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    <title>Classic Camera Revival</title>
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    <link>https://classiccamerarevival.podbean.com</link>
    <description>Classic Camera Revival is a twice a month podcast all about film! We discuss cameras, lenses, film, chemistry, and using film in the 21st century.</description>
    <pubDate>Tue, 24 Feb 2026 05:30:00 -0500</pubDate>
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    <language>en</language>
        <copyright>Copyright 2014  . All rights reserved.</copyright>
    <category>Arts:Visual Arts</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary>Looking at Cameras, Lens, Films, Development, tips, tricks, and techniques for all things related to Film Photography!</itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
	<itunes:category text="Arts">
		<itunes:category text="Visual Arts" />
	</itunes:category>
    <itunes:owner>
        <itunes:name>Alex Luyckx</itunes:name>
            </itunes:owner>
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        <title>Classic Camera Revival</title>
        <link>https://classiccamerarevival.podbean.com</link>
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    <item>
        <title>Episode 218 - Now Look Closer</title>
        <itunes:title>Episode 218 - Now Look Closer</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-218-now-look-closer/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-218-now-look-closer/#comments</comments>        <pubDate>Tue, 24 Feb 2026 05:30:00 -0500</pubDate>
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                                    <description><![CDATA[<p>Today, Alex is joined by David Smith, a Biology professor and researcher at Western University in London, Ontario. While we mostly talk about cameras on the show, David has something unique: microscopes. As many history nerds know, many camera companies we know and love today began producing optics, including microscopes. Dr Smith came by this affinity for collecting honestly, as his mom is an antique dealer. David talks about his microscopes, how he started the collection, and how it led to film photography and a fantastic collection of Leica rangefinders, lenses, and medium-format cameras.</p>
<p>You can find Dr Smith online.
Instagram <a href='https://www.instagram.com/arrogantgenome/?hl=en'>https://www.instagram.com/arrogantgenome/?hl=en</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, Alex is joined by David Smith, a Biology professor and researcher at Western University in London, Ontario. While we mostly talk about cameras on the show, David has something unique: microscopes. As many history nerds know, many camera companies we know and love today began producing optics, including microscopes. Dr Smith came by this affinity for collecting honestly, as his mom is an antique dealer. David talks about his microscopes, how he started the collection, and how it led to film photography and a fantastic collection of Leica rangefinders, lenses, and medium-format cameras.</p>
<p>You can find Dr Smith online.<br>
Instagram <a href='https://www.instagram.com/arrogantgenome/?hl=en'>https://www.instagram.com/arrogantgenome/?hl=en</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9md6chkna49pp8by/Ep218-Microscopes.mp3" length="41617491" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Alex is joined by David Smith, a Biology professor and researcher at Western University in London, Ontario. While we mostly talk about cameras on the show, David has something unique: microscopes. As many history nerds know, many camera companies we know and love today began producing optics, including microscopes. Dr Smith came by this affinity for collecting honestly, as his mom is an antique dealer. David talks about his microscopes, how he started the collection, and how it led to film photography and a fantastic collection of Leica rangefinders, lenses, and medium-format cameras.
You can find Dr Smith online.Instagram https://www.instagram.com/arrogantgenome/?hl=en]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2748</itunes:duration>
                <itunes:episode>211</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-218-microscopes-icon.jpg" />    </item>
    <item>
        <title>Episode 217 - 51 Years of K</title>
        <itunes:title>Episode 217 - 51 Years of K</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-217-51-years-of-k/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-217-51-years-of-k/#comments</comments>        <pubDate>Tue, 10 Feb 2026 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/6eb431f9-38a3-32cc-beef-53299dc8772f</guid>
                                    <description><![CDATA[<p>Last year, we were so caught up in our own tenth anniversary that we completely forgot about the fifth anniversary of the K-Mount! While the K-Mount is most often associated with Asahi/Pentax, it was a joint invention by Asahi and Zeiss Ikon. Like the M42 mount, the K-Mount was intended to be a universal, open-source lens mount. But the partnership never materialised, and the two companies parted ways, with Pentax retaining the mount and one Zeiss lens design. Since its introduction, the K-Mount has changed slightly as technology advanced. To celebrate, the team is here to discuss the cameras and lenses for this iconic mount, from K to K-AF4!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Last year, we were so caught up in our own tenth anniversary that we completely forgot about the fifth anniversary of the K-Mount! While the K-Mount is most often associated with Asahi/Pentax, it was a joint invention by Asahi and Zeiss Ikon. Like the M42 mount, the K-Mount was intended to be a universal, open-source lens mount. But the partnership never materialised, and the two companies parted ways, with Pentax retaining the mount and one Zeiss lens design. Since its introduction, the K-Mount has changed slightly as technology advanced. To celebrate, the team is here to discuss the cameras and lenses for this iconic mount, from K to K-AF4!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5e8jc8kcy3auapas/Ep217-SpecialK.mp3" length="42241697" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Last year, we were so caught up in our own tenth anniversary that we completely forgot about the fifth anniversary of the K-Mount! While the K-Mount is most often associated with Asahi/Pentax, it was a joint invention by Asahi and Zeiss Ikon. Like the M42 mount, the K-Mount was intended to be a universal, open-source lens mount. But the partnership never materialised, and the two companies parted ways, with Pentax retaining the mount and one Zeiss lens design. Since its introduction, the K-Mount has changed slightly as technology advanced. To celebrate, the team is here to discuss the cameras and lenses for this iconic mount, from K to K-AF4!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3080</itunes:duration>
                <itunes:episode>210</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-217-51yearsofk-icon.jpg" />    </item>
    <item>
        <title>Episode 216 - Pilgrim's Progress</title>
        <itunes:title>Episode 216 - Pilgrim's Progress</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-216-pilgrims-progress/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-216-pilgrims-progress/#comments</comments>        <pubDate>Tue, 27 Jan 2026 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/1d5174fe-755a-3b01-896a-439e9da2b129</guid>
                                    <description><![CDATA[<p>Last year, we chatted with James McFarlane about his journey and pilgrimage on the Camino de Santiago. What we did not count on was finding a second film photographer who took his own film on his pilgrimage on the Camino de Santiago. Today, Tyler Cahoon of the Retro Film Project joins Alex and John to talk about his Camino journey, the reasons behind his pilgrimage, the people, the photos, the cameras, and the film that came along.</p>
<p>You can find more from Tyler online...
YouTube: <a href='https://www.youtube.com/@retrofilmproject'>www.youtube.com/@retrofilmproject</a>
Watch Tyler's Camino Journey Here: <a href='https://youtu.be/uOl7Dkm9VEE'>youtu.be/uOl7Dkm9VEE</a>
Instagram: <a href='https://www.instagram.com/retrofilmproject/'>www.instagram.com/retrofilmproject</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Last year, we chatted with James McFarlane about his journey and pilgrimage on the Camino de Santiago. What we did not count on was finding a second film photographer who took his own film on his pilgrimage on the Camino de Santiago. Today, Tyler Cahoon of the Retro Film Project joins Alex and John to talk about his Camino journey, the reasons behind his pilgrimage, the people, the photos, the cameras, and the film that came along.</p>
<p>You can find more from Tyler online...<br>
YouTube: <a href='https://www.youtube.com/@retrofilmproject'>www.youtube.com/@retrofilmproject</a><br>
Watch Tyler's Camino Journey Here: <a href='https://youtu.be/uOl7Dkm9VEE'>youtu.be/uOl7Dkm9VEE</a><br>
Instagram: <a href='https://www.instagram.com/retrofilmproject/'>www.instagram.com/retrofilmproject</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x9uks6pwi46z6s47/Ep216-PilgrimsProgress.mp3" length="33937776" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Last year, we chatted with James McFarlane about his journey and pilgrimage on the Camino de Santiago. What we did not count on was finding a second film photographer who took his own film on his pilgrimage on the Camino de Santiago. Today, Tyler Cahoon of the Retro Film Project joins Alex and John to talk about his Camino journey, the reasons behind his pilgrimage, the people, the photos, the cameras, and the film that came along.
You can find more from Tyler online...YouTube: www.youtube.com/@retrofilmprojectWatch Tyler's Camino Journey Here: youtu.be/uOl7Dkm9VEEInstagram: www.instagram.com/retrofilmproject]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2048</itunes:duration>
                <itunes:episode>209</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep216-pilgrimsprogress-icon.jpg" />    </item>
    <item>
        <title>Episode 215 - Mystery Camera Challenge VI</title>
        <itunes:title>Episode 215 - Mystery Camera Challenge VI</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-215-mystery-camera-challenge-vi/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-215-mystery-camera-challenge-vi/#comments</comments>        <pubDate>Tue, 13 Jan 2026 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/972b8b5d-94f9-3d8a-b58d-d29352333e3a</guid>
                                    <description><![CDATA[<p>We're back for Season 12! While we wanted to include a Mystery Camera Challenge as part of our 10th anniversary season, it just didn't work out. So James, Alex and Bill head into Toronto to kick off the new season with another Mystery Camera Challenge, our sixth! This time around, we each drew a name and used that person's camera, and then grabbed a roll of film from the other person! The cameras in this episode include Alex's Nikon F65 with a 24mm f/2.8 lens, which James used, and a roll of Ilford HP5+. From Bill came the Nikon F90x with the 35-70mm f/2.8D, which Alex shot on a roll of Bergger Pancro 400. And from James came the Nikon F6, which Bill used and loaded with a roll of Ultrafine Extreme 400. Also of note: this episode was recorded live on location at Union Station in Toronto!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're back for Season 12! While we wanted to include a Mystery Camera Challenge as part of our 10th anniversary season, it just didn't work out. So James, Alex and Bill head into Toronto to kick off the new season with another Mystery Camera Challenge, our sixth! This time around, we each drew a name and used that person's camera, and then grabbed a roll of film from the other person! The cameras in this episode include Alex's Nikon F65 with a 24mm f/2.8 lens, which James used, and a roll of Ilford HP5+. From Bill came the Nikon F90x with the 35-70mm f/2.8D, which Alex shot on a roll of Bergger Pancro 400. And from James came the Nikon F6, which Bill used and loaded with a roll of Ultrafine Extreme 400. Also of note: this episode was recorded live on location at Union Station in Toronto!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4exdr3a4t9mcb234/Ep215-MCC6.mp3" length="22567959" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're back for Season 12! While we wanted to include a Mystery Camera Challenge as part of our 10th anniversary season, it just didn't work out. So James, Alex and Bill head into Toronto to kick off the new season with another Mystery Camera Challenge, our sixth! This time around, we each drew a name and used that person's camera, and then grabbed a roll of film from the other person! The cameras in this episode include Alex's Nikon F65 with a 24mm f/2.8 lens, which James used, and a roll of Ilford HP5+. From Bill came the Nikon F90x with the 35-70mm f/2.8D, which Alex shot on a roll of Bergger Pancro 400. And from James came the Nikon F6, which Bill used and loaded with a roll of Ultrafine Extreme 400. Also of note: this episode was recorded live on location at Union Station in Toronto!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1657</itunes:duration>
                <itunes:episode>208</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-215-mcc6-icon.jpg" />    </item>
    <item>
        <title>Episode 214 - Hosts of the Round Table</title>
        <itunes:title>Episode 214 - Hosts of the Round Table</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-214-hosts-of-the-round-table/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-214-hosts-of-the-round-table/#comments</comments>        <pubDate>Tue, 23 Dec 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/53d415c7-40fa-375d-947c-4db8fb203a04</guid>
                                    <description><![CDATA[<p>Well, we all made it through another season, and not much worse for wear. The team had a relaxing time sitting around the table and discussing everything they did this year, the gear they acquired, the films they tried, and the developers they worked with. Plus a brief discussion of social media, AI, and more. Just some middle-aged guys chatting about photography. It's a little bit of everything to wrap up the year.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Well, we all made it through another season, and not much worse for wear. The team had a relaxing time sitting around the table and discussing everything they did this year, the gear they acquired, the films they tried, and the developers they worked with. Plus a brief discussion of social media, AI, and more. Just some middle-aged guys chatting about photography. It's a little bit of everything to wrap up the year.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cnyp926ci8a8g3is/Ep214-EndOfLine.mp3" length="34534311" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Well, we all made it through another season, and not much worse for wear. The team had a relaxing time sitting around the table and discussing everything they did this year, the gear they acquired, the films they tried, and the developers they worked with. Plus a brief discussion of social media, AI, and more. Just some middle-aged guys chatting about photography. It's a little bit of everything to wrap up the year.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2959</itunes:duration>
                <itunes:episode>207</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-214-hostsroundtable-icon.jpg" />    </item>
    <item>
        <title>Episode 213 - The Proud &amp; The Humble</title>
        <itunes:title>Episode 213 - The Proud &amp; The Humble</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-213-the-proud-the-humble/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-213-the-proud-the-humble/#comments</comments>        <pubDate>Tue, 09 Dec 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/0298bc04-21d0-35e3-84af-04b2315afd10</guid>
                                    <description><![CDATA[<p>The one thing that will always keep a photographer humble is that we all make mistakes, some big, some small, some fixable. So join the gang as they talk about foul gear, forgotten steps, chemical mix-ups, and general issues that keep us humble. Yes, mistakes were made.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The one thing that will always keep a photographer humble is that we all make mistakes, some big, some small, some fixable. So join the gang as they talk about foul gear, forgotten steps, chemical mix-ups, and general issues that keep us humble. Yes, mistakes were made.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bc94zkyk2qb7jwq5/Ep213-Mistakes.mp3" length="38601449" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The one thing that will always keep a photographer humble is that we all make mistakes, some big, some small, some fixable. So join the gang as they talk about foul gear, forgotten steps, chemical mix-ups, and general issues that keep us humble. Yes, mistakes were made.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3212</itunes:duration>
                <itunes:episode>206</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-213-humble-icon.jpg" />    </item>
    <item>
        <title>Episode 212 - Let's All Shoot One Camera II</title>
        <itunes:title>Episode 212 - Let's All Shoot One Camera II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-212-lets-all-shoot-one-camera-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-212-lets-all-shoot-one-camera-ii/#comments</comments>        <pubDate>Tue, 25 Nov 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/4d8bd411-8dd8-3bbe-8ce7-51f4b0e5d982</guid>
                                    <description><![CDATA[<p>It's been a while since we've done one of these shows. It was back with the Nikon FA, and in that case, we just passed the camera around the table. But today we have something special, the Pentax MZ-S, the last professional camera from Pentax/Asahi with a rich history. The camera was provided by John Roberts (who is back on the show today). It was used by Alex, James, and Bill, along with the three limited-edition lenses that were released with the camera.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's been a while since we've done one of these shows. It was back with the Nikon FA, and in that case, we just passed the camera around the table. But today we have something special, the Pentax MZ-S, the last professional camera from Pentax/Asahi with a rich history. The camera was provided by John Roberts (who is back on the show today). It was used by Alex, James, and Bill, along with the three limited-edition lenses that were released with the camera.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3fjgbexsn3cyju8f/Ep212-PentaxMZS.mp3" length="28540033" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's been a while since we've done one of these shows. It was back with the Nikon FA, and in that case, we just passed the camera around the table. But today we have something special, the Pentax MZ-S, the last professional camera from Pentax/Asahi with a rich history. The camera was provided by John Roberts (who is back on the show today). It was used by Alex, James, and Bill, along with the three limited-edition lenses that were released with the camera.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2529</itunes:duration>
