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    <title>Critical Listening</title>
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    <description>Sharp takes on music technology and culture industry hell. A new podcast from journalist Liz Pelly and musician/educator Max Alper. Support the show and find bonus content at patreon.com/criticallistening</description>
    <pubDate>Fri, 06 Mar 2026 15:10:12 -0500</pubDate>
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    <category>Music:Music Commentary</category>
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          <itunes:summary>Sharp takes on music technology and culture industry hell from journalist Liz Pelly and musician/educator Max Alper. On each episode, Liz and Max take on the contemporary music and culture industries, with deep dives into the hellscape of contemporary music biz headlines and long form interviews with fellow writers, musicians and more. Support the show, get early access to episodes and exclusive content at patreon.com/criticallistening</itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
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        <title>Episode 12: February 2026 Headlines</title>
        <itunes:title>Episode 12: February 2026 Headlines</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-12-february-2026-headlines/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-12-february-2026-headlines/#comments</comments>        <pubDate>Fri, 06 Mar 2026 15:10:12 -0500</pubDate>
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                                    <description><![CDATA[<p>Welcome back to another episode of Critical Listening. For this month’s Headlines, we’re joined by <a href='https://www.hearingthings.co/'>Hearing Things</a> co-founder and longtime music critic Jill Mapes to discuss her recent piece <a href='https://www.hearingthings.co/the-wasserman-exodus-is-a-different-kind-of-reckoning/'>“The Wasserman Exodus is A Different Kind of Reckoning”</a> about the artists protesting music exec Casey Wasserman’s appearance in the Epstein files. Before that we’re also talking about Spotify’s recent 2025 Q4 earnings call, where it presented a financial update to shareholders, and what it says about the company’s most recent positions on generative AI and the visions of its new leadership. Or, as we’re calling it: “Liz reads the transcript of the Spotify earnings call so you don’t have to.”</p>
<p>Thanks for listening! Remember to support the show by subscribing to the <a href='http://patreon.com/criticallistening'>Patreon</a> If you are enjoying these Headlines episodes please tell a friend about the show or leave a review on your podcast app. This episode will be made available on all public platforms besides you-know-where next week.</p>
<p>Music for this episode includes two pieces by the late great Éliane Radigue: "Occam Delta XV" and "Jetsun Mila".</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Welcome back to another episode of Critical Listening. For this month’s Headlines, we’re joined by <a href='https://www.hearingthings.co/'>Hearing Things</a> co-founder and longtime music critic Jill Mapes to discuss her recent piece <a href='https://www.hearingthings.co/the-wasserman-exodus-is-a-different-kind-of-reckoning/'>“The Wasserman Exodus is A Different Kind of Reckoning”</a> about the artists protesting music exec Casey Wasserman’s appearance in the Epstein files. Before that we’re also talking about Spotify’s recent 2025 Q4 earnings call, where it presented a financial update to shareholders, and what it says about the company’s most recent positions on generative AI and the visions of its new leadership. Or, as we’re calling it: “Liz reads the transcript of the Spotify earnings call so you don’t have to.”</p>
<p>Thanks for listening! Remember to support the show by subscribing to the <a href='http://patreon.com/criticallistening'>Patreon</a> If you are enjoying these Headlines episodes please tell a friend about the show or leave a review on your podcast app. This episode will be made available on all public platforms besides you-know-where next week.</p>
<p>Music for this episode includes two pieces by the late great Éliane Radigue: "Occam Delta XV" and "Jetsun Mila".</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uze5ittrhavpxdg2/ep12_v16c3mk.mp3" length="129279999" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Welcome back to another episode of Critical Listening. For this month’s Headlines, we’re joined by Hearing Things co-founder and longtime music critic Jill Mapes to discuss her recent piece “The Wasserman Exodus is A Different Kind of Reckoning” about the artists protesting music exec Casey Wasserman’s appearance in the Epstein files. Before that we’re also talking about Spotify’s recent 2025 Q4 earnings call, where it presented a financial update to shareholders, and what it says about the company’s most recent positions on generative AI and the visions of its new leadership. Or, as we’re calling it: “Liz reads the transcript of the Spotify earnings call so you don’t have to.”
Thanks for listening! Remember to support the show by subscribing to the Patreon If you are enjoying these Headlines episodes please tell a friend about the show or leave a review on your podcast app. This episode will be made available on all public platforms besides you-know-where next week.
Music for this episode includes two pieces by the late great Éliane Radigue: "Occam Delta XV" and "Jetsun Mila".]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3231</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 11:  Live from Groningen</title>
        <itunes:title>Episode 11:  Live from Groningen</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-11-live-from-groningen/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-11-live-from-groningen/#comments</comments>        <pubDate>Wed, 11 Feb 2026 08:51:12 -0500</pubDate>
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                                    <description><![CDATA[<p>WE’RE BACK. Today we start the year with a dispatch from what some may call the front lines: a bunch of AI-related panels at a European music biz trade conference. It’s also our first episode recorded in person!</p>
<p>We are starting our new season with two episodes recorded in the city of Groningen in the Netherlands, where we were invited to participate on some panels and to host a live taping of the show at the annual conference and festival ESNS. That live taping—an interview with Dutch investigative culture reporter Henk Willem Smits—will drop later in the month. But before then, we have another conversation we recorded while we were in Groningen, reflecting on some panels we saw as well as ones we participated in. </p>
<p>Did Max survive his first music industry conference? Did Liz learn anything being on a panel alongside someone from a certain French DSP that has been labeling AI tracks? Why did we choose to attend something called “Automate or Die Trying” when we could have done literally anything else? And why are there never any musicians at these things? All this and more on Episode 11 of Critical Listening.</p>
<p>Support the show for access to bonus episodes and our Discord at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening.</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>WE’RE BACK. Today we start the year with a dispatch from what some may call the front lines: a bunch of AI-related panels at a European music biz trade conference. It’s also our first episode recorded in person!</p>
<p>We are starting our new season with two episodes recorded in the city of Groningen in the Netherlands, where we were invited to participate on some panels and to host a live taping of the show at the annual conference and festival ESNS. That live taping—an interview with Dutch investigative culture reporter Henk Willem Smits—will drop later in the month. But before then, we have another conversation we recorded while we were in Groningen, reflecting on some panels we saw as well as ones we participated in. </p>
<p>Did Max survive his first music industry conference? Did Liz learn anything being on a panel alongside someone from a certain French DSP that has been labeling AI tracks? Why did we choose to attend something called “Automate or Die Trying” when we could have done literally anything else? And why are there never any musicians at these things? All this and more on Episode 11 of Critical Listening.</p>
<p>Support the show for access to bonus episodes and our Discord at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening.</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/78bb9v3kz4wau884/ep11_v18q73v.mp3" length="122911346" type="audio/mpeg"/>
        <itunes:summary><![CDATA[WE’RE BACK. Today we start the year with a dispatch from what some may call the front lines: a bunch of AI-related panels at a European music biz trade conference. It’s also our first episode recorded in person!
We are starting our new season with two episodes recorded in the city of Groningen in the Netherlands, where we were invited to participate on some panels and to host a live taping of the show at the annual conference and festival ESNS. That live taping—an interview with Dutch investigative culture reporter Henk Willem Smits—will drop later in the month. But before then, we have another conversation we recorded while we were in Groningen, reflecting on some panels we saw as well as ones we participated in. 
Did Max survive his first music industry conference? Did Liz learn anything being on a panel alongside someone from a certain French DSP that has been labeling AI tracks? Why did we choose to attend something called “Automate or Die Trying” when we could have done literally anything else? And why are there never any musicians at these things? All this and more on Episode 11 of Critical Listening.
Support the show for access to bonus episodes and our Discord at patreon.com/criticallistening.]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3072</itunes:duration>
                <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
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    <item>
        <title>Episode 10: Season Finale w/ Anthony Fantano (The Needle Drop)</title>
        <itunes:title>Episode 10: Season Finale w/ Anthony Fantano (The Needle Drop)</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-10-season-finale-w-anthony-fantano-the-needle-drop/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-10-season-finale-w-anthony-fantano-the-needle-drop/#comments</comments>        <pubDate>Wed, 24 Dec 2025 09:11:36 -0500</pubDate>
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                                    <description><![CDATA[





