, who possesses one of the most otherworldly heavy voices that can bellow with the best, but is unafraid to explore funkier, sing-songy melodies that may not be for everyone.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Big News II</p>
<p style="text-align:center;">15:31 - Rock N Roll Outlaw</p>
<p style="text-align:center;">23:42 - Spacegrass</p>
<p style="text-align:center;">30:40 - Droid</p>
<p style="text-align:center;">Outro - Seven Jam</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pkgru6/525-clutch.mp3" length="103030203" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While stoner and desert rock has been associated primarily with California bands like Kyuss, Fu Manchu, and Sleep, in reality artists across the country were putting their own spin on Black Sabbath's tracks like "Sweet Leaf" for decades. Bands like Monster Magnet in New Jersey, Corrosion of Conformity in North Carolina, and Clutch in Maryland have each contributed to 90s rock and beyond. On Clutch's sophomore self-titled album from 1995, the band tone down their freshman punk and louder tendencies, dialing back the distortion and locking into 70s psychedelic head-nodding grooves paired with the occasional frantic jammy freak out. The dividing line for listeners is vocalist Neil Fallon, who possesses one of the most otherworldly heavy voices that can bellow with the best, but is unafraid to explore funkier, sing-songy melodies that may not be for everyone.
 
Songs In This Episode:
Intro - Big News II
15:31 - Rock N Roll Outlaw
23:42 - Spacegrass
30:40 - Droid
Outro - Seven Jam
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3214</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>526</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#524: Rid Of Me by PJ Harvey</title>
        <itunes:title>#524: Rid Of Me by PJ Harvey</itunes:title>
        <link>https://digmeout.podbean.com/e/524-rid-of-me-by-pj-harvey/</link>
                    <comments>https://digmeout.podbean.com/e/524-rid-of-me-by-pj-harvey/#comments</comments>        <pubDate>Tue, 26 Jan 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/cecdf6a0-c8c5-353d-b386-50e1a071190f</guid>
                                    <description><![CDATA[<p style="text-align:center;">With three decades of records to look back on, it's safe to say <a href='http://pjharvey.net/'>Polly Jean Harvey</a> doesn't stand still for long. From the minimalist blues of To Bring You My Love to the eerie piano pieces of White Chalk, Harvey has become indie rock's David Bowie, evolving her style steadily and consistently, often at odds with expectations. On her second album as PJ Harvey, Rid Of Me stands the test of time thanks to her raw and intimate approach while unleashing Pixies-ish punk and Bo Diddley blues rhythms. Harvey plays in a big sandbox, and her handpicked producer Steve Albini is game, giving plenty of space for light and dark to crash and thrash.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 50ft Queenie</p>
<p style="text-align:center;">16:19 - Rid Of Me</p>
<p style="text-align:center;">27:03 - Dry</p>
<p style="text-align:center;">32:52 - Me-Jane</p>
<p style="text-align:center;">44:03 - Yuri-G</p>
<p style="text-align:center;">Outro - Missed</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With three decades of records to look back on, it's safe to say <a href='http://pjharvey.net/'>Polly Jean Harvey</a> doesn't stand still for long. From the minimalist blues of To Bring You My Love to the eerie piano pieces of White Chalk, Harvey has become indie rock's David Bowie, evolving her style steadily and consistently, often at odds with expectations. On her second album as PJ Harvey, Rid Of Me stands the test of time thanks to her raw and intimate approach while unleashing Pixies-ish punk and Bo Diddley blues rhythms. Harvey plays in a big sandbox, and her handpicked producer Steve Albini is game, giving plenty of space for light and dark to crash and thrash.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - 50ft Queenie</p>
<p style="text-align:center;">16:19 - Rid Of Me</p>
<p style="text-align:center;">27:03 - Dry</p>
<p style="text-align:center;">32:52 - Me-Jane</p>
<p style="text-align:center;">44:03 - Yuri-G</p>
<p style="text-align:center;">Outro - Missed</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wcuwik/524-pjharvey.mp3" length="111513103" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With three decades of records to look back on, it's safe to say Polly Jean Harvey doesn't stand still for long. From the minimalist blues of To Bring You My Love to the eerie piano pieces of White Chalk, Harvey has become indie rock's David Bowie, evolving her style steadily and consistently, often at odds with expectations. On her second album as PJ Harvey, Rid Of Me stands the test of time thanks to her raw and intimate approach while unleashing Pixies-ish punk and Bo Diddley blues rhythms. Harvey plays in a big sandbox, and her handpicked producer Steve Albini is game, giving plenty of space for light and dark to crash and thrash.
 
Songs In This Episode:
Intro - 50ft Queenie
16:19 - Rid Of Me
27:03 - Dry
32:52 - Me-Jane
44:03 - Yuri-G
Outro - Missed
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3479</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>525</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#523: Frizzle Fry by Primus</title>
        <itunes:title>#523: Frizzle Fry by Primus</itunes:title>
        <link>https://digmeout.podbean.com/e/523-frizzle-fry-by-primus/</link>
                    <comments>https://digmeout.podbean.com/e/523-frizzle-fry-by-primus/#comments</comments>        <pubDate>Tue, 19 Jan 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/138fb12b-6e49-3307-b1b9-6b6c3edc3e5a</guid>
                                    <description><![CDATA[<p style="text-align:center;">While much is made of genres like punk breaking through and topping the mainstream of 90s rock, the late 80s success of the Red Hot Chili Peppers, Living Colour and Faith No More just as successfully pushed underground/alternative funk metal onto MTV. In 1990, <a href='http://www.primusville.com/'>Primus</a> unleashed their twist on the sound with the progressive rock-influenced debut Frizzle Fry. Within a few years, thanks to catchier and catchier tunes paired with creative videos, the band would graduate from Headbanger's Ball to 120 Minutes to daytime rotation, solidifying them as a definitive band of the decade. But what to make of their first studio release, which finds Les Claypool's unendingly inventive approach to bass paired with equally stellar musicians in drummer Tim "Herb" Alexander and guitarist Larry LaLonde. If progressive rock, funk metal, or Claypool's distinct vocal and melodic approach aren't to your taste, is there still something worth checking out?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - John the Fisherman</p>
<p style="text-align:center;">18:18 - Too Many Puppies</p>
<p style="text-align:center;">28:50 - The Toys Go Winding Down</p>
<p style="text-align:center;">47:45: Harold of the Rocks</p>
<p style="text-align:center;">Outro - To Defy the Laws of Tradition</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While much is made of genres like punk breaking through and topping the mainstream of 90s rock, the late 80s success of the Red Hot Chili Peppers, Living Colour and Faith No More just as successfully pushed underground/alternative funk metal onto MTV. In 1990, <a href='http://www.primusville.com/'>Primus</a> unleashed their twist on the sound with the progressive rock-influenced debut Frizzle Fry. Within a few years, thanks to catchier and catchier tunes paired with creative videos, the band would graduate from Headbanger's Ball to 120 Minutes to daytime rotation, solidifying them as a definitive band of the decade. But what to make of their first studio release, which finds Les Claypool's unendingly inventive approach to bass paired with equally stellar musicians in drummer Tim "Herb" Alexander and guitarist Larry LaLonde. If progressive rock, funk metal, or Claypool's distinct vocal and melodic approach aren't to your taste, is there still something worth checking out?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - John the Fisherman</p>
<p style="text-align:center;">18:18 - Too Many Puppies</p>
<p style="text-align:center;">28:50 - The Toys Go Winding Down</p>
<p style="text-align:center;">47:45: Harold of the Rocks</p>
<p style="text-align:center;">Outro - To Defy the Laws of Tradition</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cmi82g/523-primus.mp3" length="118926027" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While much is made of genres like punk breaking through and topping the mainstream of 90s rock, the late 80s success of the Red Hot Chili Peppers, Living Colour and Faith No More just as successfully pushed underground/alternative funk metal onto MTV. In 1990, Primus unleashed their twist on the sound with the progressive rock-influenced debut Frizzle Fry. Within a few years, thanks to catchier and catchier tunes paired with creative videos, the band would graduate from Headbanger's Ball to 120 Minutes to daytime rotation, solidifying them as a definitive band of the decade. But what to make of their first studio release, which finds Les Claypool's unendingly inventive approach to bass paired with equally stellar musicians in drummer Tim "Herb" Alexander and guitarist Larry LaLonde. If progressive rock, funk metal, or Claypool's distinct vocal and melodic approach aren't to your taste, is there still something worth checking out?
 
Songs In This Episode:
Intro - John the Fisherman
18:18 - Too Many Puppies
28:50 - The Toys Go Winding Down
47:45: Harold of the Rocks
Outro - To Defy the Laws of Tradition
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3710</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>524</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#522: Albums of 1991 Roundtable</title>
        <itunes:title>#522: Albums of 1991 Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/522-albums-of-1991-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/522-albums-of-1991-roundtable/#comments</comments>        <pubDate>Tue, 12 Jan 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e1732526-01e8-33a6-af86-b95589a5bda4</guid>
                                    <description><![CDATA[<p style="text-align:center;">Is there a more crucial turning point for 1990s music and 90s rock than 1991? Artists released important albums weekly that would shape the decade (and even entire careers) such as Pearl Jam, U2, Soundgarden, Gun 'n Roses, Smashing Pumpkins, R.E.M., Red Hot Chili Peppers, Primal Scream, Blur, Metallica, and more. Then there were the underground bands that lurked on college radio and outside the Billboard charts like Slint, My Bloody Valentine, Slowdive, Mr. Bungle, Fugazi, Ride, Uncle Tupelo, Mudhoney, and Throwing Muses. It's the debut of Lollapalooza, the year trip-hop and desert / stoner rock would begin their ascension, the year Freddie Mercury released one last album with Queen before his passing, and the year "grunge" became a word everyone knew. It's a super-sized episode with lots of guests and lots to cover.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">1991 Medley (Unbelievable by EMF, Rusty Cage by Soundgarden, There's No Other Way by Blur, Girlfriend by Matthew Sweet)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Is there a more crucial turning point for 1990s music and 90s rock than 1991? Artists released important albums weekly that would shape the decade (and even entire careers) such as Pearl Jam, U2, Soundgarden, Gun 'n Roses, Smashing Pumpkins, R.E.M., Red Hot Chili Peppers, Primal Scream, Blur, Metallica, and more. Then there were the underground bands that lurked on college radio and outside the Billboard charts like Slint, My Bloody Valentine, Slowdive, Mr. Bungle, Fugazi, Ride, Uncle Tupelo, Mudhoney, and Throwing Muses. It's the debut of Lollapalooza, the year trip-hop and desert / stoner rock would begin their ascension, the year Freddie Mercury released one last album with Queen before his passing, and the year "grunge" became a word everyone knew. It's a super-sized episode with lots of guests and lots to cover.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">1991 Medley (Unbelievable by EMF, Rusty Cage by Soundgarden, There's No Other Way by Blur, Girlfriend by Matthew Sweet)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jqjfgb/522-1991albums.mp3" length="229115954" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Is there a more crucial turning point for 1990s music and 90s rock than 1991? Artists released important albums weekly that would shape the decade (and even entire careers) such as Pearl Jam, U2, Soundgarden, Gun 'n Roses, Smashing Pumpkins, R.E.M., Red Hot Chili Peppers, Primal Scream, Blur, Metallica, and more. Then there were the underground bands that lurked on college radio and outside the Billboard charts like Slint, My Bloody Valentine, Slowdive, Mr. Bungle, Fugazi, Ride, Uncle Tupelo, Mudhoney, and Throwing Muses. It's the debut of Lollapalooza, the year trip-hop and desert / stoner rock would begin their ascension, the year Freddie Mercury released one last album with Queen before his passing, and the year "grunge" became a word everyone knew. It's a super-sized episode with lots of guests and lots to cover.
 
Songs In This Episode:
1991 Medley (Unbelievable by EMF, Rusty Cage by Soundgarden, There's No Other Way by Blur, Girlfriend by Matthew Sweet)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7154</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>523</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#521: Yank Crime by Drive Like Jehu</title>
        <itunes:title>#521: Yank Crime by Drive Like Jehu</itunes:title>
        <link>https://digmeout.podbean.com/e/521-yank-crime-by-drive-like-jehu/</link>
                    <comments>https://digmeout.podbean.com/e/521-yank-crime-by-drive-like-jehu/#comments</comments>        <pubDate>Tue, 05 Jan 2021 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/159813cf-cf9e-3643-888b-7449009beec7</guid>
                                    <description><![CDATA[<p style="text-align:center;">Few bands can really be described as influential, most either affecting the latest pose or regurgitating a nostalgic vibe. On the other hand, some bands are so ahead of the curve, it can take time for the rest of the world to catch up. That's the case with <a href='https://en.wikipedia.org/wiki/Drive_Like_Jehu'>Drive Like Jehu</a>'s sophomore 1995 album Yank Crime, which in the worlds of 90s rock, sounded like a runaway train of mixed up genres - post-hardcore, math rock, emo, post-punk, and more that weren't invented yet. It's not speculation to call this record and this band influential - members of At The Drive-in, Deftones, Modest Mouse, Jimmy Eat World, and more have weighed in over the years on DLJ's unique place in 90s rock canon. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Here Come The Rome Plows</p>
<p style="text-align:center;">22:22 - Luau</p>
<p style="text-align:center;">32:22 - New Intro</p>
<p style="text-align:center;">Outro - Do You Compute</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Few bands can really be described as influential, most either affecting the latest pose or regurgitating a nostalgic vibe. On the other hand, some bands are so ahead of the curve, it can take time for the rest of the world to catch up. That's the case with <a href='https://en.wikipedia.org/wiki/Drive_Like_Jehu'>Drive Like Jehu</a>'s sophomore 1995 album Yank Crime, which in the worlds of 90s rock, sounded like a runaway train of mixed up genres - post-hardcore, math rock, emo, post-punk, and more that weren't invented yet. It's not speculation to call this record and this band influential - members of At The Drive-in, Deftones, Modest Mouse, Jimmy Eat World, and more have weighed in over the years on DLJ's unique place in 90s rock canon. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Here Come The Rome Plows</p>
<p style="text-align:center;">22:22 - Luau</p>
<p style="text-align:center;">32:22 - New Intro</p>
<p style="text-align:center;">Outro - Do You Compute</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5erqfb/521-drivelikejehu.mp3" length="97431222" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Few bands can really be described as influential, most either affecting the latest pose or regurgitating a nostalgic vibe. On the other hand, some bands are so ahead of the curve, it can take time for the rest of the world to catch up. That's the case with Drive Like Jehu's sophomore 1995 album Yank Crime, which in the worlds of 90s rock, sounded like a runaway train of mixed up genres - post-hardcore, math rock, emo, post-punk, and more that weren't invented yet. It's not speculation to call this record and this band influential - members of At The Drive-in, Deftones, Modest Mouse, Jimmy Eat World, and more have weighed in over the years on DLJ's unique place in 90s rock canon. 
 
Songs in this Episode:
Intro - Here Come The Rome Plows
22:22 - Luau
32:22 - New Intro
Outro - Do You Compute
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3039</itunes:duration>
        <itunes:season>11</itunes:season>
        <itunes:episode>522</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#520: Season Ten - Year In Review</title>
        <itunes:title>#520: Season Ten - Year In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/520-season-ten-year-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/520-season-ten-year-in-review/#comments</comments>        <pubDate>Tue, 29 Dec 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a9da275f-e74c-39cc-abfb-be018600709a</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our look back at Season Ten of the podcast, during which we hit milestone episode five hundred, is a great recap to a not so great year. Our Patreon community continued to support us and lead way, picking interesting and unexpected albums to revisit via individual selections and our monthly polls. It allows us to check out noteworthy 90s bands we had previously missed like Mudhoney, that dog., Neutral Milk Hotel, Dig, Morphine, and PJ Harvey, as well as discover a bevy of lesser-known acts such as Ricaine, Odds, Cosmic Psychos, Giants Chair, and more. From the Hindustani jazz fusion of Indian Ocean to the 70s funk of Big Chief, our sonic pallet was once again expanded thanks to our patrons, who also helped us launch our Discord community, which lead to our new weekly Box newsletter. We looking forward to moving into 2021 and Season Eleven!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our look back at Season Ten of the podcast, during which we hit milestone episode five hundred, is a great recap to a not so great year. Our Patreon community continued to support us and lead way, picking interesting and unexpected albums to revisit via individual selections and our monthly polls. It allows us to check out noteworthy 90s bands we had previously missed like Mudhoney, that dog., Neutral Milk Hotel, Dig, Morphine, and PJ Harvey, as well as discover a bevy of lesser-known acts such as Ricaine, Odds, Cosmic Psychos, Giants Chair, and more. From the Hindustani jazz fusion of Indian Ocean to the 70s funk of Big Chief, our sonic pallet was once again expanded thanks to our patrons, who also helped us launch our Discord community, which lead to our new weekly Box newsletter. We looking forward to moving into 2021 and Season Eleven!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/59a3xs/520-season10wrapup.mp3" length="90583378" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our look back at Season Ten of the podcast, during which we hit milestone episode five hundred, is a great recap to a not so great year. Our Patreon community continued to support us and lead way, picking interesting and unexpected albums to revisit via individual selections and our monthly polls. It allows us to check out noteworthy 90s bands we had previously missed like Mudhoney, that dog., Neutral Milk Hotel, Dig, Morphine, and PJ Harvey, as well as discover a bevy of lesser-known acts such as Ricaine, Odds, Cosmic Psychos, Giants Chair, and more. From the Hindustani jazz fusion of Indian Ocean to the 70s funk of Big Chief, our sonic pallet was once again expanded thanks to our patrons, who also helped us launch our Discord community, which lead to our new weekly Box newsletter. We looking forward to moving into 2021 and Season Eleven!
 
Songs In This Episode:
Intro/Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2825</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>521</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#519: Every Good Boy Deserves Fudge by Mudhoney</title>
        <itunes:title>#519: Every Good Boy Deserves Fudge by Mudhoney</itunes:title>
        <link>https://digmeout.podbean.com/e/519-every-good-boy-deserves-fudge-by-mudhoney/</link>
                    <comments>https://digmeout.podbean.com/e/519-every-good-boy-deserves-fudge-by-mudhoney/#comments</comments>        <pubDate>Tue, 22 Dec 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/34507601-2d4d-33e2-a3a3-b39b8a703653</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://mudhoneyonline.com/'>Mudhoney</a> may have written some of the most recognized pre-Nirvana breakthrough tracks associated with the Seattle sound of the 80s like "Touch Me, I'm Sick," "Suck You Dry," and "In 'n Out Of Grace," but the band has had as much in common musically with the sound of Detroit punk and garage bands like MC5, Iggy & The Stooges, The Gories, Sonic's Rendezvous Band, etc. On their second full-length album, Every Good Boy Deserves Fudge, released in 1991 just months before Nirvana's Nevermind changed the musical landscape, the band took their established template and added vintage organs, blazing harmonicas, and acoustic guitars to expand their sound. While it helps break up what can become a repetitive listen thanks to the eight-track lower-fidelity production, the band can't deliver on a killer melody or hook the way they had on their previous standout songs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Let It Slide</p>
<p style="text-align:center;">14:05 - Generation Genocide</p>
<p style="text-align:center;">18:55 - Something So Clear</p>
<p style="text-align:center;">23:36 - Pokin' Around</p>
<p style="text-align:center;">28:03 - Fuzzgunn '91</p>
<p style="text-align:center;">Outro - Into The Drink</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://mudhoneyonline.com/'>Mudhoney</a> may have written some of the most recognized pre-Nirvana breakthrough tracks associated with the Seattle sound of the 80s like "Touch Me, I'm Sick," "Suck You Dry," and "In 'n Out Of Grace," but the band has had as much in common musically with the sound of Detroit punk and garage bands like MC5, Iggy & The Stooges, The Gories, Sonic's Rendezvous Band, etc. On their second full-length album, Every Good Boy Deserves Fudge, released in 1991 just months before Nirvana's Nevermind changed the musical landscape, the band took their established template and added vintage organs, blazing harmonicas, and acoustic guitars to expand their sound. While it helps break up what can become a repetitive listen thanks to the eight-track lower-fidelity production, the band can't deliver on a killer melody or hook the way they had on their previous standout songs.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Let It Slide</p>
<p style="text-align:center;">14:05 - Generation Genocide</p>
<p style="text-align:center;">18:55 - Something So Clear</p>
<p style="text-align:center;">23:36 - Pokin' Around</p>
<p style="text-align:center;">28:03 - Fuzzgunn '91</p>
<p style="text-align:center;">Outro - Into The Drink</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t2d5ce/519-mudhoney.mp3" length="85316256" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Mudhoney may have written some of the most recognized pre-Nirvana breakthrough tracks associated with the Seattle sound of the 80s like "Touch Me, I'm Sick," "Suck You Dry," and "In 'n Out Of Grace," but the band has had as much in common musically with the sound of Detroit punk and garage bands like MC5, Iggy & The Stooges, The Gories, Sonic's Rendezvous Band, etc. On their second full-length album, Every Good Boy Deserves Fudge, released in 1991 just months before Nirvana's Nevermind changed the musical landscape, the band took their established template and added vintage organs, blazing harmonicas, and acoustic guitars to expand their sound. While it helps break up what can become a repetitive listen thanks to the eight-track lower-fidelity production, the band can't deliver on a killer melody or hook the way they had on their previous standout songs.
 
Songs In This Episode:
Intro - Let It Slide
14:05 - Generation Genocide
18:55 - Something So Clear
23:36 - Pokin' Around
28:03 - Fuzzgunn '91
Outro - Into The Drink
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2660</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>520</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#518: Waiting For The Punchline by Extreme</title>
        <itunes:title>#518: Waiting For The Punchline by Extreme</itunes:title>
        <link>https://digmeout.podbean.com/e/518-waiting-for-the-punchline-by-extreme/</link>
                    <comments>https://digmeout.podbean.com/e/518-waiting-for-the-punchline-by-extreme/#comments</comments>        <pubDate>Tue, 15 Dec 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2dcd56b2-3c3e-3097-b7a0-320a6a2c9a72</guid>
                                    <description><![CDATA[<p style="text-align:center;">As we've discussed previously with episodes on Mötley Crüe and Skid Row, the 1990s were a weird evolutionary period for '80s hard rock and metal bands tagged with monikers "glam" or "hair" to describe their look even if it didn't describe their sound. So much so, there's always a caveat to their '90s releases as to whether the band tried to update their sound to fit in with the new alternative and grunge landscape, or if they kept chugging along with only minor tweaks. In the case of Boston funk-metal band <a href='https://www.extreme-band.com/'>Extreme</a>, their fourth (and until 2008, final) album Waiting For The Punchline ditched the big rock production for a more immediate style that gives the rhythm section more punch but still allows virtuoso guitarist Nuno Bettencourt room to dazzle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hip Today</p>
<p style="text-align:center;">18:52 - Waiting For The Punchline</p>
<p style="text-align:center;">26:42 - There Is No God</p>
<p style="text-align:center;">30:30 - No Respect</p>
<p style="text-align:center;">Outro - Evilangelist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">As we've discussed previously with episodes on Mötley Crüe and Skid Row, the 1990s were a weird evolutionary period for '80s hard rock and metal bands tagged with monikers "glam" or "hair" to describe their look even if it didn't describe their sound. So much so, there's always a caveat to their '90s releases as to whether the band tried to update their sound to fit in with the new alternative and grunge landscape, or if they kept chugging along with only minor tweaks. In the case of Boston funk-metal band <a href='https://www.extreme-band.com/'>Extreme</a>, their fourth (and until 2008, final) album Waiting For The Punchline ditched the big rock production for a more immediate style that gives the rhythm section more punch but still allows virtuoso guitarist Nuno Bettencourt room to dazzle.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Hip Today</p>
<p style="text-align:center;">18:52 - Waiting For The Punchline</p>
<p style="text-align:center;">26:42 - There Is No God</p>
<p style="text-align:center;">30:30 - No Respect</p>
<p style="text-align:center;">Outro - Evilangelist</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9wifqs/518-extreme.mp3" length="109166108" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As we've discussed previously with episodes on Mötley Crüe and Skid Row, the 1990s were a weird evolutionary period for '80s hard rock and metal bands tagged with monikers "glam" or "hair" to describe their look even if it didn't describe their sound. So much so, there's always a caveat to their '90s releases as to whether the band tried to update their sound to fit in with the new alternative and grunge landscape, or if they kept chugging along with only minor tweaks. In the case of Boston funk-metal band Extreme, their fourth (and until 2008, final) album Waiting For The Punchline ditched the big rock production for a more immediate style that gives the rhythm section more punch but still allows virtuoso guitarist Nuno Bettencourt room to dazzle.
 
Songs In This Episode:
Intro - Hip Today
18:52 - Waiting For The Punchline
26:42 - There Is No God
30:30 - No Respect
Outro - Evilangelist
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3400</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>519</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#517: Music We're Thankful For In 2020</title>
        <itunes:title>#517: Music We're Thankful For In 2020</itunes:title>
        <link>https://digmeout.podbean.com/e/517-music-were-thankful-for-in-2020/</link>
                    <comments>https://digmeout.podbean.com/e/517-music-were-thankful-for-in-2020/#comments</comments>        <pubDate>Tue, 08 Dec 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/f058cd60-a3d4-3ffd-b1be-33cc84a0cdeb</guid>
                                    <description><![CDATA[<p style="text-align:center;">While the calendar confirms that 2020 was a standard 365 days, March seemed to last seven months, and in total the year seemed like one endless anxiety attack. Luckily, music still provided a momentary reprise via albums in a variety of forms. Some were unexpected, like from Hum, Shiner, Sparta, and Criteria. Some were long in the making, like albums from Fiona Apple, Pearl Jam, Alanis Morissette, and the Psychedelic Furs. Others were from active favorites, like The Lees of Memory, Guided By Voices, Local H, and Jeff Tweedy. There was something for everyone, and we talked about many.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Far Beyond by The Lees of Memory (from Moon Shot)</p>
<p style="text-align:center;">6:36 - Shameka by Fiona Apple (from Fetch The Bolt Cutters)</p>
<p style="text-align:center;">27:16 - Ghosts by Bruce Springsteen and the E Street Band (from Letter To You)</p>
<p style="text-align:center;">34:32 - Step Into You by Hum (from Inlet)</p>
<p style="text-align:center;">48:33 - Lighthouse Spaceship by The Lickerish Quartet (from Threesome, Vol. 1 EP)</p>
<p style="text-align:center;">59:42 - Run Towards The Roar by Baby Chaos (from Apes Confronts Cosmos)</p>
<p style="text-align:center;">Outro - The Solution is Laughable by Godzillionaire (from Negative Balance)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While the calendar confirms that 2020 was a standard 365 days, March seemed to last seven months, and in total the year seemed like one endless anxiety attack. Luckily, music still provided a momentary reprise via albums in a variety of forms. Some were unexpected, like from Hum, Shiner, Sparta, and Criteria. Some were long in the making, like albums from Fiona Apple, Pearl Jam, Alanis Morissette, and the Psychedelic Furs. Others were from active favorites, like The Lees of Memory, Guided By Voices, Local H, and Jeff Tweedy. There was something for everyone, and we talked about many.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Far Beyond by The Lees of Memory (from Moon Shot)</p>
<p style="text-align:center;">6:36 - Shameka by Fiona Apple (from Fetch The Bolt Cutters)</p>
<p style="text-align:center;">27:16 - Ghosts by Bruce Springsteen and the E Street Band (from Letter To You)</p>
<p style="text-align:center;">34:32 - Step Into You by Hum (from Inlet)</p>
<p style="text-align:center;">48:33 - Lighthouse Spaceship by The Lickerish Quartet (from Threesome, Vol. 1 EP)</p>
<p style="text-align:center;">59:42 - Run Towards The Roar by Baby Chaos (from Apes Confronts Cosmos)</p>
<p style="text-align:center;">Outro - The Solution is Laughable by Godzillionaire (from Negative Balance)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5t823h/517-thanksgiving2020.mp3" length="208756326" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While the calendar confirms that 2020 was a standard 365 days, March seemed to last seven months, and in total the year seemed like one endless anxiety attack. Luckily, music still provided a momentary reprise via albums in a variety of forms. Some were unexpected, like from Hum, Shiner, Sparta, and Criteria. Some were long in the making, like albums from Fiona Apple, Pearl Jam, Alanis Morissette, and the Psychedelic Furs. Others were from active favorites, like The Lees of Memory, Guided By Voices, Local H, and Jeff Tweedy. There was something for everyone, and we talked about many.
 
Songs In This Episode:
Intro - Far Beyond by The Lees of Memory (from Moon Shot)
6:36 - Shameka by Fiona Apple (from Fetch The Bolt Cutters)
27:16 - Ghosts by Bruce Springsteen and the E Street Band (from Letter To You)
34:32 - Step Into You by Hum (from Inlet)
48:33 - Lighthouse Spaceship by The Lickerish Quartet (from Threesome, Vol. 1 EP)
59:42 - Run Towards The Roar by Baby Chaos (from Apes Confronts Cosmos)
Outro - The Solution is Laughable by Godzillionaire (from Negative Balance)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6517</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>518</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#516: Fictional Bands and Artists of the 90s</title>
        <itunes:title>#516: Fictional Bands and Artists of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/516-fictional-bands-and-artists-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/516-fictional-bands-and-artists-of-the-90s/#comments</comments>        <pubDate>Tue, 01 Dec 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/af7bde2d-7be9-3197-9d4b-d5253f6fa49e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Fictional bands and artists have been a staple of movies and television shows for decades, from the heavy metal send-up of This Is Spinal Tap to Dan Akroyd and John Belushi getting the band back together in The Blues Brothers. The 1990s were no different, as movies and television were filled with bands we wished had put out full albums and toured, to some that were best left to thirty-seconds of screen airtime. Whether it's capturing the sound of the decade in shows like My So-Called Life and Daria or films such as Singles and Empire Records, or revisiting past decades like the 70s glam rock of Velvet Goldmine and 60s garage rock of That Thing You Do!, there is plenty to rediscover or check out if you missed it the first time around.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Shrimp Shack by The Wonders (from That Thing You Do!)</p>
<p style="text-align:center;">5:05 - All Over The World by Strange Fruit (Still Crazy)</p>
<p style="text-align:center;">20:14 - Freakin' Friends by Mystik Spiral (Daria)</p>
<p style="text-align:center;">36:40 - More Bad Times by Ed's Redeeming Qualities (Ed's Next Move)</p>
<p style="text-align:center;">42:43 - The Bedrock Twitch by The BC-52's (The Flintstones)</p>
<p style="text-align:center;">53:36 - By My Side by The Suburbans (The Suburbans)</p>
<p style="text-align:center;">Outro - How Do You Talk To An Angel by The Heights (The Heights)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Fictional bands and artists have been a staple of movies and television shows for decades, from the heavy metal send-up of This Is Spinal Tap to Dan Akroyd and John Belushi getting the band back together in The Blues Brothers. The 1990s were no different, as movies and television were filled with bands we wished had put out full albums and toured, to some that were best left to thirty-seconds of screen airtime. Whether it's capturing the sound of the decade in shows like My So-Called Life and Daria or films such as Singles and Empire Records, or revisiting past decades like the 70s glam rock of Velvet Goldmine and 60s garage rock of That Thing You Do!, there is plenty to rediscover or check out if you missed it the first time around.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Shrimp Shack by The Wonders (from That Thing You Do!)</p>
<p style="text-align:center;">5:05 - All Over The World by Strange Fruit (Still Crazy)</p>
<p style="text-align:center;">20:14 - Freakin' Friends by Mystik Spiral (Daria)</p>
<p style="text-align:center;">36:40 - More Bad Times by Ed's Redeeming Qualities (Ed's Next Move)</p>
<p style="text-align:center;">42:43 - The Bedrock Twitch by The BC-52's (The Flintstones)</p>
<p style="text-align:center;">53:36 - By My Side by The Suburbans (The Suburbans)</p>
<p style="text-align:center;">Outro - How Do You Talk To An Angel by The Heights (The Heights)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zfpkyw/516-fictionalbands.mp3" length="134038596" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fictional bands and artists have been a staple of movies and television shows for decades, from the heavy metal send-up of This Is Spinal Tap to Dan Akroyd and John Belushi getting the band back together in The Blues Brothers. The 1990s were no different, as movies and television were filled with bands we wished had put out full albums and toured, to some that were best left to thirty-seconds of screen airtime. Whether it's capturing the sound of the decade in shows like My So-Called Life and Daria or films such as Singles and Empire Records, or revisiting past decades like the 70s glam rock of Velvet Goldmine and 60s garage rock of That Thing You Do!, there is plenty to rediscover or check out if you missed it the first time around.
 
Songs In This Episode:
Intro - Shrimp Shack by The Wonders (from That Thing You Do!)
5:05 - All Over The World by Strange Fruit (Still Crazy)
20:14 - Freakin' Friends by Mystik Spiral (Daria)
36:40 - More Bad Times by Ed's Redeeming Qualities (Ed's Next Move)
42:43 - The Bedrock Twitch by The BC-52's (The Flintstones)
53:36 - By My Side by The Suburbans (The Suburbans)
Outro - How Do You Talk To An Angel by The Heights (The Heights)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4183</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>517</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#515: Retreat From The Sun by that dog.</title>
        <itunes:title>#515: Retreat From The Sun by that dog.</itunes:title>
        <link>https://digmeout.podbean.com/e/515-retreat-from-the-sun-by-that-dog/</link>
                    <comments>https://digmeout.podbean.com/e/515-retreat-from-the-sun-by-that-dog/#comments</comments>        <pubDate>Tue, 24 Nov 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/077328a9-b491-3356-b501-6f844493643c</guid>
                                    <description><![CDATA[<p style="text-align:center;">The third album by <a href='https://thatdogofficial.com/'>that dog.</a> album didn't happen. 1997's Retreat From The Sun was intended to be lead singer Anna Waronker's debut solo album, but after pressure from her record label, it turned into a full-band effort. The result might be the highlight of the that dog. catalog, and one of the best guitar pop albums of the decade. Three minute mid and uptempo radio-friendly tunes with enough grit and subtly layered instrumentation allow Retreat From The Sun to work on two levels - a catchy pop record for casual fans, and a headphone experience for those desiring a deeper listen. With the talented Hayden sisters on vocals and multiple instruments, the record finds the balance between crafted and fresh.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Retreat From The Sun</p>
<p style="text-align:center;">18:27 - Never Say Never</p>
<p style="text-align:center;">21:39 - Annie</p>
<p style="text-align:center;">25:05 - Gagged and Tied</p>
<p style="text-align:center;">Outro - Long Island</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The third album by <a href='https://thatdogofficial.com/'>that dog.</a> album didn't happen. 1997's Retreat From The Sun was intended to be lead singer Anna Waronker's debut solo album, but after pressure from her record label, it turned into a full-band effort. The result might be the highlight of the that dog. catalog, and one of the best guitar pop albums of the decade. Three minute mid and uptempo radio-friendly tunes with enough grit and subtly layered instrumentation allow Retreat From The Sun to work on two levels - a catchy pop record for casual fans, and a headphone experience for those desiring a deeper listen. With the talented Hayden sisters on vocals and multiple instruments, the record finds the balance between crafted and fresh.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Retreat From The Sun</p>
<p style="text-align:center;">18:27 - Never Say Never</p>
<p style="text-align:center;">21:39 - Annie</p>
<p style="text-align:center;">25:05 - Gagged and Tied</p>
<p style="text-align:center;">Outro - Long Island</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tmiwch/515-thatdog.mp3" length="81358183" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The third album by that dog. album didn't happen. 1997's Retreat From The Sun was intended to be lead singer Anna Waronker's debut solo album, but after pressure from her record label, it turned into a full-band effort. The result might be the highlight of the that dog. catalog, and one of the best guitar pop albums of the decade. Three minute mid and uptempo radio-friendly tunes with enough grit and subtly layered instrumentation allow Retreat From The Sun to work on two levels - a catchy pop record for casual fans, and a headphone experience for those desiring a deeper listen. With the talented Hayden sisters on vocals and multiple instruments, the record finds the balance between crafted and fresh.
 
Songs In This Episode:
Intro - Retreat From The Sun
18:27 - Never Say Never
21:39 - Annie
25:05 - Gagged and Tied
Outro - Long Island
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2536</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>516</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#514: Boggy Depot by Jerry Cantrell</title>
        <itunes:title>#514: Boggy Depot by Jerry Cantrell</itunes:title>
        <link>https://digmeout.podbean.com/e/514-boggy-depot-by-jerry-cantrell/</link>
                    <comments>https://digmeout.podbean.com/e/514-boggy-depot-by-jerry-cantrell/#comments</comments>        <pubDate>Tue, 17 Nov 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1e824418-e65c-358d-bbd5-6c31c8138fa3</guid>
                                    <description><![CDATA[<p style="text-align:center;">On this episode, we invited <a href='https://twitter.com/1hlpodcast'>Drew Zakmin</a> of the <a href='http://songsgonewrong.com/'>Songs Gone Wrong podcast</a> on to discuss his pick of the 1998 <a href='https://jerrycantrell.com/'>Jerry Cantrell</a> solo debut, Boggy Depot. While his guitar prowess and backing vocals in <a href='https://aliceinchains.com/'>Alice Chains </a>were well regarded in the 1990s, it wasn't clear what a large part Cantrell played in the overall sound of the band until this album, which features plenty of riffs and melodies on part with tracks on Facelift or Dirt. The heavier and darker sounds associated with the band are significantly reduced, as Cantrell indulges his songwriter side on longer tracks like "Settling Down" and "Cold Piece," while adding horns, piano, and other non-AIC instrumentation to the mix. But producing his own record may have led to some choices that a seasoned producer might have questioned, such as the overlong run-time and (at times) oddly mixing choices that occasionally bury the guitar leads. Once you're done with this episode, make sure to head over to Songs Gone Wrong for the other half of our podcast swap to hear us discuss the <a href='http://songsgonewrong.com/'>1997 single Tubthumping by Chumbawamba</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In The Episode:</p>
<p style="text-align:center;">Intro - Cut You In</p>
<p style="text-align:center;">12:01 - Dickeye</p>
<p style="text-align:center;">17:21 - Settling Down</p>
<p style="text-align:center;">22:27 - Devil By His Side</p>
<p style="text-align:center;">26:01 - Hurt A Long Time</p>
<p style="text-align:center;">Outro - My Song</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On this episode, we invited <a href='https://twitter.com/1hlpodcast'>Drew Zakmin</a> of the <a href='http://songsgonewrong.com/'>Songs Gone Wrong podcast</a> on to discuss his pick of the 1998 <a href='https://jerrycantrell.com/'>Jerry Cantrell</a> solo debut, Boggy Depot. While his guitar prowess and backing vocals in <a href='https://aliceinchains.com/'>Alice Chains </a>were well regarded in the 1990s, it wasn't clear what a large part Cantrell played in the overall sound of the band until this album, which features plenty of riffs and melodies on part with tracks on Facelift or Dirt. The heavier and darker sounds associated with the band are significantly reduced, as Cantrell indulges his songwriter side on longer tracks like "Settling Down" and "Cold Piece," while adding horns, piano, and other non-AIC instrumentation to the mix. But producing his own record may have led to some choices that a seasoned producer might have questioned, such as the overlong run-time and (at times) oddly mixing choices that occasionally bury the guitar leads. Once you're done with this episode, make sure to head over to Songs Gone Wrong for the other half of our podcast swap to hear us discuss the <a href='http://songsgonewrong.com/'>1997 single Tubthumping by Chumbawamba</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In The Episode:</p>
<p style="text-align:center;">Intro - Cut You In</p>
<p style="text-align:center;">12:01 - Dickeye</p>
<p style="text-align:center;">17:21 - Settling Down</p>
<p style="text-align:center;">22:27 - Devil By His Side</p>
<p style="text-align:center;">26:01 - Hurt A Long Time</p>
<p style="text-align:center;">Outro - My Song</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bi2gjr/514-jerrycantrell.mp3" length="85601304" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On this episode, we invited Drew Zakmin of the Songs Gone Wrong podcast on to discuss his pick of the 1998 Jerry Cantrell solo debut, Boggy Depot. While his guitar prowess and backing vocals in Alice Chains were well regarded in the 1990s, it wasn't clear what a large part Cantrell played in the overall sound of the band until this album, which features plenty of riffs and melodies on part with tracks on Facelift or Dirt. The heavier and darker sounds associated with the band are significantly reduced, as Cantrell indulges his songwriter side on longer tracks like "Settling Down" and "Cold Piece," while adding horns, piano, and other non-AIC instrumentation to the mix. But producing his own record may have led to some choices that a seasoned producer might have questioned, such as the overlong run-time and (at times) oddly mixing choices that occasionally bury the guitar leads. Once you're done with this episode, make sure to head over to Songs Gone Wrong for the other half of our podcast swap to hear us discuss the 1997 single Tubthumping by Chumbawamba.
 
Songs In The Episode:
Intro - Cut You In
12:01 - Dickeye
17:21 - Settling Down
22:27 - Devil By His Side
26:01 - Hurt A Long Time
Outro - My Song
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2669</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>515</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#513: Cattlemen Don't by Triplefastaction</title>
        <itunes:title>#513: Cattlemen Don't by Triplefastaction</itunes:title>
        <link>https://digmeout.podbean.com/e/513-cattlemen-dont-by-triplefastaction/</link>
                    <comments>https://digmeout.podbean.com/e/513-cattlemen-dont-by-triplefastaction/#comments</comments>        <pubDate>Tue, 10 Nov 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/9ae1a33e-9d22-3c44-9b7a-bfa7ba9c1e9b</guid>
                                    <description><![CDATA[<p style="text-align:center;">Way back in season number one of Dig Me Out we were joined by an old friend (<a href='http://digmeoutpodcast.com/special-guests/chip-midnight'>Chip Midnight</a>, who would become a frequent guest on the show) to discuss one of his favorite bands and albums, the <a href='http://digmeoutpodcast.com/episode/005-broadcaster-by-triple-fast-action'>1996 album Broadcaster</a> by <a href='https://www.forgeagainrecords.com/'>Triplefastaction</a>. During that episode we talked about eventually revisiting the second and final album by the band, 1997's Cattlemen Don't. While we predicted it would be five thousand episodes later, it only ending up being five hundred episodes later, as we are joined by Brian and Kevin from the band, along with producer John Agnello popping in for a bit, to revisit the record and discuss the just-announced double LP vinyl reissue on Chicago's Forge Again Records. From the label, Justin Wexler joins us to share the in's and out's of how a vinyl reissue happens, and of course, our old friend Chip is back to share stories and more with the group.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pure</p>
<p style="text-align:center;">11:31 - Heroes</p>
<p style="text-align:center;">35:09 - Eurogirl</p>
<p style="text-align:center;">1:11:33 - If</p>
<p style="text-align:center;">Outro - Duck And Run</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Way back in season number one of Dig Me Out we were joined by an old friend (<a href='http://digmeoutpodcast.com/special-guests/chip-midnight'>Chip Midnight</a>, who would become a frequent guest on the show) to discuss one of his favorite bands and albums, the <a href='http://digmeoutpodcast.com/episode/005-broadcaster-by-triple-fast-action'>1996 album Broadcaster</a> by <a href='https://www.forgeagainrecords.com/'>Triplefastaction</a>. During that episode we talked about eventually revisiting the second and final album by the band, 1997's Cattlemen Don't. While we predicted it would be five thousand episodes later, it only ending up being five hundred episodes later, as we are joined by Brian and Kevin from the band, along with producer John Agnello popping in for a bit, to revisit the record and discuss the just-announced double LP vinyl reissue on Chicago's Forge Again Records. From the label, Justin Wexler joins us to share the in's and out's of how a vinyl reissue happens, and of course, our old friend Chip is back to share stories and more with the group.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Pure</p>
<p style="text-align:center;">11:31 - Heroes</p>
<p style="text-align:center;">35:09 - Eurogirl</p>
<p style="text-align:center;">1:11:33 - If</p>
<p style="text-align:center;">Outro - Duck And Run</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bmwma2/513-tfacd.mp3" length="194014069" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Way back in season number one of Dig Me Out we were joined by an old friend (Chip Midnight, who would become a frequent guest on the show) to discuss one of his favorite bands and albums, the 1996 album Broadcaster by Triplefastaction. During that episode we talked about eventually revisiting the second and final album by the band, 1997's Cattlemen Don't. While we predicted it would be five thousand episodes later, it only ending up being five hundred episodes later, as we are joined by Brian and Kevin from the band, along with producer John Agnello popping in for a bit, to revisit the record and discuss the just-announced double LP vinyl reissue on Chicago's Forge Again Records. From the label, Justin Wexler joins us to share the in's and out's of how a vinyl reissue happens, and of course, our old friend Chip is back to share stories and more with the group.
 
Songs In This Episode:
Intro - Pure
11:31 - Heroes
35:09 - Eurogirl
1:11:33 - If
Outro - Duck And Run
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6057</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>514</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#512: Favorite Record Labels of the 90s</title>
        <itunes:title>#512: Favorite Record Labels of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/512-favorite-record-labels-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/512-favorite-record-labels-of-the-90s/#comments</comments>        <pubDate>Tue, 03 Nov 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/1d050a13-92e7-330a-8dec-0ac2888c1fb1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Instead of tackling an individual label for this roundtable, we decided to invite our Patreon patrons on the show to discuss some of their favorite record labels of the 1990s. While many started out with a narrow musical focus, some developed and expanded their roster of bands, while others stay true to their original mission. We talked about the pop-punk of Berkeley, CA's Lookout Records, the New York hardcore of Revelation, the garage punk of Bellingham, WA's Estrus Records, the post-punk of Chicago's Touch and Go Records, and many more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - B.L.U.R.E.M.I. by Blur</p>
<p style="text-align:center;">6:43 - Mouth Breather by The Jesus Lizard (Touch & Go)</p>
<p style="text-align:center;">19:24 - The Young Influentials by Juno (Desoto)</p>
<p style="text-align:center;">31:31 - Graveyard Girlfriend by The Groovie Ghoulies (Lookout)</p>
<p style="text-align:center;">48:28 - Killing A Camera - Braid (Polyvinyl)</p>
<p style="text-align:center;">Outro - Mutate Me by Into Another (Revelation)</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Instead of tackling an individual label for this roundtable, we decided to invite our Patreon patrons on the show to discuss some of their favorite record labels of the 1990s. While many started out with a narrow musical focus, some developed and expanded their roster of bands, while others stay true to their original mission. We talked about the pop-punk of Berkeley, CA's Lookout Records, the New York hardcore of Revelation, the garage punk of Bellingham, WA's Estrus Records, the post-punk of Chicago's Touch and Go Records, and many more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - B.L.U.R.E.M.I. by Blur</p>
<p style="text-align:center;">6:43 - Mouth Breather by The Jesus Lizard (Touch & Go)</p>
<p style="text-align:center;">19:24 - The Young Influentials by Juno (Desoto)</p>
<p style="text-align:center;">31:31 - Graveyard Girlfriend by The Groovie Ghoulies (Lookout)</p>
<p style="text-align:center;">48:28 - Killing A Camera - Braid (Polyvinyl)</p>
<p style="text-align:center;">Outro - Mutate Me by Into Another (Revelation)</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5pj6gq/513-recordlabels.mp3" length="149884265" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Instead of tackling an individual label for this roundtable, we decided to invite our Patreon patrons on the show to discuss some of their favorite record labels of the 1990s. While many started out with a narrow musical focus, some developed and expanded their roster of bands, while others stay true to their original mission. We talked about the pop-punk of Berkeley, CA's Lookout Records, the New York hardcore of Revelation, the garage punk of Bellingham, WA's Estrus Records, the post-punk of Chicago's Touch and Go Records, and many more.
 
Songs In This Episode:
Intro - B.L.U.R.E.M.I. by Blur
6:43 - Mouth Breather by The Jesus Lizard (Touch & Go)
19:24 - The Young Influentials by Juno (Desoto)
31:31 - Graveyard Girlfriend by The Groovie Ghoulies (Lookout)
48:28 - Killing A Camera - Braid (Polyvinyl)
Outro - Mutate Me by Into Another (Revelation)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4678</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>513</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#511: Dirt Track Date by Southern Culture on the Skids</title>
        <itunes:title>#511: Dirt Track Date by Southern Culture on the Skids</itunes:title>
        <link>https://digmeout.podbean.com/e/511-dirt-track-date-by-southern-culture-on-the-skids/</link>
                    <comments>https://digmeout.podbean.com/e/511-dirt-track-date-by-southern-culture-on-the-skids/#comments</comments>        <pubDate>Tue, 27 Oct 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ba01554c-3780-30d0-aa8b-d523e340767c</guid>
                                    <description><![CDATA[<p style="text-align:center;">For every obvious major label signing in the mid-90s trying to capitalize on the success of a variety of Seattle-sounding guitar bands, there was an equal number of head-scratchers that seem to make little sense in retrospect. Take <a href='http://www.scots.com/'>Southern Culture on the Skids</a>, a North Carolina rockabilly outfit that had kicked around since the mid-80s, but found a home on Geffen Records alongside Weezer, Sonic Youth, Veruca Salt, and White Zombie for their 1995 release Dirt Track Date. What the three-piece had going for them is a tight unit of skilled players steeped in American music history, smoothly transitioning from steel-pedal Hawaiian influenced ballads to B-52s-esque kitschy minimalist pop. Dirt Track Date may have only made the slightest dent thanks to its quirky single "Camel Walk," but like the swing revival, the attempt at recapturing the sounds of the past comes across as earnest rather than nostalgic.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - Camel Walk</p>
<p style="text-align:center;">17:50 - Firefly</p>
<p style="text-align:center;">22:50 - Nitty Gritty</p>
<p style="text-align:center;">26:08 - Make Mayan A Hawaiian</p>
<p style="text-align:center;">Outro - 8 Piece Box</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For every obvious major label signing in the mid-90s trying to capitalize on the success of a variety of Seattle-sounding guitar bands, there was an equal number of head-scratchers that seem to make little sense in retrospect. Take <a href='http://www.scots.com/'>Southern Culture on the Skids</a>, a North Carolina rockabilly outfit that had kicked around since the mid-80s, but found a home on Geffen Records alongside Weezer, Sonic Youth, Veruca Salt, and White Zombie for their 1995 release Dirt Track Date. What the three-piece had going for them is a tight unit of skilled players steeped in American music history, smoothly transitioning from steel-pedal Hawaiian influenced ballads to B-52s-esque kitschy minimalist pop. Dirt Track Date may have only made the slightest dent thanks to its quirky single "Camel Walk," but like the swing revival, the attempt at recapturing the sounds of the past comes across as earnest rather than nostalgic.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode</p>
<p style="text-align:center;">Intro - Camel Walk</p>
<p style="text-align:center;">17:50 - Firefly</p>
<p style="text-align:center;">22:50 - Nitty Gritty</p>
<p style="text-align:center;">26:08 - Make Mayan A Hawaiian</p>
<p style="text-align:center;">Outro - 8 Piece Box</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/npbffj/511-scots.mp3" length="106663940" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For every obvious major label signing in the mid-90s trying to capitalize on the success of a variety of Seattle-sounding guitar bands, there was an equal number of head-scratchers that seem to make little sense in retrospect. Take Southern Culture on the Skids, a North Carolina rockabilly outfit that had kicked around since the mid-80s, but found a home on Geffen Records alongside Weezer, Sonic Youth, Veruca Salt, and White Zombie for their 1995 release Dirt Track Date. What the three-piece had going for them is a tight unit of skilled players steeped in American music history, smoothly transitioning from steel-pedal Hawaiian influenced ballads to B-52s-esque kitschy minimalist pop. Dirt Track Date may have only made the slightest dent thanks to its quirky single "Camel Walk," but like the swing revival, the attempt at recapturing the sounds of the past comes across as earnest rather than nostalgic.
 
Song In This Episode
Intro - Camel Walk
17:50 - Firefly
22:50 - Nitty Gritty
26:08 - Make Mayan A Hawaiian
Outro - 8 Piece Box
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3327</itunes:duration>
                <itunes:episode>512</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dig Me Out '80s revisits Fair Warning by Van Halen</title>
        <itunes:title>Dig Me Out '80s revisits Fair Warning by Van Halen</itunes:title>
        <link>https://digmeout.podbean.com/e/dig-me-out-80s-revisits-fair-warning-by-van-halen/</link>
                    <comments>https://digmeout.podbean.com/e/dig-me-out-80s-revisits-fair-warning-by-van-halen/#comments</comments>        <pubDate>Fri, 23 Oct 2020 12:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/99ab21de-9168-372f-8c6a-c2996905c2f9</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our latest Dig Me Out '80s episode, available only to our <a href='https://www.patreon.com/digmeout'>Patreon</a> community, we revisit the 1981 album Fair Warning by <a href='http://www.van-halen.com/'>Van Halen</a>. While tensions mounted within the Van Halen camp between Eddie, Dave, and producer Ted Templemen, the band explored dark sounds and themes, integrating dirty disco grooves, screaming slide guitar, and synthesizer mayhem that marked a turning point in the Van Halen story.</p>
<p style="text-align:center;">Check out the first thirty-five minutes of this two-hour and fifteen-minute episode for free, join the <a href='https://www.patreon.com/digmeout'>Dig Me Out Union</a> to access the previous dozen '80s episodes, vote in our monthly album pick polls, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our latest Dig Me Out '80s episode, available only to our <a href='https://www.patreon.com/digmeout'>Patreon</a> community, we revisit the 1981 album Fair Warning by <a href='http://www.van-halen.com/'>Van Halen</a>. While tensions mounted within the Van Halen camp between Eddie, Dave, and producer Ted Templemen, the band explored dark sounds and themes, integrating dirty disco grooves, screaming slide guitar, and synthesizer mayhem that marked a turning point in the Van Halen story.</p>
<p style="text-align:center;">Check out the first thirty-five minutes of this two-hour and fifteen-minute episode for free, join the <a href='https://www.patreon.com/digmeout'>Dig Me Out Union</a> to access the previous dozen '80s episodes, vote in our monthly album pick polls, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bp2pcs/DMO80sVanHalen-Sample.mp3" length="73891760" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest Dig Me Out '80s episode, available only to our Patreon community, we revisit the 1981 album Fair Warning by Van Halen. While tensions mounted within the Van Halen camp between Eddie, Dave, and producer Ted Templemen, the band explored dark sounds and themes, integrating dirty disco grooves, screaming slide guitar, and synthesizer mayhem that marked a turning point in the Van Halen story.
Check out the first thirty-five minutes of this two-hour and fifteen-minute episode for free, join the Dig Me Out Union to access the previous dozen '80s episodes, vote in our monthly album pick polls, and more.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2303</itunes:duration>
                <itunes:episode>511</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#510: Whiskey For The Holy Ghost by Mark Lanegan</title>
        <itunes:title>#510: Whiskey For The Holy Ghost by Mark Lanegan</itunes:title>
        <link>https://digmeout.podbean.com/e/510-whiskey-for-the-holy-ghost-by-mark-lanegan/</link>
                    <comments>https://digmeout.podbean.com/e/510-whiskey-for-the-holy-ghost-by-mark-lanegan/#comments</comments>        <pubDate>Tue, 20 Oct 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4d9c4e39-9702-32ae-aff3-d59a77480891</guid>
                                    <description><![CDATA[<p style="text-align:center;">The success of the 1993 Screaming Trees album Sweet Oblivion and the single "Nearly Lost You" may have put <a href='https://www.marklanegan.com/'>Mark Lanegan</a> on the mainstream map, but as a solo singer/songwriter, Lanegan was already successfully forging a different path with 1990's The Winding Sheet. By the time 1994's Whiskey For The Holy Ghost was released after a protracted recording period, the split between the streamlined grunge of the Trees and Lanegan's forays into folk and blues were fully on display. With only one track, the escalating "Boracho," featuring prominent electric guitar and distortion, the album finds more similarities with fellow Seattle folksters The Walkabouts (with whom Lanegan appeared as a guest) than most of his Seattle contemporaries. The result is Lanegan's voice, sought after as a collaborator for decades to come, fully out front, which serves him well while exposing some of the cracks in the instrumental performances and production.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - House A Home</p>
<p style="text-align:center;">13:11 - The River Rise</p>
<p style="text-align:center;">17:47 - Boracho</p>
<p style="text-align:center;">31:18 - Sunrise</p>
<p style="text-align:center;">36:58 - Ride The Nightingale</p>
<p style="text-align:center;">Outro - Judas Touch</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The success of the 1993 Screaming Trees album Sweet Oblivion and the single "Nearly Lost You" may have put <a href='https://www.marklanegan.com/'>Mark Lanegan</a> on the mainstream map, but as a solo singer/songwriter, Lanegan was already successfully forging a different path with 1990's The Winding Sheet. By the time 1994's Whiskey For The Holy Ghost was released after a protracted recording period, the split between the streamlined grunge of the Trees and Lanegan's forays into folk and blues were fully on display. With only one track, the escalating "Boracho," featuring prominent electric guitar and distortion, the album finds more similarities with fellow Seattle folksters The Walkabouts (with whom Lanegan appeared as a guest) than most of his Seattle contemporaries. The result is Lanegan's voice, sought after as a collaborator for decades to come, fully out front, which serves him well while exposing some of the cracks in the instrumental performances and production.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - House A Home</p>
<p style="text-align:center;">13:11 - The River Rise</p>
<p style="text-align:center;">17:47 - Boracho</p>
<p style="text-align:center;">31:18 - Sunrise</p>
<p style="text-align:center;">36:58 - Ride The Nightingale</p>
<p style="text-align:center;">Outro - Judas Touch</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9zxsw9/510-marklanegan.mp3" length="104469655" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The success of the 1993 Screaming Trees album Sweet Oblivion and the single "Nearly Lost You" may have put Mark Lanegan on the mainstream map, but as a solo singer/songwriter, Lanegan was already successfully forging a different path with 1990's The Winding Sheet. By the time 1994's Whiskey For The Holy Ghost was released after a protracted recording period, the split between the streamlined grunge of the Trees and Lanegan's forays into folk and blues were fully on display. With only one track, the escalating "Boracho," featuring prominent electric guitar and distortion, the album finds more similarities with fellow Seattle folksters The Walkabouts (with whom Lanegan appeared as a guest) than most of his Seattle contemporaries. The result is Lanegan's voice, sought after as a collaborator for decades to come, fully out front, which serves him well while exposing some of the cracks in the instrumental performances and production.
 
Songs In This Episode:
Intro - House A Home
13:11 - The River Rise
17:47 - Boracho
31:18 - Sunrise
36:58 - Ride The Nightingale
Outro - Judas Touch
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3259</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>510</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#509: Perfect From Now On by Built To Spill</title>
        <itunes:title>#509: Perfect From Now On by Built To Spill</itunes:title>
        <link>https://digmeout.podbean.com/e/509-perfect-from-now-on-by-built-to-spill/</link>
                    <comments>https://digmeout.podbean.com/e/509-perfect-from-now-on-by-built-to-spill/#comments</comments>        <pubDate>Tue, 13 Oct 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2feed397-c23e-3a43-a064-20f25a2d0134</guid>
                                    <description><![CDATA[<p style="text-align:center;">With a major label budget backing them, Doug Martsch and his rotating cast of <a href='https://www.builttospill.com/'>Built To Spill</a> members made something special with 1997's Perfect From Now On. While his previous indie releases, along with Martsch's original band Treepeople, pointed to a capable songwriter and inventive guitar player, Perfect From Now On raised the bar for nearly every guitarist who studied J Mascis' frenetic shredding, Neil Young's extended jams, or Kevin Shields layered shoegaze. Thanks to the time on their side, layers of guitar intertwine throughout, switching between clean picking and fuzzed leads, backed by an array of studio indulgences that include a cello, mellotron, organ, and more. The result is lush and dreamy without losing its bite, and a timeless record that influenced a generation of artists that none have equaled.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Untrustable, pt 2</p>
<p style="text-align:center;">19:36 - Randy Describes Eternity</p>
<p style="text-align:center;">22:03 - Stop The Show</p>
<p style="text-align:center;">29:00 - Out Of Sight</p>
<p style="text-align:center;">Outro - I Would Hurt A Fly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With a major label budget backing them, Doug Martsch and his rotating cast of <a href='https://www.builttospill.com/'>Built To Spill</a> members made something special with 1997's Perfect From Now On. While his previous indie releases, along with Martsch's original band Treepeople, pointed to a capable songwriter and inventive guitar player, Perfect From Now On raised the bar for nearly every guitarist who studied J Mascis' frenetic shredding, Neil Young's extended jams, or Kevin Shields layered shoegaze. Thanks to the time on their side, layers of guitar intertwine throughout, switching between clean picking and fuzzed leads, backed by an array of studio indulgences that include a cello, mellotron, organ, and more. The result is lush and dreamy without losing its bite, and a timeless record that influenced a generation of artists that none have equaled.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Untrustable, pt 2</p>
<p style="text-align:center;">19:36 - Randy Describes Eternity</p>
<p style="text-align:center;">22:03 - Stop The Show</p>
<p style="text-align:center;">29:00 - Out Of Sight</p>
<p style="text-align:center;">Outro - I Would Hurt A Fly</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7fqmpu/509-btspfno.mp3" length="119877302" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a major label budget backing them, Doug Martsch and his rotating cast of Built To Spill members made something special with 1997's Perfect From Now On. While his previous indie releases, along with Martsch's original band Treepeople, pointed to a capable songwriter and inventive guitar player, Perfect From Now On raised the bar for nearly every guitarist who studied J Mascis' frenetic shredding, Neil Young's extended jams, or Kevin Shields layered shoegaze. Thanks to the time on their side, layers of guitar intertwine throughout, switching between clean picking and fuzzed leads, backed by an array of studio indulgences that include a cello, mellotron, organ, and more. The result is lush and dreamy without losing its bite, and a timeless record that influenced a generation of artists that none have equaled.
 
Songs In This Episode:
Intro - Untrustable, pt 2
19:36 - Randy Describes Eternity
22:03 - Stop The Show
29:00 - Out Of Sight
Outro - I Would Hurt A Fly
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3740</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>509</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#508: All The Pain Money Can Buy by Fastball</title>
        <itunes:title>#508: All The Pain Money Can Buy by Fastball</itunes:title>
        <link>https://digmeout.podbean.com/e/508-all-the-pain-money-can-buy-by-fastball/</link>
                    <comments>https://digmeout.podbean.com/e/508-all-the-pain-money-can-buy-by-fastball/#comments</comments>        <pubDate>Tue, 06 Oct 2020 14:43:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/593664dc-f33d-3cbc-baf2-2e66e67e169e</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1998 the grunge bubble had burst even for the second wave, as sunnier, more eclectic alternative rock fought for radio airwave space against the upstart nu-metal bands and a resurgence of manufactured pop. One of the biggest hits was thanks to the Austin, Texas trio <a href='http://www.fastballtheband.com/'>Fastball</a>, whose sophomore album All The Pain Money Can Buy produced the cinematic single "The Way," which along with bands like Harvey Danger, The New Radicals, Imperial Teen, and others provided a momentary bubble of pop uncertainty. Fastball wasn't exactly a one-hit-wonder, charting two additional singles in the top 20. The album oscillates between the voices and styles of Tony Scalzo and Miles Zuniga, who craft concise tunes with enough diversity to touch on 60s pop psychedelics, 70s power-pop and 80s new wave without jarring inconsistencies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Way</p>
<p style="text-align:center;">27:20 - Out Of My Head</p>
<p style="text-align:center;">33:38 - Sooner Or Later</p>
<p style="text-align:center;">48:20 - Warm Fuzzy Feeling</p>
<p style="text-align:center;">51:11 - Charlie, The Methadone Man</p>
<p style="text-align:center;">Outro - Fire Escape</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1998 the grunge bubble had burst even for the second wave, as sunnier, more eclectic alternative rock fought for radio airwave space against the upstart nu-metal bands and a resurgence of manufactured pop. One of the biggest hits was thanks to the Austin, Texas trio <a href='http://www.fastballtheband.com/'>Fastball</a>, whose sophomore album All The Pain Money Can Buy produced the cinematic single "The Way," which along with bands like Harvey Danger, The New Radicals, Imperial Teen, and others provided a momentary bubble of pop uncertainty. Fastball wasn't exactly a one-hit-wonder, charting two additional singles in the top 20. The album oscillates between the voices and styles of Tony Scalzo and Miles Zuniga, who craft concise tunes with enough diversity to touch on 60s pop psychedelics, 70s power-pop and 80s new wave without jarring inconsistencies.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Way</p>
<p style="text-align:center;">27:20 - Out Of My Head</p>
<p style="text-align:center;">33:38 - Sooner Or Later</p>
<p style="text-align:center;">48:20 - Warm Fuzzy Feeling</p>
<p style="text-align:center;">51:11 - Charlie, The Methadone Man</p>
<p style="text-align:center;">Outro - Fire Escape</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dsdd2s/508-fastball.mp3" length="140801176" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1998 the grunge bubble had burst even for the second wave, as sunnier, more eclectic alternative rock fought for radio airwave space against the upstart nu-metal bands and a resurgence of manufactured pop. One of the biggest hits was thanks to the Austin, Texas trio Fastball, whose sophomore album All The Pain Money Can Buy produced the cinematic single "The Way," which along with bands like Harvey Danger, The New Radicals, Imperial Teen, and others provided a momentary bubble of pop uncertainty. Fastball wasn't exactly a one-hit-wonder, charting two additional singles in the top 20. The album oscillates between the voices and styles of Tony Scalzo and Miles Zuniga, who craft concise tunes with enough diversity to touch on 60s pop psychedelics, 70s power-pop and 80s new wave without jarring inconsistencies.
 
Songs In This Episode:
Intro - The Way
27:20 - Out Of My Head
33:38 - Sooner Or Later
48:20 - Warm Fuzzy Feeling
51:11 - Charlie, The Methadone Man
Outro - Fire Escape
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4394</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>508</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#507: Regret Is An Inevitable Consequence of Life by Ricaine</title>
        <itunes:title>#507: Regret Is An Inevitable Consequence of Life by Ricaine</itunes:title>
        <link>https://digmeout.podbean.com/e/507-regret-is-an-inevitable-consequence-of-life-by-ricaine/</link>
                    <comments>https://digmeout.podbean.com/e/507-regret-is-an-inevitable-consequence-of-life-by-ricaine/#comments</comments>        <pubDate>Mon, 28 Sep 2020 14:02:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4f6a33c1-6272-3b64-a6ec-4638aeee6a09</guid>
                                    <description><![CDATA[<p style="text-align:center;">Noise rock is a moniker tossed around about a number of 1990s bands. Australia's <a href='https://ricaine.bandcamp.com/'>Ricaine</a> are no different, except that they are different, and their 1996 debut album Regret Is An Inevitable Consequence of Life is proof of it. While there are plenty of bursts of howling guitar feedback, grinding bass, and crushing drums, the band excels at balancing the noise with moments of tension-filled restraint, playing with the quiet/loud dynamic in a myriad of interesting ways. Did we say dynamics? This album is chock full of them, turning on a dime in ways that left us impressed, bolstered by a perfectly natural production style that compliments the sonic shifts throughout the record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Failed Actor</p>
<p style="text-align:center;">18:13 - Three From Three</p>
<p style="text-align:center;">22:03 - Judith's Fence</p>
<p style="text-align:center;">28:14 - Meek</p>
<p style="text-align:center;">34:40 - Contradictory Black Muzzle</p>
<p style="text-align:center;">Outro - Even In Death</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Noise rock is a moniker tossed around about a number of 1990s bands. Australia's <a href='https://ricaine.bandcamp.com/'>Ricaine</a> are no different, except that they are different, and their 1996 debut album Regret Is An Inevitable Consequence of Life is proof of it. While there are plenty of bursts of howling guitar feedback, grinding bass, and crushing drums, the band excels at balancing the noise with moments of tension-filled restraint, playing with the quiet/loud dynamic in a myriad of interesting ways. Did we say dynamics? This album is chock full of them, turning on a dime in ways that left us impressed, bolstered by a perfectly natural production style that compliments the sonic shifts throughout the record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - The Failed Actor</p>
<p style="text-align:center;">18:13 - Three From Three</p>
<p style="text-align:center;">22:03 - Judith's Fence</p>
<p style="text-align:center;">28:14 - Meek</p>
<p style="text-align:center;">34:40 - Contradictory Black Muzzle</p>
<p style="text-align:center;">Outro - Even In Death</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4cudsq/507-ricaine.mp3" length="111031614" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Noise rock is a moniker tossed around about a number of 1990s bands. Australia's Ricaine are no different, except that they are different, and their 1996 debut album Regret Is An Inevitable Consequence of Life is proof of it. While there are plenty of bursts of howling guitar feedback, grinding bass, and crushing drums, the band excels at balancing the noise with moments of tension-filled restraint, playing with the quiet/loud dynamic in a myriad of interesting ways. Did we say dynamics? This album is chock full of them, turning on a dime in ways that left us impressed, bolstered by a perfectly natural production style that compliments the sonic shifts throughout the record.
 
Songs In This Episode:
Intro - The Failed Actor
18:13 - Three From Three
22:03 - Judith's Fence
28:14 - Meek
34:40 - Contradictory Black Muzzle
Outro - Even In Death
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3464</itunes:duration>
                <itunes:episode>507</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#506: The Ponzi Scheme by Firewater</title>
        <itunes:title>#506: The Ponzi Scheme by Firewater</itunes:title>
        <link>https://digmeout.podbean.com/e/506-the-ponzi-scheme-by-firewater/</link>
                    <comments>https://digmeout.podbean.com/e/506-the-ponzi-scheme-by-firewater/#comments</comments>        <pubDate>Tue, 22 Sep 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/2aea7162-df75-3df6-b0e8-d638c0836987</guid>
                                    <description><![CDATA[<p style="text-align:center;">After the industrial noise rock of Cop Shoot Cop, lead singer/bassist Tod Ashley moved on to the eclectic sounds of <a href='https://en.wikipedia.org/wiki/Firewater_(band)'>Firewater</a>, drawing on the sounds of American indie rock equally with European traditional music such as cabaret and Klezmer. With the help of future Gogol Bordello guitarist Oren Kaplan and a variety of skilled players, the band jumps from the Screaming Trees-esque alternative rock of "I Still Love You, Judas" to the Peter Gunn aping intro track "Ponzi's Theme." At their best, Firewater are a challenging and diverse listen thanks to the gravel-voice Tod A., but that's counterbalanced by some kitschy organ and piano sounds that sound more Smash Mouth than Tom Waits.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Green Light</p>
<p style="text-align:center;">10:23 - So Long, Superman</p>
<p style="text-align:center;">13:40 - Knock 'em Down</p>
<p style="text-align:center;">21:15 - Whistling In The Dark</p>
<p style="text-align:center;">Outro - Caroline</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After the industrial noise rock of Cop Shoot Cop, lead singer/bassist Tod Ashley moved on to the eclectic sounds of <a href='https://en.wikipedia.org/wiki/Firewater_(band)'>Firewater</a>, drawing on the sounds of American indie rock equally with European traditional music such as cabaret and Klezmer. With the help of future Gogol Bordello guitarist Oren Kaplan and a variety of skilled players, the band jumps from the Screaming Trees-esque alternative rock of "I Still Love You, Judas" to the Peter Gunn aping intro track "Ponzi's Theme." At their best, Firewater are a challenging and diverse listen thanks to the gravel-voice Tod A., but that's counterbalanced by some kitschy organ and piano sounds that sound more Smash Mouth than Tom Waits.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Green Light</p>
<p style="text-align:center;">10:23 - So Long, Superman</p>
<p style="text-align:center;">13:40 - Knock 'em Down</p>
<p style="text-align:center;">21:15 - Whistling In The Dark</p>
<p style="text-align:center;">Outro - Caroline</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vfiuu9/506-firewater.mp3" length="67641598" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After the industrial noise rock of Cop Shoot Cop, lead singer/bassist Tod Ashley moved on to the eclectic sounds of Firewater, drawing on the sounds of American indie rock equally with European traditional music such as cabaret and Klezmer. With the help of future Gogol Bordello guitarist Oren Kaplan and a variety of skilled players, the band jumps from the Screaming Trees-esque alternative rock of "I Still Love You, Judas" to the Peter Gunn aping intro track "Ponzi's Theme." At their best, Firewater are a challenging and diverse listen thanks to the gravel-voice Tod A., but that's counterbalanced by some kitschy organ and piano sounds that sound more Smash Mouth than Tom Waits.
 
Songs In This Episode:
Intro - Green Light
10:23 - So Long, Superman
13:40 - Knock 'em Down
21:15 - Whistling In The Dark
Outro - Caroline
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2108</itunes:duration>
                <itunes:episode>506</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#505: In A Perfect World by Season To 'Risk</title>
        <itunes:title>#505: In A Perfect World by Season To 'Risk</itunes:title>
        <link>https://digmeout.podbean.com/e/505-in-a-perfect-world-by-season-to-risk/</link>
                    <comments>https://digmeout.podbean.com/e/505-in-a-perfect-world-by-season-to-risk/#comments</comments>        <pubDate>Mon, 14 Sep 2020 17:38:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/c96ebbd0-08b0-3fc0-8733-3df423d450a9</guid>
                                    <description><![CDATA[<p style="text-align:center;">Something must have been in the Missouri River that helped produced so many Kansas City post-hardcore heavy-hitters. We've already talked about Shiner and Giants Chair on this podcast, and this time we're checking out the 1994 sophomore album In A Perfect World by <a href='http://robotswin.com/'>Season To Risk</a>, who shared members with Shiner and Molly McGuire, also of K.C. Leaning more into the more chaotic noise rock of early Soundgarden, Killdozer, or The Jesus Lizard, with a manic rhythm section, and Lemmy-meets-Buzz Osborne, the fact that this was released on a major label at the height of Seattle radio and MTV dominance is a testament to the talent of the band and the free flow of major label money in the decade. There is a radio single on the sledgehammer of an album, but any attempt to reign in the mayhem would have resulted in a watered-down and inferior release.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jack Frost</p>
<p style="text-align:center;">21:25 - Nausea</p>
<p style="text-align:center;">26:29 - Future Tense</p>
<p style="text-align:center;">34:50 - Timebomb</p>
<p style="text-align:center;">Outro - Remembered</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Something must have been in the Missouri River that helped produced so many Kansas City post-hardcore heavy-hitters. We've already talked about Shiner and Giants Chair on this podcast, and this time we're checking out the 1994 sophomore album In A Perfect World by <a href='http://robotswin.com/'>Season To Risk</a>, who shared members with Shiner and Molly McGuire, also of K.C. Leaning more into the more chaotic noise rock of early Soundgarden, Killdozer, or The Jesus Lizard, with a manic rhythm section, and Lemmy-meets-Buzz Osborne, the fact that this was released on a major label at the height of Seattle radio and MTV dominance is a testament to the talent of the band and the free flow of major label money in the decade. There is a radio single on the sledgehammer of an album, but any attempt to reign in the mayhem would have resulted in a watered-down and inferior release.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Jack Frost</p>
<p style="text-align:center;">21:25 - Nausea</p>
<p style="text-align:center;">26:29 - Future Tense</p>
<p style="text-align:center;">34:50 - Timebomb</p>
<p style="text-align:center;">Outro - Remembered</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/inynzt/505-seasontorisk.mp3" length="113366334" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Something must have been in the Missouri River that helped produced so many Kansas City post-hardcore heavy-hitters. We've already talked about Shiner and Giants Chair on this podcast, and this time we're checking out the 1994 sophomore album In A Perfect World by Season To Risk, who shared members with Shiner and Molly McGuire, also of K.C. Leaning more into the more chaotic noise rock of early Soundgarden, Killdozer, or The Jesus Lizard, with a manic rhythm section, and Lemmy-meets-Buzz Osborne, the fact that this was released on a major label at the height of Seattle radio and MTV dominance is a testament to the talent of the band and the free flow of major label money in the decade. There is a radio single on the sledgehammer of an album, but any attempt to reign in the mayhem would have resulted in a watered-down and inferior release.
 
Songs In This Episode:
Intro - Jack Frost
21:25 - Nausea
26:29 - Future Tense
34:50 - Timebomb
Outro - Remembered
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3537</itunes:duration>
                <itunes:episode>505</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#504: Dummy by Portishead</title>
        <itunes:title>#504: Dummy by Portishead</itunes:title>
        <link>https://digmeout.podbean.com/e/504-dummy-by-portishead/</link>
                    <comments>https://digmeout.podbean.com/e/504-dummy-by-portishead/#comments</comments>        <pubDate>Tue, 08 Sep 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/19495909-bbff-3513-b102-2643cbeca6fa</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.portishead.co.uk/'>Portishead</a> may remain the most interesting enigma of the 1990s. First is Beth Gibbons, who channels Liz Fraser of the Cocteau Twins, Billie Holiday, and Jane Birkin into an unmatched vocal for the decade. Second is Geoff Barrow, creating 60s and 70s sounding spy movie and spaghetti western sound scapes via downtempo, gothic, and hip-hop samples and influences, with the tone-perfect playing of Adrian Utley on guitar. Though cast with trip-hop peers Massive Attack, DJ Shadow, and Bjork, Portishead forge an entirely unique path.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sour Times</p>
<p style="text-align:center;">21:07 - Glory Box</p>
<p style="text-align:center;">31:19 - Wandering Star</p>
<p style="text-align:center;">36:25 - Roads</p>
<p style="text-align:center;">Outro - Mysterions</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.portishead.co.uk/'>Portishead</a> may remain the most interesting enigma of the 1990s. First is Beth Gibbons, who channels Liz Fraser of the Cocteau Twins, Billie Holiday, and Jane Birkin into an unmatched vocal for the decade. Second is Geoff Barrow, creating 60s and 70s sounding spy movie and spaghetti western sound scapes via downtempo, gothic, and hip-hop samples and influences, with the tone-perfect playing of Adrian Utley on guitar. Though cast with trip-hop peers Massive Attack, DJ Shadow, and Bjork, Portishead forge an entirely unique path.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sour Times</p>
<p style="text-align:center;">21:07 - Glory Box</p>
<p style="text-align:center;">31:19 - Wandering Star</p>
<p style="text-align:center;">36:25 - Roads</p>
<p style="text-align:center;">Outro - Mysterions</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jkm95m/504-portishead.mp3" length="96304404" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Portishead may remain the most interesting enigma of the 1990s. First is Beth Gibbons, who channels Liz Fraser of the Cocteau Twins, Billie Holiday, and Jane Birkin into an unmatched vocal for the decade. Second is Geoff Barrow, creating 60s and 70s sounding spy movie and spaghetti western sound scapes via downtempo, gothic, and hip-hop samples and influences, with the tone-perfect playing of Adrian Utley on guitar. Though cast with trip-hop peers Massive Attack, DJ Shadow, and Bjork, Portishead forge an entirely unique path.
 
Songs In This Episode:
Intro - Sour Times
21:07 - Glory Box
31:19 - Wandering Star
36:25 - Roads
Outro - Mysterions
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3003</itunes:duration>
                <itunes:episode>504</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#503: Athens, Georgia in the 1980s and 90s</title>
        <itunes:title>#503: Athens, Georgia in the 1980s and 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/503-athens-georgia-in-the-1980s-and-90s/</link>
                    <comments>https://digmeout.podbean.com/e/503-athens-georgia-in-the-1980s-and-90s/#comments</comments>        <pubDate>Tue, 01 Sep 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/847c4d43-cfc7-3ee9-b655-3ed3053cfb3a</guid>
                                    <description><![CDATA[<p style="text-align:center;">The Athens, Georgia music scene might have been put on the map by R.E.M., but in truth they were one piece of a vibrant, diverse puzzle that included Pylon, The B-52s, Love Tractor, and others. A college town with nowhere to play in the late 70s and early 80s, bands and artists made their own spaces happen. Thanks to day-long drive to New York City and an influential college arts program, the sleepy Georgia town transformed in the 80s into one of the most important centers of musical, political, and social expression in the country. The 90s continued that exploratory spirit, finding a home for The Elephant 6 Collective and its respective bands, and well into the 2000s. To help us track the decades worth of stories and details, we're joined by college professor <a href='https://www.graceelizabethhale.com/'>Grace Elizabeth Hale</a>, author of "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" and guitarist Mark Cline of <a href='https://www.facebook.com/luvtractor/'>Love Tractor</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Athens, GA Medley (Radio Free Europe by R.E.M., Rock Lobster by The B-52s, Party Train by Love Tractor)</p>
<p style="text-align:center;">13:46 - Cool by Pylon</p>
<p style="text-align:center;">47:30 - Sarcophag by Bar-B-Q Killers</p>
<p style="text-align:center;">1:11:03 - Grey Hats by The Glands</p>
<p style="text-align:center;">Outro - Jane by Elf Power</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The Athens, Georgia music scene might have been put on the map by R.E.M., but in truth they were one piece of a vibrant, diverse puzzle that included Pylon, The B-52s, Love Tractor, and others. A college town with nowhere to play in the late 70s and early 80s, bands and artists made their own spaces happen. Thanks to day-long drive to New York City and an influential college arts program, the sleepy Georgia town transformed in the 80s into one of the most important centers of musical, political, and social expression in the country. The 90s continued that exploratory spirit, finding a home for The Elephant 6 Collective and its respective bands, and well into the 2000s. To help us track the decades worth of stories and details, we're joined by college professor <a href='https://www.graceelizabethhale.com/'>Grace Elizabeth Hale</a>, author of "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" and guitarist Mark Cline of <a href='https://www.facebook.com/luvtractor/'>Love Tractor</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Athens, GA Medley (Radio Free Europe by R.E.M., Rock Lobster by The B-52s, Party Train by Love Tractor)</p>
<p style="text-align:center;">13:46 - Cool by Pylon</p>
<p style="text-align:center;">47:30 - Sarcophag by Bar-B-Q Killers</p>
<p style="text-align:center;">1:11:03 - Grey Hats by The Glands</p>
<p style="text-align:center;">Outro - Jane by Elf Power</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vbtnq5/503-athensgeorgia.mp3" length="222262259" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Athens, Georgia music scene might have been put on the map by R.E.M., but in truth they were one piece of a vibrant, diverse puzzle that included Pylon, The B-52s, Love Tractor, and others. A college town with nowhere to play in the late 70s and early 80s, bands and artists made their own spaces happen. Thanks to day-long drive to New York City and an influential college arts program, the sleepy Georgia town transformed in the 80s into one of the most important centers of musical, political, and social expression in the country. The 90s continued that exploratory spirit, finding a home for The Elephant 6 Collective and its respective bands, and well into the 2000s. To help us track the decades worth of stories and details, we're joined by college professor Grace Elizabeth Hale, author of "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" and guitarist Mark Cline of Love Tractor.
 
Songs In This Episode:
Intro - Athens, GA Medley (Radio Free Europe by R.E.M., Rock Lobster by The B-52s, Party Train by Love Tractor)
13:46 - Cool by Pylon
47:30 - Sarcophag by Bar-B-Q Killers
1:11:03 - Grey Hats by The Glands
Outro - Jane by Elf Power
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6940</itunes:duration>
                <itunes:episode>503</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#502: In The Aeroplane Over The Sea by Neutral Milk Hotel</title>
        <itunes:title>#502: In The Aeroplane Over The Sea by Neutral Milk Hotel</itunes:title>
        <link>https://digmeout.podbean.com/e/502-in-the-aeroplane-over-the-sea-by-neutral-milk-hotel/</link>
                    <comments>https://digmeout.podbean.com/e/502-in-the-aeroplane-over-the-sea-by-neutral-milk-hotel/#comments</comments>        <pubDate>Tue, 25 Aug 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e4fa34f7-b448-3590-804d-9f0de5920392</guid>
                                    <description><![CDATA[<p style="text-align:center;">Very few bands can claim the influence and legendary status as Athens, Georgia's <a href='https://walkingwallofwords.com/'>Neutral Milk Hotel</a>. While the band released just a pair of records, an EP, and single in their ten years, 1998's In The Aeroplane Over The Sea has grown from critically appreciated to cult status over the past two decades. With enough distance from the release, it's easy to see why, as 2000s bands such as The Decemberists, Arcade Fire, Beruit, Clap Your Hands Say Yeah, and more picked-up on the lo-fi, psychedlic sounds that countered the late 90s/early 00s mainstream push of processed and packaged third-generation grunge, comically aggressive nu-metal, and sanitized pop-punk. Maybe the mystique was assisted by the long step out of the spotlight by singer/songwriter Jeff Mangum, who has never attempted a follow-up. Did he make his magnum opus, or was there nowhere else to go?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Two-Headed Boy</p>
<p style="text-align:center;">24:23 - King Of Carrot Flowers Pts. 2 & 3</p>
<p style="text-align:center;">39:03 - In The Aeroplane Over The Sea</p>
<p style="text-align:center;">46:22 - [Untitled]</p>
<p style="text-align:center;">Outro - Holland, 1945</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Very few bands can claim the influence and legendary status as Athens, Georgia's <a href='https://walkingwallofwords.com/'>Neutral Milk Hotel</a>. While the band released just a pair of records, an EP, and single in their ten years, 1998's In The Aeroplane Over The Sea has grown from critically appreciated to cult status over the past two decades. With enough distance from the release, it's easy to see why, as 2000s bands such as The Decemberists, Arcade Fire, Beruit, Clap Your Hands Say Yeah, and more picked-up on the lo-fi, psychedlic sounds that countered the late 90s/early 00s mainstream push of processed and packaged third-generation grunge, comically aggressive nu-metal, and sanitized pop-punk. Maybe the mystique was assisted by the long step out of the spotlight by singer/songwriter Jeff Mangum, who has never attempted a follow-up. Did he make his magnum opus, or was there nowhere else to go?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;">Intro - Two-Headed Boy</p>
<p style="text-align:center;">24:23 - King Of Carrot Flowers Pts. 2 & 3</p>
<p style="text-align:center;">39:03 - In The Aeroplane Over The Sea</p>
<p style="text-align:center;">46:22 - [Untitled]</p>
<p style="text-align:center;">Outro - Holland, 1945</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wdjnuc/502-neutralmilkhotel.mp3" length="151168236" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Very few bands can claim the influence and legendary status as Athens, Georgia's Neutral Milk Hotel. While the band released just a pair of records, an EP, and single in their ten years, 1998's In The Aeroplane Over The Sea has grown from critically appreciated to cult status over the past two decades. With enough distance from the release, it's easy to see why, as 2000s bands such as The Decemberists, Arcade Fire, Beruit, Clap Your Hands Say Yeah, and more picked-up on the lo-fi, psychedlic sounds that countered the late 90s/early 00s mainstream push of processed and packaged third-generation grunge, comically aggressive nu-metal, and sanitized pop-punk. Maybe the mystique was assisted by the long step out of the spotlight by singer/songwriter Jeff Mangum, who has never attempted a follow-up. Did he make his magnum opus, or was there nowhere else to go?
 
Song In This Episode:
Intro - Two-Headed Boy
24:23 - King Of Carrot Flowers Pts. 2 & 3
39:03 - In The Aeroplane Over The Sea
46:22 - [Untitled]
Outro - Holland, 1945
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4718</itunes:duration>
                <itunes:episode>502</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#501: Cure For Pain by Morphine</title>
        <itunes:title>#501: Cure For Pain by Morphine</itunes:title>
        <link>https://digmeout.podbean.com/e/501-cure-for-pain-by-morphine/</link>
                    <comments>https://digmeout.podbean.com/e/501-cure-for-pain-by-morphine/#comments</comments>        <pubDate>Tue, 18 Aug 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/0336893c-6c28-32f4-bc86-c7b684c77137</guid>
                                    <description><![CDATA[<p style="text-align:center;">Were the 90s just Nirvana, Pearl Jam, and various other grunge bands and their followers? Of course not, but revisiting Morphine's 1993 album Cure For Pain makes a strong case that the true alternative of the decade never bubbled up to MTV TRL, Clear Channel playlists, or Rolling Stone covers. A horn driven, blues and jazz influenced rock band that channeled Tom Waits and The Velvet Underground was never going to sell ten million albums. But along with fellow outsiders like those in Soul Coughing, The Jon Spencer Blue Explosion, and others, there was room on college radio and 120 Minutes for more askew views of what rock and pop meant.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Buena</p>
<p style="text-align:center;">24:28 - Thursday</p>
<p style="text-align:center;">29:53 - A Head With Wings</p>
<p style="text-align:center;">32:42 - I'm Free Now</p>
<p style="text-align:center;">35:56 - Let's Take A Trip Together</p>
<p style="text-align:center;">Outro - Cure For Pain</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Were the 90s just Nirvana, Pearl Jam, and various other grunge bands and their followers? Of course not, but revisiting Morphine's 1993 album Cure For Pain makes a strong case that the true alternative of the decade never bubbled up to MTV TRL, Clear Channel playlists, or Rolling Stone covers. A horn driven, blues and jazz influenced rock band that channeled Tom Waits and The Velvet Underground was never going to sell ten million albums. But along with fellow outsiders like those in Soul Coughing, The Jon Spencer Blue Explosion, and others, there was room on college radio and 120 Minutes for more askew views of what rock and pop meant.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Buena</p>
<p style="text-align:center;">24:28 - Thursday</p>
<p style="text-align:center;">29:53 - A Head With Wings</p>
<p style="text-align:center;">32:42 - I'm Free Now</p>
<p style="text-align:center;">35:56 - Let's Take A Trip Together</p>
<p style="text-align:center;">Outro - Cure For Pain</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r5kqa8/501-morphine.mp3" length="89632103" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Were the 90s just Nirvana, Pearl Jam, and various other grunge bands and their followers? Of course not, but revisiting Morphine's 1993 album Cure For Pain makes a strong case that the true alternative of the decade never bubbled up to MTV TRL, Clear Channel playlists, or Rolling Stone covers. A horn driven, blues and jazz influenced rock band that channeled Tom Waits and The Velvet Underground was never going to sell ten million albums. But along with fellow outsiders like those in Soul Coughing, The Jon Spencer Blue Explosion, and others, there was room on college radio and 120 Minutes for more askew views of what rock and pop meant.
 
Songs In This Episode:
Intro - Buena
24:28 - Thursday
29:53 - A Head With Wings
32:42 - I'm Free Now
35:56 - Let's Take A Trip Together
Outro - Cure For Pain
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2795</itunes:duration>
                <itunes:episode>501</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#500: Nevermind by Nirvana</title>
        <itunes:title>#500: Nevermind by Nirvana</itunes:title>
        <link>https://digmeout.podbean.com/e/500-nevermind-by-nirvana/</link>
                    <comments>https://digmeout.podbean.com/e/500-nevermind-by-nirvana/#comments</comments>        <pubDate>Tue, 11 Aug 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/206c71ec-28e9-32fe-b33e-c7f625584552</guid>
                                    <description><![CDATA[<p style="text-align:center;">It's episode 500 of Dig Me Out! At our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, we asked our patrons to pick a record for this special occasion, but not just any record. We gave them the top ten best-selling rock albums of the 1990s, and let them choose from Alanis Morissette, Kid Rock, Santana, Hootie & The Blowfish, No Doubt, Matchbox 20, Metallica, Green Day, Creed and Nirvana. Thanks to their votes, we got the chance to revisit possibly the most iconic and legendary album of the decade - 1991's Nevermind. But we weren't alone, as we invited our patrons and past guests to join us via a group Zoom chat to dive into this record, the shifting musical landscape of the early 90s, the evolution of discovering new music over the past few decades, and much, much more during our two-hour extravaganza.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Smells Like Teen Spirit</p>
<p style="text-align:center;">Outro - Territorial Pissings</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It's episode 500 of Dig Me Out! At our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, we asked our patrons to pick a record for this special occasion, but not just any record. We gave them the top ten best-selling rock albums of the 1990s, and let them choose from Alanis Morissette, Kid Rock, Santana, Hootie & The Blowfish, No Doubt, Matchbox 20, Metallica, Green Day, Creed and Nirvana. Thanks to their votes, we got the chance to revisit possibly the most iconic and legendary album of the decade - 1991's Nevermind. But we weren't alone, as we invited our patrons and past guests to join us via a group Zoom chat to dive into this record, the shifting musical landscape of the early 90s, the evolution of discovering new music over the past few decades, and much, much more during our two-hour extravaganza.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Smells Like Teen Spirit</p>
<p style="text-align:center;">Outro - Territorial Pissings</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rac8pc/500-nirvananevermind.mp3" length="229154407" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's episode 500 of Dig Me Out! At our Patreon page, we asked our patrons to pick a record for this special occasion, but not just any record. We gave them the top ten best-selling rock albums of the 1990s, and let them choose from Alanis Morissette, Kid Rock, Santana, Hootie & The Blowfish, No Doubt, Matchbox 20, Metallica, Green Day, Creed and Nirvana. Thanks to their votes, we got the chance to revisit possibly the most iconic and legendary album of the decade - 1991's Nevermind. But we weren't alone, as we invited our patrons and past guests to join us via a group Zoom chat to dive into this record, the shifting musical landscape of the early 90s, the evolution of discovering new music over the past few decades, and much, much more during our two-hour extravaganza.
 
Songs In This Episode:
Intro - Smells Like Teen Spirit
Outro - Territorial Pissings
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7155</itunes:duration>
                <itunes:episode>500</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#499: In Thrall by Murray Attaway</title>
        <itunes:title>#499: In Thrall by Murray Attaway</itunes:title>
        <link>https://digmeout.podbean.com/e/499-in-thrall-by-murray-attaway/</link>
                    <comments>https://digmeout.podbean.com/e/499-in-thrall-by-murray-attaway/#comments</comments>        <pubDate>Tue, 04 Aug 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/da26f053-e2c1-38d6-82a4-315765adc3aa</guid>
                                    <description><![CDATA[<p style="text-align:center;">Aimee Mann. Jackson Browne. Jon Brion. Nicky Hopkins. Benmont Tench. Steve Nieve. Jim Keltner. What do all those names have in common? They played on Murray Attaway's 1993 album In Thrall. But wait, there's more! Pat Mastelotto of King Crimson and Mr. Mister. Robbie Blunt from Robert Plant's solo band. Alex Acuña of the Weather Report. Sid Page of Dan Hicks and His Hot Licks. Steven Soles and David Mansfield from Bob Dylan's band. How did all these people end up playing on the lone solo release by the former singer/guitarist of Athen's, Georgia jangle-pop band Guadalcanal Diary? We have no idea, but it makes for an interesting listen, as Attaway's indie-pop songwriting sensibilities are filtered through a variety of talented players on both sides of the recording booth window. Did we mention there is a Lord-Alge brother involved?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Under Jets</p>
<p style="text-align:center;">18:58 - No Tears Tonight</p>
<p style="text-align:center;">22:16 - The Evensong</p>
<p style="text-align:center;">29:24 - Angels In The Trees</p>
<p style="text-align:center;">35:50 - Fall So Far</p>
<p style="text-align:center;">43:40 - Living In Another Time</p>
<p style="text-align:center;">Outro - Allegory</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Aimee Mann. Jackson Browne. Jon Brion. Nicky Hopkins. Benmont Tench. Steve Nieve. Jim Keltner. What do all those names have in common? They played on Murray Attaway's 1993 album In Thrall. But wait, there's more! Pat Mastelotto of King Crimson and Mr. Mister. Robbie Blunt from Robert Plant's solo band. Alex Acuña of the Weather Report. Sid Page of Dan Hicks and His Hot Licks. Steven Soles and David Mansfield from Bob Dylan's band. How did all these people end up playing on the lone solo release by the former singer/guitarist of Athen's, Georgia jangle-pop band Guadalcanal Diary? We have no idea, but it makes for an interesting listen, as Attaway's indie-pop songwriting sensibilities are filtered through a variety of talented players on both sides of the recording booth window. Did we mention there is a Lord-Alge brother involved?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Under Jets</p>
<p style="text-align:center;">18:58 - No Tears Tonight</p>
<p style="text-align:center;">22:16 - The Evensong</p>
<p style="text-align:center;">29:24 - Angels In The Trees</p>
<p style="text-align:center;">35:50 - Fall So Far</p>
<p style="text-align:center;">43:40 - Living In Another Time</p>
<p style="text-align:center;">Outro - Allegory</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sn262m/499-murrayattaway.mp3" length="123542805" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Aimee Mann. Jackson Browne. Jon Brion. Nicky Hopkins. Benmont Tench. Steve Nieve. Jim Keltner. What do all those names have in common? They played on Murray Attaway's 1993 album In Thrall. But wait, there's more! Pat Mastelotto of King Crimson and Mr. Mister. Robbie Blunt from Robert Plant's solo band. Alex Acuña of the Weather Report. Sid Page of Dan Hicks and His Hot Licks. Steven Soles and David Mansfield from Bob Dylan's band. How did all these people end up playing on the lone solo release by the former singer/guitarist of Athen's, Georgia jangle-pop band Guadalcanal Diary? We have no idea, but it makes for an interesting listen, as Attaway's indie-pop songwriting sensibilities are filtered through a variety of talented players on both sides of the recording booth window. Did we mention there is a Lord-Alge brother involved?
 
Songs In This Episode:
Intro - Under Jets
18:58 - No Tears Tonight
22:16 - The Evensong
29:24 - Angels In The Trees
35:50 - Fall So Far
43:40 - Living In Another Time
Outro - Allegory
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3855</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>499</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#498: B-Sides Of The 90s</title>
        <itunes:title>#498: B-Sides Of The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/498-b-sides-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/498-b-sides-of-the-90s/#comments</comments>        <pubDate>Tue, 28 Jul 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/a74dd67f-c55a-3769-b66f-ef09bcb51b27</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1990s may have been the most bountiful of decades when it came to the concept of the B-side. Originally singles provided just one extra song on the second side of a 45 RPM single. That expanded to 12" singles for dance 1970s remixes and 1980s longer cassette singles. For music obsessives, the 90s provide the rare opportunity to hear three, four or more tracks from a band not included on an album. Non-album studio tracks were accompanied by demo, live, remix, acoustic, radio edit and more of album and non-album tracks, as well as covers, instrumental and acapella versions. Some bands, like Pearl Jam, Suede, and Oasis, even managed to score radio singles with their b-sides. We dive into the various interesting B-sides from a variety of bands and discuss some of the B-sides compilations released during the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Yellow Ledbetter by Pearl Jam</p>
<p style="text-align:center;">13:28 - Landslide (Fleetwood Mac cover) by The Smashing Pumpkins</p>
<p style="text-align:center;">19:02 - Wish You Were Here (Pink Floyd cover) by Catherine Wheel</p>
<p style="text-align:center;">28:09 - Heroin Girl (Acoustic) by Everclear</p>
<p style="text-align:center;">41:08 - Maquiladora by Radiohead</p>
<p style="text-align:center;">50:05 - Winnebago by Foo Fighters</p>
<p style="text-align:center;">Outro - Puppets by Hum</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1990s may have been the most bountiful of decades when it came to the concept of the B-side. Originally singles provided just one extra song on the second side of a 45 RPM single. That expanded to 12" singles for dance 1970s remixes and 1980s longer cassette singles. For music obsessives, the 90s provide the rare opportunity to hear three, four or more tracks from a band not included on an album. Non-album studio tracks were accompanied by demo, live, remix, acoustic, radio edit and more of album and non-album tracks, as well as covers, instrumental and acapella versions. Some bands, like Pearl Jam, Suede, and Oasis, even managed to score radio singles with their b-sides. We dive into the various interesting B-sides from a variety of bands and discuss some of the B-sides compilations released during the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Yellow Ledbetter by Pearl Jam</p>
<p style="text-align:center;">13:28 - Landslide (Fleetwood Mac cover) by The Smashing Pumpkins</p>
<p style="text-align:center;">19:02 - Wish You Were Here (Pink Floyd cover) by Catherine Wheel</p>
<p style="text-align:center;">28:09 - Heroin Girl (Acoustic) by Everclear</p>
<p style="text-align:center;">41:08 - Maquiladora by Radiohead</p>
<p style="text-align:center;">50:05 - Winnebago by Foo Fighters</p>
<p style="text-align:center;">Outro - Puppets by Hum</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ztjgmn/498-90sbsides.mp3" length="140562939" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1990s may have been the most bountiful of decades when it came to the concept of the B-side. Originally singles provided just one extra song on the second side of a 45 RPM single. That expanded to 12" singles for dance 1970s remixes and 1980s longer cassette singles. For music obsessives, the 90s provide the rare opportunity to hear three, four or more tracks from a band not included on an album. Non-album studio tracks were accompanied by demo, live, remix, acoustic, radio edit and more of album and non-album tracks, as well as covers, instrumental and acapella versions. Some bands, like Pearl Jam, Suede, and Oasis, even managed to score radio singles with their b-sides. We dive into the various interesting B-sides from a variety of bands and discuss some of the B-sides compilations released during the decade.
 
Songs In This Episode:
Intro - Yellow Ledbetter by Pearl Jam
13:28 - Landslide (Fleetwood Mac cover) by The Smashing Pumpkins
19:02 - Wish You Were Here (Pink Floyd cover) by Catherine Wheel
28:09 - Heroin Girl (Acoustic) by Everclear
41:08 - Maquiladora by Radiohead
50:05 - Winnebago by Foo Fighters
Outro - Puppets by Hum
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4386</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>498</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#497: Mack Avenue Skullgame by Big Chief</title>
        <itunes:title>#497: Mack Avenue Skullgame by Big Chief</itunes:title>
        <link>https://digmeout.podbean.com/e/497-mack-avenue-skullgame-by-big-chief/</link>
                    <comments>https://digmeout.podbean.com/e/497-mack-avenue-skullgame-by-big-chief/#comments</comments>        <pubDate>Tue, 21 Jul 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/11a79a2d-29fe-374b-815f-eef29b155a6e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Funk music might be most commonly associated with 1970s bands like Funkadelic, Parliament, Sly & The Family Stone, the Ohio Players, and other more, but the 1990s saw their fair share of funk enthusiasts slip into the alternative mainstream. The Red Hot Chili Peppers had become an MTV staple, Primus and Faith No More explored the outer edges, while bands like the Beastie Boys, Living Colour, Infectious Grooves and more put their own spin on the sound. In Ann Arbor, Michigan, the remnants of 80s hardcore bands the Necros, Laughing Hyenas, and others formed <a href='https://www.allmusic.com/artist/big-chief-mn0000055869'>Big Chief</a>, whose 1991 skewed towards the alternative metal sound. That would not be the case on their 1993 follow-up, Mack Avenue Skullgame. Dubbed an "Original Soundtrack" for a movie that does not exist, the album is a faithful throwback to the 70s blaxploitation sounds of soundtracks like Shaft, Superfly, Cleopatra Jones and others. The band lays down authentic if updated funk sounds and adds the necessary vocals of Thornetta Davis to add melodic punch. But like all soundtracks, can the concept work without the imagery to go with it?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Name Is Pimp (Mack's Theme)</p>
<p style="text-align:center;">19:08 - One Born Every Minute (Doc's Theme)</p>
<p style="text-align:center;">24:18 - If I Had A Nickle For Every Dime</p>
<p style="text-align:center;">27:32 - No Free Love On The Street</p>
<p style="text-align:center;">32:55 - Cop Kisser (Mack F*cks Up The Scene At The Freezer)</p>
<p style="text-align:center;">Outro - Cut To The Chase</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Funk music might be most commonly associated with 1970s bands like Funkadelic, Parliament, Sly & The Family Stone, the Ohio Players, and other more, but the 1990s saw their fair share of funk enthusiasts slip into the alternative mainstream. The Red Hot Chili Peppers had become an MTV staple, Primus and Faith No More explored the outer edges, while bands like the Beastie Boys, Living Colour, Infectious Grooves and more put their own spin on the sound. In Ann Arbor, Michigan, the remnants of 80s hardcore bands the Necros, Laughing Hyenas, and others formed <a href='https://www.allmusic.com/artist/big-chief-mn0000055869'>Big Chief</a>, whose 1991 skewed towards the alternative metal sound. That would not be the case on their 1993 follow-up, Mack Avenue Skullgame. Dubbed an "Original Soundtrack" for a movie that does not exist, the album is a faithful throwback to the 70s blaxploitation sounds of soundtracks like Shaft, Superfly, Cleopatra Jones and others. The band lays down authentic if updated funk sounds and adds the necessary vocals of Thornetta Davis to add melodic punch. But like all soundtracks, can the concept work without the imagery to go with it?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - My Name Is Pimp (Mack's Theme)</p>
<p style="text-align:center;">19:08 - One Born Every Minute (Doc's Theme)</p>
<p style="text-align:center;">24:18 - If I Had A Nickle For Every Dime</p>
<p style="text-align:center;">27:32 - No Free Love On The Street</p>
<p style="text-align:center;">32:55 - Cop Kisser (Mack F*cks Up The Scene At The Freezer)</p>
<p style="text-align:center;">Outro - Cut To The Chase</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9x3mcw/497-bigchief.mp3" length="99095535" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Funk music might be most commonly associated with 1970s bands like Funkadelic, Parliament, Sly & The Family Stone, the Ohio Players, and other more, but the 1990s saw their fair share of funk enthusiasts slip into the alternative mainstream. The Red Hot Chili Peppers had become an MTV staple, Primus and Faith No More explored the outer edges, while bands like the Beastie Boys, Living Colour, Infectious Grooves and more put their own spin on the sound. In Ann Arbor, Michigan, the remnants of 80s hardcore bands the Necros, Laughing Hyenas, and others formed Big Chief, whose 1991 skewed towards the alternative metal sound. That would not be the case on their 1993 follow-up, Mack Avenue Skullgame. Dubbed an "Original Soundtrack" for a movie that does not exist, the album is a faithful throwback to the 70s blaxploitation sounds of soundtracks like Shaft, Superfly, Cleopatra Jones and others. The band lays down authentic if updated funk sounds and adds the necessary vocals of Thornetta Davis to add melodic punch. But like all soundtracks, can the concept work without the imagery to go with it?
 
Songs In This Episode:
Intro - My Name Is Pimp (Mack's Theme)
19:08 - One Born Every Minute (Doc's Theme)
24:18 - If I Had A Nickle For Every Dime
27:32 - No Free Love On The Street
32:55 - Cop Kisser (Mack F*cks Up The Scene At The Freezer)
Outro - Cut To The Chase
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3091</itunes:duration>
        <itunes:season>10</itunes:season>
        <itunes:episode>497</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#496: To Bring You My Love by PJ Harvey</title>
        <itunes:title>#496: To Bring You My Love by PJ Harvey</itunes:title>
        <link>https://digmeout.podbean.com/e/496-to-bring-you-my-love-by-pj-harvey/</link>
                    <comments>https://digmeout.podbean.com/e/496-to-bring-you-my-love-by-pj-harvey/#comments</comments>        <pubDate>Tue, 14 Jul 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/253ccfe4-0603-5d7c-8a2d-869f1b04f0a1</guid>
                                    <description><![CDATA[<p style="text-align:center;">In 1995 <a href='https://www.facebook.com/PJHarvey/'>PJ Harvey</a> was relatively unknown in the US, aside from college radio and others tuned into the underground. Thanks to the breakout single "Down By The Water," for a brief moment she was in the same spotlight as Tori Amos, Bjork, Sarah McLachlan, Liz Phair, and other female artists who transcended the dominance of Seattle grunge and guitar rock. On To Bring You My Love, Harvey bounces between the minimalist blues of the title track and the krautrock drive of Working For The Man, and the blistering distortion of Meet Ze Monsta and pounding drive of Long Snake Moan. But in the age of Spotify skipping, can minimalism and restraint with bursts of nasty distortion still catch an ear?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Down By The Water</p>
<p style="text-align:center;">22:22 - C'mon Billy</p>
<p style="text-align:center;">26:09 - Long Snake Moan</p>
<p style="text-align:center;">34:10 - The Dancer</p>
<p style="text-align:center;">38:03 - Working For The Man</p>
<p style="text-align:center;">Outro - Meet Ze Monsta</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In 1995 <a href='https://www.facebook.com/PJHarvey/'>PJ Harvey</a> was relatively unknown in the US, aside from college radio and others tuned into the underground. Thanks to the breakout single "Down By The Water," for a brief moment she was in the same spotlight as Tori Amos, Bjork, Sarah McLachlan, Liz Phair, and other female artists who transcended the dominance of Seattle grunge and guitar rock. On To Bring You My Love, Harvey bounces between the minimalist blues of the title track and the krautrock drive of Working For The Man, and the blistering distortion of Meet Ze Monsta and pounding drive of Long Snake Moan. But in the age of Spotify skipping, can minimalism and restraint with bursts of nasty distortion still catch an ear?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Down By The Water</p>
<p style="text-align:center;">22:22 - C'mon Billy</p>
<p style="text-align:center;">26:09 - Long Snake Moan</p>
<p style="text-align:center;">34:10 - The Dancer</p>
<p style="text-align:center;">38:03 - Working For The Man</p>
<p style="text-align:center;">Outro - Meet Ze Monsta</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ssra17/496-pjharvey.mp3" length="103042742" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 1995 PJ Harvey was relatively unknown in the US, aside from college radio and others tuned into the underground. Thanks to the breakout single "Down By The Water," for a brief moment she was in the same spotlight as Tori Amos, Bjork, Sarah McLachlan, Liz Phair, and other female artists who transcended the dominance of Seattle grunge and guitar rock. On To Bring You My Love, Harvey bounces between the minimalist blues of the title track and the krautrock drive of Working For The Man, and the blistering distortion of Meet Ze Monsta and pounding drive of Long Snake Moan. But in the age of Spotify skipping, can minimalism and restraint with bursts of nasty distortion still catch an ear?
 
Songs In This Episode:
 
Intro - Down By The Water
22:22 - C'mon Billy
26:09 - Long Snake Moan
34:10 - The Dancer
38:03 - Working For The Man
Outro - Meet Ze Monsta
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3214</itunes:duration>
                <itunes:episode>235</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#495: Desert Rain by Indian Ocean</title>
        <itunes:title>#495: Desert Rain by Indian Ocean</itunes:title>
        <link>https://digmeout.podbean.com/e/495-desert-rain-by-indian-ocean/</link>
                    <comments>https://digmeout.podbean.com/e/495-desert-rain-by-indian-ocean/#comments</comments>        <pubDate>Tue, 07 Jul 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/48859cf4-9fba-551e-ae56-fba065f0addf</guid>
                                    <description><![CDATA[<p style="text-align:center;">Thanks to our Patreon community, every so often we get to step outside the our 90s comfort zone of American, UK and Australian alternative and indie rock. Having previously gotten hip to the rock en español of Café Tacvba and the Indian/Britpop fusion of Cornershop, this time we're getting the fusion from a different starting point. On the 1997 live recording Desert Rain by <a href='http://www.indianoceanmusic.com/'>Indian Ocean</a>, the fusion starts with the North Indian style of Indian classical music known as Hindustani, and from there incorporates elements of jazz, rock and folk. Able to stand on its mightily on its own with regard to craft and technical ability, making sonic connects to artists such as Tool drummer Danny Carey and his use of the tabla or the mathematical improvisation of Steely Dan helped our understanding and deepened our appreciation for our latest discovery.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Village Damsel</p>
<p style="text-align:center;">20:17 - Euphoria</p>
<p style="text-align:center;">23:42 - From The Ruins</p>
<p style="text-align:center;">33:35 - Going to ITO</p>
<p style="text-align:center;">Outro - Melancholic Ecstasy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Thanks to our Patreon community, every so often we get to step outside the our 90s comfort zone of American, UK and Australian alternative and indie rock. Having previously gotten hip to the rock en español of Café Tacvba and the Indian/Britpop fusion of Cornershop, this time we're getting the fusion from a different starting point. On the 1997 live recording Desert Rain by <a href='http://www.indianoceanmusic.com/'>Indian Ocean</a>, the fusion starts with the North Indian style of Indian classical music known as Hindustani, and from there incorporates elements of jazz, rock and folk. Able to stand on its mightily on its own with regard to craft and technical ability, making sonic connects to artists such as Tool drummer Danny Carey and his use of the tabla or the mathematical improvisation of Steely Dan helped our understanding and deepened our appreciation for our latest discovery.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Village Damsel</p>
<p style="text-align:center;">20:17 - Euphoria</p>
<p style="text-align:center;">23:42 - From The Ruins</p>
<p style="text-align:center;">33:35 - Going to ITO</p>
<p style="text-align:center;">Outro - Melancholic Ecstasy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ptkbm3/495-indianocean.mp3" length="102715062" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to our Patreon community, every so often we get to step outside the our 90s comfort zone of American, UK and Australian alternative and indie rock. Having previously gotten hip to the rock en español of Café Tacvba and the Indian/Britpop fusion of Cornershop, this time we're getting the fusion from a different starting point. On the 1997 live recording Desert Rain by Indian Ocean, the fusion starts with the North Indian style of Indian classical music known as Hindustani, and from there incorporates elements of jazz, rock and folk. Able to stand on its mightily on its own with regard to craft and technical ability, making sonic connects to artists such as Tool drummer Danny Carey and his use of the tabla or the mathematical improvisation of Steely Dan helped our understanding and deepened our appreciation for our latest discovery.
 
Songs In This Episode:
 
Intro - Village Damsel
20:17 - Euphoria
23:42 - From The Ruins
33:35 - Going to ITO
Outro - Melancholic Ecstasy
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3204</itunes:duration>
                <itunes:episode>234</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#494: Tribute Albums of the 90s</title>
        <itunes:title>#494: Tribute Albums of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/494-tribute-albums-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/494-tribute-albums-of-the-90s/#comments</comments>        <pubDate>Tue, 30 Jun 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5fa5168c-eb95-5f44-b264-a2a645beb2d7</guid>
                                    <description><![CDATA[<p style="text-align:center;">Maybe more so than any other decade, the 90s pumped out tribute albums at a furious rate. Whether it was loving takes on beloved artists, exposing underground heroes to new audiences, or updates with kitschy and nostalgic themes, nearly every month a new tribute compilation CD was probably at your local record store. Our roundtable shares what makes a successful tribute album and what can derail an effort, whether it's simply cloning the original song, or completely ignoring it. We also investigate the phenomenon of random, lesser-known bands popping up in tracking listings alongside a group of heavy-hitters, and the one-off collaborations that showed up on occasion.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Tribute by Tenacious D</p>
<p style="text-align:center;">5:39 - Hard Luck Woman by Garth Brooks (Kiss My Ass - Classic Kiss Regrooved)</p>
<p style="text-align:center;">9:24 - Summer Of Drugs by Soul Asylum (Sweet Relief - A Benefit For Victoria Williams)</p>
<p style="text-align:center;">14:31 - Making Plans For Nigel by The Rembrandts - XTC: A Testimonial Dinner</p>
<p style="text-align:center;">21:02 - We Only Just Begun by Grant Lee Buffalo (If I Were A Carpenter)</p>
<p style="text-align:center;">27:02 - Clampdown by the Indigo Girls (Burning London: The Clash Tribute)</p>
<p style="text-align:center;">36:48 - She Don't Use Jelly by Ben Folds Five (Lounge-A-Palooza)</p>
<p style="text-align:center;">Outro - She's Lost Control by Girls Against Boys (A Means To An End: The Music Of Joy Division)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Maybe more so than any other decade, the 90s pumped out tribute albums at a furious rate. Whether it was loving takes on beloved artists, exposing underground heroes to new audiences, or updates with kitschy and nostalgic themes, nearly every month a new tribute compilation CD was probably at your local record store. Our roundtable shares what makes a successful tribute album and what can derail an effort, whether it's simply cloning the original song, or completely ignoring it. We also investigate the phenomenon of random, lesser-known bands popping up in tracking listings alongside a group of heavy-hitters, and the one-off collaborations that showed up on occasion.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Tribute by Tenacious D</p>
<p style="text-align:center;">5:39 - Hard Luck Woman by Garth Brooks (Kiss My Ass - Classic Kiss Regrooved)</p>
<p style="text-align:center;">9:24 - Summer Of Drugs by Soul Asylum (Sweet Relief - A Benefit For Victoria Williams)</p>
<p style="text-align:center;">14:31 - Making Plans For Nigel by The Rembrandts - XTC: A Testimonial Dinner</p>
<p style="text-align:center;">21:02 - We Only Just Begun by Grant Lee Buffalo (If I Were A Carpenter)</p>
<p style="text-align:center;">27:02 - Clampdown by the Indigo Girls (Burning London: The Clash Tribute)</p>
<p style="text-align:center;">36:48 - She Don't Use Jelly by Ben Folds Five (Lounge-A-Palooza)</p>
<p style="text-align:center;">Outro - She's Lost Control by Girls Against Boys (A Means To An End: The Music Of Joy Division)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4kjqe0/494-tributealbums.mp3" length="112231157" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Maybe more so than any other decade, the 90s pumped out tribute albums at a furious rate. Whether it was loving takes on beloved artists, exposing underground heroes to new audiences, or updates with kitschy and nostalgic themes, nearly every month a new tribute compilation CD was probably at your local record store. Our roundtable shares what makes a successful tribute album and what can derail an effort, whether it's simply cloning the original song, or completely ignoring it. We also investigate the phenomenon of random, lesser-known bands popping up in tracking listings alongside a group of heavy-hitters, and the one-off collaborations that showed up on occasion.
 
Songs In This Episode:
 
Intro - Tribute by Tenacious D
5:39 - Hard Luck Woman by Garth Brooks (Kiss My Ass - Classic Kiss Regrooved)
9:24 - Summer Of Drugs by Soul Asylum (Sweet Relief - A Benefit For Victoria Williams)
14:31 - Making Plans For Nigel by The Rembrandts - XTC: A Testimonial Dinner
21:02 - We Only Just Begun by Grant Lee Buffalo (If I Were A Carpenter)
27:02 - Clampdown by the Indigo Girls (Burning London: The Clash Tribute)
36:48 - She Don't Use Jelly by Ben Folds Five (Lounge-A-Palooza)
Outro - She's Lost Control by Girls Against Boys (A Means To An End: The Music Of Joy Division)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3501</itunes:duration>
                <itunes:episode>233</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#493: Blokes You Can Trust by Cosmic Psychos</title>
        <itunes:title>#493: Blokes You Can Trust by Cosmic Psychos</itunes:title>
        <link>https://digmeout.podbean.com/e/493-blokes-you-can-trust-by-cosmic-psychos/</link>
                    <comments>https://digmeout.podbean.com/e/493-blokes-you-can-trust-by-cosmic-psychos/#comments</comments>        <pubDate>Tue, 23 Jun 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e638fcb5-38b9-5295-b8f1-9e749467be11</guid>
                                    <description><![CDATA[<p style="text-align:center;">The cross-pollination of punk and rock between the United States and Australia has been going on for decades, but one of lesser-known but most interesting (to us, at least!) is the 1980s and early 90s grunge scene, and how Australian bands like The Scientists, The Birthday Party, and Cosmic Psychos had an influence on their American Pacific Northwest counterparts. In the case of the <a href='https://www.cosmicpsychos.com.au/'>Cosmic Psychos</a>, it was finding commonality with bands like Mudhoney and the Melvins, and releasing their 1989 album on the then upstart Sub Pop label. In 1991 the band recorded with Butch Vig following the Nirvana's Nevermind sessions and produced Blokes You Can Trust, released on the influential Amphetamine Reptile label. For a three-piece, the sound is massive thanks to the fuzzed-out bass that will remind some of the desert and stoner rock scenes, while the old-school AC/DC riffs combined with punk and hardcore attitude of Black Flag and Motorhead lands on the spiritual kin of Seattle's grunge scene.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Dead Roo</p>
<p style="text-align:center;">20:16 - Back At School</p>
<p style="text-align:center;">29:40 - Loser</p>
<p style="text-align:center;">36:26 - Do It To Me</p>
<p style="text-align:center;">Outro - Nightshift</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The cross-pollination of punk and rock between the United States and Australia has been going on for decades, but one of lesser-known but most interesting (to us, at least!) is the 1980s and early 90s grunge scene, and how Australian bands like The Scientists, The Birthday Party, and Cosmic Psychos had an influence on their American Pacific Northwest counterparts. In the case of the <a href='https://www.cosmicpsychos.com.au/'>Cosmic Psychos</a>, it was finding commonality with bands like Mudhoney and the Melvins, and releasing their 1989 album on the then upstart Sub Pop label. In 1991 the band recorded with Butch Vig following the Nirvana's Nevermind sessions and produced Blokes You Can Trust, released on the influential Amphetamine Reptile label. For a three-piece, the sound is massive thanks to the fuzzed-out bass that will remind some of the desert and stoner rock scenes, while the old-school AC/DC riffs combined with punk and hardcore attitude of Black Flag and Motorhead lands on the spiritual kin of Seattle's grunge scene.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Dead Roo</p>
<p style="text-align:center;">20:16 - Back At School</p>
<p style="text-align:center;">29:40 - Loser</p>
<p style="text-align:center;">36:26 - Do It To Me</p>
<p style="text-align:center;">Outro - Nightshift</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p25iym/493-cosmicpsychos.mp3" length="121541616" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The cross-pollination of punk and rock between the United States and Australia has been going on for decades, but one of lesser-known but most interesting (to us, at least!) is the 1980s and early 90s grunge scene, and how Australian bands like The Scientists, The Birthday Party, and Cosmic Psychos had an influence on their American Pacific Northwest counterparts. In the case of the Cosmic Psychos, it was finding commonality with bands like Mudhoney and the Melvins, and releasing their 1989 album on the then upstart Sub Pop label. In 1991 the band recorded with Butch Vig following the Nirvana's Nevermind sessions and produced Blokes You Can Trust, released on the influential Amphetamine Reptile label. For a three-piece, the sound is massive thanks to the fuzzed-out bass that will remind some of the desert and stoner rock scenes, while the old-school AC/DC riffs combined with punk and hardcore attitude of Black Flag and Motorhead lands on the spiritual kin of Seattle's grunge scene.
 
Songs In This Episode:
 
Intro - Dead Roo
20:16 - Back At School
29:40 - Loser
36:26 - Do It To Me
Outro - Nightshift
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3792</itunes:duration>
                <itunes:episode>232</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#492: Born To Quit by Smoking Popes</title>
        <itunes:title>#492: Born To Quit by Smoking Popes</itunes:title>
        <link>https://digmeout.podbean.com/e/492-born-to-quit-by-smoking-popes/</link>
                    <comments>https://digmeout.podbean.com/e/492-born-to-quit-by-smoking-popes/#comments</comments>        <pubDate>Tue, 16 Jun 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/68d50acc-1fd9-5a12-bd46-c24d7a7a5c14</guid>
                                    <description><![CDATA[<p style="text-align:center;">If you remember the <a href='https://www.smokingpopesmusic.com/'>Smoking Popes</a>, it's probably thanks to their Buzzbin / Clueless soundtrack single "Need You Around." Lead singer Josh Caterer got tagged as punk-rock Morrissey, and while the band continued on, many were left with the impression that the Smoking Popes were something of a novelty. As we dug into this album for the first time, the realization quickly set in that the early Morrissey comparisons were way off base, as both Caterer, along with his brothers Eli and Matt, and drummer Mike Felumlee, are significantly less punk than expected. Sure, you can hear the energetic down strums of Ramones across the record, but instead of 90s pop/punk, the band channels the likes of Wings, The Smithereens, Buddy Holly, Frank Sinatra and more in their quest to write exquisitely arranged pop-rock gems.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Need You Around</p>
<p style="text-align:center;">18:49 - Rubella</p>
<p style="text-align:center;">21:56 - Mrs. Me And You</p>
<p style="text-align:center;">25:46 - My Lucky Day</p>
<p style="text-align:center;">28:30 - Gotta Know Right Now</p>
<p style="text-align:center;">Outro - Midnight Moon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If you remember the <a href='https://www.smokingpopesmusic.com/'>Smoking Popes</a>, it's probably thanks to their Buzzbin / Clueless soundtrack single "Need You Around." Lead singer Josh Caterer got tagged as punk-rock Morrissey, and while the band continued on, many were left with the impression that the Smoking Popes were something of a novelty. As we dug into this album for the first time, the realization quickly set in that the early Morrissey comparisons were way off base, as both Caterer, along with his brothers Eli and Matt, and drummer Mike Felumlee, are significantly less punk than expected. Sure, you can hear the energetic down strums of Ramones across the record, but instead of 90s pop/punk, the band channels the likes of Wings, The Smithereens, Buddy Holly, Frank Sinatra and more in their quest to write exquisitely arranged pop-rock gems.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Need You Around</p>
<p style="text-align:center;">18:49 - Rubella</p>
<p style="text-align:center;">21:56 - Mrs. Me And You</p>
<p style="text-align:center;">25:46 - My Lucky Day</p>
<p style="text-align:center;">28:30 - Gotta Know Right Now</p>
<p style="text-align:center;">Outro - Midnight Moon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fdrv38/492-smokingpopes.mp3" length="85162447" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If you remember the Smoking Popes, it's probably thanks to their Buzzbin / Clueless soundtrack single "Need You Around." Lead singer Josh Caterer got tagged as punk-rock Morrissey, and while the band continued on, many were left with the impression that the Smoking Popes were something of a novelty. As we dug into this album for the first time, the realization quickly set in that the early Morrissey comparisons were way off base, as both Caterer, along with his brothers Eli and Matt, and drummer Mike Felumlee, are significantly less punk than expected. Sure, you can hear the energetic down strums of Ramones across the record, but instead of 90s pop/punk, the band channels the likes of Wings, The Smithereens, Buddy Holly, Frank Sinatra and more in their quest to write exquisitely arranged pop-rock gems.
 
Songs In This Episode:
 
Intro - Need You Around
18:49 - Rubella
21:56 - Mrs. Me And You
25:46 - My Lucky Day
28:30 - Gotta Know Right Now
Outro - Midnight Moon
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2655</itunes:duration>
                <itunes:episode>231</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#491: Hello Halo by Pollyanna</title>
        <itunes:title>#491: Hello Halo by Pollyanna</itunes:title>
        <link>https://digmeout.podbean.com/e/491-hello-halo-by-pollyanna/</link>
                    <comments>https://digmeout.podbean.com/e/491-hello-halo-by-pollyanna/#comments</comments>        <pubDate>Tue, 09 Jun 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/86a0bbfc-6e77-564a-a6cf-df57a8ae47c6</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/PollyannaAustralia/'>Pollyanna's</a> 1996 EP Junior and 1996 debut album Long Player scored them multiple hit singles in Australia and put them on the national radar, which means the sophomore follow-up Hello Halo in 1997 had expectations attached. As we discovered, the band expanded their pallet. While the record is full of radio-friendly alternative rock ("Peachy Keen" and "Brittle Then Broken)", where the group really excels is their willingness to take some detours, like on the horn-backed tracks "Pulling Teen" and "Butterman," or the Helmet-esque post-hardcore of "Tank." Thanks to the deft production of Paul McKercher (Violetine, Ratcat, Falling Joys, Spiderbait, You Am I), the diversity of approaches manages to stay consistent even if all the material isn't up to par.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Peachy Keen</p>
<p style="text-align:center;">12:01 - Pulling Teeth</p>
<p style="text-align:center;">15:20 - Butterman</p>
<p style="text-align:center;">20:03 - Tank</p>
<p style="text-align:center;">28:03 - Brittle Then Broken</p>
<p style="text-align:center;">Outro - Effervescence</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://www.facebook.com/PollyannaAustralia/'>Pollyanna's</a> 1996 EP Junior and 1996 debut album Long Player scored them multiple hit singles in Australia and put them on the national radar, which means the sophomore follow-up Hello Halo in 1997 had expectations attached. As we discovered, the band expanded their pallet. While the record is full of radio-friendly alternative rock ("Peachy Keen" and "Brittle Then Broken)", where the group really excels is their willingness to take some detours, like on the horn-backed tracks "Pulling Teen" and "Butterman," or the Helmet-esque post-hardcore of "Tank." Thanks to the deft production of Paul McKercher (Violetine, Ratcat, Falling Joys, Spiderbait, You Am I), the diversity of approaches manages to stay consistent even if all the material isn't up to par.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Peachy Keen</p>
<p style="text-align:center;">12:01 - Pulling Teeth</p>
<p style="text-align:center;">15:20 - Butterman</p>
<p style="text-align:center;">20:03 - Tank</p>
<p style="text-align:center;">28:03 - Brittle Then Broken</p>
<p style="text-align:center;">Outro - Effervescence</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u5u9vk/491-pollyanna.mp3" length="77125092" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pollyanna's 1996 EP Junior and 1996 debut album Long Player scored them multiple hit singles in Australia and put them on the national radar, which means the sophomore follow-up Hello Halo in 1997 had expectations attached. As we discovered, the band expanded their pallet. While the record is full of radio-friendly alternative rock ("Peachy Keen" and "Brittle Then Broken)", where the group really excels is their willingness to take some detours, like on the horn-backed tracks "Pulling Teen" and "Butterman," or the Helmet-esque post-hardcore of "Tank." Thanks to the deft production of Paul McKercher (Violetine, Ratcat, Falling Joys, Spiderbait, You Am I), the diversity of approaches manages to stay consistent even if all the material isn't up to par.
 
Songs In This Episode:
 
Intro - Peachy Keen
12:01 - Pulling Teeth
15:20 - Butterman
20:03 - Tank
28:03 - Brittle Then Broken
Outro - Effervescence
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2404</itunes:duration>
                <itunes:episode>230</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#490: Electro-Shock Blues by Eels</title>
        <itunes:title>#490: Electro-Shock Blues by Eels</itunes:title>
        <link>https://digmeout.podbean.com/e/490-electro-shock-blues-by-eels/</link>
                    <comments>https://digmeout.podbean.com/e/490-electro-shock-blues-by-eels/#comments</comments>        <pubDate>Tue, 02 Jun 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/e7014ee5-90b6-53de-93ed-43d43589ce7a</guid>
                                    <description><![CDATA[<p style="text-align:center;">Thanks to a reliance on off-kilter retro sounds and lo-fi instrumentation, <a href='http://www.eelstheband.com/'>Eels</a> were often compared to Beck (and not always favorably). On their second album, 1998's Electro-Shock Blues, they utilized one of the producers who helped Beck transition from one-hit-wonder status with Loser to the layered mastery of 1996's Odelay. But instead of matching the mayhem, singer/multi-instrumentalist Mark Oliver Everett constructs a sixteen-track somber affair with a few noisy interludes delving into personal loss at a bone-chillingly intimate level. What struck us was the deliberate shift from their debut that produced the hit single "Novocaine For The Soul," and wondering if like many, the lyrical content was too heady to digest, needing the growth and loss of maturity to fully appreciate the depths that E is willing to explore.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Stop: This Town</p>
<p style="text-align:center;">16:39 - 3 Speed</p>
<p style="text-align:center;">20:58 - Hospital Food</p>
<p style="text-align:center;">24:21 - Elizabeth On The Bathroom Floor</p>
<p style="text-align:center;">38:52 - Cancer For The Cure</p>
<p style="text-align:center;">Outro - Climbing To The Moon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Thanks to a reliance on off-kilter retro sounds and lo-fi instrumentation, <a href='http://www.eelstheband.com/'>Eels</a> were often compared to Beck (and not always favorably). On their second album, 1998's Electro-Shock Blues, they utilized one of the producers who helped Beck transition from one-hit-wonder status with Loser to the layered mastery of 1996's Odelay. But instead of matching the mayhem, singer/multi-instrumentalist Mark Oliver Everett constructs a sixteen-track somber affair with a few noisy interludes delving into personal loss at a bone-chillingly intimate level. What struck us was the deliberate shift from their debut that produced the hit single "Novocaine For The Soul," and wondering if like many, the lyrical content was too heady to digest, needing the growth and loss of maturity to fully appreciate the depths that E is willing to explore.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Stop: This Town</p>
<p style="text-align:center;">16:39 - 3 Speed</p>
<p style="text-align:center;">20:58 - Hospital Food</p>
<p style="text-align:center;">24:21 - Elizabeth On The Bathroom Floor</p>
<p style="text-align:center;">38:52 - Cancer For The Cure</p>
<p style="text-align:center;">Outro - Climbing To The Moon</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7nj507/490-eels.mp3" length="110698918" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a reliance on off-kilter retro sounds and lo-fi instrumentation, Eels were often compared to Beck (and not always favorably). On their second album, 1998's Electro-Shock Blues, they utilized one of the producers who helped Beck transition from one-hit-wonder status with Loser to the layered mastery of 1996's Odelay. But instead of matching the mayhem, singer/multi-instrumentalist Mark Oliver Everett constructs a sixteen-track somber affair with a few noisy interludes delving into personal loss at a bone-chillingly intimate level. What struck us was the deliberate shift from their debut that produced the hit single "Novocaine For The Soul," and wondering if like many, the lyrical content was too heady to digest, needing the growth and loss of maturity to fully appreciate the depths that E is willing to explore.
 
Songs In This Episode:
 
Intro - Last Stop: This Town
16:39 - 3 Speed
20:58 - Hospital Food
24:21 - Elizabeth On The Bathroom Floor
38:52 - Cancer For The Cure
Outro - Climbing To The Moon
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3453</itunes:duration>
                <itunes:episode>229</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#489: Origins - Muse In The 90s</title>
        <itunes:title>#489: Origins - Muse In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/489-origins-muse-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/489-origins-muse-in-the-90s/#comments</comments>        <pubDate>Tue, 26 May 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5ae48dc6-ea70-5b3a-bb8c-b3de0187f1b6</guid>
                                    <description><![CDATA[<p style="text-align:center;">When they released their debut album Showbiz in the US in 1999, <a href='https://www.muse.mu/'>Muse</a> were one of a number of bands compared to the Pablo Honey/The Bends era of Radiohead thanks to Matt Bellamy's Thom Yorke like tenor and Johnny Greenwood's guitar acrobatics. But Muse were doing it as a three-piece, and over time the band shed the unfair comparisons to forge a path that paid as much homage to the bombast of classic Queen to the aural assault of Rage Against The Machine, all the while releasing a slew of hit singles, moving from opening slots, to sheds, to arenas across the globe, and becoming one of the few bands to still carry the dying torch of rock. We revisit their debut, their early EPs, and touch on their 2000s releases to trace the origins of the band that has gained a global audience while splitting fans over their embrace of poppier and dancier material.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Muscle Museum (from Showbiz)</p>
<p style="text-align:center;">6:40 - Cave (from Showbiz)</p>
<p style="text-align:center;">17:28 - Falling Down (from Showbiz)</p>
<p style="text-align:center;">23:47 - Uno (from Showbiz)</p>
<p style="text-align:center;">42:14 - Plug In Baby (from Origin Of Symmetry)</p>
<p style="text-align:center;">1:02:49 - Agitated (B-Side)</p>
<p style="text-align:center;">Outro - Sunburn (from Showbiz)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">When they released their debut album Showbiz in the US in 1999, <a href='https://www.muse.mu/'>Muse</a> were one of a number of bands compared to the Pablo Honey/The Bends era of Radiohead thanks to Matt Bellamy's Thom Yorke like tenor and Johnny Greenwood's guitar acrobatics. But Muse were doing it as a three-piece, and over time the band shed the unfair comparisons to forge a path that paid as much homage to the bombast of classic Queen to the aural assault of Rage Against The Machine, all the while releasing a slew of hit singles, moving from opening slots, to sheds, to arenas across the globe, and becoming one of the few bands to still carry the dying torch of rock. We revisit their debut, their early EPs, and touch on their 2000s releases to trace the origins of the band that has gained a global audience while splitting fans over their embrace of poppier and dancier material.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Muscle Museum (from Showbiz)</p>
<p style="text-align:center;">6:40 - Cave (from Showbiz)</p>
<p style="text-align:center;">17:28 - Falling Down (from Showbiz)</p>
<p style="text-align:center;">23:47 - Uno (from Showbiz)</p>
<p style="text-align:center;">42:14 - Plug In Baby (from Origin Of Symmetry)</p>
<p style="text-align:center;">1:02:49 - Agitated (B-Side)</p>
<p style="text-align:center;">Outro - Sunburn (from Showbiz)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z4ngxm/489-originsmuse.mp3" length="156695328" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When they released their debut album Showbiz in the US in 1999, Muse were one of a number of bands compared to the Pablo Honey/The Bends era of Radiohead thanks to Matt Bellamy's Thom Yorke like tenor and Johnny Greenwood's guitar acrobatics. But Muse were doing it as a three-piece, and over time the band shed the unfair comparisons to forge a path that paid as much homage to the bombast of classic Queen to the aural assault of Rage Against The Machine, all the while releasing a slew of hit singles, moving from opening slots, to sheds, to arenas across the globe, and becoming one of the few bands to still carry the dying torch of rock. We revisit their debut, their early EPs, and touch on their 2000s releases to trace the origins of the band that has gained a global audience while splitting fans over their embrace of poppier and dancier material.
 
Songs In This Episode:
 
Muscle Museum (from Showbiz)
6:40 - Cave (from Showbiz)
17:28 - Falling Down (from Showbiz)
23:47 - Uno (from Showbiz)
42:14 - Plug In Baby (from Origin Of Symmetry)
1:02:49 - Agitated (B-Side)
Outro - Sunburn (from Showbiz)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4891</itunes:duration>
                <itunes:episode>228</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#488: Dig by Dig with Scott Hackwith</title>
        <itunes:title>#488: Dig by Dig with Scott Hackwith</itunes:title>
        <link>https://digmeout.podbean.com/e/488-dig-by-dig-with-scott-hackwith/</link>
                    <comments>https://digmeout.podbean.com/e/488-dig-by-dig-with-scott-hackwith/#comments</comments>        <pubDate>Tue, 19 May 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/851ef703-214c-53c4-9cc8-4375ea214c6c</guid>
                                    <description><![CDATA[<p style="text-align:center;">Thanks to old friend of the show <a href='http://chipmidnight.com/'>Chip Midnight</a>, when patron Dewey Cole suggested revisiting the 1993 self-titled debut album from <a href='https://www.facebook.com/digtheband/'>Dig</a>, Chip reached out to lead singer and guitarist <a href='https://www.cassette.la/'>Scott Hackwith</a> to have him join us to revisit this record. Dewey only came to record recently, so he provides a unique perspective of discovering an album seventeen years after its release. Chip interviewed Scott when the band was just starting out, gigging around the country with frequent stops in Ohio in the early-to-mid 1990s. Scott, who started out as a guitarist in T.S.O.L., learned to be a producer on the spot making the debut album, which led him to work on records by the Ramones, Spiritualized and other, shares stories and insights on album artwork, demo'ing tracks on a four-track machine, making music videos, and working on new Dig music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Believe</p>
<p style="text-align:center;">32:22 - Let Me Know</p>
<p style="text-align:center;">37:24 - Feet Don't Touch The Ground</p>
<p style="text-align:center;">1:00:33 - Conversation</p>
<p style="text-align:center;">Outro - Unlucky Friend</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Thanks to old friend of the show <a href='http://chipmidnight.com/'>Chip Midnight</a>, when patron Dewey Cole suggested revisiting the 1993 self-titled debut album from <a href='https://www.facebook.com/digtheband/'>Dig</a>, Chip reached out to lead singer and guitarist <a href='https://www.cassette.la/'>Scott Hackwith</a> to have him join us to revisit this record. Dewey only came to record recently, so he provides a unique perspective of discovering an album seventeen years after its release. Chip interviewed Scott when the band was just starting out, gigging around the country with frequent stops in Ohio in the early-to-mid 1990s. Scott, who started out as a guitarist in T.S.O.L., learned to be a producer on the spot making the debut album, which led him to work on records by the Ramones, Spiritualized and other, shares stories and insights on album artwork, demo'ing tracks on a four-track machine, making music videos, and working on new Dig music.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Believe</p>
<p style="text-align:center;">32:22 - Let Me Know</p>
<p style="text-align:center;">37:24 - Feet Don't Touch The Ground</p>
<p style="text-align:center;">1:00:33 - Conversation</p>
<p style="text-align:center;">Outro - Unlucky Friend</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6evcnc/488-dig.mp3" length="166055106" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to old friend of the show Chip Midnight, when patron Dewey Cole suggested revisiting the 1993 self-titled debut album from Dig, Chip reached out to lead singer and guitarist Scott Hackwith to have him join us to revisit this record. Dewey only came to record recently, so he provides a unique perspective of discovering an album seventeen years after its release. Chip interviewed Scott when the band was just starting out, gigging around the country with frequent stops in Ohio in the early-to-mid 1990s. Scott, who started out as a guitarist in T.S.O.L., learned to be a producer on the spot making the debut album, which led him to work on records by the Ramones, Spiritualized and other, shares stories and insights on album artwork, demo'ing tracks on a four-track machine, making music videos, and working on new Dig music.
 
Songs In This Episode:
 
Intro - Believe
32:22 - Let Me Know
37:24 - Feet Don't Touch The Ground
1:00:33 - Conversation
Outro - Unlucky Friend
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5183</itunes:duration>
                <itunes:episode>227</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#487: Spanaway by Seaweed</title>
        <itunes:title>#487: Spanaway by Seaweed</itunes:title>
        <link>https://digmeout.podbean.com/e/487-spanaway-by-seaweed/</link>
                    <comments>https://digmeout.podbean.com/e/487-spanaway-by-seaweed/#comments</comments>        <pubDate>Tue, 12 May 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/4b7c5f2d-0884-5649-90be-148cd947365f</guid>
                                    <description><![CDATA[<p style="text-align:center;">If you've listened to this podcast long enough, you know that we are not always in agreement about what works and doesn't work for us on various albums. One of the earliest disagreements was back in Season One when we checked out the <a href='http://digmeoutpodcast.com/episode/020-four-by-seaweed'>1993 album Four by Seaweed</a>. Thanks to a recent listener suggested poll on our <a href='https://www.patreon.com/digmeout'>Patreon site</a>, we're back ten years later to check out the 1995 follow-up Spanaway, the band's only release on the Hollywood Records label. While the band faced the tired "sell-out" label for signing to a major, in reality, the band stayed close to what they did well - a bombastic combo of East Coast post-hardcore and PacWest grunge, with some extra nuance thanks to the skilled fingers of Andy Wallace behind the mixing board, as well as guest visits in the drum throne by Barrett Martin (of Screaming Trees) and Matt Cameron (of Soundgarden). The question remains - has anything changed in our diverging opinions?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Start With</p>
<p style="text-align:center;">18:45 - Magic Mountainman</p>
<p style="text-align:center;">22:53 - Assistant (To The Manager)</p>
<p style="text-align:center;">31:59 - Free Drug Zone</p>
<p style="text-align:center;">Outro - Last Humans</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If you've listened to this podcast long enough, you know that we are not always in agreement about what works and doesn't work for us on various albums. One of the earliest disagreements was back in Season One when we checked out the <a href='http://digmeoutpodcast.com/episode/020-four-by-seaweed'>1993 album Four by Seaweed</a>. Thanks to a recent listener suggested poll on our <a href='https://www.patreon.com/digmeout'>Patreon site</a>, we're back ten years later to check out the 1995 follow-up Spanaway, the band's only release on the Hollywood Records label. While the band faced the tired "sell-out" label for signing to a major, in reality, the band stayed close to what they did well - a bombastic combo of East Coast post-hardcore and PacWest grunge, with some extra nuance thanks to the skilled fingers of Andy Wallace behind the mixing board, as well as guest visits in the drum throne by Barrett Martin (of Screaming Trees) and Matt Cameron (of Soundgarden). The question remains - has anything changed in our diverging opinions?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Start With</p>
<p style="text-align:center;">18:45 - Magic Mountainman</p>
<p style="text-align:center;">22:53 - Assistant (To The Manager)</p>
<p style="text-align:center;">31:59 - Free Drug Zone</p>
<p style="text-align:center;">Outro - Last Humans</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/o61svg/487-seaweedspanaway.mp3" length="97574164" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If you've listened to this podcast long enough, you know that we are not always in agreement about what works and doesn't work for us on various albums. One of the earliest disagreements was back in Season One when we checked out the 1993 album Four by Seaweed. Thanks to a recent listener suggested poll on our Patreon site, we're back ten years later to check out the 1995 follow-up Spanaway, the band's only release on the Hollywood Records label. While the band faced the tired "sell-out" label for signing to a major, in reality, the band stayed close to what they did well - a bombastic combo of East Coast post-hardcore and PacWest grunge, with some extra nuance thanks to the skilled fingers of Andy Wallace behind the mixing board, as well as guest visits in the drum throne by Barrett Martin (of Screaming Trees) and Matt Cameron (of Soundgarden). The question remains - has anything changed in our diverging opinions?
 
Songs In This Episode
 
Intro - Start With
18:45 - Magic Mountainman
22:53 - Assistant (To The Manager)
31:59 - Free Drug Zone
Outro - Last Humans
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3043</itunes:duration>
                <itunes:episode>226</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#486: Michael McDermott and Brian Koppleman revisit Gethsemane</title>
        <itunes:title>#486: Michael McDermott and Brian Koppleman revisit Gethsemane</itunes:title>
        <link>https://digmeout.podbean.com/e/486-michael-mcdermott-and-brian-koppleman-revisit-gethsemane/</link>
                    <comments>https://digmeout.podbean.com/e/486-michael-mcdermott-and-brian-koppleman-revisit-gethsemane/#comments</comments>        <pubDate>Tue, 05 May 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/906a9dc2-cb85-5a48-9f40-3bf82967281e</guid>
                                    <description><![CDATA[<p style="text-align:center;">While we have chatted with many artists over the years, rarely have we been able to get the record label perspective on the various ups and downs of the 90s. For this episode, we're lucky to get singer/songwriter <a href='https://michael-mcdermott.com/'>Michael McDermott</a>, who has been making records for thirty years, and the A&R rep who helped kick off that career, <a href='https://briankoppelman.com/'>Brian Koppelman</a>. While Brian is better known for his screenwriting (Rounders, Ocean's 13) and showrunning (Billions), his life in the music industry dates back to high school with A&R stints at Elektra Records, Giant Records, SBK Records and EMI Records. We dig into the album Michael and Brian worked on together, 1993's Gethsemane, and the various trials and tribulations of releasing a singer/songwriter album in the heyday of Nirvana, Pearl Jam, Soundgarden and Alice In Chains, the producer and songwriter relationship in the studio, why being too sympathetic to the artist can be a negative, and much much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro/1:47 - Just West Of Eden</p>
<p style="text-align:center;">17:03 - The Idler The Prophet And A Girl Called Rain</p>
<p style="text-align:center;">46:54/Outro - Need Some Surrender</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While we have chatted with many artists over the years, rarely have we been able to get the record label perspective on the various ups and downs of the 90s. For this episode, we're lucky to get singer/songwriter <a href='https://michael-mcdermott.com/'>Michael McDermott</a>, who has been making records for thirty years, and the A&R rep who helped kick off that career, <a href='https://briankoppelman.com/'>Brian Koppelman</a>. While Brian is better known for his screenwriting (Rounders, Ocean's 13) and showrunning (Billions), his life in the music industry dates back to high school with A&R stints at Elektra Records, Giant Records, SBK Records and EMI Records. We dig into the album Michael and Brian worked on together, 1993's Gethsemane, and the various trials and tribulations of releasing a singer/songwriter album in the heyday of Nirvana, Pearl Jam, Soundgarden and Alice In Chains, the producer and songwriter relationship in the studio, why being too sympathetic to the artist can be a negative, and much much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro/1:47 - Just West Of Eden</p>
<p style="text-align:center;">17:03 - The Idler The Prophet And A Girl Called Rain</p>
<p style="text-align:center;">46:54/Outro - Need Some Surrender</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d7a8mz/486-mcdermottandkoppelman.mp3" length="93199098" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we have chatted with many artists over the years, rarely have we been able to get the record label perspective on the various ups and downs of the 90s. For this episode, we're lucky to get singer/songwriter Michael McDermott, who has been making records for thirty years, and the A&R rep who helped kick off that career, Brian Koppelman. While Brian is better known for his screenwriting (Rounders, Ocean's 13) and showrunning (Billions), his life in the music industry dates back to high school with A&R stints at Elektra Records, Giant Records, SBK Records and EMI Records. We dig into the album Michael and Brian worked on together, 1993's Gethsemane, and the various trials and tribulations of releasing a singer/songwriter album in the heyday of Nirvana, Pearl Jam, Soundgarden and Alice In Chains, the producer and songwriter relationship in the studio, why being too sympathetic to the artist can be a negative, and much much more.
 
Songs In This Episode:
 
Intro/1:47 - Just West Of Eden
17:03 - The Idler The Prophet And A Girl Called Rain
46:54/Outro - Need Some Surrender
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2906</itunes:duration>
                <itunes:episode>225</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#485: Lilith Fair in the 90s</title>
        <itunes:title>#485: Lilith Fair in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/485-lilith-fair-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/485-lilith-fair-in-the-90s/#comments</comments>        <pubDate>Tue, 28 Apr 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/58961033-d882-530c-be41-b8e3cb5d161b</guid>
                                    <description><![CDATA[<p style="text-align:center;">While the 90s were dominated by the touring festival as opposed to the current day destination festival, the first half and second half had decidedly different approaches. Lollapalooza took a variety of artists from across genres with the intention of exposing artists across differing fanbases, whereas the Warped Tour, Ozzfest, H.O.R.D.E. Tour, and Lilith Fair each narrowed their focus. In the case of <a href='https://en.wikipedia.org/wiki/Lilith_Fair'>Lilith Fair</a>, the simplistic history is that it was a female-centric folk tour, headlined by the likes of Sarah McLachlan, the Indigo Girls, Suzanne Vega, and Sheryl Crow. In reality, over the course of three years, the festival provided a much broader spectrum of female artists, including Queen Latifah, Bonnie Raitt, Letters To Cleo, Liz Phair, Dance Hall Crashers, K's Choice, Luscious Jackson, Nenah Cherry, The Pretenders, Missy Elliott, The Cardigans, Susanna Hoffs, Juliana Hatfield, and many many more. To help us revisit we invited back a pair of performers (<a href='http://digmeoutpodcast.com/special-guests/kay-hanley'>Kay Hanley</a> of Letters to Cleo and <a href='http://digmeoutpodcast.com/special-guests/jill-cuniff'>Jill Cuniff </a>of Luscious Jackson) and a pair of attendees (friend of the show <a href='http://digmeoutpodcast.com/special-guests/matt-shiverdecker'>Matt Shiverdecker</a> and show announcer <a href='http://digmeoutpodcast.com/special-guests/katie-minneci'>Katie Minneci</a>), along with special call-in guests performer <a href='https://www.facebook.com/TracyBonhamMusic/'>Tracy Bonham</a> and attendee <a href='https://twitter.com/JTCNunya'>John Cornish</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Angel (Live) by Sarah McLachlan with Emmylou Harris</p>
<p style="text-align:center;">17:20 - Naked Eye (Live) by Luscious Jackson</p>
<p style="text-align:center;">24:49 - Surrounded (Live) by Chantal Kreviazuk</p>
<p style="text-align:center;">34:05 - The One (Live) by Tracy Bonham & telephone interview</p>
<p style="text-align:center;">41:27 - Not An Addict (Live) by K's Choice & memories with John Cornish</p>
<p style="text-align:center;">Outro - Here And Now (Live) by Letters To Cleo</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While the 90s were dominated by the touring festival as opposed to the current day destination festival, the first half and second half had decidedly different approaches. Lollapalooza took a variety of artists from across genres with the intention of exposing artists across differing fanbases, whereas the Warped Tour, Ozzfest, H.O.R.D.E. Tour, and Lilith Fair each narrowed their focus. In the case of <a href='https://en.wikipedia.org/wiki/Lilith_Fair'>Lilith Fair</a>, the simplistic history is that it was a female-centric folk tour, headlined by the likes of Sarah McLachlan, the Indigo Girls, Suzanne Vega, and Sheryl Crow. In reality, over the course of three years, the festival provided a much broader spectrum of female artists, including Queen Latifah, Bonnie Raitt, Letters To Cleo, Liz Phair, Dance Hall Crashers, K's Choice, Luscious Jackson, Nenah Cherry, The Pretenders, Missy Elliott, The Cardigans, Susanna Hoffs, Juliana Hatfield, and many many more. To help us revisit we invited back a pair of performers (<a href='http://digmeoutpodcast.com/special-guests/kay-hanley'>Kay Hanley</a> of Letters to Cleo and <a href='http://digmeoutpodcast.com/special-guests/jill-cuniff'>Jill Cuniff </a>of Luscious Jackson) and a pair of attendees (friend of the show <a href='http://digmeoutpodcast.com/special-guests/matt-shiverdecker'>Matt Shiverdecker</a> and show announcer <a href='http://digmeoutpodcast.com/special-guests/katie-minneci'>Katie Minneci</a>), along with special call-in guests performer <a href='https://www.facebook.com/TracyBonhamMusic/'>Tracy Bonham</a> and attendee <a href='https://twitter.com/JTCNunya'>John Cornish</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Angel (Live) by Sarah McLachlan with Emmylou Harris</p>
<p style="text-align:center;">17:20 - Naked Eye (Live) by Luscious Jackson</p>
<p style="text-align:center;">24:49 - Surrounded (Live) by Chantal Kreviazuk</p>
<p style="text-align:center;">34:05 - The One (Live) by Tracy Bonham & telephone interview</p>
<p style="text-align:center;">41:27 - Not An Addict (Live) by K's Choice & memories with John Cornish</p>
<p style="text-align:center;">Outro - Here And Now (Live) by Letters To Cleo</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cdhmv9/485-lilithfair.mp3" length="126106566" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While the 90s were dominated by the touring festival as opposed to the current day destination festival, the first half and second half had decidedly different approaches. Lollapalooza took a variety of artists from across genres with the intention of exposing artists across differing fanbases, whereas the Warped Tour, Ozzfest, H.O.R.D.E. Tour, and Lilith Fair each narrowed their focus. In the case of Lilith Fair, the simplistic history is that it was a female-centric folk tour, headlined by the likes of Sarah McLachlan, the Indigo Girls, Suzanne Vega, and Sheryl Crow. In reality, over the course of three years, the festival provided a much broader spectrum of female artists, including Queen Latifah, Bonnie Raitt, Letters To Cleo, Liz Phair, Dance Hall Crashers, K's Choice, Luscious Jackson, Nenah Cherry, The Pretenders, Missy Elliott, The Cardigans, Susanna Hoffs, Juliana Hatfield, and many many more. To help us revisit we invited back a pair of performers (Kay Hanley of Letters to Cleo and Jill Cuniff of Luscious Jackson) and a pair of attendees (friend of the show Matt Shiverdecker and show announcer Katie Minneci), along with special call-in guests performer Tracy Bonham and attendee John Cornish.
 
Songs In This Episode:
 
Intro - Angel (Live) by Sarah McLachlan with Emmylou Harris
17:20 - Naked Eye (Live) by Luscious Jackson
24:49 - Surrounded (Live) by Chantal Kreviazuk
34:05 - The One (Live) by Tracy Bonham & telephone interview
41:27 - Not An Addict (Live) by K's Choice & memories with John Cornish
Outro - Here And Now (Live) by Letters To Cleo
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3935</itunes:duration>
                <itunes:episode>224</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#484: Less Is More by Even</title>
        <itunes:title>#484: Less Is More by Even</itunes:title>
        <link>https://digmeout.podbean.com/e/484-less-is-more-by-even/</link>
                    <comments>https://digmeout.podbean.com/e/484-less-is-more-by-even/#comments</comments>        <pubDate>Tue, 21 Apr 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d725c549-2e99-5946-9e9d-a4e8cdc3ae4e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Forging a sound out of American grunge and alternative along with British Invasion hooks and power pop melodies may seem like a recipe for disaster, but on their 1996 debut Less Is More, the Melbourne, Australian trio <a href='https://www.even.com.au/'>Even</a> find the right balance. Channeling a Kurt Cobain cadence on one track and a John Lennon howl on another works best when the band keeps the songs short and tight, with plenty of catchy guitar riffs toss around. While we dug the high energy performances that pre-date the garage rock revival to come at the end of the decade, some of the production and rhythm choices (or lack of) left us wanting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Karmic Flop</p>
<p style="text-align:center;">14:35 - End To End</p>
<p style="text-align:center;">19:45 - Don't Wait</p>
<p style="text-align:center;">26:02 - Eternal Teen</p>
<p style="text-align:center;">31:29 - No One Understands Me</p>
<p style="text-align:center;">Outro - Dean Morris</p>
<p> </p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Forging a sound out of American grunge and alternative along with British Invasion hooks and power pop melodies may seem like a recipe for disaster, but on their 1996 debut Less Is More, the Melbourne, Australian trio <a href='https://www.even.com.au/'>Even</a> find the right balance. Channeling a Kurt Cobain cadence on one track and a John Lennon howl on another works best when the band keeps the songs short and tight, with plenty of catchy guitar riffs toss around. While we dug the high energy performances that pre-date the garage rock revival to come at the end of the decade, some of the production and rhythm choices (or lack of) left us wanting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Karmic Flop</p>
<p style="text-align:center;">14:35 - End To End</p>
<p style="text-align:center;">19:45 - Don't Wait</p>
<p style="text-align:center;">26:02 - Eternal Teen</p>
<p style="text-align:center;">31:29 - No One Understands Me</p>
<p style="text-align:center;">Outro - Dean Morris</p>
<p> </p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/76gttk/484-even.mp3" length="92485928" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Forging a sound out of American grunge and alternative along with British Invasion hooks and power pop melodies may seem like a recipe for disaster, but on their 1996 debut Less Is More, the Melbourne, Australian trio Even find the right balance. Channeling a Kurt Cobain cadence on one track and a John Lennon howl on another works best when the band keeps the songs short and tight, with plenty of catchy guitar riffs toss around. While we dug the high energy performances that pre-date the garage rock revival to come at the end of the decade, some of the production and rhythm choices (or lack of) left us wanting.
 
Songs In This Episode:
 
Intro - Karmic Flop
14:35 - End To End
19:45 - Don't Wait
26:02 - Eternal Teen
31:29 - No One Understands Me
Outro - Dean Morris
 
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2884</itunes:duration>
                <itunes:episode>223</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#483: Good Weird Feeling by Odds</title>
        <itunes:title>#483: Good Weird Feeling by Odds</itunes:title>
        <link>https://digmeout.podbean.com/e/483-good-weird-feeling-by-odds/</link>
                    <comments>https://digmeout.podbean.com/e/483-good-weird-feeling-by-odds/#comments</comments>        <pubDate>Tue, 14 Apr 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/96048578-1a67-5120-8824-e93a69af8ff8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Once the alternative gold rush hit for bands in the 90s, one song could make or break an album. But for every Sex And Candy, Cumbersome or Possum Kingdom, hundreds of other bands failed to make the Top 40 for a variety of reasons that have nothing to do with the quality of the music. Take Vancouver, Canada's <a href='https://www.oddsmusic.com/'>Odds</a>, whose third album Good Weird Feeling is a smart combination of alternative guitar rock powered by two strong singers with a knack for lyrical twists. The two obvious singles, "Eat My Brain" and "Truth Untold" never found a home on American mainstream radio, and like so many of their northern counterparts, the band remains almost entirely unknown in the lower forty-eight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Satisfied</p>
<p style="text-align:center;">17:41 - Oh Sorrow Oh Shame</p>
<p style="text-align:center;">20:55 - Break The Bed</p>
<p style="text-align:center;">24:56 - Truth Untold</p>
<p style="text-align:center;">31:07 - I Would Be Your Man</p>
<p style="text-align:center;">Outro - Eat My Brain</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Once the alternative gold rush hit for bands in the 90s, one song could make or break an album. But for every Sex And Candy, Cumbersome or Possum Kingdom, hundreds of other bands failed to make the Top 40 for a variety of reasons that have nothing to do with the quality of the music. Take Vancouver, Canada's <a href='https://www.oddsmusic.com/'>Odds</a>, whose third album Good Weird Feeling is a smart combination of alternative guitar rock powered by two strong singers with a knack for lyrical twists. The two obvious singles, "Eat My Brain" and "Truth Untold" never found a home on American mainstream radio, and like so many of their northern counterparts, the band remains almost entirely unknown in the lower forty-eight.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Satisfied</p>
<p style="text-align:center;">17:41 - Oh Sorrow Oh Shame</p>
<p style="text-align:center;">20:55 - Break The Bed</p>
<p style="text-align:center;">24:56 - Truth Untold</p>
<p style="text-align:center;">31:07 - I Would Be Your Man</p>
<p style="text-align:center;">Outro - Eat My Brain</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2ausgd/483-odds.mp3" length="98382497" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Once the alternative gold rush hit for bands in the 90s, one song could make or break an album. But for every Sex And Candy, Cumbersome or Possum Kingdom, hundreds of other bands failed to make the Top 40 for a variety of reasons that have nothing to do with the quality of the music. Take Vancouver, Canada's Odds, whose third album Good Weird Feeling is a smart combination of alternative guitar rock powered by two strong singers with a knack for lyrical twists. The two obvious singles, "Eat My Brain" and "Truth Untold" never found a home on American mainstream radio, and like so many of their northern counterparts, the band remains almost entirely unknown in the lower forty-eight.
 
Songs In This Episode:
 
Intro - Satisfied
17:41 - Oh Sorrow Oh Shame
20:55 - Break The Bed
24:56 - Truth Untold
31:07 - I Would Be Your Man
Outro - Eat My Brain
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3068</itunes:duration>
                <itunes:episode>222</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#482: Music Has The Right to Children by Boards of Cananda</title>
        <itunes:title>#482: Music Has The Right to Children by Boards of Cananda</itunes:title>
        <link>https://digmeout.podbean.com/e/482-music-has-the-right-to-children-by-boards-of-cananda/</link>
                    <comments>https://digmeout.podbean.com/e/482-music-has-the-right-to-children-by-boards-of-cananda/#comments</comments>        <pubDate>Tue, 07 Apr 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/95c64b8a-9191-54f9-99ac-d3f68dd40e34</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though not as lauded as grunge, Brit-pop, the rise of pop-punk or other 90s-centric genres, electronic music evolved throughout the decade as well thanks to subtler sounds coming out of the UK. While electronica and trip-hop each had their moments in the mainstream spotlight, groups like the brother-duo <a href='https://en.wikipedia.org/wiki/Boards_of_Canada'>Boards of Canada</a> from Scotland slid under the radar with slightly different takes, theirs being a more chill, downtempo approach utilizing vintage synths and drum machines, tape loops and field recordings. Music Has The Right To Children, their 1998 debut after several well-regarded singles and EPs, takes full advantage of the tools, creating atmospheric soundscapes backed by drum and bass loops that lived-in rather than dialed-up, giving the record a timeless element that so many of their contemporaries failed to achieve.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Telephasic Workshop</p>
<p style="text-align:center;">18:06 - Roygbiv</p>
<p style="text-align:center;">20:48 - Turquoise Hexagon Sun</p>
<p style="text-align:center;">27:09 - Aquarius</p>
<p style="text-align:center;">Outro - Open The Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though not as lauded as grunge, Brit-pop, the rise of pop-punk or other 90s-centric genres, electronic music evolved throughout the decade as well thanks to subtler sounds coming out of the UK. While electronica and trip-hop each had their moments in the mainstream spotlight, groups like the brother-duo <a href='https://en.wikipedia.org/wiki/Boards_of_Canada'>Boards of Canada</a> from Scotland slid under the radar with slightly different takes, theirs being a more chill, downtempo approach utilizing vintage synths and drum machines, tape loops and field recordings. Music Has The Right To Children, their 1998 debut after several well-regarded singles and EPs, takes full advantage of the tools, creating atmospheric soundscapes backed by drum and bass loops that lived-in rather than dialed-up, giving the record a timeless element that so many of their contemporaries failed to achieve.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Telephasic Workshop</p>
<p style="text-align:center;">18:06 - Roygbiv</p>
<p style="text-align:center;">20:48 - Turquoise Hexagon Sun</p>
<p style="text-align:center;">27:09 - Aquarius</p>
<p style="text-align:center;">Outro - Open The Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4g8g6b/482-boardsofcanada.mp3" length="88110731" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though not as lauded as grunge, Brit-pop, the rise of pop-punk or other 90s-centric genres, electronic music evolved throughout the decade as well thanks to subtler sounds coming out of the UK. While electronica and trip-hop each had their moments in the mainstream spotlight, groups like the brother-duo Boards of Canada from Scotland slid under the radar with slightly different takes, theirs being a more chill, downtempo approach utilizing vintage synths and drum machines, tape loops and field recordings. Music Has The Right To Children, their 1998 debut after several well-regarded singles and EPs, takes full advantage of the tools, creating atmospheric soundscapes backed by drum and bass loops that lived-in rather than dialed-up, giving the record a timeless element that so many of their contemporaries failed to achieve.
 
Songs In This Episode:
 
Intro - Telephasic Workshop
18:06 - Roygbiv
20:48 - Turquoise Hexagon Sun
27:09 - Aquarius
Outro - Open The Light
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2747</itunes:duration>
                <itunes:episode>221</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#481: Ebbhead by Nitzer Ebb</title>
        <itunes:title>#481: Ebbhead by Nitzer Ebb</itunes:title>
        <link>https://digmeout.podbean.com/e/481-ebbhead-by-nitzer-ebb/</link>
                    <comments>https://digmeout.podbean.com/e/481-ebbhead-by-nitzer-ebb/#comments</comments>        <pubDate>Tue, 31 Mar 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/667f16c2-901f-5b6f-ab5d-611858814538</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though the mid-to-late nights are more regarded for the commercial rise of electronic music, specifically in the form of UK electronica from the Chemical Brothers, Prodigy and others, the mainstream interest in high octane beats and synth-over-guitar was nothing new. As the 80s transitioned to the 90s, bands like Depeche Mode and New Order were firmly established global phenomenons, while up-and-comers like Ministry and Nine Inch Nails were bringing industrial sounds to the mainstream on MTV. <a href='http://www.nitzer-ebb.com/'>Nitzer Ebb</a> began in 1982 and established themselves throughout the decade as an Electronic Body Music (EBM) pillar, but when 90s arrives the band pivoted to a more pop sound, and on 1991's Ebbhead, the band fully embraced pop structure and sound, crafting catchy hooks at trimmed down lengths. But that evolution, while moderately successful in getting the band on mainstream rock radio, didn't necessarily sit well with the fans who discovered the band during their EBM period.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Reasons</p>
<p style="text-align:center;">12:52 - I Give To You</p>
<p style="text-align:center;">15:09 - Lakeside Drive</p>
<p style="text-align:center;">18:57 - Godhead</p>
<p style="text-align:center;">28:00 - Family Man</p>
<p style="text-align:center;">Outro - Sugar Sweet</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though the mid-to-late nights are more regarded for the commercial rise of electronic music, specifically in the form of UK electronica from the Chemical Brothers, Prodigy and others, the mainstream interest in high octane beats and synth-over-guitar was nothing new. As the 80s transitioned to the 90s, bands like Depeche Mode and New Order were firmly established global phenomenons, while up-and-comers like Ministry and Nine Inch Nails were bringing industrial sounds to the mainstream on MTV. <a href='http://www.nitzer-ebb.com/'>Nitzer Ebb</a> began in 1982 and established themselves throughout the decade as an Electronic Body Music (EBM) pillar, but when 90s arrives the band pivoted to a more pop sound, and on 1991's Ebbhead, the band fully embraced pop structure and sound, crafting catchy hooks at trimmed down lengths. But that evolution, while moderately successful in getting the band on mainstream rock radio, didn't necessarily sit well with the fans who discovered the band during their EBM period.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Reasons</p>
<p style="text-align:center;">12:52 - I Give To You</p>
<p style="text-align:center;">15:09 - Lakeside Drive</p>
<p style="text-align:center;">18:57 - Godhead</p>
<p style="text-align:center;">28:00 - Family Man</p>
<p style="text-align:center;">Outro - Sugar Sweet</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qczszg/481-nitzerebb.mp3" length="86874408" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though the mid-to-late nights are more regarded for the commercial rise of electronic music, specifically in the form of UK electronica from the Chemical Brothers, Prodigy and others, the mainstream interest in high octane beats and synth-over-guitar was nothing new. As the 80s transitioned to the 90s, bands like Depeche Mode and New Order were firmly established global phenomenons, while up-and-comers like Ministry and Nine Inch Nails were bringing industrial sounds to the mainstream on MTV. Nitzer Ebb began in 1982 and established themselves throughout the decade as an Electronic Body Music (EBM) pillar, but when 90s arrives the band pivoted to a more pop sound, and on 1991's Ebbhead, the band fully embraced pop structure and sound, crafting catchy hooks at trimmed down lengths. But that evolution, while moderately successful in getting the band on mainstream rock radio, didn't necessarily sit well with the fans who discovered the band during their EBM period.
 
Songs In This Episode
 
Intro - Reasons
12:52 - I Give To You
15:09 - Lakeside Drive
18:57 - Godhead
28:00 - Family Man
Outro - Sugar Sweet
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2709</itunes:duration>
                <itunes:episode>220</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#480: Sophomore Slump Revisited - American Highway Flower by Dada</title>
        <itunes:title>#480: Sophomore Slump Revisited - American Highway Flower by Dada</itunes:title>
        <link>https://digmeout.podbean.com/e/480-sophomore-slump-revisited-american-highway-flower-by-dada/</link>
                    <comments>https://digmeout.podbean.com/e/480-sophomore-slump-revisited-american-highway-flower-by-dada/#comments</comments>        <pubDate>Tue, 24 Mar 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ef953014-6550-5b6b-b489-57765d44c483</guid>
                                    <description><![CDATA[<p style="text-align:center;">As we have learned in our Sophomore Slump Revisited roundtable series, there are many factors and circumstances that can sink a band's second album, especially when coming off a hit single. In the case of <a href='http://dadaforever.com/'>Dada</a> and their 1994 release American Highway Flower, the lack of an obvious radio single to match Dizz Knee Land off their debut is a fair consideration. Rather than repeat a formula, the skilled trio of singer-guitarist Michael Gurley, singer-bassist Joie Calio and drummer Phil Leavitt pushed the band in a variety of directions while maintaining a more consistent sound than their first release. But pushing the envelope doesn't always result in a match with the cultural trends, and while the band flexes their muscle with harmonious power-pop and '60s psychedelic flourishes while unafraid to get extra noisy or delicately hushed. They may not have scored a Top 5 single or moved a million units with American Highway Flower, but that doesn't mean this sophomore release qualifies as a slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - All I Am</p>
<p style="text-align:center;">13:11 - Feet To The Sun</p>
<p style="text-align:center;">17:22 - Feel Me Don't You</p>
<p style="text-align:center;">23:00 - Real Soon</p>
<p style="text-align:center;">30:35 - S.F. Bar '63</p>
<p style="text-align:center;">Outro - Pretty Girls Make Graves</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">As we have learned in our Sophomore Slump Revisited roundtable series, there are many factors and circumstances that can sink a band's second album, especially when coming off a hit single. In the case of <a href='http://dadaforever.com/'>Dada</a> and their 1994 release American Highway Flower, the lack of an obvious radio single to match Dizz Knee Land off their debut is a fair consideration. Rather than repeat a formula, the skilled trio of singer-guitarist Michael Gurley, singer-bassist Joie Calio and drummer Phil Leavitt pushed the band in a variety of directions while maintaining a more consistent sound than their first release. But pushing the envelope doesn't always result in a match with the cultural trends, and while the band flexes their muscle with harmonious power-pop and '60s psychedelic flourishes while unafraid to get extra noisy or delicately hushed. They may not have scored a Top 5 single or moved a million units with American Highway Flower, but that doesn't mean this sophomore release qualifies as a slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - All I Am</p>
<p style="text-align:center;">13:11 - Feet To The Sun</p>
<p style="text-align:center;">17:22 - Feel Me Don't You</p>
<p style="text-align:center;">23:00 - Real Soon</p>
<p style="text-align:center;">30:35 - S.F. Bar '63</p>
<p style="text-align:center;">Outro - Pretty Girls Make Graves</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/runbap/480-ssr-dada-amerhighflow.mp3" length="119734360" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As we have learned in our Sophomore Slump Revisited roundtable series, there are many factors and circumstances that can sink a band's second album, especially when coming off a hit single. In the case of Dada and their 1994 release American Highway Flower, the lack of an obvious radio single to match Dizz Knee Land off their debut is a fair consideration. Rather than repeat a formula, the skilled trio of singer-guitarist Michael Gurley, singer-bassist Joie Calio and drummer Phil Leavitt pushed the band in a variety of directions while maintaining a more consistent sound than their first release. But pushing the envelope doesn't always result in a match with the cultural trends, and while the band flexes their muscle with harmonious power-pop and '60s psychedelic flourishes while unafraid to get extra noisy or delicately hushed. They may not have scored a Top 5 single or moved a million units with American Highway Flower, but that doesn't mean this sophomore release qualifies as a slump.
 
Songs In This Episode:
 
Intro - All I Am
13:11 - Feet To The Sun
17:22 - Feel Me Don't You
23:00 - Real Soon
30:35 - S.F. Bar '63
Outro - Pretty Girls Make Graves
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3736</itunes:duration>
                <itunes:episode>219</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#479: Choochtown by Hamell On Trial</title>
        <itunes:title>#479: Choochtown by Hamell On Trial</itunes:title>
        <link>https://digmeout.podbean.com/e/479-choochtown-by-hamell-on-trial/</link>
                    <comments>https://digmeout.podbean.com/e/479-choochtown-by-hamell-on-trial/#comments</comments>        <pubDate>Tue, 17 Mar 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8ba87aa2-11c2-59e2-8087-723562b3849f</guid>
                                    <description><![CDATA[<p style="text-align:center;">Edward James "Ed" Hamell, better know as Hamell On Trial, has been writing, recording, and touring for over thirty years, bouncing from major labels to minor labels to his own, with either a studio or live album out almost every other year. While production values have shifted, the fiery anti-folk and spoken word approach has remained constant, and his 1999 album is definitely on the lower end of the recording quality spectrum. That doesn't impact the performances or songs, as Hamell On Trial makes stunning use of his Gibson acoustic guitar, plucking out staccato rhythms on one track before leading a dirty blues romp on the next. All of it adds up to a uniquely singular performance and vision, one that can definitely split opinions on what worked and didn't work.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Hamell's Ramble</p>
<p style="text-align:center;">17:56 - I'm Gonna Watch You Sleep</p>
<p style="text-align:center;">24:07 - The Lottery</p>
<p style="text-align:center;">28:10 - Nancy's Got a New Boyfriend</p>
<p style="text-align:center;">35:18 - When Bobby Comes Down</p>
<p style="text-align:center;">46:30 - Shout Outs</p>
<p style="text-align:center;">Outro - Bill Hicks</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Edward James "Ed" Hamell, better know as Hamell On Trial, has been writing, recording, and touring for over thirty years, bouncing from major labels to minor labels to his own, with either a studio or live album out almost every other year. While production values have shifted, the fiery anti-folk and spoken word approach has remained constant, and his 1999 album is definitely on the lower end of the recording quality spectrum. That doesn't impact the performances or songs, as Hamell On Trial makes stunning use of his Gibson acoustic guitar, plucking out staccato rhythms on one track before leading a dirty blues romp on the next. All of it adds up to a uniquely singular performance and vision, one that can definitely split opinions on what worked and didn't work.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Hamell's Ramble</p>
<p style="text-align:center;">17:56 - I'm Gonna Watch You Sleep</p>
<p style="text-align:center;">24:07 - The Lottery</p>
<p style="text-align:center;">28:10 - Nancy's Got a New Boyfriend</p>
<p style="text-align:center;">35:18 - When Bobby Comes Down</p>
<p style="text-align:center;">46:30 - Shout Outs</p>
<p style="text-align:center;">Outro - Bill Hicks</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gs88dx/479-hamellontrial2.mp3" length="119734360" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Edward James "Ed" Hamell, better know as Hamell On Trial, has been writing, recording, and touring for over thirty years, bouncing from major labels to minor labels to his own, with either a studio or live album out almost every other year. While production values have shifted, the fiery anti-folk and spoken word approach has remained constant, and his 1999 album is definitely on the lower end of the recording quality spectrum. That doesn't impact the performances or songs, as Hamell On Trial makes stunning use of his Gibson acoustic guitar, plucking out staccato rhythms on one track before leading a dirty blues romp on the next. All of it adds up to a uniquely singular performance and vision, one that can definitely split opinions on what worked and didn't work.
 
Songs In This Episode:
 
Intro - Hamell's Ramble
17:56 - I'm Gonna Watch You Sleep
24:07 - The Lottery
28:10 - Nancy's Got a New Boyfriend
35:18 - When Bobby Comes Down
46:30 - Shout Outs
Outro - Bill Hicks
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3736</itunes:duration>
                <itunes:episode>218</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#478: LP2 by Sunny Day Real Estate</title>
        <itunes:title>#478: LP2 by Sunny Day Real Estate</itunes:title>
        <link>https://digmeout.podbean.com/e/478-lp2-by-sunny-day-real-estate/</link>
                    <comments>https://digmeout.podbean.com/e/478-lp2-by-sunny-day-real-estate/#comments</comments>        <pubDate>Tue, 10 Mar 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/d18d797e-80a6-5685-a724-fc8cab919cb0</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Sunny_Day_Real_Estate_(album)'>Sunny Day Real Estate</a> has famously been a band of influence but impermanence, with multiple break-ups and rumors of an unfinished album in the can for over a decade. On their second release, the 1995 self-titled or Pink Album or LP2, vocalist/guitarist/lyricist Jeremy Enigk left unfinished vocals as placeholders as the band splintered. What it creates is something unique, while words or phrases pop in occasion, the majority of the record utilizes the vocals as an instrument in a way that a band like My Bloody Valentine features vocalist Bilinda Butcher. But what makes SDRE special is the contributions from all four members - who each get their moment to shine in a way that recalls 1970s progressive rock without overly-long world-building and self-indulgence.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Red Elephant</p>
<p style="text-align:center;">16:38 - Rodeo Jones</p>
<p style="text-align:center;">22:45 - 5/4</p>
<p style="text-align:center;">30:36 - 8</p>
<p style="text-align:center;">Outro - J'Nuh</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Sunny_Day_Real_Estate_(album)'>Sunny Day Real Estate</a> has famously been a band of influence but impermanence, with multiple break-ups and rumors of an unfinished album in the can for over a decade. On their second release, the 1995 self-titled or Pink Album or LP2, vocalist/guitarist/lyricist Jeremy Enigk left unfinished vocals as placeholders as the band splintered. What it creates is something unique, while words or phrases pop in occasion, the majority of the record utilizes the vocals as an instrument in a way that a band like My Bloody Valentine features vocalist Bilinda Butcher. But what makes SDRE special is the contributions from all four members - who each get their moment to shine in a way that recalls 1970s progressive rock without overly-long world-building and self-indulgence.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Red Elephant</p>
<p style="text-align:center;">16:38 - Rodeo Jones</p>
<p style="text-align:center;">22:45 - 5/4</p>
<p style="text-align:center;">30:36 - 8</p>
<p style="text-align:center;">Outro - J'Nuh</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ghapfy/478-sdrelp2.mp3" length="96630412" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sunny Day Real Estate has famously been a band of influence but impermanence, with multiple break-ups and rumors of an unfinished album in the can for over a decade. On their second release, the 1995 self-titled or Pink Album or LP2, vocalist/guitarist/lyricist Jeremy Enigk left unfinished vocals as placeholders as the band splintered. What it creates is something unique, while words or phrases pop in occasion, the majority of the record utilizes the vocals as an instrument in a way that a band like My Bloody Valentine features vocalist Bilinda Butcher. But what makes SDRE special is the contributions from all four members - who each get their moment to shine in a way that recalls 1970s progressive rock without overly-long world-building and self-indulgence.
 
Songs In This Episode
 
Intro - Red Elephant
16:38 - Rodeo Jones
22:45 - 5/4
30:36 - 8
Outro - J'Nuh
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3014</itunes:duration>
                <itunes:episode>217</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#477: Caviar by Caviar</title>
        <itunes:title>#477: Caviar by Caviar</itunes:title>
        <link>https://digmeout.podbean.com/e/477-caviar-by-caviar/</link>
                    <comments>https://digmeout.podbean.com/e/477-caviar-by-caviar/#comments</comments>        <pubDate>Tue, 03 Mar 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/b8d635c1-3cd6-5769-b59e-007d4c48cedf</guid>
                                    <description><![CDATA[<p style="text-align:center;">So many bands got signed to major labels in the 1990s it could keep our podcast going well into the 22nd century. Rarely did artists get a second go-around as a new act, as was the case with vocalist Blake Smith and bassist Mike Willison after the breakup of their band Fig Dish. After recruiting a new guitarist and drummer, they formed <a href='https://en.wikipedia.org/wiki/Caviar_(album)'>Caviar</a> and in 2000 released their self-titled debut on Island Records. While Smith's catchy melodies are still present, the band takes advantage of their second major-label chance by adding a variety of samples, including a bossa nova intro on the single "Tangerine Speedo." The band tries to walk a thin line between the quirky pop sounds of Sugar Ray, Smashmouth or Cake, the more aggressive pop-punk guitar of bands like Blink-182 or Weezer.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Tangerine Speedo</p>
<p style="text-align:center;">19:42 - OK Nightmare</p>
<p style="text-align:center;">22:09 - I Am The Monument</p>
<p style="text-align:center;">26:13 - Goldmine</p>
<p style="text-align:center;">30:39 - Looked So Hard I Nearly Wrecked My Eyes</p>
<p style="text-align:center;">Outro - Sugarless</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">So many bands got signed to major labels in the 1990s it could keep our podcast going well into the 22nd century. Rarely did artists get a second go-around as a new act, as was the case with vocalist Blake Smith and bassist Mike Willison after the breakup of their band Fig Dish. After recruiting a new guitarist and drummer, they formed <a href='https://en.wikipedia.org/wiki/Caviar_(album)'>Caviar</a> and in 2000 released their self-titled debut on Island Records. While Smith's catchy melodies are still present, the band takes advantage of their second major-label chance by adding a variety of samples, including a bossa nova intro on the single "Tangerine Speedo." The band tries to walk a thin line between the quirky pop sounds of Sugar Ray, Smashmouth or Cake, the more aggressive pop-punk guitar of bands like Blink-182 or Weezer.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Tangerine Speedo</p>
<p style="text-align:center;">19:42 - OK Nightmare</p>
<p style="text-align:center;">22:09 - I Am The Monument</p>
<p style="text-align:center;">26:13 - Goldmine</p>
<p style="text-align:center;">30:39 - Looked So Hard I Nearly Wrecked My Eyes</p>
<p style="text-align:center;">Outro - Sugarless</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ajr4ip/477-caviar.mp3" length="96622889" type="audio/mpeg"/>
        <itunes:summary><![CDATA[So many bands got signed to major labels in the 1990s it could keep our podcast going well into the 22nd century. Rarely did artists get a second go-around as a new act, as was the case with vocalist Blake Smith and bassist Mike Willison after the breakup of their band Fig Dish. After recruiting a new guitarist and drummer, they formed Caviar and in 2000 released their self-titled debut on Island Records. While Smith's catchy melodies are still present, the band takes advantage of their second major-label chance by adding a variety of samples, including a bossa nova intro on the single "Tangerine Speedo." The band tries to walk a thin line between the quirky pop sounds of Sugar Ray, Smashmouth or Cake, the more aggressive pop-punk guitar of bands like Blink-182 or Weezer.
 
Songs In This Episode:
 
Intro - Tangerine Speedo
19:42 - OK Nightmare
22:09 - I Am The Monument
26:13 - Goldmine
30:39 - Looked So Hard I Nearly Wrecked My Eyes
Outro - Sugarless
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3013</itunes:duration>
                <itunes:episode>216</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#476: R.E.M. In The 90s Roundtable</title>
        <itunes:title>#476: R.E.M. In The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/476-rem-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/476-rem-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 25 Feb 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/60fa056f-05c8-532a-b69d-3ebb8f9b4191</guid>
                                    <description><![CDATA[<p style="text-align:center;">Lots of bands were successful in the 90s, but few reached the decade long highs and success that <a href='https://www.remhq.com/'>R.E.M. </a>managed while constantly shifting their sound. Perhaps only U2 matched the same levels of critical acclaim and pushback, album sales and slumps, turmoil and triumph of R.E.M., conquering not only their home countries but stadiums around the globe. In our past "In The 90s" episodes, we've looked back at bands that first gained success and notoriety in the 1980s and traced their path through the alternative landscape of the 1990s, but it could be said that R.E.M. was leading the charge of the underground into the mainstream long before anyone else. As they entered the 90s, they were no longer college radio upstarts, but MTV and commercial radio regulars who would shoot through the stratosphere with "Losing My Religion" of 1991's Out Of Time. The rest of the decade would see them tackle everything from fuzzed-out 1970s glam rock to minimalist programmed beats to Beach Boys-esque harmonies. In other words, they evolved, but in doing so, did they lose the sound that made them stand out in the first place? We revisit the decade with a group of knowledgable R.E.M. fans who walk us through an often exciting and occasionally perplexing decade for the band.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro Medley - Losing My Religion/Everybody Hurts/What's The Frequency, Kenneth?/Bittersweet Me/Daysleeper</p>
<p style="text-align:center;">18:15 - Country Feedback from Out Of Time</p>
<p style="text-align:center;">28:45 - Drive from Automatic For The People</p>
<p style="text-align:center;">42:36 - Star 69 from Monster</p>
<p style="text-align:center;">55:02 - The Wake Up Bomb from New Adventures In Hi-Fi</p>
<p style="text-align:center;">1:09:53 - At My Most Beautiful</p>
<p style="text-align:center;">Outro - Man On The Moon from Automatic For The People</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Lots of bands were successful in the 90s, but few reached the decade long highs and success that <a href='https://www.remhq.com/'>R.E.M. </a>managed while constantly shifting their sound. Perhaps only U2 matched the same levels of critical acclaim and pushback, album sales and slumps, turmoil and triumph of R.E.M., conquering not only their home countries but stadiums around the globe. In our past "In The 90s" episodes, we've looked back at bands that first gained success and notoriety in the 1980s and traced their path through the alternative landscape of the 1990s, but it could be said that R.E.M. was leading the charge of the underground into the mainstream long before anyone else. As they entered the 90s, they were no longer college radio upstarts, but MTV and commercial radio regulars who would shoot through the stratosphere with "Losing My Religion" of 1991's Out Of Time. The rest of the decade would see them tackle everything from fuzzed-out 1970s glam rock to minimalist programmed beats to Beach Boys-esque harmonies. In other words, they evolved, but in doing so, did they lose the sound that made them stand out in the first place? We revisit the decade with a group of knowledgable R.E.M. fans who walk us through an often exciting and occasionally perplexing decade for the band.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro Medley - Losing My Religion/Everybody Hurts/What's The Frequency, Kenneth?/Bittersweet Me/Daysleeper</p>
<p style="text-align:center;">18:15 - Country Feedback from Out Of Time</p>
<p style="text-align:center;">28:45 - Drive from Automatic For The People</p>
<p style="text-align:center;">42:36 - Star 69 from Monster</p>
<p style="text-align:center;">55:02 - The Wake Up Bomb from New Adventures In Hi-Fi</p>
<p style="text-align:center;">1:09:53 - At My Most Beautiful</p>
<p style="text-align:center;">Outro - Man On The Moon from Automatic For The People</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5pg26e/476-REMinthe90s.mp3" length="207643718" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lots of bands were successful in the 90s, but few reached the decade long highs and success that R.E.M. managed while constantly shifting their sound. Perhaps only U2 matched the same levels of critical acclaim and pushback, album sales and slumps, turmoil and triumph of R.E.M., conquering not only their home countries but stadiums around the globe. In our past "In The 90s" episodes, we've looked back at bands that first gained success and notoriety in the 1980s and traced their path through the alternative landscape of the 1990s, but it could be said that R.E.M. was leading the charge of the underground into the mainstream long before anyone else. As they entered the 90s, they were no longer college radio upstarts, but MTV and commercial radio regulars who would shoot through the stratosphere with "Losing My Religion" of 1991's Out Of Time. The rest of the decade would see them tackle everything from fuzzed-out 1970s glam rock to minimalist programmed beats to Beach Boys-esque harmonies. In other words, they evolved, but in doing so, did they lose the sound that made them stand out in the first place? We revisit the decade with a group of knowledgable R.E.M. fans who walk us through an often exciting and occasionally perplexing decade for the band.
 
Songs In This Episode:
 
Intro Medley - Losing My Religion/Everybody Hurts/What's The Frequency, Kenneth?/Bittersweet Me/Daysleeper
18:15 - Country Feedback from Out Of Time
28:45 - Drive from Automatic For The People
42:36 - Star 69 from Monster
55:02 - The Wake Up Bomb from New Adventures In Hi-Fi
1:09:53 - At My Most Beautiful
Outro - Man On The Moon from Automatic For The People
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6483</itunes:duration>
                <itunes:episode>215</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#475: Satisfied Mind by The Walkabouts</title>
        <itunes:title>#475: Satisfied Mind by The Walkabouts</itunes:title>
        <link>https://digmeout.podbean.com/e/475-satisfied-mind-by-the-walkabouts/</link>
                    <comments>https://digmeout.podbean.com/e/475-satisfied-mind-by-the-walkabouts/#comments</comments>        <pubDate>Tue, 18 Feb 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/5e08a06c-a660-5a66-b285-2fd2ae1bc564</guid>
                                    <description><![CDATA[<p style="text-align:center;">Among the many signings by the legendary Sub Pop label in the 1980s and 1990s, a few bands get tagged with "the first" label. The Afghan Whigs were the first band from outside region to be signed to the label, and in the case of this week's episode, <a href='https://www.thewalkabouts.com/'>The Walkabouts</a> were the first country (or folk, or Americana, or alt-country) band to be signed to the label. Core members vocalist Carla Torgerson and vocalist/songwriter Chris Eckman started playing together in 1984, and by the time of their sixth album Satisfied Mind released in 1993, the band had built up quite a following and list of friends in the area. Guests include Mark Lanegan of the Screaming Trees, Peter Buck of R.E.M., and Ivan Kral of the Patti Smith Band, who all manage to blend into this uniquely timeless sound channeling some expected artists (The Carter Family, Gene Clark, Charlie Rich) and some more unexpected choices (Nick Cave and the Bad Seeds, John Cale, Patti Smith) that all sound seamless together.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Satisfied Mind</p>
<p style="text-align:center;">15:09 - Free Money</p>
<p style="text-align:center;">20:51 - Buffalo Ballet</p>
<p style="text-align:center;">23:53 - Feel Like Going Home</p>
<p style="text-align:center;">28:44 - Dear Darling</p>
<p style="text-align:center;">Outro - Loom Of The Land</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Among the many signings by the legendary Sub Pop label in the 1980s and 1990s, a few bands get tagged with "the first" label. The Afghan Whigs were the first band from outside region to be signed to the label, and in the case of this week's episode, <a href='https://www.thewalkabouts.com/'>The Walkabouts</a> were the first country (or folk, or Americana, or alt-country) band to be signed to the label. Core members vocalist Carla Torgerson and vocalist/songwriter Chris Eckman started playing together in 1984, and by the time of their sixth album Satisfied Mind released in 1993, the band had built up quite a following and list of friends in the area. Guests include Mark Lanegan of the Screaming Trees, Peter Buck of R.E.M., and Ivan Kral of the Patti Smith Band, who all manage to blend into this uniquely timeless sound channeling some expected artists (The Carter Family, Gene Clark, Charlie Rich) and some more unexpected choices (Nick Cave and the Bad Seeds, John Cale, Patti Smith) that all sound seamless together.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Satisfied Mind</p>
<p style="text-align:center;">15:09 - Free Money</p>
<p style="text-align:center;">20:51 - Buffalo Ballet</p>
<p style="text-align:center;">23:53 - Feel Like Going Home</p>
<p style="text-align:center;">28:44 - Dear Darling</p>
<p style="text-align:center;">Outro - Loom Of The Land</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vad5mw/475-walkabouts.mp3" length="91059016" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Among the many signings by the legendary Sub Pop label in the 1980s and 1990s, a few bands get tagged with "the first" label. The Afghan Whigs were the first band from outside region to be signed to the label, and in the case of this week's episode, The Walkabouts were the first country (or folk, or Americana, or alt-country) band to be signed to the label. Core members vocalist Carla Torgerson and vocalist/songwriter Chris Eckman started playing together in 1984, and by the time of their sixth album Satisfied Mind released in 1993, the band had built up quite a following and list of friends in the area. Guests include Mark Lanegan of the Screaming Trees, Peter Buck of R.E.M., and Ivan Kral of the Patti Smith Band, who all manage to blend into this uniquely timeless sound channeling some expected artists (The Carter Family, Gene Clark, Charlie Rich) and some more unexpected choices (Nick Cave and the Bad Seeds, John Cale, Patti Smith) that all sound seamless together.
 
Songs In This Episode
 
Intro - Satisfied Mind
15:09 - Free Money
20:51 - Buffalo Ballet
23:53 - Feel Like Going Home
28:44 - Dear Darling
Outro - Loom Of The Land
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2839</itunes:duration>
                <itunes:episode>214</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#474: 100 Broken Windows by Idlewild</title>
        <itunes:title>#474: 100 Broken Windows by Idlewild</itunes:title>
        <link>https://digmeout.podbean.com/e/474-100-broken-windows-by-idlewild/</link>
                    <comments>https://digmeout.podbean.com/e/474-100-broken-windows-by-idlewild/#comments</comments>        <pubDate>Tue, 11 Feb 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8dffe0ef-2dc1-583d-a529-b8fa79c9dbee</guid>
                                    <description><![CDATA[<p style="text-align:center;">You may ask yourself, why is a 90s-centric podcast revisiting an album from 2000? Well, we are nothing without our listeners, and if they suggest and then vote for an album that came out in 2000, but was from a band that got their start and had several releases in the 90s, who are we to argue. And it turns out revisiting <a href='https://idlewild.co.uk/'>Idlewild</a>'s 2000 album 100 Broken Windows gave us an excellent opportunity to look back upon the decade and see how its various sounds and genres were interpreted by younger artists. In the case of Idlewild, with veteran producers Dave Eringa and Bob Weston behind the board for the young band meant channeling the volume and chaos of their earlier releases into a weapon to be deployed skillfully, giving the band a blistering edge and allowing vocalist Roddy Woomble the opportunity to craft unique earworm melodies. It may not make the top 100 albums of the decade or the year, but there's a case to be made for 100 Broken Windows as one of the finest distillations of everything that went right musically in the 90s.</p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Little Discourage</p>
<p style="text-align:center;">19:45 - Idea Track</p>
<p style="text-align:center;">24:26 - Roseability</p>
<p style="text-align:center;">29:52 - Mistake Pageant</p>
<p style="text-align:center;">Outro - These Wooden Ideas</p>
<p> </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">You may ask yourself, why is a 90s-centric podcast revisiting an album from 2000? Well, we are nothing without our listeners, and if they suggest and then vote for an album that came out in 2000, but was from a band that got their start and had several releases in the 90s, who are we to argue. And it turns out revisiting <a href='https://idlewild.co.uk/'>Idlewild</a>'s 2000 album 100 Broken Windows gave us an excellent opportunity to look back upon the decade and see how its various sounds and genres were interpreted by younger artists. In the case of Idlewild, with veteran producers Dave Eringa and Bob Weston behind the board for the young band meant channeling the volume and chaos of their earlier releases into a weapon to be deployed skillfully, giving the band a blistering edge and allowing vocalist Roddy Woomble the opportunity to craft unique earworm melodies. It may not make the top 100 albums of the decade or the year, but there's a case to be made for 100 Broken Windows as one of the finest distillations of everything that went right musically in the 90s.</p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Little Discourage</p>
<p style="text-align:center;">19:45 - Idea Track</p>
<p style="text-align:center;">24:26 - Roseability</p>
<p style="text-align:center;">29:52 - Mistake Pageant</p>
<p style="text-align:center;">Outro - These Wooden Ideas</p>
<p> </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/93frsq/474-idlewild.mp3" length="107322644" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You may ask yourself, why is a 90s-centric podcast revisiting an album from 2000? Well, we are nothing without our listeners, and if they suggest and then vote for an album that came out in 2000, but was from a band that got their start and had several releases in the 90s, who are we to argue. And it turns out revisiting Idlewild's 2000 album 100 Broken Windows gave us an excellent opportunity to look back upon the decade and see how its various sounds and genres were interpreted by younger artists. In the case of Idlewild, with veteran producers Dave Eringa and Bob Weston behind the board for the young band meant channeling the volume and chaos of their earlier releases into a weapon to be deployed skillfully, giving the band a blistering edge and allowing vocalist Roddy Woomble the opportunity to craft unique earworm melodies. It may not make the top 100 albums of the decade or the year, but there's a case to be made for 100 Broken Windows as one of the finest distillations of everything that went right musically in the 90s.
Songs In This Episode
 
Intro - Little Discourage
19:45 - Idea Track
24:26 - Roseability
29:52 - Mistake Pageant
Outro - These Wooden Ideas
 
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3348</itunes:duration>
                <itunes:episode>213</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#473: Red And Clear by Giants Chair</title>
        <itunes:title>#473: Red And Clear by Giants Chair</itunes:title>
        <link>https://digmeout.podbean.com/e/473-red-and-clear-by-giants-chair/</link>
                    <comments>https://digmeout.podbean.com/e/473-red-and-clear-by-giants-chair/#comments</comments>        <pubDate>Tue, 04 Feb 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/7b3d7a81-7b29-59ee-86b8-65e3d53cefa2</guid>
                                    <description><![CDATA[<p style="text-align:center;">It took twenty-three years for <a href='https://giantschair.com/'>Giants Chair</a> to follow-up their 1996 sophomore album Purity And Control with the 2019 album Prefabylon, which we discussed briefly in our <a href='http://digmeoutpodcast.com/episode/467-new-album-reviews-roundtable'>2019 New Albums Roundtable</a>. Though we've covered plenty of 90s bands reuniting a decade or two later to make new records, prior to Prefabylon Giants Chair weren't on our radar. Thanks to one of Patreon patrons we got the chance to revisit this Kansas City, Missouri band's 1995 debut. While the post-punk math-rock sounds fit nicely into our previously expressed admiration for bands such as Jawbox, Shudder To Think and Quicksand, as well as the neighboring Shiner, we didn't expect to unearth a local scene that included Season To Risk, Molly McGuire, Boys Life, and others all dishing out their own versions of angular guitars, tricky rhythms, and indie/emo vocals. Perhaps a Digging Your Scene episode is in the future, but on this one, we got to dive into this three-piece and their unique take on mid-90s post-punk.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:

</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gunshot And The Jogger</p>
<p style="text-align:center;">11:55 - New Orleans</p>
<p style="text-align:center;">24:03 - Mother Brother Sister Lover</p>
<p style="text-align:center;">26:31 - Weed Roses</p>
<p style="text-align:center;">Outro - Semi</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It took twenty-three years for <a href='https://giantschair.com/'>Giants Chair</a> to follow-up their 1996 sophomore album Purity And Control with the 2019 album Prefabylon, which we discussed briefly in our <a href='http://digmeoutpodcast.com/episode/467-new-album-reviews-roundtable'>2019 New Albums Roundtable</a>. Though we've covered plenty of 90s bands reuniting a decade or two later to make new records, prior to Prefabylon Giants Chair weren't on our radar. Thanks to one of Patreon patrons we got the chance to revisit this Kansas City, Missouri band's 1995 debut. While the post-punk math-rock sounds fit nicely into our previously expressed admiration for bands such as Jawbox, Shudder To Think and Quicksand, as well as the neighboring Shiner, we didn't expect to unearth a local scene that included Season To Risk, Molly McGuire, Boys Life, and others all dishing out their own versions of angular guitars, tricky rhythms, and indie/emo vocals. Perhaps a Digging Your Scene episode is in the future, but on this one, we got to dive into this three-piece and their unique take on mid-90s post-punk.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:<br>
<br>
</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gunshot And The Jogger</p>
<p style="text-align:center;">11:55 - New Orleans</p>
<p style="text-align:center;">24:03 - Mother Brother Sister Lover</p>
<p style="text-align:center;">26:31 - Weed Roses</p>
<p style="text-align:center;">Outro - Semi</p>
<p> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/46a8fb/473-giantschair.mp3" length="107322644" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It took twenty-three years for Giants Chair to follow-up their 1996 sophomore album Purity And Control with the 2019 album Prefabylon, which we discussed briefly in our 2019 New Albums Roundtable. Though we've covered plenty of 90s bands reuniting a decade or two later to make new records, prior to Prefabylon Giants Chair weren't on our radar. Thanks to one of Patreon patrons we got the chance to revisit this Kansas City, Missouri band's 1995 debut. While the post-punk math-rock sounds fit nicely into our previously expressed admiration for bands such as Jawbox, Shudder To Think and Quicksand, as well as the neighboring Shiner, we didn't expect to unearth a local scene that included Season To Risk, Molly McGuire, Boys Life, and others all dishing out their own versions of angular guitars, tricky rhythms, and indie/emo vocals. Perhaps a Digging Your Scene episode is in the future, but on this one, we got to dive into this three-piece and their unique take on mid-90s post-punk.
 
Songs In This Episode:
 
Intro - Gunshot And The Jogger
11:55 - New Orleans
24:03 - Mother Brother Sister Lover
26:31 - Weed Roses
Outro - Semi
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3348</itunes:duration>
                <itunes:episode>212</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#472: Albums of 1990 Roundtable</title>
        <itunes:title>#472: Albums of 1990 Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/472-albums-of-1990-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/472-albums-of-1990-roundtable/#comments</comments>        <pubDate>Tue, 28 Jan 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/8db41ff8-f22e-5c7f-a85f-fdae87320a6c</guid>
                                    <description><![CDATA[<p style="text-align:center;">1990 is a strange, contradictory year for music. How else do you explain alternative and underground bands like Jane's Addiction, Concrete Blonde, Faith No More and The B-52's taking up regular MTV rotation slots next to MC Hammer, Warrant, Paula Abdul and Vanilla Ice? There's a good chance you saw They Might Be Giant's "Birdhouse In Your Soul" right after Billy Idol's "Cradle of Love," or "We Die Young" by Alice Chains on the same Headbanger's Ball episode as "Unskinny Bop" by Poison. What we're saying is, there was a lot going on, and we attempt an overview of some of the most interesting overlooked, under-appreciated, and influential albums of the year.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Stop! by Jane's Addiction</p>
<p style="text-align:center;">10:46 - Graveyard Shift by Uncle Tupelo</p>
<p style="text-align:center;">24:15 - Is She Weird by Pixies</p>
<p style="text-align:center;">36:12 - There You Are by Goo Goo Dolls</p>
<p style="text-align:center;">47:41 - Candy by Iggy Pop</p>
<p style="text-align:center;">Outro - Cliffs Of Dover by Eric Johnson</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">1990 is a strange, contradictory year for music. How else do you explain alternative and underground bands like Jane's Addiction, Concrete Blonde, Faith No More and The B-52's taking up regular MTV rotation slots next to MC Hammer, Warrant, Paula Abdul and Vanilla Ice? There's a good chance you saw They Might Be Giant's "Birdhouse In Your Soul" right after Billy Idol's "Cradle of Love," or "We Die Young" by Alice Chains on the same Headbanger's Ball episode as "Unskinny Bop" by Poison. What we're saying is, there was a lot going on, and we attempt an overview of some of the most interesting overlooked, under-appreciated, and influential albums of the year.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Stop! by Jane's Addiction</p>
<p style="text-align:center;">10:46 - Graveyard Shift by Uncle Tupelo</p>
<p style="text-align:center;">24:15 - Is She Weird by Pixies</p>
<p style="text-align:center;">36:12 - There You Are by Goo Goo Dolls</p>
<p style="text-align:center;">47:41 - Candy by Iggy Pop</p>
<p style="text-align:center;">Outro - Cliffs Of Dover by Eric Johnson</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h5z9tw/472-1990albums.mp3" length="133192647" type="audio/mpeg"/>
        <itunes:summary><![CDATA[1990 is a strange, contradictory year for music. How else do you explain alternative and underground bands like Jane's Addiction, Concrete Blonde, Faith No More and The B-52's taking up regular MTV rotation slots next to MC Hammer, Warrant, Paula Abdul and Vanilla Ice? There's a good chance you saw They Might Be Giant's "Birdhouse In Your Soul" right after Billy Idol's "Cradle of Love," or "We Die Young" by Alice Chains on the same Headbanger's Ball episode as "Unskinny Bop" by Poison. What we're saying is, there was a lot going on, and we attempt an overview of some of the most interesting overlooked, under-appreciated, and influential albums of the year.
 
Songs In This Episode:
 
Intro - Stop! by Jane's Addiction
10:46 - Graveyard Shift by Uncle Tupelo
24:15 - Is She Weird by Pixies
36:12 - There You Are by Goo Goo Dolls
47:41 - Candy by Iggy Pop
Outro - Cliffs Of Dover by Eric Johnson
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4156</itunes:duration>
                <itunes:episode>211</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#471: Hormone Hotel by Bandit Queen</title>
        <itunes:title>#471: Hormone Hotel by Bandit Queen</itunes:title>
        <link>https://digmeout.podbean.com/e/471-hormone-hotel-by-bandit-queen/</link>
                    <comments>https://digmeout.podbean.com/e/471-hormone-hotel-by-bandit-queen/#comments</comments>        <pubDate>Tue, 21 Jan 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/be4f9a07-5f36-5965-af70-972e22170015</guid>
                                    <description><![CDATA[<p style="text-align:center;">One and done bands are always an interesting listen, whether they were full-formed bands, one-off side-projects or solo albums, or something else entirely. In the case of <a href='https://en.wikipedia.org/wiki/Bandit_Queen_(band)'>Bandit Queen</a>, they formed out of the ashes of Swirl, retaining three of the four members and an indie rock sound. Gone were the jammy rhythms and chorus'd guitars for a more straightforward approach, reminiscent of American female-led alternative acts like Throwing Muses and The Breeders. While the harmony vocals and honest production kept us interested throughout, a few more soaring vocal hooks would have made Hormone Hotel a can't miss record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Back In The Belljar</p>
<p style="text-align:center;">14:00 - Big Sugar Emotional Thing</p>
<p style="text-align:center;">18:54 - Blue Black</p>
<p style="text-align:center;">20:57 - Scorch</p>
<p style="text-align:center;">Outro - Give It To The Dog</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">One and done bands are always an interesting listen, whether they were full-formed bands, one-off side-projects or solo albums, or something else entirely. In the case of <a href='https://en.wikipedia.org/wiki/Bandit_Queen_(band)'>Bandit Queen</a>, they formed out of the ashes of Swirl, retaining three of the four members and an indie rock sound. Gone were the jammy rhythms and chorus'd guitars for a more straightforward approach, reminiscent of American female-led alternative acts like Throwing Muses and The Breeders. While the harmony vocals and honest production kept us interested throughout, a few more soaring vocal hooks would have made Hormone Hotel a can't miss record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Back In The Belljar</p>
<p style="text-align:center;">14:00 - Big Sugar Emotional Thing</p>
<p style="text-align:center;">18:54 - Blue Black</p>
<p style="text-align:center;">20:57 - Scorch</p>
<p style="text-align:center;">Outro - Give It To The Dog</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gb6iy9/471-banditqueen2_0.mp3" length="73416122" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One and done bands are always an interesting listen, whether they were full-formed bands, one-off side-projects or solo albums, or something else entirely. In the case of Bandit Queen, they formed out of the ashes of Swirl, retaining three of the four members and an indie rock sound. Gone were the jammy rhythms and chorus'd guitars for a more straightforward approach, reminiscent of American female-led alternative acts like Throwing Muses and The Breeders. While the harmony vocals and honest production kept us interested throughout, a few more soaring vocal hooks would have made Hormone Hotel a can't miss record.
 