                <itunes:episode>205</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-212-letsallshoot-icon.jpg" />    </item>
    <item>
        <title>Episode 211 - The 50/50 Draw</title>
        <itunes:title>Episode 211 - The 50/50 Draw</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-211-the-5050-draw/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-211-the-5050-draw/#comments</comments>        <pubDate>Tue, 11 Nov 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/61e3db42-29cd-3bbb-95d3-c51264b92c06</guid>
                                    <description><![CDATA[<p>It's still 2025, and it's still Leica's 100th birthday. And as part of the global celebration, they recently released their first Leica-branded film, Monopan 50. And the Internet was abuzz with speculation about what the film was under the cover. Well, all signs point to Adox HR-50, which makes sense. HR-50 is sharp, fine-grained, and high-resolution. That got us thinking: why not discuss other ASA-50 films? This includes Ilford Pan F+, Adox HR-50, Ferrania ORTO, Velvia 50, and even a mention of Efke 50! We also discuss overexposure and pulling film in development, mainly because there are more 100-speed films out there these days that you can shoot at ASA 50!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's still 2025, and it's still Leica's 100th birthday. And as part of the global celebration, they recently released their first Leica-branded film, Monopan 50. And the Internet was abuzz with speculation about what the film was under the cover. Well, all signs point to Adox HR-50, which makes sense. HR-50 is sharp, fine-grained, and high-resolution. That got us thinking: why not discuss other ASA-50 films? This includes Ilford Pan F+, Adox HR-50, Ferrania ORTO, Velvia 50, and even a mention of Efke 50! We also discuss overexposure and pulling film in development, mainly because there are more 100-speed films out there these days that you can shoot at ASA 50!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qm53rt9f56sjf5c5/Ep211-FiftyFifty.mp3" length="27458678" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's still 2025, and it's still Leica's 100th birthday. And as part of the global celebration, they recently released their first Leica-branded film, Monopan 50. And the Internet was abuzz with speculation about what the film was under the cover. Well, all signs point to Adox HR-50, which makes sense. HR-50 is sharp, fine-grained, and high-resolution. That got us thinking: why not discuss other ASA-50 films? This includes Ilford Pan F+, Adox HR-50, Ferrania ORTO, Velvia 50, and even a mention of Efke 50! We also discuss overexposure and pulling film in development, mainly because there are more 100-speed films out there these days that you can shoot at ASA 50!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2316</itunes:duration>
                <itunes:episode>204</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-211-fiftyfifty-icon.jpg" />    </item>
    <item>
        <title>Episode 210 - Chasing North</title>
        <itunes:title>Episode 210 - Chasing North</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-210-chasing-north/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-210-chasing-north/#comments</comments>        <pubDate>Tue, 28 Oct 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/6c6db1c6-03ba-3e8a-8cf1-81c650a95427</guid>
                                    <description><![CDATA[<p>Our co-host Chrissie did something to push themselves out of their comfort zone and decided to take a solo trip to Iceland. Armed with a Samsung phone, Sony A7 and a Polaroid I-2 in an effort to rekindle a passion for photography. Join Chrissie and Alex as they discuss the trip, including the reasons, gear, and of course, the photos.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Our co-host Chrissie did something to push themselves out of their comfort zone and decided to take a solo trip to Iceland. Armed with a Samsung phone, Sony A7 and a Polaroid I-2 in an effort to rekindle a passion for photography. Join Chrissie and Alex as they discuss the trip, including the reasons, gear, and of course, the photos.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9fhzbsvi7z3dp8a3/Ep210-ChasingNorth.mp3" length="19422375" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our co-host Chrissie did something to push themselves out of their comfort zone and decided to take a solo trip to Iceland. Armed with a Samsung phone, Sony A7 and a Polaroid I-2 in an effort to rekindle a passion for photography. Join Chrissie and Alex as they discuss the trip, including the reasons, gear, and of course, the photos.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1714</itunes:duration>
                <itunes:episode>203</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-210-chasingnorth-icon.jpg" />    </item>
    <item>
        <title>Episode 209 - A Sit Down with Cinemot</title>
        <itunes:title>Episode 209 - A Sit Down with Cinemot</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-209-a-sit-down-with-cinemot/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-209-a-sit-down-with-cinemot/#comments</comments>        <pubDate>Tue, 14 Oct 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/8248d83f-0fd4-3752-bef0-5c174f3de13a</guid>
                                    <description><![CDATA[<p>Here in North America, we're fortunate to have several camera and photography stores dedicated to keeping film shooters like us happy. However, today's guest recognised a need for such a store in the city of Porto, Portugal. Fourteen years ago, Pedro started a small shop dedicated to selling cameras, watches and other antique technologies. Calling it Máquinas de Outros Tempos or Machines Out of Another Time. Today, they sell cameras and film the hungry population of the city, and business is good. In addition to sales, they also handle film developing and scanning. Every camera sold is refurbished by an in-house technician. But that isn't all, there's also Cinemot. Cinemot started as selling respooled Kodak Vision3 motion picture film, complete with a custom-built remjet stripping machine, but today sells exclusive emulsions manufactured in the EU for Cinemot. More recently, they started reusing disposable cameras, loading up Cinemot films, putting their film into these cameras, branding them and giving them a second life away from the e-waste bin.</p>
<p>You can visit Máquinas de Outros Tempos in person at: Rua dos Mártires da Liberdade 154, 4050-359 Porto, Portugal
Máquinas de Outros Tempos: <a href='https://www.maquinasdeoutrostempos.pt/onlinestore/'>https://www.maquinasdeoutrostempos.pt/onlinestore/</a>
Máquinas de Outros Tempos Instagram: <a href='https://www.instagram.com/maquinasdeoutrostempos/'>https://www.instagram.com/maquinasdeoutrostempos/</a>
Cinemot: <a href='https://cinemotfilm.com/'>https://cinemotfilm.com/</a>
Cinemot Instagram: <a href='https://www.instagram.com/cinemotfilm/'>https://www.instagram.com/cinemotfilm/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Here in North America, we're fortunate to have several camera and photography stores dedicated to keeping film shooters like us happy. However, today's guest recognised a need for such a store in the city of Porto, Portugal. Fourteen years ago, Pedro started a small shop dedicated to selling cameras, watches and other antique technologies. Calling it Máquinas de Outros Tempos or Machines Out of Another Time. Today, they sell cameras and film the hungry population of the city, and business is good. In addition to sales, they also handle film developing and scanning. Every camera sold is refurbished by an in-house technician. But that isn't all, there's also Cinemot. Cinemot started as selling respooled Kodak Vision3 motion picture film, complete with a custom-built remjet stripping machine, but today sells exclusive emulsions manufactured in the EU for Cinemot. More recently, they started reusing disposable cameras, loading up Cinemot films, putting their film into these cameras, branding them and giving them a second life away from the e-waste bin.</p>
<p>You can visit Máquinas de Outros Tempos in person at: Rua dos Mártires da Liberdade 154, 4050-359 Porto, Portugal<br>
Máquinas de Outros Tempos: <a href='https://www.maquinasdeoutrostempos.pt/onlinestore/'>https://www.maquinasdeoutrostempos.pt/onlinestore/</a><br>
Máquinas de Outros Tempos Instagram: <a href='https://www.instagram.com/maquinasdeoutrostempos/'>https://www.instagram.com/maquinasdeoutrostempos/</a><br>
Cinemot: <a href='https://cinemotfilm.com/'>https://cinemotfilm.com/</a><br>
Cinemot Instagram: <a href='https://www.instagram.com/cinemotfilm/'>https://www.instagram.com/cinemotfilm/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/argysrkijixhag6c/Ep209-SitDownWithCinemot.mp3" length="17032477" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Here in North America, we're fortunate to have several camera and photography stores dedicated to keeping film shooters like us happy. However, today's guest recognised a need for such a store in the city of Porto, Portugal. Fourteen years ago, Pedro started a small shop dedicated to selling cameras, watches and other antique technologies. Calling it Máquinas de Outros Tempos or Machines Out of Another Time. Today, they sell cameras and film the hungry population of the city, and business is good. In addition to sales, they also handle film developing and scanning. Every camera sold is refurbished by an in-house technician. But that isn't all, there's also Cinemot. Cinemot started as selling respooled Kodak Vision3 motion picture film, complete with a custom-built remjet stripping machine, but today sells exclusive emulsions manufactured in the EU for Cinemot. More recently, they started reusing disposable cameras, loading up Cinemot films, putting their film into these cameras, branding them and giving them a second life away from the e-waste bin.
You can visit Máquinas de Outros Tempos in person at: Rua dos Mártires da Liberdade 154, 4050-359 Porto, PortugalMáquinas de Outros Tempos: https://www.maquinasdeoutrostempos.pt/onlinestore/Máquinas de Outros Tempos Instagram: https://www.instagram.com/maquinasdeoutrostempos/Cinemot: https://cinemotfilm.com/Cinemot Instagram: https://www.instagram.com/cinemotfilm/]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1582</itunes:duration>
                <itunes:episode>202</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-210-asitdownwithcinemot-icon.jpg" />    </item>
    <item>
        <title>Episode 208 - Falling For Fall</title>
        <itunes:title>Episode 208 - Falling For Fall</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/ep-208-falling-for-fall/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/ep-208-falling-for-fall/#comments</comments>        <pubDate>Tue, 23 Sep 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/c76bf1a6-cf88-31f2-8341-d302a3651347</guid>
                                    <description><![CDATA[<p>Officially, fall has arrived here in Southern Ontario. Although with the warm weather we've been having recently, it's hard to tell other than the fact that the days are getting shorter. And with the change of season, the team sits down to talk about everything related to fall photography, from capturing the bright colourful leaves on your favourite film stocks to showing off the late fall gloom in stark black and white.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Officially, fall has arrived here in Southern Ontario. Although with the warm weather we've been having recently, it's hard to tell other than the fact that the days are getting shorter. And with the change of season, the team sits down to talk about everything related to fall photography, from capturing the bright colourful leaves on your favourite film stocks to showing off the late fall gloom in stark black and white.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rpq5d46eus8r49rq/Ep208-FallingForFall.mp3" length="33418987" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Officially, fall has arrived here in Southern Ontario. Although with the warm weather we've been having recently, it's hard to tell other than the fact that the days are getting shorter. And with the change of season, the team sits down to talk about everything related to fall photography, from capturing the bright colourful leaves on your favourite film stocks to showing off the late fall gloom in stark black and white.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2853</itunes:duration>
                <itunes:episode>201</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep208-fallingforfall-ion.jpg" />    </item>
    <item>
        <title>Episode 207 - I Know What You Did Last Summer</title>
        <itunes:title>Episode 207 - I Know What You Did Last Summer</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-207-i-know-what-you-did-last-summer/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-207-i-know-what-you-did-last-summer/#comments</comments>        <pubDate>Tue, 09 Sep 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/6d451f66-62d9-3cb2-8687-eb63ae421ccf</guid>
                                    <description><![CDATA[<p>We're at the end of summer, and, like you, we don't know how it went by so quickly. Also, the constant heat warnings here in Southern Ontario limited when and how long we could get out and practice photography. However, James, Alex, and Bill all had the opportunity to get out or at least intended to practice photography. And today, they sit down to discuss mostly film stocks, such as Phoenix II and Kentmere 200, which were used by the team's cameras. But also when things go sideways and the best intentions to get out and shoot end up with leaving the camera (accidentally) behind.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're at the end of summer, and, like you, we don't know how it went by so quickly. Also, the constant heat warnings here in Southern Ontario limited when and how long we could get out and practice photography. However, James, Alex, and Bill all had the opportunity to get out or at least intended to practice photography. And today, they sit down to discuss mostly film stocks, such as Phoenix II and Kentmere 200, which were used by the team's cameras. But also when things go sideways and the best intentions to get out and shoot end up with leaving the camera (accidentally) behind.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jnebfw6n555aqk5w/Ep207-IKWYDLS.mp3" length="24614651" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're at the end of summer, and, like you, we don't know how it went by so quickly. Also, the constant heat warnings here in Southern Ontario limited when and how long we could get out and practice photography. However, James, Alex, and Bill all had the opportunity to get out or at least intended to practice photography. And today, they sit down to discuss mostly film stocks, such as Phoenix II and Kentmere 200, which were used by the team's cameras. But also when things go sideways and the best intentions to get out and shoot end up with leaving the camera (accidentally) behind.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2129</itunes:duration>
                <itunes:episode>200</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep207-ikwydls-icon.jpg" />    </item>
    <item>
        <title>Episode 206 - Camino de Santiago</title>
        <itunes:title>Episode 206 - Camino de Santiago</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-206-camino-de-santiago/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-206-camino-de-santiago/#comments</comments>        <pubDate>Tue, 26 Aug 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/58d234be-c280-38ca-9eac-332a598944e4</guid>
                                    <description><![CDATA[<p>Photography is a journey, and sometimes that journey intersects with another, and that's what today's episode is all about. For those who don't know, the Camino de Santiago or Way of St. James is a network of pilgrim ways all leading to the Shrine of the Apostle James at the Cathedral of Santiago de Compostela in Galicia in northwestern Spain. And a couple of months ago, it was completed by a friend of the podcast, James McFarlane. James and Alex sit down to talk about the journey, the photography, and how it changed him. It's something a little different for the podcast, but something that needed to be done.</p>
<p>You can see more of James' work online
Instagram: <a href='https://www.instagram.com/cigarandbar/'>https://www.instagram.com/cigarandbar/</a>
YouTube: <a href='https://www.youtube.com/@cigarandbar'>https://www.youtube.com/@cigarandbar</a>
Flickr: <a href='https://www.flickr.com/photos/theworldttl'>https://www.flickr.com/photos/theworldttl</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Photography is a journey, and sometimes that journey intersects with another, and that's what today's episode is all about. For those who don't know, the Camino de Santiago or Way of St. James is a network of pilgrim ways all leading to the Shrine of the Apostle James at the Cathedral of Santiago de Compostela in Galicia in northwestern Spain. And a couple of months ago, it was completed by a friend of the podcast, James McFarlane. James and Alex sit down to talk about the journey, the photography, and how it changed him. It's something a little different for the podcast, but something that needed to be done.</p>
<p>You can see more of James' work online<br>
Instagram: <a href='https://www.instagram.com/cigarandbar/'>https://www.instagram.com/cigarandbar/</a><br>
YouTube: <a href='https://www.youtube.com/@cigarandbar'>https://www.youtube.com/@cigarandbar</a><br>
Flickr: <a href='https://www.flickr.com/photos/theworldttl'>https://www.flickr.com/photos/theworldttl</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2x2c5pmvs7icj4bd/Ep206-CaminoDeSantiago.mp3" length="31300671" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Photography is a journey, and sometimes that journey intersects with another, and that's what today's episode is all about. For those who don't know, the Camino de Santiago or Way of St. James is a network of pilgrim ways all leading to the Shrine of the Apostle James at the Cathedral of Santiago de Compostela in Galicia in northwestern Spain. And a couple of months ago, it was completed by a friend of the podcast, James McFarlane. James and Alex sit down to talk about the journey, the photography, and how it changed him. It's something a little different for the podcast, but something that needed to be done.