<p>As 2025 comes to a close, so does the first season of Critical Listening. And with us to send off the year, we have none other than the internet's busiest music nerd himself: Anthony Fantano of The Needle Drop. We discuss how public perception of streaming culture discourse has shifted this past year, his efforts to offer a critical perspective on the music industry in his videos, the state of on-screen music journalism in 2025, and more.</p>
<p>We also dive into Anthony's background as a music journalist, the influence of public radio on his work, what media integrity means for video-first critics, and his general thoughts on music media after over 15 years of running a successful online platform. We had a lot of fun chatting with Anthony and we hope you will enjoy this culmination of Season 1. Thanks to all who pledged their monthly support to make this first season of Critical Listening happen, we can't wait to show you what we have in store for 2026. If you haven't yet please subscribe to the Patreon at<a href='http://www.patreon.com/criticallistening'>patreon.com/criticallistening</a>. See you all in the New Year!</p>
<p>The tracklist for this episode includes some of our shared fav releases from the past year. Support these artists by buying their music:</p>
<p><a href='https://keiyaa.bandcamp.com/'>Keiyaa</a> - Take It</p>
<p><a href='http://purelink.bandcamp.com/album/faith'>Purelink</a> - Rookie ft. Loraine James</p>
<p><a href='https://chatpile.bandcamp.com/album/in-the-earth-again'>Chat Pile / Hayden Pedigo</a> - Never Say Die</p>
<p><a href='https://deerhoof.bandcamp.com/music'>Deerhoof </a>- Immigrant Songs</p>





]]></description>
                                                            <content:encoded><![CDATA[





<p>As 2025 comes to a close, so does the first season of Critical Listening. And with us to send off the year, we have none other than the internet's busiest music nerd himself: Anthony Fantano of The Needle Drop. We discuss how public perception of streaming culture discourse has shifted this past year, his efforts to offer a critical perspective on the music industry in his videos, the state of on-screen music journalism in 2025, and more.</p>
<p>We also dive into Anthony's background as a music journalist, the influence of public radio on his work, what media integrity means for video-first critics, and his general thoughts on music media after over 15 years of running a successful online platform. We had a lot of fun chatting with Anthony and we hope you will enjoy this culmination of Season 1. Thanks to all who pledged their monthly support to make this first season of Critical Listening happen, we can't wait to show you what we have in store for 2026. If you haven't yet please subscribe to the Patreon at<a href='http://www.patreon.com/criticallistening'>patreon.com/criticallistening</a>. See you all in the New Year!</p>
<p>The tracklist for this episode includes some of our shared fav releases from the past year. Support these artists by buying their music:</p>
<p><a href='https://keiyaa.bandcamp.com/'>Keiyaa</a> - Take It</p>
<p><a href='http://purelink.bandcamp.com/album/faith'>Purelink</a> - Rookie ft. Loraine James</p>
<p><a href='https://chatpile.bandcamp.com/album/in-the-earth-again'>Chat Pile / Hayden Pedigo</a> - Never Say Die</p>
<p><a href='https://deerhoof.bandcamp.com/music'>Deerhoof </a>- Immigrant Songs</p>