Songs In This Episode:
 
Intro - Back In The Belljar
14:00 - Big Sugar Emotional Thing
18:54 - Blue Black
20:57 - Scorch
Outro - Give It To The Dog
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2288</itunes:duration>
                <itunes:episode>210</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#470: Apollo 18 by They Might Be Giants</title>
        <itunes:title>#470: Apollo 18 by They Might Be Giants</itunes:title>
        <link>https://digmeout.podbean.com/e/470-apollo-18-by-they-might-be-giants/</link>
                    <comments>https://digmeout.podbean.com/e/470-apollo-18-by-they-might-be-giants/#comments</comments>        <pubDate>Tue, 14 Jan 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/97f8ead4-b360-5d2e-ad65-8889da0fdbf3</guid>
                                    <description><![CDATA[<p style="text-align:center;">There are plenty of anomalies in what did and didn't become popular in the rise of alternative music during the 1990s. Take for instance <a href='https://www.theymightbegiants.com/'>They Might Be Giants</a>, who's breakthrough 1990 album Flood with almost thirty tracks of weird and quirky songs that combine humor and musical knowledge into a wholly unique recording. So what then to follow it up? The band decided to produce themselves, and rock out a bit more on the 1992 follow-up Apollo 18. While the experimentation with a slightly more traditional pop-rock sound on songs like The Statue Got Me High and Dig My Grave made the band a bit more palatable to our ears, the stripped-down reliance on simplistic looped drums held back what expanded in year with a full band backing them.</p>
<p style="text-align:center;">Two notes: Tim was battling a cold, hence the nasal congestion you can clearly hear in his voice. Also, this was recorded prior to the death of Rush drummer/lyricist Neil Peart, which is why there was no mention of it when Rush was briefly brought up during the episodes. #RIPTheProfessor</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - I Palindrome I</p>
<p style="text-align:center;">11:48 - The Statue Got Me High</p>
<p style="text-align:center;">16:15 - My Evil Twin</p>
<p style="text-align:center;">24:17 - Mammals</p>
<p style="text-align:center;">38:47 - Spider</p>
<p style="text-align:center;">Outro -  Dig My Grave</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There are plenty of anomalies in what did and didn't become popular in the rise of alternative music during the 1990s. Take for instance <a href='https://www.theymightbegiants.com/'>They Might Be Giants</a>, who's breakthrough 1990 album Flood with almost thirty tracks of weird and quirky songs that combine humor and musical knowledge into a wholly unique recording. So what then to follow it up? The band decided to produce themselves, and rock out a bit more on the 1992 follow-up Apollo 18. While the experimentation with a slightly more traditional pop-rock sound on songs like The Statue Got Me High and Dig My Grave made the band a bit more palatable to our ears, the stripped-down reliance on simplistic looped drums held back what expanded in year with a full band backing them.</p>
<p style="text-align:center;">Two notes: Tim was battling a cold, hence the nasal congestion you can clearly hear in his voice. Also, this was recorded prior to the death of Rush drummer/lyricist Neil Peart, which is why there was no mention of it when Rush was briefly brought up during the episodes. #RIPTheProfessor</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - I Palindrome I</p>
<p style="text-align:center;">11:48 - The Statue Got Me High</p>
<p style="text-align:center;">16:15 - My Evil Twin</p>
<p style="text-align:center;">24:17 - Mammals</p>
<p style="text-align:center;">38:47 - Spider</p>
<p style="text-align:center;">Outro -  Dig My Grave</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fi6rrz/470-tmbg.mp3" length="109795291" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are plenty of anomalies in what did and didn't become popular in the rise of alternative music during the 1990s. Take for instance They Might Be Giants, who's breakthrough 1990 album Flood with almost thirty tracks of weird and quirky songs that combine humor and musical knowledge into a wholly unique recording. So what then to follow it up? The band decided to produce themselves, and rock out a bit more on the 1992 follow-up Apollo 18. While the experimentation with a slightly more traditional pop-rock sound on songs like The Statue Got Me High and Dig My Grave made the band a bit more palatable to our ears, the stripped-down reliance on simplistic looped drums held back what expanded in year with a full band backing them.
Two notes: Tim was battling a cold, hence the nasal congestion you can clearly hear in his voice. Also, this was recorded prior to the death of Rush drummer/lyricist Neil Peart, which is why there was no mention of it when Rush was briefly brought up during the episodes. #RIPTheProfessor
 
Songs In This Episode:
 
Intro - I Palindrome I
11:48 - The Statue Got Me High
16:15 - My Evil Twin
24:17 - Mammals
38:47 - Spider
Outro -  Dig My Grave
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3425</itunes:duration>
                <itunes:episode>209</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#469: Post Orgasmic Chill by Skunk Anansie</title>
        <itunes:title>#469: Post Orgasmic Chill by Skunk Anansie</itunes:title>
        <link>https://digmeout.podbean.com/e/469-post-orgasmic-chill-by-skunk-anansie/</link>
                    <comments>https://digmeout.podbean.com/e/469-post-orgasmic-chill-by-skunk-anansie/#comments</comments>        <pubDate>Tue, 07 Jan 2020 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/ff4500e4-1e28-50cd-8218-25a1509a514e</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1999, the musical landscape had seen the rise and fall of a variety of genres touted as the next big thing. The electronic sounds of The Chemical Brothers and The Prodigy offered varying takes on electronica, which bands would incorporate elements of over the years that followed. In the case of <a href='https://skunkanansie.com/'>Skunk Anansie</a> and their 1999 album Post Orgasmic Chill, it means adding layers to an already layered sound. Guitars are buzzsaw aggressive on one track, followed by a pop ballad approach on the next. Feedback is replaced by orchestrated strings. Booming drums by breakbeats. And making it all work is the dynamic Skin, who vocally covers all the ground with thought-provoking lyrics and near-unparalleled range.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Charlie Big Potato</p>
<p style="text-align:center;">17:00 - The Skank Heads</p>
<p style="text-align:center;">21:32 - Good Things Don't Always Come To You</p>
<p style="text-align:center;">Outro - We Don't Need Who You Think You Are</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1999, the musical landscape had seen the rise and fall of a variety of genres touted as the next big thing. The electronic sounds of The Chemical Brothers and The Prodigy offered varying takes on electronica, which bands would incorporate elements of over the years that followed. In the case of <a href='https://skunkanansie.com/'>Skunk Anansie</a> and their 1999 album Post Orgasmic Chill, it means adding layers to an already layered sound. Guitars are buzzsaw aggressive on one track, followed by a pop ballad approach on the next. Feedback is replaced by orchestrated strings. Booming drums by breakbeats. And making it all work is the dynamic Skin, who vocally covers all the ground with thought-provoking lyrics and near-unparalleled range.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Charlie Big Potato</p>
<p style="text-align:center;">17:00 - The Skank Heads</p>
<p style="text-align:center;">21:32 - Good Things Don't Always Come To You</p>
<p style="text-align:center;">Outro - We Don't Need Who You Think You Are</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4yi3fg/469-skunkanansie.mp3" length="80691956" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1999, the musical landscape had seen the rise and fall of a variety of genres touted as the next big thing. The electronic sounds of The Chemical Brothers and The Prodigy offered varying takes on electronica, which bands would incorporate elements of over the years that followed. In the case of Skunk Anansie and their 1999 album Post Orgasmic Chill, it means adding layers to an already layered sound. Guitars are buzzsaw aggressive on one track, followed by a pop ballad approach on the next. Feedback is replaced by orchestrated strings. Booming drums by breakbeats. And making it all work is the dynamic Skin, who vocally covers all the ground with thought-provoking lyrics and near-unparalleled range.
 
Songs In This Episode:
 
Intro - Charlie Big Potato
17:00 - The Skank Heads
21:32 - Good Things Don't Always Come To You
Outro - We Don't Need Who You Think You Are
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2515</itunes:duration>
                <itunes:episode>208</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#468: Season Nine - Year In Review</title>
        <itunes:title>#468: Season Nine - Year In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/468-season-nine-year-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/468-season-nine-year-in-review/#comments</comments>        <pubDate>Tue, 31 Dec 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/36d01657-7871-50f6-bea2-688f9b31f944</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our look back at Season Nine of the podcast really highlighted how much growth we've experienced and how much more we have ahead of us. We turned over the selection of our roundtable episodes to our Steering Committee and Board of Director level Patreon patrons, and the results did not disappoint. Our poll selected episodes were as interesting and diverse as ever, and our patrons selected reviews also provided us with a chance to revisit some familiar names (Nirvana, The Verve Pipe, etc.) as well as expand the sounds and genres to include rock en español, symphonic metal, avant-garde noise pop, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our look back at Season Nine of the podcast really highlighted how much growth we've experienced and how much more we have ahead of us. We turned over the selection of our roundtable episodes to our Steering Committee and Board of Director level Patreon patrons, and the results did not disappoint. Our poll selected episodes were as interesting and diverse as ever, and our patrons selected reviews also provided us with a chance to revisit some familiar names (Nirvana, The Verve Pipe, etc.) as well as expand the sounds and genres to include rock en español, symphonic metal, avant-garde noise pop, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro/Outro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uicqjw/468-season9review.mp3" length="61337101" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our look back at Season Nine of the podcast really highlighted how much growth we've experienced and how much more we have ahead of us. We turned over the selection of our roundtable episodes to our Steering Committee and Board of Director level Patreon patrons, and the results did not disappoint. Our poll selected episodes were as interesting and diverse as ever, and our patrons selected reviews also provided us with a chance to revisit some familiar names (Nirvana, The Verve Pipe, etc.) as well as expand the sounds and genres to include rock en español, symphonic metal, avant-garde noise pop, and much more.
 
Songs In This Episode:
Intro/Outro - Dig Me Out by Sleater-Kinney
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1911</itunes:duration>
                <itunes:episode>207</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#467: New Album Reviews for 2019 Roundtable</title>
        <itunes:title>#467: New Album Reviews for 2019 Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/467-new-album-reviews-for-2019-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/467-new-album-reviews-for-2019-roundtable/#comments</comments>        <pubDate>Tue, 24 Dec 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/dc809724-c4c7-5f83-b95f-33d1bda9cc8e</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our final roundtable of 2019, we invited several of our Patreon patrons to discuss the new albums released this year from artists connected to the 1990s. Turns out, 2019 had dozens of albums that qualified, over a hundred in reality. We talked about new releases from bands like UK shoegazers Swervedriver and Ride, the long-awaited return of Tool, a stellar new release from The Sheila Divine, plus names you know like Bob Mould, Fastball, UNKLE, Beck, Sleater-Kinney, etc., as well as lesser-known releases like Giants Chair and New Rising Sons.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Saw Lighting by Beck from Hyperspace</p>
<p style="text-align:center;">10:07 - White Collar by Fastball from The Help Machine</p>
<p style="text-align:center;">18:42 - Russian Racehorse by Giants Chair from Prefabylon</p>
<p style="text-align:center;">31:34 - Future Love by Ride from This Is Not A Safe Place</p>
<p style="text-align:center;">40:25 - Age Is Just A Number by The Sheila Divine from Beginning Of The End Is Where We'll Start Again</p>
<p style="text-align:center;">1:06:07 - Can I Go On by Sleater-Kinney from The Center Won't Hold</p>
<p style="text-align:center;">1:15:07 - Miracle Pill by Goo Goo Dolls from Miracle Pill</p>
<p style="text-align:center;">Outro - Africa by Weezer from Weezer (Teal Album)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our final roundtable of 2019, we invited several of our Patreon patrons to discuss the new albums released this year from artists connected to the 1990s. Turns out, 2019 had dozens of albums that qualified, over a hundred in reality. We talked about new releases from bands like UK shoegazers Swervedriver and Ride, the long-awaited return of Tool, a stellar new release from The Sheila Divine, plus names you know like Bob Mould, Fastball, UNKLE, Beck, Sleater-Kinney, etc., as well as lesser-known releases like Giants Chair and New Rising Sons.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Saw Lighting by Beck from Hyperspace</p>
<p style="text-align:center;">10:07 - White Collar by Fastball from The Help Machine</p>
<p style="text-align:center;">18:42 - Russian Racehorse by Giants Chair from Prefabylon</p>
<p style="text-align:center;">31:34 - Future Love by Ride from This Is Not A Safe Place</p>
<p style="text-align:center;">40:25 - Age Is Just A Number by The Sheila Divine from Beginning Of The End Is Where We'll Start Again</p>
<p style="text-align:center;">1:06:07 - Can I Go On by Sleater-Kinney from The Center Won't Hold</p>
<p style="text-align:center;">1:15:07 - Miracle Pill by Goo Goo Dolls from Miracle Pill</p>
<p style="text-align:center;">Outro - Africa by Weezer from Weezer (Teal Album)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y3dtv3/467-new2019reviews.mp3" length="184790545" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our final roundtable of 2019, we invited several of our Patreon patrons to discuss the new albums released this year from artists connected to the 1990s. Turns out, 2019 had dozens of albums that qualified, over a hundred in reality. We talked about new releases from bands like UK shoegazers Swervedriver and Ride, the long-awaited return of Tool, a stellar new release from The Sheila Divine, plus names you know like Bob Mould, Fastball, UNKLE, Beck, Sleater-Kinney, etc., as well as lesser-known releases like Giants Chair and New Rising Sons.
 
Songs In This Episode:
 
Intro - Saw Lighting by Beck from Hyperspace
10:07 - White Collar by Fastball from The Help Machine
18:42 - Russian Racehorse by Giants Chair from Prefabylon
31:34 - Future Love by Ride from This Is Not A Safe Place
40:25 - Age Is Just A Number by The Sheila Divine from Beginning Of The End Is Where We'll Start Again
1:06:07 - Can I Go On by Sleater-Kinney from The Center Won't Hold
1:15:07 - Miracle Pill by Goo Goo Dolls from Miracle Pill
Outro - Africa by Weezer from Weezer (Teal Album)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5769</itunes:duration>
                <itunes:episode>206</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#466: Animal Bag by Animal Bag</title>
        <itunes:title>#466: Animal Bag by Animal Bag</itunes:title>
        <link>https://digmeout.podbean.com/e/466-animal-bag-by-animal-bag/</link>
                    <comments>https://digmeout.podbean.com/e/466-animal-bag-by-animal-bag/#comments</comments>        <pubDate>Tue, 17 Dec 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/466-animal-bag-by-animal-bag-e621e4e6816779a03571bd5514f2b690</guid>
                                    <description><![CDATA[<p style="text-align:center;">Bands like <a href='https://www.facebook.com/Animal-Bag-336111146428367/'>Animal Bag</a> were dime a dozen in the early 1990s. Getting signed, putting out a record, the musical landscape shifts, and suddenly your sound is outdated and the record label is in flux. Their 1992 self-titled debut has reverb-filled production that pins it to the start of the decade, and taking cues from fellow Californians like Faith No More, Jane's Addiction, and Red Hot Chili Peppers. But their funk and weirdness only shows up in short bursts, as this band could easily be lumped in with the jeans and t-shirt alternative metal and grunge bands like Raging Slab, Mind Funk, and label mates Mother Love Bone. Though they lack Andy Wood's penchant for an epic ballad, there is no doubt Animal Bag had their sights set on Seattle rather than the Sunset Strip. Does it all come together in a timeless way? Depends on the listener.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Another Hat</p>
<p style="text-align:center;">21:24 - Personal Demons</p>
<p style="text-align:center;">35:55 - Mirrored Shades</p>
<p style="text-align:center;">42:11 - Everybody</p>
<p style="text-align:center;">Outro - Moonsong</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Bands like <a href='https://www.facebook.com/Animal-Bag-336111146428367/'>Animal Bag</a> were dime a dozen in the early 1990s. Getting signed, putting out a record, the musical landscape shifts, and suddenly your sound is outdated and the record label is in flux. Their 1992 self-titled debut has reverb-filled production that pins it to the start of the decade, and taking cues from fellow Californians like Faith No More, Jane's Addiction, and Red Hot Chili Peppers. But their funk and weirdness only shows up in short bursts, as this band could easily be lumped in with the jeans and t-shirt alternative metal and grunge bands like Raging Slab, Mind Funk, and label mates Mother Love Bone. Though they lack Andy Wood's penchant for an epic ballad, there is no doubt Animal Bag had their sights set on Seattle rather than the Sunset Strip. Does it all come together in a timeless way? Depends on the listener.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Another Hat</p>
<p style="text-align:center;">21:24 - Personal Demons</p>
<p style="text-align:center;">35:55 - Mirrored Shades</p>
<p style="text-align:center;">42:11 - Everybody</p>
<p style="text-align:center;">Outro - Moonsong</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q9wcz3/466-animalbag.mp3" length="117737351" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bands like Animal Bag were dime a dozen in the early 1990s. Getting signed, putting out a record, the musical landscape shifts, and suddenly your sound is outdated and the record label is in flux. Their 1992 self-titled debut has reverb-filled production that pins it to the start of the decade, and taking cues from fellow Californians like Faith No More, Jane's Addiction, and Red Hot Chili Peppers. But their funk and weirdness only shows up in short bursts, as this band could easily be lumped in with the jeans and t-shirt alternative metal and grunge bands like Raging Slab, Mind Funk, and label mates Mother Love Bone. Though they lack Andy Wood's penchant for an epic ballad, there is no doubt Animal Bag had their sights set on Seattle rather than the Sunset Strip. Does it all come together in a timeless way? Depends on the listener.
 
Songs In This Episode:
 
Intro - Another Hat
21:24 - Personal Demons
35:55 - Mirrored Shades
42:11 - Everybody
Outro - Moonsong
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3673</itunes:duration>
                <itunes:episode>205</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#465: Sleep's Holy Mountain by Sleep</title>
        <itunes:title>#465: Sleep's Holy Mountain by Sleep</itunes:title>
        <link>https://digmeout.podbean.com/e/465-sleeps-holy-mountain-by-sleep/</link>
                    <comments>https://digmeout.podbean.com/e/465-sleeps-holy-mountain-by-sleep/#comments</comments>        <pubDate>Tue, 10 Dec 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/465-sleeps-holy-mountain-by-sleep-7d234ef85570c7d74ffeabcd4cba6ac2</guid>
                                    <description><![CDATA[<p style="text-align:center;">Where is the line between rock and metal? What about stoner or desert? And what is doom besides a video game and bad movie? All questions worthy of discussion as we revisit the 1992 album Sleep's Holy Mountain by <a href='https://weedian.com/'>Sleep</a>. Baked into the sound of Sleep is the ever-present influence of 70s Black Sabbath, but with an occasional pummeling dirge closer to The Melvins, while trafficking in the same sun-soaked low-end riffage of Kyuss. It's dark, heavy, psychedelic, drone-filled head-nodding rock that works best when the rhythm section gets to swing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - The Druid</p>
<p style="text-align:center;">17:00 - Evil Gypsy/Solomon's Theme</p>
<p style="text-align:center;">25:20 - Holy Mountain</p>
<p style="text-align:center;">30:31 - Inside The Sun</p>
<p style="text-align:center;">Outro - Dragonaut</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Where is the line between rock and metal? What about stoner or desert? And what is doom besides a video game and bad movie? All questions worthy of discussion as we revisit the 1992 album Sleep's Holy Mountain by <a href='https://weedian.com/'>Sleep</a>. Baked into the sound of Sleep is the ever-present influence of 70s Black Sabbath, but with an occasional pummeling dirge closer to The Melvins, while trafficking in the same sun-soaked low-end riffage of Kyuss. It's dark, heavy, psychedelic, drone-filled head-nodding rock that works best when the rhythm section gets to swing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - The Druid</p>
<p style="text-align:center;">17:00 - Evil Gypsy/Solomon's Theme</p>
<p style="text-align:center;">25:20 - Holy Mountain</p>
<p style="text-align:center;">30:31 - Inside The Sun</p>
<p style="text-align:center;">Outro - Dragonaut</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rp34aj/465-sleep.mp3" length="84543868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Where is the line between rock and metal? What about stoner or desert? And what is doom besides a video game and bad movie? All questions worthy of discussion as we revisit the 1992 album Sleep's Holy Mountain by Sleep. Baked into the sound of Sleep is the ever-present influence of 70s Black Sabbath, but with an occasional pummeling dirge closer to The Melvins, while trafficking in the same sun-soaked low-end riffage of Kyuss. It's dark, heavy, psychedelic, drone-filled head-nodding rock that works best when the rhythm section gets to swing.
 
Songs In This Episode:
 
Intro - The Druid
17:00 - Evil Gypsy/Solomon's Theme
25:20 - Holy Mountain
30:31 - Inside The Sun
Outro - Dragonaut
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2636</itunes:duration>
                <itunes:episode>204</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#464: San Diego In The 90s</title>
        <itunes:title>#464: San Diego In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/464-san-diego-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/464-san-diego-in-the-90s/#comments</comments>        <pubDate>Tue, 03 Dec 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/464-san-diego-in-the-90s-7fbcd50f9649cbef624164d96cb58e9f</guid>
                                    <description><![CDATA[<p style="text-align:center;">San Diego may be known for beaches and year-round mild weather, but the second-largest city in California is also home to a vibrant if isolated music scene dating back to the 1960s with Gary Puckett & The Union Gap and Iron Butterfly. As per our "Digging Your Scene" episodes, we're interested in sounds of the 1990s - where those bands played, bought and sold records, recorded their music, read and listened to other bands, and all the other interesting and unique elements that help define a scene. What we discovered is a deep and vast collection of guitar rock heading off in multiple directions - from punk to post-punk, hard rock to nu-metal, industrial to experimental. To help us discover it all, we're joined by members of No Knife, Jejune and aMiniature to talk bands, venues, record stores, labels and more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro Medley (Academy Flight Song by No Knife / Peddler's Talk by aMiniature / Hileah by JeJune</p>
<p style="text-align:center;">28:16 - Does Not Compute by Drive Like Jehu</p>
<p style="text-align:center;">53:33 - Flexiclocks by The And/Ors</p>
<p style="text-align:center;">Outro - Deadbolt - Voodoobilly Man</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">San Diego may be known for beaches and year-round mild weather, but the second-largest city in California is also home to a vibrant if isolated music scene dating back to the 1960s with Gary Puckett & The Union Gap and Iron Butterfly. As per our "Digging Your Scene" episodes, we're interested in sounds of the 1990s - where those bands played, bought and sold records, recorded their music, read and listened to other bands, and all the other interesting and unique elements that help define a scene. What we discovered is a deep and vast collection of guitar rock heading off in multiple directions - from punk to post-punk, hard rock to nu-metal, industrial to experimental. To help us discover it all, we're joined by members of No Knife, Jejune and aMiniature to talk bands, venues, record stores, labels and more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro Medley (Academy Flight Song by No Knife / Peddler's Talk by aMiniature / Hileah by JeJune</p>
<p style="text-align:center;">28:16 - Does Not Compute by Drive Like Jehu</p>
<p style="text-align:center;">53:33 - Flexiclocks by The And/Ors</p>
<p style="text-align:center;">Outro - Deadbolt - Voodoobilly Man</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z9k99x/464-sandiego.mp3" length="144653088" type="audio/mpeg"/>
        <itunes:summary><![CDATA[San Diego may be known for beaches and year-round mild weather, but the second-largest city in California is also home to a vibrant if isolated music scene dating back to the 1960s with Gary Puckett & The Union Gap and Iron Butterfly. As per our "Digging Your Scene" episodes, we're interested in sounds of the 1990s - where those bands played, bought and sold records, recorded their music, read and listened to other bands, and all the other interesting and unique elements that help define a scene. What we discovered is a deep and vast collection of guitar rock heading off in multiple directions - from punk to post-punk, hard rock to nu-metal, industrial to experimental. To help us discover it all, we're joined by members of No Knife, Jejune and aMiniature to talk bands, venues, record stores, labels and more.
 
Songs In This Episode
 
Intro Medley (Academy Flight Song by No Knife / Peddler's Talk by aMiniature / Hileah by JeJune
28:16 - Does Not Compute by Drive Like Jehu
53:33 - Flexiclocks by The And/Ors
Outro - Deadbolt - Voodoobilly Man
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4514</itunes:duration>
                <itunes:episode>203</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#463: This Is Greta! by Greta</title>
        <itunes:title>#463: This Is Greta! by Greta</itunes:title>
        <link>https://digmeout.podbean.com/e/463-this-is-greta-by-greta/</link>
                    <comments>https://digmeout.podbean.com/e/463-this-is-greta-by-greta/#comments</comments>        <pubDate>Tue, 26 Nov 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/463-this-is-greta-by-greta-112563753a11be90a975a9bdc20e74b7</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Greta_(band)'>Greta</a> was and is definitely not a household name when discussions of 90s bands come up. But like so many, major labels still found them and on occasion put out stellar releases that have gone forgotten, which is sort of the entire point of this podcast. Their second and final album, 1995's This Is Greta! may not fall into the stellar and must-have category, but it's got a lot going for it. Tight alt-rock songs with tinges of Beatle and Cheap Trick pop on a few tunes, hard-driving rockers with big guitars, all backed by a solid rhythm section has more than it's share of standout performances. They keep the songs tight, but perhaps a little too reliant on the well-worn verse/chorus/verse formula, that keeps everything familiar but also stale after a listen or two.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - About You</p>
<p style="text-align:center;">9:08 - Some People</p>
<p style="text-align:center;">11:35 - Charade</p>
<p style="text-align:center;">18:03 - Rocking Chair</p>
<p style="text-align:center;">23:47 - Nothing At All</p>
<p style="text-align:center;">Outro - Stained</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Greta_(band)'>Greta</a> was and is definitely not a household name when discussions of 90s bands come up. But like so many, major labels still found them and on occasion put out stellar releases that have gone forgotten, which is sort of the entire point of this podcast. Their second and final album, 1995's This Is Greta! may not fall into the stellar and must-have category, but it's got a lot going for it. Tight alt-rock songs with tinges of Beatle and Cheap Trick pop on a few tunes, hard-driving rockers with big guitars, all backed by a solid rhythm section has more than it's share of standout performances. They keep the songs tight, but perhaps a little too reliant on the well-worn verse/chorus/verse formula, that keeps everything familiar but also stale after a listen or two.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - About You</p>
<p style="text-align:center;">9:08 - Some People</p>
<p style="text-align:center;">11:35 - Charade</p>
<p style="text-align:center;">18:03 - Rocking Chair</p>
<p style="text-align:center;">23:47 - Nothing At All</p>
<p style="text-align:center;">Outro - Stained</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a3kzts/463-greta.mp3" length="72418035" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Greta was and is definitely not a household name when discussions of 90s bands come up. But like so many, major labels still found them and on occasion put out stellar releases that have gone forgotten, which is sort of the entire point of this podcast. Their second and final album, 1995's This Is Greta! may not fall into the stellar and must-have category, but it's got a lot going for it. Tight alt-rock songs with tinges of Beatle and Cheap Trick pop on a few tunes, hard-driving rockers with big guitars, all backed by a solid rhythm section has more than it's share of standout performances. They keep the songs tight, but perhaps a little too reliant on the well-worn verse/chorus/verse formula, that keeps everything familiar but also stale after a listen or two.
 
Songs In This Episode:
 
Intro - About You
9:08 - Some People
11:35 - Charade
18:03 - Rocking Chair
23:47 - Nothing At All
Outro - Stained
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2257</itunes:duration>
                <itunes:episode>202</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#462: Split by Lush</title>
        <itunes:title>#462: Split by Lush</itunes:title>
        <link>https://digmeout.podbean.com/e/462-split-by-lush/</link>
                    <comments>https://digmeout.podbean.com/e/462-split-by-lush/#comments</comments>        <pubDate>Tue, 19 Nov 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/462-split-by-lush-dd59ce1a76fc160aa96b188711c50b6e</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1994, shoegaze was no longer the hip, underground music scene the UK press was enamored with just a few years prior. The Britpop of Blur, Oasis, Elastica, and Pulp had taken over, My Bloody Valentine had collapsed, and blissing out on feedback and layers of guitar was no longer novel. Smartly, the singing/songwriting/guitar-slinging tandem of Miki Berenyi and Emma Anderson of <a href='https://www.facebook.com/lushbandofficial/'>Lush</a> evolved, and on 1994's Split, the band toe the line between the underground dream pop and shoegaze sounds that got them started, while mixing in some less noisy and more melodic tunes. It sounds both remarkably stamped to 1994 in its tones and production, but with the resurgence of dream pop and shoegaze in the 2010s, that doesn't mean it out of place.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Blackout</p>
<p style="text-align:center;">14:19 - Hypocrite</p>
<p style="text-align:center;">18:31 - Never-Never</p>
<p style="text-align:center;">23:49 - Undertow</p>
<p style="text-align:center;">Outro - Light From A Dead Star</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1994, shoegaze was no longer the hip, underground music scene the UK press was enamored with just a few years prior. The Britpop of Blur, Oasis, Elastica, and Pulp had taken over, My Bloody Valentine had collapsed, and blissing out on feedback and layers of guitar was no longer novel. Smartly, the singing/songwriting/guitar-slinging tandem of Miki Berenyi and Emma Anderson of <a href='https://www.facebook.com/lushbandofficial/'>Lush</a> evolved, and on 1994's Split, the band toe the line between the underground dream pop and shoegaze sounds that got them started, while mixing in some less noisy and more melodic tunes. It sounds both remarkably stamped to 1994 in its tones and production, but with the resurgence of dream pop and shoegaze in the 2010s, that doesn't mean it out of place.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Blackout</p>
<p style="text-align:center;">14:19 - Hypocrite</p>
<p style="text-align:center;">18:31 - Never-Never</p>
<p style="text-align:center;">23:49 - Undertow</p>
<p style="text-align:center;">Outro - Light From A Dead Star</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ai7bmk/462-lush.mp3" length="67666675" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1994, shoegaze was no longer the hip, underground music scene the UK press was enamored with just a few years prior. The Britpop of Blur, Oasis, Elastica, and Pulp had taken over, My Bloody Valentine had collapsed, and blissing out on feedback and layers of guitar was no longer novel. Smartly, the singing/songwriting/guitar-slinging tandem of Miki Berenyi and Emma Anderson of Lush evolved, and on 1994's Split, the band toe the line between the underground dream pop and shoegaze sounds that got them started, while mixing in some less noisy and more melodic tunes. It sounds both remarkably stamped to 1994 in its tones and production, but with the resurgence of dream pop and shoegaze in the 2010s, that doesn't mean it out of place.
 
Songs In This Episode:
 
Intro - Blackout
14:19 - Hypocrite
18:31 - Never-Never
23:49 - Undertow
Outro - Light From A Dead Star
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2108</itunes:duration>
                <itunes:episode>201</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#461: In Utero by Nirvana</title>
        <itunes:title>#461: In Utero by Nirvana</itunes:title>
        <link>https://digmeout.podbean.com/e/461-in-utero-by-nirvana/</link>
                    <comments>https://digmeout.podbean.com/e/461-in-utero-by-nirvana/#comments</comments>        <pubDate>Tue, 12 Nov 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/461-in-utero-by-nirvana-b5314759c435958f0b3359734266fb0e</guid>
                                    <description><![CDATA[<p style="text-align:center;">A lot of ink has been spilled on the biggest band of the 90s. Whether it was reviews, interviews or in-depth cover stories, or modern retrospective or anniversary pieces, it's not hard to find a "your favorite band's album ranked" clickbait article on nearly every "grunge" platinum seller. What is there anything left to say about these bands? When <a href='https://www.nirvana.com/'>Nirvana</a>'s 1993 album In Utero enter into our review queue, it timed nicely with our recent <a href='http://digmeoutpodcast.com/episode/459-producers-of-the-90s-roundtable'>Producers Of The 90s</a> roundtable, because it's hard not to discuss In Utero without the sonic contributions of Steve Albini. For as slick and radio-friendly their sophomore album Nevermind sounded, Albini and the band take a utilitarian approach to In Utero. Effects are minimal, overdubs are minor, reverb is hardly noticeable, Cobain growls and howls with abandon. It's the sound of a band making a fast and deliberate record for themselves, with an undeniable ear for hooks and melodies that manages to stand the test of time.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Heart-Shaped Box</p>
<p style="text-align:center;">19:03 - Scentless Apprentice</p>
<p style="text-align:center;">31:13 - Milk It</p>
<p style="text-align:center;">Outro - Pennyroyal Tea</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">A lot of ink has been spilled on the biggest band of the 90s. Whether it was reviews, interviews or in-depth cover stories, or modern retrospective or anniversary pieces, it's not hard to find a "your favorite band's album ranked" clickbait article on nearly every "grunge" platinum seller. What is there anything left to say about these bands? When <a href='https://www.nirvana.com/'>Nirvana</a>'s 1993 album In Utero enter into our review queue, it timed nicely with our recent <a href='http://digmeoutpodcast.com/episode/459-producers-of-the-90s-roundtable'>Producers Of The 90s</a> roundtable, because it's hard not to discuss In Utero without the sonic contributions of Steve Albini. For as slick and radio-friendly their sophomore album Nevermind sounded, Albini and the band take a utilitarian approach to In Utero. Effects are minimal, overdubs are minor, reverb is hardly noticeable, Cobain growls and howls with abandon. It's the sound of a band making a fast and deliberate record for themselves, with an undeniable ear for hooks and melodies that manages to stand the test of time.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Heart-Shaped Box</p>
<p style="text-align:center;">19:03 - Scentless Apprentice</p>
<p style="text-align:center;">31:13 - Milk It</p>
<p style="text-align:center;">Outro - Pennyroyal Tea</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xbyavc/461-nirvana.mp3" length="93498226" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A lot of ink has been spilled on the biggest band of the 90s. Whether it was reviews, interviews or in-depth cover stories, or modern retrospective or anniversary pieces, it's not hard to find a "your favorite band's album ranked" clickbait article on nearly every "grunge" platinum seller. What is there anything left to say about these bands? When Nirvana's 1993 album In Utero enter into our review queue, it timed nicely with our recent Producers Of The 90s roundtable, because it's hard not to discuss In Utero without the sonic contributions of Steve Albini. For as slick and radio-friendly their sophomore album Nevermind sounded, Albini and the band take a utilitarian approach to In Utero. Effects are minimal, overdubs are minor, reverb is hardly noticeable, Cobain growls and howls with abandon. It's the sound of a band making a fast and deliberate record for themselves, with an undeniable ear for hooks and melodies that manages to stand the test of time.
 
Songs In This Episode:
 
Intro - Heart-Shaped Box
19:03 - Scentless Apprentice
31:13 - Milk It
Outro - Pennyroyal Tea
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2916</itunes:duration>
                <itunes:episode>200</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#460: 20th Anniversary of Through Being Cool by Saves The Day with Chris Conley</title>
        <itunes:title>#460: 20th Anniversary of Through Being Cool by Saves The Day with Chris Conley</itunes:title>
        <link>https://digmeout.podbean.com/e/460-20th-anniversary-of-through-being-cool-by-saves-the-day-with-chris-conley/</link>
                    <comments>https://digmeout.podbean.com/e/460-20th-anniversary-of-through-being-cool-by-saves-the-day-with-chris-conley/#comments</comments>        <pubDate>Tue, 05 Nov 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/460-20th-anniversary-of-through-being-cool-by-saves-the-day-with-chris-conley-b2c03c6310879aa6269d9f65a836f35e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Twenty years ago, emo wasn't a Hot Topic brand or a nostalgic DJ night. It was the sound of teenagers and twenty-somethings taking the urgency of punk, combining it with emotional and confessional (re: not sad) lyrics, and playing to a generation of kids too young for the early 90s grunge wave. If you were apart of that scene, hitting all-ages venues or DIY punk houses at the end of the 20th century, there's a chance you caught <a href='https://www.facebook.com/savesthedayband/'>Saves The Day</a> on one of those nights, perhaps after the release of their 1999 album Through Being Cool. Joining us to discuss the 20th anniversary of the record is lead singer, guitarist and songwriter Chris Conley, sharing thoughts on making and revisiting the album for its re-release, the emo label, touring then and now, being a rock 'n' roll parent, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Shoulder To The Wheel</p>
<p style="text-align:center;">23:15 - Third Engine</p>
<p style="text-align:center;">Outro - All-Star Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Twenty years ago, emo wasn't a Hot Topic brand or a nostalgic DJ night. It was the sound of teenagers and twenty-somethings taking the urgency of punk, combining it with emotional and confessional (re: not sad) lyrics, and playing to a generation of kids too young for the early 90s grunge wave. If you were apart of that scene, hitting all-ages venues or DIY punk houses at the end of the 20th century, there's a chance you caught <a href='https://www.facebook.com/savesthedayband/'>Saves The Day</a> on one of those nights, perhaps after the release of their 1999 album Through Being Cool. Joining us to discuss the 20th anniversary of the record is lead singer, guitarist and songwriter Chris Conley, sharing thoughts on making and revisiting the album for its re-release, the emo label, touring then and now, being a rock 'n' roll parent, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Shoulder To The Wheel</p>
<p style="text-align:center;">23:15 - Third Engine</p>
<p style="text-align:center;">Outro - All-Star Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9q9657/460-savestheday.mp3" length="115217057" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Twenty years ago, emo wasn't a Hot Topic brand or a nostalgic DJ night. It was the sound of teenagers and twenty-somethings taking the urgency of punk, combining it with emotional and confessional (re: not sad) lyrics, and playing to a generation of kids too young for the early 90s grunge wave. If you were apart of that scene, hitting all-ages venues or DIY punk houses at the end of the 20th century, there's a chance you caught Saves The Day on one of those nights, perhaps after the release of their 1999 album Through Being Cool. Joining us to discuss the 20th anniversary of the record is lead singer, guitarist and songwriter Chris Conley, sharing thoughts on making and revisiting the album for its re-release, the emo label, touring then and now, being a rock 'n' roll parent, and much more.
 
Songs In This Episode:
 
Intro - Shoulder To The Wheel
23:15 - Third Engine
Outro - All-Star Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3594</itunes:duration>
                <itunes:episode>199</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#459: Music Producers Of The 90s Roundtable</title>
        <itunes:title>#459: Music Producers Of The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/459-music-producers-of-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/459-music-producers-of-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 29 Oct 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/459-music-producers-of-the-90s-roundtable-aa2aa2c127f91263c996f5e2eea9e783</guid>
                                    <description><![CDATA[<p style="text-align:center;">Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Stuck On You by Failure (Ken Andrews)</p>
<p style="text-align:center;">8:04 - Rusty Cage by Johnny Cash (Rick Rubin)</p>
<p style="text-align:center;">17:36 - Pull The Cup by Shellac (Steve Albini)</p>
<p style="text-align:center;">41:56 - Holes by Mercury Rev (Dave Fridmann)</p>
<p style="text-align:center;">49:04 - Buddy Holly by Weezer (Ric Ocasek)</p>
<p style="text-align:center;">1:08:59 - Girls And Boys by Blur (Stephen Street)</p>
<p style="text-align:center;">Outro - Never Said by Liz Phair (Brad Wood)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Stuck On You by Failure (Ken Andrews)</p>
<p style="text-align:center;">8:04 - Rusty Cage by Johnny Cash (Rick Rubin)</p>
<p style="text-align:center;">17:36 - Pull The Cup by Shellac (Steve Albini)</p>
<p style="text-align:center;">41:56 - Holes by Mercury Rev (Dave Fridmann)</p>
<p style="text-align:center;">49:04 - Buddy Holly by Weezer (Ric Ocasek)</p>
<p style="text-align:center;">1:08:59 - Girls And Boys by Blur (Stephen Street)</p>
<p style="text-align:center;">Outro - Never Said by Liz Phair (Brad Wood)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sd252u/459-producersroundtable.mp3" length="156874215" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.
 
Songs In This Episode:
 
Intro - Stuck On You by Failure (Ken Andrews)
8:04 - Rusty Cage by Johnny Cash (Rick Rubin)
17:36 - Pull The Cup by Shellac (Steve Albini)
41:56 - Holes by Mercury Rev (Dave Fridmann)
49:04 - Buddy Holly by Weezer (Ric Ocasek)
1:08:59 - Girls And Boys by Blur (Stephen Street)
Outro - Never Said by Liz Phair (Brad Wood)
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4896</itunes:duration>
                <itunes:episode>198</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#458: Re by Café Tacuba</title>
        <itunes:title>#458: Re by Café Tacuba</itunes:title>
        <link>https://digmeout.podbean.com/e/458-re-by-cafe-tacuba/</link>
                    <comments>https://digmeout.podbean.com/e/458-re-by-cafe-tacuba/#comments</comments>        <pubDate>Tue, 22 Oct 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/458-re-by-cafe-tacuba-90d5eee40f92e9edbdf6bfa17de42013</guid>
                                    <description><![CDATA[<p style="text-align: center;">When our listeners bring us an obscure 90s album to check out, it's usually something along the lines of a rock band on an indie label that managed one or two releases before fading into obscurity. On the flip side, we have <a href='https://tacvba.com.mx/'>Café Tacuba</a> - a massively successful band around the world, including the United States. Unless you are tuned into the rock en español bands, you've probably never heard them or of them. While rock en español goes back decades, the 90s saw the incorporation of a variety of sounds, including ska, industrial and alternative rock. On their 1994 sophomore album Re, the band explores all that and more alongside norteño, huapango de mariachi, and bolero. With twenty tracks, it's easy to be overwhelmed, but that approach means whether your interested in more traditional sounds or newer flavors, there really is something for everyone.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - El Tlatoani del barrio</p>
<p style="text-align: center;">14:08 - El borrego</p>
<p style="text-align: center;">16:52 - Madrugal</p>
<p style="text-align: center;">21:51 - El metro</p>
<p style="text-align: center;">26:52 - Verde</p>
<p style="text-align: center;">Outro - La pinta</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">When our listeners bring us an obscure 90s album to check out, it's usually something along the lines of a rock band on an indie label that managed one or two releases before fading into obscurity. On the flip side, we have <a href='https://tacvba.com.mx/'>Café Tacuba</a> - a massively successful band around the world, including the United States. Unless you are tuned into the rock en español bands, you've probably never heard them or of them. While rock en español goes back decades, the 90s saw the incorporation of a variety of sounds, including ska, industrial and alternative rock. On their 1994 sophomore album Re, the band explores all that and more alongside norteño, huapango de mariachi, and bolero. With twenty tracks, it's easy to be overwhelmed, but that approach means whether your interested in more traditional sounds or newer flavors, there really is something for everyone.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - El Tlatoani del barrio</p>
<p style="text-align: center;">14:08 - El borrego</p>
<p style="text-align: center;">16:52 - Madrugal</p>
<p style="text-align: center;">21:51 - El metro</p>
<p style="text-align: center;">26:52 - Verde</p>
<p style="text-align: center;">Outro - La pinta</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bbyhtd/458-cafetucuba.mp3" length="85732544" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When our listeners bring us an obscure 90s album to check out, it's usually something along the lines of a rock band on an indie label that managed one or two releases before fading into obscurity. On the flip side, we have Café Tacuba - a massively successful band around the world, including the United States. Unless you are tuned into the rock en español bands, you've probably never heard them or of them. While rock en español goes back decades, the 90s saw the incorporation of a variety of sounds, including ska, industrial and alternative rock. On their 1994 sophomore album Re, the band explores all that and more alongside norteño, huapango de mariachi, and bolero. With twenty tracks, it's easy to be overwhelmed, but that approach means whether your interested in more traditional sounds or newer flavors, there really is something for everyone.
 
Songs In This Episode:
 
Intro - El Tlatoani del barrio
14:08 - El borrego
16:52 - Madrugal
21:51 - El metro
26:52 - Verde
Outro - La pinta
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2673</itunes:duration>
                <itunes:episode>197</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview: Junkyard by The Birthday Party</title>
        <itunes:title>Patreon Preview: Junkyard by The Birthday Party</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-junkyard-by-the-birthday-party/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-junkyard-by-the-birthday-party/#comments</comments>        <pubDate>Thu, 17 Oct 2019 10:09:53 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-junkyard-by-the-birthday-party-fe2108a737f872d60e40e47e201ec184</guid>
                                    <description><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we are sharing with you a preview of our latest Dig Me Out '80s episodes. With the help of our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1982 album Junkyard by The Birthday Party. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we are sharing with you a preview of our latest Dig Me Out '80s episodes. With the help of our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1982 album Junkyard by The Birthday Party. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9rebkb/DMO80s-TheBirthdayPartyPreview.mp3" length="9982455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we are sharing with you a preview of our latest Dig Me Out '80s episodes. With the help of our Patreon Board of Directors and Steering Committee tiers, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1982 album Junkyard by The Birthday Party. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>306</itunes:duration>
                <itunes:episode>196</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#457: World Of Noise by Everclear</title>
        <itunes:title>#457: World Of Noise by Everclear</itunes:title>
        <link>https://digmeout.podbean.com/e/457-world-of-noise-by-everclear/</link>
                    <comments>https://digmeout.podbean.com/e/457-world-of-noise-by-everclear/#comments</comments>        <pubDate>Tue, 15 Oct 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/457-world-of-noise-by-everclear-eba7c988be9452000caf1119593e38bb</guid>
                                    <description><![CDATA[<p style="text-align:center;">Though best known for their string of pleasant if repetitive mid-to-late 90s alt-rock radio hits, <a href='https://www.everclearmusic.com/'>Everclear </a>started out as a scrappy, rough-around-the-edges early 90s trio with as much fire in their sound as their lyrical content. On their 1993 indie-label debut World Of Noise, singer/guitarist/songwriter Art Alexakis was able to channel the trendy soft/loud verse/chorus format made commercially successful by Nirvana without devolving into a Nirvana clone. The reported $400 recording sounds immediate and visceral, pairing well with his matured voice and lyrical content, and left us wondering what would have happened if the band had kept some of their raggedness going forward to keep from becoming too slick and sterile in comparison.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Your Genius Hands</p>
<p style="text-align:center;">14:10 - Nervous And Weird</p>
<p style="text-align:center;">18:31 - Fire Maple Song</p>
<p style="text-align:center;">Outro - Malevolent</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Though best known for their string of pleasant if repetitive mid-to-late 90s alt-rock radio hits, <a href='https://www.everclearmusic.com/'>Everclear </a>started out as a scrappy, rough-around-the-edges early 90s trio with as much fire in their sound as their lyrical content. On their 1993 indie-label debut World Of Noise, singer/guitarist/songwriter Art Alexakis was able to channel the trendy soft/loud verse/chorus format made commercially successful by Nirvana without devolving into a Nirvana clone. The reported $400 recording sounds immediate and visceral, pairing well with his matured voice and lyrical content, and left us wondering what would have happened if the band had kept some of their raggedness going forward to keep from becoming too slick and sterile in comparison.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Your Genius Hands</p>
<p style="text-align:center;">14:10 - Nervous And Weird</p>
<p style="text-align:center;">18:31 - Fire Maple Song</p>
<p style="text-align:center;">Outro - Malevolent</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bas48v/457-everclear.mp3" length="70658532" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Though best known for their string of pleasant if repetitive mid-to-late 90s alt-rock radio hits, Everclear started out as a scrappy, rough-around-the-edges early 90s trio with as much fire in their sound as their lyrical content. On their 1993 indie-label debut World Of Noise, singer/guitarist/songwriter Art Alexakis was able to channel the trendy soft/loud verse/chorus format made commercially successful by Nirvana without devolving into a Nirvana clone. The reported $400 recording sounds immediate and visceral, pairing well with his matured voice and lyrical content, and left us wondering what would have happened if the band had kept some of their raggedness going forward to keep from becoming too slick and sterile in comparison.
 
Songs In This Episode:
 
Intro - Your Genius Hands
14:10 - Nervous And Weird
18:31 - Fire Maple Song
Outro - Malevolent
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2202</itunes:duration>
                <itunes:episode>195</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#456: whitechocolatespaceegg by Liz Phair</title>
        <itunes:title>#456: whitechocolatespaceegg by Liz Phair</itunes:title>
        <link>https://digmeout.podbean.com/e/456-whitechocolatespaceegg-by-liz-phair/</link>
                    <comments>https://digmeout.podbean.com/e/456-whitechocolatespaceegg-by-liz-phair/#comments</comments>        <pubDate>Tue, 08 Oct 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/456-whitechocolatespaceegg-by-liz-phair-a91e10bbd1bf89335b7993ac1c164c7d</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1993 debut Exile In Guyville by <a href='https://www.facebook.com/lizphair/'>Liz Phair</a> was declared a landmark album that helped define the 1990s almost as soon as it was released. To be a decade-defining artist can be a stifling burden, but Phair managed to release a worthy follow-up in 1994 with Whip-Smart, sticking with mostly the same group of players and studio folks for both. On her third album whitechocolatespaceegg from 1998, all the lo-fi was stripped away as 3/4's of R.E.M. and a bevy of other musicians and studio pros joined the team on Phair's quest to reinvigorate and reorient her sound. From touches of trippy psychedelia on the opening title track to the swinging sixties Baby Got Going, Phair isn't afraid to explore and expand. Layers of guitars and synths pair well with her songwriting, which switches between character-driven story songs and personal sketches of aging, motherhood, and marriage. But at sixteen tracks and over fifty minutes, the precise production can get fatiguing on the ears, and we wondered if some editing and rearranging would have been for the best.</p>
<p> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Polyester Bride</p>
<p style="text-align:center;">11:26 - What Makes You Happy</p>
<p style="text-align:center;">13:44 - Whitechocolatespaceegg</p>
<p style="text-align:center;">22:02 - Baby Got Going</p>
<p style="text-align:center;">Outro - Johnny Feelgood</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1993 debut Exile In Guyville by <a href='https://www.facebook.com/lizphair/'>Liz Phair</a> was declared a landmark album that helped define the 1990s almost as soon as it was released. To be a decade-defining artist can be a stifling burden, but Phair managed to release a worthy follow-up in 1994 with Whip-Smart, sticking with mostly the same group of players and studio folks for both. On her third album whitechocolatespaceegg from 1998, all the lo-fi was stripped away as 3/4's of R.E.M. and a bevy of other musicians and studio pros joined the team on Phair's quest to reinvigorate and reorient her sound. From touches of trippy psychedelia on the opening title track to the swinging sixties Baby Got Going, Phair isn't afraid to explore and expand. Layers of guitars and synths pair well with her songwriting, which switches between character-driven story songs and personal sketches of aging, motherhood, and marriage. But at sixteen tracks and over fifty minutes, the precise production can get fatiguing on the ears, and we wondered if some editing and rearranging would have been for the best.</p>
<p> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Polyester Bride</p>
<p style="text-align:center;">11:26 - What Makes You Happy</p>
<p style="text-align:center;">13:44 - Whitechocolatespaceegg</p>
<p style="text-align:center;">22:02 - Baby Got Going</p>
<p style="text-align:center;">Outro - Johnny Feelgood</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cgjkd4/456-lizphair.mp3" length="90538239" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1993 debut Exile In Guyville by Liz Phair was declared a landmark album that helped define the 1990s almost as soon as it was released. To be a decade-defining artist can be a stifling burden, but Phair managed to release a worthy follow-up in 1994 with Whip-Smart, sticking with mostly the same group of players and studio folks for both. On her third album whitechocolatespaceegg from 1998, all the lo-fi was stripped away as 3/4's of R.E.M. and a bevy of other musicians and studio pros joined the team on Phair's quest to reinvigorate and reorient her sound. From touches of trippy psychedelia on the opening title track to the swinging sixties Baby Got Going, Phair isn't afraid to explore and expand. Layers of guitars and synths pair well with her songwriting, which switches between character-driven story songs and personal sketches of aging, motherhood, and marriage. But at sixteen tracks and over fifty minutes, the precise production can get fatiguing on the ears, and we wondered if some editing and rearranging would have been for the best.
 
Songs In This Episode:
Intro - Polyester Bride
11:26 - What Makes You Happy
13:44 - Whitechocolatespaceegg
22:02 - Baby Got Going
Outro - Johnny Feelgood
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2823</itunes:duration>
                <itunes:episode>194</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#455: This Is The Way It Goes And Goes And Goes by Juno</title>
        <itunes:title>#455: This Is The Way It Goes And Goes And Goes by Juno</itunes:title>
        <link>https://digmeout.podbean.com/e/455-this-is-how-it-goes-and-goes-and-goes-by-juno/</link>
                    <comments>https://digmeout.podbean.com/e/455-this-is-how-it-goes-and-goes-and-goes-by-juno/#comments</comments>        <pubDate>Tue, 01 Oct 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/455-this-is-how-it-goes-and-goes-and-goes-by-juno-5332ac625bb986eea45accf26950b948</guid>
                                    <description><![CDATA[<p style="text-align:center;">Having a three-guitar band can often mean the lead singer simply strumming chords on an acoustic while the other two do the heavy lead lifting and riffing. That's not the case with <a href='https://en.wikipedia.org/wiki/Juno_(band)'>Juno</a>, and their 1999 debut album This Is The Way It Goes And Goes And Goes on DeSoto Records. Like their then label-mates Shiner, Juno unleashes a big, layered guitar sound, but Shiner sound much leaner in comparison, as Juno gets full usage out of their three axe attack. The sound shifts from a hoe-gaze influenced, wall of sound approach that dips its toes in the space and math rock sub-genres, as delayed guitar leads bleed over lush mid-range distortion, to straight-on instrumental jams that would find a nice spot on any Explosions In The Sky album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Rodeo Programmers</p>
<p style="text-align:center;">11:26 - A Listening Ear</p>
<p style="text-align:center;">14:55 - The Great Salt Lake/Into the Lavender Crevices of Evening the Otters Have Been Pushed</p>
<p style="text-align:center;">20:33 - January Arms</p>
<p style="text-align:center;">27:15 - Leave a Clean Camp and a Dead Fire</p>
<p style="text-align:center;">Outro - All Your Friends Are Comedians</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Having a three-guitar band can often mean the lead singer simply strumming chords on an acoustic while the other two do the heavy lead lifting and riffing. That's not the case with <a href='https://en.wikipedia.org/wiki/Juno_(band)'>Juno</a>, and their 1999 debut album This Is The Way It Goes And Goes And Goes on DeSoto Records. Like their then label-mates Shiner, Juno unleashes a big, layered guitar sound, but Shiner sound much leaner in comparison, as Juno gets full usage out of their three axe attack. The sound shifts from a hoe-gaze influenced, wall of sound approach that dips its toes in the space and math rock sub-genres, as delayed guitar leads bleed over lush mid-range distortion, to straight-on instrumental jams that would find a nice spot on any Explosions In The Sky album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Rodeo Programmers</p>
<p style="text-align:center;">11:26 - A Listening Ear</p>
<p style="text-align:center;">14:55 - The Great Salt Lake/Into the Lavender Crevices of Evening the Otters Have Been Pushed</p>
<p style="text-align:center;">20:33 - January Arms</p>
<p style="text-align:center;">27:15 - Leave a Clean Camp and a Dead Fire</p>
<p style="text-align:center;">Outro - All Your Friends Are Comedians</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d8jrpk/455-juno.mp3" length="79170584" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Having a three-guitar band can often mean the lead singer simply strumming chords on an acoustic while the other two do the heavy lead lifting and riffing. That's not the case with Juno, and their 1999 debut album This Is The Way It Goes And Goes And Goes on DeSoto Records. Like their then label-mates Shiner, Juno unleashes a big, layered guitar sound, but Shiner sound much leaner in comparison, as Juno gets full usage out of their three axe attack. The sound shifts from a hoe-gaze influenced, wall of sound approach that dips its toes in the space and math rock sub-genres, as delayed guitar leads bleed over lush mid-range distortion, to straight-on instrumental jams that would find a nice spot on any Explosions In The Sky album.
 
Songs In This Episode:
 
Intro - Rodeo Programmers
11:26 - A Listening Ear
14:55 - The Great Salt Lake/Into the Lavender Crevices of Evening the Otters Have Been Pushed
20:33 - January Arms
27:15 - Leave a Clean Camp and a Dead Fire
Outro - All Your Friends Are Comedians
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2468</itunes:duration>
                <itunes:episode>193</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#454: The Honeymoon Is Over by The Cruel Sea</title>
        <itunes:title>#454: The Honeymoon Is Over by The Cruel Sea</itunes:title>
        <link>https://digmeout.podbean.com/e/454-the-honeymoon-is-over-by-the-cruel-sea/</link>
                    <comments>https://digmeout.podbean.com/e/454-the-honeymoon-is-over-by-the-cruel-sea/#comments</comments>        <pubDate>Tue, 24 Sep 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/454-the-honeymoon-is-over-by-the-cruel-sea-8107ac7dfb3d3badeab5abf64fa13d5e</guid>
                                    <description><![CDATA[<p style="text-align:center;">What if Nick Cave or Mark Lanegan decided to record an album of Bob Marley, ZZ Top, War, and Slim Harpo covers? That's the question posed by the 1993 album The Honeymoon Is Over by <a href='https://en.wikipedia.org/wiki/The_Cruel_Sea_(band)'>The Cruel Se</a><a href='https://en.wikipedia.org/wiki/The_Cruel_Sea_(band)'>a</a>, an instrumental blues and surf band from Australia that added Beasts of Bourbon frontman Tex Perkins to create a weird and oddly compelling album. Somehow, that combination managers to come together better than we could have ever expected, as the players involved completely buy into the swampy grooves with organ stabs, lurching bass lines and more. It may not be for everyone, and we may not even agree on it completely, but it's definitely worth a spin to reorient your understanding that the 90s weren't just grunge, pop-punk, industrial rock, etc.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Delivery Man</p>
<p style="text-align:center;">5:27 - Black Stick</p>
<p style="text-align:center;">14:36 - Naked Flame</p>
<p style="text-align:center;">21:48 - Woman With Soul</p>
<p style="text-align:center;">Outro - Better Than Love</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">What if Nick Cave or Mark Lanegan decided to record an album of Bob Marley, ZZ Top, War, and Slim Harpo covers? That's the question posed by the 1993 album The Honeymoon Is Over by <a href='https://en.wikipedia.org/wiki/The_Cruel_Sea_(band)'>The Cruel Se</a><a href='https://en.wikipedia.org/wiki/The_Cruel_Sea_(band)'>a</a>, an instrumental blues and surf band from Australia that added Beasts of Bourbon frontman Tex Perkins to create a weird and oddly compelling album. Somehow, that combination managers to come together better than we could have ever expected, as the players involved completely buy into the swampy grooves with organ stabs, lurching bass lines and more. It may not be for everyone, and we may not even agree on it completely, but it's definitely worth a spin to reorient your understanding that the 90s weren't just grunge, pop-punk, industrial rock, etc.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Delivery Man</p>
<p style="text-align:center;">5:27 - Black Stick</p>
<p style="text-align:center;">14:36 - Naked Flame</p>
<p style="text-align:center;">21:48 - Woman With Soul</p>
<p style="text-align:center;">Outro - Better Than Love</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5dkamr/454-thecruelsea.mp3" length="78124119" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What if Nick Cave or Mark Lanegan decided to record an album of Bob Marley, ZZ Top, War, and Slim Harpo covers? That's the question posed by the 1993 album The Honeymoon Is Over by The Cruel Sea, an instrumental blues and surf band from Australia that added Beasts of Bourbon frontman Tex Perkins to create a weird and oddly compelling album. Somehow, that combination managers to come together better than we could have ever expected, as the players involved completely buy into the swampy grooves with organ stabs, lurching bass lines and more. It may not be for everyone, and we may not even agree on it completely, but it's definitely worth a spin to reorient your understanding that the 90s weren't just grunge, pop-punk, industrial rock, etc.
 
Songs In This Episode:
 
Intro - Delivery Man
5:27 - Black Stick
14:36 - Naked Flame
21:48 - Woman With Soul
Outro - Better Than Love
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2435</itunes:duration>
                <itunes:episode>192</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#453: Rubberneck by Toadies</title>
        <itunes:title>#453: Rubberneck by Toadies</itunes:title>
        <link>https://digmeout.podbean.com/e/453-rubberneck-by-toadies/</link>
                    <comments>https://digmeout.podbean.com/e/453-rubberneck-by-toadies/#comments</comments>        <pubDate>Tue, 17 Sep 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/453-rubberneck-by-toadies-544ce9b6fd1234cdcf04e91a21560bc8</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their 1994 debut album Rubberneck, the <a href='https://thetoadies.com/'>Toadies</a> managed to score a hit single that is still a staple of rock stations spinning 90s alternative hits. But like a lot of people, that one single is our starting point with the band. When we gave the entire album a listen, we discovered a band confident from the get-go in their style and strengths - energetic, concise, no-frills alternative riff-rock with a distinctive lead vocalist. Spending time with the record, the deeper layers revealed themselves - a circular rockabilly-esque riff on I Come From The Water, nods to the blues-based thump Led Zeppelin on Backslider - without being obvious or sounding dated. But the superior single Possum Kingdom also made us wonder what happened to the distinctive and inventive lead guitar driving that tune, and wonder if this material translated better to the live setting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Possum Kingdom</p>
<p style="text-align:center;">17:59 - I Burn</p>
<p style="text-align:center;">20:17 - I Come From The Water</p>
<p style="text-align:center;">22:22 - Backslider</p>
<p style="text-align:center;">Outro - Quitter</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their 1994 debut album Rubberneck, the <a href='https://thetoadies.com/'>Toadies</a> managed to score a hit single that is still a staple of rock stations spinning 90s alternative hits. But like a lot of people, that one single is our starting point with the band. When we gave the entire album a listen, we discovered a band confident from the get-go in their style and strengths - energetic, concise, no-frills alternative riff-rock with a distinctive lead vocalist. Spending time with the record, the deeper layers revealed themselves - a circular rockabilly-esque riff on I Come From The Water, nods to the blues-based thump Led Zeppelin on Backslider - without being obvious or sounding dated. But the superior single Possum Kingdom also made us wonder what happened to the distinctive and inventive lead guitar driving that tune, and wonder if this material translated better to the live setting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Possum Kingdom</p>
<p style="text-align:center;">17:59 - I Burn</p>
<p style="text-align:center;">20:17 - I Come From The Water</p>
<p style="text-align:center;">22:22 - Backslider</p>
<p style="text-align:center;">Outro - Quitter</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ed9tng/453-toadies.mp3" length="74082349" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their 1994 debut album Rubberneck, the Toadies managed to score a hit single that is still a staple of rock stations spinning 90s alternative hits. But like a lot of people, that one single is our starting point with the band. When we gave the entire album a listen, we discovered a band confident from the get-go in their style and strengths - energetic, concise, no-frills alternative riff-rock with a distinctive lead vocalist. Spending time with the record, the deeper layers revealed themselves - a circular rockabilly-esque riff on I Come From The Water, nods to the blues-based thump Led Zeppelin on Backslider - without being obvious or sounding dated. But the superior single Possum Kingdom also made us wonder what happened to the distinctive and inventive lead guitar driving that tune, and wonder if this material translated better to the live setting.
 
Songs In This Episode:
 
Intro - Possum Kingdom
17:59 - I Burn
20:17 - I Come From The Water
22:22 - Backslider
Outro - Quitter
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2309</itunes:duration>
                <itunes:episode>191</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#452: Sophomore Slump Reversed</title>
        <itunes:title>#452: Sophomore Slump Reversed</itunes:title>
        <link>https://digmeout.podbean.com/e/452-sophomore-slump-reversed/</link>
                    <comments>https://digmeout.podbean.com/e/452-sophomore-slump-reversed/#comments</comments>        <pubDate>Tue, 10 Sep 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/452-sophomore-slump-reversed-8950bbce4ce9b17290d2584955d45a90</guid>
                                    <description><![CDATA[<p style="text-align:center;">To paraphrase a rock 'n roll saying, you get a lifetime to make your first record, but six months to make your second. As we've discovered in our Sophomore Slump Revisited series, it is not always the case that limited time causes the dreaded Sophomore Slump. Record label management shake-ups, shifting radio playlists and various other factors have impacted the success or failure of second albums. But what about the opposite? Bands that made okay or solid freshman efforts, but kicked it up a notch on their sophomore album and finally "discovered their sound" or "delivered on their promising debut." Or bands that released massive, chart-topping first albums, only to equal or exceed with their follow-up. There's a lot to cover, and a lot to discuss as we talk about a bunch of bands and albums that reversed the curse of the Sophomore Slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Sophomore Jinx by Self</p>
<p style="text-align:center;">9:57 - Cut Your Hair by Pavement</p>
<p style="text-align:center;">24:34 - Not Too Late by Satchel</p>
<p style="text-align:center;">37:20 - Pen Pals by Sloan</p>
<p style="text-align:center;">48:41 - Until You Came Along by Golden Smog</p>
<p style="text-align:center;">Outro - Spice Up Your Life by Spice Girls</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">To paraphrase a rock 'n roll saying, you get a lifetime to make your first record, but six months to make your second. As we've discovered in our Sophomore Slump Revisited series, it is not always the case that limited time causes the dreaded Sophomore Slump. Record label management shake-ups, shifting radio playlists and various other factors have impacted the success or failure of second albums. But what about the opposite? Bands that made okay or solid freshman efforts, but kicked it up a notch on their sophomore album and finally "discovered their sound" or "delivered on their promising debut." Or bands that released massive, chart-topping first albums, only to equal or exceed with their follow-up. There's a lot to cover, and a lot to discuss as we talk about a bunch of bands and albums that reversed the curse of the Sophomore Slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Sophomore Jinx by Self</p>
<p style="text-align:center;">9:57 - Cut Your Hair by Pavement</p>
<p style="text-align:center;">24:34 - Not Too Late by Satchel</p>
<p style="text-align:center;">37:20 - Pen Pals by Sloan</p>
<p style="text-align:center;">48:41 - Until You Came Along by Golden Smog</p>
<p style="text-align:center;">Outro - Spice Up Your Life by Spice Girls</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tw33jh/452-sophomoreslumpreversed.mp3" length="122825587" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To paraphrase a rock 'n roll saying, you get a lifetime to make your first record, but six months to make your second. As we've discovered in our Sophomore Slump Revisited series, it is not always the case that limited time causes the dreaded Sophomore Slump. Record label management shake-ups, shifting radio playlists and various other factors have impacted the success or failure of second albums. But what about the opposite? Bands that made okay or solid freshman efforts, but kicked it up a notch on their sophomore album and finally "discovered their sound" or "delivered on their promising debut." Or bands that released massive, chart-topping first albums, only to equal or exceed with their follow-up. There's a lot to cover, and a lot to discuss as we talk about a bunch of bands and albums that reversed the curse of the Sophomore Slump.
 
Songs In This Episode:
 
Intro - Sophomore Jinx by Self
9:57 - Cut Your Hair by Pavement
24:34 - Not Too Late by Satchel
37:20 - Pen Pals by Sloan
48:41 - Until You Came Along by Golden Smog
Outro - Spice Up Your Life by Spice Girls
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3832</itunes:duration>
                <itunes:episode>190</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#451: Bareback by Hank Dogs</title>
        <itunes:title>#451: Bareback by Hank Dogs</itunes:title>
        <link>https://digmeout.podbean.com/e/451-bareback-by-hank-dogs/</link>
                    <comments>https://digmeout.podbean.com/e/451-bareback-by-hank-dogs/#comments</comments>        <pubDate>Tue, 03 Sep 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/451-bareback-by-hank-dogs-f7842f0537dafb9ff44de230e2de7cd7</guid>
                                    <description><![CDATA[<p style="text-align:center;">While we've touched on some alternative country over the years on the podcast, we've never encountered a straight-up folk record. Until now. Thanks to a patron selection, we checked out the 1999 debut album Bareback by <a href='https://en.wikipedia.org/wiki/Hank_Dogs'>Hank Dogs</a>. A family band with lineage to the Sex Pistols, we had no idea what to expect, though the name and album cover tipped us off to something country-ish. The reality is much more traditional, recalling the English folk of The Fairport Convention, Pentangle, Steeleye Span, Richard Thompson, etc. - all well outside our respective wheelhouses. But albums like this help expand our musical horizons, even if they fall victim to the overstuff compact disc era, and foreshadow the 2000s folk and freak-folk revival.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Lucky Break</p>
<p style="text-align:center;">13:06 - 18 Dogs</p>
<p style="text-align:center;">19:52 - I'm An Angel</p>
<p style="text-align:center;">25:27 - Take Back My Own Heart</p>
<p style="text-align:center;">Outro - Sun Explodes</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While we've touched on some alternative country over the years on the podcast, we've never encountered a straight-up folk record. Until now. Thanks to a patron selection, we checked out the 1999 debut album Bareback by <a href='https://en.wikipedia.org/wiki/Hank_Dogs'>Hank Dogs</a>. A family band with lineage to the Sex Pistols, we had no idea what to expect, though the name and album cover tipped us off to something country-ish. The reality is much more traditional, recalling the English folk of The Fairport Convention, Pentangle, Steeleye Span, Richard Thompson, etc. - all well outside our respective wheelhouses. But albums like this help expand our musical horizons, even if they fall victim to the overstuff compact disc era, and foreshadow the 2000s folk and freak-folk revival.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Lucky Break</p>
<p style="text-align:center;">13:06 - 18 Dogs</p>
<p style="text-align:center;">19:52 - I'm An Angel</p>
<p style="text-align:center;">25:27 - Take Back My Own Heart</p>
<p style="text-align:center;">Outro - Sun Explodes</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cdjaai/451-hankdogs.mp3" length="88831293" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we've touched on some alternative country over the years on the podcast, we've never encountered a straight-up folk record. Until now. Thanks to a patron selection, we checked out the 1999 debut album Bareback by Hank Dogs. A family band with lineage to the Sex Pistols, we had no idea what to expect, though the name and album cover tipped us off to something country-ish. The reality is much more traditional, recalling the English folk of The Fairport Convention, Pentangle, Steeleye Span, Richard Thompson, etc. - all well outside our respective wheelhouses. But albums like this help expand our musical horizons, even if they fall victim to the overstuff compact disc era, and foreshadow the 2000s folk and freak-folk revival.
 
Songs In This Episode:
 
Intro - Lucky Break
13:06 - 18 Dogs
19:52 - I'm An Angel
25:27 - Take Back My Own Heart
Outro - Sun Explodes
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2770</itunes:duration>
                <itunes:episode>189</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#450: Sunday Morning Music by Thornetta Davis</title>
        <itunes:title>#450: Sunday Morning Music by Thornetta Davis</itunes:title>
        <link>https://digmeout.podbean.com/e/450-sunday-morning-music-by-thornetta-davis/</link>
                    <comments>https://digmeout.podbean.com/e/450-sunday-morning-music-by-thornetta-davis/#comments</comments>        <pubDate>Tue, 27 Aug 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/450-sunday-morning-music-by-thornetta-davis-3eca0981c28548f663ded6cbb8ad19cc</guid>
                                    <description><![CDATA[<p style="text-align:center;">If we told you that a soul/blues singer from Detroit released a record on Sub Pop on 1996 backed by funk rockers Big Chief, who had themselves just released an album influenced by 70s Blaxploitation films, you'd think we'd have a crazy game of Mad Libs going on. But the end result of Thornetta Davis' debut solo album Sunday Morning Music is much more traditional than expected, find space between the 1990s neo soul of Maxwell, D'Angelo and Erykah Badu, and the new wave of young American blues artists like Jonny Lang and Kenny Wayne Shepard. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Helpless</p>
<p style="text-align:center;">10:38 - Only One</p>
<p style="text-align:center;">13:58 - Cry</p>
<p style="text-align:center;">21:01 - And I Spin</p>
<p style="text-align:center;">Outro - Come Go With Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If we told you that a soul/blues singer from Detroit released a record on Sub Pop on 1996 backed by funk rockers Big Chief, who had themselves just released an album influenced by 70s Blaxploitation films, you'd think we'd have a crazy game of Mad Libs going on. But the end result of Thornetta Davis' debut solo album Sunday Morning Music is much more traditional than expected, find space between the 1990s neo soul of Maxwell, D'Angelo and Erykah Badu, and the new wave of young American blues artists like Jonny Lang and Kenny Wayne Shepard. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Helpless</p>
<p style="text-align:center;">10:38 - Only One</p>
<p style="text-align:center;">13:58 - Cry</p>
<p style="text-align:center;">21:01 - And I Spin</p>
<p style="text-align:center;">Outro - Come Go With Me</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j86zuy/450-thornettadavis.mp3" length="82927202" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If we told you that a soul/blues singer from Detroit released a record on Sub Pop on 1996 backed by funk rockers Big Chief, who had themselves just released an album influenced by 70s Blaxploitation films, you'd think we'd have a crazy game of Mad Libs going on. But the end result of Thornetta Davis' debut solo album Sunday Morning Music is much more traditional than expected, find space between the 1990s neo soul of Maxwell, D'Angelo and Erykah Badu, and the new wave of young American blues artists like Jonny Lang and Kenny Wayne Shepard. 
 
Songs In This Episode:
 
Intro - Helpless
10:38 - Only One
13:58 - Cry
21:01 - And I Spin
Outro - Come Go With Me
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2585</itunes:duration>
                <itunes:episode>187</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview: Freedom by Neil Young</title>
        <itunes:title>Patreon Preview: Freedom by Neil Young</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-freedom-by-neil-young/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-freedom-by-neil-young/#comments</comments>        <pubDate>Thu, 22 Aug 2019 12:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-freedom-by-neil-young-ccef6262d3f2773c808726d5cabf5d34</guid>
                                    <description><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album Freedom by Neil Young. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album Freedom by Neil Young. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m5gy7e/DMO80s-NeilYoungPreview.mp3" length="10002517" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our Patreon Board of Directors and Steering Committee tiers, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album Freedom by Neil Young. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>306</itunes:duration>
                <itunes:episode>188</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#449: Revisiting the Warped Tour</title>
        <itunes:title>#449: Revisiting the Warped Tour</itunes:title>
        <link>https://digmeout.podbean.com/e/449-revisiting-the-warped-tour/</link>
                    <comments>https://digmeout.podbean.com/e/449-revisiting-the-warped-tour/#comments</comments>        <pubDate>Tue, 20 Aug 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/449-revisiting-the-warped-tour-f20756fcac5e488bc3dee4628f161928</guid>
                                    <description><![CDATA[<p style="text-align:center;">Touring festivals were all the rage in the 1990s, with Lollapalooza kicking things off in 1991, following by Lilith Fair, the H.O.R.D.E. Tour, Ozzfest, Family Values Tour and others. We're heading back to 1995 to revisit the Warped Tour, from those who attended it and those who played it, gaining insight on the various line-up incarnations of the 90s, as well as the evolving line-up of artists, that started as a pop-punk-ska skate boarding, but morphed into a broader "youth-oriented" festival thanks to co-founder Kevin Lyman. We learn the various quirks (daily line-up shuffling!), the queasy (no showering for days! port-a-potties!) and the community that was built over twenty-five years of the Warped Tour.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Al's War by Less Than Jake</p>
<p style="text-align:center;">Outro - History Of A Boring Town by Less Than Jake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Touring festivals were all the rage in the 1990s, with Lollapalooza kicking things off in 1991, following by Lilith Fair, the H.O.R.D.E. Tour, Ozzfest, Family Values Tour and others. We're heading back to 1995 to revisit the Warped Tour, from those who attended it and those who played it, gaining insight on the various line-up incarnations of the 90s, as well as the evolving line-up of artists, that started as a pop-punk-ska skate boarding, but morphed into a broader "youth-oriented" festival thanks to co-founder Kevin Lyman. We learn the various quirks (daily line-up shuffling!), the queasy (no showering for days! port-a-potties!) and the community that was built over twenty-five years of the Warped Tour.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Al's War by Less Than Jake</p>
<p style="text-align:center;">Outro - History Of A Boring Town by Less Than Jake</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xf8fwx/449-warpedtour.mp3" length="200576864" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Touring festivals were all the rage in the 1990s, with Lollapalooza kicking things off in 1991, following by Lilith Fair, the H.O.R.D.E. Tour, Ozzfest, Family Values Tour and others. We're heading back to 1995 to revisit the Warped Tour, from those who attended it and those who played it, gaining insight on the various line-up incarnations of the 90s, as well as the evolving line-up of artists, that started as a pop-punk-ska skate boarding, but morphed into a broader "youth-oriented" festival thanks to co-founder Kevin Lyman. We learn the various quirks (daily line-up shuffling!), the queasy (no showering for days! port-a-potties!) and the community that was built over twenty-five years of the Warped Tour.
 
Songs In This Episode:
 
Intro - Al's War by Less Than Jake
Outro - History Of A Boring Town by Less Than Jake
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6262</itunes:duration>
                <itunes:episode>186</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#448: Doppelgänger by Curve</title>
        <itunes:title>#448: Doppelgänger by Curve</itunes:title>
        <link>https://digmeout.podbean.com/e/448-doppelganger-by-curve/</link>
                    <comments>https://digmeout.podbean.com/e/448-doppelganger-by-curve/#comments</comments>        <pubDate>Tue, 13 Aug 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/448-doppelganger-by-curve-d70d8a8b7b2f74326e6cd77624f2ad64</guid>
                                    <description><![CDATA[<p style="text-align:center;">When singer/guitarist Toni Halliday and multi-instrumentalist Dean Garcia paired up to form Curve in 1989, they already had established bonafides in the music world with previous releases on Anxious Records, set-up by Dave Stewart of the Eurythmics. While those efforts failed to connect, their three 1991 EPs gained enough momentum that the 1992 debut album Doppelgänger, with assistance from soon to be in-demand producer Flood, was primed for widespread acclaim and respectable sales. Doppelgänger cracked the top twenty UK album chart, but their sound, an at times hypnotic combination of noisy-pop, shoegaze, dreamy textures and Madchester big beats, failed to connect with a larger audience, a sound that years later Garbage would refine for the mid-nineties radio waves. But for all the forward thinking and ahead-of-its-time accolades, there is a decidedly 1990s time stamp to the wall of sound approach, especially in the layered drums and percussion that left us equally fatigued and fascinated.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Horror Head</p>
<p style="text-align:center;">13:25 - Ice That Melts The Tips</p>
<p style="text-align:center;">19:41 - Sandpit</p>
<p style="text-align:center;">26:30 - Lillies Dying</p>
<p style="text-align:center;">29:48 - Split Into Fractions</p>
<p style="text-align:center;">29:57 - Mine All Mine (Van Halen)</p>
<p style="text-align:center;">Outro - Fait Accompli</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">When singer/guitarist Toni Halliday and multi-instrumentalist Dean Garcia paired up to form Curve in 1989, they already had established bonafides in the music world with previous releases on Anxious Records, set-up by Dave Stewart of the Eurythmics. While those efforts failed to connect, their three 1991 EPs gained enough momentum that the 1992 debut album Doppelgänger, with assistance from soon to be in-demand producer Flood, was primed for widespread acclaim and respectable sales. Doppelgänger cracked the top twenty UK album chart, but their sound, an at times hypnotic combination of noisy-pop, shoegaze, dreamy textures and Madchester big beats, failed to connect with a larger audience, a sound that years later Garbage would refine for the mid-nineties radio waves. But for all the forward thinking and ahead-of-its-time accolades, there is a decidedly 1990s time stamp to the wall of sound approach, especially in the layered drums and percussion that left us equally fatigued and fascinated.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Horror Head</p>
<p style="text-align:center;">13:25 - Ice That Melts The Tips</p>
<p style="text-align:center;">19:41 - Sandpit</p>
<p style="text-align:center;">26:30 - Lillies Dying</p>
<p style="text-align:center;">29:48 - Split Into Fractions</p>
<p style="text-align:center;">29:57 - Mine All Mine (Van Halen)</p>
<p style="text-align:center;">Outro - Fait Accompli</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4b6jxi/448-curve.mp3" length="66426172" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When singer/guitarist Toni Halliday and multi-instrumentalist Dean Garcia paired up to form Curve in 1989, they already had established bonafides in the music world with previous releases on Anxious Records, set-up by Dave Stewart of the Eurythmics. While those efforts failed to connect, their three 1991 EPs gained enough momentum that the 1992 debut album Doppelgänger, with assistance from soon to be in-demand producer Flood, was primed for widespread acclaim and respectable sales. Doppelgänger cracked the top twenty UK album chart, but their sound, an at times hypnotic combination of noisy-pop, shoegaze, dreamy textures and Madchester big beats, failed to connect with a larger audience, a sound that years later Garbage would refine for the mid-nineties radio waves. But for all the forward thinking and ahead-of-its-time accolades, there is a decidedly 1990s time stamp to the wall of sound approach, especially in the layered drums and percussion that left us equally fatigued and fascinated.
 
Songs In This Episode:
 
Intro - Horror Head
13:25 - Ice That Melts The Tips
19:41 - Sandpit
26:30 - Lillies Dying
29:48 - Split Into Fractions
29:57 - Mine All Mine (Van Halen)
Outro - Fait Accompli
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2070</itunes:duration>
                <itunes:episode>185</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#447: Forever = 1 Day by Fighting Gravity</title>
        <itunes:title>#447: Forever = 1 Day by Fighting Gravity</itunes:title>
        <link>https://digmeout.podbean.com/e/447-forever-1-day-by-fighting-gravity/</link>
                    <comments>https://digmeout.podbean.com/e/447-forever-1-day-by-fighting-gravity/#comments</comments>        <pubDate>Tue, 06 Aug 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/447-forever-1-day-by-fighting-gravity-5c8288b7d3a7bf06a6a1d89cfc1047cd</guid>
                                    <description><![CDATA[<p style="text-align:center;">If you are checking us out for the first time, you'll quickly learn what our regular listeners already know: reggae and/or ska were not our thing back in the 1990s. Now, we're not going to claim to have fully converted to fandom, but the 1996 album Forever = 1 Day by <a href='https://en.wikipedia.org/wiki/Fighting_Gravity_(band)'>Fighting Gravity</a> left us with positive vibes. When the band locks into a relaxed mid-tempo groove, we're fully on board. When they occasionally pick up the pace to skanking speeds, or slow to a new age crawl, we found less reason to stay engaged. We got to explore all sides of the band, as well as the dig into the touring regional band phenomenon prevalent in the 1990s with access to cheap CD replication and an established college fraternity circuit that will no doubt come up again in future episodes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - One Day</p>
<p style="text-align:center;">12:20 - Fools And Kings</p>
<p style="text-align:center;">21:35 - Ted's River Song</p>
<p style="text-align:center;">31:22 - Quiet Angel</p>
<p style="text-align:center;">Outro - Mission Bells</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If you are checking us out for the first time, you'll quickly learn what our regular listeners already know: reggae and/or ska were not our thing back in the 1990s. Now, we're not going to claim to have fully converted to fandom, but the 1996 album Forever = 1 Day by <a href='https://en.wikipedia.org/wiki/Fighting_Gravity_(band)'>Fighting Gravity</a> left us with positive vibes. When the band locks into a relaxed mid-tempo groove, we're fully on board. When they occasionally pick up the pace to skanking speeds, or slow to a new age crawl, we found less reason to stay engaged. We got to explore all sides of the band, as well as the dig into the touring regional band phenomenon prevalent in the 1990s with access to cheap CD replication and an established college fraternity circuit that will no doubt come up again in future episodes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - One Day</p>
<p style="text-align:center;">12:20 - Fools And Kings</p>
<p style="text-align:center;">21:35 - Ted's River Song</p>
<p style="text-align:center;">31:22 - Quiet Angel</p>
<p style="text-align:center;">Outro - Mission Bells</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h6skth/447-fightinggravity.mp3" length="94767986" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If you are checking us out for the first time, you'll quickly learn what our regular listeners already know: reggae and/or ska were not our thing back in the 1990s. Now, we're not going to claim to have fully converted to fandom, but the 1996 album Forever = 1 Day by Fighting Gravity left us with positive vibes. When the band locks into a relaxed mid-tempo groove, we're fully on board. When they occasionally pick up the pace to skanking speeds, or slow to a new age crawl, we found less reason to stay engaged. We got to explore all sides of the band, as well as the dig into the touring regional band phenomenon prevalent in the 1990s with access to cheap CD replication and an established college fraternity circuit that will no doubt come up again in future episodes.
 
Songs In This Episode:
 
Intro - One Day
12:20 - Fools And Kings
21:35 - Ted's River Song
31:22 - Quiet Angel
Outro - Mission Bells
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2955</itunes:duration>
                <itunes:episode>184</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#446: Modest Mouse In The 90s</title>
        <itunes:title>#446: Modest Mouse In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/446-modest-mouse-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/446-modest-mouse-in-the-90s/#comments</comments>        <pubDate>Tue, 30 Jul 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/446-modest-mouse-in-the-90s-ee64afc5aec6d20ffd27c73deb29dc81</guid>
                                    <description><![CDATA[<p style="text-align:center;">Maybe you listened to <a href='https://www.modestmouse.com/'>Modest Mouse</a> in 1996 or 1997 and thought, yes, this band will invade the public consciousness with a catchy single in the 2000s, launching them into elite status as a festival headliner, collaborate with a legendary guitarist, and influence a new generation of artists like Silversun Pickups, Future Islands, Car Seat Headrest and more. Most likely like us, you didn't, and figured a solid career in the indie music world was their destiny. We're okay with not foreseeing what may end up being the underground's last stab at infiltrating the mainstream, and decided to revisit for our second "Origins" roundtable the early years of Modest Mouse in the 1990s. Isaac Brock's unique songwriting style is present immediately, but the refinement of later years hasn't happened, allowing for exploration and experimentation across expansive (re: long) albums. It's in 1997's sophomore album The Lonesome Crowded West that the band gels, the focus sharpens, and the seeds of what were to come begin to sprout just enough at the intersection of distinct yet recognizable.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Teeth Like God's Shoeshine</p>
<p style="text-align:center;">10:30 - Novocaine Stain</p>
<p style="text-align:center;">16:18 - Talking Shit About A Pretty Sunset</p>
<p style="text-align:center;">23:29 - Sleepwalking</p>
<p style="text-align:center;">31:04 - Trailer Trash</p>
<p style="text-align:center;">39:48 - Float On</p>
<p style="text-align:center;">Outro - Gravity Rides Everything</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Maybe you listened to <a href='https://www.modestmouse.com/'>Modest Mouse</a> in 1996 or 1997 and thought, yes, this band will invade the public consciousness with a catchy single in the 2000s, launching them into elite status as a festival headliner, collaborate with a legendary guitarist, and influence a new generation of artists like Silversun Pickups, Future Islands, Car Seat Headrest and more. Most likely like us, you didn't, and figured a solid career in the indie music world was their destiny. We're okay with not foreseeing what may end up being the underground's last stab at infiltrating the mainstream, and decided to revisit for our second "Origins" roundtable the early years of Modest Mouse in the 1990s. Isaac Brock's unique songwriting style is present immediately, but the refinement of later years hasn't happened, allowing for exploration and experimentation across expansive (re: long) albums. It's in 1997's sophomore album The Lonesome Crowded West that the band gels, the focus sharpens, and the seeds of what were to come begin to sprout just enough at the intersection of distinct yet recognizable.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Teeth Like God's Shoeshine</p>
<p style="text-align:center;">10:30 - Novocaine Stain</p>
<p style="text-align:center;">16:18 - Talking Shit About A Pretty Sunset</p>
<p style="text-align:center;">23:29 - Sleepwalking</p>
<p style="text-align:center;">31:04 - Trailer Trash</p>
<p style="text-align:center;">39:48 - Float On</p>
<p style="text-align:center;">Outro - Gravity Rides Everything</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s467ka/446-modestmouseinthe90s.mp3" length="115597400" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Maybe you listened to Modest Mouse in 1996 or 1997 and thought, yes, this band will invade the public consciousness with a catchy single in the 2000s, launching them into elite status as a festival headliner, collaborate with a legendary guitarist, and influence a new generation of artists like Silversun Pickups, Future Islands, Car Seat Headrest and more. Most likely like us, you didn't, and figured a solid career in the indie music world was their destiny. We're okay with not foreseeing what may end up being the underground's last stab at infiltrating the mainstream, and decided to revisit for our second "Origins" roundtable the early years of Modest Mouse in the 1990s. Isaac Brock's unique songwriting style is present immediately, but the refinement of later years hasn't happened, allowing for exploration and experimentation across expansive (re: long) albums. It's in 1997's sophomore album The Lonesome Crowded West that the band gels, the focus sharpens, and the seeds of what were to come begin to sprout just enough at the intersection of distinct yet recognizable.
 
Songs In This Episode:
 
Intro - Teeth Like God's Shoeshine
10:30 - Novocaine Stain
16:18 - Talking Shit About A Pretty Sunset
23:29 - Sleepwalking
31:04 - Trailer Trash
39:48 - Float On
Outro - Gravity Rides Everything
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3606</itunes:duration>
                <itunes:episode>183</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#445: Bloodletting by Concrete Blonde</title>
        <itunes:title>#445: Bloodletting by Concrete Blonde</itunes:title>
        <link>https://digmeout.podbean.com/e/445-bloodletting-by-concrete-blonde/</link>
                    <comments>https://digmeout.podbean.com/e/445-bloodletting-by-concrete-blonde/#comments</comments>        <pubDate>Tue, 23 Jul 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/445-bloodletting-by-concrete-blonde-072313494de46f1c79c9cacdb3d60167</guid>
                                    <description><![CDATA[<p style="text-align:center;">Albums made in 1990 or 1991 often have the "sound" of the 80s in their production - lots of reverb on the drums, particular guitar effects, etc. Sometimes in reviewing albums from this period, it can date the album, pinning it down to a certain time instead of receiving the "timeless" accolade that so many well-regarded albums receive. But what if big, booming reverb gives the album a personality instead of a stamp? That's the case with the 1990 album Bloodletting by <a href='https://www.concreteblondeofficialwebsite.com/'>Concrete Blonde</a>, who mined the vampire novels of Anne Rice to deliver an album that matches lyrical content with its musical approach. "Goth" is the term thrown around, and the album plays with dark themes matched with occasional dissonance. But what is really on display is a singer fully in command of their voice, constructing unique melodies, wrapped around a diverse selection of songwriting styles and approaches that deliver over and over again.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - The Bloodletting (The Vampire Song)</p>
<p style="text-align:center;">17:47 - Tomorrow, Wendy</p>
<p style="text-align:center;">21:57 - The Sky Is A Poisonous Garden</p>
<p style="text-align:center;">24:14 - Caroline</p>
<p style="text-align:center;">35:05 - Joey</p>
<p style="text-align:center;">Outro - Darkening Of The Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Albums made in 1990 or 1991 often have the "sound" of the 80s in their production - lots of reverb on the drums, particular guitar effects, etc. Sometimes in reviewing albums from this period, it can date the album, pinning it down to a certain time instead of receiving the "timeless" accolade that so many well-regarded albums receive. But what if big, booming reverb gives the album a personality instead of a stamp? That's the case with the 1990 album Bloodletting by <a href='https://www.concreteblondeofficialwebsite.com/'>Concrete Blonde</a>, who mined the vampire novels of Anne Rice to deliver an album that matches lyrical content with its musical approach. "Goth" is the term thrown around, and the album plays with dark themes matched with occasional dissonance. But what is really on display is a singer fully in command of their voice, constructing unique melodies, wrapped around a diverse selection of songwriting styles and approaches that deliver over and over again.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - The Bloodletting (The Vampire Song)</p>
<p style="text-align:center;">17:47 - Tomorrow, Wendy</p>
<p style="text-align:center;">21:57 - The Sky Is A Poisonous Garden</p>
<p style="text-align:center;">24:14 - Caroline</p>
<p style="text-align:center;">35:05 - Joey</p>
<p style="text-align:center;">Outro - Darkening Of The Light</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dt5w5z/445-concreteblonde.mp3" length="89775045" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Albums made in 1990 or 1991 often have the "sound" of the 80s in their production - lots of reverb on the drums, particular guitar effects, etc. Sometimes in reviewing albums from this period, it can date the album, pinning it down to a certain time instead of receiving the "timeless" accolade that so many well-regarded albums receive. But what if big, booming reverb gives the album a personality instead of a stamp? That's the case with the 1990 album Bloodletting by Concrete Blonde, who mined the vampire novels of Anne Rice to deliver an album that matches lyrical content with its musical approach. "Goth" is the term thrown around, and the album plays with dark themes matched with occasional dissonance. But what is really on display is a singer fully in command of their voice, constructing unique melodies, wrapped around a diverse selection of songwriting styles and approaches that deliver over and over again.
 
Songs In This Episode:
 
Intro - The Bloodletting (The Vampire Song)
17:47 - Tomorrow, Wendy
21:57 - The Sky Is A Poisonous Garden
24:14 - Caroline
35:05 - Joey
Outro - Darkening Of The Light
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2799</itunes:duration>
                <itunes:episode>182</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#444: Backbeat Soundtrack</title>
        <itunes:title>#444: Backbeat Soundtrack</itunes:title>
        <link>https://digmeout.podbean.com/e/444-backbeat-soundtrack/</link>
                    <comments>https://digmeout.podbean.com/e/444-backbeat-soundtrack/#comments</comments>        <pubDate>Tue, 16 Jul 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/444-backbeat-soundtrack-36f5f12255140456657d641942e1540a</guid>
                                    <description><![CDATA[<p style="text-align:center;">Movie soundtracks, <a href='http://digmeoutpodcast.com/episode/256-movie-soundtracks-of-the-90s-roundtable'>as we have learned</a>, come in all shapes and sizes. The 1994 Backbeat soundtrack is an interesting concept - get a bunch of well-respected alternative musicians of the day, and have them tackle early cover songs played by The Beatles. The list is impressive even today: Dave Pirner of Soul Asylum and Greg Dulli of The Afghan Whigs sharing vocal duties, Thurston Moore of Sonic Youth and Don Fleming of Gumball handling the guitars, Mike Mills of R.E.M. on bass guitar and vocals, and Dave Grohl, then of Nirvana, later of Foo Fighters, pounding away on the drums. On the one hand, you'd love to hear what this band could do with the restriction of making these period specific recordings to fit the film, or what actual Beatles tunes might sound like. On the other, hearing the band stick to the format, and tear through two-minute rock 'n roll classics is its own special thing. We hope they were having fun, because the energy and enthusiasm for the material is evident, leaving us to wonder what would/could happen if this line-up reunited every so often.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Money</p>
<p style="text-align:center;">12:11 - Rock and Roll Music</p>
<p style="text-align:center;">15:36 - Good Golly Miss Molly</p>
<p style="text-align:center;">24:26 - Please Mr. Postman</p>
<p style="text-align:center;">Outro - Carol</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Movie soundtracks, <a href='http://digmeoutpodcast.com/episode/256-movie-soundtracks-of-the-90s-roundtable'>as we have learned</a>, come in all shapes and sizes. The 1994 Backbeat soundtrack is an interesting concept - get a bunch of well-respected alternative musicians of the day, and have them tackle early cover songs played by The Beatles. The list is impressive even today: Dave Pirner of Soul Asylum and Greg Dulli of The Afghan Whigs sharing vocal duties, Thurston Moore of Sonic Youth and Don Fleming of Gumball handling the guitars, Mike Mills of R.E.M. on bass guitar and vocals, and Dave Grohl, then of Nirvana, later of Foo Fighters, pounding away on the drums. On the one hand, you'd love to hear what this band could do with the restriction of making these period specific recordings to fit the film, or what actual Beatles tunes might sound like. On the other, hearing the band stick to the format, and tear through two-minute rock 'n roll classics is its own special thing. We hope they were having fun, because the energy and enthusiasm for the material is evident, leaving us to wonder what would/could happen if this line-up reunited every so often.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Money</p>
<p style="text-align:center;">12:11 - Rock and Roll Music</p>
<p style="text-align:center;">15:36 - Good Golly Miss Molly</p>
<p style="text-align:center;">24:26 - Please Mr. Postman</p>
<p style="text-align:center;">Outro - Carol</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8dwtfv/444-backbeat.mp3" length="85450839" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Movie soundtracks, as we have learned, come in all shapes and sizes. The 1994 Backbeat soundtrack is an interesting concept - get a bunch of well-respected alternative musicians of the day, and have them tackle early cover songs played by The Beatles. The list is impressive even today: Dave Pirner of Soul Asylum and Greg Dulli of The Afghan Whigs sharing vocal duties, Thurston Moore of Sonic Youth and Don Fleming of Gumball handling the guitars, Mike Mills of R.E.M. on bass guitar and vocals, and Dave Grohl, then of Nirvana, later of Foo Fighters, pounding away on the drums. On the one hand, you'd love to hear what this band could do with the restriction of making these period specific recordings to fit the film, or what actual Beatles tunes might sound like. On the other, hearing the band stick to the format, and tear through two-minute rock 'n roll classics is its own special thing. We hope they were having fun, because the energy and enthusiasm for the material is evident, leaving us to wonder what would/could happen if this line-up reunited every so often.
 
Songs In This Episode:
 
Intro - Money
12:11 - Rock and Roll Music
15:36 - Good Golly Miss Molly
24:26 - Please Mr. Postman
Outro - Carol
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2664</itunes:duration>
                <itunes:episode>181</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#443: The Ideal Crash by dEUS</title>
        <itunes:title>#443: The Ideal Crash by dEUS</itunes:title>
        <link>https://digmeout.podbean.com/e/443-the-ideal-crash-by-deus/</link>
                    <comments>https://digmeout.podbean.com/e/443-the-ideal-crash-by-deus/#comments</comments>        <pubDate>Tue, 09 Jul 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/443-the-ideal-crash-by-deus-48a3369f173997ea0ee6fbe28f74ea8f</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the end of the 90s, a number of bands had penetrated the mainstream with ambitious, layered albums. Like with OK Computer, The Soft Bulletin, Deserter's Songs and Ladies & Gentlemen We Are Floating In Space, <a href='http://www.deus.be/'>dEUS</a> took a turn on their third album, 1999's The Ideal Crash. Dialing down the Frank Zappa and Captain Beefheart influences and incorporating contemporary sounds from trip-hop, electronica and alternative rock slot The Ideal Crash nicely alongside the aforementioned, even managing to find spots for banjos and theremins. But like so many bands utilizing the compact disc format, too much of a good thing can be a negative, as the band often turns what could be a three minute gem into five-plus minutes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Put The Freaks Up Front</p>
<p style="text-align:center;">11:44 - Instant Street</p>
<p style="text-align:center;">16:03 - The Ideal Crash</p>
<p style="text-align:center;">27:33 - Everybody's Weird</p>
<p style="text-align:center;">Outro - Magdalena</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the end of the 90s, a number of bands had penetrated the mainstream with ambitious, layered albums. Like with OK Computer, The Soft Bulletin, Deserter's Songs and Ladies & Gentlemen We Are Floating In Space, <a href='http://www.deus.be/'>dEUS</a> took a turn on their third album, 1999's The Ideal Crash. Dialing down the Frank Zappa and Captain Beefheart influences and incorporating contemporary sounds from trip-hop, electronica and alternative rock slot The Ideal Crash nicely alongside the aforementioned, even managing to find spots for banjos and theremins. But like so many bands utilizing the compact disc format, too much of a good thing can be a negative, as the band often turns what could be a three minute gem into five-plus minutes.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Put The Freaks Up Front</p>
<p style="text-align:center;">11:44 - Instant Street</p>
<p style="text-align:center;">16:03 - The Ideal Crash</p>
<p style="text-align:center;">27:33 - Everybody's Weird</p>
<p style="text-align:center;">Outro - Magdalena</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f4i7hk/443-deus.mp3" length="74286313" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the end of the 90s, a number of bands had penetrated the mainstream with ambitious, layered albums. Like with OK Computer, The Soft Bulletin, Deserter's Songs and Ladies & Gentlemen We Are Floating In Space, dEUS took a turn on their third album, 1999's The Ideal Crash. Dialing down the Frank Zappa and Captain Beefheart influences and incorporating contemporary sounds from trip-hop, electronica and alternative rock slot The Ideal Crash nicely alongside the aforementioned, even managing to find spots for banjos and theremins. But like so many bands utilizing the compact disc format, too much of a good thing can be a negative, as the band often turns what could be a three minute gem into five-plus minutes.
 
Songs In This Episode:
 
Intro - Put The Freaks Up Front
11:44 - Instant Street
16:03 - The Ideal Crash
27:33 - Everybody's Weird
Outro - Magdalena
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2321</itunes:duration>
                <itunes:episode>178</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview: Flick Of The Switch by AC/DC</title>
        <itunes:title>Patreon Preview: Flick Of The Switch by AC/DC</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-flick-of-the-switch-by-acdc/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-flick-of-the-switch-by-acdc/#comments</comments>        <pubDate>Thu, 04 Jul 2019 10:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-flick-of-the-switch-by-acdc-31612c3654f4993436ad1d6fb4f8e200</guid>
                                    <description><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1983 album Flick Of The Switch by AC/DC. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1983 album Flick Of The Switch by AC/DC. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/faajeb/DMO80s-ACDC-Sample.mp3" length="10596855" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our Patreon Board of Directors and Steering Committee tiers, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1983 album Flick Of The Switch by AC/DC. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>325</itunes:duration>
                <itunes:episode>180</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#442: Kill Rock Stars with Slim Moon</title>
        <itunes:title>#442: Kill Rock Stars with Slim Moon</itunes:title>
        <link>https://digmeout.podbean.com/e/442-kill-rock-stars-with-slim-moon/</link>
                    <comments>https://digmeout.podbean.com/e/442-kill-rock-stars-with-slim-moon/#comments</comments>        <pubDate>Tue, 02 Jul 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/442-kill-rock-stars-with-slim-moon-0a09df3532a091a2b5d60cef6f70e88b</guid>
                                    <description><![CDATA[<p style="text-align:center;">We're kicking off a new roundtable series with Slim Moon and <a href='https://www.killrockstars.com/'>Kill Rock Stars</a>, who shares with the history of the Olympia, Washington (now Portland, Oregon) independent label that has been home to an amazing roster of musicians and bands, including Sleater-Kinney, Unwound, Bikini Kill, Bratmobile, The Decemberists, Elliott Smith, Huggy Bear, Mary Lou Lord, Gossip, Deerhoof and many more. We discuss how the label got started, leaning on K Records founder Calvin Johnson for advice, the riotgrrl scene and bands in Olympia, how bands were discovered, the impact of success with Elliott Smith and the importance of legacy catalogs, the end of the decade digital music revolution, and so much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - New Energy by Unwound</p>
<p style="text-align:center;">3:45 - Words and Guitar by Sleater-Kinney</p>
<p style="text-align:center;">1:07:45 - Between The Bars by Elliott Smith</p>
<p style="text-align:center;">Outro - I Could Have Loved You by The Peechees</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We're kicking off a new roundtable series with Slim Moon and <a href='https://www.killrockstars.com/'>Kill Rock Stars</a>, who shares with the history of the Olympia, Washington (now Portland, Oregon) independent label that has been home to an amazing roster of musicians and bands, including Sleater-Kinney, Unwound, Bikini Kill, Bratmobile, The Decemberists, Elliott Smith, Huggy Bear, Mary Lou Lord, Gossip, Deerhoof and many more. We discuss how the label got started, leaning on K Records founder Calvin Johnson for advice, the riotgrrl scene and bands in Olympia, how bands were discovered, the impact of success with Elliott Smith and the importance of legacy catalogs, the end of the decade digital music revolution, and so much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - New Energy by Unwound</p>
<p style="text-align:center;">3:45 - Words and Guitar by Sleater-Kinney</p>
<p style="text-align:center;">1:07:45 - Between The Bars by Elliott Smith</p>
<p style="text-align:center;">Outro - I Could Have Loved You by The Peechees</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ccuabt/442-killrockstars.mp3" length="134904685" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're kicking off a new roundtable series with Slim Moon and Kill Rock Stars, who shares with the history of the Olympia, Washington (now Portland, Oregon) independent label that has been home to an amazing roster of musicians and bands, including Sleater-Kinney, Unwound, Bikini Kill, Bratmobile, The Decemberists, Elliott Smith, Huggy Bear, Mary Lou Lord, Gossip, Deerhoof and many more. We discuss how the label got started, leaning on K Records founder Calvin Johnson for advice, the riotgrrl scene and bands in Olympia, how bands were discovered, the impact of success with Elliott Smith and the importance of legacy catalogs, the end of the decade digital music revolution, and so much more.
 
Songs In This Episode:
 
Intro - New Energy by Unwound
3:45 - Words and Guitar by Sleater-Kinney
1:07:45 - Between The Bars by Elliott Smith
Outro - I Could Have Loved You by The Peechees
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4210</itunes:duration>
                <itunes:episode>179</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#441: International Pop Overthrow by Material Issue</title>
        <itunes:title>#441: International Pop Overthrow by Material Issue</itunes:title>
        <link>https://digmeout.podbean.com/e/441-international-pop-overthrow-by-material-issue/</link>
                    <comments>https://digmeout.podbean.com/e/441-international-pop-overthrow-by-material-issue/#comments</comments>        <pubDate>Tue, 25 Jun 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/441-international-pop-overthrow-by-material-issue-3519e02938db3f51aca35c1bc7312a30</guid>
                                    <description><![CDATA[<p style="text-align:center;">In 1991, <a href='https://en.wikipedia.org/wiki/Material_Issue'>Material Issue</a> released their long-in-the-works debut album International Pop Overthrow. Along with bands and artists like Jellyfish, Matthew Sweet, The Posies, Redd Kross, major labels were taking chances on the hard-to-pin-down genre known as Power Pop, and the future looked bright until the steamroller known as Nirvana arrived in the fall. Rather than scoop up the next Big Star or Cheap Trick influenced outfit, the next Pearl Jam and Alice In Chains were the priority, and Beatles, Byrds and Badfinger devotees rarely found their favorite bands on mainstream radio or MTV. In retrospect, that might be what makes an album like IPO so listenable after so many years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Valerie Loves Me</p>
<p style="text-align:center;">13:12 - Diane</p>
<p style="text-align:center;">18:02 - This Far Before</p>
<p style="text-align:center;">22:27 - This Letter</p>
<p style="text-align:center;">Outro - Li'l Christine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In 1991, <a href='https://en.wikipedia.org/wiki/Material_Issue'>Material Issue</a> released their long-in-the-works debut album International Pop Overthrow. Along with bands and artists like Jellyfish, Matthew Sweet, The Posies, Redd Kross, major labels were taking chances on the hard-to-pin-down genre known as Power Pop, and the future looked bright until the steamroller known as Nirvana arrived in the fall. Rather than scoop up the next Big Star or Cheap Trick influenced outfit, the next Pearl Jam and Alice In Chains were the priority, and Beatles, Byrds and Badfinger devotees rarely found their favorite bands on mainstream radio or MTV. In retrospect, that might be what makes an album like IPO so listenable after so many years.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Valerie Loves Me</p>
<p style="text-align:center;">13:12 - Diane</p>
<p style="text-align:center;">18:02 - This Far Before</p>
<p style="text-align:center;">22:27 - This Letter</p>
<p style="text-align:center;">Outro - Li'l Christine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f9y588/441-materialissue.mp3" length="84698513" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 1991, Material Issue released their long-in-the-works debut album International Pop Overthrow. Along with bands and artists like Jellyfish, Matthew Sweet, The Posies, Redd Kross, major labels were taking chances on the hard-to-pin-down genre known as Power Pop, and the future looked bright until the steamroller known as Nirvana arrived in the fall. Rather than scoop up the next Big Star or Cheap Trick influenced outfit, the next Pearl Jam and Alice In Chains were the priority, and Beatles, Byrds and Badfinger devotees rarely found their favorite bands on mainstream radio or MTV. In retrospect, that might be what makes an album like IPO so listenable after so many years.
 
Songs In This Episode:
 
Intro - Valerie Loves Me
13:12 - Diane
18:02 - This Far Before
22:27 - This Letter
Outro - Li'l Christine
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2641</itunes:duration>
                <itunes:episode>177</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#440: Villains by The Verve Pipe</title>
        <itunes:title>#440: Villains by The Verve Pipe</itunes:title>
        <link>https://digmeout.podbean.com/e/440-villains-by-the-verve-pipe/</link>
                    <comments>https://digmeout.podbean.com/e/440-villains-by-the-verve-pipe/#comments</comments>        <pubDate>Tue, 18 Jun 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/440-villains-by-the-verve-pipe-3652d8e66baf3fd30c4cbf5c567dfbe6</guid>
                                    <description><![CDATA[<p style="text-align: center;">What's your memory of <a href='https://www.thevervepipe.com/'>The Verve Pipe</a>? Are they filed away with the alternative rock one-hit wonders of the 90s thanks to the single "The Freshman"? Are they lumped in with other mid-decade "alt rock" bands like Live and Bush? Did you see them in their early indie days when the were Midwest up-and-comers? Did you bother to check out their 1999 post-hit follow-up album? Did you check out more than the singles? As listeners who reassess with an ear on the past and present, the 1996 album Villain provides lots to chew on. Album tracks reveal divergences into slightly more adventures territory while the singles show off noisy guitar licks and tones that sound foreign compared to the modern Top 40.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs On This Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - Cup Of Tea</p>
<p style="text-align: center;">18:01 - The Freshman</p>
<p style="text-align: center;">23:11 - Villains</p>
<p style="text-align: center;">26:39 - Photograph</p>
<p style="text-align: center;">37:28 - Real</p>
<p style="text-align: center;">Outro - Barely (If At All)</p>
<p> </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>

<p></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">What's your memory of <a href='https://www.thevervepipe.com/'>The Verve Pipe</a>? Are they filed away with the alternative rock one-hit wonders of the 90s thanks to the single "The Freshman"? Are they lumped in with other mid-decade "alt rock" bands like Live and Bush? Did you see them in their early indie days when the were Midwest up-and-comers? Did you bother to check out their 1999 post-hit follow-up album? Did you check out more than the singles? As listeners who reassess with an ear on the past and present, the 1996 album Villain provides lots to chew on. Album tracks reveal divergences into slightly more adventures territory while the singles show off noisy guitar licks and tones that sound foreign compared to the modern Top 40.</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Songs On This Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - Cup Of Tea</p>
<p style="text-align: center;">18:01 - The Freshman</p>
<p style="text-align: center;">23:11 - Villains</p>
<p style="text-align: center;">26:39 - Photograph</p>
<p style="text-align: center;">37:28 - Real</p>
<p style="text-align: center;">Outro - Barely (If At All)</p>
<p> </p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com.</a>

<p></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z8wavq/440-vervepipe.mp3" length="129958478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What's your memory of The Verve Pipe? Are they filed away with the alternative rock one-hit wonders of the 90s thanks to the single "The Freshman"? Are they lumped in with other mid-decade "alt rock" bands like Live and Bush? Did you see them in their early indie days when the were Midwest up-and-comers? Did you bother to check out their 1999 post-hit follow-up album? Did you check out more than the singles? As listeners who reassess with an ear on the past and present, the 1996 album Villain provides lots to chew on. Album tracks reveal divergences into slightly more adventures territory while the singles show off noisy guitar licks and tones that sound foreign compared to the modern Top 40.
 
Songs On This Episode:
 
Intro - Cup Of Tea
18:01 - The Freshman
23:11 - Villains
26:39 - Photograph
37:28 - Real
Outro - Barely (If At All)
 
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com.


]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4055</itunes:duration>
                <itunes:episode>176</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#439: Spiderland by Slint</title>
        <itunes:title>#439: Spiderland by Slint</itunes:title>
        <link>https://digmeout.podbean.com/e/439-spiderland-by-slint/</link>
                    <comments>https://digmeout.podbean.com/e/439-spiderland-by-slint/#comments</comments>        <pubDate>Tue, 11 Jun 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/439-spiderland-by-slint-35245b9d26b767a141c687dd9ed663b5</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1991 album Spiderland by <a href='https://en.wikipedia.org/wiki/Slint'>Slint </a>has taken on icon status since release, the bridge between Sonic Youth noise, Velvet Underground drone, Joy Division dread and the 1990s wave of post, math, indie and other alternative rock sub-genres. Like so many revered albums discovered via slow burn over years thanks to the accolades of musicians and rock journalists, the influence of Spiderland can be heard in bits and pieces in dozens of bands, yet tracing them back to the source leads us to a perplexing conclusion - what happens when an album of modest creation becomes mythic when listening with fresh years decades after the release?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Breadcrumb Trail</p>
<p style="text-align:center;">8:49 - Good Morning Captain</p>
<p style="text-align:center;">25:06 - Nosferatu Man</p>
<p style="text-align:center;">35:33 - Washer</p>
<p style="text-align:center;">Outro - For Dinner...</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
<p style="text-align:left;"> </p>
<p style="text-align:left;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1991 album Spiderland by <a href='https://en.wikipedia.org/wiki/Slint'>Slint </a>has taken on icon status since release, the bridge between Sonic Youth noise, Velvet Underground drone, Joy Division dread and the 1990s wave of post, math, indie and other alternative rock sub-genres. Like so many revered albums discovered via slow burn over years thanks to the accolades of musicians and rock journalists, the influence of Spiderland can be heard in bits and pieces in dozens of bands, yet tracing them back to the source leads us to a perplexing conclusion - what happens when an album of modest creation becomes mythic when listening with fresh years decades after the release?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Breadcrumb Trail</p>
<p style="text-align:center;">8:49 - Good Morning Captain</p>
<p style="text-align:center;">25:06 - Nosferatu Man</p>
<p style="text-align:center;">35:33 - Washer</p>
<p style="text-align:center;">Outro - For Dinner...</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
<p style="text-align:left;"> </p>
<p style="text-align:left;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vsj5um/439-slint.mp3" length="94720338" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1991 album Spiderland by Slint has taken on icon status since release, the bridge between Sonic Youth noise, Velvet Underground drone, Joy Division dread and the 1990s wave of post, math, indie and other alternative rock sub-genres. Like so many revered albums discovered via slow burn over years thanks to the accolades of musicians and rock journalists, the influence of Spiderland can be heard in bits and pieces in dozens of bands, yet tracing them back to the source leads us to a perplexing conclusion - what happens when an album of modest creation becomes mythic when listening with fresh years decades after the release?
 
Songs In This Episode:
 
Intro - Breadcrumb Trail
8:49 - Good Morning Captain
25:06 - Nosferatu Man
35:33 - Washer
Outro - For Dinner...
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2954</itunes:duration>
                <itunes:episode>175</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#438: Low-Fi At Society High by The Figgs with Mike Gent</title>
        <itunes:title>#438: Low-Fi At Society High by The Figgs with Mike Gent</itunes:title>
        <link>https://digmeout.podbean.com/e/438-low-fi-at-society-high-by-the-figgs-with-mike-gent/</link>
                    <comments>https://digmeout.podbean.com/e/438-low-fi-at-society-high-by-the-figgs-with-mike-gent/#comments</comments>        <pubDate>Tue, 04 Jun 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/438-low-fi-at-society-high-by-the-figgs-with-mike-gent-59a9a14672720221219987c966a2c42e</guid>
                                    <description><![CDATA[<p style="text-align:left;">Twenty-five years after the release, Mike Gent of <a href='http://thefiggs.net/'>The Figgs</a> stops by to tells us about their 1994 release Low-Fi At Society High. From the small town of Saratoga Springs in upstate New York, The Figgs spent years writing, recording and playing out long before the rest of the nation got a taste of their punk, mod, power-pop and rock sound that recalls the best of Elvis Costello, Joe Jackson, Cheap Trick and The Jam, treading familiar ground with an updated take. We discuss their brief tenure on the Imago label, recording with producer Don Gehman (R.E.M., John Mellencamp, Hootie and the Blowfish), hooking up with legendary new wave/pub rocker Graham Parker to be his backing band, and much, much more.</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Songs In This Episode:</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Intro - Favorite Shirt</p>
<p style="text-align:left;">25:25 - Stood Up</p>
<p style="text-align:left;">38:47 - Step Back Let's Go Pop</p>
<p style="text-align:left;">1:16:16 - Tint</p>
<p style="text-align:left;">Outro - Chevy Nova</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
 
<p style="text-align:left;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:left;">Twenty-five years after the release, Mike Gent of <a href='http://thefiggs.net/'>The Figgs</a> stops by to tells us about their 1994 release Low-Fi At Society High. From the small town of Saratoga Springs in upstate New York, The Figgs spent years writing, recording and playing out long before the rest of the nation got a taste of their punk, mod, power-pop and rock sound that recalls the best of Elvis Costello, Joe Jackson, Cheap Trick and The Jam, treading familiar ground with an updated take. We discuss their brief tenure on the Imago label, recording with producer Don Gehman (R.E.M., John Mellencamp, Hootie and the Blowfish), hooking up with legendary new wave/pub rocker Graham Parker to be his backing band, and much, much more.</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Songs In This Episode:</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Intro - Favorite Shirt</p>
<p style="text-align:left;">25:25 - Stood Up</p>
<p style="text-align:left;">38:47 - Step Back Let's Go Pop</p>
<p style="text-align:left;">1:16:16 - Tint</p>
<p style="text-align:left;">Outro - Chevy Nova</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
 
<p style="text-align:left;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kirgxd/438-thefiggs.mp3" length="172854467" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Twenty-five years after the release, Mike Gent of The Figgs stops by to tells us about their 1994 release Low-Fi At Society High. From the small town of Saratoga Springs in upstate New York, The Figgs spent years writing, recording and playing out long before the rest of the nation got a taste of their punk, mod, power-pop and rock sound that recalls the best of Elvis Costello, Joe Jackson, Cheap Trick and The Jam, treading familiar ground with an updated take. We discuss their brief tenure on the Imago label, recording with producer Don Gehman (R.E.M., John Mellencamp, Hootie and the Blowfish), hooking up with legendary new wave/pub rocker Graham Parker to be his backing band, and much, much more.
 
Songs In This Episode:
 
Intro - Favorite Shirt
25:25 - Stood Up
38:47 - Step Back Let's Go Pop
1:16:16 - Tint
Outro - Chevy Nova
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5396</itunes:duration>
                <itunes:episode>174</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#437: Hi Fi Way by You Am I</title>
        <itunes:title>#437: Hi Fi Way by You Am I</itunes:title>
        <link>https://digmeout.podbean.com/e/437-hi-fi-way-by-you-am-i/</link>
                    <comments>https://digmeout.podbean.com/e/437-hi-fi-way-by-you-am-i/#comments</comments>        <pubDate>Tue, 28 May 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/437-hi-fi-way-by-you-am-i-4514ca36abc0d73e461ee146b2a5720d</guid>
                                    <description><![CDATA[<p style="text-align:left;">We often discuss production as an aspect of what makes a record sound good to our ears, but the truth is that different styles of music often demand different production choices. On the 1995 sophomore album Hi Fi Way by <a href='http://youami.com.au/'>You Am I</a>, terms like organic or immediate get tossed around to describe the sound of a band that gives a performance not fussed over, but clearly considered. With Sonic Youth's Lee Renaldo behind the board, the band gets the most of out their limited recording schedule, as every instrument gets a chance to shine with minimal overdubs and effects. While other 90s alternative rock bands might have taken the opportunity to layer track upon track or head down indulgent tangents, You Am I focus on melody and concise song structures, resulting in an album that surpasses their debut in every way.</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Songs In This Episode:</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Intro - She Digs Her</p>
<p style="text-align:left;">11:43 - The Applecross Wing Commander</p>
<p style="text-align:left;">15:15 - Handwasher</p>
<p style="text-align:left;">19:19 - Pizza Guy</p>
<p style="text-align:left;">26:45 - Ain't Gone And Open</p>
<p style="text-align:left;">Outro - Jewels And Bullets</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
<p style="text-align:left;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:left;">We often discuss production as an aspect of what makes a record sound good to our ears, but the truth is that different styles of music often demand different production choices. On the 1995 sophomore album Hi Fi Way by <a href='http://youami.com.au/'>You Am I</a>, terms like organic or immediate get tossed around to describe the sound of a band that gives a performance not fussed over, but clearly considered. With Sonic Youth's Lee Renaldo behind the board, the band gets the most of out their limited recording schedule, as every instrument gets a chance to shine with minimal overdubs and effects. While other 90s alternative rock bands might have taken the opportunity to layer track upon track or head down indulgent tangents, You Am I focus on melody and concise song structures, resulting in an album that surpasses their debut in every way.</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Songs In This Episode:</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Intro - She Digs Her</p>
<p style="text-align:left;">11:43 - The Applecross Wing Commander</p>
<p style="text-align:left;">15:15 - Handwasher</p>
<p style="text-align:left;">19:19 - Pizza Guy</p>
<p style="text-align:left;">26:45 - Ain't Gone And Open</p>
<p style="text-align:left;">Outro - Jewels And Bullets</p>
<p style="text-align:left;"> </p>
<p style="text-align:left;">Support the podcast, join the <a href='http://www.dmounion.com'>DMO UNION at Patreon</a>.</p>
Listen to the episode archive at <a href='http://www.digmeoutpodcast.com/'>DigMeOutPodcast.com</a>
<p style="text-align:left;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d6gvrp/437-YAI-HFW.mp3" length="81452641" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We often discuss production as an aspect of what makes a record sound good to our ears, but the truth is that different styles of music often demand different production choices. On the 1995 sophomore album Hi Fi Way by You Am I, terms like organic or immediate get tossed around to describe the sound of a band that gives a performance not fussed over, but clearly considered. With Sonic Youth's Lee Renaldo behind the board, the band gets the most of out their limited recording schedule, as every instrument gets a chance to shine with minimal overdubs and effects. While other 90s alternative rock bands might have taken the opportunity to layer track upon track or head down indulgent tangents, You Am I focus on melody and concise song structures, resulting in an album that surpasses their debut in every way.
 
Songs In This Episode:
 
Intro - She Digs Her
11:43 - The Applecross Wing Commander
15:15 - Handwasher
19:19 - Pizza Guy
26:45 - Ain't Gone And Open
Outro - Jewels And Bullets
 
Support the podcast, join the DMO UNION at Patreon.
Listen to the episode archive at DigMeOutPodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2539</itunes:duration>
                <itunes:episode>173</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#436: One and Done Albums of the 90s</title>
        <itunes:title>#436: One and Done Albums of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/436-one-and-done-albums-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/436-one-and-done-albums-of-the-90s/#comments</comments>        <pubDate>Tue, 21 May 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/436-one-and-done-albums-of-the-90s-6c448b9c164921ea5180f2818fa6d66f</guid>
                                    <description><![CDATA[<p style="text-align:center;">Some bands and artists leave you wanting more, with only a single album to their name. In some cases, they are one-off side projects or solo releases that act as an outlet for material not in-line with the primary band. Sometimes, personalities clash and bands quickly implode. In other cases, tragedy strikes down an artist at the start of their career. The 1990s, like every other decade, have their share of unique "one and done" albums from bands and artists for all different reasons. We revisit those lesser known albums worthy of revisiting, talk about those that came with hype but slipped off the radar, as well as those that didn't live up to it, our wish list for sophomore albums that will never come, and our personal favorite one and done albums of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Goodbye by Jeff Buckley</p>
<p style="text-align:center;">9:53 - Life's A Gas (T. Rex cover) by Replicants</p>
<p style="text-align:center;">20:30 - Shake My Tree by Coverdale/Page</p>
<p style="text-align:center;">30:20 - Burning Tree by Burning Tree</p>
<p style="text-align:center;">41:01 - Pushing Forward Back by Temple Of The Dog</p>
<p style="text-align:center;">Outro - River Of Deceit by Mad Season</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Some bands and artists leave you wanting more, with only a single album to their name. In some cases, they are one-off side projects or solo releases that act as an outlet for material not in-line with the primary band. Sometimes, personalities clash and bands quickly implode. In other cases, tragedy strikes down an artist at the start of their career. The 1990s, like every other decade, have their share of unique "one and done" albums from bands and artists for all different reasons. We revisit those lesser known albums worthy of revisiting, talk about those that came with hype but slipped off the radar, as well as those that didn't live up to it, our wish list for sophomore albums that will never come, and our personal favorite one and done albums of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Goodbye by Jeff Buckley</p>
<p style="text-align:center;">9:53 - Life's A Gas (T. Rex cover) by Replicants</p>
<p style="text-align:center;">20:30 - Shake My Tree by Coverdale/Page</p>
<p style="text-align:center;">30:20 - Burning Tree by Burning Tree</p>
<p style="text-align:center;">41:01 - Pushing Forward Back by Temple Of The Dog</p>
<p style="text-align:center;">Outro - River Of Deceit by Mad Season</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ukeqdg/436-oneanddonealbums.mp3" length="121446321" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Some bands and artists leave you wanting more, with only a single album to their name. In some cases, they are one-off side projects or solo releases that act as an outlet for material not in-line with the primary band. Sometimes, personalities clash and bands quickly implode. In other cases, tragedy strikes down an artist at the start of their career. The 1990s, like every other decade, have their share of unique "one and done" albums from bands and artists for all different reasons. We revisit those lesser known albums worthy of revisiting, talk about those that came with hype but slipped off the radar, as well as those that didn't live up to it, our wish list for sophomore albums that will never come, and our personal favorite one and done albums of the decade.
 
Songs In This Episode:
 
Intro - Last Goodbye by Jeff Buckley
9:53 - Life's A Gas (T. Rex cover) by Replicants
20:30 - Shake My Tree by Coverdale/Page
30:20 - Burning Tree by Burning Tree
41:01 - Pushing Forward Back by Temple Of The Dog
Outro - River Of Deceit by Mad Season
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3789</itunes:duration>
                <itunes:episode>172</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#435: Nothing Feels Good by The Promise Ring</title>
        <itunes:title>#435: Nothing Feels Good by The Promise Ring</itunes:title>
        <link>https://digmeout.podbean.com/e/435-nothing-feels-good-by-the-promise-ring/</link>
                    <comments>https://digmeout.podbean.com/e/435-nothing-feels-good-by-the-promise-ring/#comments</comments>        <pubDate>Tue, 14 May 2019 18:23:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/435-nothing-feels-good-by-the-promise-ring-61fc1f09b16b6187c245c7b3b6978b82</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1997 album Nothing Feels Good by The Promise Ring lays at an interesting crossroad. On the one hand, vocalist Davey Von Bohlen can grind on a melodic hook like a power pop pro, giving the listener plenty of ear candy on this tightly constructed record, while backed by a tight and creative rhythm section that never looses the groove. On the other hand, there are enough jarring structures, repetitious lyrics and twin-guitar abrasiveness to keep the hardcore kids happy. With vet J. Robbins behind the board, they definitely add some muscle, but it's not the clean and beefy guitar sounds he would get out of Braid, or what Jimmy Ear World would accomplish with Clarity, leaving us slightly underwhelmed.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Nothing Feels Good</p>
<p style="text-align:center;">14:35 - Perfect Lines</p>
<p style="text-align:center;">19:06 - Is This Thing On?</p>
<p style="text-align:center;">20:56 - Raspberry Rush</p>
<p style="text-align:center;">Outro - Pink Chimneys</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1997 album Nothing Feels Good by The Promise Ring lays at an interesting crossroad. On the one hand, vocalist Davey Von Bohlen can grind on a melodic hook like a power pop pro, giving the listener plenty of ear candy on this tightly constructed record, while backed by a tight and creative rhythm section that never looses the groove. On the other hand, there are enough jarring structures, repetitious lyrics and twin-guitar abrasiveness to keep the hardcore kids happy. With vet J. Robbins behind the board, they definitely add some muscle, but it's not the clean and beefy guitar sounds he would get out of Braid, or what Jimmy Ear World would accomplish with Clarity, leaving us slightly underwhelmed.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Nothing Feels Good</p>
<p style="text-align:center;">14:35 - Perfect Lines</p>
<p style="text-align:center;">19:06 - Is This Thing On?</p>
<p style="text-align:center;">20:56 - Raspberry Rush</p>
<p style="text-align:center;">Outro - Pink Chimneys</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yq4bmv/435-promisering.mp3" length="74747740" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1997 album Nothing Feels Good by The Promise Ring lays at an interesting crossroad. On the one hand, vocalist Davey Von Bohlen can grind on a melodic hook like a power pop pro, giving the listener plenty of ear candy on this tightly constructed record, while backed by a tight and creative rhythm section that never looses the groove. On the other hand, there are enough jarring structures, repetitious lyrics and twin-guitar abrasiveness to keep the hardcore kids happy. With vet J. Robbins behind the board, they definitely add some muscle, but it's not the clean and beefy guitar sounds he would get out of Braid, or what Jimmy Ear World would accomplish with Clarity, leaving us slightly underwhelmed.
 
Songs In This Episode:
 
Intro - Nothing Feels Good
14:35 - Perfect Lines
19:06 - Is This Thing On?
20:56 - Raspberry Rush
Outro - Pink Chimneys
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2330</itunes:duration>
                <itunes:episode>171</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#434: Odyssey Number Five by Powderfinger</title>
        <itunes:title>#434: Odyssey Number Five by Powderfinger</itunes:title>
        <link>https://digmeout.podbean.com/e/434-odyssey-number-five-by-powderfinger/</link>
                    <comments>https://digmeout.podbean.com/e/434-odyssey-number-five-by-powderfinger/#comments</comments>        <pubDate>Tue, 07 May 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/434-odyssey-number-five-by-powderfinger-b029a0022c55f0a694da25b066f82b6a</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the time of their 2000 album Odyssey Number Five, Brisbane, Australia's <a href='http://powderfinger.com/'>Powderfinger</a> had sharpened their sound and created an album that found a balance between sweet radio friendly alternative rock hooks and melodies, while also giving headphone listeners interesting bits to revisit the album over and over again. At home, this lead to a string of chart topping albums and singles, but abroad, the band failed to find a foothold. Not surprising, considering the band drew not from the popular sounds of the moment, but from a wide range of influences, both in terms of songwriting and production. With veteran producer Nick DiDia behind the board, the band swiftly moves from Oasis balladry to bluesy riffing to arena anthems with ease, finding cohesion among them all, albeit with perhaps too much cohesion among the tempos from song to song.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - My Happiness</p>
<p style="text-align:center;">17:19 - My Kind Of Scene</p>
<p style="text-align:center;">20:30 - Up And Down And Back Again</p>
<p style="text-align:center;">25:09 - Like A Dog</p>
<p style="text-align:center;">35:57 - Thrillology</p>
<p style="text-align:center;">Outro - Waiting For The Sun</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the time of their 2000 album Odyssey Number Five, Brisbane, Australia's <a href='http://powderfinger.com/'>Powderfinger</a> had sharpened their sound and created an album that found a balance between sweet radio friendly alternative rock hooks and melodies, while also giving headphone listeners interesting bits to revisit the album over and over again. At home, this lead to a string of chart topping albums and singles, but abroad, the band failed to find a foothold. Not surprising, considering the band drew not from the popular sounds of the moment, but from a wide range of influences, both in terms of songwriting and production. With veteran producer Nick DiDia behind the board, the band swiftly moves from Oasis balladry to bluesy riffing to arena anthems with ease, finding cohesion among them all, albeit with perhaps too much cohesion among the tempos from song to song.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - My Happiness</p>
<p style="text-align:center;">17:19 - My Kind Of Scene</p>
<p style="text-align:center;">20:30 - Up And Down And Back Again</p>
<p style="text-align:center;">25:09 - Like A Dog</p>
<p style="text-align:center;">35:57 - Thrillology</p>
<p style="text-align:center;">Outro - Waiting For The Sun</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6wysat/434-powderfinger.mp3" length="101521370" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the time of their 2000 album Odyssey Number Five, Brisbane, Australia's Powderfinger had sharpened their sound and created an album that found a balance between sweet radio friendly alternative rock hooks and melodies, while also giving headphone listeners interesting bits to revisit the album over and over again. At home, this lead to a string of chart topping albums and singles, but abroad, the band failed to find a foothold. Not surprising, considering the band drew not from the popular sounds of the moment, but from a wide range of influences, both in terms of songwriting and production. With veteran producer Nick DiDia behind the board, the band swiftly moves from Oasis balladry to bluesy riffing to arena anthems with ease, finding cohesion among them all, albeit with perhaps too much cohesion among the tempos from song to song.
 
Songs In This Episode:
 
Intro - My Happiness
17:19 - My Kind Of Scene
20:30 - Up And Down And Back Again
25:09 - Like A Dog
35:57 - Thrillology
Outro - Waiting For The Sun
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3166</itunes:duration>
                <itunes:episode>170</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#433: Everclear by American Music Club</title>
        <itunes:title>#433: Everclear by American Music Club</itunes:title>
        <link>https://digmeout.podbean.com/e/433-everclear-by-american-music-club/</link>
                    <comments>https://digmeout.podbean.com/e/433-everclear-by-american-music-club/#comments</comments>        <pubDate>Tue, 30 Apr 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/433-everclear-by-american-music-club-3baca1d723c6ec461c079e1ce4bf0a40</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the time of their fifth album Everclear from 1991, American Music Club was anything but a household name. If you caught their single "Rise" on late on night on MTV, or by chance on an adventurous radio station, you are among a lucky few. Considering the musical landscape for rock, where 80s hair/glam metal was still dominant while ascendent alternative had yet to be come a proper decade-defining brand name, it's easy to see why you may have missed it. AMC evokes ideas of genres without ever settling on one, making mainstream classification all but impossible. Touches of Americana thanks to acoustic guitars, but not really any twang. Downbeat and bleak slowcore until Mark Eitzel furiously strums an acoustic in bursts of kinetic release. The album feels timeless, yet could easily be the recollection of a single night of boozing and fury. It did make Rolling Stone take notice, granting the album "of the year" consideration and naming Mark Eitzel the preeminent songwriter of the moment, so maybe it's time everyone else finds the reverbed-out beauty in Everclear.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Rise</p>
<p style="text-align:center;">15:02 - Why Won't You Stay</p>
<p style="text-align:center;">17:21 - The Dead Part Of You</p>
<p style="text-align:center;">22:35 - The Confidential Agent</p>
<p style="text-align:center;">29:16 - Miracle On 8th Street</p>
<p style="text-align:center;">Outro - Sick Of Food</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the time of their fifth album Everclear from 1991, American Music Club was anything but a household name. If you caught their single "Rise" on late on night on MTV, or by chance on an adventurous radio station, you are among a lucky few. Considering the musical landscape for rock, where 80s hair/glam metal was still dominant while ascendent alternative had yet to be come a proper decade-defining brand name, it's easy to see why you may have missed it. AMC evokes ideas of genres without ever settling on one, making mainstream classification all but impossible. Touches of Americana thanks to acoustic guitars, but not really any twang. Downbeat and bleak slowcore until Mark Eitzel furiously strums an acoustic in bursts of kinetic release. The album feels timeless, yet could easily be the recollection of a single night of boozing and fury. It did make Rolling Stone take notice, granting the album "of the year" consideration and naming Mark Eitzel the preeminent songwriter of the moment, so maybe it's time everyone else finds the reverbed-out beauty in Everclear.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Rise</p>
<p style="text-align:center;">15:02 - Why Won't You Stay</p>
<p style="text-align:center;">17:21 - The Dead Part Of You</p>
<p style="text-align:center;">22:35 - The Confidential Agent</p>
<p style="text-align:center;">29:16 - Miracle On 8th Street</p>
<p style="text-align:center;">Outro - Sick Of Food</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mkndyu/433-americanmusicclub.mp3" length="79931270" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the time of their fifth album Everclear from 1991, American Music Club was anything but a household name. If you caught their single "Rise" on late on night on MTV, or by chance on an adventurous radio station, you are among a lucky few. Considering the musical landscape for rock, where 80s hair/glam metal was still dominant while ascendent alternative had yet to be come a proper decade-defining brand name, it's easy to see why you may have missed it. AMC evokes ideas of genres without ever settling on one, making mainstream classification all but impossible. Touches of Americana thanks to acoustic guitars, but not really any twang. Downbeat and bleak slowcore until Mark Eitzel furiously strums an acoustic in bursts of kinetic release. The album feels timeless, yet could easily be the recollection of a single night of boozing and fury. It did make Rolling Stone take notice, granting the album "of the year" consideration and naming Mark Eitzel the preeminent songwriter of the moment, so maybe it's time everyone else finds the reverbed-out beauty in Everclear.
 
Songs In This Episode:
 
Intro - Rise
15:02 - Why Won't You Stay
17:21 - The Dead Part Of You
22:35 - The Confidential Agent
29:16 - Miracle On 8th Street
Outro - Sick Of Food
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2492</itunes:duration>
                <itunes:episode>169</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview: Max Q by Max Q</title>
        <itunes:title>Patreon Preview: Max Q by Max Q</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-max-q-by-max-q/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-max-q-by-max-q/#comments</comments>        <pubDate>Thu, 25 Apr 2019 09:14:41 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-max-q-by-max-q-cdb4de85be3b9303993fc37476b9a3bc</guid>
                                    <description><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album self-titled album by Max Q. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album self-titled album by Max Q. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kicfnb/DMO80s-MaxQ-PatreonPreview.mp3" length="11262246" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If there is a new episode of Dig Me Out in your feed on a Thursday, that can only mean one thing - we sharing with you a preview of our latest Dig Me Out '80s episodes. With the help our Patreon Board of Directors and Steering Committee tiers, we're revisiting another album from the 1980s based on suggestions and votes of our patrons. This month we're checking out the 1989 album self-titled album by Max Q. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!
To support the podcast, join us at Patreon.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>346</itunes:duration>
                <itunes:episode>168</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#432: Our Finest Flowers by The Residents</title>
        <itunes:title>#432: Our Finest Flowers by The Residents</itunes:title>
        <link>https://digmeout.podbean.com/e/432-our-finest-flowers-by-the-residents/</link>
                    <comments>https://digmeout.podbean.com/e/432-our-finest-flowers-by-the-residents/#comments</comments>        <pubDate>Tue, 23 Apr 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/432-our-finest-flowers-by-the-residents-6589128185a97ad7dc3e966dd73a9076</guid>
                                    <description><![CDATA[<p style="text-align:center;">Neither of us had any previous exposure to <a href='https://www.residents.com/'>The Residents</a> prior to this review, and it's a weird entry point. The avant-garde music collective celebrated their twentieth anniversary in 1992 not by released a greatest hits album, but instead taking bits and pieces of old songs and combining them into new works. The result is Our Finest Flowers, a rather low-key affair that relies on drum loops, synths, some occasional singing, and a variety of randomness that includes both female backing vocalists and possibly acetylene torches. This may be the least "rock" album we've ever done to date, but our appreciation for the material ultimately landed on whether the songs stand on their own, which on a sixteen-track album, unfortunately had a lot of misses for us.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Mr. Lonely</p>
<p style="text-align:center;">11:48 - The Sour Song</p>
<p style="text-align:center;">15:18 - Dead Wood</p>
<p style="text-align:center;">19:58 - I'm Dreaming Of A White Sailor</p>
<p style="text-align:center;">24:57 - Forty-Four No More</p>
<p style="text-align:center;">Outro - Ship Of Fools</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Neither of us had any previous exposure to <a href='https://www.residents.com/'>The Residents</a> prior to this review, and it's a weird entry point. The avant-garde music collective celebrated their twentieth anniversary in 1992 not by released a greatest hits album, but instead taking bits and pieces of old songs and combining them into new works. The result is Our Finest Flowers, a rather low-key affair that relies on drum loops, synths, some occasional singing, and a variety of randomness that includes both female backing vocalists and possibly acetylene torches. This may be the least "rock" album we've ever done to date, but our appreciation for the material ultimately landed on whether the songs stand on their own, which on a sixteen-track album, unfortunately had a lot of misses for us.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Mr. Lonely</p>
<p style="text-align:center;">11:48 - The Sour Song</p>
<p style="text-align:center;">15:18 - Dead Wood</p>
<p style="text-align:center;">19:58 - I'm Dreaming Of A White Sailor</p>
<p style="text-align:center;">24:57 - Forty-Four No More</p>
<p style="text-align:center;">Outro - Ship Of Fools</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sbyg8h/432-theresidents.mp3" length="69659505" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Neither of us had any previous exposure to The Residents prior to this review, and it's a weird entry point. The avant-garde music collective celebrated their twentieth anniversary in 1992 not by released a greatest hits album, but instead taking bits and pieces of old songs and combining them into new works. The result is Our Finest Flowers, a rather low-key affair that relies on drum loops, synths, some occasional singing, and a variety of randomness that includes both female backing vocalists and possibly acetylene torches. This may be the least "rock" album we've ever done to date, but our appreciation for the material ultimately landed on whether the songs stand on their own, which on a sixteen-track album, unfortunately had a lot of misses for us.
 
Songs In This Episode:
 
Intro - Mr. Lonely
11:48 - The Sour Song
15:18 - Dead Wood
19:58 - I'm Dreaming Of A White Sailor
24:57 - Forty-Four No More
Outro - Ship Of Fools
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2171</itunes:duration>
                <itunes:episode>167</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#431: Blue by Third Eye Blind</title>
        <itunes:title>#431: Blue by Third Eye Blind</itunes:title>
        <link>https://digmeout.podbean.com/e/431-blue-by-third-eye-blind/</link>
                    <comments>https://digmeout.podbean.com/e/431-blue-by-third-eye-blind/#comments</comments>        <pubDate>Tue, 16 Apr 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/431-blue-by-third-eye-blind-167dd58856a74d6fd120ed429c3fbbae</guid>
                                    <description><![CDATA[<p style="text-align:center;">With their 1997 self-titled debut, <a href='https://www.thirdeyeblind.com/'>Third Eye Blind</a> charted five hit singles, three that made the Billboard top ten, while moving six million units worldwide. Over a year after the release, they were still logging hit singles and touring, and as we've learned over many episodes, the follow-up doesn't always get the same attention to detail. With the 1999 sophomore album Blue, their limited studio time didn't stop the band from stretching musically, conducting some interesting sonic experiments to compliment Stephan Jenkins rapid fire sing/speak delivery. But 1999 looked very different from 1997 - radio changed, Napster would become a thing, pop music was dominant - was their even room for a jangly rock band anymore? Whether trying to keep up with the times or not, they delivery the most pop-friendly single of their career in "Never Let You Go." While the music takes a leap forward on the rest of the album, the melodies and lyrics either sound under baked or over thought, leading to a potential dreaded sophomore slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Never Let You Go</p>
<p style="text-align:center;">18:47 - 1000 Julys</p>
<p style="text-align:center;">23:37 - Farther</p>
<p style="text-align:center;">32:06 - Darwin</p>
<p style="text-align:center;">46:51 - The Red Summer Sun</p>
<p style="text-align:center;">Outro - 10 Days Late</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With their 1997 self-titled debut, <a href='https://www.thirdeyeblind.com/'>Third Eye Blind</a> charted five hit singles, three that made the Billboard top ten, while moving six million units worldwide. Over a year after the release, they were still logging hit singles and touring, and as we've learned over many episodes, the follow-up doesn't always get the same attention to detail. With the 1999 sophomore album Blue, their limited studio time didn't stop the band from stretching musically, conducting some interesting sonic experiments to compliment Stephan Jenkins rapid fire sing/speak delivery. But 1999 looked very different from 1997 - radio changed, Napster would become a thing, pop music was dominant - was their even room for a jangly rock band anymore? Whether trying to keep up with the times or not, they delivery the most pop-friendly single of their career in "Never Let You Go." While the music takes a leap forward on the rest of the album, the melodies and lyrics either sound under baked or over thought, leading to a potential dreaded sophomore slump.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Never Let You Go</p>
<p style="text-align:center;">18:47 - 1000 Julys</p>
<p style="text-align:center;">23:37 - Farther</p>
<p style="text-align:center;">32:06 - Darwin</p>
<p style="text-align:center;">46:51 - The Red Summer Sun</p>
<p style="text-align:center;">Outro - 10 Days Late</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4cd2fm/431-3ebbluesophslump.mp3" length="135382753" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With their 1997 self-titled debut, Third Eye Blind charted five hit singles, three that made the Billboard top ten, while moving six million units worldwide. Over a year after the release, they were still logging hit singles and touring, and as we've learned over many episodes, the follow-up doesn't always get the same attention to detail. With the 1999 sophomore album Blue, their limited studio time didn't stop the band from stretching musically, conducting some interesting sonic experiments to compliment Stephan Jenkins rapid fire sing/speak delivery. But 1999 looked very different from 1997 - radio changed, Napster would become a thing, pop music was dominant - was their even room for a jangly rock band anymore? Whether trying to keep up with the times or not, they delivery the most pop-friendly single of their career in "Never Let You Go." While the music takes a leap forward on the rest of the album, the melodies and lyrics either sound under baked or over thought, leading to a potential dreaded sophomore slump.
 
Songs In This Episode:
 
Intro - Never Let You Go
18:47 - 1000 Julys
23:37 - Farther
32:06 - Darwin
46:51 - The Red Summer Sun
Outro - 10 Days Late
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4225</itunes:duration>
                <itunes:episode>166</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#430: Formula by OLD</title>
        <itunes:title>#430: Formula by OLD</itunes:title>
        <link>https://digmeout.podbean.com/e/430-formula-by-old/</link>
                    <comments>https://digmeout.podbean.com/e/430-formula-by-old/#comments</comments>        <pubDate>Tue, 09 Apr 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/430-formula-by-old-83ddbeac109c1b6c2c017eb2f16e66a2</guid>
                                    <description><![CDATA[<p style="text-align:center;">Grindcore band Old Lady Drivers, or <a href='https://en.wikipedia.org/wiki/OLD_(band)'>OLD</a>, ended their four-album run in 1995 with the wildly eclectic Formula. Despite the title, Formula is anything but, swapping heavy guitar dirges for tape loops, synths, drum machines and lots of experimentation. Switching gears from Napalm Death to electronic instrumentals might have failed in the hands of lesser musicians, but James Plotkin and Alan Dubin manage to create a compelling, hypnotic record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Look</p>
<p style="text-align:center;">14:27 - Under Glass</p>
<p style="text-align:center;">24:30 - Thug</p>
<p style="text-align:center;">29:53 - Devolve</p>
<p style="text-align:center;">34:49 - Amoeba</p>
<p style="text-align:center;">Outro - Break (You)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Grindcore band Old Lady Drivers, or <a href='https://en.wikipedia.org/wiki/OLD_(band)'>OLD</a>, ended their four-album run in 1995 with the wildly eclectic Formula. Despite the title, Formula is anything but, swapping heavy guitar dirges for tape loops, synths, drum machines and lots of experimentation. Switching gears from Napalm Death to electronic instrumentals might have failed in the hands of lesser musicians, but James Plotkin and Alan Dubin manage to create a compelling, hypnotic record.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Last Look</p>
<p style="text-align:center;">14:27 - Under Glass</p>
<p style="text-align:center;">24:30 - Thug</p>
<p style="text-align:center;">29:53 - Devolve</p>
<p style="text-align:center;">34:49 - Amoeba</p>
<p style="text-align:center;">Outro - Break (You)</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4hpkja/430-old.mp3" length="94486281" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Grindcore band Old Lady Drivers, or OLD, ended their four-album run in 1995 with the wildly eclectic Formula. Despite the title, Formula is anything but, swapping heavy guitar dirges for tape loops, synths, drum machines and lots of experimentation. Switching gears from Napalm Death to electronic instrumentals might have failed in the hands of lesser musicians, but James Plotkin and Alan Dubin manage to create a compelling, hypnotic record.
 
Songs In This Episode:
 
Intro - Last Look
14:27 - Under Glass
24:30 - Thug
29:53 - Devolve
34:49 - Amoeba
Outro - Break (You)
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2947</itunes:duration>
                <itunes:episode>165</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#429: New Order In The 90s Roundtable</title>
        <itunes:title>#429: New Order In The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/429-new-order-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/429-new-order-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 02 Apr 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/429-new-order-in-the-90s-roundtable-c16f9244afb6e950e7c7b7efcd7c761c</guid>
                                    <description><![CDATA[<p style="text-align:center;">When <a href='http://www.neworder.com/'>New Order</a> entered the 1990s, they were coming off their first number one album on the UK charts along with two top twenty singles. So what did they do? Immediately split into multiple factions. While the well received 1993 album Republic would produce one of their finest singles in Regret, the 90s for New Order are defined by side projects. For bassist Peter Hook, it started with Revenge and continued with Monaco. For Bernard Sumner, he paired up with former Smiths guitarist Johnny Marr, and brought along a number of notable collaborators from bands such as the Pet Shop Boys, Kraftwerk and Black Grape to form Electronic, while Stephen Morris and Gillian Gilbert formed the slightly passive-aggressively named The Other Two for a pair of albums. Along with our guests, we revisit the entire decade for the band and their various extracurricular activities, and how that impacted the sound New Order in the 90s and 2000s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Regret by New Order</p>
<p style="text-align:center;">8:51 - World In Motion by New Order</p>
<p style="text-align:center;">14:05 - Pineapple Face by Revenge</p>
<p style="text-align:center;">19:49 - Tasty Fish by The Other Two</p>
<p style="text-align:center;">28:47 - World by New Order</p>
<p style="text-align:center;">39:54 - What Do You Want From Me? by Monaco</p>
<p style="text-align:center;">56:36 - Rock The Shack</p>
<p style="text-align:center;">Outro - Getting Away With It</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">When <a href='http://www.neworder.com/'>New Order</a> entered the 1990s, they were coming off their first number one album on the UK charts along with two top twenty singles. So what did they do? Immediately split into multiple factions. While the well received 1993 album Republic would produce one of their finest singles in Regret, the 90s for New Order are defined by side projects. For bassist Peter Hook, it started with Revenge and continued with Monaco. For Bernard Sumner, he paired up with former Smiths guitarist Johnny Marr, and brought along a number of notable collaborators from bands such as the Pet Shop Boys, Kraftwerk and Black Grape to form Electronic, while Stephen Morris and Gillian Gilbert formed the slightly passive-aggressively named The Other Two for a pair of albums. Along with our guests, we revisit the entire decade for the band and their various extracurricular activities, and how that impacted the sound New Order in the 90s and 2000s.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Regret by New Order</p>
<p style="text-align:center;">8:51 - World In Motion by New Order</p>
<p style="text-align:center;">14:05 - Pineapple Face by Revenge</p>
<p style="text-align:center;">19:49 - Tasty Fish by The Other Two</p>
<p style="text-align:center;">28:47 - World by New Order</p>
<p style="text-align:center;">39:54 - What Do You Want From Me? by Monaco</p>
<p style="text-align:center;">56:36 - Rock The Shack</p>
<p style="text-align:center;">Outro - Getting Away With It</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j7y64h/429-neworderinthe90s.mp3" length="134915474" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When New Order entered the 1990s, they were coming off their first number one album on the UK charts along with two top twenty singles. So what did they do? Immediately split into multiple factions. While the well received 1993 album Republic would produce one of their finest singles in Regret, the 90s for New Order are defined by side projects. For bassist Peter Hook, it started with Revenge and continued with Monaco. For Bernard Sumner, he paired up with former Smiths guitarist Johnny Marr, and brought along a number of notable collaborators from bands such as the Pet Shop Boys, Kraftwerk and Black Grape to form Electronic, while Stephen Morris and Gillian Gilbert formed the slightly passive-aggressively named The Other Two for a pair of albums. Along with our guests, we revisit the entire decade for the band and their various extracurricular activities, and how that impacted the sound New Order in the 90s and 2000s.
 
Songs In This Episode:
 
Intro - Regret by New Order
8:51 - World In Motion by New Order
14:05 - Pineapple Face by Revenge
19:49 - Tasty Fish by The Other Two
28:47 - World by New Order
39:54 - What Do You Want From Me? by Monaco
56:36 - Rock The Shack
Outro - Getting Away With It
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4210</itunes:duration>
                <itunes:episode>164</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#428: Aenmia by Tool</title>
        <itunes:title>#428: Aenmia by Tool</itunes:title>
        <link>https://digmeout.podbean.com/e/428-aenmia-by-tool/</link>
                    <comments>https://digmeout.podbean.com/e/428-aenmia-by-tool/#comments</comments>        <pubDate>Tue, 26 Mar 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/428-aenmia-by-tool-f14d22cded30981f7d50bfbc0d2d4544</guid>
                                    <description><![CDATA[<p style="text-align:center;">Whenever we have a guest on to discuss an album either they made, had a hand in producing or releasing, our are suggesting for a review, we always come away with unique personal insights not always available from just a surface listen or new release review. For the sophomore 1996 album Aenima by Tool, our guest Patrick had a close personal connection to the music and the lyrics of the band that he shared with us that gave a deeper appreciation for one of the most original and trailblazing bands and albums of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Stinkfist</p>
<p style="text-align:center;">32:50 - Eulogy</p>
<p style="text-align:center;">42:50 - Aenima</p>
<p style="text-align:center;">51:41 - Third Eye</p>
<p style="text-align:center;">1:03:30 - Jimmy</p>
<p style="text-align:center;">Outro - Forty Six And 2</p>
<p> </p>
<p> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Whenever we have a guest on to discuss an album either they made, had a hand in producing or releasing, our are suggesting for a review, we always come away with unique personal insights not always available from just a surface listen or new release review. For the sophomore 1996 album Aenima by Tool, our guest Patrick had a close personal connection to the music and the lyrics of the band that he shared with us that gave a deeper appreciation for one of the most original and trailblazing bands and albums of the decade.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Stinkfist</p>
<p style="text-align:center;">32:50 - Eulogy</p>
<p style="text-align:center;">42:50 - Aenima</p>
<p style="text-align:center;">51:41 - Third Eye</p>
<p style="text-align:center;">1:03:30 - Jimmy</p>
<p style="text-align:center;">Outro - Forty Six And 2</p>
<p> </p>
<p> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ce5qvb/428-tool.mp3" length="142893479" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Whenever we have a guest on to discuss an album either they made, had a hand in producing or releasing, our are suggesting for a review, we always come away with unique personal insights not always available from just a surface listen or new release review. For the sophomore 1996 album Aenima by Tool, our guest Patrick had a close personal connection to the music and the lyrics of the band that he shared with us that gave a deeper appreciation for one of the most original and trailblazing bands and albums of the decade.
 
Songs In This Episode:
Intro - Stinkfist
32:50 - Eulogy
42:50 - Aenima
51:41 - Third Eye
1:03:30 - Jimmy
Outro - Forty Six And 2
 
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4459</itunes:duration>
                <itunes:episode>163</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#427: Soup by Blind Melon with Christopher Thorn</title>
        <itunes:title>#427: Soup by Blind Melon with Christopher Thorn</itunes:title>
        <link>https://digmeout.podbean.com/e/427-soup-by-blind-melon-with-christopher-thorn/</link>
                    <comments>https://digmeout.podbean.com/e/427-soup-by-blind-melon-with-christopher-thorn/#comments</comments>        <pubDate>Tue, 19 Mar 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/427-soup-by-blind-melon-with-christopher-thorn-e565f9e6d749ada823d4d93c8e8af518</guid>
                                    <description><![CDATA[<p style="text-align:center;">Sophomore albums are notoriously tricky, we've even dedicated a round table series to the phenomenon of hugely successful 90s debuts with follow-ups that, for a variety of reasons, didn't connect with audiences in the same way as their first release. Sometimes it record label politics scuttling the promotional support, sometimes its the shifting musical landscape after time off, and sometimes its artists evolving in ways listeners weren't expecting. To help us explore the 1995 sophomore Soup by Blind Melon, we're joined guitarist Christopher Thorn and longtime contributor Chip Midnight to delve into an album that, upon release, received a notoriously scathing review from Rolling Stone, but has since garnered praise and adulation upon it's twentieth anniversary. We discuss forming the band, the rollercoaster ride that was their debut, the legacy of "No Rain," writing and recording Soup, and the tragedy that followed it's release with the death of Shannon Hoon, and much, much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Galaxie</p>
<p style="text-align:center;">28:38 - Vernie</p>
<p style="text-align:center;">40:15 - Toes Across The Floor</p>
<p style="text-align:center;">53:11 - St. Andrew's Fall</p>
<p style="text-align:center;">Outro - 2x4</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Sophomore albums are notoriously tricky, we've even dedicated a round table series to the phenomenon of hugely successful 90s debuts with follow-ups that, for a variety of reasons, didn't connect with audiences in the same way as their first release. Sometimes it record label politics scuttling the promotional support, sometimes its the shifting musical landscape after time off, and sometimes its artists evolving in ways listeners weren't expecting. To help us explore the 1995 sophomore Soup by Blind Melon, we're joined guitarist Christopher Thorn and longtime contributor Chip Midnight to delve into an album that, upon release, received a notoriously scathing review from Rolling Stone, but has since garnered praise and adulation upon it's twentieth anniversary. We discuss forming the band, the rollercoaster ride that was their debut, the legacy of "No Rain," writing and recording Soup, and the tragedy that followed it's release with the death of Shannon Hoon, and much, much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Galaxie</p>
<p style="text-align:center;">28:38 - Vernie</p>
<p style="text-align:center;">40:15 - Toes Across The Floor</p>
<p style="text-align:center;">53:11 - St. Andrew's Fall</p>
<p style="text-align:center;">Outro - 2x4</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hzcakv/427-blindmelon.mp3" length="160013088" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sophomore albums are notoriously tricky, we've even dedicated a round table series to the phenomenon of hugely successful 90s debuts with follow-ups that, for a variety of reasons, didn't connect with audiences in the same way as their first release. Sometimes it record label politics scuttling the promotional support, sometimes its the shifting musical landscape after time off, and sometimes its artists evolving in ways listeners weren't expecting. To help us explore the 1995 sophomore Soup by Blind Melon, we're joined guitarist Christopher Thorn and longtime contributor Chip Midnight to delve into an album that, upon release, received a notoriously scathing review from Rolling Stone, but has since garnered praise and adulation upon it's twentieth anniversary. We discuss forming the band, the rollercoaster ride that was their debut, the legacy of "No Rain," writing and recording Soup, and the tragedy that followed it's release with the death of Shannon Hoon, and much, much more.
 
Songs In This Episode:
 
Intro - Galaxie
28:38 - Vernie
40:15 - Toes Across The Floor
53:11 - St. Andrew's Fall
Outro - 2x4
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4994</itunes:duration>
                <itunes:episode>162</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#426: Human Radio by Human Radio</title>
        <itunes:title>#426: Human Radio by Human Radio</itunes:title>
        <link>https://digmeout.podbean.com/e/426-human-radio-by-human-radio/</link>
                    <comments>https://digmeout.podbean.com/e/426-human-radio-by-human-radio/#comments</comments>        <pubDate>Tue, 12 Mar 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/426-human-radio-by-human-radio-05721633873b56daa201bca479400fd8</guid>
                                    <description><![CDATA[<p style="text-align:center;">Although Human Radio's debut self-titled album was released in 1990, their isn't much to the sound that pins it to the decade. Between the jazz-pop nods to Steely Dan, the funk flourishes reminiscent of Stevie Wonder, the new wave pop of XTC, along with a whole host of other subtle (and not subtle) influences we heard throughout the record. Thanks to the quirky lead-off track and single "Me And Elvis," we didn't quiet get off on the right foot with Human Radio, as some of the dated sounds left us less than enthusiastic, but luckily the record recovers quickly, revealing a masterfully produced and mixed record that, for better or worse, runs a wide gamut, sometime connecting, sometimes not.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Me And Elvis</p>
<p style="text-align:center;">9:37 - Hole In My Head</p>
<p style="text-align:center;">13:27 - My First Million</p>
<p style="text-align:center;">23:30 - N.Y.C.</p>
<p style="text-align:center;">Outro - Harsh Light Of Reality</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Although Human Radio's debut self-titled album was released in 1990, their isn't much to the sound that pins it to the decade. Between the jazz-pop nods to Steely Dan, the funk flourishes reminiscent of Stevie Wonder, the new wave pop of XTC, along with a whole host of other subtle (and not subtle) influences we heard throughout the record. Thanks to the quirky lead-off track and single "Me And Elvis," we didn't quiet get off on the right foot with Human Radio, as some of the dated sounds left us less than enthusiastic, but luckily the record recovers quickly, revealing a masterfully produced and mixed record that, for better or worse, runs a wide gamut, sometime connecting, sometimes not.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Me And Elvis</p>
<p style="text-align:center;">9:37 - Hole In My Head</p>
<p style="text-align:center;">13:27 - My First Million</p>
<p style="text-align:center;">23:30 - N.Y.C.</p>
<p style="text-align:center;">Outro - Harsh Light Of Reality</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sxw4hn/426-humanradio.mp3" length="86731466" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Although Human Radio's debut self-titled album was released in 1990, their isn't much to the sound that pins it to the decade. Between the jazz-pop nods to Steely Dan, the funk flourishes reminiscent of Stevie Wonder, the new wave pop of XTC, along with a whole host of other subtle (and not subtle) influences we heard throughout the record. Thanks to the quirky lead-off track and single "Me And Elvis," we didn't quiet get off on the right foot with Human Radio, as some of the dated sounds left us less than enthusiastic, but luckily the record recovers quickly, revealing a masterfully produced and mixed record that, for better or worse, runs a wide gamut, sometime connecting, sometimes not.
 
Songs In This Episode:
 
Intro - Me And Elvis
9:37 - Hole In My Head
13:27 - My First Million
23:30 - N.Y.C.
Outro - Harsh Light Of Reality
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2704</itunes:duration>
                <itunes:episode>161</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#425: Oceanborn by Nightwish</title>
        <itunes:title>#425: Oceanborn by Nightwish</itunes:title>
        <link>https://digmeout.podbean.com/e/425-oceanborn-by-nightwish/</link>
                    <comments>https://digmeout.podbean.com/e/425-oceanborn-by-nightwish/#comments</comments>        <pubDate>Tue, 05 Mar 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/425-oceanborn-by-nightwish-047f8d9e8a889bc60694995e49802e62</guid>
                                    <description><![CDATA[<p style="text-align:center;">We've tackled metal in its various forms and sub-genres, but this week for the first time we're checking out the symphonic metal of Finnish band Nightwish via their 1998 album Oceanborn. Combining operatic vocals with shredding guitars, double kick-drum beats and classical-influenced strings, keyboards and pianos, we're left mouths agape at the musicianship and ambition of this band and album. While a few choices left us scratching our heads (odd synth choices, overly dramatic male vocals), for most of the run time we were on board with Oceanborn.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gethsemane</p>
<p style="text-align:center;">14:47 - Stargazers</p>
<p style="text-align:center;">21:20 - Swanheart</p>
<p style="text-align:center;">24:37 - The Devil And The Deep Dark Ocean</p>
<p style="text-align:center;">28:21 - Sacrament Of Wilderness</p>
<p style="text-align:center;">Outro - The Pharaoh Sails To Orion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We've tackled metal in its various forms and sub-genres, but this week for the first time we're checking out the symphonic metal of Finnish band Nightwish via their 1998 album Oceanborn. Combining operatic vocals with shredding guitars, double kick-drum beats and classical-influenced strings, keyboards and pianos, we're left mouths agape at the musicianship and ambition of this band and album. While a few choices left us scratching our heads (odd synth choices, overly dramatic male vocals), for most of the run time we were on board with Oceanborn.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gethsemane</p>
<p style="text-align:center;">14:47 - Stargazers</p>
<p style="text-align:center;">21:20 - Swanheart</p>
<p style="text-align:center;">24:37 - The Devil And The Deep Dark Ocean</p>
<p style="text-align:center;">28:21 - Sacrament Of Wilderness</p>
<p style="text-align:center;">Outro - The Pharaoh Sails To Orion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mtmis3/425-nightwish.mp3" length="92533576" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've tackled metal in its various forms and sub-genres, but this week for the first time we're checking out the symphonic metal of Finnish band Nightwish via their 1998 album Oceanborn. Combining operatic vocals with shredding guitars, double kick-drum beats and classical-influenced strings, keyboards and pianos, we're left mouths agape at the musicianship and ambition of this band and album. While a few choices left us scratching our heads (odd synth choices, overly dramatic male vocals), for most of the run time we were on board with Oceanborn.
 
Songs In This Episode:
 
Intro - Gethsemane
14:47 - Stargazers
21:20 - Swanheart
24:37 - The Devil And The Deep Dark Ocean
28:21 - Sacrament Of Wilderness
Outro - The Pharaoh Sails To Orion
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2886</itunes:duration>
                <itunes:episode>160</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#424: Is by The Big F</title>
        <itunes:title>#424: Is by The Big F</itunes:title>
        <link>https://digmeout.podbean.com/e/424-is-by-the-big-f/</link>
                    <comments>https://digmeout.podbean.com/e/424-is-by-the-big-f/#comments</comments>        <pubDate>Tue, 26 Feb 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/424-is-by-the-big-f-f208ede97a9b509005943ab5dc4d6f6f</guid>
                                    <description><![CDATA[<p style="text-align:center;">After departing 1980s new wavers Berlin, bassist and vocalist John Crawford and drummer Rob Brill formed the rock power trio The Big F. With the addition of guitarist Mark Christian, the band manage to forge some interesting musical ground on their second and final album Is from 1993. Unfortunately, the band is caught between worlds, showing off more eccentric and ambitious choices (saxophone jazz jam, anyone?) while also firmly planted in the no frills early 90s riffing that at times recalls pre-fame Soundgarden or the heavier streamlined moments of King's X. With a tight rhythm section and talented guitarist, most of the fault falls on Crawford, a steady if unremarkable vocalist that never reaches the euphoric highs or a Chris Cornell or the showy lyricism of Mother Love Bone's Andrew Wood.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Patience Peregrine</p>
<p style="text-align:center;">12:49 - Way Low To Be Be Low</p>
<p style="text-align:center;">15:42 - Patience Peregrine</p>
<p style="text-align:center;">19:02 - Idiot Kid Heads Out</p>
<p style="text-align:center;">29:34 - Mother Mary</p>
<p style="text-align:center;">Outro - Lube</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After departing 1980s new wavers Berlin, bassist and vocalist John Crawford and drummer Rob Brill formed the rock power trio The Big F. With the addition of guitarist Mark Christian, the band manage to forge some interesting musical ground on their second and final album Is from 1993. Unfortunately, the band is caught between worlds, showing off more eccentric and ambitious choices (saxophone jazz jam, anyone?) while also firmly planted in the no frills early 90s riffing that at times recalls pre-fame Soundgarden or the heavier streamlined moments of King's X. With a tight rhythm section and talented guitarist, most of the fault falls on Crawford, a steady if unremarkable vocalist that never reaches the euphoric highs or a Chris Cornell or the showy lyricism of Mother Love Bone's Andrew Wood.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Patience Peregrine</p>
<p style="text-align:center;">12:49 - Way Low To Be Be Low</p>
<p style="text-align:center;">15:42 - Patience Peregrine</p>
<p style="text-align:center;">19:02 - Idiot Kid Heads Out</p>
<p style="text-align:center;">29:34 - Mother Mary</p>
<p style="text-align:center;">Outro - Lube</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fxstbp/424-thebigf.mp3" length="97954507" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After departing 1980s new wavers Berlin, bassist and vocalist John Crawford and drummer Rob Brill formed the rock power trio The Big F. With the addition of guitarist Mark Christian, the band manage to forge some interesting musical ground on their second and final album Is from 1993. Unfortunately, the band is caught between worlds, showing off more eccentric and ambitious choices (saxophone jazz jam, anyone?) while also firmly planted in the no frills early 90s riffing that at times recalls pre-fame Soundgarden or the heavier streamlined moments of King's X. With a tight rhythm section and talented guitarist, most of the fault falls on Crawford, a steady if unremarkable vocalist that never reaches the euphoric highs or a Chris Cornell or the showy lyricism of Mother Love Bone's Andrew Wood.
 
Songs In This Episode:
 
Intro - Patience Peregrine
12:49 - Way Low To Be Be Low
15:42 - Patience Peregrine
19:02 - Idiot Kid Heads Out
29:34 - Mother Mary
Outro - Lube
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3055</itunes:duration>
                <itunes:episode>159</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview - Panorama by The Cars</title>
        <itunes:title>Patreon Preview - Panorama by The Cars</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-panorama-by-the-cars/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-panorama-by-the-cars/#comments</comments>        <pubDate>Thu, 21 Feb 2019 11:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-panorama-by-the-cars-583b2ab31f89cf5ef36559fd51b01fa7</guid>
                                    <description><![CDATA[<p style="text-align:center;">You're probably wondering, why is there a new episode in my podcast feed on a Thursday? We wanted to share with you a preview of our first of six Dig Me Out '80s episodes in 2019. Starting this month, and continuing every other month this year, with the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we'll be revisiting an album from the 1980s based on suggestions and votes of our patrons. This month we're revisiting the 1980 album Panorama by The Cars. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">You're probably wondering, why is there a new episode in my podcast feed on a Thursday? We wanted to share with you a preview of our first of six Dig Me Out '80s episodes in 2019. Starting this month, and continuing every other month this year, with the help our <a href='https://www.patreon.com/digmeout'>Patreon Board of Directors and Steering Committee tiers</a>, we'll be revisiting an album from the 1980s based on suggestions and votes of our patrons. This month we're revisiting the 1980 album Panorama by The Cars. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!</p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qk85s2/DMO_80s_Patreon_Preview_-_Panorama_by_The_Cars.mp3" length="13413900" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You're probably wondering, why is there a new episode in my podcast feed on a Thursday? We wanted to share with you a preview of our first of six Dig Me Out '80s episodes in 2019. Starting this month, and continuing every other month this year, with the help our Patreon Board of Directors and Steering Committee tiers, we'll be revisiting an album from the 1980s based on suggestions and votes of our patrons. This month we're revisiting the 1980 album Panorama by The Cars. Join the DMO Union for as little as $2 a month and get access to bonus content like this episode, vote in our album review polls, get exclusive merchandise and more!
To support the podcast, join us at Patreon.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>413</itunes:duration>
                <itunes:episode>158</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#423: Pod by The Breeders</title>
        <itunes:title>#423: Pod by The Breeders</itunes:title>
        <link>https://digmeout.podbean.com/e/423-pod-by-the-breeders/</link>
                    <comments>https://digmeout.podbean.com/e/423-pod-by-the-breeders/#comments</comments>        <pubDate>Tue, 19 Feb 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/423-pod-by-the-breeders-6e354488e05acb951be3bee337d63bbd</guid>
                                    <description><![CDATA[<p style="text-align:center;"> The shadow of Kim Deal and Tanya Donelly looms large over 1990s alternative and indie rock. They were both members of seminal 1980s bands, Deal in the Pixies, and Donelly in Throwing Muses, and had second acts in the 90s in their own bands, The Breeders and Belly. For one album, before Kim's sister Kelley joined the band, Donelly joined forces with Deal on the 1990 album Pod by The Breeders, then conceived as a side project for the two. The result is a subtle and restrained record that only hints at the pop prowess the two would unleash with future singles like "Last Splash" and "Feed The Tree." With engineer Steve Albini behind the board, the album pushes the artists to work with space, finding equal footing for all the instruments. For some, the deliberate nature may turn plodding, but the atmosphere created is one truly unique, and it's clear why musicians like Kurt Cobain would find the tension between hard hitting drums, melodic bass lines and stripped down guitar lines so appealing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Happiness Is A Warm Gun</p>
<p style="text-align:center;">14:44 - Glorious</p>
<p style="text-align:center;">17:02 - Oh!</p>
<p style="text-align:center;">23:15 - Fortunately Gone</p>
<p style="text-align:center;">Outro - Hellbound</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"> The shadow of Kim Deal and Tanya Donelly looms large over 1990s alternative and indie rock. They were both members of seminal 1980s bands, Deal in the Pixies, and Donelly in Throwing Muses, and had second acts in the 90s in their own bands, The Breeders and Belly. For one album, before Kim's sister Kelley joined the band, Donelly joined forces with Deal on the 1990 album Pod by The Breeders, then conceived as a side project for the two. The result is a subtle and restrained record that only hints at the pop prowess the two would unleash with future singles like "Last Splash" and "Feed The Tree." With engineer Steve Albini behind the board, the album pushes the artists to work with space, finding equal footing for all the instruments. For some, the deliberate nature may turn plodding, but the atmosphere created is one truly unique, and it's clear why musicians like Kurt Cobain would find the tension between hard hitting drums, melodic bass lines and stripped down guitar lines so appealing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Happiness Is A Warm Gun</p>
<p style="text-align:center;">14:44 - Glorious</p>
<p style="text-align:center;">17:02 - Oh!</p>
<p style="text-align:center;">23:15 - Fortunately Gone</p>
<p style="text-align:center;">Outro - Hellbound</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a7p9cj/423-thebreeders.mp3" length="76534934" type="audio/mpeg"/>
        <itunes:summary><![CDATA[ The shadow of Kim Deal and Tanya Donelly looms large over 1990s alternative and indie rock. They were both members of seminal 1980s bands, Deal in the Pixies, and Donelly in Throwing Muses, and had second acts in the 90s in their own bands, The Breeders and Belly. For one album, before Kim's sister Kelley joined the band, Donelly joined forces with Deal on the 1990 album Pod by The Breeders, then conceived as a side project for the two. The result is a subtle and restrained record that only hints at the pop prowess the two would unleash with future singles like "Last Splash" and "Feed The Tree." With engineer Steve Albini behind the board, the album pushes the artists to work with space, finding equal footing for all the instruments. For some, the deliberate nature may turn plodding, but the atmosphere created is one truly unique, and it's clear why musicians like Kurt Cobain would find the tension between hard hitting drums, melodic bass lines and stripped down guitar lines so appealing.
 
Songs In This Episode:
 
Intro - Happiness Is A Warm Gun
14:44 - Glorious
17:02 - Oh!
23:15 - Fortunately Gone
Outro - Hellbound
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2386</itunes:duration>
                <itunes:episode>157</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#422: Pop-Punk In The 90s Roundtable</title>
        <itunes:title>#422: Pop-Punk In The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/422-pop-punk-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/422-pop-punk-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 12 Feb 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/422-pop-punk-in-the-90s-roundtable-334192e5c8445b06eabd99ffed8c96de</guid>
                                    <description><![CDATA[<p style="text-align:center;">The term "Pop-Punk" started showing up in the mid-90s - a hybrid of the breakthrough punk sound via bands like Green Day and The Offspring, but with a decidedly more pop (re: melodic) twist in the vocal department. It's not easy to pin down with what band or at what time pop-punk took off, but from what we discussed with our guests, we know artists such as Blink-182 helped set the proverbial table for what would be a full-on pop-punk explosion in the 2000s. We put our thinking caps on and try to determine the unique characteristics, good and not so good, that made pop-punk unique, and how it factors into the story of the 1990s music scene.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - What's My Age Again? by Blink-182</p>
<p style="text-align:center;">15:56 - May 16 by Lagwagon</p>
<p style="text-align:center;">26:08 - Redundant by Green Day</p>
<p style="text-align:center;">38:15 - Come Out And Play by The Offspring</p>
<p style="text-align:center;">Outro - Nineties by Busted</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The term "Pop-Punk" started showing up in the mid-90s - a hybrid of the breakthrough punk sound via bands like Green Day and The Offspring, but with a decidedly more pop (re: melodic) twist in the vocal department. It's not easy to pin down with what band or at what time pop-punk took off, but from what we discussed with our guests, we know artists such as Blink-182 helped set the proverbial table for what would be a full-on pop-punk explosion in the 2000s. We put our thinking caps on and try to determine the unique characteristics, good and not so good, that made pop-punk unique, and how it factors into the story of the 1990s music scene.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - What's My Age Again? by Blink-182</p>
<p style="text-align:center;">15:56 - May 16 by Lagwagon</p>
<p style="text-align:center;">26:08 - Redundant by Green Day</p>
<p style="text-align:center;">38:15 - Come Out And Play by The Offspring</p>
<p style="text-align:center;">Outro - Nineties by Busted</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5mr3vr/422-punkpoproundtable.m4a" length="147286232" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[The term "Pop-Punk" started showing up in the mid-90s - a hybrid of the breakthrough punk sound via bands like Green Day and The Offspring, but with a decidedly more pop (re: melodic) twist in the vocal department. It's not easy to pin down with what band or at what time pop-punk took off, but from what we discussed with our guests, we know artists such as Blink-182 helped set the proverbial table for what would be a full-on pop-punk explosion in the 2000s. We put our thinking caps on and try to determine the unique characteristics, good and not so good, that made pop-punk unique, and how it factors into the story of the 1990s music scene.
 
Songs In This Episode:
 
Intro - What's My Age Again? by Blink-182
15:56 - May 16 by Lagwagon
26:08 - Redundant by Green Day
38:15 - Come Out And Play by The Offspring
Outro - Nineties by Busted
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4874</itunes:duration>
                <itunes:episode>156</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#421: Machine Fish by Galactic Cowboys</title>
        <itunes:title>#421: Machine Fish by Galactic Cowboys</itunes:title>
        <link>https://digmeout.podbean.com/e/421-machine-fish-by-galactic-cowboys/</link>
                    <comments>https://digmeout.podbean.com/e/421-machine-fish-by-galactic-cowboys/#comments</comments>        <pubDate>Tue, 05 Feb 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/421-machine-fish-by-galactic-cowboys-88c9e3fdbabbdd1ad6786cf814372628</guid>
                                    <description><![CDATA[<p style="text-align:center;">Compact discs were the predominant physical medium for music in the 90s that, like cassettes and vinyl before, came with positives and negatives. No more rewinding or fast forwarding to find a song. Mobility meant moving from your home stereo, to your Discman, to your car with ease. Plus, you had almost eighty minutes to work with. That last one, however, became a curse as much as a blessing with albums like the 1996 release Machine Fish by <a href='http://www.galacticcowboys.com/'>Galactic Cowboys</a>. If you're into hard rock/metal with a melodic bent, this album is just up your alley. Alas, left to their own devices, the gentlemen of Galactic Cowboys manage to stuff nearly every minute of this compact disc with riff upon riff, sometimes burying a gem behind walls of guitars, turning what could be three minute pop metal masterpieces into bloated five minute head scratchers. If this were an eight or nine songs album released on vinyl in the 1970s, that wouldn't be as much of an issue, but at fourteen songs and almost seventy minutes, even the most hearty will start to fatigue.</p>
<p style="text-align:center;">And if that wasn't enough, we even conducted a bonus review of the Feel The Rage EP exclusive at our <a href='https://www.patreon.com/digmeout'>Patreon page</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Feel The Rage</p>
<p style="text-align:center;">18:25 - 9th Of June</p>
<p style="text-align:center;">30:33 - Fear Not</p>
<p style="text-align:center;">35:15 - Easy To Love</p>
<p style="text-align:center;">43:47 - Patting Yourself On The Back</p>
<p style="text-align:center;">Outro - Psychotic Companion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Compact discs were the predominant physical medium for music in the 90s that, like cassettes and vinyl before, came with positives and negatives. No more rewinding or fast forwarding to find a song. Mobility meant moving from your home stereo, to your Discman, to your car with ease. Plus, you had almost eighty minutes to work with. That last one, however, became a curse as much as a blessing with albums like the 1996 release Machine Fish by <a href='http://www.galacticcowboys.com/'>Galactic Cowboys</a>. If you're into hard rock/metal with a melodic bent, this album is just up your alley. Alas, left to their own devices, the gentlemen of Galactic Cowboys manage to stuff nearly every minute of this compact disc with riff upon riff, sometimes burying a gem behind walls of guitars, turning what could be three minute pop metal masterpieces into bloated five minute head scratchers. If this were an eight or nine songs album released on vinyl in the 1970s, that wouldn't be as much of an issue, but at fourteen songs and almost seventy minutes, even the most hearty will start to fatigue.</p>
<p style="text-align:center;">And if that wasn't enough, we even conducted a bonus review of the Feel The Rage EP exclusive at our <a href='https://www.patreon.com/digmeout'>Patreon page</a>.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Feel The Rage</p>
<p style="text-align:center;">18:25 - 9th Of June</p>
<p style="text-align:center;">30:33 - Fear Not</p>
<p style="text-align:center;">35:15 - Easy To Love</p>
<p style="text-align:center;">43:47 - Patting Yourself On The Back</p>
<p style="text-align:center;">Outro - Psychotic Companion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t8d2x6/421-galacticcowboys.m4a" length="109163855" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[Compact discs were the predominant physical medium for music in the 90s that, like cassettes and vinyl before, came with positives and negatives. No more rewinding or fast forwarding to find a song. Mobility meant moving from your home stereo, to your Discman, to your car with ease. Plus, you had almost eighty minutes to work with. That last one, however, became a curse as much as a blessing with albums like the 1996 release Machine Fish by Galactic Cowboys. If you're into hard rock/metal with a melodic bent, this album is just up your alley. Alas, left to their own devices, the gentlemen of Galactic Cowboys manage to stuff nearly every minute of this compact disc with riff upon riff, sometimes burying a gem behind walls of guitars, turning what could be three minute pop metal masterpieces into bloated five minute head scratchers. If this were an eight or nine songs album released on vinyl in the 1970s, that wouldn't be as much of an issue, but at fourteen songs and almost seventy minutes, even the most hearty will start to fatigue.
And if that wasn't enough, we even conducted a bonus review of the Feel The Rage EP exclusive at our Patreon page.
 
Songs In This Episode:
 
Intro - Feel The Rage
18:25 - 9th Of June
30:33 - Fear Not
35:15 - Easy To Love
43:47 - Patting Yourself On The Back
Outro - Psychotic Companion
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3434</itunes:duration>
                <itunes:episode>155</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#420: Goat by The Jesus Lizard</title>
        <itunes:title>#420: Goat by The Jesus Lizard</itunes:title>
        <link>https://digmeout.podbean.com/e/420-goat-by-the-jesus-lizard/</link>
                    <comments>https://digmeout.podbean.com/e/420-goat-by-the-jesus-lizard/#comments</comments>        <pubDate>Tue, 29 Jan 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/420-goat-by-the-jesus-lizard-84924bb419e8b916b835c2bf61c6ce0a</guid>
                                    <description><![CDATA[<p style="text-align:center;">Sometimes we revisit albums that have little to no internet presence, reviews that only appeared in print, and barely managed to slip into the big name publications. When that happens, there is little baggage or preconceived notion of what we're getting into. On the other end of spectrum, we have the 1991 album Goat by <a href='https://www.facebook.com/thejesuslizardmusic/'>The Jesus Lizard</a>. Now heralded as one of the defining alternative rock albums of the 90s, specifically of the "noise rock" sub genre, the list of bands that draw influence back to this band and album are numerous. But it left us questioning - what exactly is noise rock? To us, this was another example of Steve Albini's sharp and clean production paired with top notch musicianship. We split on our appreciation for David Yow's vocals, which shouldn't be a surprise - they are an acquired taste, but we agreed that this compact, thirty-minute recording is worth revisiting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Mouth Breather</p>
<p style="text-align:center;">15:08 - Then Comes Dudley</p>
<p style="text-align:center;">17:24 - Nub</p>
<p style="text-align:center;">22:44 - Monkey Trick</p>
<p style="text-align:center;">Outro - Rodeo In Juliet</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Sometimes we revisit albums that have little to no internet presence, reviews that only appeared in print, and barely managed to slip into the big name publications. When that happens, there is little baggage or preconceived notion of what we're getting into. On the other end of spectrum, we have the 1991 album Goat by <a href='https://www.facebook.com/thejesuslizardmusic/'>The Jesus Lizard</a>. Now heralded as one of the defining alternative rock albums of the 90s, specifically of the "noise rock" sub genre, the list of bands that draw influence back to this band and album are numerous. But it left us questioning - what exactly is noise rock? To us, this was another example of Steve Albini's sharp and clean production paired with top notch musicianship. We split on our appreciation for David Yow's vocals, which shouldn't be a surprise - they are an acquired taste, but we agreed that this compact, thirty-minute recording is worth revisiting.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Mouth Breather</p>
<p style="text-align:center;">15:08 - Then Comes Dudley</p>
<p style="text-align:center;">17:24 - Nub</p>
<p style="text-align:center;">22:44 - Monkey Trick</p>
<p style="text-align:center;">Outro - Rodeo In Juliet</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uvir9k/420-jesuslizard.m4a" length="68857125" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[Sometimes we revisit albums that have little to no internet presence, reviews that only appeared in print, and barely managed to slip into the big name publications. When that happens, there is little baggage or preconceived notion of what we're getting into. On the other end of spectrum, we have the 1991 album Goat by The Jesus Lizard. Now heralded as one of the defining alternative rock albums of the 90s, specifically of the "noise rock" sub genre, the list of bands that draw influence back to this band and album are numerous. But it left us questioning - what exactly is noise rock? To us, this was another example of Steve Albini's sharp and clean production paired with top notch musicianship. We split on our appreciation for David Yow's vocals, which shouldn't be a surprise - they are an acquired taste, but we agreed that this compact, thirty-minute recording is worth revisiting.
 
Songs In This Episode:
 
Intro - Mouth Breather
15:08 - Then Comes Dudley
17:24 - Nub
22:44 - Monkey Trick
Outro - Rodeo In Juliet
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2131</itunes:duration>
                <itunes:episode>154</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#419: Albums of 1999 Roundtable</title>
        <itunes:title>#419: Albums of 1999 Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/419-albums-of-1999-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/419-albums-of-1999-roundtable/#comments</comments>        <pubDate>Tue, 22 Jan 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/419-albums-of-1999-roundtable-675d48e002f8a4baa36878e0f5804fda</guid>
                                    <description><![CDATA[<p style="text-align:center;">The release of Nirvana's album Nevermind in 1991 shaped the musical landscape of the 1990s in numerous ways, but 1999 may be the year that truly upended everything. Along with our favorite albums, our hidden gems, our late discoveries, and our long forgottens, we also dig into the year that foretold the re-emergence and dominance of pop music that has never been challenged since, the year that gave us Napster, the return of Woodstock, the rise of Nu-Metal and Rap-Rock, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - 1999 Medley (Wilco, Blur, Nine Inch Nails, Live)</p>
<p style="text-align:center;">7:16 - Driftwood by Travis from The Man Who</p>
<p style="text-align:center;">21:10 - Church On Sunday by Stone Temple Pilots from No. 4</p>
<p style="text-align:center;">38:47 - Muscle Museum by Muse from Showbiz</p>
<p style="text-align:center;">51:03 - Swingin' by Tom Petty And The Heartbreakers from Echo</p>
<p style="text-align:center;">1:02:28 - Shooting Stars by The Black Halos from s/t</p>
<p style="text-align:center;">Outro - Fast As You Can by Fiona Apple from When The Pawn...</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The release of Nirvana's album Nevermind in 1991 shaped the musical landscape of the 1990s in numerous ways, but 1999 may be the year that truly upended everything. Along with our favorite albums, our hidden gems, our late discoveries, and our long forgottens, we also dig into the year that foretold the re-emergence and dominance of pop music that has never been challenged since, the year that gave us Napster, the return of Woodstock, the rise of Nu-Metal and Rap-Rock, and much more.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - 1999 Medley (Wilco, Blur, Nine Inch Nails, Live)</p>
<p style="text-align:center;">7:16 - Driftwood by Travis from The Man Who</p>
<p style="text-align:center;">21:10 - Church On Sunday by Stone Temple Pilots from No. 4</p>
<p style="text-align:center;">38:47 - Muscle Museum by Muse from Showbiz</p>
<p style="text-align:center;">51:03 - Swingin' by Tom Petty And The Heartbreakers from Echo</p>
<p style="text-align:center;">1:02:28 - Shooting Stars by The Black Halos from s/t</p>
<p style="text-align:center;">Outro - Fast As You Can by Fiona Apple from When The Pawn...</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3kj77s/419-albumsof99.m4a" length="158454682" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[The release of Nirvana's album Nevermind in 1991 shaped the musical landscape of the 1990s in numerous ways, but 1999 may be the year that truly upended everything. Along with our favorite albums, our hidden gems, our late discoveries, and our long forgottens, we also dig into the year that foretold the re-emergence and dominance of pop music that has never been challenged since, the year that gave us Napster, the return of Woodstock, the rise of Nu-Metal and Rap-Rock, and much more.
 
Songs In This Episode:
 
Intro - 1999 Medley (Wilco, Blur, Nine Inch Nails, Live)
7:16 - Driftwood by Travis from The Man Who
21:10 - Church On Sunday by Stone Temple Pilots from No. 4
38:47 - Muscle Museum by Muse from Showbiz
51:03 - Swingin' by Tom Petty And The Heartbreakers from Echo
1:02:28 - Shooting Stars by The Black Halos from s/t
Outro - Fast As You Can by Fiona Apple from When The Pawn...
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4782</itunes:duration>
                <itunes:episode>153</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#418: Mossy God by Mantissa</title>
        <itunes:title>#418: Mossy God by Mantissa</itunes:title>
        <link>https://digmeout.podbean.com/e/418-mossy-god-by-mantissa/</link>
                    <comments>https://digmeout.podbean.com/e/418-mossy-god-by-mantissa/#comments</comments>        <pubDate>Tue, 15 Jan 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/418-mossy-god-by-mantissa-0605293a769e542a7b8aef28e90bd3fc</guid>
                                    <description><![CDATA[<p style="text-align:center;">We're not sure what album Mantissa intended to make with their 1992 debut Mossy God. On the one hand, it's got the guitar riffage that would find allies in heavier/dirtier 1980s hard rock/metal bands like Circus Of Power or Faster Pussycat. On the other hand, with producer Terry Date onboard, there is a tinge of the Seattle sound, like early Alice In Chains or pre-Superunknown Soundgarden. There is even a touch of Red Hot Chili Peppers funk. What does this all add up to? Kind of a mess, but not surprising considering the shifting landscape of early 90s hard rock/metal, where band either stuck to their quickly out-of-date guns or attempted an alternative makeover. Along with a confused albums comes and evening confusing (and exasperating) back story of an Australian band trying to "break" in America.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sanctify</p>
<p style="text-align:center;">23:02 - Ruby's Mind</p>
<p style="text-align:center;">27:44 - Dream Alone</p>
<p style="text-align:center;">32:41 - Extro</p>
<p style="text-align:center;">36:52 - Mystery Line</p>
<p style="text-align:center;">Outro - Mary Mary</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We're not sure what album Mantissa intended to make with their 1992 debut Mossy God. On the one hand, it's got the guitar riffage that would find allies in heavier/dirtier 1980s hard rock/metal bands like Circus Of Power or Faster Pussycat. On the other hand, with producer Terry Date onboard, there is a tinge of the Seattle sound, like early Alice In Chains or pre-Superunknown Soundgarden. There is even a touch of Red Hot Chili Peppers funk. What does this all add up to? Kind of a mess, but not surprising considering the shifting landscape of early 90s hard rock/metal, where band either stuck to their quickly out-of-date guns or attempted an alternative makeover. Along with a confused albums comes and evening confusing (and exasperating) back story of an Australian band trying to "break" in America.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sanctify</p>
<p style="text-align:center;">23:02 - Ruby's Mind</p>
<p style="text-align:center;">27:44 - Dream Alone</p>
<p style="text-align:center;">32:41 - Extro</p>
<p style="text-align:center;">36:52 - Mystery Line</p>
<p style="text-align:center;">Outro - Mary Mary</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wjvfe2/418-Mantissa.m4a" length="111883873" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[We're not sure what album Mantissa intended to make with their 1992 debut Mossy God. On the one hand, it's got the guitar riffage that would find allies in heavier/dirtier 1980s hard rock/metal bands like Circus Of Power or Faster Pussycat. On the other hand, with producer Terry Date onboard, there is a tinge of the Seattle sound, like early Alice In Chains or pre-Superunknown Soundgarden. There is even a touch of Red Hot Chili Peppers funk. What does this all add up to? Kind of a mess, but not surprising considering the shifting landscape of early 90s hard rock/metal, where band either stuck to their quickly out-of-date guns or attempted an alternative makeover. Along with a confused albums comes and evening confusing (and exasperating) back story of an Australian band trying to "break" in America.
 
 
Songs In This Episode:
Intro - Sanctify
23:02 - Ruby's Mind
27:44 - Dream Alone
32:41 - Extro
36:52 - Mystery Line
Outro - Mary Mary
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3508</itunes:duration>
                <itunes:episode>152</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#417: Wrecreation by Stanford Prison Experiment</title>
        <itunes:title>#417: Wrecreation by Stanford Prison Experiment</itunes:title>
        <link>https://digmeout.podbean.com/e/417-wrecreation-by-stanford-prison-experiment/</link>
                    <comments>https://digmeout.podbean.com/e/417-wrecreation-by-stanford-prison-experiment/#comments</comments>        <pubDate>Tue, 08 Jan 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/417-wrecreation-by-stanford-prison-experiment-3e9f305ae1687b4f575e7b6735e87a8c</guid>
                                    <description><![CDATA[<p style="text-align:center;">The term "album tracks" gets thrown around to describe perfectly fine songs that are clearly not going to be a radio single for a band. It represents what the band does, but maybe is less melodic in favor of a sound that expands, experiments or diverts enough to make it worthy of inclusion. For a band like Stanford Prison Experiment, we tossed around the term "album track" a number of times for a band that subtly takes turns inhabiting the styles and sounds of a variety of contemporaries. On their third and final record, 1998's Wrecreation, we found a lot to like in a band that touched on punk, post-punk, post-hardcore, emo, math-rock and grunge, but do they ever find themselves? Tune in to find out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Hightower</p>
<p style="text-align:center;">15:14 - Contusion</p>
<p style="text-align:center;">18:09 - Burner</p>
<p style="text-align:center;">24:27 - I'm A War</p>
<p style="text-align:center;">32:44 - Machaca</p>
<p style="text-align:center;">Outro - But Of Course</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The term "album tracks" gets thrown around to describe perfectly fine songs that are clearly not going to be a radio single for a band. It represents what the band does, but maybe is less melodic in favor of a sound that expands, experiments or diverts enough to make it worthy of inclusion. For a band like Stanford Prison Experiment, we tossed around the term "album track" a number of times for a band that subtly takes turns inhabiting the styles and sounds of a variety of contemporaries. On their third and final record, 1998's Wrecreation, we found a lot to like in a band that touched on punk, post-punk, post-hardcore, emo, math-rock and grunge, but do they ever find themselves? Tune in to find out.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Hightower</p>
<p style="text-align:center;">15:14 - Contusion</p>
<p style="text-align:center;">18:09 - Burner</p>
<p style="text-align:center;">24:27 - I'm A War</p>
<p style="text-align:center;">32:44 - Machaca</p>
<p style="text-align:center;">Outro - But Of Course</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qaixyu/417-SPE.m4a" length="86162863" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[The term "album tracks" gets thrown around to describe perfectly fine songs that are clearly not going to be a radio single for a band. It represents what the band does, but maybe is less melodic in favor of a sound that expands, experiments or diverts enough to make it worthy of inclusion. For a band like Stanford Prison Experiment, we tossed around the term "album track" a number of times for a band that subtly takes turns inhabiting the styles and sounds of a variety of contemporaries. On their third and final record, 1998's Wrecreation, we found a lot to like in a band that touched on punk, post-punk, post-hardcore, emo, math-rock and grunge, but do they ever find themselves? Tune in to find out.
 
Songs In This Episode:
 
Intro - Hightower
15:14 - Contusion
18:09 - Burner
24:27 - I'm A War
32:44 - Machaca
Outro - But Of Course
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2822</itunes:duration>
                <itunes:episode>151</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#416: Sunrise On The Sufferbus by Masters Of Reality</title>
        <itunes:title>#416: Sunrise On The Sufferbus by Masters Of Reality</itunes:title>
        <link>https://digmeout.podbean.com/e/416-sunrise-on-the-sufferbus-by-masters-of-reality/</link>
                    <comments>https://digmeout.podbean.com/e/416-sunrise-on-the-sufferbus-by-masters-of-reality/#comments</comments>        <pubDate>Tue, 01 Jan 2019 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/416-sunrise-on-the-sufferbus-by-masters-of-reality-7fd4af3554f82321ab5b65747a502628</guid>
                                    <description><![CDATA[<p style="text-align:center;">To understand "Desert Rock" and the <a href='https://en.wikipedia.org/wiki/Palm_Desert_Scene'>Palm Desert Scene</a>, you have too look further than Queens Of The Stone Age, as we learned on our Desert Rock episode. That's when you discover a number of bands and important figures, including <a href='https://en.wikipedia.org/wiki/Chris_Goss'>Chris Goss</a> and his band <a href='https://en.wikipedia.org/wiki/Masters_of_Reality'>Masters Of Reality</a>, contemporaries of Kyuss and others who helped bring the bass heavy guitar dirges of the desert to the mainstream. But there is more to it than that as we discover on 1993 album Sunrise On The Sufferbus, which explores quieter moments that left us scratching our heads at times. With the propulsive pulse of Cream drummer Ginger Baker behind the kit for this album, songs like She Got Me (When She Got Her Dress On) bounce to life, but in a grunge dominated era it's no wonder this is relegated to cult status. Is it worthy of revisiting?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gimme Water</p>
<p style="text-align:center;">12:40 - T.U.S.A.</p>
<p style="text-align:center;">20:18 - She Got Me (When She Got Her Dress On)</p>
<p style="text-align:center;">25:04 - Gimme Water</p>
<p style="text-align:center;">32:08 - Moon In Your Pocket</p>
<p style="text-align:center;">Outro - J.B. Witchdance</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">To understand "Desert Rock" and the <a href='https://en.wikipedia.org/wiki/Palm_Desert_Scene'>Palm Desert Scene</a>, you have too look further than Queens Of The Stone Age, as we learned on our Desert Rock episode. That's when you discover a number of bands and important figures, including <a href='https://en.wikipedia.org/wiki/Chris_Goss'>Chris Goss</a> and his band <a href='https://en.wikipedia.org/wiki/Masters_of_Reality'>Masters Of Reality</a>, contemporaries of Kyuss and others who helped bring the bass heavy guitar dirges of the desert to the mainstream. But there is more to it than that as we discover on 1993 album Sunrise On The Sufferbus, which explores quieter moments that left us scratching our heads at times. With the propulsive pulse of Cream drummer Ginger Baker behind the kit for this album, songs like She Got Me (When She Got Her Dress On) bounce to life, but in a grunge dominated era it's no wonder this is relegated to cult status. Is it worthy of revisiting?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Song In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Gimme Water</p>
<p style="text-align:center;">12:40 - T.U.S.A.</p>
<p style="text-align:center;">20:18 - She Got Me (When She Got Her Dress On)</p>
<p style="text-align:center;">25:04 - Gimme Water</p>
<p style="text-align:center;">32:08 - Moon In Your Pocket</p>
<p style="text-align:center;">Outro - J.B. Witchdance</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/78jabx/416-mastersofreality.m4a" length="91541932" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[To understand "Desert Rock" and the Palm Desert Scene, you have too look further than Queens Of The Stone Age, as we learned on our Desert Rock episode. That's when you discover a number of bands and important figures, including Chris Goss and his band Masters Of Reality, contemporaries of Kyuss and others who helped bring the bass heavy guitar dirges of the desert to the mainstream. But there is more to it than that as we discover on 1993 album Sunrise On The Sufferbus, which explores quieter moments that left us scratching our heads at times. With the propulsive pulse of Cream drummer Ginger Baker behind the kit for this album, songs like She Got Me (When She Got Her Dress On) bounce to life, but in a grunge dominated era it's no wonder this is relegated to cult status. Is it worthy of revisiting?
 
Song In This Episode:
 
Intro - Gimme Water
12:40 - T.U.S.A.
20:18 - She Got Me (When She Got Her Dress On)
25:04 - Gimme Water
32:08 - Moon In Your Pocket
Outro - J.B. Witchdance
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3120</itunes:duration>
                <itunes:episode>150</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#415: Season Eight In Review</title>
        <itunes:title>#415: Season Eight In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/415-season-eight-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/415-season-eight-in-review/#comments</comments>        <pubDate>Tue, 25 Dec 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/415-season-eight-in-review-452ad2c70930b73e131e2d972d5bdc3c</guid>
                                    <description><![CDATA[<p style="text-align:center;">2018 seem to fly by, and with it another slate of reviews, roundtables and interviews that we look back upon with equal parts amazement and exhaustion. Thanks to our great community of folks at Patreon, the burden of actually picking records to revisit was lifted off our shoulders this year, and we got to check out some completely new discoveries like Fini Scad, Sheena Ringo and The Gathering, while also going deep on records by The Posies, Scott Weiland and Mansun we already knew but hadn't fully connected with over the years. Of course, our roundtables continued to be a highlight, digging the scenes of New York City and Dayton, Ohio, diving into the origins of Spoon, dissecting 90s Power Pop and Desert Rock, and much more. Thanks to all who helped make 2018 a great year, see you in 2019!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater Kinney</p>
<p style="text-align:center;">12:08 - I Am A Liar by Sheena Ringo</p>
<p style="text-align:center;">17:13 - Soaked In Cinnamon by Ultimate Fakebook</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">2018 seem to fly by, and with it another slate of reviews, roundtables and interviews that we look back upon with equal parts amazement and exhaustion. Thanks to our great community of folks at Patreon, the burden of actually picking records to revisit was lifted off our shoulders this year, and we got to check out some completely new discoveries like Fini Scad, Sheena Ringo and The Gathering, while also going deep on records by The Posies, Scott Weiland and Mansun we already knew but hadn't fully connected with over the years. Of course, our roundtables continued to be a highlight, digging the scenes of New York City and Dayton, Ohio, diving into the origins of Spoon, dissecting 90s Power Pop and Desert Rock, and much more. Thanks to all who helped make 2018 a great year, see you in 2019!</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater Kinney</p>
<p style="text-align:center;">12:08 - I Am A Liar by Sheena Ringo</p>
<p style="text-align:center;">17:13 - Soaked In Cinnamon by Ultimate Fakebook</p>
<p style="text-align:center;">Outro - Dig Me Out by Sleater Kinney</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j2aq2e/414-2018yearend.m4a" length="70061480" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[2018 seem to fly by, and with it another slate of reviews, roundtables and interviews that we look back upon with equal parts amazement and exhaustion. Thanks to our great community of folks at Patreon, the burden of actually picking records to revisit was lifted off our shoulders this year, and we got to check out some completely new discoveries like Fini Scad, Sheena Ringo and The Gathering, while also going deep on records by The Posies, Scott Weiland and Mansun we already knew but hadn't fully connected with over the years. Of course, our roundtables continued to be a highlight, digging the scenes of New York City and Dayton, Ohio, diving into the origins of Spoon, dissecting 90s Power Pop and Desert Rock, and much more. Thanks to all who helped make 2018 a great year, see you in 2019!
 
Songs In This Episode:
 
Intro - Dig Me Out by Sleater Kinney
12:08 - I Am A Liar by Sheena Ringo
17:13 - Soaked In Cinnamon by Ultimate Fakebook
Outro - Dig Me Out by Sleater Kinney
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2290</itunes:duration>
                <itunes:episode>149</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#414: In On The Kill Taker by Fugazi</title>
        <itunes:title>#414: In On The Kill Taker by Fugazi</itunes:title>
        <link>https://digmeout.podbean.com/e/414-in-on-the-kill-taker-by-fugazi/</link>
                    <comments>https://digmeout.podbean.com/e/414-in-on-the-kill-taker-by-fugazi/#comments</comments>        <pubDate>Tue, 18 Dec 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/414-in-on-the-kill-taker-by-fugazi-c85f61d3e889e2ea85d839ccbdfa462d</guid>
                                    <description><![CDATA[<p style="text-align:center;">Although we host a 90s-focused music podcast, if you think <a href='https://www.dischord.com/band/fugazi'>Fugazi</a> is a no brainer for us, think again. While we both had passing interest and exposure, neither of us were ardent followers of punk, hardcore or post hardcore during that time, and really only came to it years later thanks to our varied appreciations for bands like Jawbox, Sonic Youth and At The Drive-in. This makes revisiting Fugazi's 1993 third album In On The Kill Taker an even more enlightening experience. The band stretches their sound, we won't call it jamming, incorporating long musical passages that teeter on the edge of ambient dissonance. With their stellar rhythm section, the guitars and vocals play off each other with increasing confidence. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs On This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Returning The Screw</p>
<p style="text-align:center;">15:18 - Facet Squared</p>
<p style="text-align:center;">24:43 - Great Cop</p>
<p style="text-align:center;">29:31 - Rend It</p>
<p style="text-align:center;">Outro - Smallpox Champion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Although we host a 90s-focused music podcast, if you think <a href='https://www.dischord.com/band/fugazi'>Fugazi</a> is a no brainer for us, think again. While we both had passing interest and exposure, neither of us were ardent followers of punk, hardcore or post hardcore during that time, and really only came to it years later thanks to our varied appreciations for bands like Jawbox, Sonic Youth and At The Drive-in. This makes revisiting Fugazi's 1993 third album In On The Kill Taker an even more enlightening experience. The band stretches their sound, we won't call it jamming, incorporating long musical passages that teeter on the edge of ambient dissonance. With their stellar rhythm section, the guitars and vocals play off each other with increasing confidence. </p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs On This Episode:</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Intro - Returning The Screw</p>
<p style="text-align:center;">15:18 - Facet Squared</p>
<p style="text-align:center;">24:43 - Great Cop</p>
<p style="text-align:center;">29:31 - Rend It</p>
<p style="text-align:center;">Outro - Smallpox Champion</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x8vquf/414-fugazi.m4a" length="78187674" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[Although we host a 90s-focused music podcast, if you think Fugazi is a no brainer for us, think again. While we both had passing interest and exposure, neither of us were ardent followers of punk, hardcore or post hardcore during that time, and really only came to it years later thanks to our varied appreciations for bands like Jawbox, Sonic Youth and At The Drive-in. This makes revisiting Fugazi's 1993 third album In On The Kill Taker an even more enlightening experience. The band stretches their sound, we won't call it jamming, incorporating long musical passages that teeter on the edge of ambient dissonance. With their stellar rhythm section, the guitars and vocals play off each other with increasing confidence. 
 
Songs On This Episode:
 
Intro - Returning The Screw
15:18 - Facet Squared
24:43 - Great Cop
29:31 - Rend It
Outro - Smallpox Champion
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2563</itunes:duration>
                <itunes:episode>148</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#413: Good Morning Spider by Sparklehorse</title>
        <itunes:title>#413: Good Morning Spider by Sparklehorse</itunes:title>
        <link>https://digmeout.podbean.com/e/413-good-morning-spider-by-sparklehorse/</link>
                    <comments>https://digmeout.podbean.com/e/413-good-morning-spider-by-sparklehorse/#comments</comments>        <pubDate>Tue, 11 Dec 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/413-good-morning-spider-by-sparklehorse-79b7d7f9b572ed2c175fe81e67593106</guid>
                                    <description><![CDATA[<p style="text-align:center;">With his work as Sparklehorse, Mark Linkous left behind a collection of music wholly unique - masterfully combining the intimacy of his home recording setup paired with his singular lyrical approach. His songs shift from abrasive guitar driven "Pig" and "Ghost Of His Smile" to the laid back pop of "Sick Of Goodbyes" with little interruption, managing to find common ground in melody with such contemporary artists as Grandaddy, The Jayhawks and Guided By Voices.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with Sudio. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs On This Episode:</p>
<p style="text-align:center;">Intro - Painbirds</p>
<p style="text-align:center;">11:53 - Pig</p>
<p style="text-align:center;">14:58 - Ghost Of His Smile</p>
<p style="text-align:center;">22:19 - Sick Of Goodbyes</p>
<p style="text-align:center;">30:27 - Chaos Of The Galaxy/Happy Man</p>
<p style="text-align:center;">34:04 - Maria's Little Elbows</p>
<p style="text-align:center;">Outro - Hundreds Of Sparrows</p>
<p> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With his work as Sparklehorse, Mark Linkous left behind a collection of music wholly unique - masterfully combining the intimacy of his home recording setup paired with his singular lyrical approach. His songs shift from abrasive guitar driven "Pig" and "Ghost Of His Smile" to the laid back pop of "Sick Of Goodbyes" with little interruption, managing to find common ground in melody with such contemporary artists as Grandaddy, The Jayhawks and Guided By Voices.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with Sudio. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs On This Episode:</p>
<p style="text-align:center;">Intro - Painbirds</p>
<p style="text-align:center;">11:53 - Pig</p>
<p style="text-align:center;">14:58 - Ghost Of His Smile</p>
<p style="text-align:center;">22:19 - Sick Of Goodbyes</p>
<p style="text-align:center;">30:27 - Chaos Of The Galaxy/Happy Man</p>
<p style="text-align:center;">34:04 - Maria's Little Elbows</p>
<p style="text-align:center;">Outro - Hundreds Of Sparrows</p>
<p> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wkrwyq/413-sparklehorse.m4a" length="86379315" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[With his work as Sparklehorse, Mark Linkous left behind a collection of music wholly unique - masterfully combining the intimacy of his home recording setup paired with his singular lyrical approach. His songs shift from abrasive guitar driven "Pig" and "Ghost Of His Smile" to the laid back pop of "Sick Of Goodbyes" with little interruption, managing to find common ground in melody with such contemporary artists as Grandaddy, The Jayhawks and Guided By Voices.
During this episode we discussed our current partnership with Sudio. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.
 
Songs On This Episode:
Intro - Painbirds
11:53 - Pig
14:58 - Ghost Of His Smile
22:19 - Sick Of Goodbyes
30:27 - Chaos Of The Galaxy/Happy Man
34:04 - Maria's Little Elbows
Outro - Hundreds Of Sparrows
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2865</itunes:duration>
                <itunes:episode>147</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#412: The Lateness Of The Hour by Eric Matthews</title>
        <itunes:title>#412: The Lateness Of The Hour by Eric Matthews</itunes:title>
        <link>https://digmeout.podbean.com/e/412-the-lateness-of-the-hour-by-eric-matthews/</link>
                    <comments>https://digmeout.podbean.com/e/412-the-lateness-of-the-hour-by-eric-matthews/#comments</comments>        <pubDate>Tue, 04 Dec 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/412-the-lateness-of-the-hour-by-eric-matthews-eab2fd01386da27d096a5c03ac229096</guid>
                                    <description><![CDATA[<p style="text-align:center;">While the Seattle record label Sub Pop is primarily associated with "grunge," the list of artists and catalog of releases is far more broad. Take for example <a href='https://www.facebook.com/EricMatthewsOfficially/'>Eric Matthews</a>, whose whispered vocal and orchestral arrangements couldn't stray further from the so-called Sub Pop sound. On his sophomore solo release from 1997, The Lateness Of The Hour, Matthews expertly and often densely constructs songs that would sound at home on either an Elliott Smith album or coming out of Pet Sounds by The Beach Boys, never forgetting to layer sweet melodies on top of his sometimes classical arrangements. While the vocal approach took some getting used to, we discovered an album that reveals more musicially and emotionally upon repeated listens.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with <a href='https://www.sudio.com/us/'>Sudio</a>. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Ideas That Died That Day</p>
<p style="text-align:center;">12:02 - My Morning Parade</p>
<p style="text-align:center;">14:48 - Festival Fun</p>
<p style="text-align:center;">16:49 - Pair Of Cherry</p>
<p style="text-align:center;">26:07 - Everything So Real</p>
<p style="text-align:center;">Outro - Dopeyness</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While the Seattle record label Sub Pop is primarily associated with "grunge," the list of artists and catalog of releases is far more broad. Take for example <a href='https://www.facebook.com/EricMatthewsOfficially/'>Eric Matthews</a>, whose whispered vocal and orchestral arrangements couldn't stray further from the so-called Sub Pop sound. On his sophomore solo release from 1997, The Lateness Of The Hour, Matthews expertly and often densely constructs songs that would sound at home on either an Elliott Smith album or coming out of Pet Sounds by The Beach Boys, never forgetting to layer sweet melodies on top of his sometimes classical arrangements. While the vocal approach took some getting used to, we discovered an album that reveals more musicially and emotionally upon repeated listens.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with <a href='https://www.sudio.com/us/'>Sudio</a>. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Ideas That Died That Day</p>
<p style="text-align:center;">12:02 - My Morning Parade</p>
<p style="text-align:center;">14:48 - Festival Fun</p>
<p style="text-align:center;">16:49 - Pair Of Cherry</p>
<p style="text-align:center;">26:07 - Everything So Real</p>
<p style="text-align:center;">Outro - Dopeyness</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/95svyy/412-ericmatthews.m4a" length="78280467" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[While the Seattle record label Sub Pop is primarily associated with "grunge," the list of artists and catalog of releases is far more broad. Take for example Eric Matthews, whose whispered vocal and orchestral arrangements couldn't stray further from the so-called Sub Pop sound. On his sophomore solo release from 1997, The Lateness Of The Hour, Matthews expertly and often densely constructs songs that would sound at home on either an Elliott Smith album or coming out of Pet Sounds by The Beach Boys, never forgetting to layer sweet melodies on top of his sometimes classical arrangements. While the vocal approach took some getting used to, we discovered an album that reveals more musicially and emotionally upon repeated listens.
During this episode we discussed our current partnership with Sudio. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.
 
Songs In This Episode:
Intro - Ideas That Died That Day
12:02 - My Morning Parade
14:48 - Festival Fun
16:49 - Pair Of Cherry
26:07 - Everything So Real
Outro - Dopeyness
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2660</itunes:duration>
                <itunes:episode>146</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#411: Free Mars by Lusk</title>
        <itunes:title>#411: Free Mars by Lusk</itunes:title>
        <link>https://digmeout.podbean.com/e/411-free-mars-by-lusk/</link>
                    <comments>https://digmeout.podbean.com/e/411-free-mars-by-lusk/#comments</comments>        <pubDate>Tue, 27 Nov 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/411-free-mars-by-lusk-4748e102262bcf7550e1429441a090ed</guid>
                                    <description><![CDATA[<p style="text-align:center;">There are not many 1990s albums that fall under the "alternative rock" banner that prominently feature harp and horns the way the lone 1997 album <a href='https://en.wikipedia.org/wiki/Lusk_(band)'>Free Mars by Lusk</a> does. The fact that it does so featuring a wide cast of characters from bands such as Tool (Paul D'Amour), Failure (Greg Edwards), Guns 'n Roses (Chris Pitman) and Medicine (Brad Laner) only adds to the unique and intriguing charm of this one-and-done release.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with <a href='https://www.sudio.com/us/'>Sudio</a>. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Backworlds</p>
<p style="text-align:center;">16:15 - Savvy Kangaroos</p>
<p style="text-align:center;">23:02 - The Hotel Family Affair</p>
<p style="text-align:center;">30:31 - Free Mars</p>
<p style="text-align:center;">Outro - Kill The King</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There are not many 1990s albums that fall under the "alternative rock" banner that prominently feature harp and horns the way the lone 1997 album <a href='https://en.wikipedia.org/wiki/Lusk_(band)'>Free Mars by Lusk</a> does. The fact that it does so featuring a wide cast of characters from bands such as Tool (Paul D'Amour), Failure (Greg Edwards), Guns 'n Roses (Chris Pitman) and Medicine (Brad Laner) only adds to the unique and intriguing charm of this one-and-done release.</p>
<p style="text-align:center;">During this episode we discussed our current partnership with <a href='https://www.sudio.com/us/'>Sudio</a>. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Backworlds</p>
<p style="text-align:center;">16:15 - Savvy Kangaroos</p>
<p style="text-align:center;">23:02 - The Hotel Family Affair</p>
<p style="text-align:center;">30:31 - Free Mars</p>
<p style="text-align:center;">Outro - Kill The King</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cnu933/411-lusk.m4a" length="69403377" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[There are not many 1990s albums that fall under the "alternative rock" banner that prominently feature harp and horns the way the lone 1997 album Free Mars by Lusk does. The fact that it does so featuring a wide cast of characters from bands such as Tool (Paul D'Amour), Failure (Greg Edwards), Guns 'n Roses (Chris Pitman) and Medicine (Brad Laner) only adds to the unique and intriguing charm of this one-and-done release.
During this episode we discussed our current partnership with Sudio. Check them out online and use the discount code "DMO" to receive 15% off your purchase. For the holiday season, each purchase includes a gift box, and shipping is free worldwide.
 