You can see more of James' work onlineInstagram: https://www.instagram.com/cigarandbar/YouTube: https://www.youtube.com/@cigarandbarFlickr: https://www.flickr.com/photos/theworldttl]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1999</itunes:duration>
                <itunes:episode>199</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep206-caminodesantiago-icon.jpg" />    </item>
    <item>
        <title>Episode 205 - OverLooked/UnderRated</title>
        <itunes:title>Episode 205 - OverLooked/UnderRated</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/ep-205-overlookedunderrated/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/ep-205-overlookedunderrated/#comments</comments>        <pubDate>Tue, 12 Aug 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/e2e7b138-4929-33e6-987d-885c102d29b2</guid>
                                    <description><![CDATA[<p>When it comes to photography, there's always going to be the popular items. The ones that everyone wants to have and use, we're talking the Leica M3, Canon AE-1, fast prime lenses, trending film stocks like Portra, and all the normal developers out there. But what about those things that are often overlooked, underrated and underappreciated? Well, that's exactly what James, Bill and Alex sit down to talk about in today's episode. From the Leica M5 to the Olympus OM series, 28mm f/3.5 lenses, slow films, and different developers, nothing is off the table.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When it comes to photography, there's always going to be the popular items. The ones that everyone wants to have and use, we're talking the Leica M3, Canon AE-1, fast prime lenses, trending film stocks like Portra, and all the normal developers out there. But what about those things that are often overlooked, underrated and underappreciated? Well, that's exactly what James, Bill and Alex sit down to talk about in today's episode. From the Leica M5 to the Olympus OM series, 28mm f/3.5 lenses, slow films, and different developers, nothing is off the table.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d2dae5hhr4ne5cng/Ep205-Underrated.mp3" length="41680926" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When it comes to photography, there's always going to be the popular items. The ones that everyone wants to have and use, we're talking the Leica M3, Canon AE-1, fast prime lenses, trending film stocks like Portra, and all the normal developers out there. But what about those things that are often overlooked, underrated and underappreciated? Well, that's exactly what James, Bill and Alex sit down to talk about in today's episode. From the Leica M5 to the Olympus OM series, 28mm f/3.5 lenses, slow films, and different developers, nothing is off the table.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3662</itunes:duration>
                <itunes:episode>198</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep205-overlooked-icon.jpg" />    </item>
    <item>
        <title>Episode 204 - A Decade of GAS</title>
        <itunes:title>Episode 204 - A Decade of GAS</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-204-a-decade-of-gas/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-204-a-decade-of-gas/#comments</comments>        <pubDate>Tue, 29 Jul 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b5cd339d-555e-308d-b276-201fce472220</guid>
                                    <description><![CDATA[<p>This episode is another live show from the streets of Toronto during our 10th Anniversary Photo Walk &amp; Brewery Tour. The tour took the gang from Sugar Beach and the Great Lake Brew Pub on Lower Jarvis, through Old Town Toronto and into the Distillery District for Old Flame Brewing Co., and then into Riverside for Eastbound Brewing. There were other breweries planned, but due to the weather, we stopped at Eastbound. Despite the weather (which was not pleasant), about twenty people attended the event, and everyone enjoyed the shorter but safer walk. Alex took the time to record short interviews with twelve attendees and asked them a series of questions. What Camera(s) do you have with you, what is your favourite subject matter, what is your favourite film stock and what in your mind makes for a good photo? You can view all of Alex's <a href='https://www.flickr.com/photos/axle81401/albums/72177720327700374/'>photos on Flickr</a>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This episode is another live show from the streets of Toronto during our 10th Anniversary Photo Walk &amp; Brewery Tour. The tour took the gang from Sugar Beach and the Great Lake Brew Pub on Lower Jarvis, through Old Town Toronto and into the Distillery District for Old Flame Brewing Co., and then into Riverside for Eastbound Brewing. There were other breweries planned, but due to the weather, we stopped at Eastbound. Despite the weather (which was not pleasant), about twenty people attended the event, and everyone enjoyed the shorter but safer walk. Alex took the time to record short interviews with twelve attendees and asked them a series of questions. What Camera(s) do you have with you, what is your favourite subject matter, what is your favourite film stock and what in your mind makes for a good photo? You can view all of Alex's <a href='https://www.flickr.com/photos/axle81401/albums/72177720327700374/'>photos on Flickr</a>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/frgkp2sbu2ndbwqy/Ep204-ADecadeofGas.mp3" length="22403906" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This episode is another live show from the streets of Toronto during our 10th Anniversary Photo Walk &amp; Brewery Tour. The tour took the gang from Sugar Beach and the Great Lake Brew Pub on Lower Jarvis, through Old Town Toronto and into the Distillery District for Old Flame Brewing Co., and then into Riverside for Eastbound Brewing. There were other breweries planned, but due to the weather, we stopped at Eastbound. Despite the weather (which was not pleasant), about twenty people attended the event, and everyone enjoyed the shorter but safer walk. Alex took the time to record short interviews with twelve attendees and asked them a series of questions. What Camera(s) do you have with you, what is your favourite subject matter, what is your favourite film stock and what in your mind makes for a good photo? You can view all of Alex's photos on Flickr.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1166</itunes:duration>
                <itunes:episode>197</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep204-decadeofgas-icon.jpg" />    </item>
    <item>
        <title>Episode 203 - Ten Year Retrospective</title>
        <itunes:title>Episode 203 - Ten Year Retrospective</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-203-ten-year-retrospective/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-203-ten-year-retrospective/#comments</comments>        <pubDate>Tue, 08 Jul 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b826a05d-0665-3091-be7c-e689e8e7954d</guid>
                                    <description><![CDATA[<p>It's hard to believe that CCR has been on the air for ten years and produced more than 200 episodes, so Alex sits down and thinks back on how CCR got started and some of the favourite episodes from the past. Including the mysterious Episode 0 and the far better Episode 1, which was recorded. Some good interviews, some of the more nerdy episodes, and the ones that certainly got CCR a tonne of attention. Plus a little bit of encouragement for those thinking of starting up a blog, podcast, or YouTube channel.</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on: <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's hard to believe that CCR has been on the air for ten years and produced more than 200 episodes, so Alex sits down and thinks back on how CCR got started and some of the favourite episodes from the past. Including the mysterious Episode 0 and the far better Episode 1, which was recorded. Some good interviews, some of the more nerdy episodes, and the ones that certainly got CCR a tonne of attention. Plus a little bit of encouragement for those thinking of starting up a blog, podcast, or YouTube channel.</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on: <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rgzc72bx498w9epn/CCR-Ep203-Retrospective.mp3" length="19574028" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to believe that CCR has been on the air for ten years and produced more than 200 episodes, so Alex sits down and thinks back on how CCR got started and some of the favourite episodes from the past. Including the mysterious Episode 0 and the far better Episode 1, which was recorded. Some good interviews, some of the more nerdy episodes, and the ones that certainly got CCR a tonne of attention. Plus a little bit of encouragement for those thinking of starting up a blog, podcast, or YouTube channel.
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on: Photowalk.me!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1342</itunes:duration>
                <itunes:episode>196</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr203-tenyearretro-icon.jpg" />    </item>
    <item>
        <title>Episode 202 - A Century of Progress</title>
        <itunes:title>Episode 202 - A Century of Progress</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-202-a-century-of-progress/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-202-a-century-of-progress/#comments</comments>        <pubDate>Thu, 26 Jun 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9e4cbcfe-7758-3228-a51c-549a8be7fd0f</guid>
                                    <description><![CDATA[<p>This year marks the 100th anniversary of the Leitz Camera, or as we know it today, Leica. The Leitz Camera Co. is far older than the cameras they produce. In today's episode, Bill leads a panel of photographers, including Alex (Smith), John Roberts, and David, who all have one thing in common: their love of Leicas, from the Barnack rangefinders to the iconic M-Series of rangefinders and even the controversial SLR line of Leicaflexes! But no matter which side of the fence you land on, there is something special about Leica cameras and their lenses that makes them not only expensive but worth every penny. Also Alex (our Alex) comes in with a presentation on the Leica Freedom Train, an effort by Ernst Leitz II and Elsie Kuehn-Leitz, to move hundreds of Jewish employees and their families outside of Germany from 1935-1939 and the company's efforts to protect those enslaved under the Nazis and employed by Leitz during the war. You can read more in the <a href='https://legionmagazine.com/the-leica-freedom-train/'>Legion Magazine</a> or the <a href='https://www.accidentaltalmudist.org/heroes/2024/08/05/leica-freedom-train-ernst-leitz-ii/'>Accidental Talmudist</a>.</p>
<p> </p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This year marks the 100th anniversary of the Leitz Camera, or as we know it today, Leica. The Leitz Camera Co. is far older than the cameras they produce. In today's episode, Bill leads a panel of photographers, including Alex (Smith), John Roberts, and David, who all have one thing in common: their love of Leicas, from the Barnack rangefinders to the iconic M-Series of rangefinders and even the controversial SLR line of Leicaflexes! But no matter which side of the fence you land on, there is something special about Leica cameras and their lenses that makes them not only expensive but worth every penny. Also Alex (our Alex) comes in with a presentation on the Leica Freedom Train, an effort by Ernst Leitz II and Elsie Kuehn-Leitz, to move hundreds of Jewish employees and their families outside of Germany from 1935-1939 and the company's efforts to protect those enslaved under the Nazis and employed by Leitz during the war. You can read more in the <a href='https://legionmagazine.com/the-leica-freedom-train/'>Legion Magazine</a> or the <a href='https://www.accidentaltalmudist.org/heroes/2024/08/05/leica-freedom-train-ernst-leitz-ii/'>Accidental Talmudist</a>.</p>
<p> </p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xefnkxrc5936e9is/CCR-Ep202-ACenturyofProgress.mp3" length="46939988" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This year marks the 100th anniversary of the Leitz Camera, or as we know it today, Leica. The Leitz Camera Co. is far older than the cameras they produce. In today's episode, Bill leads a panel of photographers, including Alex (Smith), John Roberts, and David, who all have one thing in common: their love of Leicas, from the Barnack rangefinders to the iconic M-Series of rangefinders and even the controversial SLR line of Leicaflexes! But no matter which side of the fence you land on, there is something special about Leica cameras and their lenses that makes them not only expensive but worth every penny. Also Alex (our Alex) comes in with a presentation on the Leica Freedom Train, an effort by Ernst Leitz II and Elsie Kuehn-Leitz, to move hundreds of Jewish employees and their families outside of Germany from 1935-1939 and the company's efforts to protect those enslaved under the Nazis and employed by Leitz during the war. You can read more in the Legion Magazine or the Accidental Talmudist.