]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[





As 2025 comes to a close, so does the first season of Critical Listening. And with us to send off the year, we have none other than the internet's busiest music nerd himself: Anthony Fantano of The Needle Drop. We discuss how public perception of streaming culture discourse has shifted this past year, his efforts to offer a critical perspective on the music industry in his videos, the state of on-screen music journalism in 2025, and more.
We also dive into Anthony's background as a music journalist, the influence of public radio on his work, what media integrity means for video-first critics, and his general thoughts on music media after over 15 years of running a successful online platform. We had a lot of fun chatting with Anthony and we hope you will enjoy this culmination of Season 1. Thanks to all who pledged their monthly support to make this first season of Critical Listening happen, we can't wait to show you what we have in store for 2026. If you haven't yet please subscribe to the Patreon atpatreon.com/criticallistening. See you all in the New Year!
The tracklist for this episode includes some of our shared fav releases from the past year. Support these artists by buying their music:
Keiyaa - Take It
Purelink - Rookie ft. Loraine James
Chat Pile / Hayden Pedigo - Never Say Die
Deerhoof - Immigrant Songs





]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4867</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
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    <item>
        <title>Episode 9: November 2025 Headlines LIVE at Purchase College</title>
        <itunes:title>Episode 9: November 2025 Headlines LIVE at Purchase College</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-9-november-2025-headlines-live-at-purchase-college/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-9-november-2025-headlines-live-at-purchase-college/#comments</comments>        <pubDate>Tue, 09 Dec 2025 08:39:22 -0500</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/0c439d84-17cd-33fa-8962-b8bffaf48f75</guid>
                                    <description><![CDATA[<p>We are back for our penultimate episode of Season 1 of Critical Listening! Recorded on November 13th at the coveted Stood at Purchase College, we're discussing the latest developments in the Spotify deal to create "artist first" generative AI tools in partnership with major labels and distributors. We also review the platform's continued growth as it rounds out its second full year of profitability and what that means for both artists and users alike.</p>
<p>We have just uploaded the second part of this episode for Patrons only where we take questions directly from the students of Purchase College themselves, sign up now at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening</a> to catch up on the full season and bonus episodes before our season finale at the end of the year!</p>
<p>Do you want the Critical Listening team to do a live taping at your college, music venue, conference, record store, or general hang in 2026? Shoot us an email at <a href='mailto:criticallisteningpod@gmail.com'>criticallisteningpod@gmail.com</a> and let's chat!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We are back for our penultimate episode of Season 1 of Critical Listening! Recorded on November 13th at the coveted Stood at Purchase College, we're discussing the latest developments in the Spotify deal to create "artist first" generative AI tools in partnership with major labels and distributors. We also review the platform's continued growth as it rounds out its second full year of profitability and what that means for both artists and users alike.</p>
<p>We have just uploaded the second part of this episode for Patrons only where we take questions directly from the students of Purchase College themselves, sign up now at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening</a> to catch up on the full season and bonus episodes before our season finale at the end of the year!</p>
<p>Do you want the Critical Listening team to do a live taping at your college, music venue, conference, record store, or general hang in 2026? Shoot us an email at <a href='mailto:criticallisteningpod@gmail.com'>criticallisteningpod@gmail.com</a> and let's chat!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rnqcua2228yjkb8n/ep9_v287xfi.mp3" length="131839999" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We are back for our penultimate episode of Season 1 of Critical Listening! Recorded on November 13th at the coveted Stood at Purchase College, we're discussing the latest developments in the Spotify deal to create "artist first" generative AI tools in partnership with major labels and distributors. We also review the platform's continued growth as it rounds out its second full year of profitability and what that means for both artists and users alike.
We have just uploaded the second part of this episode for Patrons only where we take questions directly from the students of Purchase College themselves, sign up now at patreon.com/criticallistening to catch up on the full season and bonus episodes before our season finale at the end of the year!
Do you want the Critical Listening team to do a live taping at your college, music venue, conference, record store, or general hang in 2026? Shoot us an email at criticallisteningpod@gmail.com and let's chat!]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3295</itunes:duration>
                <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 8: Amirtha Kidambi</title>
        <itunes:title>Episode 8: Amirtha Kidambi</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-8-amirtha-kidambi/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-8-amirtha-kidambi/#comments</comments>        <pubDate>Wed, 26 Nov 2025 08:00:00 -0500</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/7272b907-c607-3db9-977d-64d929a5eab8</guid>
                                    <description><![CDATA[<p>For Episode 8 we have composer, educator, curator, and activist Amirtha Kidambi stopping by. We discuss Amirtha's various musical outputs, including her <a href='https://amirthakidambi.bandcamp.com/album/new-monuments-live-in-vilnius'>Elder Ones</a> ensemble and her recent duo release with Matt Evans as <a href='https://amirthakidambi.bandcamp.com/album/impermanence'>Neti-Neti.</a> We discuss the inseparability of politics from pedagogy as teaching artists, the importance of solidarity amongst working artists and the need for us to Do-It-Together rather than simply DIY. Amirtha has a new podcast out called <a href='https://www.amirthakidambi.com/outernational-podcast'>Outernational</a> that explores the relationship of music and revolution through poignant conversations with fellow artists around the world, subscribe and support her work via her <a href='https://amirthakidambi.substack.com/'>Substack</a> and <a href='https://amirthakidambi.bandcamp.com/'>Bandcamp</a>.</p>
<p>Support critical and independent media at the intersections of music, tech, and culture industry hell by subscribing to our <a href='http://www.patreon.com/criticallistening'>Patreon.</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>For Episode 8 we have composer, educator, curator, and activist Amirtha Kidambi stopping by. We discuss Amirtha's various musical outputs, including her <a href='https://amirthakidambi.bandcamp.com/album/new-monuments-live-in-vilnius'>Elder Ones</a> ensemble and her recent duo release with Matt Evans as <a href='https://amirthakidambi.bandcamp.com/album/impermanence'>Neti-Neti.</a> We discuss the inseparability of politics from pedagogy as teaching artists, the importance of solidarity amongst working artists and the need for us to Do-It-Together rather than simply DIY. Amirtha has a new podcast out called <a href='https://www.amirthakidambi.com/outernational-podcast'>Outernational</a> that explores the relationship of music and revolution through poignant conversations with fellow artists around the world, subscribe and support her work via her <a href='https://amirthakidambi.substack.com/'>Substack</a> and <a href='https://amirthakidambi.bandcamp.com/'>Bandcamp</a>.</p>