Songs In This Episode:
Intro - Backworlds
16:15 - Savvy Kangaroos
23:02 - The Hotel Family Affair
30:31 - Free Mars
Outro - Kill The King
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2860</itunes:duration>
                <itunes:episode>145</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#410: Owsley by Owsley</title>
        <itunes:title>#410: Owsley by Owsley</itunes:title>
        <link>https://digmeout.podbean.com/e/410-owsley-by-owsley/</link>
                    <comments>https://digmeout.podbean.com/e/410-owsley-by-owsley/#comments</comments>        <pubDate>Tue, 20 Nov 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/410-owsley-by-owsley-5c1aee8ea7b9da1410eabc664ab31d79</guid>
                                    <description><![CDATA[<p style="text-align:center;">Power pop, as we have learned over the years, is a hard subgenre of rock 'n roll to pin down. The 1999 self-titled debut by <a href='https://en.wikipedia.org/wiki/Owsley_(musician)'>Owsley</a> has been referred to as power pop, with some calling it a masterpiece. It's not hard to hear why, as the album is chock full of catchy hooks, harmonies, tasteful nods to The Beatles and checks all the boxes of retro without being nostalgic. For as much as we've enjoyed debating the merits of what is and isn't power pop, we can't overlook the fact that this record didn't quite live up to the masterpiece billing, as we often struggled with slower tunes that slid into a jangle pop plod.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'm Alright</p>
<p style="text-align:center;">14:44 - Zavelow House</p>
<p style="text-align:center;">17:57 - Coming Up Roses</p>
<p style="text-align:center;">25:26 - Oh No The Radio</p>
<p style="text-align:center;">Outro - Sonny Boy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Power pop, as we have learned over the years, is a hard subgenre of rock 'n roll to pin down. The 1999 self-titled debut by <a href='https://en.wikipedia.org/wiki/Owsley_(musician)'>Owsley</a> has been referred to as power pop, with some calling it a masterpiece. It's not hard to hear why, as the album is chock full of catchy hooks, harmonies, tasteful nods to The Beatles and checks all the boxes of retro without being nostalgic. For as much as we've enjoyed debating the merits of what is and isn't power pop, we can't overlook the fact that this record didn't quite live up to the masterpiece billing, as we often struggled with slower tunes that slid into a jangle pop plod.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - I'm Alright</p>
<p style="text-align:center;">14:44 - Zavelow House</p>
<p style="text-align:center;">17:57 - Coming Up Roses</p>
<p style="text-align:center;">25:26 - Oh No The Radio</p>
<p style="text-align:center;">Outro - Sonny Boy</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v5ac3r/410-owsley.m4a" length="69733028" type="audio/x-m4a"/>
        <itunes:summary><![CDATA[Power pop, as we have learned over the years, is a hard subgenre of rock 'n roll to pin down. The 1999 self-titled debut by Owsley has been referred to as power pop, with some calling it a masterpiece. It's not hard to hear why, as the album is chock full of catchy hooks, harmonies, tasteful nods to The Beatles and checks all the boxes of retro without being nostalgic. For as much as we've enjoyed debating the merits of what is and isn't power pop, we can't overlook the fact that this record didn't quite live up to the masterpiece billing, as we often struggled with slower tunes that slid into a jangle pop plod.
 
Songs In This Episode:
Intro - I'm Alright
14:44 - Zavelow House
17:57 - Coming Up Roses
25:26 - Oh No The Radio
Outro - Sonny Boy
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2096</itunes:duration>
                <itunes:episode>144</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#409: Aerosmith In The 90s</title>
        <itunes:title>#409: Aerosmith In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/409-aerosmith-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/409-aerosmith-in-the-90s/#comments</comments>        <pubDate>Tue, 13 Nov 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/409-aerosmith-in-the-90s-c74fa4ce89c2f0cf71d9e3624f878316</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our "In The 90s" series exploring successful 1970s and 80s artists and bands has discovered a common theme - sometimes it was not the rise of grunge and alternative music that through a wrench into their success, sometimes overwhelming success created a watershed moment leaving the band in flux. What was Metallica to do after the Black album? And in this case for our latest episode, what was <a href='https://www.aerosmith.com/'>Aerosmith</a> to do after they fully rebounded from their early 80s descent into drugs with a pair of successful albums to close out the decade (Permanent Vacation and Pump) leading into the ubiquitous 1993 chart topper Get A Grip. Becoming MTV darlings and radio mainstays pushed the band into more pop territory, culminating in the 1998 Diane Warren-penned single "I Don't Want To Miss A Thing" for the Armageddon soundtrack. We walk through the decade and wonder if the apparent wedge driven between lead singer Steven Tyler and guitarist Joe Perry started when the band reached its cultural and chart apex.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Aerosmith Medley - Cryin', Crazy, Amazing from Get A Grip</p>
<p style="text-align:center;">17:09 - Livin' On The Edge from Get A Grip</p>
<p style="text-align:center;">25:29 - Fever from Get A Grip</p>
<p style="text-align:center;">33:50 - Pink from Nine Lives</p>
<p style="text-align:center;">40:47 - Crash from Nine Lives</p>
<p style="text-align:center;">Outro - I Don't Want To Miss A Thing from the Armageddon soundtrack</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our "In The 90s" series exploring successful 1970s and 80s artists and bands has discovered a common theme - sometimes it was not the rise of grunge and alternative music that through a wrench into their success, sometimes overwhelming success created a watershed moment leaving the band in flux. What was Metallica to do after the Black album? And in this case for our latest episode, what was <a href='https://www.aerosmith.com/'>Aerosmith</a> to do after they fully rebounded from their early 80s descent into drugs with a pair of successful albums to close out the decade (Permanent Vacation and Pump) leading into the ubiquitous 1993 chart topper Get A Grip. Becoming MTV darlings and radio mainstays pushed the band into more pop territory, culminating in the 1998 Diane Warren-penned single "I Don't Want To Miss A Thing" for the Armageddon soundtrack. We walk through the decade and wonder if the apparent wedge driven between lead singer Steven Tyler and guitarist Joe Perry started when the band reached its cultural and chart apex.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Aerosmith Medley - Cryin', Crazy, Amazing from Get A Grip</p>
<p style="text-align:center;">17:09 - Livin' On The Edge from Get A Grip</p>
<p style="text-align:center;">25:29 - Fever from Get A Grip</p>
<p style="text-align:center;">33:50 - Pink from Nine Lives</p>
<p style="text-align:center;">40:47 - Crash from Nine Lives</p>
<p style="text-align:center;">Outro - I Don't Want To Miss A Thing from the Armageddon soundtrack</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v2k8x6/409-aerosmithinthe90s.mp3" length="149590577" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our "In The 90s" series exploring successful 1970s and 80s artists and bands has discovered a common theme - sometimes it was not the rise of grunge and alternative music that through a wrench into their success, sometimes overwhelming success created a watershed moment leaving the band in flux. What was Metallica to do after the Black album? And in this case for our latest episode, what was Aerosmith to do after they fully rebounded from their early 80s descent into drugs with a pair of successful albums to close out the decade (Permanent Vacation and Pump) leading into the ubiquitous 1993 chart topper Get A Grip. Becoming MTV darlings and radio mainstays pushed the band into more pop territory, culminating in the 1998 Diane Warren-penned single "I Don't Want To Miss A Thing" for the Armageddon soundtrack. We walk through the decade and wonder if the apparent wedge driven between lead singer Steven Tyler and guitarist Joe Perry started when the band reached its cultural and chart apex.
 
Songs In This Episode:
Aerosmith Medley - Cryin', Crazy, Amazing from Get A Grip
17:09 - Livin' On The Edge from Get A Grip
25:29 - Fever from Get A Grip
33:50 - Pink from Nine Lives
40:47 - Crash from Nine Lives
Outro - I Don't Want To Miss A Thing from the Armageddon soundtrack
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3735</itunes:duration>
                <itunes:episode>143</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#408: Empty by God Lives Underwater</title>
        <itunes:title>#408: Empty by God Lives Underwater</itunes:title>
        <link>https://digmeout.podbean.com/e/408-empty-by-god-lives-underwater/</link>
                    <comments>https://digmeout.podbean.com/e/408-empty-by-god-lives-underwater/#comments</comments>        <pubDate>Tue, 06 Nov 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/408-empty-by-god-lives-underwater-c6f88639d81b22267189e25feb60dd2e</guid>
                                    <description><![CDATA[<p style="text-align:center;">Many musical genres and subgenres previously found in the cultural underground bubbled to the mainstream surface in the 1990s thanks to a major label feeding frenzy and the ever expanding definition of "alternative." Like punk, ska, swing and even grunge, industrial and electronic music had their moments in various ways, and gave rise to interesting iterations that briefly snuck onto MTV and commercial radio. <a href='http://www.davidreillyglu.com/'>God Lives Underwater</a> is one such example, who wrote traditional structures and melodies wrapped with an electronic and industrial exterior. Thanks to uber-producer Rick Rubin, their 1995 debut Empty has a unique reverb-free sound at odds with many of their peers, providing more intimacy and less expanse without sacrificing quality, even if all the songs themselves cannot match the stellar production.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Still</p>
<p style="text-align:center;">13:08 - Empty</p>
<p style="text-align:center;">18:00 - All Wrong</p>
<p style="text-align:center;">21:10 - No More Love</p>
<p style="text-align:center;">27:03 - We Were Wrong</p>
<p style="text-align:center;">Outro - Weaken</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Many musical genres and subgenres previously found in the cultural underground bubbled to the mainstream surface in the 1990s thanks to a major label feeding frenzy and the ever expanding definition of "alternative." Like punk, ska, swing and even grunge, industrial and electronic music had their moments in various ways, and gave rise to interesting iterations that briefly snuck onto MTV and commercial radio. <a href='http://www.davidreillyglu.com/'>God Lives Underwater</a> is one such example, who wrote traditional structures and melodies wrapped with an electronic and industrial exterior. Thanks to uber-producer Rick Rubin, their 1995 debut Empty has a unique reverb-free sound at odds with many of their peers, providing more intimacy and less expanse without sacrificing quality, even if all the songs themselves cannot match the stellar production.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Still</p>
<p style="text-align:center;">13:08 - Empty</p>
<p style="text-align:center;">18:00 - All Wrong</p>
<p style="text-align:center;">21:10 - No More Love</p>
<p style="text-align:center;">27:03 - We Were Wrong</p>
<p style="text-align:center;">Outro - Weaken</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3g8i67/408-godlivesunderwater.mp3" length="84775558" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Many musical genres and subgenres previously found in the cultural underground bubbled to the mainstream surface in the 1990s thanks to a major label feeding frenzy and the ever expanding definition of "alternative." Like punk, ska, swing and even grunge, industrial and electronic music had their moments in various ways, and gave rise to interesting iterations that briefly snuck onto MTV and commercial radio. God Lives Underwater is one such example, who wrote traditional structures and melodies wrapped with an electronic and industrial exterior. Thanks to uber-producer Rick Rubin, their 1995 debut Empty has a unique reverb-free sound at odds with many of their peers, providing more intimacy and less expanse without sacrificing quality, even if all the songs themselves cannot match the stellar production.
 
Songs In This Episode:
Intro - Still
13:08 - Empty
18:00 - All Wrong
21:10 - No More Love
27:03 - We Were Wrong
Outro - Weaken
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2114</itunes:duration>
                <itunes:episode>142</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#407: Scumdogs Of The Universe by Gwar</title>
        <itunes:title>#407: Scumdogs Of The Universe by Gwar</itunes:title>
        <link>https://digmeout.podbean.com/e/407-scumdogs-of-the-universe-by-gwar/</link>
                    <comments>https://digmeout.podbean.com/e/407-scumdogs-of-the-universe-by-gwar/#comments</comments>        <pubDate>Tue, 30 Oct 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/407-scumdogs-of-the-universe-by-gwar-b180801a4cb10f32d63e2dc89049432b</guid>
                                    <description><![CDATA[<p style="text-align:center;">For some, metal shock rockers <a href='https://www.gwar.net/'>Gwar</a> are more style than substance. In fact, we were in that camp, having paid little attention to the band beyond their notorious stage antics and costumes. But thanks to our second annual Halloween-themed episode, we're checking out the 1990 sophomore album Scumdogs Of The Universe. While we expected over the top lyrics with various R-rated subject matter, we did not anticipate how musically diverse the band would sound, managing to integrate New York thrash ala Anthrax along side Quiet Riot-esque glam metal riffs, and even some hardcore punk attitude. It all made for interesting sound they may have slightly overstayed its welcome by the end.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sick Of You</p>
<p style="text-align:center;">13:44 - Vlad The Impaler</p>
<p style="text-align:center;">22:59 - Slaughterama</p>
<p style="text-align:center;">26.52 - Sick Of You</p>
<p style="text-align:center;">30:27 - Cool Place To Park</p>
<p style="text-align:center;">Outro - King Queen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For some, metal shock rockers <a href='https://www.gwar.net/'>Gwar</a> are more style than substance. In fact, we were in that camp, having paid little attention to the band beyond their notorious stage antics and costumes. But thanks to our second annual Halloween-themed episode, we're checking out the 1990 sophomore album Scumdogs Of The Universe. While we expected over the top lyrics with various R-rated subject matter, we did not anticipate how musically diverse the band would sound, managing to integrate New York thrash ala Anthrax along side Quiet Riot-esque glam metal riffs, and even some hardcore punk attitude. It all made for interesting sound they may have slightly overstayed its welcome by the end.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Sick Of You</p>
<p style="text-align:center;">13:44 - Vlad The Impaler</p>
<p style="text-align:center;">22:59 - Slaughterama</p>
<p style="text-align:center;">26.52 - Sick Of You</p>
<p style="text-align:center;">30:27 - Cool Place To Park</p>
<p style="text-align:center;">Outro - King Queen</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/czn6jj/407-gwar.mp3" length="111617928" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For some, metal shock rockers Gwar are more style than substance. In fact, we were in that camp, having paid little attention to the band beyond their notorious stage antics and costumes. But thanks to our second annual Halloween-themed episode, we're checking out the 1990 sophomore album Scumdogs Of The Universe. While we expected over the top lyrics with various R-rated subject matter, we did not anticipate how musically diverse the band would sound, managing to integrate New York thrash ala Anthrax along side Quiet Riot-esque glam metal riffs, and even some hardcore punk attitude. It all made for interesting sound they may have slightly overstayed its welcome by the end.
 
Songs In This Episode:
Intro - Sick Of You
13:44 - Vlad The Impaler
22:59 - Slaughterama
26.52 - Sick Of You
30:27 - Cool Place To Park
Outro - King Queen
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2785</itunes:duration>
                <itunes:episode>141</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#406: Keep It Like A Secret by Built To Spill</title>
        <itunes:title>#406: Keep It Like A Secret by Built To Spill</itunes:title>
        <link>https://digmeout.podbean.com/e/406-keep-it-like-a-secret-by-built-to-spill/</link>
                    <comments>https://digmeout.podbean.com/e/406-keep-it-like-a-secret-by-built-to-spill/#comments</comments>        <pubDate>Tue, 23 Oct 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/406-keep-it-like-a-secret-by-built-to-spill-db5e00c6da062701fc07598f088ea7bb</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='http://www.builttospill.com/'>Built To Spill</a> have remained an anomaly in a number of ways throughout their career - a band steeped in classic rock conventions that seamlessly integrates 1990s indie rock guitar shredding, but does so without sacrificing vocal melodies, and doing in on major label Warner Bros. for twenty years. On 1999's Keep It Like A Secret, Doug Martsch shortened the length and kept the six plus minute long jams to a minimum, but still manages to concoct his stew of six string wizardry and even throw in a kitschy tune (You Were Right) that would have sounded at home on a Ben Folds Five album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Carry The Zero</p>
<p style="text-align:center;">19:49 - The Plan</p>
<p style="text-align:center;">22:49 - Time Trap</p>
<p style="text-align:center;">29:55 - You Were Right</p>
<p style="text-align:center;">Outro - Center Of The Universe</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='http://www.builttospill.com/'>Built To Spill</a> have remained an anomaly in a number of ways throughout their career - a band steeped in classic rock conventions that seamlessly integrates 1990s indie rock guitar shredding, but does so without sacrificing vocal melodies, and doing in on major label Warner Bros. for twenty years. On 1999's Keep It Like A Secret, Doug Martsch shortened the length and kept the six plus minute long jams to a minimum, but still manages to concoct his stew of six string wizardry and even throw in a kitschy tune (You Were Right) that would have sounded at home on a Ben Folds Five album.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Carry The Zero</p>
<p style="text-align:center;">19:49 - The Plan</p>
<p style="text-align:center;">22:49 - Time Trap</p>
<p style="text-align:center;">29:55 - You Were Right</p>
<p style="text-align:center;">Outro - Center Of The Universe</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cm6n9d/406-bts.mp3" length="102423870" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Built To Spill have remained an anomaly in a number of ways throughout their career - a band steeped in classic rock conventions that seamlessly integrates 1990s indie rock guitar shredding, but does so without sacrificing vocal melodies, and doing in on major label Warner Bros. for twenty years. On 1999's Keep It Like A Secret, Doug Martsch shortened the length and kept the six plus minute long jams to a minimum, but still manages to concoct his stew of six string wizardry and even throw in a kitschy tune (You Were Right) that would have sounded at home on a Ben Folds Five album.
 
Songs in this Episode:
Intro - Carry The Zero
19:49 - The Plan
22:49 - Time Trap
29:55 - You Were Right
Outro - Center Of The Universe
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2556</itunes:duration>
                <itunes:episode>140</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#405: Stomp 442 by Anthrax</title>
        <itunes:title>#405: Stomp 442 by Anthrax</itunes:title>
        <link>https://digmeout.podbean.com/e/405-stomp-442-by-anthrax/</link>
                    <comments>https://digmeout.podbean.com/e/405-stomp-442-by-anthrax/#comments</comments>        <pubDate>Tue, 16 Oct 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/405-stomp-442-by-anthrax-ece47db7c2d6a0ac58dcf2f76b3c31a6</guid>
                                    <description><![CDATA[<p style="text-align:center;">After the success of the Sound Of White Noise album with new lead singer John Bush, New York city thrashers <a href='https://anthrax.com/'>Anthrax</a> took the band in a direction that angered and alienated longtime fans. For Stomp 442 from 1995, the band relied less on the chugging thrash riffage of their past, and played with sounds that would be at home in Helmet's post hardcore and alternative metal sound, or the mainstream hard rock that Metallica had cultivated on their Black album. While tag as a "grunge" sell-out, over twenty years later we find it hard to locate an trace of Seattle sound, and find a band brimming with confidence and swagger. Perhaps they made the wrong album at the wrong time, but looking back, it's not hard to hear why so many were confused by the new direction - hopefully this time around they'll give it another spin.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Fueled</p>
<p style="text-align:center;">11:19 - Fueled</p>
<p style="text-align:center;">15:22 - In A Zone</p>
<p style="text-align:center;">23:14 - Perpetual Motion</p>
<p style="text-align:center;">29:21 - Nothing</p>
<p style="text-align:center;">33:36 - Bare</p>
<p style="text-align:center;">Outro - Random Acts Of Senseless Violence</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After the success of the Sound Of White Noise album with new lead singer John Bush, New York city thrashers <a href='https://anthrax.com/'>Anthrax</a> took the band in a direction that angered and alienated longtime fans. For Stomp 442 from 1995, the band relied less on the chugging thrash riffage of their past, and played with sounds that would be at home in Helmet's post hardcore and alternative metal sound, or the mainstream hard rock that Metallica had cultivated on their Black album. While tag as a "grunge" sell-out, over twenty years later we find it hard to locate an trace of Seattle sound, and find a band brimming with confidence and swagger. Perhaps they made the wrong album at the wrong time, but looking back, it's not hard to hear why so many were confused by the new direction - hopefully this time around they'll give it another spin.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Fueled</p>
<p style="text-align:center;">11:19 - Fueled</p>
<p style="text-align:center;">15:22 - In A Zone</p>
<p style="text-align:center;">23:14 - Perpetual Motion</p>
<p style="text-align:center;">29:21 - Nothing</p>
<p style="text-align:center;">33:36 - Bare</p>
<p style="text-align:center;">Outro - Random Acts Of Senseless Violence</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3esaph/405-anthrax.mp3" length="112757914" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After the success of the Sound Of White Noise album with new lead singer John Bush, New York city thrashers Anthrax took the band in a direction that angered and alienated longtime fans. For Stomp 442 from 1995, the band relied less on the chugging thrash riffage of their past, and played with sounds that would be at home in Helmet's post hardcore and alternative metal sound, or the mainstream hard rock that Metallica had cultivated on their Black album. While tag as a "grunge" sell-out, over twenty years later we find it hard to locate an trace of Seattle sound, and find a band brimming with confidence and swagger. Perhaps they made the wrong album at the wrong time, but looking back, it's not hard to hear why so many were confused by the new direction - hopefully this time around they'll give it another spin.
 
Songs in this Episode:
Intro - Fueled
11:19 - Fueled
15:22 - In A Zone
23:14 - Perpetual Motion
29:21 - Nothing
33:36 - Bare
Outro - Random Acts Of Senseless Violence
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2814</itunes:duration>
                <itunes:episode>139</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#404: Digging' Your Scene - Dayton, Ohio</title>
        <itunes:title>#404: Digging' Your Scene - Dayton, Ohio</itunes:title>
        <link>https://digmeout.podbean.com/e/404-digging-your-scene-dayton-ohio/</link>
                    <comments>https://digmeout.podbean.com/e/404-digging-your-scene-dayton-ohio/#comments</comments>        <pubDate>Tue, 09 Oct 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/404-digging-your-scene-dayton-ohio-ecf00f0dfb345e22f8ef5e9d824300e2</guid>
                                    <description><![CDATA[<p style="text-align:center;">Cleveland is the home of the Rock 'n Roll Hall of Fame, Cincinnati is home to legendary soul label King Records and The Afghan Whigs, Akron has Devo and the The Pretenders, but if there is a 1990s alternative and indie rock epicenter of Ohio, it's Dayton, known for its Air Force Base and (alleged) alien cover-ups. The Breeders, Guided By Voices and Brainiac all call Dayton home, breaking through in their own unique ways, but Dayton's musical roots dig deep into 1980s punk and 1970s funk all the way into the 2000s. We discuss the venues, record stores, bands and more that made and make Dayton unique.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Dayton Medley (Guided By Voices, The Amps, Brainiac)</p>
<p style="text-align:center;">12:56 - No Wrong Track by The Method</p>
<p style="text-align:center;">23:48 - God Bless America by Toxic Reasons</p>
<p style="text-align:center;">30:33 - Flying Pizza by Swearing At Motorists</p>
<p style="text-align:center;">41:40 - Listen To The Quiet by Mink</p>
<p style="text-align:center;">45:13 - Toilet Knife by Dirty Walk</p>
<p style="text-align:center;">Outro - Weapons Of Love Destruction by Shesus</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Cleveland is the home of the Rock 'n Roll Hall of Fame, Cincinnati is home to legendary soul label King Records and The Afghan Whigs, Akron has Devo and the The Pretenders, but if there is a 1990s alternative and indie rock epicenter of Ohio, it's Dayton, known for its Air Force Base and (alleged) alien cover-ups. The Breeders, Guided By Voices and Brainiac all call Dayton home, breaking through in their own unique ways, but Dayton's musical roots dig deep into 1980s punk and 1970s funk all the way into the 2000s. We discuss the venues, record stores, bands and more that made and make Dayton unique.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Dayton Medley (Guided By Voices, The Amps, Brainiac)</p>
<p style="text-align:center;">12:56 - No Wrong Track by The Method</p>
<p style="text-align:center;">23:48 - God Bless America by Toxic Reasons</p>
<p style="text-align:center;">30:33 - Flying Pizza by Swearing At Motorists</p>
<p style="text-align:center;">41:40 - Listen To The Quiet by Mink</p>
<p style="text-align:center;">45:13 - Toilet Knife by Dirty Walk</p>
<p style="text-align:center;">Outro - Weapons Of Love Destruction by Shesus</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/brz863/404-daytoninthe90s.mp3" length="158478476" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Cleveland is the home of the Rock 'n Roll Hall of Fame, Cincinnati is home to legendary soul label King Records and The Afghan Whigs, Akron has Devo and the The Pretenders, but if there is a 1990s alternative and indie rock epicenter of Ohio, it's Dayton, known for its Air Force Base and (alleged) alien cover-ups. The Breeders, Guided By Voices and Brainiac all call Dayton home, breaking through in their own unique ways, but Dayton's musical roots dig deep into 1980s punk and 1970s funk all the way into the 2000s. We discuss the venues, record stores, bands and more that made and make Dayton unique.
 
Songs in this episode:
Intro - Dayton Medley (Guided By Voices, The Amps, Brainiac)
12:56 - No Wrong Track by The Method
23:48 - God Bless America by Toxic Reasons
30:33 - Flying Pizza by Swearing At Motorists
41:40 - Listen To The Quiet by Mink
45:13 - Toilet Knife by Dirty Walk
Outro - Weapons Of Love Destruction by Shesus
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3957</itunes:duration>
                <itunes:episode>138</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#403: Since by Richard Buckner</title>
        <itunes:title>#403: Since by Richard Buckner</itunes:title>
        <link>https://digmeout.podbean.com/e/403-since-by-richard-buckner/</link>
                    <comments>https://digmeout.podbean.com/e/403-since-by-richard-buckner/#comments</comments>        <pubDate>Tue, 02 Oct 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/403-since-by-richard-buckner-a1806d63a33f774831d689a28c42e82b</guid>
                                    <description><![CDATA[<p style="text-align:center;">For his 1998 album Since, <a href='http://www.richardbuckner.com/'>Richard Buckner</a> enlisted a strong supporting cast (John McEntire of Tortoise, The Sea And Cake / Dave Schramm of Yo La Tengo, The Schramms / David Grubbs of Squirrel Bait, Gastr Del Sol, Bastro) to shape an Americana/Alt Country record that feels out of place for the time, but perfectly in sync with the Jason Isbell's and John Moreland's of today's musical landscape. It helps that Buckner's poetic approach eschews the compact disc bloat and hones a tight sixteen track / thirty seven minute album that actually left us wanting more in spaces rather than wishing for restraint and editing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Believer</p>
<p style="text-align:center;">12:04 - Raze</p>
<p style="text-align:center;">16:56 - Brief & Boundless</p>
<p style="text-align:center;">20:12 - Lucky Buzz</p>
<p style="text-align:center;">29:34 - Coursed</p>
<p style="text-align:center;">Outro - Goner w/Souvenir</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For his 1998 album Since, <a href='http://www.richardbuckner.com/'>Richard Buckner</a> enlisted a strong supporting cast (John McEntire of Tortoise, The Sea And Cake / Dave Schramm of Yo La Tengo, The Schramms / David Grubbs of Squirrel Bait, Gastr Del Sol, Bastro) to shape an Americana/Alt Country record that feels out of place for the time, but perfectly in sync with the Jason Isbell's and John Moreland's of today's musical landscape. It helps that Buckner's poetic approach eschews the compact disc bloat and hones a tight sixteen track / thirty seven minute album that actually left us wanting more in spaces rather than wishing for restraint and editing.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Believer</p>
<p style="text-align:center;">12:04 - Raze</p>
<p style="text-align:center;">16:56 - Brief & Boundless</p>
<p style="text-align:center;">20:12 - Lucky Buzz</p>
<p style="text-align:center;">29:34 - Coursed</p>
<p style="text-align:center;">Outro - Goner w/Souvenir</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8vpbad/403-richardbuckner.mp3" length="108242917" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For his 1998 album Since, Richard Buckner enlisted a strong supporting cast (John McEntire of Tortoise, The Sea And Cake / Dave Schramm of Yo La Tengo, The Schramms / David Grubbs of Squirrel Bait, Gastr Del Sol, Bastro) to shape an Americana/Alt Country record that feels out of place for the time, but perfectly in sync with the Jason Isbell's and John Moreland's of today's musical landscape. It helps that Buckner's poetic approach eschews the compact disc bloat and hones a tight sixteen track / thirty seven minute album that actually left us wanting more in spaces rather than wishing for restraint and editing.
 
Songs in this episode:
Intro - Believer
12:04 - Raze
16:56 - Brief & Boundless
20:12 - Lucky Buzz
29:34 - Coursed
Outro - Goner w/Souvenir
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2701</itunes:duration>
                <itunes:episode>137</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#402: Mellow Gold by Beck</title>
        <itunes:title>#402: Mellow Gold by Beck</itunes:title>
        <link>https://digmeout.podbean.com/e/402-mellow-gold-by-beck/</link>
                    <comments>https://digmeout.podbean.com/e/402-mellow-gold-by-beck/#comments</comments>        <pubDate>Tue, 25 Sep 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/402-mellow-gold-by-beck-b543ad830f28b59d9ba77ee00ac759f7</guid>
                                    <description><![CDATA[<p style="text-align:center;">We revisit Beck's major label debut Mellow Gold, was it a warm-up for the multi-platinum Odelay, or is Loser the only worthwhile nugget?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Loser</p>
<p style="text-align:center;">12:54 -Soul Suckin' Jerk</p>
<p style="text-align:center;">17:58 - Beercan</p>
<p style="text-align:center;">26:28 - Truckdrivin Neighbors Downstairs (Yellow Sweat)</p>
<p style="text-align:center;">Outro - Sweet Sunshine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We revisit Beck's major label debut Mellow Gold, was it a warm-up for the multi-platinum Odelay, or is Loser the only worthwhile nugget?</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Loser</p>
<p style="text-align:center;">12:54 -Soul Suckin' Jerk</p>
<p style="text-align:center;">17:58 - Beercan</p>
<p style="text-align:center;">26:28 - Truckdrivin Neighbors Downstairs (Yellow Sweat)</p>
<p style="text-align:center;">Outro - Sweet Sunshine</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/82vi7c/402-beckmellowgold.mp3" length="90411734" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We revisit Beck's major label debut Mellow Gold, was it a warm-up for the multi-platinum Odelay, or is Loser the only worthwhile nugget?
 
Songs in this episode:
Intro - Loser
12:54 -Soul Suckin' Jerk
17:58 - Beercan
26:28 - Truckdrivin Neighbors Downstairs (Yellow Sweat)
Outro - Sweet Sunshine
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2255</itunes:duration>
                <itunes:episode>135</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Patreon Preview: Power Pop in the '00s Discussion</title>
        <itunes:title>Patreon Preview: Power Pop in the '00s Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/patreon-preview-power-pop-in-the-00s-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/patreon-preview-power-pop-in-the-00s-discussion/#comments</comments>        <pubDate>Thu, 20 Sep 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/patreon-preview-power-pop-in-the-00s-discussion-3168cf4b1e1e538aa4560eee27225098</guid>
                                    <description><![CDATA[<p style="text-align:center;">Wondering about our exclusive content over at Patreon? Here's a sample of the first five minutes of our extended twenty minute discussion on Power Pop as we chat about the 2000s.</p>
<p style="text-align:center;">Hear the entire bonus content, be eligible for quarterly contests, vote in our polls, and support the podcast at <a href='https://www.patreon.com/digmeout'>patreon.com/digmeout</a>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Wondering about our exclusive content over at Patreon? Here's a sample of the first five minutes of our extended twenty minute discussion on Power Pop as we chat about the 2000s.</p>
<p style="text-align:center;">Hear the entire bonus content, be eligible for quarterly contests, vote in our polls, and support the podcast at <a href='https://www.patreon.com/digmeout'>patreon.com/digmeout</a>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3u5pmh/Patreon_Preview_-_Power_Pop_in_the_00s_Discussion.mp3" length="16448428" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Wondering about our exclusive content over at Patreon? Here's a sample of the first five minutes of our extended twenty minute discussion on Power Pop as we chat about the 2000s.
Hear the entire bonus content, be eligible for quarterly contests, vote in our polls, and support the podcast at patreon.com/digmeout.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>308</itunes:duration>
                <itunes:episode>136</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#401: Power Pop Of The 90s</title>
        <itunes:title>#401: Power Pop Of The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/401-power-pop-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/401-power-pop-of-the-90s/#comments</comments>        <pubDate>Tue, 18 Sep 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/401-power-pop-of-the-90s-b4610c47811cdc502c13ffc12c6b2874</guid>
                                    <description><![CDATA[<p style="text-align:center;">For a lot of people, the rock music subgenre known as "power pop" is one of those "you know it when you hear it" situations. However, over the years many have tried to describe and dissect what makes power pop unique from musical cousins such as pop rock or jangle pop. Like the 70s and 80s before them, 90s power pop bands put their own spin on the sound, adding a little more guitar crunch while incorporating the hallmark harmonies, British Invasion influenced melodies and arrangements, and other key elements, thanks bands like Sloan, Jellyfish, Teenage Fanclub, Superdrag, Fountains Of Wayne and The Posies, and artists like Matthew Sweet, Tommy Keene and Jason Falkner. With our panel, we dig into the sounds, the songs, the albums and the artists of 90s power pop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Sick Of Myself by Matthew Sweet</p>
<p style="text-align:center;">32:14 - Buddy Holly by Weezer</p>
<p style="text-align:center;">37:05 - Bottle Of Fur by Urge Overkill</p>
<p style="text-align:center;">46:17 - Money City Maniacs by Sloan</p>
<p style="text-align:center;">52:41 - What You Do To Me by Teenage Fanclub</p>
<p style="text-align:center;">Outro - Red Dragon Tattoo by Fountains of Wayne</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For a lot of people, the rock music subgenre known as "power pop" is one of those "you know it when you hear it" situations. However, over the years many have tried to describe and dissect what makes power pop unique from musical cousins such as pop rock or jangle pop. Like the 70s and 80s before them, 90s power pop bands put their own spin on the sound, adding a little more guitar crunch while incorporating the hallmark harmonies, British Invasion influenced melodies and arrangements, and other key elements, thanks bands like Sloan, Jellyfish, Teenage Fanclub, Superdrag, Fountains Of Wayne and The Posies, and artists like Matthew Sweet, Tommy Keene and Jason Falkner. With our panel, we dig into the sounds, the songs, the albums and the artists of 90s power pop.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">Songs in this episode:</p>
<p style="text-align:center;">Intro - Sick Of Myself by Matthew Sweet</p>
<p style="text-align:center;">32:14 - Buddy Holly by Weezer</p>
<p style="text-align:center;">37:05 - Bottle Of Fur by Urge Overkill</p>
<p style="text-align:center;">46:17 - Money City Maniacs by Sloan</p>
<p style="text-align:center;">52:41 - What You Do To Me by Teenage Fanclub</p>
<p style="text-align:center;">Outro - Red Dragon Tattoo by Fountains of Wayne</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">To support the podcast, join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content and more.</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/av8mip/401-powerpop.mp3" length="169087319" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For a lot of people, the rock music subgenre known as "power pop" is one of those "you know it when you hear it" situations. However, over the years many have tried to describe and dissect what makes power pop unique from musical cousins such as pop rock or jangle pop. Like the 70s and 80s before them, 90s power pop bands put their own spin on the sound, adding a little more guitar crunch while incorporating the hallmark harmonies, British Invasion influenced melodies and arrangements, and other key elements, thanks bands like Sloan, Jellyfish, Teenage Fanclub, Superdrag, Fountains Of Wayne and The Posies, and artists like Matthew Sweet, Tommy Keene and Jason Falkner. With our panel, we dig into the sounds, the songs, the albums and the artists of 90s power pop.
 
Songs in this episode:
Intro - Sick Of Myself by Matthew Sweet
32:14 - Buddy Holly by Weezer
37:05 - Bottle Of Fur by Urge Overkill
46:17 - Money City Maniacs by Sloan
52:41 - What You Do To Me by Teenage Fanclub
Outro - Red Dragon Tattoo by Fountains of Wayne
 
To support the podcast, join us at Patreon for bonus content and more.
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4222</itunes:duration>
                <itunes:episode>134</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#400: Half Dead and Dynamite by Lifter Puller</title>
        <itunes:title>#400: Half Dead and Dynamite by Lifter Puller</itunes:title>
        <link>https://digmeout.podbean.com/e/400-half-dead-and-dynamite-by-lifter-puller/</link>
                    <comments>https://digmeout.podbean.com/e/400-half-dead-and-dynamite-by-lifter-puller/#comments</comments>        <pubDate>Tue, 11 Sep 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/400-half-dead-and-dynamite-by-lifter-puller-2ee32beebd649b6673982517352d54b6</guid>
                                    <description><![CDATA[<p style="text-align:center;">Craig Finn is best known for his distinctive vocal and lyrical style thanks to The Hold Steady in the 2000s. But while that band channeled Bruce Springsteen, The Replacements and The Band for musical inspiration, his 1990s outfit Lifter Puller took a decidedly more angular approach with nods to Television, Nick Cave and the Bad Seeds and Pavement. Digging into 1997's sophomore released Half Dead and Dynamite, the drugged up and drunken stories familiar to Finn fans are there, but the band backing him presents a different sonic approach, eschewing bombast and power chords for jagged rhythms and Radioshack keyboards.</p>
<p style="text-align:center;">Intro - The Gin and the Sour Defeat</p>
<p style="text-align:center;">10:45 - Half Dead and Dynamite</p>
<p style="text-align:center;">17:03 - Nassau Coliseum</p>
<p style="text-align:center;">21:18 - I Like The Lights</p>
<p style="text-align:center;">29:17 - Rock for Lite Brite</p>
<p style="text-align:center;">Outro - The Bears</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Craig Finn is best known for his distinctive vocal and lyrical style thanks to The Hold Steady in the 2000s. But while that band channeled Bruce Springsteen, The Replacements and The Band for musical inspiration, his 1990s outfit Lifter Puller took a decidedly more angular approach with nods to Television, Nick Cave and the Bad Seeds and Pavement. Digging into 1997's sophomore released Half Dead and Dynamite, the drugged up and drunken stories familiar to Finn fans are there, but the band backing him presents a different sonic approach, eschewing bombast and power chords for jagged rhythms and Radioshack keyboards.</p>
<p style="text-align:center;">Intro - The Gin and the Sour Defeat</p>
<p style="text-align:center;">10:45 - Half Dead and Dynamite</p>
<p style="text-align:center;">17:03 - Nassau Coliseum</p>
<p style="text-align:center;">21:18 - I Like The Lights</p>
<p style="text-align:center;">29:17 - Rock for Lite Brite</p>
<p style="text-align:center;">Outro - The Bears</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qtqg5b/400-lftrpllr.mp3" length="111816462" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Craig Finn is best known for his distinctive vocal and lyrical style thanks to The Hold Steady in the 2000s. But while that band channeled Bruce Springsteen, The Replacements and The Band for musical inspiration, his 1990s outfit Lifter Puller took a decidedly more angular approach with nods to Television, Nick Cave and the Bad Seeds and Pavement. Digging into 1997's sophomore released Half Dead and Dynamite, the drugged up and drunken stories familiar to Finn fans are there, but the band backing him presents a different sonic approach, eschewing bombast and power chords for jagged rhythms and Radioshack keyboards.
Intro - The Gin and the Sour Defeat
10:45 - Half Dead and Dynamite
17:03 - Nassau Coliseum
21:18 - I Like The Lights
29:17 - Rock for Lite Brite
Outro - The Bears
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2790</itunes:duration>
                <itunes:episode>133</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#399: Pack Up The Cats by Local H</title>
        <itunes:title>#399: Pack Up The Cats by Local H</itunes:title>
        <link>https://digmeout.podbean.com/e/399-pack-up-the-cats-by-local-h/</link>
                    <comments>https://digmeout.podbean.com/e/399-pack-up-the-cats-by-local-h/#comments</comments>        <pubDate>Tue, 04 Sep 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/399-pack-up-the-cats-by-local-h-fa83d035310bd100ff29dc86059f1c0f</guid>
                                    <description><![CDATA[<p style="text-align:center;">Concept albums are as old as albums themselves, though defining what exactly qualifies as a concept album is flexible. The 90s were no different, as many bands and artists took loose ideas and strung together narratives and themes to form a cohesive idea. Of all the bands you were probably expecting to do so back in day, Local H was probably not high on that list, but songwriter/guitarist/singer Scott Lucas has dipped into the concept album well often during the past several decades, first with their 1996 break-through As Good As Dead, and then the 1998 follow-up Pack Up The Cats. Lucas and drummer Joe Daniels weave a tale not unfamiliar to rock fans - the rise and fall of a musician, but with the decade specific twists and turns that make it a uniquely 90s affair, both lyrically and sonically, and craft a concept album worthy of the decades medium of choice: the compact disc.</p>
<p style="text-align:center;">Intro - All The Kids Are Right</p>
<p style="text-align:center;">32:13 - All-Right (Oh Yeah)</p>
<p style="text-align:center;">34:49 - Cool Magnet</p>
<p style="text-align:center;">36:58 - Laminate Man</p>
<p style="text-align:center;">40:47 - Deep Cut</p>
<p style="text-align:center;">43.46 - Lucky Time</p>
<p style="text-align:center;">50:16 - Hit The Skids</p>
<p style="text-align:center;">Outro - What Can I Tell You</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Concept albums are as old as albums themselves, though defining what exactly qualifies as a concept album is flexible. The 90s were no different, as many bands and artists took loose ideas and strung together narratives and themes to form a cohesive idea. Of all the bands you were probably expecting to do so back in day, Local H was probably not high on that list, but songwriter/guitarist/singer Scott Lucas has dipped into the concept album well often during the past several decades, first with their 1996 break-through As Good As Dead, and then the 1998 follow-up Pack Up The Cats. Lucas and drummer Joe Daniels weave a tale not unfamiliar to rock fans - the rise and fall of a musician, but with the decade specific twists and turns that make it a uniquely 90s affair, both lyrically and sonically, and craft a concept album worthy of the decades medium of choice: the compact disc.</p>
<p style="text-align:center;">Intro - All The Kids Are Right</p>
<p style="text-align:center;">32:13 - All-Right (Oh Yeah)</p>
<p style="text-align:center;">34:49 - Cool Magnet</p>
<p style="text-align:center;">36:58 - Laminate Man</p>
<p style="text-align:center;">40:47 - Deep Cut</p>
<p style="text-align:center;">43.46 - Lucky Time</p>
<p style="text-align:center;">50:16 - Hit The Skids</p>
<p style="text-align:center;">Outro - What Can I Tell You</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/apm6qv/399-localhpackupthecats.mp3" length="174287787" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Concept albums are as old as albums themselves, though defining what exactly qualifies as a concept album is flexible. The 90s were no different, as many bands and artists took loose ideas and strung together narratives and themes to form a cohesive idea. Of all the bands you were probably expecting to do so back in day, Local H was probably not high on that list, but songwriter/guitarist/singer Scott Lucas has dipped into the concept album well often during the past several decades, first with their 1996 break-through As Good As Dead, and then the 1998 follow-up Pack Up The Cats. Lucas and drummer Joe Daniels weave a tale not unfamiliar to rock fans - the rise and fall of a musician, but with the decade specific twists and turns that make it a uniquely 90s affair, both lyrically and sonically, and craft a concept album worthy of the decades medium of choice: the compact disc.
Intro - All The Kids Are Right
32:13 - All-Right (Oh Yeah)
34:49 - Cool Magnet
36:58 - Laminate Man
40:47 - Deep Cut
43.46 - Lucky Time
50:16 - Hit The Skids
Outro - What Can I Tell You
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4352</itunes:duration>
                <itunes:episode>132</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#398: Frosting On The Beater by The Posies</title>
        <itunes:title>#398: Frosting On The Beater by The Posies</itunes:title>
        <link>https://digmeout.podbean.com/e/398-frosting-on-the-beater-by-the-posies/</link>
                    <comments>https://digmeout.podbean.com/e/398-frosting-on-the-beater-by-the-posies/#comments</comments>        <pubDate>Tue, 28 Aug 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/398-frosting-on-the-beater-by-the-posies-5ce388a2c7b8d847f22eb21e2625406b</guid>
                                    <description><![CDATA[<p style="text-align:center;">The 1990s are known as the grunge decade, but really Seattle's reign was contained to the first half, which is when The Posies power-pop tour de force Frosting On The Beater happened to be released in 1993. It's not hard to understand why this band from the Pacific Northwest struggled to find an broad audience - the singles are teeming with Big Star, Cheap Trick, The Beatles, and other classic power pop influence, and only Matthew Sweet was able to crack mainstream radio playlists and MTV video rotation with a similar but equally melodic approach. It doesn't help that in an era of Discman players and vinyl decline, Don Fleming's beefed up production truly only finds its sweet spot when the stereo speakers are pushing serious air, which we are happy to oblige.</p>
<p style="text-align:center;">Intro - Dream All Day</p>
<p style="text-align:center;">9:54 - Definite Door</p>
<p style="text-align:center;">13:28 - Love Letter Boxes</p>
<p style="text-align:center;">19:51 - How She Lied By Living</p>
<p style="text-align:center;">29:37 - Solar Sister</p>
<p style="text-align:center;">Outro - Flavor Of The Month</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The 1990s are known as the grunge decade, but really Seattle's reign was contained to the first half, which is when The Posies power-pop tour de force Frosting On The Beater happened to be released in 1993. It's not hard to understand why this band from the Pacific Northwest struggled to find an broad audience - the singles are teeming with Big Star, Cheap Trick, The Beatles, and other classic power pop influence, and only Matthew Sweet was able to crack mainstream radio playlists and MTV video rotation with a similar but equally melodic approach. It doesn't help that in an era of Discman players and vinyl decline, Don Fleming's beefed up production truly only finds its sweet spot when the stereo speakers are pushing serious air, which we are happy to oblige.</p>
<p style="text-align:center;">Intro - Dream All Day</p>
<p style="text-align:center;">9:54 - Definite Door</p>
<p style="text-align:center;">13:28 - Love Letter Boxes</p>
<p style="text-align:center;">19:51 - How She Lied By Living</p>
<p style="text-align:center;">29:37 - Solar Sister</p>
<p style="text-align:center;">Outro - Flavor Of The Month</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xgrzx3/398-theposies.mp3" length="91783680" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1990s are known as the grunge decade, but really Seattle's reign was contained to the first half, which is when The Posies power-pop tour de force Frosting On The Beater happened to be released in 1993. It's not hard to understand why this band from the Pacific Northwest struggled to find an broad audience - the singles are teeming with Big Star, Cheap Trick, The Beatles, and other classic power pop influence, and only Matthew Sweet was able to crack mainstream radio playlists and MTV video rotation with a similar but equally melodic approach. It doesn't help that in an era of Discman players and vinyl decline, Don Fleming's beefed up production truly only finds its sweet spot when the stereo speakers are pushing serious air, which we are happy to oblige.
Intro - Dream All Day
9:54 - Definite Door
13:28 - Love Letter Boxes
19:51 - How She Lied By Living
29:37 - Solar Sister
Outro - Flavor Of The Month
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2290</itunes:duration>
                <itunes:episode>131</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#397: Side Projects Of The 90s</title>
        <itunes:title>#397: Side Projects Of The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/397-side-projects-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/397-side-projects-of-the-90s/#comments</comments>        <pubDate>Tue, 21 Aug 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/397-side-projects-of-the-90s-b529dfe9f9f1fafbd54d68d3af0d83fd</guid>
                                    <description><![CDATA[<p style="text-align:center;">When musicians aren't busy writing, recording and touring with their main band, often times you'll find them in side projects, mixing it up with new sounds and new collaborators. The 1990s were no different, as folks from the biggest bands to lesser known indie artists often found a new creative outlet outside their main gig. But what exactly makes it a side project, as opposed to just putting out a solo album, or recording with a fabled "super group?" We try to lay down some (admittedly) shaky criteria to figure out what makes a side project, revisiting those that worked, a few that didn't, some that left us scratching our heads and some that left us wanting more.</p>
<p style="text-align:center;">Intro - Side Project Medley (Friends Of P by The Rentals, Hunger Strike by Temple Of The Dog, Tipp City by The Amps)</p>
<p style="text-align:center;">7:17 - That's Just How That Bird Sings by The Twilight Singers</p>
<p style="text-align:center;">20:06 - Gimme Indie Rock by Sebadoh</p>
<p style="text-align:center;">26:48 - Wasting Away by Nailbomb</p>
<p style="text-align:center;">40:57 - Song For A Dead Girl by Three Fish</p>
<p style="text-align:center;">46:54 - 20th Century by Brad</p>
<p style="text-align:center;">Outro - Yoo Hoo by Imperial Teen</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">When musicians aren't busy writing, recording and touring with their main band, often times you'll find them in side projects, mixing it up with new sounds and new collaborators. The 1990s were no different, as folks from the biggest bands to lesser known indie artists often found a new creative outlet outside their main gig. But what exactly makes it a side project, as opposed to just putting out a solo album, or recording with a fabled "super group?" We try to lay down some (admittedly) shaky criteria to figure out what makes a side project, revisiting those that worked, a few that didn't, some that left us scratching our heads and some that left us wanting more.</p>
<p style="text-align:center;">Intro - Side Project Medley (Friends Of P by The Rentals, Hunger Strike by Temple Of The Dog, Tipp City by The Amps)</p>
<p style="text-align:center;">7:17 - That's Just How That Bird Sings by The Twilight Singers</p>
<p style="text-align:center;">20:06 - Gimme Indie Rock by Sebadoh</p>
<p style="text-align:center;">26:48 - Wasting Away by Nailbomb</p>
<p style="text-align:center;">40:57 - Song For A Dead Girl by Three Fish</p>
<p style="text-align:center;">46:54 - 20th Century by Brad</p>
<p style="text-align:center;">Outro - Yoo Hoo by Imperial Teen</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jg2ie7/397-sideprojectsroundtable.mp3" length="150691905" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When musicians aren't busy writing, recording and touring with their main band, often times you'll find them in side projects, mixing it up with new sounds and new collaborators. The 1990s were no different, as folks from the biggest bands to lesser known indie artists often found a new creative outlet outside their main gig. But what exactly makes it a side project, as opposed to just putting out a solo album, or recording with a fabled "super group?" We try to lay down some (admittedly) shaky criteria to figure out what makes a side project, revisiting those that worked, a few that didn't, some that left us scratching our heads and some that left us wanting more.
Intro - Side Project Medley (Friends Of P by The Rentals, Hunger Strike by Temple Of The Dog, Tipp City by The Amps)
7:17 - That's Just How That Bird Sings by The Twilight Singers
20:06 - Gimme Indie Rock by Sebadoh
26:48 - Wasting Away by Nailbomb
40:57 - Song For A Dead Girl by Three Fish
46:54 - 20th Century by Brad
Outro - Yoo Hoo by Imperial Teen
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3762</itunes:duration>
                <itunes:episode>130</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#396: Into The Pink by Verbena</title>
        <itunes:title>#396: Into The Pink by Verbena</itunes:title>
        <link>https://digmeout.podbean.com/e/396-into-the-pink-by-verbena/</link>
                    <comments>https://digmeout.podbean.com/e/396-into-the-pink-by-verbena/#comments</comments>        <pubDate>Tue, 14 Aug 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/396-into-the-pink-by-verbena-aa953e58a1b0b8821d04e55b3fb903d9</guid>
                                    <description><![CDATA[<p style="text-align:center;">After Nirvana exploded in the 1990s, bands across the globe got signed for sounding just enough like the Kurt, Krist, and Dave, an inevitable result of major labels hoping to find "the next Nirvana." It was also inevitable that young artists would be influenced by the band dominating radio and MTV, and so began the delicate balance of imitation and influence, recycling and reinterpretation. On their sophomore album Into The Pink, <a>Verbena</a> had a lot to shoulder. With the multi-pronged assault of electronica, nu-metal and manufactured pop, some decried the end of rock'n'roll in the later half other decade, and searched for a savior. With a single that tipped a nod to Cobain vocally and Nirvana sonically, and with Dave Grohl onboard as producer, the hype machine declaring Verbena to be "the next Nirvana" was in full swing, coloring the band before most got to hear the record in full. We try to get beneath the marketing and figure out what really worked, what didn't, and why rock music fans in general are so intent on tearing down the latest thing.</p>
<p style="text-align:center;">Intro - Into The Pink</p>
<p style="text-align:center;">15:09 - Baby Got Shot</p>
<p style="text-align:center;">19:06 - John Beverly</p>
<p style="text-align:center;">24:41 - Monkey, I'm Your Man</p>
<p style="text-align:center;">Outro - Pretty Please</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">After Nirvana exploded in the 1990s, bands across the globe got signed for sounding just enough like the Kurt, Krist, and Dave, an inevitable result of major labels hoping to find "the next Nirvana." It was also inevitable that young artists would be influenced by the band dominating radio and MTV, and so began the delicate balance of imitation and influence, recycling and reinterpretation. On their sophomore album Into The Pink, <a>Verbena</a> had a lot to shoulder. With the multi-pronged assault of electronica, nu-metal and manufactured pop, some decried the end of rock'n'roll in the later half other decade, and searched for a savior. With a single that tipped a nod to Cobain vocally and Nirvana sonically, and with Dave Grohl onboard as producer, the hype machine declaring Verbena to be "the next Nirvana" was in full swing, coloring the band before most got to hear the record in full. We try to get beneath the marketing and figure out what really worked, what didn't, and why rock music fans in general are so intent on tearing down the latest thing.</p>
<p style="text-align:center;">Intro - Into The Pink</p>
<p style="text-align:center;">15:09 - Baby Got Shot</p>
<p style="text-align:center;">19:06 - John Beverly</p>
<p style="text-align:center;">24:41 - Monkey, I'm Your Man</p>
<p style="text-align:center;">Outro - Pretty Please</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qq9my6/396-verbena.mp3" length="109262731" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After Nirvana exploded in the 1990s, bands across the globe got signed for sounding just enough like the Kurt, Krist, and Dave, an inevitable result of major labels hoping to find "the next Nirvana." It was also inevitable that young artists would be influenced by the band dominating radio and MTV, and so began the delicate balance of imitation and influence, recycling and reinterpretation. On their sophomore album Into The Pink, Verbena had a lot to shoulder. With the multi-pronged assault of electronica, nu-metal and manufactured pop, some decried the end of rock'n'roll in the later half other decade, and searched for a savior. With a single that tipped a nod to Cobain vocally and Nirvana sonically, and with Dave Grohl onboard as producer, the hype machine declaring Verbena to be "the next Nirvana" was in full swing, coloring the band before most got to hear the record in full. We try to get beneath the marketing and figure out what really worked, what didn't, and why rock music fans in general are so intent on tearing down the latest thing.
Intro - Into The Pink
15:09 - Baby Got Shot
19:06 - John Beverly
24:41 - Monkey, I'm Your Man
Outro - Pretty Please
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2727</itunes:duration>
                <itunes:episode>129</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#395: Tin Cans With Strings To You by Far</title>
        <itunes:title>#395: Tin Cans With Strings To You by Far</itunes:title>
        <link>https://digmeout.podbean.com/e/395-tin-cans-with-strings-to-you-by-far/</link>
                    <comments>https://digmeout.podbean.com/e/395-tin-cans-with-strings-to-you-by-far/#comments</comments>        <pubDate>Tue, 07 Aug 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/395-tin-cans-with-strings-to-you-by-far-2115eb3ea5fe7f5183b212418a154587</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their 1996 major label debut Tin Cans With Strings To You, the Sacramento, CA band <a>Far</a> find themselves at an interesting crossroads. By this point in the decade, grunge is well past its expiration date, so how do you describe a rock band that can synthesize New York City post-hardcore and Washington D.C. emo, with hints of the burgeoning San Diego screamo scene? Thanks to our Patreon patrons suggestion, we revisit a record that on the surface hits all of our respective musical sweet spots, but gave us some some head scratching moments as well with regard to production choices and track list order.</p>
<p style="text-align:center;">Intro - Love, American Style</p>
<p style="text-align:center;">13:14 - Girl</p>
<p style="text-align:center;">22:30 - Celebrate Her</p>
<p style="text-align:center;">36:25 - Joining The Circus</p>
<p style="text-align:center;">Outro - Seasick</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their 1996 major label debut Tin Cans With Strings To You, the Sacramento, CA band <a>Far</a> find themselves at an interesting crossroads. By this point in the decade, grunge is well past its expiration date, so how do you describe a rock band that can synthesize New York City post-hardcore and Washington D.C. emo, with hints of the burgeoning San Diego screamo scene? Thanks to our Patreon patrons suggestion, we revisit a record that on the surface hits all of our respective musical sweet spots, but gave us some some head scratching moments as well with regard to production choices and track list order.</p>
<p style="text-align:center;">Intro - Love, American Style</p>
<p style="text-align:center;">13:14 - Girl</p>
<p style="text-align:center;">22:30 - Celebrate Her</p>
<p style="text-align:center;">36:25 - Joining The Circus</p>
<p style="text-align:center;">Outro - Seasick</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m4vcpc/395-far.mp3" length="109676506" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their 1996 major label debut Tin Cans With Strings To You, the Sacramento, CA band Far find themselves at an interesting crossroads. By this point in the decade, grunge is well past its expiration date, so how do you describe a rock band that can synthesize New York City post-hardcore and Washington D.C. emo, with hints of the burgeoning San Diego screamo scene? Thanks to our Patreon patrons suggestion, we revisit a record that on the surface hits all of our respective musical sweet spots, but gave us some some head scratching moments as well with regard to production choices and track list order.
Intro - Love, American Style
13:14 - Girl
22:30 - Celebrate Her
36:25 - Joining The Circus
Outro - Seasick
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2737</itunes:duration>
                <itunes:episode>128</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#394: Interview With Jonny Polonsky</title>
        <itunes:title>#394: Interview With Jonny Polonsky</itunes:title>
        <link>https://digmeout.podbean.com/e/394-interview-with-jonny-polonsky/</link>
                    <comments>https://digmeout.podbean.com/e/394-interview-with-jonny-polonsky/#comments</comments>        <pubDate>Tue, 31 Jul 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/394-interview-with-jonny-polonsky-49289432c71b31cff5791b189db0a8e6</guid>
                                    <description><![CDATA[<p style="text-align:center;">For the tens of thousands of bands who signed to a major label, put out a record, scored a minor hit and disappeared, there just as many divergent stories of what happened after the temporary spotlight dimmed. In the case of Jonny Polonsky, his tale started in the suburbs of Chicago, home recording cassette albums as a teen in his bedroom and dialing up famous guitarists for feedback, which lead him to move to Boston, the support of Frank Black of the Pixies, and a deal with Rick Rubin's American Recordings. His 1996 debut Hi My Name Is Jonny scored a college radio hit with "In My Head," but like so many in the mid and late 90s music industry machine, the churn happened quickly and soon after he find be looking to new outlets for releasing music and relocating to Los Angeles to start anew. There is a chance you've heard or seen Jonny in the 2000s without even realizing it, playing on records by Pete Yorn, Puscifer, Neil Diamond, Johnny Cash, Minnie Driver and more, while hitting the road with many more. Jonny shares with us his story, his approaches to songwriting, recording, learning new instruments, his love of David Bowie's side-project Tin Machine, and much much more.</p>
<p style="text-align:center;">Intro - In My Mind</p>
<p style="text-align:center;">Outro - Love Lovely Love</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For the tens of thousands of bands who signed to a major label, put out a record, scored a minor hit and disappeared, there just as many divergent stories of what happened after the temporary spotlight dimmed. In the case of Jonny Polonsky, his tale started in the suburbs of Chicago, home recording cassette albums as a teen in his bedroom and dialing up famous guitarists for feedback, which lead him to move to Boston, the support of Frank Black of the Pixies, and a deal with Rick Rubin's American Recordings. His 1996 debut Hi My Name Is Jonny scored a college radio hit with "In My Head," but like so many in the mid and late 90s music industry machine, the churn happened quickly and soon after he find be looking to new outlets for releasing music and relocating to Los Angeles to start anew. There is a chance you've heard or seen Jonny in the 2000s without even realizing it, playing on records by Pete Yorn, Puscifer, Neil Diamond, Johnny Cash, Minnie Driver and more, while hitting the road with many more. Jonny shares with us his story, his approaches to songwriting, recording, learning new instruments, his love of David Bowie's side-project Tin Machine, and much much more.</p>
<p style="text-align:center;">Intro - In My Mind</p>
<p style="text-align:center;">Outro - Love Lovely Love</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zzuu87/394-jonnypolonsky.mp3" length="94043382" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the tens of thousands of bands who signed to a major label, put out a record, scored a minor hit and disappeared, there just as many divergent stories of what happened after the temporary spotlight dimmed. In the case of Jonny Polonsky, his tale started in the suburbs of Chicago, home recording cassette albums as a teen in his bedroom and dialing up famous guitarists for feedback, which lead him to move to Boston, the support of Frank Black of the Pixies, and a deal with Rick Rubin's American Recordings. His 1996 debut Hi My Name Is Jonny scored a college radio hit with "In My Head," but like so many in the mid and late 90s music industry machine, the churn happened quickly and soon after he find be looking to new outlets for releasing music and relocating to Los Angeles to start anew. There is a chance you've heard or seen Jonny in the 2000s without even realizing it, playing on records by Pete Yorn, Puscifer, Neil Diamond, Johnny Cash, Minnie Driver and more, while hitting the road with many more. Jonny shares with us his story, his approaches to songwriting, recording, learning new instruments, his love of David Bowie's side-project Tin Machine, and much much more.
Intro - In My Mind
Outro - Love Lovely Love
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3910</itunes:duration>
                <itunes:episode>127</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#393: Prick by Prick</title>
        <itunes:title>#393: Prick by Prick</itunes:title>
        <link>https://digmeout.podbean.com/e/393-prick-by-prick/</link>
                    <comments>https://digmeout.podbean.com/e/393-prick-by-prick/#comments</comments>        <pubDate>Tue, 24 Jul 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/393-prick-by-prick-06d7c9dfdb0c3ee96ac9e442fcbb129b</guid>
                                    <description><![CDATA[<p style="text-align:center;">When an established name like Trent Reznor shows up in the credits of a 90s industrial album, the natural starting point is to compare it Nine Inch Nails. But what about when the artist is not a contemporary or disciple, but a predecessor? That's the case with <a>Kevin McMahon</a>, veteran of new wave group Lucky Pierre going back to the 70s, and where the Reznor connection occurs in the late 80s. Thanks to having over a decade worth of experience, on the 1995 eponymous debut by <a>Prick</a>, Reznor acts as less an overwhelming force upon McMahon and his band and more of a slightly different flavor. It's not hard to pick out which tracks Reznor had a hand in, but compared to the majority of the album, they pair nicely with the overall experience rather than stick out like the proverbial sore thumb. While so many industrial acts can either get weighted down by lyrical dreariness, musical repetition or underwhelming vocal performances, McMahon uses his new wave background wisely, crafting melodic hooks and not losing the rock aspect of industrial rock thanks to some well-produced guitar riffing.</p>
<p style="text-align:center;">Intro - Animal</p>
<p style="text-align:center;">9:36 - Tough</p>
<p style="text-align:center;">12:19 - Crack</p>
<p style="text-align:center;">14:44 - Other People</p>
<p style="text-align:center;">18:12 - No Fair Fights</p>
<p style="text-align:center;">25:42 - I Apologize</p>
<p style="text-align:center;">Outro - I Got It Bad</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">When an established name like Trent Reznor shows up in the credits of a 90s industrial album, the natural starting point is to compare it Nine Inch Nails. But what about when the artist is not a contemporary or disciple, but a predecessor? That's the case with <a>Kevin McMahon</a>, veteran of new wave group Lucky Pierre going back to the 70s, and where the Reznor connection occurs in the late 80s. Thanks to having over a decade worth of experience, on the 1995 eponymous debut by <a>Prick</a>, Reznor acts as less an overwhelming force upon McMahon and his band and more of a slightly different flavor. It's not hard to pick out which tracks Reznor had a hand in, but compared to the majority of the album, they pair nicely with the overall experience rather than stick out like the proverbial sore thumb. While so many industrial acts can either get weighted down by lyrical dreariness, musical repetition or underwhelming vocal performances, McMahon uses his new wave background wisely, crafting melodic hooks and not losing the rock aspect of industrial rock thanks to some well-produced guitar riffing.</p>
<p style="text-align:center;">Intro - Animal</p>
<p style="text-align:center;">9:36 - Tough</p>
<p style="text-align:center;">12:19 - Crack</p>
<p style="text-align:center;">14:44 - Other People</p>
<p style="text-align:center;">18:12 - No Fair Fights</p>
<p style="text-align:center;">25:42 - I Apologize</p>
<p style="text-align:center;">Outro - I Got It Bad</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nkqpnr/393-prick.mp3" length="57068406" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When an established name like Trent Reznor shows up in the credits of a 90s industrial album, the natural starting point is to compare it Nine Inch Nails. But what about when the artist is not a contemporary or disciple, but a predecessor? That's the case with Kevin McMahon, veteran of new wave group Lucky Pierre going back to the 70s, and where the Reznor connection occurs in the late 80s. Thanks to having over a decade worth of experience, on the 1995 eponymous debut by Prick, Reznor acts as less an overwhelming force upon McMahon and his band and more of a slightly different flavor. It's not hard to pick out which tracks Reznor had a hand in, but compared to the majority of the album, they pair nicely with the overall experience rather than stick out like the proverbial sore thumb. While so many industrial acts can either get weighted down by lyrical dreariness, musical repetition or underwhelming vocal performances, McMahon uses his new wave background wisely, crafting melodic hooks and not losing the rock aspect of industrial rock thanks to some well-produced guitar riffing.
Intro - Animal
9:36 - Tough
12:19 - Crack
14:44 - Other People
18:12 - No Fair Fights
25:42 - I Apologize
Outro - I Got It Bad
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2370</itunes:duration>
                <itunes:episode>126</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#392: Origins - Spoon In The 90s</title>
        <itunes:title>#392: Origins - Spoon In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/392-origins-spoon-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/392-origins-spoon-in-the-90s/#comments</comments>        <pubDate>Tue, 17 Jul 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/392-origins-spoon-in-the-90s-1294309c6f987bdbdba73b83806b5cc8</guid>
                                    <description><![CDATA[<p style="text-align:center;">In the first of a new roundtable series, we're taking a look back at the 90s origins of Spoon, and how they went from devotees of Frank Black and Robert Pollard, to one of the most consistently interesting and successful bands of the 2000s. Britt Daniel and Jim Eno, the core singer/songwriter/guitarist and drummer/producer of Spoon, have been at it for almost thirty years. In the 2000s, starting with Girls Can Tell, and up to their most recent release Hot Thoughts, the band has managed to expertly toe the line between slick songwriting worthy of radio, television and film placement, while keeping a shape-shifting edge that expertly slips back and forth between minimalist and embellished production, tied together with Daniel's emphatic but easy on the ears delivery that manages to inhabit Ray Davies, Tom Petty and Prince all at the same time. But before they began their run of successful 2000s releases, the band was almost another tragic tale of the 1990s major label signing frenzy, bouncing between taste-maker Matador for their debut Telephono and EP Soft Effects, to then jump to the majors on A Series Of Sneaks at Elektra that saw them dropped four months after their sophomore release. Like so many before that have carved out long careers, the early years of Spoon reveal a band struggling to channel their influences into something wholly unique while Daniel's begins the process of finding his own voice.</p>
<p style="text-align:center;">Intro - Utilitarian (A Series Of Sneaks)</p>
<p style="text-align:center;">14:42 - Theme To Wendell Stivers (Telephono)</p>
<p style="text-align:center;">18:54 - Nefarious (Telephono)</p>
<p style="text-align:center;">22:43 - Mountain Of Sound (Soft Effects EP)</p>
<p style="text-align:center;">33:49 - The Minor Tough (A Series Of Sneaks)</p>
<p style="text-align:center;">47:39 - Metal Detektor (A Series Of Sneaks)</p>
<p style="text-align:center;">Outro - The Agony Of Laffitte (Laffitte 7" single)</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In the first of a new roundtable series, we're taking a look back at the 90s origins of Spoon, and how they went from devotees of Frank Black and Robert Pollard, to one of the most consistently interesting and successful bands of the 2000s. Britt Daniel and Jim Eno, the core singer/songwriter/guitarist and drummer/producer of Spoon, have been at it for almost thirty years. In the 2000s, starting with Girls Can Tell, and up to their most recent release Hot Thoughts, the band has managed to expertly toe the line between slick songwriting worthy of radio, television and film placement, while keeping a shape-shifting edge that expertly slips back and forth between minimalist and embellished production, tied together with Daniel's emphatic but easy on the ears delivery that manages to inhabit Ray Davies, Tom Petty and Prince all at the same time. But before they began their run of successful 2000s releases, the band was almost another tragic tale of the 1990s major label signing frenzy, bouncing between taste-maker Matador for their debut Telephono and EP Soft Effects, to then jump to the majors on A Series Of Sneaks at Elektra that saw them dropped four months after their sophomore release. Like so many before that have carved out long careers, the early years of Spoon reveal a band struggling to channel their influences into something wholly unique while Daniel's begins the process of finding his own voice.</p>
<p style="text-align:center;">Intro - Utilitarian (A Series Of Sneaks)</p>
<p style="text-align:center;">14:42 - Theme To Wendell Stivers (Telephono)</p>
<p style="text-align:center;">18:54 - Nefarious (Telephono)</p>
<p style="text-align:center;">22:43 - Mountain Of Sound (Soft Effects EP)</p>
<p style="text-align:center;">33:49 - The Minor Tough (A Series Of Sneaks)</p>
<p style="text-align:center;">47:39 - Metal Detektor (A Series Of Sneaks)</p>
<p style="text-align:center;">Outro - The Agony Of Laffitte (Laffitte 7" single)</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5txfeq/392-spoonorigins.mp3" length="100676393" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the first of a new roundtable series, we're taking a look back at the 90s origins of Spoon, and how they went from devotees of Frank Black and Robert Pollard, to one of the most consistently interesting and successful bands of the 2000s. Britt Daniel and Jim Eno, the core singer/songwriter/guitarist and drummer/producer of Spoon, have been at it for almost thirty years. In the 2000s, starting with Girls Can Tell, and up to their most recent release Hot Thoughts, the band has managed to expertly toe the line between slick songwriting worthy of radio, television and film placement, while keeping a shape-shifting edge that expertly slips back and forth between minimalist and embellished production, tied together with Daniel's emphatic but easy on the ears delivery that manages to inhabit Ray Davies, Tom Petty and Prince all at the same time. But before they began their run of successful 2000s releases, the band was almost another tragic tale of the 1990s major label signing frenzy, bouncing between taste-maker Matador for their debut Telephono and EP Soft Effects, to then jump to the majors on A Series Of Sneaks at Elektra that saw them dropped four months after their sophomore release. Like so many before that have carved out long careers, the early years of Spoon reveal a band struggling to channel their influences into something wholly unique while Daniel's begins the process of finding his own voice.
Intro - Utilitarian (A Series Of Sneaks)
14:42 - Theme To Wendell Stivers (Telephono)
18:54 - Nefarious (Telephono)
22:43 - Mountain Of Sound (Soft Effects EP)
33:49 - The Minor Tough (A Series Of Sneaks)
47:39 - Metal Detektor (A Series Of Sneaks)
Outro - The Agony Of Laffitte (Laffitte 7" single)
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4187</itunes:duration>
                <itunes:episode>125</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#391: Six by Mansun</title>
        <itunes:title>#391: Six by Mansun</itunes:title>
        <link>https://digmeout.podbean.com/e/391-six-by-mansun/</link>
                    <comments>https://digmeout.podbean.com/e/391-six-by-mansun/#comments</comments>        <pubDate>Tue, 10 Jul 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/391-six-by-mansun-8d6318cd82fc1a1fc19b4018c95bc579</guid>
                                    <description><![CDATA[<p style="text-align:center;">Let's get this out of the way - thanks to the ridiculous nature of regional rights and legal mumbo-jumbo surrounding album releases, we are occasionally stuck reviewing the edited and inferior US release of an album rather than the original UK or Australian version that the artist intended. That's what happened when one of our <a>Patreon</a> patrons selected the sophomore album Six by <a>Mansun</a> for us to check out. The original 1998 UK release features extra songs, a different track list and mixes, and is overall considered to the superior to the chopped-down and rearranged US version released in 1999. Back in the day, we would have made a visit to the local Virgin Megastore and dropped twenty to thirty bucks on an important version, but that option is long gone, so we're playing the hand as dealt. While the band made no secret on their debut <a>Attack of the Grey Lantern</a> that straight-up Brit-pop was of no interest, the band managed to craft radio-friendly pop melodies with twisted instrumentation and odd embellishments. Six takes it one step further, honing the pop songs while doubling-down on the twisted and odd, taking long divergences into instrumental passages, drastic tempo shifts and, uh, The Nutcracker?</p>
<p style="text-align:center;">Intro - Six</p>
<p style="text-align:center;">14:23 - Negative</p>
<p style="text-align:center;">20:23 - Legacy</p>
<p style="text-align:center;">26:06 - Anti-Everything</p>
<p style="text-align:center;">34:48 - Being A Girl</p>
<p style="text-align:center;">Outro - Fall Out</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Let's get this out of the way - thanks to the ridiculous nature of regional rights and legal mumbo-jumbo surrounding album releases, we are occasionally stuck reviewing the edited and inferior US release of an album rather than the original UK or Australian version that the artist intended. That's what happened when one of our <a>Patreon</a> patrons selected the sophomore album Six by <a>Mansun</a> for us to check out. The original 1998 UK release features extra songs, a different track list and mixes, and is overall considered to the superior to the chopped-down and rearranged US version released in 1999. Back in the day, we would have made a visit to the local Virgin Megastore and dropped twenty to thirty bucks on an important version, but that option is long gone, so we're playing the hand as dealt. While the band made no secret on their debut <a>Attack of the Grey Lantern</a> that straight-up Brit-pop was of no interest, the band managed to craft radio-friendly pop melodies with twisted instrumentation and odd embellishments. Six takes it one step further, honing the pop songs while doubling-down on the twisted and odd, taking long divergences into instrumental passages, drastic tempo shifts and, uh, The Nutcracker?</p>
<p style="text-align:center;">Intro - Six</p>
<p style="text-align:center;">14:23 - Negative</p>
<p style="text-align:center;">20:23 - Legacy</p>
<p style="text-align:center;">26:06 - Anti-Everything</p>
<p style="text-align:center;">34:48 - Being A Girl</p>
<p style="text-align:center;">Outro - Fall Out</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/afszw7/391-mansun.mp3" length="68303150" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Let's get this out of the way - thanks to the ridiculous nature of regional rights and legal mumbo-jumbo surrounding album releases, we are occasionally stuck reviewing the edited and inferior US release of an album rather than the original UK or Australian version that the artist intended. That's what happened when one of our Patreon patrons selected the sophomore album Six by Mansun for us to check out. The original 1998 UK release features extra songs, a different track list and mixes, and is overall considered to the superior to the chopped-down and rearranged US version released in 1999. Back in the day, we would have made a visit to the local Virgin Megastore and dropped twenty to thirty bucks on an important version, but that option is long gone, so we're playing the hand as dealt. While the band made no secret on their debut Attack of the Grey Lantern that straight-up Brit-pop was of no interest, the band managed to craft radio-friendly pop melodies with twisted instrumentation and odd embellishments. Six takes it one step further, honing the pop songs while doubling-down on the twisted and odd, taking long divergences into instrumental passages, drastic tempo shifts and, uh, The Nutcracker?
Intro - Six
14:23 - Negative
20:23 - Legacy
26:06 - Anti-Everything
34:48 - Being A Girl
Outro - Fall Out
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2838</itunes:duration>
                <itunes:episode>124</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#390: The Infotainment Scan by The Fall</title>
        <itunes:title>#390: The Infotainment Scan by The Fall</itunes:title>
        <link>https://digmeout.podbean.com/e/390-the-infotainment-scan-by-the-fall/</link>
                    <comments>https://digmeout.podbean.com/e/390-the-infotainment-scan-by-the-fall/#comments</comments>        <pubDate>Tue, 03 Jul 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/390-the-infotainment-scan-by-the-fall-f4061c625e9e850fecde407b6ab839cf</guid>
                                    <description><![CDATA[<p style="text-align:center;">Mark E. Smith of <a>The Fall</a> was a divisive character, turning people on or off with his kinetic one-note, occasionally slurred, stream of consciousness vocal delivery. After a decade and a half of abrasive post punk, line-up changes and restlessness led to a stylistic change, accounting for several electronic and IDM influenced albums. 1993's The Infotainment Scan falls into this era, while still featuring a jagged guitar line, clean (or sterile) production on programmed drums and synth keyboards dominates the overall sound, featuring odd cover song choices and sonic stretches that left us scratching our heads. There's a lovable cantankerous aspect to Smith's vocals that endears us to his limitations, but hearing the band go full rave seemed to a bridge too far.</p>
<p style="text-align:center;">Intro - Paranoia Man In Cheap Sh*T Room</p>
<p style="text-align:center;">14:17 - Glam Racket</p>
<p style="text-align:center;">19:30 - It's a Curse</p>
<p style="text-align:center;">28:44 - Ladybird (Green Grass)</p>
<p style="text-align:center;">Outro - Lost In Music</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Mark E. Smith of <a>The Fall</a> was a divisive character, turning people on or off with his kinetic one-note, occasionally slurred, stream of consciousness vocal delivery. After a decade and a half of abrasive post punk, line-up changes and restlessness led to a stylistic change, accounting for several electronic and IDM influenced albums. 1993's The Infotainment Scan falls into this era, while still featuring a jagged guitar line, clean (or sterile) production on programmed drums and synth keyboards dominates the overall sound, featuring odd cover song choices and sonic stretches that left us scratching our heads. There's a lovable cantankerous aspect to Smith's vocals that endears us to his limitations, but hearing the band go full rave seemed to a bridge too far.</p>
<p style="text-align:center;">Intro - Paranoia Man In Cheap Sh*T Room</p>
<p style="text-align:center;">14:17 - Glam Racket</p>
<p style="text-align:center;">19:30 - It's a Curse</p>
<p style="text-align:center;">28:44 - Ladybird (Green Grass)</p>
<p style="text-align:center;">Outro - Lost In Music</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gknm93/390-thefall.mp3" length="58174328" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Mark E. Smith of The Fall was a divisive character, turning people on or off with his kinetic one-note, occasionally slurred, stream of consciousness vocal delivery. After a decade and a half of abrasive post punk, line-up changes and restlessness led to a stylistic change, accounting for several electronic and IDM influenced albums. 1993's The Infotainment Scan falls into this era, while still featuring a jagged guitar line, clean (or sterile) production on programmed drums and synth keyboards dominates the overall sound, featuring odd cover song choices and sonic stretches that left us scratching our heads. There's a lovable cantankerous aspect to Smith's vocals that endears us to his limitations, but hearing the band go full rave seemed to a bridge too far.
Intro - Paranoia Man In Cheap Sh*T Room
14:17 - Glam Racket
19:30 - It's a Curse
28:44 - Ladybird (Green Grass)
Outro - Lost In Music
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2416</itunes:duration>
                <itunes:episode>123</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#389: Foma by The Nixons</title>
        <itunes:title>#389: Foma by The Nixons</itunes:title>
        <link>https://digmeout.podbean.com/e/389-foma-by-the-nixons/</link>
                    <comments>https://digmeout.podbean.com/e/389-foma-by-the-nixons/#comments</comments>        <pubDate>Tue, 26 Jun 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/389-foma-by-the-nixons-7428712c43d7e93341eb3ce6854b7455</guid>
                                    <description><![CDATA[<p style="text-align:center;">The story of <a>The Nixons</a> is not unlike a number of 1990s bands. Record some demos and release them on your own, find a small regional label to release your first album recorded on a shoe-string budget, get some buzz, the major labels swoop in, offer to re-release the album with a few new tracks, new cover art and a fresh mastering job, then throw out a single or two in hopes of a "next big thing" hit, only to see the follow-up album a year or two later (if they got one) get lackluster promotion and be promptly dropped. If bands like this were lucky, they managed one single that made an impression. With their 1995 album Foma, The Nixons managed just that with "Sister," which finds itself at the perfect crossroad of early Pearl Jam earnestness and Matchbox 20 radio pleasantry. What struck us and our guest about Foma was not the second wave of grunge sound that pins it so specifically to the decade, but the unexpected amount of social and political commentary in the lyrics that come across equally daring and off-putting. Listeners can still hear "Sister" on alternative rock radio stations across the country today, but thanks to a sound that covers all the 90s alternative rock touchstones, do they even know their listening to The Nixons?</p>
<p style="text-align:center;">Intro - Sister</p>
<p style="text-align:center;">17:37 - Sweet Belief</p>
<p style="text-align:center;">30:45 - Drink The Fear</p>
<p style="text-align:center;">Outro - Happy Song</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The story of <a>The Nixons</a> is not unlike a number of 1990s bands. Record some demos and release them on your own, find a small regional label to release your first album recorded on a shoe-string budget, get some buzz, the major labels swoop in, offer to re-release the album with a few new tracks, new cover art and a fresh mastering job, then throw out a single or two in hopes of a "next big thing" hit, only to see the follow-up album a year or two later (if they got one) get lackluster promotion and be promptly dropped. If bands like this were lucky, they managed one single that made an impression. With their 1995 album Foma, The Nixons managed just that with "Sister," which finds itself at the perfect crossroad of early Pearl Jam earnestness and Matchbox 20 radio pleasantry. What struck us and our guest about Foma was not the second wave of grunge sound that pins it so specifically to the decade, but the unexpected amount of social and political commentary in the lyrics that come across equally daring and off-putting. Listeners can still hear "Sister" on alternative rock radio stations across the country today, but thanks to a sound that covers all the 90s alternative rock touchstones, do they even know their listening to The Nixons?</p>
<p style="text-align:center;">Intro - Sister</p>
<p style="text-align:center;">17:37 - Sweet Belief</p>
<p style="text-align:center;">30:45 - Drink The Fear</p>
<p style="text-align:center;">Outro - Happy Song</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ve67ar/389-nixons.mp3" length="71534392" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The story of The Nixons is not unlike a number of 1990s bands. Record some demos and release them on your own, find a small regional label to release your first album recorded on a shoe-string budget, get some buzz, the major labels swoop in, offer to re-release the album with a few new tracks, new cover art and a fresh mastering job, then throw out a single or two in hopes of a "next big thing" hit, only to see the follow-up album a year or two later (if they got one) get lackluster promotion and be promptly dropped. If bands like this were lucky, they managed one single that made an impression. With their 1995 album Foma, The Nixons managed just that with "Sister," which finds itself at the perfect crossroad of early Pearl Jam earnestness and Matchbox 20 radio pleasantry. What struck us and our guest about Foma was not the second wave of grunge sound that pins it so specifically to the decade, but the unexpected amount of social and political commentary in the lyrics that come across equally daring and off-putting. Listeners can still hear "Sister" on alternative rock radio stations across the country today, but thanks to a sound that covers all the 90s alternative rock touchstones, do they even know their listening to The Nixons?
Intro - Sister
17:37 - Sweet Belief
30:45 - Drink The Fear
Outro - Happy Song
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2973</itunes:duration>
                <itunes:episode>122</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#388: Wider Screen by Fini Scad</title>
        <itunes:title>#388: Wider Screen by Fini Scad</itunes:title>
        <link>https://digmeout.podbean.com/e/388-wider-screen-by-fini-scad/</link>
                    <comments>https://digmeout.podbean.com/e/388-wider-screen-by-fini-scad/#comments</comments>        <pubDate>Tue, 19 Jun 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/388-wider-screen-by-fini-scad-85b30909d792075d9abac21ad84bc7a7</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a>Fini Scad</a> only managed to release one album during their short existence, but thanks to one of our listeners we're giving it a new lease on life. 1998's Wider Screen, and their EP from two years early, got the band onto Australian radio and television, but they burned out quickly and were gone the same year the album came out. We don't know what exactly happened, but we do know they left behind an interesting album, partially thanks to the production work of John Agnello (Buffalo Tom, Dinosaur Jr.), who helps gives the guitars twin guitar attack the right amount of punch. Singer/guitarist Dave Thomas kept us guessing, as his vocals morphed from bellowing hard rock one moment to whispered and intimate the next, which worked on most if not all the album. As our listener noted, it's a shame Fini Scad never managed to follow-up Wider Screen, because what they do well could have easily been refined and expanded upon, and the few nitpicks we had could easily be rectified.</p>
<p style="text-align:center;">Intro - Coppertone</p>
<p style="text-align:center;">5:45 - Sonic Boy</p>
<p style="text-align:center;">8:13 - Just A Show</p>
<p style="text-align:center;">17:12 - Wider Screen</p>
<p style="text-align:center;">20:27 - It's Not Real</p>
<p style="text-align:center;">Outro - More Of The Same</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a>Fini Scad</a> only managed to release one album during their short existence, but thanks to one of our listeners we're giving it a new lease on life. 1998's Wider Screen, and their EP from two years early, got the band onto Australian radio and television, but they burned out quickly and were gone the same year the album came out. We don't know what exactly happened, but we do know they left behind an interesting album, partially thanks to the production work of John Agnello (Buffalo Tom, Dinosaur Jr.), who helps gives the guitars twin guitar attack the right amount of punch. Singer/guitarist Dave Thomas kept us guessing, as his vocals morphed from bellowing hard rock one moment to whispered and intimate the next, which worked on most if not all the album. As our listener noted, it's a shame Fini Scad never managed to follow-up Wider Screen, because what they do well could have easily been refined and expanded upon, and the few nitpicks we had could easily be rectified.</p>
<p style="text-align:center;">Intro - Coppertone</p>
<p style="text-align:center;">5:45 - Sonic Boy</p>
<p style="text-align:center;">8:13 - Just A Show</p>
<p style="text-align:center;">17:12 - Wider Screen</p>
<p style="text-align:center;">20:27 - It's Not Real</p>
<p style="text-align:center;">Outro - More Of The Same</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a8vd5j/388-finiscad.mp3" length="44988552" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fini Scad only managed to release one album during their short existence, but thanks to one of our listeners we're giving it a new lease on life. 1998's Wider Screen, and their EP from two years early, got the band onto Australian radio and television, but they burned out quickly and were gone the same year the album came out. We don't know what exactly happened, but we do know they left behind an interesting album, partially thanks to the production work of John Agnello (Buffalo Tom, Dinosaur Jr.), who helps gives the guitars twin guitar attack the right amount of punch. Singer/guitarist Dave Thomas kept us guessing, as his vocals morphed from bellowing hard rock one moment to whispered and intimate the next, which worked on most if not all the album. As our listener noted, it's a shame Fini Scad never managed to follow-up Wider Screen, because what they do well could have easily been refined and expanded upon, and the few nitpicks we had could easily be rectified.
Intro - Coppertone
5:45 - Sonic Boy
8:13 - Just A Show
17:12 - Wider Screen
20:27 - It's Not Real
Outro - More Of The Same
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1866</itunes:duration>
                <itunes:episode>121</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#387: Drummers Of The 90s Roundtable</title>
        <itunes:title>#387: Drummers Of The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/387-drummers-of-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/387-drummers-of-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 12 Jun 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/387-drummers-of-the-90s-roundtable-d1a3a8c46c4d11696ef89051d52b2dad</guid>
                                    <description><![CDATA[<p style="text-align:center;">Every decade of rock music and its various sub genre offshoots has produced oft-debated lists of notable drummers, and the 1990s is no exception. From the jazz-influenced speed of The Smashing Pumpkins Jimmy Chamberlain, to the technical progressive prowess of Dream Theater's Mike Portnoy, there is drummer for every style and flavor. Rather than discuss "the best," we're talking favorites, both well known and not-so-well known. Who gave us fills we still air drum to at our desks? Who pounded rhythms that make us shake our heads in awe? Whose beats influenced the next generation of drummers? From the groove metal of Pantera's Vinnie Paul to the skittish bounce of Dismemberment Plan's Joe Easley, we're scratching the surface and a bit more to get the conversation started on drummers of the 1990s.</p>
<p style="text-align:center;">Intro - Drum Medley (I Am One by The Smashing Pumpkins / Pacific 231 by Burning Airlines / Jesus Christ Pose by Soundgarden / The City by Dismemberment Plan)</p>
<p style="text-align:center;">8:04 - Rhinosaur by Soundgarden</p>
<p style="text-align:center;">18:34 - Would? by Alice In Chains</p>
<p style="text-align:center;">34:37 - Hello by Oasis</p>
<p style="text-align:center;">41:32 - Wiser Time by The Black Crowes</p>
<p style="text-align:center;">58:06 - Puppets by Hum</p>
<p style="text-align:center;">1:02:30 - Andalusia by Shiner</p>
<p style="text-align:center;">1:15:07 - Milwaukee Sky Rocket by Braid</p>
<p style="text-align:center;">Outro - Enjoy The Silence by Failure</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Every decade of rock music and its various sub genre offshoots has produced oft-debated lists of notable drummers, and the 1990s is no exception. From the jazz-influenced speed of The Smashing Pumpkins Jimmy Chamberlain, to the technical progressive prowess of Dream Theater's Mike Portnoy, there is drummer for every style and flavor. Rather than discuss "the best," we're talking favorites, both well known and not-so-well known. Who gave us fills we still air drum to at our desks? Who pounded rhythms that make us shake our heads in awe? Whose beats influenced the next generation of drummers? From the groove metal of Pantera's Vinnie Paul to the skittish bounce of Dismemberment Plan's Joe Easley, we're scratching the surface and a bit more to get the conversation started on drummers of the 1990s.</p>
<p style="text-align:center;">Intro - Drum Medley (I Am One by The Smashing Pumpkins / Pacific 231 by Burning Airlines / Jesus Christ Pose by Soundgarden / The City by Dismemberment Plan)</p>
<p style="text-align:center;">8:04 - Rhinosaur by Soundgarden</p>
<p style="text-align:center;">18:34 - Would? by Alice In Chains</p>
<p style="text-align:center;">34:37 - Hello by Oasis</p>
<p style="text-align:center;">41:32 - Wiser Time by The Black Crowes</p>
<p style="text-align:center;">58:06 - Puppets by Hum</p>
<p style="text-align:center;">1:02:30 - Andalusia by Shiner</p>
<p style="text-align:center;">1:15:07 - Milwaukee Sky Rocket by Braid</p>
<p style="text-align:center;">Outro - Enjoy The Silence by Failure</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/etrdkn/387-90sdrummers.mp3" length="121760971" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Every decade of rock music and its various sub genre offshoots has produced oft-debated lists of notable drummers, and the 1990s is no exception. From the jazz-influenced speed of The Smashing Pumpkins Jimmy Chamberlain, to the technical progressive prowess of Dream Theater's Mike Portnoy, there is drummer for every style and flavor. Rather than discuss "the best," we're talking favorites, both well known and not-so-well known. Who gave us fills we still air drum to at our desks? Who pounded rhythms that make us shake our heads in awe? Whose beats influenced the next generation of drummers? From the groove metal of Pantera's Vinnie Paul to the skittish bounce of Dismemberment Plan's Joe Easley, we're scratching the surface and a bit more to get the conversation started on drummers of the 1990s.
Intro - Drum Medley (I Am One by The Smashing Pumpkins / Pacific 231 by Burning Airlines / Jesus Christ Pose by Soundgarden / The City by Dismemberment Plan)
8:04 - Rhinosaur by Soundgarden
18:34 - Would? by Alice In Chains
34:37 - Hello by Oasis
41:32 - Wiser Time by The Black Crowes
58:06 - Puppets by Hum
1:02:30 - Andalusia by Shiner
1:15:07 - Milwaukee Sky Rocket by Braid
Outro - Enjoy The Silence by Failure
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5065</itunes:duration>
                <itunes:episode>120</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#386: Munki by Jesus And Mary Chain</title>
        <itunes:title>#386: Munki by Jesus And Mary Chain</itunes:title>
        <link>https://digmeout.podbean.com/e/386-munki-by-jesus-and-mary-chain/</link>
                    <comments>https://digmeout.podbean.com/e/386-munki-by-jesus-and-mary-chain/#comments</comments>        <pubDate>Fri, 01 Jun 2018 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/386-munki-by-jesus-and-mary-chain-ebd2241bb3d249e09c88b1c2f49393fc</guid>
                                    <description><![CDATA[<p style="text-align:center;">By the time William and Jim Reid of the <a>Jesus And Mary Chain</a> put out the 1998 album Munki, the band had been through several iterations. From the noise drenched simplicity of Psychocandy to the pulsing beats of Automatic and the lazy strums of Stoned and Dethroned, the brothers had covered plenty of musical territory while still maintaining the attitude and sound unique to the band. In what would be their last release together until 2017's Damage And Joy, they manage to revisit nearly every phase of the band, and even explore some new ideas. But at seventeen songs and seventy minutes, the sheer length of the album, especially with some ill-advised forays into overlong noodling and keyboard driven tracks, left us wondering if the lack of an outside voice (i.e. a producer with a surname other than Reid) would have shaped a more concise, cohesive and ultimately satisfying listen.</p>
<p style="text-align:center;">Intro - I Love Rock'n'Roll</p>
<p style="text-align:center;">11:46 - Degenerate</p>
<p style="text-align:center;">16:14 - Moe Tucker</p>
<p style="text-align:center;">20:37 - Perfume</p>
<p style="text-align:center;">23:03 - Commercial</p>
<p style="text-align:center;">Outro - I Hate Rock'n'Roll</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By the time William and Jim Reid of the <a>Jesus And Mary Chain</a> put out the 1998 album Munki, the band had been through several iterations. From the noise drenched simplicity of Psychocandy to the pulsing beats of Automatic and the lazy strums of Stoned and Dethroned, the brothers had covered plenty of musical territory while still maintaining the attitude and sound unique to the band. In what would be their last release together until 2017's Damage And Joy, they manage to revisit nearly every phase of the band, and even explore some new ideas. But at seventeen songs and seventy minutes, the sheer length of the album, especially with some ill-advised forays into overlong noodling and keyboard driven tracks, left us wondering if the lack of an outside voice (i.e. a producer with a surname other than Reid) would have shaped a more concise, cohesive and ultimately satisfying listen.</p>
<p style="text-align:center;">Intro - I Love Rock'n'Roll</p>
<p style="text-align:center;">11:46 - Degenerate</p>
<p style="text-align:center;">16:14 - Moe Tucker</p>
<p style="text-align:center;">20:37 - Perfume</p>
<p style="text-align:center;">23:03 - Commercial</p>
<p style="text-align:center;">Outro - I Hate Rock'n'Roll</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mre87s/386-jamc.mp3" length="57383755" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By the time William and Jim Reid of the Jesus And Mary Chain put out the 1998 album Munki, the band had been through several iterations. From the noise drenched simplicity of Psychocandy to the pulsing beats of Automatic and the lazy strums of Stoned and Dethroned, the brothers had covered plenty of musical territory while still maintaining the attitude and sound unique to the band. In what would be their last release together until 2017's Damage And Joy, they manage to revisit nearly every phase of the band, and even explore some new ideas. But at seventeen songs and seventy minutes, the sheer length of the album, especially with some ill-advised forays into overlong noodling and keyboard driven tracks, left us wondering if the lack of an outside voice (i.e. a producer with a surname other than Reid) would have shaped a more concise, cohesive and ultimately satisfying listen.
Intro - I Love Rock'n'Roll
11:46 - Degenerate
16:14 - Moe Tucker
20:37 - Perfume
23:03 - Commercial
Outro - I Hate Rock'n'Roll
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2383</itunes:duration>
                <itunes:episode>119</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#385: Psychohum by Falling Joys</title>
        <itunes:title>#385: Psychohum by Falling Joys</itunes:title>
        <link>https://digmeout.podbean.com/e/385-psychohum-by-falling-joys/</link>
                    <comments>https://digmeout.podbean.com/e/385-psychohum-by-falling-joys/#comments</comments>        <pubDate>Tue, 29 May 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/385-psychohum-by-falling-joys-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Hailing from Canberra, Australia, the 1992 sophomore album Psychohum by the <a>Falling Joys</a> is what alternative or college or indie rock, however you want to classify it, looked to be heading pre-Nirvana and Pearl Jam. Eclectic and unpredictable, with guitar tones and vocals that easily slip between shoegaze, jangle pop, new wave and mainstream rock riffing, the Falling Joys sound like a band hitting their stride as songwriters and musicians. Led by vocalist/guitarist Suzie Biggie, who manages to invoke 79/80 Blondie one moment and Spooky era Lush the next, pulls off a wide array of styles with melodic cohesion. Paired with bassist and vocalist Pat Hayes on tunes like Incinerator, and Stuart Robinson's effected riffage on a song like God In A Dustbin, there is a lot to like about Psychohum. At the same time, that uninhibited approach can take a band down some lesser advised paths, with odd tangents into Chili Pepper funk and Sinatra swing. Which approach wins out? Tune in to hear our take on Psychohum.</p>
<p style="text-align:center;">Intro - Dynamite</p>
<p style="text-align:center;">10:16 - Black Bandages</p>
<p style="text-align:center;">15:05 - Incinerator</p>
<p style="text-align:center;">19:50 - A Winter's Tale</p>
<p style="text-align:center;">22:17 - Lullaby</p>
<p style="text-align:center;">24:36 - Fortune Teller</p>
<p style="text-align:center;">Outro - God In A Dustbin</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Hailing from Canberra, Australia, the 1992 sophomore album Psychohum by the <a>Falling Joys</a> is what alternative or college or indie rock, however you want to classify it, looked to be heading pre-Nirvana and Pearl Jam. Eclectic and unpredictable, with guitar tones and vocals that easily slip between shoegaze, jangle pop, new wave and mainstream rock riffing, the Falling Joys sound like a band hitting their stride as songwriters and musicians. Led by vocalist/guitarist Suzie Biggie, who manages to invoke 79/80 Blondie one moment and Spooky era Lush the next, pulls off a wide array of styles with melodic cohesion. Paired with bassist and vocalist Pat Hayes on tunes like Incinerator, and Stuart Robinson's effected riffage on a song like God In A Dustbin, there is a lot to like about Psychohum. At the same time, that uninhibited approach can take a band down some lesser advised paths, with odd tangents into Chili Pepper funk and Sinatra swing. Which approach wins out? Tune in to hear our take on Psychohum.</p>
<p style="text-align:center;">Intro - Dynamite</p>
<p style="text-align:center;">10:16 - Black Bandages</p>
<p style="text-align:center;">15:05 - Incinerator</p>
<p style="text-align:center;">19:50 - A Winter's Tale</p>
<p style="text-align:center;">22:17 - Lullaby</p>
<p style="text-align:center;">24:36 - Fortune Teller</p>
<p style="text-align:center;">Outro - God In A Dustbin</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dfxiah/385-fallingjoys.mp3" length="53323706" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hailing from Canberra, Australia, the 1992 sophomore album Psychohum by the Falling Joys is what alternative or college or indie rock, however you want to classify it, looked to be heading pre-Nirvana and Pearl Jam. Eclectic and unpredictable, with guitar tones and vocals that easily slip between shoegaze, jangle pop, new wave and mainstream rock riffing, the Falling Joys sound like a band hitting their stride as songwriters and musicians. Led by vocalist/guitarist Suzie Biggie, who manages to invoke 79/80 Blondie one moment and Spooky era Lush the next, pulls off a wide array of styles with melodic cohesion. Paired with bassist and vocalist Pat Hayes on tunes like Incinerator, and Stuart Robinson's effected riffage on a song like God In A Dustbin, there is a lot to like about Psychohum. At the same time, that uninhibited approach can take a band down some lesser advised paths, with odd tangents into Chili Pepper funk and Sinatra swing. Which approach wins out? Tune in to hear our take on Psychohum.
Intro - Dynamite
10:16 - Black Bandages
15:05 - Incinerator
19:50 - A Winter's Tale
22:17 - Lullaby
24:36 - Fortune Teller
Outro - God In A Dustbin
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2214</itunes:duration>
                <itunes:episode>118</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#384: This Will Be Laughing Week by Ultimate Fakebook</title>
        <itunes:title>#384: This Will Be Laughing Week by Ultimate Fakebook</itunes:title>
        <link>https://digmeout.podbean.com/e/384-this-will-be-laughing-week-by-ultimate-fakebook/</link>
                    <comments>https://digmeout.podbean.com/e/384-this-will-be-laughing-week-by-ultimate-fakebook/#comments</comments>        <pubDate>Tue, 22 May 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/384-this-will-be-laughing-week-by-ultimate-fakebook-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our Patreon patron Brandon wanted to check out the 1999 (or 2000, if you bought the Sony rerelease) album This Will Be Laughing Week by <a href='http://www.ufbrocks.com/'>Ultimate Fakebook</a>. Through the magic of our Facebook page, we ended up connecting with lead singer and guitarist Bill McShane and drummer Eric Melin, and they ended up joining us as well. In addition, we gave away a pair of Sudio Regent headphones to one of our lucky Patreon patrons. It's a jam-packed episode! In addition to talking about the actual record, we also discuss what went on with the band signing to a major label at the end of the 1990s, touring, songwriting, band origins, vinyl reissues, Manhattan vs. Lawrence, new music and much more.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway. On episodes 381 and 382 we followed up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase during the month of May.</p>
<p style="text-align:center;">Intro - She Don't Even Know My Name
32:58 - Soaked In Cinnamon
59:46 - Real Drums
1:07:27 - Little Apple Girl
Outro - Tell Me What You Want</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our Patreon patron Brandon wanted to check out the 1999 (or 2000, if you bought the Sony rerelease) album This Will Be Laughing Week by <a href='http://www.ufbrocks.com/'>Ultimate Fakebook</a>. Through the magic of our Facebook page, we ended up connecting with lead singer and guitarist Bill McShane and drummer Eric Melin, and they ended up joining us as well. In addition, we gave away a pair of Sudio Regent headphones to one of our lucky Patreon patrons. It's a jam-packed episode! In addition to talking about the actual record, we also discuss what went on with the band signing to a major label at the end of the 1990s, touring, songwriting, band origins, vinyl reissues, Manhattan vs. Lawrence, new music and much more.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway. On episodes 381 and 382 we followed up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase during the month of May.</p>
<p style="text-align:center;">Intro - She Don't Even Know My Name<br>
32:58 - Soaked In Cinnamon<br>
59:46 - Real Drums<br>
1:07:27 - Little Apple Girl<br>
Outro - Tell Me What You Want</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r3gpgz/384-ultfake.mp3" length="121123997" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our Patreon patron Brandon wanted to check out the 1999 (or 2000, if you bought the Sony rerelease) album This Will Be Laughing Week by Ultimate Fakebook. Through the magic of our Facebook page, we ended up connecting with lead singer and guitarist Bill McShane and drummer Eric Melin, and they ended up joining us as well. In addition, we gave away a pair of Sudio Regent headphones to one of our lucky Patreon patrons. It's a jam-packed episode! In addition to talking about the actual record, we also discuss what went on with the band signing to a major label at the end of the 1990s, touring, songwriting, band origins, vinyl reissues, Manhattan vs. Lawrence, new music and much more.
Special thanks to Sudio Sweden for providing our May giveaway. On episodes 381 and 382 we followed up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase during the month of May.
Intro - She Don't Even Know My Name32:58 - Soaked In Cinnamon59:46 - Real Drums1:07:27 - Little Apple GirlOutro - Tell Me What You Want
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5039</itunes:duration>
                <itunes:episode>117</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#383: From The Choirgirl Hotel by Tori Amos</title>
        <itunes:title>#383: From The Choirgirl Hotel by Tori Amos</itunes:title>
        <link>https://digmeout.podbean.com/e/383-from-the-choirgirl-hotel-by-tori-amos/</link>
                    <comments>https://digmeout.podbean.com/e/383-from-the-choirgirl-hotel-by-tori-amos/#comments</comments>        <pubDate>Tue, 15 May 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/383-from-the-choirgirl-hotel-by-tori-amos-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1998 <a>Tori Amos</a> was already established an artist who balanced both commercial success and critical praise. With her fourth album, From The Choirgirl Hotel, Amos dialed down the piano and dialed up the band, exploring a fuller sound that moved between electronic(a) beats, Beatle stomps and a slew of new sounds. In surrendering her confessional piano ballad comfort zone, a broader approach does reveal some cracks that left us scratching our heads both from a songwriting and production standpoint. Gone are the unmistakable hooks of "God" or "Crucify" while the vocals, now competing with a bigger sounds from the background players, get compressed and pushed up front to a dizzying degree. It's a frustrating episode for as much as we liked about the album, we found ourselves unable to connect with the material like expected.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align:center;">Intro - Spark</p>
<p style="text-align:center;">10:46 - Raspberry Swirl</p>
<p style="text-align:center;">14:33 - Cruel</p>
<p style="text-align:center;">19:11 - She's Your Cocaine</p>
<p style="text-align:center;">27:32 - Jackie's Strength</p>
<p style="text-align:center;">Outro - Iieee</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1998 <a>Tori Amos</a> was already established an artist who balanced both commercial success and critical praise. With her fourth album, From The Choirgirl Hotel, Amos dialed down the piano and dialed up the band, exploring a fuller sound that moved between electronic(a) beats, Beatle stomps and a slew of new sounds. In surrendering her confessional piano ballad comfort zone, a broader approach does reveal some cracks that left us scratching our heads both from a songwriting and production standpoint. Gone are the unmistakable hooks of "God" or "Crucify" while the vocals, now competing with a bigger sounds from the background players, get compressed and pushed up front to a dizzying degree. It's a frustrating episode for as much as we liked about the album, we found ourselves unable to connect with the material like expected.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align:center;">Intro - Spark</p>
<p style="text-align:center;">10:46 - Raspberry Swirl</p>
<p style="text-align:center;">14:33 - Cruel</p>
<p style="text-align:center;">19:11 - She's Your Cocaine</p>
<p style="text-align:center;">27:32 - Jackie's Strength</p>
<p style="text-align:center;">Outro - Iieee</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s36qag/383-toriamos.mp3" length="58403161" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1998 Tori Amos was already established an artist who balanced both commercial success and critical praise. With her fourth album, From The Choirgirl Hotel, Amos dialed down the piano and dialed up the band, exploring a fuller sound that moved between electronic(a) beats, Beatle stomps and a slew of new sounds. In surrendering her confessional piano ballad comfort zone, a broader approach does reveal some cracks that left us scratching our heads both from a songwriting and production standpoint. Gone are the unmistakable hooks of "God" or "Crucify" while the vocals, now competing with a bigger sounds from the background players, get compressed and pushed up front to a dizzying degree. It's a frustrating episode for as much as we liked about the album, we found ourselves unable to connect with the material like expected.
Special thanks to Sudio Sweden for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.
Intro - Spark
10:46 - Raspberry Swirl
14:33 - Cruel
19:11 - She's Your Cocaine
27:32 - Jackie's Strength
Outro - Iieee
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2425</itunes:duration>
                <itunes:episode>116</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#382: U2 In The 90s Roundtable</title>
        <itunes:title>#382: U2 In The 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/382-u2-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/382-u2-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 08 May 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/382-u2-in-the-90s-roundtable-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Through the 1980s, <a href='http://www.u2.com/'>U2</a> had gone from upstart punks to political firebrands to stadium superstars, reaching the critical crossroad of either delivering what people expected and remaining creatively stagnant or reinventing their sound and risk alienation. By all accounts, 1991's Achtung Baby managed to position the band as a force at the beginning of the decade creatively, commercially and critically. That comes with its own risk, as one reinvention begets another - as the earnest and sincerity of the past is replaced with irony and spectacle. With Zooropa and the Passengers project with Brian Eno, the band continued to evolve sonically, but the U2 of The Unforgettable Fire and War was essentially retired. Depending on who you talked to, the band reached their 90s apex or nadir on 1997's Pop, forcing the band to release their greatest hits collection shortly after, and then to dial back the disconnect and on 2000's All That You Can't Leave Behind. With our guests, we dig deep into the U2 of the 90s, and try to figure out what what right, went went wrong, and where it left the band at the start of the new millenia.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align:center;">Intro - Discothèque from Pop
25:17 - The Fly from Achtung Baby
30:37 - Mysterious Ways from Achtung Baby
40:28 - Numb from Zooropa
43:47 - Stay (Faraway, So Close!)
Outro - Staring At The Sun from Pop</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Through the 1980s, <a href='http://www.u2.com/'>U2</a> had gone from upstart punks to political firebrands to stadium superstars, reaching the critical crossroad of either delivering what people expected and remaining creatively stagnant or reinventing their sound and risk alienation. By all accounts, 1991's Achtung Baby managed to position the band as a force at the beginning of the decade creatively, commercially and critically. That comes with its own risk, as one reinvention begets another - as the earnest and sincerity of the past is replaced with irony and spectacle. With Zooropa and the Passengers project with Brian Eno, the band continued to evolve sonically, but the U2 of The Unforgettable Fire and War was essentially retired. Depending on who you talked to, the band reached their 90s apex or nadir on 1997's Pop, forcing the band to release their greatest hits collection shortly after, and then to dial back the disconnect and on 2000's All That You Can't Leave Behind. With our guests, we dig deep into the U2 of the 90s, and try to figure out what what right, went went wrong, and where it left the band at the start of the new millenia.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align:center;">Intro - Discothèque from Pop<br>
25:17 - The Fly from Achtung Baby<br>
30:37 - Mysterious Ways from Achtung Baby<br>
40:28 - Numb from Zooropa<br>
43:47 - Stay (Faraway, So Close!)<br>
Outro - Staring At The Sun from Pop</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hna8jv/382-u2inthe90s.mp3" length="112477260" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Through the 1980s, U2 had gone from upstart punks to political firebrands to stadium superstars, reaching the critical crossroad of either delivering what people expected and remaining creatively stagnant or reinventing their sound and risk alienation. By all accounts, 1991's Achtung Baby managed to position the band as a force at the beginning of the decade creatively, commercially and critically. That comes with its own risk, as one reinvention begets another - as the earnest and sincerity of the past is replaced with irony and spectacle. With Zooropa and the Passengers project with Brian Eno, the band continued to evolve sonically, but the U2 of The Unforgettable Fire and War was essentially retired. Depending on who you talked to, the band reached their 90s apex or nadir on 1997's Pop, forcing the band to release their greatest hits collection shortly after, and then to dial back the disconnect and on 2000's All That You Can't Leave Behind. With our guests, we dig deep into the U2 of the 90s, and try to figure out what what right, went went wrong, and where it left the band at the start of the new millenia.
Special thanks to Sudio Sweden for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.
Intro - Discothèque from Pop25:17 - The Fly from Achtung Baby30:37 - Mysterious Ways from Achtung Baby40:28 - Numb from Zooropa43:47 - Stay (Faraway, So Close!)Outro - Staring At The Sun from Pop
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4679</itunes:duration>
                <itunes:episode>115</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#381: The Proximity Effect by Nada Surf</title>
        <itunes:title>#381: The Proximity Effect by Nada Surf</itunes:title>
        <link>https://digmeout.podbean.com/e/381-the-proximity-effect-by-nada-surf/</link>
                    <comments>https://digmeout.podbean.com/e/381-the-proximity-effect-by-nada-surf/#comments</comments>        <pubDate>Tue, 01 May 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/381-the-proximity-effect-by-nada-surf-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='http://www.nadasurf.com/'>Nada Surf</a> scored a quirky one-hit wonder with "Popular," and as with most one-hit wonders, pressure from the record label to follow it up caused a divide. In this case, Nada Surf were dropped, record in hand, which they were able to release on their own label. While The Proximity Effect received some positive press upon release in 1998 (in the UK, 2000 in the US), it went mostly unnoticed. It wasn't until Let Go in 2002 that the band fully arrived, garnering rave reviews, following that up with Chris Walla-produced The Weight Is A Gift in 2005. Upon reflection, The Proximity Effect comes across as a transition album, with the band sound clearing, fuller and more confident, while not quite hitting the highs they would reach on their next two releases.</p>
<p style="text-align: center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align: center;">Intro - Hyperspace</p>
<p style="text-align: center;">14:34 - Firecracker</p>
<p style="text-align: center;">21:23 - Dispossession</p>
<p style="text-align: center;">28:18 - Spooky</p>
<p style="text-align: center;">36:29 - Amateur</p>
<p style="text-align: center;">Outro - Robot</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='http://www.nadasurf.com/'>Nada Surf</a> scored a quirky one-hit wonder with "Popular," and as with most one-hit wonders, pressure from the record label to follow it up caused a divide. In this case, Nada Surf were dropped, record in hand, which they were able to release on their own label. While The Proximity Effect received some positive press upon release in 1998 (in the UK, 2000 in the US), it went mostly unnoticed. It wasn't until Let Go in 2002 that the band fully arrived, garnering rave reviews, following that up with Chris Walla-produced The Weight Is A Gift in 2005. Upon reflection, The Proximity Effect comes across as a transition album, with the band sound clearing, fuller and more confident, while not quite hitting the highs they would reach on their next two releases.</p>
<p style="text-align: center;">Special thanks to <a href='https://www.sudio.com/us/'>Sudio Sweden</a> for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.</p>
<p style="text-align: center;">Intro - Hyperspace</p>
<p style="text-align: center;">14:34 - Firecracker</p>
<p style="text-align: center;">21:23 - Dispossession</p>
<p style="text-align: center;">28:18 - Spooky</p>
<p style="text-align: center;">36:29 - Amateur</p>
<p style="text-align: center;">Outro - Robot</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vifavi/381-nadasurf.mp3" length="71271080" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Nada Surf scored a quirky one-hit wonder with "Popular," and as with most one-hit wonders, pressure from the record label to follow it up caused a divide. In this case, Nada Surf were dropped, record in hand, which they were able to release on their own label. While The Proximity Effect received some positive press upon release in 1998 (in the UK, 2000 in the US), it went mostly unnoticed. It wasn't until Let Go in 2002 that the band fully arrived, garnering rave reviews, following that up with Chris Walla-produced The Weight Is A Gift in 2005. Upon reflection, The Proximity Effect comes across as a transition album, with the band sound clearing, fuller and more confident, while not quite hitting the highs they would reach on their next two releases.
Special thanks to Sudio Sweden for providing our May giveaway - a pair of Regent headphones. Join us at Patreon by May 15th to be eligible to win, winner announced on episode 384. We’re following up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase.
Intro - Hyperspace
14:34 - Firecracker
21:23 - Dispossession
28:18 - Spooky
36:29 - Amateur
Outro - Robot
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2962</itunes:duration>
                <itunes:episode>114</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#380: Shōso Strip by Ringo Sheena</title>
        <itunes:title>#380: Shōso Strip by Ringo Sheena</itunes:title>
        <link>https://digmeout.podbean.com/e/380-shoso-strip-by-ringo-sheena/</link>
                    <comments>https://digmeout.podbean.com/e/380-shoso-strip-by-ringo-sheena/#comments</comments>        <pubDate>Tue, 24 Apr 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/380-shoso-strip-by-ringo-sheena-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">While we have traveled, musically speaking, to Europe and Australia quite often, Japan has been a much rarer trip, and we've never revisited an album that wasn't primarily recorded in English. Until now. Thanks to a patron selection, we're checking out the 2000 album Shōso Strip by <a>Ringo Sheena</a>. It's hard to nail down the sound or style of Ringo Sheena on her second album, which bounces from electronic pop to metallic distortion to cabaret swing, all backed by a talented band and produced to the nth degree, using every studio trick in the book. For a pop record, there is almost no western comparison. The better comparisons are trailblazing iconoclasts Bjork or Tori Amos, but even that fails to truly capture the twisted and wild ride that is Shōso Strip.</p>
<p style="text-align:center;">Intro - I Am A Liar</p>
<p style="text-align:center;">7:30 - Instinct</p>
<p style="text-align:center;">14:47 - Excuse Debussy</p>
<p style="text-align:center;">25:37 - Sickbed Public</p>
<p style="text-align:center;">32:31 - A Broken Man and Midnight</p>
<p style="text-align:center;">38:27 - Stoicism</p>
<p style="text-align:center;">Outro - Bathroom</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">While we have traveled, musically speaking, to Europe and Australia quite often, Japan has been a much rarer trip, and we've never revisited an album that wasn't primarily recorded in English. Until now. Thanks to a patron selection, we're checking out the 2000 album Shōso Strip by <a>Ringo Sheena</a>. It's hard to nail down the sound or style of Ringo Sheena on her second album, which bounces from electronic pop to metallic distortion to cabaret swing, all backed by a talented band and produced to the nth degree, using every studio trick in the book. For a pop record, there is almost no western comparison. The better comparisons are trailblazing iconoclasts Bjork or Tori Amos, but even that fails to truly capture the twisted and wild ride that is Shōso Strip.</p>
<p style="text-align:center;">Intro - I Am A Liar</p>
<p style="text-align:center;">7:30 - Instinct</p>
<p style="text-align:center;">14:47 - Excuse Debussy</p>
<p style="text-align:center;">25:37 - Sickbed Public</p>
<p style="text-align:center;">32:31 - A Broken Man and Midnight</p>
<p style="text-align:center;">38:27 - Stoicism</p>
<p style="text-align:center;">Outro - Bathroom</p>
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jpu2b9/380-ringoshena.mp3" length="68160211" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we have traveled, musically speaking, to Europe and Australia quite often, Japan has been a much rarer trip, and we've never revisited an album that wasn't primarily recorded in English. Until now. Thanks to a patron selection, we're checking out the 2000 album Shōso Strip by Ringo Sheena. It's hard to nail down the sound or style of Ringo Sheena on her second album, which bounces from electronic pop to metallic distortion to cabaret swing, all backed by a talented band and produced to the nth degree, using every studio trick in the book. For a pop record, there is almost no western comparison. The better comparisons are trailblazing iconoclasts Bjork or Tori Amos, but even that fails to truly capture the twisted and wild ride that is Shōso Strip.
Intro - I Am A Liar
7:30 - Instinct
14:47 - Excuse Debussy
25:37 - Sickbed Public
32:31 - A Broken Man and Midnight
38:27 - Stoicism
Outro - Bathroom
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2832</itunes:duration>
                <itunes:episode>113</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#379: Sophomore Slump Revisited - The Chinese Album by Spacehog</title>
        <itunes:title>#379: Sophomore Slump Revisited - The Chinese Album by Spacehog</itunes:title>
        <link>https://digmeout.podbean.com/e/379-sophomore-slump-revisited-the-chinese-album-by-spacehog/</link>
                    <comments>https://digmeout.podbean.com/e/379-sophomore-slump-revisited-the-chinese-album-by-spacehog/#comments</comments>        <pubDate>Tue, 17 Apr 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/379-sophomore-slump-revisited-the-chinese-album-by-spacehog-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Do you remember 1995? If you do, you probably remember "In The Meantime" by <a>Spacehog</a> off their debut album Resident Alien. The single went to number one on the US mainstream chart, number two on the US modern rock chart, and top fifty in about every country that had a radio station. The album went Gold in the US and Platinum in Canada, and the video was in constant rotation on MTV. So what happened with their second effort, 1998's The Chinese Album? We don't know because neither the album nor any single charted in the US. So it's time for a sophomore slump revisited, and decide once and for all if we need to revisit Mungo City, or leave it a ghost town.</p>
<p style="text-align:center;">Intro - Mungo City</p>
<p style="text-align:center;">15:45 - Goodbye Violent Race</p>
<p style="text-align:center;">18:15 - Captain Freeman</p>
<p style="text-align:center;">23:07 - Beautiful Girl</p>
<p style="text-align:center;">Outro - One Of These Days</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Do you remember 1995? If you do, you probably remember "In The Meantime" by <a>Spacehog</a> off their debut album Resident Alien. The single went to number one on the US mainstream chart, number two on the US modern rock chart, and top fifty in about every country that had a radio station. The album went Gold in the US and Platinum in Canada, and the video was in constant rotation on MTV. So what happened with their second effort, 1998's The Chinese Album? We don't know because neither the album nor any single charted in the US. So it's time for a sophomore slump revisited, and decide once and for all if we need to revisit Mungo City, or leave it a ghost town.</p>
<p style="text-align:center;">Intro - Mungo City</p>
<p style="text-align:center;">15:45 - Goodbye Violent Race</p>
<p style="text-align:center;">18:15 - Captain Freeman</p>
<p style="text-align:center;">23:07 - Beautiful Girl</p>
<p style="text-align:center;">Outro - One Of These Days</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i55xwj/379-spacehog.mp3" length="78799361" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Do you remember 1995? If you do, you probably remember "In The Meantime" by Spacehog off their debut album Resident Alien. The single went to number one on the US mainstream chart, number two on the US modern rock chart, and top fifty in about every country that had a radio station. The album went Gold in the US and Platinum in Canada, and the video was in constant rotation on MTV. So what happened with their second effort, 1998's The Chinese Album? We don't know because neither the album nor any single charted in the US. So it's time for a sophomore slump revisited, and decide once and for all if we need to revisit Mungo City, or leave it a ghost town.
Intro - Mungo City
15:45 - Goodbye Violent Race
18:15 - Captain Freeman
23:07 - Beautiful Girl
Outro - One Of These Days
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3275</itunes:duration>
                <itunes:episode>112</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#378: Laid by James</title>
        <itunes:title>#378: Laid by James</itunes:title>
        <link>https://digmeout.podbean.com/e/378-laid-by-james/</link>
                    <comments>https://digmeout.podbean.com/e/378-laid-by-james/#comments</comments>        <pubDate>Tue, 10 Apr 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/378-laid-by-james-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">By 1993, <a>James</a> were already established with a string of successful UK singles on their four previous album. But with the release of <a>Laid</a>, they managed to crack wide open United States college and mainstream radio playlists with the quirky and catchy title track. However, like so many albums released in the 90s, a hit single does not always represent the sound of the band overall. While James had their fair share of uptempo tunes, including the New Order-esque Say Something from the same album, with the help of our <a>Patreon</a> patron Patrick (of <a>Three Bines Hopped Spirits</a>) who picked the album, we discovered a moodier, more melancholy sound, driven by bass and atmospheric guitars. While some of that credit is probably due to legendary musician/producer Brian Eno, the band themselves unveil a unique combination of post-punk edge, folk storytelling, Madchester bounce and Brit-pop swagger. It all makes for a listen that bares repeated listens to discover the layers, which also reveal some deficiencies that grew over time.</p>
<p style="text-align:center;">Intro - Laid</p>
<p style="text-align:center;">13:23 - Say Something</p>
<p style="text-align:center;">16:51 - Out To Get You</p>
<p style="text-align:center;">27:27 - Five-O</p>
<p style="text-align:center;">Outro - Sometimes</p>
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">By 1993, <a>James</a> were already established with a string of successful UK singles on their four previous album. But with the release of <a>Laid</a>, they managed to crack wide open United States college and mainstream radio playlists with the quirky and catchy title track. However, like so many albums released in the 90s, a hit single does not always represent the sound of the band overall. While James had their fair share of uptempo tunes, including the New Order-esque Say Something from the same album, with the help of our <a>Patreon</a> patron Patrick (of <a>Three Bines Hopped Spirits</a>) who picked the album, we discovered a moodier, more melancholy sound, driven by bass and atmospheric guitars. While some of that credit is probably due to legendary musician/producer Brian Eno, the band themselves unveil a unique combination of post-punk edge, folk storytelling, Madchester bounce and Brit-pop swagger. It all makes for a listen that bares repeated listens to discover the layers, which also reveal some deficiencies that grew over time.</p>
<p style="text-align:center;">Intro - Laid</p>
<p style="text-align:center;">13:23 - Say Something</p>
<p style="text-align:center;">16:51 - Out To Get You</p>
<p style="text-align:center;">27:27 - Five-O</p>
<p style="text-align:center;">Outro - Sometimes</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mzfzmx/378-james.mp3" length="72929330" type="audio/mpeg"/>
        <itunes:summary><![CDATA[By 1993, James were already established with a string of successful UK singles on their four previous album. But with the release of Laid, they managed to crack wide open United States college and mainstream radio playlists with the quirky and catchy title track. However, like so many albums released in the 90s, a hit single does not always represent the sound of the band overall. While James had their fair share of uptempo tunes, including the New Order-esque Say Something from the same album, with the help of our Patreon patron Patrick (of Three Bines Hopped Spirits) who picked the album, we discovered a moodier, more melancholy sound, driven by bass and atmospheric guitars. While some of that credit is probably due to legendary musician/producer Brian Eno, the band themselves unveil a unique combination of post-punk edge, folk storytelling, Madchester bounce and Brit-pop swagger. It all makes for a listen that bares repeated listens to discover the layers, which also reveal some deficiencies that grew over time.
Intro - Laid
13:23 - Say Something
16:51 - Out To Get You
27:27 - Five-O
Outro - Sometimes
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3031</itunes:duration>
                <itunes:episode>111</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#377: Darkest Days by Stabbing Westward</title>
        <itunes:title>#377: Darkest Days by Stabbing Westward</itunes:title>
        <link>https://digmeout.podbean.com/e/377-darkest-days-by-stabbing-westward/</link>
                    <comments>https://digmeout.podbean.com/e/377-darkest-days-by-stabbing-westward/#comments</comments>        <pubDate>Tue, 03 Apr 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/377-darkest-days-by-stabbing-westward-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our <a>Patreon patrons</a> often surprise us. Our poll for April of 1998 included revered and critically acclaimed albums, but instead the votes went a surprising way. <a>Stabbing Westward</a>'s third album Darkest Days, could (and was) written off in some circles as a Nine Inch Nails wannabe. In revisiting this, and other records there were not critical darlings in the 1990s, it is easy to see why. Following up a hit single (one-hit wonder?) on their previous record, the odds were against them pulling out another, especially while wrapping it all in a sixteen track, sixty-four minute concept album, in a genre (industrial rock) as pinned to the 1990s as grunge. But a funny thing happened, while lesser bands were layering oodles of synths and metallic guitars on top of mechanical drum beats, Stabbing Westward remember to write the hooks and keep it grounded in the more rock end of industrial rock. Sure, it's loud and abrasive one minute and whisper quiet serious the next, but with production master <a>Dave Jerden</a> assisting behind the board, the band manages to make it all in work despite the odds.</p>
<p style="text-align:center;">Intro - Save Yourself</p>
<p style="text-align:center;">12:15 - Waking Up Beside You</p>
<p style="text-align:center;">23:23 - Haunting Me</p>
<p style="text-align:center;">27:23 - When I'm Dead</p>
<p style="text-align:center;">33:13 - Goodbye</p>
<p style="text-align:center;">Outro - You Complete Me</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our <a>Patreon patrons</a> often surprise us. Our poll for April of 1998 included revered and critically acclaimed albums, but instead the votes went a surprising way. <a>Stabbing Westward</a>'s third album Darkest Days, could (and was) written off in some circles as a Nine Inch Nails wannabe. In revisiting this, and other records there were not critical darlings in the 1990s, it is easy to see why. Following up a hit single (one-hit wonder?) on their previous record, the odds were against them pulling out another, especially while wrapping it all in a sixteen track, sixty-four minute concept album, in a genre (industrial rock) as pinned to the 1990s as grunge. But a funny thing happened, while lesser bands were layering oodles of synths and metallic guitars on top of mechanical drum beats, Stabbing Westward remember to write the hooks and keep it grounded in the more rock end of industrial rock. Sure, it's loud and abrasive one minute and whisper quiet serious the next, but with production master <a>Dave Jerden</a> assisting behind the board, the band manages to make it all in work despite the odds.</p>
<p style="text-align:center;">Intro - Save Yourself</p>
<p style="text-align:center;">12:15 - Waking Up Beside You</p>
<p style="text-align:center;">23:23 - Haunting Me</p>
<p style="text-align:center;">27:23 - When I'm Dead</p>
<p style="text-align:center;">33:13 - Goodbye</p>
<p style="text-align:center;">Outro - You Complete Me</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gxffwq/377-stabwest.mp3" length="58744843" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our Patreon patrons often surprise us. Our poll for April of 1998 included revered and critically acclaimed albums, but instead the votes went a surprising way. Stabbing Westward's third album Darkest Days, could (and was) written off in some circles as a Nine Inch Nails wannabe. In revisiting this, and other records there were not critical darlings in the 1990s, it is easy to see why. Following up a hit single (one-hit wonder?) on their previous record, the odds were against them pulling out another, especially while wrapping it all in a sixteen track, sixty-four minute concept album, in a genre (industrial rock) as pinned to the 1990s as grunge. But a funny thing happened, while lesser bands were layering oodles of synths and metallic guitars on top of mechanical drum beats, Stabbing Westward remember to write the hooks and keep it grounded in the more rock end of industrial rock. Sure, it's loud and abrasive one minute and whisper quiet serious the next, but with production master Dave Jerden assisting behind the board, the band manages to make it all in work despite the odds.
Intro - Save Yourself
12:15 - Waking Up Beside You
23:23 - Haunting Me
27:23 - When I'm Dead
33:13 - Goodbye
Outro - You Complete Me
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2440</itunes:duration>
                <itunes:episode>110</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#376: The Process by Skinny Puppy</title>
        <itunes:title>#376: The Process by Skinny Puppy</itunes:title>
        <link>https://digmeout.podbean.com/e/376-the-process-by-skinny-puppy/</link>
                    <comments>https://digmeout.podbean.com/e/376-the-process-by-skinny-puppy/#comments</comments>        <pubDate>Tue, 27 Mar 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/376-the-process-by-skinny-puppy-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Upon release in 1996, <a href='http://skinnypuppy.com/'>Skinny Puppy</a>'s eight album The Process divided and confused longtime fans, some accusing the band of selling out and writing rock and metal singles for a major label. While a band like Ministry was able to slip the heavier/noiser end of industrial into periphery of mainstream of MTV and commercial radio with Psalm 69, neither reached the heights of a band like Nine Inch Nails, or the legion of wannabes who followed. Thanks to our patron Josh "funkdoc" Ballard bring this record to us, we're able to not only check out a diverse and divisive album fraught with creative tension and tragedy, but also examine the shifting concept of what "commercial" and "selling out" meant in 1996 versus today. Check out Josh's article on Medium, <a href='https://medium.com/@rashreflection/the-billion-year-voyage-skinny-puppys-last-rights-b679e9b0ece1'>"The Billion-Year Voyage”: Skinny Puppy’s Last Rights</a>.</p>
<p style="text-align:center;">Intro - Candle</p>
<p style="text-align:center;">14:18 - Curcible</p>
<p style="text-align:center;">19:36 - Hardset Head</p>
<p style="text-align:center;">23:02 - Amnesia</p>
<p style="text-align:center;">34:31 - Jahya</p>
<p style="text-align:center;">Outro - Blue Serge</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Upon release in 1996, <a href='http://skinnypuppy.com/'>Skinny Puppy</a>'s eight album The Process divided and confused longtime fans, some accusing the band of selling out and writing rock and metal singles for a major label. While a band like Ministry was able to slip the heavier/noiser end of industrial into periphery of mainstream of MTV and commercial radio with Psalm 69, neither reached the heights of a band like Nine Inch Nails, or the legion of wannabes who followed. Thanks to our patron Josh "funkdoc" Ballard bring this record to us, we're able to not only check out a diverse and divisive album fraught with creative tension and tragedy, but also examine the shifting concept of what "commercial" and "selling out" meant in 1996 versus today. Check out Josh's article on Medium, <a href='https://medium.com/@rashreflection/the-billion-year-voyage-skinny-puppys-last-rights-b679e9b0ece1'>"The Billion-Year Voyage”: Skinny Puppy’s Last Rights</a>.</p>
<p style="text-align:center;">Intro - Candle</p>
<p style="text-align:center;">14:18 - Curcible</p>
<p style="text-align:center;">19:36 - Hardset Head</p>
<p style="text-align:center;">23:02 - Amnesia</p>
<p style="text-align:center;">34:31 - Jahya</p>
<p style="text-align:center;">Outro - Blue Serge</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8d236c/376-skinnypuppy.mp3" length="63443125" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Upon release in 1996, Skinny Puppy's eight album The Process divided and confused longtime fans, some accusing the band of selling out and writing rock and metal singles for a major label. While a band like Ministry was able to slip the heavier/noiser end of industrial into periphery of mainstream of MTV and commercial radio with Psalm 69, neither reached the heights of a band like Nine Inch Nails, or the legion of wannabes who followed. Thanks to our patron Josh "funkdoc" Ballard bring this record to us, we're able to not only check out a diverse and divisive album fraught with creative tension and tragedy, but also examine the shifting concept of what "commercial" and "selling out" meant in 1996 versus today. Check out Josh's article on Medium, "The Billion-Year Voyage”: Skinny Puppy’s Last Rights.
Intro - Candle
14:18 - Curcible
19:36 - Hardset Head
23:02 - Amnesia
34:31 - Jahya
Outro - Blue Serge
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2635</itunes:duration>
                <itunes:episode>109</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#375: Digging Your Scene visits New York City</title>
        <itunes:title>#375: Digging Your Scene visits New York City</itunes:title>
        <link>https://digmeout.podbean.com/e/375-digging-your-scene-visits-new-york-city/</link>
                    <comments>https://digmeout.podbean.com/e/375-digging-your-scene-visits-new-york-city/#comments</comments>        <pubDate>Tue, 20 Mar 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/375-digging-your-scene-visits-new-york-city-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">New York City has been a global epicenter for music and culture in general for decades, so it is no surprise that the the 1990s are no different. From the legendary Velvet Underground, KISS and Blondie, to indie rock progenitors Sonic Youth, Talking Heads and Television, to the punk of the New York Dolls, Ramones and The Dictators, as well as the hip-hop, disco, electronic and dance scenes, the 1990s combined it all into a stew of unique sounds interpolated by artists such as the Beastie Boys, Living Colour, White Zombie, Girls Against Boys, Helmet, Biohazard, and more. Like every scene we've dug into, finding the venues, the media, the record stores, recording studios and labels that fostered the sound for the band, New York City has its own spin. How do you get gear to shows in a city most travel by subway? How do you get your band noticed in a sea of competition? How do you not get robbed and randomly punched in the face on the street? To help us unpack it all, we're joined by <a>Eli Janney</a> of <a>Girls Against Boys</a> and <a>The 8G Band from Late Night with Seth Meyers</a>, Mike Lustig of <a>Ruth Ruth</a>, and <a>Mike Stuto</a> from <a>Brownies</a> and <a>Beggars Banquet Records</a>.</p>
<p style="text-align:center;">Intro - New York Medley (New York City by The Cult, New York State of Mind by Billy Joel, Back in the New York Groove by Ace Frehley, New York City by T. Rex)</p>
<p style="text-align:center;">Outro - Safe In New York City by AC/DC</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">New York City has been a global epicenter for music and culture in general for decades, so it is no surprise that the the 1990s are no different. From the legendary Velvet Underground, KISS and Blondie, to indie rock progenitors Sonic Youth, Talking Heads and Television, to the punk of the New York Dolls, Ramones and The Dictators, as well as the hip-hop, disco, electronic and dance scenes, the 1990s combined it all into a stew of unique sounds interpolated by artists such as the Beastie Boys, Living Colour, White Zombie, Girls Against Boys, Helmet, Biohazard, and more. Like every scene we've dug into, finding the venues, the media, the record stores, recording studios and labels that fostered the sound for the band, New York City has its own spin. How do you get gear to shows in a city most travel by subway? How do you get your band noticed in a sea of competition? How do you not get robbed and randomly punched in the face on the street? To help us unpack it all, we're joined by <a>Eli Janney</a> of <a>Girls Against Boys</a> and <a>The 8G Band from Late Night with Seth Meyers</a>, Mike Lustig of <a>Ruth Ruth</a>, and <a>Mike Stuto</a> from <a>Brownies</a> and <a>Beggars Banquet Records</a>.</p>
<p style="text-align:center;">Intro - New York Medley (New York City by The Cult, New York State of Mind by Billy Joel, Back in the New York Groove by Ace Frehley, New York City by T. Rex)</p>
<p style="text-align:center;">Outro - Safe In New York City by AC/DC</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/brrpm4/375-NYCinthe90s.mp3" length="100794884" type="audio/mpeg"/>
        <itunes:summary><![CDATA[New York City has been a global epicenter for music and culture in general for decades, so it is no surprise that the the 1990s are no different. From the legendary Velvet Underground, KISS and Blondie, to indie rock progenitors Sonic Youth, Talking Heads and Television, to the punk of the New York Dolls, Ramones and The Dictators, as well as the hip-hop, disco, electronic and dance scenes, the 1990s combined it all into a stew of unique sounds interpolated by artists such as the Beastie Boys, Living Colour, White Zombie, Girls Against Boys, Helmet, Biohazard, and more. Like every scene we've dug into, finding the venues, the media, the record stores, recording studios and labels that fostered the sound for the band, New York City has its own spin. How do you get gear to shows in a city most travel by subway? How do you get your band noticed in a sea of competition? How do you not get robbed and randomly punched in the face on the street? To help us unpack it all, we're joined by Eli Janney of Girls Against Boys and The 8G Band from Late Night with Seth Meyers, Mike Lustig of Ruth Ruth, and Mike Stuto from Brownies and Beggars Banquet Records.
Intro - New York Medley (New York City by The Cult, New York State of Mind by Billy Joel, Back in the New York Groove by Ace Frehley, New York City by T. Rex)
Outro - Safe In New York City by AC/DC
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4192</itunes:duration>
                <itunes:episode>108</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#374: 12 Bar Blues by Scott Weiland</title>
        <itunes:title>#374: 12 Bar Blues by Scott Weiland</itunes:title>
        <link>https://digmeout.podbean.com/e/374-12-bar-blues-by-scott-weiland/</link>
                    <comments>https://digmeout.podbean.com/e/374-12-bar-blues-by-scott-weiland/#comments</comments>        <pubDate>Tue, 13 Mar 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/374-12-bar-blues-by-scott-weiland-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">During our revisit of the one and only <a>Talk Show</a> album featuring the three guys not named <a>Scott Weiland</a> from <a>Stone Temple Pilots</a> during their infamous 1997 hiatus, we remarked how the music remained steady but the vocals and melodies were less interesting. Now we get to examine the other side of that temporary split with Weiland's 1998 solo debut 12 Bar Blues. Would the lack of the DeLeo brothers inventive riffing similarly hamper the lead singers creative output? The simple answer is no, thanks to Weiland's willingness to experiment, filling the record with interesting sounds and surrounding himself with accomplished musicians. It is an admirable, if occasionally messy, attempt to shatter the perceptions of what it meant to be "the lead singer of Stone Temple Pilots," but more often than not, the influences start to show. Sadly, this left us wondering if the lukewarm critical reception, albums sales and radio play pushed Weiland back into the easy embrace of Stone Temple Pilots too quickly, who churned out successive radio friendly if bland riffage that palled to their primer-era output. Weiland never pushed the envelope like he did on this record, and we try to figure out why.</p>
<p style="text-align:center;">Intro - Barbarella</p>
<p style="text-align:center;">13:20 - Mockingbird Girl</p>
<p style="text-align:center;">18:05 - About Nothing</p>
<p style="text-align:center;">29:28 - Son</p>
<p style="text-align:center;">Outro - Lady, Your Roof Brings Me Down</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">During our revisit of the one and only <a>Talk Show</a> album featuring the three guys not named <a>Scott Weiland</a> from <a>Stone Temple Pilots</a> during their infamous 1997 hiatus, we remarked how the music remained steady but the vocals and melodies were less interesting. Now we get to examine the other side of that temporary split with Weiland's 1998 solo debut 12 Bar Blues. Would the lack of the DeLeo brothers inventive riffing similarly hamper the lead singers creative output? The simple answer is no, thanks to Weiland's willingness to experiment, filling the record with interesting sounds and surrounding himself with accomplished musicians. It is an admirable, if occasionally messy, attempt to shatter the perceptions of what it meant to be "the lead singer of Stone Temple Pilots," but more often than not, the influences start to show. Sadly, this left us wondering if the lukewarm critical reception, albums sales and radio play pushed Weiland back into the easy embrace of Stone Temple Pilots too quickly, who churned out successive radio friendly if bland riffage that palled to their primer-era output. Weiland never pushed the envelope like he did on this record, and we try to figure out why.</p>
<p style="text-align:center;">Intro - Barbarella</p>
<p style="text-align:center;">13:20 - Mockingbird Girl</p>
<p style="text-align:center;">18:05 - About Nothing</p>
<p style="text-align:center;">29:28 - Son</p>
<p style="text-align:center;">Outro - Lady, Your Roof Brings Me Down</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cq46id/374-scottweiland.mp3" length="55419564" type="audio/mpeg"/>
        <itunes:summary><![CDATA[During our revisit of the one and only Talk Show album featuring the three guys not named Scott Weiland from Stone Temple Pilots during their infamous 1997 hiatus, we remarked how the music remained steady but the vocals and melodies were less interesting. Now we get to examine the other side of that temporary split with Weiland's 1998 solo debut 12 Bar Blues. Would the lack of the DeLeo brothers inventive riffing similarly hamper the lead singers creative output? The simple answer is no, thanks to Weiland's willingness to experiment, filling the record with interesting sounds and surrounding himself with accomplished musicians. It is an admirable, if occasionally messy, attempt to shatter the perceptions of what it meant to be "the lead singer of Stone Temple Pilots," but more often than not, the influences start to show. Sadly, this left us wondering if the lukewarm critical reception, albums sales and radio play pushed Weiland back into the easy embrace of Stone Temple Pilots too quickly, who churned out successive radio friendly if bland riffage that palled to their primer-era output. Weiland never pushed the envelope like he did on this record, and we try to figure out why.
Intro - Barbarella
13:20 - Mockingbird Girl
18:05 - About Nothing
29:28 - Son
Outro - Lady, Your Roof Brings Me Down
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2301</itunes:duration>
                <itunes:episode>107</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#373: Shapeshifter by Marcy Playground</title>
        <itunes:title>#373: Shapeshifter by Marcy Playground</itunes:title>
        <link>https://digmeout.podbean.com/e/373-shapeshifter-by-marcy-playground/</link>
                    <comments>https://digmeout.podbean.com/e/373-shapeshifter-by-marcy-playground/#comments</comments>        <pubDate>Tue, 06 Mar 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/373-shapeshifter-by-marcy-playground-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Like any decade of rock music and commercial radio, the 1990s had plenty of one hit wonders, many of which we talked about in our <a>One Hit Wonders Roundtable</a>. <a>Marcy Playground</a> managed their own, with <a>Sex and Candy</a> in 1997 spending fifteen weeks at number on the Billboard Modern Rock Tracks chart, and top ten on four other US charts, as well as top ten in Canada and Australia, and top thirty in the UK. In other words, it was a massive hit, so how did they follow it up? In 1999 they released Shapeshifter, the whips between more radio friendly pop, Americana-folk, Butthole Surfer weirdness and Nirvana riffage. In other words, it is all over the place. Sometimes an eclectic approach provides a interesting and diverse selection of tunes, other times it is a mess of one-off attempts and half-way-there ideas. Where does Shapeshifter fall? Tune in to find out.</p>
<p style="text-align:center;">Intro: It's Saturday</p>
<p style="text-align:center;">12:25 - America</p>
<p style="text-align:center;">14:09 - Love Bug</p>
<p style="text-align:center;">19:33 - All The Lights Went Out</p>
<p style="text-align:center;">24:14 - Secret Squirrel</p>
<p style="text-align:center;">Outro - Bye Bye</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Like any decade of rock music and commercial radio, the 1990s had plenty of one hit wonders, many of which we talked about in our <a>One Hit Wonders Roundtable</a>. <a>Marcy Playground</a> managed their own, with <a>Sex and Candy</a> in 1997 spending fifteen weeks at number on the Billboard Modern Rock Tracks chart, and top ten on four other US charts, as well as top ten in Canada and Australia, and top thirty in the UK. In other words, it was a massive hit, so how did they follow it up? In 1999 they released Shapeshifter, the whips between more radio friendly pop, Americana-folk, Butthole Surfer weirdness and Nirvana riffage. In other words, it is all over the place. Sometimes an eclectic approach provides a interesting and diverse selection of tunes, other times it is a mess of one-off attempts and half-way-there ideas. Where does Shapeshifter fall? Tune in to find out.</p>
<p style="text-align:center;">Intro: It's Saturday</p>
<p style="text-align:center;">12:25 - America</p>
<p style="text-align:center;">14:09 - Love Bug</p>
<p style="text-align:center;">19:33 - All The Lights Went Out</p>
<p style="text-align:center;">24:14 - Secret Squirrel</p>
<p style="text-align:center;">Outro - Bye Bye</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rt26wb/373-marcyplayground.mp3" length="49587782" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Like any decade of rock music and commercial radio, the 1990s had plenty of one hit wonders, many of which we talked about in our One Hit Wonders Roundtable. Marcy Playground managed their own, with Sex and Candy in 1997 spending fifteen weeks at number on the Billboard Modern Rock Tracks chart, and top ten on four other US charts, as well as top ten in Canada and Australia, and top thirty in the UK. In other words, it was a massive hit, so how did they follow it up? In 1999 they released Shapeshifter, the whips between more radio friendly pop, Americana-folk, Butthole Surfer weirdness and Nirvana riffage. In other words, it is all over the place. Sometimes an eclectic approach provides a interesting and diverse selection of tunes, other times it is a mess of one-off attempts and half-way-there ideas. Where does Shapeshifter fall? Tune in to find out.
Intro: It's Saturday
12:25 - America
14:09 - Love Bug
19:33 - All The Lights Went Out
24:14 - Secret Squirrel
Outro - Bye Bye
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2058</itunes:duration>
                <itunes:episode>106</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#372: Desert Rock Discussion with Director Jason Georgiades</title>
        <itunes:title>#372: Desert Rock Discussion with Director Jason Georgiades</itunes:title>
        <link>https://digmeout.podbean.com/e/372-desert-rock-discussion-with-director-jason-georgiades/</link>
                    <comments>https://digmeout.podbean.com/e/372-desert-rock-discussion-with-director-jason-georgiades/#comments</comments>        <pubDate>Tue, 27 Feb 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/372-desert-rock-discussion-with-director-jason-georgiades-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Going into this episode, we thought desert rock and stoner rock were the same thing. We were wrong. We thought the "desert rock sound" started with the Sabbath influence lowend fuzzed riffs of Kyuss. We were wrong on that as well. There is an important lesson here - makes sure you are open to preconceived notions being challenged because the truth maybe more interesting than the vision in your head. That wasn't only the case for us. We invited on <a>Jason Georgiades</a>, director of <a>Desert Age</a>, a film about the 80s and 90s desert rock scene, who also had to shift his thinking once he started digging into history, talking to the people, and hearing the music of the California desert around Palm Springs. You've heard of Queens of the Stone Age and Kyuss, but what about Across the River and Yawning Man? Or Unsound or Target 13? We talk the bands, the landscape, the (lack of) places to play and the illegal substances that made the desert rock scene of the truly most original in punk, alternative and hard rock. We also get a behind the scenes look at the making of a rock documentary in the twenty first century.</p>
<p style="text-align:center;">Use the promo code "Green Machine" to get 15% off anything in the <a>Desert Age store</a>.</p>
<p style="text-align:center;">Intro - Green Machine by Kyuss</p>
<p style="text-align:center;">11:05 - Monster in the Parasol from The Desert Sessions, Vol 3 & 4</p>
<p style="text-align:center;">24:04 - N.O. by Across The River</p>
<p style="text-align:center;">35:37 - She Got Me (When She Got Her Dress On) by Masters of Reality</p>
<p style="text-align:center;">53:33 - Rock Formations by Yawning Man</p>
<p style="text-align:center;">Outro - Rodney on the Roq by Target 13</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Going into this episode, we thought desert rock and stoner rock were the same thing. We were wrong. We thought the "desert rock sound" started with the Sabbath influence lowend fuzzed riffs of Kyuss. We were wrong on that as well. There is an important lesson here - makes sure you are open to preconceived notions being challenged because the truth maybe more interesting than the vision in your head. That wasn't only the case for us. We invited on <a>Jason Georgiades</a>, director of <a>Desert Age</a>, a film about the 80s and 90s desert rock scene, who also had to shift his thinking once he started digging into history, talking to the people, and hearing the music of the California desert around Palm Springs. You've heard of Queens of the Stone Age and Kyuss, but what about Across the River and Yawning Man? Or Unsound or Target 13? We talk the bands, the landscape, the (lack of) places to play and the illegal substances that made the desert rock scene of the truly most original in punk, alternative and hard rock. We also get a behind the scenes look at the making of a rock documentary in the twenty first century.</p>
<p style="text-align:center;">Use the promo code "Green Machine" to get 15% off anything in the <a>Desert Age store</a>.</p>
<p style="text-align:center;">Intro - Green Machine by Kyuss</p>
<p style="text-align:center;">11:05 - Monster in the Parasol from The Desert Sessions, Vol 3 & 4</p>
<p style="text-align:center;">24:04 - N.O. by Across The River</p>
<p style="text-align:center;">35:37 - She Got Me (When She Got Her Dress On) by Masters of Reality</p>
<p style="text-align:center;">53:33 - Rock Formations by Yawning Man</p>
<p style="text-align:center;">Outro - Rodney on the Roq by Target 13</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6sh7wn/372-desertrock.mp3" length="100545361" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Going into this episode, we thought desert rock and stoner rock were the same thing. We were wrong. We thought the "desert rock sound" started with the Sabbath influence lowend fuzzed riffs of Kyuss. We were wrong on that as well. There is an important lesson here - makes sure you are open to preconceived notions being challenged because the truth maybe more interesting than the vision in your head. That wasn't only the case for us. We invited on Jason Georgiades, director of Desert Age, a film about the 80s and 90s desert rock scene, who also had to shift his thinking once he started digging into history, talking to the people, and hearing the music of the California desert around Palm Springs. You've heard of Queens of the Stone Age and Kyuss, but what about Across the River and Yawning Man? Or Unsound or Target 13? We talk the bands, the landscape, the (lack of) places to play and the illegal substances that made the desert rock scene of the truly most original in punk, alternative and hard rock. We also get a behind the scenes look at the making of a rock documentary in the twenty first century.
Use the promo code "Green Machine" to get 15% off anything in the Desert Age store.
Intro - Green Machine by Kyuss
11:05 - Monster in the Parasol from The Desert Sessions, Vol 3 & 4
24:04 - N.O. by Across The River
35:37 - She Got Me (When She Got Her Dress On) by Masters of Reality
53:33 - Rock Formations by Yawning Man
Outro - Rodney on the Roq by Target 13
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4181</itunes:duration>
                <itunes:episode>105</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#371: Interview with Craig Wedren of Shudder To Think</title>
        <itunes:title>#371: Interview with Craig Wedren of Shudder To Think</itunes:title>
        <link>https://digmeout.podbean.com/e/371-interview-with-craig-wedren-of-shudder-to-think/</link>
                    <comments>https://digmeout.podbean.com/e/371-interview-with-craig-wedren-of-shudder-to-think/#comments</comments>        <pubDate>Tue, 20 Feb 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/371-interview-with-craig-wedren-of-shudder-to-think-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">You may know him from the "avant-punk" of 1990s <a>Shudder To Think</a>, but you'd probably been listening to <a>Craig Wedren</a> in some way in the last twenty years. From his frequent collaborations with writer/director <a>David Wain</a> on the various Wet Hot American Summer television seasons and movie, Role Models, Stella and Wainy Days, to his recent work on shows like Fresh Off The Boat, GLOW, Powerless, Hung and Blunt Talk, or his contributions on films such as Velvet Goldmine, School of Rock, Search Party, Wanderlust and many more, Craig has put his ear for 70s rock radio and 80s MTV to work. He stops by to talk about his latest solo release, <a>Adult Desire</a> from 2016, and discuss the virtual reality component that took us back to the immersion of yesteryear when audio and visual worked in thoughtful tandem. We also discuss his years spent in the Cleveland area, fronting teenage coverbands and enjoying the sounds of the <a>Michael Stanley Band</a> and <a>Donnie Iris</a> on WMMS, his apprehension writing music for 1990s based television, watching director and former Lemonheads bassist Jesse Peretz burn a suitcase on tour, and of course, KISS, plus so much more.</p>
<p style="text-align:center;">Intro - I Am A Wolf, You Are The Moon from Adult Desire</p>
<p style="text-align:center;">5:26 - Are We from Wand</p>
<p style="text-align:center;">12:07 - Safe Home (Live) from Adult Desire</p>
<p style="text-align:center;">38:52 - Main Title Song from Role Models</p>
<p style="text-align:center;">50:11 - Spin Doctor-ish Song from Wet Hot American Summer: Ten Years Later</p>
<p style="text-align:center;">51:06 - Pearl Jam and RHCP-ish song from Wet Hot American Summer: Ten Years Later</p>
<p style="text-align:center;">1:15:46 - Until Summer by BAby</p>
<p style="text-align:center;">Outr - I Am A Wolf, You Are The Moon from Wet Hot American Summer: First Day of Camp</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">You may know him from the "avant-punk" of 1990s <a>Shudder To Think</a>, but you'd probably been listening to <a>Craig Wedren</a> in some way in the last twenty years. From his frequent collaborations with writer/director <a>David Wain</a> on the various Wet Hot American Summer television seasons and movie, Role Models, Stella and Wainy Days, to his recent work on shows like Fresh Off The Boat, GLOW, Powerless, Hung and Blunt Talk, or his contributions on films such as Velvet Goldmine, School of Rock, Search Party, Wanderlust and many more, Craig has put his ear for 70s rock radio and 80s MTV to work. He stops by to talk about his latest solo release, <a>Adult Desire</a> from 2016, and discuss the virtual reality component that took us back to the immersion of yesteryear when audio and visual worked in thoughtful tandem. We also discuss his years spent in the Cleveland area, fronting teenage coverbands and enjoying the sounds of the <a>Michael Stanley Band</a> and <a>Donnie Iris</a> on WMMS, his apprehension writing music for 1990s based television, watching director and former Lemonheads bassist Jesse Peretz burn a suitcase on tour, and of course, KISS, plus so much more.</p>
<p style="text-align:center;">Intro - I Am A Wolf, You Are The Moon from Adult Desire</p>
<p style="text-align:center;">5:26 - Are We from Wand</p>
<p style="text-align:center;">12:07 - Safe Home (Live) from Adult Desire</p>
<p style="text-align:center;">38:52 - Main Title Song from Role Models</p>
<p style="text-align:center;">50:11 - Spin Doctor-ish Song from Wet Hot American Summer: Ten Years Later</p>
<p style="text-align:center;">51:06 - Pearl Jam and RHCP-ish song from Wet Hot American Summer: Ten Years Later</p>
<p style="text-align:center;">1:15:46 - Until Summer by BAby</p>
<p style="text-align:center;">Outr - I Am A Wolf, You Are The Moon from Wet Hot American Summer: First Day of Camp</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a2mzba/371-craigwedren.mp3" length="120550352" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You may know him from the "avant-punk" of 1990s Shudder To Think, but you'd probably been listening to Craig Wedren in some way in the last twenty years. From his frequent collaborations with writer/director David Wain on the various Wet Hot American Summer television seasons and movie, Role Models, Stella and Wainy Days, to his recent work on shows like Fresh Off The Boat, GLOW, Powerless, Hung and Blunt Talk, or his contributions on films such as Velvet Goldmine, School of Rock, Search Party, Wanderlust and many more, Craig has put his ear for 70s rock radio and 80s MTV to work. He stops by to talk about his latest solo release, Adult Desire from 2016, and discuss the virtual reality component that took us back to the immersion of yesteryear when audio and visual worked in thoughtful tandem. We also discuss his years spent in the Cleveland area, fronting teenage coverbands and enjoying the sounds of the Michael Stanley Band and Donnie Iris on WMMS, his apprehension writing music for 1990s based television, watching director and former Lemonheads bassist Jesse Peretz burn a suitcase on tour, and of course, KISS, plus so much more.
Intro - I Am A Wolf, You Are The Moon from Adult Desire
5:26 - Are We from Wand
12:07 - Safe Home (Live) from Adult Desire
38:52 - Main Title Song from Role Models
50:11 - Spin Doctor-ish Song from Wet Hot American Summer: Ten Years Later
51:06 - Pearl Jam and RHCP-ish song from Wet Hot American Summer: Ten Years Later
1:15:46 - Until Summer by BAby
Outr - I Am A Wolf, You Are The Moon from Wet Hot American Summer: First Day of Camp
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5015</itunes:duration>
                <itunes:episode>104</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#370: Little Plastic Castle by Ani DiFranco</title>
        <itunes:title>#370: Little Plastic Castle by Ani DiFranco</itunes:title>
        <link>https://digmeout.podbean.com/e/370-little-plastic-castle-by-ani-difranco/</link>
                    <comments>https://digmeout.podbean.com/e/370-little-plastic-castle-by-ani-difranco/#comments</comments>        <pubDate>Tue, 13 Feb 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/370-little-plastic-castle-by-ani-difranco-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">There are independent artists, and then there is <a>Ani DiFranco</a>. Forging her own path since starting <a>Righteous Babe Records</a> at age nineteen, busking tapes out of the back of her car in Buffalo, NY, DiFranco has remained as proficient and relevant for three decades. After a string of critically acclaimed albums and a well received live album, she released Little Plastic Castle in 1998 and was nominated for a Grammy for Rock Female Vocalist. Known for her folk rock staccato, Little Plastic Castle opens up the sound to incorporate horns, extra percussion, keyboards and more, and finds her breaking the rapid-fire delivery for songs built around mood and groove. Those alterations provide her with a large sonic pallet to play with, but come with some questionable choices, which left us split on what we liked and didn't like about the album.</p>
<p style="text-align:center;">Intro - Glass House</p>
<p style="text-align:center;">9:03 - Fuel</p>
<p style="text-align:center;">12:26 - Pulse</p>
<p style="text-align:center;">15:25 - As Is</p>
<p style="text-align:center;">19:44 - Independence Day</p>
<p style="text-align:center;">22:52 - Pixie</p>
<p style="text-align:center;">Outro - Little Plastic Castle</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There are independent artists, and then there is <a>Ani DiFranco</a>. Forging her own path since starting <a>Righteous Babe Records</a> at age nineteen, busking tapes out of the back of her car in Buffalo, NY, DiFranco has remained as proficient and relevant for three decades. After a string of critically acclaimed albums and a well received live album, she released Little Plastic Castle in 1998 and was nominated for a Grammy for Rock Female Vocalist. Known for her folk rock staccato, Little Plastic Castle opens up the sound to incorporate horns, extra percussion, keyboards and more, and finds her breaking the rapid-fire delivery for songs built around mood and groove. Those alterations provide her with a large sonic pallet to play with, but come with some questionable choices, which left us split on what we liked and didn't like about the album.</p>
<p style="text-align:center;">Intro - Glass House</p>
<p style="text-align:center;">9:03 - Fuel</p>
<p style="text-align:center;">12:26 - Pulse</p>
<p style="text-align:center;">15:25 - As Is</p>
<p style="text-align:center;">19:44 - Independence Day</p>
<p style="text-align:center;">22:52 - Pixie</p>
<p style="text-align:center;">Outro - Little Plastic Castle</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ftv46c/370-anidifranco.mp3" length="49257381" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are independent artists, and then there is Ani DiFranco. Forging her own path since starting Righteous Babe Records at age nineteen, busking tapes out of the back of her car in Buffalo, NY, DiFranco has remained as proficient and relevant for three decades. After a string of critically acclaimed albums and a well received live album, she released Little Plastic Castle in 1998 and was nominated for a Grammy for Rock Female Vocalist. Known for her folk rock staccato, Little Plastic Castle opens up the sound to incorporate horns, extra percussion, keyboards and more, and finds her breaking the rapid-fire delivery for songs built around mood and groove. Those alterations provide her with a large sonic pallet to play with, but come with some questionable choices, which left us split on what we liked and didn't like about the album.
Intro - Glass House
9:03 - Fuel
12:26 - Pulse
15:25 - As Is
19:44 - Independence Day
22:52 - Pixie
Outro - Little Plastic Castle
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2044</itunes:duration>
                <itunes:episode>103</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#369: Wonderful Life by The Tories</title>
        <itunes:title>#369: Wonderful Life by The Tories</itunes:title>
        <link>https://digmeout.podbean.com/e/369-wonderful-life-by-the-tories/</link>
                    <comments>https://digmeout.podbean.com/e/369-wonderful-life-by-the-tories/#comments</comments>        <pubDate>Tue, 06 Feb 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/369-wonderful-life-by-the-tories-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Like so many previous artists and bands referred to as "power pop," <a>The Tories</a> debut album Wonderful Life from 1997 came and went with little fanfare. Perhaps it was timing, as the early and mid-nineties alternative rock gold rush led to a unwieldy number of releases, most which got lost in the shuffle. Perhaps it was due to the label, which specialized in East Coast jazz and house music instead of California pop rock. Or was it the songs? No, it wasn't the songs. The Tories have the songs, as well as the melodies, the harmonies, the guitar fuzz, everything you expect when the chemistry is right, and creates a power pop album worth checking out. Along with our Patreon special guest, we try to figure out what went right and wrong with Wonderful Life.</p>
<p style="text-align:center;">Intro - Flying Solo</p>
<p style="text-align:center;">13:39 - Gladys Kravitz</p>
<p style="text-align:center;">23:40 - Happy</p>
<p style="text-align:center;">29:12 - Spaceships in the Sky</p>
<p style="text-align:center;">Outro - Not What it Appears</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Like so many previous artists and bands referred to as "power pop," <a>The Tories</a> debut album Wonderful Life from 1997 came and went with little fanfare. Perhaps it was timing, as the early and mid-nineties alternative rock gold rush led to a unwieldy number of releases, most which got lost in the shuffle. Perhaps it was due to the label, which specialized in East Coast jazz and house music instead of California pop rock. Or was it the songs? No, it wasn't the songs. The Tories have the songs, as well as the melodies, the harmonies, the guitar fuzz, everything you expect when the chemistry is right, and creates a power pop album worth checking out. Along with our Patreon special guest, we try to figure out what went right and wrong with Wonderful Life.</p>
<p style="text-align:center;">Intro - Flying Solo</p>
<p style="text-align:center;">13:39 - Gladys Kravitz</p>
<p style="text-align:center;">23:40 - Happy</p>
<p style="text-align:center;">29:12 - Spaceships in the Sky</p>
<p style="text-align:center;">Outro - Not What it Appears</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xdn2x2/369-tories.mp3" length="62204289" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Like so many previous artists and bands referred to as "power pop," The Tories debut album Wonderful Life from 1997 came and went with little fanfare. Perhaps it was timing, as the early and mid-nineties alternative rock gold rush led to a unwieldy number of releases, most which got lost in the shuffle. Perhaps it was due to the label, which specialized in East Coast jazz and house music instead of California pop rock. Or was it the songs? No, it wasn't the songs. The Tories have the songs, as well as the melodies, the harmonies, the guitar fuzz, everything you expect when the chemistry is right, and creates a power pop album worth checking out. Along with our Patreon special guest, we try to figure out what went right and wrong with Wonderful Life.
Intro - Flying Solo
13:39 - Gladys Kravitz
23:40 - Happy
29:12 - Spaceships in the Sky
Outro - Not What it Appears
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2584</itunes:duration>
                <itunes:episode>102</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#368: This Is My Truth Tell Me Yours by Manic Street Preachers</title>
        <itunes:title>#368: This Is My Truth Tell Me Yours by Manic Street Preachers</itunes:title>
        <link>https://digmeout.podbean.com/e/368-this-is-my-truth-tell-me-yours-by-manic-street-preachers/</link>
                    <comments>https://digmeout.podbean.com/e/368-this-is-my-truth-tell-me-yours-by-manic-street-preachers/#comments</comments>        <pubDate>Tue, 30 Jan 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/368-this-is-my-truth-tell-me-yours-by-manic-street-preachers-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">"We live in urban hell, we destroy rock and roll." Those were the closing sentiments of the 1991 single Motown Junk by the <a>Manic Street Preachers</a>, a band of Welsh nihilist iconoclasts who declared greatness from the start, aligning themselves with The Clash, Public Enemy and Guns n' Roses. Four albums and the disappearance of one member later, the band was no longer a confrontational blitzkrieg. 1998's This Is My Truth Tell Me Yours is the sound of a band collectively exhaling and confronting both the past and their heartache, while building upon the success achieved on the previous album, Everything Must Go. On TIMTTMY, the band embraces a clean pop production that would propel the single "If You Tolerate This Your Children Will Be Next" to number one in the UK, trading in guitars for organs, electric pianos and sitars. We revisit the record recognizing now that the band would continue on the path of deconstruction with Know Your Enemy three years later and the synth heavy Lifeblood in 2004. In fact, it would take almost a decade to recapture the guitar driven bombast on 2007's Send Away The Tigers. It's a fascinating if uneven attempt to pair pathos and pop sensibility that works for some but not all.</p>
<p style="text-align:center;">Intro - If You Tolerate This Your Children Will Be Next</p>
<p style="text-align:center;">13:38 - Ready for Drowning</p>
<p style="text-align:center;">17:43 - Black Dog on My Shoulder</p>
<p style="text-align:center;">26:45 - Tsunami</p>
<p style="text-align:center;">41:20 - If You Tolerate This Your Children Will Be Next</p>
<p style="text-align:center;">Outro - The Everlasting</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">"We live in urban hell, we destroy rock and roll." Those were the closing sentiments of the 1991 single Motown Junk by the <a>Manic Street Preachers</a>, a band of Welsh nihilist iconoclasts who declared greatness from the start, aligning themselves with The Clash, Public Enemy and Guns n' Roses. Four albums and the disappearance of one member later, the band was no longer a confrontational blitzkrieg. 1998's This Is My Truth Tell Me Yours is the sound of a band collectively exhaling and confronting both the past and their heartache, while building upon the success achieved on the previous album, Everything Must Go. On TIMTTMY, the band embraces a clean pop production that would propel the single "If You Tolerate This Your Children Will Be Next" to number one in the UK, trading in guitars for organs, electric pianos and sitars. We revisit the record recognizing now that the band would continue on the path of deconstruction with Know Your Enemy three years later and the synth heavy Lifeblood in 2004. In fact, it would take almost a decade to recapture the guitar driven bombast on 2007's Send Away The Tigers. It's a fascinating if uneven attempt to pair pathos and pop sensibility that works for some but not all.</p>
<p style="text-align:center;">Intro - If You Tolerate This Your Children Will Be Next</p>
<p style="text-align:center;">13:38 - Ready for Drowning</p>
<p style="text-align:center;">17:43 - Black Dog on My Shoulder</p>
<p style="text-align:center;">26:45 - Tsunami</p>
<p style="text-align:center;">41:20 - If You Tolerate This Your Children Will Be Next</p>
<p style="text-align:center;">Outro - The Everlasting</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/puziy2/368-manicstruth.mp3" length="81893306" type="audio/mpeg"/>
        <itunes:summary><![CDATA["We live in urban hell, we destroy rock and roll." Those were the closing sentiments of the 1991 single Motown Junk by the Manic Street Preachers, a band of Welsh nihilist iconoclasts who declared greatness from the start, aligning themselves with The Clash, Public Enemy and Guns n' Roses. Four albums and the disappearance of one member later, the band was no longer a confrontational blitzkrieg. 1998's This Is My Truth Tell Me Yours is the sound of a band collectively exhaling and confronting both the past and their heartache, while building upon the success achieved on the previous album, Everything Must Go. On TIMTTMY, the band embraces a clean pop production that would propel the single "If You Tolerate This Your Children Will Be Next" to number one in the UK, trading in guitars for organs, electric pianos and sitars. We revisit the record recognizing now that the band would continue on the path of deconstruction with Know Your Enemy three years later and the synth heavy Lifeblood in 2004. In fact, it would take almost a decade to recapture the guitar driven bombast on 2007's Send Away The Tigers. It's a fascinating if uneven attempt to pair pathos and pop sensibility that works for some but not all.
Intro - If You Tolerate This Your Children Will Be Next
13:38 - Ready for Drowning
17:43 - Black Dog on My Shoulder
26:45 - Tsunami
41:20 - If You Tolerate This Your Children Will Be Next
Outro - The Everlasting
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3404</itunes:duration>
                <itunes:episode>101</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#367: Apocalypse Dudes by Turbonegro</title>
        <itunes:title>#367: Apocalypse Dudes by Turbonegro</itunes:title>
        <link>https://digmeout.podbean.com/e/367-apocalypse-dudes-by-turbonegro/</link>
                    <comments>https://digmeout.podbean.com/e/367-apocalypse-dudes-by-turbonegro/#comments</comments>        <pubDate>Tue, 23 Jan 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/367-apocalypse-dudes-by-turbonegro-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">There was a brief flicker of a moment at the end of the 90s, before the garage rock rival of The Strokes and White Stripes, before the post-post-punk of Interpol and Bloc Party, before Jimmy Eat World and Dashboard Confessional took emo to the mainstream, that the American underground punk of the New Bomb Turks and Rocket From The Crypt were going to have their moment. At the same time, across the pond in Scandinavia, it took the shape of The Hellacopters signing to Sub Pop and veterans <a>Turbonegro</a> refining their sound with the 1998 release Apocalypse Dudes. Maybe it was wishful thinking that those who previously embraced AC/DC, Motley Crue and Buckcherry would find common cause with the action rock crowd, one that favored Iggy and Stooges as much as Bob Seger and Lynyrd Skynyrd. While The Hellacopters and Gluecifer traffic'd in their own brand of riffage gymnastics, Turbonegro added an extra layer - social and political commentary via bombastic lyrics and outrageous stage presence. In retrospect, it may have all been too much, like the layer upon layer of guitar tracks that would make Billy Corgan crack a smile. It's confrontational, it's explicit (earmuffs for the kids!) and it's also a lot of fun.</p>
<p style="text-align:center;">Intro - Get It On</p>
<p style="text-align:center;">13:19 - Rock Against Ass</p>
<p style="text-align:center;">23:14 - Humiliation Street</p>
<p style="text-align:center;">27:15 - Don't Say Motherf*cker, Motherf*cker</p>
<p style="text-align:center;">32:42 - Zillion Dollar Sadist</p>
<p style="text-align:center;">Outro - Are You Ready (For Some Darkness)</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There was a brief flicker of a moment at the end of the 90s, before the garage rock rival of The Strokes and White Stripes, before the post-post-punk of Interpol and Bloc Party, before Jimmy Eat World and Dashboard Confessional took emo to the mainstream, that the American underground punk of the New Bomb Turks and Rocket From The Crypt were going to have their moment. At the same time, across the pond in Scandinavia, it took the shape of The Hellacopters signing to Sub Pop and veterans <a>Turbonegro</a> refining their sound with the 1998 release Apocalypse Dudes. Maybe it was wishful thinking that those who previously embraced AC/DC, Motley Crue and Buckcherry would find common cause with the action rock crowd, one that favored Iggy and Stooges as much as Bob Seger and Lynyrd Skynyrd. While The Hellacopters and Gluecifer traffic'd in their own brand of riffage gymnastics, Turbonegro added an extra layer - social and political commentary via bombastic lyrics and outrageous stage presence. In retrospect, it may have all been too much, like the layer upon layer of guitar tracks that would make Billy Corgan crack a smile. It's confrontational, it's explicit (earmuffs for the kids!) and it's also a lot of fun.</p>
<p style="text-align:center;">Intro - Get It On</p>
<p style="text-align:center;">13:19 - Rock Against Ass</p>
<p style="text-align:center;">23:14 - Humiliation Street</p>
<p style="text-align:center;">27:15 - Don't Say Motherf*cker, Motherf*cker</p>
<p style="text-align:center;">32:42 - Zillion Dollar Sadist</p>
<p style="text-align:center;">Outro - Are You Ready (For Some Darkness)</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/efx6v2/367-turbonegro.mp3" length="70996483" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There was a brief flicker of a moment at the end of the 90s, before the garage rock rival of The Strokes and White Stripes, before the post-post-punk of Interpol and Bloc Party, before Jimmy Eat World and Dashboard Confessional took emo to the mainstream, that the American underground punk of the New Bomb Turks and Rocket From The Crypt were going to have their moment. At the same time, across the pond in Scandinavia, it took the shape of The Hellacopters signing to Sub Pop and veterans Turbonegro refining their sound with the 1998 release Apocalypse Dudes. Maybe it was wishful thinking that those who previously embraced AC/DC, Motley Crue and Buckcherry would find common cause with the action rock crowd, one that favored Iggy and Stooges as much as Bob Seger and Lynyrd Skynyrd. While The Hellacopters and Gluecifer traffic'd in their own brand of riffage gymnastics, Turbonegro added an extra layer - social and political commentary via bombastic lyrics and outrageous stage presence. In retrospect, it may have all been too much, like the layer upon layer of guitar tracks that would make Billy Corgan crack a smile. It's confrontational, it's explicit (earmuffs for the kids!) and it's also a lot of fun.
Intro - Get It On
13:19 - Rock Against Ass
23:14 - Humiliation Street
27:15 - Don't Say Motherf*cker, Motherf*cker
32:42 - Zillion Dollar Sadist
Outro - Are You Ready (For Some Darkness)
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2950</itunes:duration>
                <itunes:episode>100</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#366: Albums of 1998 Roundtable</title>
        <itunes:title>#366: Albums of 1998 Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/366-albums-of-1998-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/366-albums-of-1998-roundtable/#comments</comments>        <pubDate>Tue, 16 Jan 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/366-albums-of-1998-roundtable-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">It's time to travel back twenty years and revisit the albums of 1998. What albums were overlooked upon release that have gained critical acclaim and fans in the years since? Which albums were big releases that have stood the test of time, and which ones have failed that same test? Are there albums we bought back in 1998 and immediately regretted the purchase? And what are our favorite albums from this wildly divergent year that witnessed the rise of nü-metal bands like Korn and Limp Bizkit along with the pop of Britney Spears and the Backstreet Boys, that also featured new albums from major artists like Madonna, the Beastie Boys, Pearl Jam and The Smashing Pumpkins. To help us dig into it all, we're joined by Andy Derer of <a>The Andy Derer Show</a>, Chip Midnight of <a>Kids Interview Bands</a> and Jim Hanke of <a>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Intro - 1998 Medley (Marilyn Manson, The Smashing Pumpkins, Semisonic, Beastie Boys)</p>
<p style="text-align:center;">15:54 - Starfighter Pilot by Snow Patrol</p>
<p style="text-align:center;">23:18 - Poets by The Tragically Hip</p>
<p style="text-align:center;">36:29 - Something' Hot by The Afghan Whigs</p>
<p style="text-align:center;">51:02 - At My Most Beautiful by R.E.M.</p>
<p style="text-align:center;">1:08:25 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:12:29 - Car Radio by Spoon</p>
<p style="text-align:center;">Outro - Ray of Light by Madonna</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It's time to travel back twenty years and revisit the albums of 1998. What albums were overlooked upon release that have gained critical acclaim and fans in the years since? Which albums were big releases that have stood the test of time, and which ones have failed that same test? Are there albums we bought back in 1998 and immediately regretted the purchase? And what are our favorite albums from this wildly divergent year that witnessed the rise of nü-metal bands like Korn and Limp Bizkit along with the pop of Britney Spears and the Backstreet Boys, that also featured new albums from major artists like Madonna, the Beastie Boys, Pearl Jam and The Smashing Pumpkins. To help us dig into it all, we're joined by Andy Derer of <a>The Andy Derer Show</a>, Chip Midnight of <a>Kids Interview Bands</a> and Jim Hanke of <a>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Intro - 1998 Medley (Marilyn Manson, The Smashing Pumpkins, Semisonic, Beastie Boys)</p>
<p style="text-align:center;">15:54 - Starfighter Pilot by Snow Patrol</p>
<p style="text-align:center;">23:18 - Poets by The Tragically Hip</p>
<p style="text-align:center;">36:29 - Something' Hot by The Afghan Whigs</p>
<p style="text-align:center;">51:02 - At My Most Beautiful by R.E.M.</p>
<p style="text-align:center;">1:08:25 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:12:29 - Car Radio by Spoon</p>
<p style="text-align:center;">Outro - Ray of Light by Madonna</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/89z9wg/366-1998albums.mp3" length="116238266" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's time to travel back twenty years and revisit the albums of 1998. What albums were overlooked upon release that have gained critical acclaim and fans in the years since? Which albums were big releases that have stood the test of time, and which ones have failed that same test? Are there albums we bought back in 1998 and immediately regretted the purchase? And what are our favorite albums from this wildly divergent year that witnessed the rise of nü-metal bands like Korn and Limp Bizkit along with the pop of Britney Spears and the Backstreet Boys, that also featured new albums from major artists like Madonna, the Beastie Boys, Pearl Jam and The Smashing Pumpkins. To help us dig into it all, we're joined by Andy Derer of The Andy Derer Show, Chip Midnight of Kids Interview Bands and Jim Hanke of Vinyl Emergency.
Intro - 1998 Medley (Marilyn Manson, The Smashing Pumpkins, Semisonic, Beastie Boys)
15:54 - Starfighter Pilot by Snow Patrol
23:18 - Poets by The Tragically Hip
36:29 - Something' Hot by The Afghan Whigs
51:02 - At My Most Beautiful by R.E.M.
1:08:25 - California Stars by Billy Bragg and Wilco
1:12:29 - Car Radio by Spoon
Outro - Ray of Light by Madonna
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4835</itunes:duration>
                <itunes:episode>99</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#365: How to Measure a Planet? by The Gathering</title>
        <itunes:title>#365: How to Measure a Planet? by The Gathering</itunes:title>
        <link>https://digmeout.podbean.com/e/365-how-to-measure-a-planet-by-the-gathering/</link>
                    <comments>https://digmeout.podbean.com/e/365-how-to-measure-a-planet-by-the-gathering/#comments</comments>        <pubDate>Tue, 09 Jan 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/365-how-to-measure-a-planet-by-the-gathering-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">We haven't reviewed much (or any) European progressive gothic doom metal shoegaze trip-hop, so thanks to our latest <a>Patreon</a> pick, we're checking out the 1998 double-album How to Measure a Planet? by <a>The Gathering</a>. The question we ask is - how to measure a band that is equal parts Massive Attack, the Cocteau Twins, Pink Floyd, Radiohead, Dream Theater and Slowdive? What we do know is that in the age of overlong compact discs, a double album had better be worth it, and like most 90s double albums, the indulgence doesn't quite live up to the output. However, there is definitely something unique and interesting happening, providing us with a true album that sounds best listened to as a whole rather than searching for singles. The ambitions are grand, but surprisingly it is the restraint in both the playing and production that make HTMAP? an album that both reinterprets the past and forges a path for bands of the 2000s.</p>
<p style="text-align:center;">Intro - My Electricity</p>
<p style="text-align:center;">15:31 - Liberty Bell</p>
<p style="text-align:center;">26:03 - Travel</p>
<p style="text-align:center;">29:44 - Great Ocean Road</p>
<p style="text-align:center;">Outro - The Big Sleep</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We haven't reviewed much (or any) European progressive gothic doom metal shoegaze trip-hop, so thanks to our latest <a>Patreon</a> pick, we're checking out the 1998 double-album How to Measure a Planet? by <a>The Gathering</a>. The question we ask is - how to measure a band that is equal parts Massive Attack, the Cocteau Twins, Pink Floyd, Radiohead, Dream Theater and Slowdive? What we do know is that in the age of overlong compact discs, a double album had better be worth it, and like most 90s double albums, the indulgence doesn't quite live up to the output. However, there is definitely something unique and interesting happening, providing us with a true album that sounds best listened to as a whole rather than searching for singles. The ambitions are grand, but surprisingly it is the restraint in both the playing and production that make HTMAP? an album that both reinterprets the past and forges a path for bands of the 2000s.</p>
<p style="text-align:center;">Intro - My Electricity</p>
<p style="text-align:center;">15:31 - Liberty Bell</p>
<p style="text-align:center;">26:03 - Travel</p>
<p style="text-align:center;">29:44 - Great Ocean Road</p>
<p style="text-align:center;">Outro - The Big Sleep</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u6jcah/365-gathering.mp3" length="70772664" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We haven't reviewed much (or any) European progressive gothic doom metal shoegaze trip-hop, so thanks to our latest Patreon pick, we're checking out the 1998 double-album How to Measure a Planet? by The Gathering. The question we ask is - how to measure a band that is equal parts Massive Attack, the Cocteau Twins, Pink Floyd, Radiohead, Dream Theater and Slowdive? What we do know is that in the age of overlong compact discs, a double album had better be worth it, and like most 90s double albums, the indulgence doesn't quite live up to the output. However, there is definitely something unique and interesting happening, providing us with a true album that sounds best listened to as a whole rather than searching for singles. The ambitions are grand, but surprisingly it is the restraint in both the playing and production that make HTMAP? an album that both reinterprets the past and forges a path for bands of the 2000s.
Intro - My Electricity
15:31 - Liberty Bell
26:03 - Travel
29:44 - Great Ocean Road
Outro - The Big Sleep
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2941</itunes:duration>
                <itunes:episode>98</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#364: Ill At Ease by The Mark Of Cain</title>
        <itunes:title>#364: Ill At Ease by The Mark Of Cain</itunes:title>
        <link>https://digmeout.podbean.com/e/365-ill-at-ease-by-the-mark-of-cain/</link>
                    <comments>https://digmeout.podbean.com/e/365-ill-at-ease-by-the-mark-of-cain/#comments</comments>        <pubDate>Tue, 02 Jan 2018 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/365-ill-at-ease-by-the-mark-of-cain-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">On their third full-length album, Adelaide, Australia's <a>The Mark Of Cain</a> enlisted <a>Henry Rollins</a> to produce their <a>rooArt</a> debut, 1995's Ill At Ease. The band scored a number one on the independent album chart and managed two successful <a>Triple J</a> singles. Recalling Rollins work with his own <a>Rollins Band</a>, as well as post-hardcore bands such as <a>Helmet</a> and <a>Quicksand</a>, Ill At Ease succeeds and suffers thanks to lead singer and guitarist John Scott, whose guitar riffing alternates between inspired and generic, and whose voice maintains a consistent bark. But while there are all the hallmarks pinning this band to its 1990s influences, we also discovered sounds reminiscent of the alternative metal of 2000's band like <a>Mastodon</a>.. Give a listen and share your thoughts on Ill At Ease.</p>
<p style="text-align:center;">Intro - First Time</p>
<p style="text-align:center;">9:52 - LMA</p>
<p style="text-align:center;">13:43 - The Contender</p>
<p style="text-align:center;">21:14 - You Let Me Down</p>
<p style="text-align:center;">Outro - Point Man</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On their third full-length album, Adelaide, Australia's <a>The Mark Of Cain</a> enlisted <a>Henry Rollins</a> to produce their <a>rooArt</a> debut, 1995's Ill At Ease. The band scored a number one on the independent album chart and managed two successful <a>Triple J</a> singles. Recalling Rollins work with his own <a>Rollins Band</a>, as well as post-hardcore bands such as <a>Helmet</a> and <a>Quicksand</a>, Ill At Ease succeeds and suffers thanks to lead singer and guitarist John Scott, whose guitar riffing alternates between inspired and generic, and whose voice maintains a consistent bark. But while there are all the hallmarks pinning this band to its 1990s influences, we also discovered sounds reminiscent of the alternative metal of 2000's band like <a>Mastodon</a>.. Give a listen and share your thoughts on Ill At Ease.</p>
<p style="text-align:center;">Intro - First Time</p>
<p style="text-align:center;">9:52 - LMA</p>
<p style="text-align:center;">13:43 - The Contender</p>
<p style="text-align:center;">21:14 - You Let Me Down</p>
<p style="text-align:center;">Outro - Point Man</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bpbn5v/364-markofcain.mp3" length="47238653" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On their third full-length album, Adelaide, Australia's The Mark Of Cain enlisted Henry Rollins to produce their rooArt debut, 1995's Ill At Ease. The band scored a number one on the independent album chart and managed two successful Triple J singles. Recalling Rollins work with his own Rollins Band, as well as post-hardcore bands such as Helmet and Quicksand, Ill At Ease succeeds and suffers thanks to lead singer and guitarist John Scott, whose guitar riffing alternates between inspired and generic, and whose voice maintains a consistent bark. But while there are all the hallmarks pinning this band to its 1990s influences, we also discovered sounds reminiscent of the alternative metal of 2000's band like Mastodon.. Give a listen and share your thoughts on Ill At Ease.
Intro - First Time
9:52 - LMA
13:43 - The Contender
21:14 - You Let Me Down
Outro - Point Man
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1960</itunes:duration>
                <itunes:episode>97</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#363: Season Seven in Review</title>
        <itunes:title>#363: Season Seven in Review</itunes:title>
        <link>https://digmeout.podbean.com/e/363-season-seven-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/363-season-seven-in-review/#comments</comments>        <pubDate>Tue, 26 Dec 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/363-season-seven-in-review-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Another season is complete, so we’re looking back at our favorite album discoveries, roundtables, interviews and more from 2017. We also pick our five favorite tunes from season seven, which featured everything from the guitar power pop of Brendan Benson and pop punk of Ruth Ruth to the Indian-meets-Britpop sounds of Cornershop and alternative fuzz of Violetine. We also give a sneak peak of 2018 - discussing some of the early reviews picked by our Patreon patrons and our various roundtables.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=MmU4MzdkOGQ4NjcxOGU2NGVkMGI0NDJlNWViOWM5OWZhMmE3ODIxZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">7:43 - Freak by Silverchair</p>
<p style="text-align:center;">11:44 - All Sideways by Scarce</p>
<p style="text-align:center;">17:53 - I Think I’m In Love by Spiritualized</p>
<p style="text-align:center;">29:08 - Crosseyed by Brendan Benson</p>
<p style="text-align:center;">32:23 - Uptight by Ruth Ruth</p>
<p style="text-align:center;">37:38 - 6am Jullander Shere by Cornershop</p>
<p style="text-align:center;">40:53 - The Bright Light by Tanya Donelly</p>
<p style="text-align:center;">Outro - Temptation by The Tea Party</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Another season is complete, so we’re looking back at our favorite album discoveries, roundtables, interviews and more from 2017. We also pick our five favorite tunes from season seven, which featured everything from the guitar power pop of Brendan Benson and pop punk of Ruth Ruth to the Indian-meets-Britpop sounds of Cornershop and alternative fuzz of Violetine. We also give a sneak peak of 2018 - discussing some of the early reviews picked by our Patreon patrons and our various roundtables.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=MmU4MzdkOGQ4NjcxOGU2NGVkMGI0NDJlNWViOWM5OWZhMmE3ODIxZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">7:43 - Freak by Silverchair</p>
<p style="text-align:center;">11:44 - All Sideways by Scarce</p>
<p style="text-align:center;">17:53 - I Think I’m In Love by Spiritualized</p>
<p style="text-align:center;">29:08 - Crosseyed by Brendan Benson</p>
<p style="text-align:center;">32:23 - Uptight by Ruth Ruth</p>
<p style="text-align:center;">37:38 - 6am Jullander Shere by Cornershop</p>
<p style="text-align:center;">40:53 - The Bright Light by Tanya Donelly</p>
<p style="text-align:center;">Outro - Temptation by The Tea Party</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m4ch72/363-season7review.mp3" length="83519169" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Another season is complete, so we’re looking back at our favorite album discoveries, roundtables, interviews and more from 2017. We also pick our five favorite tunes from season seven, which featured everything from the guitar power pop of Brendan Benson and pop punk of Ruth Ruth to the Indian-meets-Britpop sounds of Cornershop and alternative fuzz of Violetine. We also give a sneak peak of 2018 - discussing some of the early reviews picked by our Patreon patrons and our various roundtables.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase.
Songs in this Episode:
Intro - Dig Me Out by Sleater-Kinney
7:43 - Freak by Silverchair
11:44 - All Sideways by Scarce
17:53 - I Think I’m In Love by Spiritualized
29:08 - Crosseyed by Brendan Benson
32:23 - Uptight by Ruth Ruth
37:38 - 6am Jullander Shere by Cornershop
40:53 - The Bright Light by Tanya Donelly
Outro - Temptation by The Tea Party
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3462</itunes:duration>
                <itunes:episode>96</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#362: Arc Angels by Arc Angels</title>
        <itunes:title>#362: Arc Angels by Arc Angels</itunes:title>
        <link>https://digmeout.podbean.com/e/362-arc-angels-by-arc-angels/</link>
                    <comments>https://digmeout.podbean.com/e/362-arc-angels-by-arc-angels/#comments</comments>        <pubDate>Tue, 19 Dec 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/362-arc-angels-by-arc-angels-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Formed after the untimely death of Stevie Ray Vaughan, <a href='https://en.wikipedia.org/wiki/Arc_Angels'>Arc Angels</a> pick-up the Texas blues-rock torch on their 1992 self-titled release. Pairing the seasoned rhythm section of drummer Chris Layton and bassist Tommy Shannon with guitarist and singers Doyle Bramhall II and Charlie Sexton, the band expands upon Vaughan’s blues template and mildly dips its toes in more pop and radio friendly territory. At times it works, but at other times it comes off sound like imitations of better known tunes. We discuss, as well as where this fit in the early 1990s landscape.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Living In A Dream</p>
<p style="text-align:center;">8:54 - Too Many Ways To Fall</p>
<p style="text-align:center;">17:58 - Shape I’m In</p>
<p style="text-align:center;">23:34 - Good Time</p>
<p style="text-align:center;">27:02 - Spanish Moon</p>
<p style="text-align:center;">Outro - The Famous Jane</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Formed after the untimely death of Stevie Ray Vaughan, <a href='https://en.wikipedia.org/wiki/Arc_Angels'>Arc Angels</a> pick-up the Texas blues-rock torch on their 1992 self-titled release. Pairing the seasoned rhythm section of drummer Chris Layton and bassist Tommy Shannon with guitarist and singers Doyle Bramhall II and Charlie Sexton, the band expands upon Vaughan’s blues template and mildly dips its toes in more pop and radio friendly territory. At times it works, but at other times it comes off sound like imitations of better known tunes. We discuss, as well as where this fit in the early 1990s landscape.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Living In A Dream</p>
<p style="text-align:center;">8:54 - Too Many Ways To Fall</p>
<p style="text-align:center;">17:58 - Shape I’m In</p>
<p style="text-align:center;">23:34 - Good Time</p>
<p style="text-align:center;">27:02 - Spanish Moon</p>
<p style="text-align:center;">Outro - The Famous Jane</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wbhfys/362-arcangels.mp3" length="58738783" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Formed after the untimely death of Stevie Ray Vaughan, Arc Angels pick-up the Texas blues-rock torch on their 1992 self-titled release. Pairing the seasoned rhythm section of drummer Chris Layton and bassist Tommy Shannon with guitarist and singers Doyle Bramhall II and Charlie Sexton, the band expands upon Vaughan’s blues template and mildly dips its toes in more pop and radio friendly territory. At times it works, but at other times it comes off sound like imitations of better known tunes. We discuss, as well as where this fit in the early 1990s landscape.
Songs in this Episode:
Intro - Living In A Dream
8:54 - Too Many Ways To Fall
17:58 - Shape I’m In
23:34 - Good Time
27:02 - Spanish Moon
Outro - The Famous Jane
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2430</itunes:duration>
                <itunes:episode>95</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#361: Stain by Living Colour</title>
        <itunes:title>#361: Stain by Living Colour</itunes:title>
        <link>https://digmeout.podbean.com/e/362-stain-by-living-colour/</link>
                    <comments>https://digmeout.podbean.com/e/362-stain-by-living-colour/#comments</comments>        <pubDate>Tue, 12 Dec 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/362-stain-by-living-colour-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">In 1993 <a href='http://livingcolour.com/'>Living Colour</a> released an album filled songs of alienation, social commentary and heavy themes that still resonate today. Stain was the first album with Doug Wimbish on bass, and the band fires on all cylinders with their unique brand of metal, sliding easily from funk to experimental to thrash and hard rock with ease. But two years later the band would take a five year break, and Stain would temporarily leave the band frozen on dark and foreboding note. Thanks to a Patreon pick, we revisit the record with fresh ears and take in all that Vernon Reid and his arsenal of guitar wizardry has to offer.</p>
<p style="text-align:center;">After checking out our review of Stain, visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> to hear our quick review of Living Colour’s latest release - Shade from this past September.</p>
<p style="text-align:center;">Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.patreon.com%2Fposts%2F4th-quarter-15589176&t=NTQxMjMxNzc4MzExMDYwYTc5M2EwYzM4ZDIxMjMyZDZjMWRhODQwNyxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>2017 4th Quarter Giveaway</a> of the exclusive Newbury Comics limited edition white vinyl pressing of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.newburycomics.com%2Fproducts%2Fsleater-kinney-dig_me_out_exclusive_lp%3Fvariant%3D45942099596&t=MmNhNDg4OTE2ZDFkODkzNGVmNmI1YzZlNDY3ZTRhOTVmOWEyZjQwZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Sleater-Kinney’s 1997 album Dig Me Out</a> and a copy of <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.washedupemo.com%2F&t=MTVlM2MxOTFjYThmMDA4MzNiMGFlZjJkMmU2YmJmNDI0Y2FjYmJiMSxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Tom Mullen</a>’s new book <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.anthologyofemo.com%2F&t=NzA5ZDRhZTdjMzY0YzY2YjlkMGUxZWI3Mjg3MmNmZjZhNDk0M2NmZixrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Anthology of Emo Volume One</a>.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=MmU4MzdkOGQ4NjcxOGU2NGVkMGI0NDJlNWViOWM5OWZhMmE3ODIxZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Never Satisfied</p>
<p style="text-align:center;">11:35 - Ignorance Is Bliss</p>
<p style="text-align:center;">19:03 - Bi</p>
<p style="text-align:center;">25:50 - Go Away</p>
<p style="text-align:center;">32:52 - Mind Your Own Business</p>
<p style="text-align:center;">Outro - Leave It Alone</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In 1993 <a href='http://livingcolour.com/'>Living Colour</a> released an album filled songs of alienation, social commentary and heavy themes that still resonate today. Stain was the first album with Doug Wimbish on bass, and the band fires on all cylinders with their unique brand of metal, sliding easily from funk to experimental to thrash and hard rock with ease. But two years later the band would take a five year break, and Stain would temporarily leave the band frozen on dark and foreboding note. Thanks to a Patreon pick, we revisit the record with fresh ears and take in all that Vernon Reid and his arsenal of guitar wizardry has to offer.</p>
<p style="text-align:center;">After checking out our review of Stain, visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> to hear our quick review of Living Colour’s latest release - Shade from this past September.</p>
<p style="text-align:center;">Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.patreon.com%2Fposts%2F4th-quarter-15589176&t=NTQxMjMxNzc4MzExMDYwYTc5M2EwYzM4ZDIxMjMyZDZjMWRhODQwNyxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>2017 4th Quarter Giveaway</a> of the exclusive Newbury Comics limited edition white vinyl pressing of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.newburycomics.com%2Fproducts%2Fsleater-kinney-dig_me_out_exclusive_lp%3Fvariant%3D45942099596&t=MmNhNDg4OTE2ZDFkODkzNGVmNmI1YzZlNDY3ZTRhOTVmOWEyZjQwZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Sleater-Kinney’s 1997 album Dig Me Out</a> and a copy of <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.washedupemo.com%2F&t=MTVlM2MxOTFjYThmMDA4MzNiMGFlZjJkMmU2YmJmNDI0Y2FjYmJiMSxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Tom Mullen</a>’s new book <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.anthologyofemo.com%2F&t=NzA5ZDRhZTdjMzY0YzY2YjlkMGUxZWI3Mjg3MmNmZjZhNDk0M2NmZixrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>Anthology of Emo Volume One</a>.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=MmU4MzdkOGQ4NjcxOGU2NGVkMGI0NDJlNWViOWM5OWZhMmE3ODIxZCxrdkxtSEVjRA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F168221432392%2Fkissinthe90s&m=1'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Never Satisfied</p>
<p style="text-align:center;">11:35 - Ignorance Is Bliss</p>
<p style="text-align:center;">19:03 - Bi</p>
<p style="text-align:center;">25:50 - Go Away</p>
<p style="text-align:center;">32:52 - Mind Your Own Business</p>
<p style="text-align:center;">Outro - Leave It Alone</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i6bdnm/361-livingcolour.mp3" length="69614293" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In 1993 Living Colour released an album filled songs of alienation, social commentary and heavy themes that still resonate today. Stain was the first album with Doug Wimbish on bass, and the band fires on all cylinders with their unique brand of metal, sliding easily from funk to experimental to thrash and hard rock with ease. But two years later the band would take a five year break, and Stain would temporarily leave the band frozen on dark and foreboding note. Thanks to a Patreon pick, we revisit the record with fresh ears and take in all that Vernon Reid and his arsenal of guitar wizardry has to offer.
After checking out our review of Stain, visit our Patreon page to hear our quick review of Living Colour’s latest release - Shade from this past September.
Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our 2017 4th Quarter Giveaway of the exclusive Newbury Comics limited edition white vinyl pressing of Sleater-Kinney’s 1997 album Dig Me Out and a copy of Tom Mullen’s new book Anthology of Emo Volume One.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase.
Songs in this Episode:
Intro - Never Satisfied
11:35 - Ignorance Is Bliss
19:03 - Bi
25:50 - Go Away
32:52 - Mind Your Own Business
Outro - Leave It Alone
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2883</itunes:duration>
                <itunes:episode>94</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#360: KISS in the 90s Roundtable</title>
        <itunes:title>#360: KISS in the 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/360-kiss-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/360-kiss-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 05 Dec 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/360-kiss-in-the-90s-roundtable-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">We’re back with another “In The 90s” episode, this time tracking the chronology of rock legends <a href='http://www.kissonline.com/'>KISS</a> through the decade. After rising to fame in the 70s, the 80s were less kind to the band, who shed the makeup, band members and eventually albums sales through a turbulent time They entered the 90s on a positive note, with 1989′s Hot In The Shade scoring a hit with the power ballad “Forever,” but faced tragedy with the death of fan favorite drummer Eric Carr. While 1992′s Revenge initially sold well, it struggled to reach Gold and hte ensuing tour sputtered as the shifting musical landscape at the beginning of the decade pointed the band in a heavier direction foretold by the Revenge single “Unholy.” The eventual result would be 1997′s Carnival of Souls, with heavy nods to Alice In Chains and Soundgarden, but by the time of release it was an afterthought thanks to the 1995 MTV Unplugged performance that reunited the original line-up and stoked a short lived KISS revival in popular culture. The end result would be the 1998 album Psycho Circus, a reunion album in name only. It was a tumultuous ten years in which KISS would recapture their past at the cost of their future.</p>
<p style="text-align:center;">To help us break it all down, joining our roundtable is <a href='https://twitter.com/kissfaq'>Julian Gill</a>, the man behind <a href='http://www.kissfaq.com/'>KissFAQ.com</a>, author of a number of <a href='https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Julian+Gill&search-alias=books&field-author=Julian+Gill&sort=relevancerank'>books on the band</a> and host of the <a href='http://www.kissfaq.com/podcast/'>KissFAQ podcast</a>, <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> of <a href='https://www.facebook.com/sitnspinwithjoe/'>Sit and Spin with Joe</a>, and the <a href='https://www.patreon.com/digmeout'>Patreon</a> patron who made this episode happen, Chris Martz.</p>
<p style="text-align:center;">Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our <a href='https://www.patreon.com/posts/4th-quarter-15589176'>2017 4th Quarter Giveaway</a> of the exclusive Newbury Comics limited edition white vinyl pressing of <a href='https://www.newburycomics.com/products/sleater-kinney-dig_me_out_exclusive_lp?variant=45942099596'>Sleater-Kinney’s 1997 album Dig Me Out</a> and a copy of <a href='http://www.washedupemo.com/'>Tom Mullen</a>’s new book <a href='https://www.anthologyofemo.com/'>Anthology of Emo Volume One</a>.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='https://goo.gl/8aWiVp'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Psycho Circus (from Psycho Circus)</p>
<p style="text-align:center;">18:16 - Unholy (from Revenge)</p>
<p style="text-align:center;">21:37 - God Gave Rock ‘n Roll To You II (from Revenge)</p>
<p style="text-align:center;">27:13 - I Just Wanna (from Revenge)</p>
<p style="text-align:center;">51:16 - Master and Slave (from Carnival of Souls)</p>
<p style="text-align:center;">58:12 - Into The Void (from Psycho Circus)</p>
<p style="text-align:center;">1:04:10 - We Are One (from Psycho Circus)</p>
<p style="text-align:center;">Outro - I Walk Alone (from Carnival of Souls)</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We’re back with another “In The 90s” episode, this time tracking the chronology of rock legends <a href='http://www.kissonline.com/'>KISS</a> through the decade. After rising to fame in the 70s, the 80s were less kind to the band, who shed the makeup, band members and eventually albums sales through a turbulent time They entered the 90s on a positive note, with 1989′s Hot In The Shade scoring a hit with the power ballad “Forever,” but faced tragedy with the death of fan favorite drummer Eric Carr. While 1992′s Revenge initially sold well, it struggled to reach Gold and hte ensuing tour sputtered as the shifting musical landscape at the beginning of the decade pointed the band in a heavier direction foretold by the Revenge single “Unholy.” The eventual result would be 1997′s Carnival of Souls, with heavy nods to Alice In Chains and Soundgarden, but by the time of release it was an afterthought thanks to the 1995 MTV Unplugged performance that reunited the original line-up and stoked a short lived KISS revival in popular culture. The end result would be the 1998 album Psycho Circus, a reunion album in name only. It was a tumultuous ten years in which KISS would recapture their past at the cost of their future.</p>
<p style="text-align:center;">To help us break it all down, joining our roundtable is <a href='https://twitter.com/kissfaq'>Julian Gill</a>, the man behind <a href='http://www.kissfaq.com/'>KissFAQ.com</a>, author of a number of <a href='https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Julian+Gill&search-alias=books&field-author=Julian+Gill&sort=relevancerank'>books on the band</a> and host of the <a href='http://www.kissfaq.com/podcast/'>KissFAQ podcast</a>, <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> of <a href='https://www.facebook.com/sitnspinwithjoe/'>Sit and Spin with Joe</a>, and the <a href='https://www.patreon.com/digmeout'>Patreon</a> patron who made this episode happen, Chris Martz.</p>
<p style="text-align:center;">Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our <a href='https://www.patreon.com/posts/4th-quarter-15589176'>2017 4th Quarter Giveaway</a> of the exclusive Newbury Comics limited edition white vinyl pressing of <a href='https://www.newburycomics.com/products/sleater-kinney-dig_me_out_exclusive_lp?variant=45942099596'>Sleater-Kinney’s 1997 album Dig Me Out</a> and a copy of <a href='http://www.washedupemo.com/'>Tom Mullen</a>’s new book <a href='https://www.anthologyofemo.com/'>Anthology of Emo Volume One</a>.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Tre earphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code <a href='https://goo.gl/8aWiVp'>DIGMEOUT15</a> for 15% off your purchase.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Psycho Circus (from Psycho Circus)</p>
<p style="text-align:center;">18:16 - Unholy (from Revenge)</p>
<p style="text-align:center;">21:37 - God Gave Rock ‘n Roll To You II (from Revenge)</p>
<p style="text-align:center;">27:13 - I Just Wanna (from Revenge)</p>
<p style="text-align:center;">51:16 - Master and Slave (from Carnival of Souls)</p>
<p style="text-align:center;">58:12 - Into The Void (from Psycho Circus)</p>
<p style="text-align:center;">1:04:10 - We Are One (from Psycho Circus)</p>
<p style="text-align:center;">Outro - I Walk Alone (from Carnival of Souls)</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h6yhwx/360-kissinthe90s.mp3" length="138230861" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re back with another “In The 90s” episode, this time tracking the chronology of rock legends KISS through the decade. After rising to fame in the 70s, the 80s were less kind to the band, who shed the makeup, band members and eventually albums sales through a turbulent time They entered the 90s on a positive note, with 1989′s Hot In The Shade scoring a hit with the power ballad “Forever,” but faced tragedy with the death of fan favorite drummer Eric Carr. While 1992′s Revenge initially sold well, it struggled to reach Gold and hte ensuing tour sputtered as the shifting musical landscape at the beginning of the decade pointed the band in a heavier direction foretold by the Revenge single “Unholy.” The eventual result would be 1997′s Carnival of Souls, with heavy nods to Alice In Chains and Soundgarden, but by the time of release it was an afterthought thanks to the 1995 MTV Unplugged performance that reunited the original line-up and stoked a short lived KISS revival in popular culture. The end result would be the 1998 album Psycho Circus, a reunion album in name only. It was a tumultuous ten years in which KISS would recapture their past at the cost of their future.
To help us break it all down, joining our roundtable is Julian Gill, the man behind KissFAQ.com, author of a number of books on the band and host of the KissFAQ podcast, Joe Royland of Sit and Spin with Joe, and the Patreon patron who made this episode happen, Chris Martz.
Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our 2017 4th Quarter Giveaway of the exclusive Newbury Comics limited edition white vinyl pressing of Sleater-Kinney’s 1997 album Dig Me Out and a copy of Tom Mullen’s new book Anthology of Emo Volume One.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase.
Songs in this Episode
Intro - Psycho Circus (from Psycho Circus)
18:16 - Unholy (from Revenge)
21:37 - God Gave Rock ‘n Roll To You II (from Revenge)
27:13 - I Just Wanna (from Revenge)
51:16 - Master and Slave (from Carnival of Souls)
58:12 - Into The Void (from Psycho Circus)
1:04:10 - We Are One (from Psycho Circus)
Outro - I Walk Alone (from Carnival of Souls)
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5742</itunes:duration>
                <itunes:episode>93</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#359: Interview with Rick Ruhl of Every Mother’s Nightmare</title>
        <itunes:title>#359: Interview with Rick Ruhl of Every Mother’s Nightmare</itunes:title>
        <link>https://digmeout.podbean.com/e/359-interview-with-rick-ruhl-of-every-mother%e2%80%99s-nightmare/</link>
                    <comments>https://digmeout.podbean.com/e/359-interview-with-rick-ruhl-of-every-mother%e2%80%99s-nightmare/#comments</comments>        <pubDate>Tue, 28 Nov 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/359-interview-with-rick-ruhl-of-every-mother%e2%80%99s-nightmare-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">Rick Ruhl and <a href='http://www.emnrocks.com/'>Every Mother’s Nightmare</a> are back with a new album, and he stops by to share their story. He takes his back to his formative years, his first concert (Alice Cooper!) and his earliest bands before forming <a href='https://www.facebook.com/EMNBand'>EMN</a>, who ended up signed by the legendary Clive Davis to Arista records after just thirteen gigs together. We dig into the awkward early 90s when bands with ballads and hair were lumped together regardless of their sound, and then written off collectively as grunge and alternative exploded. We discuss the Perris Records years, the various guest artists who appear on the new album, and a whole lot more.</p>
<p style="text-align:center;">Special thanks to Bill Chavis at <a href='https://www.highvolmusic.com/'>HighVolMusic</a> for helping put this together!</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Loco Crazy</p>
<p style="text-align:center;">1:46 - Loco Crazy</p>
<p style="text-align:center;">50:56 - Upper Hand</p>
<p style="text-align:center;">Outro - Blown Away</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Rick Ruhl and <a href='http://www.emnrocks.com/'>Every Mother’s Nightmare</a> are back with a new album, and he stops by to share their story. He takes his back to his formative years, his first concert (Alice Cooper!) and his earliest bands before forming <a href='https://www.facebook.com/EMNBand'>EMN</a>, who ended up signed by the legendary Clive Davis to Arista records after just thirteen gigs together. We dig into the awkward early 90s when bands with ballads and hair were lumped together regardless of their sound, and then written off collectively as grunge and alternative exploded. We discuss the Perris Records years, the various guest artists who appear on the new album, and a whole lot more.</p>
<p style="text-align:center;">Special thanks to Bill Chavis at <a href='https://www.highvolmusic.com/'>HighVolMusic</a> for helping put this together!</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Loco Crazy</p>
<p style="text-align:center;">1:46 - Loco Crazy</p>
<p style="text-align:center;">50:56 - Upper Hand</p>
<p style="text-align:center;">Outro - Blown Away</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3e9ivv/359-rickfromEMN.mp3" length="77942546" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rick Ruhl and Every Mother’s Nightmare are back with a new album, and he stops by to share their story. He takes his back to his formative years, his first concert (Alice Cooper!) and his earliest bands before forming EMN, who ended up signed by the legendary Clive Davis to Arista records after just thirteen gigs together. We dig into the awkward early 90s when bands with ballads and hair were lumped together regardless of their sound, and then written off collectively as grunge and alternative exploded. We discuss the Perris Records years, the various guest artists who appear on the new album, and a whole lot more.
Special thanks to Bill Chavis at HighVolMusic for helping put this together!
Songs in this Episode
Intro - Loco Crazy
1:46 - Loco Crazy
50:56 - Upper Hand
Outro - Blown Away
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3230</itunes:duration>
                <itunes:episode>92</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#358: Gran Turismo by The Cardigans</title>
        <itunes:title>#358: Gran Turismo by The Cardigans</itunes:title>
        <link>https://digmeout.podbean.com/e/358-gran-turismo-by-the-cardigans/</link>
                    <comments>https://digmeout.podbean.com/e/358-gran-turismo-by-the-cardigans/#comments</comments>        <pubDate>Tue, 21 Nov 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/358-gran-turismo-by-the-cardigans-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">On the follow-up to their breakthrough album, <a href='http://www.cardigans.com/'>The Cardigans</a> 1998 release Gran Turismo asks you to put on headphones and chill. Though known for their bouncy pop single Lovefool, words like moody and introspective better represent their overall sound. Taking cues from a wide range of musical styles and distilling them into a controlled and unique album that owes as much to 90s downtown electronica and trip-hop as well as metal and industrial music. Yes, we’re dead serious, there more on going here than you probably noticed at first glance, so allow us to indulge our digressions, then let us know if you agree or disagree on our take.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Erase/Rewind</p>
<p style="text-align:center;">9:44 - My Favorite Game</p>
<p style="text-align:center;">18:22 - Paralyzed</p>
<p style="text-align:center;">21:27 - Do You Believe</p>
<p style="text-align:center;">32:43 - Your Love Alone Is Not Enough (Manic Street Preachers feat. Nina Persson)</p>
<p style="text-align:center;">Outro -  Explode</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On the follow-up to their breakthrough album, <a href='http://www.cardigans.com/'>The Cardigans</a> 1998 release Gran Turismo asks you to put on headphones and chill. Though known for their bouncy pop single Lovefool, words like moody and introspective better represent their overall sound. Taking cues from a wide range of musical styles and distilling them into a controlled and unique album that owes as much to 90s downtown electronica and trip-hop as well as metal and industrial music. Yes, we’re dead serious, there more on going here than you probably noticed at first glance, so allow us to indulge our digressions, then let us know if you agree or disagree on our take.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Erase/Rewind</p>
<p style="text-align:center;">9:44 - My Favorite Game</p>
<p style="text-align:center;">18:22 - Paralyzed</p>
<p style="text-align:center;">21:27 - Do You Believe</p>
<p style="text-align:center;">32:43 - Your Love Alone Is Not Enough (Manic Street Preachers feat. Nina Persson)</p>
<p style="text-align:center;">Outro -  Explode</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jz7ud8/358-cardigans.mp3" length="55664275" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the follow-up to their breakthrough album, The Cardigans 1998 release Gran Turismo asks you to put on headphones and chill. Though known for their bouncy pop single Lovefool, words like moody and introspective better represent their overall sound. Taking cues from a wide range of musical styles and distilling them into a controlled and unique album that owes as much to 90s downtown electronica and trip-hop as well as metal and industrial music. Yes, we’re dead serious, there more on going here than you probably noticed at first glance, so allow us to indulge our digressions, then let us know if you agree or disagree on our take.
Songs in this Episode
Intro - Erase/Rewind
9:44 - My Favorite Game
18:22 - Paralyzed
21:27 - Do You Believe
32:43 - Your Love Alone Is Not Enough (Manic Street Preachers feat. Nina Persson)
Outro -  Explode
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2301</itunes:duration>
                <itunes:episode>91</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#357: Sophomore Slump Revisited - Freak Show by Silverchair</title>
        <itunes:title>#357: Sophomore Slump Revisited - Freak Show by Silverchair</itunes:title>
        <link>https://digmeout.podbean.com/e/357-sophomore-slump-revisited-freak-show-by-silverchair/</link>
                    <comments>https://digmeout.podbean.com/e/357-sophomore-slump-revisited-freak-show-by-silverchair/#comments</comments>        <pubDate>Tue, 14 Nov 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/357-sophomore-slump-revisited-freak-show-by-silverchair-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">On the follow-up to their teenage debut, <a href='https://www.chairpage.com/'>Silverchair</a> fattened the sound but not the sales, we try to figure out what happened. When 1995′s Frogstomp exploded, the kids from Australia were pegged as Nirvana wannabes with plenty of growing to do. The still managed to sell millions of albums and score a bunch of hit singles. The sophomore release Freakshow from 1997 actually fared better with critics, but the sales dipped considerably, both in the US and their native Australia. To help us determine if this is truly a sophomore slump, we’re joined by <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>), <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> (<a href='https://www.youtube.com/channel/UC7wNc54DxFUxHnx_XEPiYeQ'>Sit and Spin with Joe vidcast</a>) and <a href='https://twitter.com/hollowearthinc'>Steve Muczynski</a> (<a href='https://www.facebook.com/HollowEarthInc/'>Hollow Earth</a>) to revisit the record with fresh ears.</p>
<p style="text-align:center;">Hear bonus content from the show over at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Freak</p>
<p style="text-align:center;">14:31 - Slave</p>
<p style="text-align:center;">25:21 - Cemetery</p>
<p style="text-align:center;">47:56 - Roses</p>
<p style="text-align:center;">Outro - Abuse Me</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On the follow-up to their teenage debut, <a href='https://www.chairpage.com/'>Silverchair</a> fattened the sound but not the sales, we try to figure out what happened. When 1995′s Frogstomp exploded, the kids from Australia were pegged as Nirvana wannabes with plenty of growing to do. The still managed to sell millions of albums and score a bunch of hit singles. The sophomore release Freakshow from 1997 actually fared better with critics, but the sales dipped considerably, both in the US and their native Australia. To help us determine if this is truly a sophomore slump, we’re joined by <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>), <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> (<a href='https://www.youtube.com/channel/UC7wNc54DxFUxHnx_XEPiYeQ'>Sit and Spin with Joe vidcast</a>) and <a href='https://twitter.com/hollowearthinc'>Steve Muczynski</a> (<a href='https://www.facebook.com/HollowEarthInc/'>Hollow Earth</a>) to revisit the record with fresh ears.</p>
<p style="text-align:center;">Hear bonus content from the show over at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Freak</p>
<p style="text-align:center;">14:31 - Slave</p>
<p style="text-align:center;">25:21 - Cemetery</p>
<p style="text-align:center;">47:56 - Roses</p>
<p style="text-align:center;">Outro - Abuse Me</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xws333/357-silverchair.mp3" length="81307954" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the follow-up to their teenage debut, Silverchair fattened the sound but not the sales, we try to figure out what happened. When 1995′s Frogstomp exploded, the kids from Australia were pegged as Nirvana wannabes with plenty of growing to do. The still managed to sell millions of albums and score a bunch of hit singles. The sophomore release Freakshow from 1997 actually fared better with critics, but the sales dipped considerably, both in the US and their native Australia. To help us determine if this is truly a sophomore slump, we’re joined by Jeff Takacs (Rocketfuel podcast), Joe Royland (Sit and Spin with Joe vidcast) and Steve Muczynski (Hollow Earth) to revisit the record with fresh ears.
Hear bonus content from the show over at Patreon.
Songs in this Episode:
Intro - Freak
14:31 - Slave
25:21 - Cemetery
47:56 - Roses
Outro - Abuse Me
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3370</itunes:duration>
                <itunes:episode>90</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#356: Firecracker by Lisa Loeb</title>
        <itunes:title>#356: Firecracker by Lisa Loeb</itunes:title>
        <link>https://digmeout.podbean.com/e/356-firecracker-by-lisa-loeb/</link>
                    <comments>https://digmeout.podbean.com/e/356-firecracker-by-lisa-loeb/#comments</comments>        <pubDate>Tue, 07 Nov 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/356-firecracker-by-lisa-loeb-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">On her sophomore release Firecracker, <a href='https://www.lisaloeb.com/'>Lisa Loeb</a> mixes pop hooks and confessional ballads with mixed results. Known for the hit “Stay” from the Reality Bites soundtrack and the 1995 album Tails, her 1997 release under her own name has some made for radio pop singles as well as more intimate material. Sometimes the sparse approach works, adding flavor to the sound, and other times the musicians backing her leave us wondering who this album is for - pop listeners? Adult contemporary stations? Coffee house singer songwriters? Our confusion left us with mixed opinions - give a listen and share your thoughts if we got it right or wrong on Firecracker.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I Do</p>
<p style="text-align:center;">11:38 - Falling In Love</p>
<p style="text-align:center;">16:47 - Let’s Forget About It</p>
<p style="text-align:center;">18:50 - Firecracker</p>
<p style="text-align:center;">Outro - Truthfully</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On her sophomore release Firecracker, <a href='https://www.lisaloeb.com/'>Lisa Loeb</a> mixes pop hooks and confessional ballads with mixed results. Known for the hit “Stay” from the Reality Bites soundtrack and the 1995 album Tails, her 1997 release under her own name has some made for radio pop singles as well as more intimate material. Sometimes the sparse approach works, adding flavor to the sound, and other times the musicians backing her leave us wondering who this album is for - pop listeners? Adult contemporary stations? Coffee house singer songwriters? Our confusion left us with mixed opinions - give a listen and share your thoughts if we got it right or wrong on Firecracker.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I Do</p>
<p style="text-align:center;">11:38 - Falling In Love</p>
<p style="text-align:center;">16:47 - Let’s Forget About It</p>
<p style="text-align:center;">18:50 - Firecracker</p>
<p style="text-align:center;">Outro - Truthfully</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e36jk8/356-lisaloeb.mp3" length="47101544" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On her sophomore release Firecracker, Lisa Loeb mixes pop hooks and confessional ballads with mixed results. Known for the hit “Stay” from the Reality Bites soundtrack and the 1995 album Tails, her 1997 release under her own name has some made for radio pop singles as well as more intimate material. Sometimes the sparse approach works, adding flavor to the sound, and other times the musicians backing her leave us wondering who this album is for - pop listeners? Adult contemporary stations? Coffee house singer songwriters? Our confusion left us with mixed opinions - give a listen and share your thoughts if we got it right or wrong on Firecracker.
Songs in this Episode:
Intro - I Do
11:38 - Falling In Love
16:47 - Let’s Forget About It
18:50 - Firecracker
Outro - Truthfully
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1945</itunes:duration>
                <itunes:episode>89</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#355: Re-Animation Festival by The Groovie Ghoulies</title>
        <itunes:title>#355: Re-Animation Festival by The Groovie Ghoulies</itunes:title>
        <link>https://digmeout.podbean.com/e/355-re-animation-festival-by-the-groovie-ghoulies/</link>
                    <comments>https://digmeout.podbean.com/e/355-re-animation-festival-by-the-groovie-ghoulies/#comments</comments>        <pubDate>Tue, 31 Oct 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/355-re-animation-festival-by-the-groovie-ghoulies-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">It’s Halloween, a perfect time thanks a requested review to revisit the the <a href='https://www.facebook.com/GroovieGhouliesOfficial/'>Groovie Ghoulies</a> 1997 album Re-Animation Festival. With a mixture of early rock ‘n roll riffs courtesy Chuck Berry and Buddy Holly, mixed with Ramones energy and Monkees goofiness, all wrapped in a Misfits-style horror punk sound, the Ghoulies give us some good creeps on All Hallows Eve. The band hit their stride keeping it simple, and our complaints are few. We also wonder if the Ghoulies were ahead of their time and missed out on an opportunity to cross platforms and launch a Doc McStuffins/Jake and the Neverland Pirates kids show.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Graveyard Girlfriend</p>
<p style="text-align:center;">8:46 - Zombie Crush</p>
<p style="text-align:center;">12:03 - Tunnel of Love</p>
<p style="text-align:center;">14:30 - Graceland</p>
<p style="text-align:center;">15:45 - If You Need Me</p>
<p style="text-align:center;">18:47 - Evading The Grays</p>
<p style="text-align:center;">Outro - Chupacabra</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It’s Halloween, a perfect time thanks a requested review to revisit the the <a href='https://www.facebook.com/GroovieGhouliesOfficial/'>Groovie Ghoulies</a> 1997 album Re-Animation Festival. With a mixture of early rock ‘n roll riffs courtesy Chuck Berry and Buddy Holly, mixed with Ramones energy and Monkees goofiness, all wrapped in a Misfits-style horror punk sound, the Ghoulies give us some good creeps on All Hallows Eve. The band hit their stride keeping it simple, and our complaints are few. We also wonder if the Ghoulies were ahead of their time and missed out on an opportunity to cross platforms and launch a Doc McStuffins/Jake and the Neverland Pirates kids show.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Graveyard Girlfriend</p>
<p style="text-align:center;">8:46 - Zombie Crush</p>
<p style="text-align:center;">12:03 - Tunnel of Love</p>
<p style="text-align:center;">14:30 - Graceland</p>
<p style="text-align:center;">15:45 - If You Need Me</p>
<p style="text-align:center;">18:47 - Evading The Grays</p>
<p style="text-align:center;">Outro - Chupacabra</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5jwxck/355-grooveghoulies.mp3" length="47207503" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s Halloween, a perfect time thanks a requested review to revisit the the Groovie Ghoulies 1997 album Re-Animation Festival. With a mixture of early rock ‘n roll riffs courtesy Chuck Berry and Buddy Holly, mixed with Ramones energy and Monkees goofiness, all wrapped in a Misfits-style horror punk sound, the Ghoulies give us some good creeps on All Hallows Eve. The band hit their stride keeping it simple, and our complaints are few. We also wonder if the Ghoulies were ahead of their time and missed out on an opportunity to cross platforms and launch a Doc McStuffins/Jake and the Neverland Pirates kids show.
Songs in this Episode
Intro - Graveyard Girlfriend
8:46 - Zombie Crush
12:03 - Tunnel of Love
14:30 - Graceland
15:45 - If You Need Me
18:47 - Evading The Grays
Outro - Chupacabra
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1949</itunes:duration>
                <itunes:episode>88</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#354: Woman’s Gotta Have It by Cornershop</title>
        <itunes:title>#354: Woman’s Gotta Have It by Cornershop</itunes:title>
        <link>https://digmeout.podbean.com/e/354-woman%e2%80%99s-gotta-have-it-by-cornershop/</link>
                    <comments>https://digmeout.podbean.com/e/354-woman%e2%80%99s-gotta-have-it-by-cornershop/#comments</comments>        <pubDate>Tue, 24 Oct 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/354-woman%e2%80%99s-gotta-have-it-by-cornershop-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='http://www.cornershop.com/'>Cornershop</a>’s 1995 sophomore album Woman’s Gotta Have It gives a hint of the hit they would release two years later. The album shifts between rhythm driven “Hindi Pop” and jarring, dissonant indie guitar rock. While both have their merits, the melodies flow smoother on the former leaving the latter wanting. This album may have been out of step with the UK Battle of Britpop taking place between Blur and Oasis in 1995, but we contemplate if the sounds of Woman’s Gotta Have It would influence Damon Albarn’s songwriting on future Blur releases.</p>
<p style="text-align:center;">Bonus audio from this episode can be found at <a href='https://www.patreon.com/digmeout'>Patreon</a>, including a mini-review and discussion on the Foo Fighters latest album Concrete and Gold.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a>to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Wog</p>
<p style="text-align:center;">8:48 - My Dancing Days Are Gone</p>
<p style="text-align:center;">12:09 - 6am Jullandar Shere</p>
<p style="text-align:center;">22:05 - Hong Kong Book of Fung Fu</p>
<p style="text-align:center;">Outro - Camp Orange</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='http://www.cornershop.com/'>Cornershop</a>’s 1995 sophomore album Woman’s Gotta Have It gives a hint of the hit they would release two years later. The album shifts between rhythm driven “Hindi Pop” and jarring, dissonant indie guitar rock. While both have their merits, the melodies flow smoother on the former leaving the latter wanting. This album may have been out of step with the UK Battle of Britpop taking place between Blur and Oasis in 1995, but we contemplate if the sounds of Woman’s Gotta Have It would influence Damon Albarn’s songwriting on future Blur releases.</p>
<p style="text-align:center;">Bonus audio from this episode can be found at <a href='https://www.patreon.com/digmeout'>Patreon</a>, including a mini-review and discussion on the Foo Fighters latest album Concrete and Gold.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a>to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Wog</p>
<p style="text-align:center;">8:48 - My Dancing Days Are Gone</p>
<p style="text-align:center;">12:09 - 6am Jullandar Shere</p>
<p style="text-align:center;">22:05 - Hong Kong Book of Fung Fu</p>
<p style="text-align:center;">Outro - Camp Orange</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/knsb3u/354-cornershop.mp3" length="47924717" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Cornershop’s 1995 sophomore album Woman’s Gotta Have It gives a hint of the hit they would release two years later. The album shifts between rhythm driven “Hindi Pop” and jarring, dissonant indie guitar rock. While both have their merits, the melodies flow smoother on the former leaving the latter wanting. This album may have been out of step with the UK Battle of Britpop taking place between Blur and Oasis in 1995, but we contemplate if the sounds of Woman’s Gotta Have It would influence Damon Albarn’s songwriting on future Blur releases.
Bonus audio from this episode can be found at Patreon, including a mini-review and discussion on the Foo Fighters latest album Concrete and Gold.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphonesto test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.
Songs in this Episode:
Intro - Wog
8:48 - My Dancing Days Are Gone
12:09 - 6am Jullandar Shere
22:05 - Hong Kong Book of Fung Fu
Outro - Camp Orange
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1979</itunes:duration>
                <itunes:episode>87</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#353: Forever And Counting by Hot Water Music</title>
        <itunes:title>#353: Forever And Counting by Hot Water Music</itunes:title>
        <link>https://digmeout.podbean.com/e/353-forever-and-counting-by-hot-water-music/</link>
                    <comments>https://digmeout.podbean.com/e/353-forever-and-counting-by-hot-water-music/#comments</comments>        <pubDate>Tue, 17 Oct 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/353-forever-and-counting-by-hot-water-music-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">The second album from <a href='https://www.hotwatermusic.com/'>Hot Water Music</a> gives us plenty to like, but much to scratch our heads at as well. Whether you call them punk, post-punk, post-hardcore or emo, HWM forge a unique path on 1997′s Forever and Counting, avoiding the rhythms and structures traditionally associated with punk rock. While we dug the diversity, the presentation left us wanting, as a dynamic-less mix and some questionable guitar and bass tones muddied the water. Give a listen and share your thoughts.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Translocation</p>
<p style="text-align:center;">14:26 - Just Don’t Say You Lost It</p>
<p style="text-align:center;">18:36 - Manual</p>
<p style="text-align:center;">22:24 - Man The Change</p>
<p style="text-align:center;">33:45 - Three Summers Strong</p>
<p style="text-align:center;">Outro - Position</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The second album from <a href='https://www.hotwatermusic.com/'>Hot Water Music</a> gives us plenty to like, but much to scratch our heads at as well. Whether you call them punk, post-punk, post-hardcore or emo, HWM forge a unique path on 1997′s Forever and Counting, avoiding the rhythms and structures traditionally associated with punk rock. While we dug the diversity, the presentation left us wanting, as a dynamic-less mix and some questionable guitar and bass tones muddied the water. Give a listen and share your thoughts.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Translocation</p>
<p style="text-align:center;">14:26 - Just Don’t Say You Lost It</p>
<p style="text-align:center;">18:36 - Manual</p>
<p style="text-align:center;">22:24 - Man The Change</p>
<p style="text-align:center;">33:45 - Three Summers Strong</p>
<p style="text-align:center;">Outro - Position</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8axfdm/353-HWM.mp3" length="58303681" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The second album from Hot Water Music gives us plenty to like, but much to scratch our heads at as well. Whether you call them punk, post-punk, post-hardcore or emo, HWM forge a unique path on 1997′s Forever and Counting, avoiding the rhythms and structures traditionally associated with punk rock. While we dug the diversity, the presentation left us wanting, as a dynamic-less mix and some questionable guitar and bass tones muddied the water. Give a listen and share your thoughts.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.
Songs in this Episode:
Intro - Translocation
14:26 - Just Don’t Say You Lost It
18:36 - Manual
22:24 - Man The Change
33:45 - Three Summers Strong
Outro - Position
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2411</itunes:duration>
                <itunes:episode>86</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#352: Digging Your Scene - Roundtable Discussion on Minneapolis-St. Paul in the 90s</title>
        <itunes:title>#352: Digging Your Scene - Roundtable Discussion on Minneapolis-St. Paul in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/352-digging-your-scene-roundtable-discussion-on-minneapolis-st-paul-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/352-digging-your-scene-roundtable-discussion-on-minneapolis-st-paul-in-the-90s/#comments</comments>        <pubDate>Tue, 10 Oct 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/352-digging-your-scene-roundtable-discussion-on-minneapolis-st-paul-in-the-90s-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">We’re heading to the land of ten thousand lakes to uncover the Minneapolis St. Paul music scene of the 1990s. With names like The Replacements and Husker Du, the twin cities have been established as an 80s mecca for underground hardcore and punk rock, but the story of the city is much deeper and broader. In the 90s bands like Soul Asylum and Semisonic scored massive hits, while The Jayhawks, Low and the Dillinger Four expanded the sonic pallet. And of course, there’s Prince. To help us understand the roots of the punk and hardcore scene, we invited <a href='http://cyncollins.blogspot.com/'>author/writer</a>/<a href='http://kfai.org/user/1552'>KFAI DJ</a> <a href='https://twitter.com/sophiacollins'>Cindy “Cyn” Collins</a>, who recently released <a href='https://www.amazon.com/Complicated-Fun-Minneapolis-1974-1984-History/dp/1681340321'>Complicated Fun</a>: The Birth of Minneapolis Punk and Indie Rock, 1974-1984 to talk the early years and bands like The Suicide Commandos and The Suburbs. <a href='http://www.digmeoutpodcast.com/post/151008738253/michelleleon'>Returning</a> is <a href='https://www.facebook.com/iliveinsideBIT/'>Michelle Leon</a>, former <a href='https://www.facebook.com/babesintoylandofficial/'>Babes In Toyland</a> bassist and author of <a href='http://www.mnhs.org/mnhspress/books/i-live-inside'>I Live Inside</a>: Memoirs of a Babe In Toyland to give us insights on the various famous (and infamous venues) and more, along with record producer, engineer, singer-songwriter and touring musician <a href='http://www.jamiewoolford.com/'>Jamie Woolford</a> of <a href='http://www.digmeoutpodcast.com/post/84935502301/thestereo'>The Stereo</a>, Animal Chin and Let Go to share memories of various record stores, local media and other important aspects of the Minneapolis St. Paul scene.</p>
<p style="text-align:center;">Be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content from this episode.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Minneapolis by that dog.</p>
<p style="text-align:center;">8:54 - Attacking the Beat by The Suicide Commandos</p>
<p style="text-align:center;">33:28 - Dust Cake Boy by Babes in Toyland</p>
<p style="text-align:center;">39:03 - Walks Alone by Cows</p>
<p style="text-align:center;">Outro - She Would Hever by The Stereo</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We’re heading to the land of ten thousand lakes to uncover the Minneapolis St. Paul music scene of the 1990s. With names like The Replacements and Husker Du, the twin cities have been established as an 80s mecca for underground hardcore and punk rock, but the story of the city is much deeper and broader. In the 90s bands like Soul Asylum and Semisonic scored massive hits, while The Jayhawks, Low and the Dillinger Four expanded the sonic pallet. And of course, there’s Prince. To help us understand the roots of the punk and hardcore scene, we invited <a href='http://cyncollins.blogspot.com/'>author/writer</a>/<a href='http://kfai.org/user/1552'>KFAI DJ</a> <a href='https://twitter.com/sophiacollins'>Cindy “Cyn” Collins</a>, who recently released <a href='https://www.amazon.com/Complicated-Fun-Minneapolis-1974-1984-History/dp/1681340321'>Complicated Fun</a>: The Birth of Minneapolis Punk and Indie Rock, 1974-1984 to talk the early years and bands like The Suicide Commandos and The Suburbs. <a href='http://www.digmeoutpodcast.com/post/151008738253/michelleleon'>Returning</a> is <a href='https://www.facebook.com/iliveinsideBIT/'>Michelle Leon</a>, former <a href='https://www.facebook.com/babesintoylandofficial/'>Babes In Toyland</a> bassist and author of <a href='http://www.mnhs.org/mnhspress/books/i-live-inside'>I Live Inside</a>: Memoirs of a Babe In Toyland to give us insights on the various famous (and infamous venues) and more, along with record producer, engineer, singer-songwriter and touring musician <a href='http://www.jamiewoolford.com/'>Jamie Woolford</a> of <a href='http://www.digmeoutpodcast.com/post/84935502301/thestereo'>The Stereo</a>, Animal Chin and Let Go to share memories of various record stores, local media and other important aspects of the Minneapolis St. Paul scene.</p>
<p style="text-align:center;">Be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus content from this episode.</p>
<p style="text-align:center;">Special thanks to <a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.sudiosweden.com&t=ZTYwNDE2YmIwNmY3YTdmY2NiYzllOWYwZjljYWNhNDdlMDRjNTk4ZSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Sudio Sweden</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.facebook.com%2FSudiosweden&t=MDU4ZDYwYTI1Zjk4NmY0NTAzNmUwM2NiNGM0MzljYzMzMGRlZTczMSw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Facebook</a>/<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.instagram.com%2FSudioSweden&t=MTE0OGI3YzRhZWViNDJmYWQ5MDdmNWJmOWQ4M2QzMmNhZDViOGY2ZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Instagram</a>), who hooked us up with two pairs of <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fgoo.gl%2F8aWiVp&t=ZWE3ZDA4NGZmNjYyZDQ4ZmY1YzBjMzkzYzJiYmUwYjU3NjcwYzExZCw5ZTl0YUdJdg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F166006181511%2Fbrendanbenson&m=1'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Minneapolis by that dog.</p>
<p style="text-align:center;">8:54 - Attacking the Beat by The Suicide Commandos</p>
<p style="text-align:center;">33:28 - Dust Cake Boy by Babes in Toyland</p>
<p style="text-align:center;">39:03 - Walks Alone by Cows</p>
<p style="text-align:center;">Outro - She Would Hever by The Stereo</p>
<a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jjvzpu/352-MPLSroundtable.mp3" length="102816346" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re heading to the land of ten thousand lakes to uncover the Minneapolis St. Paul music scene of the 1990s. With names like The Replacements and Husker Du, the twin cities have been established as an 80s mecca for underground hardcore and punk rock, but the story of the city is much deeper and broader. In the 90s bands like Soul Asylum and Semisonic scored massive hits, while The Jayhawks, Low and the Dillinger Four expanded the sonic pallet. And of course, there’s Prince. To help us understand the roots of the punk and hardcore scene, we invited author/writer/KFAI DJ Cindy “Cyn” Collins, who recently released Complicated Fun: The Birth of Minneapolis Punk and Indie Rock, 1974-1984 to talk the early years and bands like The Suicide Commandos and The Suburbs. Returning is Michelle Leon, former Babes In Toyland bassist and author of I Live Inside: Memoirs of a Babe In Toyland to give us insights on the various famous (and infamous venues) and more, along with record producer, engineer, singer-songwriter and touring musician Jamie Woolford of The Stereo, Animal Chin and Let Go to share memories of various record stores, local media and other important aspects of the Minneapolis St. Paul scene.
Be sure to join us at Patreon for bonus content from this episode.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.
Songs in this Episode:
Intro - Minneapolis by that dog.
8:54 - Attacking the Beat by The Suicide Commandos
33:28 - Dust Cake Boy by Babes in Toyland
39:03 - Walks Alone by Cows
Outro - She Would Hever by The Stereo
Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4266</itunes:duration>
                <itunes:episode>85</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#351: One Mississippi by Brendan Benson</title>
        <itunes:title>#351: One Mississippi by Brendan Benson</itunes:title>
        <link>https://digmeout.podbean.com/e/351-one-mississippi-by-brendan-benson/</link>
                    <comments>https://digmeout.podbean.com/e/351-one-mississippi-by-brendan-benson/#comments</comments>        <pubDate>Tue, 03 Oct 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/351-one-mississippi-by-brendan-benson-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">With help from Jason Falkner of Jellyfish, <a href='http://www.brendanbenson.com/'>Brendan Benson</a> crafted a fine if overlong debut album in 1996′s One Mississippi. Some of us may have discovered Benson thanks to his team-up with Jack White in The Raconteurs, but he had a number of solo releases to his name by that point, and One Mississippi shows the promise of what was to come. Like so many 90s albums, the first half was satisfying while the back half became less focused and felt padded, but there is still plenty to like about this power pop debut, brought to us thanks to a twelve-month Patreon anniversary pick by past guest Keith S.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.tumblr.com/edit/www.sudiosweden.com'>Sudio Sweden</a> (<a href='https://www.tumblr.com/edit/www.facebook.com/Sudiosweden'>Facebook</a>/<a href='https://www.tumblr.com/edit/www.instagram.com/SudioSweden'>Instagram</a>), who hooked us up with two pairs of <a href='https://goo.gl/8aWiVp'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I’m Blessed</p>
<p style="text-align:center;">13:31 - Emma J</p>
<p style="text-align:center;">18:40 - Got No Secrets</p>
<p style="text-align:center;">23:00 - Insects Rule</p>
<p style="text-align:center;">32:08 - House in Virginia</p>
<p style="text-align:center;">Outro - Crosseyed</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With help from Jason Falkner of Jellyfish, <a href='http://www.brendanbenson.com/'>Brendan Benson</a> crafted a fine if overlong debut album in 1996′s One Mississippi. Some of us may have discovered Benson thanks to his team-up with Jack White in The Raconteurs, but he had a number of solo releases to his name by that point, and One Mississippi shows the promise of what was to come. Like so many 90s albums, the first half was satisfying while the back half became less focused and felt padded, but there is still plenty to like about this power pop debut, brought to us thanks to a twelve-month Patreon anniversary pick by past guest Keith S.</p>
<p style="text-align:center;">Special thanks to <a href='https://www.tumblr.com/edit/www.sudiosweden.com'>Sudio Sweden</a> (<a href='https://www.tumblr.com/edit/www.facebook.com/Sudiosweden'>Facebook</a>/<a href='https://www.tumblr.com/edit/www.instagram.com/SudioSweden'>Instagram</a>), who hooked us up with two pairs of <a href='https://goo.gl/8aWiVp'>Regent headphones</a> to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I’m Blessed</p>
<p style="text-align:center;">13:31 - Emma J</p>
<p style="text-align:center;">18:40 - Got No Secrets</p>
<p style="text-align:center;">23:00 - Insects Rule</p>
<p style="text-align:center;">32:08 - House in Virginia</p>
<p style="text-align:center;">Outro - Crosseyed</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gu8wui/351-brendanbenson.mp3" length="64188138" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With help from Jason Falkner of Jellyfish, Brendan Benson crafted a fine if overlong debut album in 1996′s One Mississippi. Some of us may have discovered Benson thanks to his team-up with Jack White in The Raconteurs, but he had a number of solo releases to his name by that point, and One Mississippi shows the promise of what was to come. Like so many 90s albums, the first half was satisfying while the back half became less focused and felt padded, but there is still plenty to like about this power pop debut, brought to us thanks to a twelve-month Patreon anniversary pick by past guest Keith S.
Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping.
Songs in this Episode:
Intro - I’m Blessed
13:31 - Emma J
18:40 - Got No Secrets
23:00 - Insects Rule
32:08 - House in Virginia
Outro - Crosseyed
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2657</itunes:duration>
                <itunes:episode>84</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#350: Seemless by Into Another</title>
        <itunes:title>#350: Seemless by Into Another</itunes:title>
        <link>https://digmeout.podbean.com/e/350-seemless-by-into-another/</link>
                    <comments>https://digmeout.podbean.com/e/350-seemless-by-into-another/#comments</comments>        <pubDate>Tue, 26 Sep 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/350-seemless-by-into-another-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='http://intoanother.com/'>Into Another </a>bring the riffs, the big vocals and locked-in rhythm section on 1995′s Seemless. Even though we’re fans of New York City bands such as Quicksand and Handsome, Into Another somehow flew under our radar. However, thanks to Patreon patron Chris M. with his twelve-month anniversary pick, he enlightened us on the major label debut (and third overall) album by the band. We dug deep into the record, enough to give you some bonus content over at <a href='https://www.patreon.com/digmeout'>Patreon</a> discussing b-sides and more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Mutate Me</p>
<p style="text-align:center;">12:43 - Mutate Me</p>
<p style="text-align:center;">21:42 - For a Wounded Wren</p>
<p style="text-align:center;">27:20 - The Way Down</p>
<p style="text-align:center;">30:30 - Actual Size</p>
<p style="text-align:center;">Outro - T.A.I.L.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is <a href='https://en.wikipedia.org/wiki/Alternative_country'>alternative country</a> an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> of <a href='http://www.dallasobserver.com/'>Dallas Observer</a>, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Are You Ready for the Country by Neil Young</p>
<p style="text-align:center;">16:42 - Blue by The Jayhawks</p>
<p style="text-align:center;">29:08 - Postcard by Uncle Tupelo</p>
<p style="text-align:center;">47:36 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:01:32 - Dancefloors by My Morning Jacket</p>
<p style="text-align:center;">Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='http://intoanother.com/'>Into Another </a>bring the riffs, the big vocals and locked-in rhythm section on 1995′s Seemless. Even though we’re fans of New York City bands such as Quicksand and Handsome, Into Another somehow flew under our radar. However, thanks to Patreon patron Chris M. with his twelve-month anniversary pick, he enlightened us on the major label debut (and third overall) album by the band. We dug deep into the record, enough to give you some bonus content over at <a href='https://www.patreon.com/digmeout'>Patreon</a> discussing b-sides and more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Mutate Me</p>
<p style="text-align:center;">12:43 - Mutate Me</p>
<p style="text-align:center;">21:42 - For a Wounded Wren</p>
<p style="text-align:center;">27:20 - The Way Down</p>
<p style="text-align:center;">30:30 - Actual Size</p>
<p style="text-align:center;">Outro - T.A.I.L.</p>
<p style="text-align:center;"> </p>
<p style="text-align:center;">In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is <a href='https://en.wikipedia.org/wiki/Alternative_country'>alternative country</a> an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> of <a href='http://www.dallasobserver.com/'>Dallas Observer</a>, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Are You Ready for the Country by Neil Young</p>
<p style="text-align:center;">16:42 - Blue by The Jayhawks</p>
<p style="text-align:center;">29:08 - Postcard by Uncle Tupelo</p>
<p style="text-align:center;">47:36 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:01:32 - Dancefloors by My Morning Jacket</p>
<p style="text-align:center;">Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pis4he/350-intoanother.mp3" length="55082478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Into Another bring the riffs, the big vocals and locked-in rhythm section on 1995′s Seemless. Even though we’re fans of New York City bands such as Quicksand and Handsome, Into Another somehow flew under our radar. However, thanks to Patreon patron Chris M. with his twelve-month anniversary pick, he enlightened us on the major label debut (and third overall) album by the band. We dug deep into the record, enough to give you some bonus content over at Patreon discussing b-sides and more.
Songs in this Episode:
Intro - Mutate Me
12:43 - Mutate Me
21:42 - For a Wounded Wren
27:20 - The Way Down
30:30 - Actual Size
Outro - T.A.I.L.
 