 
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk &amp; Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on Photowalk.me!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4299</itunes:duration>
                <itunes:episode>195</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr202-acenturyofprogress-icon.jpg" />    </item>
    <item>
        <title>Episode 201 - In the Loupe: Nick LoPresti</title>
        <itunes:title>Episode 201 - In the Loupe: Nick LoPresti</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-201-in-the-loupe-nick-lopresti/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-201-in-the-loupe-nick-lopresti/#comments</comments>        <pubDate>Tue, 10 Jun 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a854de30-688a-319b-b738-4da718c78285</guid>
                                    <description><![CDATA[<p>They say that everything is bigger in Texas, and that certainly includes the personalities of the film photographers! Join Alex as he sits down with Nick LoPresti, if you haven't seen his work he certainly has a certain flare for humour, big jokes a bit of self-deprecation and a flare for not taking himself seriously. And you know, it's a refreshing take on a hobby that often takes itself way too seriously. I mean, we here at CCR can often lean into the serious side of things, but we also don't take ourselves too seriously.</p>
<p>To find more of Nick's Work, check him out in the following places online!
Web: <a href='https://www.madebylopro.com/'>www.madebylopro.com</a>
Instagram: <a href='https://www.instagram.com/loprestiproductions/'>www.instagram.com/loprestiproductions/</a>
YouTube: <a href='https://www.youtube.com/@nicklopro'>www.youtube.com/@nicklopro</a></p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>www.photowalk.me</a>!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>They say that everything is bigger in Texas, and that certainly includes the personalities of the film photographers! Join Alex as he sits down with Nick LoPresti, if you haven't seen his work he certainly has a certain flare for humour, big jokes a bit of self-deprecation and a flare for not taking himself seriously. And you know, it's a refreshing take on a hobby that often takes itself way too seriously. I mean, we here at CCR can often lean into the serious side of things, but we also don't take ourselves too seriously.</p>
<p>To find more of Nick's Work, check him out in the following places online!<br>
Web: <a href='https://www.madebylopro.com/'>www.madebylopro.com</a><br>
Instagram: <a href='https://www.instagram.com/loprestiproductions/'>www.instagram.com/loprestiproductions/</a><br>
YouTube: <a href='https://www.youtube.com/@nicklopro'>www.youtube.com/@nicklopro</a></p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>www.photowalk.me</a>!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4huvctp6k8expdpc/Ep201-nick-lopresti.mp3" length="33820398" type="audio/mpeg"/>
        <itunes:summary><![CDATA[They say that everything is bigger in Texas, and that certainly includes the personalities of the film photographers! Join Alex as he sits down with Nick LoPresti, if you haven't seen his work he certainly has a certain flare for humour, big jokes a bit of self-deprecation and a flare for not taking himself seriously. And you know, it's a refreshing take on a hobby that often takes itself way too seriously. I mean, we here at CCR can often lean into the serious side of things, but we also don't take ourselves too seriously.
To find more of Nick's Work, check him out in the following places online!Web: www.madebylopro.comInstagram: www.instagram.com/loprestiproductions/YouTube: www.youtube.com/@nicklopro
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on www.photowalk.me!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2851</itunes:duration>
                <itunes:episode>194</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr201-nicklopresti-icon.jpg" />    </item>
    <item>
        <title>Episode 200 - Ahead By Two Centuries</title>
        <itunes:title>Episode 200 - Ahead By Two Centuries</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-200-ahead-by-two-centuries/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-200-ahead-by-two-centuries/#comments</comments>        <pubDate>Tue, 27 May 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/91e59e4a-e809-3cb5-ae89-cc618dcb9359</guid>
                                    <description><![CDATA[<p>It's hard to believe that 2025 marks several significant anniversaries. First off, it's the 200th anniversary of photography as a whole, CCR is celebrating 10 years on the air, and we've reached episode 200! So the gang digs into a few topics on this show! If you remember, back in Episode 100, we talked about the oldest cameras in our collections, so in this episode, we talk about the newest cameras in our toolkits. We will also talk about all the latest films that have emerged in the 21st century and the developers!</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's hard to believe that 2025 marks several significant anniversaries. First off, it's the 200th anniversary of photography as a whole, CCR is celebrating 10 years on the air, and we've reached episode 200! So the gang digs into a few topics on this show! If you remember, back in Episode 100, we talked about the oldest cameras in our collections, so in this episode, we talk about the newest cameras in our toolkits. We will also talk about all the latest films that have emerged in the 21st century and the developers!</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/57icnwrpcudm34ju/ccr-ep200-aheadbytwocenturies.mp3" length="27894099" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to believe that 2025 marks several significant anniversaries. First off, it's the 200th anniversary of photography as a whole, CCR is celebrating 10 years on the air, and we've reached episode 200! So the gang digs into a few topics on this show! If you remember, back in Episode 100, we talked about the oldest cameras in our collections, so in this episode, we talk about the newest cameras in our toolkits. We will also talk about all the latest films that have emerged in the 21st century and the developers!
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on Photowalk.me!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2184</itunes:duration>
                <itunes:episode>193</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep200-aheadbytwocenturies-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 199 - In The Loupe: Ebi Agbeyegbe</title>
        <itunes:title>Classic Camera Revival - Episode 199 - In The Loupe: Ebi Agbeyegbe</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-199-in-the-loupe-ebi-agbeyegbe/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-199-in-the-loupe-ebi-agbeyegbe/#comments</comments>        <pubDate>Mon, 12 May 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/0ca18002-d3ac-3b8b-b5ab-ef8a17b163ae</guid>
                                    <description><![CDATA[<p>In today's hot seat is Ebi Agbeyegbe, a local GTA photographer. Ebi, originally from Nigeria, came to Canada to study chemistry but eventually went into photography and then Sociology. But it was photography that got him going, first with real estate and then into film production. He loves medium format, 35mm, and even a bit of large format work. Most importantly, he loves expired film. </p>
<p>You can find Ebi's work online.
Website: <a href='https://www.filmstockreel.com/'>www.filmstockreel.com</a>
Substack: <a href='https://filmstockreel.substack.com/'>filmstockreel.substack.com</a>
Instagram: <a href='https://www.instagram.com/visualsbyebi/'>instagram.com/visualsbyebi</a>
YouTube: <a href='https://www.youtube.com/@filmstockreel'>youtube.com/@filmstockreel</a></p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In today's hot seat is Ebi Agbeyegbe, a local GTA photographer. Ebi, originally from Nigeria, came to Canada to study chemistry but eventually went into photography and then Sociology. But it was photography that got him going, first with real estate and then into film production. He loves medium format, 35mm, and even a bit of large format work. Most importantly, he loves expired film. </p>
<p>You can find Ebi's work online.<br>
Website: <a href='https://www.filmstockreel.com/'>www.filmstockreel.com</a><br>
Substack: <a href='https://filmstockreel.substack.com/'>filmstockreel.substack.com</a><br>
Instagram: <a href='https://www.instagram.com/visualsbyebi/'>instagram.com/visualsbyebi</a><br>
YouTube: <a href='https://www.youtube.com/@filmstockreel'>youtube.com/@filmstockreel</a></p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/myivt447eu27sdp4/Ep199-InTheLoupeEbi.mp3" length="29236762" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In today's hot seat is Ebi Agbeyegbe, a local GTA photographer. Ebi, originally from Nigeria, came to Canada to study chemistry but eventually went into photography and then Sociology. But it was photography that got him going, first with real estate and then into film production. He loves medium format, 35mm, and even a bit of large format work. Most importantly, he loves expired film. 
You can find Ebi's work online.Website: www.filmstockreel.comSubstack: filmstockreel.substack.comInstagram: instagram.com/visualsbyebiYouTube: youtube.com/@filmstockreel
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on Photowalk.me!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2686</itunes:duration>
                <itunes:episode>192</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep199-ebia-icon.jpg" />    </item>
    <item>
        <title>Episode 198 - What's the Delta?</title>
        <itunes:title>Episode 198 - What's the Delta?</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-198-whats-the-delta/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-198-whats-the-delta/#comments</comments>        <pubDate>Tue, 22 Apr 2025 05:30:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b1e3598c-e6e4-3670-bef4-cf2fd25c33e7</guid>
                                    <description><![CDATA[<p>Various names, including Modern Grain, Delta Grain, or T-Grain, are known for these films. These are the newest style of black and white film emulsions that offer fine grain, added sharpness, and a distinctly different structure than traditional cubic-grained film. In this episode, the team sits down to discuss films from Ilford Delta, Kodak TMax, Fomapan 200, and the Fujifilm Neopan line, as well as the various and assorted developers designed to maximise the potential of these modern films. But we also dig into developers like Kodak TMax Developer, Ilford DD-X, and Crawley's FX-37!</p>
<p>There is also a Canadian Federal Election taking place on April 28. We at CCR encourage all eligible Canadians to get out and vote! You can visit the <a href='https://www.elections.ca/'>Elections Canada</a> website to find out if you're eligible, register to vote, and where to cast your ballot! And if you haven't already, make sure to cast your ballot on Election Day, April 28, 2025.</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk on Brewery Tour on July 12, starting at 11 am from the Great Lakes Brewpub, located at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Various names, including Modern Grain, Delta Grain, or T-Grain, are known for these films. These are the newest style of black and white film emulsions that offer fine grain, added sharpness, and a distinctly different structure than traditional cubic-grained film. In this episode, the team sits down to discuss films from Ilford Delta, Kodak TMax, Fomapan 200, and the Fujifilm Neopan line, as well as the various and assorted developers designed to maximise the potential of these modern films. But we also dig into developers like Kodak TMax Developer, Ilford DD-X, and Crawley's FX-37!</p>
<p>There is also a Canadian Federal Election taking place on April 28. We at CCR encourage all eligible Canadians to get out and vote! You can visit the <a href='https://www.elections.ca/'>Elections Canada</a> website to find out if you're eligible, register to vote, and where to cast your ballot! And if you haven't already, make sure to cast your ballot on Election Day, April 28, 2025.</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk on Brewery Tour on July 12, starting at 11 am from the Great Lakes Brewpub, located at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>Photowalk.me</a>!</p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pagpkctqvuinknci/Ep198-WhatsTheDelta.mp3" length="38761242" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Various names, including Modern Grain, Delta Grain, or T-Grain, are known for these films. These are the newest style of black and white film emulsions that offer fine grain, added sharpness, and a distinctly different structure than traditional cubic-grained film. In this episode, the team sits down to discuss films from Ilford Delta, Kodak TMax, Fomapan 200, and the Fujifilm Neopan line, as well as the various and assorted developers designed to maximise the potential of these modern films. But we also dig into developers like Kodak TMax Developer, Ilford DD-X, and Crawley's FX-37!
There is also a Canadian Federal Election taking place on April 28. We at CCR encourage all eligible Canadians to get out and vote! You can visit the Elections Canada website to find out if you're eligible, register to vote, and where to cast your ballot! And if you haven't already, make sure to cast your ballot on Election Day, April 28, 2025.
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk on Brewery Tour on July 12, starting at 11 am from the Great Lakes Brewpub, located at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on Photowalk.me!
 
 ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3137</itunes:duration>
                <itunes:episode>191</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-198-whatsthedelta-icon.jpg" />    </item>
    <item>
        <title>Episode 197 - A Few of Our F(-Mount)avourite Things</title>
        <itunes:title>Episode 197 - A Few of Our F(-Mount)avourite Things</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-197-a-few-of-our-f-mountavourite-things/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-197-a-few-of-our-f-mountavourite-things/#comments</comments>        <pubDate>Tue, 08 Apr 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/65f72fc4-2870-39ea-8dd5-4b21758aa4fe</guid>
                                    <description><![CDATA[<p>It should come as no surprise that the core team at CCR are Nikon fans. Between Alex, James, and Bill, we have a ton of Nikon kit, from cameras to lenses. So, in this episode, we're running through each of our five favourite Nikkor lenses from our auto and manual focus kits, pre-AI to modern Type-G. Thanks to Joss Hollingworth for putting forward this idea! It was a lot of fun to decide which lenses to include!</p>
<p>Lenses in this episode include:
Bill: Nikkor 105/2.5, Nikkor 50/2 (K), Nikkor 35/2, Nikkor 28-105/3.5-4.5D, Nikkor 50/1.8
James: Micro-Nikkor 200/4D, Nikkor 50/1.4D, Nikkor 35/2D, DC-Nikkor 105/2D, Nikkor 85/1.4G
Alex: AF Nikkor 14mm f/2.8D, AI Nikkor 28mm f/3.5, AF Nikkor 35mm f/2D, AI-S Nikkor 85mm f/2, AF DC-Nikkor 105mm f/2D</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>photowalk.me</a>!</p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It should come as no surprise that the core team at CCR are Nikon fans. Between Alex, James, and Bill, we have a ton of Nikon kit, from cameras to lenses. So, in this episode, we're running through each of our five favourite Nikkor lenses from our auto and manual focus kits, pre-AI to modern Type-G. Thanks to Joss Hollingworth for putting forward this idea! It was a lot of fun to decide which lenses to include!</p>
<p>Lenses in this episode include:<br>
Bill: Nikkor 105/2.5, Nikkor 50/2 (K), Nikkor 35/2, Nikkor 28-105/3.5-4.5D, Nikkor 50/1.8<br>
James: Micro-Nikkor 200/4D, Nikkor 50/1.4D, Nikkor 35/2D, DC-Nikkor 105/2D, Nikkor 85/1.4G<br>
Alex: AF Nikkor 14mm f/2.8D, AI Nikkor 28mm f/3.5, AF Nikkor 35mm f/2D, AI-S Nikkor 85mm f/2, AF DC-Nikkor 105mm f/2D</p>
<p>CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on <a href='https://www.photowalk.me/photowalk/classic-camera-revival-10th-anniversary-potowalk-brewery-tour'>photowalk.me</a>!</p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/38v66sk93nihn3bf/CCR-Ep197-OurFavourteThings.mp3" length="39405293" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It should come as no surprise that the core team at CCR are Nikon fans. Between Alex, James, and Bill, we have a ton of Nikon kit, from cameras to lenses. So, in this episode, we're running through each of our five favourite Nikkor lenses from our auto and manual focus kits, pre-AI to modern Type-G. Thanks to Joss Hollingworth for putting forward this idea! It was a lot of fun to decide which lenses to include!