<p>Support critical and independent media at the intersections of music, tech, and culture industry hell by subscribing to our <a href='http://www.patreon.com/criticallistening'>Patreon.</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hmxjcktisiy4hzzd/cl_ep8_v1aqpxa.mp3" length="234221191" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For Episode 8 we have composer, educator, curator, and activist Amirtha Kidambi stopping by. We discuss Amirtha's various musical outputs, including her Elder Ones ensemble and her recent duo release with Matt Evans as Neti-Neti. We discuss the inseparability of politics from pedagogy as teaching artists, the importance of solidarity amongst working artists and the need for us to Do-It-Together rather than simply DIY. Amirtha has a new podcast out called Outernational that explores the relationship of music and revolution through poignant conversations with fellow artists around the world, subscribe and support her work via her Substack and Bandcamp.
Support critical and independent media at the intersections of music, tech, and culture industry hell by subscribing to our Patreon.]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5855</itunes:duration>
                <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 7: October 2025 Headlines</title>
        <itunes:title>Episode 7: October 2025 Headlines</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-7-october-headlines/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-7-october-headlines/#comments</comments>        <pubDate>Wed, 05 Nov 2025 10:50:44 -0500</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/735a7a75-5e42-3b90-83e5-4d06dbdd9e70</guid>
                                    <description><![CDATA[<p>We’re back with another headlines ep, where Liz and Max each bring one story from across the music-tech biz press to summarize and contextualize. On this ep we are unpacking the imminent major label deals with gen-AI companies. At the time we recorded, those reportedly landmark deals were thought to be signed within weeks, and since recording we’ve already started to see more details emerge. We discussed some implications of Spotify being included on the list of companies major rightsholders are working out gen-AI deals with, and more details of that collaboration have already dropped, too. Lastly, we of course also spoke about what it means that Daniel Ek is stepping back from his role as CEO of Spotify. Thanks for tuning in, remember to support the show by joining our <a href='http://www.patreon.com/criticallistening'>Patreon</a> &amp; head over to the Discord if you want to chat about anything mentioned on the show!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We’re back with another headlines ep, where Liz and Max each bring one story from across the music-tech biz press to summarize and contextualize. On this ep we are unpacking the imminent major label deals with gen-AI companies. At the time we recorded, those reportedly landmark deals were thought to be signed within weeks, and since recording we’ve already started to see more details emerge. We discussed some implications of Spotify being included on the list of companies major rightsholders are working out gen-AI deals with, and more details of that collaboration have already dropped, too. Lastly, we of course also spoke about what it means that Daniel Ek is stepping back from his role as CEO of Spotify. Thanks for tuning in, remember to support the show by joining our <a href='http://www.patreon.com/criticallistening'>Patreon</a> &amp; head over to the Discord if you want to chat about anything mentioned on the show!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/icafvvvz3nzgvqwb/cl_ep7_v180951.mp3" length="133224488" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We’re back with another headlines ep, where Liz and Max each bring one story from across the music-tech biz press to summarize and contextualize. On this ep we are unpacking the imminent major label deals with gen-AI companies. At the time we recorded, those reportedly landmark deals were thought to be signed within weeks, and since recording we’ve already started to see more details emerge. We discussed some implications of Spotify being included on the list of companies major rightsholders are working out gen-AI deals with, and more details of that collaboration have already dropped, too. Lastly, we of course also spoke about what it means that Daniel Ek is stepping back from his role as CEO of Spotify. Thanks for tuning in, remember to support the show by joining our Patreon &amp; head over to the Discord if you want to chat about anything mentioned on the show!]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3330</itunes:duration>
                <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 6: Why Sound Matters w/ Damon Krukowski</title>
        <itunes:title>Episode 6: Why Sound Matters w/ Damon Krukowski</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-6-why-sound-matters-w-damon-krukowski/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-6-why-sound-matters-w-damon-krukowski/#comments</comments>        <pubDate>Mon, 20 Oct 2025 07:00:00 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/fcbc331c-fe77-3a16-bf85-cdf9595fd160</guid>
                                    <description><![CDATA[<p>We're back from a month of touring and we missed you! We are thrilled to have musician and author Damon Krukowski on the show to discuss his upcoming book <a href='https://yalebooks.yale.edu/book/9780300272246/why-sound-matters/'>"Why Sound Matters"</a>, available everywhere on October 21st from Yale University Press. We discuss Galaxie 500, Damon &amp; Naomi, the acoustic ecology writings of Bernie Krause, the Boston independent music scene in the 1980s compared to today, and how much of the material aspects of music relate directly to the labor issues in sound as a whole. Support the show and listen to exclusive bonus content from this episode at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're back from a month of touring and we missed you! We are thrilled to have musician and author Damon Krukowski on the show to discuss his upcoming book <a href='https://yalebooks.yale.edu/book/9780300272246/why-sound-matters/'>"Why Sound Matters"</a>, available everywhere on October 21st from Yale University Press. We discuss Galaxie 500, Damon &amp; Naomi, the acoustic ecology writings of Bernie Krause, the Boston independent music scene in the 1980s compared to today, and how much of the material aspects of music relate directly to the labor issues in sound as a whole. Support the show and listen to exclusive bonus content from this episode at <a href='https://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4k94h8h29iy9ibf7/cl_ep6_v2avkzs.mp3" length="218300080" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back from a month of touring and we missed you! We are thrilled to have musician and author Damon Krukowski on the show to discuss his upcoming book "Why Sound Matters", available everywhere on October 21st from Yale University Press. We discuss Galaxie 500, Damon &amp; Naomi, the acoustic ecology writings of Bernie Krause, the Boston independent music scene in the 1980s compared to today, and how much of the material aspects of music relate directly to the labor issues in sound as a whole. Support the show and listen to exclusive bonus content from this episode at patreon.com/criticallistening.]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5457</itunes:duration>
                <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 5: August 2025 Headlines</title>
        <itunes:title>Episode 5: August 2025 Headlines</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-5-august-2025-headlines/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-5-august-2025-headlines/#comments</comments>        <pubDate>Wed, 10 Sep 2025 00:00:00 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/cf43ab3b-d024-3080-bcb5-281b75e5ed05</guid>
                                    <description><![CDATA[