In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is alternative country an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests Eric Grubbs of Dallas Observer, Jim Kopeny of Chicagoist and Jim Hanke of Vinyl Emergency.
Songs in this Episode
Intro - Are You Ready for the Country by Neil Young
16:42 - Blue by The Jayhawks
29:08 - Postcard by Uncle Tupelo
47:36 - California Stars by Billy Bragg and Wilco
1:01:32 - Dancefloors by My Morning Jacket
Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2277</itunes:duration>
                <itunes:episode>83</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#349: Alternative Country Roundtable Discussion</title>
        <itunes:title>#349: Alternative Country Roundtable Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/349-alternative-country-roundtable-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/349-alternative-country-roundtable-discussion/#comments</comments>        <pubDate>Tue, 19 Sep 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/349-alternative-country-roundtable-discussion-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is <a href='https://en.wikipedia.org/wiki/Alternative_country'>alternative country</a> an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> of <a href='http://www.dallasobserver.com/'>Dallas Observer</a>, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Are You Ready for the Country by Neil Young</p>
<p style="text-align:center;">16:42 - Blue by The Jayhawks</p>
<p style="text-align:center;">29:08 - Postcard by Uncle Tupelo</p>
<p style="text-align:center;">47:36 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:01:32 - Dancefloors by My Morning Jacket</p>
<p style="text-align:center;">Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is <a href='https://en.wikipedia.org/wiki/Alternative_country'>alternative country</a> an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> of <a href='http://www.dallasobserver.com/'>Dallas Observer</a>, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a>.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - Are You Ready for the Country by Neil Young</p>
<p style="text-align:center;">16:42 - Blue by The Jayhawks</p>
<p style="text-align:center;">29:08 - Postcard by Uncle Tupelo</p>
<p style="text-align:center;">47:36 - California Stars by Billy Bragg and Wilco</p>
<p style="text-align:center;">1:01:32 - Dancefloors by My Morning Jacket</p>
<p style="text-align:center;">Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e74xxw/349-altcountryroundtableV2.mp3" length="106139757" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the 1990s the term alternative country appeared, we’re talking the bands, the sound and influences. What is alternative country an alternative to? Country? Rock? We dig into the unique aspects that separate alternative country from its more mainstream counterparts and the sounds that help create it. We talk some of the biggest influences upon 90s alternative country, including Gram Parsons, Neil Young, the punk rock from labels like SST and more. We talk about our favorite 90s alternative country albums, and which artists today are carrying the alternative country torch. To do so, we’re joined by returning roundtable guests Eric Grubbs of Dallas Observer, Jim Kopeny of Chicagoist and Jim Hanke of Vinyl Emergency.
Songs in this Episode
Intro - Are You Ready for the Country by Neil Young
16:42 - Blue by The Jayhawks
29:08 - Postcard by Uncle Tupelo
47:36 - California Stars by Billy Bragg and Wilco
1:01:32 - Dancefloors by My Morning Jacket
Outro - Hot Burrito #2 by Dinosaur Jr (Flying Burrito Brothers cover)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4405</itunes:duration>
                <itunes:episode>82</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#348: Talk Show by Talk Show</title>
        <itunes:title>#348: Talk Show by Talk Show</itunes:title>
        <link>https://digmeout.podbean.com/e/348-talk-show-by-talk-show/</link>
                    <comments>https://digmeout.podbean.com/e/348-talk-show-by-talk-show/#comments</comments>        <pubDate>Tue, 12 Sep 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/348-talk-show-by-talk-show-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">What happens when you remove <a href='http://www.scottweiland.com/'>Scott Weiland</a> from <a href='http://stonetemplepilots.com/'>Stone Temple Pilots</a> - you get <a href='https://en.wikipedia.org/wiki/Talk_Show_(band)'>Talk Show</a>. Attempting to fill the hole left by Weiland’s drug problems in 1996, the DeLeo brothers and drummer Eric Kretz recruiter former <a href='https://en.wikipedia.org/wiki/Ten_Inch_Men'>Ten Inch Men</a> frontman/guitarist Dave Coutts to take the lead on this self-titled release from 1997. The album failed commercially and band quickly dumped Coutts to welcome Weiland back into the fold. We revisit the album with fresh ears to try to figure out if Talk Show was a missed opportunity for listeners or a misfire by the band. We also delve into the career trajectory of Stone Temple Pilots to determine if Talk Show was a harbinger of things to come for the band as they chased radio friends sounds (i.e. “Down”) and relevancy in the 2000s.</p>
<p style="text-align:center;">Over at <a href='https://www.patreon.com/digmeout'>Patreon</a>, we take a few minutes to discuss if any band successfully pulled off the lead singer switch, whether with an existing band (like AC/DC or Alice in Chains) or a new outfit (Audioslave).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Hello Hello</p>
<p style="text-align:center;">14:08 - Peeling An Orange</p>
<p style="text-align:center;">15:34 - Everybody Loves My Car</p>
<p style="text-align:center;">24:16 - Wash Me Down</p>
<p style="text-align:center;">28:28 - Ring Twice</p>
<p style="text-align:center;">Outro - So Long</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">What happens when you remove <a href='http://www.scottweiland.com/'>Scott Weiland</a> from <a href='http://stonetemplepilots.com/'>Stone Temple Pilots</a> - you get <a href='https://en.wikipedia.org/wiki/Talk_Show_(band)'>Talk Show</a>. Attempting to fill the hole left by Weiland’s drug problems in 1996, the DeLeo brothers and drummer Eric Kretz recruiter former <a href='https://en.wikipedia.org/wiki/Ten_Inch_Men'>Ten Inch Men</a> frontman/guitarist Dave Coutts to take the lead on this self-titled release from 1997. The album failed commercially and band quickly dumped Coutts to welcome Weiland back into the fold. We revisit the album with fresh ears to try to figure out if Talk Show was a missed opportunity for listeners or a misfire by the band. We also delve into the career trajectory of Stone Temple Pilots to determine if Talk Show was a harbinger of things to come for the band as they chased radio friends sounds (i.e. “Down”) and relevancy in the 2000s.</p>
<p style="text-align:center;">Over at <a href='https://www.patreon.com/digmeout'>Patreon</a>, we take a few minutes to discuss if any band successfully pulled off the lead singer switch, whether with an existing band (like AC/DC or Alice in Chains) or a new outfit (Audioslave).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Hello Hello</p>
<p style="text-align:center;">14:08 - Peeling An Orange</p>
<p style="text-align:center;">15:34 - Everybody Loves My Car</p>
<p style="text-align:center;">24:16 - Wash Me Down</p>
<p style="text-align:center;">28:28 - Ring Twice</p>
<p style="text-align:center;">Outro - So Long</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/33yx46/348-talkshow.mp3" length="53856182" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What happens when you remove Scott Weiland from Stone Temple Pilots - you get Talk Show. Attempting to fill the hole left by Weiland’s drug problems in 1996, the DeLeo brothers and drummer Eric Kretz recruiter former Ten Inch Men frontman/guitarist Dave Coutts to take the lead on this self-titled release from 1997. The album failed commercially and band quickly dumped Coutts to welcome Weiland back into the fold. We revisit the album with fresh ears to try to figure out if Talk Show was a missed opportunity for listeners or a misfire by the band. We also delve into the career trajectory of Stone Temple Pilots to determine if Talk Show was a harbinger of things to come for the band as they chased radio friends sounds (i.e. “Down”) and relevancy in the 2000s.
Over at Patreon, we take a few minutes to discuss if any band successfully pulled off the lead singer switch, whether with an existing band (like AC/DC or Alice in Chains) or a new outfit (Audioslave).
Songs in this Episode:
Intro - Hello Hello
14:08 - Peeling An Orange
15:34 - Everybody Loves My Car
24:16 - Wash Me Down
28:28 - Ring Twice
Outro - So Long
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2226</itunes:duration>
                <itunes:episode>81</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#347: It Means Everything by Save Ferris</title>
        <itunes:title>#347: It Means Everything by Save Ferris</itunes:title>
        <link>https://digmeout.podbean.com/e/347-it-means-everything-by-save-ferris/</link>
                    <comments>https://digmeout.podbean.com/e/347-it-means-everything-by-save-ferris/#comments</comments>        <pubDate>Tue, 05 Sep 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/347-it-means-everything-by-save-ferris-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">The debut <a href='http://saveferris.com/'>Save Ferris</a> album It Means Everything is everything you know and love/hate about 90s ska-punk. The snappy snare, the upstroke guitar lines, the energetic horn stabs - all the hallmarks of the familiar 90s sound utilized by early No Doubt, The Mighty Mighty Bosstones, Reel Big Fish and others. Save Ferris don’t break the mold, but they do add a few extra layers, inserting a distorted guitar from time to time, as well as taking advantage of Monique Powell’s pipes to slow down the tempos into classic reggae and dub influenced grooves. Neither of us are ska punk aficionados, or really fans for that matter, but did Save Ferris win us over? Tune in to find out. </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Come On Eileen</p>
<p style="text-align:center;">18:11 - Lies</p>
<p style="text-align:center;">22:56 - SuperSpy</p>
<p style="text-align:center;">32:20 - The World Is New</p>
<p style="text-align:center;">Outro - Goodbye</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The debut <a href='http://saveferris.com/'>Save Ferris</a> album It Means Everything is everything you know and love/hate about 90s ska-punk. The snappy snare, the upstroke guitar lines, the energetic horn stabs - all the hallmarks of the familiar 90s sound utilized by early No Doubt, The Mighty Mighty Bosstones, Reel Big Fish and others. Save Ferris don’t break the mold, but they do add a few extra layers, inserting a distorted guitar from time to time, as well as taking advantage of Monique Powell’s pipes to slow down the tempos into classic reggae and dub influenced grooves. Neither of us are ska punk aficionados, or really fans for that matter, but did Save Ferris win us over? Tune in to find out. </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Come On Eileen</p>
<p style="text-align:center;">18:11 - Lies</p>
<p style="text-align:center;">22:56 - SuperSpy</p>
<p style="text-align:center;">32:20 - The World Is New</p>
<p style="text-align:center;">Outro - Goodbye</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9wjn7d/347-saveferris.mp3" length="52972201" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The debut Save Ferris album It Means Everything is everything you know and love/hate about 90s ska-punk. The snappy snare, the upstroke guitar lines, the energetic horn stabs - all the hallmarks of the familiar 90s sound utilized by early No Doubt, The Mighty Mighty Bosstones, Reel Big Fish and others. Save Ferris don’t break the mold, but they do add a few extra layers, inserting a distorted guitar from time to time, as well as taking advantage of Monique Powell’s pipes to slow down the tempos into classic reggae and dub influenced grooves. Neither of us are ska punk aficionados, or really fans for that matter, but did Save Ferris win us over? Tune in to find out. 
Songs in this Episode:
Intro - Come On Eileen
18:11 - Lies
22:56 - SuperSpy
32:20 - The World Is New
Outro - Goodbye
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2189</itunes:duration>
                <itunes:episode>80</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#346: Transmission by The Tea Party</title>
        <itunes:title>#346: Transmission by The Tea Party</itunes:title>
        <link>https://digmeout.podbean.com/e/346-transmission-by-the-tea-party/</link>
                    <comments>https://digmeout.podbean.com/e/346-transmission-by-the-tea-party/#comments</comments>        <pubDate>Tue, 29 Aug 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">digmeout.podbean.com/346-transmission-by-the-tea-party-24b00f90dd1700f333f1ee8f1a4eedd1</guid>
                                    <description><![CDATA[<p style="text-align:center;">From up north comes <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.teaparty.com%2F&t=YTVjODhjNDEwYTEwMDI2NjNmM2ZhMDQyODc4ODJjZGYxNmRkZDc2MixFbFJxVDAyQg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F164724525561%2Fteaparty&m=1'>The Tea Party</a>, creating a stew of eastern scales, industrial rhythms and Zeppelin-esque dramatics. Their 1997 sophomore release Transmission is the quintessential headphones album. Though only a three piece, they pile on a wide range of non-traditional instrumentation to create a unique, swirling sound that goes big rock in the vein of The Cult or Led Zeppelin while grounding with industrial rhythms at home on a Nine Inch Nails or Stabbing Westward record. All while frontman Jeff Martin bellows and shrieks like the lost cousin of Jim Morrison and Ian Astbury. It can be exciting and overwhelming just a few bars apart - we try to figure out which way the overall experience leans. Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Temptation</p>
<p style="text-align:center;">15:11 - Gyroscope</p>
<p style="text-align:center;">17:54 - Psychopomp</p>
<p style="text-align:center;">22:05 - Babylon</p>
<p style="text-align:center;">Outro - Alarum</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">From up north comes <a href='http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.teaparty.com%2F&t=YTVjODhjNDEwYTEwMDI2NjNmM2ZhMDQyODc4ODJjZGYxNmRkZDc2MixFbFJxVDAyQg%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F164724525561%2Fteaparty&m=1'>The Tea Party</a>, creating a stew of eastern scales, industrial rhythms and Zeppelin-esque dramatics. Their 1997 sophomore release Transmission is the quintessential headphones album. Though only a three piece, they pile on a wide range of non-traditional instrumentation to create a unique, swirling sound that goes big rock in the vein of The Cult or Led Zeppelin while grounding with industrial rhythms at home on a Nine Inch Nails or Stabbing Westward record. All while frontman Jeff Martin bellows and shrieks like the lost cousin of Jim Morrison and Ian Astbury. It can be exciting and overwhelming just a few bars apart - we try to figure out which way the overall experience leans. Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Temptation</p>
<p style="text-align:center;">15:11 - Gyroscope</p>
<p style="text-align:center;">17:54 - Psychopomp</p>
<p style="text-align:center;">22:05 - Babylon</p>
<p style="text-align:center;">Outro - Alarum</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8bzct3/346-teaparty.mp3" length="46591216" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From up north comes The Tea Party, creating a stew of eastern scales, industrial rhythms and Zeppelin-esque dramatics. Their 1997 sophomore release Transmission is the quintessential headphones album. Though only a three piece, they pile on a wide range of non-traditional instrumentation to create a unique, swirling sound that goes big rock in the vein of The Cult or Led Zeppelin while grounding with industrial rhythms at home on a Nine Inch Nails or Stabbing Westward record. All while frontman Jeff Martin bellows and shrieks like the lost cousin of Jim Morrison and Ian Astbury. It can be exciting and overwhelming just a few bars apart - we try to figure out which way the overall experience leans. Tune in to find out.
Songs in this Episode:
Intro - Temptation
15:11 - Gyroscope
17:54 - Psychopomp
22:05 - Babylon
Outro - Alarum
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1923</itunes:duration>
                <itunes:episode>79</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#345: Mindfunk by Mindfunk</title>
        <itunes:title>#345: Mindfunk by Mindfunk</itunes:title>
        <link>https://digmeout.podbean.com/e/345-mindfunk-by-mindfunk/</link>
                    <comments>https://digmeout.podbean.com/e/345-mindfunk-by-mindfunk/#comments</comments>        <pubDate>Tue, 22 Aug 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/345-mindfunk-by-mindfunk/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Sandwiched between 80s metal and 90s alternative, <a href='https://en.wikipedia.org/wiki/Mind_Funk'>Mindfunk</a> occupy the same limbo space as Mother Love Bone and Saigon Kick. We’re checking out their self-titled 1991 debut, a mix of big metal riffs, groove rock with funk influences and some slow burn nods to what would later be called desert or stoner rock. While Jason was familiar with this from when it was released and bought it on cd when it came out, Tim had never heard a note prior to reviewing the record. Does it still hold up for Jason? Is it a worthwhile discovery for Tim? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Sugar Ain’t So Sweet</p>
<p style="text-align:center;">14:17 - Bring It On</p>
<p style="text-align:center;">16:55 - Sister Blue</p>
<p style="text-align:center;">22:21 - Blood Runs Red</p>
<p style="text-align:center;">Outro - Innocence</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
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<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Sandwiched between 80s metal and 90s alternative, <a href='https://en.wikipedia.org/wiki/Mind_Funk'>Mindfunk</a> occupy the same limbo space as Mother Love Bone and Saigon Kick. We’re checking out their self-titled 1991 debut, a mix of big metal riffs, groove rock with funk influences and some slow burn nods to what would later be called desert or stoner rock. While Jason was familiar with this from when it was released and bought it on cd when it came out, Tim had never heard a note prior to reviewing the record. Does it still hold up for Jason? Is it a worthwhile discovery for Tim? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Sugar Ain’t So Sweet</p>
<p style="text-align:center;">14:17 - Bring It On</p>
<p style="text-align:center;">16:55 - Sister Blue</p>
<p style="text-align:center;">22:21 - Blood Runs Red</p>
<p style="text-align:center;">Outro - Innocence</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qtpnfa/345-mindfunk.mp3" length="49428114" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sandwiched between 80s metal and 90s alternative, Mindfunk occupy the same limbo space as Mother Love Bone and Saigon Kick. We’re checking out their self-titled 1991 debut, a mix of big metal riffs, groove rock with funk influences and some slow burn nods to what would later be called desert or stoner rock. While Jason was familiar with this from when it was released and bought it on cd when it came out, Tim had never heard a note prior to reviewing the record. Does it still hold up for Jason? Is it a worthwhile discovery for Tim? Tune in to find out.
Songs in this Episode:
Intro - Sugar Ain’t So Sweet
14:17 - Bring It On
16:55 - Sister Blue
22:21 - Blood Runs Red
Outro - Innocence
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2042</itunes:duration>
                <itunes:episode>78</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#344: Interview with Greg Glover of Arena Rock Recording Company</title>
        <itunes:title>#344: Interview with Greg Glover of Arena Rock Recording Company</itunes:title>
        <link>https://digmeout.podbean.com/e/344-interview-with-greg-glover-of-arena-rock-recording-company/</link>
                    <comments>https://digmeout.podbean.com/e/344-interview-with-greg-glover-of-arena-rock-recording-company/#comments</comments>        <pubDate>Tue, 15 Aug 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/344-interview-with-greg-glover-of-arena-rock-recording-company/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Greg Glover, co-founder of the <a href='http://www.arenarock.com/'>Arena Rock Recording Company</a> stops by for a lengthy chat. After some initial Goonies talk, we revisit our recent review of <a href='http://www.digmeoutpodcast.com/post/163407490333/341-where-have-all-the-merrymakers-gone-by'>Harvey Danger’s Where Have All The Merrymakers Gone</a> to fill in some blanks and learn some information about the behind the scene machinations involving the record business. We cover Greg’s childhood and college days, running a fanzine and how he got into “the music industry.” He share how Superdrag ended up being release number one for Arena Rock and the story of how they returned to the label years later. We get into reissuing previous releases, and how the Mineral rereleases came together, as well as the dreaded “unsolicited demos,” signing Elf Power, MTV and 1980s, dinners with Seymour Stein at Sire, how to get free shipping and much, much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - NA Kicker by Superdrag</p>
<p style="text-align:center;">8:12 - Flagpole Sitta by Harvey Danger</p>
<p style="text-align:center;">15:34 - Private Helicopter by Harvey Danger</p>
<p style="text-align:center;">40:20 - Lighting The Way by Superdrag</p>
<p style="text-align:center;">47:34 - Let It Out by The Life And Times</p>
<p style="text-align:center;">Outro - Calling All Lovers by The Sheila Divine</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Greg Glover, co-founder of the <a href='http://www.arenarock.com/'>Arena Rock Recording Company</a> stops by for a lengthy chat. After some initial Goonies talk, we revisit our recent review of <a href='http://www.digmeoutpodcast.com/post/163407490333/341-where-have-all-the-merrymakers-gone-by'>Harvey Danger’s Where Have All The Merrymakers Gone</a> to fill in some blanks and learn some information about the behind the scene machinations involving the record business. We cover Greg’s childhood and college days, running a fanzine and how he got into “the music industry.” He share how Superdrag ended up being release number one for Arena Rock and the story of how they returned to the label years later. We get into reissuing previous releases, and how the Mineral rereleases came together, as well as the dreaded “unsolicited demos,” signing Elf Power, MTV and 1980s, dinners with Seymour Stein at Sire, how to get free shipping and much, much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - NA Kicker by Superdrag</p>
<p style="text-align:center;">8:12 - Flagpole Sitta by Harvey Danger</p>
<p style="text-align:center;">15:34 - Private Helicopter by Harvey Danger</p>
<p style="text-align:center;">40:20 - Lighting The Way by Superdrag</p>
<p style="text-align:center;">47:34 - Let It Out by The Life And Times</p>
<p style="text-align:center;">Outro - Calling All Lovers by The Sheila Divine</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nbsjcg/344-gregglover.mp3" length="136077952" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Greg Glover, co-founder of the Arena Rock Recording Company stops by for a lengthy chat. After some initial Goonies talk, we revisit our recent review of Harvey Danger’s Where Have All The Merrymakers Gone to fill in some blanks and learn some information about the behind the scene machinations involving the record business. We cover Greg’s childhood and college days, running a fanzine and how he got into “the music industry.” He share how Superdrag ended up being release number one for Arena Rock and the story of how they returned to the label years later. We get into reissuing previous releases, and how the Mineral rereleases came together, as well as the dreaded “unsolicited demos,” signing Elf Power, MTV and 1980s, dinners with Seymour Stein at Sire, how to get free shipping and much, much more.
Songs in this Episode:
Intro - NA Kicker by Superdrag
8:12 - Flagpole Sitta by Harvey Danger
15:34 - Private Helicopter by Harvey Danger
40:20 - Lighting The Way by Superdrag
47:34 - Let It Out by The Life And Times
Outro - Calling All Lovers by The Sheila Divine
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5652</itunes:duration>
                <itunes:episode>77</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#343: Compilations Albums of the 1990s Roundtable</title>
        <itunes:title>#343: Compilations Albums of the 1990s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/343-compilations-albums-of-the-1990s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/343-compilations-albums-of-the-1990s-roundtable/#comments</comments>        <pubDate>Tue, 08 Aug 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/343-compilations-albums-of-the-1990s-roundtable/</guid>
                                    <description><![CDATA[<p style="text-align:center;">From charity comps to label samplers, the 1990s may have been the peak decade for <a href='https://en.wikipedia.org/wiki/Compilation_album'>compilation albums</a>. We discuss the qualities that make a worthy compilation album with our guests <a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> from <a href='http://www.wmbr.org/'>WMBR</a>, <a href='https://twitter.com/jimhanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a> and <a href='https://twitter.com/Irenzero'>Eric Peterson</a> of <a href='https://lovethatalbum.podbean.com/'>Love That Album</a>. We pick our favorite comps and favorite compilation-only tracks, and discuss whether compilation albums are still relevant in the age of streaming music playlists.</p>
<p style="text-align:center;">We’ve got over ten minutes of bonus content over at <a href='https://www.patreon.com/digmeout'>Patreon</a> this week.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Sexual Healing by Soul Asylum (Marvin Gaye cover), from No Alternative</p>
<p style="text-align:center;">13:14 - Riot on the Rocks by The Hellacopters, from Riot on the Rocks Vol. 1</p>
<p style="text-align:center;">20:35 - Effigy by Uncle Tupelo (Creedence Clearwater Revival cover), from No Alternative</p>
<p style="text-align:center;">42:03 - Einstein on the Beach (For an Eggman) by Counting Crows, from DGC Rarities Vol.1</p>
<p style="text-align:center;">Outro - Compilation Blues by Sonic Youth, from DGC Rarities Vol.1</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">From charity comps to label samplers, the 1990s may have been the peak decade for <a href='https://en.wikipedia.org/wiki/Compilation_album'>compilation albums</a>. We discuss the qualities that make a worthy compilation album with our guests <a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> from <a href='http://www.wmbr.org/'>WMBR</a>, <a href='https://twitter.com/jimhanke'>Jim Hanke</a> of <a href='http://www.vinylemergency.com/'>Vinyl Emergency</a> and <a href='https://twitter.com/Irenzero'>Eric Peterson</a> of <a href='https://lovethatalbum.podbean.com/'>Love That Album</a>. We pick our favorite comps and favorite compilation-only tracks, and discuss whether compilation albums are still relevant in the age of streaming music playlists.</p>
<p style="text-align:center;">We’ve got over ten minutes of bonus content over at <a href='https://www.patreon.com/digmeout'>Patreon</a> this week.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Sexual Healing by Soul Asylum (Marvin Gaye cover), from No Alternative</p>
<p style="text-align:center;">13:14 - Riot on the Rocks by The Hellacopters, from Riot on the Rocks Vol. 1</p>
<p style="text-align:center;">20:35 - Effigy by Uncle Tupelo (Creedence Clearwater Revival cover), from No Alternative</p>
<p style="text-align:center;">42:03 - Einstein on the Beach (For an Eggman) by Counting Crows, from DGC Rarities Vol.1</p>
<p style="text-align:center;">Outro - Compilation Blues by Sonic Youth, from DGC Rarities Vol.1</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nv4gis/343-comproundtable.mp3" length="84395630" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From charity comps to label samplers, the 1990s may have been the peak decade for compilation albums. We discuss the qualities that make a worthy compilation album with our guests Keith Sawyer from WMBR, Jim Hanke of Vinyl Emergency and Eric Peterson of Love That Album. We pick our favorite comps and favorite compilation-only tracks, and discuss whether compilation albums are still relevant in the age of streaming music playlists.
We’ve got over ten minutes of bonus content over at Patreon this week.
Songs in this Episode:
Intro - Sexual Healing by Soul Asylum (Marvin Gaye cover), from No Alternative
13:14 - Riot on the Rocks by The Hellacopters, from Riot on the Rocks Vol. 1
20:35 - Effigy by Uncle Tupelo (Creedence Clearwater Revival cover), from No Alternative
42:03 - Einstein on the Beach (For an Eggman) by Counting Crows, from DGC Rarities Vol.1
Outro - Compilation Blues by Sonic Youth, from DGC Rarities Vol.1
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3499</itunes:duration>
                <itunes:episode>76</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#342: Lovesongs for Underdogs by Tanya Donelly</title>
        <itunes:title>#342: Lovesongs for Underdogs by Tanya Donelly</itunes:title>
        <link>https://digmeout.podbean.com/e/342-lovesongs-for-underdogs-by-tanya-donelly/</link>
                    <comments>https://digmeout.podbean.com/e/342-lovesongs-for-underdogs-by-tanya-donelly/#comments</comments>        <pubDate>Tue, 01 Aug 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/342-lovesongs-for-underdogs-by-tanya-donelly/</guid>
                                    <description><![CDATA[<p style="text-align:center;">With her first solo outing, <a href='http://tanyadonelly.com/'>Tanya Donelly</a> attempts to balance her indie rock past with a radio friendly approach. 1997′s Lovesongs for Underdogs, our latest album selected by our Patreon voters, came with the burden of Tanya having been a part of numerous successfully and respected indie rock group, including <a href='https://en.wikipedia.org/wiki/Throwing_Muses'>Throwing Muses</a>, <a href='http://thebreedersmusic.com/'>The Breeders</a> and <a href='http://bellyofficial.com/'>Belly</a>. Striking out on her own with a bevy of players, she shows off a wide array of songwriting styles all grounded by her sharp and hooky melodies.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - The Bright Light</p>
<p style="text-align:center;">8:25 - Pretty Deep</p>
<p style="text-align:center;">12:01 - Lantern</p>
<p style="text-align:center;">14:06 - Bum</p>
<p style="text-align:center;">19:45 - Clipped</p>
<p style="text-align:center;">Outro - Breathe Around You</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With her first solo outing, <a href='http://tanyadonelly.com/'>Tanya Donelly</a> attempts to balance her indie rock past with a radio friendly approach. 1997′s Lovesongs for Underdogs, our latest album selected by our Patreon voters, came with the burden of Tanya having been a part of numerous successfully and respected indie rock group, including <a href='https://en.wikipedia.org/wiki/Throwing_Muses'>Throwing Muses</a>, <a href='http://thebreedersmusic.com/'>The Breeders</a> and <a href='http://bellyofficial.com/'>Belly</a>. Striking out on her own with a bevy of players, she shows off a wide array of songwriting styles all grounded by her sharp and hooky melodies.</p>
<p style="text-align:center;">Songs in this Episode</p>
<p style="text-align:center;">Intro - The Bright Light</p>
<p style="text-align:center;">8:25 - Pretty Deep</p>
<p style="text-align:center;">12:01 - Lantern</p>
<p style="text-align:center;">14:06 - Bum</p>
<p style="text-align:center;">19:45 - Clipped</p>
<p style="text-align:center;">Outro - Breathe Around You</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u9kn76/342-tanyadonelly.mp3" length="43148699" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With her first solo outing, Tanya Donelly attempts to balance her indie rock past with a radio friendly approach. 1997′s Lovesongs for Underdogs, our latest album selected by our Patreon voters, came with the burden of Tanya having been a part of numerous successfully and respected indie rock group, including Throwing Muses, The Breeders and Belly. Striking out on her own with a bevy of players, she shows off a wide array of songwriting styles all grounded by her sharp and hooky melodies.
Songs in this Episode
Intro - The Bright Light
8:25 - Pretty Deep
12:01 - Lantern
14:06 - Bum
19:45 - Clipped
Outro - Breathe Around You
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1780</itunes:duration>
                <itunes:episode>75</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#341: Where Have All The Merrymakers Gone? by Harvey Danger</title>
        <itunes:title>#341: Where Have All The Merrymakers Gone? by Harvey Danger</itunes:title>
        <link>https://digmeout.podbean.com/e/341-where-have-all-the-merrymakers-gone-by-harvey-danger/</link>
                    <comments>https://digmeout.podbean.com/e/341-where-have-all-the-merrymakers-gone-by-harvey-danger/#comments</comments>        <pubDate>Tue, 25 Jul 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/341-where-have-all-the-merrymakers-gone-by-harvey-danger/</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='http://www.harveydanger.com/'>Harvey Danger</a> being tagged as a “one hit wonder” can be both a blessing and a curse. Is the rest of the album criminally overlooked, or does it pale in comparison? We put it to a vote on our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, and our patrons made Where Have All The Merrymakers Gone?, released in July 1997 our latest review. Reviews at the time were mixed, but this album and band have gained their share of advocates, who praise lead singer <a href='https://twitter.com/seantroversy'>Sean Nelson</a>’s witty and self-deprecating lyrics and the tight power-pop-punk songwriting of this and their follow-up album, King James Version. One of of us thought this was a start-to-finish gem worthy of revisiting, and one of us thought the brilliance of Flagpole Sitta set the rest of the album up to fail. Disagreement!</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Flagpole Sitta</p>
<p style="text-align:center;">9:21 - Radio Silence</p>
<p style="text-align:center;">14:48 - Carlotta Valdez</p>
<p style="text-align:center;">Outro - Jack The Lion</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='http://www.harveydanger.com/'>Harvey Danger</a> being tagged as a “one hit wonder” can be both a blessing and a curse. Is the rest of the album criminally overlooked, or does it pale in comparison? We put it to a vote on our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, and our patrons made Where Have All The Merrymakers Gone?, released in July 1997 our latest review. Reviews at the time were mixed, but this album and band have gained their share of advocates, who praise lead singer <a href='https://twitter.com/seantroversy'>Sean Nelson</a>’s witty and self-deprecating lyrics and the tight power-pop-punk songwriting of this and their follow-up album, King James Version. One of of us thought this was a start-to-finish gem worthy of revisiting, and one of us thought the brilliance of Flagpole Sitta set the rest of the album up to fail. Disagreement!</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Flagpole Sitta</p>
<p style="text-align:center;">9:21 - Radio Silence</p>
<p style="text-align:center;">14:48 - Carlotta Valdez</p>
<p style="text-align:center;">Outro - Jack The Lion</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qh6b5q/341-harveydanger.mp3" length="37386505" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Harvey Danger being tagged as a “one hit wonder” can be both a blessing and a curse. Is the rest of the album criminally overlooked, or does it pale in comparison? We put it to a vote on our Patreon page, and our patrons made Where Have All The Merrymakers Gone?, released in July 1997 our latest review. Reviews at the time were mixed, but this album and band have gained their share of advocates, who praise lead singer Sean Nelson’s witty and self-deprecating lyrics and the tight power-pop-punk songwriting of this and their follow-up album, King James Version. One of of us thought this was a start-to-finish gem worthy of revisiting, and one of us thought the brilliance of Flagpole Sitta set the rest of the album up to fail. Disagreement!
Songs in this Episode:
Intro - Flagpole Sitta
9:21 - Radio Silence
14:48 - Carlotta Valdez
Outro - Jack The Lion
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1540</itunes:duration>
                <itunes:episode>74</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#340: Guitar Gods of the 1990s Roundtable</title>
        <itunes:title>#340: Guitar Gods of the 1990s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/340-guitar-gods-of-the-1990s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/340-guitar-gods-of-the-1990s-roundtable/#comments</comments>        <pubDate>Tue, 18 Jul 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/340-guitar-gods-of-the-1990s-roundtable/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our latest roundtable we aim at the heavens and request an audience with the gods! The guitar gods, that is. The 60s had Clapton and Hendrix, the 70s had Page and Blackmore, the 80s had Eddie and a slew of gunslingers, now it’s time to christen the guitar gods of the 90s. First, we try to figure out what exactly elevates a guitarist to god status. Then we open the floor for nominations. Some of the names will be familiar and expected, while others may be more obscure and surprising. To help us, we’re joined by returning guests <a href='https://twitter.com/AndyDerer'>Andy Derer</a>, <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> and <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a>.</p>
<p style="text-align:center;"> Make sure to visit Patreon for over fifteen minutes of bonus content from this episode at <a href='https://www.patreon.com/digmeout'>https://www.patreon.com/digmeout</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Guitar God Medley (Rage Against The Machine, Soundgarden, Dinosaur Jr., Pantera)</p>
<p style="text-align:center;">13:28 - Bulls on Parade by Rage Against The Machine</p>
<p style="text-align:center;">27:50 - No More Tears by Ozzy Osbourne</p>
<p style="text-align:center;">33:09 - Chemical World - Intermission by Blur</p>
<p style="text-align:center;">1:00:21 - Tired of Sex by Weezer</p>
<p style="text-align:center;">Outro - Pull Me Under by Dream Theater</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our latest roundtable we aim at the heavens and request an audience with the gods! The guitar gods, that is. The 60s had Clapton and Hendrix, the 70s had Page and Blackmore, the 80s had Eddie and a slew of gunslingers, now it’s time to christen the guitar gods of the 90s. First, we try to figure out what exactly elevates a guitarist to god status. Then we open the floor for nominations. Some of the names will be familiar and expected, while others may be more obscure and surprising. To help us, we’re joined by returning guests <a href='https://twitter.com/AndyDerer'>Andy Derer</a>, <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> and <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a>.</p>
<p style="text-align:center;"> Make sure to visit Patreon for over fifteen minutes of bonus content from this episode at <a href='https://www.patreon.com/digmeout'>https://www.patreon.com/digmeout</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Guitar God Medley (Rage Against The Machine, Soundgarden, Dinosaur Jr., Pantera)</p>
<p style="text-align:center;">13:28 - Bulls on Parade by Rage Against The Machine</p>
<p style="text-align:center;">27:50 - No More Tears by Ozzy Osbourne</p>
<p style="text-align:center;">33:09 - Chemical World - Intermission by Blur</p>
<p style="text-align:center;">1:00:21 - Tired of Sex by Weezer</p>
<p style="text-align:center;">Outro - Pull Me Under by Dream Theater</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ww9j36/340-guitargods.mp3" length="106895205" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest roundtable we aim at the heavens and request an audience with the gods! The guitar gods, that is. The 60s had Clapton and Hendrix, the 70s had Page and Blackmore, the 80s had Eddie and a slew of gunslingers, now it’s time to christen the guitar gods of the 90s. First, we try to figure out what exactly elevates a guitarist to god status. Then we open the floor for nominations. Some of the names will be familiar and expected, while others may be more obscure and surprising. To help us, we’re joined by returning guests Andy Derer, Eric Grubbs and Joe Royland.
 Make sure to visit Patreon for over fifteen minutes of bonus content from this episode at https://www.patreon.com/digmeout.
Songs in this Episode:
Intro - Guitar God Medley (Rage Against The Machine, Soundgarden, Dinosaur Jr., Pantera)
13:28 - Bulls on Parade by Rage Against The Machine
27:50 - No More Tears by Ozzy Osbourne
33:09 - Chemical World - Intermission by Blur
1:00:21 - Tired of Sex by Weezer
Outro - Pull Me Under by Dream Theater
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com
 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4436</itunes:duration>
                <itunes:episode>73</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#339: Laughing Gallery by Ruth Ruth</title>
        <itunes:title>#339: Laughing Gallery by Ruth Ruth</itunes:title>
        <link>https://digmeout.podbean.com/e/339-laughing-gallery-by-ruth-ruth/</link>
                    <comments>https://digmeout.podbean.com/e/339-laughing-gallery-by-ruth-ruth/#comments</comments>        <pubDate>Tue, 11 Jul 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/339-laughing-gallery-by-ruth-ruth/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Back when we started this podcast, we created a long list of albums we wanted to eventually get to, mostly due to only knowing one song off an album thanks to a lone minor radio hit single. One of those bands is <a href='https://www.facebook.com/ruthruthrockshow/'>Ruth Ruth</a>, and it’s finally time we got around to checking out their 1995 debut Laughing Gallery. To help us dig into this album, we invited roundtable alum <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> of <a href='http://www.rocketfuelpodcast.com/'>Rocket Fuel Podcast</a>, who authored a history of <a href='http://www.punktastic.com/radar/back-to-the-buzzbin-ruth-ruth/'>Ruth Ruth for Punktastic</a> a few years back, for some insight on why this band with a catchy pop-punk-flavored single in the heyday of mainstream punk didn’t make it past the first single. Where they miscategorized? Does the album hold up? Tune into find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Uninvited</p>
<p style="text-align:center;">13:08 - Uptight</p>
<p style="text-align:center;">19:19 - I Killed Meg The Prom Queen</p>
<p style="text-align:center;">23:19 - I Grew Up</p>
<p style="text-align:center;">Outro - All Readydown</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Back when we started this podcast, we created a long list of albums we wanted to eventually get to, mostly due to only knowing one song off an album thanks to a lone minor radio hit single. One of those bands is <a href='https://www.facebook.com/ruthruthrockshow/'>Ruth Ruth</a>, and it’s finally time we got around to checking out their 1995 debut Laughing Gallery. To help us dig into this album, we invited roundtable alum <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> of <a href='http://www.rocketfuelpodcast.com/'>Rocket Fuel Podcast</a>, who authored a history of <a href='http://www.punktastic.com/radar/back-to-the-buzzbin-ruth-ruth/'>Ruth Ruth for Punktastic</a> a few years back, for some insight on why this band with a catchy pop-punk-flavored single in the heyday of mainstream punk didn’t make it past the first single. Where they miscategorized? Does the album hold up? Tune into find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Uninvited</p>
<p style="text-align:center;">13:08 - Uptight</p>
<p style="text-align:center;">19:19 - I Killed Meg The Prom Queen</p>
<p style="text-align:center;">23:19 - I Grew Up</p>
<p style="text-align:center;">Outro - All Readydown</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ye6ddu/339-ruthruth.mp3" length="57699317" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Back when we started this podcast, we created a long list of albums we wanted to eventually get to, mostly due to only knowing one song off an album thanks to a lone minor radio hit single. One of those bands is Ruth Ruth, and it’s finally time we got around to checking out their 1995 debut Laughing Gallery. To help us dig into this album, we invited roundtable alum Jeff Takacs of Rocket Fuel Podcast, who authored a history of Ruth Ruth for Punktastic a few years back, for some insight on why this band with a catchy pop-punk-flavored single in the heyday of mainstream punk didn’t make it past the first single. Where they miscategorized? Does the album hold up? Tune into find out.
Songs in this Episode:
Intro - Uninvited
13:08 - Uptight
19:19 - I Killed Meg The Prom Queen
23:19 - I Grew Up
Outro - All Readydown
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2386</itunes:duration>
                <itunes:episode>72</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#338: A Little Ain’t Enough by David Lee Roth</title>
        <itunes:title>#338: A Little Ain’t Enough by David Lee Roth</itunes:title>
        <link>https://digmeout.podbean.com/e/338-a-little-ain%e2%80%99t-enough-by-david-lee-roth/</link>
                    <comments>https://digmeout.podbean.com/e/338-a-little-ain%e2%80%99t-enough-by-david-lee-roth/#comments</comments>        <pubDate>Tue, 04 Jul 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/338-a-little-ain%e2%80%99t-enough-by-david-lee-roth/</guid>
                                    <description><![CDATA[<p style="text-align:center;">On this Fourth of July, we could think of nothing better than to revisit the human firecracker himself - <a href='https://davidleeroth.com/'>David Lee Roth</a>. With help from our friend Gavin in Australia, we’re checking out the 1991 album A Little Ain’t Enough, the third solo release after Dave departed Van Halen. For this outing, there were lineup changes, producer changes and a changing musical landscape.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - A Little Ain’t Enough</p>
<p style="text-align:center;">7:47 - Sensible Shoes</p>
<p style="text-align:center;">17:43 - Last Call / Walk This Way by Aerosmith</p>
<p style="text-align:center;">22:33 - Tell The Truth / Black Velvet by Alannah Myles</p>
<p style="text-align:center;">Outro - It’s Showtime!</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On this Fourth of July, we could think of nothing better than to revisit the human firecracker himself - <a href='https://davidleeroth.com/'>David Lee Roth</a>. With help from our friend Gavin in Australia, we’re checking out the 1991 album A Little Ain’t Enough, the third solo release after Dave departed Van Halen. For this outing, there were lineup changes, producer changes and a changing musical landscape.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - A Little Ain’t Enough</p>
<p style="text-align:center;">7:47 - Sensible Shoes</p>
<p style="text-align:center;">17:43 - Last Call / Walk This Way by Aerosmith</p>
<p style="text-align:center;">22:33 - Tell The Truth / Black Velvet by Alannah Myles</p>
<p style="text-align:center;">Outro - It’s Showtime!</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fw4sf8/_338__A_Little_Ain_t_Enough_by_David_Lee_Roth7i8nx.mp3" length="68011201" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On this Fourth of July, we could think of nothing better than to revisit the human firecracker himself - David Lee Roth. With help from our friend Gavin in Australia, we’re checking out the 1991 album A Little Ain’t Enough, the third solo release after Dave departed Van Halen. For this outing, there were lineup changes, producer changes and a changing musical landscape.
Songs in this Episode:
Intro - A Little Ain’t Enough
7:47 - Sensible Shoes
17:43 - Last Call / Walk This Way by Aerosmith
22:33 - Tell The Truth / Black Velvet by Alannah Myles
Outro - It’s Showtime!
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2816</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>71</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#337: Ladies and Gentlemen We Are Floating In Space by Spiritualized</title>
        <itunes:title>#337: Ladies and Gentlemen We Are Floating In Space by Spiritualized</itunes:title>
        <link>https://digmeout.podbean.com/e/337-ladies-and-gentlemen-we-are-floating-in-space-by-spiritualized/</link>
                    <comments>https://digmeout.podbean.com/e/337-ladies-and-gentlemen-we-are-floating-in-space-by-spiritualized/#comments</comments>        <pubDate>Tue, 27 Jun 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/337-ladies-and-gentlemen-we-are-floating-in-space-by-spiritualized/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our last review of June 2017, our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> selected from one of four albums from June of 1997, and settled on Ladies and Gentlemen We Are Floating In Space, the third album by <a href='https://www.facebook.com/spiritualizedofficial/'>Spiritualized</a>. Much has been written about the album, from reviews to anniversary retrospectives detailing the creation and recording of the massive achievement that finds Jason Pierce and crew exploring gospel, soul, britpop, blues, psychedelia, noise, experimentation and more, including an orchestra. It’s a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next. We try to figure out which works better for us, if at all.</p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Come Together</p>
<p style="text-align:center;">10:07 - Cop Shoot Cop...</p>
<p style="text-align:center;">13:46 - Cool Waves</p>
<p style="text-align:center;">20:15 - I Think I’m In Love</p>
<p style="text-align:center;">Outro - Ladies and Gentlemen We Are Floating In Space</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our last review of June 2017, our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> selected from one of four albums from June of 1997, and settled on Ladies and Gentlemen We Are Floating In Space, the third album by <a href='https://www.facebook.com/spiritualizedofficial/'>Spiritualized</a>. Much has been written about the album, from reviews to anniversary retrospectives detailing the creation and recording of the massive achievement that finds Jason Pierce and crew exploring gospel, soul, britpop, blues, psychedelia, noise, experimentation and more, including an orchestra. It’s a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next. We try to figure out which works better for us, if at all.</p>
<p style="text-align:center;">Songs In This Episode:</p>
<p style="text-align:center;">Intro - Come Together</p>
<p style="text-align:center;">10:07 - Cop Shoot Cop...</p>
<p style="text-align:center;">13:46 - Cool Waves</p>
<p style="text-align:center;">20:15 - I Think I’m In Love</p>
<p style="text-align:center;">Outro - Ladies and Gentlemen We Are Floating In Space</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dunvce/337-spiritualized.mp3" length="50366646" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our last review of June 2017, our Patreon patrons selected from one of four albums from June of 1997, and settled on Ladies and Gentlemen We Are Floating In Space, the third album by Spiritualized. Much has been written about the album, from reviews to anniversary retrospectives detailing the creation and recording of the massive achievement that finds Jason Pierce and crew exploring gospel, soul, britpop, blues, psychedelia, noise, experimentation and more, including an orchestra. It’s a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next. We try to figure out which works better for us, if at all.
Songs In This Episode:
Intro - Come Together
10:07 - Cop Shoot Cop...
13:46 - Cool Waves
20:15 - I Think I’m In Love
Outro - Ladies and Gentlemen We Are Floating In Space
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2081</itunes:duration>
                                    </item>
    <item>
        <title>#336: Eternal Nightcap by The Whitlams</title>
        <itunes:title>#336: Eternal Nightcap by The Whitlams</itunes:title>
        <link>https://digmeout.podbean.com/e/336-eternal-nightcap-by-the-whitlams/</link>
                    <comments>https://digmeout.podbean.com/e/336-eternal-nightcap-by-the-whitlams/#comments</comments>        <pubDate>Tue, 20 Jun 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/336-eternal-nightcap-by-the-whitlams/</guid>
                                    <description><![CDATA[<p style="text-align:center;">We don’t often get a chance to check out bands from the 90s where the terms ragtime or waltz get tossed around, but <a href='http://thewhitlams.com/'>The Whitlams</a> qualify. We’re checking out the 1997 album Eternal Napcap by this Newtown, Australian band. Led by vocalist/pianist Tim Freedman, The Whitlams can tow the line between indulgent Rufus Wainwright-style balladry and Ben Folds-esque pop, remaining radio friendly with mature lyrical content. Does it all work for us? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - No Aphrodisiac</p>
<p style="text-align:center;">11:42 - You Look Like Louis Burdett</p>
<p style="text-align:center;">15:09 - Life’s A Beach</p>
<p style="text-align:center;">20:23 - Charlie No. 1</p>
<p style="text-align:center;">Outro - Buy Now Pay Later (Charlie No. 3)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We don’t often get a chance to check out bands from the 90s where the terms ragtime or waltz get tossed around, but <a href='http://thewhitlams.com/'>The Whitlams</a> qualify. We’re checking out the 1997 album Eternal Napcap by this Newtown, Australian band. Led by vocalist/pianist Tim Freedman, The Whitlams can tow the line between indulgent Rufus Wainwright-style balladry and Ben Folds-esque pop, remaining radio friendly with mature lyrical content. Does it all work for us? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - No Aphrodisiac</p>
<p style="text-align:center;">11:42 - You Look Like Louis Burdett</p>
<p style="text-align:center;">15:09 - Life’s A Beach</p>
<p style="text-align:center;">20:23 - Charlie No. 1</p>
<p style="text-align:center;">Outro - Buy Now Pay Later (Charlie No. 3)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v7v9s8/336-whitlams.mp3" length="47565479" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We don’t often get a chance to check out bands from the 90s where the terms ragtime or waltz get tossed around, but The Whitlams qualify. We’re checking out the 1997 album Eternal Napcap by this Newtown, Australian band. Led by vocalist/pianist Tim Freedman, The Whitlams can tow the line between indulgent Rufus Wainwright-style balladry and Ben Folds-esque pop, remaining radio friendly with mature lyrical content. Does it all work for us? Tune in to find out.
Songs in this Episode:
Intro - No Aphrodisiac
11:42 - You Look Like Louis Burdett
15:09 - Life’s A Beach
20:23 - Charlie No. 1
Outro - Buy Now Pay Later (Charlie No. 3)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1964</itunes:duration>
                                    </item>
    <item>
        <title>#335: Television Soundtracks of the 1990s</title>
        <itunes:title>#335: Television Soundtracks of the 1990s</itunes:title>
        <link>https://digmeout.podbean.com/e/335-television-soundtracks-of-the-1990s/</link>
                    <comments>https://digmeout.podbean.com/e/335-television-soundtracks-of-the-1990s/#comments</comments>        <pubDate>Tue, 13 Jun 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/335-television-soundtracks-of-the-1990s/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Previously we chatted about <a href='http://www.digmeoutpodcast.com/post/134793086285/90smoviesoundtracks'>movie soundtracks of the 1990s</a>, so this week we’re switching to the small screen and hosting a roundtable discussion on television soundtracks of the 90s. The best and memorable, the one’s that surpassed the show and stand on their own, and the one’s that were HUGE at the time but maybe haven’t aged all that well. We talk about them all (or all that we can squeeze into an hour). To help us do so, we’re joined by two veterans of our program, <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.facebook.com/sitnspinwithjoe/'>Joe Royland</a>, to talk My So-Called Life, Friends, Melrose Place and much more. Yes, even Cop Rock.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I’ll Be There For You by The Rembrandts (from Friends)</p>
<p style="text-align:center;">9:53 - Teenage FBI by Guided By Voices (from Buffy the Vampire Slayer)</p>
<p style="text-align:center;">25:36 - Good Intentions by Toad the Wet Sprocket (from Friends)</p>
<p style="text-align:center;">51:22 - Down in the Park by Foo Fighters (from The X-Files)</p>
<p style="text-align:center;">Outro - Here and Now by Letters to Cleo (from Melrose Place)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Previously we chatted about <a href='http://www.digmeoutpodcast.com/post/134793086285/90smoviesoundtracks'>movie soundtracks of the 1990s</a>, so this week we’re switching to the small screen and hosting a roundtable discussion on television soundtracks of the 90s. The best and memorable, the one’s that surpassed the show and stand on their own, and the one’s that were HUGE at the time but maybe haven’t aged all that well. We talk about them all (or all that we can squeeze into an hour). To help us do so, we’re joined by two veterans of our program, <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.facebook.com/sitnspinwithjoe/'>Joe Royland</a>, to talk My So-Called Life, Friends, Melrose Place and much more. Yes, even Cop Rock.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I’ll Be There For You by The Rembrandts (from Friends)</p>
<p style="text-align:center;">9:53 - Teenage FBI by Guided By Voices (from Buffy the Vampire Slayer)</p>
<p style="text-align:center;">25:36 - Good Intentions by Toad the Wet Sprocket (from Friends)</p>
<p style="text-align:center;">51:22 - Down in the Park by Foo Fighters (from The X-Files)</p>
<p style="text-align:center;">Outro - Here and Now by Letters to Cleo (from Melrose Place)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g8j6qk/335-90stvshowsoundtracks.mp3" length="96293680" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Previously we chatted about movie soundtracks of the 1990s, so this week we’re switching to the small screen and hosting a roundtable discussion on television soundtracks of the 90s. The best and memorable, the one’s that surpassed the show and stand on their own, and the one’s that were HUGE at the time but maybe haven’t aged all that well. We talk about them all (or all that we can squeeze into an hour). To help us do so, we’re joined by two veterans of our program, Eric Grubbs and Joe Royland, to talk My So-Called Life, Friends, Melrose Place and much more. Yes, even Cop Rock.
Songs in this Episode:
Intro - I’ll Be There For You by The Rembrandts (from Friends)
9:53 - Teenage FBI by Guided By Voices (from Buffy the Vampire Slayer)
25:36 - Good Intentions by Toad the Wet Sprocket (from Friends)
51:22 - Down in the Park by Foo Fighters (from The X-Files)
Outro - Here and Now by Letters to Cleo (from Melrose Place)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3994</itunes:duration>
                                    </item>
    <item>
        <title>#334: Interview with Jody Porter (Fountains of Wayne &amp;amp; The Belltower)</title>
        <itunes:title>#334: Interview with Jody Porter (Fountains of Wayne &amp;amp; The Belltower)</itunes:title>
        <link>https://digmeout.podbean.com/e/334-interview-with-jody-porter-fountains-of-wayne-the-belltower/</link>
                    <comments>https://digmeout.podbean.com/e/334-interview-with-jody-porter-fountains-of-wayne-the-belltower/#comments</comments>        <pubDate>Tue, 06 Jun 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/334-interview-with-jody-porter-fountains-of-wayne-the-belltower/</guid>
                                    <description><![CDATA[<p style="text-align:center;">This week we chatted with <a href='https://www.facebook.com/jodyportermusic'>Jody Porter</a>, who just released his third solo album this past March, Pacifier. Jody started out in the early with <a href='https://en.wikipedia.org/wiki/The_Belltower'>The Belltower</a>, a dreamy/shoegaze band featuring <a href='http://deanandbritta.com/'>Britta Phillips</a> (later of <a href='https://en.wikipedia.org/wiki/Luna_(1990s_American_band)'>Luna</a>) that garnered positive press in the UK but ultimately dissolved. However, a late addition to the band named <a href='https://en.wikipedia.org/wiki/Adam_Schlesinger'>Adam Schlesinger</a> would later form <a href='http://www.fountainsofwayne.com/home/'>Fountains of Wayne</a>, who Jody would join after their debut was recorded. Spending the rest of the run with the band until they ended in 2013, Jody released his first solo album <a href='https://www.amazon.com/Close-Sun-Jody-Porter/dp/B004D0OU7C'>Close to the Sun</a> in 2008, followed by Month of Mondays in 2013 via <a href='https://www.kickstarter.com/projects/jodyporter/month-of-mondays-solo-lp-loud-edgy-with-a-bit-o-ra'>Kickstarter</a>. We talk about all that, his vast guitar collection, his earliest musical recollection learning instruments and playing bands all the way up to recording demos on Garageband for the latest release.</p>
<p style="text-align:center;">Download Pacifier at <a href='https://store.cdbaby.com/m/cd/jodyporter4'>CDBaby</a> / Stream it at <a href='https://open.spotify.com/album/11bHkD1WW6TdQ2V3xioX2O'>Spotify</a></p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Valerie Sometimes by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">7:22 - Lost In Hollow by The Belltower (from In Hollow EP)</p>
<p style="text-align:center;">38:31 - In The Beginning by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">48:51 - The Last Chapter by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">Outro - Supercollider by Fountains of Wayne (from Welcome Interstate Managers)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">This week we chatted with <a href='https://www.facebook.com/jodyportermusic'>Jody Porter</a>, who just released his third solo album this past March, Pacifier. Jody started out in the early with <a href='https://en.wikipedia.org/wiki/The_Belltower'>The Belltower</a>, a dreamy/shoegaze band featuring <a href='http://deanandbritta.com/'>Britta Phillips</a> (later of <a href='https://en.wikipedia.org/wiki/Luna_(1990s_American_band)'>Luna</a>) that garnered positive press in the UK but ultimately dissolved. However, a late addition to the band named <a href='https://en.wikipedia.org/wiki/Adam_Schlesinger'>Adam Schlesinger</a> would later form <a href='http://www.fountainsofwayne.com/home/'>Fountains of Wayne</a>, who Jody would join after their debut was recorded. Spending the rest of the run with the band until they ended in 2013, Jody released his first solo album <a href='https://www.amazon.com/Close-Sun-Jody-Porter/dp/B004D0OU7C'>Close to the Sun</a> in 2008, followed by Month of Mondays in 2013 via <a href='https://www.kickstarter.com/projects/jodyporter/month-of-mondays-solo-lp-loud-edgy-with-a-bit-o-ra'>Kickstarter</a>. We talk about all that, his vast guitar collection, his earliest musical recollection learning instruments and playing bands all the way up to recording demos on Garageband for the latest release.</p>
<p style="text-align:center;">Download Pacifier at <a href='https://store.cdbaby.com/m/cd/jodyporter4'>CDBaby</a> / Stream it at <a href='https://open.spotify.com/album/11bHkD1WW6TdQ2V3xioX2O'>Spotify</a></p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Valerie Sometimes by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">7:22 - Lost In Hollow by The Belltower (from In Hollow EP)</p>
<p style="text-align:center;">38:31 - In The Beginning by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">48:51 - The Last Chapter by Jody Porter (from Pacifier)</p>
<p style="text-align:center;">Outro - Supercollider by Fountains of Wayne (from Welcome Interstate Managers)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a2azg5/334-jodyporter.mp3" length="82879061" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we chatted with Jody Porter, who just released his third solo album this past March, Pacifier. Jody started out in the early with The Belltower, a dreamy/shoegaze band featuring Britta Phillips (later of Luna) that garnered positive press in the UK but ultimately dissolved. However, a late addition to the band named Adam Schlesinger would later form Fountains of Wayne, who Jody would join after their debut was recorded. Spending the rest of the run with the band until they ended in 2013, Jody released his first solo album Close to the Sun in 2008, followed by Month of Mondays in 2013 via Kickstarter. We talk about all that, his vast guitar collection, his earliest musical recollection learning instruments and playing bands all the way up to recording demos on Garageband for the latest release.
Download Pacifier at CDBaby / Stream it at Spotify
Songs in this Episode:
Intro - Valerie Sometimes by Jody Porter (from Pacifier)
7:22 - Lost In Hollow by The Belltower (from In Hollow EP)
38:31 - In The Beginning by Jody Porter (from Pacifier)
48:51 - The Last Chapter by Jody Porter (from Pacifier)
Outro - Supercollider by Fountains of Wayne (from Welcome Interstate Managers)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3435</itunes:duration>
                                    </item>
    <item>
        <title>#333: Whirligig by The Caulfields</title>
        <itunes:title>#333: Whirligig by The Caulfields</itunes:title>
        <link>https://digmeout.podbean.com/e/332-whirligig-by-the-caulfields/</link>
                    <comments>https://digmeout.podbean.com/e/332-whirligig-by-the-caulfields/#comments</comments>        <pubDate>Tue, 30 May 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/332-whirligig-by-the-caulfields/</guid>
                                    <description><![CDATA[<p style="text-align:center;">This week a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> gives us a chance to revisit the 1995 debut album Whirligig by <a href='https://en.wikipedia.org/wiki/The_Caulfields'>The Caulfields</a>. A confection of jangly guitars, story-telling lyrics and power pop melodies might remind some of 70s and 80s masters like Elvis Costello or Cheap Trick, but The Caulfields forge their own path, for better or worse. When done well, they have few peers among 90s bands. Unfortunately, the highest highs are betrayed by some pretty low lows. We try to sort it all out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Devil’s Diary</p>
<p style="text-align:center;">10:17 - Alex Again</p>
<p style="text-align:center;">14:00 - Hannah, I Locked You Out</p>
<p style="text-align:center;">20:59 - The Day That Came and Went</p>
<p style="text-align:center;">28:06 - Alex Again</p>
<p style="text-align:center;">Outro - Breathe Under Water</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">This week a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> gives us a chance to revisit the 1995 debut album Whirligig by <a href='https://en.wikipedia.org/wiki/The_Caulfields'>The Caulfields</a>. A confection of jangly guitars, story-telling lyrics and power pop melodies might remind some of 70s and 80s masters like Elvis Costello or Cheap Trick, but The Caulfields forge their own path, for better or worse. When done well, they have few peers among 90s bands. Unfortunately, the highest highs are betrayed by some pretty low lows. We try to sort it all out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Devil’s Diary</p>
<p style="text-align:center;">10:17 - Alex Again</p>
<p style="text-align:center;">14:00 - Hannah, I Locked You Out</p>
<p style="text-align:center;">20:59 - The Day That Came and Went</p>
<p style="text-align:center;">28:06 - Alex Again</p>
<p style="text-align:center;">Outro - Breathe Under Water</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i4hbmd/333-caulfields.mp3" length="50348462" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week a requested review gives us a chance to revisit the 1995 debut album Whirligig by The Caulfields. A confection of jangly guitars, story-telling lyrics and power pop melodies might remind some of 70s and 80s masters like Elvis Costello or Cheap Trick, but The Caulfields forge their own path, for better or worse. When done well, they have few peers among 90s bands. Unfortunately, the highest highs are betrayed by some pretty low lows. We try to sort it all out.
Songs in this Episode:
Intro - Devil’s Diary
10:17 - Alex Again
14:00 - Hannah, I Locked You Out
20:59 - The Day That Came and Went
28:06 - Alex Again
Outro - Breathe Under Water
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2080</itunes:duration>
                                    </item>
    <item>
        <title>#332: Batman &amp;amp; Robin soundtrack</title>
        <itunes:title>#332: Batman &amp;amp; Robin soundtrack</itunes:title>
        <link>https://digmeout.podbean.com/e/332-batman-robin-soundtrack/</link>
                    <comments>https://digmeout.podbean.com/e/332-batman-robin-soundtrack/#comments</comments>        <pubDate>Tue, 23 May 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/332-batman-robin-soundtrack/</guid>
                                    <description><![CDATA[<p style="text-align:center;">We gave our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> the opportunity to vote one four different releases from May of 1997, and the consensus winner was eclectic soundtrack from the <a href='https://en.wikipedia.org/wiki/Batman_%26_Robin_(soundtrack)'>Batman & Robin</a> movie starring George Clooney, Chris O’Donnell, Alicia Silverstone and more. A mixed bag for sure, there are some clear gems and some awful groaners. We sift through track-by-track and try to find more of the former than the latter. What is worth a revisit? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - The End Is The Beginning Is The End by The Smashing Pumpkins</p>
<p style="text-align:center;">10:53 - Look Into My Eyes by Bone Thugs-n-Harmony</p>
<p style="text-align:center;">13:46 - Gotham City by R. Kelly</p>
<p style="text-align:center;">21:12 - Lazy Eye by Goo Goo Dolls</p>
<p style="text-align:center;">27:08 - The Bug by Soul Coughing</p>
<p style="text-align:center;">34:15 - True to Myself by Eric Benét</p>
<p style="text-align:center;">Outro - The Beginning Is The End Is The Beginning by The Smashing Pumpkins</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We gave our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> the opportunity to vote one four different releases from May of 1997, and the consensus winner was eclectic soundtrack from the <a href='https://en.wikipedia.org/wiki/Batman_%26_Robin_(soundtrack)'>Batman & Robin</a> movie starring George Clooney, Chris O’Donnell, Alicia Silverstone and more. A mixed bag for sure, there are some clear gems and some awful groaners. We sift through track-by-track and try to find more of the former than the latter. What is worth a revisit? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - The End Is The Beginning Is The End by The Smashing Pumpkins</p>
<p style="text-align:center;">10:53 - Look Into My Eyes by Bone Thugs-n-Harmony</p>
<p style="text-align:center;">13:46 - Gotham City by R. Kelly</p>
<p style="text-align:center;">21:12 - Lazy Eye by Goo Goo Dolls</p>
<p style="text-align:center;">27:08 - The Bug by Soul Coughing</p>
<p style="text-align:center;">34:15 - True to Myself by Eric Benét</p>
<p style="text-align:center;">Outro - The Beginning Is The End Is The Beginning by The Smashing Pumpkins</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ntnjxb/332-batman_robin.mp3" length="65691537" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We gave our Patreon patrons the opportunity to vote one four different releases from May of 1997, and the consensus winner was eclectic soundtrack from the Batman & Robin movie starring George Clooney, Chris O’Donnell, Alicia Silverstone and more. A mixed bag for sure, there are some clear gems and some awful groaners. We sift through track-by-track and try to find more of the former than the latter. What is worth a revisit? Tune in to find out.
Songs in this Episode:
Intro - The End Is The Beginning Is The End by The Smashing Pumpkins
10:53 - Look Into My Eyes by Bone Thugs-n-Harmony
13:46 - Gotham City by R. Kelly
21:12 - Lazy Eye by Goo Goo Dolls
27:08 - The Bug by Soul Coughing
34:15 - True to Myself by Eric Benét
Outro - The Beginning Is The End Is The Beginning by The Smashing Pumpkins
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2719</itunes:duration>
                                    </item>
    <item>
        <title>#331: Cockamamie by Jennifer Trynin</title>
        <itunes:title>#331: Cockamamie by Jennifer Trynin</itunes:title>
        <link>https://digmeout.podbean.com/e/331-cockamamie-by-jennifer-trynin/</link>
                    <comments>https://digmeout.podbean.com/e/331-cockamamie-by-jennifer-trynin/#comments</comments>        <pubDate>Tue, 16 May 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/331-cockamamie-by-jennifer-trynin/</guid>
                                    <description><![CDATA[<p style="text-align:center;">The winner of our first quarter <a href='https://www.patreon.com/digmeout'>Patreon</a> contest stops by with his free requested review pick - 1995′s Cockamamie by <a href='http://www.jentrynin.com/'>Jennifer Trynin</a>. Though part of a fertile 90s Boston music scene, Jen Trynin is a bit of an anomaly, self-releasing her debut album prior to a <a href='https://www.amazon.com/Everything-Im-Cracked-Up-Be/dp/0156032961/ref=sr_1_1?ie=UTF8&s=books&qid=1300120902&sr=8-1'>major label bidding war</a>. Her guitar playing shifts between familiar alternative pop and more angular riffing with a rock solid rhythm section. But ultimate, it’s the songs that matters. She managed to score a minor hit with “Better Than Nothing,” but how does the rest of the album fair? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Better Than Nothing</p>
<p style="text-align:center;">5:17 - Happier</p>
<p style="text-align:center;">8:59 - Knock Me Down</p>
<p style="text-align:center;">17:54 - Do It Alone</p>
<p style="text-align:center;">Outro - One Year Down</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">The winner of our first quarter <a href='https://www.patreon.com/digmeout'>Patreon</a> contest stops by with his free requested review pick - 1995′s Cockamamie by <a href='http://www.jentrynin.com/'>Jennifer Trynin</a>. Though part of a fertile 90s Boston music scene, Jen Trynin is a bit of an anomaly, self-releasing her debut album prior to a <a href='https://www.amazon.com/Everything-Im-Cracked-Up-Be/dp/0156032961/ref=sr_1_1?ie=UTF8&s=books&qid=1300120902&sr=8-1'>major label bidding war</a>. Her guitar playing shifts between familiar alternative pop and more angular riffing with a rock solid rhythm section. But ultimate, it’s the songs that matters. She managed to score a minor hit with “Better Than Nothing,” but how does the rest of the album fair? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Better Than Nothing</p>
<p style="text-align:center;">5:17 - Happier</p>
<p style="text-align:center;">8:59 - Knock Me Down</p>
<p style="text-align:center;">17:54 - Do It Alone</p>
<p style="text-align:center;">Outro - One Year Down</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/84bpv7/331-jentrynin.mp3" length="48282698" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The winner of our first quarter Patreon contest stops by with his free requested review pick - 1995′s Cockamamie by Jennifer Trynin. Though part of a fertile 90s Boston music scene, Jen Trynin is a bit of an anomaly, self-releasing her debut album prior to a major label bidding war. Her guitar playing shifts between familiar alternative pop and more angular riffing with a rock solid rhythm section. But ultimate, it’s the songs that matters. She managed to score a minor hit with “Better Than Nothing,” but how does the rest of the album fair? Tune in to find out.
Songs in this Episode:
Intro - Better Than Nothing
5:17 - Happier
8:59 - Knock Me Down
17:54 - Do It Alone
Outro - One Year Down
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1994</itunes:duration>
                                    </item>
    <item>
        <title>#330: Duran Duran In The 90s</title>
        <itunes:title>#330: Duran Duran In The 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/330-duran-duran-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/330-duran-duran-in-the-90s/#comments</comments>        <pubDate>Tue, 09 May 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/330-duran-duran-in-the-90s/</guid>
                                    <description><![CDATA[<p style="text-align:center;">We’re back with another “In The 90s” roundtable, our chance to revisit a popular artist from the 1980s and see how they navigated the shifting musical landscape of the 1990s. With fourteen Top 40 hits and two number one singles in the U.S., <a href='http://duranduran.warnereprise.com/'>Duran Duran</a> were one of the most successful artists of the 80s. However, they entered the new decade on the decline, their fifth album Big Thing failing to resonate with fans or critics the way their previous four releases had. How did their 90s output fare in comparison? To help us navigate through their catalog, we’re joined by <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> (<a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a>, <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>), <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>) and <a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> (<a href='http://wmbr.org/'>WMBR</a>).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Duran Duran Medley (Come Undone, Ordinary World, Electric Barbarella)</p>
<p style="text-align:center;">9:21 - All She Wants Is (from Liberty)</p>
<p style="text-align:center;">18:23 - Too Much Information (from Duran Duran/The Wedding Album)</p>
<p style="text-align:center;">28:36 - 911 is a Joke (from Thank You)</p>
<p style="text-align:center;">36:31 - Out of My Mind (from Medazzaland)</p>
<p style="text-align:center;">Outro - White Lines (from Thank You)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We’re back with another “In The 90s” roundtable, our chance to revisit a popular artist from the 1980s and see how they navigated the shifting musical landscape of the 1990s. With fourteen Top 40 hits and two number one singles in the U.S., <a href='http://duranduran.warnereprise.com/'>Duran Duran</a> were one of the most successful artists of the 80s. However, they entered the new decade on the decline, their fifth album Big Thing failing to resonate with fans or critics the way their previous four releases had. How did their 90s output fare in comparison? To help us navigate through their catalog, we’re joined by <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> (<a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a>, <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>), <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>) and <a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> (<a href='http://wmbr.org/'>WMBR</a>).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Duran Duran Medley (Come Undone, Ordinary World, Electric Barbarella)</p>
<p style="text-align:center;">9:21 - All She Wants Is (from Liberty)</p>
<p style="text-align:center;">18:23 - Too Much Information (from Duran Duran/The Wedding Album)</p>
<p style="text-align:center;">28:36 - 911 is a Joke (from Thank You)</p>
<p style="text-align:center;">36:31 - Out of My Mind (from Medazzaland)</p>
<p style="text-align:center;">Outro - White Lines (from Thank You)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/takcpz/330-duranduran.mp3" length="81634588" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re back with another “In The 90s” roundtable, our chance to revisit a popular artist from the 1980s and see how they navigated the shifting musical landscape of the 1990s. With fourteen Top 40 hits and two number one singles in the U.S., Duran Duran were one of the most successful artists of the 80s. However, they entered the new decade on the decline, their fifth album Big Thing failing to resonate with fans or critics the way their previous four releases had. How did their 90s output fare in comparison? To help us navigate through their catalog, we’re joined by Annie Zaleski (Salon, AV Club), Chip Midnight (Kids Interview Bands) and Keith Sawyer (WMBR).
Songs in this Episode:
Intro - Duran Duran Medley (Come Undone, Ordinary World, Electric Barbarella)
9:21 - All She Wants Is (from Liberty)
18:23 - Too Much Information (from Duran Duran/The Wedding Album)
28:36 - 911 is a Joke (from Thank You)
36:31 - Out of My Mind (from Medazzaland)
Outro - White Lines (from Thank You)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3384</itunes:duration>
                                    </item>
    <item>
        <title>#329: Interview with Marko DeSantis of Sugarcult, The Ataris and more</title>
        <itunes:title>#329: Interview with Marko DeSantis of Sugarcult, The Ataris and more</itunes:title>
        <link>https://digmeout.podbean.com/e/329-interview-with-marko-desantis-of-sugarcult-the-ataris-and-more/</link>
                    <comments>https://digmeout.podbean.com/e/329-interview-with-marko-desantis-of-sugarcult-the-ataris-and-more/#comments</comments>        <pubDate>Tue, 02 May 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/329-interview-with-marko-desantis-of-sugarcult-the-ataris-and-more/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Musician, label owner, DJ, writer, teacher - you name it, <a href='https://twitter.com/SugarcultMarko'>Marko DeSantis</a> has probably done it. You probably know him as the guitarist in pop punk band <a href='https://www.facebook.com/SugarcultRocknRoll/'>Sugarcult</a>, and he shares the history of their formation, as well as his involvement in bands such as <a href='https://www.facebook.com/theataris/'>The Ataris</a>, <a href='http://nerfherder.com/'>Nerf Herder</a>, <a href='http://swinginutters.com/'>the Swingin Utters</a>, <a href='https://www.facebook.com/Bad-Astronaut-33993246271/'>Bad Astronaut</a>. Marko shares his experiences growing up in Santa Barbara, CA, and contributing to the upcoming <a href='http://sweetrelief.org/news/sweet-relief-musicians-fund-presents-strange-80s-inaugural-annual-benefit-concert-may-14th-fonda-theater/'>Sweet Relief “Strange 80s”</a> benefit show.</p>
<p style="text-align:center;">Make sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for bonus content.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Pretty Girl (The Way) by Sugarcult</p>
<p style="text-align:center;">Outro - Lately by The Ataris</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Musician, label owner, DJ, writer, teacher - you name it, <a href='https://twitter.com/SugarcultMarko'>Marko DeSantis</a> has probably done it. You probably know him as the guitarist in pop punk band <a href='https://www.facebook.com/SugarcultRocknRoll/'>Sugarcult</a>, and he shares the history of their formation, as well as his involvement in bands such as <a href='https://www.facebook.com/theataris/'>The Ataris</a>, <a href='http://nerfherder.com/'>Nerf Herder</a>, <a href='http://swinginutters.com/'>the Swingin Utters</a>, <a href='https://www.facebook.com/Bad-Astronaut-33993246271/'>Bad Astronaut</a>. Marko shares his experiences growing up in Santa Barbara, CA, and contributing to the upcoming <a href='http://sweetrelief.org/news/sweet-relief-musicians-fund-presents-strange-80s-inaugural-annual-benefit-concert-may-14th-fonda-theater/'>Sweet Relief “Strange 80s”</a> benefit show.</p>
<p style="text-align:center;">Make sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for bonus content.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Pretty Girl (The Way) by Sugarcult</p>
<p style="text-align:center;">Outro - Lately by The Ataris</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/avinke/329-markodesantis.mp3" length="134807150" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Musician, label owner, DJ, writer, teacher - you name it, Marko DeSantis has probably done it. You probably know him as the guitarist in pop punk band Sugarcult, and he shares the history of their formation, as well as his involvement in bands such as The Ataris, Nerf Herder, the Swingin Utters, Bad Astronaut. Marko shares his experiences growing up in Santa Barbara, CA, and contributing to the upcoming Sweet Relief “Strange 80s” benefit show.
Make sure to visit our Patreon page for bonus content.
Songs in this Episode:
Intro - Pretty Girl (The Way) by Sugarcult
Outro - Lately by The Ataris
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5599</itunes:duration>
                                    </item>
    <item>
        <title>#328: Cheap Trick (1997) by Cheap Trick</title>
        <itunes:title>#328: Cheap Trick (1997) by Cheap Trick</itunes:title>
        <link>https://digmeout.podbean.com/e/328-cheap-trick-1997-by-cheap-trick/</link>
                    <comments>https://digmeout.podbean.com/e/328-cheap-trick-1997-by-cheap-trick/#comments</comments>        <pubDate>Tue, 25 Apr 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/328-cheap-trick-1997-by-cheap-trick/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our Patreon subscribers helped us pick an album from April of 1997 to review, and thanks to a tie-breaking coin flip, we’re checking out the self-titled <a href='http://www.cheaptrick.com/'>Cheap Trick</a> album. It’s actually the second self-titled album from Cheap Trick, the first being their debut from twenty years earlier. To help us dissect this record and provide historical context on this era of the band, we’ve enlisted <a href='http://www.colingawel.com/'>Colin Gawel</a> of <a href='https://www.facebook.com/WATERSHEDcentral/'>Watershed</a>, <a href='https://www.facebook.com/League-Bowlers-225027457593463/'>League Bowlers</a> and formerly <a href='http://pencilstorm.com/blog/2016/why-isnt-cheap-trick-in-the-rock-n-roll-hall-of-fame-farewell-show-friday-april-8th-ace-of-cups'>Why Isn’t Cheap Trick In The Rock ‘n Roll Hall of Fame?</a> to lend a hand.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Say Goodbye</p>
<p style="text-align:center;">9:12 - Anytime</p>
<p style="text-align:center;">15:05 - Carnival Game</p>
<p style="text-align:center;">17:51 - It All Comes Back To You</p>
<p style="text-align:center;">Outro - You Let A Lotta People Down</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our Patreon subscribers helped us pick an album from April of 1997 to review, and thanks to a tie-breaking coin flip, we’re checking out the self-titled <a href='http://www.cheaptrick.com/'>Cheap Trick</a> album. It’s actually the second self-titled album from Cheap Trick, the first being their debut from twenty years earlier. To help us dissect this record and provide historical context on this era of the band, we’ve enlisted <a href='http://www.colingawel.com/'>Colin Gawel</a> of <a href='https://www.facebook.com/WATERSHEDcentral/'>Watershed</a>, <a href='https://www.facebook.com/League-Bowlers-225027457593463/'>League Bowlers</a> and formerly <a href='http://pencilstorm.com/blog/2016/why-isnt-cheap-trick-in-the-rock-n-roll-hall-of-fame-farewell-show-friday-april-8th-ace-of-cups'>Why Isn’t Cheap Trick In The Rock ‘n Roll Hall of Fame?</a> to lend a hand.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Say Goodbye</p>
<p style="text-align:center;">9:12 - Anytime</p>
<p style="text-align:center;">15:05 - Carnival Game</p>
<p style="text-align:center;">17:51 - It All Comes Back To You</p>
<p style="text-align:center;">Outro - You Let A Lotta People Down</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kn7599/328-cheaptrick.mp3" length="55669918" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our Patreon subscribers helped us pick an album from April of 1997 to review, and thanks to a tie-breaking coin flip, we’re checking out the self-titled Cheap Trick album. It’s actually the second self-titled album from Cheap Trick, the first being their debut from twenty years earlier. To help us dissect this record and provide historical context on this era of the band, we’ve enlisted Colin Gawel of Watershed, League Bowlers and formerly Why Isn’t Cheap Trick In The Rock ‘n Roll Hall of Fame? to lend a hand.
Songs in this Episode:
Intro - Say Goodbye
9:12 - Anytime
15:05 - Carnival Game
17:51 - It All Comes Back To You
Outro - You Let A Lotta People Down
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2302</itunes:duration>
                                    </item>
    <item>
        <title>#327: Blind Love by Ratcat</title>
        <itunes:title>#327: Blind Love by Ratcat</itunes:title>
        <link>https://digmeout.podbean.com/e/327-blind-love-by-ratcat/</link>
                    <comments>https://digmeout.podbean.com/e/327-blind-love-by-ratcat/#comments</comments>        <pubDate>Tue, 18 Apr 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/327-blind-love-by-ratcat/</guid>
                                    <description><![CDATA[<p style="text-align:center;">We’ve reviewed plenty of bands from Australia over the years, but rarely have we revisited an album that boasts a number one single. This week we’re checking out the band <a href='https://en.wikipedia.org/wiki/Ratcat'>Ratcat</a>, and their 1991 album Blind Love, which scored a number one hit on the ARIA charts with “Don’t Go Now.” Contorting the sunny pop of The Beach Boys in a similar fashion to The Jesus and Mary Chain, Ratcat layer on disparate sounds like 60s surf and 80s new wave. It is an interesting combination, but does it work? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - That Ain’t Bad</p>
<p style="text-align:center;">3:34 - History of the Band</p>
<p style="text-align:center;">9:35 - Yes I Wanna Go</p>
<p style="text-align:center;">17:37 - That Ain’t Bad</p>
<p style="text-align:center;">19:19 - Don’t Go Now</p>
<p style="text-align:center;">Outro - Baby Baby</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We’ve reviewed plenty of bands from Australia over the years, but rarely have we revisited an album that boasts a number one single. This week we’re checking out the band <a href='https://en.wikipedia.org/wiki/Ratcat'>Ratcat</a>, and their 1991 album Blind Love, which scored a number one hit on the ARIA charts with “Don’t Go Now.” Contorting the sunny pop of The Beach Boys in a similar fashion to The Jesus and Mary Chain, Ratcat layer on disparate sounds like 60s surf and 80s new wave. It is an interesting combination, but does it work? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - That Ain’t Bad</p>
<p style="text-align:center;">3:34 - History of the Band</p>
<p style="text-align:center;">9:35 - Yes I Wanna Go</p>
<p style="text-align:center;">17:37 - That Ain’t Bad</p>
<p style="text-align:center;">19:19 - Don’t Go Now</p>
<p style="text-align:center;">Outro - Baby Baby</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qk6xk8/327-ratcat.mp3" length="51932732" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’ve reviewed plenty of bands from Australia over the years, but rarely have we revisited an album that boasts a number one single. This week we’re checking out the band Ratcat, and their 1991 album Blind Love, which scored a number one hit on the ARIA charts with “Don’t Go Now.” Contorting the sunny pop of The Beach Boys in a similar fashion to The Jesus and Mary Chain, Ratcat layer on disparate sounds like 60s surf and 80s new wave. It is an interesting combination, but does it work? Tune in to find out.
Songs in this Episode:
Intro - That Ain’t Bad
3:34 - History of the Band
9:35 - Yes I Wanna Go
17:37 - That Ain’t Bad
19:19 - Don’t Go Now
Outro - Baby Baby
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2146</itunes:duration>
                                    </item>
    <item>
        <title>#326: Roundtable - Sophomore Slump Revisited - Eight Arms To Hold You by Veruca Salt</title>
        <itunes:title>#326: Roundtable - Sophomore Slump Revisited - Eight Arms To Hold You by Veruca Salt</itunes:title>
        <link>https://digmeout.podbean.com/e/326-roundtable-sophomore-slump-revisited-eight-arms-to-hold-you-by-veruca-salt/</link>
                    <comments>https://digmeout.podbean.com/e/326-roundtable-sophomore-slump-revisited-eight-arms-to-hold-you-by-veruca-salt/#comments</comments>        <pubDate>Tue, 11 Apr 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/326-roundtable-sophomore-slump-revisited-eight-arms-to-hold-you-by-veruca-salt/</guid>
                                    <description><![CDATA[<p style="text-align:center;">It’s time to revisit another sophomore album from the 1990s and compare it to it’s successful freshman effort. In this case, we’re checking out the 1997 album Eight Arms To Hold You by <a href='http://verucasalt.com/'>Veruca Salt</a>, who scored a platinum album and three charting singles with their 1994 debut American Thighs. Though initial sales were strong, after Volcano Girls the singles fell off, and the reviews were not as positive as the first time around. Some pointed the finger at producer <a href='https://en.wikipedia.org/wiki/Bob_Rock'>Bob Rock</a>, known for his work with big rock and metal acts like Metallica and Motley Crue. But was it really necessary to point any fingers? To determine what went right, what went wrong and how it sounds twenty years later, we’ve assembled a veteran group to for this roundtable: <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>), <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a>) and <a href='https://twitter.com/tankboy'>Jim Kopeny</a> (<a href='http://chicagoist.com/'>Chicagoist</a>).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Volcano Girls</p>
<p style="text-align:center;">13:58 - Straight</p>
<p style="text-align:center;">18:49 - The Morning Sad</p>
<p style="text-align:center;">25:08 - Don’t Make Me Prove It</p>
<p style="text-align:center;">40:00 - Venus Man Trap</p>
<p style="text-align:center;">Outro - Shutterbug</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It’s time to revisit another sophomore album from the 1990s and compare it to it’s successful freshman effort. In this case, we’re checking out the 1997 album Eight Arms To Hold You by <a href='http://verucasalt.com/'>Veruca Salt</a>, who scored a platinum album and three charting singles with their 1994 debut American Thighs. Though initial sales were strong, after Volcano Girls the singles fell off, and the reviews were not as positive as the first time around. Some pointed the finger at producer <a href='https://en.wikipedia.org/wiki/Bob_Rock'>Bob Rock</a>, known for his work with big rock and metal acts like Metallica and Motley Crue. But was it really necessary to point any fingers? To determine what went right, what went wrong and how it sounds twenty years later, we’ve assembled a veteran group to for this roundtable: <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>), <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a>) and <a href='https://twitter.com/tankboy'>Jim Kopeny</a> (<a href='http://chicagoist.com/'>Chicagoist</a>).</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Volcano Girls</p>
<p style="text-align:center;">13:58 - Straight</p>
<p style="text-align:center;">18:49 - The Morning Sad</p>
<p style="text-align:center;">25:08 - Don’t Make Me Prove It</p>
<p style="text-align:center;">40:00 - Venus Man Trap</p>
<p style="text-align:center;">Outro - Shutterbug</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nuzscw/326-VS8ATHYsophslump.mp3" length="82631427" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s time to revisit another sophomore album from the 1990s and compare it to it’s successful freshman effort. In this case, we’re checking out the 1997 album Eight Arms To Hold You by Veruca Salt, who scored a platinum album and three charting singles with their 1994 debut American Thighs. Though initial sales were strong, after Volcano Girls the singles fell off, and the reviews were not as positive as the first time around. Some pointed the finger at producer Bob Rock, known for his work with big rock and metal acts like Metallica and Motley Crue. But was it really necessary to point any fingers? To determine what went right, what went wrong and how it sounds twenty years later, we’ve assembled a veteran group to for this roundtable: Chip Midnight (Kids Interview Bands), Jeff Takacs (Rocketfuel Podcast) and Jim Kopeny (Chicagoist).
Songs in this Episode:
Intro - Volcano Girls
13:58 - Straight
18:49 - The Morning Sad
25:08 - Don’t Make Me Prove It
40:00 - Venus Man Trap
Outro - Shutterbug
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3425</itunes:duration>
                                    </item>
    <item>
        <title>#325: Small Speaker Joyland by Violetine</title>
        <itunes:title>#325: Small Speaker Joyland by Violetine</itunes:title>
        <link>https://digmeout.podbean.com/e/325-small-speaker-joyland-by-violetine/</link>
                    <comments>https://digmeout.podbean.com/e/325-small-speaker-joyland-by-violetine/#comments</comments>        <pubDate>Tue, 04 Apr 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/325-small-speaker-joyland-by-violetine/</guid>
                                    <description><![CDATA[<p style="text-align:center;">This week’s <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us back down under to check out Melbourne, Australia’s <a href='http://www.allmusic.com/artist/violetine-mn0002300694'>Violetine</a> and their 1998 one and only album Small Speaker Joyland. Dual vocals, fuzzy guitars and an urgent rhythm section give Violetine a little something extra, and some quality chorus melodies don’t hurt either. Though the band didn’t make a dent stateside, we think there might be something to this Aussie three piece worth checking out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Birmingham</p>
<p style="text-align:center;">14:38 - Surrounded</p>
<p style="text-align:center;">17:06 - Red</p>
<p style="text-align:center;">19:20 - Fuzzanova</p>
<p style="text-align:center;">28:45 - Finer Place</p>
<p style="text-align:center;">Outro - Any Day</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">This week’s <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us back down under to check out Melbourne, Australia’s <a href='http://www.allmusic.com/artist/violetine-mn0002300694'>Violetine</a> and their 1998 one and only album Small Speaker Joyland. Dual vocals, fuzzy guitars and an urgent rhythm section give Violetine a little something extra, and some quality chorus melodies don’t hurt either. Though the band didn’t make a dent stateside, we think there might be something to this Aussie three piece worth checking out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Birmingham</p>
<p style="text-align:center;">14:38 - Surrounded</p>
<p style="text-align:center;">17:06 - Red</p>
<p style="text-align:center;">19:20 - Fuzzanova</p>
<p style="text-align:center;">28:45 - Finer Place</p>
<p style="text-align:center;">Outro - Any Day</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uaqh3u/325-violetine.mp3" length="55557068" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week’s requested review takes us back down under to check out Melbourne, Australia’s Violetine and their 1998 one and only album Small Speaker Joyland. Dual vocals, fuzzy guitars and an urgent rhythm section give Violetine a little something extra, and some quality chorus melodies don’t hurt either. Though the band didn’t make a dent stateside, we think there might be something to this Aussie three piece worth checking out.
Songs in this Episode:
Intro - Birmingham
14:38 - Surrounded
17:06 - Red
19:20 - Fuzzanova
28:45 - Finer Place
Outro - Any Day
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2297</itunes:duration>
                                    </item>
    <item>
        <title>#324: Digging Your Scene - Roundtable Discussion on Los Angeles in the 90s</title>
        <itunes:title>#324: Digging Your Scene - Roundtable Discussion on Los Angeles in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/324-digging-your-scene-roundtable-discussion-on-los-angeles-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/324-digging-your-scene-roundtable-discussion-on-los-angeles-in-the-90s/#comments</comments>        <pubDate>Tue, 28 Mar 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/324-digging-your-scene-roundtable-discussion-on-los-angeles-in-the-90s/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our next installment of the Digging Your Scene roundtable series, we are exploring sights and sounds of Los Angeles in the 1990s. To help us do so, the following guests joined us:</p>
<p style="text-align:center;">Brian Klein of Scout B Entertainment - his first time on the show, Brian moved to Los Angeles in the early 90s, starting as an intern at Rick Rubin’s <a href='https://en.wikipedia.org/wiki/American_Recordings_(record_label)'>American Recordings</a> label as well as employee of <a href='http://www.laweekly.com/music/a-love-song-for-arons-2141668'>Aron’s Records</a>, he has worked in management and promotion of dozens of bands and currently manages <a href='http://www.fitzandthetantrums.com/'>Fitz and The Tantrums</a> among others.</p>
<p style="text-align:center;"><a href='https://twitter.com/kelliiscott'>Kellii Scott</a> of <a href='http://failureband.com/'>Failure</a> - making his third visit (<a href='http://www.digmeoutpodcast.com/post/109310952501/kellii-scott'>#211</a> & <a href='http://www.digmeoutpodcast.com/post/126419029571/thiam'>#239</a>), Kellii moved to LA in the 80s and played in a number of bands before joining Failure, later drumming for <a href='https://blinkerthestar.bandcamp.com/'>Blinker The Star</a>, <a href='https://en.wikipedia.org/wiki/Campfire_Girls_(band)'>Campfire Girls</a>, <a href='http://verucasalt.com/'>Veruca Salt</a> and more. Failure are currently wrapping up the <a href='http://www.pledgemusic.com/projects/fantasticplanetlive'>Pledgemusic campaign</a> for the 20th anniversary live recording of their 1997 album <a href='https://en.wikipedia.org/wiki/Fantastic_Planet_(album)'>Fantastic Planet</a>.</p>
<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Shawn_Foster'>Shawn Michael Foster,</a> <a href='http://www.imdb.com/name/nm1721177/'>director</a> - also making his third visit (<a href='http://www.digmeoutpodcast.com/post/47306421649/064-youd-prefer-an-astronaut-by-hum'>#64</a> & <a href='http://www.digmeoutpodcast.com/post/124662362887/236-round-table-discussion-most-influential'>#236</a>), Shawn moved to LA in the latter half of the 90s and started as music video director for bands such as <a href='https://en.wikipedia.org/wiki/Stabbing_Westward'>Stabbing Westward</a>, <a href='http://getmorechevelle.com/the-band.php'>Chevelle</a>, <a href='https://en.wikipedia.org/wiki/Sugarcult'>Sugarcult</a>, <a href='http://www.drivebytruckers.com/'>Drive-by Truckers</a> and many more. He is currently working on a television pilot and videos for <a href='https://www.facebook.com/LosKingdom/'>Los Kingdom</a>.</p>
<p style="text-align:center;">We talk music clubs, weekly papers, records stores and more, plus reminisce about bands starting out that made it big and those that should have but never did, plus muggings, drugs, tangents and more tangents. It’s a lively, loose conversation that would have taken place at the Rainbow Room in 1998 if we had a time machine and a bunch of cash. Also, what’s t<a href='http://www.kidsinterviewbands.com/'>he coolest thing currently about Ohio</a> according to Kellii Scott, who shares some details on the next Failure album.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - LA Medley (Jane’s Addiction, Weezer, Beck, Rage Against The Machine, Tool)</p>
<p style="text-align:center;">Outro - Stuck on You by Failure</p>
<p style="text-align:center;">Previous Episodes Referenced:</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/47306415604/060-cheer-up-by-plexi'>#060: Cheer Up by Plexi</a> with Michael Angelos and Michael Barragan</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/47306433324/072-august-everywhere-by-blinker-the-star'>#072: August Everywhere by Blinker The Star</a> with Jordon Zadorozny</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/72578566110/remyzero'>#156: Villa Elaine by Remy Zero</a></p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/102384107966/200-use-your-illusion-i-2-by-guns-n-roses'>#200: Use Your Illusion 1 & 2 by Guns ‘n Roses</a> with Chip Midnight</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/102967932306/201-interview-with-bill-janovitz-of-buffalo-tom'>#201: Interview with Bill Janovitz of Buffalo Tom</a></p>
<p style="text-align:center;">Be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> to listen to bonus content from this episode.</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our next installment of the Digging Your Scene roundtable series, we are exploring sights and sounds of Los Angeles in the 1990s. To help us do so, the following guests joined us:</p>
<p style="text-align:center;">Brian Klein of Scout B Entertainment - his first time on the show, Brian moved to Los Angeles in the early 90s, starting as an intern at Rick Rubin’s <a href='https://en.wikipedia.org/wiki/American_Recordings_(record_label)'>American Recordings</a> label as well as employee of <a href='http://www.laweekly.com/music/a-love-song-for-arons-2141668'>Aron’s Records</a>, he has worked in management and promotion of dozens of bands and currently manages <a href='http://www.fitzandthetantrums.com/'>Fitz and The Tantrums</a> among others.</p>
<p style="text-align:center;"><a href='https://twitter.com/kelliiscott'>Kellii Scott</a> of <a href='http://failureband.com/'>Failure</a> - making his third visit (<a href='http://www.digmeoutpodcast.com/post/109310952501/kellii-scott'>#211</a> & <a href='http://www.digmeoutpodcast.com/post/126419029571/thiam'>#239</a>), Kellii moved to LA in the 80s and played in a number of bands before joining Failure, later drumming for <a href='https://blinkerthestar.bandcamp.com/'>Blinker The Star</a>, <a href='https://en.wikipedia.org/wiki/Campfire_Girls_(band)'>Campfire Girls</a>, <a href='http://verucasalt.com/'>Veruca Salt</a> and more. Failure are currently wrapping up the <a href='http://www.pledgemusic.com/projects/fantasticplanetlive'>Pledgemusic campaign</a> for the 20th anniversary live recording of their 1997 album <a href='https://en.wikipedia.org/wiki/Fantastic_Planet_(album)'>Fantastic Planet</a>.</p>
<p style="text-align:center;"><a href='https://en.wikipedia.org/wiki/Shawn_Foster'>Shawn Michael Foster,</a> <a href='http://www.imdb.com/name/nm1721177/'>director</a> - also making his third visit (<a href='http://www.digmeoutpodcast.com/post/47306421649/064-youd-prefer-an-astronaut-by-hum'>#64</a> & <a href='http://www.digmeoutpodcast.com/post/124662362887/236-round-table-discussion-most-influential'>#236</a>), Shawn moved to LA in the latter half of the 90s and started as music video director for bands such as <a href='https://en.wikipedia.org/wiki/Stabbing_Westward'>Stabbing Westward</a>, <a href='http://getmorechevelle.com/the-band.php'>Chevelle</a>, <a href='https://en.wikipedia.org/wiki/Sugarcult'>Sugarcult</a>, <a href='http://www.drivebytruckers.com/'>Drive-by Truckers</a> and many more. He is currently working on a television pilot and videos for <a href='https://www.facebook.com/LosKingdom/'>Los Kingdom</a>.</p>
<p style="text-align:center;">We talk music clubs, weekly papers, records stores and more, plus reminisce about bands starting out that made it big and those that should have but never did, plus muggings, drugs, tangents and more tangents. It’s a lively, loose conversation that would have taken place at the Rainbow Room in 1998 if we had a time machine and a bunch of cash. Also, what’s t<a href='http://www.kidsinterviewbands.com/'>he coolest thing currently about Ohio</a> according to Kellii Scott, who shares some details on the next Failure album.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - LA Medley (Jane’s Addiction, Weezer, Beck, Rage Against The Machine, Tool)</p>
<p style="text-align:center;">Outro - Stuck on You by Failure</p>
<p style="text-align:center;">Previous Episodes Referenced:</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/47306415604/060-cheer-up-by-plexi'>#060: Cheer Up by Plexi</a> with Michael Angelos and Michael Barragan</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/47306433324/072-august-everywhere-by-blinker-the-star'>#072: August Everywhere by Blinker The Star</a> with Jordon Zadorozny</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/72578566110/remyzero'>#156: Villa Elaine by Remy Zero</a></p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/102384107966/200-use-your-illusion-i-2-by-guns-n-roses'>#200: Use Your Illusion 1 & 2 by Guns ‘n Roses</a> with Chip Midnight</p>
<p style="text-align:center;"><a href='http://www.digmeoutpodcast.com/post/102967932306/201-interview-with-bill-janovitz-of-buffalo-tom'>#201: Interview with Bill Janovitz of Buffalo Tom</a></p>
<p style="text-align:center;">Be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon</a> to listen to bonus content from this episode.</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7hjgzw/324-LAinthe90sroundtable.mp3" length="110981602" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our next installment of the Digging Your Scene roundtable series, we are exploring sights and sounds of Los Angeles in the 1990s. To help us do so, the following guests joined us:
Brian Klein of Scout B Entertainment - his first time on the show, Brian moved to Los Angeles in the early 90s, starting as an intern at Rick Rubin’s American Recordings label as well as employee of Aron’s Records, he has worked in management and promotion of dozens of bands and currently manages Fitz and The Tantrums among others.
Kellii Scott of Failure - making his third visit (#211 & #239), Kellii moved to LA in the 80s and played in a number of bands before joining Failure, later drumming for Blinker The Star, Campfire Girls, Veruca Salt and more. Failure are currently wrapping up the Pledgemusic campaign for the 20th anniversary live recording of their 1997 album Fantastic Planet.
Shawn Michael Foster, director - also making his third visit (#64 & #236), Shawn moved to LA in the latter half of the 90s and started as music video director for bands such as Stabbing Westward, Chevelle, Sugarcult, Drive-by Truckers and many more. He is currently working on a television pilot and videos for Los Kingdom.
We talk music clubs, weekly papers, records stores and more, plus reminisce about bands starting out that made it big and those that should have but never did, plus muggings, drugs, tangents and more tangents. It’s a lively, loose conversation that would have taken place at the Rainbow Room in 1998 if we had a time machine and a bunch of cash. Also, what’s the coolest thing currently about Ohio according to Kellii Scott, who shares some details on the next Failure album.
Songs in this Episode:
Intro - LA Medley (Jane’s Addiction, Weezer, Beck, Rage Against The Machine, Tool)
Outro - Stuck on You by Failure
Previous Episodes Referenced:
#060: Cheer Up by Plexi with Michael Angelos and Michael Barragan
#072: August Everywhere by Blinker The Star with Jordon Zadorozny
#156: Villa Elaine by Remy Zero
#200: Use Your Illusion 1 & 2 by Guns ‘n Roses with Chip Midnight
#201: Interview with Bill Janovitz of Buffalo Tom
Be sure to join us at Patreon to listen to bonus content from this episode.
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4606</itunes:duration>
                                    </item>
    <item>
        <title>#323: Interview with Eli Janney of Girls Against Boys and the 8G Band</title>
        <itunes:title>#323: Interview with Eli Janney of Girls Against Boys and the 8G Band</itunes:title>
        <link>https://digmeout.podbean.com/e/323-interview-with-eli-janney-of-girls-against-boys-and-the-8g-band/</link>
                    <comments>https://digmeout.podbean.com/e/323-interview-with-eli-janney-of-girls-against-boys-and-the-8g-band/#comments</comments>        <pubDate>Tue, 21 Mar 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/323-interview-with-eli-janney-of-girls-against-boys-and-the-8g-band/</guid>
                                    <description><![CDATA[<p style="text-align:center;">This week we get to chat with <a href='http://www.elijanney.com/'>Eli Janney</a>, who you may know as the keyboardist, bassist and backing vocals in <a href='http://www.gvsb.com/'>Girls Against Boys</a>. You may also know him as the producer for such bands as Brainiac, Ryan Adams, Skeleton Key, Jesse Maiin and many more. You may also know him as the man who remixed tracks by artists such as the Sneaker Pimps, Ruby, Hooverphonic, Enon and more. You may also know him as the current keyboardist and associate music director in the <a href='http://www.nbc.com/late-night-with-seth-meyers/credits/cast/the-8g-band-with-fred-armisen'>8G Band</a> on <a href='http://www.nbc.com/late-night-with-seth-meyers'>Late Night with Seth Meyers</a>. What we’re saying is, Eli is a busy guy, because that doesn’t even include his music engineering and mixing credits, as well as his other work in television and film. We talk to about how he ended up in the world of late night television all the way back to his time working at the legendary <a href='http://innerearstudio.com/'>Inner Ear</a> recording studio with Don Zientara that documented so much of the ‘80s DC punk and hardcore scene. We learn how GVSB formed, the trials of a touring with a keyboard in 1992, and what it means to be in a band with a distinct and recognizable “sound” and how that both focuses and restricts creativity. All this and much, much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Let Me Come Back</p>
<p style="text-align:center;">Outro - Boogie Wonderland</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">This week we get to chat with <a href='http://www.elijanney.com/'>Eli Janney</a>, who you may know as the keyboardist, bassist and backing vocals in <a href='http://www.gvsb.com/'>Girls Against Boys</a>. You may also know him as the producer for such bands as Brainiac, Ryan Adams, Skeleton Key, Jesse Maiin and many more. You may also know him as the man who remixed tracks by artists such as the Sneaker Pimps, Ruby, Hooverphonic, Enon and more. You may also know him as the current keyboardist and associate music director in the <a href='http://www.nbc.com/late-night-with-seth-meyers/credits/cast/the-8g-band-with-fred-armisen'>8G Band</a> on <a href='http://www.nbc.com/late-night-with-seth-meyers'>Late Night with Seth Meyers</a>. What we’re saying is, Eli is a busy guy, because that doesn’t even include his music engineering and mixing credits, as well as his other work in television and film. We talk to about how he ended up in the world of late night television all the way back to his time working at the legendary <a href='http://innerearstudio.com/'>Inner Ear</a> recording studio with Don Zientara that documented so much of the ‘80s DC punk and hardcore scene. We learn how GVSB formed, the trials of a touring with a keyboard in 1992, and what it means to be in a band with a distinct and recognizable “sound” and how that both focuses and restricts creativity. All this and much, much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Let Me Come Back</p>
<p style="text-align:center;">Outro - Boogie Wonderland</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dtch63/323-elijanney.mp3" length="102840791" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we get to chat with Eli Janney, who you may know as the keyboardist, bassist and backing vocals in Girls Against Boys. You may also know him as the producer for such bands as Brainiac, Ryan Adams, Skeleton Key, Jesse Maiin and many more. You may also know him as the man who remixed tracks by artists such as the Sneaker Pimps, Ruby, Hooverphonic, Enon and more. You may also know him as the current keyboardist and associate music director in the 8G Band on Late Night with Seth Meyers. What we’re saying is, Eli is a busy guy, because that doesn’t even include his music engineering and mixing credits, as well as his other work in television and film. We talk to about how he ended up in the world of late night television all the way back to his time working at the legendary Inner Ear recording studio with Don Zientara that documented so much of the ‘80s DC punk and hardcore scene. We learn how GVSB formed, the trials of a touring with a keyboard in 1992, and what it means to be in a band with a distinct and recognizable “sound” and how that both focuses and restricts creativity. All this and much, much more.
Songs in this Episode:
Intro - Let Me Come Back
Outro - Boogie Wonderland
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4267</itunes:duration>
                                    </item>
    <item>
        <title>#322: Shuttlecock by Super TransAtlantic</title>
        <itunes:title>#322: Shuttlecock by Super TransAtlantic</itunes:title>
        <link>https://digmeout.podbean.com/e/322-shuttlecock-by-super-transatlantic/</link>
                    <comments>https://digmeout.podbean.com/e/322-shuttlecock-by-super-transatlantic/#comments</comments>        <pubDate>Tue, 14 Mar 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/322-shuttlecock-by-super-transatlantic/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our latest <a href='https://www.patreon.com/digmeout'>Patreon pick</a> revisits the one and only album from <a href='http://www.allmusic.com/artist/super-transatlantic-mn0000027495'>Super TransAtlatnic</a>, the 2000 release Shuttlecock. You may be familiar with the band thanks to their contribution to the 1999 <a href='http://www.allmusic.com/album/american-pie-original-soundtrack-mw0000246459'>American Pie soundtrack</a>, or the fact that 3/4′s of the band were previously called <a href='https://www.facebook.com/saigonkickofficial/'>Saigon Kick</a> (the 1/4 from <a href='https://www.extreme-band.com/'>Extreme</a>, to round out the equation, so to speak). Either way, the sound of STA won’t come as a shock - guitar riffs paired with melodic vocals and harmonies that recall the layered assault of The Smashing Pumpkins one minute and power-pop-punk of Marvelous 3 the next. It’s big, loud and hooky, but is it any good? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Super Down</p>
<p style="text-align:center;">12:44 - Shuttlecock</p>
<p style="text-align:center;">19:02 - Superstar</p>
<p style="text-align:center;">22:09 - Dumb</p>
<p style="text-align:center;">27:18 - Satellite</p>
<p style="text-align:center;">Outro - Can’t Stand Losing You</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our latest <a href='https://www.patreon.com/digmeout'>Patreon pick</a> revisits the one and only album from <a href='http://www.allmusic.com/artist/super-transatlantic-mn0000027495'>Super TransAtlatnic</a>, the 2000 release Shuttlecock. You may be familiar with the band thanks to their contribution to the 1999 <a href='http://www.allmusic.com/album/american-pie-original-soundtrack-mw0000246459'>American Pie soundtrack</a>, or the fact that 3/4′s of the band were previously called <a href='https://www.facebook.com/saigonkickofficial/'>Saigon Kick</a> (the 1/4 from <a href='https://www.extreme-band.com/'>Extreme</a>, to round out the equation, so to speak). Either way, the sound of STA won’t come as a shock - guitar riffs paired with melodic vocals and harmonies that recall the layered assault of The Smashing Pumpkins one minute and power-pop-punk of Marvelous 3 the next. It’s big, loud and hooky, but is it any good? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Super Down</p>
<p style="text-align:center;">12:44 - Shuttlecock</p>
<p style="text-align:center;">19:02 - Superstar</p>
<p style="text-align:center;">22:09 - Dumb</p>
<p style="text-align:center;">27:18 - Satellite</p>
<p style="text-align:center;">Outro - Can’t Stand Losing You</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/57by9k/322-supertransatlantic.mp3" length="62944390" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our latest Patreon pick revisits the one and only album from Super TransAtlatnic, the 2000 release Shuttlecock. You may be familiar with the band thanks to their contribution to the 1999 American Pie soundtrack, or the fact that 3/4′s of the band were previously called Saigon Kick (the 1/4 from Extreme, to round out the equation, so to speak). Either way, the sound of STA won’t come as a shock - guitar riffs paired with melodic vocals and harmonies that recall the layered assault of The Smashing Pumpkins one minute and power-pop-punk of Marvelous 3 the next. It’s big, loud and hooky, but is it any good? Tune in to find out.
Songs in this Episode:
Intro - Super Down
12:44 - Shuttlecock
19:02 - Superstar
22:09 - Dumb
27:18 - Satellite
Outro - Can’t Stand Losing You
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2601</itunes:duration>
                                    </item>
    <item>
        <title>#321: Twisted Willie - A Tribute To Willie Nelson</title>
        <itunes:title>#321: Twisted Willie - A Tribute To Willie Nelson</itunes:title>
        <link>https://digmeout.podbean.com/e/321-twisted-willie-a-tribute-to-willie-nelson/</link>
                    <comments>https://digmeout.podbean.com/e/321-twisted-willie-a-tribute-to-willie-nelson/#comments</comments>        <pubDate>Tue, 07 Mar 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/321-twisted-willie-a-tribute-to-willie-nelson/</guid>
                                    <description><![CDATA[<p style="text-align:center;">There were dozens, perhaps hundreds, of tribute albums in the 90s to feature a wide array of talented artists with varying results. Thanks to a <a href='https://www.patreon.com/digmeout'>Patreon subscriber</a> suggestion, we’re checking out the 1996 release T<a href='http://www.allmusic.com/album/twisted-willie-mw0000179757'>wisted Willie - A Tribute To Willie Nelson</a>. As with all tribute albums, some artists and bands stay close to the original version while other radically reinterpret, and that’s the case with Twisted Willie. We definitely found interpretations we liked and others that left us scratching our heads - tune in to find out which ones.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Shotgun Willie by Tenderloin</p>
<p style="text-align:center;">14:48 - She’s Not For You by Mark Lanegan</p>
<p style="text-align:center;">17:15 - Home Motel by X</p>
<p style="text-align:center;">19:34 - I’ve Seen All This World I Care To See by Jerry Cantrell</p>
<p style="text-align:center;">29:44 - Time of the Preacher by Johnny Cash</p>
<p style="text-align:center;">Outro - Bloody Mary Morning by Supersuckers</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">There were dozens, perhaps hundreds, of tribute albums in the 90s to feature a wide array of talented artists with varying results. Thanks to a <a href='https://www.patreon.com/digmeout'>Patreon subscriber</a> suggestion, we’re checking out the 1996 release T<a href='http://www.allmusic.com/album/twisted-willie-mw0000179757'>wisted Willie - A Tribute To Willie Nelson</a>. As with all tribute albums, some artists and bands stay close to the original version while other radically reinterpret, and that’s the case with Twisted Willie. We definitely found interpretations we liked and others that left us scratching our heads - tune in to find out which ones.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Shotgun Willie by Tenderloin</p>
<p style="text-align:center;">14:48 - She’s Not For You by Mark Lanegan</p>
<p style="text-align:center;">17:15 - Home Motel by X</p>
<p style="text-align:center;">19:34 - I’ve Seen All This World I Care To See by Jerry Cantrell</p>
<p style="text-align:center;">29:44 - Time of the Preacher by Johnny Cash</p>
<p style="text-align:center;">Outro - Bloody Mary Morning by Supersuckers</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8c99hy/321-twistedwillie.mp3" length="78568233" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There were dozens, perhaps hundreds, of tribute albums in the 90s to feature a wide array of talented artists with varying results. Thanks to a Patreon subscriber suggestion, we’re checking out the 1996 release Twisted Willie - A Tribute To Willie Nelson. As with all tribute albums, some artists and bands stay close to the original version while other radically reinterpret, and that’s the case with Twisted Willie. We definitely found interpretations we liked and others that left us scratching our heads - tune in to find out which ones.
Songs in this Episode:
Intro - Shotgun Willie by Tenderloin
14:48 - She’s Not For You by Mark Lanegan
17:15 - Home Motel by X
19:34 - I’ve Seen All This World I Care To See by Jerry Cantrell
29:44 - Time of the Preacher by Johnny Cash
Outro - Bloody Mary Morning by Supersuckers
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3256</itunes:duration>
                                    </item>
    <item>
        <title>#320: Interview with Tim Kasher of The Good Life &amp;amp; Cursive</title>
        <itunes:title>#320: Interview with Tim Kasher of The Good Life &amp;amp; Cursive</itunes:title>
        <link>https://digmeout.podbean.com/e/320-interview-with-tim-kasher-of-the-good-life-cursive/</link>
                    <comments>https://digmeout.podbean.com/e/320-interview-with-tim-kasher-of-the-good-life-cursive/#comments</comments>        <pubDate>Tue, 28 Feb 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/320-interview-with-tim-kasher-of-the-good-life-cursive/</guid>
                                    <description><![CDATA[<p style="text-align:center;"><a href='https://timkasher.com/'>Tim Kasher</a> of <a href='http://www.thegoodlifemusic.com/'>The Good Life</a> and <a href='https://www.15passenger.com/cursive'>Cursive</a> has a new solo album out this March (No Resolution) on a new label (<a href='https://www.15passenger.com/'>15 Passenger</a>). We talk to him about the why he decided now was the time to start the new label away from <a href='https://saddle-creek.com/'>Saddle Creek</a> and the plans for reissuing late 90s Cursive material later this year. We discuss the transition in the mid-00s from writing as a band to writing alone at home and how that changed not only his writing style, but the way he sings. We chat about his current move out to Los Angeles, as well as his previous relocation out west a decade ago to work on films and his experience writing screenplays, and the independent film he recently completed. All this and much more, including how Tim identifies with Steve Harris of Iron Maiden and which trip-hop band is a major influence.</p>
<p style="text-align:center;">Also, make sure to visit <a href='https://www.15passenger.com/contests'>15 Passenger and pre-order the new album</a> before the release date of 3/3/17 and be entered into contest to win all the releases from the label forever.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - An Answer for Everything</p>
<p style="text-align:center;">Outro - Break Me Open</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;"><a href='https://timkasher.com/'>Tim Kasher</a> of <a href='http://www.thegoodlifemusic.com/'>The Good Life</a> and <a href='https://www.15passenger.com/cursive'>Cursive</a> has a new solo album out this March (No Resolution) on a new label (<a href='https://www.15passenger.com/'>15 Passenger</a>). We talk to him about the why he decided now was the time to start the new label away from <a href='https://saddle-creek.com/'>Saddle Creek</a> and the plans for reissuing late 90s Cursive material later this year. We discuss the transition in the mid-00s from writing as a band to writing alone at home and how that changed not only his writing style, but the way he sings. We chat about his current move out to Los Angeles, as well as his previous relocation out west a decade ago to work on films and his experience writing screenplays, and the independent film he recently completed. All this and much more, including how Tim identifies with Steve Harris of Iron Maiden and which trip-hop band is a major influence.</p>
<p style="text-align:center;">Also, make sure to visit <a href='https://www.15passenger.com/contests'>15 Passenger and pre-order the new album</a> before the release date of 3/3/17 and be entered into contest to win all the releases from the label forever.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - An Answer for Everything</p>
<p style="text-align:center;">Outro - Break Me Open</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p2vtec/320-timkasherinterview.mp3" length="124031331" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tim Kasher of The Good Life and Cursive has a new solo album out this March (No Resolution) on a new label (15 Passenger). We talk to him about the why he decided now was the time to start the new label away from Saddle Creek and the plans for reissuing late 90s Cursive material later this year. We discuss the transition in the mid-00s from writing as a band to writing alone at home and how that changed not only his writing style, but the way he sings. We chat about his current move out to Los Angeles, as well as his previous relocation out west a decade ago to work on films and his experience writing screenplays, and the independent film he recently completed. All this and much more, including how Tim identifies with Steve Harris of Iron Maiden and which trip-hop band is a major influence.
Also, make sure to visit 15 Passenger and pre-order the new album before the release date of 3/3/17 and be entered into contest to win all the releases from the label forever.
Songs in this Episode:
Intro - An Answer for Everything
Outro - Break Me Open
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5150</itunes:duration>
                                    </item>
    <item>
        <title>#319: Electronica in the 90s Roundtable</title>
        <itunes:title>#319: Electronica in the 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/319-electronica-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/319-electronica-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 21 Feb 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/319-electronica-in-the-90s-roundtable/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Remember <a href='https://en.wikipedia.org/wiki/Electronica'>Electronica</a>? Well we do, and we’re not quite sure what it was, so we’re hosting a roundtable discussion this week to talk about the explosion of electronic music that hit MTV, radio, Billboard and more in the late 90s. To help us figure out what it means, we’ve got a pair of guests, returning regular <a href='https://twitter.com/andyderer'>Andy Derer</a> from <a href='https://andyderer.com/'>The Andy Derer Show</a>, and a first time visit from our old <a href='http://www.falconradio.org/'>college radio</a> music director <a href='https://twitter.com/shivvy'>Matt Shiverdecker,</a> currently of the Austin-American Statesman <a href='http://movies.blog.austin360.com/author/matt-shiverdecker/'>Austin360</a>. We look back at the origins of Electronica, revisit four pivotal albums from 1997, and how this all evolved into the ‘00s juggernaut that is <a href='https://en.wikipedia.org/wiki/Electronic_dance_music'>EDM</a> (or Electronic Dance Music). </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Medley (The Chemical Brothers, The Prodigy, The Crystal Method & Filter, Daft Punk)</p>
<p style="text-align:center;">12:25 - Setting Sun by The Chemical Brothers</p>
<p style="text-align:center;">27:09 - Around The World by Daft Punk</p>
<p style="text-align:center;">37:10 - Firestarter by The Prodigy</p>
<p style="text-align:center;">43:12 - Busy Child by The Crystal Method</p>
<p style="text-align:center;">Outro - Ray of Light by Madonna</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Remember <a href='https://en.wikipedia.org/wiki/Electronica'>Electronica</a>? Well we do, and we’re not quite sure what it was, so we’re hosting a roundtable discussion this week to talk about the explosion of electronic music that hit MTV, radio, Billboard and more in the late 90s. To help us figure out what it means, we’ve got a pair of guests, returning regular <a href='https://twitter.com/andyderer'>Andy Derer</a> from <a href='https://andyderer.com/'>The Andy Derer Show</a>, and a first time visit from our old <a href='http://www.falconradio.org/'>college radio</a> music director <a href='https://twitter.com/shivvy'>Matt Shiverdecker,</a> currently of the Austin-American Statesman <a href='http://movies.blog.austin360.com/author/matt-shiverdecker/'>Austin360</a>. We look back at the origins of Electronica, revisit four pivotal albums from 1997, and how this all evolved into the ‘00s juggernaut that is <a href='https://en.wikipedia.org/wiki/Electronic_dance_music'>EDM</a> (or Electronic Dance Music). </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Medley (The Chemical Brothers, The Prodigy, The Crystal Method & Filter, Daft Punk)</p>
<p style="text-align:center;">12:25 - Setting Sun by The Chemical Brothers</p>
<p style="text-align:center;">27:09 - Around The World by Daft Punk</p>
<p style="text-align:center;">37:10 - Firestarter by The Prodigy</p>
<p style="text-align:center;">43:12 - Busy Child by The Crystal Method</p>
<p style="text-align:center;">Outro - Ray of Light by Madonna</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9r6t8e/319-electronicaroundtable.mp3" length="92229864" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Remember Electronica? Well we do, and we’re not quite sure what it was, so we’re hosting a roundtable discussion this week to talk about the explosion of electronic music that hit MTV, radio, Billboard and more in the late 90s. To help us figure out what it means, we’ve got a pair of guests, returning regular Andy Derer from The Andy Derer Show, and a first time visit from our old college radio music director Matt Shiverdecker, currently of the Austin-American Statesman Austin360. We look back at the origins of Electronica, revisit four pivotal albums from 1997, and how this all evolved into the ‘00s juggernaut that is EDM (or Electronic Dance Music). 
Songs in this Episode:
Intro - Medley (The Chemical Brothers, The Prodigy, The Crystal Method & Filter, Daft Punk)
12:25 - Setting Sun by The Chemical Brothers
27:09 - Around The World by Daft Punk
37:10 - Firestarter by The Prodigy
43:12 - Busy Child by The Crystal Method
Outro - Ray of Light by Madonna
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3825</itunes:duration>
                                    </item>
    <item>
        <title>#318: Upstyledown by 28 Days</title>
        <itunes:title>#318: Upstyledown by 28 Days</itunes:title>
        <link>https://digmeout.podbean.com/e/318-upstyledown-by-28-days/</link>
                    <comments>https://digmeout.podbean.com/e/318-upstyledown-by-28-days/#comments</comments>        <pubDate>Tue, 14 Feb 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/318-upstyledown-by-28-days/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Thanks to our friend Gavin in Australia, we’re checking out <a href='http://www.28daysband.com/'>28 Days</a> from Melbourne and their sophomore album <a href='https://en.wikipedia.org/wiki/Upstyledown'>Upstyledown</a> from 2000. Though it charted at #1 on the Australian ARIAnet album chart, the band failed to make a dent in the United States, which seems like a missed opportunity considering the band combines the sounds of late 90s/early 00s pop punk and rap rock into a familiar sound. Though the band has an ear for hooks and it sounds good, we revisit the “timeless” vs. “dated” production debate and wonder whether some of the musical and lyrical choices were the right ones. If you’re a fan of bands like Zebrahead, Sum 41, Biohazard, Phunk Junkeez, etc., this might be a lost gem waiting to be discovered.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Rip It Up</p>
<p style="text-align:center;">7:19 - History of the Band</p>
<p style="text-align:center;">11:53 - Sucker</p>
<p style="text-align:center;">14:06 - Song for Jasmine</p>
<p style="text-align:center;">19:02 - Information Overload</p>
<p style="text-align:center;">Outro - 16 Kill The Fake (Seshoo) (Featuring Uzumaki)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Thanks to our friend Gavin in Australia, we’re checking out <a href='http://www.28daysband.com/'>28 Days</a> from Melbourne and their sophomore album <a href='https://en.wikipedia.org/wiki/Upstyledown'>Upstyledown</a> from 2000. Though it charted at #1 on the Australian ARIAnet album chart, the band failed to make a dent in the United States, which seems like a missed opportunity considering the band combines the sounds of late 90s/early 00s pop punk and rap rock into a familiar sound. Though the band has an ear for hooks and it sounds good, we revisit the “timeless” vs. “dated” production debate and wonder whether some of the musical and lyrical choices were the right ones. If you’re a fan of bands like Zebrahead, Sum 41, Biohazard, Phunk Junkeez, etc., this might be a lost gem waiting to be discovered.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Rip It Up</p>
<p style="text-align:center;">7:19 - History of the Band</p>
<p style="text-align:center;">11:53 - Sucker</p>
<p style="text-align:center;">14:06 - Song for Jasmine</p>
<p style="text-align:center;">19:02 - Information Overload</p>
<p style="text-align:center;">Outro - 16 Kill The Fake (Seshoo) (Featuring Uzumaki)</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uvrtkj/318-28days.mp3" length="50100190" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to our friend Gavin in Australia, we’re checking out 28 Days from Melbourne and their sophomore album Upstyledown from 2000. Though it charted at #1 on the Australian ARIAnet album chart, the band failed to make a dent in the United States, which seems like a missed opportunity considering the band combines the sounds of late 90s/early 00s pop punk and rap rock into a familiar sound. Though the band has an ear for hooks and it sounds good, we revisit the “timeless” vs. “dated” production debate and wonder whether some of the musical and lyrical choices were the right ones. If you’re a fan of bands like Zebrahead, Sum 41, Biohazard, Phunk Junkeez, etc., this might be a lost gem waiting to be discovered.
Songs in this Episode:
Intro - Rip It Up
7:19 - History of the Band
11:53 - Sucker
14:06 - Song for Jasmine
19:02 - Information Overload
Outro - 16 Kill The Fake (Seshoo) (Featuring Uzumaki)
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2070</itunes:duration>
                                    </item>
    <item>
        <title>#317: Hissing Prigs in Static Couture by Brainiac</title>
        <itunes:title>#317: Hissing Prigs in Static Couture by Brainiac</itunes:title>
        <link>https://digmeout.podbean.com/e/317-hissing-prigs-in-static-couture-by-brainiac/</link>
                    <comments>https://digmeout.podbean.com/e/317-hissing-prigs-in-static-couture-by-brainiac/#comments</comments>        <pubDate>Tue, 07 Feb 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/317-hissing-prigs-in-static-couture-by-brainiac/</guid>
                                    <description><![CDATA[<p style="text-align: center;">As The Pretenders once sang, we’re going <a href='https://www.youtube.com/watch?v=wplUBFVsbtw'>back to Ohio</a> to check out Dayton’s legendary <a href='https://en.wikipedia.org/wiki/Brainiac_(band)'>Brainiac</a> thanks to the winner of our 2016 year-end <a href='https://www.patreon.com/digmeout'>Patreon</a> giveaway. In just five years, the band put out a significant body of work, including three full-length albums, half a dozen 7″s and a pair of EPs. We’re checking out their third and final album <a href='https://en.wikipedia.org/wiki/Hissing_Prigs_in_Static_Couture'>Hissing Prigs in Static Couture</a>, released on <a href='http://www.touchandgorecords.com/'>Touch & Go Records</a> in 1996, recorded with <a href='http://www.elijanney.com/'>Eli Janney</a> of <a href='http://www.gvsb.com/'>Girls Against Boys</a>. Besides exploring the record we also spend some time (too much?) discussing the Super Bowl and our guest Chris makes his pick for a future roundtable episode. You wanted the best, you got...well, us.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - K155 M3, U JACK3D UP J3RK</p>
<p style="text-align: center;">19:13 - PU55YF00T1N'</p>
<p style="text-align: center;">21:08 - 5TRUN9</p>
<p style="text-align: center;">29:25 - 1 AM A CRACK3D MACH1N3</p>
<p style="text-align: center;">Outro - H0T 53AT CAN'T S1T D0WN</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">As The Pretenders once sang, we’re going <a href='https://www.youtube.com/watch?v=wplUBFVsbtw'>back to Ohio</a> to check out Dayton’s legendary <a href='https://en.wikipedia.org/wiki/Brainiac_(band)'>Brainiac</a> thanks to the winner of our 2016 year-end <a href='https://www.patreon.com/digmeout'>Patreon</a> giveaway. In just five years, the band put out a significant body of work, including three full-length albums, half a dozen 7″s and a pair of EPs. We’re checking out their third and final album <a href='https://en.wikipedia.org/wiki/Hissing_Prigs_in_Static_Couture'>Hissing Prigs in Static Couture</a>, released on <a href='http://www.touchandgorecords.com/'>Touch & Go Records</a> in 1996, recorded with <a href='http://www.elijanney.com/'>Eli Janney</a> of <a href='http://www.gvsb.com/'>Girls Against Boys</a>. Besides exploring the record we also spend some time (too much?) discussing the Super Bowl and our guest Chris makes his pick for a future roundtable episode. You wanted the best, you got...well, us.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - K155 M3, U JACK3D UP J3RK</p>
<p style="text-align: center;">19:13 - PU55YF00T1N'</p>
<p style="text-align: center;">21:08 - 5TRUN9</p>
<p style="text-align: center;">29:25 - 1 AM A CRACK3D MACH1N3</p>
<p style="text-align: center;">Outro - H0T 53AT CAN'T S1T D0WN</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3g27ze/317-brainiac.mp3" length="63067794" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As The Pretenders once sang, we’re going back to Ohio to check out Dayton’s legendary Brainiac thanks to the winner of our 2016 year-end Patreon giveaway. In just five years, the band put out a significant body of work, including three full-length albums, half a dozen 7″s and a pair of EPs. We’re checking out their third and final album Hissing Prigs in Static Couture, released on Touch & Go Records in 1996, recorded with Eli Janney of Girls Against Boys. Besides exploring the record we also spend some time (too much?) discussing the Super Bowl and our guest Chris makes his pick for a future roundtable episode. You wanted the best, you got...well, us.
Songs in this Episode:
Intro - K155 M3, U JACK3D UP J3RK
19:13 - PU55YF00T1N'
21:08 - 5TRUN9
29:25 - 1 AM A CRACK3D MACH1N3
Outro - H0T 53AT CAN'T S1T D0WN
Request a 2017 Review / Subscribe at Patreon
 
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http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2610</itunes:duration>
                                    </item>
    <item>
        <title>#316: ReadySexGo by Marvelous 3</title>
        <itunes:title>#316: ReadySexGo by Marvelous 3</itunes:title>
        <link>https://digmeout.podbean.com/e/316-readysexgo-by-marvelous-3/</link>
                    <comments>https://digmeout.podbean.com/e/316-readysexgo-by-marvelous-3/#comments</comments>        <pubDate>Tue, 31 Jan 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/316-readysexgo-by-marvelous-3/</guid>
                                    <description><![CDATA[<p style="text-align:center;">We got a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for an album released in 2000, and since we’re not above stretching the rules outside the 90s occasionally, this week we’re revisiting the third and final <a href='https://en.wikipedia.org/wiki/Marvelous_3'>Marvelous 3</a> album ReadySexGo. Between <a href='http://www.butchwalker.com/'>Butch Walker</a>’s stint in late 80s/early 90s glam metal band <a href='https://en.wikipedia.org/wiki/SouthGang'>SouthGang</a> and his current occupation as a <a href='https://en.wikipedia.org/wiki/Butch_Walker#As_a_producer'>successful music producer</a> (who releases solo albums when not working on albums with Katy Perry or Taylor Swift) he fronted this rock trio that scored a hit with Freak of the Week, which sounded suspiciously like another song. We had differing opinions on what we liked and didn’t like about this album, about Butch Walker as a songwriter, and the early 2000s pop rock movement he was at the forefront of - give a listen and then let us know what you think.</p>
<p style="text-align:center;">Some links from our requestor Luke:</p>
<p style="text-align:center;">Butch’s comments about <a href='https://www.guitar.com/articles/marvelous-3-freed-shackles-indie-rock'>ReadySexGo at the time of its release</a>.</p>
<p style="text-align:center;">Butch’s comments <a href='http://www.mtv.com/news/1534522/where-ya-been-marvelous-3-now-down-to-one-swv-end-10-years-of-resting-their-voices/'>six years later</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Get Over (from ReadySexGo)</p>
<p style="text-align:center;">5:51 - Freak of the Week (from Hey! Album) / So You Wanna Be A Rock ‘n Roll Star by The Byrds</p>
<p style="text-align:center;">16:47 - Radio Tokyo (from ReadySexGo)</p>
<p style="text-align:center;">19:54 - Grant Park</p>
<p style="text-align:center;">25:33 - Cigarette Lighter Love Song (from ReadySexGo) / All The Young Dudes by Mott The Hoople</p>
<p style="text-align:center;">28:48 - Better Off Alone (from ReadySexGo) / Movin’ Out by Billy Joel</p>
<p style="text-align:center;">Outro - I Could Change</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
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<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">We got a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for an album released in 2000, and since we’re not above stretching the rules outside the 90s occasionally, this week we’re revisiting the third and final <a href='https://en.wikipedia.org/wiki/Marvelous_3'>Marvelous 3</a> album ReadySexGo. Between <a href='http://www.butchwalker.com/'>Butch Walker</a>’s stint in late 80s/early 90s glam metal band <a href='https://en.wikipedia.org/wiki/SouthGang'>SouthGang</a> and his current occupation as a <a href='https://en.wikipedia.org/wiki/Butch_Walker#As_a_producer'>successful music producer</a> (who releases solo albums when not working on albums with Katy Perry or Taylor Swift) he fronted this rock trio that scored a hit with Freak of the Week, which sounded suspiciously like another song. We had differing opinions on what we liked and didn’t like about this album, about Butch Walker as a songwriter, and the early 2000s pop rock movement he was at the forefront of - give a listen and then let us know what you think.</p>
<p style="text-align:center;">Some links from our requestor Luke:</p>
<p style="text-align:center;">Butch’s comments about <a href='https://www.guitar.com/articles/marvelous-3-freed-shackles-indie-rock'>ReadySexGo at the time of its release</a>.</p>
<p style="text-align:center;">Butch’s comments <a href='http://www.mtv.com/news/1534522/where-ya-been-marvelous-3-now-down-to-one-swv-end-10-years-of-resting-their-voices/'>six years later</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Get Over (from ReadySexGo)</p>
<p style="text-align:center;">5:51 - Freak of the Week (from Hey! Album) / So You Wanna Be A Rock ‘n Roll Star by The Byrds</p>
<p style="text-align:center;">16:47 - Radio Tokyo (from ReadySexGo)</p>
<p style="text-align:center;">19:54 - Grant Park</p>
<p style="text-align:center;">25:33 - Cigarette Lighter Love Song (from ReadySexGo) / All The Young Dudes by Mott The Hoople</p>
<p style="text-align:center;">28:48 - Better Off Alone (from ReadySexGo) / Movin’ Out by Billy Joel</p>
<p style="text-align:center;">Outro - I Could Change</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bewg5d/316-marvelous3.mp3" length="64876514" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We got a requested review for an album released in 2000, and since we’re not above stretching the rules outside the 90s occasionally, this week we’re revisiting the third and final Marvelous 3 album ReadySexGo. Between Butch Walker’s stint in late 80s/early 90s glam metal band SouthGang and his current occupation as a successful music producer (who releases solo albums when not working on albums with Katy Perry or Taylor Swift) he fronted this rock trio that scored a hit with Freak of the Week, which sounded suspiciously like another song. We had differing opinions on what we liked and didn’t like about this album, about Butch Walker as a songwriter, and the early 2000s pop rock movement he was at the forefront of - give a listen and then let us know what you think.
Some links from our requestor Luke:
Butch’s comments about ReadySexGo at the time of its release.
Butch’s comments six years later.
Songs in this Episode:
Intro - Get Over (from ReadySexGo)
5:51 - Freak of the Week (from Hey! Album) / So You Wanna Be A Rock ‘n Roll Star by The Byrds
16:47 - Radio Tokyo (from ReadySexGo)
19:54 - Grant Park
25:33 - Cigarette Lighter Love Song (from ReadySexGo) / All The Young Dudes by Mott The Hoople
28:48 - Better Off Alone (from ReadySexGo) / Movin’ Out by Billy Joel
Outro - I Could Change
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2685</itunes:duration>
                                    </item>
    <item>
        <title>#315: Deadsexy by Scarce with Joyce Raskin and Chick Graning</title>
        <itunes:title>#315: Deadsexy by Scarce with Joyce Raskin and Chick Graning</itunes:title>
        <link>https://digmeout.podbean.com/e/315-deadsexy-by-scarce-with-joyce-raskin-and-chick-graning/</link>
                    <comments>https://digmeout.podbean.com/e/315-deadsexy-by-scarce-with-joyce-raskin-and-chick-graning/#comments</comments>        <pubDate>Tue, 24 Jan 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/315-deadsexy-by-scarce-with-joyce-raskin-and-chick-graning/</guid>
                                    <description><![CDATA[<p style="text-align:center;">On the surface, our latest r<a href='http://www.digmeoutpodcast.com/requestareview'>equested review</a> for the 1996 album <a href='https://en.wikipedia.org/wiki/Scarce_(band)'>Deadsexy</a> by <a href='https://scarce1.bandcamp.com/'>Scarce</a> sounds eerily familiar to a lot of 90s band. Band forms, records demos, puts out singles on small indie labels, gets some buzz, major labels start calling, band signs and puts out their debut, no singles race up the charts, and the band is done. But there is more to the story, so we invited singer/bassist Joyce Raskin and singer/guitarist Chick Graning to give us the bigger picture, take us through the demo’ing, writing and recording process, the major label cat and mouse game, the tours, and the album release, as well as the dramatic life-changing event that nearly ended it all, and how art acted as a cathartic release and the rebirth of the band.</p>
<p style="text-align:center;">Check out Chick Graning’s solo album M.T. on <a href='https://itunes.apple.com/us/album/mt/id258174367'>iTunes</a> and at <a href='http://www.cdbaby.com/cd/chickgraning2'>CD Baby</a>.</p>
<p style="text-align:center;">Check out <a href='https://twitter.com/scarcerocks'>Joyce Raskin</a>’s books Aching To Be, The Fall and Rise of Circus Bloy Blue, My Mom Is a Rock Star and more at <a href='http://www.lulu.com/shop/see-more-from-shelf.ep?name=moreFromAuthor&productId=4891193'>Lulu</a> and <a href='https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Joyce+Raskin&search-alias=books&field-author=Joyce+Raskin&sort=relevancerank'>Amazon</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - All Sideways</p>
<p style="text-align:center;">24:55 - Rains of Kansas</p>
<p style="text-align:center;">27:41 - All Sideways</p>
<p style="text-align:center;">Outro - Honeysimple</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">On the surface, our latest r<a href='http://www.digmeoutpodcast.com/requestareview'>equested review</a> for the 1996 album <a href='https://en.wikipedia.org/wiki/Scarce_(band)'>Deadsexy</a> by <a href='https://scarce1.bandcamp.com/'>Scarce</a> sounds eerily familiar to a lot of 90s band. Band forms, records demos, puts out singles on small indie labels, gets some buzz, major labels start calling, band signs and puts out their debut, no singles race up the charts, and the band is done. But there is more to the story, so we invited singer/bassist Joyce Raskin and singer/guitarist Chick Graning to give us the bigger picture, take us through the demo’ing, writing and recording process, the major label cat and mouse game, the tours, and the album release, as well as the dramatic life-changing event that nearly ended it all, and how art acted as a cathartic release and the rebirth of the band.</p>
<p style="text-align:center;">Check out Chick Graning’s solo album M.T. on <a href='https://itunes.apple.com/us/album/mt/id258174367'>iTunes</a> and at <a href='http://www.cdbaby.com/cd/chickgraning2'>CD Baby</a>.</p>
<p style="text-align:center;">Check out <a href='https://twitter.com/scarcerocks'>Joyce Raskin</a>’s books Aching To Be, The Fall and Rise of Circus Bloy Blue, My Mom Is a Rock Star and more at <a href='http://www.lulu.com/shop/see-more-from-shelf.ep?name=moreFromAuthor&productId=4891193'>Lulu</a> and <a href='https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Joyce+Raskin&search-alias=books&field-author=Joyce+Raskin&sort=relevancerank'>Amazon</a>.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - All Sideways</p>
<p style="text-align:center;">24:55 - Rains of Kansas</p>
<p style="text-align:center;">27:41 - All Sideways</p>
<p style="text-align:center;">Outro - Honeysimple</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ekmaw6/315-scarce.mp3" length="97699890" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the surface, our latest requested review for the 1996 album Deadsexy by Scarce sounds eerily familiar to a lot of 90s band. Band forms, records demos, puts out singles on small indie labels, gets some buzz, major labels start calling, band signs and puts out their debut, no singles race up the charts, and the band is done. But there is more to the story, so we invited singer/bassist Joyce Raskin and singer/guitarist Chick Graning to give us the bigger picture, take us through the demo’ing, writing and recording process, the major label cat and mouse game, the tours, and the album release, as well as the dramatic life-changing event that nearly ended it all, and how art acted as a cathartic release and the rebirth of the band.
Check out Chick Graning’s solo album M.T. on iTunes and at CD Baby.
Check out Joyce Raskin’s books Aching To Be, The Fall and Rise of Circus Bloy Blue, My Mom Is a Rock Star and more at Lulu and Amazon.
Songs in this Episode:
Intro - All Sideways
24:55 - Rains of Kansas
27:41 - All Sideways
Outro - Honeysimple
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4053</itunes:duration>
                                    </item>
    <item>
        <title>#314: Roundtable Discussion on the albums of 1997</title>
        <itunes:title>#314: Roundtable Discussion on the albums of 1997</itunes:title>
        <link>https://digmeout.podbean.com/e/314-roundtable-discussion-on-the-albums-of-1997/</link>
                    <comments>https://digmeout.podbean.com/e/314-roundtable-discussion-on-the-albums-of-1997/#comments</comments>        <pubDate>Tue, 17 Jan 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/314-roundtable-discussion-on-the-albums-of-1997/</guid>
                                    <description><![CDATA[<p style="text-align:center;">It’s our first roundtable discussion of 2017, and we’re tackling the albums from 20-years prior, with special guests <a href='https://twitter.com/andyderer'>Andy Derer</a> (<a href='https://andyderer.com/'>The Andy Derer Show</a>), <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are podcast</a>) and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.rocketfuelpodcast.com%2F&t=MGEzYjg2NTBlNjg3NDNjYzYxNjUxMTEyZGEwZjM1ZDhlMWI0Y2VlYixURkxNYzBDeA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F137619572526%2Falbumsof1996&m=1'>Rocketfuel podcast</a>) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘97. While 1997 might be remember as the year that saw the return of pop music in the US with albums by the Spice Girls and the Backstreet Boys, it was also the year Radiohead released their masterpiece OK Computer, the year Dave Grohl took the Foo Fighters to the next level with The Colour and The Shape, the year britpop heavyweights Blur and Oasis took different paths while their successors like Travis, Supergrass and Stereophonics put out solid releases. In other words, 1997 was all over the map, musically and geographically.</p>
<p style="text-align:center;">After you’re done listening to this episode, be sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for our extended chat on albums that didn’t make it into this episode.</p>
<p style="text-align:center;">Songs/Topics in this Episode:</p>
<p style="text-align:center;">Intro - 1997 Medley (Foo Fighters, Blur, Ben Folds Five, U2)</p>
<p style="text-align:center;">5:11 - Albums from 1997 that have stood the test of time</p>
<p style="text-align:center;">13:55 - Albums from 1997 that were overlooked upon release</p>
<p style="text-align:center;">23:11 - Albums from 1997 that have not aged well</p>
<p style="text-align:center;">36:27 - Albums from 1997 discovered much later</p>
<p style="text-align:center;">46:18 - Albums from 1997 that were disappointments on purchase</p>
<p style="text-align:center;">55:25 - Favorite album from 1997</p>
<p style="text-align:center;">Outro - Stereo by Pavement</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">It’s our first roundtable discussion of 2017, and we’re tackling the albums from 20-years prior, with special guests <a href='https://twitter.com/andyderer'>Andy Derer</a> (<a href='https://andyderer.com/'>The Andy Derer Show</a>), <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are podcast</a>) and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.rocketfuelpodcast.com%2F&t=MGEzYjg2NTBlNjg3NDNjYzYxNjUxMTEyZGEwZjM1ZDhlMWI0Y2VlYixURkxNYzBDeA%3D%3D&b=t%3ACGjINLZliATbopfiHaqQxw&p=http%3A%2F%2Fwww.digmeoutpodcast.com%2Fpost%2F137619572526%2Falbumsof1996&m=1'>Rocketfuel podcast</a>) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘97. While 1997 might be remember as the year that saw the return of pop music in the US with albums by the Spice Girls and the Backstreet Boys, it was also the year Radiohead released their masterpiece OK Computer, the year Dave Grohl took the Foo Fighters to the next level with The Colour and The Shape, the year britpop heavyweights Blur and Oasis took different paths while their successors like Travis, Supergrass and Stereophonics put out solid releases. In other words, 1997 was all over the map, musically and geographically.</p>
<p style="text-align:center;">After you’re done listening to this episode, be sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for our extended chat on albums that didn’t make it into this episode.</p>
<p style="text-align:center;">Songs/Topics in this Episode:</p>
<p style="text-align:center;">Intro - 1997 Medley (Foo Fighters, Blur, Ben Folds Five, U2)</p>
<p style="text-align:center;">5:11 - Albums from 1997 that have stood the test of time</p>
<p style="text-align:center;">13:55 - Albums from 1997 that were overlooked upon release</p>
<p style="text-align:center;">23:11 - Albums from 1997 that have not aged well</p>
<p style="text-align:center;">36:27 - Albums from 1997 discovered much later</p>
<p style="text-align:center;">46:18 - Albums from 1997 that were disappointments on purchase</p>
<p style="text-align:center;">55:25 - Favorite album from 1997</p>
<p style="text-align:center;">Outro - Stereo by Pavement</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tyus6c/314-albumsof1997.mp3" length="94230417" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s our first roundtable discussion of 2017, and we’re tackling the albums from 20-years prior, with special guests Andy Derer (The Andy Derer Show), Eric Grubbs (Do You Know Who You Are podcast) and Jeff Takacs (Rocketfuel podcast) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘97. While 1997 might be remember as the year that saw the return of pop music in the US with albums by the Spice Girls and the Backstreet Boys, it was also the year Radiohead released their masterpiece OK Computer, the year Dave Grohl took the Foo Fighters to the next level with The Colour and The Shape, the year britpop heavyweights Blur and Oasis took different paths while their successors like Travis, Supergrass and Stereophonics put out solid releases. In other words, 1997 was all over the map, musically and geographically.
After you’re done listening to this episode, be sure to visit our Patreon page for our extended chat on albums that didn’t make it into this episode.
Songs/Topics in this Episode:
Intro - 1997 Medley (Foo Fighters, Blur, Ben Folds Five, U2)
5:11 - Albums from 1997 that have stood the test of time
13:55 - Albums from 1997 that were overlooked upon release
23:11 - Albums from 1997 that have not aged well
36:27 - Albums from 1997 discovered much later
46:18 - Albums from 1997 that were disappointments on purchase
55:25 - Favorite album from 1997
Outro - Stereo by Pavement
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3908</itunes:duration>
                                    </item>
    <item>
        <title>#313: Baby Animals by Baby Animals</title>
        <itunes:title>#313: Baby Animals by Baby Animals</itunes:title>
        <link>https://digmeout.podbean.com/e/313-baby-animals-by-baby-animals/</link>
                    <comments>https://digmeout.podbean.com/e/313-baby-animals-by-baby-animals/#comments</comments>        <pubDate>Tue, 10 Jan 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/313-baby-animals-by-baby-animals/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Every year we dig deeper and deeper into bands from Australia that didn’t make much of an impact in United States to try to understand the global story of music in the 1990s thanks to <a href='http://www.digmeoutpodcast.com/requestareview'>requested reviews</a> from our dedicated listeners down under, and this week we’re back to check out the self-titled 1991 debut by Sydney’s <a href='http://thebabyanimals.com/'>Baby Animals</a>. The sound of the band harkens back to a more straightforward ‘80s <a href='https://en.wikipedia.org/wiki/Album-oriented_rock'>AOR</a> sound that draws comparison to Heart or the radio-friendly sounds of The Pretenders thanks to a skilled if nondescript backing band behind dynamic lead singer Suze DeMarchi. Even though it came out the same month as Nevermind by Nirvana and Use Your Illusion I & II by Guns ‘N Roses, there isn’t much in common with those bands -  that’s both a good and bad thing. Tune in and chime in with your comments.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Rush You</p>
<p style="text-align:center;">13:20 - Early Warning</p>
<p style="text-align:center;">15:35 - Ain’t Gonna Get</p>
<p style="text-align:center;">18:54 - Break My Heart</p>
<p style="text-align:center;">Outro - Painless</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Every year we dig deeper and deeper into bands from Australia that didn’t make much of an impact in United States to try to understand the global story of music in the 1990s thanks to <a href='http://www.digmeoutpodcast.com/requestareview'>requested reviews</a> from our dedicated listeners down under, and this week we’re back to check out the self-titled 1991 debut by Sydney’s <a href='http://thebabyanimals.com/'>Baby Animals</a>. The sound of the band harkens back to a more straightforward ‘80s <a href='https://en.wikipedia.org/wiki/Album-oriented_rock'>AOR</a> sound that draws comparison to Heart or the radio-friendly sounds of The Pretenders thanks to a skilled if nondescript backing band behind dynamic lead singer Suze DeMarchi. Even though it came out the same month as Nevermind by Nirvana and Use Your Illusion I & II by Guns ‘N Roses, there isn’t much in common with those bands -  that’s both a good and bad thing. Tune in and chime in with your comments.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Rush You</p>
<p style="text-align:center;">13:20 - Early Warning</p>
<p style="text-align:center;">15:35 - Ain’t Gonna Get</p>
<p style="text-align:center;">18:54 - Break My Heart</p>
<p style="text-align:center;">Outro - Painless</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cjdnc4/313-babyanimals.mp3" length="41350637" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Every year we dig deeper and deeper into bands from Australia that didn’t make much of an impact in United States to try to understand the global story of music in the 1990s thanks to requested reviews from our dedicated listeners down under, and this week we’re back to check out the self-titled 1991 debut by Sydney’s Baby Animals. The sound of the band harkens back to a more straightforward ‘80s AOR sound that draws comparison to Heart or the radio-friendly sounds of The Pretenders thanks to a skilled if nondescript backing band behind dynamic lead singer Suze DeMarchi. Even though it came out the same month as Nevermind by Nirvana and Use Your Illusion I & II by Guns ‘N Roses, there isn’t much in common with those bands -  that’s both a good and bad thing. Tune in and chime in with your comments.
Songs in this Episode:
Intro - Rush You
13:20 - Early Warning
15:35 - Ain’t Gonna Get
18:54 - Break My Heart
Outro - Painless
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1705</itunes:duration>
                                    </item>
    <item>
        <title>#312: Disco Volante by Mr. Bungle</title>
        <itunes:title>#312: Disco Volante by Mr. Bungle</itunes:title>
        <link>https://digmeout.podbean.com/e/312-disco-volante-by-mr-bungle/</link>
                    <comments>https://digmeout.podbean.com/e/312-disco-volante-by-mr-bungle/#comments</comments>        <pubDate>Tue, 03 Jan 2017 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/312-disco-volante-by-mr-bungle/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our first episode of season seven, it’s a requested review thanks to a <a href='https://www.patreon.com/digmeout'>Patreon</a> subscriber. We’ve talked about <a href='https://www.facebook.com/mikepatton/'>Mike Patton</a> previously on the podcast, but never actually revisited an album from one of his many musical outfits. For the first week of 2017, we’re checking out the 1995 sophomore album <a href='https://en.wikipedia.org/wiki/Disco_Volante'>Disco Volante</a> by <a href='http://www.mrbungle.com/'>Mr. Bungle</a>. Although Faith No More is known for their eclectic brand of hard rock/alternative metal, Mr. Bungle move well past that, playing around with sounds that borrow from a variety of styles including tango, doom metal, country, jazz, easy listening, Arabic and more. We revisit the album with our suggestor Scott, who shares how he discovered the band, what went into seeing the band eight nights in a row in eight different cities, neural pathways, double grooved records, and much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Desert Search for Techno Allah</p>
<p style="text-align:center;">5:33 - History of the Band</p>
<p style="text-align:center;">17:04 - Platypus</p>
<p style="text-align:center;">25:36 - Carry Stress In The Jaw</p>
<p style="text-align:center;">30:44 - Merry Go Bye Bye (Nothing)</p>
<p style="text-align:center;">Outro - After School Special</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our first episode of season seven, it’s a requested review thanks to a <a href='https://www.patreon.com/digmeout'>Patreon</a> subscriber. We’ve talked about <a href='https://www.facebook.com/mikepatton/'>Mike Patton</a> previously on the podcast, but never actually revisited an album from one of his many musical outfits. For the first week of 2017, we’re checking out the 1995 sophomore album <a href='https://en.wikipedia.org/wiki/Disco_Volante'>Disco Volante</a> by <a href='http://www.mrbungle.com/'>Mr. Bungle</a>. Although Faith No More is known for their eclectic brand of hard rock/alternative metal, Mr. Bungle move well past that, playing around with sounds that borrow from a variety of styles including tango, doom metal, country, jazz, easy listening, Arabic and more. We revisit the album with our suggestor Scott, who shares how he discovered the band, what went into seeing the band eight nights in a row in eight different cities, neural pathways, double grooved records, and much more.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Desert Search for Techno Allah</p>
<p style="text-align:center;">5:33 - History of the Band</p>
<p style="text-align:center;">17:04 - Platypus</p>
<p style="text-align:center;">25:36 - Carry Stress In The Jaw</p>
<p style="text-align:center;">30:44 - Merry Go Bye Bye (Nothing)</p>
<p style="text-align:center;">Outro - After School Special</p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='https://www.facebook.com/DigMeOutPodcast/'>Facebook</a> / <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.instagram.com/digmeoutpodcast/'>Instagram</a>
 
<a href='http://www.zazzle.com/digmeoutpodcast'>Zazzle Merch Store</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nzgqrc/312-mrbungle.mp3" length="71168544" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our first episode of season seven, it’s a requested review thanks to a Patreon subscriber. We’ve talked about Mike Patton previously on the podcast, but never actually revisited an album from one of his many musical outfits. For the first week of 2017, we’re checking out the 1995 sophomore album Disco Volante by Mr. Bungle. Although Faith No More is known for their eclectic brand of hard rock/alternative metal, Mr. Bungle move well past that, playing around with sounds that borrow from a variety of styles including tango, doom metal, country, jazz, easy listening, Arabic and more. We revisit the album with our suggestor Scott, who shares how he discovered the band, what went into seeing the band eight nights in a row in eight different cities, neural pathways, double grooved records, and much more.
Songs in this Episode:
Intro - Desert Search for Techno Allah
5:33 - History of the Band
17:04 - Platypus
25:36 - Carry Stress In The Jaw
30:44 - Merry Go Bye Bye (Nothing)
Outro - After School Special
Request a 2017 Review / Subscribe at Patreon
 
Facebook / Twitter / Instagram
 
Zazzle Merch Store
 
http://www.digmeoutpodcast.com]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2965</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-600.jpg" />    </item>
    <item>
        <title>#311: Season Six Review</title>
        <itunes:title>#311: Season Six Review</itunes:title>
        <link>https://digmeout.podbean.com/e/311-season-six-review/</link>
                    <comments>https://digmeout.podbean.com/e/311-season-six-review/#comments</comments>        <pubDate>Tue, 27 Dec 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/311-season-six-review/</guid>
                                    <description><![CDATA[<p style="text-align:center;">As is our year-end tradition, for our final episode of 2016, we look back at season six of the podcast to review the year that was and look forward to season seven in 2017. We give thanks to our long list of supporters on Patreon and our requested reviews, as well as all of our roundtable participants and interview guests. We also pick our favorite roundtable and interview episodes, choose which 90s album we revisited was our favorite discovery and what new album released by in 2017 we enjoyed.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">20:05 - Hard Drugs by Screaming Jets</p>
<p style="text-align:center;">26:25 - Any Way But Down by The Lees of Memory</p>
<p style="text-align:center;">Outro - Lazarus by David Bowie</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">As is our year-end tradition, for our final episode of 2016, we look back at season six of the podcast to review the year that was and look forward to season seven in 2017. We give thanks to our long list of supporters on Patreon and our requested reviews, as well as all of our roundtable participants and interview guests. We also pick our favorite roundtable and interview episodes, choose which 90s album we revisited was our favorite discovery and what new album released by in 2017 we enjoyed.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Dig Me Out by Sleater-Kinney</p>
<p style="text-align:center;">20:05 - Hard Drugs by Screaming Jets</p>
<p style="text-align:center;">26:25 - Any Way But Down by The Lees of Memory</p>
<p style="text-align:center;">Outro - Lazarus by David Bowie</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qfczze/311-season6review.mp3" length="51239345" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As is our year-end tradition, for our final episode of 2016, we look back at season six of the podcast to review the year that was and look forward to season seven in 2017. We give thanks to our long list of supporters on Patreon and our requested reviews, as well as all of our roundtable participants and interview guests. We also pick our favorite roundtable and interview episodes, choose which 90s album we revisited was our favorite discovery and what new album released by in 2017 we enjoyed.
Songs in this Episode:
Intro - Dig Me Out by Sleater-Kinney
20:05 - Hard Drugs by Screaming Jets
26:25 - Any Way But Down by The Lees of Memory
Outro - Lazarus by David Bowie
Follow on Twitter / Facebook

 
Request a 2017 Review / Subscribe at Patreon
 
http://www.digmeoutpodcast.com
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2117</itunes:duration>
                                    </item>
    <item>
        <title>#310: Tom Petty In The 90s Discussion with Author Paul Zollo</title>
        <itunes:title>#310: Tom Petty In The 90s Discussion with Author Paul Zollo</itunes:title>
        <link>https://digmeout.podbean.com/e/310-tom-petty-%e2%80%9cin-the-90s%e2%80%9d-discussion-with-author-paul-zollo/</link>
                    <comments>https://digmeout.podbean.com/e/310-tom-petty-%e2%80%9cin-the-90s%e2%80%9d-discussion-with-author-paul-zollo/#comments</comments>        <pubDate>Tue, 20 Dec 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/310-tom-petty-%e2%80%9cin-the-90s%e2%80%9d-discussion-with-author-paul-zollo/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Our previous “In The 90s” episodes examined the careers of <a href='http://www.digmeoutpodcast.com/post/132931124846/252-van-halen-in-the-90s-round-table-this-week'>Van Halen</a> and <a href='http://www.digmeoutpodcast.com/post/144500840961/metallicaroundtable'>Metallica</a> in that decade and discussed if they had managed to survive the turbulence that was the rise of alternative and independent rock music. For our latest edition, we’re joined by <a href='https://americansongwriter.com/author/paul-zollo/'>author/songwriter Paul Zollo</a> to revisit the career of Tom Petty, who released the book <a href='https://www.amazon.com/Conversations-Tom-Petty/dp/0825634717'>Conversations With Tom Petty</a> in 2006. Starting with the <a href='https://jefflynneselo.com/'>Jeff Lynne</a> produced Heartbreakers backed album Into The Great Wide Open, we dig into the changes in Petty’s songwriting, the band personnel changes, his second solo album Wildflowers with producer <a href='https://en.wikipedia.org/wiki/Rick_Rubin'>Rick Rubin</a> onto the decade closing album Echo. Of course, there is much more to the story, so be sure to tune and then leave us your thoughts on Tom Petty in the 90s.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - Medley (Into the Great Wide Open, Learning to Fly, Mary Jane’s Last Dance, You Don’t Know How It Feels)</p>
<p style="text-align: center;">47:07 - Walls (Circus) from She’s The One</p>
<p style="text-align: center;">Outro - Honey Bee from Wildflowers</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Our previous “In The 90s” episodes examined the careers of <a href='http://www.digmeoutpodcast.com/post/132931124846/252-van-halen-in-the-90s-round-table-this-week'>Van Halen</a> and <a href='http://www.digmeoutpodcast.com/post/144500840961/metallicaroundtable'>Metallica</a> in that decade and discussed if they had managed to survive the turbulence that was the rise of alternative and independent rock music. For our latest edition, we’re joined by <a href='https://americansongwriter.com/author/paul-zollo/'>author/songwriter Paul Zollo</a> to revisit the career of Tom Petty, who released the book <a href='https://www.amazon.com/Conversations-Tom-Petty/dp/0825634717'>Conversations With Tom Petty</a> in 2006. Starting with the <a href='https://jefflynneselo.com/'>Jeff Lynne</a> produced Heartbreakers backed album Into The Great Wide Open, we dig into the changes in Petty’s songwriting, the band personnel changes, his second solo album Wildflowers with producer <a href='https://en.wikipedia.org/wiki/Rick_Rubin'>Rick Rubin</a> onto the decade closing album Echo. Of course, there is much more to the story, so be sure to tune and then leave us your thoughts on Tom Petty in the 90s.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;"> </p>
<p style="text-align: center;">Intro - Medley (Into the Great Wide Open, Learning to Fly, Mary Jane’s Last Dance, You Don’t Know How It Feels)</p>
<p style="text-align: center;">47:07 - Walls (Circus) from She’s The One</p>
<p style="text-align: center;">Outro - Honey Bee from Wildflowers</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2017 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mmxpa4/310-tompetty.mp3" length="114779585" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our previous “In The 90s” episodes examined the careers of Van Halen and Metallica in that decade and discussed if they had managed to survive the turbulence that was the rise of alternative and independent rock music. For our latest edition, we’re joined by author/songwriter Paul Zollo to revisit the career of Tom Petty, who released the book Conversations With Tom Petty in 2006. Starting with the Jeff Lynne produced Heartbreakers backed album Into The Great Wide Open, we dig into the changes in Petty’s songwriting, the band personnel changes, his second solo album Wildflowers with producer Rick Rubin onto the decade closing album Echo. Of course, there is much more to the story, so be sure to tune and then leave us your thoughts on Tom Petty in the 90s.
Songs in this Episode:
 
Intro - Medley (Into the Great Wide Open, Learning to Fly, Mary Jane’s Last Dance, You Don’t Know How It Feels)
47:07 - Walls (Circus) from She’s The One
Outro - Honey Bee from Wildflowers
Follow on Twitter / Facebook

 
Request a 2017 Review / Subscribe at Patreon
 
http://www.digmeoutpodcast.com
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4765</itunes:duration>
                                    </item>
    <item>
        <title>#309: Hater by Hater</title>
        <itunes:title>#309: Hater by Hater</itunes:title>
        <link>https://digmeout.podbean.com/e/309-hater-by-hater/</link>
                    <comments>https://digmeout.podbean.com/e/309-hater-by-hater/#comments</comments>        <pubDate>Tue, 13 Dec 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/309-hater-by-hater/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our final review episode of the year, we’re tackling one of those oddball side-projects from major label artists that seemed to pop up on a weekly basis in the 90s. The self-titled 1993 debut by <a href='https://en.wikipedia.org/wiki/Hater_(band)'>Hater</a>, featuring members of Soundgarden, Monster Magnet and Devilhead isn’t what you’d expect. Instead of polished hard rock and metal riffs, there’s 60s garage and psychedelic rock. If you bought this thinking you were getting some Badmotorfinger-esque, you might have been disappointed. Were we? Tune in to fine out. </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Who Do I Kill?</p>
<p style="text-align:center;">12:58 - Roadside</p>
<p style="text-align:center;">15:36 - Lion and Lamb</p>
<p style="text-align:center;">25:50 - Down Undershoe</p>
<p style="text-align:center;">Outro - Circles</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our final review episode of the year, we’re tackling one of those oddball side-projects from major label artists that seemed to pop up on a weekly basis in the 90s. The self-titled 1993 debut by <a href='https://en.wikipedia.org/wiki/Hater_(band)'>Hater</a>, featuring members of Soundgarden, Monster Magnet and Devilhead isn’t what you’d expect. Instead of polished hard rock and metal riffs, there’s 60s garage and psychedelic rock. If you bought this thinking you were getting some Badmotorfinger-esque, you might have been disappointed. Were we? Tune in to fine out. </p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Who Do I Kill?</p>
<p style="text-align:center;">12:58 - Roadside</p>
<p style="text-align:center;">15:36 - Lion and Lamb</p>
<p style="text-align:center;">25:50 - Down Undershoe</p>
<p style="text-align:center;">Outro - Circles</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
 
<a href='http://www.digmeoutpodcast.com/'>http://www.digmeoutpodcast.com</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a8nvr2/309-hater.mp3" length="47180535" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our final review episode of the year, we’re tackling one of those oddball side-projects from major label artists that seemed to pop up on a weekly basis in the 90s. The self-titled 1993 debut by Hater, featuring members of Soundgarden, Monster Magnet and Devilhead isn’t what you’d expect. Instead of polished hard rock and metal riffs, there’s 60s garage and psychedelic rock. If you bought this thinking you were getting some Badmotorfinger-esque, you might have been disappointed. Were we? Tune in to fine out. 
Songs in this Episode:
Intro - Who Do I Kill?
12:58 - Roadside
15:36 - Lion and Lamb
25:50 - Down Undershoe
Outro - Circles
Follow on Twitter / Facebook

 
Request a 2016 Review / Subscribe at Patreon
 
http://www.digmeoutpodcast.com
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1948</itunes:duration>
                                    </item>
    <item>
        <title>#308: Imperial Drag by Imperial Drag</title>
        <itunes:title>#308: Imperial Drag by Imperial Drag</itunes:title>
        <link>https://digmeout.podbean.com/e/308-imperial-drag-by-imperial-drag/</link>
                    <comments>https://digmeout.podbean.com/e/308-imperial-drag-by-imperial-drag/#comments</comments>        <pubDate>Tue, 06 Dec 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/308-imperial-drag-by-imperial-drag/</guid>
                                    <description><![CDATA[<p style="text-align:center;">With ties to the perfectionist power-pop of Jellyfish and Guns ‘n Roses guitarist Slash’s Snakepit, this one-album-and-done band is perfect fodder for Dig Me Out - <a href='https://en.wikipedia.org/wiki/Imperial_Drag'>Imperial Drag</a> and their self-titled 1996 album. Combining T. Rex grooves with analog synths, Imperial Drag we found more in common with British glam revisionists like Suede and Placebo than their North American alternative and indie rock counterparts. So why didn’t these radio friendly hooks grab mainstream listener ears? We discuss, and make sure to share your thoughts as well.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro -  Boy or a Girl</p>
<p style="text-align:center;">2:10 - History of the Band</p>
<p style="text-align:center;">8:46 - Crosseyed</p>
<p style="text-align:center;">15:30 - The Man in the Moon</p>
<p style="text-align:center;">18:55 - Dandelion</p>
<p style="text-align:center;">25:42 - Playboy After Dark</p>
<p style="text-align:center;">Outro - Stare into the Sun</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">With ties to the perfectionist power-pop of Jellyfish and Guns ‘n Roses guitarist Slash’s Snakepit, this one-album-and-done band is perfect fodder for Dig Me Out - <a href='https://en.wikipedia.org/wiki/Imperial_Drag'>Imperial Drag</a> and their self-titled 1996 album. Combining T. Rex grooves with analog synths, Imperial Drag we found more in common with British glam revisionists like Suede and Placebo than their North American alternative and indie rock counterparts. So why didn’t these radio friendly hooks grab mainstream listener ears? We discuss, and make sure to share your thoughts as well.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro -  Boy or a Girl</p>
<p style="text-align:center;">2:10 - History of the Band</p>
<p style="text-align:center;">8:46 - Crosseyed</p>
<p style="text-align:center;">15:30 - The Man in the Moon</p>
<p style="text-align:center;">18:55 - Dandelion</p>
<p style="text-align:center;">25:42 - Playboy After Dark</p>
<p style="text-align:center;">Outro - Stare into the Sun</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7ivw45/308-imperialdrag.mp3" length="61944950" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With ties to the perfectionist power-pop of Jellyfish and Guns ‘n Roses guitarist Slash’s Snakepit, this one-album-and-done band is perfect fodder for Dig Me Out - Imperial Drag and their self-titled 1996 album. Combining T. Rex grooves with analog synths, Imperial Drag we found more in common with British glam revisionists like Suede and Placebo than their North American alternative and indie rock counterparts. So why didn’t these radio friendly hooks grab mainstream listener ears? We discuss, and make sure to share your thoughts as well.
Songs in this Episode:
Intro -  Boy or a Girl
2:10 - History of the Band
8:46 - Crosseyed
15:30 - The Man in the Moon
18:55 - Dandelion
25:42 - Playboy After Dark
Outro - Stare into the Sun
 
Follow on Twitter / Facebook

 
Request a 2016 Review / Subscribe at Patreon
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2563</itunes:duration>
                                    </item>
    <item>
        <title>#307: II by The Presidents of the United States of America</title>
        <itunes:title>#307: II by The Presidents of the United States of America</itunes:title>
        <link>https://digmeout.podbean.com/e/307-ii-by-the-presidents-of-the-united-states-of-america/</link>
                    <comments>https://digmeout.podbean.com/e/307-ii-by-the-presidents-of-the-united-states-of-america/#comments</comments>        <pubDate>Tue, 29 Nov 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/307-ii-by-the-presidents-of-the-united-states-of-america/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> voted on which <a href='https://en.wikipedia.org/wiki/1996_in_music#October_.E2.80.93_December'>November 1996</a> release we should check out, and they voted on the sophomore album II by <a href='https://en.wikipedia.org/wiki/The_Presidents_of_the_United_States_of_America_(band)'>the Presidents of the United States of America</a>, who scored a number one single with <a href='https://en.wikipedia.org/wiki/Lump_(song)'>Lump</a> a year earlier off their debut. With such a quick turnaround from their freshman release, is a dip in quality or are their gems to be rediscovered? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Mach 5</p>
<p style="text-align:center;">6:33 - History of the Band</p>
<p style="text-align:center;">16:30 - Tiki God</p>
<p style="text-align:center;">21:27 - Ladies And Gentlemen Part I</p>
<p style="text-align:center;">Outro - Toob Amplifier</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our <a href='https://www.patreon.com/digmeout'>Patreon patrons</a> voted on which <a href='https://en.wikipedia.org/wiki/1996_in_music#October_.E2.80.93_December'>November 1996</a> release we should check out, and they voted on the sophomore album II by <a href='https://en.wikipedia.org/wiki/The_Presidents_of_the_United_States_of_America_(band)'>the Presidents of the United States of America</a>, who scored a number one single with <a href='https://en.wikipedia.org/wiki/Lump_(song)'>Lump</a> a year earlier off their debut. With such a quick turnaround from their freshman release, is a dip in quality or are their gems to be rediscovered? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - Mach 5</p>
<p style="text-align:center;">6:33 - History of the Band</p>
<p style="text-align:center;">16:30 - Tiki God</p>
<p style="text-align:center;">21:27 - Ladies And Gentlemen Part I</p>
<p style="text-align:center;">Outro - Toob Amplifier</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7fimyk/307-pusa2.mp3" length="59692979" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our Patreon patrons voted on which November 1996 release we should check out, and they voted on the sophomore album II by the Presidents of the United States of America, who scored a number one single with Lump a year earlier off their debut. With such a quick turnaround from their freshman release, is a dip in quality or are their gems to be rediscovered? Tune in to find out.
Songs in this Episode:
Intro - Mach 5
6:33 - History of the Band
16:30 - Tiki God
21:27 - Ladies And Gentlemen Part I
Outro - Toob Amplifier
 
Follow on Twitter / Facebook

 
Request a 2016 Review / Subscribe at Patreon
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2469</itunes:duration>
                                    </item>
    <item>
        <title>#306: Unit by Regurgitator</title>
        <itunes:title>#306: Unit by Regurgitator</itunes:title>
        <link>https://digmeout.podbean.com/e/306-unit-by-regurgitator/</link>
                    <comments>https://digmeout.podbean.com/e/306-unit-by-regurgitator/#comments</comments>        <pubDate>Tue, 22 Nov 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/306-unit-by-regurgitator/</guid>
                                    <description><![CDATA[<p style="text-align:center;">Our latest requested review features a band from Australian we were completely unfamiliar with - <a href='https://regurgitator.net/'>Regurgitator</a>. Their second album <a href='https://en.wikipedia.org/wiki/Unit_(album)'>Unit</a> came out in 1997, going triple platinum, producing hit singles and winning music awards. It’s an eclectic mix of pop, rock and punk powered by ‘80s synth sounds and melodies galore. We previously encountered <a href='http://www.digmeoutpodcast.com/post/67487917426/spiderbait'>Spiderbait</a> and enjoyed their genre-hopping approach, does Regurgitator match their success? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I Like Your Old Stuff Better Than Your New Stuff</p>
<p style="text-align:center;">3:09 - History of the Band</p>
<p style="text-align:center;">8:44 - The Song Formerly Known As</p>
<p style="text-align:center;">12:31 - Just Another Beautiful Story</p>
<p style="text-align:center;">1734 - Mr. T</p>
<p style="text-align:center;">23:06 - I Will Lick Your Arsehole</p>
<p style="text-align:center;">Outro - Polyester Girl</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">Our latest requested review features a band from Australian we were completely unfamiliar with - <a href='https://regurgitator.net/'>Regurgitator</a>. Their second album <a href='https://en.wikipedia.org/wiki/Unit_(album)'>Unit</a> came out in 1997, going triple platinum, producing hit singles and winning music awards. It’s an eclectic mix of pop, rock and punk powered by ‘80s synth sounds and melodies galore. We previously encountered <a href='http://www.digmeoutpodcast.com/post/67487917426/spiderbait'>Spiderbait</a> and enjoyed their genre-hopping approach, does Regurgitator match their success? Tune in to find out.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro - I Like Your Old Stuff Better Than Your New Stuff</p>
<p style="text-align:center;">3:09 - History of the Band</p>
<p style="text-align:center;">8:44 - The Song Formerly Known As</p>
<p style="text-align:center;">12:31 - Just Another Beautiful Story</p>
<p style="text-align:center;">1734 - Mr. T</p>
<p style="text-align:center;">23:06 - I Will Lick Your Arsehole</p>
<p style="text-align:center;">Outro - Polyester Girl</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fz9d35/306-regurgitator.mp3" length="47932242" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our latest requested review features a band from Australian we were completely unfamiliar with - Regurgitator. Their second album Unit came out in 1997, going triple platinum, producing hit singles and winning music awards. It’s an eclectic mix of pop, rock and punk powered by ‘80s synth sounds and melodies galore. We previously encountered Spiderbait and enjoyed their genre-hopping approach, does Regurgitator match their success? Tune in to find out.
Songs in this Episode:
Intro - I Like Your Old Stuff Better Than Your New Stuff
3:09 - History of the Band
8:44 - The Song Formerly Known As
12:31 - Just Another Beautiful Story
1734 - Mr. T
23:06 - I Will Lick Your Arsehole
Outro - Polyester Girl
 
Follow on Twitter / Facebook

 
Request a 2016 Review / Subscribe at Patreon
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1979</itunes:duration>
                                    </item>
    <item>
        <title>#305: Roundtable - Sophomore Slump Revisited - Razorblade Suitcase by Bush</title>
        <itunes:title>#305: Roundtable - Sophomore Slump Revisited - Razorblade Suitcase by Bush</itunes:title>
        <link>https://digmeout.podbean.com/e/305-roundtable-sophomore-slump-revisited-razorblade-suitcase-by-bush/</link>
                    <comments>https://digmeout.podbean.com/e/305-roundtable-sophomore-slump-revisited-razorblade-suitcase-by-bush/#comments</comments>        <pubDate>Tue, 15 Nov 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/305-roundtable-sophomore-slump-revisited-razorblade-suitcase-by-bush/</guid>
                                    <description><![CDATA[<p style="text-align:center;">For our second sophomore slump revisited episode of 2016, we jump in the time machine again to revisit 1996 and check out the second album from <a href='http://bushofficial.com/'>Bush</a>, the <a href='https://en.wikipedia.org/wiki/Steve_Albini'>Steve Albini</a>-produced <a href='https://en.wikipedia.org/wiki/Razorblade_Suitcase'>Razorblade Suitcase</a>. Following up a massively successful debut with five hit singles is a tough job, but doing so in short period of time makes the job even harder. It sold half as many and failed to place as many hit singles on the charts, so we’ve invited back <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>, <a href='http://www.losttogetherpod.com/'>Lost Together Podcast</a>) and <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> (<a href='https://www.facebook.com/sitnspinwithjoe/'>Sit And Spin VideoCast</a>) to help us figure out if this is a true sophomore slump or an album worth redeeming.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro -  Swallowed from Razorblade Suitcase</p>
<p style="text-align:center;">8:32 - Machinehead from Sixteen Stone</p>
<p style="text-align:center;">18:33 - Personal Holloway from Razorblade Suitcase</p>
<p style="text-align:center;">31:55 - Mouth from Razorblade Suitcase</p>
<p style="text-align:center;">41:19 - Mouth (The Stingray Mix) from Deconstructed</p>
<p style="text-align:center;">Outro - Greedy Fly from Razorblade Suitcase</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>

<p style="text-align:center;"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;">For our second sophomore slump revisited episode of 2016, we jump in the time machine again to revisit 1996 and check out the second album from <a href='http://bushofficial.com/'>Bush</a>, the <a href='https://en.wikipedia.org/wiki/Steve_Albini'>Steve Albini</a>-produced <a href='https://en.wikipedia.org/wiki/Razorblade_Suitcase'>Razorblade Suitcase</a>. Following up a massively successful debut with five hit singles is a tough job, but doing so in short period of time makes the job even harder. It sold half as many and failed to place as many hit singles on the charts, so we’ve invited back <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>, <a href='http://www.losttogetherpod.com/'>Lost Together Podcast</a>) and <a href='https://twitter.com/sitnspinwithjoe'>Joe Royland</a> (<a href='https://www.facebook.com/sitnspinwithjoe/'>Sit And Spin VideoCast</a>) to help us figure out if this is a true sophomore slump or an album worth redeeming.</p>
<p style="text-align:center;">Songs in this Episode:</p>
<p style="text-align:center;">Intro -  Swallowed from Razorblade Suitcase</p>
<p style="text-align:center;">8:32 - Machinehead from Sixteen Stone</p>
<p style="text-align:center;">18:33 - Personal Holloway from Razorblade Suitcase</p>
<p style="text-align:center;">31:55 - Mouth from Razorblade Suitcase</p>
<p style="text-align:center;">41:19 - Mouth (The Stingray Mix) from Deconstructed</p>
<p style="text-align:center;">Outro - Greedy Fly from Razorblade Suitcase</p>
<p style="text-align:center;"> </p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

 
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>

<p style="text-align:center;"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5iigwf/305-roundtable-bush.mp3" length="79378240" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our second sophomore slump revisited episode of 2016, we jump in the time machine again to revisit 1996 and check out the second album from Bush, the Steve Albini-produced Razorblade Suitcase. Following up a massively successful debut with five hit singles is a tough job, but doing so in short period of time makes the job even harder. It sold half as many and failed to place as many hit singles on the charts, so we’ve invited back Matt Wardlaw (Ultimate Classic Rock, Lost Together Podcast) and Joe Royland (Sit And Spin VideoCast) to help us figure out if this is a true sophomore slump or an album worth redeeming.
Songs in this Episode:
Intro -  Swallowed from Razorblade Suitcase
8:32 - Machinehead from Sixteen Stone
18:33 - Personal Holloway from Razorblade Suitcase
31:55 - Mouth from Razorblade Suitcase
41:19 - Mouth (The Stingray Mix) from Deconstructed
Outro - Greedy Fly from Razorblade Suitcase
 
Follow on Twitter / Facebook

 
Request a 2016 Review / Subscribe at Patreon

 ]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3290</itunes:duration>
                                    </item>
    <item>
        <title>#304: Building by Sense Field</title>
        <itunes:title>#304: Building by Sense Field</itunes:title>
        <link>https://digmeout.podbean.com/e/304-building-by-sense-field/</link>
                    <comments>https://digmeout.podbean.com/e/304-building-by-sense-field/#comments</comments>        <pubDate>Tue, 08 Nov 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/304-building-by-sense-field/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> gives us a chance to revisit the 1996 album Building, the third release by <a href='https://www.facebook.com/SenseField/'>Sense Field</a>. Concise, urgent songs packed with guitar and vocal hooks, the album flies by at just thirty five minutes. We dig into it, and find sounds and styles varying from Bob Mould to The Offspring to Tool. Give a listen, and let us know if you agree with our take on Building.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Overstand
3:19 - History of the Band
12:45 - Will
16:59 - Leia
21:17 - Shallow Grave
Outro - No Man’s Land




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> gives us a chance to revisit the 1996 album Building, the third release by <a href='https://www.facebook.com/SenseField/'>Sense Field</a>. Concise, urgent songs packed with guitar and vocal hooks, the album flies by at just thirty five minutes. We dig into it, and find sounds and styles varying from Bob Mould to The Offspring to Tool. Give a listen, and let us know if you agree with our take on Building.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Overstand
3:19 - History of the Band
12:45 - Will
16:59 - Leia
21:17 - Shallow Grave
Outro - No Man’s Land

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qan8bc/304-sensefield.mp3" length="48193046" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Our latest requested review gives us a chance to revisit the 1996 album Building, the third release by Sense Field. Concise, urgent songs packed with guitar and vocal hooks, the album flies by at just thirty five minutes. We dig into it, and find sounds and styles varying from Bob Mould to The Offspring to Tool. Give a listen, and let us know if you agree with our take on Building.
Songs in this Episode:
Intro - Overstand
3:19 - History of the Band
12:45 - Will
16:59 - Leia
21:17 - Shallow Grave
Outro - No Man’s Land



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1990</itunes:duration>
                                    </item>
    <item>
        <title>#303: American Psycho by Misfits</title>
        <itunes:title>#303: American Psycho by Misfits</itunes:title>
        <link>https://digmeout.podbean.com/e/303-american-psycho-by-misfits/</link>
                    <comments>https://digmeout.podbean.com/e/303-american-psycho-by-misfits/#comments</comments>        <pubDate>Tue, 01 Nov 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/303-american-psycho-by-misfits/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, we get revisit the 1997 album American Psycho by the <a href='http://www.misfits.com/'>Misfits</a>. Minus founder/original lead singer Glenn Danzig, this album saw the band return after years of being an underground influence upon bands like Metallica, Guns ‘n Roses and others. The “horror punk” sound created by the band shifts in the direction of the bands it influenced, incorporating a decidedly more metal sound, while still utilizing the compact song structures, gang vocals and melodic hooks familiar to the band rom the 80s. But at seventeen tracks, is it too much of a good thing?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dig Up Her Bones
4:24 - History of the Band
20:07 - Speak of the Devil
26:22 - Mars Attacks
Outro - The Hunger




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, we get revisit the 1997 album American Psycho by the <a href='http://www.misfits.com/'>Misfits</a>. Minus founder/original lead singer Glenn Danzig, this album saw the band return after years of being an underground influence upon bands like Metallica, Guns ‘n Roses and others. The “horror punk” sound created by the band shifts in the direction of the bands it influenced, incorporating a decidedly more metal sound, while still utilizing the compact song structures, gang vocals and melodic hooks familiar to the band rom the 80s. But at seventeen tracks, is it too much of a good thing?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dig Up Her Bones
4:24 - History of the Band
20:07 - Speak of the Devil
26:22 - Mars Attacks
Outro - The Hunger

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vxhz3g/DMO303-misfits.mp3" length="54389709" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Thanks to a requested review, we get revisit the 1997 album American Psycho by the Misfits. Minus founder/original lead singer Glenn Danzig, this album saw the band return after years of being an underground influence upon bands like Metallica, Guns ‘n Roses and others. The “horror punk” sound created by the band shifts in the direction of the bands it influenced, incorporating a decidedly more metal sound, while still utilizing the compact song structures, gang vocals and melodic hooks familiar to the band rom the 80s. But at seventeen tracks, is it too much of a good thing?
Songs in this Episode:
Intro - Dig Up Her Bones
4:24 - History of the Band
20:07 - Speak of the Devil
26:22 - Mars Attacks
Outro - The Hunger



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2248</itunes:duration>
                                    </item>
    <item>
        <title>#302: Wake by Emmet Swimming</title>
        <itunes:title>#302: Wake by Emmet Swimming</itunes:title>
        <link>https://digmeout.podbean.com/e/302-wake-by-emmet-swimming/</link>
                    <comments>https://digmeout.podbean.com/e/302-wake-by-emmet-swimming/#comments</comments>        <pubDate>Tue, 25 Oct 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/302-wake-by-emmet-swimming/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">To help us revisit the 1995 album Wake by <a href='http://emmetswimming.com/'>Emmet Swimming</a>, we’re joined by <a href='http://popdose.com/tag/suburban-metal-dad/'>Suburban Metal Dad cartoonist</a> and <a href='http://6623press.tumblr.com/'>Slayer author</a> <a href='http://checkoutmybutt.com/'>DX Ferris</a>. A little bit of R.E.M. jangle combined with a touch Morrissey-esque vocals give this mid-90s album flavors not heard on other releases around this time. We dive into the players, the history and more to determine if Wake swims or sinks.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Bonus: you can listen to the 1995 Epic Records re-release of the album on Spotify, and you can also check out the original <a href='https://open.spotify.com/user/dxferris/playlist/7Llkph8c6qjeI2ig4w7B4v'>1994 original running order</a> as put together by DX Ferris</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jump In The Water
19:37 - Expect Me
45:40 - When Morning Comes
Outro - Broken Oar




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">To help us revisit the 1995 album Wake by <a href='http://emmetswimming.com/'>Emmet Swimming</a>, we’re joined by <a href='http://popdose.com/tag/suburban-metal-dad/'>Suburban Metal Dad cartoonist</a> and <a href='http://6623press.tumblr.com/'>Slayer author</a> <a href='http://checkoutmybutt.com/'>DX Ferris</a>. A little bit of R.E.M. jangle combined with a touch Morrissey-esque vocals give this mid-90s album flavors not heard on other releases around this time. We dive into the players, the history and more to determine if Wake swims or sinks.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Bonus: you can listen to the 1995 Epic Records re-release of the album on Spotify, and you can also check out the original <a href='https://open.spotify.com/user/dxferris/playlist/7Llkph8c6qjeI2ig4w7B4v'>1994 original running order</a> as put together by DX Ferris</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jump In The Water
19:37 - Expect Me
45:40 - When Morning Comes
Outro - Broken Oar

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5s5qkv/DMO302-emmetswimming.mp3" length="88542205" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
To help us revisit the 1995 album Wake by Emmet Swimming, we’re joined by Suburban Metal Dad cartoonist and Slayer author DX Ferris. A little bit of R.E.M. jangle combined with a touch Morrissey-esque vocals give this mid-90s album flavors not heard on other releases around this time. We dive into the players, the history and more to determine if Wake swims or sinks.
Bonus: you can listen to the 1995 Epic Records re-release of the album on Spotify, and you can also check out the original 1994 original running order as put together by DX Ferris
Songs in this Episode:
Intro - Jump In The Water
19:37 - Expect Me
45:40 - When Morning Comes
Outro - Broken Oar



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3671</itunes:duration>
                                    </item>
    <item>
        <title>#301: Digging Your Scene - Roundtable Discussion on Boston in the 90s</title>
        <itunes:title>#301: Digging Your Scene - Roundtable Discussion on Boston in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/301-digging-your-scene-roundtable-discussion-on-boston-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/301-digging-your-scene-roundtable-discussion-on-boston-in-the-90s/#comments</comments>        <pubDate>Tue, 18 Oct 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/301-digging-your-scene-roundtable-discussion-on-boston-in-the-90s/</guid>
                                    <description><![CDATA[
<p style="font-style:normal;font-weight:normal;text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">In the spring we hosted a roundtable on the Chicago music scene of the 1990s, so for our next “Digging Your Scene” episode, we decided to head to Boston, the home of the Pixies, Dinosaur Jr., Belly, Buffalo Tom, Morphine, The Lemonheads, Juliana Hatfield, Letters to Cleo, Sebadoh, The Mighty Mighty Bosstones and many more. To help us on our quest to figure out what made Boston such a vibrant city for alternative/independent music in the 1990s, we’re joined by a trio of Boston music vets:</p>

<a href='https://twitter.com/dearleader'>Aaron Perrino</a> - leader singer/guitarist of <a href='https://www.facebook.com/thesheiladivine/'>The Sheila Divine</a>, who released their 4th album <a href='https://thesheiladivine.bandcamp.com/album/the-morbs'>The Morbs</a> in October 2015




<a href='https://twitter.com/kayhanley'>Kay Hanley</a> - lead singer of <a href='http://www.letterstocleo.net/'>Letters to Cleo</a> (and <a href='https://en.wikipedia.org/wiki/Kay_Hanley'>much more</a>), who just released a new EP Back to Nebraska via their <a href='http://www.pledgemusic.com/projects/letterstocleo'>Pledgemusic campaign</a>




<a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> - DJ at 88.1 <a href='http://wmbr.org/'>WMBR</a> at MIT in Cambridge, MA since 1996
<p style="text-align:center;font-style:normal;font-weight:normal;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Boston Medley (Pixies, Letters to Cleo, Dinosaur Jr, The Sheila Divine, Morphine, Gigolo Aunts)
10:25 - Way You Walk by Papas Fritas
31:24 - His Lamest Flame by Mary Lou Lord
43:33 - Clear Spot by Pernice Brothers
Outro - Rock & Roll Band by Boston




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>


]]></description>
                                                            <content:encoded><![CDATA[
<p style="font-style:normal;font-weight:normal;text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">In the spring we hosted a roundtable on the Chicago music scene of the 1990s, so for our next “Digging Your Scene” episode, we decided to head to Boston, the home of the Pixies, Dinosaur Jr., Belly, Buffalo Tom, Morphine, The Lemonheads, Juliana Hatfield, Letters to Cleo, Sebadoh, The Mighty Mighty Bosstones and many more. To help us on our quest to figure out what made Boston such a vibrant city for alternative/independent music in the 1990s, we’re joined by a trio of Boston music vets:</p>

<a href='https://twitter.com/dearleader'>Aaron Perrino</a> - leader singer/guitarist of <a href='https://www.facebook.com/thesheiladivine/'>The Sheila Divine</a>, who released their 4th album <a href='https://thesheiladivine.bandcamp.com/album/the-morbs'>The Morbs</a> in October 2015


<br>

<a href='https://twitter.com/kayhanley'>Kay Hanley</a> - lead singer of <a href='http://www.letterstocleo.net/'>Letters to Cleo</a> (and <a href='https://en.wikipedia.org/wiki/Kay_Hanley'>much more</a>), who just released a new EP Back to Nebraska via their <a href='http://www.pledgemusic.com/projects/letterstocleo'>Pledgemusic campaign</a>


<br>

<a href='https://twitter.com/zaxxon25'>Keith Sawyer</a> - DJ at 88.1 <a href='http://wmbr.org/'>WMBR</a> at MIT in Cambridge, MA since 1996
<p style="text-align:center;font-style:normal;font-weight:normal;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Boston Medley (Pixies, Letters to Cleo, Dinosaur Jr, The Sheila Divine, Morphine, Gigolo Aunts)
10:25 - Way You Walk by Papas Fritas
31:24 - His Lamest Flame by Mary Lou Lord
43:33 - Clear Spot by Pernice Brothers
Outro - Rock & Roll Band by Boston

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>

<br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2stv3g/DMO301-Boston.mp3" length="76293068" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
In the spring we hosted a roundtable on the Chicago music scene of the 1990s, so for our next “Digging Your Scene” episode, we decided to head to Boston, the home of the Pixies, Dinosaur Jr., Belly, Buffalo Tom, Morphine, The Lemonheads, Juliana Hatfield, Letters to Cleo, Sebadoh, The Mighty Mighty Bosstones and many more. To help us on our quest to figure out what made Boston such a vibrant city for alternative/independent music in the 1990s, we’re joined by a trio of Boston music vets:
Aaron Perrino - leader singer/guitarist of The Sheila Divine, who released their 4th album The Morbs in October 2015



Kay Hanley - lead singer of Letters to Cleo (and much more), who just released a new EP Back to Nebraska via their Pledgemusic campaign



Keith Sawyer - DJ at 88.1 WMBR at MIT in Cambridge, MA since 1996
Songs in this Episode:
Intro - Boston Medley (Pixies, Letters to Cleo, Dinosaur Jr, The Sheila Divine, Morphine, Gigolo Aunts)
10:25 - Way You Walk by Papas Fritas
31:24 - His Lamest Flame by Mary Lou Lord
43:33 - Clear Spot by Pernice Brothers
Outro - Rock & Roll Band by Boston



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3161</itunes:duration>
                                    </item>
    <item>
        <title>#300: Interview with author Jovana Babovic of Dig Me Out by Sleater-Kinney 33 1/3 book</title>
        <itunes:title>#300: Interview with author Jovana Babovic of Dig Me Out by Sleater-Kinney 33 1/3 book</itunes:title>
        <link>https://digmeout.podbean.com/e/300-interview-with-author-jovana-babovic-of-dig-me-out-by-sleater-kinney-33-13-book/</link>
                    <comments>https://digmeout.podbean.com/e/300-interview-with-author-jovana-babovic-of-dig-me-out-by-sleater-kinney-33-13-book/#comments</comments>        <pubDate>Tue, 11 Oct 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/300-interview-with-author-jovana-babovic-of-dig-me-out-by-sleater-kinney-33-13-book/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">We’ve reached a new milestone, and to help us celebrate, we’ve invited the author of the <a href='http://www.bloomsbury.com/us/sleater-kinneys-dig-me-out-9781628929799/'>33 1/3 book entry</a> for <a href='https://en.wikipedia.org/wiki/Dig_Me_Out'>Dig Me Out</a> by <a href='http://www.sleater-kinney.com/'>Sleater-Kinney</a> to join us, author and historian <a href='http://jovanababovic.com/'>Jovana Babovic</a>. We discuss how the album was chosen, researching and writing the book, and the difficulty of writing about sound. We get into the nitty gritty of the 33 1/3 submission process, the importance of ‘zines to the history of 90s music and the concept of “selling out.” We also talk about the shifting coverage of Sleater-Kinney in the music and mainstream press, the influence of the band in the ‘00s and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dig Me Out
8:14 - Words And Guitar
Outro - Turn It On




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">We’ve reached a new milestone, and to help us celebrate, we’ve invited the author of the <a href='http://www.bloomsbury.com/us/sleater-kinneys-dig-me-out-9781628929799/'>33 1/3 book entry</a> for <a href='https://en.wikipedia.org/wiki/Dig_Me_Out'>Dig Me Out</a> by <a href='http://www.sleater-kinney.com/'>Sleater-Kinney</a> to join us, author and historian <a href='http://jovanababovic.com/'>Jovana Babovic</a>. We discuss how the album was chosen, researching and writing the book, and the difficulty of writing about sound. We get into the nitty gritty of the 33 1/3 submission process, the importance of ‘zines to the history of 90s music and the concept of “selling out.” We also talk about the shifting coverage of Sleater-Kinney in the music and mainstream press, the influence of the band in the ‘00s and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dig Me Out
8:14 - Words And Guitar
Outro - Turn It On

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wv6bfz/DMO300-DMOonDMO.mp3" length="103371810" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We’ve reached a new milestone, and to help us celebrate, we’ve invited the author of the 33 1/3 book entry for Dig Me Out by Sleater-Kinney to join us, author and historian Jovana Babovic. We discuss how the album was chosen, researching and writing the book, and the difficulty of writing about sound. We get into the nitty gritty of the 33 1/3 submission process, the importance of ‘zines to the history of 90s music and the concept of “selling out.” We also talk about the shifting coverage of Sleater-Kinney in the music and mainstream press, the influence of the band in the ‘00s and much, much more.
Songs in this Episode:
Intro - Dig Me Out
8:14 - Words And Guitar
Outro - Turn It On



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4289</itunes:duration>
                                    </item>
    <item>
        <title>#299: Fountains of Wayne by Fountains of Wayne</title>
        <itunes:title>#299: Fountains of Wayne by Fountains of Wayne</itunes:title>
        <link>https://digmeout.podbean.com/e/299-fountains-of-wayne-by-fountains-of-wayne/</link>
                    <comments>https://digmeout.podbean.com/e/299-fountains-of-wayne-by-fountains-of-wayne/#comments</comments>        <pubDate>Tue, 04 Oct 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/299-fountains-of-wayne-by-fountains-of-wayne/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">We gave our <a href='https://www.patreon.com/digmeout'>Patreon subscribers</a> four album options that were released in October 1996, and they decided we should revisit the self-titled debut by <a href='http://fountainsofwayne.com/home/'>Fountains of Wayne</a>. All the hallmarks of power pop are present - tight songwriting, big vocal hooks with guitar riffs to match, and the occasional harmony to sweeten the sound - from the band that would go on to write the massive single “Stacy’s Mom.” </p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Radiation Vibe
4:04 - History of the Band
12:36 - Leave The Biker
18:11 - She’s Got A Problem
27:51 - Radiation Vibe
Outro - Sink To The Bottom




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">We gave our <a href='https://www.patreon.com/digmeout'>Patreon subscribers</a> four album options that were released in October 1996, and they decided we should revisit the self-titled debut by <a href='http://fountainsofwayne.com/home/'>Fountains of Wayne</a>. All the hallmarks of power pop are present - tight songwriting, big vocal hooks with guitar riffs to match, and the occasional harmony to sweeten the sound - from the band that would go on to write the massive single “Stacy’s Mom.” </p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Radiation Vibe
4:04 - History of the Band
12:36 - Leave The Biker
18:11 - She’s Got A Problem
27:51 - Radiation Vibe
Outro - Sink To The Bottom

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/47c2ne/DMO299-fountainsofwayne.mp3" length="52236184" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We gave our Patreon subscribers four album options that were released in October 1996, and they decided we should revisit the self-titled debut by Fountains of Wayne. All the hallmarks of power pop are present - tight songwriting, big vocal hooks with guitar riffs to match, and the occasional harmony to sweeten the sound - from the band that would go on to write the massive single “Stacy’s Mom.” 
Songs in this Episode:
Intro - Radiation Vibe
4:04 - History of the Band
12:36 - Leave The Biker
18:11 - She’s Got A Problem
27:51 - Radiation Vibe
Outro - Sink To The Bottom



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2159</itunes:duration>
                                    </item>
    <item>
        <title>#298: Interview with Michelle Leon of Babes in Toyland</title>
        <itunes:title>#298: Interview with Michelle Leon of Babes in Toyland</itunes:title>
        <link>https://digmeout.podbean.com/e/298-interview-with-michelle-leon-of-babes-in-toyland/</link>
                    <comments>https://digmeout.podbean.com/e/298-interview-with-michelle-leon-of-babes-in-toyland/#comments</comments>        <pubDate>Tue, 27 Sep 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/298-interview-with-michelle-leon-of-babes-in-toyland/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">This week we’re joined by former <a href='https://www.facebook.com/babesintoylandofficial/'>Babes in Toyland</a> bassist Michelle Leon, author of the recently released book <a href='https://www.facebook.com/iliveinsideBIT/'>I Live Inside: Memoirs of a Babe in Toyland</a>. We discuss her upbringing in suburban Minnesota prior to joining the band at the age of 17, her struggle with the idea of “authenticity” and defying expectations writing a “rock biography.” We get into the nuts and bolts of writing the book, how she approached reconstructing memories from over twenty-five years ago, muscle cars, oversized bass cabinets, her time as a realtor in New Orleans, Prince, and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro/1:58 - He’s My Thing
Outro - Dust Cake Boy




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">This week we’re joined by former <a href='https://www.facebook.com/babesintoylandofficial/'>Babes in Toyland</a> bassist Michelle Leon, author of the recently released book <a href='https://www.facebook.com/iliveinsideBIT/'>I Live Inside: Memoirs of a Babe in Toyland</a>. We discuss her upbringing in suburban Minnesota prior to joining the band at the age of 17, her struggle with the idea of “authenticity” and defying expectations writing a “rock biography.” We get into the nuts and bolts of writing the book, how she approached reconstructing memories from over twenty-five years ago, muscle cars, oversized bass cabinets, her time as a realtor in New Orleans, Prince, and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro/1:58 - He’s My Thing
Outro - Dust Cake Boy

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v6q6qf/DMO298-MichelleLeon.mp3" length="86818750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week we’re joined by former Babes in Toyland bassist Michelle Leon, author of the recently released book I Live Inside: Memoirs of a Babe in Toyland. We discuss her upbringing in suburban Minnesota prior to joining the band at the age of 17, her struggle with the idea of “authenticity” and defying expectations writing a “rock biography.” We get into the nuts and bolts of writing the book, how she approached reconstructing memories from over twenty-five years ago, muscle cars, oversized bass cabinets, her time as a realtor in New Orleans, Prince, and much, much more.
Songs in this Episode:
Intro/1:58 - He’s My Thing
Outro - Dust Cake Boy



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3600</itunes:duration>
                                    </item>
    <item>
        <title>#297: Swing Revival Roundtable + Interview with Scotty Morris of Big Bad Voodoo Daddy</title>
        <itunes:title>#297: Swing Revival Roundtable + Interview with Scotty Morris of Big Bad Voodoo Daddy</itunes:title>
        <link>https://digmeout.podbean.com/e/297-swing-revival-roundtable-interview-with-scotty-morris-of-big-bad-voodoo-daddy/</link>
                    <comments>https://digmeout.podbean.com/e/297-swing-revival-roundtable-interview-with-scotty-morris-of-big-bad-voodoo-daddy/#comments</comments>        <pubDate>Tue, 20 Sep 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/297-swing-revival-roundtable-interview-with-scotty-morris-of-big-bad-voodoo-daddy/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Our roundtable for September is actually a two-parter on the swing revival of the 1990s. We start with an interview with Scotty Morris of <a href='http://www.bbvd.com/'>Big Bad Voodoo Daddy</a> joining us to talk about his early musical upbringing, how BBVD came together in the early 90s, being a part of <a href='http://www.imdb.com/title/tt0117802/'>Swingers</a>, the <a href='https://en.wikipedia.org/wiki/Super_Bowl_XXXIII'>1999 Super Bowl</a> and the arc of swing music in the 90s. In part two, we’re joined by <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.youtube.com/channel/UCG8B9UzFqKkpkygHesiv3fQ'>Eric Peterson</a> to take a big picture view of the swing revival in the 90s.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro/1:21 - Kind of Swing by Big Bad Voodoo Daddy
50:30 - You & Me & The Bottle Makes 3 Tonight (Baby) by Big Bad Voodoo Daddy
Outro - Go Daddy-O by Big Bad Voodoo Daddy
<p style="text-align:center;margin:15px 0px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Be sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for bonus material from this episode.</p>
<p style="text-align:center;margin:15px 0px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">

</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Our roundtable for September is actually a two-parter on the swing revival of the 1990s. We start with an interview with Scotty Morris of <a href='http://www.bbvd.com/'>Big Bad Voodoo Daddy</a> joining us to talk about his early musical upbringing, how BBVD came together in the early 90s, being a part of <a href='http://www.imdb.com/title/tt0117802/'>Swingers</a>, the <a href='https://en.wikipedia.org/wiki/Super_Bowl_XXXIII'>1999 Super Bowl</a> and the arc of swing music in the 90s. In part two, we’re joined by <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.youtube.com/channel/UCG8B9UzFqKkpkygHesiv3fQ'>Eric Peterson</a> to take a big picture view of the swing revival in the 90s.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Songs in this Episode:</p>

Intro/1:21 - Kind of Swing by Big Bad Voodoo Daddy
50:30 - You & Me & The Bottle Makes 3 Tonight (Baby) by Big Bad Voodoo Daddy
Outro - Go Daddy-O by Big Bad Voodoo Daddy
<p style="text-align:center;margin:15px 0px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">Be sure to visit our <a href='https://www.patreon.com/digmeout'>Patreon page</a> for bonus material from this episode.</p>
<p style="text-align:center;margin:15px 0px 0px;padding:0px;border:0px;line-height:inherit;vertical-align:baseline;">
<br>
</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aumgtm/DMO297-swingroundtable.mp3" length="143766110" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Our roundtable for September is actually a two-parter on the swing revival of the 1990s. We start with an interview with Scotty Morris of Big Bad Voodoo Daddy joining us to talk about his early musical upbringing, how BBVD came together in the early 90s, being a part of Swingers, the 1999 Super Bowl and the arc of swing music in the 90s. In part two, we’re joined by Eric Grubbs and Eric Peterson to take a big picture view of the swing revival in the 90s.
Songs in this Episode:
Intro/1:21 - Kind of Swing by Big Bad Voodoo Daddy
50:30 - You & Me & The Bottle Makes 3 Tonight (Baby) by Big Bad Voodoo Daddy
Outro - Go Daddy-O by Big Bad Voodoo Daddy
Be sure to visit our Patreon page for bonus material from this episode.


Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5972</itunes:duration>
                                    </item>
    <item>
        <title>#296: Salutations from the Ghetto Nation by Warrior Soul</title>
        <itunes:title>#296: Salutations from the Ghetto Nation by Warrior Soul</itunes:title>
        <link>https://digmeout.podbean.com/e/296-salutations-from-the-ghetto-nation-by-warrior-soul/</link>
                    <comments>https://digmeout.podbean.com/e/296-salutations-from-the-ghetto-nation-by-warrior-soul/#comments</comments>        <pubDate>Tue, 13 Sep 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/296-salutations-from-the-ghetto-nation-by-warrior-soul/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we are checking out the 1992 album Salutations from the Ghetto Nation by <a href='https://www.facebook.com/kory.clarke.9'>Warrior Soul</a>. Brash and loud with one foot in the sound of 80s hair metal and the other in 90s alternative, the band is hard to pin down musically. Lyrically, not so much, as they cover anti-government and anti-corporate territory that would make friendly bedfellows with Rage Against The Machine.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Love Destruction
10:20 - The Party
17:34 - Punk And Belligerent
19:23 - Dimension
Outro - Ghetto Nation


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we are checking out the 1992 album Salutations from the Ghetto Nation by <a href='https://www.facebook.com/kory.clarke.9'>Warrior Soul</a>. Brash and loud with one foot in the sound of 80s hair metal and the other in 90s alternative, the band is hard to pin down musically. Lyrically, not so much, as they cover anti-government and anti-corporate territory that would make friendly bedfellows with Rage Against The Machine.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Love Destruction
10:20 - The Party
17:34 - Punk And Belligerent
19:23 - Dimension
Outro - Ghetto Nation


<br class="Apple-interchange-newline" />Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4wmpeb/DMO296-warriorsoul.mp3" length="48114056" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week we are checking out the 1992 album Salutations from the Ghetto Nation by Warrior Soul. Brash and loud with one foot in the sound of 80s hair metal and the other in 90s alternative, the band is hard to pin down musically. Lyrically, not so much, as they cover anti-government and anti-corporate territory that would make friendly bedfellows with Rage Against The Machine.
Songs in this Episode:
Intro - Love Destruction
10:20 - The Party
17:34 - Punk And Belligerent
19:23 - Dimension
Outro - Ghetto Nation


Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1987</itunes:duration>
                                    </item>
    <item>
        <title>#295: Animal Rights by Moby</title>
        <itunes:title>#295: Animal Rights by Moby</itunes:title>
        <link>https://digmeout.podbean.com/e/295-animal-rights-by-moby/</link>
                    <comments>https://digmeout.podbean.com/e/295-animal-rights-by-moby/#comments</comments>        <pubDate>Tue, 06 Sep 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/295-animal-rights-by-moby/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to our voters at <a href='https://www.patreon.com/digmeout'>Patreon</a>, this week we’re checking out the 1997 album Animal Rights by <a href='http://moby.com/'>Moby</a>. Plenty of ground is covered on this 72+ minute long, sixteen track album. Slow burning ambient tunes? Check. Pulsing instrumentals? Check. Industrial metal? Check. Down-tuned dirges? Check. Post punk cover? Check. There is a little bit for everyone, but who is this really for? We try to figure that out and more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - That’s When I Reach For My Revolver
22:17 - That’s When I Reach For My Revolver
24:44 - Come On Baby
28:02 - Say It’s All Mine
Outro - Love Song For My Mom




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to our voters at <a href='https://www.patreon.com/digmeout'>Patreon</a>, this week we’re checking out the 1997 album Animal Rights by <a href='http://moby.com/'>Moby</a>. Plenty of ground is covered on this 72+ minute long, sixteen track album. Slow burning ambient tunes? Check. Pulsing instrumentals? Check. Industrial metal? Check. Down-tuned dirges? Check. Post punk cover? Check. There is a little bit for everyone, but who is this really for? We try to figure that out and more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - That’s When I Reach For My Revolver
22:17 - That’s When I Reach For My Revolver
24:44 - Come On Baby
28:02 - Say It’s All Mine
Outro - Love Song For My Mom

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ccnw6j/DMO295-moby.mp3" length="59458506" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Thanks to our voters at Patreon, this week we’re checking out the 1997 album Animal Rights by Moby. Plenty of ground is covered on this 72+ minute long, sixteen track album. Slow burning ambient tunes? Check. Pulsing instrumentals? Check. Industrial metal? Check. Down-tuned dirges? Check. Post punk cover? Check. There is a little bit for everyone, but who is this really for? We try to figure that out and more.
Songs in this Episode:
Intro - That’s When I Reach For My Revolver
22:17 - That’s When I Reach For My Revolver
24:44 - Come On Baby
28:02 - Say It’s All Mine
Outro - Love Song For My Mom



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2460</itunes:duration>
                                    </item>
    <item>
        <title>#294: Trouble at the Henhouse by The Tragically Hip</title>
        <itunes:title>#294: Trouble at the Henhouse by The Tragically Hip</itunes:title>
        <link>https://digmeout.podbean.com/e/294-trouble-at-the-henhouse-by-the-tragically-hip/</link>
                    <comments>https://digmeout.podbean.com/e/294-trouble-at-the-henhouse-by-the-tragically-hip/#comments</comments>        <pubDate>Tue, 30 Aug 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/294-trouble-at-the-henhouse-by-the-tragically-hip/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;"><a href='http://www.thehip.com/'>The Tragically Hip</a> have been mentioned a few times on the show, but we’ve never gotten around to reviewing an album on an actual episode. Until now. Hailing from Kingston, Ontario, Canada, the band has been a stadium act for over two decades up north while making smaller inroads in the lower forty eight. With the spring announcement of lead singer <a href='https://www.ingordwetrust.com/'>Gord Downie’s terminal brain cancer</a>, and their just completed tour for their thirteenth album Man Machine Poem, we decided to ask our friend/<a href='http://www.falconradio.org/'>college radio alum</a>/fellow Columbus musician <a href='https://twitter.com/sit_down_waldo'>Billy Peake</a> (of <a href='http://mirandasound.com/'>Miranda Sound</a> and <a href='http://bicentennialbear.com/'>Bicentennial Bear</a>) to help up dig into their moody and sparse 1996 album Trouble at the Henhouse, which sits sandwiched between the successful albums Day for Night and Phantom Power. We talk about the album, the legacy of the band, the perceptions and misconceptions about them, the (possibly) final show on August 23rd (the day before this was recorded), and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Ahead by a Century from Trouble at the Henhouse
23:58 - Gift Shop from Trouble at the Henhouse
28:42 - I’ll Believe In You (Or I’ll Be Leaving You Tonight) from Up To Here
36:26 - Springtime in Vienna from Trouble at the Henhouse
46:37 - Heaven Is A Better Place Today from In Between Evolution
Outro - Coconut Cream from Trouble at the Henhouse




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;"><a href='http://www.thehip.com/'>The Tragically Hip</a> have been mentioned a few times on the show, but we’ve never gotten around to reviewing an album on an actual episode. Until now. Hailing from Kingston, Ontario, Canada, the band has been a stadium act for over two decades up north while making smaller inroads in the lower forty eight. With the spring announcement of lead singer <a href='https://www.ingordwetrust.com/'>Gord Downie’s terminal brain cancer</a>, and their just completed tour for their thirteenth album Man Machine Poem, we decided to ask our friend/<a href='http://www.falconradio.org/'>college radio alum</a>/fellow Columbus musician <a href='https://twitter.com/sit_down_waldo'>Billy Peake</a> (of <a href='http://mirandasound.com/'>Miranda Sound</a> and <a href='http://bicentennialbear.com/'>Bicentennial Bear</a>) to help up dig into their moody and sparse 1996 album Trouble at the Henhouse, which sits sandwiched between the successful albums Day for Night and Phantom Power. We talk about the album, the legacy of the band, the perceptions and misconceptions about them, the (possibly) final show on August 23rd (the day before this was recorded), and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Ahead by a Century from Trouble at the Henhouse
23:58 - Gift Shop from Trouble at the Henhouse
28:42 - I’ll Believe In You (Or I’ll Be Leaving You Tonight) from Up To Here
36:26 - Springtime in Vienna from Trouble at the Henhouse
46:37 - Heaven Is A Better Place Today from In Between Evolution
Outro - Coconut Cream from Trouble at the Henhouse

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dx3wjs/DMO294-thehip.mp3" length="115819051" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
The Tragically Hip have been mentioned a few times on the show, but we’ve never gotten around to reviewing an album on an actual episode. Until now. Hailing from Kingston, Ontario, Canada, the band has been a stadium act for over two decades up north while making smaller inroads in the lower forty eight. With the spring announcement of lead singer Gord Downie’s terminal brain cancer, and their just completed tour for their thirteenth album Man Machine Poem, we decided to ask our friend/college radio alum/fellow Columbus musician Billy Peake (of Miranda Sound and Bicentennial Bear) to help up dig into their moody and sparse 1996 album Trouble at the Henhouse, which sits sandwiched between the successful albums Day for Night and Phantom Power. We talk about the album, the legacy of the band, the perceptions and misconceptions about them, the (possibly) final show on August 23rd (the day before this was recorded), and much more.
Songs in this Episode:
Intro - Ahead by a Century from Trouble at the Henhouse
23:58 - Gift Shop from Trouble at the Henhouse
28:42 - I’ll Believe In You (Or I’ll Be Leaving You Tonight) from Up To Here
36:26 - Springtime in Vienna from Trouble at the Henhouse
46:37 - Heaven Is A Better Place Today from In Between Evolution
Outro - Coconut Cream from Trouble at the Henhouse



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4808</itunes:duration>
                                    </item>
    <item>
        <title>#293: Disappearing Acts Roundtable</title>
        <itunes:title>#293: Disappearing Acts Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/293-disappearing-acts-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/293-disappearing-acts-roundtable/#comments</comments>        <pubDate>Tue, 23 Aug 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/293-disappearing-acts-roundtable/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week were exploring the bands that sold millions of albums in the 1990s, but by the time the ‘00s rolled around, had disappeared from the sales charts and radio stations they used to dominate. The Cranberries, Live, Creed, Blues Traveler, Hootie & The Blowfish and more we try to figure out what happened - where they overexposed and people got bored? Did follow-up albums flop? Did the collapse on under the weight of their egos and success? To help us do so, Eric Peterson (<a href='http://lovethatalbum.podbean.com/'>Love That Album podcast</a>, <a href='https://www.youtube.com/channel/UCG8B9UzFqKkpkygHesiv3fQ'>YouTube</a>) of and our show announcer Katie Minneci join us to discuss.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">If you want to hear about 10 minutes of bonus content from this episode, make sure to become a patron at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - The Cranberries/Hootie & The Blowfish/Live
2:47 - I Alone by Live
17:08 - Dream by The Cranberries
53:55 - Only Wanna Be With You by Hootie & The Blowfish
Outro - Rain King by Counting Crows


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week were exploring the bands that sold millions of albums in the 1990s, but by the time the ‘00s rolled around, had disappeared from the sales charts and radio stations they used to dominate. The Cranberries, Live, Creed, Blues Traveler, Hootie & The Blowfish and more we try to figure out what happened - where they overexposed and people got bored? Did follow-up albums flop? Did the collapse on under the weight of their egos and success? To help us do so, Eric Peterson (<a href='http://lovethatalbum.podbean.com/'>Love That Album podcast</a>, <a href='https://www.youtube.com/channel/UCG8B9UzFqKkpkygHesiv3fQ'>YouTube</a>) of and our show announcer Katie Minneci join us to discuss.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">If you want to hear about 10 minutes of bonus content from this episode, make sure to become a patron at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - The Cranberries/Hootie & The Blowfish/Live
2:47 - I Alone by Live
17:08 - Dream by The Cranberries
53:55 - Only Wanna Be With You by Hootie & The Blowfish
Outro - Rain King by Counting Crows


<br class="Apple-interchange-newline" />Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pumzy9/DMO293-roundtable-disappearingacts.mp3" length="122918704" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week were exploring the bands that sold millions of albums in the 1990s, but by the time the ‘00s rolled around, had disappeared from the sales charts and radio stations they used to dominate. The Cranberries, Live, Creed, Blues Traveler, Hootie & The Blowfish and more we try to figure out what happened - where they overexposed and people got bored? Did follow-up albums flop? Did the collapse on under the weight of their egos and success? To help us do so, Eric Peterson (Love That Album podcast, YouTube) of and our show announcer Katie Minneci join us to discuss.
If you want to hear about 10 minutes of bonus content from this episode, make sure to become a patron at Patreon.
Songs in this Episode:
Intro - The Cranberries/Hootie & The Blowfish/Live
2:47 - I Alone by Live
17:08 - Dream by The Cranberries
53:55 - Only Wanna Be With You by Hootie & The Blowfish
Outro - Rain King by Counting Crows


Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5109</itunes:duration>
                                    </item>
    <item>
        <title>#292: The Living End by The Living End</title>
        <itunes:title>#292: The Living End by The Living End</itunes:title>
        <link>https://digmeout.podbean.com/e/292-the-living-end-by-the-living-end/</link>
                    <comments>https://digmeout.podbean.com/e/292-the-living-end-by-the-living-end/#comments</comments>        <pubDate>Tue, 16 Aug 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/292-the-living-end-by-the-living-end/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a requested review, we’re heading back down under to Melbourne, Australia check out the 1998 self-titled debut album by <a href='http://www.thelivingend.com.au/'>The Living End</a>. Best known in the U.S. for their 2000 single “Roll On,” from their sophomore release, we get an earlier glimpse at this three piece and their combination of punk, rockabilly and ska. They’ve got melodies and energy, but aren’t afraid to slow down the tempo. Does it work overall? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Prisoner of Society
8:03 - History of the Band
12:03 - Bloody Mary
29:52 - Trapped
Outro - Monday




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a requested review, we’re heading back down under to Melbourne, Australia check out the 1998 self-titled debut album by <a href='http://www.thelivingend.com.au/'>The Living End</a>. Best known in the U.S. for their 2000 single “Roll On,” from their sophomore release, we get an earlier glimpse at this three piece and their combination of punk, rockabilly and ska. They’ve got melodies and energy, but aren’t afraid to slow down the tempo. Does it work overall? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Prisoner of Society
8:03 - History of the Band
12:03 - Bloody Mary
29:52 - Trapped
Outro - Monday

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/54j3w6/DMO292-thelivingend.mp3" length="61051566" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Thanks to a requested review, we’re heading back down under to Melbourne, Australia check out the 1998 self-titled debut album by The Living End. Best known in the U.S. for their 2000 single “Roll On,” from their sophomore release, we get an earlier glimpse at this three piece and their combination of punk, rockabilly and ska. They’ve got melodies and energy, but aren’t afraid to slow down the tempo. Does it work overall? Tune in to find out.
Songs in this Episode:
Intro - Prisoner of Society
8:03 - History of the Band
12:03 - Bloody Mary
29:52 - Trapped
Outro - Monday



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2526</itunes:duration>
                                    </item>
    <item>
        <title>#291: Interview with Jacob Slichter of Semisonic</title>
        <itunes:title>#291: Interview with Jacob Slichter of Semisonic</itunes:title>
        <link>https://digmeout.podbean.com/e/291-interview-with-jacob-slichter-of-semisonic/</link>
                    <comments>https://digmeout.podbean.com/e/291-interview-with-jacob-slichter-of-semisonic/#comments</comments>        <pubDate>Tue, 09 Aug 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/291-interview-with-jacob-slichter-of-semisonic/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.portablephilosophy.com/'>Jacob Slichter</a>, drummer for <a href='http://www.semisonic.com/'>Semisonic</a> and author of the 2004 book <a href='https://www.amazon.com/Wanna-Rock-Roll-Star-Machine-Gunned/dp/0767914716'>So You Wanna Be a Rock & Roll Star</a>. Jacob talks about how the book came together and led to a career as a collegiate <a href='http://www.relaxintowriting.com/'>writing professor</a>. We discuss the financial realities of a major label artist and the impact of streaming, mp3s and YouTube.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Closing Time
Outro - This Will Be Our Year




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.portablephilosophy.com/'>Jacob Slichter</a>, drummer for <a href='http://www.semisonic.com/'>Semisonic</a> and author of the 2004 book <a href='https://www.amazon.com/Wanna-Rock-Roll-Star-Machine-Gunned/dp/0767914716'>So You Wanna Be a Rock & Roll Star</a>. Jacob talks about how the book came together and led to a career as a collegiate <a href='http://www.relaxintowriting.com/'>writing professor</a>. We discuss the financial realities of a major label artist and the impact of streaming, mp3s and YouTube.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Closing Time
Outro - This Will Be Our Year

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8jgixy/DMO291-jacobslichter.mp3" length="95893063" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Joining us this week is Jacob Slichter, drummer for Semisonic and author of the 2004 book So You Wanna Be a Rock & Roll Star. Jacob talks about how the book came together and led to a career as a collegiate writing professor. We discuss the financial realities of a major label artist and the impact of streaming, mp3s and YouTube.
Songs in this Episode:
Intro - Closing Time
Outro - This Will Be Our Year



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3978</itunes:duration>
                                    </item>
    <item>
        <title>#290: The Curtain Hits The Cast by Low</title>
        <itunes:title>#290: The Curtain Hits The Cast by Low</itunes:title>
        <link>https://digmeout.podbean.com/e/290-the-curtain-hits-the-cast-by-low/</link>
                    <comments>https://digmeout.podbean.com/e/290-the-curtain-hits-the-cast-by-low/#comments</comments>        <pubDate>Tue, 02 Aug 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/290-the-curtain-hits-the-cast-by-low/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Recently we asked our <a href='https://www.patreon.com/digmeout'>Pateron patrons</a> to vote on our first album review for August from five albums released twenty years ago in August of 1996, and the winner was The Curtain Hits The Cast, the third overall by <a href='http://www.chairkickers.com/'>Low</a>. Slowing the tempos to a glacial crawl is the sound Low is known for, leaving space and silence where most bands would try to fill space. Can they pull it off over the course of a full album? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Over the Ocean
9:13 - History of the Band
16:12 - Do You Know How To Waltz
20:24 - Coattails
Outro - Anon





Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Recently we asked our <a href='https://www.patreon.com/digmeout'>Pateron patrons</a> to vote on our first album review for August from five albums released twenty years ago in August of 1996, and the winner was The Curtain Hits The Cast, the third overall by <a href='http://www.chairkickers.com/'>Low</a>. Slowing the tempos to a glacial crawl is the sound Low is known for, leaving space and silence where most bands would try to fill space. Can they pull it off over the course of a full album? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Over the Ocean
9:13 - History of the Band
16:12 - Do You Know How To Waltz
20:24 - Coattails
Outro - Anon

<br>



<br class="Apple-interchange-newline" />Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fyar46/DMO290-low.mp3" length="45011328" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Recently we asked our Pateron patrons to vote on our first album review for August from five albums released twenty years ago in August of 1996, and the winner was The Curtain Hits The Cast, the third overall by Low. Slowing the tempos to a glacial crawl is the sound Low is known for, leaving space and silence where most bands would try to fill space. Can they pull it off over the course of a full album? Tune in to find out.
Songs in this Episode:
Intro - Over the Ocean
9:13 - History of the Band
16:12 - Do You Know How To Waltz
20:24 - Coattails
Outro - Anon




Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1858</itunes:duration>
                                    </item>
    <item>
        <title>#289: Smoke by Drivin’ N Cryin’</title>
        <itunes:title>#289: Smoke by Drivin’ N Cryin’</itunes:title>
        <link>https://digmeout.podbean.com/e/289-smoke-by-drivin%e2%80%99-n-cryin%e2%80%99/</link>
                    <comments>https://digmeout.podbean.com/e/289-smoke-by-drivin%e2%80%99-n-cryin%e2%80%99/#comments</comments>        <pubDate>Tue, 26 Jul 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/289-smoke-by-drivin%e2%80%99-n-cryin%e2%80%99/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us down South to Atlanta, GA to check out the fifth album Smoke by <a href='http://www.drivinncryin.com/'>Drivin’ N Cryin’</a>. After previously scoring a moderate hit “Fly Me Courageous” off the album of the same name, the band returned with this hard rock ode to the classic rock riffage of AC/DC, Aerosmith and Jimi Hendrix, with a little Paul Simon thrown in for good measure.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>

Intro - Smoke
13:33 - She Doesn’t Want To Go
15:34 - 1988
22:36 - Eastern European Carny Man
26:02 - Back Against The Wall
Outro - 1000 Swings




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us down South to Atlanta, GA to check out the fifth album Smoke by <a href='http://www.drivinncryin.com/'>Drivin’ N Cryin’</a>. After previously scoring a moderate hit “Fly Me Courageous” off the album of the same name, the band returned with this hard rock ode to the classic rock riffage of AC/DC, Aerosmith and Jimi Hendrix, with a little Paul Simon thrown in for good measure.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>

Intro - Smoke
13:33 - She Doesn’t Want To Go
15:34 - 1988
22:36 - Eastern European Carny Man
26:02 - Back Against The Wall
Outro - 1000 Swings

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zjr5r2/DMO289-drivinNcryin.mp3" length="44655863" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week our requested review takes us down South to Atlanta, GA to check out the fifth album Smoke by Drivin’ N Cryin’. After previously scoring a moderate hit “Fly Me Courageous” off the album of the same name, the band returned with this hard rock ode to the classic rock riffage of AC/DC, Aerosmith and Jimi Hendrix, with a little Paul Simon thrown in for good measure.
Songs in this Episode
Intro - Smoke
13:33 - She Doesn’t Want To Go
15:34 - 1988
22:36 - Eastern European Carny Man
26:02 - Back Against The Wall
Outro - 1000 Swings



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1843</itunes:duration>
                                    </item>
    <item>
        <title>#288: Seconds Acts in the 90s Roundtable</title>
        <itunes:title>#288: Seconds Acts in the 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/288-seconds-acts-in-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/288-seconds-acts-in-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 19 Jul 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/288-seconds-acts-in-the-90s-roundtable/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This we’re talking about second acts, sequels, part deux - whatever you call it, it’s when band and artists get a second go around. Morrissey and Marr after The Smiths. Bob Mould after Husker Du. Dave Grohl after Nirvana. Which artists faired better the second time around, and which couldn’t escape their previous band’s shadow. To help, roundtable veterans <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.facebook.com/sitnspinwithjoe/'>Joe Royland</a> join us to who made their second acts the one to remember, and which one’s do we wish never happened.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Head to <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus material as we discuss artists who haven’t made a solo album, but we’d like to hear one.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dyslexic Heart by Paul Westerberg
7:41 - See A Little Light by Bob Mould
18:55 - Vivid by Electronic
37:51 - Los Angeles by Frank Black
56:55 - Honestly by Zwan
Outro - If I Had A Gun by Noel Gallagher’s High Flying Birds




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This we’re talking about second acts, sequels, part deux - whatever you call it, it’s when band and artists get a second go around. Morrissey and Marr after The Smiths. Bob Mould after Husker Du. Dave Grohl after Nirvana. Which artists faired better the second time around, and which couldn’t escape their previous band’s shadow. To help, roundtable veterans <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='https://www.facebook.com/sitnspinwithjoe/'>Joe Royland</a> join us to who made their second acts the one to remember, and which one’s do we wish never happened.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Head to <a href='https://www.patreon.com/digmeout'>Patreon</a> for bonus material as we discuss artists who haven’t made a solo album, but we’d like to hear one.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Dyslexic Heart by Paul Westerberg
7:41 - See A Little Light by Bob Mould
18:55 - Vivid by Electronic
37:51 - Los Angeles by Frank Black
56:55 - Honestly by Zwan
Outro - If I Had A Gun by Noel Gallagher’s High Flying Birds

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5hzrpf/DMO288-roundtable-2ndacts.mp3" length="107989224" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This we’re talking about second acts, sequels, part deux - whatever you call it, it’s when band and artists get a second go around. Morrissey and Marr after The Smiths. Bob Mould after Husker Du. Dave Grohl after Nirvana. Which artists faired better the second time around, and which couldn’t escape their previous band’s shadow. To help, roundtable veterans Eric Grubbs and Joe Royland join us to who made their second acts the one to remember, and which one’s do we wish never happened.
Head to Patreon for bonus material as we discuss artists who haven’t made a solo album, but we’d like to hear one.
Songs in this Episode:
Intro - Dyslexic Heart by Paul Westerberg
7:41 - See A Little Light by Bob Mould
18:55 - Vivid by Electronic
37:51 - Los Angeles by Frank Black
56:55 - Honestly by Zwan
Outro - If I Had A Gun by Noel Gallagher’s High Flying Birds



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4482</itunes:duration>
                                    </item>
    <item>
        <title>#287: Interview with Andrew Low of The Jazz June</title>
        <itunes:title>#287: Interview with Andrew Low of The Jazz June</itunes:title>
        <link>https://digmeout.podbean.com/e/287-interview-with-andrew-low-of-the-jazz-june/</link>
                    <comments>https://digmeout.podbean.com/e/287-interview-with-andrew-low-of-the-jazz-june/#comments</comments>        <pubDate>Tue, 12 Jul 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/287-interview-with-andrew-low-of-the-jazz-june/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we are joined (from across the Atlantic) by Andrew Low of <a href='https://www.facebook.com/thejazzjune/'>The Jazz June</a>. He shares the origins of the band in Kutztown, PA playing house shows and VFWs before graduating to club shows in Philadelphia and New Jersey. He talks about his earliest influences and variety of pre-Jazz June bands. We get into recording their 2000 album The Medicine with <a href='http://www.jrobbins.net/'>J. Robbins</a>, how a multi-year hiatus changed his singing style on the 2014 album After the Earthquake, and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Be sure to check out the <a href='http://noisey.vice.com/blog/the-possibilities-are-endless-an-oral-history-of-the-jazz-june'>Noisey oral history of The Jazz June</a> referenced during the show.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Rich Kid Shakedown from They Love Those Who Make The Music
21:20 - The Phone Works Both Ways from The Medicine
36:21 - Over Underground from After The Earthquake
44:00 - Two Floors Down from After The Earthquake
Outro - When In Rome from They Love Those Who Make The Music




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we are joined (from across the Atlantic) by Andrew Low of <a href='https://www.facebook.com/thejazzjune/'>The Jazz June</a>. He shares the origins of the band in Kutztown, PA playing house shows and VFWs before graduating to club shows in Philadelphia and New Jersey. He talks about his earliest influences and variety of pre-Jazz June bands. We get into recording their 2000 album The Medicine with <a href='http://www.jrobbins.net/'>J. Robbins</a>, how a multi-year hiatus changed his singing style on the 2014 album After the Earthquake, and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Be sure to check out the <a href='http://noisey.vice.com/blog/the-possibilities-are-endless-an-oral-history-of-the-jazz-june'>Noisey oral history of The Jazz June</a> referenced during the show.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Rich Kid Shakedown from They Love Those Who Make The Music
21:20 - The Phone Works Both Ways from The Medicine
36:21 - Over Underground from After The Earthquake
44:00 - Two Floors Down from After The Earthquake
Outro - When In Rome from They Love Those Who Make The Music

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f8n72k/DMO287-andrewlowofjazzjune.mp3" length="82003867" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week we are joined (from across the Atlantic) by Andrew Low of The Jazz June. He shares the origins of the band in Kutztown, PA playing house shows and VFWs before graduating to club shows in Philadelphia and New Jersey. He talks about his earliest influences and variety of pre-Jazz June bands. We get into recording their 2000 album The Medicine with J. Robbins, how a multi-year hiatus changed his singing style on the 2014 album After the Earthquake, and much much more.
Be sure to check out the Noisey oral history of The Jazz June referenced during the show.
Songs in this Episode:
Intro - Rich Kid Shakedown from They Love Those Who Make The Music
21:20 - The Phone Works Both Ways from The Medicine
36:21 - Over Underground from After The Earthquake
44:00 - Two Floors Down from After The Earthquake
Outro - When In Rome from They Love Those Who Make The Music



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3399</itunes:duration>
                                    </item>
    <item>
        <title>#286: Bend by The Origin</title>
        <itunes:title>#286: Bend by The Origin</itunes:title>
        <link>https://digmeout.podbean.com/e/286-bend-by-the-origin/</link>
                    <comments>https://digmeout.podbean.com/e/286-bend-by-the-origin/#comments</comments>        <pubDate>Tue, 05 Jul 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/286-bend-by-the-origin/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Another week, another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> from one of our listeners. This week we’re checking out <a href='https://en.wikipedia.org/wiki/The_Origin_(band)'>The Origin</a>, and their second and final release Bend from 1992. Steeped in the pleasant pop that would guide Toad the Wet Sprocket to success, The Origin expand on that sound with touches of soul, psychedelia and country. This album didn’t make much of dent beyond college radio and we try to figure out why.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jumping To Fall
3:18 - Mad World by Gary Jules (Tears for Fears cover)
4:54 - History of the Band
9:54 - Racing With the Moon
14:22 - Bonfires Burning
19:23 - Candymine
Outro - Trapped in a Dream Machine




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Another week, another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> from one of our listeners. This week we’re checking out <a href='https://en.wikipedia.org/wiki/The_Origin_(band)'>The Origin</a>, and their second and final release Bend from 1992. Steeped in the pleasant pop that would guide Toad the Wet Sprocket to success, The Origin expand on that sound with touches of soul, psychedelia and country. This album didn’t make much of dent beyond college radio and we try to figure out why.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jumping To Fall
3:18 - Mad World by Gary Jules (Tears for Fears cover)
4:54 - History of the Band
9:54 - Racing With the Moon
14:22 - Bonfires Burning
19:23 - Candymine
Outro - Trapped in a Dream Machine

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bgdiet/DMO286-theorigin.mp3" length="50589208" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Another week, another requested review from one of our listeners. This week we’re checking out The Origin, and their second and final release Bend from 1992. Steeped in the pleasant pop that would guide Toad the Wet Sprocket to success, The Origin expand on that sound with touches of soul, psychedelia and country. This album didn’t make much of dent beyond college radio and we try to figure out why.
Songs in this Episode:
Intro - Jumping To Fall
3:18 - Mad World by Gary Jules (Tears for Fears cover)
4:54 - History of the Band
9:54 - Racing With the Moon
14:22 - Bonfires Burning
19:23 - Candymine
Outro - Trapped in a Dream Machine



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2090</itunes:duration>
                                    </item>
    <item>
        <title>#285: Travelogue by Kashmir</title>
        <itunes:title>#285: Travelogue by Kashmir</itunes:title>
        <link>https://digmeout.podbean.com/e/285-travelogue-by-kashmir/</link>
                    <comments>https://digmeout.podbean.com/e/285-travelogue-by-kashmir/#comments</comments>        <pubDate>Tue, 28 Jun 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/285-travelogue-by-kashmir/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we travel to Denmark via a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> and check out the 1994 debut album Travelogue by <a href='https://en.wikipedia.org/wiki/Kashmir_(band)'>Kashmir</a>. Indebted to the early 90s American influences such as Pearl Jam, Primus and the Red Hot Chili Peppers, Kashmir concocts a sometimes compelling, sometimes frustrating combination of sounds and approaches that left us with more questions than answers.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jamie Fame Flame
11:32 - Don’t Look Back It’s Probably Hydrochondriac
15:28 - Yellow
19:53 - Art of Me
Outro - Leather Crane




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we travel to Denmark via a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> and check out the 1994 debut album Travelogue by <a href='https://en.wikipedia.org/wiki/Kashmir_(band)'>Kashmir</a>. Indebted to the early 90s American influences such as Pearl Jam, Primus and the Red Hot Chili Peppers, Kashmir concocts a sometimes compelling, sometimes frustrating combination of sounds and approaches that left us with more questions than answers.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Jamie Fame Flame
11:32 - Don’t Look Back It’s Probably Hydrochondriac
15:28 - Yellow
19:53 - Art of Me
Outro - Leather Crane

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/an6y7h/DMO285-kashmir.mp3" length="50813650" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week we travel to Denmark via a requested review and check out the 1994 debut album Travelogue by Kashmir. Indebted to the early 90s American influences such as Pearl Jam, Primus and the Red Hot Chili Peppers, Kashmir concocts a sometimes compelling, sometimes frustrating combination of sounds and approaches that left us with more questions than answers.
Songs in this Episode:
Intro - Jamie Fame Flame
11:32 - Don’t Look Back It’s Probably Hydrochondriac
15:28 - Yellow
19:53 - Art of Me
Outro - Leather Crane



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2099</itunes:duration>
                                    </item>
    <item>
        <title>#284: Interview with Phil Leavitt and Joie Calio of 7Horse and Dada</title>
        <itunes:title>#284: Interview with Phil Leavitt and Joie Calio of 7Horse and Dada</itunes:title>
        <link>https://digmeout.podbean.com/e/284-interview-with-phil-leavitt-and-joie-calio-of-7horse-and-dada/</link>
                    <comments>https://digmeout.podbean.com/e/284-interview-with-phil-leavitt-and-joie-calio-of-7horse-and-dada/#comments</comments>        <pubDate>Tue, 21 Jun 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/284-interview-with-phil-leavitt-and-joie-calio-of-7horse-and-dada/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week are Phil Leavitt and Joie Calio currently of the band <a href='http://www.7horsemusic.com/'>7Horse</a>, who just released their third album this spring, Living in a Bitch of a World. You may know 7Horse thanks to <a href='http://www.imdb.com/title/tt0993846/'>The Wolf of Wall Street</a> soundtrack, thanks to Martin Scorcese using their song “Meth Lab Zoso Sticker” in the movie. You might also know them as two-thirds of the band <a href='https://en.wikipedia.org/wiki/Dada_(band)'>Dada</a>, who released five albums between 1992 and 2004, scoring a successful single earlier in their career with the song “<a href='https://en.wikipedia.org/wiki/Dizz_Knee_Land'>Dizz Knee Land</a>.” We chat about 7Horse, Dada, touring, cds vs vinyl, record labels, crowd funding and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Meth Lab Zoso Sticker by 7Horse
1:17 - Dizz Knee Land by Dada
4:22 - Low Fuel Drug Run by 7Horse
12:50 - Here Today Gone Tomorrow by Dada
49:21 - Meth Lab Zoso Sticker by 7Horse
Outro - Stayin’ Alive (Bee Gees cover) by 7Horse




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week are Phil Leavitt and Joie Calio currently of the band <a href='http://www.7horsemusic.com/'>7Horse</a>, who just released their third album this spring, Living in a Bitch of a World. You may know 7Horse thanks to <a href='http://www.imdb.com/title/tt0993846/'>The Wolf of Wall Street</a> soundtrack, thanks to Martin Scorcese using their song “Meth Lab Zoso Sticker” in the movie. You might also know them as two-thirds of the band <a href='https://en.wikipedia.org/wiki/Dada_(band)'>Dada</a>, who released five albums between 1992 and 2004, scoring a successful single earlier in their career with the song “<a href='https://en.wikipedia.org/wiki/Dizz_Knee_Land'>Dizz Knee Land</a>.” We chat about 7Horse, Dada, touring, cds vs vinyl, record labels, crowd funding and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Meth Lab Zoso Sticker by 7Horse
1:17 - Dizz Knee Land by Dada
4:22 - Low Fuel Drug Run by 7Horse
12:50 - Here Today Gone Tomorrow by Dada
49:21 - Meth Lab Zoso Sticker by 7Horse
Outro - Stayin’ Alive (Bee Gees cover) by 7Horse

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rsdddk/DMO284-7horse_dada.mp3" length="85317857" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Joining us this week are Phil Leavitt and Joie Calio currently of the band 7Horse, who just released their third album this spring, Living in a Bitch of a World. You may know 7Horse thanks to The Wolf of Wall Street soundtrack, thanks to Martin Scorcese using their song “Meth Lab Zoso Sticker” in the movie. You might also know them as two-thirds of the band Dada, who released five albums between 1992 and 2004, scoring a successful single earlier in their career with the song “Dizz Knee Land.” We chat about 7Horse, Dada, touring, cds vs vinyl, record labels, crowd funding and much more.
Songs in this Episode:
Intro - Meth Lab Zoso Sticker by 7Horse
1:17 - Dizz Knee Land by Dada
4:22 - Low Fuel Drug Run by 7Horse
12:50 - Here Today Gone Tomorrow by Dada
49:21 - Meth Lab Zoso Sticker by 7Horse
Outro - Stayin’ Alive (Bee Gees cover) by 7Horse



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3537</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-600.jpg" />    </item>
    <item>
        <title>#283: How Metal Evolved in the 90s Roundtable Discussion</title>
        <itunes:title>#283: How Metal Evolved in the 90s Roundtable Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/283-how-metal-evolved-in-the-90s-roundtable-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/283-how-metal-evolved-in-the-90s-roundtable-discussion/#comments</comments>        <pubDate>Tue, 14 Jun 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/283-how-metal-evolved-in-the-90s-roundtable-discussion/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Expanding our our Metallica in the 90s roundtable from last month, this week we’re exploring the evolution of metal music in the 1990s. It’s a big job, so to help us take a chronological walk through the decade, joining us are our metal masters <a href='http://www.kidsinterviewbands.com/'>Chip Midnight</a>, <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='http://checkoutmybutt.com/'>DX Ferris</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Metal Medley (Pantera, Megadeth, Prong, Korn, Sepultura)
17:27 - Sea of Sorrow by Alice In Chains
27:00 - Cowboys from Hell by Pantera
40:43 - Bring Tha Noize by Public Enemy (featuring Anthrax)
55:58 - Mama, I’m Coming Home by Ozzy Osbourne
1:12:55 - Stone the Crow - Down
1:32:33 - Green Machine by Kyuss
1:49:06 - Prison Sex by Tool
Outro - Birth Ritual by Soundgarden





Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Expanding our our Metallica in the 90s roundtable from last month, this week we’re exploring the evolution of metal music in the 1990s. It’s a big job, so to help us take a chronological walk through the decade, joining us are our metal masters <a href='http://www.kidsinterviewbands.com/'>Chip Midnight</a>, <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> and <a href='http://checkoutmybutt.com/'>DX Ferris</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Metal Medley (Pantera, Megadeth, Prong, Korn, Sepultura)
17:27 - Sea of Sorrow by Alice In Chains
27:00 - Cowboys from Hell by Pantera
40:43 - Bring Tha Noize by Public Enemy (featuring Anthrax)
55:58 - Mama, I’m Coming Home by Ozzy Osbourne
1:12:55 - Stone the Crow - Down
1:32:33 - Green Machine by Kyuss
1:49:06 - Prison Sex by Tool
Outro - Birth Ritual by Soundgarden

<br>



<br class="Apple-interchange-newline" />Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hh9tnu/DMO283-metalevolutionroundtable.mp3" length="165517133" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Expanding our our Metallica in the 90s roundtable from last month, this week we’re exploring the evolution of metal music in the 1990s. It’s a big job, so to help us take a chronological walk through the decade, joining us are our metal masters Chip Midnight, Eric Grubbs and DX Ferris.
Songs in this Episode:
Intro - Metal Medley (Pantera, Megadeth, Prong, Korn, Sepultura)
17:27 - Sea of Sorrow by Alice In Chains
27:00 - Cowboys from Hell by Pantera
40:43 - Bring Tha Noize by Public Enemy (featuring Anthrax)
55:58 - Mama, I’m Coming Home by Ozzy Osbourne
1:12:55 - Stone the Crow - Down
1:32:33 - Green Machine by Kyuss
1:49:06 - Prison Sex by Tool
Outro - Birth Ritual by Soundgarden




Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6879</itunes:duration>
                                    </item>
    <item>
        <title>#282: 88 CM. Kanone by Sect. 8</title>
        <itunes:title>#282: 88 CM. Kanone by Sect. 8</itunes:title>
        <link>https://digmeout.podbean.com/e/282-88-cm-kanone-by-sect-8/</link>
                    <comments>https://digmeout.podbean.com/e/282-88-cm-kanone-by-sect-8/#comments</comments>        <pubDate>Tue, 07 Jun 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/282-88-cm-kanone-by-sect-8/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’ve got a new requested review, and there’s a good chance this will be a new discovery for everyone who listens to the show. This week we’re checking out the band <a href='http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=3928'>Sect. 8</a> from New Jersey, and their album 88 CM. Kanone. As far as we can tell, it’s their only album, though the two members did spend some time in <a href='http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=587'>Bone Machine</a>, led by <a href='https://en.wikipedia.org/wiki/Ted_Poley'>Ted Poley</a> after 80s hair metal band <a href='https://en.wikipedia.org/wiki/Danger_Danger'>Danger Danger</a> broke up. With elements of King’s X style progressive hard rock, Stone Temple Pilots grunge swagger, shoegaze and more, Sect. 8 provides a mixed bag of styles. But is the quality mixed as well? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Get Over It
8:06 - Choke
11:31- ?
13:52 - Declaration
17:44 - Waco
21:30 - Vampira Divine
Outro - Take Him Out




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’ve got a new requested review, and there’s a good chance this will be a new discovery for everyone who listens to the show. This week we’re checking out the band <a href='http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=3928'>Sect. 8</a> from New Jersey, and their album 88 CM. Kanone. As far as we can tell, it’s their only album, though the two members did spend some time in <a href='http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=587'>Bone Machine</a>, led by <a href='https://en.wikipedia.org/wiki/Ted_Poley'>Ted Poley</a> after 80s hair metal band <a href='https://en.wikipedia.org/wiki/Danger_Danger'>Danger Danger</a> broke up. With elements of King’s X style progressive hard rock, Stone Temple Pilots grunge swagger, shoegaze and more, Sect. 8 provides a mixed bag of styles. But is the quality mixed as well? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Get Over It
8:06 - Choke
11:31- ?
13:52 - Declaration
17:44 - Waco
21:30 - Vampira Divine
Outro - Take Him Out

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q9xaz2/DMO282-sect8.mp3" length="42977541" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We’ve got a new requested review, and there’s a good chance this will be a new discovery for everyone who listens to the show. This week we’re checking out the band Sect. 8 from New Jersey, and their album 88 CM. Kanone. As far as we can tell, it’s their only album, though the two members did spend some time in Bone Machine, led by Ted Poley after 80s hair metal band Danger Danger broke up. With elements of King’s X style progressive hard rock, Stone Temple Pilots grunge swagger, shoegaze and more, Sect. 8 provides a mixed bag of styles. But is the quality mixed as well? Tune in to find out.
Songs in this Episode:
Intro - Get Over It
8:06 - Choke
11:31- ?
13:52 - Declaration
17:44 - Waco
21:30 - Vampira Divine
Outro - Take Him Out



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1773</itunes:duration>
                                    </item>
    <item>
        <title>#281: Winter and Spring 2016 New Album Reviews</title>
        <itunes:title>#281: Winter and Spring 2016 New Album Reviews</itunes:title>
        <link>https://digmeout.podbean.com/e/281-winter-and-spring-2016-new-album-reviews/</link>
                    <comments>https://digmeout.podbean.com/e/281-winter-and-spring-2016-new-album-reviews/#comments</comments>        <pubDate>Tue, 31 May 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/281-winter-and-spring-2016-new-album-reviews/</guid>
                                    <description><![CDATA[
<p style="text-align:center;line-height:21px;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">Since May gave us a bonus Tuesday to post an episode, we decided to try something new, as in new album reviews. We gathered up some of our roundtable regulars and <a href='https://www.patreon.com/digmeout'>Patreon subscribers</a>, and put together a bunch of reviews for new albums released in the winter and spring of 2016.</p>

<a href='https://www.facebook.com/HollowEarthInc/'>Steve Muczynski</a> reviews You Know Who You Are by <a href='http://www.nadasurf.com/'>Nada Surf</a> 
<a href='https://www.facebook.com/Sit-And-Spin-with-Joe-149637531868302/'>Joe Royland</a> reviews Hidden City by <a href='http://thecult.us/'>The Cult</a>
<a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> reviews Night Thoughts by <a href='http://www.suede.co.uk/'>(London) Suede</a>
<a href='http://www.avclub.com/author/anniezaleski/'>Annie Zaleski</a> reviews The Narrows by <a href='http://www.grantleephillips.com/'>Grant-Lee Phillips</a>
<a href='https://twitter.com/shalgrim'>Scott Russell Halgrim</a> reviews Post Society EP by <a href='http://voivod.net/'>Voivod</a>
<a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> reviews Weezer (The White Album) by <a href='http://weezer.com/'>Weezer</a>
<a href='http://www.rocketfuelpodcast.com/'>Jeff Takacs</a> reviews Patch The Sky by <a href='http://bobmould.com/'>Bob Mould</a>
<a href='https://twitter.com/tankboy'>Jim Kopeny</a> reviews Black Star by <a href='http://www.davidbowie.com/'>David Bowie</a>
<a href='http://tankboyprime.blogspot.com/'>Jim Kopeny</a> reviews Distroland by <a href='http://www.dandywarhols.com/'>The Dandy Warhols</a>
<a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> reviews The Astonishing by <a href='http://www.dreamtheater.net/'>Dream Theater</a>
<a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> reviews Protection by <a href='http://www.facetofacemusic.com/'>Face to Face</a>
<a href='https://twitter.com/AndyDerer'>Andy Derer</a> reviews Change of Fortune by <a href='http://www.soulasylum.com/'>Soul Asylum</a>
<a href='https://andyderer.com/'>Andy Derer</a> reviews A Moon Shaped Pool by <a href='http://www.radiohead.com/'>Radiohead</a>




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>


]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;line-height:21px;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">Since May gave us a bonus Tuesday to post an episode, we decided to try something new, as in new album reviews. We gathered up some of our roundtable regulars and <a href='https://www.patreon.com/digmeout'>Patreon subscribers</a>, and put together a bunch of reviews for new albums released in the winter and spring of 2016.</p>

<a href='https://www.facebook.com/HollowEarthInc/'>Steve Muczynski</a> reviews You Know Who You Are by <a href='http://www.nadasurf.com/'>Nada Surf</a> 
<a href='https://www.facebook.com/Sit-And-Spin-with-Joe-149637531868302/'>Joe Royland</a> reviews Hidden City by <a href='http://thecult.us/'>The Cult</a>
<a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> reviews Night Thoughts by <a href='http://www.suede.co.uk/'>(London) Suede</a>
<a href='http://www.avclub.com/author/anniezaleski/'>Annie Zaleski</a> reviews The Narrows by <a href='http://www.grantleephillips.com/'>Grant-Lee Phillips</a>
<a href='https://twitter.com/shalgrim'>Scott Russell Halgrim</a> reviews Post Society EP by <a href='http://voivod.net/'>Voivod</a>
<a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> reviews Weezer (The White Album) by <a href='http://weezer.com/'>Weezer</a>
<a href='http://www.rocketfuelpodcast.com/'>Jeff Takacs</a> reviews Patch The Sky by <a href='http://bobmould.com/'>Bob Mould</a>
<a href='https://twitter.com/tankboy'>Jim Kopeny</a> reviews Black Star by <a href='http://www.davidbowie.com/'>David Bowie</a>
<a href='http://tankboyprime.blogspot.com/'>Jim Kopeny</a> reviews Distroland by <a href='http://www.dandywarhols.com/'>The Dandy Warhols</a>
<a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> reviews The Astonishing by <a href='http://www.dreamtheater.net/'>Dream Theater</a>
<a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> reviews Protection by <a href='http://www.facetofacemusic.com/'>Face to Face</a>
<a href='https://twitter.com/AndyDerer'>Andy Derer</a> reviews Change of Fortune by <a href='http://www.soulasylum.com/'>Soul Asylum</a>
<a href='https://andyderer.com/'>Andy Derer</a> reviews A Moon Shaped Pool by <a href='http://www.radiohead.com/'>Radiohead</a>

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>

<br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jed8i6/DMO281-reviewroundup.mp3" length="145892684" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Since May gave us a bonus Tuesday to post an episode, we decided to try something new, as in new album reviews. We gathered up some of our roundtable regulars and Patreon subscribers, and put together a bunch of reviews for new albums released in the winter and spring of 2016.
Steve Muczynski reviews You Know Who You Are by Nada Surf 
Joe Royland reviews Hidden City by The Cult
Annie Zaleski reviews Night Thoughts by (London) Suede
Annie Zaleski reviews The Narrows by Grant-Lee Phillips
Scott Russell Halgrim reviews Post Society EP by Voivod
Jeff Takacs reviews Weezer (The White Album) by Weezer
Jeff Takacs reviews Patch The Sky by Bob Mould
Jim Kopeny reviews Black Star by David Bowie
Jim Kopeny reviews Distroland by The Dandy Warhols
Eric Grubbs reviews The Astonishing by Dream Theater
Eric Grubbs reviews Protection by Face to Face
Andy Derer reviews Change of Fortune by Soul Asylum
Andy Derer reviews A Moon Shaped Pool by Radiohead



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6061</itunes:duration>
                                    </item>
    <item>
        <title>#280: The Return of John Davis of The Lees of Memory</title>
        <itunes:title>#280: The Return of John Davis of The Lees of Memory</itunes:title>
        <link>https://digmeout.podbean.com/e/280-the-return-of-john-davis-of-the-lees-of-memory/</link>
                    <comments>https://digmeout.podbean.com/e/280-the-return-of-john-davis-of-the-lees-of-memory/#comments</comments>        <pubDate>Tue, 24 May 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/280-the-return-of-john-davis-of-the-lees-of-memory/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week <a href='https://highbiasacassette-basedoperationtm.bandcamp.com/'>John Davis</a> (<a href='https://www.facebook.com/superdragofficial/'>Superdrag</a>, <a href='https://www.facebook.com/epicditch'>Epic Ditch</a>) returns to chat about the second soon-to-be-released album by <a href='https://www.facebook.com/TheLeesOfMemory'>The Lees of Memory</a>. We go track-by-track through <a href='http://www.pledgemusic.com/projects/theleesofmemory'>Unnecessary Evil</a>, talk song origins, recordings, influences, instrumental and mix choices, album artwork and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To hear 12 minutes of bonus material, become a subscriber at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Unnecessary Evil
13:17 - Any Way But Down
29:12 - XLII
1:04:18 - Artifical Air
1:17:22 - Squared Up
Outro - Stay Down




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week <a href='https://highbiasacassette-basedoperationtm.bandcamp.com/'>John Davis</a> (<a href='https://www.facebook.com/superdragofficial/'>Superdrag</a>, <a href='https://www.facebook.com/epicditch'>Epic Ditch</a>) returns to chat about the second soon-to-be-released album by <a href='https://www.facebook.com/TheLeesOfMemory'>The Lees of Memory</a>. We go track-by-track through <a href='http://www.pledgemusic.com/projects/theleesofmemory'>Unnecessary Evil</a>, talk song origins, recordings, influences, instrumental and mix choices, album artwork and much, much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To hear 12 minutes of bonus material, become a subscriber at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Unnecessary Evil
13:17 - Any Way But Down
29:12 - XLII
1:04:18 - Artifical Air
1:17:22 - Squared Up
Outro - Stay Down

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tc6txc/DMO280-johndavis-TLOM.mp3" length="140101025" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week John Davis (Superdrag, Epic Ditch) returns to chat about the second soon-to-be-released album by The Lees of Memory. We go track-by-track through Unnecessary Evil, talk song origins, recordings, influences, instrumental and mix choices, album artwork and much, much more.
To hear 12 minutes of bonus material, become a subscriber at Patreon.
Songs in this Episode:
Intro - Unnecessary Evil
13:17 - Any Way But Down
29:12 - XLII
1:04:18 - Artifical Air
1:17:22 - Squared Up
Outro - Stay Down



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5820</itunes:duration>
                                    </item>
    <item>
        <title>#279: Metallica in the 90s Round Table</title>
        <itunes:title>#279: Metallica in the 90s Round Table</itunes:title>
        <link>https://digmeout.podbean.com/e/279-metallica-in-the-90s-round-table/</link>
                    <comments>https://digmeout.podbean.com/e/279-metallica-in-the-90s-round-table/#comments</comments>        <pubDate>Tue, 17 May 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/279-metallica-in-the-90s-round-table/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">The memory remains how much fun we had during our <a href='http://www.digmeoutpodcast.com/post/132931124846/252-van-halen-in-the-90s-round-table-this-week'>Van Halen In the 90s round table</a> episode last year. The struggle within was to find another artist to fuel our conversation and load up on great guests, because in the end nothing else matters. Mama said <a href='https://metallica.com/'>Metallica</a> would be our choice, with special guests <a href='https://twitter.com/anniezaleski'>Annie “Fixxxer” Zaleski</a> (<a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a> and more), <a href='https://twitter.com/Eric_Grubbs'>“Unforgiven” Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are</a>, <a href='http://www.dallasobserver.com/authors/eric-grubbs-6372182'>Dallas Observer</a> and more ) and <a href='https://twitter.com/mwardlaw'>Matt “Prince Charming” Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>) doing the devil’s dance to determine if it’s sad but true James, Lars, Kirk and Jason trans versed through the never of the 90s as king nothings, or if they were really hero’s of the day.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Enter Sandman from Metallica
44:49 - Until It Sleeps from Load
1:04:32 - Fuel from ReLoad
Outro - The Memory Remains from ReLoad




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">The memory remains how much fun we had during our <a href='http://www.digmeoutpodcast.com/post/132931124846/252-van-halen-in-the-90s-round-table-this-week'>Van Halen In the 90s round table</a> episode last year. The struggle within was to find another artist to fuel our conversation and load up on great guests, because in the end nothing else matters. Mama said <a href='https://metallica.com/'>Metallica</a> would be our choice, with special guests <a href='https://twitter.com/anniezaleski'>Annie “Fixxxer” Zaleski</a> (<a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a> and more), <a href='https://twitter.com/Eric_Grubbs'>“Unforgiven” Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are</a>, <a href='http://www.dallasobserver.com/authors/eric-grubbs-6372182'>Dallas Observer</a> and more ) and <a href='https://twitter.com/mwardlaw'>Matt “Prince Charming” Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>) doing the devil’s dance to determine if it’s sad but true James, Lars, Kirk and Jason trans versed through the never of the 90s as king nothings, or if they were really hero’s of the day.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Enter Sandman from Metallica
44:49 - Until It Sleeps from Load
1:04:32 - Fuel from ReLoad
Outro - The Memory Remains from ReLoad

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cvqmtz/DMO279-metallicaroundtable.mp3" length="156384511" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
The memory remains how much fun we had during our Van Halen In the 90s round table episode last year. The struggle within was to find another artist to fuel our conversation and load up on great guests, because in the end nothing else matters. Mama said Metallica would be our choice, with special guests Annie “Fixxxer” Zaleski (AV Club, Salon and more), “Unforgiven” Eric Grubbs (Do You Know Who You Are, Dallas Observer and more ) and Matt “Prince Charming” Wardlaw (Ultimate Classic Rock) doing the devil’s dance to determine if it’s sad but true James, Lars, Kirk and Jason trans versed through the never of the 90s as king nothings, or if they were really hero’s of the day.
Songs in this Episode:
Intro - Enter Sandman from Metallica
44:49 - Until It Sleeps from Load
1:04:32 - Fuel from ReLoad
Outro - The Memory Remains from ReLoad



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6498</itunes:duration>
                                    </item>
    <item>
        <title>#278: Trance States in Tongues by Zen Guerrilla</title>
        <itunes:title>#278: Trance States in Tongues by Zen Guerrilla</itunes:title>
        <link>https://digmeout.podbean.com/e/278-trance-states-in-tongues-by-zen-guerrilla/</link>
                    <comments>https://digmeout.podbean.com/e/278-trance-states-in-tongues-by-zen-guerrilla/#comments</comments>        <pubDate>Tue, 10 May 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/278-trance-states-in-tongues-by-zen-guerrilla/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">After our chat about the J<a href='http://www.digmeoutpodcast.com/post/143790816150/jsbx'>on Spencer Blues Explosion last week</a>, we decided to go a little further down the 1990s garage rock rabbit hole and check out a band we had both seen live, <a href='https://en.wikipedia.org/wiki/Zen_Guerrilla'>Zen Guerrilla</a>, and their 1999 album Trance States in Tongues. Whereas JSBX took a more stripped down and deconstructed take on the blues, ZG amps up the tempo and volume to eleven for a high energy brand of rock. But does that come at a cost to the songwriting? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Moonage Daydream (David Bowie cover)
3:01 - History of the Band
8:14 - Preacher’s Promise
12:58 - Ghetto City Version
Outro - Heart Attack




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">After our chat about the J<a href='http://www.digmeoutpodcast.com/post/143790816150/jsbx'>on Spencer Blues Explosion last week</a>, we decided to go a little further down the 1990s garage rock rabbit hole and check out a band we had both seen live, <a href='https://en.wikipedia.org/wiki/Zen_Guerrilla'>Zen Guerrilla</a>, and their 1999 album Trance States in Tongues. Whereas JSBX took a more stripped down and deconstructed take on the blues, ZG amps up the tempo and volume to eleven for a high energy brand of rock. But does that come at a cost to the songwriting? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Moonage Daydream (David Bowie cover)
3:01 - History of the Band
8:14 - Preacher’s Promise
12:58 - Ghetto City Version
Outro - Heart Attack

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wwdh22/DMO277-zenguerrilla.mp3" length="47938514" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
After our chat about the Jon Spencer Blues Explosion last week, we decided to go a little further down the 1990s garage rock rabbit hole and check out a band we had both seen live, Zen Guerrilla, and their 1999 album Trance States in Tongues. Whereas JSBX took a more stripped down and deconstructed take on the blues, ZG amps up the tempo and volume to eleven for a high energy brand of rock. But does that come at a cost to the songwriting? Tune in to find out.
Songs in this Episode:
Intro - Moonage Daydream (David Bowie cover)
3:01 - History of the Band
8:14 - Preacher’s Promise
12:58 - Ghetto City Version
Outro - Heart Attack



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1980</itunes:duration>
                                    </item>
    <item>
        <title>#277: Now I Got Worry by the Jon Spencer Blues Explosion</title>
        <itunes:title>#277: Now I Got Worry by the Jon Spencer Blues Explosion</itunes:title>
        <link>https://digmeout.podbean.com/e/277-now-i-got-worry-by-the-jon-spencer-blues-explosion/</link>
                    <comments>https://digmeout.podbean.com/e/277-now-i-got-worry-by-the-jon-spencer-blues-explosion/#comments</comments>        <pubDate>Tue, 03 May 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/277-now-i-got-worry-by-the-jon-spencer-blues-explosion/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of the <a href='https://www.facebook.com/vinylemergency/'>Vinyl Emergency podcast</a> joins us to revisit the 1996 album Now I Got Worry by the <a href='http://thejonspencerbluesexplosion.com/'>Jon Spencer Blues Explosion</a>. We explore the unique sound and place JSBX has in the overall landscape of 90s music. We also spend the first half of the show reminiscing about our personal recollections of Prince and his impact on our music listening history.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Wail
24:27 - 2Kindsa Love
37:32 - Skunk
Outro - Can’t Stop




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week <a href='https://twitter.com/JimHanke'>Jim Hanke</a> of the <a href='https://www.facebook.com/vinylemergency/'>Vinyl Emergency podcast</a> joins us to revisit the 1996 album Now I Got Worry by the <a href='http://thejonspencerbluesexplosion.com/'>Jon Spencer Blues Explosion</a>. We explore the unique sound and place JSBX has in the overall landscape of 90s music. We also spend the first half of the show reminiscing about our personal recollections of Prince and his impact on our music listening history.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Wail
24:27 - 2Kindsa Love
37:32 - Skunk
Outro - Can’t Stop

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mje3be/DMO277-prince_jsbx.mp3" length="111411049" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
This week Jim Hanke of the Vinyl Emergency podcast joins us to revisit the 1996 album Now I Got Worry by the Jon Spencer Blues Explosion. We explore the unique sound and place JSBX has in the overall landscape of 90s music. We also spend the first half of the show reminiscing about our personal recollections of Prince and his impact on our music listening history.
Songs in this Episode:
Intro - Wail
24:27 - 2Kindsa Love
37:32 - Skunk
Outro - Can’t Stop



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4624</itunes:duration>
                                    </item>
    <item>
        <title>#276: Hold Me Up by Goo Goo Dolls</title>
        <itunes:title>#276: Hold Me Up by Goo Goo Dolls</itunes:title>
        <link>https://digmeout.podbean.com/e/276-hold-me-up-by-goo-goo-dolls/</link>
                    <comments>https://digmeout.podbean.com/e/276-hold-me-up-by-goo-goo-dolls/#comments</comments>        <pubDate>Tue, 26 Apr 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/276-hold-me-up-by-goo-goo-dolls/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With there eleventh album about to be released, we decided it was a perfect time to revisit the <a href='http://www.googoodolls.com/'>Goo Goo Dolls</a> first release of the 1990s. For their third album Hold Me Up from 1990, the band began it’s transition from Robby Takac-led pop/punk band to alternative rock hit-makers of the 2nd half of the decade. This album shows the pieces falling into place, with guitarist John Rzeznik taking the lead vocals on five of the fourteen tracks, up from two on the previous two albums. From track to track, you can hear the past and future of the band colliding, but does that make for a worthwhile overall listening experience? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Never Take The Place of Your Man
18:48 - There You Are
20:48 - Two Days In February
34:59 - Kevin’s Song
Outro - Million Miles Away




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With there eleventh album about to be released, we decided it was a perfect time to revisit the <a href='http://www.googoodolls.com/'>Goo Goo Dolls</a> first release of the 1990s. For their third album Hold Me Up from 1990, the band began it’s transition from Robby Takac-led pop/punk band to alternative rock hit-makers of the 2nd half of the decade. This album shows the pieces falling into place, with guitarist John Rzeznik taking the lead vocals on five of the fourteen tracks, up from two on the previous two albums. From track to track, you can hear the past and future of the band colliding, but does that make for a worthwhile overall listening experience? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Never Take The Place of Your Man
18:48 - There You Are
20:48 - Two Days In February
34:59 - Kevin’s Song
Outro - Million Miles Away

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r3sky4/DMO276-googoodolls.mp3" length="64512267" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
With there eleventh album about to be released, we decided it was a perfect time to revisit the Goo Goo Dolls first release of the 1990s. For their third album Hold Me Up from 1990, the band began it’s transition from Robby Takac-led pop/punk band to alternative rock hit-makers of the 2nd half of the decade. This album shows the pieces falling into place, with guitarist John Rzeznik taking the lead vocals on five of the fourteen tracks, up from two on the previous two albums. From track to track, you can hear the past and future of the band colliding, but does that make for a worthwhile overall listening experience? Tune in to find out.
Songs in this Episode:
Intro - Never Take The Place of Your Man
18:48 - There You Are
20:48 - Two Days In February
34:59 - Kevin’s Song
Outro - Million Miles Away



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2670</itunes:duration>
                                    </item>
    <item>
        <title>#275: Roundtable - Sophomore Slump Revisited - Wax Ecstatic by Sponge</title>
        <itunes:title>#275: Roundtable - Sophomore Slump Revisited - Wax Ecstatic by Sponge</itunes:title>
        <link>https://digmeout.podbean.com/e/275-roundtable-sophomore-slump-revisited-wax-ecstatic-by-sponge/</link>
                    <comments>https://digmeout.podbean.com/e/275-roundtable-sophomore-slump-revisited-wax-ecstatic-by-sponge/#comments</comments>        <pubDate>Tue, 19 Apr 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/275-roundtable-sophomore-slump-revisited-wax-ecstatic-by-sponge/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re kicking off a new roundtable series revisiting the dreaded sophomore slumps of successful bands from the 1990s. The first album we’re checking out is the 1996 album Wax Ecstatic by <a href='http://www.spongetheband.com/'>Sponge</a> with special guests <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> of <a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a> and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> of <a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a>. With two hit singles and a gold record on their debut Rotting Pinata, their second album took a number of unexpected twists that may have thrown critics and listeners for a loop, but the lack of an killer chorus or hook like on the first record may have doomed them as well. We try to figure out whether or not this sophomore slump is worth redeeming.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Wax Ecstatic (to sell Angelina) from Wax Ecstatic
14:42 - Molly (16 Candles) from Rotting Pinata
23:28 - I Am Anastacia from Wax Ecstatic
Outro - My Baby Said from Wax Ecstatic]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re kicking off a new roundtable series revisiting the dreaded sophomore slumps of successful bands from the 1990s. The first album we’re checking out is the 1996 album Wax Ecstatic by <a href='http://www.spongetheband.com/'>Sponge</a> with special guests <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> of <a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a> and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> of <a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a>. With two hit singles and a gold record on their debut Rotting Pinata, their second album took a number of unexpected twists that may have thrown critics and listeners for a loop, but the lack of an killer chorus or hook like on the first record may have doomed them as well. We try to figure out whether or not this sophomore slump is worth redeeming.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Wax Ecstatic (to sell Angelina) from Wax Ecstatic
14:42 - Molly (16 Candles) from Rotting Pinata
23:28 - I Am Anastacia from Wax Ecstatic
Outro - My Baby Said from Wax Ecstatic]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bz8g5c/DMO275-spongeroundtable.mp3" length="85302816" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We’re kicking off a new roundtable series revisiting the dreaded sophomore slumps of successful bands from the 1990s. The first album we’re checking out is the 1996 album Wax Ecstatic by Sponge with special guests Chip Midnight of KidsInterviewBands.com and Jeff Takacs of Rocketfuel Podcast. With two hit singles and a gold record on their debut Rotting Pinata, their second album took a number of unexpected twists that may have thrown critics and listeners for a loop, but the lack of an killer chorus or hook like on the first record may have doomed them as well. We try to figure out whether or not this sophomore slump is worth redeeming.
Songs in this Episode:
Intro - Wax Ecstatic (to sell Angelina) from Wax Ecstatic
14:42 - Molly (16 Candles) from Rotting Pinata
23:28 - I Am Anastacia from Wax Ecstatic
Outro - My Baby Said from Wax Ecstatic]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3536</itunes:duration>
                                    </item>
    <item>
        <title>#274: Tear of Thought by The Screaming Jets</title>
        <itunes:title>#274: Tear of Thought by The Screaming Jets</itunes:title>
        <link>https://digmeout.podbean.com/e/274-tear-of-thought-by-the-screaming-jets/</link>
                    <comments>https://digmeout.podbean.com/e/274-tear-of-thought-by-the-screaming-jets/#comments</comments>        <pubDate>Tue, 12 Apr 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/274-tear-of-thought-by-the-screaming-jets/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us back to Australia, this time checking out the 1992 sophomore album Tear of Thought by <a href='http://thescreamingjets.com.au/'>The Screaming Jets</a>. On first listen, you might pigeonhole the band as nothing more than AC/DC influenced pub rock, but further investigation reveals a wide array of classic and hard rock influences from the twin guitar attack of Thin Lizzy to the southern rock boogie of Lynyrd Skynyrd. Sound interesting? How about some horns and jazz guitar? Does that work? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>

Intro - Alright
4:45 - History of the Band
12:50 - Dream On
15:00 - Meet Anybody
20:02 - Alright
21:34 - Hard Drugs
Outro - Helping Hand




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> takes us back to Australia, this time checking out the 1992 sophomore album Tear of Thought by <a href='http://thescreamingjets.com.au/'>The Screaming Jets</a>. On first listen, you might pigeonhole the band as nothing more than AC/DC influenced pub rock, but further investigation reveals a wide array of classic and hard rock influences from the twin guitar attack of Thin Lizzy to the southern rock boogie of Lynyrd Skynyrd. Sound interesting? How about some horns and jazz guitar? Does that work? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>

Intro - Alright
4:45 - History of the Band
12:50 - Dream On
15:00 - Meet Anybody
20:02 - Alright
21:34 - Hard Drugs
Outro - Helping Hand

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c8vs6z/DMO274-screaminjets.mp3" length="51194207" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Our latest requested review takes us back to Australia, this time checking out the 1992 sophomore album Tear of Thought by The Screaming Jets. On first listen, you might pigeonhole the band as nothing more than AC/DC influenced pub rock, but further investigation reveals a wide array of classic and hard rock influences from the twin guitar attack of Thin Lizzy to the southern rock boogie of Lynyrd Skynyrd. Sound interesting? How about some horns and jazz guitar? Does that work? Tune in to find out.
Songs in this Episode:
Intro - Alright
4:45 - History of the Band
12:50 - Dream On
15:00 - Meet Anybody
20:02 - Alright
21:34 - Hard Drugs
Outro - Helping Hand



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2115</itunes:duration>
                                    </item>
    <item>
        <title>#273: Mötley Crüe by Mötley Crüe</title>
        <itunes:title>#273: Mötley Crüe by Mötley Crüe</itunes:title>
        <link>https://digmeout.podbean.com/e/273-motley-crue-by-motley-crue/</link>
                    <comments>https://digmeout.podbean.com/e/273-motley-crue-by-motley-crue/#comments</comments>        <pubDate>Tue, 05 Apr 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/273-motley-crue-by-motley-crue/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For this week’s <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> we’re taking a ride on the wild side, revisiting <a href='http://www.motley.com/'>Mötley Crüe</a>’s self-titled 1994 album, the only one featuring <a href='http://www.johncorabimusic.com/'>John Corabi</a> on lead vocals. Mega producer Bob Rock returned after helming the successful Dr. Feelgood album, but the sheen of the Sunset Strip was cast aside for a heavier twin guitar attack. With a new singer and new sound, the album divided fans and critics at the time, and the album failed to meet commercial expectations in the prime alternative and grunge years. Is this a classic hard rock album awaiting rediscovery? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Hooligan’s Holiday
23:39 - Uncle Jack
30:17 - Poison Apples
33:44 - Misunderstood
41:41 - Welcome to the Numb
Outro - Hammered




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For this week’s <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> we’re taking a ride on the wild side, revisiting <a href='http://www.motley.com/'>Mötley Crüe</a>’s self-titled 1994 album, the only one featuring <a href='http://www.johncorabimusic.com/'>John Corabi</a> on lead vocals. Mega producer Bob Rock returned after helming the successful Dr. Feelgood album, but the sheen of the Sunset Strip was cast aside for a heavier twin guitar attack. With a new singer and new sound, the album divided fans and critics at the time, and the album failed to meet commercial expectations in the prime alternative and grunge years. Is this a classic hard rock album awaiting rediscovery? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Hooligan’s Holiday
23:39 - Uncle Jack
30:17 - Poison Apples
33:44 - Misunderstood
41:41 - Welcome to the Numb
Outro - Hammered

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ukb8uw/DMO273-motleycrue.mp3" length="71595420" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
For this week’s requested review we’re taking a ride on the wild side, revisiting Mötley Crüe’s self-titled 1994 album, the only one featuring John Corabi on lead vocals. Mega producer Bob Rock returned after helming the successful Dr. Feelgood album, but the sheen of the Sunset Strip was cast aside for a heavier twin guitar attack. With a new singer and new sound, the album divided fans and critics at the time, and the album failed to meet commercial expectations in the prime alternative and grunge years. Is this a classic hard rock album awaiting rediscovery? Tune in to find out.
Songs in this Episode:
Intro - Hooligan’s Holiday
23:39 - Uncle Jack
30:17 - Poison Apples
33:44 - Misunderstood
41:41 - Welcome to the Numb
Outro - Hammered



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2965</itunes:duration>
                                    </item>
    <item>
        <title>#272: Human Cannonball by School of Fish</title>
        <itunes:title>#272: Human Cannonball by School of Fish</itunes:title>
        <link>https://digmeout.podbean.com/e/272-human-cannonball-by-school-of-fish/</link>
                    <comments>https://digmeout.podbean.com/e/272-human-cannonball-by-school-of-fish/#comments</comments>        <pubDate>Tue, 29 Mar 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/272-human-cannonball-by-school-of-fish/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re back with our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, this week we’re checking out the second and final album by <a href='https://en.wikipedia.org/wiki/School_of_Fish'>School of Fish</a>, 1993′s Human Cannonball. The band scored a minor hit on their first album, but none of the singles reached the same level of success from this release, and we try to figure out why. While the main songwriting tandem of Josh Clayton-Felt and Micheal Ward stayed in tact, the rhythm section changed, and that might have had some impact, while other parts that should have made an impact didn’t. We struggled with this record, are we justified in our criticisms? Tune in hear what we’ve got to say, and let us know if you agree or disagree.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Take Me Anywhere
2:25 - 3 Strange Days
16:47 - Everyword
20:13 - Stand in the Doorway
23:15 - Fuzzed and Fading
Outro - Complicator




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re back with our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, this week we’re checking out the second and final album by <a href='https://en.wikipedia.org/wiki/School_of_Fish'>School of Fish</a>, 1993′s Human Cannonball. The band scored a minor hit on their first album, but none of the singles reached the same level of success from this release, and we try to figure out why. While the main songwriting tandem of Josh Clayton-Felt and Micheal Ward stayed in tact, the rhythm section changed, and that might have had some impact, while other parts that should have made an impact didn’t. We struggled with this record, are we justified in our criticisms? Tune in hear what we’ve got to say, and let us know if you agree or disagree.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Take Me Anywhere
2:25 - 3 Strange Days
16:47 - Everyword
20:13 - Stand in the Doorway
23:15 - Fuzzed and Fading
Outro - Complicator

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/byp8ta/DMO272-schooloffish.mp3" length="53952738" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We’re back with our latest requested review, this week we’re checking out the second and final album by School of Fish, 1993′s Human Cannonball. The band scored a minor hit on their first album, but none of the singles reached the same level of success from this release, and we try to figure out why. While the main songwriting tandem of Josh Clayton-Felt and Micheal Ward stayed in tact, the rhythm section changed, and that might have had some impact, while other parts that should have made an impact didn’t. We struggled with this record, are we justified in our criticisms? Tune in hear what we’ve got to say, and let us know if you agree or disagree.
Songs in this Episode:
Intro - Take Me Anywhere
2:25 - 3 Strange Days
16:47 - Everyword
20:13 - Stand in the Doorway
23:15 - Fuzzed and Fading
Outro - Complicator



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2230</itunes:duration>
                                    </item>
    <item>
        <title>#271: Digging Your Scene - Roundtable Discussion on Chicago in the 90s</title>
        <itunes:title>#271: Digging Your Scene - Roundtable Discussion on Chicago in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/271-digging-your-scene-roundtable-discussion-on-chicago-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/271-digging-your-scene-roundtable-discussion-on-chicago-in-the-90s/#comments</comments>        <pubDate>Tue, 22 Mar 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/271-digging-your-scene-roundtable-discussion-on-chicago-in-the-90s/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Last year we had a lot of fun (and learned a lot) during our <a href='http://www.digmeoutpodcast.com/post/116388912021/222-discussion-on-australian-bands-of-the-1990s'>Australian music of the 90s</a> episode. In fact, we had so much fun, we decided to turn it into new series we’re calling “Digging Your Scene,” where we explore a city or region that made an impact on alternative and indie music in the 1990s.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To kick off the series, we’re heading to a city once described (like a few others) as “the next Seattle,” Chicago, Illinois. To help us getting dig deep into the Chicago music scene, we’ve invited back <a href='https://twitter.com/AndyDerer'>Andy Derer</a> of the Chicago-based <a href='http://andyderer.com/'>Andy Derer Show podcast</a>, <a href='http://chicagoist.com/'>Chicagoist</a> Senior Editor <a href='https://twitter.com/tankboy'>Jim Kopeny</a> and <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a>, writer for <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a> and more, to talk the history, the bands, the venues, the record stores, the legacy and more of Chicago.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Chicago Medley (The Smashing Pumpkins, Veruca Salt, Urge Overkill, Liz Phair, Ministry)
12:17 - Suffocation by The Pulars
25:15 - Valerie Loves Me by Material Issue
33:11 - Lotion by Wesley Willis
51:58 - Sugar, We’re Going Down by Fall Out Boy
55:51 - Get Over It by OK Go
Outro - Via Chicago by Wilco




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Last year we had a lot of fun (and learned a lot) during our <a href='http://www.digmeoutpodcast.com/post/116388912021/222-discussion-on-australian-bands-of-the-1990s'>Australian music of the 90s</a> episode. In fact, we had so much fun, we decided to turn it into new series we’re calling “Digging Your Scene,” where we explore a city or region that made an impact on alternative and indie music in the 1990s.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To kick off the series, we’re heading to a city once described (like a few others) as “the next Seattle,” Chicago, Illinois. To help us getting dig deep into the Chicago music scene, we’ve invited back <a href='https://twitter.com/AndyDerer'>Andy Derer</a> of the Chicago-based <a href='http://andyderer.com/'>Andy Derer Show podcast</a>, <a href='http://chicagoist.com/'>Chicagoist</a> Senior Editor <a href='https://twitter.com/tankboy'>Jim Kopeny</a> and <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a>, writer for <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski/'>Salon</a> and more, to talk the history, the bands, the venues, the record stores, the legacy and more of Chicago.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Chicago Medley (The Smashing Pumpkins, Veruca Salt, Urge Overkill, Liz Phair, Ministry)
12:17 - Suffocation by The Pulars
25:15 - Valerie Loves Me by Material Issue
33:11 - Lotion by Wesley Willis
51:58 - Sugar, We’re Going Down by Fall Out Boy
55:51 - Get Over It by OK Go
Outro - Via Chicago by Wilco

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8jwtsd/DMO_271-chicagoroundtable.mp3" length="96257319" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Last year we had a lot of fun (and learned a lot) during our Australian music of the 90s episode. In fact, we had so much fun, we decided to turn it into new series we’re calling “Digging Your Scene,” where we explore a city or region that made an impact on alternative and indie music in the 1990s.
To kick off the series, we’re heading to a city once described (like a few others) as “the next Seattle,” Chicago, Illinois. To help us getting dig deep into the Chicago music scene, we’ve invited back Andy Derer of the Chicago-based Andy Derer Show podcast, Chicagoist Senior Editor Jim Kopeny and Annie Zaleski, writer for AV Club, Salon and more, to talk the history, the bands, the venues, the record stores, the legacy and more of Chicago.
Songs in this Episode:
Intro - Chicago Medley (The Smashing Pumpkins, Veruca Salt, Urge Overkill, Liz Phair, Ministry)
12:17 - Suffocation by The Pulars
25:15 - Valerie Loves Me by Material Issue
33:11 - Lotion by Wesley Willis
51:58 - Sugar, We’re Going Down by Fall Out Boy
55:51 - Get Over It by OK Go
Outro - Via Chicago by Wilco



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3993</itunes:duration>
                                    </item>
    <item>
        <title>#270: Icky Mettle by Archers of Loaf</title>
        <itunes:title>#270: Icky Mettle by Archers of Loaf</itunes:title>
        <link>https://digmeout.podbean.com/e/270-icky-mettle-by-archers-of-loaf/</link>
                    <comments>https://digmeout.podbean.com/e/270-icky-mettle-by-archers-of-loaf/#comments</comments>        <pubDate>Tue, 15 Mar 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/270-icky-mettle-by-archers-of-loaf/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Another week, another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>! This week we’re checking out the 1993 debut album Icky Mettle by <a href='http://archersofloaf.net/'>Archers of Loaf</a>. Check out any music website, blog or magazine, and when the best alternative albums of the 90s are ranked, you’ll usually find this album somewhere on it. Propulsive drums, melodic bass, dissonant guitars and urgent vocals are combined in short bursts without adhering to the verse/chorus/verse format. The results are definitely superior to most of their 90s counterparts, but does that make it a perfect record? We have thoughts, tune in to find out what they are.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Note: we apologize for the audio quality on this one, we had some technical difficulties with Jason’s microphone.

</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Web in Front
17:35 - Last Word
23:00 - Web in Front
24:31 - Hate Paste
27:53 - Might
31:20 - Learo, You’re A Hole
Outro - Wrong




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Another week, another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>! This week we’re checking out the 1993 debut album Icky Mettle by <a href='http://archersofloaf.net/'>Archers of Loaf</a>. Check out any music website, blog or magazine, and when the best alternative albums of the 90s are ranked, you’ll usually find this album somewhere on it. Propulsive drums, melodic bass, dissonant guitars and urgent vocals are combined in short bursts without adhering to the verse/chorus/verse format. The results are definitely superior to most of their 90s counterparts, but does that make it a perfect record? We have thoughts, tune in to find out what they are.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Note: we apologize for the audio quality on this one, we had some technical difficulties with Jason’s microphone.
<br>
</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Web in Front
17:35 - Last Word
23:00 - Web in Front
24:31 - Hate Paste
27:53 - Might
31:20 - Learo, You’re A Hole
Outro - Wrong

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zmifma/DMO_270-AOL.mp3" length="62939270" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Another week, another requested review! This week we’re checking out the 1993 debut album Icky Mettle by Archers of Loaf. Check out any music website, blog or magazine, and when the best alternative albums of the 90s are ranked, you’ll usually find this album somewhere on it. Propulsive drums, melodic bass, dissonant guitars and urgent vocals are combined in short bursts without adhering to the verse/chorus/verse format. The results are definitely superior to most of their 90s counterparts, but does that make it a perfect record? We have thoughts, tune in to find out what they are.
Note: we apologize for the audio quality on this one, we had some technical difficulties with Jason’s microphone.

Songs in this Episode:
Intro - Web in Front
17:35 - Last Word
23:00 - Web in Front
24:31 - Hate Paste
27:53 - Might
31:20 - Learo, You’re A Hole
Outro - Wrong



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2605</itunes:duration>
                                    </item>
    <item>
        <title>#269: Gram by The Welcome Mat</title>
        <itunes:title>#269: Gram by The Welcome Mat</itunes:title>
        <link>https://digmeout.podbean.com/e/269-gram-by-the-welcome-mat/</link>
                    <comments>https://digmeout.podbean.com/e/269-gram-by-the-welcome-mat/#comments</comments>        <pubDate>Tue, 08 Mar 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/269-gram-by-the-welcome-mat/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> brings us <a href='https://en.wikipedia.org/wiki/The_Welcome_Mat'>The Welcome Mat</a>’s debut release Gram from 1993. This four-piece from Sydney, Australia packs some power-pop worthy hooks thanks to crisp vocal harmonies, well-crafted tunes and expert guitar riffage. It’s only when either of the vocalists steps out on their own that the songs start to suffer, but how much? It’s (mild) disagreement time!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Everyone’s Gone
3:13 - History of the Band
6:52 - Deathbag
8:36 - Junkmail
12:48 - All or Nothing
18:07 - Blew
Outro - Gram




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>





]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> brings us <a href='https://en.wikipedia.org/wiki/The_Welcome_Mat'>The Welcome Mat</a>’s debut release Gram from 1993. This four-piece from Sydney, Australia packs some power-pop worthy hooks thanks to crisp vocal harmonies, well-crafted tunes and expert guitar riffage. It’s only when either of the vocalists steps out on their own that the songs start to suffer, but how much? It’s (mild) disagreement time!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Everyone’s Gone
3:13 - History of the Band
6:52 - Deathbag
8:36 - Junkmail
12:48 - All or Nothing
18:07 - Blew
Outro - Gram

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>

<br>


<br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yietjv/DMO269-thewelcomemat.mp3" length="46440131" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Our latest requested review brings us The Welcome Mat’s debut release Gram from 1993. This four-piece from Sydney, Australia packs some power-pop worthy hooks thanks to crisp vocal harmonies, well-crafted tunes and expert guitar riffage. It’s only when either of the vocalists steps out on their own that the songs start to suffer, but how much? It’s (mild) disagreement time!
Songs in this Episode:
Intro - Everyone’s Gone
3:13 - History of the Band
6:52 - Deathbag
8:36 - Junkmail
12:48 - All or Nothing
18:07 - Blew
Outro - Gram



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon



]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1917</itunes:duration>
                                    </item>
    <item>
        <title>#268: Interview with Jamie Hutchings of Bluebottle Kiss</title>
        <itunes:title>#268: Interview with Jamie Hutchings of Bluebottle Kiss</itunes:title>
        <link>https://digmeout.podbean.com/e/268-interview-with-jamie-hutchings-of-bluebottle-kiss/</link>
                    <comments>https://digmeout.podbean.com/e/268-interview-with-jamie-hutchings-of-bluebottle-kiss/#comments</comments>        <pubDate>Tue, 01 Mar 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/268-interview-with-jamie-hutchings-of-bluebottle-kiss/</guid>
                                    <description><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, we’re joined by <a href='http://www.bluebottlekiss.com/'>Bluebottle Kiss</a> lead singer/guitarist <a href='http://www.jamiehutchings.com/'>Jamie Hutchings</a> to revisit the 1996 album Fear of Girls. We chat about his earlier years playing drums and how that influenced his guitar playing and singing. We discuss seeing late 80s/early 90s American indie-rock bands touring Australia before forming Bluebottle Kiss, then getting signed and working with producer Jack Endino on Fear of Girls. We talk touring, songwriting, going solo, his new band <a href='https://www.facebook.com/InfinityBrokeMusic/'>Infinity Broke</a> and more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Helping You Hate Me from Fear of Girls
18:38 - Claim from Fear of Girls
33.52 - Stained Mouth from Fear of Girls
38:51 - Return to the City of Folded Arms from Patient
Outro - Outside Are The Dogs




Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a>, we’re joined by <a href='http://www.bluebottlekiss.com/'>Bluebottle Kiss</a> lead singer/guitarist <a href='http://www.jamiehutchings.com/'>Jamie Hutchings</a> to revisit the 1996 album Fear of Girls. We chat about his earlier years playing drums and how that influenced his guitar playing and singing. We discuss seeing late 80s/early 90s American indie-rock bands touring Australia before forming Bluebottle Kiss, then getting signed and working with producer Jack Endino on Fear of Girls. We talk touring, songwriting, going solo, his new band <a href='https://www.facebook.com/InfinityBrokeMusic/'>Infinity Broke</a> and more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>

Intro - Helping You Hate Me from Fear of Girls
18:38 - Claim from Fear of Girls
33.52 - Stained Mouth from Fear of Girls
38:51 - Return to the City of Folded Arms from Patient
Outro - Outside Are The Dogs

<br>


Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>


<p style="margin:0px 0px 10px;"></p>

<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ruwjwz/DMO268-JamieHutchings.mp3" length="72501978" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Thanks to a requested review, we’re joined by Bluebottle Kiss lead singer/guitarist Jamie Hutchings to revisit the 1996 album Fear of Girls. We chat about his earlier years playing drums and how that influenced his guitar playing and singing. We discuss seeing late 80s/early 90s American indie-rock bands touring Australia before forming Bluebottle Kiss, then getting signed and working with producer Jack Endino on Fear of Girls. We talk touring, songwriting, going solo, his new band Infinity Broke and more.
Songs in this Episode:
Intro - Helping You Hate Me from Fear of Girls
18:38 - Claim from Fear of Girls
33.52 - Stained Mouth from Fear of Girls
38:51 - Return to the City of Folded Arms from Patient
Outro - Outside Are The Dogs