Lenses in this episode include:Bill: Nikkor 105/2.5, Nikkor 50/2 (K), Nikkor 35/2, Nikkor 28-105/3.5-4.5D, Nikkor 50/1.8James: Micro-Nikkor 200/4D, Nikkor 50/1.4D, Nikkor 35/2D, DC-Nikkor 105/2D, Nikkor 85/1.4GAlex: AF Nikkor 14mm f/2.8D, AI Nikkor 28mm f/3.5, AF Nikkor 35mm f/2D, AI-S Nikkor 85mm f/2, AF DC-Nikkor 105mm f/2D
CCR is ten years old this year, and to celebrate, we're hosting a Photowalk in Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on photowalk.me!
 
 ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3391</itunes:duration>
                <itunes:episode>190</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-197-favouritethings-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 196 | Stranger Things</title>
        <itunes:title>Classic Camera Revival - Episode 196 | Stranger Things</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-196-stranger-things/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-196-stranger-things/#comments</comments>        <pubDate>Tue, 25 Mar 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9509f5f2-ddee-3d0a-a791-ba17a4917687</guid>
                                    <description><![CDATA[<p>From strange cameras to films and developers! Join Alex, James, and Bill as they sit down for a quick roundtable on some of the stranger things they've encountered in their film photography: a Miranda and Rollei 35 to an Exacta, expired films, and oddball developers. It isn't that any of these things are bad; they just happen to be a bit odd when compared to modern cameras, films, and developers that are pretty similar to similar offerings.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>From strange cameras to films and developers! Join Alex, James, and Bill as they sit down for a quick roundtable on some of the stranger things they've encountered in their film photography: a Miranda and Rollei 35 to an Exacta, expired films, and oddball developers. It isn't that any of these things are bad; they just happen to be a bit odd when compared to modern cameras, films, and developers that are pretty similar to similar offerings.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p546bgrhzsvsv7i8/Ep196-StrangerThings.mp3" length="38225023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From strange cameras to films and developers! Join Alex, James, and Bill as they sit down for a quick roundtable on some of the stranger things they've encountered in their film photography: a Miranda and Rollei 35 to an Exacta, expired films, and oddball developers. It isn't that any of these things are bad; they just happen to be a bit odd when compared to modern cameras, films, and developers that are pretty similar to similar offerings.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2363</itunes:duration>
                <itunes:episode>189</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-196-strangerthings-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 195 - The Magic of Print</title>
        <itunes:title>Classic Camera Revival - Episode 195 - The Magic of Print</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-195-the-magic-of-print/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-195-the-magic-of-print/#comments</comments>        <pubDate>Tue, 11 Mar 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/d58c0e8b-4a00-3a9e-af29-ed75152a61ac</guid>
                                    <description><![CDATA[<p>The whole team is together again and in person with a special darkroom episode. We generally talk about gear, films, paper and other technical things. In this episode, we're talking about our photography, what makes a good photo and the images we brought into print using a traditional darkroom! While we are all gearheads, we all have passions for different types and styles of photography. We apologise for the audio quality of this one. We were recording in the darkroom, and there were some pops and interference where the mic cables crossed with electrical ones.</p>
<p>Community Darkrooms Mentioned:
<a href='https://www.gallery44.org/'>Gallery44</a>
<a href='https://torontocameraclub.com/'>Toronto Camera Club</a>
<a href='https://www.projectforemptyspace.org/obscura-darkroom'>Obscura Darkroom NJ</a>
<a href='https://www.safelightdistrict.com/'>Safelight District</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The whole team is together again and in person with a special darkroom episode. We generally talk about gear, films, paper and other technical things. In this episode, we're talking about our photography, what makes a good photo and the images we brought into print using a traditional darkroom! While we are all gearheads, we all have passions for different types and styles of photography. We apologise for the audio quality of this one. We were recording in the darkroom, and there were some pops and interference where the mic cables crossed with electrical ones.</p>
<p>Community Darkrooms Mentioned:<br>
<a href='https://www.gallery44.org/'>Gallery44</a><br>
<a href='https://torontocameraclub.com/'>Toronto Camera Club</a><br>
<a href='https://www.projectforemptyspace.org/obscura-darkroom'>Obscura Darkroom NJ</a><br>
<a href='https://www.safelightdistrict.com/'>Safelight District</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4z35u7mdfwn25t29/Ep195-TheMagicOfPrint.mp3" length="64411495" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The whole team is together again and in person with a special darkroom episode. We generally talk about gear, films, paper and other technical things. In this episode, we're talking about our photography, what makes a good photo and the images we brought into print using a traditional darkroom! While we are all gearheads, we all have passions for different types and styles of photography. We apologise for the audio quality of this one. We were recording in the darkroom, and there were some pops and interference where the mic cables crossed with electrical ones.
Community Darkrooms Mentioned:Gallery44Toronto Camera ClubObscura Darkroom NJSafelight District]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4463</itunes:duration>
                <itunes:episode>188</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-195-themagicofprint-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 194 - In The Loupe: Clayton Sharp</title>
        <itunes:title>Classic Camera Revival - Episode 194 - In The Loupe: Clayton Sharp</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-194-in-the-loupe-clayton-sharp/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-194-in-the-loupe-clayton-sharp/#comments</comments>        <pubDate>Tue, 25 Feb 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/968ef276-e22c-3251-bc7c-e5b01b81dcf5</guid>
                                    <description><![CDATA[<p>We sit down with another talented Photographer, Clayton Sharp! If the name rings a bell, Clayton is the second half of the latest podcast to hit the Film Photography sphere, Joe &amp; Clayton Start A Film Photography Podcast. Join Bill and Alex as they sit down with Clayton to discuss Nikon, large format, large-scale development, and a love of Chicago and Winter. Plus, all the interesting things are done in a large format using direct positive paper.</p>
<p>In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras. And displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support" select Disaster Relief.</p>
<p>If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast You can:
Subscribe: <a href='https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698'>https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698</a>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/j_and_c_start_a_podcast/</a>
Instagram: <a href='https://www.instagram.com/claytonsharpphoto/'>https://www.instagram.com/claytonsharpphoto/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We sit down with another talented Photographer, Clayton Sharp! If the name rings a bell, Clayton is the second half of the latest podcast to hit the Film Photography sphere, Joe &amp; Clayton Start A Film Photography Podcast. Join Bill and Alex as they sit down with Clayton to discuss Nikon, large format, large-scale development, and a love of Chicago and Winter. Plus, all the interesting things are done in a large format using direct positive paper.</p>
<p>In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras. And displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support" select Disaster Relief.</p>
<p>If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast You can:<br>
Subscribe: <a href='https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698'>https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698</a><br>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/j_and_c_start_a_podcast/</a><br>
Instagram: <a href='https://www.instagram.com/claytonsharpphoto/'>https://www.instagram.com/claytonsharpphoto/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xxs8xrmk6wtnej4z/Ep194-ClaytonSharp.mp3" length="48355468" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We sit down with another talented Photographer, Clayton Sharp! If the name rings a bell, Clayton is the second half of the latest podcast to hit the Film Photography sphere, Joe &amp; Clayton Start A Film Photography Podcast. Join Bill and Alex as they sit down with Clayton to discuss Nikon, large format, large-scale development, and a love of Chicago and Winter. Plus, all the interesting things are done in a large format using direct positive paper.
In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras. And displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the American Red Cross and under "I Want to Support" select Disaster Relief.
If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast You can:Subscribe: https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698Instagram: https://www.instagram.com/j_and_c_start_a_podcast/Instagram: https://www.instagram.com/claytonsharpphoto/]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4544</itunes:duration>
                <itunes:episode>187</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-194-claytonsharp-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 193 - Creativity In Dark Times</title>
        <itunes:title>Classic Camera Revival - Episode 193 - Creativity In Dark Times</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-193-creativity-in-dark-times/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-193-creativity-in-dark-times/#comments</comments>        <pubDate>Tue, 11 Feb 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/15d17e2a-9511-350e-9dc9-9987ce9363dc</guid>
                                    <description><![CDATA[<p>It's hard to be creative, especially with everything happening. Inspiration isn't there; there is a strange balance between staying informed and sane. Well, even for people who love photography, it can be challenging. But Alex sits down in this episode to talk about his creative rut, how to resist, and some tips on staying creative even in dark times. These things include revisiting a favourite location, trying a new film or camera, learning a new technique, or trying a new form of creativity. If you can't leave the house, maybe you can make a 'zine or a book, finish an old project or plan a new one. But above all, don't abandon your creativity let it be a form <a href='https://www.gutenberg.org/cache/epub/26184/pg26184-images.html'>of</a> resistance and keep your light on, it's okay for it to dim every so often, give you a chance to regroup, but never let anyone put it out. Resistance is not futile.</p>
<p>In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the smash-hit podcasts I Dream of Cameras hosts and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support", select Disaster Relief.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's hard to be creative, especially with <em>everything</em> happening. Inspiration isn't there; there is a strange balance between staying informed and sane. Well, even for people who love photography, it can be challenging. But Alex sits down in this episode to talk about his creative rut, how to resist, and some tips on staying creative even in dark times. These things include revisiting a favourite location, trying a new film or camera, learning a new technique, or trying a new form of creativity. If you can't leave the house, maybe you can make a 'zine or a book, finish an old project or plan a new one. But above all, don't abandon your creativity let it be a form <a href='https://www.gutenberg.org/cache/epub/26184/pg26184-images.html'>of</a> resistance and keep your light on, it's okay for it to dim every so often, give you a chance to regroup, but never let anyone put it out. Resistance is not futile.</p>
<p>In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the smash-hit podcasts I Dream of Cameras hosts and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support", select Disaster Relief.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zirnq3xp43rcy2ht/Ep193-CreativityInDarkTimes.mp3" length="20387497" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's hard to be creative, especially with everything happening. Inspiration isn't there; there is a strange balance between staying informed and sane. Well, even for people who love photography, it can be challenging. But Alex sits down in this episode to talk about his creative rut, how to resist, and some tips on staying creative even in dark times. These things include revisiting a favourite location, trying a new film or camera, learning a new technique, or trying a new form of creativity. If you can't leave the house, maybe you can make a 'zine or a book, finish an old project or plan a new one. But above all, don't abandon your creativity let it be a form of resistance and keep your light on, it's okay for it to dim every so often, give you a chance to regroup, but never let anyone put it out. Resistance is not futile.
In 2024 and more recently in January, Hurricanes and Wildfires directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the smash-hit podcasts I Dream of Cameras hosts and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the American Red Cross and under "I Want to Support", select Disaster Relief.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1418</itunes:duration>
                <itunes:episode>186</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-193-creativityindarktimes-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 192 - In The Loupe: Joe Pollock</title>
        <itunes:title>Classic Camera Revival - Episode 192 - In The Loupe: Joe Pollock</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-192-in-the-loupe-joe-pollock/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-192-in-the-loupe-joe-pollock/#comments</comments>        <pubDate>Tue, 28 Jan 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/adab7994-3d10-3c38-8f9b-31c52a81f846</guid>
                                    <description><![CDATA[<p>In today's episode, Alex sits down with Joe Pollock, one half of Joe &amp; Clayton Start a Film Photography Podcast, to talk about everything photography, starting a film podcast today and much more! The pair talk about cameras (Leica &amp; Nikon), the joys of being dads, choices in film, and love of photography. Surprisingly, not a single dad joke was shared during the entire episode!</p>
<p>Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras, and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support", select Disaster Relief.</p>
<p>If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast, You can:
Subscribe: <a href='https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698'>https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698</a>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/j_and_c_start_a_podcast/</a>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/joepollockphotos/</a>
Website: <a href='https://joepollockphotography.com/'>https://joepollockphotography.com/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In today's episode, Alex sits down with Joe Pollock, one half of Joe &amp; Clayton Start a Film Photography Podcast, to talk about everything photography, starting a film podcast today and much more! The pair talk about cameras (Leica &amp; Nikon), the joys of being dads, choices in film, and love of photography. Surprisingly, not a single dad joke was shared during the entire episode!</p>
<p>Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras, and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support", select Disaster Relief.</p>
<p>If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast, You can:<br>
Subscribe: <a href='https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698'>https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698</a><br>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/j_and_c_start_a_podcast/</a><br>
Instagram: <a href='https://www.instagram.com/j_and_c_start_a_podcast/'>https://www.instagram.com/joepollockphotos/</a><br>
Website: <a href='https://joepollockphotography.com/'>https://joepollockphotography.com/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wth9n577jyse8tvn/Ep192-Joe-Pollock.mp3" length="30391068" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In today's episode, Alex sits down with Joe Pollock, one half of Joe &amp; Clayton Start a Film Photography Podcast, to talk about everything photography, starting a film podcast today and much more! The pair talk about cameras (Leica &amp; Nikon), the joys of being dads, choices in film, and love of photography. Surprisingly, not a single dad joke was shared during the entire episode!
Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires and floods have destroyed thousands of homes, including that of Gabe Sachs, one of the hosts of the smash-hit podcast I Dream of Cameras, and displaced the guys behind Joe &amp; Clayton Start and Film Photography Podcast. If you can, please consider donating to the American Red Cross and under "I Want to Support", select Disaster Relief.
If you want to follow along with the Joe &amp; Clayton Start a Film Photography Podcast, You can:Subscribe: https://podcasts.apple.com/us/podcast/joe-and-clayton-make-a-film-photography-podcast/id1761165698Instagram: https://www.instagram.com/j_and_c_start_a_podcast/Instagram: https://www.instagram.com/joepollockphotos/Website: https://joepollockphotography.com/]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2964</itunes:duration>
                <itunes:episode>185</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-192-joepollock-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 191 - Picking &amp; Choosing</title>
        <itunes:title>Classic Camera Revival - Episode 191 - Picking &amp; Choosing</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-191-picking-choosing/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-191-picking-choosing/#comments</comments>        <pubDate>Tue, 14 Jan 2025 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/3f7ac442-f8bb-3d17-8dc1-e74f886bf81c</guid>
                                    <description><![CDATA[<p>Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires have destroyed thousands of homes, including that of Gabe Saches, one of the hosts of the smash-hit podcast I Dream of Cameras. If you are able please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support" select Disaster Relief.</p>
<p>Welcome to the new year and the new season! It's pretty darn cold here in Canada, so we're sitting around the table to talk about our favourite developers and the situations in which we use them! From general purpose to speciality, our team has no shortage of chemistry in our kits, but there is also some wisdom in taking the struggle of choosing out of the equation by having only one choice. The team also welcomes our new cohost, Jessica Kosmack, to the team and discusses our photography and podcast plans! Since it's the new season, we might reintroduce our team's Instagram accounts.</p>
<p>CCR Main Account: <a href='https://www.instagram.com/classiccamerarevival/'>https://www.instagram.com/classiccamerarevival/</a>
Alex: <a href='https://www.instagram.com/alexluyckxphoto/'>https://www.instagram.com/alexluyckxphoto/</a>
James: <a href='https://www.instagram.com/james.lee.photo/'>https://www.instagram.com/james.lee.photo/</a>
Bill: <a href='https://www.instagram.com/wbsmith200/'>https://www.instagram.com/wbsmith200/</a>
Chris: <a href='https://www.instagram.com/wutography/'>https://www.instagram.com/wutography/</a>
Jess H: <a href='https://www.instagram.com/jesshobbsphoto/'>https://www.instagram.com/jesshobbsphoto/</a>
Jess K: <a href='https://www.instagram.com/jesskosphoto/'>https://www.instagram.com/jesskosphoto/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires have destroyed thousands of homes, including that of Gabe Saches, one of the hosts of the smash-hit podcast I Dream of Cameras. If you are able please consider donating to the <a href='https://www.redcross.org/donate/donation.html/'>American Red Cross</a> and under "I Want to Support" select Disaster Relief.</p>
<p>Welcome to the new year and the new season! It's pretty darn cold here in Canada, so we're sitting around the table to talk about our favourite developers and the situations in which we use them! From general purpose to speciality, our team has no shortage of chemistry in our kits, but there is also some wisdom in taking the struggle of choosing out of the equation by having only one choice. The team also welcomes our new cohost, Jessica Kosmack, to the team and discusses our photography and podcast plans! Since it's the new season, we might reintroduce our team's Instagram accounts.</p>
<p>CCR Main Account: <a href='https://www.instagram.com/classiccamerarevival/'>https://www.instagram.com/classiccamerarevival/</a><br>
Alex: <a href='https://www.instagram.com/alexluyckxphoto/'>https://www.instagram.com/alexluyckxphoto/</a><br>
James: <a href='https://www.instagram.com/james.lee.photo/'>https://www.instagram.com/james.lee.photo/</a><br>
Bill: <a href='https://www.instagram.com/wbsmith200/'>https://www.instagram.com/wbsmith200/</a><br>
Chris: <a href='https://www.instagram.com/wutography/'>https://www.instagram.com/wutography/</a><br>
Jess H: <a href='https://www.instagram.com/jesshobbsphoto/'>https://www.instagram.com/jesshobbsphoto/</a><br>
Jess K: <a href='https://www.instagram.com/jesskosphoto/'>https://www.instagram.com/jesskosphoto/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vpmpyid6q72xz9hb/Ep191-Picking-And-Choosing.mp3" length="29045631" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Last year and this month, two natural disasters directly affected tens of thousands of Americans; among them, we're sure are listeners of this podcast and members of the film podcasting community—the floods in North Carolina and, more recently, the fires in California. The fires have destroyed thousands of homes, including that of Gabe Saches, one of the hosts of the smash-hit podcast I Dream of Cameras. If you are able please consider donating to the American Red Cross and under "I Want to Support" select Disaster Relief.
Welcome to the new year and the new season! It's pretty darn cold here in Canada, so we're sitting around the table to talk about our favourite developers and the situations in which we use them! From general purpose to speciality, our team has no shortage of chemistry in our kits, but there is also some wisdom in taking the struggle of choosing out of the equation by having only one choice. The team also welcomes our new cohost, Jessica Kosmack, to the team and discusses our photography and podcast plans! Since it's the new season, we might reintroduce our team's Instagram accounts.
CCR Main Account: https://www.instagram.com/classiccamerarevival/Alex: https://www.instagram.com/alexluyckxphoto/James: https://www.instagram.com/james.lee.photo/Bill: https://www.instagram.com/wbsmith200/Chris: https://www.instagram.com/wutography/Jess H: https://www.instagram.com/jesshobbsphoto/Jess K: https://www.instagram.com/jesskosphoto/]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2552</itunes:duration>
                <itunes:episode>184</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-191-pickingandchoosing-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 190 - Leftovers, Again?</title>
        <itunes:title>Classic Camera Revival - Episode 190 - Leftovers, Again?</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-190-leftovers-again/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-190-leftovers-again/#comments</comments>        <pubDate>Mon, 23 Dec 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/ac911cb6-e23a-325f-b504-6c3996410333</guid>
                                    <description><![CDATA[<p>Well, we have reached the end of our 10th season, so it only makes sense to look back over some of the topics we've covered and fill in some of the gaps we left behind in the initial recording. Zoom Lenses to Leitz, Infrared to Ilford, Fast Lenses to Canon, it's time to tuck in for some holiday leftovers! And from all of our families to all of yours, a heartfelt thank you for sticking with CCR for this season with all the ups and downs and we wish you all the very best of the holiday season however you celebrate (or don't) we'll see you in 2025!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Well, we have reached the end of our 10th season, so it only makes sense to look back over some of the topics we've covered and fill in some of the gaps we left behind in the initial recording. Zoom Lenses to Leitz, Infrared to Ilford, Fast Lenses to Canon, it's time to tuck in for some holiday leftovers! And from all of our families to all of yours, a heartfelt thank you for sticking with CCR for this season with all the ups and downs and we wish you all the very best of the holiday season however you celebrate (or don't) we'll see you in 2025!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ijygbmu27uu4j82w/CCR-Ep190-Leftovers.mp3" length="30765057" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Well, we have reached the end of our 10th season, so it only makes sense to look back over some of the topics we've covered and fill in some of the gaps we left behind in the initial recording. Zoom Lenses to Leitz, Infrared to Ilford, Fast Lenses to Canon, it's time to tuck in for some holiday leftovers! And from all of our families to all of yours, a heartfelt thank you for sticking with CCR for this season with all the ups and downs and we wish you all the very best of the holiday season however you celebrate (or don't) we'll see you in 2025!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2726</itunes:duration>
                <itunes:episode>183</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep190-leftoversagain-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 189 - How Fast is Too Fast?</title>
        <itunes:title>Classic Camera Revival - Episode 189 - How Fast is Too Fast?</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-189-how-fast-is-too-fast/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-189-how-fast-is-too-fast/#comments</comments>        <pubDate>Tue, 10 Dec 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/8706cda3-9d5f-3093-80a6-8209df3984cf</guid>
                                    <description><![CDATA[<p>Fast lenses are everywhere these days, and they have been around for a while, with lenses having wide-open apertures of f/0.95 and f/1.2. But these days it seems everyone wants their wide-angle and standard lenses to have open apertures of f/1.4! So, the team gets around the table to discuss what makes these lenses unique and where they have saved their bacon. Shooting wide-open has some downsides, such as when you need that speed and when you don't.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Fast lenses are everywhere these days, and they have been around for a while, with lenses having wide-open apertures of f/0.95 and f/1.2. But these days it seems everyone wants their wide-angle and standard lenses to have open apertures of f/1.4! So, the team gets around the table to discuss what makes these lenses unique and where they have saved their bacon. Shooting wide-open has some downsides, such as when you need that speed and when you don't.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eh5muwkgeuiqfrt9/CCR-Ep189-HowFastistoofast.mp3" length="27234181" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fast lenses are everywhere these days, and they have been around for a while, with lenses having wide-open apertures of f/0.95 and f/1.2. But these days it seems everyone wants their wide-angle and standard lenses to have open apertures of f/1.4! So, the team gets around the table to discuss what makes these lenses unique and where they have saved their bacon. Shooting wide-open has some downsides, such as when you need that speed and when you don't.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2306</itunes:duration>
                <itunes:episode>182</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep189-howfastistoofast-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 188 - The Eternal Film</title>
        <itunes:title>Classic Camera Revival - Episode 188 - The Eternal Film</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-188-the-eternal-film/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-188-the-eternal-film/#comments</comments>        <pubDate>Tue, 26 Nov 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/19b32dcc-838f-36b5-8a02-429c28d43a78</guid>
                                    <description><![CDATA[<p>When it comes to iconic films, there is no black &amp; white film to reach that level than Kodak Tri-X. First introduced in 1940 as a 200-speed sheet film, it hit the market as a roll film in 1954, replacing Kodak Super-XX as Kodak's fast film offering. That means in 2024, it is celebrating its 70th anniversary! With that in mind, the CCR team sits down to discuss Tri-X. What they shoot with it, how they develop it, the frustrations with the film and even some alternatives to Tri-X when the iconic film stock is a little out of reach.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When it comes to iconic films, there is no black &amp; white film to reach that level than Kodak Tri-X. First introduced in 1940 as a 200-speed sheet film, it hit the market as a roll film in 1954, replacing Kodak Super-XX as Kodak's fast film offering. That means in 2024, it is celebrating its 70th anniversary! With that in mind, the CCR team sits down to discuss Tri-X. What they shoot with it, how they develop it, the frustrations with the film and even some alternatives to Tri-X when the iconic film stock is a little out of reach.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fr7ea39ixmubcagc/CCR-Ep188-TheEternalFilm.mp3" length="30820179" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When it comes to iconic films, there is no black &amp; white film to reach that level than Kodak Tri-X. First introduced in 1940 as a 200-speed sheet film, it hit the market as a roll film in 1954, replacing Kodak Super-XX as Kodak's fast film offering. That means in 2024, it is celebrating its 70th anniversary! With that in mind, the CCR team sits down to discuss Tri-X. What they shoot with it, how they develop it, the frustrations with the film and even some alternatives to Tri-X when the iconic film stock is a little out of reach.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2655</itunes:duration>
                <itunes:episode>181</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-188-theeternalfilm-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 187 - In The Loupe: Ted Smith</title>
        <itunes:title>Classic Camera Revival - Episode 187 - In The Loupe: Ted Smith</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-187-in-the-loupe-ted-smith/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-187-in-the-loupe-ted-smith/#comments</comments>        <pubDate>Tue, 12 Nov 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/8cabbb08-8020-3a72-8d2d-6099ecc47b4a</guid>
                                    <description><![CDATA[<p>If you're looking for a photographer doing exciting things in the fashion field, especially with experimentation and Kodak Tri-X rolls, look no further than Ted Smith. Ted takes some time to sit down with James Lee for an interview. Together, they discuss his creative work with film, conceptual photoshoots, the creative process, his love of working with people, and portrait photography!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>If you're looking for a photographer doing exciting things in the fashion field, especially with experimentation and Kodak Tri-X rolls, look no further than Ted Smith. Ted takes some time to sit down with James Lee for an interview. Together, they discuss his creative work with film, conceptual photoshoots, the creative process, his love of working with people, and portrait photography!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f7ac8mw659dm5eiq/CCR-Ep187-TedSmith.mp3" length="83464046" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If you're looking for a photographer doing exciting things in the fashion field, especially with experimentation and Kodak Tri-X rolls, look no further than Ted Smith. Ted takes some time to sit down with James Lee for an interview. Together, they discuss his creative work with film, conceptual photoshoots, the creative process, his love of working with people, and portrait photography!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4373</itunes:duration>
                <itunes:episode>180</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep187-tedsmith-icon.jpg" />    </item>
    <item>
        <title>Episode 186 - Better Living Through Chemistry</title>
        <itunes:title>Episode 186 - Better Living Through Chemistry</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-186-better-living-through-chemistry/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-186-better-living-through-chemistry/#comments</comments>        <pubDate>Tue, 22 Oct 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/847ffba3-41ff-366a-8599-d293e1f133fd</guid>
                                    <description><![CDATA[<p>These days, there is a tonne of fantastic film chemistry available, but it can be hard to decide where to go next or even where to start. And while Alex has been developing his film at home for over ten years, he still hasn't touched some developers. But in today's show, he is going to break down a tonne of developers, including Kodak D-76, HC-110, Xtol, Rollei Supergrain, Rodinal, FX-39, Atomal 49, Studional/Hydrofen, Pyro developers and much more. It's a lot of information in a tiny podcast.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>These days, there is a tonne of fantastic film chemistry available, but it can be hard to decide where to go next or even where to start. And while Alex has been developing his film at home for over ten years, he still hasn't touched some developers. But in today's show, he is going to break down a tonne of developers, including Kodak D-76, HC-110, Xtol, Rollei Supergrain, Rodinal, FX-39, Atomal 49, Studional/Hydrofen, Pyro developers and much more. It's a lot of information in a tiny podcast.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/csh4xrzuhbmwzkz3/CCR-Ep186-BetterLivingThroughChemistry.mp3" length="20361688" type="audio/mpeg"/>
        <itunes:summary><![CDATA[These days, there is a tonne of fantastic film chemistry available, but it can be hard to decide where to go next or even where to start. And while Alex has been developing his film at home for over ten years, he still hasn't touched some developers. But in today's show, he is going to break down a tonne of developers, including Kodak D-76, HC-110, Xtol, Rollei Supergrain, Rodinal, FX-39, Atomal 49, Studional/Hydrofen, Pyro developers and much more. It's a lot of information in a tiny podcast.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1632</itunes:duration>
                <itunes:episode>179</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr186-chemistryliving-icon.jpg" />    </item>
    <item>
        <title>Episode 185 - In The Loupe: Andrew Reynolds</title>
        <itunes:title>Episode 185 - In The Loupe: Andrew Reynolds</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/episode-185-in-the-loupe-andrew-reynolds/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/episode-185-in-the-loupe-andrew-reynolds/#comments</comments>        <pubDate>Tue, 08 Oct 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/66eb4d96-406b-3102-9f1e-8ac144856836</guid>
                                    <description><![CDATA[<p>Joining Alex and James in the studio today is Andrew Reynolds, a fellow Canadian from the East Coast! Join the trio as they talk about the good things about limiting your camera choices, the joy of photography, Nikon, Lighthouses, and where to explore when visiting Canada's Maritime provinces.</p>
<p>You can check out Andrew's Work on Instagram: <a href=''>instagram.com/randrewreynolds</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Joining Alex and James in the studio today is Andrew Reynolds, a fellow Canadian from the East Coast! Join the trio as they talk about the good things about limiting your camera choices, the joy of photography, Nikon, Lighthouses, and where to explore when visiting Canada's Maritime provinces.</p>
<p>You can check out Andrew's Work on Instagram: <a href=''>instagram.com/randrewreynolds</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ja3rwfagq8j88ysm/CCR-Ep185-AndrewReynolds.mp3" length="22212884" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining Alex and James in the studio today is Andrew Reynolds, a fellow Canadian from the East Coast! Join the trio as they talk about the good things about limiting your camera choices, the joy of photography, Nikon, Lighthouses, and where to explore when visiting Canada's Maritime provinces.