<p>Max &amp; Liz return for another installment of their series diving into some intriguing headlines from across the music, tech and business hellscape. What does it mean for organizations representing independent record labels to be inking deals with gen-AI companies? How are AI-driven tech platforms impacting the realm of music education? Never fear, we’ve got a bloomscroll in there too. Check it out and support the <a href='http://www.patreon.com/criticallistening'>Patreon</a> to join the convo on Discord!</p>
















 





]]></description>
                                                            <content:encoded><![CDATA[









<p>Max &amp; Liz return for another installment of their series diving into some intriguing headlines from across the music, tech and business hellscape. What does it mean for organizations representing independent record labels to be inking deals with gen-AI companies? How are AI-driven tech platforms impacting the realm of music education? Never fear, we’ve got a bloomscroll in there too. Check it out and support the <a href='http://www.patreon.com/criticallistening'>Patreon</a> to join the convo on Discord!</p>
















 





]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2j67nktqyvr5qqzd/ep5_v2acygn.mp3" length="148421484" type="audio/mpeg"/>
        <itunes:summary><![CDATA[









Max &amp; Liz return for another installment of their series diving into some intriguing headlines from across the music, tech and business hellscape. What does it mean for organizations representing independent record labels to be inking deals with gen-AI companies? How are AI-driven tech platforms impacting the realm of music education? Never fear, we’ve got a bloomscroll in there too. Check it out and support the Patreon to join the convo on Discord!
















 





]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3710</itunes:duration>
                <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 4: QUITTING STREAMING w/ Andy Cush of Hearing Things</title>
        <itunes:title>Episode 4: QUITTING STREAMING w/ Andy Cush of Hearing Things</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-4-quitting-streaming-w-andy-cush-of-hearing-things/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-4-quitting-streaming-w-andy-cush-of-hearing-things/#comments</comments>        <pubDate>Tue, 26 Aug 2025 16:27:57 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/1ae7f2ef-6754-3414-bdbb-5da96f85a1ac</guid>
                                    <description><![CDATA[<p>We're back with another esteemed guest! With us today we have writer, musician, and co-founder of the worker owned music publication<a href='https://www.hearingthings.co/'> Hearing Things</a>, Andy Cush. We discuss with Andy <a href='https://www.hearingthings.co/musicians-not-on-streaming/'>his</a> <a href='https://www.hearingthings.co/how-to-quit-streaming/'>articles</a> on the various artists and labels who have not only decided to leave streaming, but are reimagining their relationship with digital music as a whole off these major platforms. We also dive into the detrimental effects streaming has made on the listening habits of both casual and diehard music lovers, and how one might decide to find different alternatives themselves.</p>
<p>Music for the episode is from Andy's solo project, Domestic Drafts, whose full length LP entitled <a href='https://domesticdrafts.bandcamp.com/album/only-the-singer'>Only The Singer</a> was released earlier this year.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're back with another esteemed guest! With us today we have writer, musician, and co-founder of the worker owned music publication<a href='https://www.hearingthings.co/'> Hearing Things</a>, Andy Cush. We discuss with Andy <a href='https://www.hearingthings.co/musicians-not-on-streaming/'>his</a> <a href='https://www.hearingthings.co/how-to-quit-streaming/'>articles</a> on the various artists and labels who have not only decided to leave streaming, but are reimagining their relationship with digital music as a whole off these major platforms. We also dive into the detrimental effects streaming has made on the listening habits of both casual and diehard music lovers, and how one might decide to find different alternatives themselves.</p>
<p>Music for the episode is from Andy's solo project, Domestic Drafts, whose full length LP entitled <a href='https://domesticdrafts.bandcamp.com/album/only-the-singer'>Only The Singer</a> was released earlier this year.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tfj2xjf3itzixyyc/cl_episode_4_v166geo.mp3" length="146079868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back with another esteemed guest! With us today we have writer, musician, and co-founder of the worker owned music publication Hearing Things, Andy Cush. We discuss with Andy his articles on the various artists and labels who have not only decided to leave streaming, but are reimagining their relationship with digital music as a whole off these major platforms. We also dive into the detrimental effects streaming has made on the listening habits of both casual and diehard music lovers, and how one might decide to find different alternatives themselves.
Music for the episode is from Andy's solo project, Domestic Drafts, whose full length LP entitled Only The Singer was released earlier this year.]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3651</itunes:duration>
                <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 3: July 2025 Headlines</title>
        <itunes:title>Episode 3: July 2025 Headlines</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-3-july-2025-headlines/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-3-july-2025-headlines/#comments</comments>        <pubDate>Thu, 31 Jul 2025 08:00:00 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/4ef70d12-8db9-3298-bca4-201cc5f3497e</guid>
                                    <description><![CDATA[