Follow on Twitter / Facebook





Request a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3003</itunes:duration>
                                    </item>
    <item>
        <title>#267: Pure Juice by Summercamp</title>
        <itunes:title>#267: Pure Juice by Summercamp</itunes:title>
        <link>https://digmeout.podbean.com/e/267-pure-juice-by-summercamp/</link>
                    <comments>https://digmeout.podbean.com/e/267-pure-juice-by-summercamp/#comments</comments>        <pubDate>Mon, 22 Feb 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/267-pure-juice-by-summercamp/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’ve got a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> this week, and to help us revisit his request, we invited Brandon Trammell, guitarist for <a href='https://braidedveins.bandcamp.com/releases'>Braidedveins</a> and <a href='https://countyourluckystars.bandcamp.com/album/highway-miles'>Kid Brother Collective</a> on to talk about his pick - 1997′s Pure Juice by <a href='https://en.wikipedia.org/wiki/Summercamp'>Summercamp</a>. After an independent release under a different name, this was the only album released by the band, and it runs the gamut from syrupy power-pop to grungy thumpers and big rock ballads. There are some real diamonds in this rough to be discovered, but also a few lumps of coal. Is it a worthy record? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Drawer14:42 - Nowhere Near28:24 - Should I Walk Away39:00 - Ninety Nine49:25 - Two Shades of GrayOutro - Keep An Eye On You
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’ve got a <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> this week, and to help us revisit his request, we invited Brandon Trammell, guitarist for <a href='https://braidedveins.bandcamp.com/releases'>Braidedveins</a> and <a href='https://countyourluckystars.bandcamp.com/album/highway-miles'>Kid Brother Collective</a> on to talk about his pick - 1997′s Pure Juice by <a href='https://en.wikipedia.org/wiki/Summercamp'>Summercamp</a>. After an independent release under a different name, this was the only album released by the band, and it runs the gamut from syrupy power-pop to grungy thumpers and big rock ballads. There are some real diamonds in this rough to be discovered, but also a few lumps of coal. Is it a worthy record? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Drawer14:42 - Nowhere Near28:24 - Should I Walk Away39:00 - Ninety Nine49:25 - Two Shades of GrayOutro - Keep An Eye On You<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qs8qjf/DMO267-summercamp.mp3" length="95515015" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’ve got a requested review this week, and to help us revisit his request, we invited Brandon Trammell, guitarist for Braidedveins and Kid Brother Collective on to talk about his pick - 1997′s Pure Juice by Summercamp. After an independent release under a different name, this was the only album released by the band, and it runs the gamut from syrupy power-pop to grungy thumpers and big rock ballads. There are some real diamonds in this rough to be discovered, but also a few lumps of coal. Is it a worthy record? Tune in to find out.Songs in this Episode:Intro - Drawer14:42 - Nowhere Near28:24 - Should I Walk Away39:00 - Ninety Nine49:25 - Two Shades of GrayOutro - Keep An Eye On YouFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3962</itunes:duration>
                                    </item>
    <item>
        <title>#266: Interview with Kevin Martin of Candlebox</title>
        <itunes:title>#266: Interview with Kevin Martin of Candlebox</itunes:title>
        <link>https://digmeout.podbean.com/e/266-interview-with-kevin-martin-of-candlebox/</link>
                    <comments>https://digmeout.podbean.com/e/266-interview-with-kevin-martin-of-candlebox/#comments</comments>        <pubDate>Tue, 16 Feb 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/266-interview-with-kevin-martin-of-candlebox/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='https://twitter.com/IMKM'>Kevin Martin</a> to walk us through the past, present and future of <a href='http://www.candleboxrocks.com/'>Candlebox</a> and his career in music. Kevin fills us in on his earliest musical influences - his Mom and Dad, the Texas punks, and the mid/late 80s Seattle scene. From there, Kevin walks us through the wild ride that landed Candlebox on Madonna’s <a href='https://en.wikipedia.org/wiki/Maverick_(company)'>Maverick</a> record label and put the band on the road for well over the year. We explore trials and tribulations surrounding the release of the bands second album Lucy and third album Happy Pills before going on hiatus. From there, we talk reforming Candlebox, releasing new albums in the ‘00s, politics in music, songwriting (for himself and others), working with <a href='https://en.wikipedia.org/wiki/Ken_Andrews'>Ken Andrews</a>, the new album on <a href='http://www.pledgemusic.com/projects/candlebox'>Pledgemusic</a> and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For bonus content from this interview, be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon.com</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Candlebox medley (You, Simple Lessons, Far Behind, Best Friend, Change)18:25 - You from Candlebox45:18 - Butterfly from Lucy1:02:44 - Best Friend from Lucy1:12:44 - It’s Alright from Happy Pills1:31:35 - Stand from Into The Sun1:43:54 - Simple Lessons from Lucy1:50:48 - Sweet Summertime from Love Stories and Other MusingsOutro - 10000 Horses from Happy Pills
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='https://twitter.com/IMKM'>Kevin Martin</a> to walk us through the past, present and future of <a href='http://www.candleboxrocks.com/'>Candlebox</a> and his career in music. Kevin fills us in on his earliest musical influences - his Mom and Dad, the Texas punks, and the mid/late 80s Seattle scene. From there, Kevin walks us through the wild ride that landed Candlebox on Madonna’s <a href='https://en.wikipedia.org/wiki/Maverick_(company)'>Maverick</a> record label and put the band on the road for well over the year. We explore trials and tribulations surrounding the release of the bands second album Lucy and third album Happy Pills before going on hiatus. From there, we talk reforming Candlebox, releasing new albums in the ‘00s, politics in music, songwriting (for himself and others), working with <a href='https://en.wikipedia.org/wiki/Ken_Andrews'>Ken Andrews</a>, the new album on <a href='http://www.pledgemusic.com/projects/candlebox'>Pledgemusic</a> and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For bonus content from this interview, be sure to join us at <a href='https://www.patreon.com/digmeout'>Patreon.com</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Candlebox medley (You, Simple Lessons, Far Behind, Best Friend, Change)18:25 - You from Candlebox45:18 - Butterfly from Lucy1:02:44 - Best Friend from Lucy1:12:44 - It’s Alright from Happy Pills1:31:35 - Stand from Into The Sun1:43:54 - Simple Lessons from Lucy1:50:48 - Sweet Summertime from Love Stories and Other MusingsOutro - 10000 Horses from Happy Pills<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xgun8d/DMO266-KevinMartin.mp3" length="182881443" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Kevin Martin to walk us through the past, present and future of Candlebox and his career in music. Kevin fills us in on his earliest musical influences - his Mom and Dad, the Texas punks, and the mid/late 80s Seattle scene. From there, Kevin walks us through the wild ride that landed Candlebox on Madonna’s Maverick record label and put the band on the road for well over the year. We explore trials and tribulations surrounding the release of the bands second album Lucy and third album Happy Pills before going on hiatus. From there, we talk reforming Candlebox, releasing new albums in the ‘00s, politics in music, songwriting (for himself and others), working with Ken Andrews, the new album on Pledgemusic and much much more.For bonus content from this interview, be sure to join us at Patreon.com.Songs in this Episode:Intro - Candlebox medley (You, Simple Lessons, Far Behind, Best Friend, Change)18:25 - You from Candlebox45:18 - Butterfly from Lucy1:02:44 - Best Friend from Lucy1:12:44 - It’s Alright from Happy Pills1:31:35 - Stand from Into The Sun1:43:54 - Simple Lessons from Lucy1:50:48 - Sweet Summertime from Love Stories and Other MusingsOutro - 10000 Horses from Happy PillsFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7602</itunes:duration>
                                    </item>
    <item>
        <title>#265: Emo Roundtable Discussion</title>
        <itunes:title>#265: Emo Roundtable Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/265-emo-roundtable-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/265-emo-roundtable-discussion/#comments</comments>        <pubDate>Tue, 09 Feb 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/265-emo-roundtable-discussion/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">What exactly is <a href='https://en.wikipedia.org/wiki/Emo'>emo</a>? To help us, and several listeners who have asked this same question, we’ve assembled an emo all-star team to figure it out. Joining us is <a href='https://twitter.com/tommullen'>Tom Mullen</a> (<a href='http://www.washedupemo.com/'>Washed Up Emo podcast</a>, <a href='http://isthisbandemo.com/'>Is This Band Emo?</a>) <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are? podcast</a>, author of <a href='http://www.amazon.com/POST-Look-Influence-Post-Hardcore-1985-2007/dp/0595518354/ref=sr_1_1?ie=UTF8&qid=1331279135&sr=8-1'>Post</a>), and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>, <a href='http://www.punktastic.com/author/jeff-takacs/'>Punktastic</a>).</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">In This Episode:</p>
Intro - Emo Medley (Sunny Day Real Estate, The Get Up Kids, Jimmy Eat World, Cursive, At The Drive-in)9:05 - What does the term “emo” mean?13:40 - What’s the difference between emo, post-punk and post-hardcore?”23:30 - What are the musical hallmarks of emo?30:30 - How did emo become mainstream in the ‘00s?53:50 - What’s the first emo album you give to someone who’s never heard emo?59:25 - What is the current state of emo?Outro - The Day’s Refrain by Texas Is The Reason
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">What exactly is <a href='https://en.wikipedia.org/wiki/Emo'>emo</a>? To help us, and several listeners who have asked this same question, we’ve assembled an emo all-star team to figure it out. Joining us is <a href='https://twitter.com/tommullen'>Tom Mullen</a> (<a href='http://www.washedupemo.com/'>Washed Up Emo podcast</a>, <a href='http://isthisbandemo.com/'>Is This Band Emo?</a>) <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a> (<a href='https://soundcloud.com/eric-grubbs'>Do You Know Who You Are? podcast</a>, author of <a href='http://www.amazon.com/POST-Look-Influence-Post-Hardcore-1985-2007/dp/0595518354/ref=sr_1_1?ie=UTF8&qid=1331279135&sr=8-1'>Post</a>), and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>, <a href='http://www.punktastic.com/author/jeff-takacs/'>Punktastic</a>).</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">In This Episode:</p>
Intro - Emo Medley (Sunny Day Real Estate, The Get Up Kids, Jimmy Eat World, Cursive, At The Drive-in)9:05 - What does the term “emo” mean?13:40 - What’s the difference between emo, post-punk and post-hardcore?”23:30 - What are the musical hallmarks of emo?30:30 - How did emo become mainstream in the ‘00s?53:50 - What’s the first emo album you give to someone who’s never heard emo?59:25 - What is the current state of emo?Outro - The Day’s Refrain by Texas Is The Reason<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hyevwd/DMO265-EmoRoundtable.mp3" length="108254415" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What exactly is emo? To help us, and several listeners who have asked this same question, we’ve assembled an emo all-star team to figure it out. Joining us is Tom Mullen (Washed Up Emo podcast, Is This Band Emo?) Eric Grubbs (Do You Know Who You Are? podcast, author of Post), and Jeff Takacs (Rocketfuel podcast, Punktastic).In This Episode:Intro - Emo Medley (Sunny Day Real Estate, The Get Up Kids, Jimmy Eat World, Cursive, At The Drive-in)9:05 - What does the term “emo” mean?13:40 - What’s the difference between emo, post-punk and post-hardcore?”23:30 - What are the musical hallmarks of emo?30:30 - How did emo become mainstream in the ‘00s?53:50 - What’s the first emo album you give to someone who’s never heard emo?59:25 - What is the current state of emo?Outro - The Day’s Refrain by Texas Is The ReasonFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4493</itunes:duration>
                                    </item>
    <item>
        <title>#264: Dog Man Star by (The London) Suede</title>
        <itunes:title>#264: Dog Man Star by (The London) Suede</itunes:title>
        <link>https://digmeout.podbean.com/e/264-dog-man-star-by-the-london-suede/</link>
                    <comments>https://digmeout.podbean.com/e/264-dog-man-star-by-the-london-suede/#comments</comments>        <pubDate>Tue, 02 Feb 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/264-dog-man-star-by-the-london-suede/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With an well-received new album just released, it’s the perfect time to check out an album by Britpop pioneers <a href='http://www.suede.co.uk/'>Suede</a> (or, The London Suede here in the states). We put it up for a vote on our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, and after a tie-breaking coin flip, we’re checking out the 1994 sophomore album Dog Man Star. Like a lot of sophomore albums in the ‘90s, this album came after a well received (critically and commercially) debut. Did Dog Man Star suffer the dreaded sophomore slump? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - We Are The Pigs5:58 - History of the Band16:17 - We Are The Pigs23:58 - Still Life30:39 - HeroineOutro - The Asphault Life
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With an well-received new album just released, it’s the perfect time to check out an album by Britpop pioneers <a href='http://www.suede.co.uk/'>Suede</a> (or, The London Suede here in the states). We put it up for a vote on our <a href='https://www.patreon.com/digmeout'>Patreon page</a>, and after a tie-breaking coin flip, we’re checking out the 1994 sophomore album Dog Man Star. Like a lot of sophomore albums in the ‘90s, this album came after a well received (critically and commercially) debut. Did Dog Man Star suffer the dreaded sophomore slump? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - We Are The Pigs5:58 - History of the Band16:17 - We Are The Pigs23:58 - Still Life30:39 - HeroineOutro - The Asphault Life<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a><br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g4fbn8/DMO264-Suede.mp3" length="56572081" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With an well-received new album just released, it’s the perfect time to check out an album by Britpop pioneers Suede (or, The London Suede here in the states). We put it up for a vote on our Patreon page, and after a tie-breaking coin flip, we’re checking out the 1994 sophomore album Dog Man Star. Like a lot of sophomore albums in the ‘90s, this album came after a well received (critically and commercially) debut. Did Dog Man Star suffer the dreaded sophomore slump? Tune in to find out.Songs in this Episode:Intro - We Are The Pigs5:58 - History of the Band16:17 - We Are The Pigs23:58 - Still Life30:39 - HeroineOutro - The Asphault LifeFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2339</itunes:duration>
                                    </item>
    <item>
        <title>#263: Interview with Andy Hindman, Goo Goo Dolls roadie</title>
        <itunes:title>#263: Interview with Andy Hindman, Goo Goo Dolls roadie</itunes:title>
        <link>https://digmeout.podbean.com/e/263-interview-with-andy-hindman-goo-goo-dolls-roadie/</link>
                    <comments>https://digmeout.podbean.com/e/263-interview-with-andy-hindman-goo-goo-dolls-roadie/#comments</comments>        <pubDate>Tue, 26 Jan 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/263-interview-with-andy-hindman-goo-goo-dolls-roadie/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our first interview of 2016, we’re chatting with <a href='http://andyhindman.com/'>Andy Hindman</a>, current bass technician (aka, roadie) for the <a href='http://www.googoodolls.com/'>Goo Goo Dolls</a>. Andy started out in Columbus, Ohio playing in bands and going out on the road as a driver/roadie first for <a href='http://www.digmeoutpodcast.com/post/47306439874/episode-76-interview-with-joe-oestreich-of'>Watershed</a>, then <a href='http://www.digmeoutpodcast.com/post/49240295347/interview-with-happy-chichester-of-howlin-maggie'>Howlin’ Maggie</a>. After short stints with <a href='http://www.digmeoutpodcast.com/post/123460721284/dovetailjoint'>Dovetail Joint</a> and <a href='http://www.digmeoutpodcast.com/post/47306431699/episode-70-fever-in-fever-out-by-luscious'>Luscious Jackson</a>, he joined the Goo Goo Dolls crew, which led him to jobs on tours for artists such as Buckcherry, Santana, Alanis Morrisette and Britney Spears. Andy gives us a behind the scene look at the world that takes place in the shadows of your favorite live shows.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To hear a bonus clip from this episode, become a subscriber at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Roadie Medley (Jackson Browne, Tenacious D, Motorhead, Alice Cooper)Outor - Fucked by Lights by Angry Neighbors
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our first interview of 2016, we’re chatting with <a href='http://andyhindman.com/'>Andy Hindman</a>, current bass technician (aka, roadie) for the <a href='http://www.googoodolls.com/'>Goo Goo Dolls</a>. Andy started out in Columbus, Ohio playing in bands and going out on the road as a driver/roadie first for <a href='http://www.digmeoutpodcast.com/post/47306439874/episode-76-interview-with-joe-oestreich-of'>Watershed</a>, then <a href='http://www.digmeoutpodcast.com/post/49240295347/interview-with-happy-chichester-of-howlin-maggie'>Howlin’ Maggie</a>. After short stints with <a href='http://www.digmeoutpodcast.com/post/123460721284/dovetailjoint'>Dovetail Joint</a> and <a href='http://www.digmeoutpodcast.com/post/47306431699/episode-70-fever-in-fever-out-by-luscious'>Luscious Jackson</a>, he joined the Goo Goo Dolls crew, which led him to jobs on tours for artists such as Buckcherry, Santana, Alanis Morrisette and Britney Spears. Andy gives us a behind the scene look at the world that takes place in the shadows of your favorite live shows.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To hear a bonus clip from this episode, become a subscriber at <a href='https://www.patreon.com/digmeout'>Patreon</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Roadie Medley (Jackson Browne, Tenacious D, Motorhead, Alice Cooper)Outor - Fucked by Lights by Angry Neighbors<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ja6yzq/DMO263-AndyHindman.mp3" length="153841639" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our first interview of 2016, we’re chatting with Andy Hindman, current bass technician (aka, roadie) for the Goo Goo Dolls. Andy started out in Columbus, Ohio playing in bands and going out on the road as a driver/roadie first for Watershed, then Howlin’ Maggie. After short stints with Dovetail Joint and Luscious Jackson, he joined the Goo Goo Dolls crew, which led him to jobs on tours for artists such as Buckcherry, Santana, Alanis Morrisette and Britney Spears. Andy gives us a behind the scene look at the world that takes place in the shadows of your favorite live shows.To hear a bonus clip from this episode, become a subscriber at Patreon.Songs in this Episode:Intro - Roadie Medley (Jackson Browne, Tenacious D, Motorhead, Alice Cooper)Outor - Fucked by Lights by Angry NeighborsFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6392</itunes:duration>
                                    </item>
    <item>
        <title>#262: Roundtable Discussion on the albums of 1996</title>
        <itunes:title>#262: Roundtable Discussion on the albums of 1996</itunes:title>
        <link>https://digmeout.podbean.com/e/262-roundtable-discussion-on-the-albums-of-1996/</link>
                    <comments>https://digmeout.podbean.com/e/262-roundtable-discussion-on-the-albums-of-1996/#comments</comments>        <pubDate>Tue, 19 Jan 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/262-roundtable-discussion-on-the-albums-of-1996/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s our first roundtable discussion of 2016, and we’re tackling the albums from 20-years prior, with special guests <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>, <a href='http://www.losttogetherpod.com/'>Lost Together podcast</a>), <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a>) and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>, <a href='http://www.punktastic.com/'>Punktastic</a>) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘96.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">In This Episode:</p>
Intro - 1996 Medley (Soundgarden, Soul Coughing, Weezer, Stone Temple Pilots, Nada Surf)3:36 - Overall Thoughts on Music in 199610:08 - Albums That Made An Immediate Impact29:39 - Anticipated Albums That Were Letdowns40:57 - Discussion on R.E.M.’s New Adventures in Hi-Fi46:47 - Albums from 1996 Discovered Later in Life56:13 - Albums That Have Not Stood The Test of Time1:04:01 - Choose One Albums to Represent 1996Outro - If I Could Talk I’d Tell You by The Lemonheads
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s our first roundtable discussion of 2016, and we’re tackling the albums from 20-years prior, with special guests <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a> (<a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a>, <a href='http://www.losttogetherpod.com/'>Lost Together podcast</a>), <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> (<a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a>) and <a href='https://twitter.com/Rocket_Fuel'>Jeff Takacs</a> (<a href='http://www.rocketfuelpodcast.com/'>Rocketfuel podcast</a>, <a href='http://www.punktastic.com/'>Punktastic</a>) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘96.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">In This Episode:</p>
Intro - 1996 Medley (Soundgarden, Soul Coughing, Weezer, Stone Temple Pilots, Nada Surf)3:36 - Overall Thoughts on Music in 199610:08 - Albums That Made An Immediate Impact29:39 - Anticipated Albums That Were Letdowns40:57 - Discussion on R.E.M.’s New Adventures in Hi-Fi46:47 - Albums from 1996 Discovered Later in Life56:13 - Albums That Have Not Stood The Test of Time1:04:01 - Choose One Albums to Represent 1996Outro - If I Could Talk I’d Tell You by The Lemonheads<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a><br>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2tcgyj/DMO262-1996albums.mp3" length="112029837" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s our first roundtable discussion of 2016, and we’re tackling the albums from 20-years prior, with special guests Matt Wardlaw (Ultimate Classic Rock, Lost Together podcast), Chip Midnight (KidsInterviewBands.com) and Jeff Takacs (Rocketfuel podcast, Punktastic) to help us cover the best, the overlooked, the letdowns and faded-aways of ‘96.In This Episode:Intro - 1996 Medley (Soundgarden, Soul Coughing, Weezer, Stone Temple Pilots, Nada Surf)3:36 - Overall Thoughts on Music in 199610:08 - Albums That Made An Immediate Impact29:39 - Anticipated Albums That Were Letdowns40:57 - Discussion on R.E.M.’s New Adventures in Hi-Fi46:47 - Albums from 1996 Discovered Later in Life56:13 - Albums That Have Not Stood The Test of Time1:04:01 - Choose One Albums to Represent 1996Outro - If I Could Talk I’d Tell You by The LemonheadsFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4650</itunes:duration>
                                    </item>
    <item>
        <title>#261: Black Tie White Noise by David Bowie</title>
        <itunes:title>#261: Black Tie White Noise by David Bowie</itunes:title>
        <link>https://digmeout.podbean.com/e/261-black-tie-white-noise-by-david-bowie/</link>
                    <comments>https://digmeout.podbean.com/e/261-black-tie-white-noise-by-david-bowie/#comments</comments>        <pubDate>Tue, 12 Jan 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/261-black-tie-white-noise-by-david-bowie/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s with heavy hearts we share with your are latest episode, recorded four days prior to the passing of <a href='http://www.davidbowie.com/'>David Bowie</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With Black Star, his 26th album just released, we decided to revisit his 1993 album Black Tie White Noise, co-produced with Nile Rodgers, who worked with Bowie on the successful Let’s Dance album ten years earlier. With drum and keyboard loops influenced by the burgeoning house and early 90s dance scene, BTWN shows off Bowie’s penchant for melodic hooks and Rodgers talent for infectious grooves, but the spotless production ended up sacrificing some of the emotion and left us feeling a bit cold, despite the inspired cover choices.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Black Tie White Noise10:44 - The Wedding Song13:33 - I Know It’s Gonna Happen18:41 - Don’t Let Me Down and DownOutro - Jump They Say
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s with heavy hearts we share with your are latest episode, recorded four days prior to the passing of <a href='http://www.davidbowie.com/'>David Bowie</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">With Black Star, his 26th album just released, we decided to revisit his 1993 album Black Tie White Noise, co-produced with Nile Rodgers, who worked with Bowie on the successful Let’s Dance album ten years earlier. With drum and keyboard loops influenced by the burgeoning house and early 90s dance scene, BTWN shows off Bowie’s penchant for melodic hooks and Rodgers talent for infectious grooves, but the spotless production ended up sacrificing some of the emotion and left us feeling a bit cold, despite the inspired cover choices.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Black Tie White Noise10:44 - The Wedding Song13:33 - I Know It’s Gonna Happen18:41 - Don’t Let Me Down and DownOutro - Jump They Say<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter </a>/ <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pk89wv/DMO261-bowie.mp3" length="38202774" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s with heavy hearts we share with your are latest episode, recorded four days prior to the passing of David Bowie.With Black Star, his 26th album just released, we decided to revisit his 1993 album Black Tie White Noise, co-produced with Nile Rodgers, who worked with Bowie on the successful Let’s Dance album ten years earlier. With drum and keyboard loops influenced by the burgeoning house and early 90s dance scene, BTWN shows off Bowie’s penchant for melodic hooks and Rodgers talent for infectious grooves, but the spotless production ended up sacrificing some of the emotion and left us feeling a bit cold, despite the inspired cover choices.Songs in this Episode:Intro - Black Tie White Noise10:44 - The Wedding Song13:33 - I Know It’s Gonna Happen18:41 - Don’t Let Me Down and DownOutro - Jump They SayFollow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1574</itunes:duration>
                                    </item>
    <item>
        <title>#260: Thrumdrone by Carnival Art</title>
        <itunes:title>#260: Thrumdrone by Carnival Art</itunes:title>
        <link>https://digmeout.podbean.com/e/260-thrumdrone-by-carnvial-art/</link>
                    <comments>https://digmeout.podbean.com/e/260-thrumdrone-by-carnvial-art/#comments</comments>        <pubDate>Tue, 05 Jan 2016 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/260-thrumdrone-by-carnvial-art/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We start our first show of the 2016 season addressing the passing of Scott Weiland before tackling our first <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> of the year, the 1991 album <a href='http://www.weezerpedia.com/wiki/index.php?title=Thrumdrone'>Thrumdone by Carnival Art</a>. Band member connections to Weezer and Jane’s Addiction make this an interesting listen, but the sounds of those bands aren’t really present, for better or worse. Bouncing between catchy new wave, metal riffing and arty experimentation, Thrumdrone rarely stays on one idea for too long. Does that make for an interesting listen? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Hammers and Nails14:09 - Wrestling Swamis17:12 - Itchy Little House25:19 - Sticky GreenOutro - Mrs. Pears's Reptile Homework 
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We start our first show of the 2016 season addressing the passing of Scott Weiland before tackling our first <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> of the year, the 1991 album <a href='http://www.weezerpedia.com/wiki/index.php?title=Thrumdrone'>Thrumdone by Carnival Art</a>. Band member connections to Weezer and Jane’s Addiction make this an interesting listen, but the sounds of those bands aren’t really present, for better or worse. Bouncing between catchy new wave, metal riffing and arty experimentation, Thrumdrone rarely stays on one idea for too long. Does that make for an interesting listen? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Hammers and Nails14:09 - Wrestling Swamis17:12 - Itchy Little House25:19 - Sticky GreenOutro - Mrs. Pears's Reptile Homework <br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request a 2016 Review</a> / <a href='https://www.patreon.com/digmeout'>Subscribe at Patreon</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hztm7b/DMO260-carnivalart.mp3" length="46966758" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We start our first show of the 2016 season addressing the passing of Scott Weiland before tackling our first requested review of the year, the 1991 album Thrumdone by Carnival Art. Band member connections to Weezer and Jane’s Addiction make this an interesting listen, but the sounds of those bands aren’t really present, for better or worse. Bouncing between catchy new wave, metal riffing and arty experimentation, Thrumdrone rarely stays on one idea for too long. Does that make for an interesting listen? Tune in to find out.Songs in this Episode:Intro - Hammers and Nails14:09 - Wrestling Swamis17:12 - Itchy Little House25:19 - Sticky GreenOutro - Mrs. Pears's Reptile Homework Follow on Twitter / FacebookRequest a 2016 Review / Subscribe at Patreon]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1940</itunes:duration>
                                    </item>
    <item>
        <title>#259: Review of Season Five</title>
        <itunes:title>#259: Review of Season Five</itunes:title>
        <link>https://digmeout.podbean.com/e/259-review-of-season-five/</link>
                    <comments>https://digmeout.podbean.com/e/259-review-of-season-five/#comments</comments>        <pubDate>Tue, 29 Dec 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/259-review-of-season-five/</guid>
                                    <description><![CDATA[It’s the final episode of 2015, and what a year it was! We recently kicked off our Patreon campaign, and on this episode dig a little deeper into what that means for the future of the show. We talk about our favorite interviews, roundtable discussions and album reviews, read some listener feedback and preview 2016.
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[It’s the final episode of 2015, and what a year it was! We recently kicked off our Patreon campaign, and on this episode dig a little deeper into what that means for the future of the show. We talk about our favorite interviews, roundtable discussions and album reviews, read some listener feedback and preview 2016.<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dazb8h/DMO259-season5review.mp3" length="59156958" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s the final episode of 2015, and what a year it was! We recently kicked off our Patreon campaign, and on this episode dig a little deeper into what that means for the future of the show. We talk about our favorite interviews, roundtable discussions and album reviews, read some listener feedback and preview 2016.Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2447</itunes:duration>
                                    </item>
    <item>
        <title>#258: Aluminum by Gods Child</title>
        <itunes:title>#258: Aluminum by Gods Child</itunes:title>
        <link>https://digmeout.podbean.com/e/258-aluminum-by-gods-child/</link>
                    <comments>https://digmeout.podbean.com/e/258-aluminum-by-gods-child/#comments</comments>        <pubDate>Tue, 22 Dec 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/258-aluminum-by-gods-child/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our final review of 2015, we’re checking out the sophomore album Aluminum from <a href='https://en.wikipedia.org/wiki/Gods_Child'>Gods Child</a>. This New York City band has an interesting and at times odd combination of influences and sounds, jumping from jazz verses to soaring Bon Jovi choruses literally in the same song. Sometimes it works, other times it left us scratching our heads. But did we like it? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - This is the Real World3:36 - History of the Band7:01 - Serve Yourself13:09 - Need16:24 - Heart of ExtasyOutro - Female Elvis
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our final review of 2015, we’re checking out the sophomore album Aluminum from <a href='https://en.wikipedia.org/wiki/Gods_Child'>Gods Child</a>. This New York City band has an interesting and at times odd combination of influences and sounds, jumping from jazz verses to soaring Bon Jovi choruses literally in the same song. Sometimes it works, other times it left us scratching our heads. But did we like it? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - This is the Real World3:36 - History of the Band7:01 - Serve Yourself13:09 - Need16:24 - Heart of ExtasyOutro - Female Elvis<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hy4x7i/DMO258-godschild.mp3" length="52591651" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our final review of 2015, we’re checking out the sophomore album Aluminum from Gods Child. This New York City band has an interesting and at times odd combination of influences and sounds, jumping from jazz verses to soaring Bon Jovi choruses literally in the same song. Sometimes it works, other times it left us scratching our heads. But did we like it? Tune in to find out.Songs in this Episode:Intro - This is the Real World3:36 - History of the Band7:01 - Serve Yourself13:09 - Need16:24 - Heart of ExtasyOutro - Female ElvisFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2173</itunes:duration>
                                    </item>
    <item>
        <title>#257: Hello by Poe</title>
        <itunes:title>#257: Hello by Poe</itunes:title>
        <link>https://digmeout.podbean.com/e/257-hello-by-poe/</link>
                    <comments>https://digmeout.podbean.com/e/257-hello-by-poe/#comments</comments>        <pubDate>Tue, 15 Dec 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/257-hello-by-poe/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">As we discussed in our October roundtable episode on <a href='http://www.digmeoutpodcast.com/post/131088500102/248-female-artists-of-the-90s-this-week-were'>female artists of the 90s</a>, 1995 was a historic year thanks to Jagged Little Pill by Alanis Morissette. But Alanis wasn’t the only artist to make an impact. The <a href='http://www.nytimes.com/1996/01/28/arts/pop-view-the-angry-young-woman-the-labels-take-notice.html'>New York Times noted</a> in early 1996 about the debut album Hello by Poe and her “moody hip-hop to hymnlike piano to fingerpicking pop-folk.” We revisit this eclectic record that features contributions from former Guns ‘n Roses drummer <a href='http://mattsorum.com/'>Matt Sorum</a>, late hip-hop producer/artist <a href='http://www.j-dilla.com/'>J Dilla</a> and Alice in Chains/Jane’s Addiction recording engineer <a href='https://en.wikipedia.org/wiki/Dave_Jerden'>Dave Jerden</a>. </p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Junkie1:38 - History of the Band10:33 - Hello16:36 - Choking the Cherry19:45 - Angry Johnny24:00 Trigger Happy Jack (Drive By A Go-Go)Outro - Hello (Band Version)
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">As we discussed in our October roundtable episode on <a href='http://www.digmeoutpodcast.com/post/131088500102/248-female-artists-of-the-90s-this-week-were'>female artists of the 90s</a>, 1995 was a historic year thanks to Jagged Little Pill by Alanis Morissette. But Alanis wasn’t the only artist to make an impact. The <a href='http://www.nytimes.com/1996/01/28/arts/pop-view-the-angry-young-woman-the-labels-take-notice.html'>New York Times noted</a> in early 1996 about the debut album Hello by Poe and her “moody hip-hop to hymnlike piano to fingerpicking pop-folk.” We revisit this eclectic record that features contributions from former Guns ‘n Roses drummer <a href='http://mattsorum.com/'>Matt Sorum</a>, late hip-hop producer/artist <a href='http://www.j-dilla.com/'>J Dilla</a> and Alice in Chains/Jane’s Addiction recording engineer <a href='https://en.wikipedia.org/wiki/Dave_Jerden'>Dave Jerden</a>. </p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Junkie1:38 - History of the Band10:33 - Hello16:36 - Choking the Cherry19:45 - Angry Johnny24:00 Trigger Happy Jack (Drive By A Go-Go)Outro - Hello (Band Version)<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/edu4aq/DMO257-poe.mp3" length="44028288" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As we discussed in our October roundtable episode on female artists of the 90s, 1995 was a historic year thanks to Jagged Little Pill by Alanis Morissette. But Alanis wasn’t the only artist to make an impact. The New York Times noted in early 1996 about the debut album Hello by Poe and her “moody hip-hop to hymnlike piano to fingerpicking pop-folk.” We revisit this eclectic record that features contributions from former Guns ‘n Roses drummer Matt Sorum, late hip-hop producer/artist J Dilla and Alice in Chains/Jane’s Addiction recording engineer Dave Jerden. Songs in this Episode:Intro - Junkie1:38 - History of the Band10:33 - Hello16:36 - Choking the Cherry19:45 - Angry Johnny24:00 Trigger Happy Jack (Drive By A Go-Go)Outro - Hello (Band Version)Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1817</itunes:duration>
                                    </item>
    <item>
        <title>#256: Movie Soundtrack of the 90s Roundtable</title>
        <itunes:title>#256: Movie Soundtrack of the 90s Roundtable</itunes:title>
        <link>https://digmeout.podbean.com/e/256-movie-soundtrack-of-the-90s-roundtable/</link>
                    <comments>https://digmeout.podbean.com/e/256-movie-soundtrack-of-the-90s-roundtable/#comments</comments>        <pubDate>Tue, 08 Dec 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/256-movie-soundtrack-of-the-90s-roundtable/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our final roundtable of 2015, we’re joined by <a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Matt Wardlaw</a> and <a href='http://lovethatalbum.podbean.com/'>Eric Peterson</a> to discuss movie soundtracks of the 1990s. Where the 90s the ultimate decade for movie soundtracks? Can a great soundtrack redeem a mediocre movie? What were the best songs written specifically for movies? What artists made their careers thanks to soundtrack songs? All this more, plus special thanks to our guest introduction announcer who filled in for our regular.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - A Girl Like You by Edwyn Collins (Empire Records)9:19 - Kids in America by The Muffs (Clueless)20:54 - Runnin’ on Go by New Bomb Turks (Glory Daze)32:36 - Seasons by Chris Cornell (Singles)50:40 - BBC by Ming Tea (Austin Powers)Outro - Can’t Get Enough of Your Love, Babe by the Afghan Whigs (Beautiful Girls)
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our final roundtable of 2015, we’re joined by <a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Matt Wardlaw</a> and <a href='http://lovethatalbum.podbean.com/'>Eric Peterson</a> to discuss movie soundtracks of the 1990s. Where the 90s the ultimate decade for movie soundtracks? Can a great soundtrack redeem a mediocre movie? What were the best songs written specifically for movies? What artists made their careers thanks to soundtrack songs? All this more, plus special thanks to our guest introduction announcer who filled in for our regular.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - A Girl Like You by Edwyn Collins (Empire Records)9:19 - Kids in America by The Muffs (Clueless)20:54 - Runnin’ on Go by New Bomb Turks (Glory Daze)32:36 - Seasons by Chris Cornell (Singles)50:40 - BBC by Ming Tea (Austin Powers)Outro - Can’t Get Enough of Your Love, Babe by the Afghan Whigs (Beautiful Girls)<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ud4836/DMO256-moviesoundtrackroundtable.mp3" length="101138671" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our final roundtable of 2015, we’re joined by Matt Wardlaw and Eric Peterson to discuss movie soundtracks of the 1990s. Where the 90s the ultimate decade for movie soundtracks? Can a great soundtrack redeem a mediocre movie? What were the best songs written specifically for movies? What artists made their careers thanks to soundtrack songs? All this more, plus special thanks to our guest introduction announcer who filled in for our regular.Songs in this Episode:Intro - A Girl Like You by Edwyn Collins (Empire Records)9:19 - Kids in America by The Muffs (Clueless)20:54 - Runnin’ on Go by New Bomb Turks (Glory Daze)32:36 - Seasons by Chris Cornell (Singles)50:40 - BBC by Ming Tea (Austin Powers)Outro - Can’t Get Enough of Your Love, Babe by the Afghan Whigs (Beautiful Girls)Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4196</itunes:duration>
                                    </item>
    <item>
        <title>#255: Interview with Scott Lucas of Local H</title>
        <itunes:title>#255: Interview with Scott Lucas of Local H</itunes:title>
        <link>https://digmeout.podbean.com/e/255-interview-with-scott-lucas-of-local-h/</link>
                    <comments>https://digmeout.podbean.com/e/255-interview-with-scott-lucas-of-local-h/#comments</comments>        <pubDate>Tue, 01 Dec 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/255-interview-with-scott-lucas-of-local-h/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week <a href='https://en.wikipedia.org/wiki/Scott_Lucas_(musician)'>Scott Lucas</a> of <a href='http://www.localh.com/'>Local H</a> joins us to talk about their latest album Hey, Killer and their recent tour with <a href='http://www.failureband.com/'>Failure</a>. We dig into Scott’s early years in Zion, IL, getting his first Harmony guitar and playing basement and garage shows in the dry town. We discuss the early years of the band, working various jobs while gigging and writing before signing to <a href='http://www.islandrecords.com/'>Island Records</a>. We talk about the upcoming 20th anniversary of their breakthrough sophomore album As Good As Dead, plans for reissues and upcoming shows. The music industry, streaming vs. physical media, Mad Max, the upcoming book coffee table book “<a href='http://www.allwebsolutions.net/music/local-h-to-release-twenty-five-years-of-skin-in-the-game-coffee-table-book-exclusive/'>Twenty-Five Years of Skin in the Game</a>,” and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - City of Knives3:45 - Gig Bag Road40:39 - Bound for the FloorOutro - Age Group Champion
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week <a href='https://en.wikipedia.org/wiki/Scott_Lucas_(musician)'>Scott Lucas</a> of <a href='http://www.localh.com/'>Local H</a> joins us to talk about their latest album Hey, Killer and their recent tour with <a href='http://www.failureband.com/'>Failure</a>. We dig into Scott’s early years in Zion, IL, getting his first Harmony guitar and playing basement and garage shows in the dry town. We discuss the early years of the band, working various jobs while gigging and writing before signing to <a href='http://www.islandrecords.com/'>Island Records</a>. We talk about the upcoming 20th anniversary of their breakthrough sophomore album As Good As Dead, plans for reissues and upcoming shows. The music industry, streaming vs. physical media, Mad Max, the upcoming book coffee table book “<a href='http://www.allwebsolutions.net/music/local-h-to-release-twenty-five-years-of-skin-in-the-game-coffee-table-book-exclusive/'>Twenty-Five Years of Skin in the Game</a>,” and much much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - City of Knives3:45 - Gig Bag Road40:39 - Bound for the FloorOutro - Age Group Champion<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/riqkfw/DMO255-scottlucas.mp3" length="85037003" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week Scott Lucas of Local H joins us to talk about their latest album Hey, Killer and their recent tour with Failure. We dig into Scott’s early years in Zion, IL, getting his first Harmony guitar and playing basement and garage shows in the dry town. We discuss the early years of the band, working various jobs while gigging and writing before signing to Island Records. We talk about the upcoming 20th anniversary of their breakthrough sophomore album As Good As Dead, plans for reissues and upcoming shows. The music industry, streaming vs. physical media, Mad Max, the upcoming book coffee table book “Twenty-Five Years of Skin in the Game,” and much much more.Songs in this Episode:Intro - City of Knives3:45 - Gig Bag Road40:39 - Bound for the FloorOutro - Age Group ChampionFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3526</itunes:duration>
                                    </item>
    <item>
        <title>#254: Delete Yourself! by Atari Teenage Riot</title>
        <itunes:title>#254: Delete Yourself! by Atari Teenage Riot</itunes:title>
        <link>https://digmeout.podbean.com/e/254-delete-yourself-by-atari-teenage-riot/</link>
                    <comments>https://digmeout.podbean.com/e/254-delete-yourself-by-atari-teenage-riot/#comments</comments>        <pubDate>Tue, 24 Nov 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/254-delete-yourself-by-atari-teenage-riot/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-size:14px;line-height:21px;vertical-align:baseline;"><a href='http://www.atari-teenage-riot.com/'>Atari Teenage Riot</a>’s 1995 album Delete Yourself! was supposed to be at the start of the wave that would usher the end of guitar music and a takeover by synths, samples and drum machines. That didn’t exactly happen, however plenty of interesting albums were released during that time, and we’re checking out the German trio’s self-described “digital hardcore” debut.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-size:14px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Into the Death2:43 - History of the Band14:34: Riot 199521:28 - Hetzjagd auf nazis! (live)23:42 - Kids are United!Outro - Cyberpunks are Dead!
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-size:14px;line-height:21px;vertical-align:baseline;"><a href='http://www.atari-teenage-riot.com/'>Atari Teenage Riot</a>’s 1995 album Delete Yourself! was supposed to be at the start of the wave that would usher the end of guitar music and a takeover by synths, samples and drum machines. That didn’t exactly happen, however plenty of interesting albums were released during that time, and we’re checking out the German trio’s self-described “digital hardcore” debut.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-size:14px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Into the Death2:43 - History of the Band14:34: Riot 199521:28 - Hetzjagd auf nazis! (live)23:42 - Kids are United!Outro - Cyberpunks are Dead!<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4iyhkw/DMO254-ATR.mp3" length="55058022" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Atari Teenage Riot’s 1995 album Delete Yourself! was supposed to be at the start of the wave that would usher the end of guitar music and a takeover by synths, samples and drum machines. That didn’t exactly happen, however plenty of interesting albums were released during that time, and we’re checking out the German trio’s self-described “digital hardcore” debut.Songs in this Episode:Intro - Into the Death2:43 - History of the Band14:34: Riot 199521:28 - Hetzjagd auf nazis! (live)23:42 - Kids are United!Outro - Cyberpunks are Dead!Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2276</itunes:duration>
                                    </item>
    <item>
        <title>#253: Trace by Son Volt</title>
        <itunes:title>#253: Trace by Son Volt</itunes:title>
        <link>https://digmeout.podbean.com/e/253-trace-by-son-volt/</link>
                    <comments>https://digmeout.podbean.com/e/253-trace-by-son-volt/#comments</comments>        <pubDate>Tue, 17 Nov 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/253-trace-by-son-volt/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">It’s been twenty years since <a href='http://www.sonvolt.net/'>Son Volt</a> released their debut album Trace, which means it is up for repackaged remastered re-release and reappraisal. Always compared to Wilco thanks to their time together in alt.country pioneering band Uncle Tupelo, Son Volt finds Jay Farrar at his songwriting peak, easily shifting from uptempo rockers to acoustic slow burns with radio friendly production tying it all together. Does it stand the test of time? Is Tim’s love of Son Volt still strong? Has Jason come around to any of it? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Route4:01 - History of the Band6:01 - Drown18:45 - Live Free29:05 - Catching On31:35 - WindfallOutro - Out of the Picture
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">It’s been twenty years since <a href='http://www.sonvolt.net/'>Son Volt</a> released their debut album Trace, which means it is up for repackaged remastered re-release and reappraisal. Always compared to Wilco thanks to their time together in alt.country pioneering band Uncle Tupelo, Son Volt finds Jay Farrar at his songwriting peak, easily shifting from uptempo rockers to acoustic slow burns with radio friendly production tying it all together. Does it stand the test of time? Is Tim’s love of Son Volt still strong? Has Jason come around to any of it? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Route4:01 - History of the Band6:01 - Drown18:45 - Live Free29:05 - Catching On31:35 - WindfallOutro - Out of the Picture<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4ga7xf/DMO253-sonvolt.mp3" length="64910369" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s been twenty years since Son Volt released their debut album Trace, which means it is up for repackaged remastered re-release and reappraisal. Always compared to Wilco thanks to their time together in alt.country pioneering band Uncle Tupelo, Son Volt finds Jay Farrar at his songwriting peak, easily shifting from uptempo rockers to acoustic slow burns with radio friendly production tying it all together. Does it stand the test of time? Is Tim’s love of Son Volt still strong? Has Jason come around to any of it? Tune in to find out.Songs in this Episode:Intro - Route4:01 - History of the Band6:01 - Drown18:45 - Live Free29:05 - Catching On31:35 - WindfallOutro - Out of the PictureFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2687</itunes:duration>
                                    </item>
    <item>
        <title>#252: Van Halen in the 90s Round Table</title>
        <itunes:title>#252: Van Halen in the 90s Round Table</itunes:title>
        <link>https://digmeout.podbean.com/e/252-van-halen-in-the-90s-round-table/</link>
                    <comments>https://digmeout.podbean.com/e/252-van-halen-in-the-90s-round-table/#comments</comments>        <pubDate>Tue, 10 Nov 2015 06:33:27 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/252-van-halen-in-the-90s-round-table/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re kicking off the first of a series in which we revisit the 90s output of a band from the 1980s that was massive popular. For the first “in the 90s” round table, we’re tackling <a href='http://www.van-halen.com/'>Van Halen</a>, who sold a combined <a href='http://www.statisticbrain.com/van-halen-band-career-statistics/'>47 million albums</a> from 1980 to 1988, and enter the 90s with the successful For Unlawful Carnal Knowledge album in 1991 that spawned the gigantic single “Right Here Right Now.” From there, the band fumbled through a not very live double album before the uneven Balance album in 1995, the final with Sammy Hagar. We revisit the wild months in 1996 that feature the departure of Sammy, return and quick departure of David Lee Roth and addition of Extreme singer Gary Cherone for 1998′s III. To make sense of it all, we’re joined by <a href='http://vanhalenrising.com/'>Van Halen Rising</a> author <a href='https://twitter.com/GregRenoff'>Greg Renoff</a>, <a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a> writer <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a>, <a href='http://themeparkexperience.blogspot.com/'>writer/author/podcaster</a> <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a>, and 80s Rock Savant/<a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a> proprietor <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> for a lively and lengthly discussion.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Man on a Mission11:34 - Judgement Day47:55 - Take Me Back (Deja Vu)1:06:50 - Me Wise Magic1:17:05 - Without YouOutro - Can’t Stop Loving You
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re kicking off the first of a series in which we revisit the 90s output of a band from the 1980s that was massive popular. For the first “in the 90s” round table, we’re tackling <a href='http://www.van-halen.com/'>Van Halen</a>, who sold a combined <a href='http://www.statisticbrain.com/van-halen-band-career-statistics/'>47 million albums</a> from 1980 to 1988, and enter the 90s with the successful For Unlawful Carnal Knowledge album in 1991 that spawned the gigantic single “Right Here Right Now.” From there, the band fumbled through a not very live double album before the uneven Balance album in 1995, the final with Sammy Hagar. We revisit the wild months in 1996 that feature the departure of Sammy, return and quick departure of David Lee Roth and addition of Extreme singer Gary Cherone for 1998′s III. To make sense of it all, we’re joined by <a href='http://vanhalenrising.com/'>Van Halen Rising</a> author <a href='https://twitter.com/GregRenoff'>Greg Renoff</a>, <a href='http://ultimateclassicrock.com/author/mattwardlawgmail-com/'>Ultimate Classic Rock</a> writer <a href='https://twitter.com/mwardlaw'>Matt Wardlaw</a>, <a href='http://themeparkexperience.blogspot.com/'>writer/author/podcaster</a> <a href='https://twitter.com/Eric_Grubbs'>Eric Grubbs</a>, and 80s Rock Savant/<a href='http://www.kidsinterviewbands.com/'>KidsInterviewBands.com</a> proprietor <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> for a lively and lengthly discussion.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Man on a Mission11:34 - Judgement Day47:55 - Take Me Back (Deja Vu)1:06:50 - Me Wise Magic1:17:05 - Without YouOutro - Can’t Stop Loving You<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zuywrx/DMO252-vanhalen.mp3" length="178611987" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re kicking off the first of a series in which we revisit the 90s output of a band from the 1980s that was massive popular. For the first “in the 90s” round table, we’re tackling Van Halen, who sold a combined 47 million albums from 1980 to 1988, and enter the 90s with the successful For Unlawful Carnal Knowledge album in 1991 that spawned the gigantic single “Right Here Right Now.” From there, the band fumbled through a not very live double album before the uneven Balance album in 1995, the final with Sammy Hagar. We revisit the wild months in 1996 that feature the departure of Sammy, return and quick departure of David Lee Roth and addition of Extreme singer Gary Cherone for 1998′s III. To make sense of it all, we’re joined by Van Halen Rising author Greg Renoff, Ultimate Classic Rock writer Matt Wardlaw, writer/author/podcaster Eric Grubbs, and 80s Rock Savant/KidsInterviewBands.com proprietor Chip Midnight for a lively and lengthly discussion.Songs in this Episode:Intro - Man on a Mission11:34 - Judgement Day47:55 - Take Me Back (Deja Vu)1:06:50 - Me Wise Magic1:17:05 - Without YouOutro - Can’t Stop Loving YouFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7424</itunes:duration>
                                    </item>
    <item>
        <title>#251: Earth vs the Wildhearts by The Wildhearts</title>
        <itunes:title>#251: Earth vs the Wildhearts by The Wildhearts</itunes:title>
        <link>https://digmeout.podbean.com/e/251-earth-vs-the-wildhearts-by-the-wildhearts/</link>
                    <comments>https://digmeout.podbean.com/e/251-earth-vs-the-wildhearts-by-the-wildhearts/#comments</comments>        <pubDate>Tue, 03 Nov 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/251-earth-vs-the-wildhearts-by-the-wildhearts/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re checking out the 1993 album Earth vs the Wildhearts by The Wildhearts, which came up in the comments for our <a href='http://www.digmeoutpodcast.com/post/129145940446/thealmighty'>recent review of The Almighty</a>. While they share some similarity in the big riffing department, The Wildhearts take a decidedly different approach to the vocals, dipping into power pop melodies and harmonies throughout. Jason, who picked the album, says this should be his favorite band, but isn’t. Tune in to find out why.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>
Intro - Greetings from Shitsville4:20 - History of the Band11:18 - TV Tan14:43 - The Miles Away Girl16:55 - Loveshit26:42 - My Baby Is a HeadfuckOutro - Shame on Me
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re checking out the 1993 album Earth vs the Wildhearts by The Wildhearts, which came up in the comments for our <a href='http://www.digmeoutpodcast.com/post/129145940446/thealmighty'>recent review of The Almighty</a>. While they share some similarity in the big riffing department, The Wildhearts take a decidedly different approach to the vocals, dipping into power pop melodies and harmonies throughout. Jason, who picked the album, says this should be his favorite band, but isn’t. Tune in to find out why.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>
Intro - Greetings from Shitsville4:20 - History of the Band11:18 - TV Tan14:43 - The Miles Away Girl16:55 - Loveshit26:42 - My Baby Is a HeadfuckOutro - Shame on Me<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yicqj4/DMO251-wildhearts.mp3" length="53264357" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re checking out the 1993 album Earth vs the Wildhearts by The Wildhearts, which came up in the comments for our recent review of The Almighty. While they share some similarity in the big riffing department, The Wildhearts take a decidedly different approach to the vocals, dipping into power pop melodies and harmonies throughout. Jason, who picked the album, says this should be his favorite band, but isn’t. Tune in to find out why.Songs in this EpisodeIntro - Greetings from Shitsville4:20 - History of the Band11:18 - TV Tan14:43 - The Miles Away Girl16:55 - Loveshit26:42 - My Baby Is a HeadfuckOutro - Shame on MeFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2201</itunes:duration>
                                    </item>
    <item>
        <title>#250: Frame and Canvas by Braid</title>
        <itunes:title>#250: Frame and Canvas by Braid</itunes:title>
        <link>https://digmeout.podbean.com/e/250-frame-and-canvas-by-braid/</link>
                    <comments>https://digmeout.podbean.com/e/250-frame-and-canvas-by-braid/#comments</comments>        <pubDate>Tue, 27 Oct 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/250-frame-and-canvas-by-braid/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">A few weeks back we with <a href='http://www.digmeoutpodcast.com/post/130616883943/247-interview-with-j-robbins-of-jawbox-and'>spoke with musician/producer J. Robbins</a> and touched upon his production work with <a href='http://braidcentral.com/'>Braid</a>. This week we decided to revisit their 1998 album Frame and Canvas, which has made it onto top whatever lists for emo from <a href='http://www.nme.com/photos/20-emo-albums-that-have-stood-the-test-of-time/367692/'>NME</a>, <a href='http://www.laweekly.com/music/top-20-emo-albums-in-history-10-1-4170256'>LA Weekly</a> and <a href='http://www.treblezine.com/10-essential-emo-albums/'>Treble</a>, just to name a few. Does it live up to the hoopla? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Killing a Camera5:57 - History of the Band15:25 - The New Nathan Detroits20:44 - I Keep A DiaryOutro - A Dozen Roses
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">A few weeks back we with <a href='http://www.digmeoutpodcast.com/post/130616883943/247-interview-with-j-robbins-of-jawbox-and'>spoke with musician/producer J. Robbins</a> and touched upon his production work with <a href='http://braidcentral.com/'>Braid</a>. This week we decided to revisit their 1998 album Frame and Canvas, which has made it onto top whatever lists for emo from <a href='http://www.nme.com/photos/20-emo-albums-that-have-stood-the-test-of-time/367692/'>NME</a>, <a href='http://www.laweekly.com/music/top-20-emo-albums-in-history-10-1-4170256'>LA Weekly</a> and <a href='http://www.treblezine.com/10-essential-emo-albums/'>Treble</a>, just to name a few. Does it live up to the hoopla? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Killing a Camera5:57 - History of the Band15:25 - The New Nathan Detroits20:44 - I Keep A DiaryOutro - A Dozen Roses<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s9tnh8/DMO250-braid.mp3" length="46505325" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A few weeks back we with spoke with musician/producer J. Robbins and touched upon his production work with Braid. This week we decided to revisit their 1998 album Frame and Canvas, which has made it onto top whatever lists for emo from NME, LA Weekly and Treble, just to name a few. Does it live up to the hoopla? Tune in to find out.Songs in this Episode:Intro - Killing a Camera5:57 - History of the Band15:25 - The New Nathan Detroits20:44 - I Keep A DiaryOutro - A Dozen RosesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1920</itunes:duration>
                                    </item>
    <item>
        <title>#249: Interview with Morgan Taylor of Mink</title>
        <itunes:title>#249: Interview with Morgan Taylor of Mink</itunes:title>
        <link>https://digmeout.podbean.com/e/249-interview-with-morgan-taylor-of-mink/</link>
                    <comments>https://digmeout.podbean.com/e/249-interview-with-morgan-taylor-of-mink/#comments</comments>        <pubDate>Tue, 20 Oct 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/249-interview-with-morgan-taylor-of-mink/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re joined by <a href='http://gustaferyellowgold.com/'>Morgan Taylor</a>, formerly of the band <a href='http://www.cdbaby.com/cd/mink'>Mink</a>, to help us revisit our r<a href='http://www.digmeoutpodcast.com/post/47306386876/episode-36-get-in-get-out-by-mink'>eview of their album Get In Get Out</a> from season one. We didn’t know much about the band and their history, or of the Dayton, Ohio scene in the ‘80s or ‘90s, so Morgan walks us through this small but influential town. Morgan takes us back to his earliest bands, opening for an embryonic <a href='http://www.robertpollard.net/'>Guided By Voices</a>. He walks through the half dozen bands he played with, including the short lived acoustic duo <a href='http://irememberdayton.blogspot.com/search/label/Taylor%20%28Morgan%29'>Glee & Beak</a>, that opened for Bob Dylan, along with tracing the connected lineage of each Mink member, and how an opportunity to play in the opening band for a <a href='https://www.lisaloeb.com/'>Lisa Loeb</a> tour launched Mink. Morgan talks about becoming the “it” band in Dayton, hanging out at Bob Pollard’s legendary Monument Club, getting a standing ovation from Kim Deal, and what led to the band breaking up. There so much to cover, including how Morgan utilized his decades as a musician and interest in illustration to create <a href='http://gustaferyellowgold.com/'>Gustafer Yellowgold</a>, a multi-media performance of live music, colored-pencil animations and storytelling for children.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Straight Man from Get In Get Out47:57 - A Social Life from The Red AlbumOutro - Ohio at the End from Come Over
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re joined by <a href='http://gustaferyellowgold.com/'>Morgan Taylor</a>, formerly of the band <a href='http://www.cdbaby.com/cd/mink'>Mink</a>, to help us revisit our r<a href='http://www.digmeoutpodcast.com/post/47306386876/episode-36-get-in-get-out-by-mink'>eview of their album Get In Get Out</a> from season one. We didn’t know much about the band and their history, or of the Dayton, Ohio scene in the ‘80s or ‘90s, so Morgan walks us through this small but influential town. Morgan takes us back to his earliest bands, opening for an embryonic <a href='http://www.robertpollard.net/'>Guided By Voices</a>. He walks through the half dozen bands he played with, including the short lived acoustic duo <a href='http://irememberdayton.blogspot.com/search/label/Taylor%20%28Morgan%29'>Glee & Beak</a>, that opened for Bob Dylan, along with tracing the connected lineage of each Mink member, and how an opportunity to play in the opening band for a <a href='https://www.lisaloeb.com/'>Lisa Loeb</a> tour launched Mink. Morgan talks about becoming the “it” band in Dayton, hanging out at Bob Pollard’s legendary Monument Club, getting a standing ovation from Kim Deal, and what led to the band breaking up. There so much to cover, including how Morgan utilized his decades as a musician and interest in illustration to create <a href='http://gustaferyellowgold.com/'>Gustafer Yellowgold</a>, a multi-media performance of live music, colored-pencil animations and storytelling for children.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Straight Man from Get In Get Out47:57 - A Social Life from The Red AlbumOutro - Ohio at the End from Come Over<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/92gdaz/DMO249-morgantaylor.mp3" length="203296452" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re joined by Morgan Taylor, formerly of the band Mink, to help us revisit our review of their album Get In Get Out from season one. We didn’t know much about the band and their history, or of the Dayton, Ohio scene in the ‘80s or ‘90s, so Morgan walks us through this small but influential town. Morgan takes us back to his earliest bands, opening for an embryonic Guided By Voices. He walks through the half dozen bands he played with, including the short lived acoustic duo Glee & Beak, that opened for Bob Dylan, along with tracing the connected lineage of each Mink member, and how an opportunity to play in the opening band for a Lisa Loeb tour launched Mink. Morgan talks about becoming the “it” band in Dayton, hanging out at Bob Pollard’s legendary Monument Club, getting a standing ovation from Kim Deal, and what led to the band breaking up. There so much to cover, including how Morgan utilized his decades as a musician and interest in illustration to create Gustafer Yellowgold, a multi-media performance of live music, colored-pencil animations and storytelling for children.Songs in this Episode:Intro - Straight Man from Get In Get Out47:57 - A Social Life from The Red AlbumOutro - Ohio at the End from Come OverFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8453</itunes:duration>
                                    </item>
    <item>
        <title>#248: Female Artists of the 90s</title>
        <itunes:title>#248: Female Artists of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/248-female-artists-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/248-female-artists-of-the-90s/#comments</comments>        <pubDate>Tue, 13 Oct 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/248-female-artists-of-the-90s/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week were discussing the influences on, the influence of and the variety of female artists who made an impact on alternative and indie rock in the 1990s. To help us scratch the surface of this very big topic, we’re joined by <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> of the <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski_2/'>Salon</a> and many more, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of the <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> of <a href='https://www.tumblr.com/edit/www.kidsinterviewbands.com'>Kids Interview Bands</a>. From Riot Grrrl to Lilith Fair and Justine Frischmann to Jewel, we do our best to dissect what made the 90s different than the preceding 80s and decade that followed.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Rot by Scrawl7:22 - You Oughta Know by Alanis Morissette27:45 - Violet by Hole40:46 - Connection by Elastica52:46 - Beautiful John by Madder RoseOutro - Dream of the 90s by Portlandia
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week were discussing the influences on, the influence of and the variety of female artists who made an impact on alternative and indie rock in the 1990s. To help us scratch the surface of this very big topic, we’re joined by <a href='https://twitter.com/anniezaleski'>Annie Zaleski</a> of the <a href='http://www.avclub.com/author/anniezaleski/'>AV Club</a>, <a href='http://www.salon.com/writer/annie_zaleski_2/'>Salon</a> and many more, <a href='https://twitter.com/tankboy'>Jim Kopeny</a> of the <a href='http://chicagoist.com/'>Chicagoist</a> and <a href='https://twitter.com/chipmidnight'>Chip Midnight</a> of <a href='https://www.tumblr.com/edit/www.kidsinterviewbands.com'>Kids Interview Bands</a>. From Riot Grrrl to Lilith Fair and Justine Frischmann to Jewel, we do our best to dissect what made the 90s different than the preceding 80s and decade that followed.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Rot by Scrawl7:22 - You Oughta Know by Alanis Morissette27:45 - Violet by Hole40:46 - Connection by Elastica52:46 - Beautiful John by Madder RoseOutro - Dream of the 90s by Portlandia<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/54r3bw/DMO2480-90swomenroundtable.mp3" length="139369247" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week were discussing the influences on, the influence of and the variety of female artists who made an impact on alternative and indie rock in the 1990s. To help us scratch the surface of this very big topic, we’re joined by Annie Zaleski of the AV Club, Salon and many more, Jim Kopeny of the Chicagoist and Chip Midnight of Kids Interview Bands. From Riot Grrrl to Lilith Fair and Justine Frischmann to Jewel, we do our best to dissect what made the 90s different than the preceding 80s and decade that followed.Songs in this Episode:Intro - Rot by Scrawl7:22 - You Oughta Know by Alanis Morissette27:45 - Violet by Hole40:46 - Connection by Elastica52:46 - Beautiful John by Madder RoseOutro - Dream of the 90s by PortlandiaFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4355</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#247: Interview with J. Robbins of Jawbox and Burning Airlines</title>
        <itunes:title>#247: Interview with J. Robbins of Jawbox and Burning Airlines</itunes:title>
        <link>https://digmeout.podbean.com/e/247-interview-with-j-robbins-of-jawbox-and-burning-airlines/</link>
                    <comments>https://digmeout.podbean.com/e/247-interview-with-j-robbins-of-jawbox-and-burning-airlines/#comments</comments>        <pubDate>Tue, 06 Oct 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/247-interview-with-j-robbins-of-jawbox-and-burning-airlines/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week, we’re joined by producer and musician <a href='http://www.jrobbins.net/'>J. Robbins</a>, of such bands as <a href='https://en.wikipedia.org/wiki/Government_Issue'>Government Issue</a>, <a href='https://en.wikipedia.org/wiki/Jawbox'>Jawbox</a>, <a href='https://en.wikipedia.org/wiki/Burning_Airlines'>Burning Airlines</a>, <a href='https://en.wikipedia.org/wiki/Channels_(band)'>Channels</a> and <a href='http://officeoffutureplans.com/'>Office of Future Plans</a>. What do we cover in our two and half hours? Marriage and kids, and how they change a musicians life. Writing, recording and touring. Vans vs. Buses. The styles of Zach vs. Pete. <a href='https://en.wikipedia.org/wiki/Steve_Albini'>Steve Albini</a>: producing vs. engineering. Dealing with the major labels in the 90s. Guitars and amps. Touring with <a href='http://stonetemplepilots.com/'>Stone Temple Pilots</a> and appreciating <a href='http://davidbowie.com/fiveyears/'>David Bowie</a>. Playing in <a href='https://en.wikipedia.org/wiki/Scream_(band)'>Scream</a> with the Stahl brothers and Dave Grohl. Covering (and hating) <a href='http://www.toriamos.com/'>Tori Amos</a>. Rock artists covering pop artists, and the politics of privilege. Recording <a href='http://braidcentral.com/'>Braid</a> and <a href='https://en.wikipedia.org/wiki/Hey_Mercedes'>Hey Mercedes</a>. Lyric writing and how listeners interpret them. Current and future vinyl reissue plans. The difference between physical media and streaming on musical appreciation.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Savory by Jawbox30:34 - Scissoring by Burning Airlines1:38:54 - Cornflake Girl by Jawbox (Tori Amos cover)2:05:58 - Spoiler by Jawbox2:37:48/Outro - Helen Mirren by Channels
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week, we’re joined by producer and musician <a href='http://www.jrobbins.net/'>J. Robbins</a>, of such bands as <a href='https://en.wikipedia.org/wiki/Government_Issue'>Government Issue</a>, <a href='https://en.wikipedia.org/wiki/Jawbox'>Jawbox</a>, <a href='https://en.wikipedia.org/wiki/Burning_Airlines'>Burning Airlines</a>, <a href='https://en.wikipedia.org/wiki/Channels_(band)'>Channels</a> and <a href='http://officeoffutureplans.com/'>Office of Future Plans</a>. What do we cover in our two and half hours? Marriage and kids, and how they change a musicians life. Writing, recording and touring. Vans vs. Buses. The styles of Zach vs. Pete. <a href='https://en.wikipedia.org/wiki/Steve_Albini'>Steve Albini</a>: producing vs. engineering. Dealing with the major labels in the 90s. Guitars and amps. Touring with <a href='http://stonetemplepilots.com/'>Stone Temple Pilots</a> and appreciating <a href='http://davidbowie.com/fiveyears/'>David Bowie</a>. Playing in <a href='https://en.wikipedia.org/wiki/Scream_(band)'>Scream</a> with the Stahl brothers and Dave Grohl. Covering (and hating) <a href='http://www.toriamos.com/'>Tori Amos</a>. Rock artists covering pop artists, and the politics of privilege. Recording <a href='http://braidcentral.com/'>Braid</a> and <a href='https://en.wikipedia.org/wiki/Hey_Mercedes'>Hey Mercedes</a>. Lyric writing and how listeners interpret them. Current and future vinyl reissue plans. The difference between physical media and streaming on musical appreciation.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Savory by Jawbox30:34 - Scissoring by Burning Airlines1:38:54 - Cornflake Girl by Jawbox (Tori Amos cover)2:05:58 - Spoiler by Jawbox2:37:48/Outro - Helen Mirren by Channels<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uymz7s/DMO-247-jrobbins.mp3" length="230514996" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week, we’re joined by producer and musician J. Robbins, of such bands as Government Issue, Jawbox, Burning Airlines, Channels and Office of Future Plans. What do we cover in our two and half hours? Marriage and kids, and how they change a musicians life. Writing, recording and touring. Vans vs. Buses. The styles of Zach vs. Pete. Steve Albini: producing vs. engineering. Dealing with the major labels in the 90s. Guitars and amps. Touring with Stone Temple Pilots and appreciating David Bowie. Playing in Scream with the Stahl brothers and Dave Grohl. Covering (and hating) Tori Amos. Rock artists covering pop artists, and the politics of privilege. Recording Braid and Hey Mercedes. Lyric writing and how listeners interpret them. Current and future vinyl reissue plans. The difference between physical media and streaming on musical appreciation.Songs in this Episode:Intro - Savory by Jawbox30:34 - Scissoring by Burning Airlines1:38:54 - Cornflake Girl by Jawbox (Tori Amos cover)2:05:58 - Spoiler by Jawbox2:37:48/Outro - Helen Mirren by ChannelsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>9587</itunes:duration>
                                    </item>
    <item>
        <title>#246: Interview with author/musician Jon Fine</title>
        <itunes:title>#246: Interview with author/musician Jon Fine</itunes:title>
        <link>https://digmeout.podbean.com/e/246-interview-with-authormusician-jon-fine/</link>
                    <comments>https://digmeout.podbean.com/e/246-interview-with-authormusician-jon-fine/#comments</comments>        <pubDate>Tue, 29 Sep 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/246-interview-with-authormusician-jon-fine/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;"><a href='https://www.facebook.com/jonfine'>Jon Fine</a>, author of <a href='http://www.amazon.com/Your-Band-Sucks-Failed-Revolution/dp/067002659X'>Your Band Sucks: What I Saw at Indie Rock's Failed Revolution (But Can No Longer Hear)</a>, and guitarist of <a href='https://www.facebook.com/Bitch-Magnet-127645200609689/timeline/'>Bitch Magnet</a>, joins us to discuss his newly released book. We talk the genesis of the book and what makes a good rock memoir, try to figure out what exactly is “indie rock,” chat about gear and how to properly dispose of guitars in disrepair, and so much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - MesenteryOutro - Dragoon
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;"><a href='https://www.facebook.com/jonfine'>Jon Fine</a>, author of <i style="margin:0px;padding:0px;border:0px;font-variant:inherit;font-weight:inherit;line-height:inherit;vertical-align:baseline;"><a href='http://www.amazon.com/Your-Band-Sucks-Failed-Revolution/dp/067002659X'>Your Band Sucks: What I Saw at Indie Rock's Failed Revolution (But Can No Longer Hear)</a></i>, and guitarist of <a href='https://www.facebook.com/Bitch-Magnet-127645200609689/timeline/'>Bitch Magnet</a>, joins us to discuss his newly released book. We talk the genesis of the book and what makes a good rock memoir, try to figure out what exactly is “indie rock,” chat about gear and how to properly dispose of guitars in disrepair, and so much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - MesenteryOutro - Dragoon<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w3adcj/DMO-246-jonfine.mp3" length="136590162" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jon Fine, author of Your Band Sucks: What I Saw at Indie Rock's Failed Revolution (But Can No Longer Hear), and guitarist of Bitch Magnet, joins us to discuss his newly released book. We talk the genesis of the book and what makes a good rock memoir, try to figure out what exactly is “indie rock,” chat about gear and how to properly dispose of guitars in disrepair, and so much more.Songs in this Episode:Intro - MesenteryOutro - DragoonFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5673</itunes:duration>
                                    </item>
    <item>
        <title>#245: Dyslexicon by Dandelion</title>
        <itunes:title>#245: Dyslexicon by Dandelion</itunes:title>
        <link>https://digmeout.podbean.com/e/245-dyslexicon-by-dandelion/</link>
                    <comments>https://digmeout.podbean.com/e/245-dyslexicon-by-dandelion/#comments</comments>        <pubDate>Tue, 22 Sep 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/245-dyslexicon-by-dandelion/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">After Jason’s pick last week, Tim takes a shot and brings <a href='https://en.wikipedia.org/wiki/Dandelion_(American_band)'>Dandelion</a>’s 1995 sophomore (and final) album Dyslexicon to the table on the strength of the single “Weird-Out.” The album owes a heavy debt to Nirvana, from the familiar vocal style to big drums and guitars. The question becomes: when does influence become imitation?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Trailer Park Girl3:23 - Weird-Out5:39 - History of the Band14:29 - Retard19:33 - Melon from HeavenOutro - Snow Job
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">After Jason’s pick last week, Tim takes a shot and brings <a href='https://en.wikipedia.org/wiki/Dandelion_(American_band)'>Dandelion</a>’s 1995 sophomore (and final) album Dyslexicon to the table on the strength of the single “Weird-Out.” The album owes a heavy debt to Nirvana, from the familiar vocal style to big drums and guitars. The question becomes: when does influence become imitation?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Trailer Park Girl3:23 - Weird-Out5:39 - History of the Band14:29 - Retard19:33 - Melon from HeavenOutro - Snow Job<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jz79bu/DMO-245-dandelion.mp3" length="50517111" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After Jason’s pick last week, Tim takes a shot and brings Dandelion’s 1995 sophomore (and final) album Dyslexicon to the table on the strength of the single “Weird-Out.” The album owes a heavy debt to Nirvana, from the familiar vocal style to big drums and guitars. The question becomes: when does influence become imitation?Songs in this Episode:Intro - Trailer Park Girl3:23 - Weird-Out5:39 - History of the Band14:29 - Retard19:33 - Melon from HeavenOutro - Snow JobFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2088</itunes:duration>
                                    </item>
    <item>
        <title>#244: Powertrippin’ by The Almighty</title>
        <itunes:title>#244: Powertrippin’ by The Almighty</itunes:title>
        <link>https://digmeout.podbean.com/e/244-powertrippin%e2%80%99-by-the-almighty/</link>
                    <comments>https://digmeout.podbean.com/e/244-powertrippin%e2%80%99-by-the-almighty/#comments</comments>        <pubDate>Tue, 15 Sep 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/244-powertrippin%e2%80%99-by-the-almighty/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re getting to one of our own picks, and Jason has brought us some prime debate material - 1993′s Powertrippin’ by <a href='http://thealmighty.co.uk/'>The Almighty</a>. Down-tuned guitars, double bass drum pedals and Motorhead meets Alice In Chains riffage, this band made zero impact in the United States, but their sound is familiar to anyone who has listened to hard rock in the last 20+ years. Has all that time made the band sound derivative, or were they from the start?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Instinct5:40 - History of the Band19:36 - Out of Season24:39 - Takin’ Hold28:48 - Sick And Wired35:24 - MeathookOutro - Powertrippin’
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re getting to one of our own picks, and Jason has brought us some prime debate material - 1993′s Powertrippin’ by <a href='http://thealmighty.co.uk/'>The Almighty</a>. Down-tuned guitars, double bass drum pedals and Motorhead meets Alice In Chains riffage, this band made zero impact in the United States, but their sound is familiar to anyone who has listened to hard rock in the last 20+ years. Has all that time made the band sound derivative, or were they from the start?</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Instinct5:40 - History of the Band19:36 - Out of Season24:39 - Takin’ Hold28:48 - Sick And Wired35:24 - MeathookOutro - Powertrippin’<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v73jsq/DMO-244-thealmight.mp3" length="59161971" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re getting to one of our own picks, and Jason has brought us some prime debate material - 1993′s Powertrippin’ by The Almighty. Down-tuned guitars, double bass drum pedals and Motorhead meets Alice In Chains riffage, this band made zero impact in the United States, but their sound is familiar to anyone who has listened to hard rock in the last 20+ years. Has all that time made the band sound derivative, or were they from the start?Songs in this Episode:Intro - Instinct5:40 - History of the Band19:36 - Out of Season24:39 - Takin’ Hold28:48 - Sick And Wired35:24 - MeathookOutro - Powertrippin’Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2447</itunes:duration>
                                    </item>
    <item>
        <title>#243: Shoegaze Round Table Discussion</title>
        <itunes:title>#243: Shoegaze Round Table Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/243-shoegaze-round-table-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/243-shoegaze-round-table-discussion/#comments</comments>        <pubDate>Tue, 08 Sep 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/243-shoegaze-round-table-discussion/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">The description “shoegaze” has been applied to My Bloody Valentine to Ride to Slowdive to Swervedriver to Lush. But what exactly is shoegaze, what links these bands and others to this late 80s/early 90s movement? To help us break it down we’re joined by <a href='https://www.facebook.com/thesheiladivine'>Aaron Perrino</a>, <a href='http://andyderer.com/'>Andy Derer</a> and <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> to talk the bands, the sounds, the albums, the guitar pedals and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Only Shallow by My Bloody Valentine10:53 - Duel by Swervedriver22:26 - Little Fury Things by Dinosaur Jr.32:56 - Heliotropic by Failure40:28 - Just Like Honey by The Jesus and Mary ChainOutro - The Sight of You by Pale Saints
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">The description “shoegaze” has been applied to My Bloody Valentine to Ride to Slowdive to Swervedriver to Lush. But what exactly is shoegaze, what links these bands and others to this late 80s/early 90s movement? To help us break it down we’re joined by <a href='https://www.facebook.com/thesheiladivine'>Aaron Perrino</a>, <a href='http://andyderer.com/'>Andy Derer</a> and <a href='http://themeparkexperience.blogspot.com/'>Eric Grubbs</a> to talk the bands, the sounds, the albums, the guitar pedals and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Only Shallow by My Bloody Valentine10:53 - Duel by Swervedriver22:26 - Little Fury Things by Dinosaur Jr.32:56 - Heliotropic by Failure40:28 - Just Like Honey by The Jesus and Mary ChainOutro - The Sight of You by Pale Saints<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m4x7kp/DMO-243-shoegaze.mp3" length="99034022" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The description “shoegaze” has been applied to My Bloody Valentine to Ride to Slowdive to Swervedriver to Lush. But what exactly is shoegaze, what links these bands and others to this late 80s/early 90s movement? To help us break it down we’re joined by Aaron Perrino, Andy Derer and Eric Grubbs to talk the bands, the sounds, the albums, the guitar pedals and much more.Songs in this Episode:Intro - Only Shallow by My Bloody Valentine10:53 - Duel by Swervedriver22:26 - Little Fury Things by Dinosaur Jr.32:56 - Heliotropic by Failure40:28 - Just Like Honey by The Jesus and Mary ChainOutro - The Sight of You by Pale SaintsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4110</itunes:duration>
                                    </item>
    <item>
        <title>#242: Tatoonie by Blind Mr. Jones</title>
        <itunes:title>#242: Tatoonie by Blind Mr. Jones</itunes:title>
        <link>https://digmeout.podbean.com/e/242-tatoonie-by-blind-mr-jones/</link>
                    <comments>https://digmeout.podbean.com/e/242-tatoonie-by-blind-mr-jones/#comments</comments>        <pubDate>Tue, 01 Sep 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/242-tatoonie-by-blind-mr-jones/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Next week will be hosting our round table discussion on <a href='https://en.wikipedia.org/wiki/Shoegazing'>shoegaze</a>, so to get in the mood, this week we’re tackling one of the lesser known entries in the genre - the 1994 album Tatoonie by <a href='https://en.wikipedia.org/wiki/Blind_Mr._Jones'>Blind Mr. Jones</a>. Many of the things you come to expect from a shoegaze band are present - etheral vocals and guitars that switch from chorus clean to distorted chaos in an instant. As we dug deeper, we discovered some nods to power pop and early Britpop that make this album more intriguing that expected, but with a few issues to overcome.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Intro - Disneyworld</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">5:40 - History of the Band</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">10:33- Hey</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">15:12 - See You Again</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">17:59 - Mesa</p>
Outro - Big Plane
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Next week will be hosting our round table discussion on <a href='https://en.wikipedia.org/wiki/Shoegazing'>shoegaze</a>, so to get in the mood, this week we’re tackling one of the lesser known entries in the genre - the 1994 album Tatoonie by <a href='https://en.wikipedia.org/wiki/Blind_Mr._Jones'>Blind Mr. Jones</a>. Many of the things you come to expect from a shoegaze band are present - etheral vocals and guitars that switch from chorus clean to distorted chaos in an instant. As we dug deeper, we discovered some nods to power pop and early Britpop that make this album more intriguing that expected, but with a few issues to overcome.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Intro - Disneyworld</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">5:40 - History of the Band</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">10:33- Hey</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">15:12 - See You Again</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">17:59 - Mesa</p>
Outro - Big Plane<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/updqir/DMO-242-BlindMrJones.mp3" length="53404167" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Next week will be hosting our round table discussion on shoegaze, so to get in the mood, this week we’re tackling one of the lesser known entries in the genre - the 1994 album Tatoonie by Blind Mr. Jones. Many of the things you come to expect from a shoegaze band are present - etheral vocals and guitars that switch from chorus clean to distorted chaos in an instant. As we dug deeper, we discovered some nods to power pop and early Britpop that make this album more intriguing that expected, but with a few issues to overcome.Songs in this Episode:Intro - Disneyworld5:40 - History of the Band10:33- Hey15:12 - See You Again17:59 - MesaOutro - Big PlaneFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2207</itunes:duration>
                                    </item>
    <item>
        <title>#241: Interview with Dale Crover of the Melvins</title>
        <itunes:title>#241: Interview with Dale Crover of the Melvins</itunes:title>
        <link>https://digmeout.podbean.com/e/241-interview-with-dale-crover-of-the-melvins/</link>
                    <comments>https://digmeout.podbean.com/e/241-interview-with-dale-crover-of-the-melvins/#comments</comments>        <pubDate>Tue, 25 Aug 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/241-interview-with-dale-crover-of-the-melvins/</guid>
                                    <description><![CDATA[<p style="line-height:21px;text-align:center;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">For our latest episode, we had the pleasure of interviewing Dale Cover, drummer and occasional guitar/bass player for the <a href='http://themelvins.net/'>Melvins</a>, <a href='https://en.wikipedia.org/wiki/Altamont_(band)'>Altamont</a>, <a href='https://en.wikipedia.org/wiki/Fant%C3%B4mas_(band)'>Fantomas</a>, <a href='http://www.nirvana.com/'>Nirvana</a> and <a href='https://www.facebook.com/Brokenbatband'>Broken Bat</a>. To say this was a “wide-ranging” interview would be an under statement, as the two-plus hours interview spent about half the time talking music, the rest covering topics such as children’s birthday parties, Texas BBQ spots, European coffee, Ohio accents, and at one point Dale turns the tables and interviews us. We’re presenting this unedited in glorious raw form, and we hope you enjoy.</p>
<p style="line-height:21px;text-align:center;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - QueenOutro - Sweet Willy Rollbar
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="line-height:21px;text-align:center;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">For our latest episode, we had the pleasure of interviewing Dale Cover, drummer and occasional guitar/bass player for the <a href='http://themelvins.net/'>Melvins</a>, <a href='https://en.wikipedia.org/wiki/Altamont_(band)'>Altamont</a>, <a href='https://en.wikipedia.org/wiki/Fant%C3%B4mas_(band)'>Fantomas</a>, <a href='http://www.nirvana.com/'>Nirvana</a> and <a href='https://www.facebook.com/Brokenbatband'>Broken Bat</a>. To say this was a “wide-ranging” interview would be an under statement, as the two-plus hours interview spent about half the time talking music, the rest covering topics such as children’s birthday parties, Texas BBQ spots, European coffee, Ohio accents, and at one point Dale turns the tables and interviews us. We’re presenting this unedited in glorious raw form, and we hope you enjoy.</p>
<p style="line-height:21px;text-align:center;margin:15px 0px;padding:0px;border:0px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - QueenOutro - Sweet Willy Rollbar<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xzsghn/241-dalecrover.mp3" length="210073655" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest episode, we had the pleasure of interviewing Dale Cover, drummer and occasional guitar/bass player for the Melvins, Altamont, Fantomas, Nirvana and Broken Bat. To say this was a “wide-ranging” interview would be an under statement, as the two-plus hours interview spent about half the time talking music, the rest covering topics such as children’s birthday parties, Texas BBQ spots, European coffee, Ohio accents, and at one point Dale turns the tables and interviews us. We’re presenting this unedited in glorious raw form, and we hope you enjoy.Songs in this Episode:Intro - QueenOutro - Sweet Willy RollbarFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8735</itunes:duration>
                                    </item>
    <item>
        <title>#240: Round Table Discussion on Punk in the 90s</title>
        <itunes:title>#240: Round Table Discussion on Punk in the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/240-round-table-discussion-on-punk-in-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/240-round-table-discussion-on-punk-in-the-90s/#comments</comments>        <pubDate>Tue, 18 Aug 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/240-round-table-discussion-on-punk-in-the-90s/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our latest round table discussion, we’re revisiting punk rock of the 1990s with a pair of special guests: <a href='http://themeparkexperience.blogspot.com/'>author</a> and <a href='https://soundcloud.com/eric-grubbs'>podcaster</a> <a href='https://twitter.com/eric_grubbs'>Eric Grubbs</a>, and <a href='http://www.cmchatlive.com/category/country-cadre/scott-colvin/'>music writer</a> <a href='https://twitter.com/sneezeguard'>Scott Colvin</a>. We trace how the 80s punk underground paved the way for the 90s mainstream explosion, dissect the various punk sub-genres, discuss the overlooked gems, tackle the “sell out” label, and much more. Who’s punk, what’s the score? We try to figure it out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Ruby Soho by Rancid15:20 - Save Your Generation by Jawbreaker24:22 - Welcome to Paradise (Kerplunk version) by Green Day43:05 - Firestorm by Earth Crisis56:11 - On A Rope by Rocket From The CryptOutro - Someday I Suppose by The Mighty Mighty Bosstones
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">For our latest round table discussion, we’re revisiting punk rock of the 1990s with a pair of special guests: <a href='http://themeparkexperience.blogspot.com/'>author</a> and <a href='https://soundcloud.com/eric-grubbs'>podcaster</a> <a href='https://twitter.com/eric_grubbs'>Eric Grubbs</a>, and <a href='http://www.cmchatlive.com/category/country-cadre/scott-colvin/'>music writer</a> <a href='https://twitter.com/sneezeguard'>Scott Colvin</a>. We trace how the 80s punk underground paved the way for the 90s mainstream explosion, dissect the various punk sub-genres, discuss the overlooked gems, tackle the “sell out” label, and much more. Who’s punk, what’s the score? We try to figure it out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Ruby Soho by Rancid15:20 - Save Your Generation by Jawbreaker24:22 - Welcome to Paradise (Kerplunk version) by Green Day43:05 - Firestorm by Earth Crisis56:11 - On A Rope by Rocket From The CryptOutro - Someday I Suppose by The Mighty Mighty Bosstones<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xhac9v/240-punkrockroundtable.mp3" length="100309848" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest round table discussion, we’re revisiting punk rock of the 1990s with a pair of special guests: author and podcaster Eric Grubbs, and music writer Scott Colvin. We trace how the 80s punk underground paved the way for the 90s mainstream explosion, dissect the various punk sub-genres, discuss the overlooked gems, tackle the “sell out” label, and much more. Who’s punk, what’s the score? We try to figure it out.Songs in this Episode:Intro - Ruby Soho by Rancid15:20 - Save Your Generation by Jawbreaker24:22 - Welcome to Paradise (Kerplunk version) by Green Day43:05 - Firestorm by Earth Crisis56:11 - On A Rope by Rocket From The CryptOutro - Someday I Suppose by The Mighty Mighty BosstonesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4162</itunes:duration>
                                    </item>
    <item>
        <title>#239: The Heart Is A Monster by Failure with Kellii Scott</title>
        <itunes:title>#239: The Heart Is A Monster by Failure with Kellii Scott</itunes:title>
        <link>https://digmeout.podbean.com/e/239-the-heart-is-a-monster-by-failure-with-kellii-scott/</link>
                    <comments>https://digmeout.podbean.com/e/239-the-heart-is-a-monster-by-failure-with-kellii-scott/#comments</comments>        <pubDate>Tue, 11 Aug 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/239-the-heart-is-a-monster-by-failure-with-kellii-scott/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Back in January, <a href='http://www.digmeoutpodcast.com/post/109310952501/kellii-scott'>Kellii Scott of Failure joined us</a> to discuss the reunion of his band, his career in music, and their in-progress recordings. Eight months later, the album has been released, so it’s the perfect time to have Kellii back on to talk about <a href='http://www.failureband.com/'>Failure</a>’s new album, their fourth overall and first in nineteen years, The Heart Is A Monster. To help us do so, we’re rejoined by our old friend Keith Jenkins, who revisited Fantastic Planet with us way back on <a href='http://www.digmeoutpodcast.com/post/47306360199/episode-12-we-review-fantastic-planet-by'>episode #12</a>. We talk writing, recording, mixing and touring the new album, plus learn more interesting anecdotes from Kellii, like auditioning for Queens of the Stone Age and why he’ll never be on a Desert Sessions recording (hint: it’s too hot), how the democratic process influences his preferred number of band members, what’s the best tank-driving song on THIAM, what a Pledge campaign is really like for bands, how softer is sometimes better when recording drums, why it’s good to have an app on your phone to order food in the studio, and much, much more. Grab a beverage and a snack, and plant yourself in a comfortable chair for this two-plus hour in-depth discussion.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this episode:</p>
Intro - The Focus19:42 - Hot Traveler36:33 - A.M. Amnesia57:51 - Atom City Queen1:19:10 - Counterfeit Sky1:37:58 - Mulholland Drive1:57:12 - The FocusOutro - I Can See Houses
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Back in January, <a href='http://www.digmeoutpodcast.com/post/109310952501/kellii-scott'>Kellii Scott of Failure joined us</a> to discuss the reunion of his band, his career in music, and their in-progress recordings. Eight months later, the album has been released, so it’s the perfect time to have Kellii back on to talk about <a href='http://www.failureband.com/'>Failure</a>’s new album, their fourth overall and first in nineteen years, The Heart Is A Monster. To help us do so, we’re rejoined by our old friend Keith Jenkins, who revisited Fantastic Planet with us way back on <a href='http://www.digmeoutpodcast.com/post/47306360199/episode-12-we-review-fantastic-planet-by'>episode #12</a>. We talk writing, recording, mixing and touring the new album, plus learn more interesting anecdotes from Kellii, like auditioning for Queens of the Stone Age and why he’ll never be on a Desert Sessions recording (hint: it’s too hot), how the democratic process influences his preferred number of band members, what’s the best tank-driving song on THIAM, what a Pledge campaign is really like for bands, how softer is sometimes better when recording drums, why it’s good to have an app on your phone to order food in the studio, and much, much more. Grab a beverage and a snack, and plant yourself in a comfortable chair for this two-plus hour in-depth discussion.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this episode:</p>
Intro - The Focus19:42 - Hot Traveler36:33 - A.M. Amnesia57:51 - Atom City Queen1:19:10 - Counterfeit Sky1:37:58 - Mulholland Drive1:57:12 - The FocusOutro - I Can See Houses<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j47zs3/239-failurethiam.mp3" length="207351489" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Back in January, Kellii Scott of Failure joined us to discuss the reunion of his band, his career in music, and their in-progress recordings. Eight months later, the album has been released, so it’s the perfect time to have Kellii back on to talk about Failure’s new album, their fourth overall and first in nineteen years, The Heart Is A Monster. To help us do so, we’re rejoined by our old friend Keith Jenkins, who revisited Fantastic Planet with us way back on episode #12. We talk writing, recording, mixing and touring the new album, plus learn more interesting anecdotes from Kellii, like auditioning for Queens of the Stone Age and why he’ll never be on a Desert Sessions recording (hint: it’s too hot), how the democratic process influences his preferred number of band members, what’s the best tank-driving song on THIAM, what a Pledge campaign is really like for bands, how softer is sometimes better when recording drums, why it’s good to have an app on your phone to order food in the studio, and much, much more. Grab a beverage and a snack, and plant yourself in a comfortable chair for this two-plus hour in-depth discussion.Songs in this episode:Intro - The Focus19:42 - Hot Traveler36:33 - A.M. Amnesia57:51 - Atom City Queen1:19:10 - Counterfeit Sky1:37:58 - Mulholland Drive1:57:12 - The FocusOutro - I Can See HousesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8622</itunes:duration>
                                    </item>
    <item>
        <title>#238: Apple by Mother Love Bone</title>
        <itunes:title>#238: Apple by Mother Love Bone</itunes:title>
        <link>https://digmeout.podbean.com/e/238-apple-by-mother-love-bone/</link>
                    <comments>https://digmeout.podbean.com/e/238-apple-by-mother-love-bone/#comments</comments>        <pubDate>Tue, 04 Aug 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/238-apple-by-mother-love-bone/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s been twenty-five years since <a href='https://en.wikipedia.org/wiki/Mother_Love_Bone'>Mother Love Bone</a> released their one and only album, Apple. Neither hair metal nor grunge, the band bridged an interesting time between the 80s and 90s. To help us revisit, we’re joined by Eric Peterson of the <a href='http://lovethatalbum.podbean.com/'>Love That Album podcast</a> to talk Mother Love Bone, Andrew Wood, Temple of the Dog, Pearl Jam, the Singles soundtrack and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>
Intro - Stardog Champion4:01 - History of the Band27:28 - Gentle Groove31:36 - Mr. Danny Boy47:48 - Man of Golden WordsOutro - Crown of Thorns
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">It’s been twenty-five years since <a href='https://en.wikipedia.org/wiki/Mother_Love_Bone'>Mother Love Bone</a> released their one and only album, Apple. Neither hair metal nor grunge, the band bridged an interesting time between the 80s and 90s. To help us revisit, we’re joined by Eric Peterson of the <a href='http://lovethatalbum.podbean.com/'>Love That Album podcast</a> to talk Mother Love Bone, Andrew Wood, Temple of the Dog, Pearl Jam, the Singles soundtrack and much more.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode</p>
Intro - Stardog Champion4:01 - History of the Band27:28 - Gentle Groove31:36 - Mr. Danny Boy47:48 - Man of Golden WordsOutro - Crown of Thorns<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h8aktv/238-motherlovebone.mp3" length="128396702" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s been twenty-five years since Mother Love Bone released their one and only album, Apple. Neither hair metal nor grunge, the band bridged an interesting time between the 80s and 90s. To help us revisit, we’re joined by Eric Peterson of the Love That Album podcast to talk Mother Love Bone, Andrew Wood, Temple of the Dog, Pearl Jam, the Singles soundtrack and much more.Songs in this EpisodeIntro - Stardog Champion4:01 - History of the Band27:28 - Gentle Groove31:36 - Mr. Danny Boy47:48 - Man of Golden WordsOutro - Crown of ThornsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5332</itunes:duration>
                                    </item>
    <item>
        <title>#237: The Real Ramona by Throwing Muses</title>
        <itunes:title>#237: The Real Ramona by Throwing Muses</itunes:title>
        <link>https://digmeout.podbean.com/e/237-the-real-ramona-by-throwing-muses/</link>
                    <comments>https://digmeout.podbean.com/e/237-the-real-ramona-by-throwing-muses/#comments</comments>        <pubDate>Tue, 28 Jul 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/237-the-real-ramona-by-throwing-muses/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">We’re checking out <a href='http://www.kristinhersh.com/topics/projects/music/throwing-muses/'>Throwing Muses</a> 1991 album The Real Ramona, that last to feature <a href='https://www.facebook.com/tanyadonellymusic'>Tanya Donelly</a> as a full time member alongside Kristin Hersh. There is plenty to like about the twin-guitar attack and layered vocals of Donelly and Hersh, but a few we had a few complaints as well. Are we are on target, or do our criticisms miss the mark? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Counting Backwards4:13 - Not Too Soon5:49 - History of the Band13:12 - Honeychain17:04 - Ellen WestOutro - Say Goodbye
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">We’re checking out <a href='http://www.kristinhersh.com/topics/projects/music/throwing-muses/'>Throwing Muses</a> 1991 album The Real Ramona, that last to feature <a href='https://www.facebook.com/tanyadonellymusic'>Tanya Donelly</a> as a full time member alongside Kristin Hersh. There is plenty to like about the twin-guitar attack and layered vocals of Donelly and Hersh, but a few we had a few complaints as well. Are we are on target, or do our criticisms miss the mark? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Counting Backwards4:13 - Not Too Soon5:49 - History of the Band13:12 - Honeychain17:04 - Ellen WestOutro - Say Goodbye<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gmk7dh/237-throwingmuses.mp3" length="49922146" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re checking out Throwing Muses 1991 album The Real Ramona, that last to feature Tanya Donelly as a full time member alongside Kristin Hersh. There is plenty to like about the twin-guitar attack and layered vocals of Donelly and Hersh, but a few we had a few complaints as well. Are we are on target, or do our criticisms miss the mark? Tune in to find out.Songs in this Episode:Intro - Counting Backwards4:13 - Not Too Soon5:49 - History of the Band13:12 - Honeychain17:04 - Ellen WestOutro - Say GoodbyeFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2062</itunes:duration>
                                    </item>
    <item>
        <title>#236: Round Table Discussion - Most Influential 90s Bands &amp;amp; Artists</title>
        <itunes:title>#236: Round Table Discussion - Most Influential 90s Bands &amp;amp; Artists</itunes:title>
        <link>https://digmeout.podbean.com/e/236-round-table-discussion-most-influential-90s-bands-artists/</link>
                    <comments>https://digmeout.podbean.com/e/236-round-table-discussion-most-influential-90s-bands-artists/#comments</comments>        <pubDate>Tue, 21 Jul 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/236-round-table-discussion-most-influential-90s-bands-artists/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re back with another round table discussion, this month we’re discussing the influential bands of the 90s. Which bands from the 90s are we shocked became influential? Which bands from the 90s should have been more influential, but aren’t? Too help us break it down, we have a pair of special guests - video music director <a href='https://en.wikipedia.org/wiki/Shawn_Foster'>Shawn Michael Foster</a>, and Eric Peterson of the Love That Album podcast. The Flaming Lips, Mother Love Bone, Green Day, Nine Inch Nails and more, agree - disagree? Let the debate begin!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Longview by Green Day8:17 - Stardog Champion by Mother Love Bone18:59 - March of the Pigs by Nine Inch Nails31:33 - Get It On by Turbonegro53:54 - We Are The Normal by Goo Goo DollsOutro - Super Bon Bon by Soul Coughing
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">We’re back with another round table discussion, this month we’re discussing the influential bands of the 90s. Which bands from the 90s are we shocked became influential? Which bands from the 90s should have been more influential, but aren’t? Too help us break it down, we have a pair of special guests - video music director <a href='https://en.wikipedia.org/wiki/Shawn_Foster'>Shawn Michael Foster</a>, and Eric Peterson of the Love That Album podcast. The Flaming Lips, Mother Love Bone, Green Day, Nine Inch Nails and more, agree - disagree? Let the debate begin!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Longview by Green Day8:17 - Stardog Champion by Mother Love Bone18:59 - March of the Pigs by Nine Inch Nails31:33 - Get It On by Turbonegro53:54 - We Are The Normal by Goo Goo DollsOutro - Super Bon Bon by Soul Coughing<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tzvi4j/236-julyroundtable.mp3" length="97519967" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re back with another round table discussion, this month we’re discussing the influential bands of the 90s. Which bands from the 90s are we shocked became influential? Which bands from the 90s should have been more influential, but aren’t? Too help us break it down, we have a pair of special guests - video music director Shawn Michael Foster, and Eric Peterson of the Love That Album podcast. The Flaming Lips, Mother Love Bone, Green Day, Nine Inch Nails and more, agree - disagree? Let the debate begin!Songs in this Episode:Intro - Longview by Green Day8:17 - Stardog Champion by Mother Love Bone18:59 - March of the Pigs by Nine Inch Nails31:33 - Get It On by Turbonegro53:54 - We Are The Normal by Goo Goo DollsOutro - Super Bon Bon by Soul CoughingFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4045</itunes:duration>
                                    </item>
    <item>
        <title>#235: Interview with Chris Wyse of Owl, Ace Frehley and More</title>
        <itunes:title>#235: Interview with Chris Wyse of Owl, Ace Frehley and More</itunes:title>
        <link>https://digmeout.podbean.com/e/235-interview-with-chris-wyse-of-owl-ace-frehley-and-more/</link>
                    <comments>https://digmeout.podbean.com/e/235-interview-with-chris-wyse-of-owl-ace-frehley-and-more/#comments</comments>        <pubDate>Tue, 14 Jul 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/235-interview-with-chris-wyse-of-owl-ace-frehley-and-more/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='https://en.wikipedia.org/wiki/Chris_Wyse'>Chris Wyse</a>, whose rock ‘n roll resume includes past stints with <a href='http://www.ozzy.com/us/home'>Ozzy Osbourne</a> and <a href='http://www.thecult.us/'>The Cult</a>, and who now holds down the low end for <a href='http://www.acefrehley.com/'>Ace Frehley</a> when not fronting his own band <a href='http://owltheband.net/'>Owl</a>. While he spent the better part of the late 80s and early 90s in his own bands, Chris tells us about his decision to leave his home in New York and cross the country to Los Angeles in the mid-90s. Thanks to a relationship with mega-producer <a href='https://en.wikipedia.org/wiki/Bob_Rock'>Bob Rock</a>, Chris was able to play with a wide array of musicians, and was a part of the <a href='https://en.wikipedia.org/wiki/Tal_Bachman'>Tal Bachman</a> band responsible for the Top 10 single “She’s So High.” From there, Chris went on to work with <a href='http://www.scottweiland.com/'>Scott Weiland</a>, <a href='https://en.wikipedia.org/wiki/Nina_Gordon'>Nina Gordon</a> of <a href='http://verucasalt.com/'>Veruca Salt</a>, <a href='http://www.mickjagger.com/'>Mick Jagger</a>, and eventually landed one the audition spots for <a href='http://www.metallica.com/'>Metallica</a>, as seen in the documentary <a href='http://www.imdb.com/title/tt0387412/'>Some Kind of Monster</a>. Chris takes us through it all, talks songwriting, equipment and the importance of music education in this wide-ranging interview.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - The Right Thing by Owl3:56 - Things You Can’t See by Owl29:31 - She’s So High by Tal Bachman34:21 - War (The Process) by The Cult43:48 - Strangeways (Live) by Ace Frehley1:02:04 - Starship by Ace FrehleyOutro - Destroyer by Owl
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='https://en.wikipedia.org/wiki/Chris_Wyse'>Chris Wyse</a>, whose rock ‘n roll resume includes past stints with <a href='http://www.ozzy.com/us/home'>Ozzy Osbourne</a> and <a href='http://www.thecult.us/'>The Cult</a>, and who now holds down the low end for <a href='http://www.acefrehley.com/'>Ace Frehley</a> when not fronting his own band <a href='http://owltheband.net/'>Owl</a>. While he spent the better part of the late 80s and early 90s in his own bands, Chris tells us about his decision to leave his home in New York and cross the country to Los Angeles in the mid-90s. Thanks to a relationship with mega-producer <a href='https://en.wikipedia.org/wiki/Bob_Rock'>Bob Rock</a>, Chris was able to play with a wide array of musicians, and was a part of the <a href='https://en.wikipedia.org/wiki/Tal_Bachman'>Tal Bachman</a> band responsible for the Top 10 single “She’s So High.” From there, Chris went on to work with <a href='http://www.scottweiland.com/'>Scott Weiland</a>, <a href='https://en.wikipedia.org/wiki/Nina_Gordon'>Nina Gordon</a> of <a href='http://verucasalt.com/'>Veruca Salt</a>, <a href='http://www.mickjagger.com/'>Mick Jagger</a>, and eventually landed one the audition spots for <a href='http://www.metallica.com/'>Metallica</a>, as seen in the documentary <a href='http://www.imdb.com/title/tt0387412/'>Some Kind of Monster</a>. Chris takes us through it all, talks songwriting, equipment and the importance of music education in this wide-ranging interview.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - The Right Thing by Owl3:56 - Things You Can’t See by Owl29:31 - She’s So High by Tal Bachman34:21 - War (The Process) by The Cult43:48 - Strangeways (Live) by Ace Frehley1:02:04 - Starship by Ace FrehleyOutro - Destroyer by Owl<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uvyagd/235-chriswyse.mp3" length="93024184" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Chris Wyse, whose rock ‘n roll resume includes past stints with Ozzy Osbourne and The Cult, and who now holds down the low end for Ace Frehley when not fronting his own band Owl. While he spent the better part of the late 80s and early 90s in his own bands, Chris tells us about his decision to leave his home in New York and cross the country to Los Angeles in the mid-90s. Thanks to a relationship with mega-producer Bob Rock, Chris was able to play with a wide array of musicians, and was a part of the Tal Bachman band responsible for the Top 10 single “She’s So High.” From there, Chris went on to work with Scott Weiland, Nina Gordon of Veruca Salt, Mick Jagger, and eventually landed one the audition spots for Metallica, as seen in the documentary Some Kind of Monster. Chris takes us through it all, talks songwriting, equipment and the importance of music education in this wide-ranging interview.Songs in this Episode:Intro - The Right Thing by Owl3:56 - Things You Can’t See by Owl29:31 - She’s So High by Tal Bachman34:21 - War (The Process) by The Cult43:48 - Strangeways (Live) by Ace Frehley1:02:04 - Starship by Ace FrehleyOutro - Destroyer by OwlFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3858</itunes:duration>
                                    </item>
    <item>
        <title>#234: 001 by Dovetail Joint</title>
        <itunes:title>#234: 001 by Dovetail Joint</itunes:title>
        <link>https://digmeout.podbean.com/e/234-001-by-dovetail-joint/</link>
                    <comments>https://digmeout.podbean.com/e/234-001-by-dovetail-joint/#comments</comments>        <pubDate>Tue, 07 Jul 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/234-001-by-dovetail-joint/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re revisiting the 1999 album 001 by <a href='https://en.wikipedia.org/wiki/Dovetail_Joint_(band)'>Dovetail Joint</a>. With radio-friendly singles and sharp songwriting, Dovetail Joint were a Chicago band that could have had Smashing Pumpkins or Veruca Salt level success a few years earlier in the decade, but the shifting radio and label landscape worked against them as guitar-centric rock bands took a back seat to third-generation grunge knock-offs, mall-punk and manufactured pop. We dissect the album track-by-track to figure out what makes (spolier alert) 001 a worthy album.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Beautiful3:14 - History of the Band10:19 - Beautiful15:15 - Level on the Inside21:14 - Boy23:37 - Except When You’re Late33:00 - AfraidOutro - Oh My God
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re revisiting the 1999 album 001 by <a href='https://en.wikipedia.org/wiki/Dovetail_Joint_(band)'>Dovetail Joint</a>. With radio-friendly singles and sharp songwriting, Dovetail Joint were a Chicago band that could have had Smashing Pumpkins or Veruca Salt level success a few years earlier in the decade, but the shifting radio and label landscape worked against them as guitar-centric rock bands took a back seat to third-generation grunge knock-offs, mall-punk and manufactured pop. We dissect the album track-by-track to figure out what makes (spolier alert) 001 a worthy album.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Beautiful3:14 - History of the Band10:19 - Beautiful15:15 - Level on the Inside21:14 - Boy23:37 - Except When You’re Late33:00 - AfraidOutro - Oh My God<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k6d59v/234-dovetailjoint.mp3" length="66613766" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re revisiting the 1999 album 001 by Dovetail Joint. With radio-friendly singles and sharp songwriting, Dovetail Joint were a Chicago band that could have had Smashing Pumpkins or Veruca Salt level success a few years earlier in the decade, but the shifting radio and label landscape worked against them as guitar-centric rock bands took a back seat to third-generation grunge knock-offs, mall-punk and manufactured pop. We dissect the album track-by-track to figure out what makes (spolier alert) 001 a worthy album.Songs in this Episode:Intro - Beautiful3:14 - History of the Band10:19 - Beautiful15:15 - Level on the Inside21:14 - Boy23:37 - Except When You’re Late33:00 - AfraidOutro - Oh My GodFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2758</itunes:duration>
                                    </item>
    <item>
        <title>#233: Acetone by Acetone</title>
        <itunes:title>#233: Acetone by Acetone</itunes:title>
        <link>https://digmeout.podbean.com/e/233-acetone-by-acetone/</link>
                    <comments>https://digmeout.podbean.com/e/233-acetone-by-acetone/#comments</comments>        <pubDate>Tue, 30 Jun 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/233-acetone-by-acetone/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Our requested review this week is the third album by <a href='http://www.allmusic.com/artist/acetone-mn0000495563'>Acetone</a>, 1997′s self-titled release. Like one-time label mates Low, Acetone delivers a slow and deliberate performance with sparse arrangements and mostly hushed vocals. Rarely do Tim and Jason find themselves in almost total agreement on a record, but in this case they do. Tune in to find out if that is a good or bad thing. We apologize for the brief interruption discussing the new season of True Detective, which we have dubbed Sad Detective.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Every Kiss3:19 - History of the Band10:33 - Shobud16:20 - Chew19:44 - All You KnowOutro - Dee
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Our requested review this week is the third album by <a href='http://www.allmusic.com/artist/acetone-mn0000495563'>Acetone</a>, 1997′s self-titled release. Like one-time label mates Low, Acetone delivers a slow and deliberate performance with sparse arrangements and mostly hushed vocals. Rarely do Tim and Jason find themselves in almost total agreement on a record, but in this case they do. Tune in to find out if that is a good or bad thing. We apologize for the brief interruption discussing the new season of True Detective, which we have dubbed Sad Detective.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Every Kiss3:19 - History of the Band10:33 - Shobud16:20 - Chew19:44 - All You KnowOutro - Dee<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/exdw9m/233-acetone.mp3" length="43800710" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our requested review this week is the third album by Acetone, 1997′s self-titled release. Like one-time label mates Low, Acetone delivers a slow and deliberate performance with sparse arrangements and mostly hushed vocals. Rarely do Tim and Jason find themselves in almost total agreement on a record, but in this case they do. Tune in to find out if that is a good or bad thing. We apologize for the brief interruption discussing the new season of True Detective, which we have dubbed Sad Detective.Songs in this Episode:Intro - Every Kiss3:19 - History of the Band10:33 - Shobud16:20 - Chew19:44 - All You KnowOutro - DeeFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1808</itunes:duration>
                                    </item>
    <item>
        <title>#232: Deserter’s Songs by Mercury Rev</title>
        <itunes:title>#232: Deserter’s Songs by Mercury Rev</itunes:title>
        <link>https://digmeout.podbean.com/e/232-deserter%e2%80%99s-songs-by-mercury-rev/</link>
                    <comments>https://digmeout.podbean.com/e/232-deserter%e2%80%99s-songs-by-mercury-rev/#comments</comments>        <pubDate>Tue, 23 Jun 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/232-deserter%e2%80%99s-songs-by-mercury-rev/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a recent <a href='http://www.digmeoutpodcast.com/requestareview'>request</a>, this week we are checking out the 1998 album Deserter’s Songs by <a href='http://www.mercuryrev.com/'>Mercury Rev</a>. Hailed at the time by critics in the US and UK, the orchestral arrangements combined with Flaming Lips style psychedelia helped make Deserter’s Songs a landmark album the helped usher in a decade of bands expanding on both. But age can make the adventurous seem tame, does Deserter’s Song stand the test of time, and is it still worthy of album of the year status? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro: The Funny Bird3:18 - History of the Band17:39 - Endlessly25:59 - Delta Sun Bottleneck Stomp29:06 - Hudson LineOutro - Opus 40
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Thanks to a recent <a href='http://www.digmeoutpodcast.com/requestareview'>request</a>, this week we are checking out the 1998 album Deserter’s Songs by <a href='http://www.mercuryrev.com/'>Mercury Rev</a>. Hailed at the time by critics in the US and UK, the orchestral arrangements combined with Flaming Lips style psychedelia helped make Deserter’s Songs a landmark album the helped usher in a decade of bands expanding on both. But age can make the adventurous seem tame, does Deserter’s Song stand the test of time, and is it still worthy of album of the year status? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro: The Funny Bird3:18 - History of the Band17:39 - Endlessly25:59 - Delta Sun Bottleneck Stomp29:06 - Hudson LineOutro - Opus 40<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ipy4cd/232-mercuryrev.mp3" length="54451776" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a recent request, this week we are checking out the 1998 album Deserter’s Songs by Mercury Rev. Hailed at the time by critics in the US and UK, the orchestral arrangements combined with Flaming Lips style psychedelia helped make Deserter’s Songs a landmark album the helped usher in a decade of bands expanding on both. But age can make the adventurous seem tame, does Deserter’s Song stand the test of time, and is it still worthy of album of the year status? Tune in to find out.Songs in this Episode:Intro: The Funny Bird3:18 - History of the Band17:39 - Endlessly25:59 - Delta Sun Bottleneck Stomp29:06 - Hudson LineOutro - Opus 40Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2251</itunes:duration>
                                    </item>
    <item>
        <title>#231: Death to Traitors by Paw with Mark Hennessy</title>
        <itunes:title>#231: Death to Traitors by Paw with Mark Hennessy</itunes:title>
        <link>https://digmeout.podbean.com/e/231-death-to-traitors-by-paw-with-mark-hennessy/</link>
                    <comments>https://digmeout.podbean.com/e/231-death-to-traitors-by-paw-with-mark-hennessy/#comments</comments>        <pubDate>Tue, 16 Jun 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/231-death-to-traitors-by-paw-with-mark-hennessy/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">This week is a first - we’re revisiting an album by a band we’re already checked out. Back in season one, <a href='http://www.digmeoutpodcast.com/post/47306349467/episode-3-we-review-dragline-by-paw'>episode three</a>, we reviewed the debut album by <a href='https://www.facebook.com/pages/Paw/60271290066'>Paw</a>. Over five years later, we’re checking out their sophomore album, <a href='http://www.allmusic.com/album/death-to-traitors-mw0000178416'>Death to Traitors</a>. To help us do so, we’re joined by singer <a href='https://twitter.com/markthennessy'>Mark Hennessy</a>, who takes us back to the beginning of the band in Lawrence, Kansas. We learn about the formation of the band to recording the demos that got them in a major label bidding. We talk about the differences in writing and recording their Debut Dragline and their sophomore album Death To Traitors, and the internal and external stresses that wore the band down. We talk about the reunions, mark new band <a href='https://www.facebook.com/godzillionaire'>Godzillilionaire</a>, and the possibility of new material from Paw in the future.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Hope I Die Tonight8:16- Sweet Sally Brown17:31 - Built Low32:39 - Swollen48:20 - Texas1:00:22 - Glue Mouth KidOutro - Death to Traitors
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">This week is a first - we’re revisiting an album by a band we’re already checked out. Back in season one, <a href='http://www.digmeoutpodcast.com/post/47306349467/episode-3-we-review-dragline-by-paw'>episode three</a>, we reviewed the debut album by <a href='https://www.facebook.com/pages/Paw/60271290066'>Paw</a>. Over five years later, we’re checking out their sophomore album, <a href='http://www.allmusic.com/album/death-to-traitors-mw0000178416'>Death to Traitors</a>. To help us do so, we’re joined by singer <a href='https://twitter.com/markthennessy'>Mark Hennessy</a>, who takes us back to the beginning of the band in Lawrence, Kansas. We learn about the formation of the band to recording the demos that got them in a major label bidding. We talk about the differences in writing and recording their Debut Dragline and their sophomore album Death To Traitors, and the internal and external stresses that wore the band down. We talk about the reunions, mark new band <a href='https://www.facebook.com/godzillionaire'>Godzillilionaire</a>, and the possibility of new material from Paw in the future.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Hope I Die Tonight8:16- Sweet Sally Brown17:31 - Built Low32:39 - Swollen48:20 - Texas1:00:22 - Glue Mouth KidOutro - Death to Traitors<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/egu753/231-paw.mp3" length="107626209" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week is a first - we’re revisiting an album by a band we’re already checked out. Back in season one, episode three, we reviewed the debut album by Paw. Over five years later, we’re checking out their sophomore album, Death to Traitors. To help us do so, we’re joined by singer Mark Hennessy, who takes us back to the beginning of the band in Lawrence, Kansas. We learn about the formation of the band to recording the demos that got them in a major label bidding. We talk about the differences in writing and recording their Debut Dragline and their sophomore album Death To Traitors, and the internal and external stresses that wore the band down. We talk about the reunions, mark new band Godzillilionaire, and the possibility of new material from Paw in the future.Songs in this Episode:Intro - Hope I Die Tonight8:16- Sweet Sally Brown17:31 - Built Low32:39 - Swollen48:20 - Texas1:00:22 - Glue Mouth KidOutro - Death to TraitorsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4467</itunes:duration>
                                    </item>
    <item>
        <title>#230: Round Table Discussion on Concerts of the 90s</title>
        <itunes:title>#230: Round Table Discussion on Concerts of the 90s</itunes:title>
        <link>https://digmeout.podbean.com/e/230-round-table-discussion-on-concerts-of-the-90s/</link>
                    <comments>https://digmeout.podbean.com/e/230-round-table-discussion-on-concerts-of-the-90s/#comments</comments>        <pubDate>Tue, 09 Jun 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/230-round-table-discussion-on-concerts-of-the-90s/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week we’re talking about concerts of the 1990s for our June round table discussion. We’re joined by frequent suggester/commenter David “<a href='https://twitter.com/DirtyGert'>Dirty Gert</a>” Gorgos, <a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a> host and <a href='http://punktastic.com/'>Punktastic</a> writer Jeff Takacs, and the voice of Dig Me Out, Katie Minneci. We talk about our favorite shows and venues of the decade along with our least favorites as well. When did an opening band blow away the headliner? What bands make us want to jump in a time machine to check out? Why did the traveling festivals end? Were the Woodstocks nostalgic cash-grabs like we remember? Is there any worse place to go to the bathroom than a music venue? All of this, and more!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">(Live) Songs in this Episode:</p>
Intro - Sabotage by Beastie Boys12:33 - Blame, Etc. by Afghan Whigs47:28 - New Orleans Is Sinking by The Tragically Hip101:50 - I Am One by The Smashing Pumpkins1:18:13 - Thumb by Dinosaur Jr.Outro - You Love Us by Manic Street Preachers
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week we’re talking about concerts of the 1990s for our June round table discussion. We’re joined by frequent suggester/commenter David “<a href='https://twitter.com/DirtyGert'>Dirty Gert</a>” Gorgos, <a href='http://www.rocketfuelpodcast.com/'>Rocketfuel Podcast</a> host and <a href='http://punktastic.com/'>Punktastic</a> writer Jeff Takacs, and the voice of Dig Me Out, Katie Minneci. We talk about our favorite shows and venues of the decade along with our least favorites as well. When did an opening band blow away the headliner? What bands make us want to jump in a time machine to check out? Why did the traveling festivals end? Were the Woodstocks nostalgic cash-grabs like we remember? Is there any worse place to go to the bathroom than a music venue? All of this, and more!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">(Live) Songs in this Episode:</p>
Intro - Sabotage by Beastie Boys12:33 - Blame, Etc. by Afghan Whigs47:28 - New Orleans Is Sinking by The Tragically Hip101:50 - I Am One by The Smashing Pumpkins1:18:13 - Thumb by Dinosaur Jr.Outro - You Love Us by Manic Street Preachers<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8sy9wb/230-90sconcertsroundtable.mp3" length="126285806" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re talking about concerts of the 1990s for our June round table discussion. We’re joined by frequent suggester/commenter David “Dirty Gert” Gorgos, Rocketfuel Podcast host and Punktastic writer Jeff Takacs, and the voice of Dig Me Out, Katie Minneci. We talk about our favorite shows and venues of the decade along with our least favorites as well. When did an opening band blow away the headliner? What bands make us want to jump in a time machine to check out? Why did the traveling festivals end? Were the Woodstocks nostalgic cash-grabs like we remember? Is there any worse place to go to the bathroom than a music venue? All of this, and more!(Live) Songs in this Episode:Intro - Sabotage by Beastie Boys12:33 - Blame, Etc. by Afghan Whigs47:28 - New Orleans Is Sinking by The Tragically Hip101:50 - I Am One by The Smashing Pumpkins1:18:13 - Thumb by Dinosaur Jr.Outro - You Love Us by Manic Street PreachersFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5244</itunes:duration>
                                    </item>
    <item>
        <title>#229: Interview with Naoko Yamano of Shonen Knife</title>
        <itunes:title>#229: Interview with Naoko Yamano of Shonen Knife</itunes:title>
        <link>https://digmeout.podbean.com/e/229-interview-with-naoko-yamano-of-shonen-knife/</link>
                    <comments>https://digmeout.podbean.com/e/229-interview-with-naoko-yamano-of-shonen-knife/#comments</comments>        <pubDate>Tue, 02 Jun 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/229-interview-with-naoko-yamano-of-shonen-knife/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:21px;vertical-align:baseline;">This week Naoko Yamano of the legendary Japanese punk rock band <a href='http://www.shonenknife.net/index.html'>Shonen Knife</a> joins us.  Naoko talks about her thirty-plus years fronting Shonen Knife. We talk about how the band started in Osaka in 1981 and discuss the music scene of Osaka vs. Toyko. We dig into songwriting, guitars, touring and much more! We hope you enjoy, and be sure to check out Shonen Knife on their <a href='https://www.facebook.com/ShonenKnifeOfficial'>U.S. tour this June</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Bad Luck Song16:14 - Pop Tune23:45 - Blitzkrieg Bop (Ramones cover)30:36 - Osaka Rock CityOutro - Super Group
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:21px;vertical-align:baseline;">This week Naoko Yamano of the legendary Japanese punk rock band <a href='http://www.shonenknife.net/index.html'>Shonen Knife</a> joins us.  Naoko talks about her thirty-plus years fronting Shonen Knife. We talk about how the band started in Osaka in 1981 and discuss the music scene of Osaka vs. Toyko. We dig into songwriting, guitars, touring and much more! We hope you enjoy, and be sure to check out Shonen Knife on their <a href='https://www.facebook.com/ShonenKnifeOfficial'>U.S. tour this June</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Bad Luck Song16:14 - Pop Tune23:45 - Blitzkrieg Bop (Ramones cover)30:36 - Osaka Rock CityOutro - Super Group<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xz3acb/229-shonenknifeinterview.mp3" length="50488279" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week Naoko Yamano of the legendary Japanese punk rock band Shonen Knife joins us.  Naoko talks about her thirty-plus years fronting Shonen Knife. We talk about how the band started in Osaka in 1981 and discuss the music scene of Osaka vs. Toyko. We dig into songwriting, guitars, touring and much more! We hope you enjoy, and be sure to check out Shonen Knife on their U.S. tour this June.Songs in this Episode:Intro - Bad Luck Song16:14 - Pop Tune23:45 - Blitzkrieg Bop (Ramones cover)30:36 - Osaka Rock CityOutro - Super GroupFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2087</itunes:duration>
                                    </item>
    <item>
        <title>#228: Interview with Stephen Brodsky of Cave In and Mutoid Man</title>
        <itunes:title>#228: Interview with Stephen Brodsky of Cave In and Mutoid Man</itunes:title>
        <link>https://digmeout.podbean.com/e/228-interview-with-stephen-brodsky-of-cave-in-and-mutoid-man/</link>
                    <comments>https://digmeout.podbean.com/e/228-interview-with-stephen-brodsky-of-cave-in-and-mutoid-man/#comments</comments>        <pubDate>Tue, 26 May 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/228-interview-with-stephen-brodsky-of-cave-in-and-mutoid-man/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is singer, guitarist and songwriter <a href='http://www.stephenbrodsky.com/'>Stephen Brodsky</a> of <a href='https://www.facebook.com/CaveIn.Official'>Cave In</a>, <a href='https://www.facebook.com/mutoidman'>Mutoid Man</a> and many other projects. Stephen takes us back to the beginning: bootlegging Metallica onto cassettes to practice guitar licks, early grade school jams and trying to figure out how to get distortion. We explore his his high school years, discovering hardcore (and hating it at first) and what eventually led to the formation of Cave In. We discuss the evolution of the band, from the “metalcore” beginnings to the transition to Jupiter and the fan backlash that ensued from that album onto Antenna. We get into his newest project, Mutoid Man, and contemplate the current state of “metal” music. We cover reissues, guitar rigs and much, much more. Enjoy!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Big Riff30:48 - Terminal Deity by Cave In43:11 - Jupiter by Cave In1:00:31 - Reptilian Soul by Mutoid Man1:07: 26 - Magnified by Cave In (Failure cover)Outro - Requiem
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is singer, guitarist and songwriter <a href='http://www.stephenbrodsky.com/'>Stephen Brodsky</a> of <a href='https://www.facebook.com/CaveIn.Official'>Cave In</a>, <a href='https://www.facebook.com/mutoidman'>Mutoid Man</a> and many other projects. Stephen takes us back to the beginning: bootlegging Metallica onto cassettes to practice guitar licks, early grade school jams and trying to figure out how to get distortion. We explore his his high school years, discovering hardcore (and hating it at first) and what eventually led to the formation of Cave In. We discuss the evolution of the band, from the “metalcore” beginnings to the transition to Jupiter and the fan backlash that ensued from that album onto Antenna. We get into his newest project, Mutoid Man, and contemplate the current state of “metal” music. We cover reissues, guitar rigs and much, much more. Enjoy!</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Big Riff30:48 - Terminal Deity by Cave In43:11 - Jupiter by Cave In1:00:31 - Reptilian Soul by Mutoid Man1:07: 26 - Magnified by Cave In (Failure cover)Outro - Requiem<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/shqcng/228-mayinterviewstevebrodsky.mp3" length="118240303" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is singer, guitarist and songwriter Stephen Brodsky of Cave In, Mutoid Man and many other projects. Stephen takes us back to the beginning: bootlegging Metallica onto cassettes to practice guitar licks, early grade school jams and trying to figure out how to get distortion. We explore his his high school years, discovering hardcore (and hating it at first) and what eventually led to the formation of Cave In. We discuss the evolution of the band, from the “metalcore” beginnings to the transition to Jupiter and the fan backlash that ensued from that album onto Antenna. We get into his newest project, Mutoid Man, and contemplate the current state of “metal” music. We cover reissues, guitar rigs and much, much more. Enjoy!Songs in this Episode:Intro - Big Riff30:48 - Terminal Deity by Cave In43:11 - Jupiter by Cave In1:00:31 - Reptilian Soul by Mutoid Man1:07: 26 - Magnified by Cave In (Failure cover)Outro - RequiemFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4910</itunes:duration>
                                    </item>
    <item>
        <title>#227: Trysome Eatone by Love Spit Love</title>
        <itunes:title>#227: Trysome Eatone by Love Spit Love</itunes:title>
        <link>https://digmeout.podbean.com/e/227-trysome-eatone-by-love-spit-love/</link>
                    <comments>https://digmeout.podbean.com/e/227-trysome-eatone-by-love-spit-love/#comments</comments>        <pubDate>Tue, 19 May 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/227-trysome-eatone-by-love-spit-love/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week’s <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> features <a href='http://en.wikipedia.org/wiki/Richard_Butler_%28singer%29'>Richard Butler</a>’s post-<a href='http://www.thepsychedelicfurs.com/'>Psychedelic Furs</a> project <a href='http://en.wikipedia.org/wiki/Love_Spit_Love'>Love Spit Love</a>. We’re checking out the second (and final) album from the band, 1997′s Trysome Eatone. Butler is able to inject his unique melodic and vocal style with some new blood thanks to new players and a wide range of sounds. Sometimes the band evokes his previous band, other times the louder more aggressive rock of the 90s. Does it all work? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Believe2:51 - History of the Band8:05 - More Than Money13:50 - Fall On Tears18:00 - Friends24:30 - 7 YearsOutro - 227
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week’s <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> features <a href='http://en.wikipedia.org/wiki/Richard_Butler_%28singer%29'>Richard Butler</a>’s post-<a href='http://www.thepsychedelicfurs.com/'>Psychedelic Furs</a> project <a href='http://en.wikipedia.org/wiki/Love_Spit_Love'>Love Spit Love</a>. We’re checking out the second (and final) album from the band, 1997′s Trysome Eatone. Butler is able to inject his unique melodic and vocal style with some new blood thanks to new players and a wide range of sounds. Sometimes the band evokes his previous band, other times the louder more aggressive rock of the 90s. Does it all work? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Believe2:51 - History of the Band8:05 - More Than Money13:50 - Fall On Tears18:00 - Friends24:30 - 7 YearsOutro - 227<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pe7vgj/227-lovespitlove.mp3" length="49196777" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week’s Requested Review features Richard Butler’s post-Psychedelic Furs project Love Spit Love. We’re checking out the second (and final) album from the band, 1997′s Trysome Eatone. Butler is able to inject his unique melodic and vocal style with some new blood thanks to new players and a wide range of sounds. Sometimes the band evokes his previous band, other times the louder more aggressive rock of the 90s. Does it all work? Tune in to find out.Songs in this Episode:Intro - Believe2:51 - History of the Band8:05 - More Than Money13:50 - Fall On Tears18:00 - Friends24:30 - 7 YearsOutro - 227Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2033</itunes:duration>
                                    </item>
    <item>
        <title>#226: One-Hit Wonders of the 90s Discussion</title>
        <itunes:title>#226: One-Hit Wonders of the 90s Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/226-one-hit-wonders-of-the-90s-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/226-one-hit-wonders-of-the-90s-discussion/#comments</comments>        <pubDate>Tue, 12 May 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/226-one-hit-wonders-of-the-90s-discussion/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re chatting about <a href='http://en.wikipedia.org/wiki/List_of_1990s_one-hit_wonders_in_the_United_States'>one-hit wonders of the 90s</a>. Joining us is returning champ <a href='http://theandyderershow.com/'>Andy Derer</a> and newbie <a href='https://www.facebook.com/pages/Sit-And-Spin-with-Joe/149637531868302'>Joy Royland</a>. We try to figure out what exactly is a one-hit wonder. We talk about our favorite and least favorite one-hit wonders from the 90s. We cover the one-hit wonders of the 90s that we still enjoy and still annoy us.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Epic by Faith No More10:14 - Whoomp! (There It Is) by Tag Team17:22 - Flagpole Sitta by Harvey Danger27:23 - Popular by Nada Surf35:35 - Good by Better Than Ezra43:22 - Bitch by Meredith Brooks56:13 - Counting Blue Cars by DishwallaOutro - Baby, I Love Your Way by Big Mountain
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">This week we’re chatting about <a href='http://en.wikipedia.org/wiki/List_of_1990s_one-hit_wonders_in_the_United_States'>one-hit wonders of the 90s</a>. Joining us is returning champ <a href='http://theandyderershow.com/'>Andy Derer</a> and newbie <a href='https://www.facebook.com/pages/Sit-And-Spin-with-Joe/149637531868302'>Joy Royland</a>. We try to figure out what exactly is a one-hit wonder. We talk about our favorite and least favorite one-hit wonders from the 90s. We cover the one-hit wonders of the 90s that we still enjoy and still annoy us.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Epic by Faith No More10:14 - Whoomp! (There It Is) by Tag Team17:22 - Flagpole Sitta by Harvey Danger27:23 - Popular by Nada Surf35:35 - Good by Better Than Ezra43:22 - Bitch by Meredith Brooks56:13 - Counting Blue Cars by DishwallaOutro - Baby, I Love Your Way by Big Mountain<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5v46e2/226-mayroundtable-1hitwonders.mp3" length="93985297" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we’re chatting about one-hit wonders of the 90s. Joining us is returning champ Andy Derer and newbie Joy Royland. We try to figure out what exactly is a one-hit wonder. We talk about our favorite and least favorite one-hit wonders from the 90s. We cover the one-hit wonders of the 90s that we still enjoy and still annoy us.Songs in this Episode:Intro - Epic by Faith No More10:14 - Whoomp! (There It Is) by Tag Team17:22 - Flagpole Sitta by Harvey Danger27:23 - Popular by Nada Surf35:35 - Good by Better Than Ezra43:22 - Bitch by Meredith Brooks56:13 - Counting Blue Cars by DishwallaOutro - Baby, I Love Your Way by Big MountainFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3899</itunes:duration>
                                    </item>
    <item>
        <title>#225: Sing to God by Cardiacs</title>
        <itunes:title>#225: Sing to God by Cardiacs</itunes:title>
        <link>https://digmeout.podbean.com/e/225-sing-to-god-by-cardiacs/</link>
                    <comments>https://digmeout.podbean.com/e/225-sing-to-god-by-cardiacs/#comments</comments>        <pubDate>Tue, 05 May 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/225-sing-to-god-by-cardiacs/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> might be our most challenging listen ever, 1995′s Sing to God by <a href='http://www.cardiacs.net/'>Cardiacs</a> - our first double album (no, Use Your Illusion doesn’t count). With almost two decades under their belts, Cardiacs unleashed this behemoth not just in length, but density. The songs are packed with instrumentation, and many flying by at a breakneck pace, churning twisted pop with equal parts psychedelia, Britpop, bombast and manic energy. We haven’t heard much like this, and we’re guessing you haven’t either.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Eat It Up Worms Hero3:10 - History of the Band12:00 - Eat It Up Worms Hero13:41 - Eden On The Air19:11 - A Horses Tail23:40 - Dog-Like Sparky27:11 - Dirty Boy31:56 - ManhooOutro - Bell Clinks
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> might be our most challenging listen ever, 1995′s Sing to God by <a href='http://www.cardiacs.net/'>Cardiacs</a> - our first double album (no, Use Your Illusion doesn’t count). With almost two decades under their belts, Cardiacs unleashed this behemoth not just in length, but density. The songs are packed with instrumentation, and many flying by at a breakneck pace, churning twisted pop with equal parts psychedelia, Britpop, bombast and manic energy. We haven’t heard much like this, and we’re guessing you haven’t either.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Eat It Up Worms Hero3:10 - History of the Band12:00 - Eat It Up Worms Hero13:41 - Eden On The Air19:11 - A Horses Tail23:40 - Dog-Like Sparky27:11 - Dirty Boy31:56 - ManhooOutro - Bell Clinks<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wq5ktj/225-cardiacs.mp3" length="58686746" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our latest requested review might be our most challenging listen ever, 1995′s Sing to God by Cardiacs - our first double album (no, Use Your Illusion doesn’t count). With almost two decades under their belts, Cardiacs unleashed this behemoth not just in length, but density. The songs are packed with instrumentation, and many flying by at a breakneck pace, churning twisted pop with equal parts psychedelia, Britpop, bombast and manic energy. We haven’t heard much like this, and we’re guessing you haven’t either.Songs in this Episode:Intro - Eat It Up Worms Hero3:10 - History of the Band12:00 - Eat It Up Worms Hero13:41 - Eden On The Air19:11 - A Horses Tail23:40 - Dog-Like Sparky27:11 - Dirty Boy31:56 - ManhooOutro - Bell ClinksFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2427</itunes:duration>
                                    </item>
    <item>
        <title>#224: Interview with Matthew Sweet</title>
        <itunes:title>#224: Interview with Matthew Sweet</itunes:title>
        <link>https://digmeout.podbean.com/e/224-interview-with-matthew-sweet-1429787342/</link>
                    <comments>https://digmeout.podbean.com/e/224-interview-with-matthew-sweet-1429787342/#comments</comments>        <pubDate>Tue, 28 Apr 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/224-interview-with-matthew-sweet-1429787342/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.matthewsweet.com/'>Matthew Sweet</a> for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to California
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.matthewsweet.com/'>Matthew Sweet</a> for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to California<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hykren/224-aprilinterview-matthewsweet.mp3" length="172460480" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Matthew Sweet for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.Songs in this Episode:Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to CaliforniaFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7169</itunes:duration>
                                    </item>
    <item>
        <title>#224: Interview with Matthew Sweet</title>
        <itunes:title>#224: Interview with Matthew Sweet</itunes:title>
        <link>https://digmeout.podbean.com/e/224-interview-with-matthew-sweet/</link>
                    <comments>https://digmeout.podbean.com/e/224-interview-with-matthew-sweet/#comments</comments>        <pubDate>Tue, 28 Apr 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/224-interview-with-matthew-sweet/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.matthewsweet.com/'>Matthew Sweet</a> for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to California
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Joining us this week is <a href='http://www.matthewsweet.com/'>Matthew Sweet</a> for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to California<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hykren/224-aprilinterview-matthewsweet.mp3" length="172460480" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Matthew Sweet for a lengthy and wide-ranging discussion. Matthew shares his insights on his latest album project, and what the fulfillment aspect of crowd-funded albums is really like. We talk about his earliest influences, from new wave and punk to 70s power pop like Big Star and The Raspberries, and discuss why power pop bands are almost always critically acclaimed but tend to gain appreciation in retrospect. Matthew explains how his various guitars impact his songwriting (which may involve recording on his iPhone), and his earliest years learning bass to Yes records and Carol Kaye instructional videos (who would later play on his album In Reverse), which got him into a college band while he was still eight grade. We dive into the discography, discuss the leaps between the first two Columbia albums and Girlfriend, to the harsher and dark sound of Altered Beast. There’s so much more, we can’t list it all! Sick of Myself! Drew Carey! 70 Challengers! Brendan O’Brien! Mad Men! Making In Reverse! Touring! Fred Armisen! Susanna Hoffs! The Telecommunications Act of 1996! Mike Myers! Pottery! It’s all in there, and we hope you enjoy.Songs in this Episode:Intro - Girlfriend38:22 - Dinosaur Act54:22 - Sick of Myself1:18:29 - Thunderstorm1:46:14 - Ivory Tower1:56:54 - Where You Get LoveOutro - Come to CaliforniaFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7169</itunes:duration>
                                    </item>
    <item>
        <title>#223: Kim Salmon &amp;amp; the Surrealists by Kim Salmon &amp;amp; the Surrealists</title>
        <itunes:title>#223: Kim Salmon &amp;amp; the Surrealists by Kim Salmon &amp;amp; the Surrealists</itunes:title>
        <link>https://digmeout.podbean.com/e/223-kim-salmon-the-surrealists-by-kim-salmon-the-surrealists/</link>
                    <comments>https://digmeout.podbean.com/e/223-kim-salmon-the-surrealists-by-kim-salmon-the-surrealists/#comments</comments>        <pubDate>Tue, 21 Apr 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/223-kim-salmon-the-surrealists-by-kim-salmon-the-surrealists/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our second requested review of Australia month is the self-titled 1995 album by <a href='http://en.wikipedia.org/wiki/Kim_Salmon_and_the_Surrealists'>Kim Salmon & The Surrealists</a>. By ‘95, Kim Salmon was already a legend in Australia, having fronted the influential 70s & 80s punk band The Scientists, then The Beasts of Bourbon along with The Surrealists amongst other projects. This album finds Kim and his rhythm section exploring some familiar sounds as well as new territory. We split our opinion on this record, but not how you might think.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - What’s Inside Your Box?2:29 - History of the Band7:40 - I Wish Upon You10:51 - What’s Inside Your Box?17:14 - Holocaust24:39 - Frantic RomanticOutro - Draggin’ Out The Truth
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our second requested review of Australia month is the self-titled 1995 album by <a href='http://en.wikipedia.org/wiki/Kim_Salmon_and_the_Surrealists'>Kim Salmon & The Surrealists</a>. By ‘95, Kim Salmon was already a legend in Australia, having fronted the influential 70s & 80s punk band The Scientists, then The Beasts of Bourbon along with The Surrealists amongst other projects. This album finds Kim and his rhythm section exploring some familiar sounds as well as new territory. We split our opinion on this record, but not how you might think.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - What’s Inside Your Box?2:29 - History of the Band7:40 - I Wish Upon You10:51 - What’s Inside Your Box?17:14 - Holocaust24:39 - Frantic RomanticOutro - Draggin’ Out The Truth<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/49bcfw/223-kimsalmon.mp3" length="43186939" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our second requested review of Australia month is the self-titled 1995 album by Kim Salmon & The Surrealists. By ‘95, Kim Salmon was already a legend in Australia, having fronted the influential 70s & 80s punk band The Scientists, then The Beasts of Bourbon along with The Surrealists amongst other projects. This album finds Kim and his rhythm section exploring some familiar sounds as well as new territory. We split our opinion on this record, but not how you might think.Songs in this Episode:Intro - What’s Inside Your Box?2:29 - History of the Band7:40 - I Wish Upon You10:51 - What’s Inside Your Box?17:14 - Holocaust24:39 - Frantic RomanticOutro - Draggin’ Out The TruthFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1782</itunes:duration>
                                    </item>
    <item>
        <title>#222: Discussion on Australian Bands of the 1990s</title>
        <itunes:title>#222: Discussion on Australian Bands of the 1990s</itunes:title>
        <link>https://digmeout.podbean.com/e/222-discussion-on-australian-bands-of-the-1990s/</link>
                    <comments>https://digmeout.podbean.com/e/222-discussion-on-australian-bands-of-the-1990s/#comments</comments>        <pubDate>Tue, 14 Apr 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/222-discussion-on-australian-bands-of-the-1990s/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Before this month, we had reviewed thirteen albums from Australian bands in the 90s in the first four years of the podcast, but we still did’t have a good understanding of the overall history Australian music during that time. What were their influences? What were the scenes in the different cities like? What is Big Day Out? The Saints? The Scientists? To help us unlock the mysteries, we’re joined by frequent requester and friend of the show Gavid Reid, along with <a href='https://twitter.com/danbuhagiar'>Dan Buhagiar</a>, producer and writer at <a href='http://doublej.net.au/'>Double J</a> radio.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">And check out Dan’s article on the <a href='http://doublej.net.au/news/lists/10-australian-bands-90s-worth-revisiting'>10 Australian Bands From the ‘90s Worth Revisiting</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Drugs by Ammonia6:07 - (I’m) Stranded by The Saints13:20 - Tomorrow by Silverchair35:07 - Streets of Your Town by The Go-Betweens41:34 - Shazam! by Spiderbait52:18 - Don’t It Get You Down by DeadstarOutro - Railhead by Crow
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Before this month, we had reviewed thirteen albums from Australian bands in the 90s in the first four years of the podcast, but we still did’t have a good understanding of the overall history Australian music during that time. What were their influences? What were the scenes in the different cities like? What is Big Day Out? The Saints? The Scientists? To help us unlock the mysteries, we’re joined by frequent requester and friend of the show Gavid Reid, along with <a href='https://twitter.com/danbuhagiar'>Dan Buhagiar</a>, producer and writer at <a href='http://doublej.net.au/'>Double J</a> radio.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">And check out Dan’s article on the <a href='http://doublej.net.au/news/lists/10-australian-bands-90s-worth-revisiting'>10 Australian Bands From the ‘90s Worth Revisiting</a>.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Drugs by Ammonia6:07 - (I’m) Stranded by The Saints13:20 - Tomorrow by Silverchair35:07 - Streets of Your Town by The Go-Betweens41:34 - Shazam! by Spiderbait52:18 - Don’t It Get You Down by DeadstarOutro - Railhead by Crow<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8pznyf/222-aprilroundtable-australia.mp3" length="81736167" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Before this month, we had reviewed thirteen albums from Australian bands in the 90s in the first four years of the podcast, but we still did’t have a good understanding of the overall history Australian music during that time. What were their influences? What were the scenes in the different cities like? What is Big Day Out? The Saints? The Scientists? To help us unlock the mysteries, we’re joined by frequent requester and friend of the show Gavid Reid, along with Dan Buhagiar, producer and writer at Double J radio.And check out Dan’s article on the 10 Australian Bands From the ‘90s Worth Revisiting.Songs in this Episode:Intro - Drugs by Ammonia6:07 - (I’m) Stranded by The Saints13:20 - Tomorrow by Silverchair35:07 - Streets of Your Town by The Go-Betweens41:34 - Shazam! by Spiderbait52:18 - Don’t It Get You Down by DeadstarOutro - Railhead by CrowFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3389</itunes:duration>
                                    </item>
    <item>
        <title>#221: Together Alone by Crowded House</title>
        <itunes:title>#221: Together Alone by Crowded House</itunes:title>
        <link>https://digmeout.podbean.com/e/221-together-alone-by-crowded-house/</link>
                    <comments>https://digmeout.podbean.com/e/221-together-alone-by-crowded-house/#comments</comments>        <pubDate>Tue, 07 Apr 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/221-together-alone-by-crowded-house/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To kick of our month-long visit to Australia, our first <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for April is the 1993 album Together Alone by <a href='http://neilfinn.com/'>Crowded House</a>. You probably know the band from their two big singles - Don’t Dream It’s Over and Something So Strong. But the band, and by the band we mean Neil Finn, have a number or strong full length albums in their history. Is it possible that Together Alone is tops them all? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Distant Sun3:47 - History of the Band10:01 - Walking on the Spot15:10 - Black and White Boy20:31 - Nails in My Feet24:48 - Private UniverseOutro - In My Command
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">To kick of our month-long visit to Australia, our first <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for April is the 1993 album Together Alone by <a href='http://neilfinn.com/'>Crowded House</a>. You probably know the band from their two big singles - Don’t Dream It’s Over and Something So Strong. But the band, and by the band we mean Neil Finn, have a number or strong full length albums in their history. Is it possible that Together Alone is tops them all? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Distant Sun3:47 - History of the Band10:01 - Walking on the Spot15:10 - Black and White Boy20:31 - Nails in My Feet24:48 - Private UniverseOutro - In My Command<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hxu9nq/221-crowdedhouse.mp3" length="57703710" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To kick of our month-long visit to Australia, our first requested review for April is the 1993 album Together Alone by Crowded House. You probably know the band from their two big singles - Don’t Dream It’s Over and Something So Strong. But the band, and by the band we mean Neil Finn, have a number or strong full length albums in their history. Is it possible that Together Alone is tops them all? Tune in to find out.Songs in this Episode:Intro - Distant Sun3:47 - History of the Band10:01 - Walking on the Spot15:10 - Black and White Boy20:31 - Nails in My Feet24:48 - Private UniverseOutro - In My CommandFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2386</itunes:duration>
                                    </item>
    <item>
        <title>#220: Dig Me Out Goes to College - Capital University Music Tech Workshop</title>
        <itunes:title>#220: Dig Me Out Goes to College - Capital University Music Tech Workshop</itunes:title>
        <link>https://digmeout.podbean.com/e/220-dig-me-out-goes-to-college-capital-university-music-tech-workshop/</link>
                    <comments>https://digmeout.podbean.com/e/220-dig-me-out-goes-to-college-capital-university-music-tech-workshop/#comments</comments>        <pubDate>Tue, 31 Mar 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/220-dig-me-out-goes-to-college-capital-university-music-tech-workshop/</guid>
                                    <description><![CDATA[With March providing a bonus fifth Tuesday, we decided to take advantage and post a bonus episode. We were invited to speak at Capital University for the <a href='http://capital.edu/musictechworkshop/'>Music Tech Workshop</a> this past weekend, and are sharing the presentation. Ever wanted to know about the nuts and bolts of putting together a podcast? The equipment, the software, getting it on iTunes, promoting and everything else - we talk about it all.
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[With March providing a bonus fifth Tuesday, we decided to take advantage and post a bonus episode. We were invited to speak at Capital University for the <a href='http://capital.edu/musictechworkshop/'>Music Tech Workshop</a> this past weekend, and are sharing the presentation. Ever wanted to know about the nuts and bolts of putting together a podcast? The equipment, the software, getting it on iTunes, promoting and everything else - we talk about it all.<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/asc3mi/220-dmogoestocollege.mp3" length="52418620" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With March providing a bonus fifth Tuesday, we decided to take advantage and post a bonus episode. We were invited to speak at Capital University for the Music Tech Workshop this past weekend, and are sharing the presentation. Ever wanted to know about the nuts and bolts of putting together a podcast? The equipment, the software, getting it on iTunes, promoting and everything else - we talk about it all.Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2181</itunes:duration>
                                    </item>
    <item>
        <title>#219: Excerpts from a Love Circus by Lisa Germano</title>
        <itunes:title>#219: Excerpts from a Love Circus by Lisa Germano</itunes:title>
        <link>https://digmeout.podbean.com/e/219-excerpts-from-a-love-circus-by-lisa-germano/</link>
                    <comments>https://digmeout.podbean.com/e/219-excerpts-from-a-love-circus-by-lisa-germano/#comments</comments>        <pubDate>Tue, 24 Mar 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/219-excerpts-from-a-love-circus-by-lisa-germano/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week by <a href='http://www.digmeoutpodcast.com/requestareview'>request</a> we're checking out the 1996 album Excerpts from a Love Circus by <a href='http://www.lisagermano.com/'>Lisa Germano</a>. Working in a space filled with stark and occasionally dissonant sounds, the relaxed vocals combine darkness and humor in a way that caught us both off guard. While you won’t want to put this on your workout mix, we had a lot of fun (? I guess) discovering the world Lisa Germano inhabits on Excerpts.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Lovesick3:36 - History of the Band12:41 - A Beautiful Schizophrenic /“Where's Miamo-Tutti” by Dorothy18:38 - Victoria's Secret/”Just a Bad Dream” by Miamo-Tutti21:59 - LovesickOutro - Bruises
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week by <a href='http://www.digmeoutpodcast.com/requestareview'>request</a> we're checking out the 1996 album Excerpts from a Love Circus by <a href='http://www.lisagermano.com/'>Lisa Germano</a>. Working in a space filled with stark and occasionally dissonant sounds, the relaxed vocals combine darkness and humor in a way that caught us both off guard. While you won’t want to put this on your workout mix, we had a lot of fun (? I guess) discovering the world Lisa Germano inhabits on Excerpts.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Lovesick3:36 - History of the Band12:41 - A Beautiful Schizophrenic /“Where's Miamo-Tutti” by Dorothy18:38 - Victoria's Secret/”Just a Bad Dream” by Miamo-Tutti21:59 - LovesickOutro - Bruises<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ew784f/219_ExcerptsfromaLoveCircusbyLisaGermano.mp3" length="48067660" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week by request we're checking out the 1996 album Excerpts from a Love Circus by Lisa Germano. Working in a space filled with stark and occasionally dissonant sounds, the relaxed vocals combine darkness and humor in a way that caught us both off guard. While you won’t want to put this on your workout mix, we had a lot of fun (? I guess) discovering the world Lisa Germano inhabits on Excerpts.Songs in this Episode:Intro - Lovesick3:36 - History of the Band12:41 - A Beautiful Schizophrenic /“Where's Miamo-Tutti” by Dorothy18:38 - Victoria's Secret/”Just a Bad Dream” by Miamo-Tutti21:59 - LovesickOutro - BruisesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2000</itunes:duration>
                                    </item>
    <item>
        <title>#218: Absolute Zero by Null</title>
        <itunes:title>#218: Absolute Zero by Null</itunes:title>
        <link>https://digmeout.podbean.com/e/218-absolute-zero-by-null/</link>
                    <comments>https://digmeout.podbean.com/e/218-absolute-zero-by-null/#comments</comments>        <pubDate>Tue, 17 Mar 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/218-absolute-zero-by-null/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> this week is unique - an album released exclusively with a comic book - we check out <a href='http://www.allmusic.com/artist/null-mn0000887291'>Absolute Zero by Null</a>, packaged in December 1994 with the comic book <a href='http://comicspriceguide.com/p-indiv.aspx?m5DH%2Bd6Km34tb6dcY9WGtg0kEL7uhEJjEnepdHPEeeg%3D'>Blank: The Encephalon Void #1</a>. Since there is a good chance you haven’t heard this, we decided to go track-by-track through this album, which varied in styles and sounds from Ministry and Nine Inch Nails to Helmet and Queensryche, and lead us into a discussion about the current state and future of comic books in the digital format.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Severance3:27 - History of the Band8:29 - Terminal15:28 - Numb20:50 - Skarred24:51 - Driven31:27 - Critical MassOutro - Rain
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> this week is unique - an album released exclusively with a comic book - we check out <a href='http://www.allmusic.com/artist/null-mn0000887291'>Absolute Zero by Null</a>, packaged in December 1994 with the comic book <a href='http://comicspriceguide.com/p-indiv.aspx?m5DH%2Bd6Km34tb6dcY9WGtg0kEL7uhEJjEnepdHPEeeg%3D'>Blank: The Encephalon Void #1</a>. Since there is a good chance you haven’t heard this, we decided to go track-by-track through this album, which varied in styles and sounds from Ministry and Nine Inch Nails to Helmet and Queensryche, and lead us into a discussion about the current state and future of comic books in the digital format.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - Severance3:27 - History of the Band8:29 - Terminal15:28 - Numb20:50 - Skarred24:51 - Driven31:27 - Critical MassOutro - Rain<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g742h8/218-null.mp3" length="57044789" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our requested review this week is unique - an album released exclusively with a comic book - we check out Absolute Zero by Null, packaged in December 1994 with the comic book Blank: The Encephalon Void #1. Since there is a good chance you haven’t heard this, we decided to go track-by-track through this album, which varied in styles and sounds from Ministry and Nine Inch Nails to Helmet and Queensryche, and lead us into a discussion about the current state and future of comic books in the digital format.Songs in this Episode:Intro - Severance3:27 - History of the Band8:29 - Terminal15:28 - Numb20:50 - Skarred24:51 - Driven31:27 - Critical MassOutro - RainFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2359</itunes:duration>
                                    </item>
    <item>
        <title>#217: Bands Reuniting Round Table Discussion</title>
        <itunes:title>#217: Bands Reuniting Round Table Discussion</itunes:title>
        <link>https://digmeout.podbean.com/e/217-bands-reuniting-round-table-discussion/</link>
                    <comments>https://digmeout.podbean.com/e/217-bands-reuniting-round-table-discussion/#comments</comments>        <pubDate>Tue, 10 Mar 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/217-bands-reuniting-round-table-discussion/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">For our March Round Table Discussion, we're joined by Chip Midnight of <a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>, Tom Mullen of the <a href='http://www.washedupemo.com/'>Washed Up Emo</a>, and <a href='http://en.wikipedia.org/wiki/Louise_Post'>Louise Post</a> of <a href='http://verucasalt.com/'>Veruca Salt</a> to talk about bands reuniting. Louis fills us on how how the band got back together, how the new songs for their Record Store Day seven inch came to be, and plans for a full length album in 2015. We also discuss the break-up of the band and how families and maturity change band dynamics. in addition, we go round the table and discuss whether or not it's necessary for new bands to even put out new material, or if shows are enough, and is it important to have original members back in the band. We also dig into bands if some bands appear to be more interested in the festival paycheck than reuniting for more artistic reasons, what bands reunited that none of us expected, which reunions exceeded expectations and which were let downs, and what bands do we really, really wish would reunite, but probably won't. It's a big show you don't want to miss.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - It's Holy by Veruca Salt11:01 - The Museum of Broken Relationships by Veruca Salt18:36 - Son of Three by The Breeders21:07 - Matamoros by The Afghan Whigs42:52 - Almost Ready by Dinosaur Jr.Outro - Surface Envy by Sleater-Kinney
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">For our March Round Table Discussion, we're joined by Chip Midnight of <a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a>, Tom Mullen of the <a href='http://www.washedupemo.com/'>Washed Up Emo</a>, and <a href='http://en.wikipedia.org/wiki/Louise_Post'>Louise Post</a> of <a href='http://verucasalt.com/'>Veruca Salt</a> to talk about bands reuniting. Louis fills us on how how the band got back together, how the new songs for their Record Store Day seven inch came to be, and plans for a full length album in 2015. We also discuss the break-up of the band and how families and maturity change band dynamics. in addition, we go round the table and discuss whether or not it's necessary for new bands to even put out new material, or if shows are enough, and is it important to have original members back in the band. We also dig into bands if some bands appear to be more interested in the festival paycheck than reuniting for more artistic reasons, what bands reunited that none of us expected, which reunions exceeded expectations and which were let downs, and what bands do we really, really wish would reunite, but probably won't. It's a big show you don't want to miss.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;">Songs in this Episode:</p>
Intro - It's Holy by Veruca Salt11:01 - The Museum of Broken Relationships by Veruca Salt18:36 - Son of Three by The Breeders21:07 - Matamoros by The Afghan Whigs42:52 - Almost Ready by Dinosaur Jr.Outro - Surface Envy by Sleater-Kinney<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sch3a6/217-marchroundtable.mp3" length="90184784" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our March Round Table Discussion, we're joined by Chip Midnight of Kids Interview Bands, Tom Mullen of the Washed Up Emo, and Louise Post of Veruca Salt to talk about bands reuniting. Louis fills us on how how the band got back together, how the new songs for their Record Store Day seven inch came to be, and plans for a full length album in 2015. We also discuss the break-up of the band and how families and maturity change band dynamics. in addition, we go round the table and discuss whether or not it's necessary for new bands to even put out new material, or if shows are enough, and is it important to have original members back in the band. We also dig into bands if some bands appear to be more interested in the festival paycheck than reuniting for more artistic reasons, what bands reunited that none of us expected, which reunions exceeded expectations and which were let downs, and what bands do we really, really wish would reunite, but probably won't. It's a big show you don't want to miss.Songs in this Episode:Intro - It's Holy by Veruca Salt11:01 - The Museum of Broken Relationships by Veruca Salt18:36 - Son of Three by The Breeders21:07 - Matamoros by The Afghan Whigs42:52 - Almost Ready by Dinosaur Jr.Outro - Surface Envy by Sleater-KinneyFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3740</itunes:duration>
                                    </item>
    <item>
        <title>#216: Release by Cop Shoot Cop</title>
        <itunes:title>#216: Release by Cop Shoot Cop</itunes:title>
        <link>https://digmeout.podbean.com/e/216-release-by-cop-shoot-cop/</link>
                    <comments>https://digmeout.podbean.com/e/216-release-by-cop-shoot-cop/#comments</comments>        <pubDate>Tue, 03 Mar 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/216-release-by-cop-shoot-cop/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> is the fourth and final album by <a href='http://www.copshootcop.com/'>Cop Shoot Cop</a>, 1994's Release. Neither of us knew what to expect, and our preconceived notions based on the album cover were quickly dashed as this hard-to-categorize two-bass, drum, minimalist guitar, vocal and occasional piano, horns and harmonica band took us on a interesting ride through post-punk, industrial and straight-up rock conventions.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in the Episode:</p>
Intro - Interference2:21 - History of the Band8:20 - It Only Hurts When I Breathe12:03 - Any Day Now14:34 - Suckerpunch21:43 - LullabyOutro - Turning Inside Out
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> is the fourth and final album by <a href='http://www.copshootcop.com/'>Cop Shoot Cop</a>, 1994's Release. Neither of us knew what to expect, and our preconceived notions based on the album cover were quickly dashed as this hard-to-categorize two-bass, drum, minimalist guitar, vocal and occasional piano, horns and harmonica band took us on a interesting ride through post-punk, industrial and straight-up rock conventions.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in the Episode:</p>
Intro - Interference2:21 - History of the Band8:20 - It Only Hurts When I Breathe12:03 - Any Day Now14:34 - Suckerpunch21:43 - LullabyOutro - Turning Inside Out<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bujaxm/216-copshootcop.mp3" length="40756941" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's Requested Review is the fourth and final album by Cop Shoot Cop, 1994's Release. Neither of us knew what to expect, and our preconceived notions based on the album cover were quickly dashed as this hard-to-categorize two-bass, drum, minimalist guitar, vocal and occasional piano, horns and harmonica band took us on a interesting ride through post-punk, industrial and straight-up rock conventions.Songs in the Episode:Intro - Interference2:21 - History of the Band8:20 - It Only Hurts When I Breathe12:03 - Any Day Now14:34 - Suckerpunch21:43 - LullabyOutro - Turning Inside OutFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1680</itunes:duration>
                                    </item>
    <item>
        <title>#215: Interview with John Davis of Superdrag and The Lees of Memory</title>
        <itunes:title>#215: Interview with John Davis of Superdrag and The Lees of Memory</itunes:title>
        <link>https://digmeout.podbean.com/e/215-interview-with-john-davis-of-superdrag-and-the-lees-of-memory/</link>
                    <comments>https://digmeout.podbean.com/e/215-interview-with-john-davis-of-superdrag-and-the-lees-of-memory/#comments</comments>        <pubDate>Tue, 24 Feb 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/215-interview-with-john-davis-of-superdrag-and-the-lees-of-memory/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Joining us this week is <a href='http://en.wikipedia.org/wiki/John_Davis_(singer-songwriter)'>John Davis</a> of <a href='https://www.facebook.com/superdragofficial'>Superdrag</a> and <a href='https://www.facebook.com/TheLeesOfMemory'>The Lees of Memory</a>. We discuss how The Lees of Memory formed, writing and recording the debut Sisyphus Says released last year, and plans for touring and the second album due out later in 2015. John tells us about his musical up bringing, getting his first guitar, playing in a variety of real and imagined bands, before hooking up with the guys who would form Superdrag. From there, we discuss the pros and cons of working with a major label in the 1990s, how age can alter the perception of lyrics written over a decade ago,  the importance of publishing in keeping a band together, and we get an impromptu drum solo from a young member of the Davis clan. John also explains his decision to (temporarily) put the Superdrag name to rest and record as a solo artist, then front Epic Ditch before taking Superdrag for one last spin.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - We Are Siamese by The Lees of Memory4:36 - Deliquesce by The Lees of Memory28:26 - Pine Away by Superdrag43:51 - Bankrupt Vibration by Superdrag1:06:19 - Drag Me Closer To You by Superdrag1:16:58 - I Hear Your Voice by John Davis1:28:52 - Singular Form by Epic DitchOutro - Little Fallen Star
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Joining us this week is <a href='http://en.wikipedia.org/wiki/John_Davis_(singer-songwriter)'>John Davis</a> of <a href='https://www.facebook.com/superdragofficial'>Superdrag</a> and <a href='https://www.facebook.com/TheLeesOfMemory'>The Lees of Memory</a>. We discuss how The Lees of Memory formed, writing and recording the debut Sisyphus Says released last year, and plans for touring and the second album due out later in 2015. John tells us about his musical up bringing, getting his first guitar, playing in a variety of real and imagined bands, before hooking up with the guys who would form Superdrag. From there, we discuss the pros and cons of working with a major label in the 1990s, how age can alter the perception of lyrics written over a decade ago,  the importance of publishing in keeping a band together, and we get an impromptu drum solo from a young member of the Davis clan. John also explains his decision to (temporarily) put the Superdrag name to rest and record as a solo artist, then front Epic Ditch before taking Superdrag for one last spin.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - We Are Siamese by The Lees of Memory4:36 - Deliquesce by The Lees of Memory28:26 - Pine Away by Superdrag43:51 - Bankrupt Vibration by Superdrag1:06:19 - Drag Me Closer To You by Superdrag1:16:58 - I Hear Your Voice by John Davis1:28:52 - Singular Form by Epic DitchOutro - Little Fallen Star<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pe432d/215-johndavis.mp3" length="167834281" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is John Davis of Superdrag and The Lees of Memory. We discuss how The Lees of Memory formed, writing and recording the debut Sisyphus Says released last year, and plans for touring and the second album due out later in 2015. John tells us about his musical up bringing, getting his first guitar, playing in a variety of real and imagined bands, before hooking up with the guys who would form Superdrag. From there, we discuss the pros and cons of working with a major label in the 1990s, how age can alter the perception of lyrics written over a decade ago,  the importance of publishing in keeping a band together, and we get an impromptu drum solo from a young member of the Davis clan. John also explains his decision to (temporarily) put the Superdrag name to rest and record as a solo artist, then front Epic Ditch before taking Superdrag for one last spin.Songs in this Episode:Intro - We Are Siamese by The Lees of Memory4:36 - Deliquesce by The Lees of Memory28:26 - Pine Away by Superdrag43:51 - Bankrupt Vibration by Superdrag1:06:19 - Drag Me Closer To You by Superdrag1:16:58 - I Hear Your Voice by John Davis1:28:52 - Singular Form by Epic DitchOutro - Little Fallen StarFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6990</itunes:duration>
                                    </item>
    <item>
        <title>#214: Attack of the Grey Lantern by Mansun</title>
        <itunes:title>#214: Attack of the Grey Lantern by Mansun</itunes:title>
        <link>https://digmeout.podbean.com/e/214-attack-of-the-grey-lantern-by-mansun/</link>
                    <comments>https://digmeout.podbean.com/e/214-attack-of-the-grey-lantern-by-mansun/#comments</comments>        <pubDate>Tue, 17 Feb 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/214-attack-of-the-grey-lantern-by-mansun/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, we're able to continue our Britpop month with <a href='https://www.facebook.com/Mansun'>Mansun</a> and their debut released from 1997, Attack of the Grey Lantern. We (re)discover the perils of trying to review a record released with different versions for the US and UK on various streaming platforms, and not communicating about it before the review. Still, we managed to form some coherent thoughts about a band that draws as much from their nearby Britpop influences as American bands from decades earlier.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Take It Easy, Chicken5:07 - History of the Band10:32 - Stripper Vicar16:05 - Wide Open Space22:46 - The Chad Who Loved Me / Millennium (Robbie Williams)Outro - Taxloss
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Thanks to a <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, we're able to continue our Britpop month with <a href='https://www.facebook.com/Mansun'>Mansun</a> and their debut released from 1997, Attack of the Grey Lantern. We (re)discover the perils of trying to review a record released with different versions for the US and UK on various streaming platforms, and not communicating about it before the review. Still, we managed to form some coherent thoughts about a band that draws as much from their nearby Britpop influences as American bands from decades earlier.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Take It Easy, Chicken5:07 - History of the Band10:32 - Stripper Vicar16:05 - Wide Open Space22:46 - The Chad Who Loved Me / Millennium (Robbie Williams)Outro - Taxloss<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ur8dcx/214-mansun.mp3" length="54542678" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a Requested Review, we're able to continue our Britpop month with Mansun and their debut released from 1997, Attack of the Grey Lantern. We (re)discover the perils of trying to review a record released with different versions for the US and UK on various streaming platforms, and not communicating about it before the review. Still, we managed to form some coherent thoughts about a band that draws as much from their nearby Britpop influences as American bands from decades earlier.Songs in this Episode:Intro - Take It Easy, Chicken5:07 - History of the Band10:32 - Stripper Vicar16:05 - Wide Open Space22:46 - The Chad Who Loved Me / Millennium (Robbie Williams)Outro - TaxlossFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2255</itunes:duration>
                                    </item>
    <item>
        <title>#213: Discussion on Britpop</title>
        <itunes:title>#213: Discussion on Britpop</itunes:title>
        <link>https://digmeout.podbean.com/e/213-discussion-on-britpop/</link>
                    <comments>https://digmeout.podbean.com/e/213-discussion-on-britpop/#comments</comments>        <pubDate>Tue, 10 Feb 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/213-discussion-on-britpop/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">For our Britpop round table, we're joined by returning guests <a href='http://www.nealschmitt.com/'>Neal Schmitt</a> and <a href='http://theandyderershow.com/'>Andy Derer</a>, as well as newbie <a href='http://tankboyprime.blogspot.com/'>Jim Kopeny</a>. We talk about how we discovered Britpop and our favorite bands and albums of the era, discuss the effect of "Noelrock" and Wonderwall on the second wave of Britpop bands, and legacy Britpop left behind.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Connection by Elastica3:54 - When & Where We Discovered Britpop11:02 - Albums That Have Stood The Test of Time and Haven't11:51 - King of the Kerb by Echobelly16:36 - Are The Verve Britpop/What Makes the Britpop Sound?24:14 - A Design For Life by Manic Street Preachers30:36 - "Noelrock" and the Wonderwall Effect35:57 - One-Hit Wonders36:59 - Hey Dude by Kula Shaker43:01 - Discussion on Pulp52:49 - Legacy of Britpop/Post-BritpopOutro - Pick A Part That's New by Stereophonics
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">For our Britpop round table, we're joined by returning guests <a href='http://www.nealschmitt.com/'>Neal Schmitt</a> and <a href='http://theandyderershow.com/'>Andy Derer</a>, as well as newbie <a href='http://tankboyprime.blogspot.com/'>Jim Kopeny</a>. We talk about how we discovered Britpop and our favorite bands and albums of the era, discuss the effect of "Noelrock" and Wonderwall on the second wave of Britpop bands, and legacy Britpop left behind.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Connection by Elastica3:54 - When & Where We Discovered Britpop11:02 - Albums That Have Stood The Test of Time and Haven't11:51 - King of the Kerb by Echobelly16:36 - Are The Verve Britpop/What Makes the Britpop Sound?24:14 - A Design For Life by Manic Street Preachers30:36 - "Noelrock" and the Wonderwall Effect35:57 - One-Hit Wonders36:59 - Hey Dude by Kula Shaker43:01 - Discussion on Pulp52:49 - Legacy of Britpop/Post-BritpopOutro - Pick A Part That's New by Stereophonics<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yfh6dz/213-britpoproundtable.mp3" length="92506967" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our Britpop round table, we're joined by returning guests Neal Schmitt and Andy Derer, as well as newbie Jim Kopeny. We talk about how we discovered Britpop and our favorite bands and albums of the era, discuss the effect of "Noelrock" and Wonderwall on the second wave of Britpop bands, and legacy Britpop left behind.Songs in this Episode:Intro - Connection by Elastica3:54 - When & Where We Discovered Britpop11:02 - Albums That Have Stood The Test of Time and Haven't11:51 - King of the Kerb by Echobelly16:36 - Are The Verve Britpop/What Makes the Britpop Sound?24:14 - A Design For Life by Manic Street Preachers30:36 - "Noelrock" and the Wonderwall Effect35:57 - One-Hit Wonders36:59 - Hey Dude by Kula Shaker43:01 - Discussion on Pulp52:49 - Legacy of Britpop/Post-BritpopOutro - Pick A Part That's New by StereophonicsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3837</itunes:duration>
                                    </item>
    <item>
        <title>#212: Your Arsenal by Morrissey</title>
        <itunes:title>#212: Your Arsenal by Morrissey</itunes:title>
        <link>https://digmeout.podbean.com/e/212-your-arsenal-by-morrissey/</link>
                    <comments>https://digmeout.podbean.com/e/212-your-arsenal-by-morrissey/#comments</comments>        <pubDate>Tue, 03 Feb 2015 07:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/212-your-arsenal-by-morrissey/</guid>
                                    <description><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> kicks off our Britpop month with one of the Godfather's of the sound, <a href='https://www.facebook.com/Morrissey'>Morrissey</a>, and his 1992 album Your Arsenal. While Morrissey's partnership with Johnny Marr in The Smiths produced legendary results, his output as a solo artists hasn't been nearly as consistent or compelling. With a new band for this album, do they match the lyrical aspirations of Morrissey? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Glamorous Glue3:44 - History of the Band11:47 - You're Gonna Need Someone On Your Side15:16 - We Hate It When Our Friends Become Successful17:57 - Certain People I Know20:18 - Glamorous Glue26:42 - The National Front DiscoOutro - We'll Let You Know
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> kicks off our Britpop month with one of the Godfather's of the sound, <a href='https://www.facebook.com/Morrissey'>Morrissey</a>, and his 1992 album Your Arsenal. While Morrissey's partnership with Johnny Marr in The Smiths produced legendary results, his output as a solo artists hasn't been nearly as consistent or compelling. With a new band for this album, do they match the lyrical aspirations of Morrissey? Tune in to find out.</p>
<p style="text-align:center;margin:15px 0px;padding:0px;border:0px;font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:21px;vertical-align:baseline;color:rgb(68,68,68);">Songs in this Episode:</p>
Intro - Glamorous Glue3:44 - History of the Band11:47 - You're Gonna Need Someone On Your Side15:16 - We Hate It When Our Friends Become Successful17:57 - Certain People I Know20:18 - Glamorous Glue26:42 - The National Front DiscoOutro - We'll Let You Know<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b9pqgt/212-morrissey.mp3" length="69954717" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's Requested Review kicks off our Britpop month with one of the Godfather's of the sound, Morrissey, and his 1992 album Your Arsenal. While Morrissey's partnership with Johnny Marr in The Smiths produced legendary results, his output as a solo artists hasn't been nearly as consistent or compelling. With a new band for this album, do they match the lyrical aspirations of Morrissey? Tune in to find out.Songs in this Episode:Intro - Glamorous Glue3:44 - History of the Band11:47 - You're Gonna Need Someone On Your Side15:16 - We Hate It When Our Friends Become Successful17:57 - Certain People I Know20:18 - Glamorous Glue26:42 - The National Front DiscoOutro - We'll Let You KnowFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2897</itunes:duration>
                                    </item>
    <item>
        <title>#211: Interview with Kellii Scott of Failure</title>
        <itunes:title>#211: Interview with Kellii Scott of Failure</itunes:title>
        <link>https://digmeout.podbean.com/e/211-interview-with-kellii-scott-of-failure/</link>
                    <comments>https://digmeout.podbean.com/e/211-interview-with-kellii-scott-of-failure/#comments</comments>        <pubDate>Tue, 27 Jan 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/211-interview-with-kellii-scott-of-failure/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Joining us this week is Kellii Scott of the recently reunited <a href='http://www.failureband.com/'>Failure</a>, who will release their first new (and fourth overall) album this Spring (most likely May). Kellii takes us through his drumming history, starting out listening to AC/DC and Rush records while staring at KISS Alive artwork, through his move to Los Angeles and starting out with <a href='http://www.allmusic.com/artist/liquid-jesus-mn0000292398/biography'>Liquid Jesus</a> before joining Failure. He shares the story of how he joined Failure (and almost blew it), through the making of Fantastic Planet to the demise of the band, as well as his post Failure gigs playing with <a href='http://blinkerthestar.net/'>Blinker the Star</a> and <a href='http://verucasalt.com/'>Veruca Salt</a>, as well as a drumming for <a href='http://lindaperry.com/'>Linda Perry</a>, up to the writing and recording of the as-yet-untitled album (we tried to get it out of him!) in progress. How are Failure songs written? Is Fantastic Planet a concept album? What was the catalyst for the band reuniting? Can a band with "mystique" survive in the social media world? We answer all these questions and many more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Note: the sound quality is a little bumpy for the first six or so minutes thanks to a choppy phone connection, but clears up after that.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - The Focus by Failure9:52 - The Colourful Ones by Liquid Jesus25:46 - Let It Drip (Demo) by Failure37:03 - Heliotropic by Failure56:49 - Enjoy The Silent (Depeche Mode cover) by Failure1:09:44 - Lift Me Up by Christina Aguilera1:15:17 - So Weird by Veruca SaltOutro - Come Crashing by Failure
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Joining us this week is Kellii Scott of the recently reunited <a href='http://www.failureband.com/'>Failure</a>, who will release their first new (and fourth overall) album this Spring (most likely May). Kellii takes us through his drumming history, starting out listening to AC/DC and Rush records while staring at KISS Alive artwork, through his move to Los Angeles and starting out with <a href='http://www.allmusic.com/artist/liquid-jesus-mn0000292398/biography'>Liquid Jesus</a> before joining Failure. He shares the story of how he joined Failure (and almost blew it), through the making of Fantastic Planet to the demise of the band, as well as his post Failure gigs playing with <a href='http://blinkerthestar.net/'>Blinker the Star</a> and <a href='http://verucasalt.com/'>Veruca Salt</a>, as well as a drumming for <a href='http://lindaperry.com/'>Linda Perry</a>, up to the writing and recording of the as-yet-untitled album (we tried to get it out of him!) in progress. How are Failure songs written? Is Fantastic Planet a concept album? What was the catalyst for the band reuniting? Can a band with "mystique" survive in the social media world? We answer all these questions and many more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Note: the sound quality is a little bumpy for the first six or so minutes thanks to a choppy phone connection, but clears up after that.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - The Focus by Failure9:52 - The Colourful Ones by Liquid Jesus25:46 - Let It Drip (Demo) by Failure37:03 - Heliotropic by Failure56:49 - Enjoy The Silent (Depeche Mode cover) by Failure1:09:44 - Lift Me Up by Christina Aguilera1:15:17 - So Weird by Veruca SaltOutro - Come Crashing by Failure<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nmbewr/211-kelliiscott.mp3" length="147463176" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Kellii Scott of the recently reunited Failure, who will release their first new (and fourth overall) album this Spring (most likely May). Kellii takes us through his drumming history, starting out listening to AC/DC and Rush records while staring at KISS Alive artwork, through his move to Los Angeles and starting out with Liquid Jesus before joining Failure. He shares the story of how he joined Failure (and almost blew it), through the making of Fantastic Planet to the demise of the band, as well as his post Failure gigs playing with Blinker the Star and Veruca Salt, as well as a drumming for Linda Perry, up to the writing and recording of the as-yet-untitled album (we tried to get it out of him!) in progress. How are Failure songs written? Is Fantastic Planet a concept album? What was the catalyst for the band reuniting? Can a band with "mystique" survive in the social media world? We answer all these questions and many more.Note: the sound quality is a little bumpy for the first six or so minutes thanks to a choppy phone connection, but clears up after that.Songs in this Episode:Intro - The Focus by Failure9:52 - The Colourful Ones by Liquid Jesus25:46 - Let It Drip (Demo) by Failure37:03 - Heliotropic by Failure56:49 - Enjoy The Silent (Depeche Mode cover) by Failure1:09:44 - Lift Me Up by Christina Aguilera1:15:17 - So Weird by Veruca SaltOutro - Come Crashing by FailureFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6142</itunes:duration>
                                    </item>
    <item>
        <title>#210: Blues for the Red Sun by Kyuss</title>
        <itunes:title>#210: Blues for the Red Sun by Kyuss</itunes:title>
        <link>https://digmeout.podbean.com/e/210-blues-for-the-red-sun-by-kyuss/</link>
                    <comments>https://digmeout.podbean.com/e/210-blues-for-the-red-sun-by-kyuss/#comments</comments>        <pubDate>Tue, 20 Jan 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/210-blues-for-the-red-sun-by-kyuss/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> for this week is Blues for the Red Sun by <a href='http://en.wikipedia.org/wiki/Kyuss'>Kyuss</a> from 1992. Desert rock, stoner rock, metal - whatever you call it, it's heavy, and their sound has influenced bands like Mastodon, Baroness and many more for over twenty years.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Green Machine6:54 - History of the Band20:32 - Molten Universe26:30 - Freedom Run29:13 - Writhe35:20 - Thong SongOutro - Allen's Wrench
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> for this week is Blues for the Red Sun by <a href='http://en.wikipedia.org/wiki/Kyuss'>Kyuss</a> from 1992. Desert rock, stoner rock, metal - whatever you call it, it's heavy, and their sound has influenced bands like Mastodon, Baroness and many more for over twenty years.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Green Machine6:54 - History of the Band20:32 - Molten Universe26:30 - Freedom Run29:13 - Writhe35:20 - Thong SongOutro - Allen's Wrench<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vbakdw/210-kyuss.mp3" length="65254553" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our Requested Review for this week is Blues for the Red Sun by Kyuss from 1992. Desert rock, stoner rock, metal - whatever you call it, it's heavy, and their sound has influenced bands like Mastodon, Baroness and many more for over twenty years.Songs in this Episode:Intro - Green Machine6:54 - History of the Band20:32 - Molten Universe26:30 - Freedom Run29:13 - Writhe35:20 - Thong SongOutro - Allen's WrenchFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2701</itunes:duration>
                                    </item>
    <item>
        <title>#209: Discussion on Favorite and Forgotten Albums of 1995</title>
        <itunes:title>#209: Discussion on Favorite and Forgotten Albums of 1995</itunes:title>
        <link>https://digmeout.podbean.com/e/209-discussion-on-favorite-and-forgotten-albums-of-1995/</link>
                    <comments>https://digmeout.podbean.com/e/209-discussion-on-favorite-and-forgotten-albums-of-1995/#comments</comments>        <pubDate>Tue, 13 Jan 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/209-discussion-on-favorite-and-forgotten-albums-of-1995/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19px;">This week, we tread new water with our first round table discussion. Joining us are <a href='http://www.digmeoutpodcast.com/post/48102543377/newparadebysheiladivine'>Aaron Perrino</a> of <a href='https://www.facebook.com/thesheiladivine'>The Sheila Divine</a> and Chip Midnight of <a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a> to revisit the albums of 1995. First we dive into our favorites from 1995 that still stand the test of time before heading in the other direction, albums that we used to love, but not so much anymore. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19px;">Songs in this Episode:</p>
Intro - Fig Dish - Bury Me3:33 - The Abbreviated History of 1990s Music6:45 - Favorite Albums from 199529:16 - Foo Fighters discussion31:07 - Not So Favorite Albums from 199543:10 - Neil Young discussion49:59 - White Zombie discussionOutro - Red Hot Chili Peppers - Aeroplane
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19px;">This week, we tread new water with our first round table discussion. Joining us are <a href='http://www.digmeoutpodcast.com/post/48102543377/newparadebysheiladivine'>Aaron Perrino</a> of <a href='https://www.facebook.com/thesheiladivine'>The Sheila Divine</a> and Chip Midnight of <a href='http://www.kidsinterviewbands.com/'>Kids Interview Bands</a> to revisit the albums of 1995. First we dive into our favorites from 1995 that still stand the test of time before heading in the other direction, albums that we used to love, but not so much anymore. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19px;">Songs in this Episode:</p>
Intro - Fig Dish - Bury Me3:33 - The Abbreviated History of 1990s Music6:45 - Favorite Albums from 199529:16 - Foo Fighters discussion31:07 - Not So Favorite Albums from 199543:10 - Neil Young discussion49:59 - White Zombie discussionOutro - Red Hot Chili Peppers - Aeroplane<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rtfsb5/209-january15roundtable.mp3" length="89125261" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week, we tread new water with our first round table discussion. Joining us are Aaron Perrino of The Sheila Divine and Chip Midnight of Kids Interview Bands to revisit the albums of 1995. First we dive into our favorites from 1995 that still stand the test of time before heading in the other direction, albums that we used to love, but not so much anymore. Songs in this Episode:Intro - Fig Dish - Bury Me3:33 - The Abbreviated History of 1990s Music6:45 - Favorite Albums from 199529:16 - Foo Fighters discussion31:07 - Not So Favorite Albums from 199543:10 - Neil Young discussion49:59 - White Zombie discussionOutro - Red Hot Chili Peppers - AeroplaneFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3711</itunes:duration>
                                    </item>
    <item>
        <title>#208: Hi-Fi Sci-Fi by Dramarama</title>
        <itunes:title>#208: Hi-Fi Sci-Fi by Dramarama</itunes:title>
        <link>https://digmeout.podbean.com/e/208-hi-fi-sci-fi-by-dramarama/</link>
                    <comments>https://digmeout.podbean.com/e/208-hi-fi-sci-fi-by-dramarama/#comments</comments>        <pubDate>Tue, 06 Jan 2015 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/208-hi-fi-sci-fi-by-dramarama/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Our first review of 2015 is a request to check out the 1993 album Hi-Fi Sci-Fi by <a href='https://www.facebook.com/TheDramarama'>Dramarama</a>. Best known for their mid-eighties single "Anything, Anything," Hi-Fi Sci-Fi was the last recording from the band for over a decade. The sound is more refined from their earlier recordings, and incorporates a wide range of influences into their brand of rock that borders on pop punk one minute and Stones-y ballads the next. The album didn't make much of a dent commercially in '93, does it deserve a second listen? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Shadowless Heart4:08 - Anything, Anything5:47 - History of the Band12:46 - Work for Food15:05 - Senseless Fun22:05 - Prayer29:35 - Bad SeedOutro - Right On Baby, Baby
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Our first review of 2015 is a request to check out the 1993 album Hi-Fi Sci-Fi by <a href='https://www.facebook.com/TheDramarama'>Dramarama</a>. Best known for their mid-eighties single "Anything, Anything," Hi-Fi Sci-Fi was the last recording from the band for over a decade. The sound is more refined from their earlier recordings, and incorporates a wide range of influences into their brand of rock that borders on pop punk one minute and Stones-y ballads the next. The album didn't make much of a dent commercially in '93, does it deserve a second listen? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Shadowless Heart4:08 - Anything, Anything5:47 - History of the Band12:46 - Work for Food15:05 - Senseless Fun22:05 - Prayer29:35 - Bad SeedOutro - Right On Baby, Baby<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ux974h/208-dramarama.mp3" length="58084258" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our first review of 2015 is a request to check out the 1993 album Hi-Fi Sci-Fi by Dramarama. Best known for their mid-eighties single "Anything, Anything," Hi-Fi Sci-Fi was the last recording from the band for over a decade. The sound is more refined from their earlier recordings, and incorporates a wide range of influences into their brand of rock that borders on pop punk one minute and Stones-y ballads the next. The album didn't make much of a dent commercially in '93, does it deserve a second listen? Tune in to find out.Songs in this Episode:Intro - Shadowless Heart4:08 - Anything, Anything5:47 - History of the Band12:46 - Work for Food15:05 - Senseless Fun22:05 - Prayer29:35 - Bad SeedOutro - Right On Baby, BabyFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2402</itunes:duration>
                                    </item>
    <item>
        <title>#207: Season Four in Review</title>
        <itunes:title>#207: Season Four in Review</itunes:title>
        <link>https://digmeout.podbean.com/e/207-season-four-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/207-season-four-in-review/#comments</comments>        <pubDate>Tue, 30 Dec 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/207-season-four-in-review/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week, we wrap up 2014 and our fourth season of Dig Me Out out with a list of our five favorite new tunes we discovered, as well as our favorite album of the year.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We've got big news about our bigger and better 2015 season, and at the end, we give away our second Requested Review thank you prize.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Thanks to everyone who made our fourth year great - our listeners, our guests, our donators - here's to an even better 2015!</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week, we wrap up 2014 and our fourth season of Dig Me Out out with a list of our five favorite new tunes we discovered, as well as our favorite album of the year.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We've got big news about our bigger and better 2015 season, and at the end, we give away our second Requested Review thank you prize.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Thanks to everyone who made our fourth year great - our listeners, our guests, our donators - here's to an even better 2015!</p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t5cj2u/207-season4review.mp3" length="56948264" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week, we wrap up 2014 and our fourth season of Dig Me Out out with a list of our five favorite new tunes we discovered, as well as our favorite album of the year.We've got big news about our bigger and better 2015 season, and at the end, we give away our second Requested Review thank you prize.Thanks to everyone who made our fourth year great - our listeners, our guests, our donators - here's to an even better 2015!Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2355</itunes:duration>
                                    </item>
    <item>
        <title>#206: The Sun Is Often Out by Longpigs</title>
        <itunes:title>#206: The Sun Is Often Out by Longpigs</itunes:title>
        <link>https://digmeout.podbean.com/e/206-the-sun-is-often-out-by-longpigs/</link>
                    <comments>https://digmeout.podbean.com/e/206-the-sun-is-often-out-by-longpigs/#comments</comments>        <pubDate>Tue, 23 Dec 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/206-the-sun-is-often-out-by-longpigs/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We wrap up our reviews for 2014 with a <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> of the <a href='http://en.wikipedia.org/wiki/Longpigs'>Longpigs</a>, and their 1996 debut album The Sun Is Often Out. Smack dab in the middle of Britpop hysteria, Longpigs deliver an album that finds itself somewhere between the very British Suede and Pulp, while also nodding to bigger idea bands like Radiohead and Blur, while still maintaining a unique approach thanks to the guitar work of Richard Hawley. But is that enough? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - She Said3:13 - On And On5:23 - History of the Band15:34 - Elvis19:38 - Lost Myself25:19 - Over Our Bodies29:02 - Jesus ChristOutro - Dozen Wicked Words
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We wrap up our reviews for 2014 with a <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> of the <a href='http://en.wikipedia.org/wiki/Longpigs'>Longpigs</a>, and their 1996 debut album The Sun Is Often Out. Smack dab in the middle of Britpop hysteria, Longpigs deliver an album that finds itself somewhere between the very British Suede and Pulp, while also nodding to bigger idea bands like Radiohead and Blur, while still maintaining a unique approach thanks to the guitar work of Richard Hawley. But is that enough? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - She Said3:13 - On And On5:23 - History of the Band15:34 - Elvis19:38 - Lost Myself25:19 - Over Our Bodies29:02 - Jesus ChristOutro - Dozen Wicked Words<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2jgu7c/206-longpigs.mp3" length="61134942" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We wrap up our reviews for 2014 with a Requested Review of the Longpigs, and their 1996 debut album The Sun Is Often Out. Smack dab in the middle of Britpop hysteria, Longpigs deliver an album that finds itself somewhere between the very British Suede and Pulp, while also nodding to bigger idea bands like Radiohead and Blur, while still maintaining a unique approach thanks to the guitar work of Richard Hawley. But is that enough? Tune in to find out.Songs in this Episode:Intro - She Said3:13 - On And On5:23 - History of the Band15:34 - Elvis19:38 - Lost Myself25:19 - Over Our Bodies29:02 - Jesus ChristOutro - Dozen Wicked WordsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2529</itunes:duration>
                                    </item>
    <item>
        <title>#205: Gone by Beasts of Bourbon</title>
        <itunes:title>#205: Gone by Beasts of Bourbon</itunes:title>
        <link>https://digmeout.podbean.com/e/205-gone-by-beasts-of-bourbon/</link>
                    <comments>https://digmeout.podbean.com/e/205-gone-by-beasts-of-bourbon/#comments</comments>        <pubDate>Tue, 16 Dec 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/205-gone-by-beasts-of-bourbon/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We're back with another <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, and this week we're checking out the 1997 album Gone by Sydney, Australia's <a href='http://en.wikipedia.org/wiki/Beasts_of_Bourbon'>Beasts of Bourbon</a>. With a career spanning over thirty years, BOB's output has been relatively small at only six full-length albums, but their influence, as well as the bands connected to BOB, has been felt world wide. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Saturated3:23 - History of the Band10:32 - Makem Cry14:18 - Saturated16:09 - I Suppose20:11 - Get OnOutro - So Long
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We're back with another <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, and this week we're checking out the 1997 album Gone by Sydney, Australia's <a href='http://en.wikipedia.org/wiki/Beasts_of_Bourbon'>Beasts of Bourbon</a>. With a career spanning over thirty years, BOB's output has been relatively small at only six full-length albums, but their influence, as well as the bands connected to BOB, has been felt world wide. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Saturated3:23 - History of the Band10:32 - Makem Cry14:18 - Saturated16:09 - I Suppose20:11 - Get OnOutro - So Long<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t7igu6/205-beastsofbourbon.mp3" length="49387997" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another Requested Review, and this week we're checking out the 1997 album Gone by Sydney, Australia's Beasts of Bourbon. With a career spanning over thirty years, BOB's output has been relatively small at only six full-length albums, but their influence, as well as the bands connected to BOB, has been felt world wide. Songs in this Episode:Intro - Saturated3:23 - History of the Band10:32 - Makem Cry14:18 - Saturated16:09 - I Suppose20:11 - Get OnOutro - So LongFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2055</itunes:duration>
                                    </item>
    <item>
        <title>#204: Scared Straight by New Bomb Turks</title>
        <itunes:title>#204: Scared Straight by New Bomb Turks</itunes:title>
        <link>https://digmeout.podbean.com/e/204-scared-straight-by-new-bomb-turks/</link>
                    <comments>https://digmeout.podbean.com/e/204-scared-straight-by-new-bomb-turks/#comments</comments>        <pubDate>Tue, 09 Dec 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/204-scared-straight-by-new-bomb-turks/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we take on Columbus, Ohio punk rock legends the <a href='http://newbombturks.com/'>New Bomb Turks</a>. While Green Day, The Offspring and Rancid were tacking punk rock to the mainstream, bands like the Turks forged a louder, more aggressive path along side Rock From The Crypt, influencing the sounds of The Hives and Hellacopters with their Chuck Berry and Rolling Stones riffage on overdrive. Their 1996 album Scared Straight finds the band in new territory, going beyond the vocal, guitar, bass and drum set-up. Does it work? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Hammerless Nail4:24 - History of the Band9:15 - Hammerless Nail14:31 - Professional Againster15:49 - Wrest Your Hands23:16 - Bachelor's HighOutro - Jukebox Lean
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we take on Columbus, Ohio punk rock legends the <a href='http://newbombturks.com/'>New Bomb Turks</a>. While Green Day, The Offspring and Rancid were tacking punk rock to the mainstream, bands like the Turks forged a louder, more aggressive path along side Rock From The Crypt, influencing the sounds of The Hives and Hellacopters with their Chuck Berry and Rolling Stones riffage on overdrive. Their 1996 album Scared Straight finds the band in new territory, going beyond the vocal, guitar, bass and drum set-up. Does it work? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Hammerless Nail4:24 - History of the Band9:15 - Hammerless Nail14:31 - Professional Againster15:49 - Wrest Your Hands23:16 - Bachelor's HighOutro - Jukebox Lean<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p style="margin:0px 0px 10px;"></p>
<p style="margin:0px 0px 10px;"></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m5637k/204-newbombturks.mp3" length="59202093" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we take on Columbus, Ohio punk rock legends the New Bomb Turks. While Green Day, The Offspring and Rancid were tacking punk rock to the mainstream, bands like the Turks forged a louder, more aggressive path along side Rock From The Crypt, influencing the sounds of The Hives and Hellacopters with their Chuck Berry and Rolling Stones riffage on overdrive. Their 1996 album Scared Straight finds the band in new territory, going beyond the vocal, guitar, bass and drum set-up. Does it work? Tune in to find out.Songs in this Episode:Intro - Hammerless Nail4:24 - History of the Band9:15 - Hammerless Nail14:31 - Professional Againster15:49 - Wrest Your Hands23:16 - Bachelor's HighOutro - Jukebox LeanFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2464</itunes:duration>
                                    </item>
    <item>
        <title>#203: The Lizard by Saigon Kick</title>
        <itunes:title>#203: The Lizard by Saigon Kick</itunes:title>
        <link>https://digmeout.podbean.com/e/203-the-lizard-by-saigon-kick/</link>
                    <comments>https://digmeout.podbean.com/e/203-the-lizard-by-saigon-kick/#comments</comments>        <pubDate>Tue, 02 Dec 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/203-the-lizard-by-saigon-kick/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we revisit the 1992 sophomore album The Lizard by <a href='https://www.facebook.com/saigonkickofficial'>Saigon Kick</a>. With sounds the recall a diverse group of bands such as Alice in Chains, Ozzy Osbourne, King's X and even the Beatles, The Lizard is a confusing journey the produces some very high highs and some very low lows. Is it an album worth checking out? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Hostile Youth2:58 - Love Is On The Way5:28 - History of the Band11:51 - God of 42nd Street13:26 - All I Want19:27 - Peppermint Tribe21:47 - All AlrightOutro - Freedom
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we revisit the 1992 sophomore album The Lizard by <a href='https://www.facebook.com/saigonkickofficial'>Saigon Kick</a>. With sounds the recall a diverse group of bands such as Alice in Chains, Ozzy Osbourne, King's X and even the Beatles, The Lizard is a confusing journey the produces some very high highs and some very low lows. Is it an album worth checking out? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Hostile Youth2:58 - Love Is On The Way5:28 - History of the Band11:51 - God of 42nd Street13:26 - All I Want19:27 - Peppermint Tribe21:47 - All AlrightOutro - Freedom<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dxf4s2/203-saigonkick.mp3" length="52594157" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we revisit the 1992 sophomore album The Lizard by Saigon Kick. With sounds the recall a diverse group of bands such as Alice in Chains, Ozzy Osbourne, King's X and even the Beatles, The Lizard is a confusing journey the produces some very high highs and some very low lows. Is it an album worth checking out? Tune in to find out.Songs in this Episode:Intro - Hostile Youth2:58 - Love Is On The Way5:28 - History of the Band11:51 - God of 42nd Street13:26 - All I Want19:27 - Peppermint Tribe21:47 - All AlrightOutro - FreedomFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2174</itunes:duration>
                                    </item>
    <item>
        <title>#202: Interview of Clay Tarver of Chavez</title>
        <itunes:title>#202: Interview of Clay Tarver of Chavez</itunes:title>
        <link>https://digmeout.podbean.com/e/202-interview-of-clay-tarver-of-chavez/</link>
                    <comments>https://digmeout.podbean.com/e/202-interview-of-clay-tarver-of-chavez/#comments</comments>        <pubDate>Tue, 25 Nov 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/202-interview-of-clay-tarver-of-chavez/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Joining us this week is <a href='http://en.wikipedia.org/wiki/Clay_Tarver'>Clay Tarver</a>, guitarist of <a href='http://www.matadorrecords.com/chavez'>Chavez</a>, to talk about the history of the band and their two releases for Matador Records, 1995's Gone Glimmering and 1996's Ride The Fader. We go deep into the past, present and future of the band, dig into their connection to Ohio via <a href='http://www.gbv.com/'>Guided By Voices</a> and the <a href='http://newbombturks.com/'>New Bomb Turks</a>, explore the development of the Chavez sound, how <a href='http://en.wikipedia.org/wiki/Zwan'>Zwan</a> uncovered an unknown Chavez fanbase, discuss the possibility of a new Chavez album, and much, much more. And that's not the half of it, as we revisit his time pre-Chavez in <a href='http://en.wikipedia.org/wiki/Bullet_LaVolta'>Bullet LaVolta</a>, how college roommate <a href='http://www.imdb.com/name/nm0006610/'>Donal Logue</a> lead him to <a href='http://www.imdb.com/name/nm0009190/'>J.J. Abrams</a> and a career in screenwriting, and working with <a href='http://www.imdb.com/name/nm0431918/'>Mike Judge</a> on the HBO show <a href='http://www.hbo.com/silicon-valley#/'>Silicon Valley</a>.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Break Up You Band6:54 - Cold Joys24:25 - Repeat The Ending36:58 - You Faded40:10 - Peeled Out Too Late43:53 - Break Up Your Band52:33 - The Ghost By The Sea56:48 - Flight '961:33:57 - Wakeman's AirOutro - Top Pocket Man
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Joining us this week is <a href='http://en.wikipedia.org/wiki/Clay_Tarver'>Clay Tarver</a>, guitarist of <a href='http://www.matadorrecords.com/chavez'>Chavez</a>, to talk about the history of the band and their two releases for Matador Records, 1995's Gone Glimmering and 1996's Ride The Fader. We go deep into the past, present and future of the band, dig into their connection to Ohio via <a href='http://www.gbv.com/'>Guided By Voices</a> and the <a href='http://newbombturks.com/'>New Bomb Turks</a>, explore the development of the Chavez sound, how <a href='http://en.wikipedia.org/wiki/Zwan'>Zwan</a> uncovered an unknown Chavez fanbase, discuss the possibility of a new Chavez album, and much, much more. And that's not the half of it, as we revisit his time pre-Chavez in <a href='http://en.wikipedia.org/wiki/Bullet_LaVolta'>Bullet LaVolta</a>, how college roommate <a href='http://www.imdb.com/name/nm0006610/'>Donal Logue</a> lead him to <a href='http://www.imdb.com/name/nm0009190/'>J.J. Abrams</a> and a career in screenwriting, and working with <a href='http://www.imdb.com/name/nm0431918/'>Mike Judge</a> on the HBO show <a href='http://www.hbo.com/silicon-valley#/'>Silicon Valley</a>.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Break Up You Band6:54 - Cold Joys24:25 - Repeat The Ending36:58 - You Faded40:10 - Peeled Out Too Late43:53 - Break Up Your Band52:33 - The Ghost By The Sea56:48 - Flight '961:33:57 - Wakeman's AirOutro - Top Pocket Man<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8m2s5p/201-claytarver.mp3" length="147256270" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining us this week is Clay Tarver, guitarist of Chavez, to talk about the history of the band and their two releases for Matador Records, 1995's Gone Glimmering and 1996's Ride The Fader. We go deep into the past, present and future of the band, dig into their connection to Ohio via Guided By Voices and the New Bomb Turks, explore the development of the Chavez sound, how Zwan uncovered an unknown Chavez fanbase, discuss the possibility of a new Chavez album, and much, much more. And that's not the half of it, as we revisit his time pre-Chavez in Bullet LaVolta, how college roommate Donal Logue lead him to J.J. Abrams and a career in screenwriting, and working with Mike Judge on the HBO show Silicon Valley.Songs in this Episode:Intro - Break Up You Band6:54 - Cold Joys24:25 - Repeat The Ending36:58 - You Faded40:10 - Peeled Out Too Late43:53 - Break Up Your Band52:33 - The Ghost By The Sea56:48 - Flight '961:33:57 - Wakeman's AirOutro - Top Pocket ManFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6118</itunes:duration>
                                    </item>
    <item>
        <title>#201: Interview with Bill Janovitz of Buffalo Tom</title>
        <itunes:title>#201: Interview with Bill Janovitz of Buffalo Tom</itunes:title>
        <link>https://digmeout.podbean.com/e/201-interview-with-bill-janovitz-of-buffalo-tom/</link>
                    <comments>https://digmeout.podbean.com/e/201-interview-with-bill-janovitz-of-buffalo-tom/#comments</comments>        <pubDate>Tue, 18 Nov 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/201-interview-with-bill-janovitz-of-buffalo-tom/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week <a href='http://www.billjanovitz.com/'>Bill Janovitz</a> of <a href='http://www.buffalotom.com/'>Buffalo Tom</a> joins us for an in-depth discuss about their 1993 album Big Red Letter Day. We cover a wide range of topics that include: writing, recording and touring the album, what happens when special visitors like Gene Simmons and David Lynch stop by your recording sessions with the legendary <a href='http://en.wikipedia.org/wiki/The_Robbs'>Robb Brothers</a>, incorporating influences from bands like The Who and Rolling Stones, making videos, guitar rig set-ups, the band history, how My So-Called Life changed fan demographics, and much much more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Tree House29:29 - Tree House34:19 - Suppose45:52 - I'm Allowed1:06:35 - Would Not Be Denied1:12:05 - Late At NightOutro - Sodajerk
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week <a href='http://www.billjanovitz.com/'>Bill Janovitz</a> of <a href='http://www.buffalotom.com/'>Buffalo Tom</a> joins us for an in-depth discuss about their 1993 album Big Red Letter Day. We cover a wide range of topics that include: writing, recording and touring the album, what happens when special visitors like Gene Simmons and David Lynch stop by your recording sessions with the legendary <a href='http://en.wikipedia.org/wiki/The_Robbs'>Robb Brothers</a>, incorporating influences from bands like The Who and Rolling Stones, making videos, guitar rig set-ups, the band history, how My So-Called Life changed fan demographics, and much much more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Tree House29:29 - Tree House34:19 - Suppose45:52 - I'm Allowed1:06:35 - Would Not Be Denied1:12:05 - Late At NightOutro - Sodajerk<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5kgjeu/201-buffalotom.mp3" length="143590574" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week Bill Janovitz of Buffalo Tom joins us for an in-depth discuss about their 1993 album Big Red Letter Day. We cover a wide range of topics that include: writing, recording and touring the album, what happens when special visitors like Gene Simmons and David Lynch stop by your recording sessions with the legendary Robb Brothers, incorporating influences from bands like The Who and Rolling Stones, making videos, guitar rig set-ups, the band history, how My So-Called Life changed fan demographics, and much much more.Songs in this Episode:Intro - Tree House29:29 - Tree House34:19 - Suppose45:52 - I'm Allowed1:06:35 - Would Not Be Denied1:12:05 - Late At NightOutro - SodajerkFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5965</itunes:duration>
                                    </item>
    <item>
        <title>#200: Use Your Illusion I &amp;amp; 2 by Guns n' Roses</title>
        <itunes:title>#200: Use Your Illusion I &amp;amp; 2 by Guns n' Roses</itunes:title>
        <link>https://digmeout.podbean.com/e/200-use-your-illusion-i-2-by-guns-n-roses/</link>
                    <comments>https://digmeout.podbean.com/e/200-use-your-illusion-i-2-by-guns-n-roses/#comments</comments>        <pubDate>Tue, 11 Nov 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/200-use-your-illusion-i-2-by-guns-n-roses/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Big numbers call for big celebrations, and with Dig Me Out hitting episode #200, we thought it was time to tackle a big record. Nevermind? Ten? Badmotorfinger? Siamese Dream? To predicable! Like <a href='http://www.gunsnroses.com/'>Guns n' Roses</a>, we decided to go the biggest of the big and tackle the ambitious double album of the decade Billy Corgan wasn't a part of, the one-two punch of 1991's Use Your Illusion 1 & 2. To help us tackle this behemoth, <a href='http://www.kidsinterviewbands.com/'>Chip Midnight</a> stops by to help us breakdown these 30(!) songs.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - You Could Be Mine19:06 - Live and Let Die29:45 - Perfect Crime39:49 - Dust N' Bones1:02:14 - Civil WarOutro - Don't Cry
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Big numbers call for big celebrations, and with Dig Me Out hitting episode #200, we thought it was time to tackle a big record. Nevermind? Ten? Badmotorfinger? Siamese Dream? To predicable! Like <a href='http://www.gunsnroses.com/'>Guns n' Roses</a>, we decided to go the biggest of the big and tackle the ambitious double album of the decade Billy Corgan wasn't a part of, the one-two punch of 1991's Use Your Illusion 1 & 2. To help us tackle this behemoth, <a href='http://www.kidsinterviewbands.com/'>Chip Midnight</a> stops by to help us breakdown these 30(!) songs.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - You Could Be Mine19:06 - Live and Let Die29:45 - Perfect Crime39:49 - Dust N' Bones1:02:14 - Civil WarOutro - Don't Cry<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2bntu5/200-gnr.mp3" length="111296308" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Big numbers call for big celebrations, and with Dig Me Out hitting episode #200, we thought it was time to tackle a big record. Nevermind? Ten? Badmotorfinger? Siamese Dream? To predicable! Like Guns n' Roses, we decided to go the biggest of the big and tackle the ambitious double album of the decade Billy Corgan wasn't a part of, the one-two punch of 1991's Use Your Illusion 1 & 2. To help us tackle this behemoth, Chip Midnight stops by to help us breakdown these 30(!) songs.Songs in this Episode:Intro - You Could Be Mine19:06 - Live and Let Die29:45 - Perfect Crime39:49 - Dust N' Bones1:02:14 - Civil WarOutro - Don't CryFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4635</itunes:duration>
                                    </item>
    <item>
        <title>#199: American Grafishy by Flipper</title>
        <itunes:title>#199: American Grafishy by Flipper</itunes:title>
        <link>https://digmeout.podbean.com/e/199-american-grafishy-by-flipper/</link>
                    <comments>https://digmeout.podbean.com/e/199-american-grafishy-by-flipper/#comments</comments>        <pubDate>Tue, 04 Nov 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/199-american-grafishy-by-flipper/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">#199: American Grafishy by Flipper</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we take on the only 90s release by the legendary band <a href='http://www.flipperrules.com/'>Flipper</a>, their 1993 album American Grafishy. The anti-punk punk band, who traded high speed riffing for Sabbath-induced sludge, show why they encountered as much adoration as scorn with their five plus minute long dirges. Was it worth the nine year wait between albums? Tune in to find out. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Telephone3:57 - History of the Band12:34 - Flipper Twist18:34 - We're Not Crazy25:07 - SomedayOutro - Exist of Else
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">#199: American Grafishy by Flipper</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we take on the only 90s release by the legendary band <a href='http://www.flipperrules.com/'>Flipper</a>, their 1993 album American Grafishy. The anti-punk punk band, who traded high speed riffing for Sabbath-induced sludge, show why they encountered as much adoration as scorn with their five plus minute long dirges. Was it worth the nine year wait between albums? Tune in to find out. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Telephone3:57 - History of the Band12:34 - Flipper Twist18:34 - We're Not Crazy25:07 - SomedayOutro - Exist of Else<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/93gak7/199-flipper.mp3" length="48551025" type="audio/mpeg"/>
        <itunes:summary><![CDATA[#199: American Grafishy by FlipperThis week we take on the only 90s release by the legendary band Flipper, their 1993 album American Grafishy. The anti-punk punk band, who traded high speed riffing for Sabbath-induced sludge, show why they encountered as much adoration as scorn with their five plus minute long dirges. Was it worth the nine year wait between albums? Tune in to find out. Songs in this Episode:Intro - Telephone3:57 - History of the Band12:34 - Flipper Twist18:34 - We're Not Crazy25:07 - SomedayOutro - Exist of ElseFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2020</itunes:duration>
                                    </item>
    <item>
        <title>#198: Short Forth Self Living by Medicine</title>
        <itunes:title>#198: Short Forth Self Living by Medicine</itunes:title>
        <link>https://digmeout.podbean.com/e/198-short-forth-self-living-by-medicine/</link>
                    <comments>https://digmeout.podbean.com/e/198-short-forth-self-living-by-medicine/#comments</comments>        <pubDate>Tue, 28 Oct 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/198-short-forth-self-living-by-medicine/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we revisit the 1992 debut album Shot Forth Self Living by <a href='https://www.facebook.com/pages/Medicine-Band/148976065123004'>Medicine</a>. Combining waves of distortion and breathy vocals, Medicine has been called the American My Bloody Valentine. Are they worthy of comparison to such a legendary band? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Miss Drugstore3:19 - History of the Band10:33 - Defective15:25 - A Short Happy Life20:36 - Sweet ExplosionOutro - Aruca
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we revisit the 1992 debut album Shot Forth Self Living by <a href='https://www.facebook.com/pages/Medicine-Band/148976065123004'>Medicine</a>. Combining waves of distortion and breathy vocals, Medicine has been called the American My Bloody Valentine. Are they worthy of comparison to such a legendary band? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Miss Drugstore3:19 - History of the Band10:33 - Defective15:25 - A Short Happy Life20:36 - Sweet ExplosionOutro - Aruca<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hyr5pb/198-medicine.mp3" length="50470086" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we revisit the 1992 debut album Shot Forth Self Living by Medicine. Combining waves of distortion and breathy vocals, Medicine has been called the American My Bloody Valentine. Are they worthy of comparison to such a legendary band? Tune in to find out.Songs in this Episode:Intro - Miss Drugstore3:19 - History of the Band10:33 - Defective15:25 - A Short Happy Life20:36 - Sweet ExplosionOutro - ArucaFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2085</itunes:duration>
                                    </item>
    <item>
        <title>#197: Psychic Hearts by Thurston Moore</title>
        <itunes:title>#197: Psychic Hearts by Thurston Moore</itunes:title>
        <link>https://digmeout.podbean.com/e/197-psychic-hearts-by-thurston-moore/</link>
                    <comments>https://digmeout.podbean.com/e/197-psychic-hearts-by-thurston-moore/#comments</comments>        <pubDate>Tue, 21 Oct 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/197-psychic-hearts-by-thurston-moore/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we're revisiting the 1995 debut solo release Psychic Hearts by former Sonic Youth frontman/guitarist <a href='http://en.wikipedia.org/wiki/Thurston_Moore'>Thurston Moore</a>. With a new solo album just released, it's the perfect time to check out Moore's first solo outing, with the inevitable comparisons to his (then) full-time gig in Sonic Youth. Shorter, stripped down and condensed songs dominate the album, but is the lack of experimentation a blessing or a curse? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Psychic Hearts5:22 - History of the Band15:37 - Patti Smith Math Scratch19:17 - Ono Soul21:40 - Tranquilizers25:53 - Queen Bee and Her Pals29:48 - Staring Statues32:01 - Cindy (Rotten Tanx)49:45 - Pretty Bad
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">This week we're revisiting the 1995 debut solo release Psychic Hearts by former Sonic Youth frontman/guitarist <a href='http://en.wikipedia.org/wiki/Thurston_Moore'>Thurston Moore</a>. With a new solo album just released, it's the perfect time to check out Moore's first solo outing, with the inevitable comparisons to his (then) full-time gig in Sonic Youth. Shorter, stripped down and condensed songs dominate the album, but is the lack of experimentation a blessing or a curse? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Psychic Hearts5:22 - History of the Band15:37 - Patti Smith Math Scratch19:17 - Ono Soul21:40 - Tranquilizers25:53 - Queen Bee and Her Pals29:48 - Staring Statues32:01 - Cindy (Rotten Tanx)49:45 - Pretty Bad<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cw4zhi/197-thurstonmoore.mp3" length="73127659" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we're revisiting the 1995 debut solo release Psychic Hearts by former Sonic Youth frontman/guitarist Thurston Moore. With a new solo album just released, it's the perfect time to check out Moore's first solo outing, with the inevitable comparisons to his (then) full-time gig in Sonic Youth. Shorter, stripped down and condensed songs dominate the album, but is the lack of experimentation a blessing or a curse? Tune in to find out.Songs in this Episode:Intro - Psychic Hearts5:22 - History of the Band15:37 - Patti Smith Math Scratch19:17 - Ono Soul21:40 - Tranquilizers25:53 - Queen Bee and Her Pals29:48 - Staring Statues32:01 - Cindy (Rotten Tanx)49:45 - Pretty BadFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3029</itunes:duration>
                                    </item>
    <item>
        <title>#196: Stoner Witch by The Melvins</title>
        <itunes:title>#196: Stoner Witch by The Melvins</itunes:title>
        <link>https://digmeout.podbean.com/e/196-stoner-witch-by-the-melvins/</link>
                    <comments>https://digmeout.podbean.com/e/196-stoner-witch-by-the-melvins/#comments</comments>        <pubDate>Tue, 14 Oct 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/196-stoner-witch-by-the-melvins/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.6000003814697px;"><a href='http://www.themelvins.net/'>The Melvins</a> have a new album out, so it's the perfect time to revisit their 1994 release Stoner Witch. With their combination of metal, psyche and punk, Melvins have carved out a loyal fan base of their brand of "sludge metal." Stoner Witch is the second of their three albums on a major label, but the that doesn't make them any less metal, psyche or punk, as the band turns in some of the most exciting music in their history.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Queen6:59 - History of the Band9:25 - Sweet Willy Rollbar15:55 - Roadbull20:30 - Revolve24:06 - Goose Freight TrainOutro - At The Stake
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.6000003814697px;"><a href='http://www.themelvins.net/'>The Melvins</a> have a new album out, so it's the perfect time to revisit their 1994 release Stoner Witch. With their combination of metal, psyche and punk, Melvins have carved out a loyal fan base of their brand of "sludge metal." Stoner Witch is the second of their three albums on a major label, but the that doesn't make them any less metal, psyche or punk, as the band turns in some of the most exciting music in their history.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Queen6:59 - History of the Band9:25 - Sweet Willy Rollbar15:55 - Roadbull20:30 - Revolve24:06 - Goose Freight TrainOutro - At The Stake<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/av3cj4/196-melvins.mp3" length="60145019" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Melvins have a new album out, so it's the perfect time to revisit their 1994 release Stoner Witch. With their combination of metal, psyche and punk, Melvins have carved out a loyal fan base of their brand of "sludge metal." Stoner Witch is the second of their three albums on a major label, but the that doesn't make them any less metal, psyche or punk, as the band turns in some of the most exciting music in their history.Songs in this Episode:Intro - Queen6:59 - History of the Band9:25 - Sweet Willy Rollbar15:55 - Roadbull20:30 - Revolve24:06 - Goose Freight TrainOutro - At The StakeFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2503</itunes:duration>
                                    </item>
    <item>
        <title>#195: Twisted Tenderness by Electronic</title>
        <itunes:title>#195: Twisted Tenderness by Electronic</itunes:title>
        <link>https://digmeout.podbean.com/e/195-twisted-tenderness-by-electronic/</link>
                    <comments>https://digmeout.podbean.com/e/195-twisted-tenderness-by-electronic/#comments</comments>        <pubDate>Tue, 07 Oct 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/195-twisted-tenderness-by-electronic/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">With a new solo album released by Johnny Marr, we decided to check out his post-Smiths band <a href='http://en.wikipedia.org/wiki/Electronic_(band)'>Electronic</a> along with Bernard Sumner of New Order and their third album from 1999, Twisted Tenderness. Steeped in the dance electronic music of the 1990s, Sumner and Marr each bring their respective sounds to the band. While this frees Sumner to explore more pop melodies, Marr can occasionally get lost in the layers of loops and synths. Is Electronic a successful collaboration? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - Make It Happen</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">8:06 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">14:14 - Like No Other</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">16:33 - Twisted Tenderness</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">22:24 - Can't Find My Way Home</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">26:23 - Haze</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">28:49 - Vivid</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - Prodigal Son</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">With a new solo album released by Johnny Marr, we decided to check out his post-Smiths band <a href='http://en.wikipedia.org/wiki/Electronic_(band)'>Electronic</a> along with Bernard Sumner of New Order and their third album from 1999, Twisted Tenderness. Steeped in the dance electronic music of the 1990s, Sumner and Marr each bring their respective sounds to the band. While this frees Sumner to explore more pop melodies, Marr can occasionally get lost in the layers of loops and synths. Is Electronic a successful collaboration? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - Make It Happen</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">8:06 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">14:14 - Like No Other</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">16:33 - Twisted Tenderness</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">22:24 - Can't Find My Way Home</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">26:23 - Haze</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">28:49 - Vivid</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - Prodigal Son</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.6000003814697px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xd3vm6/195-electronic.mp3" length="64937342" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new solo album released by Johnny Marr, we decided to check out his post-Smiths band Electronic along with Bernard Sumner of New Order and their third album from 1999, Twisted Tenderness. Steeped in the dance electronic music of the 1990s, Sumner and Marr each bring their respective sounds to the band. While this frees Sumner to explore more pop melodies, Marr can occasionally get lost in the layers of loops and synths. Is Electronic a successful collaboration? Tune in to find out.Songs in this Episode:Intro - Make It Happen8:06 - History of the Band14:14 - Like No Other16:33 - Twisted Tenderness22:24 - Can't Find My Way Home26:23 - Haze28:49 - VividOutro - Prodigal SonFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2688</itunes:duration>
                                    </item>
    <item>
        <title>#194: Hymns by Corey Glover</title>
        <itunes:title>#194: Hymns by Corey Glover</itunes:title>
        <link>https://digmeout.podbean.com/e/194-hymns-by-corey-glover/</link>
                    <comments>https://digmeout.podbean.com/e/194-hymns-by-corey-glover/#comments</comments>        <pubDate>Tue, 30 Sep 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/194-hymns-by-corey-glover/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">With a new <a href='http://livingcolour.com/'>Living Colour</a> on the horizon, you figure now would be a good time to revisit a 90s Living Colour release. But we take a detour, and dig deep for the debut solo release by Living Colour frontman <a href='https://www.facebook.com/coreyglovermusic'>Corey Glover</a>, and his 1998 album Hymns. Steeped in r&b and soul, this record finds Glover exploring Steve Wonder, Al Green and Sly Stone territory, while injecting it with some rock 'n roll swagger. Carving out original sounds while paying homage to those legendary artists, the record wobbles between original and familiar. Does it work as a whole? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Do You First Then Do Myself5:34 - History of the Band10:32 - Things Are Getting In The Way13:34 - Sermon18:55 - Silence24:16 - Lowball Express29:10 - Little GirlOutro - One
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">With a new <a href='http://livingcolour.com/'>Living Colour</a> on the horizon, you figure now would be a good time to revisit a 90s Living Colour release. But we take a detour, and dig deep for the debut solo release by Living Colour frontman <a href='https://www.facebook.com/coreyglovermusic'>Corey Glover</a>, and his 1998 album Hymns. Steeped in r&b and soul, this record finds Glover exploring Steve Wonder, Al Green and Sly Stone territory, while injecting it with some rock 'n roll swagger. Carving out original sounds while paying homage to those legendary artists, the record wobbles between original and familiar. Does it work as a whole? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Do You First Then Do Myself5:34 - History of the Band10:32 - Things Are Getting In The Way13:34 - Sermon18:55 - Silence24:16 - Lowball Express29:10 - Little GirlOutro - One<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f4mnv8/194-coreyglover.mp3" length="64998156" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new Living Colour on the horizon, you figure now would be a good time to revisit a 90s Living Colour release. But we take a detour, and dig deep for the debut solo release by Living Colour frontman Corey Glover, and his 1998 album Hymns. Steeped in r&b and soul, this record finds Glover exploring Steve Wonder, Al Green and Sly Stone territory, while injecting it with some rock 'n roll swagger. Carving out original sounds while paying homage to those legendary artists, the record wobbles between original and familiar. Does it work as a whole? Tune in to find out.Songs in this Episode:Intro - Do You First Then Do Myself5:34 - History of the Band10:32 - Things Are Getting In The Way13:34 - Sermon18:55 - Silence24:16 - Lowball Express29:10 - Little GirlOutro - OneFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2690</itunes:duration>
                                    </item>
    <item>
        <title>#193: At Action Park by Shellac</title>
        <itunes:title>#193: At Action Park by Shellac</itunes:title>
        <link>https://digmeout.podbean.com/e/193-at-action-park-by-shellac/</link>
                    <comments>https://digmeout.podbean.com/e/193-at-action-park-by-shellac/#comments</comments>        <pubDate>Tue, 23 Sep 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/193-at-action-park-by-shellac/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;"><a href='http://en.wikipedia.org/wiki/Shellac_(band)'>Shellac</a> have a new record out, so we're revisiting their debut release from 1994, At Action Park. Abrasive and metallic, Shellac are the post-punk grinding underbelly of the 90s alternative explosion thanks to producer/guitarist/singer Steve Albini. We dissect the record, and then chat about the recent U2 release through iTunes.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - My Black Ass4:19 - History of the Band10:30 - My Black Ass19:31 - Song of the Minerals21:48 - A Minute24:00 - Dog and Pony Show27:21 - Pull the CupOutro - The Idea of North
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;"><a href='http://en.wikipedia.org/wiki/Shellac_(band)'>Shellac</a> have a new record out, so we're revisiting their debut release from 1994, At Action Park. Abrasive and metallic, Shellac are the post-punk grinding underbelly of the 90s alternative explosion thanks to producer/guitarist/singer Steve Albini. We dissect the record, and then chat about the recent U2 release through iTunes.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - My Black Ass4:19 - History of the Band10:30 - My Black Ass19:31 - Song of the Minerals21:48 - A Minute24:00 - Dog and Pony Show27:21 - Pull the CupOutro - The Idea of North<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tsgym6/193-shellac.mp3" length="69895156" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Shellac have a new record out, so we're revisiting their debut release from 1994, At Action Park. Abrasive and metallic, Shellac are the post-punk grinding underbelly of the 90s alternative explosion thanks to producer/guitarist/singer Steve Albini. We dissect the record, and then chat about the recent U2 release through iTunes.Songs in this Episode:Intro - My Black Ass4:19 - History of the Band10:30 - My Black Ass19:31 - Song of the Minerals21:48 - A Minute24:00 - Dog and Pony Show27:21 - Pull the CupOutro - The Idea of NorthFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2894</itunes:duration>
                                    </item>
    <item>
        <title>#192: Ruby Vroom by Soul Coughing</title>
        <itunes:title>#192: Ruby Vroom by Soul Coughing</itunes:title>
        <link>https://digmeout.podbean.com/e/192-ruby-vroom-by-soul-coughing/</link>
                    <comments>https://digmeout.podbean.com/e/192-ruby-vroom-by-soul-coughing/#comments</comments>        <pubDate>Tue, 16 Sep 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/192-ruby-vroom-by-soul-coughing/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Ex-<a href='http://scug.net/'>Soul Coughing</a> frontman <a href='http://www.mikedoughty.com/'>Mike Doughty</a> has a new solo record out, so we decided to revisit his former band's first release, 1994's Ruby Vroom. One of us rated this a worthy album, and one of gave it a decent single, so it's fair to say we don't see eye to eye on this album.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Bus to Beelzebub4:22 - History of the Band15:20 - Casiotone Nation19:34 - True Dreams of Wichita23:42 - Is Chicago, Is Not Chicago/I Wish31:03 - City of MotorsOutro - Screenwriter's Blues
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Ex-<a href='http://scug.net/'>Soul Coughing</a> frontman <a href='http://www.mikedoughty.com/'>Mike Doughty</a> has a new solo record out, so we decided to revisit his former band's first release, 1994's Ruby Vroom. One of us rated this a worthy album, and one of gave it a decent single, so it's fair to say we don't see eye to eye on this album.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Bus to Beelzebub4:22 - History of the Band15:20 - Casiotone Nation19:34 - True Dreams of Wichita23:42 - Is Chicago, Is Not Chicago/I Wish31:03 - City of MotorsOutro - Screenwriter's Blues<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p2z7qg/192-soulcoughing.mp3" length="67491478" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ex-Soul Coughing frontman Mike Doughty has a new solo record out, so we decided to revisit his former band's first release, 1994's Ruby Vroom. One of us rated this a worthy album, and one of gave it a decent single, so it's fair to say we don't see eye to eye on this album.Songs in this Episode:Intro - Bus to Beelzebub4:22 - History of the Band15:20 - Casiotone Nation19:34 - True Dreams of Wichita23:42 - Is Chicago, Is Not Chicago/I Wish31:03 - City of MotorsOutro - Screenwriter's BluesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2809</itunes:duration>
                                    </item>
    <item>
        <title>#191: Faithless Street by Whiskeytown</title>
        <itunes:title>#191: Faithless Street by Whiskeytown</itunes:title>
        <link>https://digmeout.podbean.com/e/191-faithless-street-by-whiskeytown/</link>
                    <comments>https://digmeout.podbean.com/e/191-faithless-street-by-whiskeytown/#comments</comments>        <pubDate>Tue, 09 Sep 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/191-faithless-street-by-whiskeytown/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">With a new solo album about to be released, we decided to revisit where it all started for <a href='http://paxamrecords.com/'>Ryan Adams</a> with the 1995 debut release Faithless Street from his band Whiskeytown. Steeped in the alternative country that rose to prominence thanks to bands like Uncle Tupelo and The Jayhawks, there is plenty to like about a band forging its own path while still staying ground in traditional country rhythms and themes. Our discussion is occasionally derailed by Ryan Adams "the personality" as much as the singer and songwriter, and the end result is clashing viewpoints on this record. One of thought this was worthy album start to finish. Who didn't. Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Drank Like a River8:00 - History of the Band16:06 - Drank Like a River18:51 - Too Drunk to Dream21:06 - Matrimony29:12 - RevengeOutro - If He Can't Have You
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">With a new solo album about to be released, we decided to revisit where it all started for <a href='http://paxamrecords.com/'>Ryan Adams</a> with the 1995 debut release Faithless Street from his band Whiskeytown. Steeped in the alternative country that rose to prominence thanks to bands like Uncle Tupelo and The Jayhawks, there is plenty to like about a band forging its own path while still staying ground in traditional country rhythms and themes. Our discussion is occasionally derailed by Ryan Adams "the personality" as much as the singer and songwriter, and the end result is clashing viewpoints on this record. One of thought this was worthy album start to finish. Who didn't. Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Drank Like a River8:00 - History of the Band16:06 - Drank Like a River18:51 - Too Drunk to Dream21:06 - Matrimony29:12 - RevengeOutro - If He Can't Have You<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/847rza/191-whiskeytown.mp3" length="63954288" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new solo album about to be released, we decided to revisit where it all started for Ryan Adams with the 1995 debut release Faithless Street from his band Whiskeytown. Steeped in the alternative country that rose to prominence thanks to bands like Uncle Tupelo and The Jayhawks, there is plenty to like about a band forging its own path while still staying ground in traditional country rhythms and themes. Our discussion is occasionally derailed by Ryan Adams "the personality" as much as the singer and songwriter, and the end result is clashing viewpoints on this record. One of thought this was worthy album start to finish. Who didn't. Tune in to find out.Songs in this Episode:Intro - Drank Like a River8:00 - History of the Band16:06 - Drank Like a River18:51 - Too Drunk to Dream21:06 - Matrimony29:12 - RevengeOutro - If He Can't Have YouFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2647</itunes:duration>
                                    </item>
    <item>
        <title>#190: Subliminal Plastic Motives by Self</title>
        <itunes:title>#190: Subliminal Plastic Motives by Self</itunes:title>
        <link>https://digmeout.podbean.com/e/190-subliminal-plastic-motives-by-self/</link>
                    <comments>https://digmeout.podbean.com/e/190-subliminal-plastic-motives-by-self/#comments</comments>        <pubDate>Tue, 02 Sep 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/190-subliminal-plastic-motives-by-self/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We travel back to 1995 to revisit the debut album Subliminal Plastic Motives by <a href='http://self.is/'>Self</a>. Chock full of production goodness, S.P.M. is a dense, inventive record with a power pop heart, which is both a plus and minus. Self aren't afraid to mix-up genres, sometimes within a single song, but is there too much of a good thing? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Borateen4:19 - Cannon5:19 - History of the Band16:17 - Marathon Shirt20:11 - Sophomore Jinx25:20 - Lucid AnneOutro - Stewardess
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">We travel back to 1995 to revisit the debut album Subliminal Plastic Motives by <a href='http://self.is/'>Self</a>. Chock full of production goodness, S.P.M. is a dense, inventive record with a power pop heart, which is both a plus and minus. Self aren't afraid to mix-up genres, sometimes within a single song, but is there too much of a good thing? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.6000003814697px;">Songs in this Episode:</p>
Intro - Borateen4:19 - Cannon5:19 - History of the Band16:17 - Marathon Shirt20:11 - Sophomore Jinx25:20 - Lucid AnneOutro - Stewardess<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fpv6ug/190-Self.mp3" length="54800975" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We travel back to 1995 to revisit the debut album Subliminal Plastic Motives by Self. Chock full of production goodness, S.P.M. is a dense, inventive record with a power pop heart, which is both a plus and minus. Self aren't afraid to mix-up genres, sometimes within a single song, but is there too much of a good thing? Tune in to find out.Songs in this Episode:Intro - Borateen4:19 - Cannon5:19 - History of the Band16:17 - Marathon Shirt20:11 - Sophomore Jinx25:20 - Lucid AnneOutro - StewardessFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2265</itunes:duration>
                                    </item>
    <item>
        <title>#189: Return of The Rentals by The Rentals</title>
        <itunes:title>#189: Return of The Rentals by The Rentals</itunes:title>
        <link>https://digmeout.podbean.com/e/189-return-of-the-rentals-by-the-rentals/</link>
                    <comments>https://digmeout.podbean.com/e/189-return-of-the-rentals-by-the-rentals/#comments</comments>        <pubDate>Tue, 26 Aug 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/189-return-of-the-rentals-by-the-rentals/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"><a href='http://www.therentals.com/'>The Rentals</a> have a new album out, so it's the perfect time to revisit their debut album from 1995, Return of The Rentals. The band scored a minor hit with Friend of P, and this debut is full of even more radio-friendly singles, but can the keep the vocal and musical hooks flowing throughout the record with the analog synth, fuzz bass and boy/girl vocal set-up? Tune in to find out, and to hear Jason go on a interface design rant you may or may not want to miss.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - My Summer Girl</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">3:04 - Friends of P</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">5:51 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">13:46 - Waiting</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">18:25 - Brilliant Boy</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">21:47 - Naive</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">26:32 - Please Let That Be You</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - The Love I'm Searching For</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"><a href='http://www.therentals.com/'>The Rentals</a> have a new album out, so it's the perfect time to revisit their debut album from 1995, Return of The Rentals. The band scored a minor hit with Friend of P, and this debut is full of even more radio-friendly singles, but can the keep the vocal and musical hooks flowing throughout the record with the analog synth, fuzz bass and boy/girl vocal set-up? Tune in to find out, and to hear Jason go on a interface design rant you may or may not want to miss.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - My Summer Girl</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">3:04 - Friends of P</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">5:51 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">13:46 - Waiting</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">18:25 - Brilliant Boy</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">21:47 - Naive</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">26:32 - Please Let That Be You</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - The Love I'm Searching For</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fur6b9/189-Rentals.mp3" length="56187140" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Rentals have a new album out, so it's the perfect time to revisit their debut album from 1995, Return of The Rentals. The band scored a minor hit with Friend of P, and this debut is full of even more radio-friendly singles, but can the keep the vocal and musical hooks flowing throughout the record with the analog synth, fuzz bass and boy/girl vocal set-up? Tune in to find out, and to hear Jason go on a interface design rant you may or may not want to miss.Songs in this Episode:Intro - My Summer Girl3:04 - Friends of P5:51 - History of the Band13:46 - Waiting18:25 - Brilliant Boy21:47 - Naive26:32 - Please Let That Be YouOutro - The Love I'm Searching ForFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2338</itunes:duration>
                                    </item>
    <item>
        <title>#188: Twice Removed by Sloan</title>
        <itunes:title>#188: Twice Removed by Sloan</itunes:title>
        <link>https://digmeout.podbean.com/e/188-twice-removed-by-sloan/</link>
                    <comments>https://digmeout.podbean.com/e/188-twice-removed-by-sloan/#comments</comments>        <pubDate>Tue, 19 Aug 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/188-twice-removed-by-sloan/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">With a new album out soon and twenty years since their sophomore release Twice Removed, we thought now was a good time to head north of the border and investigate <a href='http://sloanmusic.com/'>Sloan</a>. We dive into the four-singer/songwriter band, try to figure out if this is <a href='http://rateyourmusic.com/list/scottbdoug/chart_magazines_top_100_greatest_canadian_albums_of_all_time__feb__2000_/'>the best Canadian album of all time</a>, or even the best by the band, and end up trying to figure out the best decade for Canadian rock 'n roll.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Deeper Than Beauty3:41 - Money City Maniacs5:14 - History of the Band16:22 - Snowsuit Sound19:12 - People of the Sky21:21 - Coax Me/Go Your Own Way27:25 - Bells On30:28 - I Can Feel ItOutro - Worried Now
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">With a new album out soon and twenty years since their sophomore release Twice Removed, we thought now was a good time to head north of the border and investigate <a href='http://sloanmusic.com/'>Sloan</a>. We dive into the four-singer/songwriter band, try to figure out if this is <a href='http://rateyourmusic.com/list/scottbdoug/chart_magazines_top_100_greatest_canadian_albums_of_all_time__feb__2000_/'>the best Canadian album of all time</a>, or even the best by the band, and end up trying to figure out the best decade for Canadian rock 'n roll.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Deeper Than Beauty3:41 - Money City Maniacs5:14 - History of the Band16:22 - Snowsuit Sound19:12 - People of the Sky21:21 - Coax Me/Go Your Own Way27:25 - Bells On30:28 - I Can Feel ItOutro - Worried Now<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f72tun/188-Sloan.mp3" length="68611184" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new album out soon and twenty years since their sophomore release Twice Removed, we thought now was a good time to head north of the border and investigate Sloan. We dive into the four-singer/songwriter band, try to figure out if this is the best Canadian album of all time, or even the best by the band, and end up trying to figure out the best decade for Canadian rock 'n roll.Songs in this Episode:Intro - Deeper Than Beauty3:41 - Money City Maniacs5:14 - History of the Band16:22 - Snowsuit Sound19:12 - People of the Sky21:21 - Coax Me/Go Your Own Way27:25 - Bells On30:28 - I Can Feel ItOutro - Worried NowFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2841</itunes:duration>
                                    </item>
    <item>
        <title>#187: Bakesale by Sebadoh</title>
        <itunes:title>#187: Bakesale by Sebadoh</itunes:title>
        <link>https://digmeout.podbean.com/e/187-bakesale-by-sebadoh/</link>
                    <comments>https://digmeout.podbean.com/e/187-bakesale-by-sebadoh/#comments</comments>        <pubDate>Tue, 12 Aug 2014 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/187-bakesale-by-sebadoh/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Along with Guided By Voices, <a href='https://www.tumblr.com/edit/www.sebadoh.com'>Sebadoh</a> flew the lo-fi flag in the 90s with a similar gift for short, punchy rock songs. We revisit their 1994 release Bakesale, and dive into a discussion on the two-singer/songwriter band set-up.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - Magnet's Coil</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">2:49 - Rebound</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">4:29 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">14:57 - License to Confuse</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">17:22 - Skull</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">20:54 - Temptation Ride</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">23:26 - Not Too Amused</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">28:55 - Give Up</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - Dreams</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Along with Guided By Voices, <a href='https://www.tumblr.com/edit/www.sebadoh.com'>Sebadoh</a> flew the lo-fi flag in the 90s with a similar gift for short, punchy rock songs. We revisit their 1994 release Bakesale, and dive into a discussion on the two-singer/songwriter band set-up.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Intro - Magnet's Coil</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">2:49 - Rebound</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">4:29 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">14:57 - License to Confuse</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">17:22 - Skull</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">20:54 - Temptation Ride</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">23:26 - Not Too Amused</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">28:55 - Give Up</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;">Outro - Dreams</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vtdkce/187-Sebadoh.mp3" length="81369390" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Along with Guided By Voices, Sebadoh flew the lo-fi flag in the 90s with a similar gift for short, punchy rock songs. We revisit their 1994 release Bakesale, and dive into a discussion on the two-singer/songwriter band set-up.Songs in this Episode:Intro - Magnet's Coil2:49 - Rebound4:29 - History of the Band14:57 - License to Confuse17:22 - Skull20:54 - Temptation Ride23:26 - Not Too Amused28:55 - Give UpOutro - DreamsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3388</itunes:duration>
                                    </item>
    <item>
        <title>#186: Second Coming by The Stone Roses</title>
        <itunes:title>#186: Second Coming by The Stone Roses</itunes:title>
        <link>https://digmeout.podbean.com/e/186-second-coming-by-the-stone-roses/</link>
                    <comments>https://digmeout.podbean.com/e/186-second-coming-by-the-stone-roses/#comments</comments>        <pubDate>Tue, 05 Aug 2014 01:00:46 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/186-second-coming-by-the-stone-roses/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we revisit the 1994 release Second Coming by <a href='https://www.tumblr.com/edit/www.thestoneroses.org/'>The Stone Roses</a>. Joining us to dissect this divisive sophomore release is old friend and music professor <a href='http://www.nealschmitt.com/'>Neal Schmitt</a>, who provides a deep knowledge of band and provides insight into the recording technology that went into an album that sounds before it's time while borrowing heavily from earlier influences. That leads us into an extended discussion of other 90s bands and artists who either surpassed expectations on their second albums, or sank like the proverbial stone.
</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:
</p>
Intro - Driving South4:07 - Love Spreads6:41 - History of the Band15:52 - Breaking Into Heaven22:06 - Driving South29:50 - Begging You35:09 - Love Is The Law (The Seahorses)Outro - Ten Storey Love Song
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we revisit the 1994 release Second Coming by <a href='https://www.tumblr.com/edit/www.thestoneroses.org/'>The Stone Roses</a>. Joining us to dissect this divisive sophomore release is old friend and music professor <a href='http://www.nealschmitt.com/'>Neal Schmitt</a>, who provides a deep knowledge of band and provides insight into the recording technology that went into an album that sounds before it's time while borrowing heavily from earlier influences. That leads us into an extended discussion of other 90s bands and artists who either surpassed expectations on their second albums, or sank like the proverbial stone.<br>
</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:<br>
</p>
Intro - Driving South4:07 - Love Spreads6:41 - History of the Band15:52 - Breaking Into Heaven22:06 - Driving South29:50 - Begging You35:09 - Love Is The Law (The Seahorses)Outro - Ten Storey Love Song<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mqe6nj/186-StoneRoses2.mp3" length="91078169" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we revisit the 1994 release Second Coming by The Stone Roses. Joining us to dissect this divisive sophomore release is old friend and music professor Neal Schmitt, who provides a deep knowledge of band and provides insight into the recording technology that went into an album that sounds before it's time while borrowing heavily from earlier influences. That leads us into an extended discussion of other 90s bands and artists who either surpassed expectations on their second albums, or sank like the proverbial stone.Songs in this Episode:Intro - Driving South4:07 - Love Spreads6:41 - History of the Band15:52 - Breaking Into Heaven22:06 - Driving South29:50 - Begging You35:09 - Love Is The Law (The Seahorses)Outro - Ten Storey Love SongFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3792</itunes:duration>
                                    </item>
    <item>
        <title>#185: Patient by Bluebottle Kiss</title>
        <itunes:title>#185: Patient by Bluebottle Kiss</itunes:title>
        <link>https://digmeout.podbean.com/e/185-patient-by-bluebottle-kiss/</link>
                    <comments>https://digmeout.podbean.com/e/185-patient-by-bluebottle-kiss/#comments</comments>        <pubDate>Tue, 29 Jul 2014 01:00:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/185-patient-by-bluebottle-kiss/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to another <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, for the second time in as many weeks, we're tackling another overlooked gem from an Australia This week, it's <a href='http://www.bluebottlekiss.com/'>Bluebottle Kiss</a>, and their 1999 album Patient. Combining a variety of tasty guitar tones, a tight and original rhythm section, and interesting melodies, Patient is truly a start to finish album.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Smoother It In Honey2:24 - History of the Band6:19 - Return to the City of Folded Arms11:24 - Six Wheels24:21 - Girl GeniusOutro - Give Up The Ghost
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to another <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, for the second time in as many weeks, we're tackling another overlooked gem from an Australia This week, it's <a href='http://www.bluebottlekiss.com/'>Bluebottle Kiss</a>, and their 1999 album Patient. Combining a variety of tasty guitar tones, a tight and original rhythm section, and interesting melodies, Patient is truly a start to finish album.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Smoother It In Honey2:24 - History of the Band6:19 - Return to the City of Folded Arms11:24 - Six Wheels24:21 - Girl GeniusOutro - Give Up The Ghost<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j72fk3/185-BBK.mp3" length="48764181" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to another Requested Review, for the second time in as many weeks, we're tackling another overlooked gem from an Australia This week, it's Bluebottle Kiss, and their 1999 album Patient. Combining a variety of tasty guitar tones, a tight and original rhythm section, and interesting melodies, Patient is truly a start to finish album.Songs in this Episode:Intro - Smoother It In Honey2:24 - History of the Band6:19 - Return to the City of Folded Arms11:24 - Six Wheels24:21 - Girl GeniusOutro - Give Up The GhostFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2014</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#184: The Plastic Hassle by Ripe</title>
        <itunes:title>#184: The Plastic Hassle by Ripe</itunes:title>
        <link>https://digmeout.podbean.com/e/184-the-plastic-hassle-by-ripe/</link>
                    <comments>https://digmeout.podbean.com/e/184-the-plastic-hassle-by-ripe/#comments</comments>        <pubDate>Tue, 22 Jul 2014 01:00:28 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/184-the-plastic-hassle-by-ripe/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">We're heading back to Australia for this week's Requested Review and checking out the 1994 album The Plastic Hassle by <a href='http://www.allmusic.com/artist/ripe-mn0000181674'>Ripe</a>. Lots of shoegaze influenced bands spent less time on vocals and melody than dialing in the perfect tremolo and delay settings on their guitar pedals, but not Ripe, who manage to craft to genuinely catchy melodies and memorable lyrics. And like those same bands, Ripe aren't afraid to stretch the songs into a variety of territories, whether it's acoustic ballads or minor key dirges.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Mother Tongue3:49 - History of the Band9:23 - Something Fierce16:29 - Centre of the Universe27:34 - Get Your Shit TogetherOutro - Daylight Wants to Kill
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">We're heading back to Australia for this week's Requested Review and checking out the 1994 album The Plastic Hassle by <a href='http://www.allmusic.com/artist/ripe-mn0000181674'>Ripe</a>. Lots of shoegaze influenced bands spent less time on vocals and melody than dialing in the perfect tremolo and delay settings on their guitar pedals, but not Ripe, who manage to craft to genuinely catchy melodies and memorable lyrics. And like those same bands, Ripe aren't afraid to stretch the songs into a variety of territories, whether it's acoustic ballads or minor key dirges.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Mother Tongue3:49 - History of the Band9:23 - Something Fierce16:29 - Centre of the Universe27:34 - Get Your Shit TogetherOutro - Daylight Wants to Kill<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z6mgyq/184-Ripe.mp3" length="57820939" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're heading back to Australia for this week's Requested Review and checking out the 1994 album The Plastic Hassle by Ripe. Lots of shoegaze influenced bands spent less time on vocals and melody than dialing in the perfect tremolo and delay settings on their guitar pedals, but not Ripe, who manage to craft to genuinely catchy melodies and memorable lyrics. And like those same bands, Ripe aren't afraid to stretch the songs into a variety of territories, whether it's acoustic ballads or minor key dirges.Songs in this Episode:Intro - Mother Tongue3:49 - History of the Band9:23 - Something Fierce16:29 - Centre of the Universe27:34 - Get Your Shit TogetherOutro - Daylight Wants to KillFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2391</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#183: Dig by I Mother Earth</title>
        <itunes:title>#183: Dig by I Mother Earth</itunes:title>
        <link>https://digmeout.podbean.com/e/183-dig-by-i-mother-earth/</link>
                    <comments>https://digmeout.podbean.com/e/183-dig-by-i-mother-earth/#comments</comments>        <pubDate>Tue, 15 Jul 2014 01:00:06 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/183-dig-by-i-mother-earth/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.600000381469727px;">This week Jason dug through his cd stacks picked an album having no recollection what it sounded like - <a href='https://www.tumblr.com/edit/imotherearth.ca/'>I Mother Earth</a>'s 1993 debut release Dig. Sometime that leads to a welcome surprise, and other times reminds you why you stopped listening. I Mother Earth hits a lot of our sweet spots - big guitar and drums, crisp production, slight progressive elements - but also manages to work in some mutual annoyances - slap bass and long jams. So which side prevails? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.600000381469727px;">Songs in this Episode:
</p>
Intro - Production6:49 - History of the Band23:10 - Not Quite Sonic31:15 - Rain Will Fall44:57 - The Universe in YouOutro - The Universe in You
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.600000381469727px;">This week Jason dug through his cd stacks picked an album having no recollection what it sounded like - <a href='https://www.tumblr.com/edit/imotherearth.ca/'>I Mother Earth</a>'s 1993 debut release Dig. Sometime that leads to a welcome surprise, and other times reminds you why you stopped listening. I Mother Earth hits a lot of our sweet spots - big guitar and drums, crisp production, slight progressive elements - but also manages to work in some mutual annoyances - slap bass and long jams. So which side prevails? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;line-height:19.600000381469727px;">Songs in this Episode:<br>
</p>
Intro - Production6:49 - History of the Band23:10 - Not Quite Sonic31:15 - Rain Will Fall44:57 - The Universe in YouOutro - The Universe in You<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5xyizp/DMO183-IME.mp3" length="74011635" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week Jason dug through his cd stacks picked an album having no recollection what it sounded like - I Mother Earth's 1993 debut release Dig. Sometime that leads to a welcome surprise, and other times reminds you why you stopped listening. I Mother Earth hits a lot of our sweet spots - big guitar and drums, crisp production, slight progressive elements - but also manages to work in some mutual annoyances - slap bass and long jams. So which side prevails? Tune in to find out.Songs in this Episode:Intro - Production6:49 - History of the Band23:10 - Not Quite Sonic31:15 - Rain Will Fall44:57 - The Universe in YouOutro - The Universe in YouFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3066</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#182: The Holy Bible by Manic Street Preachers</title>
        <itunes:title>#182: The Holy Bible by Manic Street Preachers</itunes:title>
        <link>https://digmeout.podbean.com/e/182-the-holy-bible-by-manic-street-preachers/</link>
                    <comments>https://digmeout.podbean.com/e/182-the-holy-bible-by-manic-street-preachers/#comments</comments>        <pubDate>Tue, 08 Jul 2014 01:00:04 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/182-the-holy-bible-by-manic-street-preachers/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">To celebrate the release of a new album by one of our favorite bands, we decided to travel back twenty years in their catalog and tackle the most challenging album of their career - 1994's The Holy Bible by the <a href='http://www.manicstreetpreachers.com/'>Manic Street Preachers</a>. To help us dissect this dense masterpiece, we've enlisted the help of fellow stateside Manic's aficionado and previous guest Andy Derer of <a href='http://theandyderershow.com/'>The Andy Derer Show</a>.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:
</p>
Intro - Revol19:07 - Yes34:10 - Of Walking Abortion50:47 - 4st 7lb1:09:44 - P.C.P.Outro - Faster
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">To celebrate the release of a new album by one of our favorite bands, we decided to travel back twenty years in their catalog and tackle the most challenging album of their career - 1994's The Holy Bible by the <a href='http://www.manicstreetpreachers.com/'>Manic Street Preachers</a>. To help us dissect this dense masterpiece, we've enlisted the help of fellow stateside Manic's aficionado and previous guest Andy Derer of <a href='http://theandyderershow.com/'>The Andy Derer Show</a>.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:<br>
</p>
Intro - Revol19:07 - Yes34:10 - Of Walking Abortion50:47 - 4st 7lb1:09:44 - P.C.P.Outro - Faster<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rmgvxp/DMO182-MSP.mp3" length="119556230" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To celebrate the release of a new album by one of our favorite bands, we decided to travel back twenty years in their catalog and tackle the most challenging album of their career - 1994's The Holy Bible by the Manic Street Preachers. To help us dissect this dense masterpiece, we've enlisted the help of fellow stateside Manic's aficionado and previous guest Andy Derer of The Andy Derer Show.Songs in this Episode:Intro - Revol19:07 - Yes34:10 - Of Walking Abortion50:47 - 4st 7lb1:09:44 - P.C.P.Outro - FasterFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4964</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#181: Interview with Steve Fisk</title>
        <itunes:title>#181: Interview with Steve Fisk</itunes:title>
        <link>https://digmeout.podbean.com/e/181-interview-with-steve-fisk/</link>
                    <comments>https://digmeout.podbean.com/e/181-interview-with-steve-fisk/#comments</comments>        <pubDate>Tue, 01 Jul 2014 01:00:56 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/181-interview-with-steve-fisk/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we're joined by producer/musician <a href='http://stevefisk.com/'>Steve Fisk</a>, best known as one-half of the duo known as Pigeonhed, but also behind the board for such bands as Unwound, the Screaming Trees, Soul Coughing, Soundgarden, the Geraldine Fibbers and Nirvana. Steve talks about his history with recording and electronic music, the challenges of producing in the modern era compared to the 80s and 90s, his collaboration with <a href='http://www.shawnsmithsinger.com/'>Shawn Smith</a>, who comes knocking on your door when you work with a successful artist, and much more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode</p>
Intro - Rollin' Through Oakland (Pigeonhed)9:00 - You Doo Right by (Geraldine Fibbers)23:11 - Ain't It So (Pigeonhed)35:14 - Battleflag (Pigeonhed remixed by Lo Fidelity Allstars)Outro - My Head Popped (Steve Fisk)
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we're joined by producer/musician <a href='http://stevefisk.com/'>Steve Fisk</a>, best known as one-half of the duo known as Pigeonhed, but also behind the board for such bands as Unwound, the Screaming Trees, Soul Coughing, Soundgarden, the Geraldine Fibbers and Nirvana. Steve talks about his history with recording and electronic music, the challenges of producing in the modern era compared to the 80s and 90s, his collaboration with <a href='http://www.shawnsmithsinger.com/'>Shawn Smith</a>, who comes knocking on your door when you work with a successful artist, and much more.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode</p>
Intro - Rollin' Through Oakland (Pigeonhed)9:00 - You Doo Right by (Geraldine Fibbers)23:11 - Ain't It So (Pigeonhed)35:14 - Battleflag (Pigeonhed remixed by Lo Fidelity Allstars)Outro - My Head Popped (Steve Fisk)<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g3jku5/DMO181-SteveFisk2.mp3" length="73132673" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we're joined by producer/musician Steve Fisk, best known as one-half of the duo known as Pigeonhed, but also behind the board for such bands as Unwound, the Screaming Trees, Soul Coughing, Soundgarden, the Geraldine Fibbers and Nirvana. Steve talks about his history with recording and electronic music, the challenges of producing in the modern era compared to the 80s and 90s, his collaboration with Shawn Smith, who comes knocking on your door when you work with a successful artist, and much more.Songs in this EpisodeIntro - Rollin' Through Oakland (Pigeonhed)9:00 - You Doo Right by (Geraldine Fibbers)23:11 - Ain't It So (Pigeonhed)35:14 - Battleflag (Pigeonhed remixed by Lo Fidelity Allstars)Outro - My Head Popped (Steve Fisk)Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3029</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#180: Prize by Wanderlust</title>
        <itunes:title>#180: Prize by Wanderlust</itunes:title>
        <link>https://digmeout.podbean.com/e/180-prize-by-wanderlust/</link>
                    <comments>https://digmeout.podbean.com/e/180-prize-by-wanderlust/#comments</comments>        <pubDate>Tue, 24 Jun 2014 01:00:11 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/180-prize-by-wanderlust/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's album, the 1995 debut Prize by <a href='http://en.wikipedia.org/wiki/Wanderlust_(band)'>Wanderlust</a>, begs a lot of questions? Can the youth appreciate power pop? Can music be too good for radio? And how did Collective Soul manage to pump out six singles from their second album? We dig deep through the depths of Wanderlust, take a few detours, and arrive a sorely overlooked and appreciated gem.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Wanna Feel New2:37 - History of the Band9:20 - Flash and Shadow14:05 - Coffee in the Kitchen20:00 - PrizeOutro - Before We Fade
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's album, the 1995 debut Prize by <a href='http://en.wikipedia.org/wiki/Wanderlust_(band)'>Wanderlust</a>, begs a lot of questions? Can the youth appreciate power pop? Can music be too good for radio? And how did Collective Soul manage to pump out six singles from their second album? We dig deep through the depths of Wanderlust, take a few detours, and arrive a sorely overlooked and appreciated gem.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Wanna Feel New2:37 - History of the Band9:20 - Flash and Shadow14:05 - Coffee in the Kitchen20:00 - PrizeOutro - Before We Fade<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a2ghib/DMO180-Wanderlust.mp3" length="65515995" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's album, the 1995 debut Prize by Wanderlust, begs a lot of questions? Can the youth appreciate power pop? Can music be too good for radio? And how did Collective Soul manage to pump out six singles from their second album? We dig deep through the depths of Wanderlust, take a few detours, and arrive a sorely overlooked and appreciated gem.Songs in this Episode:Intro - Wanna Feel New2:37 - History of the Band9:20 - Flash and Shadow14:05 - Coffee in the Kitchen20:00 - PrizeOutro - Before We FadeFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2712</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#179: Silver Sun by Silver Sun</title>
        <itunes:title>#179: Silver Sun by Silver Sun</itunes:title>
        <link>https://digmeout.podbean.com/e/179-silver-sun-by-silver-sun/</link>
                    <comments>https://digmeout.podbean.com/e/179-silver-sun-by-silver-sun/#comments</comments>        <pubDate>Tue, 17 Jun 2014 01:00:10 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/179-silver-sun-by-silver-sun/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for this week takes us back to the UK to check out the 1997 self-titled debut album from <a href='http://www.silver-sun.co.uk/'>Silver Sun</a>. Hooks, harmonies and loud guitars sum up Silver Sun's freshman release, and it's chock full of them. Song after song is a sugar sweet power pop attack, with nods to Cheap Trick, Jellyfish, The Beatles, Beach Boys and more. But is it too much of a good thing? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Service3:19 - History of the Band12:55 - Bad Haircut17:08 - Animals Feet22:03 - Dumb26:36 - LavaOutro - Julia
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> for this week takes us back to the UK to check out the 1997 self-titled debut album from <a href='http://www.silver-sun.co.uk/'>Silver Sun</a>. Hooks, harmonies and loud guitars sum up Silver Sun's freshman release, and it's chock full of them. Song after song is a sugar sweet power pop attack, with nods to Cheap Trick, Jellyfish, The Beatles, Beach Boys and more. But is it too much of a good thing? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Service3:19 - History of the Band12:55 - Bad Haircut17:08 - Animals Feet22:03 - Dumb26:36 - LavaOutro - Julia<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u3bzwa/DMO179-SilverSun.mp3" length="54774025" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our requested review for this week takes us back to the UK to check out the 1997 self-titled debut album from Silver Sun. Hooks, harmonies and loud guitars sum up Silver Sun's freshman release, and it's chock full of them. Song after song is a sugar sweet power pop attack, with nods to Cheap Trick, Jellyfish, The Beatles, Beach Boys and more. But is it too much of a good thing? Tune in to find out.Songs in this Episode:Intro - Service3:19 - History of the Band12:55 - Bad Haircut17:08 - Animals Feet22:03 - Dumb26:36 - LavaOutro - JuliaFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2264</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#178: The Din Pedals by The Din Pedals</title>
        <itunes:title>#178: The Din Pedals by The Din Pedals</itunes:title>
        <link>https://digmeout.podbean.com/e/178-the-din-pedals-by-the-din-pedals/</link>
                    <comments>https://digmeout.podbean.com/e/178-the-din-pedals-by-the-din-pedals/#comments</comments>        <pubDate>Tue, 10 Jun 2014 01:00:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/178-the-din-pedals-by-the-din-pedals/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> requires us to ask a question - when is it showing your influences, and when is it ripping them off entirely? On their one and only release, the 1998 self-titled album by <a href='http://www.allmusic.com/artist/the-din-pedals-mn0000788617'>The Din Pedals</a> walk the precarious line between the two, thanks to lead singer James Grundler's Thom York-like tenor, and a band that easily recreates the dramatic bombast and minor chord melancholy of Radiohead, U2 and Our Lady Peace.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode</p>
Intro - Downtown Sister3:41 - History of the Band9:52 - Naked is Foreign16:25 - Aliens22:52 - Waterfall26:15 - AshtrayOutro - Emotional Drugs
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our latest <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> requires us to ask a question - when is it showing your influences, and when is it ripping them off entirely? On their one and only release, the 1998 self-titled album by <a href='http://www.allmusic.com/artist/the-din-pedals-mn0000788617'>The Din Pedals</a> walk the precarious line between the two, thanks to lead singer James Grundler's Thom York-like tenor, and a band that easily recreates the dramatic bombast and minor chord melancholy of Radiohead, U2 and Our Lady Peace.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode</p>
Intro - Downtown Sister3:41 - History of the Band9:52 - Naked is Foreign16:25 - Aliens22:52 - Waterfall26:15 - AshtrayOutro - Emotional Drugs<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a3pwur/DMO178-DinPedals.mp3" length="48923447" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our latest requested review requires us to ask a question - when is it showing your influences, and when is it ripping them off entirely? On their one and only release, the 1998 self-titled album by The Din Pedals walk the precarious line between the two, thanks to lead singer James Grundler's Thom York-like tenor, and a band that easily recreates the dramatic bombast and minor chord melancholy of Radiohead, U2 and Our Lady Peace.Songs in this EpisodeIntro - Downtown Sister3:41 - History of the Band9:52 - Naked is Foreign16:25 - Aliens22:52 - Waterfall26:15 - AshtrayOutro - Emotional DrugsFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2021</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#177: Kiss My Ass - Classic Kiss Regrooved</title>
        <itunes:title>#177: Kiss My Ass - Classic Kiss Regrooved</itunes:title>
        <link>https://digmeout.podbean.com/e/177-kiss-my-ass-classic-kiss-regrooved/</link>
                    <comments>https://digmeout.podbean.com/e/177-kiss-my-ass-classic-kiss-regrooved/#comments</comments>        <pubDate>Tue, 03 Jun 2014 01:00:16 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/177-kiss-my-ass-classic-kiss-regrooved/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">What's a good way for an otherwise musically incompatible band to find an audience in the 1990s? Enlist the most popular country artist, several popular alternative bands, a few respected metal bands, and for the hell of it, and Japanese artist, to cover your songs. That's exactly what KISS did for the 1994 tribute album <a href='http://en.wikipedia.org/wiki/Kiss_My_Ass:_Classic_Kiss_Regrooved'>Kiss My Ass - Classic KISS Regrooved</a>. We dive into the songs, and reasoning behind this not-so-easy to digest compilation existing in the first place.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Plaster Caster</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">25:30 - Hard Luck Woman</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">37:37 - Rock and Roll All Nite</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">46:10 - Goin' Blind</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">58:18 - Detroit Rock City</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Outro - She</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">What's a good way for an otherwise musically incompatible band to find an audience in the 1990s? Enlist the most popular country artist, several popular alternative bands, a few respected metal bands, and for the hell of it, and Japanese artist, to cover your songs. That's exactly what KISS did for the 1994 tribute album <a href='http://en.wikipedia.org/wiki/Kiss_My_Ass:_Classic_Kiss_Regrooved'>Kiss My Ass - Classic KISS Regrooved</a>. We dive into the songs, and reasoning behind this not-so-easy to digest compilation existing in the first place.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Plaster Caster</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">25:30 - Hard Luck Woman</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">37:37 - Rock and Roll All Nite</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">46:10 - Goin' Blind</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">58:18 - Detroit Rock City</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Outro - She</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4tv5mf/DMO177-KissMyAss.mp3" length="105453875" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What's a good way for an otherwise musically incompatible band to find an audience in the 1990s? Enlist the most popular country artist, several popular alternative bands, a few respected metal bands, and for the hell of it, and Japanese artist, to cover your songs. That's exactly what KISS did for the 1994 tribute album Kiss My Ass - Classic KISS Regrooved. We dive into the songs, and reasoning behind this not-so-easy to digest compilation existing in the first place.Songs in this Episode:Intro - Plaster Caster25:30 - Hard Luck Woman37:37 - Rock and Roll All Nite46:10 - Goin' Blind58:18 - Detroit Rock CityOutro - SheFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4376</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#176: Now I’m a Cowboy by The Auteurs</title>
        <itunes:title>#176: Now I’m a Cowboy by The Auteurs</itunes:title>
        <link>https://digmeout.podbean.com/e/176-now-i%e2%80%99m-a-cowboy-by-the-auteurs/</link>
                    <comments>https://digmeout.podbean.com/e/176-now-i%e2%80%99m-a-cowboy-by-the-auteurs/#comments</comments>        <pubDate>Tue, 27 May 2014 01:00:38 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/176-now-i%e2%80%99m-a-cowboy-by-the-auteurs/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we tackle one of those on the edge of Britpop bands we always kinda, sorta heard about and kinda, sorta remember, <a href='http://en.wikipedia.org/wiki/The_Auteurs'>The Auteurs</a>, and their 1994 sophomore album Now, I'm a Cowboy. The lead track and single, Lenny Valentino, gets rave reviews from both of us, but how does the rest of the not-so-similar album stack up? Tune int to find out, and chime in on our discussion on how music discovery and commitment to ill-advised purchases has changed thanks to the web.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Life Class/Life Model3:57 - History of the Band8:45 - Lenny Valentino14:16 - Underground Movies21:10 - The Upper Classes26:02 - New French GirlfriendOutro - Daughter of a Child
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we tackle one of those on the edge of Britpop bands we always kinda, sorta heard about and kinda, sorta remember, <a href='http://en.wikipedia.org/wiki/The_Auteurs'>The Auteurs</a>, and their 1994 sophomore album Now, I'm a Cowboy. The lead track and single, Lenny Valentino, gets rave reviews from both of us, but how does the rest of the not-so-similar album stack up? Tune int to find out, and chime in on our discussion on how music discovery and commitment to ill-advised purchases has changed thanks to the web.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Life Class/Life Model3:57 - History of the Band8:45 - Lenny Valentino14:16 - Underground Movies21:10 - The Upper Classes26:02 - New French GirlfriendOutro - Daughter of a Child<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bydmzi/DMO176-Auteurs.mp3" length="67576740" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we tackle one of those on the edge of Britpop bands we always kinda, sorta heard about and kinda, sorta remember, The Auteurs, and their 1994 sophomore album Now, I'm a Cowboy. The lead track and single, Lenny Valentino, gets rave reviews from both of us, but how does the rest of the not-so-similar album stack up? Tune int to find out, and chime in on our discussion on how music discovery and commitment to ill-advised purchases has changed thanks to the web.Songs in this Episode:Intro - Life Class/Life Model3:57 - History of the Band8:45 - Lenny Valentino14:16 - Underground Movies21:10 - The Upper Classes26:02 - New French GirlfriendOutro - Daughter of a ChildFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2798</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#175: Front End Loader by Front End Loader</title>
        <itunes:title>#175: Front End Loader by Front End Loader</itunes:title>
        <link>https://digmeout.podbean.com/e/175-front-end-loader-by-front-end-loader/</link>
                    <comments>https://digmeout.podbean.com/e/175-front-end-loader-by-front-end-loader/#comments</comments>        <pubDate>Tue, 20 May 2014 01:00:14 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/175-front-end-loader-by-front-end-loader/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Friend of the show Gavin provides another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> from down under, this time it's the 1993 self-titled debut album by <a href='http://frontendloaderband.com/'>Front End Loader</a>, who describe themselves as Australia's "least popular, relatively well-known band." FEL perfectly encapsulate the odd and uneasy transition of 80s metal and punk into 90s alternative, jumping from Metallica-influenced thrash to moodier grunge sounds. Does FEL succeed? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Fucking Great3:48 - History of the Band10:27 - My Side12:26 - I.G.18:37 - Me To Know26:10 - All Star JamOutro - 'fraid Not
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Friend of the show Gavin provides another <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> from down under, this time it's the 1993 self-titled debut album by <a href='http://frontendloaderband.com/'>Front End Loader</a>, who describe themselves as Australia's "least popular, relatively well-known band." FEL perfectly encapsulate the odd and uneasy transition of 80s metal and punk into 90s alternative, jumping from Metallica-influenced thrash to moodier grunge sounds. Does FEL succeed? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Fucking Great3:48 - History of the Band10:27 - My Side12:26 - I.G.18:37 - Me To Know26:10 - All Star JamOutro - 'fraid Not<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e8hckf/DMO175-FEL.mp3" length="54348954" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Friend of the show Gavin provides another requested review from down under, this time it's the 1993 self-titled debut album by Front End Loader, who describe themselves as Australia's "least popular, relatively well-known band." FEL perfectly encapsulate the odd and uneasy transition of 80s metal and punk into 90s alternative, jumping from Metallica-influenced thrash to moodier grunge sounds. Does FEL succeed? Tune in to find out.Songs in this Episode:Intro - Fucking Great3:48 - History of the Band10:27 - My Side12:26 - I.G.18:37 - Me To Know26:10 - All Star JamOutro - 'fraid NotFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2247</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#174: The 12 Point Master Plan by Bobgoblin</title>
        <itunes:title>#174: The 12 Point Master Plan by Bobgoblin</itunes:title>
        <link>https://digmeout.podbean.com/e/174-the-12-point-master-plan-by-bobgoblin/</link>
                    <comments>https://digmeout.podbean.com/e/174-the-12-point-master-plan-by-bobgoblin/#comments</comments>        <pubDate>Tue, 13 May 2014 01:00:05 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/174-the-12-point-master-plan-by-bobgoblin/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to our most recent <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, we're tackling the sophomore release by Dallas, Texas power-pop quartet <a href='http://www.bobgoblin.com/'>Bobgoblin</a>, 1997's The 12 Point Master Plan. Big guitars and big hooks make the Bobgoblin sound, but they've got to some hidden tricks up their sleeves thanks to a nimble rhythm section and tastefully used synths. Is The 12 Point Master Plan the best album you haven't heard? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Climb3:02 - History of the Band7:56 - One Down, One Across10:50 - Standing Up (to the Voice of America)17:36 - Close Your Eyes, KidOutro - Nine
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to our most recent <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a>, we're tackling the sophomore release by Dallas, Texas power-pop quartet <a href='http://www.bobgoblin.com/'>Bobgoblin</a>, 1997's The 12 Point Master Plan. Big guitars and big hooks make the Bobgoblin sound, but they've got to some hidden tricks up their sleeves thanks to a nimble rhythm section and tastefully used synths. Is The 12 Point Master Plan the best album you haven't heard? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Climb3:02 - History of the Band7:56 - One Down, One Across10:50 - Standing Up (to the Voice of America)17:36 - Close Your Eyes, KidOutro - Nine<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cpdkur/DMO174-Bob.mp3" length="48784873" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to our most recent Requested Review, we're tackling the sophomore release by Dallas, Texas power-pop quartet Bobgoblin, 1997's The 12 Point Master Plan. Big guitars and big hooks make the Bobgoblin sound, but they've got to some hidden tricks up their sleeves thanks to a nimble rhythm section and tastefully used synths. Is The 12 Point Master Plan the best album you haven't heard? Tune in to find out.Songs in this Episode:Intro - Climb3:02 - History of the Band7:56 - One Down, One Across10:50 - Standing Up (to the Voice of America)17:36 - Close Your Eyes, KidOutro - NineFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2015</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#173: Three Hundred by The Stereo</title>
        <itunes:title>#173: Three Hundred by The Stereo</itunes:title>
        <link>https://digmeout.podbean.com/e/173-three-hundred-by-the-stereo/</link>
                    <comments>https://digmeout.podbean.com/e/173-three-hundred-by-the-stereo/#comments</comments>        <pubDate>Tue, 06 May 2014 01:00:28 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/173-three-hundred-by-the-stereo/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to a listener, this week we're checking out the 1999 debut album Three Hundred by The Stereo. Big hooks and loud guitars dominate this pop-punk record, with an occasional piano detour to mix things up. It was the right sound released at the right time, so why isn't The Stereo mentioned along side early 2000's successes like Fall Out Boy and New Found Glory - was it merely the public overlooking a hidden gem, or is this worth passing up? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - She Would Never4:52 - History of the Band14:48 - Ramona21:20 - DevotionOutro - Divine
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Thanks to a listener, this week we're checking out the 1999 debut album Three Hundred by The Stereo. Big hooks and loud guitars dominate this pop-punk record, with an occasional piano detour to mix things up. It was the right sound released at the right time, so why isn't The Stereo mentioned along side early 2000's successes like Fall Out Boy and New Found Glory - was it merely the public overlooking a hidden gem, or is this worth passing up? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - She Would Never4:52 - History of the Band14:48 - Ramona21:20 - DevotionOutro - Divine<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2pxnry/DMO173-Stereo.mp3" length="63893473" type="audio/mpeg"/>
        <itunes:summary>Weekly episodes digging up lost and forgotten 90s rock — in-depth album reviews, roundtable discussions, and artist interviews that reveal the unique story of the 90s.</itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2644</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#172: Frankfurt: Telephonics by Mars Accelerator</title>
        <itunes:title>#172: Frankfurt: Telephonics by Mars Accelerator</itunes:title>
        <link>https://digmeout.podbean.com/e/172-frankfurt-telephonics-by-mars-accelerator/</link>
                    <comments>https://digmeout.podbean.com/e/172-frankfurt-telephonics-by-mars-accelerator/#comments</comments>        <pubDate>Tue, 29 Apr 2014 01:00:08 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/172-frankfurt-telephonics-by-mars-accelerator/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>request review</a> takes us to the unexplored world of <a href='http://www.allmusic.com/artist/mars-accelerator-mn0000357023/'>Mars Accelerator</a>, and their sophomore release from 1998, Frankfurt: Telephonics. Exploring the mathematical side of indie rock, Mars Accelerator aren't afraid to incorporate long sections of noise and dissonance paired with Built To Spill and Polvo-esque guitar riffage. Frankfurt: Telephonics is an interesting album, but is it for everyone? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Starlxt2:17 - History of the Band10:30 - Spites Are Looming14:13 - Zeroes And Ones17:08 - 1040 mOutro - Id Et Mien
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>request review</a> takes us to the unexplored world of <a href='http://www.allmusic.com/artist/mars-accelerator-mn0000357023/'>Mars Accelerator</a>, and their sophomore release from 1998, Frankfurt: Telephonics. Exploring the mathematical side of indie rock, Mars Accelerator aren't afraid to incorporate long sections of noise and dissonance paired with Built To Spill and Polvo-esque guitar riffage. Frankfurt: Telephonics is an interesting album, but is it for everyone? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Starlxt2:17 - History of the Band10:30 - Spites Are Looming14:13 - Zeroes And Ones17:08 - 1040 mOutro - Id Et Mien<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bztnk9/DMO172-MarsAcc.mp3" length="54558983" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's request review takes us to the unexplored world of Mars Accelerator, and their sophomore release from 1998, Frankfurt: Telephonics. Exploring the mathematical side of indie rock, Mars Accelerator aren't afraid to incorporate long sections of noise and dissonance paired with Built To Spill and Polvo-esque guitar riffage. Frankfurt: Telephonics is an interesting album, but is it for everyone? Tune in to find out.Songs in this Episode:Intro - Starlxt2:17 - History of the Band10:30 - Spites Are Looming14:13 - Zeroes And Ones17:08 - 1040 mOutro - Id Et MienFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2255</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#171: Bang, the Earth is Round by The Sugarplastic</title>
        <itunes:title>#171: Bang, the Earth is Round by The Sugarplastic</itunes:title>
        <link>https://digmeout.podbean.com/e/171-bang-the-earth-is-round-by-the-sugarplastic/</link>
                    <comments>https://digmeout.podbean.com/e/171-bang-the-earth-is-round-by-the-sugarplastic/#comments</comments>        <pubDate>Tue, 22 Apr 2014 01:00:06 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/171-bang-the-earth-is-round-by-the-sugarplastic/</guid>
                                    <description><![CDATA[We're back with another listener review, this week week exploring the quirky power-pop of <a href='http://www.sugarplastic.com/'>The Sugarplastic</a> on their sophomore 1996 release, Band The Earth Is Round. The Sugarplastic combine the twisted pop of XTC and the Pixies with clear Beatles influence, occasionally detouring into They Might Be Giants and Presidents of the United States goofy-pop territory. The album works in places, but does it make for a cohesive listen? Tune in to find out.<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Another Myself</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">2:35 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">11:37 - Another Myself</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">16:29 - Polly Brown</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">19:04 - Sheep</p>
Outro - Transworld Modal Operator
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[We're back with another listener review, this week week exploring the quirky power-pop of <a href='http://www.sugarplastic.com/'>The Sugarplastic</a> on their sophomore 1996 release, Band The Earth Is Round. The Sugarplastic combine the twisted pop of XTC and the Pixies with clear Beatles influence, occasionally detouring into They Might Be Giants and Presidents of the United States goofy-pop territory. The album works in places, but does it make for a cohesive listen? Tune in to find out.<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Another Myself</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">2:35 - History of the Band</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">11:37 - Another Myself</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">16:29 - Polly Brown</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">19:04 - Sheep</p>
Outro - Transworld Modal Operator<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gj3e9b/DMO171-SugPlast.mp3" length="42338708" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another listener review, this week week exploring the quirky power-pop of The Sugarplastic on their sophomore 1996 release, Band The Earth Is Round. The Sugarplastic combine the twisted pop of XTC and the Pixies with clear Beatles influence, occasionally detouring into They Might Be Giants and Presidents of the United States goofy-pop territory. The album works in places, but does it make for a cohesive listen? Tune in to find out.Songs in this Episode:Intro - Another Myself2:35 - History of the Band11:37 - Another Myself16:29 - Polly Brown19:04 - SheepOutro - Transworld Modal OperatorFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1746</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#170: A Very Special Afghan Whigs Episode</title>
        <itunes:title>#170: A Very Special Afghan Whigs Episode</itunes:title>
        <link>https://digmeout.podbean.com/e/170-a-very-special-afghan-whigs-episode/</link>
                    <comments>https://digmeout.podbean.com/e/170-a-very-special-afghan-whigs-episode/#comments</comments>        <pubDate>Tue, 15 Apr 2014 01:00:30 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/170-a-very-special-afghan-whigs-episode/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Grab a beverage, find a comfortable seat, or hop in the car for a road trip, because this is a long one. We take in an in-depth look at the history of one our favorite bands, <a href='http://theafghanwhigs.com/'>The Afghan Whigs</a>, with special guest Lee Heidel, proprietor of <a href='http://www.summerskiss.com/'>SummerKiss.com</a>, the longest running and most comprehensive Afghan Whigs, Twilight Singers, Gutter Twins and all-things Greg Dulli website on the planet. Then, we go off into uncharted territory and review a new album! Do To The Beast is the first Afghan Whigs album in sixteen years, but did the beast slay our expectations? The results may shock you, tune in to find out. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Gentlemen</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">15:27 - Retarded</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">21:47 - Come See About Me</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">35:05 - Stage Banter/Never Take The Place of Your Man</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">42:33 - 66</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:06:23 - Matamoros</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:17:16 - Algiers</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:47:30 - Royal Cream</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:55:42 - These Sticks</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Outro - Miles Iz Dead</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Grab a beverage, find a comfortable seat, or hop in the car for a road trip, because this is a long one. We take in an in-depth look at the history of one our favorite bands, <a href='http://theafghanwhigs.com/'>The Afghan Whigs</a>, with special guest Lee Heidel, proprietor of <a href='http://www.summerskiss.com/'>SummerKiss.com</a>, the longest running and most comprehensive Afghan Whigs, Twilight Singers, Gutter Twins and all-things Greg Dulli website on the planet. Then, we go off into uncharted territory and review a new album! Do To The Beast is the first Afghan Whigs album in sixteen years, but did the beast slay our expectations? The results may shock you, tune in to find out. </p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Songs in this Episode:</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Intro - Gentlemen</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">15:27 - Retarded</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">21:47 - Come See About Me</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">35:05 - Stage Banter/Never Take The Place of Your Man</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">42:33 - 66</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:06:23 - Matamoros</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:17:16 - Algiers</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:47:30 - Royal Cream</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">1:55:42 - These Sticks</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;">Outro - Miles Iz Dead</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:19.600000381469727px;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;"></p>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y52un3/DMO170-AW.mp3" length="190255503" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Grab a beverage, find a comfortable seat, or hop in the car for a road trip, because this is a long one. We take in an in-depth look at the history of one our favorite bands, The Afghan Whigs, with special guest Lee Heidel, proprietor of SummerKiss.com, the longest running and most comprehensive Afghan Whigs, Twilight Singers, Gutter Twins and all-things Greg Dulli website on the planet. Then, we go off into uncharted territory and review a new album! Do To The Beast is the first Afghan Whigs album in sixteen years, but did the beast slay our expectations? The results may shock you, tune in to find out. Songs in this Episode:Intro - Gentlemen15:27 - Retarded21:47 - Come See About Me35:05 - Stage Banter/Never Take The Place of Your Man42:33 - 661:06:23 - Matamoros1:17:16 - Algiers1:47:30 - Royal Cream1:55:42 - These SticksOutro - Miles Iz DeadFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7909</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#169: Play With Love by Crow</title>
        <itunes:title>#169: Play With Love by Crow</itunes:title>
        <link>https://digmeout.podbean.com/e/169-play-with-love-by-crow/</link>
                    <comments>https://digmeout.podbean.com/e/169-play-with-love-by-crow/#comments</comments>        <pubDate>Tue, 08 Apr 2014 01:00:57 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/169-play-with-love-by-crow/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">We're back again to Australian for this week's <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> - the 1998 album <a href='http://en.wikipedia.org/wiki/Crow_(Australian_band)'>Play With Love by Crow</a>. Dark and ominous, with comparison to Girls Against Boys and Nick Cave, Crow shift gears throughout the album, from an industrial grind one track to a samba swing on the next - a dangerous combination in the wrong hands. Does Crow have what it takes to pull it off? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - A Broken Machine4:49 - History of the Band13:03 - Hate Need16:55 - Swollen Venus21:27 - Bobby PinOutro - Press On Let Go
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">We're back again to Australian for this week's <a href='http://www.digmeoutpodcast.com/requestareview'>requested review</a> - the 1998 album <a href='http://en.wikipedia.org/wiki/Crow_(Australian_band)'>Play With Love by Crow</a>. Dark and ominous, with comparison to Girls Against Boys and Nick Cave, Crow shift gears throughout the album, from an industrial grind one track to a samba swing on the next - a dangerous combination in the wrong hands. Does Crow have what it takes to pull it off? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - A Broken Machine4:49 - History of the Band13:03 - Hate Need16:55 - Swollen Venus21:27 - Bobby PinOutro - Press On Let Go<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ayzgmw/DMO169-Crow.mp3" length="50395479" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back again to Australian for this week's requested review - the 1998 album Play With Love by Crow. Dark and ominous, with comparison to Girls Against Boys and Nick Cave, Crow shift gears throughout the album, from an industrial grind one track to a samba swing on the next - a dangerous combination in the wrong hands. Does Crow have what it takes to pull it off? Tune in to find out.Songs in this Episode:Intro - A Broken Machine4:49 - History of the Band13:03 - Hate Need16:55 - Swollen Venus21:27 - Bobby PinOutro - Press On Let GoFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2082</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#168: Elsewhere for 8 Minutes by Something for Kate</title>
        <itunes:title>#168: Elsewhere for 8 Minutes by Something for Kate</itunes:title>
        <link>https://digmeout.podbean.com/e/168-elsewhere-for-8-minutes-by-something-for-kate/</link>
                    <comments>https://digmeout.podbean.com/e/168-elsewhere-for-8-minutes-by-something-for-kate/#comments</comments>        <pubDate>Tue, 01 Apr 2014 01:00:51 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/168-elsewhere-for-8-minutes-by-something-for-kate/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our run of <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Reviews</a> continues with the 1997 debut album Elsewhere for 8 Minutes by Australia's <a href='http://somethingforkate.com/'>Something for Kate</a>. On the surface this band sounds like a slightly edgier Bush, but dig deeper (as we always do) and a more complex and interesting band appears. But what made Bush successful, besides Gavin Rossdale's beautiful hair, were the radio-friendly vocal hooks. Does SFK produce the same results? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Prick2:41 - History of the Band11:54 - Captain (Million Miles An Hour)17:39 - Prick22:10 - Working Against MeOutro - Strategy
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Our run of <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Reviews</a> continues with the 1997 debut album Elsewhere for 8 Minutes by Australia's <a href='http://somethingforkate.com/'>Something for Kate</a>. On the surface this band sounds like a slightly edgier Bush, but dig deeper (as we always do) and a more complex and interesting band appears. But what made Bush successful, besides Gavin Rossdale's beautiful hair, were the radio-friendly vocal hooks. Does SFK produce the same results? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Prick2:41 - History of the Band11:54 - Captain (Million Miles An Hour)17:39 - Prick22:10 - Working Against MeOutro - Strategy<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aq3rme/DMO168-SFK.mp3" length="55392807" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our run of Requested Reviews continues with the 1997 debut album Elsewhere for 8 Minutes by Australia's Something for Kate. On the surface this band sounds like a slightly edgier Bush, but dig deeper (as we always do) and a more complex and interesting band appears. But what made Bush successful, besides Gavin Rossdale's beautiful hair, were the radio-friendly vocal hooks. Does SFK produce the same results? Tune in to find out.Songs in this Episode:Intro - Prick2:41 - History of the Band11:54 - Captain (Million Miles An Hour)17:39 - Prick22:10 - Working Against MeOutro - StrategyFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2290</itunes:duration>
                                    </item>
    <item>
        <title>#167: Self Titled LP by Karp</title>
        <itunes:title>#167: Self Titled LP by Karp</itunes:title>
        <link>https://digmeout.podbean.com/e/167-self-titled-lp-by-karp/</link>
                    <comments>https://digmeout.podbean.com/e/167-self-titled-lp-by-karp/#comments</comments>        <pubDate>Tue, 25 Mar 2014 01:00:55 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/167-self-titled-lp-by-karp/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> provides us with one of heaviest and loudest bands we've ever covered, <a href='http://en.wikipedia.org/wiki/Karp_(band)'>Karp,</a> and their third and final album, Self Titled LP. At only eight songs and barely thirty minutes, Self Titled LP is still a challenging album to get through thanks to plenty of abrasive mid-level frequency guitar, tempos that move from Melvins-eque sludge to frenetic punk, with a screaming vocal on top of it all. How can we not love this combination? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Bacon Industry3:00 - History of the Band10:22 - Bacon Industry17:18 - Forget the Minions25:25 - D+D FantasyOutro - J is for Genius
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week's <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> provides us with one of heaviest and loudest bands we've ever covered, <a href='http://en.wikipedia.org/wiki/Karp_(band)'>Karp,</a> and their third and final album, Self Titled LP. At only eight songs and barely thirty minutes, Self Titled LP is still a challenging album to get through thanks to plenty of abrasive mid-level frequency guitar, tempos that move from Melvins-eque sludge to frenetic punk, with a screaming vocal on top of it all. How can we not love this combination? Tune in to find out.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Bacon Industry3:00 - History of the Band10:22 - Bacon Industry17:18 - Forget the Minions25:25 - D+D FantasyOutro - J is for Genius<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ewg938/DMO167-Karp.mp3" length="57229112" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's Requested Review provides us with one of heaviest and loudest bands we've ever covered, Karp, and their third and final album, Self Titled LP. At only eight songs and barely thirty minutes, Self Titled LP is still a challenging album to get through thanks to plenty of abrasive mid-level frequency guitar, tempos that move from Melvins-eque sludge to frenetic punk, with a screaming vocal on top of it all. How can we not love this combination? Tune in to find out.Songs in this Episode:Intro - Bacon Industry3:00 - History of the Band10:22 - Bacon Industry17:18 - Forget the Minions25:25 - D+D FantasyOutro - J is for GeniusFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2367</itunes:duration>
                                    </item>
    <item>
        <title>#166: Beat by Bowery Electric</title>
        <itunes:title>#166: Beat by Bowery Electric</itunes:title>
        <link>https://digmeout.podbean.com/e/166-beat-by-bowery-electric/</link>
                    <comments>https://digmeout.podbean.com/e/166-beat-by-bowery-electric/#comments</comments>        <pubDate>Tue, 18 Mar 2014 01:00:04 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/166-beat-by-bowery-electric/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">A listener suggestion takes us into previously unexplored territory - namely the ambient trip-hop of Bowery Electric, and their 1996 album Beat. Simple is an understatement, as Bowery Electric takes minimalism to near Brian Eno levels, experimenting with two-note songs and lyric-less vocals. You might expect a hate-fest from two rock lovers, and you'd be wrong. Tune in to find out where the surprises lie on Beat.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Without Stopping4:57 - History of the Band8:35 - Beat23:20 - Fear of Flying29:18 - Inside OutOutro - Coming Down
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">A listener suggestion takes us into previously unexplored territory - namely the ambient trip-hop of Bowery Electric, and their 1996 album Beat. Simple is an understatement, as Bowery Electric takes minimalism to near Brian Eno levels, experimenting with two-note songs and lyric-less vocals. You might expect a hate-fest from two rock lovers, and you'd be wrong. Tune in to find out where the surprises lie on Beat.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Without Stopping4:57 - History of the Band8:35 - Beat23:20 - Fear of Flying29:18 - Inside OutOutro - Coming Down<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ge5dx3/DMO166-BE.mp3" length="56841035" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A listener suggestion takes us into previously unexplored territory - namely the ambient trip-hop of Bowery Electric, and their 1996 album Beat. Simple is an understatement, as Bowery Electric takes minimalism to near Brian Eno levels, experimenting with two-note songs and lyric-less vocals. You might expect a hate-fest from two rock lovers, and you'd be wrong. Tune in to find out where the surprises lie on Beat.Songs in this Episode:Intro - Without Stopping4:57 - History of the Band8:35 - Beat23:20 - Fear of Flying29:18 - Inside OutOutro - Coming DownFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2350</itunes:duration>
                                    </item>
    <item>
        <title>#165: 10 Minute Warning by 10 Minute Warning</title>
        <itunes:title>#165: 10 Minute Warning by 10 Minute Warning</itunes:title>
        <link>https://digmeout.podbean.com/e/165-10-minute-warning-by-10-minute-warning/</link>
                    <comments>https://digmeout.podbean.com/e/165-10-minute-warning-by-10-minute-warning/#comments</comments>        <pubDate>Tue, 11 Mar 2014 01:00:21 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/165-10-minute-warning-by-10-minute-warning/</guid>
                                    <description><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we're tackling the one and only release by Seattle punk band <a href='http://en.wikipedia.org/wiki/10_Minute_Warning'>10 Minute Warning</a>, their 1998 self-titled album. The story of 10MW is long and troubled, taking over 20 years to release their only album, but what really matters is the music. This slab o' grunge sounds more appropriate for 1988 than 1998, but thanks to the combination of musicians and producer, 10MW sounds much more like an originator than an imitator.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Buried,3:06 - History of the Band18:01 - Face First22:21 - Buried31:26 - ErtheOutro - Pictures
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">This week we're tackling the one and only release by Seattle punk band <a href='http://en.wikipedia.org/wiki/10_Minute_Warning'>10 Minute Warning</a>, their 1998 self-titled album. The story of 10MW is long and troubled, taking over 20 years to release their only album, but what really matters is the music. This slab o' grunge sounds more appropriate for 1988 than 1998, but thanks to the combination of musicians and producer, 10MW sounds much more like an originator than an imitator.</p>
<p style="text-align:center;color:rgb(68,68,68);font-family:'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif;line-height:19.600000381469727px;">Songs in this Episode:</p>
Intro - Buried,3:06 - History of the Band18:01 - Face First22:21 - Buried31:26 - ErtheOutro - Pictures<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7wne4j/DMO165-10MWby10MW.mp3" length="58214666" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we're tackling the one and only release by Seattle punk band 10 Minute Warning, their 1998 self-titled album. The story of 10MW is long and troubled, taking over 20 years to release their only album, but what really matters is the music. This slab o' grunge sounds more appropriate for 1988 than 1998, but thanks to the combination of musicians and producer, 10MW sounds much more like an originator than an imitator.Songs in this Episode:Intro - Buried,3:06 - History of the Band18:01 - Face First22:21 - Buried31:26 - ErtheOutro - PicturesFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2408</itunes:duration>
                                    </item>
    <item>
        <title>#164: Ear Candy by King's X</title>
        <itunes:title>#164: Ear Candy by King's X</itunes:title>
        <link>https://digmeout.podbean.com/e/164-ear-candy-by-kings-x/</link>
                    <comments>https://digmeout.podbean.com/e/164-ear-candy-by-kings-x/#comments</comments>        <pubDate>Tue, 04 Mar 2014 01:00:53 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/164-ear-candy-by-kings-x/</guid>
                                    <description><![CDATA[<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">A listener suggestion brings us the sixth studio album by <a href='http://www.kingsxrocks.com/'>King's X</a>, their 1996 release Ear Candy. Respected and admired by musicians and a legion of dedicated fans, King's X may be the quintessential overlooked and under-appreciated Dig Me Out band. Despite heavy riffs, immaculate production and layers of harmonies, Ear Candy never made an impact on commercial radio. We try to figure out why.</p>
<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">Songs in this Episode:</p>
Intro - Sometime3:40 - History of the Band12:49 - The Train20:08 - American Cheese (Jerry's Pianto)29:53 - Mississippi MoonOutro - Picture
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">A listener suggestion brings us the sixth studio album by <a href='http://www.kingsxrocks.com/'>King's X</a>, their 1996 release Ear Candy. Respected and admired by musicians and a legion of dedicated fans, King's X may be the quintessential overlooked and under-appreciated Dig Me Out band. Despite heavy riffs, immaculate production and layers of harmonies, Ear Candy never made an impact on commercial radio. We try to figure out why.</p>
<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">Songs in this Episode:</p>
Intro - Sometime3:40 - History of the Band12:49 - The Train20:08 - American Cheese (Jerry's Pianto)29:53 - Mississippi MoonOutro - Picture<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b3mg6r/DMO164-ECbyKX.mp3" length="57535060" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A listener suggestion brings us the sixth studio album by King's X, their 1996 release Ear Candy. Respected and admired by musicians and a legion of dedicated fans, King's X may be the quintessential overlooked and under-appreciated Dig Me Out band. Despite heavy riffs, immaculate production and layers of harmonies, Ear Candy never made an impact on commercial radio. We try to figure out why.Songs in this Episode:Intro - Sometime3:40 - History of the Band12:49 - The Train20:08 - American Cheese (Jerry's Pianto)29:53 - Mississippi MoonOutro - PictureFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2379</itunes:duration>
                                    </item>
    <item>
        <title>#163: Psalm 69 by Ministry</title>
        <itunes:title>#163: Psalm 69 by Ministry</itunes:title>
        <link>https://digmeout.podbean.com/e/163-psalm-69-by-ministry/</link>
                    <comments>https://digmeout.podbean.com/e/163-psalm-69-by-ministry/#comments</comments>        <pubDate>Tue, 25 Feb 2014 01:00:23 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/163-psalm-69-by-ministry/</guid>
                                    <description><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Thanks to a listener suggestion, we're finally getting a chance to revisit <a href='http://www.thirteenthplanet.com/ministry/'>Ministry</a>, and their 1992 release Psalm 69. Much like the band, we cover a lot of ground with a lengthy discussion on this important and influential album, with special guest (and suggestor) Matthew Sleightholme joining us from the UK to tackle the sounds, politics and narcotic indulgences of Al Jourgenson and crew.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Songs in this Episode:</p>
Intro - N.W.O.7:52 - History of the Band21:34 - Just One Fix46:11 - Jesus Built My HotrodOutro - Corrosion
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Thanks to a listener suggestion, we're finally getting a chance to revisit <a href='http://www.thirteenthplanet.com/ministry/'>Ministry</a>, and their 1992 release Psalm 69. Much like the band, we cover a lot of ground with a lengthy discussion on this important and influential album, with special guest (and suggestor) Matthew Sleightholme joining us from the UK to tackle the sounds, politics and narcotic indulgences of Al Jourgenson and crew.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Songs in this Episode:</p>
Intro - N.W.O.7:52 - History of the Band21:34 - Just One Fix46:11 - Jesus Built My HotrodOutro - Corrosion<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><p></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cw9syp/DMO163-P69byMin.mp3" length="92706955" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a listener suggestion, we're finally getting a chance to revisit Ministry, and their 1992 release Psalm 69. Much like the band, we cover a lot of ground with a lengthy discussion on this important and influential album, with special guest (and suggestor) Matthew Sleightholme joining us from the UK to tackle the sounds, politics and narcotic indulgences of Al Jourgenson and crew.Songs in this Episode:Intro - N.W.O.7:52 - History of the Band21:34 - Just One Fix46:11 - Jesus Built My HotrodOutro - CorrosionFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3845</itunes:duration>
                                    </item>
    <item>
        <title>#162: 30 Something by Carter the Unstoppable Sex Machine</title>
        <itunes:title>#162: 30 Something by Carter the Unstoppable Sex Machine</itunes:title>
        <link>https://digmeout.podbean.com/e/162-30-something-by-carter-the-unstoppable-sex-machine/</link>
                    <comments>https://digmeout.podbean.com/e/162-30-something-by-carter-the-unstoppable-sex-machine/#comments</comments>        <pubDate>Tue, 18 Feb 2014 01:00:51 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/162-30-something-by-carter-the-unstoppable-sex-machine/</guid>
                                    <description><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">#162: 30 Something by Carter the Unstoppable Sex Machine</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Our first <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> of the year gives us a chance to check out <a href='http://www.carterusm.co.uk/'>Carter the Unstoppable Sex Machine</a>, and their 1991 sophomore album 30 Something. Carter USM run the proverbial gamut of music history, from orchestral waltzes to Pet Shop Boy-esque dance anthems to Ministry and Sex Pistol vitriol, but with a bevy of digital help. Does the 1991 keyboard and drum programming stand the test of time? Tune in to find out.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Songs in this Episode:</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Intro - Bloodsport for All</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">2:42 - History of the Band</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">7:32 - A Prince in a Pauper's Grave</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">14:51 - Billy's Smart Circus</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">20:12 - Surfin' USM</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Outro - Anytime Anyplace Anywhere</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">#162: 30 Something by Carter the Unstoppable Sex Machine</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Our first <a href='http://www.digmeoutpodcast.com/requestareview'>Requested Review</a> of the year gives us a chance to check out <a href='http://www.carterusm.co.uk/'>Carter the Unstoppable Sex Machine</a>, and their 1991 sophomore album 30 Something. Carter USM run the proverbial gamut of music history, from orchestral waltzes to Pet Shop Boy-esque dance anthems to Ministry and Sex Pistol vitriol, but with a bevy of digital help. Does the 1991 keyboard and drum programming stand the test of time? Tune in to find out.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Songs in this Episode:</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Intro - Bloodsport for All</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">2:42 - History of the Band</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">7:32 - A Prince in a Pauper's Grave</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">14:51 - Billy's Smart Circus</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">20:12 - Surfin' USM</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Outro - Anytime Anyplace Anywhere</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p></p>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/34zghu/DMO162-30SbyCtUSM.mp3" length="51862522" type="audio/mpeg"/>
        <itunes:summary><![CDATA[#162: 30 Something by Carter the Unstoppable Sex MachineOur first Requested Review of the year gives us a chance to check out Carter the Unstoppable Sex Machine, and their 1991 sophomore album 30 Something. Carter USM run the proverbial gamut of music history, from orchestral waltzes to Pet Shop Boy-esque dance anthems to Ministry and Sex Pistol vitriol, but with a bevy of digital help. Does the 1991 keyboard and drum programming stand the test of time? Tune in to find out.Songs in this Episode:Intro - Bloodsport for All2:42 - History of the Band7:32 - A Prince in a Pauper's Grave14:51 - Billy's Smart Circus20:12 - Surfin' USMOutro - Anytime Anyplace AnywhereFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2143</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#161: Stereo Type A by Cibo Matto</title>
        <itunes:title>#161: Stereo Type A by Cibo Matto</itunes:title>
        <link>https://digmeout.podbean.com/e/161-stereo-type-a-by-cibo-matto/</link>
                    <comments>https://digmeout.podbean.com/e/161-stereo-type-a-by-cibo-matto/#comments</comments>        <pubDate>Tue, 11 Feb 2014 01:00:27 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/161-stereo-type-a-by-cibo-matto/</guid>
                                    <description><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">With a new <a href='http://www.yeahbasicallycibomatto.com/'>Cibo Matto</a> album out this week, it's a perfect time to revisit the oddball band from the 90s and their sophomore album Stereo Type A from 1999. Expanding their band and sound allows the band to bring in a variety of elements and genres not heard on their debut release, but does that equal too much of a good thing? Tune into find out.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Songs in this Episode:</p>
Intro - Spoon6:38 - History of the Band20:29 - Moonchild30:05 - Speechless43:42 - StoneOutro - Sci-Fi Wasabi
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">With a new <a href='http://www.yeahbasicallycibomatto.com/'>Cibo Matto</a> album out this week, it's a perfect time to revisit the oddball band from the 90s and their sophomore album Stereo Type A from 1999. Expanding their band and sound allows the band to bring in a variety of elements and genres not heard on their debut release, but does that equal too much of a good thing? Tune into find out.</p>
<p style="text-align: center; color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px;">Songs in this Episode:</p>
Intro - Spoon6:38 - History of the Band20:29 - Moonchild30:05 - Speechless43:42 - StoneOutro - Sci-Fi Wasabi<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3gayn2/DMO161-STAbyCM.mp3" length="76243541" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new Cibo Matto album out this week, it's a perfect time to revisit the oddball band from the 90s and their sophomore album Stereo Type A from 1999. Expanding their band and sound allows the band to bring in a variety of elements and genres not heard on their debut release, but does that equal too much of a good thing? Tune into find out.Songs in this Episode:Intro - Spoon6:38 - History of the Band20:29 - Moonchild30:05 - Speechless43:42 - StoneOutro - Sci-Fi WasabiFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3159</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#160: Nu-Clear Sounds by Ash</title>
        <itunes:title>#160: Nu-Clear Sounds by Ash</itunes:title>
        <link>https://digmeout.podbean.com/e/160-nu-clear-sounds-by-ash/</link>
                    <comments>https://digmeout.podbean.com/e/160-nu-clear-sounds-by-ash/#comments</comments>        <pubDate>Tue, 04 Feb 2014 01:00:02 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/160-nu-clear-sounds-by-ash/</guid>
                                    <description><![CDATA[<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Although 90s Britpop is best known for Oasis and Blur, plenty of bands skirted the edges of stardom, among those are <a href='http://www.ash-official.com/'>Ash</a>. This week we revisit their 1998 sophomore album Nu-Clear Sounds. Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant. Is it genius, or jarring? Tune in to find out.</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Songs in this Episode:</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Intro - Jesus Says</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">3:50 - History of the Band</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">8:54 - Projects</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">16:49 - Wild Surf</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">27:50 - Fortune Teller</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Outro - Folk Song</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Although 90s Britpop is best known for Oasis and Blur, plenty of bands skirted the edges of stardom, among those are <a href='http://www.ash-official.com/'>Ash</a>. This week we revisit their 1998 sophomore album Nu-Clear Sounds. Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant. Is it genius, or jarring? Tune in to find out.</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Songs in this Episode:</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Intro - Jesus Says</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">3:50 - History of the Band</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">8:54 - Projects</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">16:49 - Wild Surf</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">27:50 - Fortune Teller</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Outro - Folk Song</p>
<p style="text-align: center;color: rgb(68, 68, 68); font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19.600000381469727px; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; ">Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8qen9/DMO160-NCSbyAsh.mp3" length="58210275" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Although 90s Britpop is best known for Oasis and Blur, plenty of bands skirted the edges of stardom, among those are Ash. This week we revisit their 1998 sophomore album Nu-Clear Sounds. Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant. Is it genius, or jarring? Tune in to find out.Songs in this Episode:Intro - Jesus Says3:50 - History of the Band8:54 - Projects16:49 - Wild Surf27:50 - Fortune TellerOutro - Folk SongFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2408</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#159: Grande Rock by The Hellacopters</title>
        <itunes:title>#159: Grande Rock by The Hellacopters</itunes:title>
        <link>https://digmeout.podbean.com/e/159-grande-rock-by-the-hellacopters/</link>
                    <comments>https://digmeout.podbean.com/e/159-grande-rock-by-the-hellacopters/#comments</comments>        <pubDate>Tue, 28 Jan 2014 01:00:50 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/159-grande-rock-by-the-hellacopters/</guid>
                                    <description><![CDATA[<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">It’s time to bring the rock, Grand Rock that is, in the form of Sweden’s <a href='http://www.hellacopters.com/'>The Hellacopters</a>, and their 1999 album. Borrowing equally from the Motown garage rock of the MCS, Stooges and Sonic Rendezvous Band, as well as stadium rockers like KISS and The Who, The Hellacopters combine it all into one big, bombastic record. While the stripped down garage rock of The White Stripes and Strokes would kick-off the '00s, The Hellacopters among a slew of other Swedish acts would put their own high-octane spin on it. We explore their game-changing third album, and discuss why Grande Rock wasn't a Grande Hit.</p>
<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">Songs in this Episode:</p>
Intro - Move Right Out of Here4:12 - History of the Band17:42 - Welcome to Hell22:57 - Paul Stanley32:51 - LonelyOutro - The Devil Stole the Beat from the Lord
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">It’s time to bring the rock, Grand Rock that is, in the form of Sweden’s <a href='http://www.hellacopters.com/'>The Hellacopters</a>, and their 1999 album. Borrowing equally from the Motown garage rock of the MCS, Stooges and Sonic Rendezvous Band, as well as stadium rockers like KISS and The Who, The Hellacopters combine it all into one big, bombastic record. While the stripped down garage rock of The White Stripes and Strokes would kick-off the '00s, The Hellacopters among a slew of other Swedish acts would put their own high-octane spin on it. We explore their game-changing third album, and discuss why Grande Rock wasn't a Grande Hit.</p>
<p style="text-align: center; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; line-height: 19.600000381469727px; color: rgb(68, 68, 68);">Songs in this Episode:</p>
Intro - Move Right Out of Here4:12 - History of the Band17:42 - Welcome to Hell22:57 - Paul Stanley32:51 - LonelyOutro - The Devil Stole the Beat from the Lord<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2vjjna/DMO159-GRbyTH.mp3" length="70481346" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s time to bring the rock, Grand Rock that is, in the form of Sweden’s The Hellacopters, and their 1999 album. Borrowing equally from the Motown garage rock of the MCS, Stooges and Sonic Rendezvous Band, as well as stadium rockers like KISS and The Who, The Hellacopters combine it all into one big, bombastic record. While the stripped down garage rock of The White Stripes and Strokes would kick-off the '00s, The Hellacopters among a slew of other Swedish acts would put their own high-octane spin on it. We explore their game-changing third album, and discuss why Grande Rock wasn't a Grande Hit.Songs in this Episode:Intro - Move Right Out of Here4:12 - History of the Band17:42 - Welcome to Hell22:57 - Paul Stanley32:51 - LonelyOutro - The Devil Stole the Beat from the LordFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2919</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#158: Happy Days by Catherine Wheel</title>
        <itunes:title>#158: Happy Days by Catherine Wheel</itunes:title>
        <link>https://digmeout.podbean.com/e/158-happy-days-by-catherine-wheel/</link>
                    <comments>https://digmeout.podbean.com/e/158-happy-days-by-catherine-wheel/#comments</comments>        <pubDate>Tue, 21 Jan 2014 01:00:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/158-happy-days-by-catherine-wheel/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We've talked about <a href='http://en.wikipedia.org/wiki/Catherine_Wheel'>Catherine Wheel</a> many times throughout the years, finally we're getting around to reviewing an album - their 1995 release Happy Days. Although their sophomore album Chrome hinted at a heavier sound from the band, their earlier shoegaze influences were still evident. Not so on Happy Days, which amps up the volume and dips into the New Wave of British Heavy Metal the same way Billy Corgan would on the Smashing Pumpkins 'Gish' and 'Siamese Dream.' Many fans were caught off guard while the band attracted a whole new audience thanks to a pair of semi-successful singles. Does Catherine Wheel's embrace of metal riffage stand the test time? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
Intro - Judy Staring at the Sun6:34 - History of the Band12:12 - God Inside My Head24:37 - Heal32:15 - My ExhibitionOutro - Receive<ul>
</ul>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We've talked about <a href='http://en.wikipedia.org/wiki/Catherine_Wheel'>Catherine Wheel</a> many times throughout the years, finally we're getting around to reviewing an album - their 1995 release Happy Days. Although their sophomore album Chrome hinted at a heavier sound from the band, their earlier shoegaze influences were still evident. Not so on Happy Days, which amps up the volume and dips into the New Wave of British Heavy Metal the same way Billy Corgan would on the Smashing Pumpkins 'Gish' and 'Siamese Dream.' Many fans were caught off guard while the band attracted a whole new audience thanks to a pair of semi-successful singles. Does Catherine Wheel's embrace of metal riffage stand the test time? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
Intro - Judy Staring at the Sun6:34 - History of the Band12:12 - God Inside My Head24:37 - Heal32:15 - My ExhibitionOutro - Receive<ul>
</ul>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eqxeeh/DMO158-HDbyCW.mp3" length="86596180" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've talked about Catherine Wheel many times throughout the years, finally we're getting around to reviewing an album - their 1995 release Happy Days. Although their sophomore album Chrome hinted at a heavier sound from the band, their earlier shoegaze influences were still evident. Not so on Happy Days, which amps up the volume and dips into the New Wave of British Heavy Metal the same way Billy Corgan would on the Smashing Pumpkins 'Gish' and 'Siamese Dream.' Many fans were caught off guard while the band attracted a whole new audience thanks to a pair of semi-successful singles. Does Catherine Wheel's embrace of metal riffage stand the test time? Tune in to find out.
Songs in this Episode:
Intro - Judy Staring at the Sun6:34 - History of the Band12:12 - God Inside My Head24:37 - Heal32:15 - My ExhibitionOutro - Receive
Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3590</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#157: Regretfully Yours by Superdrag</title>
        <itunes:title>#157: Regretfully Yours by Superdrag</itunes:title>
        <link>https://digmeout.podbean.com/e/157-regretfully-yours-by-superdrag/</link>
                    <comments>https://digmeout.podbean.com/e/157-regretfully-yours-by-superdrag/#comments</comments>        <pubDate>Tue, 14 Jan 2014 01:00:33 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/157-regretfully-yours-by-superdrag/</guid>
                                    <description><![CDATA[Our second review of 2014 takes us to Knoxville, Tennessee to revisit the major label debut album Regretfully Yours by Superdrag. Released in 1996, the same year Alanis Morissette topped the charts while bands like The Verve Pipe, Dave Matthews and Rage Against the Machine followed closely behind, the retro power-pop of Superdrag seems radically out of place. Though they managed to breakthrough with Sucked Out, a minor hit, the band never crossed over into mainstream consciousness.
Songs in this Episode:
Intro - Sucked Out4:03 - History of the Band8:52 - Slot Machine12:49 - Phaser22:41 - Destination Ursa Major31:02 - N.A. KickerOutro - Rocket
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[Our second review of 2014 takes us to Knoxville, Tennessee to revisit the major label debut album Regretfully Yours by Superdrag. Released in 1996, the same year Alanis Morissette topped the charts while bands like The Verve Pipe, Dave Matthews and Rage Against the Machine followed closely behind, the retro power-pop of Superdrag seems radically out of place. Though they managed to breakthrough with Sucked Out, a minor hit, the band never crossed over into mainstream consciousness.<br>
Songs in this Episode:<br>
Intro - Sucked Out4:03 - History of the Band8:52 - Slot Machine12:49 - Phaser22:41 - Destination Ursa Major31:02 - N.A. KickerOutro - Rocket<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5bwf43/DMO157-RYbySD.mp3" length="55667409" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our second review of 2014 takes us to Knoxville, Tennessee to revisit the major label debut album Regretfully Yours by Superdrag. Released in 1996, the same year Alanis Morissette topped the charts while bands like The Verve Pipe, Dave Matthews and Rage Against the Machine followed closely behind, the retro power-pop of Superdrag seems radically out of place. Though they managed to breakthrough with Sucked Out, a minor hit, the band never crossed over into mainstream consciousness.Songs in this Episode:Intro - Sucked Out4:03 - History of the Band8:52 - Slot Machine12:49 - Phaser22:41 - Destination Ursa Major31:02 - N.A. KickerOutro - RocketFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2302</itunes:duration>
                                    </item>
    <item>
        <title>#156: Villa Elaine by Remy Zero</title>
        <itunes:title>#156: Villa Elaine by Remy Zero</itunes:title>
        <link>https://digmeout.podbean.com/e/156-villa-elaine-by-remy-zero/</link>
                    <comments>https://digmeout.podbean.com/e/156-villa-elaine-by-remy-zero/#comments</comments>        <pubDate>Tue, 07 Jan 2014 01:00:37 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/156-villa-elaine-by-remy-zero/</guid>
                                    <description><![CDATA[For our first review of Season 4, we're revisiting the 1998 sophomore album Villa Elaine by Remy Zero. Comparisons at the time to Radiohead were common, but time reveals other influences creeping in from track to track, making what some would call a diverse, other inconsistent, listen. Is it a worthy album, or does the variety sink Villa Elaine? Tune in to find out.
Songs in this Episode:
Intro - Prophecy3:22 - History of the Band10:14 - Hermes Bird21:54 - Problem26:24 - Gramarye33:20 - FairOutro - Goodbye Little World
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></description>
                                                            <content:encoded><![CDATA[For our first review of Season 4, we're revisiting the 1998 sophomore album Villa Elaine by Remy Zero. Comparisons at the time to Radiohead were common, but time reveals other influences creeping in from track to track, making what some would call a diverse, other inconsistent, listen. Is it a worthy album, or does the variety sink Villa Elaine? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Prophecy3:22 - History of the Band10:14 - Hermes Bird21:54 - Problem26:24 - Gramarye33:20 - FairOutro - Goodbye Little World<br>
Follow on <a href='https://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a> / <a href='http://www.zazzle.com/gifts?ch=digmeoutpodcast'>Buy A T-Shirt</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/quwm28/DMO156-VEbyRZ.mp3" length="60201431" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our first review of Season 4, we're revisiting the 1998 sophomore album Villa Elaine by Remy Zero. Comparisons at the time to Radiohead were common, but time reveals other influences creeping in from track to track, making what some would call a diverse, other inconsistent, listen. Is it a worthy album, or does the variety sink Villa Elaine? Tune in to find out.Songs in this Episode:Intro - Prophecy3:22 - History of the Band10:14 - Hermes Bird21:54 - Problem26:24 - Gramarye33:20 - FairOutro - Goodbye Little WorldFollow on Twitter / FacebookRequest A Review / Buy A T-Shirt]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2491</itunes:duration>
                                    </item>
    <item>
        <title>#155: Season Three Review</title>
        <itunes:title>#155: Season Three Review</itunes:title>
        <link>https://digmeout.podbean.com/e/155-season-three-review/</link>
                    <comments>https://digmeout.podbean.com/e/155-season-three-review/#comments</comments>        <pubDate>Tue, 31 Dec 2013 01:00:16 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/155-season-three-review/</guid>
                                    <description><![CDATA[Our third season is a wrap, so it's time to recap. We've found our favorite tunes of the past season, and picked our album discovery of the year. Surprises? Maybe. Disagreement? Possible. Tune in to find out, to hear who received our Request a Review Thank You drawing, and for news about the upcoming 2014 season.
Songs in this Episode - you have to listen to find out!
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Our third season is a wrap, so it's time to recap. We've found our favorite tunes of the past season, and picked our album discovery of the year. Surprises? Maybe. Disagreement? Possible. Tune in to find out, to hear who received our Request a Review Thank You drawing, and for news about the upcoming 2014 season.<br>
Songs in this Episode - you have to listen to find out!<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xksgm/DMO155-Season3Review.mp3" length="67470166" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our third season is a wrap, so it's time to recap. We've found our favorite tunes of the past season, and picked our album discovery of the year. Surprises? Maybe. Disagreement? Possible. Tune in to find out, to hear who received our Request a Review Thank You drawing, and for news about the upcoming 2014 season.Songs in this Episode - you have to listen to find out!Follow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2793</itunes:duration>
                                    </item>
    <item>
        <title>#154: Superfriends by Sweet Water</title>
        <itunes:title>#154: Superfriends by Sweet Water</itunes:title>
        <link>https://digmeout.podbean.com/e/154-superfriends-by-sweet-water/</link>
                    <comments>https://digmeout.podbean.com/e/154-superfriends-by-sweet-water/#comments</comments>        <pubDate>Tue, 24 Dec 2013 01:00:17 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/154-superfriends-by-sweet-water/</guid>
                                    <description><![CDATA[Our final review of the year brings us the 1995 album Superfriends by Sweet Water. Although released right smack in the middle of the 90s, this album feels out of place thanks to big guitar riffs more reminiscent of the 1980s and a lack of anything "alternative." The single "Superstar" failed to connect with a big audience, but there is no doubting it's a damn good song. So how does the rest of the album compare? Tune in to find out.
Songs in this Episode:
Intro - Cake and Strychnine4:42 - History of the Band13:28 - Happy18:07 - Superstar20:44 - No Syrup for Your PancakesOutro - Adeline
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Our final review of the year brings us the 1995 album Superfriends by Sweet Water. Although released right smack in the middle of the 90s, this album feels out of place thanks to big guitar riffs more reminiscent of the 1980s and a lack of anything "alternative." The single "Superstar" failed to connect with a big audience, but there is no doubting it's a damn good song. So how does the rest of the album compare? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Cake and Strychnine4:42 - History of the Band13:28 - Happy18:07 - Superstar20:44 - No Syrup for Your PancakesOutro - Adeline<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5h55/DMO154-SbySweetWater.mp3" length="46961745" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our final review of the year brings us the 1995 album Superfriends by Sweet Water. Although released right smack in the middle of the 90s, this album feels out of place thanks to big guitar riffs more reminiscent of the 1980s and a lack of anything "alternative." The single "Superstar" failed to connect with a big audience, but there is no doubting it's a damn good song. So how does the rest of the album compare? Tune in to find out.Songs in this Episode:Intro - Cake and Strychnine4:42 - History of the Band13:28 - Happy18:07 - Superstar20:44 - No Syrup for Your PancakesOutro - AdelineFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1939</itunes:duration>
                                    </item>
    <item>
        <title>#153: Squinting Before The Dazzle by Throneberry</title>
        <itunes:title>#153: Squinting Before The Dazzle by Throneberry</itunes:title>
        <link>https://digmeout.podbean.com/e/153-squinting-before-the-dazzle-by-throneberry/</link>
                    <comments>https://digmeout.podbean.com/e/153-squinting-before-the-dazzle-by-throneberry/#comments</comments>        <pubDate>Tue, 17 Dec 2013 01:00:12 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/153-squinting-before-the-dazzle-by-throneberry/</guid>
                                    <description><![CDATA[We haven't visited our home state of Ohio in awhile, so this week we're making a trip to Cincinnati to check out Throneberry, and their 1998 album Squinting Before the Dazzle. In the 90s they drew comparisons to fellow 'nati residents The Afghan Whigs, but time has provided more perspective on their third and final record. Are they truly a lesser imitation, or does Throneberry step out of shadow and into their light. Tune in to find out.
Songs in this Episode:
Intro - Summer School3:43 - History of the Band8:53 - Squint Before The Dazzle12:35 - Guerrilla Skies17:53 - Shut UpOutro - Isn't It A Pity
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[We haven't visited our home state of Ohio in awhile, so this week we're making a trip to Cincinnati to check out Throneberry, and their 1998 album Squinting Before the Dazzle. In the 90s they drew comparisons to fellow 'nati residents The Afghan Whigs, but time has provided more perspective on their third and final record. Are they truly a lesser imitation, or does Throneberry step out of shadow and into their light. Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Summer School3:43 - History of the Band8:53 - Squint Before The Dazzle12:35 - Guerrilla Skies17:53 - Shut UpOutro - Isn't It A Pity<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ad8exi/DMO153-SBTDbyThrone.mp3" length="52922677" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We haven't visited our home state of Ohio in awhile, so this week we're making a trip to Cincinnati to check out Throneberry, and their 1998 album Squinting Before the Dazzle. In the 90s they drew comparisons to fellow 'nati residents The Afghan Whigs, but time has provided more perspective on their third and final record. Are they truly a lesser imitation, or does Throneberry step out of shadow and into their light. Tune in to find out.Songs in this Episode:Intro - Summer School3:43 - History of the Band8:53 - Squint Before The Dazzle12:35 - Guerrilla Skies17:53 - Shut UpOutro - Isn't It A PityFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2187</itunes:duration>
                                    </item>
    <item>
        <title>#152: Inhaler by Tad</title>
        <itunes:title>#152: Inhaler by Tad</itunes:title>
        <link>https://digmeout.podbean.com/e/152-inhaler-by-tad/</link>
                    <comments>https://digmeout.podbean.com/e/152-inhaler-by-tad/#comments</comments>        <pubDate>Tue, 10 Dec 2013 01:00:14 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/152-inhaler-by-tad/</guid>
                                    <description><![CDATA[Jason wanted to bring the heavy back, so he made this week's pick, the 1993 album Inhaler by Tad. One of the bands often mentioned along with Soundgarden, Alice in Chains and Pearl Jam as early members of the Seattle grunge movement, but never achieving the same level of recognition or success, Tad tread in heavier and harder sounds. Some consider this a lost classic, but do we? Tune in to find out.
Songs in this Episode:
Intro - Grease Box5:55 - History of the Band19:58 - Grease Box23:39 - Lycanthrope26:53 - Just Bought The FarmOutro - Rotor
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Jason wanted to bring the heavy back, so he made this week's pick, the 1993 album Inhaler by Tad. One of the bands often mentioned along with Soundgarden, Alice in Chains and Pearl Jam as early members of the Seattle grunge movement, but never achieving the same level of recognition or success, Tad tread in heavier and harder sounds. Some consider this a lost classic, but do we? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Grease Box5:55 - History of the Band19:58 - Grease Box23:39 - Lycanthrope26:53 - Just Bought The FarmOutro - Rotor<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2zurk2/DMO152-InhalerbyTad.mp3" length="50038132" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jason wanted to bring the heavy back, so he made this week's pick, the 1993 album Inhaler by Tad. One of the bands often mentioned along with Soundgarden, Alice in Chains and Pearl Jam as early members of the Seattle grunge movement, but never achieving the same level of recognition or success, Tad tread in heavier and harder sounds. Some consider this a lost classic, but do we? Tune in to find out.Songs in this Episode:Intro - Grease Box5:55 - History of the Band19:58 - Grease Box23:39 - Lycanthrope26:53 - Just Bought The FarmOutro - RotorFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2067</itunes:duration>
                                    </item>
    <item>
        <title>#151: Sweet Relief - A Benefit for Victoria Williams</title>
        <itunes:title>#151: Sweet Relief - A Benefit for Victoria Williams</itunes:title>
        <link>https://digmeout.podbean.com/e/151-sweet-relief-a-benefit-for-victoria-williams/</link>
                    <comments>https://digmeout.podbean.com/e/151-sweet-relief-a-benefit-for-victoria-williams/#comments</comments>        <pubDate>Tue, 03 Dec 2013 01:00:51 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/151-sweet-relief-a-benefit-for-victoria-williams/</guid>
                                    <description><![CDATA[Thanks to a recent Facebook poll, this week we're tackling a 1990s benefit album, specifically the 1993 compilation Sweet Relief - A Benefit for Victoria Williams. As with any tribute record, some artists will stay true to the original version, while others will make the songs their own, which can lead to mixed results. Tune in to find out where Pearl Jam, Lou Reed, Shudder to Think and more come out as we go track-by-track through the album.
Songs in this Episode:
Intro - Summer of Drugs7:48 - Summer of Drugs16:22 - Weeds23:23 - This MomentOutro - Crazy Mary
 Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Thanks to a recent Facebook poll, this week we're tackling a 1990s benefit album, specifically the 1993 compilation Sweet Relief - A Benefit for Victoria Williams. As with any tribute record, some artists will stay true to the original version, while others will make the songs their own, which can lead to mixed results. Tune in to find out where Pearl Jam, Lou Reed, Shudder to Think and more come out as we go track-by-track through the album.<br>
Songs in this Episode:<br>
Intro - Summer of Drugs7:48 - Summer of Drugs16:22 - Weeds23:23 - This MomentOutro - Crazy Mary<br>
 Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y6qpuy/DMO151-SweetRelief.mp3" length="54432345" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a recent Facebook poll, this week we're tackling a 1990s benefit album, specifically the 1993 compilation Sweet Relief - A Benefit for Victoria Williams. As with any tribute record, some artists will stay true to the original version, while others will make the songs their own, which can lead to mixed results. Tune in to find out where Pearl Jam, Lou Reed, Shudder to Think and more come out as we go track-by-track through the album.Songs in this Episode:Intro - Summer of Drugs7:48 - Summer of Drugs16:22 - Weeds23:23 - This MomentOutro - Crazy Mary Follow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2250</itunes:duration>
                                    </item>
    <item>
        <title>#150: Magazine by Jump, Little Children</title>
        <itunes:title>#150: Magazine by Jump, Little Children</itunes:title>
        <link>https://digmeout.podbean.com/e/150-magazine-by-jump-little-children/</link>
                    <comments>https://digmeout.podbean.com/e/150-magazine-by-jump-little-children/#comments</comments>        <pubDate>Tue, 26 Nov 2013 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/150-magazine-by-jump-little-children/</guid>
                                    <description><![CDATA[This week's Requested Review comes from a group that started as a busking Irish folk band. But Jump, Little Children, and their 1998 album Magazine, are far from their origins, combining high-energy pop rock with more introspective mid and slower tempo tunes.
Songs in this Episode:
Intro - Not Today1:49 - History of the Band10:13 - Violet Dreams15:42 - Cathedrals18:12 - Body PartsOutro - My Guitar
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[This week's Requested Review comes from a group that started as a busking Irish folk band. But Jump, Little Children, and their 1998 album Magazine, are far from their origins, combining high-energy pop rock with more introspective mid and slower tempo tunes.<br>
Songs in this Episode:<br>
Intro - Not Today1:49 - History of the Band10:13 - Violet Dreams15:42 - Cathedrals18:12 - Body PartsOutro - My Guitar<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qf95fg/DMO150-MbyJLC.mp3" length="46605636" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week's Requested Review comes from a group that started as a busking Irish folk band. But Jump, Little Children, and their 1998 album Magazine, are far from their origins, combining high-energy pop rock with more introspective mid and slower tempo tunes.Songs in this Episode:Intro - Not Today1:49 - History of the Band10:13 - Violet Dreams15:42 - Cathedrals18:12 - Body PartsOutro - My GuitarFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1924</itunes:duration>
                                    </item>
    <item>
        <title>#149: Grand Slam by Spiderbait</title>
        <itunes:title>#149: Grand Slam by Spiderbait</itunes:title>
        <link>https://digmeout.podbean.com/e/149-grand-slam-by-spiderbait/</link>
                    <comments>https://digmeout.podbean.com/e/149-grand-slam-by-spiderbait/#comments</comments>        <pubDate>Tue, 19 Nov 2013 01:10:37 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/149-grand-slam-by-spiderbait/</guid>
                                    <description><![CDATA[Our latest listener request takes us back down under to revisit the 1999 album Grand Slam by Spiderbait, an odd mix of power pop, metal, trip-hop, brit pop and just about every other genre from the 90s. In fact, Grand Slam feels like a 90s mix that tries to cover a variety of sounds from the decade (minus ska and nu-metal, thankfully). It's weird, it's long, and we kinda dig it. Tune in to find out why.
Songs in this Episode:
Intro - Shazam!2:21 - History of the Band7:49 - Shazam!10:13 - Bessy's Last Journey13:17 - King of the NorthernOutro - Glokenpop
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Our latest listener request takes us back down under to revisit the 1999 album Grand Slam by Spiderbait, an odd mix of power pop, metal, trip-hop, brit pop and just about every other genre from the 90s. In fact, Grand Slam feels like a 90s mix that tries to cover a variety of sounds from the decade (minus ska and nu-metal, thankfully). It's weird, it's long, and we kinda dig it. Tune in to find out why.<br>
Songs in this Episode:<br>
Intro - Shazam!2:21 - History of the Band7:49 - Shazam!10:13 - Bessy's Last Journey13:17 - King of the NorthernOutro - Glokenpop<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ccmja5/DMO149-GSbySpider.mp3" length="52251851" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our latest listener request takes us back down under to revisit the 1999 album Grand Slam by Spiderbait, an odd mix of power pop, metal, trip-hop, brit pop and just about every other genre from the 90s. In fact, Grand Slam feels like a 90s mix that tries to cover a variety of sounds from the decade (minus ska and nu-metal, thankfully). It's weird, it's long, and we kinda dig it. Tune in to find out why.Songs in this Episode:Intro - Shazam!2:21 - History of the Band7:49 - Shazam!10:13 - Bessy's Last Journey13:17 - King of the NorthernOutro - GlokenpopFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2159</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#148: Neverland by Neverland</title>
        <itunes:title>#148: Neverland by Neverland</itunes:title>
        <link>https://digmeout.podbean.com/e/148-neverland-by-neverland/</link>
                    <comments>https://digmeout.podbean.com/e/148-neverland-by-neverland/#comments</comments>        <pubDate>Tue, 12 Nov 2013 01:00:46 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/148-neverland-by-neverland/</guid>
                                    <description><![CDATA[Having just explored the lone album from the Holy Barbarians, we decided to investigate further the guitar/drum combo of Patrick Sugg and Scott Garrett on their 1991 self-titled album by Neverland. On the edge of 80s glam metal and 90s alternative, Neverland isn't as easy to pin down as you might think, but do they do any of it particularly well? Tune in to find out.
Songs in this Episode:
Intro - Drinking Again4:11 - History of the Band14:41 - Mama Said19:02 - For The Love27:52 - Cry All NightOutro - Talking To You
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Having just explored the lone album from the Holy Barbarians, we decided to investigate further the guitar/drum combo of Patrick Sugg and Scott Garrett on their 1991 self-titled album by Neverland. On the edge of 80s glam metal and 90s alternative, Neverland isn't as easy to pin down as you might think, but do they do any of it particularly well? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Drinking Again4:11 - History of the Band14:41 - Mama Said19:02 - For The Love27:52 - Cry All NightOutro - Talking To You<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zqmpag/DMO148-Neverland.mp3" length="54715719" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Having just explored the lone album from the Holy Barbarians, we decided to investigate further the guitar/drum combo of Patrick Sugg and Scott Garrett on their 1991 self-titled album by Neverland. On the edge of 80s glam metal and 90s alternative, Neverland isn't as easy to pin down as you might think, but do they do any of it particularly well? Tune in to find out.Songs in this Episode:Intro - Drinking Again4:11 - History of the Band14:41 - Mama Said19:02 - For The Love27:52 - Cry All NightOutro - Talking To YouFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2262</itunes:duration>
                                    </item>
    <item>
        <title>#147: Bandwagonesque by Teenage Fanclub</title>
        <itunes:title>#147: Bandwagonesque by Teenage Fanclub</itunes:title>
        <link>https://digmeout.podbean.com/e/147-bandwagonesque-by-teenage-fanclub/</link>
                    <comments>https://digmeout.podbean.com/e/147-bandwagonesque-by-teenage-fanclub/#comments</comments>        <pubDate>Tue, 05 Nov 2013 01:00:24 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/147-bandwagonesque-by-teenage-fanclub/</guid>
                                    <description><![CDATA[Almost 12 years to the day, Teenage Fanclub released their third, and some would say best, album Bandwagonesque. To help us dissect the album Spin choose as Album of the Year in 1991 (over titles like Nevermind, Badmotorfinger and Ten) is Andy Derer of The Andy Derer show. Power pop bands like Teenage Fanclub never reached the heights of success that grunge bands achieved, but that didn't stop a legion of Big Star followers from trying. 
Songs in this Episode:
Intro - December5:44 - History of the Band11:53 - What You Do To Me34:20 - AlcoholidayOutro - The Concept
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Almost 12 years to the day, Teenage Fanclub released their third, and some would say best, album Bandwagonesque. To help us dissect the album Spin choose as Album of the Year in 1991 (over titles like Nevermind, Badmotorfinger and Ten) is Andy Derer of The Andy Derer show. Power pop bands like Teenage Fanclub never reached the heights of success that grunge bands achieved, but that didn't stop a legion of Big Star followers from trying. <br>
Songs in this Episode:<br>
Intro - December5:44 - History of the Band11:53 - What You Do To Me34:20 - AlcoholidayOutro - The Concept<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/txssgu/DMO147-BbyTF.mp3" length="64465240" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Almost 12 years to the day, Teenage Fanclub released their third, and some would say best, album Bandwagonesque. To help us dissect the album Spin choose as Album of the Year in 1991 (over titles like Nevermind, Badmotorfinger and Ten) is Andy Derer of The Andy Derer show. Power pop bands like Teenage Fanclub never reached the heights of success that grunge bands achieved, but that didn't stop a legion of Big Star followers from trying. Songs in this Episode:Intro - December5:44 - History of the Band11:53 - What You Do To Me34:20 - AlcoholidayOutro - The ConceptFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2668</itunes:duration>
                                    </item>
    <item>
        <title>#146: Do You Know Who You Are? by Texas Is The Reason</title>
        <itunes:title>#146: Do You Know Who You Are? by Texas Is The Reason</itunes:title>
        <link>https://digmeout.podbean.com/e/146-do-you-know-who-you-are-by-texas-is-the-reason/</link>
                    <comments>https://digmeout.podbean.com/e/146-do-you-know-who-you-are-by-texas-is-the-reason/#comments</comments>        <pubDate>Tue, 29 Oct 2013 01:00:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/146-do-you-know-who-you-are-by-texas-is-the-reason/</guid>
                                    <description><![CDATA[To help us discuss the one and only (and legendary) album Do You Know Who You Are? by Texas Is The Reason, we're joined by Eric Grubbs, fan of the show and author of Post: A Look at the Influence of Post-Hardcore 1985-2007. We dive into the unique story of Texas Is The Reason, as well as their influences and influence on emo and post-hardcore bands that followed. And of course, we dissect one damn fine record.
Songs in this Episode:
Intro - Johnny On The Spot9:56 - Johnny On The Spot17:21 - A Jack With One EyeOutro - Every Little Girl's Dream
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[To help us discuss the one and only (and legendary) album Do You Know Who You Are? by Texas Is The Reason, we're joined by Eric Grubbs, fan of the show and author of Post: A Look at the Influence of Post-Hardcore 1985-2007. We dive into the unique story of Texas Is The Reason, as well as their influences and influence on emo and post-hardcore bands that followed. And of course, we dissect one damn fine record.<br>
Songs in this Episode:<br>
Intro - Johnny On The Spot9:56 - Johnny On The Spot17:21 - A Jack With One EyeOutro - Every Little Girl's Dream<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kx4sj3/DMO146-DYKWYAbyTITR.mp3" length="50371247" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To help us discuss the one and only (and legendary) album Do You Know Who You Are? by Texas Is The Reason, we're joined by Eric Grubbs, fan of the show and author of Post: A Look at the Influence of Post-Hardcore 1985-2007. We dive into the unique story of Texas Is The Reason, as well as their influences and influence on emo and post-hardcore bands that followed. And of course, we dissect one damn fine record.Songs in this Episode:Intro - Johnny On The Spot9:56 - Johnny On The Spot17:21 - A Jack With One EyeOutro - Every Little Girl's DreamFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3122</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#145: Cream by Holy Barbarians</title>
        <itunes:title>#145: Cream by Holy Barbarians</itunes:title>
        <link>https://digmeout.podbean.com/e/145-cream-by-holy-barbarians/</link>
                    <comments>https://digmeout.podbean.com/e/145-cream-by-holy-barbarians/#comments</comments>        <pubDate>Tue, 22 Oct 2013 01:00:14 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/145-cream-by-holy-barbarians/</guid>
                                    <description><![CDATA[Jason has a pick for our latest episode, and it's an oddball among oddballs. Ian Astbury and The Cult towed the line between goth, hard rock and alternative, and after their break-up, he continued down the road less taken and formed <a href='http://en.wikipedia.org/wiki/Holy_Barbarians_(band)'>Holy Barbarians</a>. Their lone album, 1996's Cream, stands out with it's nods to '60s psychedelia combined with modern keyboard-centric twists. Our review of the self-titled 1994 Cult album ended with gushing praise, so how does the unofficial follow-up fare? Tune in to find out.
Songs in this Episode:Intro - Space Junkie2:48 - History of the Band9:55 - You Are There12:32 - Dolly Bird20:27 - Brother FightsOutro - Bodhisattva
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Jason has a pick for our latest episode, and it's an oddball among oddballs. Ian Astbury and The Cult towed the line between goth, hard rock and alternative, and after their break-up, he continued down the road less taken and formed <a href='http://en.wikipedia.org/wiki/Holy_Barbarians_(band)'>Holy Barbarians</a>. Their lone album, 1996's Cream, stands out with it's nods to '60s psychedelia combined with modern keyboard-centric twists. Our review of the self-titled 1994 Cult album ended with gushing praise, so how does the unofficial follow-up fare? Tune in to find out.<br>
Songs in this Episode:Intro - Space Junkie2:48 - History of the Band9:55 - You Are There12:32 - Dolly Bird20:27 - Brother FightsOutro - Bodhisattva<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6se673/DMO145-CreambyHolyBarbarians.mp3" length="33259170" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jason has a pick for our latest episode, and it's an oddball among oddballs. Ian Astbury and The Cult towed the line between goth, hard rock and alternative, and after their break-up, he continued down the road less taken and formed Holy Barbarians. Their lone album, 1996's Cream, stands out with it's nods to '60s psychedelia combined with modern keyboard-centric twists. Our review of the self-titled 1994 Cult album ended with gushing praise, so how does the unofficial follow-up fare? Tune in to find out.Songs in this Episode:Intro - Space Junkie2:48 - History of the Band9:55 - You Are There12:32 - Dolly Bird20:27 - Brother FightsOutro - BodhisattvaFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2052</itunes:duration>
                                    </item>
    <item>
        <title>#144: Emergency &amp;amp; I by Dismemberment Plan</title>
        <itunes:title>#144: Emergency &amp;amp; I by Dismemberment Plan</itunes:title>
        <link>https://digmeout.podbean.com/e/144-emergency-i-by-dismemberment-plan/</link>
                    <comments>https://digmeout.podbean.com/e/144-emergency-i-by-dismemberment-plan/#comments</comments>        <pubDate>Tue, 15 Oct 2013 01:00:38 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/144-emergency-i-by-dismemberment-plan/</guid>
                                    <description><![CDATA[To wrap up our Fall of New Releases by 90s Bands schedule, we revisit the 1999 album Emergency & I by Dismemberment Plan, who recently reunited to release the new album Uncanney Valley out this week. Emergency & I combines a whole bunch of alternative rock royalty, like the Pixies, Pavement, Talking Heads and Gang of Four just to name a few, and produces a wholly individual sound. One of us is on board the D-Plan's ride, the other wants to get off after just a few stops. Yes, it's disagreement time!
Songs in this Episode:
Intro - Gyroscope2:30 - History of the Band11:50 - What Do You Want Me To Say?15:59 - A Life of Possibilities20:40 - I Love A MagicianOutro - Back and Forth
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[To wrap up our Fall of New Releases by 90s Bands schedule, we revisit the 1999 album Emergency & I by Dismemberment Plan, who recently reunited to release the new album Uncanney Valley out this week. Emergency & I combines a whole bunch of alternative rock royalty, like the Pixies, Pavement, Talking Heads and Gang of Four just to name a few, and produces a wholly individual sound. One of us is on board the D-Plan's ride, the other wants to get off after just a few stops. Yes, it's disagreement time!<br>
Songs in this Episode:<br>
Intro - Gyroscope2:30 - History of the Band11:50 - What Do You Want Me To Say?15:59 - A Life of Possibilities20:40 - I Love A MagicianOutro - Back and Forth<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r7ur89/DMO144-EIbyDismemPlan.mp3" length="38272166" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To wrap up our Fall of New Releases by 90s Bands schedule, we revisit the 1999 album Emergency & I by Dismemberment Plan, who recently reunited to release the new album Uncanney Valley out this week. Emergency & I combines a whole bunch of alternative rock royalty, like the Pixies, Pavement, Talking Heads and Gang of Four just to name a few, and produces a wholly individual sound. One of us is on board the D-Plan's ride, the other wants to get off after just a few stops. Yes, it's disagreement time!Songs in this Episode:Intro - Gyroscope2:30 - History of the Band11:50 - What Do You Want Me To Say?15:59 - A Life of Possibilities20:40 - I Love A MagicianOutro - Back and ForthFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2365</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#143: Dopes to Infinity by Monster Magnet</title>
        <itunes:title>#143: Dopes to Infinity by Monster Magnet</itunes:title>
        <link>https://digmeout.podbean.com/e/143-dopes-to-infinity-by-monster-magnet/</link>
                    <comments>https://digmeout.podbean.com/e/143-dopes-to-infinity-by-monster-magnet/#comments</comments>        <pubDate>Tue, 08 Oct 2013 01:00:03 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/143-dopes-to-infinity-by-monster-magnet/</guid>
                                    <description><![CDATA[Monster Magnet has a new record out, so you know what that means - we ignore it and review an album from their 1990s output. Before their breakout single 'Space Lord," MM scored a minor hit with 'Negasonic Teenage Warhead' off their 1995 album Dopes to Infinity. Does the whole album live up to the promise of the single, or this a case where stoner rock experimentation turns into a big mess? And what really is stoner rock, anyway? Tune in to find out.
Songs in this Episode:
Intro - I Control, I Fly3:20 - History of the Band12:26 - King of Mars15:42 - Ego, The Living Planet20:45 - Blow 'Em OffOutro - Negasonic Teenage Warhead
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Monster Magnet has a new record out, so you know what that means - we ignore it and review an album from their 1990s output. Before their breakout single 'Space Lord," MM scored a minor hit with 'Negasonic Teenage Warhead' off their 1995 album Dopes to Infinity. Does the whole album live up to the promise of the single, or this a case where stoner rock experimentation turns into a big mess? And what really is stoner rock, anyway? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - I Control, I Fly3:20 - History of the Band12:26 - King of Mars15:42 - Ego, The Living Planet20:45 - Blow 'Em OffOutro - Negasonic Teenage Warhead<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eempr7/DMO143-DTIbyMM.mp3" length="32776428" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Monster Magnet has a new record out, so you know what that means - we ignore it and review an album from their 1990s output. Before their breakout single 'Space Lord," MM scored a minor hit with 'Negasonic Teenage Warhead' off their 1995 album Dopes to Infinity. Does the whole album live up to the promise of the single, or this a case where stoner rock experimentation turns into a big mess? And what really is stoner rock, anyway? Tune in to find out.Songs in this Episode:Intro - I Control, I Fly3:20 - History of the Band12:26 - King of Mars15:42 - Ego, The Living Planet20:45 - Blow 'Em OffOutro - Negasonic Teenage WarheadFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2022</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#142: Venus Luxure No. 1 Baby by Girls Against Boys</title>
        <itunes:title>#142: Venus Luxure No. 1 Baby by Girls Against Boys</itunes:title>
        <link>https://digmeout.podbean.com/e/142-venus-luxure-no-1-baby-by-girls-against-boys/</link>
                    <comments>https://digmeout.podbean.com/e/142-venus-luxure-no-1-baby-by-girls-against-boys/#comments</comments>        <pubDate>Tue, 01 Oct 2013 01:00:31 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/142-venus-luxure-no-1-baby-by-girls-against-boys/</guid>
                                    <description><![CDATA[With their first new release in eleven years, it about time we got around to one of the most unique bands of the 90s, Girls Against Boys, and their sophomore release from 1993, Venus Luxure No. 1 Baby. With a pair of bass slingers and a vocalist buried in the mix that sounds like he's gargling rocks (that's a compliment), GVSB explores the dark and dirty side of alternative, combining elements of post-punk and industrial into a murky but often tasty stew.
Songs in this Episode:
Intro - Rockets Are Red3:41 - History of the Band11:00 - Satin Down16:58 - Get Down19:34 - Bullet Proof CupidOutro - Learned It
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[With their first new release in eleven years, it about time we got around to one of the most unique bands of the 90s, Girls Against Boys, and their sophomore release from 1993, Venus Luxure No. 1 Baby. With a pair of bass slingers and a vocalist buried in the mix that sounds like he's gargling rocks (that's a compliment), GVSB explores the dark and dirty side of alternative, combining elements of post-punk and industrial into a murky but often tasty stew.<br>
Songs in this Episode:<br>
Intro - Rockets Are Red3:41 - History of the Band11:00 - Satin Down16:58 - Get Down19:34 - Bullet Proof CupidOutro - Learned It<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tti99/DMO142-VLN1BbyGVSB.mp3" length="36950576" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With their first new release in eleven years, it about time we got around to one of the most unique bands of the 90s, Girls Against Boys, and their sophomore release from 1993, Venus Luxure No. 1 Baby. With a pair of bass slingers and a vocalist buried in the mix that sounds like he's gargling rocks (that's a compliment), GVSB explores the dark and dirty side of alternative, combining elements of post-punk and industrial into a murky but often tasty stew.Songs in this Episode:Intro - Rockets Are Red3:41 - History of the Band11:00 - Satin Down16:58 - Get Down19:34 - Bullet Proof CupidOutro - Learned ItFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2283</itunes:duration>
                                    </item>
    <item>
        <title>#141: She Hangs Brightly by Mazzy Star</title>
        <itunes:title>#141: She Hangs Brightly by Mazzy Star</itunes:title>
        <link>https://digmeout.podbean.com/e/141-she-hangs-brightly-by-mazzy-star/</link>
                    <comments>https://digmeout.podbean.com/e/141-she-hangs-brightly-by-mazzy-star/#comments</comments>        <pubDate>Tue, 24 Sep 2013 01:00:02 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/141-she-hangs-brightly-by-mazzy-star/</guid>
                                    <description><![CDATA[With a new record out, we added Mazzy Star to our list of 90s bands with new releases that we needed to check out, so this week we're revisiting their 1990 debut album She Hangs Brightly. Know for the single "Fade Into You" from their sophomore release, She Hangs Brightly showcases the band in their familiar slow-to-midtempo dreamy, shoegaze, blues-influenced sound, albeit with the occasional jazzy or noisy detour. All the elements that made "Fade Into You" a hit are there, but do they come together? Tune in to find out.
Songs in this Episode:
Intro - Ride It On4:29 - History of the Band9:53 - Halah13:10 - Be My AngelOutro - Give You My Lovin'
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[With a new record out, we added Mazzy Star to our list of 90s bands with new releases that we needed to check out, so this week we're revisiting their 1990 debut album She Hangs Brightly. Know for the single "Fade Into You" from their sophomore release, She Hangs Brightly showcases the band in their familiar slow-to-midtempo dreamy, shoegaze, blues-influenced sound, albeit with the occasional jazzy or noisy detour. All the elements that made "Fade Into You" a hit are there, but do they come together? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Ride It On4:29 - History of the Band9:53 - Halah13:10 - Be My AngelOutro - Give You My Lovin'<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ies5qa/DMO141-SHBbyMzyStr.mp3" length="30920679" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new record out, we added Mazzy Star to our list of 90s bands with new releases that we needed to check out, so this week we're revisiting their 1990 debut album She Hangs Brightly. Know for the single "Fade Into You" from their sophomore release, She Hangs Brightly showcases the band in their familiar slow-to-midtempo dreamy, shoegaze, blues-influenced sound, albeit with the occasional jazzy or noisy detour. All the elements that made "Fade Into You" a hit are there, but do they come together? Tune in to find out.Songs in this Episode:Intro - Ride It On4:29 - History of the Band9:53 - Halah13:10 - Be My AngelOutro - Give You My Lovin'Follow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1906</itunes:duration>
                                    </item>
    <item>
        <title>#140: Interview with Glen Phillips and Dean Dinning of Toad the Wet Sprocket</title>
        <itunes:title>#140: Interview with Glen Phillips and Dean Dinning of Toad the Wet Sprocket</itunes:title>
        <link>https://digmeout.podbean.com/e/140-interview-with-glen-phillips-and-dean-dinning-of-toad-the-wet-sprocket/</link>
                    <comments>https://digmeout.podbean.com/e/140-interview-with-glen-phillips-and-dean-dinning-of-toad-the-wet-sprocket/#comments</comments>        <pubDate>Tue, 17 Sep 2013 01:00:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/140-interview-with-glen-phillips-and-dean-dinning-of-toad-the-wet-sprocket/</guid>
                                    <description><![CDATA[Toad the Wet Sprocket just wrapped up their new album Kickstarter campaign, and with that new record out next month, founding members Glen Phillips and Dean Dinning stopped by to revisit their 1994 album Dulcinea, talk songwriting, maintaining independence in a major label world, the importance of maintaining the mailing list and much more.
Songs in this Episode:
Intro - Fall Down4:59 - Fly from Heaven33:04 - Fly from Heaven37:55 - Something's Always Wrong50:04 - Nanci55:41 - Fall Down1:04:05 - Begin1:14:17 - WoodburningOutro - Stupid
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Toad the Wet Sprocket just wrapped up their new album Kickstarter campaign, and with that new record out next month, founding members Glen Phillips and Dean Dinning stopped by to revisit their 1994 album Dulcinea, talk songwriting, maintaining independence in a major label world, the importance of maintaining the mailing list and much more.<br>
Songs in this Episode:<br>
Intro - Fall Down4:59 - Fly from Heaven33:04 - Fly from Heaven37:55 - Something's Always Wrong50:04 - Nanci55:41 - Fall Down1:04:05 - Begin1:14:17 - WoodburningOutro - Stupid<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yyww9/DMO140-DulcineabyTTWS.mp3" length="77027850" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Toad the Wet Sprocket just wrapped up their new album Kickstarter campaign, and with that new record out next month, founding members Glen Phillips and Dean Dinning stopped by to revisit their 1994 album Dulcinea, talk songwriting, maintaining independence in a major label world, the importance of maintaining the mailing list and much more.Songs in this Episode:Intro - Fall Down4:59 - Fly from Heaven33:04 - Fly from Heaven37:55 - Something's Always Wrong50:04 - Nanci55:41 - Fall Down1:04:05 - Begin1:14:17 - WoodburningOutro - StupidFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4788</itunes:duration>
                                    </item>
    <item>
        <title>#139: Without You I'm Nothing by Placebo</title>
        <itunes:title>#139: Without You I'm Nothing by Placebo</itunes:title>
        <link>https://digmeout.podbean.com/e/139-without-you-im-nothing-by-placebo/</link>
                    <comments>https://digmeout.podbean.com/e/139-without-you-im-nothing-by-placebo/#comments</comments>        <pubDate>Tue, 10 Sep 2013 01:00:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/139-without-you-im-nothing-by-placebo/</guid>
                                    <description><![CDATA[With a new Placebo album out this month, we thought it would be the perfect time to revisit the breakthrough album from this confusing and confrontational UK act. Their sophomore release, Without You I'm Nothing, moves between wholly unique sounds like Pure Morning and Allergic, to songs that conjure memories of New Order and the Smashing Pumpkins, although with the very unique vocal style of lead singer Brian Molko. Is Placebo for everyone? Tune in to find out.
Songs in this Episode:
Intro - Pure Morning3:33 - History of the Band8:53 - You Don't Care About Us18:09 - Allergic (To Thoughts of Mother Earth)Outro - Every You Every Me
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[With a new Placebo album out this month, we thought it would be the perfect time to revisit the breakthrough album from this confusing and confrontational UK act. Their sophomore release, Without You I'm Nothing, moves between wholly unique sounds like Pure Morning and Allergic, to songs that conjure memories of New Order and the Smashing Pumpkins, although with the very unique vocal style of lead singer Brian Molko. Is Placebo for everyone? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Pure Morning3:33 - History of the Band8:53 - You Don't Care About Us18:09 - Allergic (To Thoughts of Mother Earth)Outro - Every You Every Me<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/apgawr/DMO139-WYINbyPlacebo.mp3" length="35039669" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With a new Placebo album out this month, we thought it would be the perfect time to revisit the breakthrough album from this confusing and confrontational UK act. Their sophomore release, Without You I'm Nothing, moves between wholly unique sounds like Pure Morning and Allergic, to songs that conjure memories of New Order and the Smashing Pumpkins, although with the very unique vocal style of lead singer Brian Molko. Is Placebo for everyone? Tune in to find out.Songs in this Episode:Intro - Pure Morning3:33 - History of the Band8:53 - You Don't Care About Us18:09 - Allergic (To Thoughts of Mother Earth)Outro - Every You Every MeFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2163</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#138: Blonder Tongue Audio Baton by Swirlies</title>
        <itunes:title>#138: Blonder Tongue Audio Baton by Swirlies</itunes:title>
        <link>https://digmeout.podbean.com/e/138-blonder-tongue-audio-baton-by-swirlies/</link>
                    <comments>https://digmeout.podbean.com/e/138-blonder-tongue-audio-baton-by-swirlies/#comments</comments>        <pubDate>Tue, 03 Sep 2013 01:00:23 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/138-blonder-tongue-audio-baton-by-swirlies/</guid>
                                    <description><![CDATA[For his latest suggestion, friend-of-the-show Dirty Gert drops some shoegaze on us in the form of 1993's <a href='http://en.wikipedia.org/wiki/Blonder_Tongue_Audio_Baton'>Blonder Tongue Audio Baton by Swirlies</a>. Calling it "the greatest American shoegaze record" puts some high expectations on this album, but also raises a number of question, like actually defining "shoegaze."
Songs in this Episode:
Intro - His Love Just Washed Away2:39 - History of the Band9:48 - Bell #211:49 - Pancake23:21 - Tree Chopped DownOutro - Wrong Tube
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[For his latest suggestion, friend-of-the-show Dirty Gert drops some shoegaze on us in the form of 1993's <a href='http://en.wikipedia.org/wiki/Blonder_Tongue_Audio_Baton'>Blonder Tongue Audio Baton by Swirlies</a>. Calling it "the greatest American shoegaze record" puts some high expectations on this album, but also raises a number of question, like actually defining "shoegaze."<br>
Songs in this Episode:<br>
Intro - His Love Just Washed Away2:39 - History of the Band9:48 - Bell #211:49 - Pancake23:21 - Tree Chopped DownOutro - Wrong Tube<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kjmgnp/DMO138-BTABbySwirlies.mp3" length="32803170" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For his latest suggestion, friend-of-the-show Dirty Gert drops some shoegaze on us in the form of 1993's Blonder Tongue Audio Baton by Swirlies. Calling it "the greatest American shoegaze record" puts some high expectations on this album, but also raises a number of question, like actually defining "shoegaze."Songs in this Episode:Intro - His Love Just Washed Away2:39 - History of the Band9:48 - Bell #211:49 - Pancake23:21 - Tree Chopped DownOutro - Wrong TubeFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2024</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#137: Interview with Jeff Robbins of Orbit</title>
        <itunes:title>#137: Interview with Jeff Robbins of Orbit</itunes:title>
        <link>https://digmeout.podbean.com/e/137-interview-with-jeff-robbins-of-orbit/</link>
                    <comments>https://digmeout.podbean.com/e/137-interview-with-jeff-robbins-of-orbit/#comments</comments>        <pubDate>Tue, 27 Aug 2013 07:00:26 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/137-interview-with-jeff-robbins-of-orbit/</guid>
                                    <description><![CDATA[For our latest interview, Jeff Robbins from <a href='http://orbitband.com/'>Orbit</a> stops by to revisit their 1997 album <a href='http://en.wikipedia.org/wiki/Libido_Speedway'>Libido Speedway</a>, which featured the heavily-rotated single Medicine as well as dig into the history and formation of Orbit, various approaches to songwriting, the legendary 90s music scene in Boston, the important role of the shaker, and much, much more.
Songs in this Episode:
Intro - Bicycle Song3:02 - Bicycle Song51:26 - Why You Won't57:40 - Medicine1:30:13 - MotoramaOutro - Wake Up
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[For our latest interview, Jeff Robbins from <a href='http://orbitband.com/'>Orbit</a> stops by to revisit their 1997 album <a href='http://en.wikipedia.org/wiki/Libido_Speedway'>Libido Speedway</a>, which featured the heavily-rotated single Medicine as well as dig into the history and formation of Orbit, various approaches to songwriting, the legendary 90s music scene in Boston, the important role of the shaker, and much, much more.<br>
Songs in this Episode:<br>
Intro - Bicycle Song3:02 - Bicycle Song51:26 - Why You Won't57:40 - Medicine1:30:13 - MotoramaOutro - Wake Up<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6fngga/DMO137-LSbyOrbit.mp3" length="97975124" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest interview, Jeff Robbins from Orbit stops by to revisit their 1997 album Libido Speedway, which featured the heavily-rotated single Medicine as well as dig into the history and formation of Orbit, various approaches to songwriting, the legendary 90s music scene in Boston, the important role of the shaker, and much, much more.Songs in this Episode:Intro - Bicycle Song3:02 - Bicycle Song51:26 - Why You Won't57:40 - Medicine1:30:13 - MotoramaOutro - Wake UpFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6097</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#136: Good Feeling by Travis</title>
        <itunes:title>#136: Good Feeling by Travis</itunes:title>
        <link>https://digmeout.podbean.com/e/136-good-feeling-by-travis/</link>
                    <comments>https://digmeout.podbean.com/e/136-good-feeling-by-travis/#comments</comments>        <pubDate>Tue, 20 Aug 2013 01:00:34 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/136-good-feeling-by-travis/</guid>
                                    <description><![CDATA[For our latest episode, Tim makes a pick from his favorites-of-the-past archive: 1997's <a href='http://en.wikipedia.org/wiki/Good_Feeling_(album)'>Good Feeling</a>, the debut album by <a href='http://www.travisonline.com/'>Travis</a>. Combining the brit-pop guitar bombast of Oasis with the melodies and hooks of The Beatles and Kinks, topped off with stellar production thanks to Steve Lillywhite, Good Feeling failed to connect with audiences, something their sophomore release The Man Who did thanks to multiple hit singles. Hopefully Travis fans discovered Good Feeling on their own, if not, that's why we're here - to sing the praises of an overlooked gem.
Songs in this Episode:
Intro - Good Feeling4:48 - History of the Band13:04 - U16 Girls17:42 - More Than Us22:12 - Tied to the 90s25:17 - The Line Is FineOutro - All I Wanna Do Is Rock
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[For our latest episode, Tim makes a pick from his favorites-of-the-past archive: 1997's <a href='http://en.wikipedia.org/wiki/Good_Feeling_(album)'>Good Feeling</a>, the debut album by <a href='http://www.travisonline.com/'>Travis</a>. Combining the brit-pop guitar bombast of Oasis with the melodies and hooks of The Beatles and Kinks, topped off with stellar production thanks to Steve Lillywhite, Good Feeling failed to connect with audiences, something their sophomore release The Man Who did thanks to multiple hit singles. Hopefully Travis fans discovered Good Feeling on their own, if not, that's why we're here - to sing the praises of an overlooked gem.<br>
Songs in this Episode:<br>
Intro - Good Feeling4:48 - History of the Band13:04 - U16 Girls17:42 - More Than Us22:12 - Tied to the 90s25:17 - The Line Is FineOutro - All I Wanna Do Is Rock<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zahy5i/DMO136-GFbyTravis.mp3" length="39023667" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest episode, Tim makes a pick from his favorites-of-the-past archive: 1997's Good Feeling, the debut album by Travis. Combining the brit-pop guitar bombast of Oasis with the melodies and hooks of The Beatles and Kinks, topped off with stellar production thanks to Steve Lillywhite, Good Feeling failed to connect with audiences, something their sophomore release The Man Who did thanks to multiple hit singles. Hopefully Travis fans discovered Good Feeling on their own, if not, that's why we're here - to sing the praises of an overlooked gem.Songs in this Episode:Intro - Good Feeling4:48 - History of the Band13:04 - U16 Girls17:42 - More Than Us22:12 - Tied to the 90s25:17 - The Line Is FineOutro - All I Wanna Do Is RockFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2412</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#135: For The Masses - A Tribute to Depeche Mode</title>
        <itunes:title>#135: For The Masses - A Tribute to Depeche Mode</itunes:title>
        <link>https://digmeout.podbean.com/e/135-for-the-masses-a-tribute-to-depeche-mode/</link>
                    <comments>https://digmeout.podbean.com/e/135-for-the-masses-a-tribute-to-depeche-mode/#comments</comments>        <pubDate>Tue, 13 Aug 2013 01:00:02 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/135-for-the-masses-a-tribute-to-depeche-mode/</guid>
                                    <description><![CDATA[Thanks to our latest Facebook poll, we're tackling our first tribute album - <a href='http://en.wikipedia.org/wiki/For_the_Masses'>For The Masses</a>, featuring sixteen covers of Depeche Mode songs. Both Tim and Jason were familiar with this release back in the 90s, but haven't revisited it in quite awhile. Does it stand the test of time? Are any of the covers better than the originals? And can any explain the temporary fascination with Rammstein? Tune in and find out.
Songs in this Episode:
Intro - Enjoy The Silence9:06 - Somebody14:37 - Master and Servant16:45 - I Feel YouOutro - Never Let Me Down Again
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Thanks to our latest Facebook poll, we're tackling our first tribute album - <a href='http://en.wikipedia.org/wiki/For_the_Masses'>For The Masses</a>, featuring sixteen covers of Depeche Mode songs. Both Tim and Jason were familiar with this release back in the 90s, but haven't revisited it in quite awhile. Does it stand the test of time? Are any of the covers better than the originals? And can any explain the temporary fascination with Rammstein? Tune in and find out.<br>
Songs in this Episode:<br>
Intro - Enjoy The Silence9:06 - Somebody14:37 - Master and Servant16:45 - I Feel YouOutro - Never Let Me Down Again<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/89kapg/DMO135-ForTheMassesDM.mp3" length="28520760" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to our latest Facebook poll, we're tackling our first tribute album - For The Masses, featuring sixteen covers of Depeche Mode songs. Both Tim and Jason were familiar with this release back in the 90s, but haven't revisited it in quite awhile. Does it stand the test of time? Are any of the covers better than the originals? And can any explain the temporary fascination with Rammstein? Tune in and find out.Songs in this Episode:Intro - Enjoy The Silence9:06 - Somebody14:37 - Master and Servant16:45 - I Feel YouOutro - Never Let Me Down AgainFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1756</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#134: Silver by Moist</title>
        <itunes:title>#134: Silver by Moist</itunes:title>
        <link>https://digmeout.podbean.com/e/134-silver-by-moist/</link>
                    <comments>https://digmeout.podbean.com/e/134-silver-by-moist/#comments</comments>        <pubDate>Tue, 06 Aug 2013 01:00:43 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/134-silver-by-moist/</guid>
                                    <description><![CDATA[This week Jason picks one of his favorites from North of the border, Vancouver's <a href='http://www.allmusic.com/artist/moist-mn0000586921'>Moist</a> and their 1994 debut album <a href='http://en.wikipedia.org/wiki/Silver_(Moist_album)'>Silver</a>. On the surface, the five-piece are a slightly alternative and mainstream radio-friendly band. But dig deeper, into the use of keys and organs, and a moodier and darker sound emerges. But does it go far enough to make is truly unique? Tune in to find out.
Songs in this Episode:
Intro - Silver5:59 - History of the Band11:42 - This Shrieking Love14:22 - Kill for You27:17 - Machine Punch Through31:47 - Believe MeOutro - Push
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[This week Jason picks one of his favorites from North of the border, Vancouver's <a href='http://www.allmusic.com/artist/moist-mn0000586921'>Moist</a> and their 1994 debut album <a href='http://en.wikipedia.org/wiki/Silver_(Moist_album)'>Silver</a>. On the surface, the five-piece are a slightly alternative and mainstream radio-friendly band. But dig deeper, into the use of keys and organs, and a moodier and darker sound emerges. But does it go far enough to make is truly unique? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Silver5:59 - History of the Band11:42 - This Shrieking Love14:22 - Kill for You27:17 - Machine Punch Through31:47 - Believe MeOutro - Push<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4at2v/DMO134-SilverbyMoist.mp3" length="34919714" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week Jason picks one of his favorites from North of the border, Vancouver's Moist and their 1994 debut album Silver. On the surface, the five-piece are a slightly alternative and mainstream radio-friendly band. But dig deeper, into the use of keys and organs, and a moodier and darker sound emerges. But does it go far enough to make is truly unique? Tune in to find out.Songs in this Episode:Intro - Silver5:59 - History of the Band11:42 - This Shrieking Love14:22 - Kill for You27:17 - Machine Punch Through31:47 - Believe MeOutro - PushFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2156</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#133: Clarity by Jimmy Eat World</title>
        <itunes:title>#133: Clarity by Jimmy Eat World</itunes:title>
        <link>https://digmeout.podbean.com/e/133-clarity-by-jimmy-eat-world/</link>
                    <comments>https://digmeout.podbean.com/e/133-clarity-by-jimmy-eat-world/#comments</comments>        <pubDate>Tue, 30 Jul 2013 01:00:57 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/133-clarity-by-jimmy-eat-world/</guid>
                                    <description><![CDATA[Tom Mullen of the <a href='http://www.washedupemo.com/'>Washed Up Emo Podcast</a> stops by to help us dissect one of the key albums of the 90s emo scene: 1999's <a href='http://en.wikipedia.org/wiki/Clarity_(Jimmy_Eat_World_album)'>Clarity</a> by Jimmy Eat World. Although it didn't sell as well as later <a href='http://jimmyeatworld.com/'>Jimmy Eat World</a> albums, it's impact on a generation of musicians and music fans would be heard for years to come. Combining gritty, angular guitars and rhythms with introspective lyrics, layered with a varied instrumentation, Clarity represents musical highpoint for not only emo, but rock music at the end of the 20th Century.
Songs in this Episode:
Intro - Lucky Denver Mint13:06 - History of the Band18:32 - A Sunday22:12 - 12.23.9551:20 - Goodbye Sky Harbour54:34 - ClarityOutro - Crush
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Tom Mullen of the <a href='http://www.washedupemo.com/'>Washed Up Emo Podcast</a> stops by to help us dissect one of the key albums of the 90s emo scene: 1999's <a href='http://en.wikipedia.org/wiki/Clarity_(Jimmy_Eat_World_album)'>Clarity</a> by Jimmy Eat World. Although it didn't sell as well as later <a href='http://jimmyeatworld.com/'>Jimmy Eat World</a> albums, it's impact on a generation of musicians and music fans would be heard for years to come. Combining gritty, angular guitars and rhythms with introspective lyrics, layered with a varied instrumentation, Clarity represents musical highpoint for not only emo, but rock music at the end of the 20th Century.<br>
Songs in this Episode:<br>
Intro - Lucky Denver Mint13:06 - History of the Band18:32 - A Sunday22:12 - 12.23.9551:20 - Goodbye Sky Harbour54:34 - ClarityOutro - Crush<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7csru2/DMO133-ClaritybyJEW.mp3" length="70345098" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tom Mullen of the Washed Up Emo Podcast stops by to help us dissect one of the key albums of the 90s emo scene: 1999's Clarity by Jimmy Eat World. Although it didn't sell as well as later Jimmy Eat World albums, it's impact on a generation of musicians and music fans would be heard for years to come. Combining gritty, angular guitars and rhythms with introspective lyrics, layered with a varied instrumentation, Clarity represents musical highpoint for not only emo, but rock music at the end of the 20th Century.Songs in this Episode:Intro - Lucky Denver Mint13:06 - History of the Band18:32 - A Sunday22:12 - 12.23.9551:20 - Goodbye Sky Harbour54:34 - ClarityOutro - CrushFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4370</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#132: Judgement Night Soundtrack</title>
        <itunes:title>#132: Judgement Night Soundtrack</itunes:title>
        <link>https://digmeout.podbean.com/e/132-judgement-night-soundtrack/</link>
                    <comments>https://digmeout.podbean.com/e/132-judgement-night-soundtrack/#comments</comments>        <pubDate>Mon, 22 Jul 2013 01:00:56 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/132-judgement-night-soundtrack/</guid>
                                    <description><![CDATA[Australian listener and friend of the show Gavin decided to use his free pick for 2013 to bust out the legendary (?) 1993 soundtrack to the movie <a href='http://en.wikipedia.org/wiki/Judgment_Night_(soundtrack)'>Judgement Night</a>. Featuring a roster packed with rock bands and hip-hop artists collaborating in a way that only the 1990s could produce. Some are hits, some are misses, and we talk about them all, as well as the legacy of a record possibly responsible for the late 90s nu-metal / rap metal / rap rock movement.
Songs in this Episode:
Intro - Just Another Victim9:55 - Real Thing11:57 - Me, Myself and My Microphone15:35 - Another Body Murdered19:01 - Missing Link23:43 - Fallin'Outro - Judgement Night
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[Australian listener and friend of the show Gavin decided to use his free pick for 2013 to bust out the legendary (?) 1993 soundtrack to the movie <a href='http://en.wikipedia.org/wiki/Judgment_Night_(soundtrack)'>Judgement Night</a>. Featuring a roster packed with rock bands and hip-hop artists collaborating in a way that only the 1990s could produce. Some are hits, some are misses, and we talk about them all, as well as the legacy of a record possibly responsible for the late 90s nu-metal / rap metal / rap rock movement.<br>
Songs in this Episode:<br>
Intro - Just Another Victim9:55 - Real Thing11:57 - Me, Myself and My Microphone15:35 - Another Body Murdered19:01 - Missing Link23:43 - Fallin'Outro - Judgement Night<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yf829e/DMO132-JudgementNight.mp3" length="77420938" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Australian listener and friend of the show Gavin decided to use his free pick for 2013 to bust out the legendary (?) 1993 soundtrack to the movie Judgement Night. Featuring a roster packed with rock bands and hip-hop artists collaborating in a way that only the 1990s could produce. Some are hits, some are misses, and we talk about them all, as well as the legacy of a record possibly responsible for the late 90s nu-metal / rap metal / rap rock movement.Songs in this Episode:Intro - Just Another Victim9:55 - Real Thing11:57 - Me, Myself and My Microphone15:35 - Another Body Murdered19:01 - Missing Link23:43 - Fallin'Outro - Judgement NightFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3208</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#131: Give Out But Don't Give Up by Primal Scream</title>
        <itunes:title>#131: Give Out But Don't Give Up by Primal Scream</itunes:title>
        <link>https://digmeout.podbean.com/e/131-give-out-but-dont-give-up-by-primal-scream/</link>
                    <comments>https://digmeout.podbean.com/e/131-give-out-but-dont-give-up-by-primal-scream/#comments</comments>        <pubDate>Tue, 16 Jul 2013 01:30:11 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/131-give-out-but-dont-give-up-by-primal-scream/</guid>
                                    <description><![CDATA[In our latest episode, Tim brings an oddball to the table - The Rolling Stones and Small Faces inspired fourth album from <a href='http://www.primalscream.net/'>Primal Scream</a>, 1994's Give Out But Don't Give Up. As fans of Vanishing Point, XTRMNTR and Screamadelica can tell you, Give Out... is a hard one to figure out, where honky tonk piano, blues guitar riffs and soul singers abound. Does Primal Scream make take successful detour, or get lost in the weeds? Tune in and find out.
Songs in this Episode:
Intro - Rocks2:53 - History of the Band10:11 - Jailbird17:16 - Give Out But Don't Give Up21:29 - Big Jet Plane24:18 - FreeOutro - (I'm Gonna) Cry Myself Blind
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[In our latest episode, Tim brings an oddball to the table - The Rolling Stones and Small Faces inspired fourth album from <a href='http://www.primalscream.net/'>Primal Scream</a>, 1994's Give Out But Don't Give Up. As fans of Vanishing Point, XTRMNTR and Screamadelica can tell you, Give Out... is a hard one to figure out, where honky tonk piano, blues guitar riffs and soul singers abound. Does Primal Scream make take successful detour, or get lost in the weeds? Tune in and find out.<br>
Songs in this Episode:<br>
Intro - Rocks2:53 - History of the Band10:11 - Jailbird17:16 - Give Out But Don't Give Up21:29 - Big Jet Plane24:18 - FreeOutro - (I'm Gonna) Cry Myself Blind<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8nzmfx/DMO131-GOBDGUbyPrimalScream.mp3" length="102291246" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our latest episode, Tim brings an oddball to the table - The Rolling Stones and Small Faces inspired fourth album from Primal Scream, 1994's Give Out But Don't Give Up. As fans of Vanishing Point, XTRMNTR and Screamadelica can tell you, Give Out... is a hard one to figure out, where honky tonk piano, blues guitar riffs and soul singers abound. Does Primal Scream make take successful detour, or get lost in the weeds? Tune in and find out.Songs in this Episode:Intro - Rocks2:53 - History of the Band10:11 - Jailbird17:16 - Give Out But Don't Give Up21:29 - Big Jet Plane24:18 - FreeOutro - (I'm Gonna) Cry Myself BlindFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2557</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#130: Subhuman Race by Skid Row</title>
        <itunes:title>#130: Subhuman Race by Skid Row</itunes:title>
        <link>https://digmeout.podbean.com/e/130-subhuman-race-by-skid-row/</link>
                    <comments>https://digmeout.podbean.com/e/130-subhuman-race-by-skid-row/#comments</comments>        <pubDate>Tue, 09 Jul 2013 01:00:22 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/130-subhuman-race-by-skid-row/</guid>
                                    <description><![CDATA[For Jason's latest pick, we're back in metal mode, this time revisiting the 1995 <a href='http://en.wikipedia.org/wiki/Subhuman_Race'>Subhuman Race</a> by <a href='http://www.skidrow.com/'>Skid Row</a>. Many of the hair/glam rock and metal bands of the 1980s made failed attempts to update their sound in the 90s, how does Subhuman Race fare? Tune in to find out.
Songs in this Episode:
Intro - My Enemy3:33 - History of the Band10:31 - Subhuman Race12:55 - Eileen21:46 - Frozen26:45 - Breakin' DownOutro - Remains To Be Seen
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[For Jason's latest pick, we're back in metal mode, this time revisiting the 1995 <a href='http://en.wikipedia.org/wiki/Subhuman_Race'>Subhuman Race</a> by <a href='http://www.skidrow.com/'>Skid Row</a>. Many of the hair/glam rock and metal bands of the 1980s made failed attempts to update their sound in the 90s, how does Subhuman Race fare? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - My Enemy3:33 - History of the Band10:31 - Subhuman Race12:55 - Eileen21:46 - Frozen26:45 - Breakin' DownOutro - Remains To Be Seen<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8yhdhg/DMO130-SHRbySkidRow.mp3" length="92752723" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For Jason's latest pick, we're back in metal mode, this time revisiting the 1995 Subhuman Race by Skid Row. Many of the hair/glam rock and metal bands of the 1980s made failed attempts to update their sound in the 90s, how does Subhuman Race fare? Tune in to find out.Songs in this Episode:Intro - My Enemy3:33 - History of the Band10:31 - Subhuman Race12:55 - Eileen21:46 - Frozen26:45 - Breakin' DownOutro - Remains To Be SeenFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2308</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#129: Crank by Hoodoo Gurus</title>
        <itunes:title>#129: Crank by Hoodoo Gurus</itunes:title>
        <link>https://digmeout.podbean.com/e/129-crank-by-hoodoo-gurus/</link>
                    <comments>https://digmeout.podbean.com/e/129-crank-by-hoodoo-gurus/#comments</comments>        <pubDate>Tue, 02 Jul 2013 01:00:47 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/129-crank-by-hoodoo-gurus/</guid>
                                    <description><![CDATA[The requested review for this week is from our familiar friend Gavin, who takes us back down under with the <a href='http://www.hoodoogurus.net/'>Hoodoo Gurus</a>. Coming late in a successful career, 1994's Crank marks the Hoodoo's attempt at injecting some alternative rock sound into their trademark power pop. Does it work? Tune into find out.
Songs in this Episode:
Intro - The Right Time3:39 - History of the Band10:13 - Crossed Wires13:05 - Less Than A Feeling22:01 - Hypocrite BluesOutro - Quo Vadis
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[The requested review for this week is from our familiar friend Gavin, who takes us back down under with the <a href='http://www.hoodoogurus.net/'>Hoodoo Gurus</a>. Coming late in a successful career, 1994's Crank marks the Hoodoo's attempt at injecting some alternative rock sound into their trademark power pop. Does it work? Tune into find out.<br>
Songs in this Episode:<br>
Intro - The Right Time3:39 - History of the Band10:13 - Crossed Wires13:05 - Less Than A Feeling22:01 - Hypocrite BluesOutro - Quo Vadis<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5i7zgg/_129__Crank_by_Hoodoo_Gurus8127z.mp3" length="86913835" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The requested review for this week is from our familiar friend Gavin, who takes us back down under with the Hoodoo Gurus. Coming late in a successful career, 1994's Crank marks the Hoodoo's attempt at injecting some alternative rock sound into their trademark power pop. Does it work? Tune into find out.Songs in this Episode:Intro - The Right Time3:39 - History of the Band10:13 - Crossed Wires13:05 - Less Than A Feeling22:01 - Hypocrite BluesOutro - Quo VadisFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2162</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>129</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#128: Love Tara by Eric's Trip</title>
        <itunes:title>#128: Love Tara by Eric's Trip</itunes:title>
        <link>https://digmeout.podbean.com/e/128-love-tara-by-erics-trip/</link>
                    <comments>https://digmeout.podbean.com/e/128-love-tara-by-erics-trip/#comments</comments>        <pubDate>Tue, 25 Jun 2013 01:30:14 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/128-love-tara-by-erics-trip/</guid>
                                    <description><![CDATA[One of our frequent suggestors, Dirty Gert, gave us three challenging records to review this year, so we thanked him for his generosity by giving a bonus review of his choosing. With that, he picked the 1993 album <a href='http://en.wikipedia.org/wiki/Love_Tara'>Love Tara by Eric's Trip</a>. His first three picks confused and confounded us, with this follow suit, or do we finally connect witha a Dirty Gert selection? Tune in to find out.
Songs in this Episode:
Intro - Follow12:12 - Anytime You Want15:37 - Allergic To Love19:11 - Sunlight24:18 - StoveOutro - Spring
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></description>
                                                            <content:encoded><![CDATA[One of our frequent suggestors, Dirty Gert, gave us three challenging records to review this year, so we thanked him for his generosity by giving a bonus review of his choosing. With that, he picked the 1993 album <a href='http://en.wikipedia.org/wiki/Love_Tara'>Love Tara by Eric's Trip</a>. His first three picks confused and confounded us, with this follow suit, or do we finally connect witha a Dirty Gert selection? Tune in to find out.<br>
Songs in this Episode:<br>
Intro - Follow12:12 - Anytime You Want15:37 - Allergic To Love19:11 - Sunlight24:18 - StoveOutro - Spring<br>
Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a><br>
<a href='http://www.digmeoutpodcast.com/requestareview'></a><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4t5kz7/DMO128-LoveTarabyEricsTrip.mp3" length="88372518" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One of our frequent suggestors, Dirty Gert, gave us three challenging records to review this year, so we thanked him for his generosity by giving a bonus review of his choosing. With that, he picked the 1993 album Love Tara by Eric's Trip. His first three picks confused and confounded us, with this follow suit, or do we finally connect witha a Dirty Gert selection? Tune in to find out.Songs in this Episode:Intro - Follow12:12 - Anytime You Want15:37 - Allergic To Love19:11 - Sunlight24:18 - StoveOutro - SpringFollow on Twitter / FacebookRequest A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2198</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#127: Interview with the members of Lotion</title>
        <itunes:title>#127: Interview with the members of Lotion</itunes:title>
        <link>https://digmeout.podbean.com/e/127-interview-with-the-members-of-lotion/</link>
                    <comments>https://digmeout.podbean.com/e/127-interview-with-the-members-of-lotion/#comments</comments>        <pubDate>Tue, 18 Jun 2013 01:00:40 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/127-interview-with-the-members-of-lotion/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">To help us revisit the suggested review of Lotion's 1996 sophomore album <a href='http://en.wikipedia.org/wiki/Nobody's_Cool'>Nobody's Cool</a>, we invited the whole band to join us, and they took us up on the offer. Brothers Bill and Jim Ferguson, Rob Youngberg and Tony Zajkowski all stop by to talk about history of Lotion, how their band name cost them ten grand, and we learn what happens when six Skype users can't maintain a consistent wi-fi signal. We kept the technical difficulties in this one for your amusement.</p>
<p style="text-align: center;">Oh, and EARMUFFs for the kids, things get a little blue.</p>
<p style="text-align: center;">Songs in the Episode:</p>