You can check out Andrew's Work on Instagram: instagram.com/randrewreynolds]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1858</itunes:duration>
                <itunes:episode>178</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr185-andrewreynolds-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 184 - Lessons Learned</title>
        <itunes:title>Classic Camera Revival - Episode 184 - Lessons Learned</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-184-lessons-learned/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-184-lessons-learned/#comments</comments>        <pubDate>Tue, 24 Sep 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/c2c9b8c7-86c6-3eff-b7f1-29d941ba8470</guid>
                                    <description><![CDATA[<p>With September being back-to-school for many, the usual crowd sits down for a roundtable to talk about the lessons they have learned with photography! From handling good business practices, including getting contracts, pricing, and double-checking gear. There are also discussions about chemistry foul-ups, knowing when to give up and realising that some things a deal is too good to be true.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>With September being back-to-school for many, the usual crowd sits down for a roundtable to talk about the lessons they have learned with photography! From handling good business practices, including getting contracts, pricing, and double-checking gear. There are also discussions about chemistry foul-ups, knowing when to give up and realising that some things a deal is too good to be true.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dvfuiqjhiqau28iv/CCR-Ep184-LessonsLearned.mp3" length="27860201" type="audio/mpeg"/>
        <itunes:summary><![CDATA[With September being back-to-school for many, the usual crowd sits down for a roundtable to talk about the lessons they have learned with photography! From handling good business practices, including getting contracts, pricing, and double-checking gear. There are also discussions about chemistry foul-ups, knowing when to give up and realising that some things a deal is too good to be true.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2456</itunes:duration>
                <itunes:episode>177</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr184-lessonslearned-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 183 | In The Loupe: Paul RyBolt</title>
        <itunes:title>Classic Camera Revival - Episode 183 | In The Loupe: Paul RyBolt</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-183-in-the-loupe-paul-rybolt/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-183-in-the-loupe-paul-rybolt/#comments</comments>        <pubDate>Tue, 10 Sep 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/c88c8ceb-86d5-3657-8f45-2d5b73aa0189</guid>
                                    <description><![CDATA[<p>Joining James &amp; Bill on today's show is noted long-time photographer and camera seller Paul RyBolt. Paul is one of several hosts on the Camerosity Podcast and is a wealth of knowledge from the camera retail world, collecting and using all sorts of cameras and film stocks. The conversation covers everything from the vast collections, including Kurt Igram's that Paul has helped sort through to shooting slide film, 6x9, Cibachrome, Corn Sweat, Stereo gear, Ansel Adams as a piano player, and single-malt scotch.</p>
<p>Listen to Camerosity (and even join in): <a href='https://mikeeckman.com/category/camerosity-podcast/'>mikeeckman.com/category/camerosity-podcast</a>
Check Out Paul's eBay Store: <a href='https://www.ebay.com/str/paulkris'>ebay.com/str/paulkris</a>
Instagram: <a href='https://www.instagram.com/ryboltcox/'>instagram.com/ryboltcox</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Joining James &amp; Bill on today's show is noted long-time photographer and camera seller Paul RyBolt. Paul is one of several hosts on the Camerosity Podcast and is a wealth of knowledge from the camera retail world, collecting and using all sorts of cameras and film stocks. The conversation covers everything from the vast collections, including Kurt Igram's that Paul has helped sort through to shooting slide film, 6x9, Cibachrome, Corn Sweat, Stereo gear, Ansel Adams as a piano player, and single-malt scotch.</p>
<p>Listen to Camerosity (and even join in): <a href='https://mikeeckman.com/category/camerosity-podcast/'>mikeeckman.com/category/camerosity-podcast</a><br>
Check Out Paul's eBay Store: <a href='https://www.ebay.com/str/paulkris'>ebay.com/str/paulkris</a><br>
Instagram: <a href='https://www.instagram.com/ryboltcox/'>instagram.com/ryboltcox</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pkgqs32aje3dbsnr/CCR-Ep183-PaulRyBolt.mp3" length="47147104" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining James &amp; Bill on today's show is noted long-time photographer and camera seller Paul RyBolt. Paul is one of several hosts on the Camerosity Podcast and is a wealth of knowledge from the camera retail world, collecting and using all sorts of cameras and film stocks. The conversation covers everything from the vast collections, including Kurt Igram's that Paul has helped sort through to shooting slide film, 6x9, Cibachrome, Corn Sweat, Stereo gear, Ansel Adams as a piano player, and single-malt scotch.
Listen to Camerosity (and even join in): mikeeckman.com/category/camerosity-podcastCheck Out Paul's eBay Store: ebay.com/str/paulkrisInstagram: instagram.com/ryboltcox]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4256</itunes:duration>
                <itunes:episode>176</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-183-paulrybolt-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 182 - Dead Hand Cameras</title>
        <itunes:title>Classic Camera Revival - Episode 182 - Dead Hand Cameras</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-182-dead-hand-cameras/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-182-dead-hand-cameras/#comments</comments>        <pubDate>Tue, 27 Aug 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b86812b9-e243-39fa-9575-bad6d6558cdd</guid>
                                    <description><![CDATA[<p>You will have to pry these cameras from our cold, dead hands! Yes, back in May, a group of bloggers released another coordinated set of blog posts outlining the five cameras you'll pry from our cold, dead hands! We thought that would be an excellent topic for CCR, so here we are! But we aren't just letting this stay in our hands; we also invited the Toronto Film Shooters Meetup group to join! And it's only fair that our first 'open source' episode includes the TFS, as that is the group that formed the foundation of this podcast!  The cameras in today's episode all seem to represent the personalities of the people who shoot them!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>You will have to pry these cameras from our cold, dead hands! Yes, back in May, a group of bloggers released another coordinated set of blog posts outlining the five cameras you'll pry from our cold, dead hands! We thought that would be an excellent topic for CCR, so here we are! But we aren't just letting this stay in our hands; we also invited the Toronto Film Shooters Meetup group to join! And it's only fair that our first 'open source' episode includes the TFS, as that is the group that formed the foundation of this podcast!  The cameras in today's episode all seem to represent the personalities of the people who shoot them!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j9utb6th44pxeaxs/CCR-Ep182-DeadHandCameras.mp3" length="34814508" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You will have to pry these cameras from our cold, dead hands! Yes, back in May, a group of bloggers released another coordinated set of blog posts outlining the five cameras you'll pry from our cold, dead hands! We thought that would be an excellent topic for CCR, so here we are! But we aren't just letting this stay in our hands; we also invited the Toronto Film Shooters Meetup group to join! And it's only fair that our first 'open source' episode includes the TFS, as that is the group that formed the foundation of this podcast!  The cameras in today's episode all seem to represent the personalities of the people who shoot them!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2964</itunes:duration>
                <itunes:episode>175</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-182-deadhandcameras-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 181 | Reuniting the Clan</title>
        <itunes:title>Classic Camera Revival - Episode 181 | Reuniting the Clan</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-181-reuniting-the-clan/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-181-reuniting-the-clan/#comments</comments>        <pubDate>Tue, 13 Aug 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/eb702fb4-5a45-3565-bc5b-29a78ea3ae24</guid>
                                    <description><![CDATA[<p>It's been a while since we've done an entire episode dedicated to Canon cameras, and today, we have some real treats! We're discussing the earliest Canon cameras, those LTM rangefinders that put Canon on the map and, more importantly, Canon LTM glass; some talk about the AE-1 and AE-1 Programs and a little about choosing the right EOS camera for you. And if you are looking at getting into Canon's rangefinder line, Bill cannot recommend enough the wonderful book Canon Rangefinder Cameras 1933-68 by Peter Dechert! We're also welcoming a special guest who is no stranger to CCR; Alex Smith is back with his extensive collection of Canon LTM glass.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's been a while since we've done an entire episode dedicated to Canon cameras, and today, we have some real treats! We're discussing the earliest Canon cameras, those LTM rangefinders that put Canon on the map and, more importantly, Canon LTM glass; some talk about the AE-1 and AE-1 Programs and a little about choosing the right EOS camera for you. And if you are looking at getting into Canon's rangefinder line, Bill cannot recommend enough the wonderful book Canon Rangefinder Cameras 1933-68 by Peter Dechert! We're also welcoming a special guest who is no stranger to CCR; Alex Smith is back with his extensive collection of Canon LTM glass.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/js3immxmj5k8i6z9/CCR-Ep181-UniteTheClan.mp3" length="26707101" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's been a while since we've done an entire episode dedicated to Canon cameras, and today, we have some real treats! We're discussing the earliest Canon cameras, those LTM rangefinders that put Canon on the map and, more importantly, Canon LTM glass; some talk about the AE-1 and AE-1 Programs and a little about choosing the right EOS camera for you. And if you are looking at getting into Canon's rangefinder line, Bill cannot recommend enough the wonderful book Canon Rangefinder Cameras 1933-68 by Peter Dechert! We're also welcoming a special guest who is no stranger to CCR; Alex Smith is back with his extensive collection of Canon LTM glass.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2418</itunes:duration>
                <itunes:episode>174</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-181-canonpt2-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 180 - In The Loupe: Chris Erickson</title>
        <itunes:title>Classic Camera Revival - Episode 180 - In The Loupe: Chris Erickson</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-180-in-the-loupe-chris-erickson/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-180-in-the-loupe-chris-erickson/#comments</comments>        <pubDate>Tue, 23 Jul 2024 05:01:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/23f142d6-6141-3966-b679-b83d675ea53e</guid>
                                    <description><![CDATA[<p>No shade on Polaroid....</p>
<p>Today, we have a pair of Chrises on the show; Chris Erickson is joining Chrissie! If that name isn't familiar, he's Just Another Chris who loves his instant film! He went from producing and being behind the scenes of various other YouTube channels to putting out his own content focused on instant film. He shoots everything from Instax to modern Polaroid. He produces many amazing videos and isn't afraid to present his reviews, warts and all, making his channel one of the best sources for reviews of Polaroid and other Instant products.</p>
<p>You can find Chris' work on the following social channels.
Instagram: <a href='https://www.instagram.com/just_anotherchris/'>instagram.com/just_anotherchris/</a>
YouTube: <a href='https://www.youtube.com/@JustAnotherChris'>youtube.com/@JustAnotherChris</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>No shade on Polaroid....</p>
<p>Today, we have a pair of Chrises on the show; Chris Erickson is joining Chrissie! If that name isn't familiar, he's Just Another Chris who loves his instant film! He went from producing and being behind the scenes of various other YouTube channels to putting out his own content focused on instant film. He shoots everything from Instax to modern Polaroid. He produces many amazing videos and isn't afraid to present his reviews, warts and all, making his channel one of the best sources for reviews of Polaroid and other Instant products.</p>
<p>You can find Chris' work on the following social channels.<br>
Instagram: <a href='https://www.instagram.com/just_anotherchris/'>instagram.com/just_anotherchris/</a><br>
YouTube: <a href='https://www.youtube.com/@JustAnotherChris'>youtube.com/@JustAnotherChris</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g2zaegbs93ieg4aw/CCR-Ep180-JustAnotherChris.mp3" length="45701274" type="audio/mpeg"/>
        <itunes:summary><![CDATA[No shade on Polaroid....