<p>We’re back with the first installment of what we’re calling “Headlines,” diving into a few stories from across the music and tech biz press this month. For July, there were some headlines that just seemed impossible to ignore. You guessed it: Ek’s recent investment into AI weapons company Helsing, and that gen-AI classic rock band with millions of streams. We end by searching the internet far and wide for a glimmer of hope — a “bloomscroll” — so it’s not all gloom and doom. Our goal here is to offer critical context on these stories so hoping you all find it helpful! Max also curated some choice needle drops from friends, listener submissions and his own recently released record too.</p>
<p>On this episode you’re hearing “Last Night I Woke Up In The Dark” by <a href='http://peretsky.bandcamp.com'>Peretsky</a>, “&amp;pull” by <a href='https://basrelief.bandcamp.com/'>Bas Relief</a>, “A Pilcate Leaf” by <a href='https://greeningband.bandcamp.com/album/greening'>Greening</a>, and “Drawing Of Me” by <a href='http://ullastraus.bandcamp.com/album/hometown-girl'>U.e.</a></p>
<p> </p>
<p>Support the show by signing up for the<a href='http://patreon.com/criticallistening'> Patreon</a>, where you'll get early access to episodes as well as our Discord. Thanks for listening!</p>
















 




]]></description>
                                                            <content:encoded><![CDATA[










<p>We’re back with the first installment of what we’re calling “Headlines,” diving into a few stories from across the music and tech biz press this month. For July, there were some headlines that just seemed impossible to ignore. You guessed it: Ek’s recent investment into AI weapons company Helsing, and that gen-AI classic rock band with millions of streams. We end by searching the internet far and wide for a glimmer of hope — a “bloomscroll” — so it’s not all gloom and doom. Our goal here is to offer critical context on these stories so hoping you all find it helpful! Max also curated some choice needle drops from friends, listener submissions and his own recently released record too.</p>
<p>On this episode you’re hearing “Last Night I Woke Up In The Dark” by <a href='http://peretsky.bandcamp.com'>Peretsky</a>, “&amp;pull” by <a href='https://basrelief.bandcamp.com/'>Bas Relief</a>, “A Pilcate Leaf” by <a href='https://greeningband.bandcamp.com/album/greening'>Greening</a>, and “Drawing Of Me” by <a href='http://ullastraus.bandcamp.com/album/hometown-girl'>U.e.</a></p>
<p> </p>
<p>Support the show by signing up for the<a href='http://patreon.com/criticallistening'> Patreon</a>, where you'll get early access to episodes as well as our Discord. Thanks for listening!</p>
















 




]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/phrvgrsd8x6hy3aa/cl_ep3_v27mn1e.mp3" length="141993856" type="audio/mpeg"/>
        <itunes:summary><![CDATA[










We’re back with the first installment of what we’re calling “Headlines,” diving into a few stories from across the music and tech biz press this month. For July, there were some headlines that just seemed impossible to ignore. You guessed it: Ek’s recent investment into AI weapons company Helsing, and that gen-AI classic rock band with millions of streams. We end by searching the internet far and wide for a glimmer of hope — a “bloomscroll” — so it’s not all gloom and doom. Our goal here is to offer critical context on these stories so hoping you all find it helpful! Max also curated some choice needle drops from friends, listener submissions and his own recently released record too.
On this episode you’re hearing “Last Night I Woke Up In The Dark” by Peretsky, “&amp;pull” by Bas Relief, “A Pilcate Leaf” by Greening, and “Drawing Of Me” by U.e.
 
Support the show by signing up for the Patreon, where you'll get early access to episodes as well as our Discord. Thanks for listening!
