Intro - The New Timmy
21:25 - Blind for Now
28:08 - Dear Sir
43:09 - The New Timmy
56:08 - Sandra
Outro - Dalmacia

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">To help us revisit the suggested review of Lotion's 1996 sophomore album <a href='http://en.wikipedia.org/wiki/Nobody's_Cool'>Nobody's Cool</a>, we invited the whole band to join us, and they took us up on the offer. Brothers Bill and Jim Ferguson, Rob Youngberg and Tony Zajkowski all stop by to talk about history of Lotion, how their band name cost them ten grand, and we learn what happens when six Skype users can't maintain a consistent wi-fi signal. We kept the technical difficulties in this one for your amusement.</p>
<p style="text-align: center;">Oh, and EARMUFFs for the kids, things get a little blue.</p>
<p style="text-align: center;">Songs in the Episode:</p>


Intro - The New Timmy
21:25 - Blind for Now
28:08 - Dear Sir
43:09 - The New Timmy
56:08 - Sandra
Outro - Dalmacia

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/58th67/DMO127-NobodysCoolbyLotion.mp3" length="189923015" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
To help us revisit the suggested review of Lotion's 1996 sophomore album Nobody's Cool, we invited the whole band to join us, and they took us up on the offer. Brothers Bill and Jim Ferguson, Rob Youngberg and Tony Zajkowski all stop by to talk about history of Lotion, how their band name cost them ten grand, and we learn what happens when six Skype users can't maintain a consistent wi-fi signal. We kept the technical difficulties in this one for your amusement.
Oh, and EARMUFFs for the kids, things get a little blue.
Songs in the Episode:


Intro - The New Timmy
21:25 - Blind for Now
28:08 - Dear Sir
43:09 - The New Timmy
56:08 - Sandra
Outro - Dalmacia

Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4737</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#126: Year of the Rat by NY Loose</title>
        <itunes:title>#126: Year of the Rat by NY Loose</itunes:title>
        <link>https://digmeout.podbean.com/e/126-year-of-the-rat-by-ny-loose/</link>
                    <comments>https://digmeout.podbean.com/e/126-year-of-the-rat-by-ny-loose/#comments</comments>        <pubDate>Tue, 11 Jun 2013 01:00:47 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/126-year-of-the-rat-by-ny-loose/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">We're back with another pick by Jason, and we've got some good old fashioned disagreement! Unique and original, or familiar and predictable? Where does the the 1996 album <a href='http://www.nyloose.co.uk/'>Year of the Rat by NY Loose</a> fall? Tune in to find out.</p>
<p style="text-align: center;">Songs in the Episode:</p>


<p style="text-align: center;">Intro - Rip Me Up</p>
<p style="text-align: center;">2:33 - History of the Band</p>
<p style="text-align: center;">7:10 - Detonator</p>
<p style="text-align: center;">8:53 - Sunday Morning</p>
<p style="text-align: center;">12:23 - Broken</p>
<p style="text-align: center;">17:37 - Rip Me Up</p>
<p style="text-align: center;">Outro - Trash the Given Chance</p>

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">We're back with another pick by Jason, and we've got some good old fashioned disagreement! Unique and original, or familiar and predictable? Where does the the 1996 album <a href='http://www.nyloose.co.uk/'>Year of the Rat by NY Loose</a> fall? Tune in to find out.</p>
<p style="text-align: center;">Songs in the Episode:</p>


<p style="text-align: center;">Intro - Rip Me Up</p>
<p style="text-align: center;">2:33 - History of the Band</p>
<p style="text-align: center;">7:10 - Detonator</p>
<p style="text-align: center;">8:53 - Sunday Morning</p>
<p style="text-align: center;">12:23 - Broken</p>
<p style="text-align: center;">17:37 - Rip Me Up</p>
<p style="text-align: center;">Outro - Trash the Given Chance</p>

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n5pp4s/DMO126-YOTRbyNYLoose.mp3" length="80917165" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We're back with another pick by Jason, and we've got some good old fashioned disagreement! Unique and original, or familiar and predictable? Where does the the 1996 album Year of the Rat by NY Loose fall? Tune in to find out.
Songs in the Episode:


Intro - Rip Me Up
2:33 - History of the Band
7:10 - Detonator
8:53 - Sunday Morning
12:23 - Broken
17:37 - Rip Me Up
Outro - Trash the Given Chance


Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2012</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#125: I Love You by I Love You</title>
        <itunes:title>#125: I Love You by I Love You</itunes:title>
        <link>https://digmeout.podbean.com/e/125-i-love-you-by-i-love-you/</link>
                    <comments>https://digmeout.podbean.com/e/125-i-love-you-by-i-love-you/#comments</comments>        <pubDate>Tue, 04 Jun 2013 01:00:04 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/125-i-love-you-by-i-love-you/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">#125: I Love You by I Love You</p>
<p style="text-align: center;">We're back with another requested review, and this one has left us a bit confused. <a href='http://www.allmusic.com/artist/i-love-you-mn0000257770'>I Love You</a> is a band with little history or output, but what they did leave us is a self-titled debut album that shifts between Jane's Addiction-like alternative funk and Guns N' Roses riffing. See what we mean by confused?</p>
<p style="text-align: center;">Songs in the Episode:</p>
<p style="text-align: center;">Intro - Open You</p>
<p style="text-align: center;">1:58 - History of the Band</p>
<p style="text-align: center;">4:01 - Fuzz the Whirl</p>
<p style="text-align: center;">8:25 - Hang Straight Up</p>
<p style="text-align: center;">11:27 - 2</p>
<p style="text-align: center;">23:47 - She's The One/I.N.S.E.T.</p>
<p style="text-align: center;">Outro - She's The One/I.N.S.E.T.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">#125: I Love You by I Love You</p>
<p style="text-align: center;">We're back with another requested review, and this one has left us a bit confused. <a href='http://www.allmusic.com/artist/i-love-you-mn0000257770'>I Love You</a> is a band with little history or output, but what they did leave us is a self-titled debut album that shifts between Jane's Addiction-like alternative funk and Guns N' Roses riffing. See what we mean by confused?</p>
<p style="text-align: center;">Songs in the Episode:</p>
<p style="text-align: center;">Intro - Open You</p>
<p style="text-align: center;">1:58 - History of the Band</p>
<p style="text-align: center;">4:01 - Fuzz the Whirl</p>
<p style="text-align: center;">8:25 - Hang Straight Up</p>
<p style="text-align: center;">11:27 - 2</p>
<p style="text-align: center;">23:47 - She's The One/I.N.S.E.T.</p>
<p style="text-align: center;">Outro - She's The One/I.N.S.E.T.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y86n8/DMO125-ILYbyILY.mp3" length="66858058" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
#125: I Love You by I Love You
We're back with another requested review, and this one has left us a bit confused. I Love You is a band with little history or output, but what they did leave us is a self-titled debut album that shifts between Jane's Addiction-like alternative funk and Guns N' Roses riffing. See what we mean by confused?
Songs in the Episode:
Intro - Open You
1:58 - History of the Band
4:01 - Fuzz the Whirl
8:25 - Hang Straight Up
11:27 - 2
23:47 - She's The One/I.N.S.E.T.
Outro - She's The One/I.N.S.E.T.

Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1670</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#124: Naveed by Our Lady Peace</title>
        <itunes:title>#124: Naveed by Our Lady Peace</itunes:title>
        <link>https://digmeout.podbean.com/e/124-naveed-by-our-lady-peace/</link>
                    <comments>https://digmeout.podbean.com/e/124-naveed-by-our-lady-peace/#comments</comments>        <pubDate>Tue, 28 May 2013 01:00:50 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/124-naveed-by-our-lady-peace/</guid>
                                    <description><![CDATA[<p style="text-align: center;"></p>
<p style="text-align: center;">For Jason's latest pick we return to 1994 and tackle the debut album Naveed by Our Lady Peace. Following this record, the band found greater success with the second release Clumsy, but is Naveed actually the better album? We dig into Naveed, discuss the merits of the second wave of alternative in the 1990s, and ponder the origins of the nasally Canadian singer.</p>
<p style="text-align: center;">Songs in the Episode:</p>
<p style="text-align: center;">Intro - Supersatellite</p>
<p style="text-align: center;">3:33 - History of the Band</p>
<p style="text-align: center;">14:41 - Supersatellite</p>
<p style="text-align: center;">21:37 - Dirty Walls</p>
<p style="text-align: center;">24:14 - Neon Crossing</p>
<p style="text-align: center;">27:15 - Starseed</p>
<p style="text-align: center;">Outro - Naveed</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"></p>
<p style="text-align: center;">For Jason's latest pick we return to 1994 and tackle the debut album Naveed by Our Lady Peace. Following this record, the band found greater success with the second release Clumsy, but is Naveed actually the better album? We dig into Naveed, discuss the merits of the second wave of alternative in the 1990s, and ponder the origins of the nasally Canadian singer.</p>
<p style="text-align: center;">Songs in the Episode:</p>
<p style="text-align: center;">Intro - Supersatellite</p>
<p style="text-align: center;">3:33 - History of the Band</p>
<p style="text-align: center;">14:41 - Supersatellite</p>
<p style="text-align: center;">21:37 - Dirty Walls</p>
<p style="text-align: center;">24:14 - Neon Crossing</p>
<p style="text-align: center;">27:15 - Starseed</p>
<p style="text-align: center;">Outro - Naveed</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/idj2z4/DMO124-NbyOLP.mp3" length="108217207" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
For Jason's latest pick we return to 1994 and tackle the debut album Naveed by Our Lady Peace. Following this record, the band found greater success with the second release Clumsy, but is Naveed actually the better album? We dig into Naveed, discuss the merits of the second wave of alternative in the 1990s, and ponder the origins of the nasally Canadian singer.
Songs in the Episode:
Intro - Supersatellite
3:33 - History of the Band
14:41 - Supersatellite
21:37 - Dirty Walls
24:14 - Neon Crossing
27:15 - Starseed
Outro - Naveed
Follow on Twitter / Facebook
Request A Review]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2694</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#123: Fade/Cliche by Sportsguitar</title>
        <itunes:title>#123: Fade/Cliche by Sportsguitar</itunes:title>
        <link>https://digmeout.podbean.com/e/123-fadecliche-by-sportsguitar/</link>
                    <comments>https://digmeout.podbean.com/e/123-fadecliche-by-sportsguitar/#comments</comments>        <pubDate>Tue, 21 May 2013 01:00:24 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/123-fadecliche-by-sportsguitar/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">On episode #123 our frequent suggestor Dirty Gert throws his third requested review of the year into the ring with the Swedish duo <a href='http://www.allmusic.com/artist/sportsguitar-mn0000156066'>Sportsguitar</a> and their 1996 album Fade/Cliche. Like Radial Spangle and Space Needle, Sportsguitar is a challenge upon first listen. Hidden beneath layers of guitar noise are pop melodies, some deeper than others. Are they too deep, or just right? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - Down
10:20 - Terror
13:49 - Reality
18:40 - Down
21:34 - Serious
Outro - Tits

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">On episode #123 our frequent suggestor Dirty Gert throws his third requested review of the year into the ring with the Swedish duo <a href='http://www.allmusic.com/artist/sportsguitar-mn0000156066'>Sportsguitar</a> and their 1996 album Fade/Cliche. Like Radial Spangle and Space Needle, Sportsguitar is a challenge upon first listen. Hidden beneath layers of guitar noise are pop melodies, some deeper than others. Are they too deep, or just right? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - Down
10:20 - Terror
13:49 - Reality
18:40 - Down
21:34 - Serious
Outro - Tits

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8xxfpu/FadeClichebySportsguitar.mp3" length="81625611" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
On episode #123 our frequent suggestor Dirty Gert throws his third requested review of the year into the ring with the Swedish duo Sportsguitar and their 1996 album Fade/Cliche. Like Radial Spangle and Space Needle, Sportsguitar is a challenge upon first listen. Hidden beneath layers of guitar noise are pop melodies, some deeper than others. Are they too deep, or just right? Tune in to find out.
Songs in this Episode:


Intro - Down
10:20 - Terror
13:49 - Reality
18:40 - Down
21:34 - Serious
Outro - Tits


Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2030</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#122: Singles Soundtrack</title>
        <itunes:title>#122: Singles Soundtrack</itunes:title>
        <link>https://digmeout.podbean.com/e/122-singles-soundtrack/</link>
                    <comments>https://digmeout.podbean.com/e/122-singles-soundtrack/#comments</comments>        <pubDate>Tue, 14 May 2013 01:00:03 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/122-singles-soundtrack/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">For episode #122, we turned over selection to our Facebook followers to decide what would be our first soundtrack review. The response was overwhelming - it's the soundtrack to the <a href='http://en.wikipedia.org/wiki/Singles_(soundtrack)'>1992 Cameron Crowe film Singles</a>. Logically, a movie about Seattle in the early 90s features bands like Pearl Jam and Soundgarden, but curveballs like Paul Westerberg and The Lovemongers add some unexpected highlights. Is Singles the best compilation of early 90s alternative rock? Tune in to find out.</p>


<p style="text-align: center;">Intro - Dyslexic Heart by Paul Westerberg</p>
<p style="text-align: center;">6:57 - Would? by Alice in Chains</p>
<p style="text-align: center;">15:02 - Overblown by Mudhoney</p>
<p style="text-align: center;">18:23 - Birth Ritual by Soundgarden</p>
<p style="text-align: center;">27:15 - Drown by Smashing Pumpkins</p>
<p style="text-align: center;">Outro - Chloe Dancer/Crown of Thorns by Mother Love Bone</p>

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">For episode #122, we turned over selection to our Facebook followers to decide what would be our first soundtrack review. The response was overwhelming - it's the soundtrack to the <a href='http://en.wikipedia.org/wiki/Singles_(soundtrack)'>1992 Cameron Crowe film Singles</a>. Logically, a movie about Seattle in the early 90s features bands like Pearl Jam and Soundgarden, but curveballs like Paul Westerberg and The Lovemongers add some unexpected highlights. Is Singles the best compilation of early 90s alternative rock? Tune in to find out.</p>


<p style="text-align: center;">Intro - Dyslexic Heart by Paul Westerberg</p>
<p style="text-align: center;">6:57 - Would? by Alice in Chains</p>
<p style="text-align: center;">15:02 - Overblown by Mudhoney</p>
<p style="text-align: center;">18:23 - Birth Ritual by Soundgarden</p>
<p style="text-align: center;">27:15 - Drown by Smashing Pumpkins</p>
<p style="text-align: center;">Outro - Chloe Dancer/Crown of Thorns by Mother Love Bone</p>

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cwecb8/SinglesSoundtrack.mp3" length="92894828" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
For episode #122, we turned over selection to our Facebook followers to decide what would be our first soundtrack review. The response was overwhelming - it's the soundtrack to the 1992 Cameron Crowe film Singles. Logically, a movie about Seattle in the early 90s features bands like Pearl Jam and Soundgarden, but curveballs like Paul Westerberg and The Lovemongers add some unexpected highlights. Is Singles the best compilation of early 90s alternative rock? Tune in to find out.


Intro - Dyslexic Heart by Paul Westerberg
6:57 - Would? by Alice in Chains
15:02 - Overblown by Mudhoney
18:23 - Birth Ritual by Soundgarden
27:15 - Drown by Smashing Pumpkins
Outro - Chloe Dancer/Crown of Thorns by Mother Love Bone


Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2321</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#121: Interview with Tim Steward of Screamfeeder</title>
        <itunes:title>#121: Interview with Tim Steward of Screamfeeder</itunes:title>
        <link>https://digmeout.podbean.com/e/121-interview-with-tim-steward-of-screamfeeder/</link>
                    <comments>https://digmeout.podbean.com/e/121-interview-with-tim-steward-of-screamfeeder/#comments</comments>        <pubDate>Tue, 07 May 2013 01:00:25 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/121-interview-with-tim-steward-of-screamfeeder/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #121, Tim Steward of <a href='http://screamfeeder.com/'>Screamfeeder</a> joins us to fulfill a listener request to review their 1996 album Kitten Licks. The lead singer/guitarist of the Australian three-piece shares his experiences in the 90s alternative music scene on the other side of the planet, what it's like to have multiple songwriters in a band, and much more.
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - Dart</p>
<p style="text-align: center;">11:04 - Static</p>
<p style="text-align: center;">31:14 - Bruises</p>
<p style="text-align: center;">33:14 - Dart</p>
<p style="text-align: center;">35:39 - Ant</p>
<p style="text-align: center;">Outro - Summertime</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #121, Tim Steward of <a href='http://screamfeeder.com/'>Screamfeeder</a> joins us to fulfill a listener request to review their 1996 album Kitten Licks. The lead singer/guitarist of the Australian three-piece shares his experiences in the 90s alternative music scene on the other side of the planet, what it's like to have multiple songwriters in a band, and much more.
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - Dart</p>
<p style="text-align: center;">11:04 - Static</p>
<p style="text-align: center;">31:14 - Bruises</p>
<p style="text-align: center;">33:14 - Dart</p>
<p style="text-align: center;">35:39 - Ant</p>
<p style="text-align: center;">Outro - Summertime</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

<a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/33ekeh/Screamfeeder.mp3" length="119902301" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #121, Tim Steward of Screamfeeder joins us to fulfill a listener request to review their 1996 album Kitten Licks. The lead singer/guitarist of the Australian three-piece shares his experiences in the 90s alternative music scene on the other side of the planet, what it's like to have multiple songwriters in a band, and much more.
Songs in this Episode:


Intro - Dart
11:04 - Static
31:14 - Bruises
33:14 - Dart
35:39 - Ant
Outro - Summertime

Follow on Twitter / Facebook

Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2996</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#120: Interview with Happy Chichester of Howlin Maggie</title>
        <itunes:title>#120: Interview with Happy Chichester of Howlin Maggie</itunes:title>
        <link>https://digmeout.podbean.com/e/120-interview-with-happy-chichester-of-howlin-maggie/</link>
                    <comments>https://digmeout.podbean.com/e/120-interview-with-happy-chichester-of-howlin-maggie/#comments</comments>        <pubDate>Tue, 30 Apr 2013 01:00:50 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/120-interview-with-happy-chichester-of-howlin-maggie/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">Joining us for episode #120 is <a href='http://www.happychichester.com/'>Happy Chichester</a>, formerly of <a href='http://en.wikipedia.org/wiki/Howlin_Maggie'>Howlin Maggie</a>, who has just released his second solo album, <a href='http://www.happychichester.com/music/'>Torchwood Loop</a>. After spending almost a decade in legendary funk-rock band <a href='http://en.wikipedia.org/wiki/Royal_Crescent_Mob'>Royal Crescent Mob</a>, Happy formed Howlin Maggie, who released their debut album Honeysuckle Strange in 1996. After a line-up change and follow-up release in 2001, Happy struck out on his own, releasing studio and live releases, while playing sideman in the Shawn Smith/Stone Gossard band <a href='http://www.bradcorporation.com/'>Brad</a>. We cover all this, plus Happy's take on the current state of the music industry, analog vs. digital recording and plenty more.</p>
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - $3.99
3:39 - Miss Universe
12:41 - How The West Was Won
28:48 - Easy To Be Stupid
34:52 - I'm A Slut
43:07 - Long Live Doug (Standing)
1:09:34 - Alcohol
Outro - Rubbing The Industry Raw

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">Joining us for episode #120 is <a href='http://www.happychichester.com/'>Happy Chichester</a>, formerly of <a href='http://en.wikipedia.org/wiki/Howlin_Maggie'>Howlin Maggie</a>, who has just released his second solo album, <a href='http://www.happychichester.com/music/'>Torchwood Loop</a>. After spending almost a decade in legendary funk-rock band <a href='http://en.wikipedia.org/wiki/Royal_Crescent_Mob'>Royal Crescent Mob</a>, Happy formed Howlin Maggie, who released their debut album Honeysuckle Strange in 1996. After a line-up change and follow-up release in 2001, Happy struck out on his own, releasing studio and live releases, while playing sideman in the Shawn Smith/Stone Gossard band <a href='http://www.bradcorporation.com/'>Brad</a>. We cover all this, plus Happy's take on the current state of the music industry, analog vs. digital recording and plenty more.</p>
<p style="text-align: center;">Songs in this Episode:</p>


<p style="text-align: center;">Intro - $3.99
3:39 - Miss Universe
12:41 - How The West Was Won
28:48 - Easy To Be Stupid
34:52 - I'm A Slut
43:07 - Long Live Doug (Standing)
1:09:34 - Alcohol
Outro - Rubbing The Industry Raw

<p style="text-align: center;">
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wn9t63/InterviewwithHCofHM.mp3" length="191051496" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Joining us for episode #120 is Happy Chichester, formerly of Howlin Maggie, who has just released his second solo album, Torchwood Loop. After spending almost a decade in legendary funk-rock band Royal Crescent Mob, Happy formed Howlin Maggie, who released their debut album Honeysuckle Strange in 1996. After a line-up change and follow-up release in 2001, Happy struck out on his own, releasing studio and live releases, while playing sideman in the Shawn Smith/Stone Gossard band Brad. We cover all this, plus Happy's take on the current state of the music industry, analog vs. digital recording and plenty more.
Songs in this Episode:


Intro - $3.99
3:39 - Miss Universe
12:41 - How The West Was Won
28:48 - Easy To Be Stupid
34:52 - I'm A Slut
43:07 - Long Live Doug (Standing)
1:09:34 - Alcohol
Outro - Rubbing The Industry Raw


Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4766</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#119: The Moray Eels Eat the Space Needle by Space Needle</title>
        <itunes:title>#119: The Moray Eels Eat the Space Needle by Space Needle</itunes:title>
        <link>https://digmeout.podbean.com/e/119-the-moray-eels-eat-the-space-needle-by-space-needle/</link>
                    <comments>https://digmeout.podbean.com/e/119-the-moray-eels-eat-the-space-needle-by-space-needle/#comments</comments>        <pubDate>Tue, 23 Apr 2013 01:00:45 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/119-the-moray-eels-eat-the-space-needle-by-space-needle/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">For episode #119, we're tackle a listener suggestion: <a href='http://www.allmusic.com/album/the-moray-eels-eat-the-space-needle-mw0000087716'>The Moray Eels Eat The Space Needle</a> by <a href='http://en.wikipedia.org/wiki/Space_Needle_(band)'>Space Needle</a> from 1997. Only this time, we've brought in our listener to tell us why he decided to suggest this album, that bounces between ten-plus-minute space rock experiments to concise and bittersweet harmonized morose pop.</p>
<p style="text-align: center;">Songs in this Episode:</p>


Intro - One Kind of Lullaby
4:21 - History of the Band
12:41 - Where the fucks my wallet?
14:32 - Never Lonely Alone
18:32 - Old Spice
21:17 - Hot for Krishna
Outro - Love Left Us Strangers

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">For episode #119, we're tackle a listener suggestion: <a href='http://www.allmusic.com/album/the-moray-eels-eat-the-space-needle-mw0000087716'>The Moray Eels Eat The Space Needle</a> by <a href='http://en.wikipedia.org/wiki/Space_Needle_(band)'>Space Needle</a> from 1997. Only this time, we've brought in our listener to tell us why he decided to suggest this album, that bounces between ten-plus-minute space rock experiments to concise and bittersweet harmonized morose pop.</p>
<p style="text-align: center;">Songs in this Episode:</p>


Intro - One Kind of Lullaby
4:21 - History of the Band
12:41 - Where the fucks my wallet?
14:32 - Never Lonely Alone
18:32 - Old Spice
21:17 - Hot for Krishna
Outro - Love Left Us Strangers

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qq7gj/TMEETSNbySpaceNeedle.mp3" length="82030833" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
For episode #119, we're tackle a listener suggestion: The Moray Eels Eat The Space Needle by Space Needle from 1997. Only this time, we've brought in our listener to tell us why he decided to suggest this album, that bounces between ten-plus-minute space rock experiments to concise and bittersweet harmonized morose pop.
Songs in this Episode:


Intro - One Kind of Lullaby
4:21 - History of the Band
12:41 - Where the fucks my wallet?
14:32 - Never Lonely Alone
18:32 - Old Spice
21:17 - Hot for Krishna
Outro - Love Left Us Strangers

Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3415</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#118: New Parade by The Sheila Divine</title>
        <itunes:title>#118: New Parade by The Sheila Divine</itunes:title>
        <link>https://digmeout.podbean.com/e/118-new-parade-by-the-sheila-divine/</link>
                    <comments>https://digmeout.podbean.com/e/118-new-parade-by-the-sheila-divine/#comments</comments>        <pubDate>Tue, 16 Apr 2013 01:00:29 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/118-new-parade-by-the-sheila-divine/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #118, <a href='http://www.dearleadermusic.com/'>Aaron Perrino</a> of <a href='http://en.wikipedia.org/wiki/The_Sheila_Divine'>The Sheila Divine</a> joins us to revisit their debut 1999 album, <a href='http://www.amazon.com/gp/product/B00000JWDA/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000JWDA&linkCode=as2&tag=b0cd1-20'>New Parade</a>. Our wide ranging discussion covers a variety topics, including the whether Cleveland or Buffalo are the sadder city, the workout habits of Greg Dulli, eyeglass endorsements and contracting SARS in China. Oh, and we also talk music, songwriting, recording, touring and all that good stuff, as well as an impromptu a cappella version of Joe Esposito's "You're The Best."</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Automatic Buffalo</p>
<p style="text-align: center;">17:42 - Hum</p>
<p style="text-align: center;">20:17 - Automatic Buffalo</p>
<p style="text-align: center;">33:10 - The Modern Log</p>
<p style="text-align: center;">1:04:20 - The Amendment</p>
<p style="text-align: center;">Outro - Awful Age</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #118, <a href='http://www.dearleadermusic.com/'>Aaron Perrino</a> of <a href='http://en.wikipedia.org/wiki/The_Sheila_Divine'>The Sheila Divine</a> joins us to revisit their debut 1999 album, <a href='http://www.amazon.com/gp/product/B00000JWDA/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000JWDA&linkCode=as2&tag=b0cd1-20'>New Parade</a>. Our wide ranging discussion covers a variety topics, including the whether Cleveland or Buffalo are the sadder city, the workout habits of Greg Dulli, eyeglass endorsements and contracting SARS in China. Oh, and we also talk music, songwriting, recording, touring and all that good stuff, as well as an impromptu a cappella version of Joe Esposito's "You're The Best."</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Automatic Buffalo</p>
<p style="text-align: center;">17:42 - Hum</p>
<p style="text-align: center;">20:17 - Automatic Buffalo</p>
<p style="text-align: center;">33:10 - The Modern Log</p>
<p style="text-align: center;">1:04:20 - The Amendment</p>
<p style="text-align: center;">Outro - Awful Age</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/requestareview'>Request A Review</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g2f45s/NewParadebyTheSheilaDivine.mp3" length="96176444" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #118, Aaron Perrino of The Sheila Divine joins us to revisit their debut 1999 album, New Parade. Our wide ranging discussion covers a variety topics, including the whether Cleveland or Buffalo are the sadder city, the workout habits of Greg Dulli, eyeglass endorsements and contracting SARS in China. Oh, and we also talk music, songwriting, recording, touring and all that good stuff, as well as an impromptu a cappella version of Joe Esposito's "You're The Best."
Songs in this Episode:
Intro - Automatic Buffalo
17:42 - Hum
20:17 - Automatic Buffalo
33:10 - The Modern Log
1:04:20 - The Amendment
Outro - Awful Age

Follow on Twitter / Facebook
Request A Review

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3989</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#117: Pony Express Record by Shudder To Think</title>
        <itunes:title>#117: Pony Express Record by Shudder To Think</itunes:title>
        <link>https://digmeout.podbean.com/e/117-pony-express-record-by-shudder-to-think/</link>
                    <comments>https://digmeout.podbean.com/e/117-pony-express-record-by-shudder-to-think/#comments</comments>        <pubDate>Tue, 09 Apr 2013 01:00:52 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/117-pony-express-record-by-shudder-to-think/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For our latest listener suggestion, we finally get around to a beloved album that flew under our collective radar for too long - 1994's <a href='http://www.amazon.com/gp/product/B0000029IV/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0000029IV&linkCode=as2&tag=b0cd1-20'>Pony Express Record</a> by <a href='http://en.wikipedia.org/wiki/Shudder_to_Think'>Shudder To Think</a>. The twists and turns are plenty on STT's major label debut, but hidden inside these dissonant and jagged tunes are melodic hooks that would make Matthew Sweet swoon. And that's not the only oddball reference we'll make, as Alice Cooper, Jesus Christ Superstar and more get tossed into the reference potluck in an attempt to figure out Pony Express Record.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Gang of $</p>
<p style="text-align: center;">3:30 - History of the Band</p>
<p style="text-align: center;">16:15 - No RM. 9, Kentucky</p>
<p style="text-align: center;">19:01 - Kissi Penny</p>
<p style="text-align: center;">22:02 - Earthquakes Come Home</p>
<p style="text-align: center;">29:00 - X-French Tee Shirt</p>
<p style="text-align: center;">33:06 - So Into You (Atlanta Rhythm Section)</p>
<p style="text-align: center;">34:36 - So Into You (Shudder To Think)</p>
<p style="text-align: center;">Outro - Trackstar</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For our latest listener suggestion, we finally get around to a beloved album that flew under our collective radar for too long - 1994's <a href='http://www.amazon.com/gp/product/B0000029IV/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0000029IV&linkCode=as2&tag=b0cd1-20'>Pony Express Record</a> by <a href='http://en.wikipedia.org/wiki/Shudder_to_Think'>Shudder To Think</a>. The twists and turns are plenty on STT's major label debut, but hidden inside these dissonant and jagged tunes are melodic hooks that would make Matthew Sweet swoon. And that's not the only oddball reference we'll make, as Alice Cooper, Jesus Christ Superstar and more get tossed into the reference potluck in an attempt to figure out Pony Express Record.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Gang of $</p>
<p style="text-align: center;">3:30 - History of the Band</p>
<p style="text-align: center;">16:15 - No RM. 9, Kentucky</p>
<p style="text-align: center;">19:01 - Kissi Penny</p>
<p style="text-align: center;">22:02 - Earthquakes Come Home</p>
<p style="text-align: center;">29:00 - X-French Tee Shirt</p>
<p style="text-align: center;">33:06 - So Into You (Atlanta Rhythm Section)</p>
<p style="text-align: center;">34:36 - So Into You (Shudder To Think)</p>
<p style="text-align: center;">Outro - Trackstar</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/udzupw/PonyExpressRecordbyShuddertoThink.mp3" length="117045571" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our latest listener suggestion, we finally get around to a beloved album that flew under our collective radar for too long - 1994's Pony Express Record by Shudder To Think. The twists and turns are plenty on STT's major label debut, but hidden inside these dissonant and jagged tunes are melodic hooks that would make Matthew Sweet swoon. And that's not the only oddball reference we'll make, as Alice Cooper, Jesus Christ Superstar and more get tossed into the reference potluck in an attempt to figure out Pony Express Record.
Songs in this Episode:
Intro - Gang of $
3:30 - History of the Band
16:15 - No RM. 9, Kentucky
19:01 - Kissi Penny
22:02 - Earthquakes Come Home
29:00 - X-French Tee Shirt
33:06 - So Into You (Atlanta Rhythm Section)
34:36 - So Into You (Shudder To Think)
Outro - Trackstar

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2924</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#116: Murk Time Cruiser by aMiniature</title>
        <itunes:title>#116: Murk Time Cruiser by aMiniature</itunes:title>
        <link>https://digmeout.podbean.com/e/116-murk-time-cruiser-by-aminiature/</link>
                    <comments>https://digmeout.podbean.com/e/116-murk-time-cruiser-by-aminiature/#comments</comments>        <pubDate>Tue, 02 Apr 2013 01:00:24 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/116-murk-time-cruiser-by-aminiature/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Episode #116 brings us another listener suggestion, this time we check out the 1995 album <a href='http://www.amazon.com/gp/product/B000003BKO/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003BKO&linkCode=as2&tag=b0cd1-20'>Murk Time Cruiser</a> by <a href='http://en.wikipedia.org/wiki/AMiniature'>aMiniature</a> (the first "a" is silent, if you didn't know). Combining disjointed rhythms and razor sharp guitar riffs, aMiniature are in the same stratosphere as the <a href='http://www.digmeoutpodcast.com/2013/03/episode-112-this-conversation-is-ending.html'>recently reviewed Knapsack</a>, evening sharing the same producer for their third and final album, just like Knapsack. But is that where the similarities end? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - He, The Bad Feeler</p>
<p style="text-align: center;">1:50 - History of the Band</p>
<p style="text-align: center;">12:27 - He, The Bad Feeler</p>
<p style="text-align: center;">14:00 - Peddler's Talk</p>
<p style="text-align: center;">17:21 - Long Live Soul Miner</p>
<p style="text-align: center;">24:39 - Bored Spy</p>
<p style="text-align: center;">Outro - Signer's Strut</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Episode #116 brings us another listener suggestion, this time we check out the 1995 album <a href='http://www.amazon.com/gp/product/B000003BKO/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003BKO&linkCode=as2&tag=b0cd1-20'>Murk Time Cruiser</a> by <a href='http://en.wikipedia.org/wiki/AMiniature'>aMiniature</a> (the first "a" is silent, if you didn't know). Combining disjointed rhythms and razor sharp guitar riffs, aMiniature are in the same stratosphere as the <a href='http://www.digmeoutpodcast.com/2013/03/episode-112-this-conversation-is-ending.html'>recently reviewed Knapsack</a>, evening sharing the same producer for their third and final album, just like Knapsack. But is that where the similarities end? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - He, The Bad Feeler</p>
<p style="text-align: center;">1:50 - History of the Band</p>
<p style="text-align: center;">12:27 - He, The Bad Feeler</p>
<p style="text-align: center;">14:00 - Peddler's Talk</p>
<p style="text-align: center;">17:21 - Long Live Soul Miner</p>
<p style="text-align: center;">24:39 - Bored Spy</p>
<p style="text-align: center;">Outro - Signer's Strut</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rncffz/MurkTimeCruiserbyaMiniature.mp3" length="77100161" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Episode #116 brings us another listener suggestion, this time we check out the 1995 album Murk Time Cruiser by aMiniature (the first "a" is silent, if you didn't know). Combining disjointed rhythms and razor sharp guitar riffs, aMiniature are in the same stratosphere as the recently reviewed Knapsack, evening sharing the same producer for their third and final album, just like Knapsack. But is that where the similarities end? Tune in to find out.
Songs in this Episode:
Intro - He, The Bad Feeler
1:50 - History of the Band
12:27 - He, The Bad Feeler
14:00 - Peddler's Talk
17:21 - Long Live Soul Miner
24:39 - Bored Spy
Outro - Signer's Strut
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1917</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#115: Endless Bummer by My Head</title>
        <itunes:title>#115: Endless Bummer by My Head</itunes:title>
        <link>https://digmeout.podbean.com/e/115-endless-bummer-by-my-head/</link>
                    <comments>https://digmeout.podbean.com/e/115-endless-bummer-by-my-head/#comments</comments>        <pubDate>Tue, 26 Mar 2013 01:00:01 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/115-endless-bummer-by-my-head/</guid>
                                    <description><![CDATA[<p style="text-align: center;">The day has finally come - Dig Me Out is intercontinental! For episode #115, we're joined on Skype by Australian filmmaker <a href='http://www.imdb.com/name/nm3807339/awards'>Shaun Katz</a> to talk about his upcoming music documentary, <a href='https://www.facebook.com/undergroundincorporated'>Underground, Inc.</a>, as well as review his pick, the 1996 album <a href='http://www.amazon.com/gp/product/B000002U06/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002U06&linkCode=as2&tag=b0cd1-20'>Endless Bummer</a> by <a href='http://en.wikipedia.org/wiki/My_Head'>My Head</a>.</p>
<p style="text-align: center;">Help back Underground, Inc. by backing the <a href='http://www.kickstarter.com/projects/1412308217/underground-inc'>Kickstarter campaign</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Killer Hair</p>
<p style="text-align: center;">6:09 - History of the Band</p>
<p style="text-align: center;">14:22 - Teenage Foxes</p>
<p style="text-align: center;">18:20 - Carnasaur</p>
<p style="text-align: center;">23:38 - Fall</p>
<p style="text-align: center;">25:49 - Humbucker</p>
<p style="text-align: center;">32:34 - Don't Waste My Time</p>
<p style="text-align: center;">Outro - Log</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The day has finally come - Dig Me Out is intercontinental! For episode #115, we're joined on Skype by Australian filmmaker <a href='http://www.imdb.com/name/nm3807339/awards'>Shaun Katz</a> to talk about his upcoming music documentary, <a href='https://www.facebook.com/undergroundincorporated'>Underground, Inc.</a>, as well as review his pick, the 1996 album <a href='http://www.amazon.com/gp/product/B000002U06/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002U06&linkCode=as2&tag=b0cd1-20'>Endless Bummer</a> by <a href='http://en.wikipedia.org/wiki/My_Head'>My Head</a>.</p>
<p style="text-align: center;">Help back Underground, Inc. by backing the <a href='http://www.kickstarter.com/projects/1412308217/underground-inc'>Kickstarter campaign</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Killer Hair</p>
<p style="text-align: center;">6:09 - History of the Band</p>
<p style="text-align: center;">14:22 - Teenage Foxes</p>
<p style="text-align: center;">18:20 - Carnasaur</p>
<p style="text-align: center;">23:38 - Fall</p>
<p style="text-align: center;">25:49 - Humbucker</p>
<p style="text-align: center;">32:34 - Don't Waste My Time</p>
<p style="text-align: center;">Outro - Log</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q4yzbk/EndlessBummerbyMyHead.mp3" length="122085102" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The day has finally come - Dig Me Out is intercontinental! For episode #115, we're joined on Skype by Australian filmmaker Shaun Katz to talk about his upcoming music documentary, Underground, Inc., as well as review his pick, the 1996 album Endless Bummer by My Head.
Help back Underground, Inc. by backing the Kickstarter campaign.
Songs in this Episode:
Intro - Killer Hair
6:09 - History of the Band
14:22 - Teenage Foxes
18:20 - Carnasaur
23:38 - Fall
25:49 - Humbucker
32:34 - Don't Waste My Time
Outro - Log
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3041</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#114: Above by Mad Season</title>
        <itunes:title>#114: Above by Mad Season</itunes:title>
        <link>https://digmeout.podbean.com/e/114-above-by-mad-season/</link>
                    <comments>https://digmeout.podbean.com/e/114-above-by-mad-season/#comments</comments>        <pubDate>Tue, 19 Mar 2013 01:00:52 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/114-above-by-mad-season/</guid>
                                    <description><![CDATA[<p style="text-align: center;">The lone release by Seattle-supergroup <a href='http://www.allmusic.com/artist/mad-season-mn0000814871'>Mad Season</a>, 1995's <a href='http://www.amazon.com/gp/product/B000002B2T/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002B2T&linkCode=as2&tag=b0cd1-20'>Above</a>, is being re-released in 2013 as a box set with new material and a live concert, so now is the time to revisit. Often, musical supergroups fail to live up to the sum of their parts (re: The Thorns or Velvet Revolver), does Mad Season? Is this just another "grunge" record, or does Above rise...um, above? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'm Above</p>
<p style="text-align: center;">3:20 - History of the Band</p>
<p style="text-align: center;">10:52 - Wake Up</p>
<p style="text-align: center;">19:27 - I'm Above</p>
<p style="text-align: center;">23:25 - November Hotel</p>
<p style="text-align: center;">36:19 - Artificial Red</p>
<p style="text-align: center;">Outro - I Don't Know Anything</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">The lone release by Seattle-supergroup <a href='http://www.allmusic.com/artist/mad-season-mn0000814871'>Mad Season</a>, 1995's <a href='http://www.amazon.com/gp/product/B000002B2T/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002B2T&linkCode=as2&tag=b0cd1-20'>Above</a>, is being re-released in 2013 as a box set with new material and a live concert, so now is the time to revisit. Often, musical supergroups fail to live up to the sum of their parts (re: The Thorns or Velvet Revolver), does Mad Season? Is this just another "grunge" record, or does Above rise...um, above? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'm Above</p>
<p style="text-align: center;">3:20 - History of the Band</p>
<p style="text-align: center;">10:52 - Wake Up</p>
<p style="text-align: center;">19:27 - I'm Above</p>
<p style="text-align: center;">23:25 - November Hotel</p>
<p style="text-align: center;">36:19 - Artificial Red</p>
<p style="text-align: center;">Outro - I Don't Know Anything</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h98vp8/AbovebyMadSeason.mp3" length="110565092" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The lone release by Seattle-supergroup Mad Season, 1995's Above, is being re-released in 2013 as a box set with new material and a live concert, so now is the time to revisit. Often, musical supergroups fail to live up to the sum of their parts (re: The Thorns or Velvet Revolver), does Mad Season? Is this just another "grunge" record, or does Above rise...um, above? Tune in to find out.
Songs in this Episode:
Intro - I'm Above
3:20 - History of the Band
10:52 - Wake Up
19:27 - I'm Above
23:25 - November Hotel
36:19 - Artificial Red
Outro - I Don't Know Anything
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2762</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/180885_182297021806573_8085508_n.jpg" />    </item>
    <item>
        <title>#113: Syrup Macrame by Radial Spangle</title>
        <itunes:title>#113: Syrup Macrame by Radial Spangle</itunes:title>
        <link>https://digmeout.podbean.com/e/113-syrup-macrame-by-radial-spangle/</link>
                    <comments>https://digmeout.podbean.com/e/113-syrup-macrame-by-radial-spangle/#comments</comments>        <pubDate>Tue, 12 Mar 2013 01:00:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/113-syrup-macrame-by-radial-spangle/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For listener request episode #113, we're heading down the road less, or never travelled: <a href='http://www.allmusic.com/artist/radial-spangle-mn0000381443'>Radial Spangle</a>, and their second (and last) album, 1994's <a href='http://www.amazon.com/gp/product/B000008NJQ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008NJQ&linkCode=as2&tag=b0cd1-20'>Syrup Macrame</a>. Indie and alternative aren't specific enough to describe Radial Spangle's music: neo-experimental-space-psychedelic-lo-fi-rock? We're not quiet sure what to make of much of the album, but moments shine through - are their enough? Tune in to fine out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Special Love</p>
<p style="text-align: center;">2:38 - History of the Band</p>
<p style="text-align: center;">6:31 - Caf, 'Fine</p>
<p style="text-align: center;">9:33 - Busy Hole</p>
<p style="text-align: center;">14:58 - Knees</p>
<p style="text-align: center;">18:06 - Patio Furniture</p>
<p style="text-align: center;">27:17 - Sunflower Graveyard</p>
<p style="text-align: center;">Outro - New Dress</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For listener request episode #113, we're heading down the road less, or never travelled: <a href='http://www.allmusic.com/artist/radial-spangle-mn0000381443'>Radial Spangle</a>, and their second (and last) album, 1994's <a href='http://www.amazon.com/gp/product/B000008NJQ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008NJQ&linkCode=as2&tag=b0cd1-20'>Syrup Macrame</a>. Indie and alternative aren't specific enough to describe Radial Spangle's music: neo-experimental-space-psychedelic-lo-fi-rock? We're not quiet sure what to make of much of the album, but moments shine through - are their enough? Tune in to fine out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Special Love</p>
<p style="text-align: center;">2:38 - History of the Band</p>
<p style="text-align: center;">6:31 - Caf, 'Fine</p>
<p style="text-align: center;">9:33 - Busy Hole</p>
<p style="text-align: center;">14:58 - Knees</p>
<p style="text-align: center;">18:06 - Patio Furniture</p>
<p style="text-align: center;">27:17 - Sunflower Graveyard</p>
<p style="text-align: center;">Outro - New Dress</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qj8ejx/SyrupMacramebyRadialSpangle.mp3" length="94275149" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For listener request episode #113, we're heading down the road less, or never travelled: Radial Spangle, and their second (and last) album, 1994's Syrup Macrame. Indie and alternative aren't specific enough to describe Radial Spangle's music: neo-experimental-space-psychedelic-lo-fi-rock? We're not quiet sure what to make of much of the album, but moments shine through - are their enough? Tune in to fine out.
Songs in this Episode:
Intro - Special Love
2:38 - History of the Band
6:31 - Caf, 'Fine
9:33 - Busy Hole
14:58 - Knees
18:06 - Patio Furniture
27:17 - Sunflower Graveyard
Outro - New Dress

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2355</itunes:duration>
                                    </item>
    <item>
        <title>#112: This Conversation Is Ending Starting Right Now by Knapsack</title>
        <itunes:title>#112: This Conversation Is Ending Starting Right Now by Knapsack</itunes:title>
        <link>https://digmeout.podbean.com/e/112-this-conversation-is-ending-starting-right-now-by-knapsack/</link>
                    <comments>https://digmeout.podbean.com/e/112-this-conversation-is-ending-starting-right-now-by-knapsack/#comments</comments>        <pubDate>Tue, 05 Mar 2013 01:00:24 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/112-this-conversation-is-ending-starting-right-now-by-knapsack/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #112, we're tackling the third and final album from Knapsack, 1998's <a href='http://www.amazon.com/gp/product/B00000AGAT/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000AGAT&linkCode=as2&tag=b0cd1-20'>This Conversation Is Ending Starting Right Now</a>. Jason brings a favorite of his to review, and Tim's never heard it. Will Tim share Jason's appreciation for an album that got plenty of <a href='https://www.facebook.com/DigMeOutPodcast/posts/147834065372208'>Facebook love</a>, or is disagreement on the horizon? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Arrows to the Action</p>
<p style="text-align: center;">2:46 - History of the Band</p>
<p style="text-align: center;">10:42 - Cold Enough To Break</p>
<p style="text-align: center;">15:56 - Shape of the Fear</p>
<p style="text-align: center;">25:06 - Change Is All The Rage</p>
<p style="text-align: center;">28:38 - Cinema Stare</p>
<p style="text-align: center;">Outro - Hummingbirds</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #112, we're tackling the third and final album from Knapsack, 1998's <a href='http://www.amazon.com/gp/product/B00000AGAT/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000AGAT&linkCode=as2&tag=b0cd1-20'>This Conversation Is Ending Starting Right Now</a>. Jason brings a favorite of his to review, and Tim's never heard it. Will Tim share Jason's appreciation for an album that got plenty of <a href='https://www.facebook.com/DigMeOutPodcast/posts/147834065372208'>Facebook love</a>, or is disagreement on the horizon? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Arrows to the Action</p>
<p style="text-align: center;">2:46 - History of the Band</p>
<p style="text-align: center;">10:42 - Cold Enough To Break</p>
<p style="text-align: center;">15:56 - Shape of the Fear</p>
<p style="text-align: center;">25:06 - Change Is All The Rage</p>
<p style="text-align: center;">28:38 - Cinema Stare</p>
<p style="text-align: center;">Outro - Hummingbirds</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sz77v/TCIESRNbyKnapsack.mp3" length="58783925" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #112, we're tackling the third and final album from Knapsack, 1998's This Conversation Is Ending Starting Right Now. Jason brings a favorite of his to review, and Tim's never heard it. Will Tim share Jason's appreciation for an album that got plenty of Facebook love, or is disagreement on the horizon? Tune in to find out.
Songs in this Episode:
Intro - Arrows to the Action
2:46 - History of the Band
10:42 - Cold Enough To Break
15:56 - Shape of the Fear
25:06 - Change Is All The Rage
28:38 - Cinema Stare
Outro - Hummingbirds
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2447</itunes:duration>
                                    </item>
    <item>
        <title>#111: Fizzy Fuzzy Big and Buzzy by The Refreshments</title>
        <itunes:title>#111: Fizzy Fuzzy Big and Buzzy by The Refreshments</itunes:title>
        <link>https://digmeout.podbean.com/e/111-fizzy-fuzzy-big-and-buzzy-by-the-refreshments/</link>
                    <comments>https://digmeout.podbean.com/e/111-fizzy-fuzzy-big-and-buzzy-by-the-refreshments/#comments</comments>        <pubDate>Tue, 26 Feb 2013 01:00:37 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/111-fizzy-fuzzy-big-and-buzzy-by-the-refreshments/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're back with another listener suggestion for episode #111 as we return to the world of 90s one-hit wonders and the 1996 album <a href='http://www.amazon.com/gp/product/B000001EID/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001EID&linkCode=as2&tag=b0cd1-20'>Fizzy Fuzzy Big & Buzzy</a> by <a href='http://en.wikipedia.org/wiki/The_Refreshments_(U.S._band)'>The Refreshments</a>. Combining bar-band like guitar crunch with clever lyrics, FFBB shows of the Arizona band's musical range, adding elements unique to the Southwest like Mariachi rhythms and horns, and plenty of references to Mexico. There's no doubting "Banditos" worthiness as a 90s hit, but does the rest of the album measure up? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Down Together</p>
<p style="text-align: center;">3:17 - History of the Band</p>
<p style="text-align: center;">14:32 - Down Together</p>
<p style="text-align: center;">18:46 - Banditos</p>
<p style="text-align: center;">24:12 - Mexico</p>
<p style="text-align: center;">Outro - European Swallow</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're back with another listener suggestion for episode #111 as we return to the world of 90s one-hit wonders and the 1996 album <a href='http://www.amazon.com/gp/product/B000001EID/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001EID&linkCode=as2&tag=b0cd1-20'>Fizzy Fuzzy Big & Buzzy</a> by <a href='http://en.wikipedia.org/wiki/The_Refreshments_(U.S._band)'>The Refreshments</a>. Combining bar-band like guitar crunch with clever lyrics, FFBB shows of the Arizona band's musical range, adding elements unique to the Southwest like Mariachi rhythms and horns, and plenty of references to Mexico. There's no doubting "Banditos" worthiness as a 90s hit, but does the rest of the album measure up? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Down Together</p>
<p style="text-align: center;">3:17 - History of the Band</p>
<p style="text-align: center;">14:32 - Down Together</p>
<p style="text-align: center;">18:46 - Banditos</p>
<p style="text-align: center;">24:12 - Mexico</p>
<p style="text-align: center;">Outro - European Swallow</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qv8bxz/FFBBbyTheRefreshments.mp3" length="62385692" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another listener suggestion for episode #111 as we return to the world of 90s one-hit wonders and the 1996 album Fizzy Fuzzy Big & Buzzy by The Refreshments. Combining bar-band like guitar crunch with clever lyrics, FFBB shows of the Arizona band's musical range, adding elements unique to the Southwest like Mariachi rhythms and horns, and plenty of references to Mexico. There's no doubting "Banditos" worthiness as a 90s hit, but does the rest of the album measure up? Tune in to find out.
Songs in this Episode:
Intro - Down Together
3:17 - History of the Band
14:32 - Down Together
18:46 - Banditos
24:12 - Mexico
Outro - European Swallow
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2582</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#110: Sound Of Lies by The Jayhawks</title>
        <itunes:title>#110: Sound Of Lies by The Jayhawks</itunes:title>
        <link>https://digmeout.podbean.com/e/110-sound-of-lies-by-the-jayhawks/</link>
                    <comments>https://digmeout.podbean.com/e/110-sound-of-lies-by-the-jayhawks/#comments</comments>        <pubDate>Tue, 19 Feb 2013 01:00:10 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/110-sound-of-lies-by-the-jayhawks/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're back with another pick from Jason - the 1997 album <a href='http://www.amazon.com/gp/product/B000009QOK/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000009QOK&linkCode=as2&tag=b0cd1-20'>Sound Of Lies</a> by <a href='http://www.jayhawksofficial.com/'>The Jayhawks</a>. Written and recorded after the departure of co-founding lead singer and songwriter Mark Olsen, Sound of Lies rests on the shoulders of Gary Louris, who expands the Midwestern Americana sound to include psychedelic and Beatles-esque pop. Reviews were mixed at the time, but some claim this is a buried treasure. Are they right? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Think About It</p>
<p style="text-align: center;">3:06 - History of the Band</p>
<p style="text-align: center;">12:41 - Sixteen Down</p>
<p style="text-align: center;">20:26 - Trouble</p>
<p style="text-align: center;">23:22 - Dying On The Vine</p>
<p style="text-align: center;">29:18 - It's Up To You</p>
<p style="text-align: center;">Outro - The Man Who Loved Life</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're back with another pick from Jason - the 1997 album <a href='http://www.amazon.com/gp/product/B000009QOK/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000009QOK&linkCode=as2&tag=b0cd1-20'>Sound Of Lies</a> by <a href='http://www.jayhawksofficial.com/'>The Jayhawks</a>. Written and recorded after the departure of co-founding lead singer and songwriter Mark Olsen, Sound of Lies rests on the shoulders of Gary Louris, who expands the Midwestern Americana sound to include psychedelic and Beatles-esque pop. Reviews were mixed at the time, but some claim this is a buried treasure. Are they right? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Think About It</p>
<p style="text-align: center;">3:06 - History of the Band</p>
<p style="text-align: center;">12:41 - Sixteen Down</p>
<p style="text-align: center;">20:26 - Trouble</p>
<p style="text-align: center;">23:22 - Dying On The Vine</p>
<p style="text-align: center;">29:18 - It's Up To You</p>
<p style="text-align: center;">Outro - The Man Who Loved Life</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qq86m2/SoundOfLiesbyTheJayhawks.mp3" length="115241038" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another pick from Jason - the 1997 album Sound Of Lies by The Jayhawks. Written and recorded after the departure of co-founding lead singer and songwriter Mark Olsen, Sound of Lies rests on the shoulders of Gary Louris, who expands the Midwestern Americana sound to include psychedelic and Beatles-esque pop. Reviews were mixed at the time, but some claim this is a buried treasure. Are they right? Tune in to find out.
Songs in this Episode:
Intro - Think About It
3:06 - History of the Band
12:41 - Sixteen Down
20:26 - Trouble
23:22 - Dying On The Vine
29:18 - It's Up To You
Outro - The Man Who Loved Life
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2879</itunes:duration>
                                    </item>
    <item>
        <title>#109: Dust by Screaming Trees</title>
        <itunes:title>#109: Dust by Screaming Trees</itunes:title>
        <link>https://digmeout.podbean.com/e/109-dust-by-screaming-trees/</link>
                    <comments>https://digmeout.podbean.com/e/109-dust-by-screaming-trees/#comments</comments>        <pubDate>Tue, 12 Feb 2013 01:00:08 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/109-dust-by-screaming-trees/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Episode 109 brings us another listener suggestion, this time the swan song of the <a href='http://screamingtrees.net/'>Screaming Trees</a>, their 1996 album <a href='http://www.amazon.com/gp/product/B000025XLZ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000025XLZ&linkCode=as2&tag=b0cd1-20'>Dust</a>. The band recruited legendary producer <a href='http://en.wikipedia.org/wiki/George_Drakoulias'>George Drakoulias</a> and legendary keyboardist Benmont Tench to create their most polished and radio-friendly album of their career, but did it turn out legendary? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Make My Mind</p>
<p style="text-align: center;">5:15 - History of the Band</p>
<p style="text-align: center;">18:56 - All I Know</p>
<p style="text-align: center;">22:04 - Halo of Ashes</p>
<p style="text-align: center;">24:14 - Sworn and Broken</p>
<p style="text-align: center;">Outro - Dime Western</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Episode 109 brings us another listener suggestion, this time the swan song of the <a href='http://screamingtrees.net/'>Screaming Trees</a>, their 1996 album <a href='http://www.amazon.com/gp/product/B000025XLZ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000025XLZ&linkCode=as2&tag=b0cd1-20'>Dust</a>. The band recruited legendary producer <a href='http://en.wikipedia.org/wiki/George_Drakoulias'>George Drakoulias</a> and legendary keyboardist Benmont Tench to create their most polished and radio-friendly album of their career, but did it turn out legendary? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Make My Mind</p>
<p style="text-align: center;">5:15 - History of the Band</p>
<p style="text-align: center;">18:56 - All I Know</p>
<p style="text-align: center;">22:04 - Halo of Ashes</p>
<p style="text-align: center;">24:14 - Sworn and Broken</p>
<p style="text-align: center;">Outro - Dime Western</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3rxfxk/DustbyScreamingTrees.mp3" length="65864575" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Episode 109 brings us another listener suggestion, this time the swan song of the Screaming Trees, their 1996 album Dust. The band recruited legendary producer George Drakoulias and legendary keyboardist Benmont Tench to create their most polished and radio-friendly album of their career, but did it turn out legendary? Tune in to find out.
Songs in this Episode:
Intro - Make My Mind
5:15 - History of the Band
18:56 - All I Know
22:04 - Halo of Ashes
24:14 - Sworn and Broken
Outro - Dime Western

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2742</itunes:duration>
                                    </item>
    <item>
        <title>#108: Kent by Big Ass Truck</title>
        <itunes:title>#108: Kent by Big Ass Truck</itunes:title>
        <link>https://digmeout.podbean.com/e/108-kent-by-big-ass-truck/</link>
                    <comments>https://digmeout.podbean.com/e/108-kent-by-big-ass-truck/#comments</comments>        <pubDate>Tue, 05 Feb 2013 01:00:57 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/108-kent-by-big-ass-truck/</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's Tim's turn to make a pick, and this one brings the first big disagreement of the 2013 season as we tackle the sophomore album from <a href='http://en.wikipedia.org/wiki/Big_Ass_Truck'>Big Ass Truck</a>, 1996's <a href='http://www.amazon.com/gp/product/B000003NPH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003NPH&linkCode=as2&tag=b0cd1-20'>Kent</a>. The gentlemen from Memphis combine Southern rock, funk and a little Ska with touches of Dust Brothers production ala the Beastie Boys and Beck. It's definitely an acquired taste, and one host did not acquire it. Can you guess who? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Theem From</p>
<p style="text-align: center;">2:28 - History of the Band</p>
<p style="text-align: center;">11:33 - Lil Tico</p>
<p style="text-align: center;">16:06 - Thermopolis</p>
<p style="text-align: center;">18:36 - Quart St Parakeet</p>
<p style="text-align: center;">21:15 - Dog Chases An Iguana Up A Tree & Barks At It All Night (pts I & II)</p>
<p style="text-align: center;">Outro - Sweetness</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's Tim's turn to make a pick, and this one brings the first big disagreement of the 2013 season as we tackle the sophomore album from <a href='http://en.wikipedia.org/wiki/Big_Ass_Truck'>Big Ass Truck</a>, 1996's <a href='http://www.amazon.com/gp/product/B000003NPH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003NPH&linkCode=as2&tag=b0cd1-20'>Kent</a>. The gentlemen from Memphis combine Southern rock, funk and a little Ska with touches of Dust Brothers production ala the Beastie Boys and Beck. It's definitely an acquired taste, and one host did not acquire it. Can you guess who? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Theem From</p>
<p style="text-align: center;">2:28 - History of the Band</p>
<p style="text-align: center;">11:33 - Lil Tico</p>
<p style="text-align: center;">16:06 - Thermopolis</p>
<p style="text-align: center;">18:36 - Quart St Parakeet</p>
<p style="text-align: center;">21:15 - Dog Chases An Iguana Up A Tree & Barks At It All Night (pts I & II)</p>
<p style="text-align: center;">Outro - Sweetness</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dgqytt/KentbyBigAssTruck.mp3" length="47758580" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's Tim's turn to make a pick, and this one brings the first big disagreement of the 2013 season as we tackle the sophomore album from Big Ass Truck, 1996's Kent. The gentlemen from Memphis combine Southern rock, funk and a little Ska with touches of Dust Brothers production ala the Beastie Boys and Beck. It's definitely an acquired taste, and one host did not acquire it. Can you guess who? Tune in to find out.
Songs in this Episode:
Intro - Theem From
2:28 - History of the Band
11:33 - Lil Tico
16:06 - Thermopolis
18:36 - Quart St Parakeet
21:15 - Dog Chases An Iguana Up A Tree & Barks At It All Night (pts I & II)
Outro - Sweetness

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1987</itunes:duration>
                                    </item>
    <item>
        <title>#107: Handsome by Handsome</title>
        <itunes:title>#107: Handsome by Handsome</itunes:title>
        <link>https://digmeout.podbean.com/e/107-handsome-by-handsome/</link>
                    <comments>https://digmeout.podbean.com/e/107-handsome-by-handsome/#comments</comments>        <pubDate>Tue, 29 Jan 2013 01:00:35 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/107-handsome-by-handsome/</guid>
                                    <description><![CDATA[<p style="text-align: center;">This week it's our third <a href='http://www.digmeoutpodcast.com/p/request-review.html'>requested review</a> of season - the <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000002BHV/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002BHV&linkCode=as2&tag=b0cd1-20%22%3EHandsome%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000002BHV%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>lone self-titled release</a> by <a href='http://en.wikipedia.org/wiki/Handsome_(band)'>Handsome</a>. The 90s had it's fair share of supergroups, from <a href='http://en.wikipedia.org/wiki/Temple_of_the_dog'>Temple of the Dog</a> to <a href='http://en.wikipedia.org/wiki/Golden_Smog'>Golden Smog</a>, but Handsome flew under the radar, featuring members of legendary bands like Quicksand, Helmet, Cro-Mags and Murphy's Law. Terms like hardcore and alternative are easy to associate to Handsome, but what about shoegaze and industrial? Like G.I. Joe, there's more than meets the eye (or ear) with Handsome, but does it all work? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Going to Panic</p>
<p style="text-align: center;">5:32 - History of the Band</p>
<p style="text-align: center;">16:20 - Going to Panic</p>
<p style="text-align: center;">18:16 - Ride Down</p>
<p style="text-align: center;">21:10 - Lead Bellied</p>
<p style="text-align: center;">29:08 - Dim The Lights</p>
<p style="text-align: center;">Outro - Eden's Complex</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">This week it's our third <a href='http://www.digmeoutpodcast.com/p/request-review.html'>requested review</a> of season - the <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000002BHV/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002BHV&linkCode=as2&tag=b0cd1-20%22%3EHandsome%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000002BHV%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>lone self-titled release</a> by <a href='http://en.wikipedia.org/wiki/Handsome_(band)'>Handsome</a>. The 90s had it's fair share of supergroups, from <a href='http://en.wikipedia.org/wiki/Temple_of_the_dog'>Temple of the Dog</a> to <a href='http://en.wikipedia.org/wiki/Golden_Smog'>Golden Smog</a>, but Handsome flew under the radar, featuring members of legendary bands like Quicksand, Helmet, Cro-Mags and Murphy's Law. Terms like hardcore and alternative are easy to associate to Handsome, but what about shoegaze and industrial? Like G.I. Joe, there's more than meets the eye (or ear) with Handsome, but does it all work? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Going to Panic</p>
<p style="text-align: center;">5:32 - History of the Band</p>
<p style="text-align: center;">16:20 - Going to Panic</p>
<p style="text-align: center;">18:16 - Ride Down</p>
<p style="text-align: center;">21:10 - Lead Bellied</p>
<p style="text-align: center;">29:08 - Dim The Lights</p>
<p style="text-align: center;">Outro - Eden's Complex</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4wite/HandsomebyHandsome.mp3" length="59701765" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week it's our third requested review of season - the lone self-titled release by Handsome. The 90s had it's fair share of supergroups, from Temple of the Dog to Golden Smog, but Handsome flew under the radar, featuring members of legendary bands like Quicksand, Helmet, Cro-Mags and Murphy's Law. Terms like hardcore and alternative are easy to associate to Handsome, but what about shoegaze and industrial? Like G.I. Joe, there's more than meets the eye (or ear) with Handsome, but does it all work? Tune in and find out.
Songs in this Episode:
Intro - Going to Panic
5:32 - History of the Band
16:20 - Going to Panic
18:16 - Ride Down
21:10 - Lead Bellied
29:08 - Dim The Lights
Outro - Eden's Complex


Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2470</itunes:duration>
                                    </item>
    <item>
        <title>#106: Isola by Kent</title>
        <itunes:title>#106: Isola by Kent</itunes:title>
        <link>https://digmeout.podbean.com/e/106-isola-by-kent/</link>
                    <comments>https://digmeout.podbean.com/e/106-isola-by-kent/#comments</comments>        <pubDate>Tue, 22 Jan 2013 01:00:36 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/106-isola-by-kent/</guid>
                                    <description><![CDATA[<p style="text-align: center;">This week we review a band that has sold over two million albums over a seventeen-year, ten-album career - and most people outside Sweden have never heard of them. It's <a href='http://kent.nu/'>Kent</a>, and their 1998 album <a href='http://www.amazon.com/gp/product/B00000INL6/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000INL6'>Isola</a>. Well, 1998 is the release of the English-language version, the Swedish-language version came out a year earlier, but that's not the point. We're hear to talk about the music, which in it's finest moments recalls Pablo Honey and The Bends-era Radiohead. But are there enough fine moments to call this a worthy album? Tune in to find out.</p>
<p style="text-align: center;">Note: Tim is now aware he pronounced "Isola" incorrect during the entire episode thanks to his better half.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - If You Were Here</p>
<p style="text-align: center;">3:11 - History of the Band</p>
<p style="text-align: center;">10:07 - If You Were Here</p>
<p style="text-align: center;">14:40 - OWC</p>
<p style="text-align: center;">21:58 - Lifesavers</p>
<p style="text-align: center;">Outro - 747</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">This week we review a band that has sold over two million albums over a seventeen-year, ten-album career - and most people outside Sweden have never heard of them. It's <a href='http://kent.nu/'>Kent</a>, and their 1998 album <a href='http://www.amazon.com/gp/product/B00000INL6/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000INL6'>Isola</a>. Well, 1998 is the release of the English-language version, the Swedish-language version came out a year earlier, but that's not the point. We're hear to talk about the music, which in it's finest moments recalls Pablo Honey and The Bends-era Radiohead. But are there enough fine moments to call this a worthy album? Tune in to find out.</p>
<p style="text-align: center;">Note: Tim is now aware he pronounced "Isola" incorrect during the entire episode thanks to his better half.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - If You Were Here</p>
<p style="text-align: center;">3:11 - History of the Band</p>
<p style="text-align: center;">10:07 - If You Were Here</p>
<p style="text-align: center;">14:40 - OWC</p>
<p style="text-align: center;">21:58 - Lifesavers</p>
<p style="text-align: center;">Outro - 747</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hejrcg/IsolabyKent.mp3" length="83688227" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week we review a band that has sold over two million albums over a seventeen-year, ten-album career - and most people outside Sweden have never heard of them. It's Kent, and their 1998 album Isola. Well, 1998 is the release of the English-language version, the Swedish-language version came out a year earlier, but that's not the point. We're hear to talk about the music, which in it's finest moments recalls Pablo Honey and The Bends-era Radiohead. But are there enough fine moments to call this a worthy album? Tune in to find out.
Note: Tim is now aware he pronounced "Isola" incorrect during the entire episode thanks to his better half.
Songs in this Episode:
Intro - If You Were Here
3:11 - History of the Band
10:07 - If You Were Here
14:40 - OWC
21:58 - Lifesavers
Outro - 747

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2081</itunes:duration>
                                    </item>
    <item>
        <title>#105: Rock Collection by Pond</title>
        <itunes:title>#105: Rock Collection by Pond</itunes:title>
        <link>https://digmeout.podbean.com/e/105-rock-collection-by-pond/</link>
                    <comments>https://digmeout.podbean.com/e/105-rock-collection-by-pond/#comments</comments>        <pubDate>Tue, 15 Jan 2013 01:00:05 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/105-rock-collection-by-pond/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Episode 105 brings us our second <a href='http://www.digmeoutpodcast.com/p/request-review.html'>Requested Review</a> of the 2013 season: 1997's <a href='http://www.amazon.com/gp/product/B000002BKE/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002BKE'>Rock Collection</a> by <a href='http://en.wikipedia.org/wiki/Pond_(band)'>Pond</a>, the third and final album from the Portland, Oregon trio. Combing angular guitar riffs with tricky drumming and challenging melodies, Pond brings to mind better known 90s rock darlings like Built To Spill and Pavement. Do they have what it takes for consideration in the indie-rock pantheon along side those bands? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Twins</p>
<p style="text-align: center;">3:32 - History of the Band</p>
<p style="text-align: center;">6:40 - Scoliosis</p>
<p style="text-align: center;">11:36 - Spokes</p>
<p style="text-align: center;">15:16 - You're Not A Seed</p>
<p style="text-align: center;">18:54 - Twins</p>
<p style="text-align: center;">Outro - Filterless</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Episode 105 brings us our second <a href='http://www.digmeoutpodcast.com/p/request-review.html'>Requested Review</a> of the 2013 season: 1997's <a href='http://www.amazon.com/gp/product/B000002BKE/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002BKE'>Rock Collection</a> by <a href='http://en.wikipedia.org/wiki/Pond_(band)'>Pond</a>, the third and final album from the Portland, Oregon trio. Combing angular guitar riffs with tricky drumming and challenging melodies, Pond brings to mind better known 90s rock darlings like Built To Spill and Pavement. Do they have what it takes for consideration in the indie-rock pantheon along side those bands? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Twins</p>
<p style="text-align: center;">3:32 - History of the Band</p>
<p style="text-align: center;">6:40 - Scoliosis</p>
<p style="text-align: center;">11:36 - Spokes</p>
<p style="text-align: center;">15:16 - You're Not A Seed</p>
<p style="text-align: center;">18:54 - Twins</p>
<p style="text-align: center;">Outro - Filterless</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h9fspx/RockCollectionbyPond.mp3" length="48134746" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Episode 105 brings us our second Requested Review of the 2013 season: 1997's Rock Collection by Pond, the third and final album from the Portland, Oregon trio. Combing angular guitar riffs with tricky drumming and challenging melodies, Pond brings to mind better known 90s rock darlings like Built To Spill and Pavement. Do they have what it takes for consideration in the indie-rock pantheon along side those bands? Tune in to find out.
Songs in this Episode:
Intro - Twins
3:32 - History of the Band
6:40 - Scoliosis
11:36 - Spokes
15:16 - You're Not A Seed
18:54 - Twins
Outro - Filterless

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1988</itunes:duration>
                                    </item>
    <item>
        <title>#104: Floored by Pusherman</title>
        <itunes:title>#104: Floored by Pusherman</itunes:title>
        <link>https://digmeout.podbean.com/e/104-floored-by-pusherman/</link>
                    <comments>https://digmeout.podbean.com/e/104-floored-by-pusherman/#comments</comments>        <pubDate>Tue, 08 Jan 2013 01:00:35 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/104-floored-by-pusherman/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #104, Tim sifted through his college radio archive to dig out the lone album by <a href='http://en.wikipedia.org/wiki/Pusherman'>Pusherman</a>, 1996's <a href='http://www.amazon.com/gp/product/B000002BOB/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002BOB'>Floored</a>. Combining the long-form jams of The Verve with the attitude and pop-sensiblity of Oasis, the band pushes the envelope on song and album length, usually bad signs when we get our hands on a record from the 90s. Through in a harmonica and some dance beats, and it sounds like a recipe for a disaster, but is it, despite the term "timeless" being used to describe it? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Sold</p>
<p style="text-align: center;">5:36 - History of the Band</p>
<p style="text-align: center;">10:15 - Chase It</p>
<p style="text-align: center;">17:30 - The Aim Indeed</p>
<p style="text-align: center;">21:44 - Whole</p>
<p style="text-align: center;">23:46 - Never Coming Back</p>
<p style="text-align: center;">Outro - First Time</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #104, Tim sifted through his college radio archive to dig out the lone album by <a href='http://en.wikipedia.org/wiki/Pusherman'>Pusherman</a>, 1996's <a href='http://www.amazon.com/gp/product/B000002BOB/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002BOB'>Floored</a>. Combining the long-form jams of The Verve with the attitude and pop-sensiblity of Oasis, the band pushes the envelope on song and album length, usually bad signs when we get our hands on a record from the 90s. Through in a harmonica and some dance beats, and it sounds like a recipe for a disaster, but is it, despite the term "timeless" being used to describe it? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Sold</p>
<p style="text-align: center;">5:36 - History of the Band</p>
<p style="text-align: center;">10:15 - Chase It</p>
<p style="text-align: center;">17:30 - The Aim Indeed</p>
<p style="text-align: center;">21:44 - Whole</p>
<p style="text-align: center;">23:46 - Never Coming Back</p>
<p style="text-align: center;">Outro - First Time</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/neabds/FlooredbyPusherman.mp3" length="52258747" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #104, Tim sifted through his college radio archive to dig out the lone album by Pusherman, 1996's Floored. Combining the long-form jams of The Verve with the attitude and pop-sensiblity of Oasis, the band pushes the envelope on song and album length, usually bad signs when we get our hands on a record from the 90s. Through in a harmonica and some dance beats, and it sounds like a recipe for a disaster, but is it, despite the term "timeless" being used to describe it? Tune in to find out.
Songs in this Episode:
Intro - Sold
5:36 - History of the Band
10:15 - Chase It
17:30 - The Aim Indeed
21:44 - Whole
23:46 - Never Coming Back
Outro - First Time

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2160</itunes:duration>
                                    </item>
    <item>
        <title>#103: One Day At A Time by Symposium</title>
        <itunes:title>#103: One Day At A Time by Symposium</itunes:title>
        <link>https://digmeout.podbean.com/e/103-one-day-at-a-time-by-symposium/</link>
                    <comments>https://digmeout.podbean.com/e/103-one-day-at-a-time-by-symposium/#comments</comments>        <pubDate>Tue, 01 Jan 2013 01:00:16 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/103-one-day-at-a-time-by-symposium/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For our first episode of Season Three, we've got a <a href='http://www.digmeoutpodcast.com/p/request-review.html'>requested review</a>: the 1997 album <a href='http://www.amazon.com/gp/product/B000024UJ8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000024UJ8'>One Day At A Time</a> by <a href='http://en.wikipedia.org/wiki/Symposium_(band)'>Symposium</a>. Once the "it" band for NME and Melody Maker, the band fell as fast as it rose, while it's brand of energetic pop punk seemed more in step with American bands like Green Day and Blink-182 than it's brit-pop contemporaries Oasis and Blur. The young band knows how to write a melodic hook, but do they know how to seamlessly integrate ska? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Drink the Sunshine</p>
<p style="text-align: center;">2:30 - History of the Band</p>
<p style="text-align: center;">8:44 - Farewell to Twilight</p>
<p style="text-align: center;">10:24 - Puddles</p>
<p style="text-align: center;">15:54 - One Day At A Time</p>
<p style="text-align: center;">20:07 - Smiling</p>
<p style="text-align: center;">Outro - Fear of Flying</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For our first episode of Season Three, we've got a <a href='http://www.digmeoutpodcast.com/p/request-review.html'>requested review</a>: the 1997 album <a href='http://www.amazon.com/gp/product/B000024UJ8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000024UJ8'>One Day At A Time</a> by <a href='http://en.wikipedia.org/wiki/Symposium_(band)'>Symposium</a>. Once the "it" band for NME and Melody Maker, the band fell as fast as it rose, while it's brand of energetic pop punk seemed more in step with American bands like Green Day and Blink-182 than it's brit-pop contemporaries Oasis and Blur. The young band knows how to write a melodic hook, but do they know how to seamlessly integrate ska? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Drink the Sunshine</p>
<p style="text-align: center;">2:30 - History of the Band</p>
<p style="text-align: center;">8:44 - Farewell to Twilight</p>
<p style="text-align: center;">10:24 - Puddles</p>
<p style="text-align: center;">15:54 - One Day At A Time</p>
<p style="text-align: center;">20:07 - Smiling</p>
<p style="text-align: center;">Outro - Fear of Flying</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rn2xi3/OneDayAtATimebySymposium.mp3" length="55476203" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our first episode of Season Three, we've got a requested review: the 1997 album One Day At A Time by Symposium. Once the "it" band for NME and Melody Maker, the band fell as fast as it rose, while it's brand of energetic pop punk seemed more in step with American bands like Green Day and Blink-182 than it's brit-pop contemporaries Oasis and Blur. The young band knows how to write a melodic hook, but do they know how to seamlessly integrate ska? Tune in to find out.
Songs in this Episode:
Intro - Drink the Sunshine
2:30 - History of the Band
8:44 - Farewell to Twilight
10:24 - Puddles
15:54 - One Day At A Time
20:07 - Smiling
Outro - Fear of Flying

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2294</itunes:duration>
                                    </item>
    <item>
        <title>#102: Season Two In Review</title>
        <itunes:title>#102: Season Two In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/102-season-two-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/102-season-two-in-review/#comments</comments>        <pubDate>Tue, 25 Dec 2012 01:00:17 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/102-season-two-in-review/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Season Two of Dig Me Out is in the books! For the last episode of 2012, we're taking a look back at our sophomore year and picking our top five favorite songs as well as our new album discovery.</p>
<p style="text-align: center;">We've got plenty of thanks to dispense to those who made Season Two a huge success: all of our great guests and folks who suggested albums, and of course our listeners.</p>
<p style="text-align: center;">Lastly, towards the end of the show there is a special announcement regarding something brand new in 2013 (hint: it's music related).</p>
<p style="text-align: center;">Note: Tim imbibed too much celebratory champagne and thought this podcast went up New Year's Day instead of Christmas Day. Tim promises to lay off the champagne in future episodes.</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Season Two of Dig Me Out is in the books! For the last episode of 2012, we're taking a look back at our sophomore year and picking our top five favorite songs as well as our new album discovery.</p>
<p style="text-align: center;">We've got plenty of thanks to dispense to those who made Season Two a huge success: all of our great guests and folks who suggested albums, and of course our listeners.</p>
<p style="text-align: center;">Lastly, towards the end of the show there is a special announcement regarding something brand new in 2013 (hint: it's music related).</p>
<p style="text-align: center;">Note: Tim imbibed too much celebratory champagne and thought this podcast went up New Year's Day instead of Christmas Day. Tim promises to lay off the champagne in future episodes.</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fzn8sn/SecondSeasonInReview.mp3" length="47527100" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Season Two of Dig Me Out is in the books! For the last episode of 2012, we're taking a look back at our sophomore year and picking our top five favorite songs as well as our new album discovery.
We've got plenty of thanks to dispense to those who made Season Two a huge success: all of our great guests and folks who suggested albums, and of course our listeners.
Lastly, towards the end of the show there is a special announcement regarding something brand new in 2013 (hint: it's music related).
Note: Tim imbibed too much celebratory champagne and thought this podcast went up New Year's Day instead of Christmas Day. Tim promises to lay off the champagne in future episodes.


Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1953</itunes:duration>
                                    </item>
    <item>
        <title>#101: El Moodio by Eleventh Dream Day</title>
        <itunes:title>#101: El Moodio by Eleventh Dream Day</itunes:title>
        <link>https://digmeout.podbean.com/e/101-el-moodio-by-eleventh-dream-day/</link>
                    <comments>https://digmeout.podbean.com/e/101-el-moodio-by-eleventh-dream-day/#comments</comments>        <pubDate>Tue, 18 Dec 2012 01:00:03 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/101-el-moodio-by-eleventh-dream-day/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For our last review of 2012, of course it's a listener suggestion. To wrap it up, we're checking out Chicago's <a href='http://en.wikipedia.org/wiki/Eleventh_Dream_Day'>Eleventh Dream Day</a> and their 1993 album <a href='http://www.amazon.com/gp/product/B000008FCU/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008FCU&linkCode=as2&tag=b0cd1-20'>El Moodio</a>. EDD provides a unique sound with their male/female vocal combination and wild swings from concise jangle pop to sprawling jam ballads. Does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Makin' Like a Rug</p>
<p style="text-align: center;">2:40 - History of the Band</p>
<p style="text-align: center;">9:57 - After This Time Is Gone</p>
<p style="text-align: center;">14:26 - Makin' Like a Rug</p>
<p style="text-align: center;">18:18 - Bend Bridge</p>
<p style="text-align: center;">Outro - Rubberband</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For our last review of 2012, of course it's a listener suggestion. To wrap it up, we're checking out Chicago's <a href='http://en.wikipedia.org/wiki/Eleventh_Dream_Day'>Eleventh Dream Day</a> and their 1993 album <a href='http://www.amazon.com/gp/product/B000008FCU/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008FCU&linkCode=as2&tag=b0cd1-20'>El Moodio</a>. EDD provides a unique sound with their male/female vocal combination and wild swings from concise jangle pop to sprawling jam ballads. Does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Makin' Like a Rug</p>
<p style="text-align: center;">2:40 - History of the Band</p>
<p style="text-align: center;">9:57 - After This Time Is Gone</p>
<p style="text-align: center;">14:26 - Makin' Like a Rug</p>
<p style="text-align: center;">18:18 - Bend Bridge</p>
<p style="text-align: center;">Outro - Rubberband</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e4brew/ElMoodiobyEleventhDayDream.mp3" length="54641750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For our last review of 2012, of course it's a listener suggestion. To wrap it up, we're checking out Chicago's Eleventh Dream Day and their 1993 album El Moodio. EDD provides a unique sound with their male/female vocal combination and wild swings from concise jangle pop to sprawling jam ballads. Does it all work? Tune in to find out.
Songs in this Episode:
Intro - Makin' Like a Rug
2:40 - History of the Band
9:57 - After This Time Is Gone
14:26 - Makin' Like a Rug
18:18 - Bend Bridge
Outro - Rubberband

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2259</itunes:duration>
                                    </item>
    <item>
        <title>#100: Magic and Madness by Circus of Power</title>
        <itunes:title>#100: Magic and Madness by Circus of Power</itunes:title>
        <link>https://digmeout.podbean.com/e/100-magic-and-madness-by-circus-of-power/</link>
                    <comments>https://digmeout.podbean.com/e/100-magic-and-madness-by-circus-of-power/#comments</comments>        <pubDate>Tue, 11 Dec 2012 01:00:04 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/100-magic-and-madness-by-circus-of-power/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Episode #100 marks the second of two listener suggestion episodes that ignore the alternative and indie rock explosion of the 1990s in favor of some straight-up rock and roll that draws influences from metal, glam and hard rock of the previous decade. This week, it's <a href='http://www.circusofpower.net/'>Circus of Power</a> and their 1993 album <a href='http://www.amazon.com/gp/product/B000008EBN/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008EBN&linkCode=as2&tag=b0cd1-20'>Magic & Madness</a>. A number of bands pinned to the hair/glam rock era of the 1980s tried to transition their sound in the 90s, some successful and some not. COP worked with Jerry Cantrell of Alice and Chains and toured with Gruntruck, making an attempt to move in a more straightforward hard rock direction. Is it magic or madness? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Heaven & Hell</p>
<p style="text-align: center;">2:29 - History of the Band</p>
<p style="text-align: center;">7:05 - Swamp Devil</p>
<p style="text-align: center;">10:37 - Mama Tequila</p>
<p style="text-align: center;">17:49 - Black Roses</p>
<p style="text-align: center;">24:50 - Otta My Head</p>
<p style="text-align: center;">Outro - Shine</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Episode #100 marks the second of two listener suggestion episodes that ignore the alternative and indie rock explosion of the 1990s in favor of some straight-up rock and roll that draws influences from metal, glam and hard rock of the previous decade. This week, it's <a href='http://www.circusofpower.net/'>Circus of Power</a> and their 1993 album <a href='http://www.amazon.com/gp/product/B000008EBN/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008EBN&linkCode=as2&tag=b0cd1-20'>Magic & Madness</a>. A number of bands pinned to the hair/glam rock era of the 1980s tried to transition their sound in the 90s, some successful and some not. COP worked with Jerry Cantrell of Alice and Chains and toured with Gruntruck, making an attempt to move in a more straightforward hard rock direction. Is it magic or madness? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Heaven & Hell</p>
<p style="text-align: center;">2:29 - History of the Band</p>
<p style="text-align: center;">7:05 - Swamp Devil</p>
<p style="text-align: center;">10:37 - Mama Tequila</p>
<p style="text-align: center;">17:49 - Black Roses</p>
<p style="text-align: center;">24:50 - Otta My Head</p>
<p style="text-align: center;">Outro - Shine</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c6vtyg/VicesbyCircusofPower.mp3" length="50454419" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Episode #100 marks the second of two listener suggestion episodes that ignore the alternative and indie rock explosion of the 1990s in favor of some straight-up rock and roll that draws influences from metal, glam and hard rock of the previous decade. This week, it's Circus of Power and their 1993 album Magic & Madness. A number of bands pinned to the hair/glam rock era of the 1980s tried to transition their sound in the 90s, some successful and some not. COP worked with Jerry Cantrell of Alice and Chains and toured with Gruntruck, making an attempt to move in a more straightforward hard rock direction. Is it magic or madness? Tune in to find out.
Songs in this Episode:
Intro - Heaven & Hell
2:29 - History of the Band
7:05 - Swamp Devil
10:37 - Mama Tequila
17:49 - Black Roses
24:50 - Otta My Head
Outro - Shine

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2100</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#099: The Silent Majority by Life, Sex and Death</title>
        <itunes:title>#099: The Silent Majority by Life, Sex and Death</itunes:title>
        <link>https://digmeout.podbean.com/e/099-the-silent-majority-by-life-sex-and-death/</link>
                    <comments>https://digmeout.podbean.com/e/099-the-silent-majority-by-life-sex-and-death/#comments</comments>        <pubDate>Tue, 04 Dec 2012 01:00:51 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/099-the-silent-majority-by-life-sex-and-death/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Thanks to a listener suggestion we're starting a two week exploration of the metal, glam and hard rock end of the 1990s with <a href='http://en.wikipedia.org/wiki/Life,_Sex_%26_Death'>Life, Sex & Death</a>, and their 1992 album <a href='http://www.amazon.com/gp/product/B000008HQ6/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008HQ6&linkCode=as2&tag=b0cd1-20'>The Silent Majority</a>. Jason says LSD are the best live band he's ever seen, and has plenty to share about this one-album-and-done band that featured Van Halen-style riffs with Tom Waits-esque vocals, a weird combination that shouldn't work but somehow does.</p>
<p style="text-align: center;">MAJOR EARMUFFS WARNING</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Telephone Call</p>
<p style="text-align: center;">3:40 - History of the Band</p>
<p style="text-align: center;">10:48 - Blue Velvet Morning</p>
<p style="text-align: center;">20:59 - Schools for Fools</p>
<p style="text-align: center;">24:14 - Fuckin Shit Ass</p>
<p style="text-align: center;">29:52 - Jawohl Asshole</p>
<p style="text-align: center;">33:26 - Rise Above</p>
<p style="text-align: center;">Outro - Tank</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Thanks to a listener suggestion we're starting a two week exploration of the metal, glam and hard rock end of the 1990s with <a href='http://en.wikipedia.org/wiki/Life,_Sex_%26_Death'>Life, Sex & Death</a>, and their 1992 album <a href='http://www.amazon.com/gp/product/B000008HQ6/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008HQ6&linkCode=as2&tag=b0cd1-20'>The Silent Majority</a>. Jason says LSD are the best live band he's ever seen, and has plenty to share about this one-album-and-done band that featured Van Halen-style riffs with Tom Waits-esque vocals, a weird combination that shouldn't work but somehow does.</p>
<p style="text-align: center;">MAJOR EARMUFFS WARNING</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Telephone Call</p>
<p style="text-align: center;">3:40 - History of the Band</p>
<p style="text-align: center;">10:48 - Blue Velvet Morning</p>
<p style="text-align: center;">20:59 - Schools for Fools</p>
<p style="text-align: center;">24:14 - Fuckin Shit Ass</p>
<p style="text-align: center;">29:52 - Jawohl Asshole</p>
<p style="text-align: center;">33:26 - Rise Above</p>
<p style="text-align: center;">Outro - Tank</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4czqxn/TheSilentMajoritybyLifeSexAndDeath.mp3" length="73314502" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thanks to a listener suggestion we're starting a two week exploration of the metal, glam and hard rock end of the 1990s with Life, Sex & Death, and their 1992 album The Silent Majority. Jason says LSD are the best live band he's ever seen, and has plenty to share about this one-album-and-done band that featured Van Halen-style riffs with Tom Waits-esque vocals, a weird combination that shouldn't work but somehow does.
MAJOR EARMUFFS WARNING
Songs in this Episode:
Intro - Telephone Call
3:40 - History of the Band
10:48 - Blue Velvet Morning
20:59 - Schools for Fools
24:14 - Fuckin Shit Ass
29:52 - Jawohl Asshole
33:26 - Rise Above
Outro - Tank

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3052</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#098: Safe Sex Designer Drugs and The Death of Rock n Roll by Baby Chaos</title>
        <itunes:title>#098: Safe Sex Designer Drugs and The Death of Rock n Roll by Baby Chaos</itunes:title>
        <link>https://digmeout.podbean.com/e/098-safe-sex-designer-drugs-and-the-death-of-rock-n-roll-by-baby-chaos/</link>
                    <comments>https://digmeout.podbean.com/e/098-safe-sex-designer-drugs-and-the-death-of-rock-n-roll-by-baby-chaos/#comments</comments>        <pubDate>Tue, 27 Nov 2012 01:00:12 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/098-safe-sex-designer-drugs-and-the-death-of-rock-n-roll-by-baby-chaos/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #98, we're using a listener suggestion as an opportunity to check out an obscure band neither of us knew about to that later became another obscure band that we actually did know about. Got it? Scottish rockers <a href='http://www.babychaos.co.uk/'>Baby Chaos</a> are the band, and they also provide us with the longest album title to date with 1995's <a href='http://www.amazon.com/gp/product/B000008PD2/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008PD2&linkCode=as2&tag=b0cd1-20'>Safe Sex Designer Drugs & The Death of Rock & Roll</a>. In the late 90s they changed their name to Deckard, a band we both listened back in the early 2000s. We liked Deckard, so how does Baby Chaos stack up? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Saliva</p>
<p style="text-align: center;">1:50 - History of the Band</p>
<p style="text-align: center;">11:17 - Sperm</p>
<p style="text-align: center;">13:47 - A Bullet for the End</p>
<p style="text-align: center;">25:38 - Go To Hell</p>
<p style="text-align: center;">Outro - Hello Victim</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #98, we're using a listener suggestion as an opportunity to check out an obscure band neither of us knew about to that later became another obscure band that we actually did know about. Got it? Scottish rockers <a href='http://www.babychaos.co.uk/'>Baby Chaos</a> are the band, and they also provide us with the longest album title to date with 1995's <a href='http://www.amazon.com/gp/product/B000008PD2/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008PD2&linkCode=as2&tag=b0cd1-20'>Safe Sex Designer Drugs & The Death of Rock & Roll</a>. In the late 90s they changed their name to Deckard, a band we both listened back in the early 2000s. We liked Deckard, so how does Baby Chaos stack up? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Saliva</p>
<p style="text-align: center;">1:50 - History of the Band</p>
<p style="text-align: center;">11:17 - Sperm</p>
<p style="text-align: center;">13:47 - A Bullet for the End</p>
<p style="text-align: center;">25:38 - Go To Hell</p>
<p style="text-align: center;">Outro - Hello Victim</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qer9tc/SafeSexDesignerDrugsandTheDeathofRocknRollbyBabyChaos.mp3" length="43412049" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #98, we're using a listener suggestion as an opportunity to check out an obscure band neither of us knew about to that later became another obscure band that we actually did know about. Got it? Scottish rockers Baby Chaos are the band, and they also provide us with the longest album title to date with 1995's Safe Sex Designer Drugs & The Death of Rock & Roll. In the late 90s they changed their name to Deckard, a band we both listened back in the early 2000s. We liked Deckard, so how does Baby Chaos stack up? Tune in to find out.
Songs in this Episode:
Intro - Saliva
1:50 - History of the Band
11:17 - Sperm
13:47 - A Bullet for the End
25:38 - Go To Hell
Outro - Hello Victim

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1806</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#097: Under The Western Freeway by Grandaddy</title>
        <itunes:title>#097: Under The Western Freeway by Grandaddy</itunes:title>
        <link>https://digmeout.podbean.com/e/097-under-the-western-freeway-by-grandaddy/</link>
                    <comments>https://digmeout.podbean.com/e/097-under-the-western-freeway-by-grandaddy/#comments</comments>        <pubDate>Tue, 20 Nov 2012 01:00:46 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/097-under-the-western-freeway-by-grandaddy/</guid>
                                    <description><![CDATA[<p style="text-align: center;">In our quest to knock out our backlog of listener suggestions, for episode #97 we're checking out the 1997 album <a href='http://www.amazon.com/gp/product/B000009PZS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000009PZS&linkCode=as2&tag=b0cd1-20'>Under the Western Freeway</a> by <a href='http://grandaddymusic.com/'>Grandaddy</a>. Some describe Grandaddy's sound as lo-fi space-rock, drawing comparisons to The Flaming Lips, Brian Wilson and Pavement, but we also heard some more straight-forward pop in the vein of Weezer and Guided By Voices. Question is, does is work, and what could Grandaddy learn from Journey? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - A.M. 180</p>
<p style="text-align: center;">2:13 - History of the Band</p>
<p style="text-align: center;">6:08 - A.M. 180</p>
<p style="text-align: center;">9:39 - Summer Here Kids</p>
<p style="text-align: center;">13:50 - Poised at Hartsy Thai Food</p>
<p style="text-align: center;">Outro - Why Took Your Advice</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">In our quest to knock out our backlog of listener suggestions, for episode #97 we're checking out the 1997 album <a href='http://www.amazon.com/gp/product/B000009PZS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000009PZS&linkCode=as2&tag=b0cd1-20'>Under the Western Freeway</a> by <a href='http://grandaddymusic.com/'>Grandaddy</a>. Some describe Grandaddy's sound as lo-fi space-rock, drawing comparisons to The Flaming Lips, Brian Wilson and Pavement, but we also heard some more straight-forward pop in the vein of Weezer and Guided By Voices. Question is, does is work, and what could Grandaddy learn from Journey? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - A.M. 180</p>
<p style="text-align: center;">2:13 - History of the Band</p>
<p style="text-align: center;">6:08 - A.M. 180</p>
<p style="text-align: center;">9:39 - Summer Here Kids</p>
<p style="text-align: center;">13:50 - Poised at Hartsy Thai Food</p>
<p style="text-align: center;">Outro - Why Took Your Advice</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/27nuut/UnderTheWesternFreewaybyGrandaddy.mp3" length="41933708" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our quest to knock out our backlog of listener suggestions, for episode #97 we're checking out the 1997 album Under the Western Freeway by Grandaddy. Some describe Grandaddy's sound as lo-fi space-rock, drawing comparisons to The Flaming Lips, Brian Wilson and Pavement, but we also heard some more straight-forward pop in the vein of Weezer and Guided By Voices. Question is, does is work, and what could Grandaddy learn from Journey? Tune in to find out.
Songs in this Episode:
Intro - A.M. 180
2:13 - History of the Band
6:08 - A.M. 180
9:39 - Summer Here Kids
13:50 - Poised at Hartsy Thai Food
Outro - Why Took Your Advice

Follow on Twitter / Facebook
Request A Review / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1745</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#096: Comforter by Compulsion</title>
        <itunes:title>#096: Comforter by Compulsion</itunes:title>
        <link>https://digmeout.podbean.com/e/096-comforter-by-compulsion/</link>
                    <comments>https://digmeout.podbean.com/e/096-comforter-by-compulsion/#comments</comments>        <pubDate>Tue, 13 Nov 2012 01:00:05 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/096-comforter-by-compulsion/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're back with another listener suggestion, this week tackling the 1994 debut album <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000001Y6K/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001Y6K&linkCode=as2&tag=b0cd1-20%22%3EComforter%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000001Y6K%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Comforter</a> by Irish band <a href='http://en.wikipedia.org/wiki/Compulsion_(band)'>Compulsion</a>. Deemed "The New Wave of New Wave" by NME back in the early 1990s, Compulsion straddles the line between the American alternative rock of Nirvana and the Pixies, and the harder-edged guitar rock of Therapy? with a unique lyrical bent. Does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Mall Monarchy</p>
<p style="text-align: center;">2:32 - History of the Band</p>
<p style="text-align: center;">9:36 - Rapejacket</p>
<p style="text-align: center;">14:06 - Domestique</p>
<p style="text-align: center;">15:33 - Oh My Fool Life</p>
<p style="text-align: center;">Outro - Jean Could Be Wrong</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're back with another listener suggestion, this week tackling the 1994 debut album <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000001Y6K/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001Y6K&linkCode=as2&tag=b0cd1-20%22%3EComforter%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000001Y6K%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Comforter</a> by Irish band <a href='http://en.wikipedia.org/wiki/Compulsion_(band)'>Compulsion</a>. Deemed "The New Wave of New Wave" by NME back in the early 1990s, Compulsion straddles the line between the American alternative rock of Nirvana and the Pixies, and the harder-edged guitar rock of Therapy? with a unique lyrical bent. Does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Mall Monarchy</p>
<p style="text-align: center;">2:32 - History of the Band</p>
<p style="text-align: center;">9:36 - Rapejacket</p>
<p style="text-align: center;">14:06 - Domestique</p>
<p style="text-align: center;">15:33 - Oh My Fool Life</p>
<p style="text-align: center;">Outro - Jean Could Be Wrong</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qjie4r/ComforterbyCompulsion.mp3" length="40543145" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another listener suggestion, this week tackling the 1994 debut album Comforter by Irish band Compulsion. Deemed "The New Wave of New Wave" by NME back in the early 1990s, Compulsion straddles the line between the American alternative rock of Nirvana and the Pixies, and the harder-edged guitar rock of Therapy? with a unique lyrical bent. Does it all work? Tune in to find out.
Songs in this Episode:
Intro - Mall Monarchy
2:32 - History of the Band
9:36 - Rapejacket
14:06 - Domestique
15:33 - Oh My Fool Life
Outro - Jean Could Be Wrong
Follow on Twitter / Facebook
Request A Review / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1687</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#095: Interview with Ken Stringfellow of The Posies</title>
        <itunes:title>#095: Interview with Ken Stringfellow of The Posies</itunes:title>
        <link>https://digmeout.podbean.com/e/095-interview-with-ken-stringfellow-of-the-posies/</link>
                    <comments>https://digmeout.podbean.com/e/095-interview-with-ken-stringfellow-of-the-posies/#comments</comments>        <pubDate>Tue, 06 Nov 2012 01:00:11 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/095-interview-with-ken-stringfellow-of-the-posies/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">We've got a very special episode this week as we're joined by <a href='http://www.kenstringfellow.com/'>Ken Stringfellow</a> of <a href='http://theposies.net/'>The Posies</a> to talk about his new solo album, <a href='http://www.danziginthemoonlight.com/shop'>Danzig The Moonight</a>. In addition, we revisit the 1993 Posies album <a href='http://www.amazon.com/gp/product/B000000P0P/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000000P0P&linkCode=as2&tag=b0cd1-20%22%3EFrosting%20on%20the%20Beater%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000000P0P%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Frosting On The Beater</a>.</p>
<p style="text-align: center;">Now living in Paris, Ken talks about the varied influences behind his new album, working with a variety of musicians, songwriting, gives us the real story on The Posies relationship with DGC while making Frosting On The Beater, their contrasting experiences in the studio with <a href='http://en.wikipedia.org/wiki/John_Leckie'>John Leckie</a> and <a href='http://en.wikipedia.org/wiki/Don_Fleming_(musician)'>Don Fleming</a>, how he joined the R.E.M. fold, and so much more.</p>


<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Dream All Day (from Frosting On The Beater)</p>
<p style="text-align: center;">2:05 - History of the Band</p>
<p style="text-align: center;">9:07 - Jesus Was An Only Child (from Danzig In The Moonlight)</p>
<p style="text-align: center;">27:43 - Drop Your Pride (from Danzig In The Moonlight)</p>
<p style="text-align: center;">40:47 - Flavor of the Month (from Frosting On The Beater)</p>
<p style="text-align: center;">58:21 - Doesn't It Remind You of Something (from Danzig In The Moonlight)</p>
<p style="text-align: center;">Outro - Shittalkers (from Danzig In the Moonlight</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">We've got a very special episode this week as we're joined by <a href='http://www.kenstringfellow.com/'>Ken Stringfellow</a> of <a href='http://theposies.net/'>The Posies</a> to talk about his new solo album, <a href='http://www.danziginthemoonlight.com/shop'>Danzig The Moonight</a>. In addition, we revisit the 1993 Posies album <a href='http://www.amazon.com/gp/product/B000000P0P/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000000P0P&linkCode=as2&tag=b0cd1-20%22%3EFrosting%20on%20the%20Beater%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000000P0P%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Frosting On The Beater</a>.</p>
<p style="text-align: center;">Now living in Paris, Ken talks about the varied influences behind his new album, working with a variety of musicians, songwriting, gives us the real story on The Posies relationship with DGC while making Frosting On The Beater, their contrasting experiences in the studio with <a href='http://en.wikipedia.org/wiki/John_Leckie'>John Leckie</a> and <a href='http://en.wikipedia.org/wiki/Don_Fleming_(musician)'>Don Fleming</a>, how he joined the R.E.M. fold, and so much more.</p>


<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Dream All Day (from Frosting On The Beater)</p>
<p style="text-align: center;">2:05 - History of the Band</p>
<p style="text-align: center;">9:07 - Jesus Was An Only Child (from Danzig In The Moonlight)</p>
<p style="text-align: center;">27:43 - Drop Your Pride (from Danzig In The Moonlight)</p>
<p style="text-align: center;">40:47 - Flavor of the Month (from Frosting On The Beater)</p>
<p style="text-align: center;">58:21 - Doesn't It Remind You of Something (from Danzig In The Moonlight)</p>
<p style="text-align: center;">Outro - Shittalkers (from Danzig In the Moonlight</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hbpct4/InterviewWithKenStringfellow.mp3" length="100244652" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
We've got a very special episode this week as we're joined by Ken Stringfellow of The Posies to talk about his new solo album, Danzig The Moonight. In addition, we revisit the 1993 Posies album Frosting On The Beater.
Now living in Paris, Ken talks about the varied influences behind his new album, working with a variety of musicians, songwriting, gives us the real story on The Posies relationship with DGC while making Frosting On The Beater, their contrasting experiences in the studio with John Leckie and Don Fleming, how he joined the R.E.M. fold, and so much more.


Songs in this Episode:
Intro - Dream All Day (from Frosting On The Beater)
2:05 - History of the Band
9:07 - Jesus Was An Only Child (from Danzig In The Moonlight)
27:43 - Drop Your Pride (from Danzig In The Moonlight)
40:47 - Flavor of the Month (from Frosting On The Beater)
58:21 - Doesn't It Remind You of Something (from Danzig In The Moonlight)
Outro - Shittalkers (from Danzig In the Moonlight
Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4174</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>Special Announcement</title>
        <itunes:title>Special Announcement</itunes:title>
        <link>https://digmeout.podbean.com/e/special-announcement/</link>
                    <comments>https://digmeout.podbean.com/e/special-announcement/#comments</comments>        <pubDate>Fri, 02 Nov 2012 01:00:57 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/special-announcement/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Hey all, we've posted a short announcement in our feed this week that you can download or stream. Feel free to visit our new <a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> page for all the information regarding our new process for album suggestions starting in 2013.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Hey all, we've posted a short announcement in our feed this week that you can download or stream. Feel free to visit our new <a href='http://www.digmeoutpodcast.com/p/request-review.html'>Request A Review</a> page for all the information regarding our new process for album suggestions starting in 2013.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/29i28k/SpecialAnnouncement.mp3" length="12829941" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hey all, we've posted a short announcement in our feed this week that you can download or stream. Feel free to visit our new Request A Review page for all the information regarding our new process for album suggestions starting in 2013.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>532</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#094: Mic City Sons by Heatmiser</title>
        <itunes:title>#094: Mic City Sons by Heatmiser</itunes:title>
        <link>https://digmeout.podbean.com/e/094-mic-city-sons-by-heatmiser/</link>
                    <comments>https://digmeout.podbean.com/e/094-mic-city-sons-by-heatmiser/#comments</comments>        <pubDate>Tue, 30 Oct 2012 01:00:10 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/094-mic-city-sons-by-heatmiser/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Another listener suggestion! This is one is a band both Tim and J are surprised they never got around to on their own. On episode #94 we're checking out the 1996 album <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000000I34/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000000I34&linkCode=as2&tag=b0cd1-20%22%3EMic%20City%20Sons%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000000I34%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Mic City Sons</a>, the last by <a href='http://en.wikipedia.org/wiki/Heatmiser'>Heatmiser</a>, after which co-leader <a href='http://www.sweetadeline.net/'>Elliott Smith</a> went on to carve out a well-respected if too short solo career. Mic City Sons shows off a different side to Smith, as well as shines the spotlight on his bandmate Neil Gust. We discuss that, why serial killers wouldn't enjoy Elliott Smith, and much more.</p>
<p style="text-align: center;">Make sure to listen to the beginning of the episode regarding a special announcement coming very soon.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Eagle Eye</p>
<p style="text-align: center;">4:25 - History of the Band</p>
<p style="text-align: center;">10:23 - Get Lucky</p>
<p style="text-align: center;">15:43 - Plainclothes Man</p>
<p style="text-align: center;">20:44 - Pop In G</p>
<p style="text-align: center;">Outro - See You Later</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Another listener suggestion! This is one is a band both Tim and J are surprised they never got around to on their own. On episode #94 we're checking out the 1996 album <a href='http://www.blogger.com/%3Ca%20href=%22http://www.amazon.com/gp/product/B000000I34/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000000I34&linkCode=as2&tag=b0cd1-20%22%3EMic%20City%20Sons%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B000000I34%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Mic City Sons</a>, the last by <a href='http://en.wikipedia.org/wiki/Heatmiser'>Heatmiser</a>, after which co-leader <a href='http://www.sweetadeline.net/'>Elliott Smith</a> went on to carve out a well-respected if too short solo career. Mic City Sons shows off a different side to Smith, as well as shines the spotlight on his bandmate Neil Gust. We discuss that, why serial killers wouldn't enjoy Elliott Smith, and much more.</p>
<p style="text-align: center;">Make sure to listen to the beginning of the episode regarding a special announcement coming very soon.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Eagle Eye</p>
<p style="text-align: center;">4:25 - History of the Band</p>
<p style="text-align: center;">10:23 - Get Lucky</p>
<p style="text-align: center;">15:43 - Plainclothes Man</p>
<p style="text-align: center;">20:44 - Pop In G</p>
<p style="text-align: center;">Outro - See You Later</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i26wgz/MicCitySonsbyHeatmiser.mp3" length="54448022" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Another listener suggestion! This is one is a band both Tim and J are surprised they never got around to on their own. On episode #94 we're checking out the 1996 album Mic City Sons, the last by Heatmiser, after which co-leader Elliott Smith went on to carve out a well-respected if too short solo career. Mic City Sons shows off a different side to Smith, as well as shines the spotlight on his bandmate Neil Gust. We discuss that, why serial killers wouldn't enjoy Elliott Smith, and much more.
Make sure to listen to the beginning of the episode regarding a special announcement coming very soon.
Songs in this Episode:
Intro - Eagle Eye
4:25 - History of the Band
10:23 - Get Lucky
15:43 - Plainclothes Man
20:44 - Pop In G
Outro - See You Later


Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2266</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#093: Luxury Plane Crash by Scarfo</title>
        <itunes:title>#093: Luxury Plane Crash by Scarfo</itunes:title>
        <link>https://digmeout.podbean.com/e/093-luxury-plane-crash-by-scarfo/</link>
                    <comments>https://digmeout.podbean.com/e/093-luxury-plane-crash-by-scarfo/#comments</comments>        <pubDate>Tue, 23 Oct 2012 01:00:33 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/093-luxury-plane-crash-by-scarfo/</guid>
                                    <description><![CDATA[<p style="text-align: center;">It's another listener suggestion on episode #93, and this week we're checking out the 1997 album <a href='http://www.amazon.com/Luxury-Plane-Crash/dp/B000024TG0/ref=ntt_mus_dp_dpt_2'>Luxury Plane Crash</a> by <a href='http://en.wikipedia.org/wiki/Scarfo'>Scarfo</a>. Fronted by now half of the duo known as the <a href='http://www.thekills.tv/'>The Kills</a>, this short-lived Jamie Hince led trio pound out some big noise and catchy melodies. Their sound is hard to pin down, combing English elements of The Jam and Buzzcocks with American indie artists like Jawbox and the Pixies. So how does it all work together? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - ELO</p>
<p style="text-align: center;">1:58 - History of the Band</p>
<p style="text-align: center;">9:02 - Jet Smashed Flat</p>
<p style="text-align: center;">11:59 - Alkaline</p>
<p style="text-align: center;">14:08 - Prison Architect</p>
<p style="text-align: center;">20:02 - Pajo Gear</p>
<p style="text-align: center;">Outro - Lifeline</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">It's another listener suggestion on episode #93, and this week we're checking out the 1997 album <a href='http://www.amazon.com/Luxury-Plane-Crash/dp/B000024TG0/ref=ntt_mus_dp_dpt_2'>Luxury Plane Crash</a> by <a href='http://en.wikipedia.org/wiki/Scarfo'>Scarfo</a>. Fronted by now half of the duo known as the <a href='http://www.thekills.tv/'>The Kills</a>, this short-lived Jamie Hince led trio pound out some big noise and catchy melodies. Their sound is hard to pin down, combing English elements of The Jam and Buzzcocks with American indie artists like Jawbox and the Pixies. So how does it all work together? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - ELO</p>
<p style="text-align: center;">1:58 - History of the Band</p>
<p style="text-align: center;">9:02 - Jet Smashed Flat</p>
<p style="text-align: center;">11:59 - Alkaline</p>
<p style="text-align: center;">14:08 - Prison Architect</p>
<p style="text-align: center;">20:02 - Pajo Gear</p>
<p style="text-align: center;">Outro - Lifeline</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h33qwz/LuxuryPlaneCrashbyScarfo.mp3" length="40039095" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's another listener suggestion on episode #93, and this week we're checking out the 1997 album Luxury Plane Crash by Scarfo. Fronted by now half of the duo known as the The Kills, this short-lived Jamie Hince led trio pound out some big noise and catchy melodies. Their sound is hard to pin down, combing English elements of The Jam and Buzzcocks with American indie artists like Jawbox and the Pixies. So how does it all work together? Tune in and find out.
Songs in this Episode:
Intro - ELO
1:58 - History of the Band
9:02 - Jet Smashed Flat
11:59 - Alkaline
14:08 - Prison Architect
20:02 - Pajo Gear
Outro - Lifeline
Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1666</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#092: I Am An Elastic Firecracker by Tripping Daisy</title>
        <itunes:title>#092: I Am An Elastic Firecracker by Tripping Daisy</itunes:title>
        <link>https://digmeout.podbean.com/e/092-i-am-an-elastic-firecracker-by-tripping-daisy/</link>
                    <comments>https://digmeout.podbean.com/e/092-i-am-an-elastic-firecracker-by-tripping-daisy/#comments</comments>        <pubDate>Tue, 16 Oct 2012 01:00:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/092-i-am-an-elastic-firecracker-by-tripping-daisy/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're back with another listener suggestion - this week we head down to Texas to check out <a href='http://www.trippingdaisy.com/'>Tripping Daisy</a> and their 1995 album <a href='http://www.amazon.com/gp/product/B000001E88/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001E88&linkCode=as2&tag=b0cd1-20'>I Am an Elastic Firecracker</a>. There are obvious comparisons to be made to bands like Jane's Addiction and The Flaming Lips. Tripping Daisy even managed to score their own version of an oddball hit single a la "She Don't Use Jelly" with the tune "I Got A Girl," but is there more to this band than one-hit wonder status? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Raindrop</p>
<p style="text-align: center;">2:23 - History of the Band</p>
<p style="text-align: center;">10:02 - Raindrop</p>
<p style="text-align: center;">12:15 - Rocketpop</p>
<p style="text-align: center;">16:11 - I Got A Girl</p>
<p style="text-align: center;">22:50 - Motivation</p>
<p style="text-align: center;">Outro - Prick</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're back with another listener suggestion - this week we head down to Texas to check out <a href='http://www.trippingdaisy.com/'>Tripping Daisy</a> and their 1995 album <a href='http://www.amazon.com/gp/product/B000001E88/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000001E88&linkCode=as2&tag=b0cd1-20'>I Am an Elastic Firecracker</a>. There are obvious comparisons to be made to bands like Jane's Addiction and The Flaming Lips. Tripping Daisy even managed to score their own version of an oddball hit single a la "She Don't Use Jelly" with the tune "I Got A Girl," but is there more to this band than one-hit wonder status? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Raindrop</p>
<p style="text-align: center;">2:23 - History of the Band</p>
<p style="text-align: center;">10:02 - Raindrop</p>
<p style="text-align: center;">12:15 - Rocketpop</p>
<p style="text-align: center;">16:11 - I Got A Girl</p>
<p style="text-align: center;">22:50 - Motivation</p>
<p style="text-align: center;">Outro - Prick</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/inwrsg/IAmAnElasticFirecrackerbyTrippingDaisy.mp3" length="48994312" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another listener suggestion - this week we head down to Texas to check out Tripping Daisy and their 1995 album I Am an Elastic Firecracker. There are obvious comparisons to be made to bands like Jane's Addiction and The Flaming Lips. Tripping Daisy even managed to score their own version of an oddball hit single a la "She Don't Use Jelly" with the tune "I Got A Girl," but is there more to this band than one-hit wonder status? Tune in and find out.
Songs in this Episode:
Intro - Raindrop
2:23 - History of the Band
10:02 - Raindrop
12:15 - Rocketpop
16:11 - I Got A Girl
22:50 - Motivation
Outro - Prick

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2039</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#091: Diary by Sunny Day Real Estate</title>
        <itunes:title>#091: Diary by Sunny Day Real Estate</itunes:title>
        <link>https://digmeout.podbean.com/e/091-diary-by-sunny-day-real-estate/</link>
                    <comments>https://digmeout.podbean.com/e/091-diary-by-sunny-day-real-estate/#comments</comments>        <pubDate>Tue, 09 Oct 2012 01:00:19 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/091-diary-by-sunny-day-real-estate/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #91 we're tackling one of the most influential albums of the 1990s - <a href='http://sunnydayrealestate.fm/'>Sunny Day Real Estate</a> debut release from 1994, <a href='http://www.amazon.com/gp/product/B002HQWQBG/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B002HQWQBG'>Diary</a>. Credited as a primary instigator of what would later be known as emo, Sunny Day Real Estate never like to stay in one moment too long; switching tempo, time signatures and volume at the drop of a hat. Somehow, the band manages to seamlessly combine elements of post-punk, progressive rock and grunge into one cohesive sound.</p>
<p style="text-align: center;">It's been eighteen years since it's initial release, and three years since the remastered re-release with bonus tracks, so the only question is - does Diary stand the test of time? And is the Batman Forever soundtrack a perfect time capsule for the mid-1990s?Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Seven</p>
<p style="text-align: center;">4:10 - History of the Band</p>
<p style="text-align: center;">15:56 - Seven</p>
<p style="text-align: center;">17:36 - In Circles</p>
<p style="text-align: center;">24:35 - Shadows</p>
<p style="text-align: center;">27:32 - 47</p>
<p style="text-align: center;">Outro - The Blankets Were the Stairs</p>
<p style="text-align: center;">Note: We apologize for the slightly garbled audio on Jason's end, the internet did not want to cooperate on this particular day.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #91 we're tackling one of the most influential albums of the 1990s - <a href='http://sunnydayrealestate.fm/'>Sunny Day Real Estate</a> debut release from 1994, <a href='http://www.amazon.com/gp/product/B002HQWQBG/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B002HQWQBG'>Diary</a>. Credited as a primary instigator of what would later be known as emo, Sunny Day Real Estate never like to stay in one moment too long; switching tempo, time signatures and volume at the drop of a hat. Somehow, the band manages to seamlessly combine elements of post-punk, progressive rock and grunge into one cohesive sound.</p>
<p style="text-align: center;">It's been eighteen years since it's initial release, and three years since the remastered re-release with bonus tracks, so the only question is - does Diary stand the test of time? And is the Batman Forever soundtrack a perfect time capsule for the mid-1990s?Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Seven</p>
<p style="text-align: center;">4:10 - History of the Band</p>
<p style="text-align: center;">15:56 - Seven</p>
<p style="text-align: center;">17:36 - In Circles</p>
<p style="text-align: center;">24:35 - Shadows</p>
<p style="text-align: center;">27:32 - 47</p>
<p style="text-align: center;">Outro - The Blankets Were the Stairs</p>
<p style="text-align: center;">Note: We apologize for the slightly garbled audio on Jason's end, the internet did not want to cooperate on this particular day.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>

Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wmez6u/DiarybySunnyDayRealEstate.mp3" length="67628785" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #91 we're tackling one of the most influential albums of the 1990s - Sunny Day Real Estate debut release from 1994, Diary. Credited as a primary instigator of what would later be known as emo, Sunny Day Real Estate never like to stay in one moment too long; switching tempo, time signatures and volume at the drop of a hat. Somehow, the band manages to seamlessly combine elements of post-punk, progressive rock and grunge into one cohesive sound.
It's been eighteen years since it's initial release, and three years since the remastered re-release with bonus tracks, so the only question is - does Diary stand the test of time? And is the Batman Forever soundtrack a perfect time capsule for the mid-1990s?Tune in and find out.
Songs in this Episode:
Intro - Seven
4:10 - History of the Band
15:56 - Seven
17:36 - In Circles
24:35 - Shadows
27:32 - 47
Outro - The Blankets Were the Stairs
Note: We apologize for the slightly garbled audio on Jason's end, the internet did not want to cooperate on this particular day.

Follow on Twitter / Facebook

Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2815</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#090: Dope Box by Jack Drag</title>
        <itunes:title>#090: Dope Box by Jack Drag</itunes:title>
        <link>https://digmeout.podbean.com/e/090-dope-box-by-jack-drag/</link>
                    <comments>https://digmeout.podbean.com/e/090-dope-box-by-jack-drag/#comments</comments>        <pubDate>Tue, 02 Oct 2012 01:00:13 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/090-dope-box-by-jack-drag/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're back with another listener suggestion, this week tackling the 1998 release <a href='http://www.amazon.com/gp/product/B00000AFAR/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000AFAR&linkCode=as2&tag=b0cd1-20'>Dope Box</a> from <a href='http://www.jackdrag.com/'>Jack Drag</a>. Of all the albums we've reviewed so far, Dope Box might be the most diverse (or schizophrenic), bouncing from Prodigy-esque big beats on one song, to mid-tempo Velvet Crush-like power pop on the next. There's a lot to like about this album, and a lot of befuddlement as well. Which side did we come down on? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Kung Fu Dub</p>
<p style="text-align: center;">2:59 - History of the Band</p>
<p style="text-align: center;">12:12 - Debutante</p>
<p style="text-align: center;">14:25 - Tall Buildings</p>
<p style="text-align: center;">16:32 - Seem So Tired</p>
<p style="text-align: center;">19:12 - Best Friend</p>
<p style="text-align: center;">21:57 - Surfin' the Charles</p>
<p style="text-align: center;">Outro - Where We Are</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're back with another listener suggestion, this week tackling the 1998 release <a href='http://www.amazon.com/gp/product/B00000AFAR/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00000AFAR&linkCode=as2&tag=b0cd1-20'>Dope Box</a> from <a href='http://www.jackdrag.com/'>Jack Drag</a>. Of all the albums we've reviewed so far, Dope Box might be the most diverse (or schizophrenic), bouncing from Prodigy-esque big beats on one song, to mid-tempo Velvet Crush-like power pop on the next. There's a lot to like about this album, and a lot of befuddlement as well. Which side did we come down on? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Kung Fu Dub</p>
<p style="text-align: center;">2:59 - History of the Band</p>
<p style="text-align: center;">12:12 - Debutante</p>
<p style="text-align: center;">14:25 - Tall Buildings</p>
<p style="text-align: center;">16:32 - Seem So Tired</p>
<p style="text-align: center;">19:12 - Best Friend</p>
<p style="text-align: center;">21:57 - Surfin' the Charles</p>
<p style="text-align: center;">Outro - Where We Are</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jtzs9w/DopeBoxbyJackDrag.mp3" length="48850080" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another listener suggestion, this week tackling the 1998 release Dope Box from Jack Drag. Of all the albums we've reviewed so far, Dope Box might be the most diverse (or schizophrenic), bouncing from Prodigy-esque big beats on one song, to mid-tempo Velvet Crush-like power pop on the next. There's a lot to like about this album, and a lot of befuddlement as well. Which side did we come down on? Tune in and find out.
Songs in this Episode:
Intro - Kung Fu Dub
2:59 - History of the Band
12:12 - Debutante
14:25 - Tall Buildings
16:32 - Seem So Tired
19:12 - Best Friend
21:57 - Surfin' the Charles
Outro - Where We Are


Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2033</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#089: Hand It Over by Dinosaur Jr.</title>
        <itunes:title>#089: Hand It Over by Dinosaur Jr.</itunes:title>
        <link>https://digmeout.podbean.com/e/089-hand-it-over-by-dinosaur-jr/</link>
                    <comments>https://digmeout.podbean.com/e/089-hand-it-over-by-dinosaur-jr/#comments</comments>        <pubDate>Tue, 25 Sep 2012 01:00:23 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/089-hand-it-over-by-dinosaur-jr/</guid>
                                    <description><![CDATA[<p style="text-align: center;"><a href='http://www.dinosaurjr.com/'>Dinosaur Jr.</a> just released a new album, so we felt episode #89 was a perfect time to revisit the 1997 album <a href='http://www.amazon.com/gp/product/B000002NDH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002NDH&linkCode=as2&tag=b0cd1-20'>Hand It Over</a>. Legendary guitarist/singer/songwriter J. Mascis once described the album as his <a href='http://www.magnetmagazine.com/2007/04/10/dinosaur-jr-ancient-ruins-and-the-monumental-reunion/'>favorite of the major label years</a>, so how does it stand up fifteen years later? There are plenty of curveballs on this album, with trumpets, flutes, banjo's making front and center appearances, not what you'd expect from a Dinosaur Jr. album. Does it work? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Can't We Move This</p>
<p style="text-align: center;">4:06 - History of the Band</p>
<p style="text-align: center;">12:57 - I'm Insane</p>
<p style="text-align: center;">14:38 - I'm Insane</p>
<p style="text-align: center;">17:04 - Never Bought It</p>
<p style="text-align: center;">22:27 - Alone</p>
<p style="text-align: center;">27:40 - Nothin's Goin On</p>
<p style="text-align: center;">35:57 - Can't We Move This</p>
<p style="text-align: center;">Outro - Mick</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"><a href='http://www.dinosaurjr.com/'>Dinosaur Jr.</a> just released a new album, so we felt episode #89 was a perfect time to revisit the 1997 album <a href='http://www.amazon.com/gp/product/B000002NDH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002NDH&linkCode=as2&tag=b0cd1-20'>Hand It Over</a>. Legendary guitarist/singer/songwriter J. Mascis once described the album as his <a href='http://www.magnetmagazine.com/2007/04/10/dinosaur-jr-ancient-ruins-and-the-monumental-reunion/'>favorite of the major label years</a>, so how does it stand up fifteen years later? There are plenty of curveballs on this album, with trumpets, flutes, banjo's making front and center appearances, not what you'd expect from a Dinosaur Jr. album. Does it work? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Can't We Move This</p>
<p style="text-align: center;">4:06 - History of the Band</p>
<p style="text-align: center;">12:57 - I'm Insane</p>
<p style="text-align: center;">14:38 - I'm Insane</p>
<p style="text-align: center;">17:04 - Never Bought It</p>
<p style="text-align: center;">22:27 - Alone</p>
<p style="text-align: center;">27:40 - Nothin's Goin On</p>
<p style="text-align: center;">35:57 - Can't We Move This</p>
<p style="text-align: center;">Outro - Mick</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/48yjc/HandItOverbyDinosaurJr.mp3" length="66328511" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Dinosaur Jr. just released a new album, so we felt episode #89 was a perfect time to revisit the 1997 album Hand It Over. Legendary guitarist/singer/songwriter J. Mascis once described the album as his favorite of the major label years, so how does it stand up fifteen years later? There are plenty of curveballs on this album, with trumpets, flutes, banjo's making front and center appearances, not what you'd expect from a Dinosaur Jr. album. Does it work? Tune in and find out.
Songs in this Episode:
Intro - Can't We Move This
4:06 - History of the Band
12:57 - I'm Insane
14:38 - I'm Insane
17:04 - Never Bought It
22:27 - Alone
27:40 - Nothin's Goin On
35:57 - Can't We Move This
Outro - Mick

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2761</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#088: Jalamanta by Brant Bjork</title>
        <itunes:title>#088: Jalamanta by Brant Bjork</itunes:title>
        <link>https://digmeout.podbean.com/e/088-jalamanta-by-brant-bjork/</link>
                    <comments>https://digmeout.podbean.com/e/088-jalamanta-by-brant-bjork/#comments</comments>        <pubDate>Tue, 18 Sep 2012 01:00:49 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/088-jalamanta-by-brant-bjork/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Mark another one off the listener suggestion pile - this week we tackle the debut solo album by founding <a href='http://www.kyusslives.com/'>Kyuss</a> member and former <a href='http://www.fu-manchu.com/'>Fu Manchu</a> drummer <a href='http://www.brantbjork.com/'>Brant Bjork</a>, the 1999 album <a href='http://www.amazon.com/gp/product/B00001XDRD/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00001XDRD&linkCode=as2&tag=b0cd1-20'>Jalamanta</a>.</p>
<p style="text-align: center;">Brant's take on "desert rock" is more stripped down with less bombast, incorporating Latin and jazz influences. It's an interesting combination, but does it work? Tune in and find out.</p>



Songs in this Episode:


Intro - Too Many Chiefs... Not Enough Indians


5:17 - History of the Band

13:05 - Let's Get Chinese Eyes

14:44 - Too Many Chiefs... Not Enough Indians

19:25 - Automatic Fantastic


Outro - Defender of the Oleander

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Mark another one off the listener suggestion pile - this week we tackle the debut solo album by founding <a href='http://www.kyusslives.com/'>Kyuss</a> member and former <a href='http://www.fu-manchu.com/'>Fu Manchu</a> drummer <a href='http://www.brantbjork.com/'>Brant Bjork</a>, the 1999 album <a href='http://www.amazon.com/gp/product/B00001XDRD/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00001XDRD&linkCode=as2&tag=b0cd1-20'>Jalamanta</a>.</p>
<p style="text-align: center;">Brant's take on "desert rock" is more stripped down with less bombast, incorporating Latin and jazz influences. It's an interesting combination, but does it work? Tune in and find out.</p>



Songs in this Episode:


Intro - Too Many Chiefs... Not Enough Indians


5:17 - History of the Band

13:05 - Let's Get Chinese Eyes

14:44 - Too Many Chiefs... Not Enough Indians

19:25 - Automatic Fantastic


Outro - Defender of the Oleander

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mindds/JalamantabyBrantBjork.mp3" length="46284024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Mark another one off the listener suggestion pile - this week we tackle the debut solo album by founding Kyuss member and former Fu Manchu drummer Brant Bjork, the 1999 album Jalamanta.
Brant's take on "desert rock" is more stripped down with less bombast, incorporating Latin and jazz influences. It's an interesting combination, but does it work? Tune in and find out.



Songs in this Episode:


Intro - Too Many Chiefs... Not Enough Indians


5:17 - History of the Band

13:05 - Let's Get Chinese Eyes

14:44 - Too Many Chiefs... Not Enough Indians

19:25 - Automatic Fantastic


Outro - Defender of the Oleander

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1926</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#087: Juice by Send No Flowers</title>
        <itunes:title>#087: Juice by Send No Flowers</itunes:title>
        <link>https://digmeout.podbean.com/e/087-juice-by-send-no-flowers/</link>
                    <comments>https://digmeout.podbean.com/e/087-juice-by-send-no-flowers/#comments</comments>        <pubDate>Tue, 11 Sep 2012 01:00:12 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/087-juice-by-send-no-flowers/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're doing our best to keep our promise of catching up on our backlog of listener suggestions, and on episode #86 we're back with another. This week, we give a listen to <a href='http://en.wikipedia.org/wiki/Send_No_Flowers'>Send No Flowers</a> from the UK, and their lone full-length release from 1996, <a href='http://www.amazon.com/gp/product/B0000073OX/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0000073OX&linkCode=as2&tag=b0cd1-20'>Juice</a>.</p>
<p style="text-align: center;">Like our recent review <a href='http://www.digmeoutpodcast.com/2012/08/episode-083-flood-by-headswim.html'>Headswim</a>, the gentlemen of Send No Flowers are giving us their take on early '90s American alternative rock. We both found Headswim had a hard time finding their own sound, stuck repeating instead of reinventing bands like Pearl Jam and Alice In Chains. Does Send No Flowers fair any better? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Porcelain</p>
<p style="text-align: center;">6:26 - History of the Band</p>
<p style="text-align: center;">11:06 - Cold</p>
<p style="text-align: center;">14:39 - Porcelain</p>
<p style="text-align: center;">18:21 - Monotony</p>
<p style="text-align: center;">21:37 - Bitter Taste</p>
<p style="text-align: center;">Outro - Animal Feeder</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're doing our best to keep our promise of catching up on our backlog of listener suggestions, and on episode #86 we're back with another. This week, we give a listen to <a href='http://en.wikipedia.org/wiki/Send_No_Flowers'>Send No Flowers</a> from the UK, and their lone full-length release from 1996, <a href='http://www.amazon.com/gp/product/B0000073OX/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0000073OX&linkCode=as2&tag=b0cd1-20'>Juice</a>.</p>
<p style="text-align: center;">Like our recent review <a href='http://www.digmeoutpodcast.com/2012/08/episode-083-flood-by-headswim.html'>Headswim</a>, the gentlemen of Send No Flowers are giving us their take on early '90s American alternative rock. We both found Headswim had a hard time finding their own sound, stuck repeating instead of reinventing bands like Pearl Jam and Alice In Chains. Does Send No Flowers fair any better? Tune in and find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Porcelain</p>
<p style="text-align: center;">6:26 - History of the Band</p>
<p style="text-align: center;">11:06 - Cold</p>
<p style="text-align: center;">14:39 - Porcelain</p>
<p style="text-align: center;">18:21 - Monotony</p>
<p style="text-align: center;">21:37 - Bitter Taste</p>
<p style="text-align: center;">Outro - Animal Feeder</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cdp649/JuicebySendNoFlowers.mp3" length="49109009" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're doing our best to keep our promise of catching up on our backlog of listener suggestions, and on episode #86 we're back with another. This week, we give a listen to Send No Flowers from the UK, and their lone full-length release from 1996, Juice.
Like our recent review Headswim, the gentlemen of Send No Flowers are giving us their take on early '90s American alternative rock. We both found Headswim had a hard time finding their own sound, stuck repeating instead of reinventing bands like Pearl Jam and Alice In Chains. Does Send No Flowers fair any better? Tune in and find out.
Songs in this Episode:
Intro - Porcelain
6:26 - History of the Band
11:06 - Cold
14:39 - Porcelain
18:21 - Monotony
21:37 - Bitter Taste
Outro - Animal Feeder

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2044</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#086: Copper Blue by Sugar</title>
        <itunes:title>#086: Copper Blue by Sugar</itunes:title>
        <link>https://digmeout.podbean.com/e/086-copper-blue-by-sugar/</link>
                    <comments>https://digmeout.podbean.com/e/086-copper-blue-by-sugar/#comments</comments>        <pubDate>Tue, 04 Sep 2012 01:00:59 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/086-copper-blue-by-sugar/</guid>
                                    <description><![CDATA[<p style="text-align: center;">We're taking a break from our run of listener suggestions to check out one of the classic albums of the '90s alternative music - 1992's <a href='http://www.amazon.com/gp/product/B008J5LPXY/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B008J5LPXY&linkCode=as2&tag=b0cd1-20%22%3ECopper%20Blue%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B008J5LPXY%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Copper Blue</a> by <a href='http://en.wikipedia.org/wiki/Sugar_(American_band)'>Sugar</a>. <a href='http://bobmould.com/'>Bob Mould</a> has a <a href='http://www.mergerecords.com/store/store_detail.php?catalog_id=877'>new solo album</a> out, so we thought it would be the perfect time to revisit his short-lived run with with this post-Husker Du power trio, especially since it's recently been <a href='http://www.mergerecords.com/store/store_detail.php?catalog_id=866'>re-released and remastered</a> with bonus material thanks to Merge Records.</p>
<p style="text-align: center;">Joining us to talk about Copper Blue is Andy Derer from the <a href='http://TheAndyDererShow.com/'>The Andy Derer Show</a>, who's hosted a wide array of interesting guests on his podcast that include Cris Kirkwood of the Meat Puppets, Craig Wedren of Shudder to Think and Bob Nastanovich of Pavement, just to name a few.</p>
<p style="text-align: center;">Be sure to check out the start of the new season of The Andy Derer Show starting on September 8th, and follow Andy on <a href='https://twitter.com/andyderer'>Twitter</a> and <a href='https://www.facebook.com/TheAndyDererShow'>Facebook</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Helpless</p>
<p style="text-align: center;">7:45 - History of the Band</p>
<p style="text-align: center;">17:49 - A Good Idea</p>
<p style="text-align: center;">20:23 - Changes</p>
<p style="text-align: center;">23:04 - If I Can't Change You Mind</p>
<p style="text-align: center;">27:33 - The Act We Act</p>
<p style="text-align: center;">37:36 - Hoover Dam</p>
<p style="text-align: center;">41:18 - Man On The Moon</p>
<p style="text-align: center;">Outro - The Slim</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">We're taking a break from our run of listener suggestions to check out one of the classic albums of the '90s alternative music - 1992's <a href='http://www.amazon.com/gp/product/B008J5LPXY/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B008J5LPXY&linkCode=as2&tag=b0cd1-20%22%3ECopper%20Blue%3C/a%3E%3Cimg%20src=%22http://www.assoc-amazon.com/e/ir?t=b0cd1-20&l=as2&o=1&a=B008J5LPXY%22%20width=%221%22%20height=%221%22%20border=%220%22%20alt=%22%22%20style=%22border:none%20!important;%20margin:0px%20!important;%22%20/%3E'>Copper Blue</a> by <a href='http://en.wikipedia.org/wiki/Sugar_(American_band)'>Sugar</a>. <a href='http://bobmould.com/'>Bob Mould</a> has a <a href='http://www.mergerecords.com/store/store_detail.php?catalog_id=877'>new solo album</a> out, so we thought it would be the perfect time to revisit his short-lived run with with this post-Husker Du power trio, especially since it's recently been <a href='http://www.mergerecords.com/store/store_detail.php?catalog_id=866'>re-released and remastered</a> with bonus material thanks to Merge Records.</p>
<p style="text-align: center;">Joining us to talk about Copper Blue is Andy Derer from the <a href='http://TheAndyDererShow.com/'>The Andy Derer Show</a>, who's hosted a wide array of interesting guests on his podcast that include Cris Kirkwood of the Meat Puppets, Craig Wedren of Shudder to Think and Bob Nastanovich of Pavement, just to name a few.</p>
<p style="text-align: center;">Be sure to check out the start of the new season of The Andy Derer Show starting on September 8th, and follow Andy on <a href='https://twitter.com/andyderer'>Twitter</a> and <a href='https://www.facebook.com/TheAndyDererShow'>Facebook</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Helpless</p>
<p style="text-align: center;">7:45 - History of the Band</p>
<p style="text-align: center;">17:49 - A Good Idea</p>
<p style="text-align: center;">20:23 - Changes</p>
<p style="text-align: center;">23:04 - If I Can't Change You Mind</p>
<p style="text-align: center;">27:33 - The Act We Act</p>
<p style="text-align: center;">37:36 - Hoover Dam</p>
<p style="text-align: center;">41:18 - Man On The Moon</p>
<p style="text-align: center;">Outro - The Slim</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2n99/CopperBluebySugar.mp3" length="90081336" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're taking a break from our run of listener suggestions to check out one of the classic albums of the '90s alternative music - 1992's Copper Blue by Sugar. Bob Mould has a new solo album out, so we thought it would be the perfect time to revisit his short-lived run with with this post-Husker Du power trio, especially since it's recently been re-released and remastered with bonus material thanks to Merge Records.
Joining us to talk about Copper Blue is Andy Derer from the The Andy Derer Show, who's hosted a wide array of interesting guests on his podcast that include Cris Kirkwood of the Meat Puppets, Craig Wedren of Shudder to Think and Bob Nastanovich of Pavement, just to name a few.
Be sure to check out the start of the new season of The Andy Derer Show starting on September 8th, and follow Andy on Twitter and Facebook.
Songs in this Episode:
Intro - Helpless
7:45 - History of the Band
17:49 - A Good Idea
20:23 - Changes
23:04 - If I Can't Change You Mind
27:33 - The Act We Act
37:36 - Hoover Dam
41:18 - Man On The Moon
Outro - The Slim
Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3751</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#085: Jaundice by Lucy's Fur Coat</title>
        <itunes:title>#085: Jaundice by Lucy's Fur Coat</itunes:title>
        <link>https://digmeout.podbean.com/e/085-jaundice-by-lucys-fur-coat/</link>
                    <comments>https://digmeout.podbean.com/e/085-jaundice-by-lucys-fur-coat/#comments</comments>        <pubDate>Tue, 28 Aug 2012 01:00:58 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/085-jaundice-by-lucys-fur-coat/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #85, thanks to a listener suggestion we're tackling <a href='http://www.myspace.com/lucysfurcoat'>Lucy's Fur Coat</a>, and their 1994 album, <a href='http://www.amazon.com/gp/product/B000003BXH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003BXH&linkCode=as2&tag=b0cd1-20'>Jaundice</a>. Although Jason admitted to purchasing the album years ago, he never got around to actually listening to it, so it's fresh and new for both.</p>
<p style="text-align: center;">We've often discussed the importance of a frontman who can do more than just sing in key, that personality can elevate a mediocre band. So what does Lucy's Fur Coat bring to the table? And what is on the Mars Rover iTunes playlist? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Falling Out</p>
<p style="text-align: center;">4:16 - History of the Band</p>
<p style="text-align: center;">11:17 - Easy</p>
<p style="text-align: center;">14:18 - Super</p>
<p style="text-align: center;">17:18 - Not My Fault</p>
<p style="text-align: center;">18:44 - Same</p>
<p style="text-align: center;">21:15 - Southern Cookin'</p>
<p style="text-align: center;">Outro - Treasure Hands</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #85, thanks to a listener suggestion we're tackling <a href='http://www.myspace.com/lucysfurcoat'>Lucy's Fur Coat</a>, and their 1994 album, <a href='http://www.amazon.com/gp/product/B000003BXH/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000003BXH&linkCode=as2&tag=b0cd1-20'>Jaundice</a>. Although Jason admitted to purchasing the album years ago, he never got around to actually listening to it, so it's fresh and new for both.</p>
<p style="text-align: center;">We've often discussed the importance of a frontman who can do more than just sing in key, that personality can elevate a mediocre band. So what does Lucy's Fur Coat bring to the table? And what is on the Mars Rover iTunes playlist? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Falling Out</p>
<p style="text-align: center;">4:16 - History of the Band</p>
<p style="text-align: center;">11:17 - Easy</p>
<p style="text-align: center;">14:18 - Super</p>
<p style="text-align: center;">17:18 - Not My Fault</p>
<p style="text-align: center;">18:44 - Same</p>
<p style="text-align: center;">21:15 - Southern Cookin'</p>
<p style="text-align: center;">Outro - Treasure Hands</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fjsbfy/JaundicebyLucysFurCoat.mp3" length="47846983" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #85, thanks to a listener suggestion we're tackling Lucy's Fur Coat, and their 1994 album, Jaundice. Although Jason admitted to purchasing the album years ago, he never got around to actually listening to it, so it's fresh and new for both.
We've often discussed the importance of a frontman who can do more than just sing in key, that personality can elevate a mediocre band. So what does Lucy's Fur Coat bring to the table? And what is on the Mars Rover iTunes playlist? Tune in to find out.
Songs in this Episode:
Intro - Falling Out
4:16 - History of the Band
11:17 - Easy
14:18 - Super
17:18 - Not My Fault
18:44 - Same
21:15 - Southern Cookin'
Outro - Treasure Hands

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1991</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#084: No Pocky For Kitty by Superchunk</title>
        <itunes:title>#084: No Pocky For Kitty by Superchunk</itunes:title>
        <link>https://digmeout.podbean.com/e/084-no-pocky-for-kitty-by-superchunk/</link>
                    <comments>https://digmeout.podbean.com/e/084-no-pocky-for-kitty-by-superchunk/#comments</comments>        <pubDate>Tue, 21 Aug 2012 01:00:26 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/084-no-pocky-for-kitty-by-superchunk/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #84, we're joined by fellow podcaster Kim Ware to check out her suggestion, <a href='http://www.superchunk.com/'>Superchunk</a>'s 1993 album <a href='http://www.amazon.com/gp/product/B003E1QC4A/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B003E1QC4A&linkCode=as2&tag=b0cd1-20'>No Pocky for Kitty</a>. Kim spent time drumming and booking shows in Wilmington, North Carolina in the 1990s, where the legendary and lesser known Chapel Hill bands regularly gigged around town.</p>
<p style="text-align: center;">Tim and J were both more familiar with the later Superchunk releases than the early Matador years, so how does No Pocky For Kitty stack up? Does the energetic and sometimes frantic mix of punk, power-pop and indie rock come together? And why is Majesty Shredding so hard to pronounce after one beer? Tune in to find out.</p>
<p style="text-align: center;">Check out Kim's podcast - <a href='http://thisisthesoundpodcast.tumblr.com/'>This Is The Sound</a></p>
<p style="text-align: center;">Songs In this Episode:</p>
<p style="text-align: center;">Intro - Punch Me Harder</p>
<p style="text-align: center;">11:38 - History of the Band</p>
<p style="text-align: center;">25:12 - Tower</p>
<p style="text-align: center;">34:24 - Skip Steps 1 + 3</p>
<p style="text-align: center;">41:46 - Sidewalk</p>
<p style="text-align: center;">44:40 - Punch Me Harder</p>
<p style="text-align: center;">Outro - Throwing Things</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #84, we're joined by fellow podcaster Kim Ware to check out her suggestion, <a href='http://www.superchunk.com/'>Superchunk</a>'s 1993 album <a href='http://www.amazon.com/gp/product/B003E1QC4A/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B003E1QC4A&linkCode=as2&tag=b0cd1-20'>No Pocky for Kitty</a>. Kim spent time drumming and booking shows in Wilmington, North Carolina in the 1990s, where the legendary and lesser known Chapel Hill bands regularly gigged around town.</p>
<p style="text-align: center;">Tim and J were both more familiar with the later Superchunk releases than the early Matador years, so how does No Pocky For Kitty stack up? Does the energetic and sometimes frantic mix of punk, power-pop and indie rock come together? And why is Majesty Shredding so hard to pronounce after one beer? Tune in to find out.</p>
<p style="text-align: center;">Check out Kim's podcast - <a href='http://thisisthesoundpodcast.tumblr.com/'>This Is The Sound</a></p>
<p style="text-align: center;">Songs In this Episode:</p>
<p style="text-align: center;">Intro - Punch Me Harder</p>
<p style="text-align: center;">11:38 - History of the Band</p>
<p style="text-align: center;">25:12 - Tower</p>
<p style="text-align: center;">34:24 - Skip Steps 1 + 3</p>
<p style="text-align: center;">41:46 - Sidewalk</p>
<p style="text-align: center;">44:40 - Punch Me Harder</p>
<p style="text-align: center;">Outro - Throwing Things</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i4437x/NoPockyForKittybySuperchunk.mp3" length="88018091" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #84, we're joined by fellow podcaster Kim Ware to check out her suggestion, Superchunk's 1993 album No Pocky for Kitty. Kim spent time drumming and booking shows in Wilmington, North Carolina in the 1990s, where the legendary and lesser known Chapel Hill bands regularly gigged around town.
Tim and J were both more familiar with the later Superchunk releases than the early Matador years, so how does No Pocky For Kitty stack up? Does the energetic and sometimes frantic mix of punk, power-pop and indie rock come together? And why is Majesty Shredding so hard to pronounce after one beer? Tune in to find out.
Check out Kim's podcast - This Is The Sound
Songs In this Episode:
Intro - Punch Me Harder
11:38 - History of the Band
25:12 - Tower
34:24 - Skip Steps 1 + 3
41:46 - Sidewalk
44:40 - Punch Me Harder
Outro - Throwing Things

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3665</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#083: Flood by Headswim</title>
        <itunes:title>#083: Flood by Headswim</itunes:title>
        <link>https://digmeout.podbean.com/e/083-flood-by-headswim/</link>
                    <comments>https://digmeout.podbean.com/e/083-flood-by-headswim/#comments</comments>        <pubDate>Tue, 14 Aug 2012 01:00:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/083-flood-by-headswim/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #83 we return to our long list of listener suggestions and check out the 1994 album <a href='http://www.amazon.com/gp/product/B000W2MGHG/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000W2MGHG&linkCode=as2&tag=b0cd1-20'>Flood</a> by <a href='http://en.wikipedia.org/wiki/Headswim'>Headswim</a>. A first blush the sound is reminiscent of Seattle's biggest and brightest - Pearl Jam, Soundgarden and Alice In Chains. But when you dig a little deeper, the band is definitely stretching out to find their own sound, only question is - does is work? Tune in to find out.</p>
<p style="text-align: center;">Song In This Episode:</p>
<p style="text-align: center;">Intro - Apple of My Eye</p>
<p style="text-align: center;">2:42 - History of the Band</p>
<p style="text-align: center;">8:08 - Gone To Pot</p>
<p style="text-align: center;">9:45 - Soup</p>
<p style="text-align: center;">11:41 - Stinkhorn</p>
<p style="text-align: center;">15:52 - Try Disappointed</p>
<p style="text-align: center;">23:16 - Down</p>
<p style="text-align: center;">Outro - Safe Harvest</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #83 we return to our long list of listener suggestions and check out the 1994 album <a href='http://www.amazon.com/gp/product/B000W2MGHG/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000W2MGHG&linkCode=as2&tag=b0cd1-20'>Flood</a> by <a href='http://en.wikipedia.org/wiki/Headswim'>Headswim</a>. A first blush the sound is reminiscent of Seattle's biggest and brightest - Pearl Jam, Soundgarden and Alice In Chains. But when you dig a little deeper, the band is definitely stretching out to find their own sound, only question is - does is work? Tune in to find out.</p>
<p style="text-align: center;">Song In This Episode:</p>
<p style="text-align: center;">Intro - Apple of My Eye</p>
<p style="text-align: center;">2:42 - History of the Band</p>
<p style="text-align: center;">8:08 - Gone To Pot</p>
<p style="text-align: center;">9:45 - Soup</p>
<p style="text-align: center;">11:41 - Stinkhorn</p>
<p style="text-align: center;">15:52 - Try Disappointed</p>
<p style="text-align: center;">23:16 - Down</p>
<p style="text-align: center;">Outro - Safe Harvest</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wv2i3t/FloodbyHeadswim.mp3" length="51894493" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #83 we return to our long list of listener suggestions and check out the 1994 album Flood by Headswim. A first blush the sound is reminiscent of Seattle's biggest and brightest - Pearl Jam, Soundgarden and Alice In Chains. But when you dig a little deeper, the band is definitely stretching out to find their own sound, only question is - does is work? Tune in to find out.
Song In This Episode:
Intro - Apple of My Eye
2:42 - History of the Band
8:08 - Gone To Pot
9:45 - Soup
11:41 - Stinkhorn
15:52 - Try Disappointed
23:16 - Down
Outro - Safe Harvest

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2160</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#082: Troublegum by Therapy?</title>
        <itunes:title>#082: Troublegum by Therapy?</itunes:title>
        <link>https://digmeout.podbean.com/e/082-troublegum-by-therapy/</link>
                    <comments>https://digmeout.podbean.com/e/082-troublegum-by-therapy/#comments</comments>        <pubDate>Tue, 07 Aug 2012 01:00:03 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/082-troublegum-by-therapy/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #82 of Dig Me Out, we've got another listener suggestion. This week we tackle one of the more prolific and perplexing bands of the last twenty years - <a href='http://www.therapyquestionmark.co.uk/'>Therapy?</a> No, it's not a question, the name is Therapy?, and we're checking out their 1994 album <a href='http://www.amazon.com/gp/product/B000008LIX/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008LIX&linkCode=as2&tag=b0cd1-20'>Troublegum</a>.</p>
<p style="text-align: center;">The band has confounded many with their quick-witted lyrics and musical mash-up of metal, punk, rock, industrial and more. So what did we make of this equally exciting and jarring album? Tune in to find out.</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Nowhere</p>
<p style="text-align: center;">3:47 - History of the Band</p>
<p style="text-align: center;">12:29 - Screamager</p>
<p style="text-align: center;">17:34 - Femtex</p>
<p style="text-align: center;">20:46 - Turn</p>
<p style="text-align: center;">22:46 - Isolation</p>
<p style="text-align: center;">28:04 - Hellybelly</p>
<p style="text-align: center;">Outro - Trigger Inside</p>
<p style="text-align: center;">Note: For the faint of heart, Tim apologizes for the accidental f-bomb, enthusiasm got the best of him.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #82 of Dig Me Out, we've got another listener suggestion. This week we tackle one of the more prolific and perplexing bands of the last twenty years - <a href='http://www.therapyquestionmark.co.uk/'>Therapy?</a> No, it's not a question, the name is Therapy?, and we're checking out their 1994 album <a href='http://www.amazon.com/gp/product/B000008LIX/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000008LIX&linkCode=as2&tag=b0cd1-20'>Troublegum</a>.</p>
<p style="text-align: center;">The band has confounded many with their quick-witted lyrics and musical mash-up of metal, punk, rock, industrial and more. So what did we make of this equally exciting and jarring album? Tune in to find out.</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Nowhere</p>
<p style="text-align: center;">3:47 - History of the Band</p>
<p style="text-align: center;">12:29 - Screamager</p>
<p style="text-align: center;">17:34 - Femtex</p>
<p style="text-align: center;">20:46 - Turn</p>
<p style="text-align: center;">22:46 - Isolation</p>
<p style="text-align: center;">28:04 - Hellybelly</p>
<p style="text-align: center;">Outro - Trigger Inside</p>
<p style="text-align: center;">Note: For the faint of heart, Tim apologizes for the accidental f-bomb, enthusiasm got the best of him.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a> / <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mnq3is/TroublegumbyTherapy.mp3" length="57127555" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #82 of Dig Me Out, we've got another listener suggestion. This week we tackle one of the more prolific and perplexing bands of the last twenty years - Therapy? No, it's not a question, the name is Therapy?, and we're checking out their 1994 album Troublegum.
The band has confounded many with their quick-witted lyrics and musical mash-up of metal, punk, rock, industrial and more. So what did we make of this equally exciting and jarring album? Tune in to find out.
Songs In This Episode:
Intro - Nowhere
3:47 - History of the Band
12:29 - Screamager
17:34 - Femtex
20:46 - Turn
22:46 - Isolation
28:04 - Hellybelly
Outro - Trigger Inside
Note: For the faint of heart, Tim apologizes for the accidental f-bomb, enthusiasm got the best of him.