 




]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3549</itunes:duration>
                <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 2: Intro to UMAW</title>
        <itunes:title>Episode 2: Intro to UMAW</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-2-intro-to-umaw/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-2-intro-to-umaw/#comments</comments>        <pubDate>Tue, 17 Jun 2025 09:03:09 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/f7739eba-ad84-3709-9083-ac02bf9e39f2</guid>
                                    <description><![CDATA[








<p>How are musicians building collective power in a freelance economy that still worships the grind? In recent years the Union of Musicians and Allied Workers have made headlines for its work around streaming, through both the Justice at Spotify campaign and the Living Wage for Musicians Act, which the group co-authored with Congresswoman Rashida Tlaib. Since these are likely to be recurring topics of conversation on Critical Listening, we wanted to go broader for this early chat. We spoke with steering committee members Joey La Neve Defrancesco and Spencer Peppet for a bit of UMAW 101: What is UMAW? Why does it exist? What are effective strategies for organizing musicians? Also covered: building power, escalation tactics, boycotts, and winning.</p>
<p>Tracklist:</p>
<p>Downtown Boys - Wave of History</p>
<p>The Ophelias - Open Sky</p>
<p>The Ophelias - Spring Grove</p>
<p>Downtown Boys - L'Internationale </p>
<p> </p>
<p>Support the show and get early access to episodes, bonus episodes, and our community Discord by joining our Patreon at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a></p>








]]></description>
                                                            <content:encoded><![CDATA[








<p>How are musicians building collective power in a freelance economy that still worships the grind? In recent years the Union of Musicians and Allied Workers have made headlines for its work around streaming, through both the Justice at Spotify campaign and the Living Wage for Musicians Act, which the group co-authored with Congresswoman Rashida Tlaib. Since these are likely to be recurring topics of conversation on Critical Listening, we wanted to go broader for this early chat. We spoke with steering committee members Joey La Neve Defrancesco and Spencer Peppet for a bit of UMAW 101: What is UMAW? Why does it exist? What are effective strategies for organizing musicians? Also covered: building power, escalation tactics, boycotts, and winning.</p>
<p>Tracklist:</p>
<p>Downtown Boys - Wave of History</p>
<p>The Ophelias - Open Sky</p>
<p>The Ophelias - Spring Grove</p>
<p>Downtown Boys - L'Internationale </p>
<p> </p>
<p>Support the show and get early access to episodes, bonus episodes, and our community Discord by joining our Patreon at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a></p>








]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cjzy9pt7c9459v6g/cl_ep2_final9ol2a.mp3" length="161410528" type="audio/mpeg"/>
        <itunes:summary><![CDATA[








How are musicians building collective power in a freelance economy that still worships the grind? In recent years the Union of Musicians and Allied Workers have made headlines for its work around streaming, through both the Justice at Spotify campaign and the Living Wage for Musicians Act, which the group co-authored with Congresswoman Rashida Tlaib. Since these are likely to be recurring topics of conversation on Critical Listening, we wanted to go broader for this early chat. We spoke with steering committee members Joey La Neve Defrancesco and Spencer Peppet for a bit of UMAW 101: What is UMAW? Why does it exist? What are effective strategies for organizing musicians? Also covered: building power, escalation tactics, boycotts, and winning.
Tracklist:
Downtown Boys - Wave of History
The Ophelias - Open Sky
The Ophelias - Spring Grove
Downtown Boys - L'Internationale 
 
Support the show and get early access to episodes, bonus episodes, and our community Discord by joining our Patreon at patreon.com/criticallistening