Follow on Twitter / Facebook
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2378</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#081: Bellybutton by Jellyfish</title>
        <itunes:title>#081: Bellybutton by Jellyfish</itunes:title>
        <link>https://digmeout.podbean.com/e/081-bellybutton-by-jellyfish/</link>
                    <comments>https://digmeout.podbean.com/e/081-bellybutton-by-jellyfish/#comments</comments>        <pubDate>Tue, 31 Jul 2012 01:00:17 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/081-bellybutton-by-jellyfish/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #81 we're joined by mastering engineer, record label owner and <a href='http://en.wikipedia.org/wiki/Jellyfish_(band)'>Jellyfish</a> aficionado <a href='http://www.arsdivina.com/index.html'>Steve Turnidge</a> to revisit the band's debut release, 1990's <a href='http://www.amazon.com/gp/product/B000002URU/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002URU&linkCode=as2&tag=b0cd1-20'>Bellybutton</a>. Steve is half of the team that put together the Jellyfish tribute album <a href='http://www.burningskyrecords.com/bsrjellyfishv2.php'>Sensory Lullabies</a> and brings a deep knowledge and passion for the band to this episode. Grab a drink, find a comfortable chair and sit back, because you are about to learn everything you ever wanted to know about the most under-appreciated band of the 90s.</p>
<p style="text-align: center;">Other Links:</p>
<p style="text-align: center;">Steve's Book: <a href='http://www.amazon.com/gp/product/1458403742/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1458403742&linkCode=as2&tag=b0cd1-20'>Desktop Mastering: Fundamental Tools and Techniques for Mastering in the Box</a></p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B0082A3KOS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0082A3KOS&linkCode=as2&tag=b0cd1-20'>Jellyfish: Live at Bogart's 1991</a></p>
<p style="text-align: center;">Relevant Previous Episodes:</p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/09/episode-35-phaseshifter-by-redd-kross.html'>#35: Phaseshifter by Redd Kross</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/09/episode-36-get-in-get-out-by-mink.html'>#36: Get In Get Out by Mink</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/11/episode-46-ro-sham-bo-by-grays.html'>#46: Ro Sham Bo by The Grays</a></p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - The King Is Half-Undressed</p>
<p style="text-align: center;">7:15 - History of the Band</p>
<p style="text-align: center;">30:58 - All I Want Is Everything</p>
<p style="text-align: center;">32:19 - All I Want Is Everything (Millicent Friendly cover)</p>
<p style="text-align: center;">36:27 - That Is Why</p>
<p style="text-align: center;">38:52 - Baby's Coming Back</p>
<p style="text-align: center;">49:50 - She Still Loves Him</p>
<p style="text-align: center;">59:15 - Bedspring Kiss</p>
<p style="text-align: center;">1:02:32 - Bedspring Kiss (Nigel Frayling-Kelly cover)</p>
<p style="text-align: center;">Outro - I Wanna Stay Home</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #81 we're joined by mastering engineer, record label owner and <a href='http://en.wikipedia.org/wiki/Jellyfish_(band)'>Jellyfish</a> aficionado <a href='http://www.arsdivina.com/index.html'>Steve Turnidge</a> to revisit the band's debut release, 1990's <a href='http://www.amazon.com/gp/product/B000002URU/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000002URU&linkCode=as2&tag=b0cd1-20'>Bellybutton</a>. Steve is half of the team that put together the Jellyfish tribute album <a href='http://www.burningskyrecords.com/bsrjellyfishv2.php'>Sensory Lullabies</a> and brings a deep knowledge and passion for the band to this episode. Grab a drink, find a comfortable chair and sit back, because you are about to learn everything you ever wanted to know about the most under-appreciated band of the 90s.</p>
<p style="text-align: center;">Other Links:</p>
<p style="text-align: center;">Steve's Book: <a href='http://www.amazon.com/gp/product/1458403742/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1458403742&linkCode=as2&tag=b0cd1-20'>Desktop Mastering: Fundamental Tools and Techniques for Mastering in the Box</a></p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B0082A3KOS/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0082A3KOS&linkCode=as2&tag=b0cd1-20'>Jellyfish: Live at Bogart's 1991</a></p>
<p style="text-align: center;">Relevant Previous Episodes:</p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/09/episode-35-phaseshifter-by-redd-kross.html'>#35: Phaseshifter by Redd Kross</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/09/episode-36-get-in-get-out-by-mink.html'>#36: Get In Get Out by Mink</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/2011/11/episode-46-ro-sham-bo-by-grays.html'>#46: Ro Sham Bo by The Grays</a></p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - The King Is Half-Undressed</p>
<p style="text-align: center;">7:15 - History of the Band</p>
<p style="text-align: center;">30:58 - All I Want Is Everything</p>
<p style="text-align: center;">32:19 - All I Want Is Everything (Millicent Friendly cover)</p>
<p style="text-align: center;">36:27 - That Is Why</p>
<p style="text-align: center;">38:52 - Baby's Coming Back</p>
<p style="text-align: center;">49:50 - She Still Loves Him</p>
<p style="text-align: center;">59:15 - Bedspring Kiss</p>
<p style="text-align: center;">1:02:32 - Bedspring Kiss (Nigel Frayling-Kelly cover)</p>
<p style="text-align: center;">Outro - I Wanna Stay Home</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a5tsq6/BellybuttonbyJellyfish.mp3" length="101133018" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #81 we're joined by mastering engineer, record label owner and Jellyfish aficionado Steve Turnidge to revisit the band's debut release, 1990's Bellybutton. Steve is half of the team that put together the Jellyfish tribute album Sensory Lullabies and brings a deep knowledge and passion for the band to this episode. Grab a drink, find a comfortable chair and sit back, because you are about to learn everything you ever wanted to know about the most under-appreciated band of the 90s.
Other Links:
Steve's Book: Desktop Mastering: Fundamental Tools and Techniques for Mastering in the Box
Jellyfish: Live at Bogart's 1991
Relevant Previous Episodes:
#35: Phaseshifter by Redd Kross
#36: Get In Get Out by Mink
#46: Ro Sham Bo by The Grays
Songs In This Episode:
Intro - The King Is Half-Undressed
7:15 - History of the Band
30:58 - All I Want Is Everything
32:19 - All I Want Is Everything (Millicent Friendly cover)
36:27 - That Is Why
38:52 - Baby's Coming Back
49:50 - She Still Loves Him
59:15 - Bedspring Kiss
1:02:32 - Bedspring Kiss (Nigel Frayling-Kelly cover)
Outro - I Wanna Stay Home

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4211</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#080: Miss Happiness by Walt Mink</title>
        <itunes:title>#080: Miss Happiness by Walt Mink</itunes:title>
        <link>https://digmeout.podbean.com/e/080-miss-happiness-by-walt-mink/</link>
                    <comments>https://digmeout.podbean.com/e/080-miss-happiness-by-walt-mink/#comments</comments>        <pubDate>Tue, 24 Jul 2012 01:00:40 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/080-miss-happiness-by-walt-mink/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #80 we're back with another listener suggestion, this week checking out the previously unfamiliar <a href='http://en.wikipedia.org/wiki/Walt_Mink'>Walt Mink</a> and their 1992 album <a href='http://www.amazon.com/gp/product/B000000HW1/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000000HW1'>Miss Happiness</a>. Combining elements of Cheap Trick power pop and Jane's Addiction-esque guitar rock, Walt Mink can defy description at times. But is that a good thing, or is it the sound of inconsistency? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Love You Better</p>
<p style="text-align: center;">1:52 - History of the Band</p>
<p style="text-align: center;">10:31 - Smoothing The Ride</p>
<p style="text-align: center;">14:22 - Chowder Town</p>
<p style="text-align: center;">19:26 - Pink Moon</p>
<p style="text-align: center;">Outro - Croton-Harmon (Local)</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #80 we're back with another listener suggestion, this week checking out the previously unfamiliar <a href='http://en.wikipedia.org/wiki/Walt_Mink'>Walt Mink</a> and their 1992 album <a href='http://www.amazon.com/gp/product/B000000HW1/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000000HW1'>Miss Happiness</a>. Combining elements of Cheap Trick power pop and Jane's Addiction-esque guitar rock, Walt Mink can defy description at times. But is that a good thing, or is it the sound of inconsistency? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Love You Better</p>
<p style="text-align: center;">1:52 - History of the Band</p>
<p style="text-align: center;">10:31 - Smoothing The Ride</p>
<p style="text-align: center;">14:22 - Chowder Town</p>
<p style="text-align: center;">19:26 - Pink Moon</p>
<p style="text-align: center;">Outro - Croton-Harmon (Local)</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wdbat/MissHappinessbyWaltMink.mp3" length="44179249" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #80 we're back with another listener suggestion, this week checking out the previously unfamiliar Walt Mink and their 1992 album Miss Happiness. Combining elements of Cheap Trick power pop and Jane's Addiction-esque guitar rock, Walt Mink can defy description at times. But is that a good thing, or is it the sound of inconsistency? Tune in to find out.
Songs in this Episode:
Intro - Love You Better
1:52 - History of the Band
10:31 - Smoothing The Ride
14:22 - Chowder Town
19:26 - Pink Moon
Outro - Croton-Harmon (Local)
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1837</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#079: Flipped Out In Singapore by Chainsaw Kittens</title>
        <itunes:title>#079: Flipped Out In Singapore by Chainsaw Kittens</itunes:title>
        <link>https://digmeout.podbean.com/e/079-flipped-out-in-singapore-by-chainsaw-kittens/</link>
                    <comments>https://digmeout.podbean.com/e/079-flipped-out-in-singapore-by-chainsaw-kittens/#comments</comments>        <pubDate>Tue, 17 Jul 2012 01:00:47 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/079-flipped-out-in-singapore-by-chainsaw-kittens/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #79, we push Skype to the max and welcome three special guests: drummer Aaron Preston, bassist Clint McBay and guitarist Mark Metzger, all of the <a href='http://en.wikipedia.org/wiki/Chainsaw_Kittens'>Chainsaw Kittens</a>, to revisit the 1992 album <a href='http://www.amazon.com/gp/product/B000004AUP/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000004AUP'>Flipped Out in Singapore</a>.</p>
<p style="text-align: center;">We go deep into the history of the band, covering the arrivals, departures, working with Butch Vig and Spike Jonze, Aaron and Clint joining <a href='http://www.digmeoutpodcast.com/2012/05/episode-68-merge-by-for-love-not-lisa.html'>For Love Not Lisa</a>, taunting O.J. Simpson, and why touring with KMFDM was as bad as it sounds.</p>
<p style="text-align: center;">Links:</p>
<p style="text-align: center;"><a href='http://www.teenagewastelandonline.com/'>TeenageWastelandOnline</a></p>
<p style="text-align: center;"><a href='http://www.tysonmeade.com/'>TysonMeade.com</a></p>
<p style="text-align: center;"><a href='http://www.youtube.com/watch?v=jzGX3EBg954'>High In Highschool Video</a> directed by Spike Jonze</p>
<p style="text-align: center;"><a href='http://www.youtube.com/watch?v=bsdBXHp5WrU'>Connie, I've Found the Door video</a> directed by Phil Harder</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - High In High School</p>
<p style="text-align: center;">3:34 - History of the Band</p>
<p style="text-align: center;">25:43 - 2nd Theme/Flipped Out In Singapore</p>
<p style="text-align: center;">30:29 - Hold</p>
<p style="text-align: center;">45:47 - High In High School</p>
<p style="text-align: center;">Outro - When You Shoot</p>
<p style="text-align: center;">Bad Language Warning: This one definitely requires some earmuffs for the kids.</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #79, we push Skype to the max and welcome three special guests: drummer Aaron Preston, bassist Clint McBay and guitarist Mark Metzger, all of the <a href='http://en.wikipedia.org/wiki/Chainsaw_Kittens'>Chainsaw Kittens</a>, to revisit the 1992 album <a href='http://www.amazon.com/gp/product/B000004AUP/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000004AUP'>Flipped Out in Singapore</a>.</p>
<p style="text-align: center;">We go deep into the history of the band, covering the arrivals, departures, working with Butch Vig and Spike Jonze, Aaron and Clint joining <a href='http://www.digmeoutpodcast.com/2012/05/episode-68-merge-by-for-love-not-lisa.html'>For Love Not Lisa</a>, taunting O.J. Simpson, and why touring with KMFDM was as bad as it sounds.</p>
<p style="text-align: center;">Links:</p>
<p style="text-align: center;"><a href='http://www.teenagewastelandonline.com/'>TeenageWastelandOnline</a></p>
<p style="text-align: center;"><a href='http://www.tysonmeade.com/'>TysonMeade.com</a></p>
<p style="text-align: center;"><a href='http://www.youtube.com/watch?v=jzGX3EBg954'>High In Highschool Video</a> directed by Spike Jonze</p>
<p style="text-align: center;"><a href='http://www.youtube.com/watch?v=bsdBXHp5WrU'>Connie, I've Found the Door video</a> directed by Phil Harder</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - High In High School</p>
<p style="text-align: center;">3:34 - History of the Band</p>
<p style="text-align: center;">25:43 - 2nd Theme/Flipped Out In Singapore</p>
<p style="text-align: center;">30:29 - Hold</p>
<p style="text-align: center;">45:47 - High In High School</p>
<p style="text-align: center;">Outro - When You Shoot</p>
<p style="text-align: center;">Bad Language Warning: This one definitely requires some earmuffs for the kids.</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/74zq8p/FlippedOutInSingaporebyChainsawKittens.mp3" length="117378755" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #79, we push Skype to the max and welcome three special guests: drummer Aaron Preston, bassist Clint McBay and guitarist Mark Metzger, all of the Chainsaw Kittens, to revisit the 1992 album Flipped Out in Singapore.
We go deep into the history of the band, covering the arrivals, departures, working with Butch Vig and Spike Jonze, Aaron and Clint joining For Love Not Lisa, taunting O.J. Simpson, and why touring with KMFDM was as bad as it sounds.
Links:
TeenageWastelandOnline
TysonMeade.com
High In Highschool Video directed by Spike Jonze
Connie, I've Found the Door video directed by Phil Harder
Songs In This Episode:
Intro - High In High School
3:34 - History of the Band
25:43 - 2nd Theme/Flipped Out In Singapore
30:29 - Hold
45:47 - High In High School
Outro - When You Shoot
Bad Language Warning: This one definitely requires some earmuffs for the kids.
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4887</itunes:duration>
                                    </item>
    <item>
        <title>#078: Through the Darkness by D Generation</title>
        <itunes:title>#078: Through the Darkness by D Generation</itunes:title>
        <link>https://digmeout.podbean.com/e/078-through-the-darkness-by-d-generation/</link>
                    <comments>https://digmeout.podbean.com/e/078-through-the-darkness-by-d-generation/#comments</comments>        <pubDate>Tue, 10 Jul 2012 01:00:48 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/078-through-the-darkness-by-d-generation/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #78 of Dig Me Out, Jason brings a pick to the show - the 1999 album <a href='http://www.amazon.com/gp/product/B00000I71E/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000I71E'>Through the Darkness</a> by <a href='http://dgeneration.us/'>D Generation</a>. Some might know lead singer <a href='http://www.jessemalin.com/'>Jesse Malin</a> from his successful solo career, but with the recently reunited D Generation getting ready to release a new album soon, it's the perfect time to tackle the third album from this New York City punk rock outfit.</p>
<p style="text-align: center;">D Generation combine the snotty punk of the New York Dolls with power pop of Cheap Trick and '80s Sunset Strip bands. On some songs, it works like magic, on others... well, tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Hatred</p>
<p style="text-align: center;">5:25 - History of the Band</p>
<p style="text-align: center;">10:12 - Good Ship Down</p>
<p style="text-align: center;">13:34 - Helpless</p>
<p style="text-align: center;">17:35 - Lonely</p>
<p style="text-align: center;">23:08 - So Messed Up vs. Wild Night</p>
<p style="text-align: center;">26:36 - Only A Ghost</p>
<p style="text-align: center;">Outro - Sick On The Radio</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #78 of Dig Me Out, Jason brings a pick to the show - the 1999 album <a href='http://www.amazon.com/gp/product/B00000I71E/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000I71E'>Through the Darkness</a> by <a href='http://dgeneration.us/'>D Generation</a>. Some might know lead singer <a href='http://www.jessemalin.com/'>Jesse Malin</a> from his successful solo career, but with the recently reunited D Generation getting ready to release a new album soon, it's the perfect time to tackle the third album from this New York City punk rock outfit.</p>
<p style="text-align: center;">D Generation combine the snotty punk of the New York Dolls with power pop of Cheap Trick and '80s Sunset Strip bands. On some songs, it works like magic, on others... well, tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Hatred</p>
<p style="text-align: center;">5:25 - History of the Band</p>
<p style="text-align: center;">10:12 - Good Ship Down</p>
<p style="text-align: center;">13:34 - Helpless</p>
<p style="text-align: center;">17:35 - Lonely</p>
<p style="text-align: center;">23:08 - So Messed Up vs. Wild Night</p>
<p style="text-align: center;">26:36 - Only A Ghost</p>
<p style="text-align: center;">Outro - Sick On The Radio</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k6jtzy/ThroughTheDarknessbyDGeneration.mp3" length="53939583" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #78 of Dig Me Out, Jason brings a pick to the show - the 1999 album Through the Darkness by D Generation. Some might know lead singer Jesse Malin from his successful solo career, but with the recently reunited D Generation getting ready to release a new album soon, it's the perfect time to tackle the third album from this New York City punk rock outfit.
D Generation combine the snotty punk of the New York Dolls with power pop of Cheap Trick and '80s Sunset Strip bands. On some songs, it works like magic, on others... well, tune in to find out.
Songs in this Episode:
Intro - Hatred
5:25 - History of the Band
10:12 - Good Ship Down
13:34 - Helpless
17:35 - Lonely
23:08 - So Messed Up vs. Wild Night
26:36 - Only A Ghost
Outro - Sick On The Radio
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2245</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#077: Interview with Joe Oestreich of Watershed, Part 2</title>
        <itunes:title>#077: Interview with Joe Oestreich of Watershed, Part 2</itunes:title>
        <link>https://digmeout.podbean.com/e/077-interview-with-joe-oestreich-of-watershed-part-2/</link>
                    <comments>https://digmeout.podbean.com/e/077-interview-with-joe-oestreich-of-watershed-part-2/#comments</comments>        <pubDate>Tue, 03 Jul 2012 01:00:31 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/077-interview-with-joe-oestreich-of-watershed-part-2/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">On episode #77 we're back with <a href='http://www.watershedcentral.com/'>Watershed</a> bassist/vocalist <a href='http://joeoestreich.com/'>Joe Oestreich</a>, author of the new book "<a href='http://www.amazon.com/gp/product/0762779241/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0762779241'>Hitless Wonder: A Life in Minor League Rock and Roll</a>." In part two, we revisit their 1996 album <a href='http://www.amazon.com/gp/product/B00000DU46/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000DU46'>Star Vehicle</a> and about how touring different regions of the country impacts songwriting, their place in the history of Columbus music and the wisdom of the Karate Kid.</p>






<p style="text-align: center;">Songs in this Episode:</p>



<p style="text-align: center;">Intro - She Picks The Songs</p>



<p style="text-align: center;">8:30 - Superstressed</p>
<p style="text-align: center;">14:36 - Can't Be Myself</p>
<p style="text-align: center;">18:27 - She Picks The Songs</p>
<p style="text-align: center;">28:05 - If That's How You Want It</p>
<p style="text-align: center;">35:19 - Something Wrong</p>
<p style="text-align: center;">47:59 - American Muscle</p>



<p style="text-align: center;">Outro - Obvious</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">On episode #77 we're back with <a href='http://www.watershedcentral.com/'>Watershed</a> bassist/vocalist <a href='http://joeoestreich.com/'>Joe Oestreich</a>, author of the new book "<a href='http://www.amazon.com/gp/product/0762779241/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0762779241'>Hitless Wonder: A Life in Minor League Rock and Roll</a>." In part two, we revisit their 1996 album <a href='http://www.amazon.com/gp/product/B00000DU46/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000DU46'>Star Vehicle</a> and about how touring different regions of the country impacts songwriting, their place in the history of Columbus music and the wisdom of the Karate Kid.</p>






<p style="text-align: center;">Songs in this Episode:</p>



<p style="text-align: center;">Intro - She Picks The Songs</p>



<p style="text-align: center;">8:30 - Superstressed</p>
<p style="text-align: center;">14:36 - Can't Be Myself</p>
<p style="text-align: center;">18:27 - She Picks The Songs</p>
<p style="text-align: center;">28:05 - If That's How You Want It</p>
<p style="text-align: center;">35:19 - Something Wrong</p>
<p style="text-align: center;">47:59 - American Muscle</p>



<p style="text-align: center;">Outro - Obvious</p>


<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/54ifgg/InterviewwithJoeOestreichPartTwo.mp3" length="84240662" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
On episode #77 we're back with Watershed bassist/vocalist Joe Oestreich, author of the new book "Hitless Wonder: A Life in Minor League Rock and Roll." In part two, we revisit their 1996 album Star Vehicle and about how touring different regions of the country impacts songwriting, their place in the history of Columbus music and the wisdom of the Karate Kid.






Songs in this Episode:



Intro - She Picks The Songs



8:30 - Superstressed
14:36 - Can't Be Myself
18:27 - She Picks The Songs
28:05 - If That's How You Want It
35:19 - Something Wrong
47:59 - American Muscle



Outro - Obvious


Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3506</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#076: Interview with Joe Oestreich of Watershed, Part 1</title>
        <itunes:title>#076: Interview with Joe Oestreich of Watershed, Part 1</itunes:title>
        <link>https://digmeout.podbean.com/e/076-interview-with-joe-oestreich-of-watershed-part-1/</link>
                    <comments>https://digmeout.podbean.com/e/076-interview-with-joe-oestreich-of-watershed-part-1/#comments</comments>        <pubDate>Tue, 26 Jun 2012 01:00:47 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/076-interview-with-joe-oestreich-of-watershed-part-1/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #76 we're joined by <a href='http://www.watershedcentral.com/'>Watershed</a> bassist/vocalist <a href='http://joeoestreich.com/'>Joe Oestreich</a>, author of the new book "<a href='http://www.amazon.com/gp/product/0762779241/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0762779241'>Hitless Wonder: A Life in Minor League Rock and Roll</a>." Joe has spent almost three decades traversing the country bringing his band's version of Midwestern power-pop to the masses, and has plenty of stories to tell in part one of a two part interview, discussing songwriting, recording, balancing two singer/songwriters, Billy Squire, the dirty secret about "live" albums and much, much more.</p>
<p style="text-align: center;"></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'd Be A Liar</p>
<p style="text-align: center;">14:18 - History of the Band</p>
<p style="text-align: center;">27:45 - How Do You Feel</p>
<p style="text-align: center;">37:17 - Star Vehicle</p>
<p style="text-align: center;">42:08 - Black Concert T-Shirt (Star Vehicle '98 version)</p>
<p style="text-align: center;">43:03 - Black Concert T-Shirt (The More It Hurts, The More It Works version)</p>
<p style="text-align: center;">51:21 - Consolation Prize</p>
<p style="text-align: center;">Outro - Give A Little Bit</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #76 we're joined by <a href='http://www.watershedcentral.com/'>Watershed</a> bassist/vocalist <a href='http://joeoestreich.com/'>Joe Oestreich</a>, author of the new book "<a href='http://www.amazon.com/gp/product/0762779241/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0762779241'>Hitless Wonder: A Life in Minor League Rock and Roll</a>." Joe has spent almost three decades traversing the country bringing his band's version of Midwestern power-pop to the masses, and has plenty of stories to tell in part one of a two part interview, discussing songwriting, recording, balancing two singer/songwriters, Billy Squire, the dirty secret about "live" albums and much, much more.</p>
<p style="text-align: center;"></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'd Be A Liar</p>
<p style="text-align: center;">14:18 - History of the Band</p>
<p style="text-align: center;">27:45 - How Do You Feel</p>
<p style="text-align: center;">37:17 - Star Vehicle</p>
<p style="text-align: center;">42:08 - Black Concert T-Shirt (Star Vehicle '98 version)</p>
<p style="text-align: center;">43:03 - Black Concert T-Shirt (The More It Hurts, The More It Works version)</p>
<p style="text-align: center;">51:21 - Consolation Prize</p>
<p style="text-align: center;">Outro - Give A Little Bit</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r7amkj/InterviewwithJoeOestreichPartOne.mp3" length="80118540" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #76 we're joined by Watershed bassist/vocalist Joe Oestreich, author of the new book "Hitless Wonder: A Life in Minor League Rock and Roll." Joe has spent almost three decades traversing the country bringing his band's version of Midwestern power-pop to the masses, and has plenty of stories to tell in part one of a two part interview, discussing songwriting, recording, balancing two singer/songwriters, Billy Squire, the dirty secret about "live" albums and much, much more.

Songs in this Episode:
Intro - I'd Be A Liar
14:18 - History of the Band
27:45 - How Do You Feel
37:17 - Star Vehicle
42:08 - Black Concert T-Shirt (Star Vehicle '98 version)
43:03 - Black Concert T-Shirt (The More It Hurts, The More It Works version)
51:21 - Consolation Prize
Outro - Give A Little Bit
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3334</itunes:duration>
                                    </item>
    <item>
        <title>#075: Fitzcarraldo by The Frames</title>
        <itunes:title>#075: Fitzcarraldo by The Frames</itunes:title>
        <link>https://digmeout.podbean.com/e/075-fitzcarraldo-by-the-frames/</link>
                    <comments>https://digmeout.podbean.com/e/075-fitzcarraldo-by-the-frames/#comments</comments>        <pubDate>Tue, 19 Jun 2012 01:30:07 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/075-fitzcarraldo-by-the-frames/</guid>
                                    <description><![CDATA[<p style="text-align: center;">With the release of <a href='http://www.glenhansardmusic.com/'>Glen Hansard</a>'s first solo record, we thought it was about time to revisit his pre-Swell Season, pre-Once band, <a href='http://www.theframes.ie/'>The Frames</a>, and their sophomore album from 1996, <a href='http://www.amazon.com/gp/product/B003IODNIG/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B003IODNIG'>Fitzcarraldo</a>. Many people know Hansard from the <a href='http://www.imdb.com/title/tt0907657/'>movie</a> (and now <a href='http://www.oncemusical.com/'>Tony Award winning broadway musical</a>) Once and his other band <a href='http://www.theswellseason.com/'>The Swell Season</a>, but Hansard actually cut his teeth with his Dublin, Ireland outfit The Frames starting the early 1990s.</p>
<p style="text-align: center;">For Tim and Jason, this album goes back to the college radio days, and they've been singing it's praises ever since. Find out why this album is "criminally overlooked," and how that led to an end-of-show tangent about a new music-based reality show called Rock Cops coming to a channel near you very soon (or not).</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Monument</p>
<p style="text-align: center;">5:21 - History of the Band</p>
<p style="text-align: center;">12:47 - Revelate</p>
<p style="text-align: center;">17:00 - Monument</p>
<p style="text-align: center;">21:53 - Revelate</p>
<p style="text-align: center;">24:49 - Angel At My Table</p>
<p style="text-align: center;">27:31 - In This Boat Together</p>
<p style="text-align: center;">30:16 - Giving It All Away</p>
<p style="text-align: center;">Outro - Evergreen</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With the release of <a href='http://www.glenhansardmusic.com/'>Glen Hansard</a>'s first solo record, we thought it was about time to revisit his pre-Swell Season, pre-Once band, <a href='http://www.theframes.ie/'>The Frames</a>, and their sophomore album from 1996, <a href='http://www.amazon.com/gp/product/B003IODNIG/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B003IODNIG'>Fitzcarraldo</a>. Many people know Hansard from the <a href='http://www.imdb.com/title/tt0907657/'>movie</a> (and now <a href='http://www.oncemusical.com/'>Tony Award winning broadway musical</a>) Once and his other band <a href='http://www.theswellseason.com/'>The Swell Season</a>, but Hansard actually cut his teeth with his Dublin, Ireland outfit The Frames starting the early 1990s.</p>
<p style="text-align: center;">For Tim and Jason, this album goes back to the college radio days, and they've been singing it's praises ever since. Find out why this album is "criminally overlooked," and how that led to an end-of-show tangent about a new music-based reality show called Rock Cops coming to a channel near you very soon (or not).</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Monument</p>
<p style="text-align: center;">5:21 - History of the Band</p>
<p style="text-align: center;">12:47 - Revelate</p>
<p style="text-align: center;">17:00 - Monument</p>
<p style="text-align: center;">21:53 - Revelate</p>
<p style="text-align: center;">24:49 - Angel At My Table</p>
<p style="text-align: center;">27:31 - In This Boat Together</p>
<p style="text-align: center;">30:16 - Giving It All Away</p>
<p style="text-align: center;">Outro - Evergreen</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xz3vwi/FitzcarraldobyTheFrames.mp3" length="75910645" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With the release of Glen Hansard's first solo record, we thought it was about time to revisit his pre-Swell Season, pre-Once band, The Frames, and their sophomore album from 1996, Fitzcarraldo. Many people know Hansard from the movie (and now Tony Award winning broadway musical) Once and his other band The Swell Season, but Hansard actually cut his teeth with his Dublin, Ireland outfit The Frames starting the early 1990s.
For Tim and Jason, this album goes back to the college radio days, and they've been singing it's praises ever since. Find out why this album is "criminally overlooked," and how that led to an end-of-show tangent about a new music-based reality show called Rock Cops coming to a channel near you very soon (or not).
Songs in this Episode:
Intro - Monument
5:21 - History of the Band
12:47 - Revelate
17:00 - Monument
21:53 - Revelate
24:49 - Angel At My Table
27:31 - In This Boat Together
30:16 - Giving It All Away
Outro - Evergreen
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3160</itunes:duration>
                                    </item>
    <item>
        <title>#074: Do The Collapse by Guided By Voices</title>
        <itunes:title>#074: Do The Collapse by Guided By Voices</itunes:title>
        <link>https://digmeout.podbean.com/e/074-do-the-collapse-by-guided-by-voices/</link>
                    <comments>https://digmeout.podbean.com/e/074-do-the-collapse-by-guided-by-voices/#comments</comments>        <pubDate>Tue, 12 Jun 2012 01:00:07 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/074-do-the-collapse-by-guided-by-voices/</guid>
                                    <description><![CDATA[<p style="text-align: center;">With <a href='http://www.gbv.com/'>Guided By Voices</a> reunited and releasing their second of three (!) albums in 2012, we decided to spend episode #74 reviewing the 1999 album <a href='http://www.amazon.com/gp/product/B00000JLI5/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000JLI5'>Do the Collapse</a>.</p>
<p style="text-align: center;">When Robert Pollard abandoned his trademark lo-fi sound to release a major label album, produced by the legendary Cars leader <a href='http://www.ricocasek.com/'>Ric Ocasek</a>, it's safe to the say the reviews were mixed. And when we say mixed, we mean numerous die-hard fans hated it with a passion. But is their vitriol justified, or is this an under-appreciated gem in the GBV catalog? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Surgical Focus</p>
<p style="text-align: center;">3:11 - History of the Band</p>
<p style="text-align: center;">15:49 - Teenage FBI</p>
<p style="text-align: center;">19:37 - Surgical Focus</p>
<p style="text-align: center;">22:20 - Wormhole</p>
<p style="text-align: center;">24:29 - Hold On Hope</p>
<p style="text-align: center;">27:16 - Liquid Indian</p>
<p style="text-align: center;">29:19 - An Unmarketed Product</p>
<p style="text-align: center;">Outro - Zoo Pie</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With <a href='http://www.gbv.com/'>Guided By Voices</a> reunited and releasing their second of three (!) albums in 2012, we decided to spend episode #74 reviewing the 1999 album <a href='http://www.amazon.com/gp/product/B00000JLI5/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000JLI5'>Do the Collapse</a>.</p>
<p style="text-align: center;">When Robert Pollard abandoned his trademark lo-fi sound to release a major label album, produced by the legendary Cars leader <a href='http://www.ricocasek.com/'>Ric Ocasek</a>, it's safe to the say the reviews were mixed. And when we say mixed, we mean numerous die-hard fans hated it with a passion. But is their vitriol justified, or is this an under-appreciated gem in the GBV catalog? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Surgical Focus</p>
<p style="text-align: center;">3:11 - History of the Band</p>
<p style="text-align: center;">15:49 - Teenage FBI</p>
<p style="text-align: center;">19:37 - Surgical Focus</p>
<p style="text-align: center;">22:20 - Wormhole</p>
<p style="text-align: center;">24:29 - Hold On Hope</p>
<p style="text-align: center;">27:16 - Liquid Indian</p>
<p style="text-align: center;">29:19 - An Unmarketed Product</p>
<p style="text-align: center;">Outro - Zoo Pie</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3xvgn/DoTheCollapsebyGuidedByVoices.mp3" length="49660097" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With Guided By Voices reunited and releasing their second of three (!) albums in 2012, we decided to spend episode #74 reviewing the 1999 album Do the Collapse.
When Robert Pollard abandoned his trademark lo-fi sound to release a major label album, produced by the legendary Cars leader Ric Ocasek, it's safe to the say the reviews were mixed. And when we say mixed, we mean numerous die-hard fans hated it with a passion. But is their vitriol justified, or is this an under-appreciated gem in the GBV catalog? Tune in to find out.
Songs in this Episode:
Intro - Surgical Focus
3:11 - History of the Band
15:49 - Teenage FBI
19:37 - Surgical Focus
22:20 - Wormhole
24:29 - Hold On Hope
27:16 - Liquid Indian
29:19 - An Unmarketed Product
Outro - Zoo Pie

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2066</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#073: Not Meant For This World by Asteroid B-612</title>
        <itunes:title>#073: Not Meant For This World by Asteroid B-612</itunes:title>
        <link>https://digmeout.podbean.com/e/073-not-meant-for-this-world-by-asteroid-b-612/</link>
                    <comments>https://digmeout.podbean.com/e/073-not-meant-for-this-world-by-asteroid-b-612/#comments</comments>        <pubDate>Tue, 05 Jun 2012 01:00:22 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/073-not-meant-for-this-world-by-asteroid-b-612/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #73 we head back down under thanks to a suggestion by our Australian friend-of-the-show, Gavin and take a listen to the 1997 album <a href='http://www.amazon.com/gp/product/B0000015DF/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B0000015DF'>Not Meant for This World</a> by <a href='http://www.myspace.com/asteroidb612rocknroll'>Asteroid B-612</a>.</p>
<p style="text-align: center;">The early punk of The Stooges and MC5 is prevalent in the sound of Asteroid B-612: raw energy, loud guitars and a big chorus. But does the band pull it off as well as the revered Hellacopters or ? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Emotional Tattoo</p>
<p style="text-align: center;">3:47 - History of the Band</p>
<p style="text-align: center;">11:52 - Thanks for Nuthin'</p>
<p style="text-align: center;">15:16 - Destination Blues</p>
<p style="text-align: center;">18:02 - Believe It's True</p>
<p style="text-align: center;">28:09 - Farewell to the Cosmic Commander</p>
<p style="text-align: center;">Outro - True Romance</p>
<p style="text-align: center;">And as we mentioned in the show, head over to <a href='http://www.scottmorganmusic.com/'>ScottMorganMusic.com</a> to help out Scott out with his medical bills.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #73 we head back down under thanks to a suggestion by our Australian friend-of-the-show, Gavin and take a listen to the 1997 album <a href='http://www.amazon.com/gp/product/B0000015DF/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B0000015DF'>Not Meant for This World</a> by <a href='http://www.myspace.com/asteroidb612rocknroll'>Asteroid B-612</a>.</p>
<p style="text-align: center;">The early punk of The Stooges and MC5 is prevalent in the sound of Asteroid B-612: raw energy, loud guitars and a big chorus. But does the band pull it off as well as the revered Hellacopters or ? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Emotional Tattoo</p>
<p style="text-align: center;">3:47 - History of the Band</p>
<p style="text-align: center;">11:52 - Thanks for Nuthin'</p>
<p style="text-align: center;">15:16 - Destination Blues</p>
<p style="text-align: center;">18:02 - Believe It's True</p>
<p style="text-align: center;">28:09 - Farewell to the Cosmic Commander</p>
<p style="text-align: center;">Outro - True Romance</p>
<p style="text-align: center;">And as we mentioned in the show, head over to <a href='http://www.scottmorganmusic.com/'>ScottMorganMusic.com</a> to help out Scott out with his medical bills.</p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b9nmj4/NotMeantForThisWorldbyAsteroidB612.mp3" length="55802221" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #73 we head back down under thanks to a suggestion by our Australian friend-of-the-show, Gavin and take a listen to the 1997 album Not Meant for This World by Asteroid B-612.
The early punk of The Stooges and MC5 is prevalent in the sound of Asteroid B-612: raw energy, loud guitars and a big chorus. But does the band pull it off as well as the revered Hellacopters or ? Tune in to find out.
Songs in this Episode:
Intro - Emotional Tattoo
3:47 - History of the Band
11:52 - Thanks for Nuthin'
15:16 - Destination Blues
18:02 - Believe It's True
28:09 - Farewell to the Cosmic Commander
Outro - True Romance
And as we mentioned in the show, head over to ScottMorganMusic.com to help out Scott out with his medical bills.

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2322</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#072: August Everywhere by Blinker The Star</title>
        <itunes:title>#072: August Everywhere by Blinker The Star</itunes:title>
        <link>https://digmeout.podbean.com/e/072-august-everywhere-by-blinker-the-star/</link>
                    <comments>https://digmeout.podbean.com/e/072-august-everywhere-by-blinker-the-star/#comments</comments>        <pubDate>Tue, 29 May 2012 01:00:37 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/072-august-everywhere-by-blinker-the-star/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #72 of Dig Me Out we're joined by <a href='http://blinkerthestar.net/'>Blinker The Star</a>'s Jordon Zadorozny to revisit the 1999 album <a href='http://www.amazon.com/gp/product/B00000K3WT/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000K3WT'>August Everywhere</a>. Besides a track-by-track dissection of this under-appreciated gem, Jordon talks to us about his musical roots in Canada, making the move to Los Angeles in the mid-90s, his contributions to Courtney Love and Mandy Moore records, a songwriting bootcamp in a French castle, the influences of Duran Duran and Steely Dan, and much much more. It's a long one, so settle in, then leave us a comment on this episode.</p>
<p style="text-align: center;">Songs in this Episode</p>
<p style="text-align: center;">Intro - Crazy Eyes</p>
<p style="text-align: center;">3:33 - History of the Band</p>
<p style="text-align: center;">22:20 - September Already</p>
<p style="text-align: center;">27:16 - Behind The Sliding Doors</p>
<p style="text-align: center;">34:38 - Crazy Eyes</p>
<p style="text-align: center;">43:47 - All Dreamed Out</p>
<p style="text-align: center;">46:17 - Pretty Pictures</p>
<p style="text-align: center;">50:57 - Pretty Pictures Guitar Solo</p>
<p style="text-align: center;">52:46 - On This Earth</p>
<p style="text-align: center;">57:54 - I Am A Fraction</p>
<p style="text-align: center;">1:10:14 - There's No Where You Can Hide</p>
<p style="text-align: center;">1:15:22 - Right Kind of Girl</p>
<p style="text-align: center;">1:27:36 - Star Behind The Star</p>
<p style="text-align: center;">Outro - Strange As They Say</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #72 of Dig Me Out we're joined by <a href='http://blinkerthestar.net/'>Blinker The Star</a>'s Jordon Zadorozny to revisit the 1999 album <a href='http://www.amazon.com/gp/product/B00000K3WT/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000K3WT'>August Everywhere</a>. Besides a track-by-track dissection of this under-appreciated gem, Jordon talks to us about his musical roots in Canada, making the move to Los Angeles in the mid-90s, his contributions to Courtney Love and Mandy Moore records, a songwriting bootcamp in a French castle, the influences of Duran Duran and Steely Dan, and much much more. It's a long one, so settle in, then leave us a comment on this episode.</p>
<p style="text-align: center;">Songs in this Episode</p>
<p style="text-align: center;">Intro - Crazy Eyes</p>
<p style="text-align: center;">3:33 - History of the Band</p>
<p style="text-align: center;">22:20 - September Already</p>
<p style="text-align: center;">27:16 - Behind The Sliding Doors</p>
<p style="text-align: center;">34:38 - Crazy Eyes</p>
<p style="text-align: center;">43:47 - All Dreamed Out</p>
<p style="text-align: center;">46:17 - Pretty Pictures</p>
<p style="text-align: center;">50:57 - Pretty Pictures Guitar Solo</p>
<p style="text-align: center;">52:46 - On This Earth</p>
<p style="text-align: center;">57:54 - I Am A Fraction</p>
<p style="text-align: center;">1:10:14 - There's No Where You Can Hide</p>
<p style="text-align: center;">1:15:22 - Right Kind of Girl</p>
<p style="text-align: center;">1:27:36 - Star Behind The Star</p>
<p style="text-align: center;">Outro - Strange As They Say</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dp3t5/AugustEverywherebyBlinkerTheStar.mp3" length="148187291" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #72 of Dig Me Out we're joined by Blinker The Star's Jordon Zadorozny to revisit the 1999 album August Everywhere. Besides a track-by-track dissection of this under-appreciated gem, Jordon talks to us about his musical roots in Canada, making the move to Los Angeles in the mid-90s, his contributions to Courtney Love and Mandy Moore records, a songwriting bootcamp in a French castle, the influences of Duran Duran and Steely Dan, and much much more. It's a long one, so settle in, then leave us a comment on this episode.
Songs in this Episode
Intro - Crazy Eyes
3:33 - History of the Band
22:20 - September Already
27:16 - Behind The Sliding Doors
34:38 - Crazy Eyes
43:47 - All Dreamed Out
46:17 - Pretty Pictures
50:57 - Pretty Pictures Guitar Solo
52:46 - On This Earth
57:54 - I Am A Fraction
1:10:14 - There's No Where You Can Hide
1:15:22 - Right Kind of Girl
1:27:36 - Star Behind The Star
Outro - Strange As They Say
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6172</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#071: The Shape of Punk to Come by Refused</title>
        <itunes:title>#071: The Shape of Punk to Come by Refused</itunes:title>
        <link>https://digmeout.podbean.com/e/071-the-shape-of-punk-to-come-by-refused/</link>
                    <comments>https://digmeout.podbean.com/e/071-the-shape-of-punk-to-come-by-refused/#comments</comments>        <pubDate>Tue, 22 May 2012 01:00:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/071-the-shape-of-punk-to-come-by-refused/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #71, we tackle <a href='http://www.amazon.com/gp/product/B00000DC10/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000DC10'>The Shape of Punk to Come: A Chimerical Bombation In 12 Bursts</a> by Refused. Since it's original release in 1998, TSoPtC has been graced with accolades and fawning retrospectives - but is it deserved? Due the techno, beat poetry and jazz interludes sound fresh and exciting or gimmicky and contrived? Tune in to find out!</p>
<p style="text-align: center;">(Warning: earmuffs for the little ones, Refused liked their f-bombs)</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Summertime Holidays vs. Punkroutine</p>
<p style="text-align: center;">10:30 - The Deadly Rhythm</p>
<p style="text-align: center;">16:54 - Liberation Frequency</p>
<p style="text-align: center;">25:04 - New Noise</p>
<p style="text-align: center;">27:32 - Tannhauser Derive</p>
<p style="text-align: center;">32:04 - Worms Of The Senses/Faculties Of The Skull</p>
<p style="text-align: center;">34:51 - Protest Song '68</p>
<p style="text-align: center;">Outro - The Shape of Punk to Come</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.officialrefused.com/'>More Info</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #71, we tackle <a href='http://www.amazon.com/gp/product/B00000DC10/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000DC10'>The Shape of Punk to Come: A Chimerical Bombation In 12 Bursts</a> by Refused. Since it's original release in 1998, TSoPtC has been graced with accolades and fawning retrospectives - but is it deserved? Due the techno, beat poetry and jazz interludes sound fresh and exciting or gimmicky and contrived? Tune in to find out!</p>
<p style="text-align: center;">(Warning: earmuffs for the little ones, Refused liked their f-bombs)</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Summertime Holidays vs. Punkroutine</p>
<p style="text-align: center;">10:30 - The Deadly Rhythm</p>
<p style="text-align: center;">16:54 - Liberation Frequency</p>
<p style="text-align: center;">25:04 - New Noise</p>
<p style="text-align: center;">27:32 - Tannhauser Derive</p>
<p style="text-align: center;">32:04 - Worms Of The Senses/Faculties Of The Skull</p>
<p style="text-align: center;">34:51 - Protest Song '68</p>
<p style="text-align: center;">Outro - The Shape of Punk to Come</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.officialrefused.com/'>More Info</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5kpnpc/_071__The_Shape_of_Punk_to_Come_by_Refused.mp3" length="59584538" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #71, we tackle The Shape of Punk to Come: A Chimerical Bombation In 12 Bursts by Refused. Since it's original release in 1998, TSoPtC has been graced with accolades and fawning retrospectives - but is it deserved? Due the techno, beat poetry and jazz interludes sound fresh and exciting or gimmicky and contrived? Tune in to find out!
(Warning: earmuffs for the little ones, Refused liked their f-bombs)
Songs in this Episode:
Intro - Summertime Holidays vs. Punkroutine
10:30 - The Deadly Rhythm
16:54 - Liberation Frequency
25:04 - New Noise
27:32 - Tannhauser Derive
32:04 - Worms Of The Senses/Faculties Of The Skull
34:51 - Protest Song '68
Outro - The Shape of Punk to Come
Comment on this Episode | More Info
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2465</itunes:duration>
                <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#070: Fever In Fever Out by Luscious Jackson</title>
        <itunes:title>#070: Fever In Fever Out by Luscious Jackson</itunes:title>
        <link>https://digmeout.podbean.com/e/070-fever-in-fever-out-by-luscious-jackson/</link>
                    <comments>https://digmeout.podbean.com/e/070-fever-in-fever-out-by-luscious-jackson/#comments</comments>        <pubDate>Tue, 15 May 2012 01:00:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/070-fever-in-fever-out-by-luscious-jackson/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #70, we revisit the 1996 album <a href='http://www.amazon.com/gp/product/B000002U00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002U00'>Fever In Fever Out</a> by <a href='http://www.lusciousjackson.us/'>Luscious Jackson</a> with a little help from lead singer/bassist Jill Cuniff. As Luscious Jackson prepare to release a new album, we look back at a band that helped define the sound of the '90s and was a leading light in the rise of the female artist during the decade.</p>
<p style="text-align: center;">We talk to Jill about recording with legendary producer <a href='http://www.daniellanois.com/'>Daniel Lanois</a>, the influences of soul, R&B and French pop, songwriting, and the decision to release their new album independently with the help of <a href='http://www.pledgemusic.com/widgets/3303'>Pledgemusic.com</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Electric</p>
<p style="text-align: center;">6:47 - History of the Band</p>
<p style="text-align: center;">14:14 - Naked Eye</p>
<p style="text-align: center;">17:42 - Interview Segment #1</p>
<p style="text-align: center;">24:35 - Why Do I Lie?</p>
<p style="text-align: center;">28:01 - Mood Swing</p>
<p style="text-align: center;">40:34 - Interview Segment #2</p>
<p style="text-align: center;">45:51 - Don't Look Back</p>
<p style="text-align: center;">50:06 - Faith</p>
<p style="text-align: center;">53:45 - Interview Segment #3</p>
<p style="text-align: center;">1:00:38 - Under Your Skin</p>
<p style="text-align: center;">Outro - Soothe Yourself</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #70, we revisit the 1996 album <a href='http://www.amazon.com/gp/product/B000002U00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002U00'>Fever In Fever Out</a> by <a href='http://www.lusciousjackson.us/'>Luscious Jackson</a> with a little help from lead singer/bassist Jill Cuniff. As Luscious Jackson prepare to release a new album, we look back at a band that helped define the sound of the '90s and was a leading light in the rise of the female artist during the decade.</p>
<p style="text-align: center;">We talk to Jill about recording with legendary producer <a href='http://www.daniellanois.com/'>Daniel Lanois</a>, the influences of soul, R&B and French pop, songwriting, and the decision to release their new album independently with the help of <a href='http://www.pledgemusic.com/widgets/3303'>Pledgemusic.com</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Electric</p>
<p style="text-align: center;">6:47 - History of the Band</p>
<p style="text-align: center;">14:14 - Naked Eye</p>
<p style="text-align: center;">17:42 - Interview Segment #1</p>
<p style="text-align: center;">24:35 - Why Do I Lie?</p>
<p style="text-align: center;">28:01 - Mood Swing</p>
<p style="text-align: center;">40:34 - Interview Segment #2</p>
<p style="text-align: center;">45:51 - Don't Look Back</p>
<p style="text-align: center;">50:06 - Faith</p>
<p style="text-align: center;">53:45 - Interview Segment #3</p>
<p style="text-align: center;">1:00:38 - Under Your Skin</p>
<p style="text-align: center;">Outro - Soothe Yourself</p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r8htf/FeverInFeverOutbyLusciousJackson.mp3" length="95467382" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #70, we revisit the 1996 album Fever In Fever Out by Luscious Jackson with a little help from lead singer/bassist Jill Cuniff. As Luscious Jackson prepare to release a new album, we look back at a band that helped define the sound of the '90s and was a leading light in the rise of the female artist during the decade.
We talk to Jill about recording with legendary producer Daniel Lanois, the influences of soul, R&B and French pop, songwriting, and the decision to release their new album independently with the help of Pledgemusic.com.
Songs in this Episode:
Intro - Electric
6:47 - History of the Band
14:14 - Naked Eye
17:42 - Interview Segment #1
24:35 - Why Do I Lie?
28:01 - Mood Swing
40:34 - Interview Segment #2
45:51 - Don't Look Back
50:06 - Faith
53:45 - Interview Segment #3
1:00:38 - Under Your Skin
Outro - Soothe Yourself
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3975</itunes:duration>
                                    </item>
    <item>
        <title>#069: Famous Past Lives by Pretty Mighty Mighty</title>
        <itunes:title>#069: Famous Past Lives by Pretty Mighty Mighty</itunes:title>
        <link>https://digmeout.podbean.com/e/069-famous-past-lives-by-pretty-mighty-mighty/</link>
                    <comments>https://digmeout.podbean.com/e/069-famous-past-lives-by-pretty-mighty-mighty/#comments</comments>        <pubDate>Tue, 08 May 2012 01:00:52 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/069-famous-past-lives-by-pretty-mighty-mighty/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #69, we make a second trip to our adopted hometown of Columbus, Ohio to revisit an under-appreciated classic, Pretty Mighty Mighty's 1999 album <a href='http://www.amazon.com/gp/product/B00000J7PX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000J7PX'>Famous Past Lives</a>.</p>
<p style="text-align: center;">Lead singer/guitarist <a href='http://www.jonchinn.com/'>Jon Chinn</a> joins us for this trip down memory lane back to when the band formed in college through their line-up changes, building (several) recording studios, surviving a house fire, scoring an unexpected radio hit and the dealing with the labels that came calling, along with an in-depth discussion on songwriting and recording.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Ski Instructor</p>
<p style="text-align: center;">31:35 - My Own Type</p>
<p style="text-align: center;">35:57 - Media King</p>
<p style="text-align: center;">42:58 - Ski Instructor</p>
<p style="text-align: center;">50:59 - Scratch</p>
<p style="text-align: center;">101:41 - St. Louis</p>
<p style="text-align: center;">105:35 - Deafening</p>
<p style="text-align: center;">1:11:20 - Heart Attack</p>
<p style="text-align: center;">1:21:08 - Tidal Wave</p>
<p style="text-align: center;">Outro - Best of the Worst</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.myspace.com/11692755'>More Info</a></p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #69, we make a second trip to our adopted hometown of Columbus, Ohio to revisit an under-appreciated classic, Pretty Mighty Mighty's 1999 album <a href='http://www.amazon.com/gp/product/B00000J7PX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B00000J7PX'>Famous Past Lives</a>.</p>
<p style="text-align: center;">Lead singer/guitarist <a href='http://www.jonchinn.com/'>Jon Chinn</a> joins us for this trip down memory lane back to when the band formed in college through their line-up changes, building (several) recording studios, surviving a house fire, scoring an unexpected radio hit and the dealing with the labels that came calling, along with an in-depth discussion on songwriting and recording.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Ski Instructor</p>
<p style="text-align: center;">31:35 - My Own Type</p>
<p style="text-align: center;">35:57 - Media King</p>
<p style="text-align: center;">42:58 - Ski Instructor</p>
<p style="text-align: center;">50:59 - Scratch</p>
<p style="text-align: center;">101:41 - St. Louis</p>
<p style="text-align: center;">105:35 - Deafening</p>
<p style="text-align: center;">1:11:20 - Heart Attack</p>
<p style="text-align: center;">1:21:08 - Tidal Wave</p>
<p style="text-align: center;">Outro - Best of the Worst</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.myspace.com/11692755'>More Info</a></p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fux8sj/FamousPastLivesbyPrettyMightyMighty.mp3" length="142186863" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #69, we make a second trip to our adopted hometown of Columbus, Ohio to revisit an under-appreciated classic, Pretty Mighty Mighty's 1999 album Famous Past Lives.
Lead singer/guitarist Jon Chinn joins us for this trip down memory lane back to when the band formed in college through their line-up changes, building (several) recording studios, surviving a house fire, scoring an unexpected radio hit and the dealing with the labels that came calling, along with an in-depth discussion on songwriting and recording.
Songs in this Episode:
Intro - Ski Instructor
31:35 - My Own Type
35:57 - Media King
42:58 - Ski Instructor
50:59 - Scratch
101:41 - St. Louis
105:35 - Deafening
1:11:20 - Heart Attack
1:21:08 - Tidal Wave
Outro - Best of the Worst
Comment on this Episode | More Info

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5922</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#068b - More Interview Clips with Miles of For Love Not Lisa</title>
        <itunes:title>#068b - More Interview Clips with Miles of For Love Not Lisa</itunes:title>
        <link>https://digmeout.podbean.com/e/068b-more-interview-clips-with-miles-of-for-love-not-lisa/</link>
                    <comments>https://digmeout.podbean.com/e/068b-more-interview-clips-with-miles-of-for-love-not-lisa/#comments</comments>        <pubDate>Thu, 03 May 2012 01:00:55 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/068b-more-interview-clips-with-miles-of-for-love-not-lisa/</guid>
                                    <description><![CDATA[As promised, here are some bonus clips with For Love Not Lisa guitarist Miles. Big thanks to Chip Midnight!]]></description>
                                                            <content:encoded><![CDATA[As promised, here are some bonus clips with For Love Not Lisa guitarist Miles. Big thanks to Chip Midnight!]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t45tq4/forlovenotlisabonuspodcast.mp3" length="35134611" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As promised, here are some bonus clips with For Love Not Lisa guitarist Miles. Big thanks to Chip Midnight!]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1463</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#068: Merge by For Love Not Lisa</title>
        <itunes:title>#068: Merge by For Love Not Lisa</itunes:title>
        <link>https://digmeout.podbean.com/e/068-merge-by-for-love-not-lisa/</link>
                    <comments>https://digmeout.podbean.com/e/068-merge-by-for-love-not-lisa/#comments</comments>        <pubDate>Tue, 01 May 2012 01:00:48 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/068-merge-by-for-love-not-lisa/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #68, <a href='http://atomicned.com/'>Chip Midnight</a> returns with an album suggestion and interview to go along with it. We check out the 1993 album <a href='http://www.amazon.com/gp/product/B000002JQX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002JQX'>Merge</a> by For Love Not Lisa, and Chip talks to guitarist Miles.</p>
<p style="text-align: center;">Merge offers plenty of diversity, but is it too much of a good thing? We cover everything on this episode - how the wrong tours can frustrate a band, our first discussion of "Christian Rock" and it's development in the '90s, and a legendary guitarist showing up on a b-side track.</p>
<p style="text-align: center;">As a bonus, we'll be posting clips from Chips interview that didn't make the episode this Thursday. Consider it an early Cinco de Mayo present.</p>
<p style="text-align: center;">Chips links: <a href='http://atomicned.com/'>Atomic Ned</a> | <a href='http://lipstick-n-leather.tumblr.com/'>Lipstick 'n Leather</a></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Daring To Pick Up</p>
<p style="text-align: center;">11:30 - Softhand</p>
<p style="text-align: center;">15:14 - Mother's Faith</p>
<p style="text-align: center;">19:19 - Travis Hoffman</p>
<p style="text-align: center;">23:16 - Interview Segment #1</p>
<p style="text-align: center;">26:18 - More Than A Girl</p>
<p style="text-align: center;">29:08 - Interview Segment #2</p>
<p style="text-align: center;">34:05 - Rocket Ride</p>
<p style="text-align: center;">38:58 - Interview Segment #3</p>
<p style="text-align: center;">41:46 - Slip Slide Melting</p>
<p style="text-align: center;">46:53 - Interview Segment #4</p>
<p style="text-align: center;">Outro - Simple Line of Decline</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/For_Love_Not_Lisa'>More Info</a></p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #68, <a href='http://atomicned.com/'>Chip Midnight</a> returns with an album suggestion and interview to go along with it. We check out the 1993 album <a href='http://www.amazon.com/gp/product/B000002JQX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002JQX'>Merge</a> by For Love Not Lisa, and Chip talks to guitarist Miles.</p>
<p style="text-align: center;">Merge offers plenty of diversity, but is it too much of a good thing? We cover everything on this episode - how the wrong tours can frustrate a band, our first discussion of "Christian Rock" and it's development in the '90s, and a legendary guitarist showing up on a b-side track.</p>
<p style="text-align: center;">As a bonus, we'll be posting clips from Chips interview that didn't make the episode this Thursday. Consider it an early Cinco de Mayo present.</p>
<p style="text-align: center;">Chips links: <a href='http://atomicned.com/'>Atomic Ned</a> | <a href='http://lipstick-n-leather.tumblr.com/'>Lipstick 'n Leather</a></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Daring To Pick Up</p>
<p style="text-align: center;">11:30 - Softhand</p>
<p style="text-align: center;">15:14 - Mother's Faith</p>
<p style="text-align: center;">19:19 - Travis Hoffman</p>
<p style="text-align: center;">23:16 - Interview Segment #1</p>
<p style="text-align: center;">26:18 - More Than A Girl</p>
<p style="text-align: center;">29:08 - Interview Segment #2</p>
<p style="text-align: center;">34:05 - Rocket Ride</p>
<p style="text-align: center;">38:58 - Interview Segment #3</p>
<p style="text-align: center;">41:46 - Slip Slide Melting</p>
<p style="text-align: center;">46:53 - Interview Segment #4</p>
<p style="text-align: center;">Outro - Simple Line of Decline</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/For_Love_Not_Lisa'>More Info</a></p>

<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/22j84/MergebyForLoveNotLisa.mp3" length="89013036" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #68, Chip Midnight returns with an album suggestion and interview to go along with it. We check out the 1993 album Merge by For Love Not Lisa, and Chip talks to guitarist Miles.
Merge offers plenty of diversity, but is it too much of a good thing? We cover everything on this episode - how the wrong tours can frustrate a band, our first discussion of "Christian Rock" and it's development in the '90s, and a legendary guitarist showing up on a b-side track.
As a bonus, we'll be posting clips from Chips interview that didn't make the episode this Thursday. Consider it an early Cinco de Mayo present.
Chips links: Atomic Ned | Lipstick 'n Leather
Songs in this Episode:
Intro - Daring To Pick Up
11:30 - Softhand
15:14 - Mother's Faith
19:19 - Travis Hoffman
23:16 - Interview Segment #1
26:18 - More Than A Girl
29:08 - Interview Segment #2
34:05 - Rocket Ride
38:58 - Interview Segment #3
41:46 - Slip Slide Melting
46:53 - Interview Segment #4
Outro - Simple Line of Decline
Comment on this Episode | More Info

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3706</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#067: The Dandy Warhols Come Down by The Dandy Warhols</title>
        <itunes:title>#067: The Dandy Warhols Come Down by The Dandy Warhols</itunes:title>
        <link>https://digmeout.podbean.com/e/067-the-dandy-warhols-come-down-by-the-dandy-warhols/</link>
                    <comments>https://digmeout.podbean.com/e/067-the-dandy-warhols-come-down-by-the-dandy-warhols/#comments</comments>        <pubDate>Tue, 24 Apr 2012 01:00:21 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/067-the-dandy-warhols-come-down-by-the-dandy-warhols/</guid>
                                    <description><![CDATA[<p style="text-align: center;">With The Dandy Warhols releasing a new album, we spend episode #67 revisiting their 1997 album <a href='http://www.amazon.com/gp/product/B000002U2S/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002U2S'>The Dandy Warhols Come Down</a>. The Dandys bounce between '60s psychedelia, Velvet Underground drone, Neil Young guitar spasms, electronic rhythms and even some bouncy Britpop, but does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Minnesoter</p>
<p style="text-align: center;">13:51 - Cool as Kim Deal</p>
<p style="text-align: center;">18:17 - Not If You Were The Last Junkie On Earth</p>
<p style="text-align: center;">20:21 - Everyday Should Be A Holiday</p>
<p style="text-align: center;">23:32 - Good Morning</p>
<p style="text-align: center;">Outro - Boys Better</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.dandywarhols.com/'>More Info</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">With The Dandy Warhols releasing a new album, we spend episode #67 revisiting their 1997 album <a href='http://www.amazon.com/gp/product/B000002U2S/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002U2S'>The Dandy Warhols Come Down</a>. The Dandys bounce between '60s psychedelia, Velvet Underground drone, Neil Young guitar spasms, electronic rhythms and even some bouncy Britpop, but does it all work? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Minnesoter</p>
<p style="text-align: center;">13:51 - Cool as Kim Deal</p>
<p style="text-align: center;">18:17 - Not If You Were The Last Junkie On Earth</p>
<p style="text-align: center;">20:21 - Everyday Should Be A Holiday</p>
<p style="text-align: center;">23:32 - Good Morning</p>
<p style="text-align: center;">Outro - Boys Better</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.dandywarhols.com/'>More Info</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/te5t6d/thedandywarholscomedownbythedandywarhols.mp3" length="55631081" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With The Dandy Warhols releasing a new album, we spend episode #67 revisiting their 1997 album The Dandy Warhols Come Down. The Dandys bounce between '60s psychedelia, Velvet Underground drone, Neil Young guitar spasms, electronic rhythms and even some bouncy Britpop, but does it all work? Tune in to find out.
Songs in this Episode:
Intro - Minnesoter
13:51 - Cool as Kim Deal
18:17 - Not If You Were The Last Junkie On Earth
20:21 - Everyday Should Be A Holiday
23:32 - Good Morning
Outro - Boys Better
Comment on this Episode | More Info
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2315</itunes:duration>
                                <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog327252/albumart-300.jpg" />    </item>
    <item>
        <title>#066: Blind by The Sundays</title>
        <itunes:title>#066: Blind by The Sundays</itunes:title>
        <link>https://digmeout.podbean.com/e/066-blind-by-the-sundays/</link>
                    <comments>https://digmeout.podbean.com/e/066-blind-by-the-sundays/#comments</comments>        <pubDate>Tue, 17 Apr 2012 01:00:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/066-blind-by-the-sundays/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #66, we're joined by author Frank Anthony Polito to review The Sundays 1992 album <a href='http://www.amazon.com/gp/product/B000003TA7/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000003TA7'>Blind</a>. Frank's just released his third novel, <a href='http://www.amazon.com/gp/product/0615594786/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0615594786'>Lost in the '90s</a>, which is set in, you guessed it, the 1990s, making it perfect for our show.</p>
<p style="text-align: center;">Frank suggested we revisit the critically-acclaimed but lesser known sophomore release from The Sundays, so we dive in and there is plenty to discuss - from Johnny Marr-influenced guitar lines to the deceptively dark lyrics wrapped in pop melodies.</p>
<p style="text-align: center;">Frank's Links - <a href='https://www.facebook.com/fapolito'>Facebook</a> (Frank) | <a href='https://www.facebook.com/lostinthe90s'>Facebook</a> (Lost in the 90s) | <a href='https://twitter.com/#!/fapolito'>Twitter</a></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Love</p>
<p style="text-align: center;">20:28 - On Earth</p>
<p style="text-align: center;">23:10 - I Feel</p>
<p style="text-align: center;">26:39 - God Made Me</p>
<p style="text-align: center;">29:57 - What Do You Think</p>
<p style="text-align: center;">32:23 - Love</p>
<p style="text-align: center;">Outro - Love</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/The_Sundays'>More Info</a></p>

<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a>

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #66, we're joined by author Frank Anthony Polito to review The Sundays 1992 album <a href='http://www.amazon.com/gp/product/B000003TA7/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000003TA7'>Blind</a>. Frank's just released his third novel, <a href='http://www.amazon.com/gp/product/0615594786/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0615594786'>Lost in the '90s</a>, which is set in, you guessed it, the 1990s, making it perfect for our show.</p>
<p style="text-align: center;">Frank suggested we revisit the critically-acclaimed but lesser known sophomore release from The Sundays, so we dive in and there is plenty to discuss - from Johnny Marr-influenced guitar lines to the deceptively dark lyrics wrapped in pop melodies.</p>
<p style="text-align: center;">Frank's Links - <a href='https://www.facebook.com/fapolito'>Facebook</a> (Frank) | <a href='https://www.facebook.com/lostinthe90s'>Facebook</a> (Lost in the 90s) | <a href='https://twitter.com/#!/fapolito'>Twitter</a></p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Love</p>
<p style="text-align: center;">20:28 - On Earth</p>
<p style="text-align: center;">23:10 - I Feel</p>
<p style="text-align: center;">26:39 - God Made Me</p>
<p style="text-align: center;">29:57 - What Do You Think</p>
<p style="text-align: center;">32:23 - Love</p>
<p style="text-align: center;">Outro - Love</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/The_Sundays'>More Info</a></p>

<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a>

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qaa4vv/BlindbyTheSundays.mp3" length="76740706" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #66, we're joined by author Frank Anthony Polito to review The Sundays 1992 album Blind. Frank's just released his third novel, Lost in the '90s, which is set in, you guessed it, the 1990s, making it perfect for our show.
Frank suggested we revisit the critically-acclaimed but lesser known sophomore release from The Sundays, so we dive in and there is plenty to discuss - from Johnny Marr-influenced guitar lines to the deceptively dark lyrics wrapped in pop melodies.
Frank's Links - Facebook (Frank) | Facebook (Lost in the 90s) | Twitter
Songs in this Episode:
Intro - Love
20:28 - On Earth
23:10 - I Feel
26:39 - God Made Me
29:57 - What Do You Think
32:23 - Love
Outro - Love
Comment on this Episode | More Info

More info on digmeoutpodcast.com

Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3195</itunes:duration>
                                    </item>
    <item>
        <title>#065: Detroit Folly by Edsel</title>
        <itunes:title>#065: Detroit Folly by Edsel</itunes:title>
        <link>https://digmeout.podbean.com/e/065-detroit-folly-by-edsel/</link>
                    <comments>https://digmeout.podbean.com/e/065-detroit-folly-by-edsel/#comments</comments>        <pubDate>Tue, 10 Apr 2012 01:00:07 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/065-detroit-folly-by-edsel/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #65, we've got a packed house. Jon Solomon was kind enough to provide us with a digitally remastered version of Edsel's 1994 album <a href='http://www.comedyminusone.com/018.php'>Detroit Folly</a>, released last year on his <a href='http://www.comedyminusone.com/'>Comedy Minus One</a> label. Not only that, he also hooked us up with Edsel's former singer & guitarist Sohrab Habibion, currently wielding his axe in <a href='http://obitsurl.com/'>Obits</a>, for a Q & A. But that's not all, <a href='http://atomicned.com/'>Chip Midnight</a> is back and offering his take on an album. Got all that?</p>
<p style="text-align: center;">Check out Obits: <a href='http://obitsurl.com/'>web</a> / <a href='https://www.facebook.com/obitsband'>Facebook</a> / <a href='http://twitter.com/obitsband'>Twitter</a></p>
<p style="text-align: center;">Chip's Links: <a href='http://atomicned.com/'>Atomic Ned</a> / <a href='http://lipstick-n-leather.tumblr.com/'>Lipstick 'n Leather</a></p>
<p style="text-align: center;">Songs in this Episode</p>
<p style="text-align: center;">Intro -Drawn Down The Moon</p>
<p style="text-align: center;">7:17 - Interview Segment #1</p>
<p style="text-align: center;">17:31 - Interview Segment #2</p>
<p style="text-align: center;">24:53 - Omaha Intervenes</p>
<p style="text-align: center;">27:43 - Interview Segment #3</p>
<p style="text-align: center;">34:41 - Wind Key</p>
<p style="text-align: center;">41:49 - Interview Segment #4</p>
<p style="text-align: center;">Outro - I'm No Pony</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/Edsel_(band)'>More Info</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #65, we've got a packed house. Jon Solomon was kind enough to provide us with a digitally remastered version of Edsel's 1994 album <a href='http://www.comedyminusone.com/018.php'>Detroit Folly</a>, released last year on his <a href='http://www.comedyminusone.com/'>Comedy Minus One</a> label. Not only that, he also hooked us up with Edsel's former singer & guitarist Sohrab Habibion, currently wielding his axe in <a href='http://obitsurl.com/'>Obits</a>, for a Q & A. But that's not all, <a href='http://atomicned.com/'>Chip Midnight</a> is back and offering his take on an album. Got all that?</p>
<p style="text-align: center;">Check out Obits: <a href='http://obitsurl.com/'>web</a> / <a href='https://www.facebook.com/obitsband'>Facebook</a> / <a href='http://twitter.com/obitsband'>Twitter</a></p>
<p style="text-align: center;">Chip's Links: <a href='http://atomicned.com/'>Atomic Ned</a> / <a href='http://lipstick-n-leather.tumblr.com/'>Lipstick 'n Leather</a></p>
<p style="text-align: center;">Songs in this Episode</p>
<p style="text-align: center;">Intro -Drawn Down The Moon</p>
<p style="text-align: center;">7:17 - Interview Segment #1</p>
<p style="text-align: center;">17:31 - Interview Segment #2</p>
<p style="text-align: center;">24:53 - Omaha Intervenes</p>
<p style="text-align: center;">27:43 - Interview Segment #3</p>
<p style="text-align: center;">34:41 - Wind Key</p>
<p style="text-align: center;">41:49 - Interview Segment #4</p>
<p style="text-align: center;">Outro - I'm No Pony</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/Edsel_(band)'>More Info</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2ymjwe/_065_Detroit_Folly_by_Edsel6qjv0.mp3" length="80692303" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #65, we've got a packed house. Jon Solomon was kind enough to provide us with a digitally remastered version of Edsel's 1994 album Detroit Folly, released last year on his Comedy Minus One label. Not only that, he also hooked us up with Edsel's former singer & guitarist Sohrab Habibion, currently wielding his axe in Obits, for a Q & A. But that's not all, Chip Midnight is back and offering his take on an album. Got all that?
Check out Obits: web / Facebook / Twitter
Chip's Links: Atomic Ned / Lipstick 'n Leather
Songs in this Episode
Intro -Drawn Down The Moon
7:17 - Interview Segment #1
17:31 - Interview Segment #2
24:53 - Omaha Intervenes
27:43 - Interview Segment #3
34:41 - Wind Key
41:49 - Interview Segment #4
Outro - I'm No Pony
Comment on this Episode | More Info
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3360</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>#064: You'd Prefer An Astronaut by Hum</title>
        <itunes:title>#064: You'd Prefer An Astronaut by Hum</itunes:title>
        <link>https://digmeout.podbean.com/e/064-youd-prefer-an-astronaut-by-hum/</link>
                    <comments>https://digmeout.podbean.com/e/064-youd-prefer-an-astronaut-by-hum/#comments</comments>        <pubDate>Tue, 03 Apr 2012 01:00:54 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/064-youd-prefer-an-astronaut-by-hum/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #64, we're back with another listener suggestion. Actually, it's a multiple listener suggestion episode - lots of folks have told us to revisit Hum's 1995 album <a href='http://www.amazon.com/gp/product/B000002WSX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002WSX'>You'd Prefer An Astronaut</a>, and we aim to please. Tim knew he was going to struggle to be objective since Hum is one of his favorite bands of all time, so in order to avoid a blubbering gush-fest, we invited a special guest to help us review the album - <a href='http://www.shawnfosterdirector.com/'>director Shawn Foster</a>. Check out Shawn's website for videos of his work with the Deftones, Drive-by Truckers, The Sun and more.</p>
<p style="text-align: center;">There's plenty to talk about the unique Hum - their combination of metal, progressive rock and shoegaze with an space and science lyrical bent makes comparisons difficult, but we give it a shot. Shawn shares some directing experiences, including the infamous Zane's Sex Chronicles, his opportunity to fulfill all our wishes and punch Fred Durst, and somehow we end up tying it all up with The Muppets. Alcohol may have been consumed during this episode.</p>
<p style="text-align: center;">WARNING: Plenty of salty language in this one. Earmuffs for the kids.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'd Like Your Hair Long</p>
<p style="text-align: center;">23:02 - I'd Like Your Hair Long</p>
<p style="text-align: center;">25:59 - Little Dipper</p>
<p style="text-align: center;">35:11 - Suicide Machine</p>
<p style="text-align: center;">39:52 - Stars</p>
<p style="text-align: center;">49:42 - Stars</p>
<p style="text-align: center;">Outro - The Pod</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.h-u-m.net/'>More Info</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #64, we're back with another listener suggestion. Actually, it's a multiple listener suggestion episode - lots of folks have told us to revisit Hum's 1995 album <a href='http://www.amazon.com/gp/product/B000002WSX/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002WSX'>You'd Prefer An Astronaut</a>, and we aim to please. Tim knew he was going to struggle to be objective since Hum is one of his favorite bands of all time, so in order to avoid a blubbering gush-fest, we invited a special guest to help us review the album - <a href='http://www.shawnfosterdirector.com/'>director Shawn Foster</a>. Check out Shawn's website for videos of his work with the Deftones, Drive-by Truckers, The Sun and more.</p>
<p style="text-align: center;">There's plenty to talk about the unique Hum - their combination of metal, progressive rock and shoegaze with an space and science lyrical bent makes comparisons difficult, but we give it a shot. Shawn shares some directing experiences, including the infamous Zane's Sex Chronicles, his opportunity to fulfill all our wishes and punch Fred Durst, and somehow we end up tying it all up with The Muppets. Alcohol may have been consumed during this episode.</p>
<p style="text-align: center;">WARNING: Plenty of salty language in this one. Earmuffs for the kids.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - I'd Like Your Hair Long</p>
<p style="text-align: center;">23:02 - I'd Like Your Hair Long</p>
<p style="text-align: center;">25:59 - Little Dipper</p>
<p style="text-align: center;">35:11 - Suicide Machine</p>
<p style="text-align: center;">39:52 - Stars</p>
<p style="text-align: center;">49:42 - Stars</p>
<p style="text-align: center;">Outro - The Pod</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://www.h-u-m.net/'>More Info</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>

Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pccbar/YoudPreferAnAstronautbyHum.mp3" length="98780122" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #64, we're back with another listener suggestion. Actually, it's a multiple listener suggestion episode - lots of folks have told us to revisit Hum's 1995 album You'd Prefer An Astronaut, and we aim to please. Tim knew he was going to struggle to be objective since Hum is one of his favorite bands of all time, so in order to avoid a blubbering gush-fest, we invited a special guest to help us review the album - director Shawn Foster. Check out Shawn's website for videos of his work with the Deftones, Drive-by Truckers, The Sun and more.
There's plenty to talk about the unique Hum - their combination of metal, progressive rock and shoegaze with an space and science lyrical bent makes comparisons difficult, but we give it a shot. Shawn shares some directing experiences, including the infamous Zane's Sex Chronicles, his opportunity to fulfill all our wishes and punch Fred Durst, and somehow we end up tying it all up with The Muppets. Alcohol may have been consumed during this episode.
WARNING: Plenty of salty language in this one. Earmuffs for the kids.
Songs in this Episode:
Intro - I'd Like Your Hair Long
23:02 - I'd Like Your Hair Long
25:59 - Little Dipper
35:11 - Suicide Machine
39:52 - Stars
49:42 - Stars
Outro - The Pod
Comment on this Episode | More Info
More info on digmeoutpodcast.com

Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4113</itunes:duration>
                                    </item>
    <item>
        <title>#63: The Pink Album by Tuscadero</title>
        <itunes:title>#63: The Pink Album by Tuscadero</itunes:title>
        <link>https://digmeout.podbean.com/e/63-the-pink-album-by-tuscadero/</link>
                    <comments>https://digmeout.podbean.com/e/63-the-pink-album-by-tuscadero/#comments</comments>        <pubDate>Tue, 27 Mar 2012 01:00:45 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/63-the-pink-album-by-tuscadero/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #63 it's listener suggestion time. We review Tuscadero's 1996 release <a href='http://www.amazon.com/Pink-Album-Tuscadero/dp/B000002HMA?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>The Pink Album</a>, and we're not quite sure what to make of it. Are they punk, post-punk, pop, alternative? And why did we gravitate towards the lyrics? Questions abound, but do we find answers? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Leather Idol</p>
<p style="text-align: center;">17:33 - Just My Size</p>
<p style="text-align: center;">19:14 - Hollywood Handsome</p>
<p style="text-align: center;">24:37 - Nancy Drew</p>
<p style="text-align: center;">Outro - Latex Dominatrix</p>
<p style="text-align: center;"><a href='http://en.wikipedia.org/wiki/Tuscadero'>More Info</a> | <a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a></p>
<p style="text-align: center;"></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #63 it's listener suggestion time. We review Tuscadero's 1996 release <a href='http://www.amazon.com/Pink-Album-Tuscadero/dp/B000002HMA?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>The Pink Album</a>, and we're not quite sure what to make of it. Are they punk, post-punk, pop, alternative? And why did we gravitate towards the lyrics? Questions abound, but do we find answers? Tune in to find out.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Leather Idol</p>
<p style="text-align: center;">17:33 - Just My Size</p>
<p style="text-align: center;">19:14 - Hollywood Handsome</p>
<p style="text-align: center;">24:37 - Nancy Drew</p>
<p style="text-align: center;">Outro - Latex Dominatrix</p>
<p style="text-align: center;"><a href='http://en.wikipedia.org/wiki/Tuscadero'>More Info</a> | <a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a></p>
<p style="text-align: center;"></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sda2nk/ThePinkAlbumbyTuscadero.mp3" length="54133299" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #63 it's listener suggestion time. We review Tuscadero's 1996 release The Pink Album, and we're not quite sure what to make of it. Are they punk, post-punk, pop, alternative? And why did we gravitate towards the lyrics? Questions abound, but do we find answers? Tune in to find out.
Songs in this Episode:
Intro - Leather Idol
17:33 - Just My Size
19:14 - Hollywood Handsome
24:37 - Nancy Drew
Outro - Latex Dominatrix
More Info | Comment on this Episode

More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2253</itunes:duration>
                                    </item>
    <item>
        <title>#062: Mephisto by Capsize 7</title>
        <itunes:title>#062: Mephisto by Capsize 7</itunes:title>
        <link>https://digmeout.podbean.com/e/062-mephisto-by-capsize-7/</link>
                    <comments>https://digmeout.podbean.com/e/062-mephisto-by-capsize-7/#comments</comments>        <pubDate>Tue, 20 Mar 2012 01:00:11 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/062-mephisto-by-capsize-7/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #62 we're back with another listener review. This week it's the 1995 album <a href='http://www.amazon.com/Mephisto-Capsize-7/dp/B000000I2J?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Mephisto</a> by Capsize 7. From Chapel Hill, North Carolina, the same scene that produced Archers of Loaf, Polvo and Superchunk, Capsize 7 has a lot to live up to when it comes to arguably the indie rock capital of the U.S. Can the lesser-known Capsize 7 hold their own? Tune in to find out.</p>
<p style="text-align: center;">Songs In This Episode: </p>
<p style="text-align: center;">Intro - Blasting Radios Off</p>
<p style="text-align: center;">10:52 - Column Shifter</p>
<p style="text-align: center;">13:39 - Armstrong</p>
<p style="text-align: center;">14:46 - The Safe</p>
<p style="text-align: center;">18:45 - Blasting Radios Off</p>
<p style="text-align: center;">21:46 - Connecticut</p>
<p style="text-align: center;">Outro - Western Friese</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #62 we're back with another listener review. This week it's the 1995 album <a href='http://www.amazon.com/Mephisto-Capsize-7/dp/B000000I2J?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Mephisto</a> by Capsize 7. From Chapel Hill, North Carolina, the same scene that produced Archers of Loaf, Polvo and Superchunk, Capsize 7 has a lot to live up to when it comes to arguably the indie rock capital of the U.S. Can the lesser-known Capsize 7 hold their own? Tune in to find out.</p>
<p style="text-align: center;">Songs In This Episode: </p>
<p style="text-align: center;">Intro - Blasting Radios Off</p>
<p style="text-align: center;">10:52 - Column Shifter</p>
<p style="text-align: center;">13:39 - Armstrong</p>
<p style="text-align: center;">14:46 - The Safe</p>
<p style="text-align: center;">18:45 - Blasting Radios Off</p>
<p style="text-align: center;">21:46 - Connecticut</p>
<p style="text-align: center;">Outro - Western Friese</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9jt94e/MephistobyCapsize7.mp3" length="33595199" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #62 we're back with another listener review. This week it's the 1995 album Mephisto by Capsize 7. From Chapel Hill, North Carolina, the same scene that produced Archers of Loaf, Polvo and Superchunk, Capsize 7 has a lot to live up to when it comes to arguably the indie rock capital of the U.S. Can the lesser-known Capsize 7 hold their own? Tune in to find out.
Songs In This Episode: 
Intro - Blasting Radios Off
10:52 - Column Shifter
13:39 - Armstrong
14:46 - The Safe
18:45 - Blasting Radios Off
21:46 - Connecticut
Outro - Western Friese
Comment on this Episode
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2096</itunes:duration>
                                    </item>
    <item>
        <title>#61: Deep Six Compilation with Author Mark Yarm</title>
        <itunes:title>#61: Deep Six Compilation with Author Mark Yarm</itunes:title>
        <link>https://digmeout.podbean.com/e/61-deep-six-compilation-with-author-mark-yarm/</link>
                    <comments>https://digmeout.podbean.com/e/61-deep-six-compilation-with-author-mark-yarm/#comments</comments>        <pubDate>Tue, 13 Mar 2012 01:00:29 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/61-deep-six-compilation-with-author-mark-yarm/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #61, we're exiting the '90s with a special guest - Mark Yarm, author of "<a href='http://www.amazon.com/gp/product/0307464431/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0307464431'>Everybody Loves Our Town: An Oral History of Grunge</a>." Mark helps us dive into the legendary 1986 release <a href='http://www.amazon.com/gp/product/B000008EY4/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000008EY4'>Deep Six</a>, a compilation of six seminal Seattle bands that shaped the sound known as grunge: Soundgarden, Melvins, Malfunkshun, Green River, Skin Yard and The U-Men.</p>
<p style="text-align: center;">You're going to want to stick around 'til the end on this one as we'll be giving away a sealed vinyl copy of the original C/Z Records release of the Deep Six compilation.</p>
<p style="text-align: center;">Mark's links - <a href='http://grungebook.tumblr.com/'>tumblr page</a>, <a href='https://www.facebook.com/everybodylovesourtown'>Facebook</a> and <a href='https://twitter.com/#!/markyarm'>Twitter</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Green River "10,000 Things"</p>
<p style="text-align: center;">11:56 - Soundgarden "All Your Lies"</p>
<p style="text-align: center;">17:38 - Melvins "Scared"</p>
<p style="text-align: center;">23:09 - Green River "Your Own Best Friend"</p>
<p style="text-align: center;">38:09 - Malfunkshun "With Yo Heart (Not Yo Hands)"</p>
<p style="text-align: center;">46:02 - Skin Yard "The Birds"</p>
<p style="text-align: center;">51:01 - The U-Men "They"</p>
<p style="text-align: center;">Outro - Soundgarden "Heretic"</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/Deep_Six_(album)'>More Info</a></p>
<p style="text-align: center;">CONTEST RULES</p>
<p style="text-align: center;">No purchase or contribution necessary. Listen to the trivia question in this episode and, as instructed, answer on appropriate Facebook thread when posted. Contest ends as of Tuesday, March 19th, 2012 at midnight, 12:00am EST.</p>
<p style="text-align: center;">WINNER SELECTION/NOTIFICATION</p>
<p style="text-align: center;">Winner will be selected randomly from all the correct answers. Winners will be announced on the website and Facebook page. Winners should email digmeoutpodcast@gmail.com to claim prize.</p>
<p style="text-align: center;">PRIZE DESCRIPTION</p>
<p style="text-align: center;">Winner will receive a vinyl pressing of the 1986 C/Z Deep Six compilation.</p>
<p style="text-align: center;">ELIGIBILITY</p>
<p style="text-align: center;">All Dig Me Out listeners in the United States are eligible to win.Void where prohibited by law.</p>
<p style="text-align: center;">MISCELLANEOUS</p>
<p style="text-align: center;">By participating in this contest or accepting the prize, the entrant agrees that Dig Me Out has the sole right to determine the contest winner. The determination will be final and binding. Dig Me Out may use the winner's name for publicity purposes without further compensation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #61, we're exiting the '90s with a special guest - Mark Yarm, author of "<a href='http://www.amazon.com/gp/product/0307464431/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0307464431'>Everybody Loves Our Town: An Oral History of Grunge</a>." Mark helps us dive into the legendary 1986 release <a href='http://www.amazon.com/gp/product/B000008EY4/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000008EY4'>Deep Six</a>, a compilation of six seminal Seattle bands that shaped the sound known as grunge: Soundgarden, Melvins, Malfunkshun, Green River, Skin Yard and The U-Men.</p>
<p style="text-align: center;">You're going to want to stick around 'til the end on this one as we'll be giving away a sealed vinyl copy of the original C/Z Records release of the Deep Six compilation.</p>
<p style="text-align: center;">Mark's links - <a href='http://grungebook.tumblr.com/'>tumblr page</a>, <a href='https://www.facebook.com/everybodylovesourtown'>Facebook</a> and <a href='https://twitter.com/#!/markyarm'>Twitter</a>.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Green River "10,000 Things"</p>
<p style="text-align: center;">11:56 - Soundgarden "All Your Lies"</p>
<p style="text-align: center;">17:38 - Melvins "Scared"</p>
<p style="text-align: center;">23:09 - Green River "Your Own Best Friend"</p>
<p style="text-align: center;">38:09 - Malfunkshun "With Yo Heart (Not Yo Hands)"</p>
<p style="text-align: center;">46:02 - Skin Yard "The Birds"</p>
<p style="text-align: center;">51:01 - The U-Men "They"</p>
<p style="text-align: center;">Outro - Soundgarden "Heretic"</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment on this Episode</a> | <a href='http://en.wikipedia.org/wiki/Deep_Six_(album)'>More Info</a></p>
<p style="text-align: center;">CONTEST RULES</p>
<p style="text-align: center;">No purchase or contribution necessary. Listen to the trivia question in this episode and, as instructed, answer on appropriate Facebook thread when posted. Contest ends as of Tuesday, March 19th, 2012 at midnight, 12:00am EST.</p>
<p style="text-align: center;">WINNER SELECTION/NOTIFICATION</p>
<p style="text-align: center;">Winner will be selected randomly from all the correct answers. Winners will be announced on the website and Facebook page. Winners should email digmeoutpodcast@gmail.com to claim prize.</p>
<p style="text-align: center;">PRIZE DESCRIPTION</p>
<p style="text-align: center;">Winner will receive a vinyl pressing of the 1986 C/Z Deep Six compilation.</p>
<p style="text-align: center;">ELIGIBILITY</p>
<p style="text-align: center;">All Dig Me Out listeners in the United States are eligible to win.Void where prohibited by law.</p>
<p style="text-align: center;">MISCELLANEOUS</p>
<p style="text-align: center;">By participating in this contest or accepting the prize, the entrant agrees that Dig Me Out has the sole right to determine the contest winner. The determination will be final and binding. Dig Me Out may use the winner's name for publicity purposes without further compensation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f7vs/MaryYarmandDeepSix.mp3" length="93537024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #61, we're exiting the '90s with a special guest - Mark Yarm, author of "Everybody Loves Our Town: An Oral History of Grunge." Mark helps us dive into the legendary 1986 release Deep Six, a compilation of six seminal Seattle bands that shaped the sound known as grunge: Soundgarden, Melvins, Malfunkshun, Green River, Skin Yard and The U-Men.
You're going to want to stick around 'til the end on this one as we'll be giving away a sealed vinyl copy of the original C/Z Records release of the Deep Six compilation.
Mark's links - tumblr page, Facebook and Twitter.
Songs in this Episode:
Intro - Green River "10,000 Things"
11:56 - Soundgarden "All Your Lies"
17:38 - Melvins "Scared"
23:09 - Green River "Your Own Best Friend"
38:09 - Malfunkshun "With Yo Heart (Not Yo Hands)"
46:02 - Skin Yard "The Birds"
51:01 - The U-Men "They"
Outro - Soundgarden "Heretic"
Comment on this Episode | More Info
CONTEST RULES
No purchase or contribution necessary. Listen to the trivia question in this episode and, as instructed, answer on appropriate Facebook thread when posted. Contest ends as of Tuesday, March 19th, 2012 at midnight, 12:00am EST.
WINNER SELECTION/NOTIFICATION
Winner will be selected randomly from all the correct answers. Winners will be announced on the website and Facebook page. Winners should email digmeoutpodcast@gmail.com to claim prize.
PRIZE DESCRIPTION
Winner will receive a vinyl pressing of the 1986 C/Z Deep Six compilation.
ELIGIBILITY
All Dig Me Out listeners in the United States are eligible to win.Void where prohibited by law.
MISCELLANEOUS
By participating in this contest or accepting the prize, the entrant agrees that Dig Me Out has the sole right to determine the contest winner. The determination will be final and binding. Dig Me Out may use the winner's name for publicity purposes without further compensation.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3895</itunes:duration>
                                    </item>
    <item>
        <title>#60b: Plexi Bonus Episode</title>
        <itunes:title>#60b: Plexi Bonus Episode</itunes:title>
        <link>https://digmeout.podbean.com/e/60b-plexi-bonus-episode/</link>
                    <comments>https://digmeout.podbean.com/e/60b-plexi-bonus-episode/#comments</comments>        <pubDate>Thu, 08 Mar 2012 01:00:01 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/60b-plexi-bonus-episode/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Welcome to the bonus episode of Plexi's <a href='http://www.amazon.com/gp/product/B000002I3J/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002I3J'>Cheer Up</a> - an extra forty minutes of material that we couldn't cram into the regular show.</p>
<p style="text-align: center;">Check out Michael Barragan's new band <a href='http://dragnews.tumblr.com/'>Drag News</a> and <a href='http://www.evilspiritengineering.com/'>Evil Spirit Engineering</a>, and be sure to visit <a href='http://www.subpop.com/artists/plexi'>Sub Pop Records</a> to purchase the album and check out the infamous bio.</p>
<p style="text-align: center;"></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Welcome to the bonus episode of Plexi's <a href='http://www.amazon.com/gp/product/B000002I3J/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002I3J'>Cheer Up</a> - an extra forty minutes of material that we couldn't cram into the regular show.</p>
<p style="text-align: center;">Check out Michael Barragan's new band <a href='http://dragnews.tumblr.com/'>Drag News</a> and <a href='http://www.evilspiritengineering.com/'>Evil Spirit Engineering</a>, and be sure to visit <a href='http://www.subpop.com/artists/plexi'>Sub Pop Records</a> to purchase the album and check out the infamous bio.</p>
<p style="text-align: center;"></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xnvgu2/PlexiBonus.mp3" length="58069286" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Welcome to the bonus episode of Plexi's Cheer Up - an extra forty minutes of material that we couldn't cram into the regular show.
Check out Michael Barragan's new band Drag News and Evil Spirit Engineering, and be sure to visit Sub Pop Records to purchase the album and check out the infamous bio.

Comment On This Episode
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2419</itunes:duration>
                                    </item>
    <item>
        <title>#060: Cheer Up by Plexi</title>
        <itunes:title>#060: Cheer Up by Plexi</itunes:title>
        <link>https://digmeout.podbean.com/e/060-cheer-up-by-plexi/</link>
                    <comments>https://digmeout.podbean.com/e/060-cheer-up-by-plexi/#comments</comments>        <pubDate>Tue, 06 Mar 2012 01:00:12 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/060-cheer-up-by-plexi/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On a super-sized episode #60, we're we're joined by guitarist Michael Barragan and (briefly) vocalist/bass player Michael Angelos of the Los Angeles band Plexi to revisit their lone full-length release, 1996's <a href='http://www.amazon.com/gp/product/B000002I3J/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002I3J'>Cheer Up</a>. The dark, atmospheric sound recalls bands as diverse as My Bloody Valentine and New Order, but with punk energy and pop sensibility that recalls the Ramones and David Bowie.</p>
<p style="text-align: center;">Michael A. and Michael B. lay out the complete history of the band before we dive into a track-by-track dissection of Cheer Up. Be forewarned, this one gets raw and raunchy - ear muffs for the kids.</p>
<p style="text-align: center;">Check out Michael Barragan's new band <a href='http://dragnews.tumblr.com/'>Drag News</a> and <a href='http://www.evilspiritengineering.com/'>Evil Spirit Engineering</a>, and be sure to visit <a href='http://www.subpop.com/artists/plexi'>Sub Pop Records</a> to purchase the album and check out the infamous bio.</p>
<p style="text-align: center;">And if this super-sized episode wasn't enough, we'll have a bonus episode this Thursday with an extra forty minutes of material you definitely won't want to miss.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Forest Ranger</p>
<p style="text-align: center;">36:04 - Forest Ranger</p>
<p style="text-align: center;">45:53 - Roller Rock Cam</p>
<p style="text-align: center;">55:16 - Peel</p>
<p style="text-align: center;">1:03:43 - Dayglo</p>
<p style="text-align: center;">1:11:22 - Ordinary Things</p>
<p style="text-align: center;">1:29:18 - 56</p>
<p style="text-align: center;">Outro - Change</p>
<p style="text-align: center;"></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On a super-sized episode #60, we're we're joined by guitarist Michael Barragan and (briefly) vocalist/bass player Michael Angelos of the Los Angeles band Plexi to revisit their lone full-length release, 1996's <a href='http://www.amazon.com/gp/product/B000002I3J/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000002I3J'>Cheer Up</a>. The dark, atmospheric sound recalls bands as diverse as My Bloody Valentine and New Order, but with punk energy and pop sensibility that recalls the Ramones and David Bowie.</p>
<p style="text-align: center;">Michael A. and Michael B. lay out the complete history of the band before we dive into a track-by-track dissection of Cheer Up. Be forewarned, this one gets raw and raunchy - ear muffs for the kids.</p>
<p style="text-align: center;">Check out Michael Barragan's new band <a href='http://dragnews.tumblr.com/'>Drag News</a> and <a href='http://www.evilspiritengineering.com/'>Evil Spirit Engineering</a>, and be sure to visit <a href='http://www.subpop.com/artists/plexi'>Sub Pop Records</a> to purchase the album and check out the infamous bio.</p>
<p style="text-align: center;">And if this super-sized episode wasn't enough, we'll have a bonus episode this Thursday with an extra forty minutes of material you definitely won't want to miss.</p>
<p style="text-align: center;">Songs in this Episode:</p>
<p style="text-align: center;">Intro - Forest Ranger</p>
<p style="text-align: center;">36:04 - Forest Ranger</p>
<p style="text-align: center;">45:53 - Roller Rock Cam</p>
<p style="text-align: center;">55:16 - Peel</p>
<p style="text-align: center;">1:03:43 - Dayglo</p>
<p style="text-align: center;">1:11:22 - Ordinary Things</p>
<p style="text-align: center;">1:29:18 - 56</p>
<p style="text-align: center;">Outro - Change</p>
<p style="text-align: center;"></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ikbb4m/CheerUpbyPlexi.mp3" length="148708333" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On a super-sized episode #60, we're we're joined by guitarist Michael Barragan and (briefly) vocalist/bass player Michael Angelos of the Los Angeles band Plexi to revisit their lone full-length release, 1996's Cheer Up. The dark, atmospheric sound recalls bands as diverse as My Bloody Valentine and New Order, but with punk energy and pop sensibility that recalls the Ramones and David Bowie.
Michael A. and Michael B. lay out the complete history of the band before we dive into a track-by-track dissection of Cheer Up. Be forewarned, this one gets raw and raunchy - ear muffs for the kids.
Check out Michael Barragan's new band Drag News and Evil Spirit Engineering, and be sure to visit Sub Pop Records to purchase the album and check out the infamous bio.
And if this super-sized episode wasn't enough, we'll have a bonus episode this Thursday with an extra forty minutes of material you definitely won't want to miss.
Songs in this Episode:
Intro - Forest Ranger
36:04 - Forest Ranger
45:53 - Roller Rock Cam
55:16 - Peel
1:03:43 - Dayglo
1:11:22 - Ordinary Things
1:29:18 - 56
Outro - Change

Comment On This Episode
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6196</itunes:duration>
                                    </item>
    <item>
        <title>#059: Interview with Alain Johannes of Eleven, Part 2</title>
        <itunes:title>#059: Interview with Alain Johannes of Eleven, Part 2</itunes:title>
        <link>https://digmeout.podbean.com/e/059-interview-with-alain-johannes-of-eleven-part-2/</link>
                    <comments>https://digmeout.podbean.com/e/059-interview-with-alain-johannes-of-eleven-part-2/#comments</comments>        <pubDate>Tue, 28 Feb 2012 01:00:36 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/059-interview-with-alain-johannes-of-eleven-part-2/</guid>
                                    <description><![CDATA[<p style="text-align: center;" mce_style="text-align: center;">On episode #59, we continue our interview with singer/guitarist/producer <a href='http://www.alainjohannes.com/'>Alain Johannes</a> of Eleven for Part 2 of a track by track review of the 1993 self-titled album. Be sure to stick around to the end for some extra special bonus material you won't want to miss!</p>
<p style="text-align: center;" mce_style="text-align: center;">Marke sure to check out Part 1 for a discussion about the history of the band and Alain's 30+ years in the music industry.</p>

<p>Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.</p>


<p>For more information, visit <a href='http://www.alainjohannes.com/'>AlainJohannes.com</a> and <a href='http://www.elevenworld.com/'>ElevenWorld.com</a>. Follow Alain on <a href='https://twitter.com/AlainJohannes'>Twitter</a> and <a href='https://www.facebook.com/alainjohannesmusic'>Facebook</a>.</p>


<p>Songs In This Episode:</p>
<p>Intro - Eleven "Reach Out"</p>
<p>9:27 - Eleven "Crash Today"</p>
<p>11:10 - Eleven "Reach Out"</p>
<p>22:20 - Eleven "Towers"</p>
<p>29:50 - Eleven "Let Down (Left Out, Laughed At)"</p>
<p>36:27 - Eleven "Yes, Alright"</p>
<p>48:46 - Eleven "Ava Tar"</p>
<p>51:20 - Eleven "Slinky"</p>
<p>Outro - Eleven "Heavy"</p>
<p style="text-align: center;" mce_style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;" mce_style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p>Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p>Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;" mce_style="text-align: center;">On episode #59, we continue our interview with singer/guitarist/producer <a href='http://www.alainjohannes.com/'>Alain Johannes</a> of Eleven for Part 2 of a track by track review of the 1993 self-titled album. Be sure to stick around to the end for some extra special bonus material you won't want to miss!</p>
<p style="text-align: center;" mce_style="text-align: center;">Marke sure to check out Part 1 for a discussion about the history of the band and Alain's 30+ years in the music industry.</p>

<p>Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.</p>


<p>For more information, visit <a href='http://www.alainjohannes.com/'>AlainJohannes.com</a> and <a href='http://www.elevenworld.com/'>ElevenWorld.com</a>. Follow Alain on <a href='https://twitter.com/AlainJohannes'>Twitter</a> and <a href='https://www.facebook.com/alainjohannesmusic'>Facebook</a>.</p>


<p>Songs In This Episode:</p>
<p>Intro - Eleven "Reach Out"</p>
<p>9:27 - Eleven "Crash Today"</p>
<p>11:10 - Eleven "Reach Out"</p>
<p>22:20 - Eleven "Towers"</p>
<p>29:50 - Eleven "Let Down (Left Out, Laughed At)"</p>
<p>36:27 - Eleven "Yes, Alright"</p>
<p>48:46 - Eleven "Ava Tar"</p>
<p>51:20 - Eleven "Slinky"</p>
<p>Outro - Eleven "Heavy"</p>
<p style="text-align: center;" mce_style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;" mce_style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p>Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p>Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7cia73/AlainJohannesPartTwo.mp3" length="116197101" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #59, we continue our interview with singer/guitarist/producer Alain Johannes of Eleven for Part 2 of a track by track review of the 1993 self-titled album. Be sure to stick around to the end for some extra special bonus material you won't want to miss!
Marke sure to check out Part 1 for a discussion about the history of the band and Alain's 30+ years in the music industry.

Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.

For more information, visit AlainJohannes.com and ElevenWorld.com. Follow Alain on Twitter and Facebook.

Songs In This Episode:
Intro - Eleven "Reach Out"
9:27 - Eleven "Crash Today"
11:10 - Eleven "Reach Out"
22:20 - Eleven "Towers"
29:50 - Eleven "Let Down (Left Out, Laughed At)"
36:27 - Eleven "Yes, Alright"
48:46 - Eleven "Ava Tar"
51:20 - Eleven "Slinky"
Outro - Eleven "Heavy"
Comment On This Episode
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4839</itunes:duration>
                                    </item>
    <item>
        <title>#058: Interview with Alain Johannes of Eleven, Part 1</title>
        <itunes:title>#058: Interview with Alain Johannes of Eleven, Part 1</itunes:title>
        <link>https://digmeout.podbean.com/e/058-interview-with-alain-johannes-of-eleven-part-1/</link>
                    <comments>https://digmeout.podbean.com/e/058-interview-with-alain-johannes-of-eleven-part-1/#comments</comments>        <pubDate>Tue, 21 Feb 2012 01:00:24 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/058-interview-with-alain-johannes-of-eleven-part-1/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #58, we're joined by singer/guitarist/producer <a href='http://www.alainjohannes.com/'>Alain Johannes</a> of Eleven for Part 1 of a discussion about the history of the band and his 30+ years in the music industry. Next week, Part 2 dives into a track by track review of the 1993 self-titled album.</p>
<p style="text-align: center;">Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.</p>
<p style="text-align: center;">For more information, visit <a href='http://www.alainjohannes.com/'>AlainJohannes.com</a> and <a href='http://www.elevenworld.com/'>ElevenWorld.com</a>. Follow Alain on <a href='https://twitter.com/AlainJohannes'>Twitter</a> and <a href='https://www.facebook.com/alainjohannesmusic'>Facebook</a>.</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Eleven "Reach Out"</p>
<p style="text-align: center;">8:45 - What Is This "I Am A House"</p>
<p style="text-align: center;">15:36 - Walk The Moon "Daddy's Coming Home"</p>
<p style="text-align: center;">20:52 - Eleven "Seasick of You"</p>
<p style="text-align: center;">27:00 - Chris Cornell "Flutter Girl"</p>
<p style="text-align: center;">31:16 - The Desert Sessions "Hanging Tree"</p>
<p style="text-align: center;">41:26 - Alain Johannes "Spider"</p>
<p style="text-align: center;">Outro - Eleven "Heavy"</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #58, we're joined by singer/guitarist/producer <a href='http://www.alainjohannes.com/'>Alain Johannes</a> of Eleven for Part 1 of a discussion about the history of the band and his 30+ years in the music industry. Next week, Part 2 dives into a track by track review of the 1993 self-titled album.</p>
<p style="text-align: center;">Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.</p>
<p style="text-align: center;">For more information, visit <a href='http://www.alainjohannes.com/'>AlainJohannes.com</a> and <a href='http://www.elevenworld.com/'>ElevenWorld.com</a>. Follow Alain on <a href='https://twitter.com/AlainJohannes'>Twitter</a> and <a href='https://www.facebook.com/alainjohannesmusic'>Facebook</a>.</p>
<p style="text-align: center;">Songs In This Episode:</p>
<p style="text-align: center;">Intro - Eleven "Reach Out"</p>
<p style="text-align: center;">8:45 - What Is This "I Am A House"</p>
<p style="text-align: center;">15:36 - Walk The Moon "Daddy's Coming Home"</p>
<p style="text-align: center;">20:52 - Eleven "Seasick of You"</p>
<p style="text-align: center;">27:00 - Chris Cornell "Flutter Girl"</p>
<p style="text-align: center;">31:16 - The Desert Sessions "Hanging Tree"</p>
<p style="text-align: center;">41:26 - Alain Johannes "Spider"</p>
<p style="text-align: center;">Outro - Eleven "Heavy"</p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Comment On This Episode</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mhdmeg/AlainJohannesPartOne.mp3" length="71987953" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #58, we're joined by singer/guitarist/producer Alain Johannes of Eleven for Part 1 of a discussion about the history of the band and his 30+ years in the music industry. Next week, Part 2 dives into a track by track review of the 1993 self-titled album.
Not familiar with Alain's resume? Besides Eleven, here's a few of the artists and bands he's recorded, produced, mixed, engineered, toured, written and recorded with: Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, Mark Lanegan, Arctic Monkeys, No Doubt, Silverchair, Spinnerette, Eagles of Death Metal, The Gutter Twins, Millionaire, Puscifer, Wires on Fire, Mondo Generator, Sugarcult, Jason Falkner, UNKLE, Live, Melissa Ferrick, PJ Harvey, Troy Van Leeuwen, Jack Irons, John Paul Jones, Dave Grohl, Masters of Reality, Hilary Duff, Brody Dalle, Josh Homme and Matt Cameron. Just to name a few.
For more information, visit AlainJohannes.com and ElevenWorld.com. Follow Alain on Twitter and Facebook.
Songs In This Episode:
Intro - Eleven "Reach Out"
8:45 - What Is This "I Am A House"
15:36 - Walk The Moon "Daddy's Coming Home"
20:52 - Eleven "Seasick of You"
27:00 - Chris Cornell "Flutter Girl"
31:16 - The Desert Sessions "Hanging Tree"
41:26 - Alain Johannes "Spider"
Outro - Eleven "Heavy"
Comment On This Episode
More info on digmeoutpodcast.com
Follow on Twitter
Support the Podcast : Donate / Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2995</itunes:duration>
                                    </item>
    <item>
        <title>#057: Gobbledygook by The Wendys</title>
        <itunes:title>#057: Gobbledygook by The Wendys</itunes:title>
        <link>https://digmeout.podbean.com/e/057-gobbledygook-by-the-wendys/</link>
                    <comments>https://digmeout.podbean.com/e/057-gobbledygook-by-the-wendys/#comments</comments>        <pubDate>Tue, 14 Feb 2012 05:30:32 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/057-gobbledygook-by-the-wendys/</guid>
                                    <description><![CDATA[
<p style="text-align: center;">On episode #57 it's listener review time once again. This week we finally get to a suggestion by 'Chel over at the awesome <a href='http://ihatethe90s.blogspot.com/'>I Hate The 90s blog</a> and review the 1991 album <a href='http://www.amazon.com/Gobbledygook-Wendys/dp/B000008M7K?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Gobbledygook</a> by The Wendys. Along with the Happy Mondays and Primal Scream, The Wendys were a part of the early 90s Madchester scene, but do The Wendys stack up to those legendary bands? Tune in to find out, then leave a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-5:44 - Intro, 5:44-7:15 - History of the Band, 7:15-31:52 - Review, 31:52-32:43- Outro</p>
<p style="text-align: center;">Songs in this Episode: Something's Wrong Somewhere - Intro, Half Pie - 12:30, I Want You And I Want Your Friend - 13:51, Pulling My Fingers Off - 21:14, Soon Is Fine - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></description>
                                                            <content:encoded><![CDATA[
<p style="text-align: center;">On episode #57 it's listener review time once again. This week we finally get to a suggestion by 'Chel over at the awesome <a href='http://ihatethe90s.blogspot.com/'>I Hate The 90s blog</a> and review the 1991 album <a href='http://www.amazon.com/Gobbledygook-Wendys/dp/B000008M7K?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Gobbledygook</a> by The Wendys. Along with the Happy Mondays and Primal Scream, The Wendys were a part of the early 90s Madchester scene, but do The Wendys stack up to those legendary bands? Tune in to find out, then leave a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-5:44 - Intro, 5:44-7:15 - History of the Band, 7:15-31:52 - Review, 31:52-32:43- Outro</p>
<p style="text-align: center;">Songs in this Episode: Something's Wrong Somewhere - Intro, Half Pie - 12:30, I Want You And I Want Your Friend - 13:51, Pulling My Fingers Off - 21:14, Soon Is Fine - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast : <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Merchandise</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vw5kn/GobbledygookbyTheWendys.mp3" length="32760100" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
On episode #57 it's listener review time once again. This week we finally get to a suggestion by 'Chel over at the awesome I Hate The 90s blog and review the 1991 album Gobbledygook by The Wendys. Along with the Happy Mondays and Primal Scream, The Wendys were a part of the early 90s Madchester scene, but do The Wendys stack up to those legendary bands? Tune in to find out, then leave a comment at digmeoutpodcast.com or on our Facebook page.
Segments: 0:00-5:44 - Intro, 5:44-7:15 - History of the Band, 7:15-31:52 - Review, 31:52-32:43- Outro
Songs in this Episode: Something's Wrong Somewhere - Intro, Half Pie - 12:30, I Want You And I Want Your Friend - 13:51, Pulling My Fingers Off - 21:14, Soon Is Fine - Outro
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter
Support the Podcast : Donate / Merchandise

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2036</itunes:duration>
                                    </item>
    <item>
        <title>#056: EDC by Satchel with special guest Shawn Smith</title>
        <itunes:title>#056: EDC by Satchel with special guest Shawn Smith</itunes:title>
        <link>https://digmeout.podbean.com/e/056-edc-by-satchel-with-special-guest-shawn-smith/</link>
                    <comments>https://digmeout.podbean.com/e/056-edc-by-satchel-with-special-guest-shawn-smith/#comments</comments>        <pubDate>Tue, 07 Feb 2012 05:30:05 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/056-edc-by-satchel-with-special-guest-shawn-smith/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #56, we dip into the category of "so good yet criminally overlooked," exploring the world of Satchel and their 1994 album EDC. Satchel seamlessly explore Alice In Chains riffing on one song and twisted Prince grooves on the very next. Joining us for the extensive track-by-track review is Satchel frontman <a href='http://www.shawnsmithsinger.com/'>Shawn Smith</a>, who gives us insight on songwriting, dealing with a major label in the '90s, and how those Reservoir Dogs samples ended up on the album. Tune in,  then leave a comment on <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-3:13 - Intro, 3:13-15:26 - History of the Band, 15:26-1:27:25 - Interview and Review, 1:27:25-1:29:22- Outro</p>
<p style="text-align: center;">Songs in this Episode: Built 4 It - Intro, 19:51 - Mr. Brown, 25:13 - Equilibrium, 30:04 - Taste It, Trouble Come Down - 33:23, More Ways Than 3 - 37:37, 48:36 - O, 52:25 - Mr. Pink, Willow - 1:00:42, The Roof Almighty - 1:02:26, Suffering - 1:06:39, Willow - Outro</p>
<p style="text-align: center;">(Warning: there are a few bad words in this episode - earmuffs for the kids)</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Edc-Satchel/dp/B0000029FO?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">Shawn Smith links: <a href='http://www.shawnsmithsinger.com/'>website</a> / <a href='https://twitter.com/#!/theeshawnsmith'>twitter</a> / <a href='http://www.thebandbrad.com/'>Brad</a> / <a href='http://www.satchelpartnership.com/'>Satchel</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> / <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast: <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Buy Merchandise</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #56, we dip into the category of "so good yet criminally overlooked," exploring the world of Satchel and their 1994 album EDC. Satchel seamlessly explore Alice In Chains riffing on one song and twisted Prince grooves on the very next. Joining us for the extensive track-by-track review is Satchel frontman <a href='http://www.shawnsmithsinger.com/'>Shawn Smith</a>, who gives us insight on songwriting, dealing with a major label in the '90s, and how those Reservoir Dogs samples ended up on the album. Tune in,  then leave a comment on <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-3:13 - Intro, 3:13-15:26 - History of the Band, 15:26-1:27:25 - Interview and Review, 1:27:25-1:29:22- Outro</p>
<p style="text-align: center;">Songs in this Episode: Built 4 It - Intro, 19:51 - Mr. Brown, 25:13 - Equilibrium, 30:04 - Taste It, Trouble Come Down - 33:23, More Ways Than 3 - 37:37, 48:36 - O, 52:25 - Mr. Pink, Willow - 1:00:42, The Roof Almighty - 1:02:26, Suffering - 1:06:39, Willow - Outro</p>
<p style="text-align: center;">(Warning: there are a few bad words in this episode - earmuffs for the kids)</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Edc-Satchel/dp/B0000029FO?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">Shawn Smith links: <a href='http://www.shawnsmithsinger.com/'>website</a> / <a href='https://twitter.com/#!/theeshawnsmith'>twitter</a> / <a href='http://www.thebandbrad.com/'>Brad</a> / <a href='http://www.satchelpartnership.com/'>Satchel</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;"><a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> / <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;">Support the Podcast: <a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a> / <a href='http://www.digmeoutpodcast.com/p/merchandise.html'>Buy Merchandise</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gppjh/EDCbySatchel2.mp3" length="85858065" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #56, we dip into the category of "so good yet criminally overlooked," exploring the world of Satchel and their 1994 album EDC. Satchel seamlessly explore Alice In Chains riffing on one song and twisted Prince grooves on the very next. Joining us for the extensive track-by-track review is Satchel frontman Shawn Smith, who gives us insight on songwriting, dealing with a major label in the '90s, and how those Reservoir Dogs samples ended up on the album. Tune in,  then leave a comment on digmeoutpodcast.com or on our Facebook page.
Segments: 0:00-3:13 - Intro, 3:13-15:26 - History of the Band, 15:26-1:27:25 - Interview and Review, 1:27:25-1:29:22- Outro
Songs in this Episode: Built 4 It - Intro, 19:51 - Mr. Brown, 25:13 - Equilibrium, 30:04 - Taste It, Trouble Come Down - 33:23, More Ways Than 3 - 37:37, 48:36 - O, 52:25 - Mr. Pink, Willow - 1:00:42, The Roof Almighty - 1:02:26, Suffering - 1:06:39, Willow - Outro
(Warning: there are a few bad words in this episode - earmuffs for the kids)
Buy On Amazon
Shawn Smith links: website / twitter / Brad / Satchel
More info on digmeoutpodcast.com
Facebook / Twitter
Support the Podcast: Donate / Buy Merchandise]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5362</itunes:duration>
                                    </item>
    <item>
        <title>#055: Happens Twice by Hoarse</title>
        <itunes:title>#055: Happens Twice by Hoarse</itunes:title>
        <link>https://digmeout.podbean.com/e/055-happens-twice-by-hoarse/</link>
                    <comments>https://digmeout.podbean.com/e/055-happens-twice-by-hoarse/#comments</comments>        <pubDate>Tue, 31 Jan 2012 05:30:59 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/055-happens-twice-by-hoarse/</guid>
                                    <description><![CDATA[<p style="text-align: center;">For episode #55, we're back with another pick by Jason. This time it's Hoarse, and their 1997 album <a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Happens Twice</a>. Featuring former members of Sponge, Hoarse takes a decidedly different approach, drawing on punk, power pop and even a little pop metal. Does Hoarse deserve to be slotted with fellow '90s rockers like Superdrag and Watershed, or are they dog food (yes, that was a stretch for an analogy that doesn't entirely make sense). Tune in and find out, then drop us a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-2:56 - Intro, 2:56-4:32 - History of the Band, 4:32-38:06 - Review, 38:06-39:00 Outro</p>
<p style="text-align: center;">Songs in this Episode: Crown - Intro, Diamond - 6:25, Issue - 9:10, Paint The Town Red - 10:40, On Deck - 14:15, Tuesday Morning - 19:19, Long Gone - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">For episode #55, we're back with another pick by Jason. This time it's Hoarse, and their 1997 album <a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Happens Twice</a>. Featuring former members of Sponge, Hoarse takes a decidedly different approach, drawing on punk, power pop and even a little pop metal. Does Hoarse deserve to be slotted with fellow '90s rockers like Superdrag and Watershed, or are they dog food (yes, that was a stretch for an analogy that doesn't entirely make sense). Tune in and find out, then drop us a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments: 0:00-2:56 - Intro, 2:56-4:32 - History of the Band, 4:32-38:06 - Review, 38:06-39:00 Outro</p>
<p style="text-align: center;">Songs in this Episode: Crown - Intro, Diamond - 6:25, Issue - 9:10, Paint The Town Red - 10:40, On Deck - 14:15, Tuesday Morning - 19:19, Long Gone - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/gp/product/B000002X00/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002X00'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
<p style="text-align: center;"><a href='http://www.digmeoutpodcast.com/p/donate.html'>Donate</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f84w73/055-HappensTwicebyHoarse.mp3" length="38802119" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #55, we're back with another pick by Jason. This time it's Hoarse, and their 1997 album Happens Twice. Featuring former members of Sponge, Hoarse takes a decidedly different approach, drawing on punk, power pop and even a little pop metal. Does Hoarse deserve to be slotted with fellow '90s rockers like Superdrag and Watershed, or are they dog food (yes, that was a stretch for an analogy that doesn't entirely make sense). Tune in and find out, then drop us a comment at digmeoutpodcast.com or on our Facebook page.
Segments: 0:00-2:56 - Intro, 2:56-4:32 - History of the Band, 4:32-38:06 - Review, 38:06-39:00 Outro
Songs in this Episode: Crown - Intro, Diamond - 6:25, Issue - 9:10, Paint The Town Red - 10:40, On Deck - 14:15, Tuesday Morning - 19:19, Long Gone - Outro
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter
Donate]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2340</itunes:duration>
                                    </item>
    <item>
        <title>#054: Mission: Control! by Burning Airlines</title>
        <itunes:title>#054: Mission: Control! by Burning Airlines</itunes:title>
        <link>https://digmeout.podbean.com/e/054-mission-control-by-burning-airlines/</link>
                    <comments>https://digmeout.podbean.com/e/054-mission-control-by-burning-airlines/#comments</comments>        <pubDate>Tue, 24 Jan 2012 05:30:06 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/054-mission-control-by-burning-airlines/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #54 we review the 1999 album <a href='http://www.amazon.com/Mission-Control/dp/B000QQTIZG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Mission: Control!</a> from Burning Airlines. J Robbins may be better known for his years in Jawbox, but is it possible Mission: Control! is his best work? Blasphemy some might say (like those who prefer Jawbox), but we'll lay out the case. Give a listen, then leave a comment if you agree or disagree either on our <a href='http://www.digmeoutpodcast.com'>website</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - 0:00-6:08 - Intro, 6:08-9:09 - History of the Band, 9:09- - Review, 39:18-40:22 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Wheaton Calling, 14:35 - Pacific 231, 19:19 - Flood of Foreign Capital, 21:52 - 3 Sisters, 23:30 - Dear Hillary, 26:06 - Meccano, Outro - Scissoring</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Mission-Control/dp/B000QQTIZG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #54 we review the 1999 album <a href='http://www.amazon.com/Mission-Control/dp/B000QQTIZG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Mission: Control!</a> from Burning Airlines. J Robbins may be better known for his years in Jawbox, but is it possible Mission: Control! is his best work? Blasphemy some might say (like those who prefer Jawbox), but we'll lay out the case. Give a listen, then leave a comment if you agree or disagree either on our <a href='http://www.digmeoutpodcast.com'>website</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - 0:00-6:08 - Intro, 6:08-9:09 - History of the Band, 9:09- - Review, 39:18-40:22 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Wheaton Calling, 14:35 - Pacific 231, 19:19 - Flood of Foreign Capital, 21:52 - 3 Sisters, 23:30 - Dear Hillary, 26:06 - Meccano, Outro - Scissoring</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Mission-Control/dp/B000QQTIZG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ehx6d/054-MissionControlbyBurningAirlines.mp3" length="38819706" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #54 we review the 1999 album Mission: Control! from Burning Airlines. J Robbins may be better known for his years in Jawbox, but is it possible Mission: Control! is his best work? Blasphemy some might say (like those who prefer Jawbox), but we'll lay out the case. Give a listen, then leave a comment if you agree or disagree either on our website or on our Facebook page.
Segments - 0:00-6:08 - Intro, 6:08-9:09 - History of the Band, 9:09- - Review, 39:18-40:22 - Outro
Songs in this Episode: Intro - Wheaton Calling, 14:35 - Pacific 231, 19:19 - Flood of Foreign Capital, 21:52 - 3 Sisters, 23:30 - Dear Hillary, 26:06 - Meccano, Outro - Scissoring
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2422</itunes:duration>
                                    </item>
    <item>
        <title>#053: Sound As Ever by You Am I</title>
        <itunes:title>#053: Sound As Ever by You Am I</itunes:title>
        <link>https://digmeout.podbean.com/e/053-sound-as-ever-by-you-am-i/</link>
                    <comments>https://digmeout.podbean.com/e/053-sound-as-ever-by-you-am-i/#comments</comments>        <pubDate>Tue, 17 Jan 2012 05:30:15 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/053-sound-as-ever-by-you-am-i/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #53 we go back down under thanks to our Australian correspondent Gavin and review the 1993 album <a href='http://www.amazon.com/Sound-As-Ever/dp/B005EHQK80?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Sound As Ever</a> by You Am I. The award-winning three-piece is still going strong today, but we travel back in time to review their debut release. Does the freshman effort show promise? Is it an out of the gate masterpiece? Or an underachieving letdown? Tune in to find out, and then leave us a comment on our <a href='http://www.digmeoutpodcast.com'>website</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - :00-3:47 - Intro, 3:47-8:45 - History of the Band, 8:45-43:08 - Review, 43:08-44:02 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Forever and Easy, 12:12 - Coprolalia, 13:57 - Berlin Chair, 17:08 - Adam's Ribs, Jaimme's Got A Gal - 18:46, Ordinary - 24:59, Hidden Bonus Track - 27:39, Trainspottin' - 31:10, You Scare Me - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Sound-As-Ever/dp/B005EHQK80?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #53 we go back down under thanks to our Australian correspondent Gavin and review the 1993 album <a href='http://www.amazon.com/Sound-As-Ever/dp/B005EHQK80?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Sound As Ever</a> by You Am I. The award-winning three-piece is still going strong today, but we travel back in time to review their debut release. Does the freshman effort show promise? Is it an out of the gate masterpiece? Or an underachieving letdown? Tune in to find out, and then leave us a comment on our <a href='http://www.digmeoutpodcast.com'>website</a> or on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - :00-3:47 - Intro, 3:47-8:45 - History of the Band, 8:45-43:08 - Review, 43:08-44:02 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Forever and Easy, 12:12 - Coprolalia, 13:57 - Berlin Chair, 17:08 - Adam's Ribs, Jaimme's Got A Gal - 18:46, Ordinary - 24:59, Hidden Bonus Track - 27:39, Trainspottin' - 31:10, You Scare Me - Outro</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Sound-As-Ever/dp/B005EHQK80?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rgmbvy/053-SoundAsEverbyYouAmI.mp3" length="42626884" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #53 we go back down under thanks to our Australian correspondent Gavin and review the 1993 album Sound As Ever by You Am I. The award-winning three-piece is still going strong today, but we travel back in time to review their debut release. Does the freshman effort show promise? Is it an out of the gate masterpiece? Or an underachieving letdown? Tune in to find out, and then leave us a comment on our website or on our Facebook page.
Segments - :00-3:47 - Intro, 3:47-8:45 - History of the Band, 8:45-43:08 - Review, 43:08-44:02 - Outro
Songs in this Episode: Intro - Forever and Easy, 12:12 - Coprolalia, 13:57 - Berlin Chair, 17:08 - Adam's Ribs, Jaimme's Got A Gal - 18:46, Ordinary - 24:59, Hidden Bonus Track - 27:39, Trainspottin' - 31:10, You Scare Me - Outro
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2660</itunes:duration>
                                    </item>
    <item>
        <title>#052: Lula Divinia by Shiner</title>
        <itunes:title>#052: Lula Divinia by Shiner</itunes:title>
        <link>https://digmeout.podbean.com/e/052-lula-divinia-by-shiner/</link>
                    <comments>https://digmeout.podbean.com/e/052-lula-divinia-by-shiner/#comments</comments>        <pubDate>Tue, 10 Jan 2012 05:30:49 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/052-lula-divinia-by-shiner/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #52 of Dig Me Out, we review the 1997 album <a href='http://www.amazon.com/Lula-Divinia/dp/B000QQWOG6?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Lula Divinia</a> by Shiner. Lots tags are applied to Shiner - progressive, emo, alternative, angular, math rock, space rock - but all that really matters is the songs. So does Shiner deliver the goods? They've definitely got the musical chops, but is it at the expense of the vocals? Tune in and find out, then leave a comment on the <a href='http://www.digmeoutpodcast.com'>website</a> or chime in on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - 0:00-2:54 - Intro, 2:54-7:50 - History of the Band, 7:50-36:40 - Review, 36:40-37:36 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Two Black Eyes, 16:46 - Sideways, 18:44 - Jim's Lament, 25:48 - Cake, Outro - Third Gear Scratch</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Lula-Divinia/dp/B000QQWOG6?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #52 of Dig Me Out, we review the 1997 album <a href='http://www.amazon.com/Lula-Divinia/dp/B000QQWOG6?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Lula Divinia</a> by Shiner. Lots tags are applied to Shiner - progressive, emo, alternative, angular, math rock, space rock - but all that really matters is the songs. So does Shiner deliver the goods? They've definitely got the musical chops, but is it at the expense of the vocals? Tune in and find out, then leave a comment on the <a href='http://www.digmeoutpodcast.com'>website</a> or chime in on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a>.</p>
<p style="text-align: center;">Segments - 0:00-2:54 - Intro, 2:54-7:50 - History of the Band, 7:50-36:40 - Review, 36:40-37:36 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Two Black Eyes, 16:46 - Sideways, 18:44 - Jim's Lament, 25:48 - Cake, Outro - Third Gear Scratch</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Lula-Divinia/dp/B000QQWOG6?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sedjy4/052LulaDiviniabyShiner.mp3" length="36529276" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #52 of Dig Me Out, we review the 1997 album Lula Divinia by Shiner. Lots tags are applied to Shiner - progressive, emo, alternative, angular, math rock, space rock - but all that really matters is the songs. So does Shiner deliver the goods? They've definitely got the musical chops, but is it at the expense of the vocals? Tune in and find out, then leave a comment on the website or chime in on our Facebook page.
Segments - 0:00-2:54 - Intro, 2:54-7:50 - History of the Band, 7:50-36:40 - Review, 36:40-37:36 - Outro
Songs in this Episode: Intro - Two Black Eyes, 16:46 - Sideways, 18:44 - Jim's Lament, 25:48 - Cake, Outro - Third Gear Scratch
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2279</itunes:duration>
                                    </item>
    <item>
        <title>#051: Fossil by Fossil</title>
        <itunes:title>#051: Fossil by Fossil</itunes:title>
        <link>https://digmeout.podbean.com/e/051-fossil-by-fossil/</link>
                    <comments>https://digmeout.podbean.com/e/051-fossil-by-fossil/#comments</comments>        <pubDate>Tue, 03 Jan 2012 05:30:55 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/051-fossil-by-fossil/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Dig Me Out is back for Season Two, and we return with a good, old-fashioned disagreement. In episode #51 we review the one and only album from Fossil, their <a href='http://www.amazon.com/Fossil/dp/B000008O9W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>1995 eponymous release</a>. J contends there are too many lame attempts at bad funk, Tim still thinks 'Moon' is one of the best college radio singles of the decade and it somehow devolves into a discussion on the disappointment of Live's post-Throwing Copper releases. Tune in, then leave a comment on <a href='http://www.digmeoutpodcast.com'>our website</a>, or visit our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a> to chime in.</p>
<p style="text-align: center;">Segments - :00-5:18 - Intro, 5:18-6:26 - History of the Band, 6:26-42:03 - Review, 42:03-43:03 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Martyr's Wife, 10:05 - Josephine Baker, 12:20 - Ocean, 17:12 - Tim, 20:43 - Fall, 24:44 - Tethered, 35:58 - Moon, Outro - Thundershower</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Fossil/dp/B000008O9W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Dig Me Out is back for Season Two, and we return with a good, old-fashioned disagreement. In episode #51 we review the one and only album from Fossil, their <a href='http://www.amazon.com/Fossil/dp/B000008O9W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>1995 eponymous release</a>. J contends there are too many lame attempts at bad funk, Tim still thinks 'Moon' is one of the best college radio singles of the decade and it somehow devolves into a discussion on the disappointment of Live's post-Throwing Copper releases. Tune in, then leave a comment on <a href='http://www.digmeoutpodcast.com'>our website</a>, or visit our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook page</a> to chime in.</p>
<p style="text-align: center;">Segments - :00-5:18 - Intro, 5:18-6:26 - History of the Band, 6:26-42:03 - Review, 42:03-43:03 - Outro</p>
<p style="text-align: center;">Songs in this Episode: Intro - Martyr's Wife, 10:05 - Josephine Baker, 12:20 - Ocean, 17:12 - Tim, 20:43 - Fall, 24:44 - Tethered, 35:58 - Moon, Outro - Thundershower</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Fossil/dp/B000008O9W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h6bijc/051FossilbyFossil.mp3" length="41759613" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Dig Me Out is back for Season Two, and we return with a good, old-fashioned disagreement. In episode #51 we review the one and only album from Fossil, their 1995 eponymous release. J contends there are too many lame attempts at bad funk, Tim still thinks 'Moon' is one of the best college radio singles of the decade and it somehow devolves into a discussion on the disappointment of Live's post-Throwing Copper releases. Tune in, then leave a comment on our website, or visit our Facebook page to chime in.
Segments - :00-5:18 - Intro, 5:18-6:26 - History of the Band, 6:26-42:03 - Review, 42:03-43:03 - Outro
Songs in this Episode: Intro - Martyr's Wife, 10:05 - Josephine Baker, 12:20 - Ocean, 17:12 - Tim, 20:43 - Fall, 24:44 - Tethered, 35:58 - Moon, Outro - Thundershower
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2606</itunes:duration>
                                    </item>
    <item>
        <title>#050: Season One In Review</title>
        <itunes:title>#050: Season One In Review</itunes:title>
        <link>https://digmeout.podbean.com/e/050-season-one-in-review/</link>
                    <comments>https://digmeout.podbean.com/e/050-season-one-in-review/#comments</comments>        <pubDate>Tue, 27 Dec 2011 04:30:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/050-season-one-in-review/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Season One of Dig Me Out is in the books! For the last episode of 2011, we're taking a look back at our freshman year and picking our top five favorite songs as well as our new album discovery.</p>
<p style="text-align: center;">We've also got plenty of thank you's to dispense to those who made Season One better than we ever expected: <a href='http://atomicned.com/'>Chip Midnight</a>, <a href='http://www.nealschmitt.com/'>Neal Schmitt</a>, <a href='https://www.facebook.com/pages/The-Moving-Parts/120857357929508?v=info'>Keith Jenkins</a>, Gavin R., Chel at <a href='http://ihatethe90s.blogspot.com/'>I Hate the 90s</a>, Orcen, Norman F., Shawn F., Bill L., Jon S., Scott C., Sondra J. and Gary H., Ruthie Morris of <a href='http://www.magnapop.com/'>Magnapop</a> and Ben London of <a href='http://www.myspace.com/alcoholfunnycar67'>Alcohol Funnycar</a>.</p>
<p style="text-align: center;">And lastly, thank you to you, the listener, who made spending a few hours each week recording and editing this podcast worthwhile. With all of the exciting, interesting and unknown albums already <a href='http://www.digmeoutpodcast.com/p/upcoming-reviews.html'>booked for the coming year</a>, we can't wait to get started on Season Two in 2012.</p>
<p style="text-align: center;">(Assuming the Mayans weren't right, then we cannot guarantee the quality of the podcast as the world crumbles before our eyes, as depicted in the <a href='http://www.imdb.com/title/tt1190080/'>2012</a>.)</p>
<p style="text-align: center;">Have a safe and happy New Year!</p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Season One of Dig Me Out is in the books! For the last episode of 2011, we're taking a look back at our freshman year and picking our top five favorite songs as well as our new album discovery.</p>
<p style="text-align: center;">We've also got plenty of thank you's to dispense to those who made Season One better than we ever expected: <a href='http://atomicned.com/'>Chip Midnight</a>, <a href='http://www.nealschmitt.com/'>Neal Schmitt</a>, <a href='https://www.facebook.com/pages/The-Moving-Parts/120857357929508?v=info'>Keith Jenkins</a>, Gavin R., Chel at <a href='http://ihatethe90s.blogspot.com/'>I Hate the 90s</a>, Orcen, Norman F., Shawn F., Bill L., Jon S., Scott C., Sondra J. and Gary H., Ruthie Morris of <a href='http://www.magnapop.com/'>Magnapop</a> and Ben London of <a href='http://www.myspace.com/alcoholfunnycar67'>Alcohol Funnycar</a>.</p>
<p style="text-align: center;">And lastly, thank you to you, the listener, who made spending a few hours each week recording and editing this podcast worthwhile. With all of the exciting, interesting and unknown albums already <a href='http://www.digmeoutpodcast.com/p/upcoming-reviews.html'>booked for the coming year</a>, we can't wait to get started on Season Two in 2012.</p>
<p style="text-align: center;">(Assuming the Mayans weren't right, then we cannot guarantee the quality of the podcast as the world crumbles before our eyes, as depicted in the <a href='http://www.imdb.com/title/tt1190080/'>2012</a>.)</p>
<p style="text-align: center;">Have a safe and happy New Year!</p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3n8ctc/050-SeasonOneInReview.mp3" length="65166443" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Season One of Dig Me Out is in the books! For the last episode of 2011, we're taking a look back at our freshman year and picking our top five favorite songs as well as our new album discovery.
We've also got plenty of thank you's to dispense to those who made Season One better than we ever expected: Chip Midnight, Neal Schmitt, Keith Jenkins, Gavin R., Chel at I Hate the 90s, Orcen, Norman F., Shawn F., Bill L., Jon S., Scott C., Sondra J. and Gary H., Ruthie Morris of Magnapop and Ben London of Alcohol Funnycar.
And lastly, thank you to you, the listener, who made spending a few hours each week recording and editing this podcast worthwhile. With all of the exciting, interesting and unknown albums already booked for the coming year, we can't wait to get started on Season Two in 2012.
(Assuming the Mayans weren't right, then we cannot guarantee the quality of the podcast as the world crumbles before our eyes, as depicted in the 2012.)
Have a safe and happy New Year!
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4072</itunes:duration>
                                    </item>
    <item>
        <title>#049: Secaucus by The Wrens</title>
        <itunes:title>#049: Secaucus by The Wrens</itunes:title>
        <link>https://digmeout.podbean.com/e/049-secaucus-by-the-wrens/</link>
                    <comments>https://digmeout.podbean.com/e/049-secaucus-by-the-wrens/#comments</comments>        <pubDate>Tue, 20 Dec 2011 04:00:53 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/049-secaucus-by-the-wrens/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On the penultimate episode of the first season of Dig Me Out, we tackle the 1996 album <a href='http://www.amazon.com/Secaucus/dp/B002ZBXLDK?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Secaucus</a> by The Wrens. A sprawling 19-track album presents many challenges - can the band maintain quality from start to finish, while providing enough diversity to avoid getting repetitive? Neither of us were familiar with Secaucus, so how does it fair, and what does it mean when bands like Cursive, The Who, Guided By Voices, Spoon, The Living End, Men At Work and the Pixies all get referenced during the discussion of one album? Tune in to find out, then head over to <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> to give us your thoughts on this episode.</p>
<p style="text-align: center;">Segments - :00-04:136 - Intro, 04:36-09:33 - History of the Band, 09:33-39:37 - Review, 43:26-44:26 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Rest Your Head, 11:37 - Yellow Number Three, 13:05 - Rest Your Head, 16:25 - Indie 500, 19:25 - I've Made Enough Friends, 24:46 - Destruction/Dawn, 32:44 - Built In Girls, 35:49 - Dance The Midwest, Outro - Still Complaining</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Secaucus/dp/B002ZBXLDK?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On the penultimate episode of the first season of Dig Me Out, we tackle the 1996 album <a href='http://www.amazon.com/Secaucus/dp/B002ZBXLDK?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Secaucus</a> by The Wrens. A sprawling 19-track album presents many challenges - can the band maintain quality from start to finish, while providing enough diversity to avoid getting repetitive? Neither of us were familiar with Secaucus, so how does it fair, and what does it mean when bands like Cursive, The Who, Guided By Voices, Spoon, The Living End, Men At Work and the Pixies all get referenced during the discussion of one album? Tune in to find out, then head over to <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> to give us your thoughts on this episode.</p>
<p style="text-align: center;">Segments - :00-04:136 - Intro, 04:36-09:33 - History of the Band, 09:33-39:37 - Review, 43:26-44:26 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Rest Your Head, 11:37 - Yellow Number Three, 13:05 - Rest Your Head, 16:25 - Indie 500, 19:25 - I've Made Enough Friends, 24:46 - Destruction/Dawn, 32:44 - Built In Girls, 35:49 - Dance The Midwest, Outro - Still Complaining</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Secaucus/dp/B002ZBXLDK?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mzh5c6/049SeacaucusbyTheWrens.mp3" length="42681492" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the penultimate episode of the first season of Dig Me Out, we tackle the 1996 album Secaucus by The Wrens. A sprawling 19-track album presents many challenges - can the band maintain quality from start to finish, while providing enough diversity to avoid getting repetitive? Neither of us were familiar with Secaucus, so how does it fair, and what does it mean when bands like Cursive, The Who, Guided By Voices, Spoon, The Living End, Men At Work and the Pixies all get referenced during the discussion of one album? Tune in to find out, then head over to Facebook to give us your thoughts on this episode.
Segments - :00-04:136 - Intro, 04:36-09:33 - History of the Band, 09:33-39:37 - Review, 43:26-44:26 - Outro
Songs In This Episode: Intro - Rest Your Head, 11:37 - Yellow Number Three, 13:05 - Rest Your Head, 16:25 - Indie 500, 19:25 - I've Made Enough Friends, 24:46 - Destruction/Dawn, 32:44 - Built In Girls, 35:49 - Dance The Midwest, Outro - Still Complaining
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2667</itunes:duration>
                                    </item>
    <item>
        <title>#048 - Blind by Corrosion of Conformity</title>
        <itunes:title>#048 - Blind by Corrosion of Conformity</itunes:title>
        <link>https://digmeout.podbean.com/e/048-blind-by-corrosion-of-conformity/</link>
                    <comments>https://digmeout.podbean.com/e/048-blind-by-corrosion-of-conformity/#comments</comments>        <pubDate>Tue, 13 Dec 2011 07:12:21 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/048-blind-by-corrosion-of-conformity/</guid>
                                    <description><![CDATA[<p style="text-align: center;">Beware episode #48, we're getting heavy. Jason wanted to tackle some metal, so we're reviewing the 1991 album <a href='http://www.amazon.com/gp/product/B000002AT8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002AT8'>Blind</a> from Corrosion of Conformity. Like some sort of robotic transforming thing, there's more than meets the eye, or ear, when it comes to C.O.C. Sometimes the band sounds like the perfect touring companion for Metallica, sometimes for Soundgarden, and sometimes for Suicidal Tendencies. But does it all gel together? Listen and find out, then visit <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> to leave a comment.</p>

<p style="text-align: center;">Segments - :00-03:42 - Intro, 03:42-07:22 - History of the Band, 07:22-43:08 - Review, 43:08-44:14 - Outro

Songs In This Episode: Intro - Great Purification, 08:23 - Buried, 11:50 - Dance of the Dead, 21:54 - Vote with a Bullet, 30:26 - Break the Circle, Outro - Echoes in the Well

<a href='http://www.amazon.com/gp/product/B000002AT8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002AT8'>Buy On Amazon</a>

More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a>

Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>

]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">Beware episode #48, we're getting heavy. Jason wanted to tackle some metal, so we're reviewing the 1991 album <a href='http://www.amazon.com/gp/product/B000002AT8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002AT8'>Blind</a> from Corrosion of Conformity. Like some sort of robotic transforming thing, there's more than meets the eye, or ear, when it comes to C.O.C. Sometimes the band sounds like the perfect touring companion for Metallica, sometimes for Soundgarden, and sometimes for Suicidal Tendencies. But does it all gel together? Listen and find out, then visit <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> to leave a comment.</p>

<p style="text-align: center;">Segments - :00-03:42 - Intro, 03:42-07:22 - History of the Band, 07:22-43:08 - Review, 43:08-44:14 - Outro

Songs In This Episode: Intro - Great Purification, 08:23 - Buried, 11:50 - Dance of the Dead, 21:54 - Vote with a Bullet, 30:26 - Break the Circle, Outro - Echoes in the Well

<a href='http://www.amazon.com/gp/product/B000002AT8/ref=as_li_ss_tl?ie=UTF8&tag=b0cd1-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B000002AT8'>Buy On Amazon</a>

More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a>

Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eendj7/048BlindbyCorrosionofConformity.mp3" length="42465825" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Beware episode #48, we're getting heavy. Jason wanted to tackle some metal, so we're reviewing the 1991 album Blind from Corrosion of Conformity. Like some sort of robotic transforming thing, there's more than meets the eye, or ear, when it comes to C.O.C. Sometimes the band sounds like the perfect touring companion for Metallica, sometimes for Soundgarden, and sometimes for Suicidal Tendencies. But does it all gel together? Listen and find out, then visit Facebook to leave a comment.

Segments - :00-03:42 - Intro, 03:42-07:22 - History of the Band, 07:22-43:08 - Review, 43:08-44:14 - Outro

Songs In This Episode: Intro - Great Purification, 08:23 - Buried, 11:50 - Dance of the Dead, 21:54 - Vote with a Bullet, 30:26 - Break the Circle, Outro - Echoes in the Well

Buy On Amazon

More info on digmeoutpodcast.com

Discuss on Facebook
Follow on Twitter

]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2654</itunes:duration>
                                    </item>
    <item>
        <title>#047: In Casino Out by At The Drive-In</title>
        <itunes:title>#047: In Casino Out by At The Drive-In</itunes:title>
        <link>https://digmeout.podbean.com/e/047-in-casino-out-by-at-the-drive-in/</link>
                    <comments>https://digmeout.podbean.com/e/047-in-casino-out-by-at-the-drive-in/#comments</comments>        <pubDate>Thu, 01 Dec 2011 18:35:05 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/047-in-casino-out-by-at-the-drive-in/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #47 we review the 1998 album <a href='http://www.amazon.com/In-Casino-Out/dp/B000YN48O2?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>In/Casino/Out</a> by At The Drive-In. Combine a frantic rhythm section with complex guitars lines and vocal gymnastics, and you've scratched the surface of what makes ATDI special. We spend time on the post-ATDI bands, and debate who wins the Sparta vs. Mars Volta showdown, consider the influences of bands like Rage Against The Machine and Superchunk, and ponder Vince Vaughn's Christmas movie choices. Head on over to <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> and join the conversation.</p>
<p style="text-align: center;">Segments - :00-02:17 - Intro, 02:17-09:06 - History of the Band, 09:06-39:37 - Review, 39:37-40:10 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Chanbara, 09:59 - Alpha Centauri, 13:41 - Shaking Hand Incision, 19:14 - Napoleon Solo, 21:32 - For Now... We Toast, 24:10 - Shaking Hand Incision, 25:20 - Hourglass, 28:20 - A Devil Among The Tailors</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #47 we review the 1998 album <a href='http://www.amazon.com/In-Casino-Out/dp/B000YN48O2?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>In/Casino/Out</a> by At The Drive-In. Combine a frantic rhythm section with complex guitars lines and vocal gymnastics, and you've scratched the surface of what makes ATDI special. We spend time on the post-ATDI bands, and debate who wins the Sparta vs. Mars Volta showdown, consider the influences of bands like Rage Against The Machine and Superchunk, and ponder Vince Vaughn's Christmas movie choices. Head on over to <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> and join the conversation.</p>
<p style="text-align: center;">Segments - :00-02:17 - Intro, 02:17-09:06 - History of the Band, 09:06-39:37 - Review, 39:37-40:10 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Chanbara, 09:59 - Alpha Centauri, 13:41 - Shaking Hand Incision, 19:14 - Napoleon Solo, 21:32 - For Now... We Toast, 24:10 - Shaking Hand Incision, 25:20 - Hourglass, 28:20 - A Devil Among The Tailors</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com/'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/evavm3/047InCasinoOutbyAttheDrivein.mp3" length="38567102" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #47 we review the 1998 album In/Casino/Out by At The Drive-In. Combine a frantic rhythm section with complex guitars lines and vocal gymnastics, and you've scratched the surface of what makes ATDI special. We spend time on the post-ATDI bands, and debate who wins the Sparta vs. Mars Volta showdown, consider the influences of bands like Rage Against The Machine and Superchunk, and ponder Vince Vaughn's Christmas movie choices. Head on over to Facebook and join the conversation.
Segments - :00-02:17 - Intro, 02:17-09:06 - History of the Band, 09:06-39:37 - Review, 39:37-40:10 - Outro
Songs In This Episode: Intro - Chanbara, 09:59 - Alpha Centauri, 13:41 - Shaking Hand Incision, 19:14 - Napoleon Solo, 21:32 - For Now... We Toast, 24:10 - Shaking Hand Incision, 25:20 - Hourglass, 28:20 - A Devil Among The Tailors
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2410</itunes:duration>
                                    </item>
    <item>
        <title>#046: Ro Sham Bo by The Grays</title>
        <itunes:title>#046: Ro Sham Bo by The Grays</itunes:title>
        <link>https://digmeout.podbean.com/e/046-ro-sham-bo-by-the-grays/</link>
                    <comments>https://digmeout.podbean.com/e/046-ro-sham-bo-by-the-grays/#comments</comments>        <pubDate>Tue, 29 Nov 2011 01:30:31 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/046-ro-sham-bo-by-the-grays/</guid>
                                    <description><![CDATA[<p style="text-align: center;">On episode #46 we review the lone release from The Grays, the 1994 album <a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Ro Sham Bo</a>. When you combine the talents of <a href='http://en.wikipedia.org/wiki/Jason_Falkner'>Jason Falkner</a> and <a href='http://en.wikipedia.org/wiki/Jon_Brion'>Jon Brion</a> into one band, you'd expect something special. Does Ro Sham Bo deliver? Tune in to find out, and then join the discussion on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>.</p>
<p style="text-align: center;">Segments - :00-02:50 - Intro, 02:50-05:33 - History of the Band, 05:33-40:09 - Album Review, 40:09-41:02 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Not Long For This World, 09:54 - Very Best Years, 13:30 - Both Belong, 18:38 - Friend of Mine, 23:06 - Is It Now Yet</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;">On episode #46 we review the lone release from The Grays, the 1994 album <a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Ro Sham Bo</a>. When you combine the talents of <a href='http://en.wikipedia.org/wiki/Jason_Falkner'>Jason Falkner</a> and <a href='http://en.wikipedia.org/wiki/Jon_Brion'>Jon Brion</a> into one band, you'd expect something special. Does Ro Sham Bo deliver? Tune in to find out, and then join the discussion on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a>.</p>
<p style="text-align: center;">Segments - :00-02:50 - Intro, 02:50-05:33 - History of the Band, 05:33-40:09 - Album Review, 40:09-41:02 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Not Long For This World, 09:54 - Very Best Years, 13:30 - Both Belong, 18:38 - Friend of Mine, 23:06 - Is It Now Yet</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Ro-Sham-Bo-Grays/dp/B000008G62?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/unv4hh/046-RoShamBobyTheGrays.mp3" length="39415977" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #46 we review the lone release from The Grays, the 1994 album Ro Sham Bo. When you combine the talents of Jason Falkner and Jon Brion into one band, you'd expect something special. Does Ro Sham Bo deliver? Tune in to find out, and then join the discussion on Facebook.
Segments - :00-02:50 - Intro, 02:50-05:33 - History of the Band, 05:33-40:09 - Album Review, 40:09-41:02 - Outro
Songs In This Episode: Intro - Not Long For This World, 09:54 - Very Best Years, 13:30 - Both Belong, 18:38 - Friend of Mine, 23:06 - Is It Now Yet
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2463</itunes:duration>
                                    </item>
    <item>
        <title>#045bonus - Full Interview with Ben London of Alcohol Funnycar</title>
        <itunes:title>#045bonus - Full Interview with Ben London of Alcohol Funnycar</itunes:title>
        <link>https://digmeout.podbean.com/e/045bonus-full-interview-with-ben-london-of-alcohol-funnycar/</link>
                    <comments>https://digmeout.podbean.com/e/045bonus-full-interview-with-ben-london-of-alcohol-funnycar/#comments</comments>        <pubDate>Wed, 23 Nov 2011 07:11:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/045bonus-full-interview-with-ben-london-of-alcohol-funnycar/</guid>
                                    <description><![CDATA[As promised, here's the full interview with Alcohol Funnycar singer/guitarist Ben London. Big thanks to Chip Midnight!]]></description>
                                                            <content:encoded><![CDATA[As promised, here's the full interview with Alcohol Funnycar singer/guitarist Ben London. Big thanks to Chip Midnight!]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rtnsse/045BonusBenLondonFullInterview.mp3" length="66500375" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As promised, here's the full interview with Alcohol Funnycar singer/guitarist Ben London. Big thanks to Chip Midnight!]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2078</itunes:duration>
                                    </item>
    <item>
        <title>#045: Weasels by Alcohol Funnycar</title>
        <itunes:title>#045: Weasels by Alcohol Funnycar</itunes:title>
        <link>https://digmeout.podbean.com/e/045-weasels-by-alcohol-funnycar/</link>
                    <comments>https://digmeout.podbean.com/e/045-weasels-by-alcohol-funnycar/#comments</comments>        <pubDate>Tue, 22 Nov 2011 07:15:38 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/045-weasels-by-alcohol-funnycar/</guid>
                                    <description><![CDATA[<p style="text-align: center;"></p>
<p style="text-align: center;">On episode #45, it's back to listener suggestions. This week we tackle the 1995 album <a href='http://www.amazon.com/Weasels-Alcohol-Funnycar/dp/B00000E9IZ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Weasels</a> by Alcohol Funnycar. Joining us for this episode is <a href='http://atomicned.com/'>Chip Midnight</a>, and he's got an interview with Alcohol Funnycar's <a href='https://twitter.com/#!/belondon'>Ben London</a>. In our discussion, we try to determine if AFC's Weasels is the sound of '90s - a little punk, a little grunge, some melody and edginess, but pretty much just rock. Leave us a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a>, or stop by our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> page to chime in.</p>
<p style="text-align: center;">And with Thanksgiving upon us, we decided to take part in the holiday tradition of overeating by not only giving you an extra large episode, we're giving you a bonus podcast - the unedited interview with Ben available tomorrow. Gobble gobble!</p>
<p style="text-align: center;">Segments - :00-03:53 - Intro, 03:53-08:33 - History of the Band, 08:33-58:25 - Album Review and Interview, 58:25-1:01:27 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Shoot You Down, 20:30 - Weasels, 26:23 - Kindling, 33:17 - Napoleon, 37:42 - Sunspots, 40:02 - Objects</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Weasels-Alcohol-Funnycar/dp/B00000E9IZ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://digmeoutpodcast.com'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align: center;"></p>
<p style="text-align: center;">On episode #45, it's back to listener suggestions. This week we tackle the 1995 album <a href='http://www.amazon.com/Weasels-Alcohol-Funnycar/dp/B00000E9IZ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Weasels</a> by Alcohol Funnycar. Joining us for this episode is <a href='http://atomicned.com/'>Chip Midnight</a>, and he's got an interview with Alcohol Funnycar's <a href='https://twitter.com/#!/belondon'>Ben London</a>. In our discussion, we try to determine if AFC's Weasels is the sound of '90s - a little punk, a little grunge, some melody and edginess, but pretty much just rock. Leave us a comment at <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a>, or stop by our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> page to chime in.</p>
<p style="text-align: center;">And with Thanksgiving upon us, we decided to take part in the holiday tradition of overeating by not only giving you an extra large episode, we're giving you a bonus podcast - the unedited interview with Ben available tomorrow. Gobble gobble!</p>
<p style="text-align: center;">Segments - :00-03:53 - Intro, 03:53-08:33 - History of the Band, 08:33-58:25 - Album Review and Interview, 58:25-1:01:27 - Outro</p>
<p style="text-align: center;">Songs In This Episode: Intro - Shoot You Down, 20:30 - Weasels, 26:23 - Kindling, 33:17 - Napoleon, 37:42 - Sunspots, 40:02 - Objects</p>
<p style="text-align: center;"><a href='http://www.amazon.com/Weasels-Alcohol-Funnycar/dp/B00000E9IZ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Buy On Amazon</a></p>
<p style="text-align: center;">More info on <a href='http://digmeoutpodcast.com'>digmeoutpodcast.com</a></p>
<p style="text-align: center;">Discuss on <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a></p>
<p style="text-align: center;">Follow on <a href='http://twitter.com/digmeoutpodcast'>Twitter</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9nituv/045WeaselsbyAlcoholFunnycar.mp3" length="59019517" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
On episode #45, it's back to listener suggestions. This week we tackle the 1995 album Weasels by Alcohol Funnycar. Joining us for this episode is Chip Midnight, and he's got an interview with Alcohol Funnycar's Ben London. In our discussion, we try to determine if AFC's Weasels is the sound of '90s - a little punk, a little grunge, some melody and edginess, but pretty much just rock. Leave us a comment at digmeoutpodcast.com, or stop by our Facebook page to chime in.
And with Thanksgiving upon us, we decided to take part in the holiday tradition of overeating by not only giving you an extra large episode, we're giving you a bonus podcast - the unedited interview with Ben available tomorrow. Gobble gobble!
Segments - :00-03:53 - Intro, 03:53-08:33 - History of the Band, 08:33-58:25 - Album Review and Interview, 58:25-1:01:27 - Outro
Songs In This Episode: Intro - Shoot You Down, 20:30 - Weasels, 26:23 - Kindling, 33:17 - Napoleon, 37:42 - Sunspots, 40:02 - Objects
Buy On Amazon
More info on digmeoutpodcast.com
Discuss on Facebook
Follow on Twitter]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3688</itunes:duration>
                                    </item>
    <item>
        <title>#044: Circa Now! by Rocket from the Crypt</title>
        <itunes:title>#044: Circa Now! by Rocket from the Crypt</itunes:title>
        <link>https://digmeout.podbean.com/e/044-circa-now-by-rocket-from-the-crypt/</link>
                    <comments>https://digmeout.podbean.com/e/044-circa-now-by-rocket-from-the-crypt/#comments</comments>        <pubDate>Tue, 15 Nov 2011 07:14:14 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/044-circa-now-by-rocket-from-the-crypt/</guid>
                                    <description><![CDATA[One episode #44 we were supposed to be joined by label owner Bill Litfin of the now defunct <a href='http://www.grunnenrocks.nl/label/g/glazedrecords.htm'>Glazed Records</a> to review the 1992 Rocket from the Crypt album Circa:Now! Bill couldn't make it, so we're left to our own devices to review what Jason calls the album that defines the sound of RFTC. With bombastic guitars and the distinctive vocals of John Reis, it's hard to pinpoint the influences and origins of RFTC. Voice your opinion on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> page  or <a href='https://twitter.com/#!/digmeoutpodcast'>Twitter</a> feed.]]></description>
                                                            <content:encoded><![CDATA[One episode #44 we were supposed to be joined by label owner Bill Litfin of the now defunct <a href='http://www.grunnenrocks.nl/label/g/glazedrecords.htm'>Glazed Records</a> to review the 1992 Rocket from the Crypt album Circa:Now! Bill couldn't make it, so we're left to our own devices to review what Jason calls the album that defines the sound of RFTC. With bombastic guitars and the distinctive vocals of John Reis, it's hard to pinpoint the influences and origins of RFTC. Voice your opinion on our <a href='https://www.facebook.com/DigMeOutPodcast'>Facebook</a> page  or <a href='https://twitter.com/#!/digmeoutpodcast'>Twitter</a> feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/536nnd/044CircaNowbyRocketfromtheCrypt.mp3" length="49740823" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One episode #44 we were supposed to be joined by label owner Bill Litfin of the now defunct Glazed Records to review the 1992 Rocket from the Crypt album Circa:Now! Bill couldn't make it, so we're left to our own devices to review what Jason calls the album that defines the sound of RFTC. With bombastic guitars and the distinctive vocals of John Reis, it's hard to pinpoint the influences and origins of RFTC. Voice your opinion on our Facebook page  or Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3108</itunes:duration>
                                    </item>
    <item>
        <title>#043: Teenage Symphonies to God by Velvet Crush</title>
        <itunes:title>#043: Teenage Symphonies to God by Velvet Crush</itunes:title>
        <link>https://digmeout.podbean.com/e/043-teenage-symphonies-to-god-by-velvet-crush/</link>
                    <comments>https://digmeout.podbean.com/e/043-teenage-symphonies-to-god-by-velvet-crush/#comments</comments>        <pubDate>Tue, 08 Nov 2011 07:16:23 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/043-teenage-symphonies-to-god-by-velvet-crush/</guid>
                                    <description><![CDATA[On episode #43 we review the Matthew Sweet co-produced 1994 album <a href='http://www.amazon.com/Teenage-Symphonies-To-God/dp/B0013AT4CQ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Teenage Symphonies to God</a> by Velvet Crush. Neither of us were familiar with the band before hearing the album, but now we're firmly on board the Velvet Crush train. If you're a fan of '60s pop like The Byrds and Beatles, the '70s power pop of Cheap Trick, Big Star and the Raspberries and '90s alt rockers like Sweet and Teenage Fanclub, you'll want to check out this episode. To comment, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #43 we review the Matthew Sweet co-produced 1994 album <a href='http://www.amazon.com/Teenage-Symphonies-To-God/dp/B0013AT4CQ?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Teenage Symphonies to God</a> by Velvet Crush. Neither of us were familiar with the band before hearing the album, but now we're firmly on board the Velvet Crush train. If you're a fan of '60s pop like The Byrds and Beatles, the '70s power pop of Cheap Trick, Big Star and the Raspberries and '90s alt rockers like Sweet and Teenage Fanclub, you'll want to check out this episode. To comment, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qjsaed/043-TeenageSymphoniesToGodbyVelvetCrush.mp3" length="42824016" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #43 we review the Matthew Sweet co-produced 1994 album Teenage Symphonies to God by Velvet Crush. Neither of us were familiar with the band before hearing the album, but now we're firmly on board the Velvet Crush train. If you're a fan of '60s pop like The Byrds and Beatles, the '70s power pop of Cheap Trick, Big Star and the Raspberries and '90s alt rockers like Sweet and Teenage Fanclub, you'll want to check out this episode. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2676</itunes:duration>
                                    </item>
    <item>
        <title>#042: Songs from the Second Storey by The God Machine</title>
        <itunes:title>#042: Songs from the Second Storey by The God Machine</itunes:title>
        <link>https://digmeout.podbean.com/e/042-songs-from-the-second-storey-by-the-god-machine/</link>
                    <comments>https://digmeout.podbean.com/e/042-songs-from-the-second-storey-by-the-god-machine/#comments</comments>        <pubDate>Tue, 01 Nov 2011 06:12:30 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/042-songs-from-the-second-storey-by-the-god-machine/</guid>
                                    <description><![CDATA[One episode #42 we're back with another listener suggestion - the 1993 album <a href='http://www.amazon.com/Scenes-Second-Storey-God-Machine/dp/B000008G1X?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Songs from the Second Storey</a> by The God Machine. This band took a long journey from SoCal to NYC to the UK, and it sounds like it. Hints of Kyuss-like stoner rock meld with British shoegaze and Jane's Addiction psychedelia. But is there too much of a good thing on the longest album we've ever reviewed? Tune in and find out. To comment, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[One episode #42 we're back with another listener suggestion - the 1993 album <a href='http://www.amazon.com/Scenes-Second-Storey-God-Machine/dp/B000008G1X?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Songs from the Second Storey</a> by The God Machine. This band took a long journey from SoCal to NYC to the UK, and it sounds like it. Hints of Kyuss-like stoner rock meld with British shoegaze and Jane's Addiction psychedelia. But is there too much of a good thing on the longest album we've ever reviewed? Tune in and find out. To comment, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3vmanj/042-ScenesfromtheSecondStoreybyTheGodMachine.mp3" length="39264962" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One episode #42 we're back with another listener suggestion - the 1993 album Songs from the Second Storey by The God Machine. This band took a long journey from SoCal to NYC to the UK, and it sounds like it. Hints of Kyuss-like stoner rock meld with British shoegaze and Jane's Addiction psychedelia. But is there too much of a good thing on the longest album we've ever reviewed? Tune in and find out. To comment, visit digmeoutpodcast.com for our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2385</itunes:duration>
                                    </item>
    <item>
        <title>#041: Fallout by The Mayfield Four</title>
        <itunes:title>#041: Fallout by The Mayfield Four</itunes:title>
        <link>https://digmeout.podbean.com/e/041-fallout-by-the-mayfield-four/</link>
                    <comments>https://digmeout.podbean.com/e/041-fallout-by-the-mayfield-four/#comments</comments>        <pubDate>Tue, 25 Oct 2011 06:10:04 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/041-fallout-by-the-mayfield-four/</guid>
                                    <description><![CDATA[On episode #41 we review The Mayfield Four's 1998 album <a href='http://www.amazon.com/Fallout/dp/B0013AT5BG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Fallout</a>. There's no doubt that lead singer Myles Kennedy, like Matthew Bellamy of Muse or Jimmy Gnecco of Ours, owes a lot to Jeff Buckley. But does he meld the alt.rock sound of The Mayfield Four with Buckley's ethereal tenor? And what's with that Marvin Gaye cover? To comment on this episode, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #41 we review The Mayfield Four's 1998 album <a href='http://www.amazon.com/Fallout/dp/B0013AT5BG?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Fallout</a>. There's no doubt that lead singer Myles Kennedy, like Matthew Bellamy of Muse or Jimmy Gnecco of Ours, owes a lot to Jeff Buckley. But does he meld the alt.rock sound of The Mayfield Four with Buckley's ethereal tenor? And what's with that Marvin Gaye cover? To comment on this episode, visit <a href='http://www.digmeoutpodcast.com'>digmeoutpodcast.com</a> for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gkcv8/041-FalloutbyTheMayfieldFour.mp3" length="48342602" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #41 we review The Mayfield Four's 1998 album Fallout. There's no doubt that lead singer Myles Kennedy, like Matthew Bellamy of Muse or Jimmy Gnecco of Ours, owes a lot to Jeff Buckley. But does he meld the alt.rock sound of The Mayfield Four with Buckley's ethereal tenor? And what's with that Marvin Gaye cover? To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2953</itunes:duration>
                                    </item>
    <item>
        <title>#040: 24 Hour Revenge Therapy by Jawbreaker</title>
        <itunes:title>#040: 24 Hour Revenge Therapy by Jawbreaker</itunes:title>
        <link>https://digmeout.podbean.com/e/040-24-hour-revenge-therapy-by-jawbreaker/</link>
                    <comments>https://digmeout.podbean.com/e/040-24-hour-revenge-therapy-by-jawbreaker/#comments</comments>        <pubDate>Tue, 18 Oct 2011 06:12:29 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/040-24-hour-revenge-therapy-by-jawbreaker/</guid>
                                    <description><![CDATA[On episode #40, Tim and J venture into the nebulous world known as Jawbreaker. Are they punk? Are the emo? Are they pre-emo? Are they post-punk? Who knows, but we try to figure that out and give a listen to their 1994 album <a href='http://www.amazon.com/24-Hour-Revenge-Therapy/dp/B0013AV17W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>24 Hour Revenge Therapy</a>. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #40, Tim and J venture into the nebulous world known as Jawbreaker. Are they punk? Are the emo? Are they pre-emo? Are they post-punk? Who knows, but we try to figure that out and give a listen to their 1994 album <a href='http://www.amazon.com/24-Hour-Revenge-Therapy/dp/B0013AV17W?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>24 Hour Revenge Therapy</a>. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/np6cey/040-24HourRevengeTherapybyJawbreaker.mp3" length="45258629" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #40, Tim and J venture into the nebulous world known as Jawbreaker. Are they punk? Are the emo? Are they pre-emo? Are they post-punk? Who knows, but we try to figure that out and give a listen to their 1994 album 24 Hour Revenge Therapy. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2828</itunes:duration>
                                    </item>
    <item>
        <title>#039: Gimmick by Barkmarket</title>
        <itunes:title>#039: Gimmick by Barkmarket</itunes:title>
        <link>https://digmeout.podbean.com/e/039-gimmick-by-barkmarket/</link>
                    <comments>https://digmeout.podbean.com/e/039-gimmick-by-barkmarket/#comments</comments>        <pubDate>Tue, 11 Oct 2011 06:16:07 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/039-gimmick-by-barkmarket/</guid>
                                    <description><![CDATA[For episode #39, we're joined again by guest Neal Schmitt to review a listener suggestion: Barkmarket's 1993 album <a href='http://www.amazon.com/Gimmick/dp/B002B1AX3A?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Gimmick</a>. It's noisy, loud, abrasive, aggressive, unrelenting and pretty damn good. If you're a fan of later Nine In Nails, the Jesus Lizard, Fugazi, Jawbox or the Deftones, we heard a little of each band in Gimmick. Give a listen and tell us if you agree. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[For episode #39, we're joined again by guest Neal Schmitt to review a listener suggestion: Barkmarket's 1993 album <a href='http://www.amazon.com/Gimmick/dp/B002B1AX3A?ie=UTF8&tag=widgetsamazon-20&link_code=btl&camp=213689&creative=392969'>Gimmick</a>. It's noisy, loud, abrasive, aggressive, unrelenting and pretty damn good. If you're a fan of later Nine In Nails, the Jesus Lizard, Fugazi, Jawbox or the Deftones, we heard a little of each band in Gimmick. Give a listen and tell us if you agree. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4ukvne/039-GimmickbyBarkmarket.mp3" length="39050263" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For episode #39, we're joined again by guest Neal Schmitt to review a listener suggestion: Barkmarket's 1993 album Gimmick. It's noisy, loud, abrasive, aggressive, unrelenting and pretty damn good. If you're a fan of later Nine In Nails, the Jesus Lizard, Fugazi, Jawbox or the Deftones, we heard a little of each band in Gimmick. Give a listen and tell us if you agree. Visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2440</itunes:duration>
                                    </item>
    <item>
        <title>#038: Still Feel Gone by Uncle Tupelo</title>
        <itunes:title>#038: Still Feel Gone by Uncle Tupelo</itunes:title>
        <link>https://digmeout.podbean.com/e/038-still-feel-gone-by-uncle-tupelo/</link>
                    <comments>https://digmeout.podbean.com/e/038-still-feel-gone-by-uncle-tupelo/#comments</comments>        <pubDate>Tue, 04 Oct 2011 06:18:35 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/038-still-feel-gone-by-uncle-tupelo/</guid>
                                    <description><![CDATA[On episode #38 we're again joined by guest Neal Schmitt to review one of Tim's favorite all-time albums, 1991's Still Feel Gone from alt-country pioneers Uncle Tupelo. There plenty to discuss on our first hour-long episode - the varied songwriting, lyrical and musical styles of co-lead singers/songwriters Jeff Tweedy and Jay Farrar, and the drumming of Mike Heidorn are rich for review. The discussion leads to this question: has there been another band since Uncle Tupelo that produced a pair of talented singer/songwriters? To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #38 we're again joined by guest Neal Schmitt to review one of Tim's favorite all-time albums, 1991's Still Feel Gone from alt-country pioneers Uncle Tupelo. There plenty to discuss on our first hour-long episode - the varied songwriting, lyrical and musical styles of co-lead singers/songwriters Jeff Tweedy and Jay Farrar, and the drumming of Mike Heidorn are rich for review. The discussion leads to this question: has there been another band since Uncle Tupelo that produced a pair of talented singer/songwriters? To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wmk8g9/038-StillFeelGonebyUncleTupelo.mp3" length="57618518" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #38 we're again joined by guest Neal Schmitt to review one of Tim's favorite all-time albums, 1991's Still Feel Gone from alt-country pioneers Uncle Tupelo. There plenty to discuss on our first hour-long episode - the varied songwriting, lyrical and musical styles of co-lead singers/songwriters Jeff Tweedy and Jay Farrar, and the drumming of Mike Heidorn are rich for review. The discussion leads to this question: has there been another band since Uncle Tupelo that produced a pair of talented singer/songwriters? To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3600</itunes:duration>
                                    </item>
    <item>
        <title>#037: Porno for Pyros by Porno for Pyros</title>
        <itunes:title>#037: Porno for Pyros by Porno for Pyros</itunes:title>
        <link>https://digmeout.podbean.com/e/037-porno-for-pyros-by-porno-for-pyros/</link>
                    <comments>https://digmeout.podbean.com/e/037-porno-for-pyros-by-porno-for-pyros/#comments</comments>        <pubDate>Tue, 27 Sep 2011 06:11:34 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/037-porno-for-pyros-by-porno-for-pyros/</guid>
                                    <description><![CDATA[On episode #37 we tackle the 1993 self-titled Porno for Pyros album. J and Tim find a mixed bag with the first album from ex-Jane's Addiction members Perry Farrell and Stephen Perkins. While the songs got shorter than your typical Jane's tune, the unique combination of funk, metal, world music and grunge collide to uneven results. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #37 we tackle the 1993 self-titled Porno for Pyros album. J and Tim find a mixed bag with the first album from ex-Jane's Addiction members Perry Farrell and Stephen Perkins. While the songs got shorter than your typical Jane's tune, the unique combination of funk, metal, world music and grunge collide to uneven results. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z33a4x/037-PornoForPyrosbyPornoForPyros.mp3" length="39338604" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #37 we tackle the 1993 self-titled Porno for Pyros album. J and Tim find a mixed bag with the first album from ex-Jane's Addiction members Perry Farrell and Stephen Perkins. While the songs got shorter than your typical Jane's tune, the unique combination of funk, metal, world music and grunge collide to uneven results. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2390</itunes:duration>
                                    </item>
    <item>
        <title>#036: Get In Get Out by Mink</title>
        <itunes:title>#036: Get In Get Out by Mink</itunes:title>
        <link>https://digmeout.podbean.com/e/036-get-in-get-out-by-mink/</link>
                    <comments>https://digmeout.podbean.com/e/036-get-in-get-out-by-mink/#comments</comments>        <pubDate>Tue, 20 Sep 2011 06:10:39 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/036-get-in-get-out-by-mink/</guid>
                                    <description><![CDATA[On episode #36, it's another Ohio band. We've already tackled Sons of Elvis from Cleveland and Gaunt from Columbus. This time it's Dayton's Mink, and their 1998 album Get In Get Out, an album Tim and J both discovered back in 2000, but are happy to revisit and spread the word about Mink. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #36, it's another Ohio band. We've already tackled Sons of Elvis from Cleveland and Gaunt from Columbus. This time it's Dayton's Mink, and their 1998 album Get In Get Out, an album Tim and J both discovered back in 2000, but are happy to revisit and spread the word about Mink. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ff9car/036-GetInGetOutbyMink.mp3" length="39967203" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #36, it's another Ohio band. We've already tackled Sons of Elvis from Cleveland and Gaunt from Columbus. This time it's Dayton's Mink, and their 1998 album Get In Get Out, an album Tim and J both discovered back in 2000, but are happy to revisit and spread the word about Mink. To comment, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2429</itunes:duration>
                                    </item>
    <item>
        <title>#035: Phaseshifter by Redd Kross</title>
        <itunes:title>#035: Phaseshifter by Redd Kross</itunes:title>
        <link>https://digmeout.podbean.com/e/035-phaseshifter-by-redd-kross/</link>
                    <comments>https://digmeout.podbean.com/e/035-phaseshifter-by-redd-kross/#comments</comments>        <pubDate>Tue, 13 Sep 2011 06:20:43 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/035-phaseshifter-by-redd-kross/</guid>
                                    <description><![CDATA[On episode #35 we review the 1993 album Phaseshifter by Redd Kross. J bought it new when it came out back in the day, but Tim had never listened to any Redd Kross before reviewing this. We're in total agreement on this one - Phaseshifter is a criminally overlooked album ripe for rediscovery for people who dig the power pop of Cheap Trick and Big Star. To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></description>
                                                            <content:encoded><![CDATA[On episode #35 we review the 1993 album Phaseshifter by Redd Kross. J bought it new when it came out back in the day, but Tim had never listened to any Redd Kross before reviewing this. We're in total agreement on this one - Phaseshifter is a criminally overlooked album ripe for rediscovery for people who dig the power pop of Cheap Trick and Big Star. To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kjev5d/035-PhaseshifterbyReddKross.mp3" length="39008446" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #35 we review the 1993 album Phaseshifter by Redd Kross. J bought it new when it came out back in the day, but Tim had never listened to any Redd Kross before reviewing this. We're in total agreement on this one - Phaseshifter is a criminally overlooked album ripe for rediscovery for people who dig the power pop of Cheap Trick and Big Star. To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2411</itunes:duration>
                                    </item>
    <item>
        <title>#034: Become What You Are By The Juliana Hatfield Three</title>
        <itunes:title>#034: Become What You Are By The Juliana Hatfield Three</itunes:title>
        <link>https://digmeout.podbean.com/e/034-become-what-you-are-by-the-juliana-hatfield-three/</link>
                    <comments>https://digmeout.podbean.com/e/034-become-what-you-are-by-the-juliana-hatfield-three/#comments</comments>        <pubDate>Tue, 06 Sep 2011 06:07:10 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/034-become-what-you-are-by-the-juliana-hatfield-three/</guid>
                                    <description><![CDATA[Artist: The Juliana Hatfield Three

Album: Become What You Are

Release Year: 1993

To comment:

http://www.digmeoutpodcast.com/

Twitter @digmeoutpodcast

https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[Artist: The Juliana Hatfield Three

Album: Become What You Are

Release Year: 1993

To comment:

http://www.digmeoutpodcast.com/

Twitter @digmeoutpodcast

https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5fad2s/034-BecomeWhatYouArebyTheJulianaHatfieldThree.mp3" length="45790663" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Artist: The Juliana Hatfield Three

Album: Become What You Are

Release Year: 1993

To comment:

http://www.digmeoutpodcast.com/

Twitter @digmeoutpodcast

https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2835</itunes:duration>
                                    </item>
    <item>
        <title>#033 - On The Turn by Kerbdog</title>
        <itunes:title>#033 - On The Turn by Kerbdog</itunes:title>
        <link>https://digmeout.podbean.com/e/033-on-the-turn-by-kerbdog/</link>
                    <comments>https://digmeout.podbean.com/e/033-on-the-turn-by-kerbdog/#comments</comments>        <pubDate>Tue, 30 Aug 2011 06:20:23 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/033-on-the-turn-by-kerbdog/</guid>
                                    <description><![CDATA[On episode #33 of the Dig Me Out Podcast, Tim and Jason review the 1997 album On The Turn by Kerbdog

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[On episode #33 of the Dig Me Out Podcast, Tim and Jason review the 1997 album On The Turn by Kerbdog

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/as9rw3/033-OnTheTurnbyKerbdog.mp3" length="39589826" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #33 of the Dig Me Out Podcast, Tim and Jason review the 1997 album On The Turn by Kerbdog

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2448</itunes:duration>
                                    </item>
    <item>
        <title>#032 - Reloaded by Green Apple Quick Step</title>
        <itunes:title>#032 - Reloaded by Green Apple Quick Step</itunes:title>
        <link>https://digmeout.podbean.com/e/032-reloaded-by-green-apple-quick-step/</link>
                    <comments>https://digmeout.podbean.com/e/032-reloaded-by-green-apple-quick-step/#comments</comments>        <pubDate>Tue, 23 Aug 2011 06:29:22 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/032-reloaded-by-green-apple-quick-step/</guid>
                                    <description><![CDATA[On episode #32 of the Dig Me Out Podcast, Tim and Jason review the 1995 album Reloaded by Green Apple Quick Step

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[On episode #32 of the Dig Me Out Podcast, Tim and Jason review the 1995 album Reloaded by Green Apple Quick Step

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cspip5/032-ReloadedbyGreenAppleQuickStep.mp3" length="46602313" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #32 of the Dig Me Out Podcast, Tim and Jason review the 1995 album Reloaded by Green Apple Quick Step

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2844</itunes:duration>
                                    </item>
    <item>
        <title>#031 - Dead Letter Chorus by Llama Farmers</title>
        <itunes:title>#031 - Dead Letter Chorus by Llama Farmers</itunes:title>
        <link>https://digmeout.podbean.com/e/031-dead-letter-chorus-by-llama-farmers/</link>
                    <comments>https://digmeout.podbean.com/e/031-dead-letter-chorus-by-llama-farmers/#comments</comments>        <pubDate>Tue, 16 Aug 2011 06:26:18 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/031-dead-letter-chorus-by-llama-farmers/</guid>
                                    <description><![CDATA[On episode #31 of the Dig Me Out Podcast, Tim and Jason review the 1999 album Dead Letter Chorus by Llama Farmers

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[On episode #31 of the Dig Me Out Podcast, Tim and Jason review the 1999 album Dead Letter Chorus by Llama Farmers

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7qsrp/031-DeadLetterChorusbyLlamaFarmers.mp3" length="38373951" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode #31 of the Dig Me Out Podcast, Tim and Jason review the 1999 album Dead Letter Chorus by Llama Farmers

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2330</itunes:duration>
                                    </item>
    <item>
        <title>#030 - Auntie Ramos' Pool Hall by The Sidewinders</title>
        <itunes:title>#030 - Auntie Ramos' Pool Hall by The Sidewinders</itunes:title>
        <link>https://digmeout.podbean.com/e/030-auntie-ramos-pool-hall-by-the-sidewinders/</link>
                    <comments>https://digmeout.podbean.com/e/030-auntie-ramos-pool-hall-by-the-sidewinders/#comments</comments>        <pubDate>Tue, 09 Aug 2011 06:23:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/030-auntie-ramos-pool-hall-by-the-sidewinders/</guid>
                                    <description><![CDATA[In the thirtieth episode of the Dig Me Out Podcast, Tim and Jason review the 1990 album Auntie Ramos' Pool Hall by The Sidewinders

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the thirtieth episode of the Dig Me Out Podcast, Tim and Jason review the 1990 album Auntie Ramos' Pool Hall by The Sidewinders

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fwcc6p/030-AuntieRamosPoolHallbyTheSidewinders.mp3" length="42901295" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the thirtieth episode of the Dig Me Out Podcast, Tim and Jason review the 1990 album Auntie Ramos' Pool Hall by The Sidewinders

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2613</itunes:duration>
                                    </item>
    <item>
        <title>#029 - Angelfish by Angelfish</title>
        <itunes:title>#029 - Angelfish by Angelfish</itunes:title>
        <link>https://digmeout.podbean.com/e/029-angelfish-by-angelfish/</link>
                    <comments>https://digmeout.podbean.com/e/029-angelfish-by-angelfish/#comments</comments>        <pubDate>Tue, 02 Aug 2011 06:26:27 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/029-angelfish-by-angelfish/</guid>
                                    <description><![CDATA[In the twenty-ninth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled debut album from Angelfish.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-ninth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled debut album from Angelfish.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rg7h72/029-AngelfishbyAngelfish.mp3" length="34226689" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-ninth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled debut album from Angelfish.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2071</itunes:duration>
                                    </item>
    <item>
        <title>#028 - Strap It On by Helmet</title>
        <itunes:title>#028 - Strap It On by Helmet</itunes:title>
        <link>https://digmeout.podbean.com/e/028-strap-it-on-by-helmet/</link>
                    <comments>https://digmeout.podbean.com/e/028-strap-it-on-by-helmet/#comments</comments>        <pubDate>Tue, 26 Jul 2011 06:26:57 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/028-strap-it-on-by-helmet/</guid>
                                    <description><![CDATA[In the twenty-eight episode of the Dig Me Out Podcast, Tim and Jason review the 1990 debut album Strap It On by Helmet

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-eight episode of the Dig Me Out Podcast, Tim and Jason review the 1990 debut album Strap It On by Helmet

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e3fqs7/028-StrapItOnbyHelmet.mp3" length="42915083" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-eight episode of the Dig Me Out Podcast, Tim and Jason review the 1990 debut album Strap It On by Helmet

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2656</itunes:duration>
                                    </item>
    <item>
        <title>#027 - Sumo by The Superjesus</title>
        <itunes:title>#027 - Sumo by The Superjesus</itunes:title>
        <link>https://digmeout.podbean.com/e/027-sumo-by-the-superjesus/</link>
                    <comments>https://digmeout.podbean.com/e/027-sumo-by-the-superjesus/#comments</comments>        <pubDate>Tue, 19 Jul 2011 06:23:22 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/027-sumo-by-the-superjesus/</guid>
                                    <description><![CDATA[In the twenty-seventh episode of the Dig Me Out Podcast, Tim and Jason review the 1998 debut album Sumo by The Superjesus

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-seventh episode of the Dig Me Out Podcast, Tim and Jason review the 1998 debut album Sumo by The Superjesus

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fekve/027-SumobyTheSuperjesus.mp3" length="34375621" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-seventh episode of the Dig Me Out Podcast, Tim and Jason review the 1998 debut album Sumo by The Superjesus

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2122</itunes:duration>
                                    </item>
    <item>
        <title>#026 - The Cult by The Cult</title>
        <itunes:title>#026 - The Cult by The Cult</itunes:title>
        <link>https://digmeout.podbean.com/e/026-the-cult-by-the-cult/</link>
                    <comments>https://digmeout.podbean.com/e/026-the-cult-by-the-cult/#comments</comments>        <pubDate>Tue, 12 Jul 2011 06:20:54 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/026-the-cult-by-the-cult/</guid>
                                    <description><![CDATA[In the twenty-sixth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled album by The Cult

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-sixth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled album by The Cult

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c6dxsu/026-TheCultbyTheCult.mp3" length="47255450" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-sixth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 self-titled album by The Cult

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2927</itunes:duration>
                                    </item>
    <item>
        <title>#025 - Hot Saki and Bedtime Stories by Catherine</title>
        <itunes:title>#025 - Hot Saki and Bedtime Stories by Catherine</itunes:title>
        <link>https://digmeout.podbean.com/e/025-hot-saki-and-bedtime-stories-by-catherine/</link>
                    <comments>https://digmeout.podbean.com/e/025-hot-saki-and-bedtime-stories-by-catherine/#comments</comments>        <pubDate>Tue, 05 Jul 2011 05:35:09 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/025-hot-saki-and-bedtime-stories-by-catherine/</guid>
                                    <description><![CDATA[n the twenty-fifth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album Hot Saki and Bedtime Stories by Catherine

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[n the twenty-fifth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album Hot Saki and Bedtime Stories by Catherine

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t34cn5/025-HotSakiandBedtimeStoriesbyCatherine.mp3" length="34405731" type="audio/mpeg"/>
        <itunes:summary><![CDATA[n the twenty-fifth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album Hot Saki and Bedtime Stories by Catherine

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2124</itunes:duration>
                                    </item>
    <item>
        <title>#024 - Example by For Squirrels</title>
        <itunes:title>#024 - Example by For Squirrels</itunes:title>
        <link>https://digmeout.podbean.com/e/024-example-by-for-squirrels/</link>
                    <comments>https://digmeout.podbean.com/e/024-example-by-for-squirrels/#comments</comments>        <pubDate>Tue, 28 Jun 2011 08:16:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/024-example-by-for-squirrels/</guid>
                                    <description><![CDATA[In the twenty-fourth episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Example by For Squirrels

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-fourth episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Example by For Squirrels

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uh6ase/024-ExamplebyForSquirrels.mp3" length="31185852" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-fourth episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Example by For Squirrels

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1923</itunes:duration>
                                    </item>
    <item>
        <title>#023 - Manic Compression by Quicksand</title>
        <itunes:title>#023 - Manic Compression by Quicksand</itunes:title>
        <link>https://digmeout.podbean.com/e/023-manic-compression-by-quicksand/</link>
                    <comments>https://digmeout.podbean.com/e/023-manic-compression-by-quicksand/#comments</comments>        <pubDate>Tue, 21 Jun 2011 05:13:36 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/023-manic-compression-by-quicksand/</guid>
                                    <description><![CDATA[In the twenty-third episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Manic Compression by Quicksand

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-third episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Manic Compression by Quicksand

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k3ynkr/023-ManicCompressionbyQuicksand.mp3" length="40450341" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-third episode of the Dig Me Out Podcast, Tim and Jason review the 1995 album Manic Compression by Quicksand

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2502</itunes:duration>
                                    </item>
    <item>
        <title>#022 - Hot Boxing by Magnapop</title>
        <itunes:title>#022 - Hot Boxing by Magnapop</itunes:title>
        <link>https://digmeout.podbean.com/e/022-hot-boxing-by-magnapop/</link>
                    <comments>https://digmeout.podbean.com/e/022-hot-boxing-by-magnapop/#comments</comments>        <pubDate>Tue, 14 Jun 2011 05:20:34 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/022-hot-boxing-by-magnapop/</guid>
                                    <description><![CDATA[In the twenty-second episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Hot Boxing by Magnapop

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-second episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Hot Boxing by Magnapop

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/74ahcy/022-HotBoxingbyMagnapop.mp3" length="64878024" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-second episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Hot Boxing by Magnapop

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4028</itunes:duration>
                                    </item>
    <item>
        <title>#021 - The Supersonic Storybook by Urge Overkill</title>
        <itunes:title>#021 - The Supersonic Storybook by Urge Overkill</itunes:title>
        <link>https://digmeout.podbean.com/e/021-the-supersonic-storybook-by-urge-overkill/</link>
                    <comments>https://digmeout.podbean.com/e/021-the-supersonic-storybook-by-urge-overkill/#comments</comments>        <pubDate>Tue, 07 Jun 2011 05:20:00 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/021-the-supersonic-storybook-by-urge-overkill/</guid>
                                    <description><![CDATA[In the twenty-first episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Supersonic Storybook by Urge Overkill

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twenty-first episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Supersonic Storybook by Urge Overkill

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uim79j/021-TheSupersonicStorybookbyUrgeOverkill.mp3" length="29438847" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twenty-first episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Supersonic Storybook by Urge Overkill

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1813</itunes:duration>
                                    </item>
    <item>
        <title>#020 - Four by Seaweed</title>
        <itunes:title>#020 - Four by Seaweed</itunes:title>
        <link>https://digmeout.podbean.com/e/020-four-by-seaweed/</link>
                    <comments>https://digmeout.podbean.com/e/020-four-by-seaweed/#comments</comments>        <pubDate>Tue, 31 May 2011 05:28:25 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/020-four-by-seaweed/</guid>
                                    <description><![CDATA[In the twentieth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Four by Seaweed

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the twentieth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Four by Seaweed

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8v24xh/020-FourbySeaweed.mp3" length="40040769" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the twentieth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Four by Seaweed

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2476</itunes:duration>
                                    </item>
    <item>
        <title>#019 - Be A Girl by The Wannadies</title>
        <itunes:title>#019 - Be A Girl by The Wannadies</itunes:title>
        <link>https://digmeout.podbean.com/e/019-be-a-girl-by-the-wannadies/</link>
                    <comments>https://digmeout.podbean.com/e/019-be-a-girl-by-the-wannadies/#comments</comments>        <pubDate>Tue, 24 May 2011 05:31:33 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/019-be-a-girl-by-the-wannadies/</guid>
                                    <description><![CDATA[In the nineteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Be A Girl by The Wannadies

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></description>
                                                            <content:encoded><![CDATA[In the nineteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Be A Girl by The Wannadies

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mhf5yf/019-BeAGirlbyTheWannadies.mp3" length="35031141" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the nineteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1994 album Be A Girl by The Wannadies

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2163</itunes:duration>
                                    </item>
    <item>
        <title>#018 - The Word and the Flesh by Band of Susans</title>
        <itunes:title>#018 - The Word and the Flesh by Band of Susans</itunes:title>
        <link>https://digmeout.podbean.com/e/018-the-word-and-the-flesh-by-band-of-susans/</link>
                    <comments>https://digmeout.podbean.com/e/018-the-word-and-the-flesh-by-band-of-susans/#comments</comments>        <pubDate>Tue, 17 May 2011 05:33:30 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/018-the-word-and-the-flesh-by-band-of-susans/</guid>
                                    <description><![CDATA[In the eighteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Word and the Flesh by Band of Susans

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the eighteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Word and the Flesh by Band of Susans

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t83359/018-TheWorldandtheFleshbyBandofSusans.mp3" length="25930048" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the eighteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album The Word and the Flesh by Band of Susans

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1594</itunes:duration>
                                    </item>
    <item>
        <title>#017 - Mezcal Head by Swervedriver</title>
        <itunes:title>#017 - Mezcal Head by Swervedriver</itunes:title>
        <link>https://digmeout.podbean.com/e/017-mezcal-head-by-swervedriver/</link>
                    <comments>https://digmeout.podbean.com/e/017-mezcal-head-by-swervedriver/#comments</comments>        <pubDate>Tue, 10 May 2011 05:33:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/017-mezcal-head-by-swervedriver/</guid>
                                    <description><![CDATA[In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6i3my/017-MezcalHeadbySwervedriver.mp3" length="47115151" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2918</itunes:duration>
                                    </item>
    <item>
        <title>#016 - Illuminated by 360s</title>
        <itunes:title>#016 - Illuminated by 360s</itunes:title>
        <link>https://digmeout.podbean.com/e/016-illuminated-by-360s/</link>
                    <comments>https://digmeout.podbean.com/e/016-illuminated-by-360s/#comments</comments>        <pubDate>Tue, 03 May 2011 05:38:10 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/016-illuminated-by-360s/</guid>
                                    <description><![CDATA[In the sixteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Illuminated by the 360s.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the sixteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Illuminated by the 360s.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gynbdb/016-Illuminatedbythe360s.mp3" length="26651019" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the sixteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Illuminated by the 360s.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1639</itunes:duration>
                                    </item>
    <item>
        <title>#015 - This World and Body by Marion</title>
        <itunes:title>#015 - This World and Body by Marion</itunes:title>
        <link>https://digmeout.podbean.com/e/015-this-world-and-body-by-marion/</link>
                    <comments>https://digmeout.podbean.com/e/015-this-world-and-body-by-marion/#comments</comments>        <pubDate>Tue, 26 Apr 2011 05:35:54 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/015-this-world-and-body-by-marion/</guid>
                                    <description><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album This World and Body by Marion.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></description>
                                                            <content:encoded><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album This World and Body by Marion.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qvxn6h/015-ThisWorldandBodybyMarion.mp3" length="27110881" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1996 album This World and Body by Marion.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1906</itunes:duration>
                                    </item>
    <item>
        <title>#014 - Eleventh Avenue by Ammonia</title>
        <itunes:title>#014 - Eleventh Avenue by Ammonia</itunes:title>
        <link>https://digmeout.podbean.com/e/014-eleventh-avenue-by-ammonia/</link>
                    <comments>https://digmeout.podbean.com/e/014-eleventh-avenue-by-ammonia/#comments</comments>        <pubDate>Tue, 19 Apr 2011 05:32:48 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/014-eleventh-avenue-by-ammonia/</guid>
                                    <description><![CDATA[In the fourteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Eleventh Avenue by Ammonia.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></description>
                                                            <content:encoded><![CDATA[In the fourteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Eleventh Avenue by Ammonia.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hpkx/014-EleventhAvenuebyAmmonia.mp3" length="24670745" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the fourteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Eleventh Avenue by Ammonia.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page at https://www.facebook.com/DigMeOutPodcast
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1515</itunes:duration>
                                    </item>
    <item>
        <title>#013 - Bricks and Blackouts by Gaunt</title>
        <itunes:title>#013 - Bricks and Blackouts by Gaunt</itunes:title>
        <link>https://digmeout.podbean.com/e/013-bricks-and-blackouts-by-gaunt/</link>
                    <comments>https://digmeout.podbean.com/e/013-bricks-and-blackouts-by-gaunt/#comments</comments>        <pubDate>Tue, 12 Apr 2011 05:40:58 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/013-bricks-and-blackouts-by-gaunt/</guid>
                                    <description><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></description>
                                                            <content:encoded><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mvfmry/013-BricksBlackoutsbyGaunt.mp3" length="27732720" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1707</itunes:duration>
                                    </item>
    <item>
        <title>#012 - Fantastic Planet by Failure</title>
        <itunes:title>#012 - Fantastic Planet by Failure</itunes:title>
        <link>https://digmeout.podbean.com/e/012-fantastic-planet-by-failure/</link>
                    <comments>https://digmeout.podbean.com/e/012-fantastic-planet-by-failure/#comments</comments>        <pubDate>Tue, 05 Apr 2011 05:36:29 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/012-fantastic-planet-by-failure/</guid>
                                    <description><![CDATA[On episode twelve of the Dig Me Out Podcast, Tim and Jason review the 1996 album Fantastic Planet by Failure.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></description>
                                                            <content:encoded><![CDATA[On episode twelve of the Dig Me Out Podcast, Tim and Jason review the 1996 album Fantastic Planet by Failure.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ty8c2m/012-FantasticPlanetbyFailure.mp3" length="27649100" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On episode twelve of the Dig Me Out Podcast, Tim and Jason review the 1996 album Fantastic Planet by Failure.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."
]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2269</itunes:duration>
                                    </item>
    <item>
        <title>#011 - Starcaster by Head Candy</title>
        <itunes:title>#011 - Starcaster by Head Candy</itunes:title>
        <link>https://digmeout.podbean.com/e/011-starcaster-by-head-candy/</link>
                    <comments>https://digmeout.podbean.com/e/011-starcaster-by-head-candy/#comments</comments>        <pubDate>Tue, 29 Mar 2011 04:46:16 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/011-starcaster-by-head-candy/</guid>
                                    <description><![CDATA[In the eleventh episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Starcaster by Head Candy.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In the eleventh episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Starcaster by Head Candy.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/haeym/011-StarcasterbyHeadCandy.mp3" length="24293756" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the eleventh episode of the Dig Me Out Podcast, Tim and Jason review the 1991 album Starcaster by Head Candy.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1492</itunes:duration>
                                    </item>
    <item>
        <title>#010 - In Loving Memory Of by Big Wreck</title>
        <itunes:title>#010 - In Loving Memory Of by Big Wreck</itunes:title>
        <link>https://digmeout.podbean.com/e/010-in-loving-memory-of-by-big-wreck/</link>
                    <comments>https://digmeout.podbean.com/e/010-in-loving-memory-of-by-big-wreck/#comments</comments>        <pubDate>Tue, 22 Mar 2011 05:27:22 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/010-in-loving-memory-of-by-big-wreck/</guid>
                                    <description><![CDATA[In the tenth episode of the Dig Me Out Podcast, Tim and Jason review the debut Big Wreck album In Loving Memory Of.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In the tenth episode of the Dig Me Out Podcast, Tim and Jason review the debut Big Wreck album In Loving Memory Of.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/57ce94/010-InLovingMemoryOfbyBigWreck.mp3" length="29680032" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the tenth episode of the Dig Me Out Podcast, Tim and Jason review the debut Big Wreck album In Loving Memory Of.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1828</itunes:duration>
                                    </item>
    <item>
        <title>#009 - Inside Yours by Gruntruck</title>
        <itunes:title>#009 - Inside Yours by Gruntruck</itunes:title>
        <link>https://digmeout.podbean.com/e/009-inside-yours-by-gruntruck/</link>
                    <comments>https://digmeout.podbean.com/e/009-inside-yours-by-gruntruck/#comments</comments>        <pubDate>Tue, 15 Mar 2011 06:33:25 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/009-inside-yours-by-gruntruck/</guid>
                                    <description><![CDATA[In the ninth episode of the Dig Me Out Podcast, Tim and Jason review the debut Gruntruck album Inside Yours.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In the ninth episode of the Dig Me Out Podcast, Tim and Jason review the debut Gruntruck album Inside Yours.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qixge/009-InsideYoursbyGruntruck.mp3" length="22825748" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the ninth episode of the Dig Me Out Podcast, Tim and Jason review the debut Gruntruck album Inside Yours.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1401</itunes:duration>
                                    </item>
    <item>
        <title>#008 - Glodean by Sons of Elvis</title>
        <itunes:title>#008 - Glodean by Sons of Elvis</itunes:title>
        <link>https://digmeout.podbean.com/e/008-glodean-by-sons-of-elvis/</link>
                    <comments>https://digmeout.podbean.com/e/008-glodean-by-sons-of-elvis/#comments</comments>        <pubDate>Tue, 08 Mar 2011 06:31:20 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/008-glodean-by-sons-of-elvis/</guid>
                                    <description><![CDATA[In the eighth episode of the Dig Me Out Podcast, Tim and Jason review Sons of Elvis debut album Glodean.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In the eighth episode of the Dig Me Out Podcast, Tim and Jason review Sons of Elvis debut album Glodean.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j8qn3/008-GlodeanbySonsofElvis.mp3" length="17968782" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the eighth episode of the Dig Me Out Podcast, Tim and Jason review Sons of Elvis debut album Glodean.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://www.digmeoutpodcast.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1097</itunes:duration>
                                    </item>
    <item>
        <title>Episode 007 - Maquee by Smile</title>
        <itunes:title>Episode 007 - Maquee by Smile</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-007-maquee-by-smile/</link>
                    <comments>https://digmeout.podbean.com/e/episode-007-maquee-by-smile/#comments</comments>        <pubDate>Tue, 01 Mar 2011 06:32:38 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-007-maquee-by-smile/</guid>
                                    <description><![CDATA[In seventh episode of the Dig Me Out Podcast, Tim and Jason review Smile's 1995 debut album Maquee.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In seventh episode of the Dig Me Out Podcast, Tim and Jason review Smile's 1995 debut album Maquee.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v2tfh5/Episode007-MaqueebySmile.mp3" length="16072089" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In seventh episode of the Dig Me Out Podcast, Tim and Jason review Smile's 1995 debut album Maquee.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>978</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 006 - Look What The Rookie Did by Zumpano</title>
        <itunes:title>EPISODE 006 - Look What The Rookie Did by Zumpano</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-006-look-what-the-rookie-did-by-zumpano/</link>
                    <comments>https://digmeout.podbean.com/e/episode-006-look-what-the-rookie-did-by-zumpano/#comments</comments>        <pubDate>Tue, 22 Feb 2011 06:30:42 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-006-look-what-the-rookie-did-by-zumpano/</guid>
                                    <description><![CDATA[In episode six of the Dig Me Out Podcast, Tim and Jason review the 1995 debut album Look What The Rookie Did by Zumpano.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In episode six of the Dig Me Out Podcast, Tim and Jason review the 1995 debut album Look What The Rookie Did by Zumpano.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7e4r3z/Episode006-LookWhatTheRookieDidbyZumpano.mp3" length="12041736" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In episode six of the Dig Me Out Podcast, Tim and Jason review the 1995 debut album Look What The Rookie Did by Zumpano.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>727</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 005 - Broadcaster by Triple Fast Action</title>
        <itunes:title>EPISODE 005 - Broadcaster by Triple Fast Action</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-005-broadcaster-by-triple-fast-action/</link>
                    <comments>https://digmeout.podbean.com/e/episode-005-broadcaster-by-triple-fast-action/#comments</comments>        <pubDate>Tue, 15 Feb 2011 13:48:35 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-005-broadcaster-by-triple-fast-action/</guid>
                                    <description><![CDATA[In episode five of the Dig Me Out Podcast, Tim and Jason are joined by Chip Midnight to review the 1996 album Broadcaster by Triple Fast Action.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In episode five of the Dig Me Out Podcast, Tim and Jason are joined by Chip Midnight to review the 1996 album Broadcaster by Triple Fast Action.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ti3dvx/Episode005_BroadcasterbyTripleFastAction.mp3" length="33186552" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In episode five of the Dig Me Out Podcast, Tim and Jason are joined by Chip Midnight to review the 1996 album Broadcaster by Triple Fast Action.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2048</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 004-Ling by Seed</title>
        <itunes:title>EPISODE 004-Ling by Seed</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-004-ling-by-seed/</link>
                    <comments>https://digmeout.podbean.com/e/episode-004-ling-by-seed/#comments</comments>        <pubDate>Tue, 08 Feb 2011 19:09:06 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-004-ling-by-seed/</guid>
                                    <description><![CDATA[In episode four of the Dig Me Out Podcast, Tim and Jason review the 1994 album Ling from Seed.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In episode four of the Dig Me Out Podcast, Tim and Jason review the 1994 album Ling from Seed.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mnzy5b/Episode004-LingbySeed.mp3" length="18685588" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In episode four of the Dig Me Out Podcast, Tim and Jason review the 1994 album Ling from Seed.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1160</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 003-Dragline by Paw</title>
        <itunes:title>EPISODE 003-Dragline by Paw</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-003-dragline-by-paw/</link>
                    <comments>https://digmeout.podbean.com/e/episode-003-dragline-by-paw/#comments</comments>        <pubDate>Tue, 01 Feb 2011 20:06:28 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-003-dragline-by-paw/</guid>
                                    <description><![CDATA[In episode three of the Dig Me Out Podcast, Tim and Jason review the 1993 debut album Dragline from Paw.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In episode three of the Dig Me Out Podcast, Tim and Jason review the 1993 debut album Dragline from Paw.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/prq93/Episode003_DraglinebyPaw.mp3" length="11880773" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In episode three of the Dig Me Out Podcast, Tim and Jason review the 1993 debut album Dragline from Paw.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at: http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>735</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 002-Lustre by Lustre</title>
        <itunes:title>EPISODE 002-Lustre by Lustre</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-002-lustre-by-lustre/</link>
                    <comments>https://digmeout.podbean.com/e/episode-002-lustre-by-lustre/#comments</comments>        <pubDate>Tue, 25 Jan 2011 19:34:55 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-002-lustre-by-lustre/</guid>
                                    <description><![CDATA[In episode number two of Dig Me Out, Tim and Jason review the self-titled 1996 album by Lustre.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In episode number two of Dig Me Out, Tim and Jason review the self-titled 1996 album by Lustre.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u75vkk/Episode002_LustrebyLustre2.mp3" length="10481052" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In episode number two of Dig Me Out, Tim and Jason review the self-titled 1996 album by Lustre.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>647</itunes:duration>
                                    </item>
    <item>
        <title>EPISODE 001-Box Set by Wool</title>
        <itunes:title>EPISODE 001-Box Set by Wool</itunes:title>
        <link>https://digmeout.podbean.com/e/episode-001-box-set-by-wool/</link>
                    <comments>https://digmeout.podbean.com/e/episode-001-box-set-by-wool/#comments</comments>        <pubDate>Mon, 17 Jan 2011 10:29:25 -0500</pubDate>
        <guid isPermaLink="false">http://digmeout.podbean.com/e/episode-001-box-set-by-wool/</guid>
                                    <description><![CDATA[In the first episode of Dig Me Out, Tim and Jason review the 1994 album Box Set, by Wool.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></description>
                                                            <content:encoded><![CDATA[In the first episode of Dig Me Out, Tim and Jason review the 1994 album Box Set, by Wool.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qu6e82/EPISODE001_BoxSetbyWool.mp3" length="11354586" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the first episode of Dig Me Out, Tim and Jason review the 1994 album Box Set, by Wool.

If you want to suggest a forgotten 90s album for us to review, or just want to say hello, visit us at:

http://digmeoutpodcast.blogspot.com/

Follow us on Twitter @digmeoutpodcast

And visit our Facebook page, just go to Facebook and search for "Dig Me Out."]]></itunes:summary>
        <itunes:author>Dig Me Out</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>702</itunes:duration>
                                    </item>
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