]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4035</itunes:duration>
                <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Episode 1: Greg Saunier from Deerhoof</title>
        <itunes:title>Episode 1: Greg Saunier from Deerhoof</itunes:title>
        <link>https://criticallistening.podbean.com/e/episode-1-greg-saunier-from-deerhoof/</link>
                    <comments>https://criticallistening.podbean.com/e/episode-1-greg-saunier-from-deerhoof/#comments</comments>        <pubDate>Thu, 22 May 2025 04:00:00 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/0ed7045c-1387-344e-80c0-3993efb0eb98</guid>
                                    <description><![CDATA[<p>Welcome to episode one of CRITICAL LISTENING, a new podcast about music and technology hosted by Liz Pelly and Max Alper. </p>
<p>How does a band survive 30 years of industry hostility to art? For our first episode, we’re chatting with Greg Saunier, the drummer of Deerhoof, who just released Noble and Godlike in Ruin, their 20th record across 30 years as a band. We talk about the political themes of the group’s recent material, resisting the AI slop machine, and whether recorded music itself is an aberration. Plus, we picked up a conversation on protecting the musical commons from tech extraction that Liz and Greg started at a Mood Machine event in LA earlier this year.</p>
<p>Deerhoof’s new record thematically grapples with some big questions of art-making amidst societal collapse. In turn, our first episode serves as a reminder that when we talk about technologies, we’re never just talking about technologies, but the social, political and economic forces influencing them. Thanks for listening, supporting, and also bearing with us as we work through DIY recording and editing!</p>
<p>Songs in this episode:
Theme song: “Talk to Me” by Eraser
“Disobedience” by Deerhoof
“Overrated Species Anyhow” by Deerhoof
“Kingtoe” by by Deerhoof
“Ha Ha Ha Ha Haaaa” by Deerhoof</p>
<p>Support the show, hear more from this interview with a bonus segment, and get an invite to join the conversation on the Discord server at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Welcome to episode one of CRITICAL LISTENING, a new podcast about music and technology hosted by Liz Pelly and Max Alper. </p>
<p>How does a band survive 30 years of industry hostility to art? For our first episode, we’re chatting with Greg Saunier, the drummer of Deerhoof, who just released <em>Noble and Godlike in Ruin, </em>their 20th record across 30 years as a band. We talk about the political themes of the group’s recent material, resisting the AI slop machine, and whether recorded music itself is an aberration. Plus, we picked up a conversation on protecting the musical commons from tech extraction that Liz and Greg started at a <em>Mood Machine</em> event in LA earlier this year.</p>
<p>Deerhoof’s new record thematically grapples with some big questions of art-making amidst societal collapse. In turn, our first episode serves as a reminder that when we talk about technologies, we’re never just talking about technologies, but the social, political and economic forces influencing them. Thanks for listening, supporting, and also bearing with us as we work through DIY recording and editing!</p>
<p>Songs in this episode:<br>
Theme song: “Talk to Me” by Eraser<br>
“Disobedience” by Deerhoof<br>
“Overrated Species Anyhow” by Deerhoof<br>
“Kingtoe” by by Deerhoof<br>
“Ha Ha Ha Ha Haaaa” by Deerhoof</p>
<p>Support the show, hear more from this interview with a bonus segment, and get an invite to join the conversation on the Discord server at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/78hzeqdtgg2r2qjn/cl_episode1_v37snqk.mp3" length="160876585" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Welcome to episode one of CRITICAL LISTENING, a new podcast about music and technology hosted by Liz Pelly and Max Alper. 
How does a band survive 30 years of industry hostility to art? For our first episode, we’re chatting with Greg Saunier, the drummer of Deerhoof, who just released Noble and Godlike in Ruin, their 20th record across 30 years as a band. We talk about the political themes of the group’s recent material, resisting the AI slop machine, and whether recorded music itself is an aberration. Plus, we picked up a conversation on protecting the musical commons from tech extraction that Liz and Greg started at a Mood Machine event in LA earlier this year.
Deerhoof’s new record thematically grapples with some big questions of art-making amidst societal collapse. In turn, our first episode serves as a reminder that when we talk about technologies, we’re never just talking about technologies, but the social, political and economic forces influencing them. Thanks for listening, supporting, and also bearing with us as we work through DIY recording and editing!
Songs in this episode:Theme song: “Talk to Me” by Eraser“Disobedience” by Deerhoof“Overrated Species Anyhow” by Deerhoof“Kingtoe” by by Deerhoof“Ha Ha Ha Ha Haaaa” by Deerhoof
Support the show, hear more from this interview with a bonus segment, and get an invite to join the conversation on the Discord server at patreon.com/criticallistening.]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4021</itunes:duration>
                        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Introducing Critical Listening (Episode 0)</title>
        <itunes:title>Introducing Critical Listening (Episode 0)</itunes:title>
        <link>https://criticallistening.podbean.com/e/introducing-critical-listening-episode-0/</link>
                    <comments>https://criticallistening.podbean.com/e/introducing-critical-listening-episode-0/#comments</comments>        <pubDate>Sun, 20 Apr 2025 22:31:08 -0400</pubDate>
        <guid isPermaLink="false">criticallistening.podbean.com/818babeb-c822-31c3-a79c-1f568c348d93</guid>
                                    <description><![CDATA[<p>Critical Listening is a new podcast from journalist Liz Pelly and musician/educator Max Alper exploring music, technology, and culture.</p>
<p>This is episode zero, a short introduction where Liz and Max discuss how the show came to be and what they plan to cover in future episodes. What has Liz been learning on the road promoting her book Mood Machine? What's the deal with Max's online alter ego La Meme Young, and why is he backing away from it? What does it means to cover music and technology through a labor lens, and what would a neo-Luddite movement in music look like?</p>
<p>Support the show, get early access to episodes, AMA sessions with the hosts and an invite to join the conversation on the Discord server at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
<p>Full episodes coming soon!</p>
<p>Logo: <a href='http://www.taylorwaldman.com/links'>Aaron Taylor-Waldman</a>
Music: "Talk to Me" by <a href='https://linktr.ee/wereeraser'>Eraser</a></p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Critical Listening is a new podcast from journalist Liz Pelly and musician/educator Max Alper exploring music, technology, and culture.</p>
<p>This is episode zero, a short introduction where Liz and Max discuss how the show came to be and what they plan to cover in future episodes. What has Liz been learning on the road promoting her book Mood Machine? What's the deal with Max's online alter ego La Meme Young, and why is he backing away from it? What does it means to cover music and technology through a labor lens, and what would a neo-Luddite movement in music look like?</p>
<p>Support the show, get early access to episodes, AMA sessions with the hosts and an invite to join the conversation on the Discord server at <a href='http://patreon.com/criticallistening'>patreon.com/criticallistening</a>.</p>
<p>Full episodes coming soon!</p>
<p>Logo: <a href='http://www.taylorwaldman.com/links'>Aaron Taylor-Waldman</a><br>
Music: "Talk to Me" by <a href='https://linktr.ee/wereeraser'>Eraser</a></p>
<p> </p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Critical Listening is a new podcast from journalist Liz Pelly and musician/educator Max Alper exploring music, technology, and culture.
This is episode zero, a short introduction where Liz and Max discuss how the show came to be and what they plan to cover in future episodes. What has Liz been learning on the road promoting her book Mood Machine? What's the deal with Max's online alter ego La Meme Young, and why is he backing away from it? What does it means to cover music and technology through a labor lens, and what would a neo-Luddite movement in music look like?
Support the show, get early access to episodes, AMA sessions with the hosts and an invite to join the conversation on the Discord server at patreon.com/criticallistening.
Full episodes coming soon!
Logo: Aaron Taylor-WaldmanMusic: "Talk to Me" by Eraser
 ]]></itunes:summary>
        <itunes:author>Critical Listening</itunes:author>
        <itunes:explicit>true</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1831</itunes:duration>
                        <itunes:episodeType>full</itunes:episodeType>
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