Today, we have a pair of Chrises on the show; Chris Erickson is joining Chrissie! If that name isn't familiar, he's Just Another Chris who loves his instant film! He went from producing and being behind the scenes of various other YouTube channels to putting out his own content focused on instant film. He shoots everything from Instax to modern Polaroid. He produces many amazing videos and isn't afraid to present his reviews, warts and all, making his channel one of the best sources for reviews of Polaroid and other Instant products.
You can find Chris' work on the following social channels.Instagram: instagram.com/just_anotherchris/YouTube: youtube.com/@JustAnotherChris]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4456</itunes:duration>
                <itunes:episode>173</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-180-chriserickson-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 179 | Seeing Beyond</title>
        <itunes:title>Classic Camera Revival - Episode 179 | Seeing Beyond</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-179-seeing-beyond/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-179-seeing-beyond/#comments</comments>        <pubDate>Tue, 09 Jul 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/5adc4f72-f25a-38e8-8420-9e7d65f7bd79</guid>
                                    <description><![CDATA[<p>Infrared photography is one of the more unique niches of the hobby and can produce some amazing and wild images using light beyond our visible spectrum. In this episode, Alex digs into black-and-white infrared photography specifically. Infrared light is part of the overall electromagnetic spectrum, which includes our human visible light spectrum, which ranges from 380nm to 700nm or violet to red. Most infrared photography uses specialised film and filters to capture light between 700nm and 900nm. Today, we don't have dedicated IR films being newly produced like Kodak HIE, Efke IR820 or Konica Infrared 750, but we do have extended red sensitive films that can get into the near IR range. These films include Rollei Retro 80s, Rollei Superpan 200, Rollei Infrared, Rollei Retro 400s and FPP Black &amp; White Infrared. These films have sensitivities beyond 700nm and between 740 to 750nm. Pairing these films behind a deep red (092/89b) or a true IR filter like a 093, RM90, or R72 filter will produce results typical of a traditional infrared film. You will have to consider the filter factory and over-expose your metering. You can use this website: <a href='/89b)%20or%20a%20true%20IR%20filter%20like%20a%20093,%20RM90,%20or%20R72%20filter%20will%20produce%20results%20typical%20of%20a%20traditional%20infrared%20film.%20You%20will%20have%20to%20take%20into%20account%20the%20filter%20factory%20and%20over-expose%20your%20metering%20accordingly%20you%20can%20use%20this%20website:%20http://www.fineart-photography.com/ff_fs.html%20to%20help%20get%20you%20started.%20And%20be%20prepared%20to%20spend%20a%20bit%20extra%20on%20the%20filters%20as%20a%20quality%20filter%20that%20is%20actually%20an%20IR%20filter%20will%20run%20at%20least%20200%20minimum%20for%20a%20quality%20unit.'>www.fineart-photography.com</a> to get started. Be prepared to spend a bit extra on the filters as a quality filter, which is an IR filter, will run at least 200 minimum for a quality unit.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Infrared photography is one of the more unique niches of the hobby and can produce some amazing and wild images using light beyond our visible spectrum. In this episode, Alex digs into black-and-white infrared photography specifically. Infrared light is part of the overall electromagnetic spectrum, which includes our human visible light spectrum, which ranges from 380nm to 700nm or violet to red. Most infrared photography uses specialised film and filters to capture light between 700nm and 900nm. Today, we don't have dedicated IR films being newly produced like Kodak HIE, Efke IR820 or Konica Infrared 750, but we do have extended red sensitive films that can get into the near IR range. These films include Rollei Retro 80s, Rollei Superpan 200, Rollei Infrared, Rollei Retro 400s and FPP Black &amp; White Infrared. These films have sensitivities beyond 700nm and between 740 to 750nm. Pairing these films behind a deep red (092/89b) or a true IR filter like a 093, RM90, or R72 filter will produce results typical of a traditional infrared film. You will have to consider the filter factory and over-expose your metering. You can use this website: <a href='/89b)%20or%20a%20true%20IR%20filter%20like%20a%20093,%20RM90,%20or%20R72%20filter%20will%20produce%20results%20typical%20of%20a%20traditional%20infrared%20film.%20You%20will%20have%20to%20take%20into%20account%20the%20filter%20factory%20and%20over-expose%20your%20metering%20accordingly%20you%20can%20use%20this%20website:%20http://www.fineart-photography.com/ff_fs.html%20to%20help%20get%20you%20started.%20And%20be%20prepared%20to%20spend%20a%20bit%20extra%20on%20the%20filters%20as%20a%20quality%20filter%20that%20is%20actually%20an%20IR%20filter%20will%20run%20at%20least%20200%20minimum%20for%20a%20quality%20unit.'>www.fineart-photography.com</a> to get started. Be prepared to spend a bit extra on the filters as a quality filter, which is an IR filter, will run at least 200 minimum for a quality unit.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pm6yjgcnv3k74zch/CCR_-_179_-_Seeing_Beyond75bei.mp3" length="32711662" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Infrared photography is one of the more unique niches of the hobby and can produce some amazing and wild images using light beyond our visible spectrum. In this episode, Alex digs into black-and-white infrared photography specifically. Infrared light is part of the overall electromagnetic spectrum, which includes our human visible light spectrum, which ranges from 380nm to 700nm or violet to red. Most infrared photography uses specialised film and filters to capture light between 700nm and 900nm. Today, we don't have dedicated IR films being newly produced like Kodak HIE, Efke IR820 or Konica Infrared 750, but we do have extended red sensitive films that can get into the near IR range. These films include Rollei Retro 80s, Rollei Superpan 200, Rollei Infrared, Rollei Retro 400s and FPP Black &amp; White Infrared. These films have sensitivities beyond 700nm and between 740 to 750nm. Pairing these films behind a deep red (092/89b) or a true IR filter like a 093, RM90, or R72 filter will produce results typical of a traditional infrared film. You will have to consider the filter factory and over-expose your metering. You can use this website: www.fineart-photography.com to get started. Be prepared to spend a bit extra on the filters as a quality filter, which is an IR filter, will run at least 200 minimum for a quality unit.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1255</itunes:duration>
                <itunes:episode>172</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-179-SeeingBeyond-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 178 - Ilford Rhapsody</title>
        <itunes:title>Classic Camera Revival - Episode 178 - Ilford Rhapsody</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-178-ilford-rhapsody/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-178-ilford-rhapsody/#comments</comments>        <pubDate>Tue, 25 Jun 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a71fb4cd-4c5e-36b1-ade4-f72fd928b2db</guid>
                                    <description><![CDATA[<p>We see a little silhouetto of a roll film, and for this episode, we're a little high, a little low because Ilford matters! Yes, this episode is a rhapsody of Ilford films, and we're going from Pan F+ to Delta 3200 and everything in between to discuss what we love about Ilford films, how we use them, development, and shooting them! But why are we focusing on Ilford? Well, that's simple! Ilford has made a constant effort to support the photography community in being able to produce film at scale for the modern market and is often less likely to increase costs. They have options that cover everyone's preferences and needs with a wide range of film speeds and styles and even two amazing budget films that punch well above their weight.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We see a little silhouetto of a roll film, and for this episode, we're a little high, a little low because Ilford matters! Yes, this episode is a rhapsody of Ilford films, and we're going from Pan F+ to Delta 3200 and everything in between to discuss what we love about Ilford films, how we use them, development, and shooting them! But why are we focusing on Ilford? Well, that's simple! Ilford has made a constant effort to support the photography community in being able to produce film at scale for the modern market and is often less likely to increase costs. They have options that cover everyone's preferences and needs with a wide range of film speeds and styles and even two amazing budget films that punch well above their weight.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s44xidnapttuwfzb/CCR-Ep178-ilfordrhapsody.mp3" length="41063019" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We see a little silhouetto of a roll film, and for this episode, we're a little high, a little low because Ilford matters! Yes, this episode is a rhapsody of Ilford films, and we're going from Pan F+ to Delta 3200 and everything in between to discuss what we love about Ilford films, how we use them, development, and shooting them! But why are we focusing on Ilford? Well, that's simple! Ilford has made a constant effort to support the photography community in being able to produce film at scale for the modern market and is often less likely to increase costs. They have options that cover everyone's preferences and needs with a wide range of film speeds and styles and even two amazing budget films that punch well above their weight.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3997</itunes:duration>
                <itunes:episode>171</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-178-ilfordrhapsody-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 177 - The Leitz Waltz</title>
        <itunes:title>Classic Camera Revival - Episode 177 - The Leitz Waltz</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-177-the-leitz-waltz/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-177-the-leitz-waltz/#comments</comments>        <pubDate>Tue, 11 Jun 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/917e81fb-f227-321f-81fa-79739cff8ecc</guid>
                                    <description><![CDATA[<p>There's a whole lot of nerding out happening in this episode; join Bill and special guest Dan Tamarkin of Tamarkin Camera. Dan is the second-generation owner of Tamarkin Camera. America's premiere Leica Specialist. Started by his father with a roll-top desk, the shop is now in Windy City, Chicago, Illinois. Dan is the go-to guy in the Midwest if you want an honest and real experience buying Leica. But that's not all; Dan also buys and sells a tonne of other camera gear.</p>
<p> </p>
<p>Find Tamarkin Camera Online At:
Web: www.tamarkin.com/
Instagram: https://www.instagram.com/tamarkin_camera/
Facebook: https://www.facebook.com/tamarkin.camera
https://www.youtube.com/channel/UCt657edYjtaKtvtOQazmA8g</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There's a whole lot of nerding out happening in this episode; join Bill and special guest Dan Tamarkin of Tamarkin Camera. Dan is the second-generation owner of Tamarkin Camera. America's premiere Leica Specialist. Started by his father with a roll-top desk, the shop is now in Windy City, Chicago, Illinois. Dan is the go-to guy in the Midwest if you want an honest and real experience buying Leica. But that's not all; Dan also buys and sells a tonne of other camera gear.</p>
<p> </p>
<p>Find Tamarkin Camera Online At:<br>
Web: www.tamarkin.com/<br>
Instagram: https://www.instagram.com/tamarkin_camera/<br>
Facebook: https://www.facebook.com/tamarkin.camera<br>
https://www.youtube.com/channel/UCt657edYjtaKtvtOQazmA8g</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4qcsz28529pijzcf/CCR-Ep177-leitzwaltz.mp3" length="44764686" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There's a whole lot of nerding out happening in this episode; join Bill and special guest Dan Tamarkin of Tamarkin Camera. Dan is the second-generation owner of Tamarkin Camera. America's premiere Leica Specialist. Started by his father with a roll-top desk, the shop is now in Windy City, Chicago, Illinois. Dan is the go-to guy in the Midwest if you want an honest and real experience buying Leica. But that's not all; Dan also buys and sells a tonne of other camera gear.
 
Find Tamarkin Camera Online At:Web: www.tamarkin.com/Instagram: https://www.instagram.com/tamarkin_camera/Facebook: https://www.facebook.com/tamarkin.camerahttps://www.youtube.com/channel/UCt657edYjtaKtvtOQazmA8g]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4693</itunes:duration>
                <itunes:episode>170</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-177-leitzwaltz-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 176 - Box Camera Madness II</title>
        <itunes:title>Classic Camera Revival - Episode 176 - Box Camera Madness II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-176-box-camera-madness-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-176-box-camera-madness-ii/#comments</comments>        <pubDate>Tue, 28 May 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/dabc4e3e-2c9b-391c-b351-793c40359f82</guid>
                                    <description><![CDATA[<p>The topic of box cameras hasn't been discussed in a great deal since our first season, so Alex is back with a solo episode about his box camera collection, both his historic cameras and a few modern cameras that may not look like those simple box cameras but are in the same theme. Cameras include several Agfa cameras (Box 50, Click II, Clack and Isoly Jr), a 1915 Kodak Hawk-Eye Model C and modern options like Holga, RETO, and Lomography cameras, from the cameras themselves to having fun and choosing films.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The topic of box cameras hasn't been discussed in a great deal since our first season, so Alex is back with a solo episode about his box camera collection, both his historic cameras and a few modern cameras that may not look like those simple box cameras but are in the same theme. Cameras include several Agfa cameras (Box 50, Click II, Clack and Isoly Jr), a 1915 Kodak Hawk-Eye Model C and modern options like Holga, RETO, and Lomography cameras, from the cameras themselves to having fun and choosing films.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jmpdbwz8iw5cxkf6/CCR-Ep176-boxcameraii.mp3" length="35211731" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The topic of box cameras hasn't been discussed in a great deal since our first season, so Alex is back with a solo episode about his box camera collection, both his historic cameras and a few modern cameras that may not look like those simple box cameras but are in the same theme. Cameras include several Agfa cameras (Box 50, Click II, Clack and Isoly Jr), a 1915 Kodak Hawk-Eye Model C and modern options like Holga, RETO, and Lomography cameras, from the cameras themselves to having fun and choosing films.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2023</itunes:duration>
                <itunes:episode>169</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-176-boxcamera2-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 175 - Of Distant Memories</title>
        <itunes:title>Classic Camera Revival - Episode 175 - Of Distant Memories</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-175-of-distant-memories/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-175-of-distant-memories/#comments</comments>        <pubDate>Tue, 14 May 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/4ac83274-399e-3e68-b7c5-cebd9008ff71</guid>
                                    <description><![CDATA[<p>Photography is driven by nostalgia. Photos can take you back to places where you have been; you can see people as they were or even stare into the faces of those who have passed once again. But what about places, cameras and films? Well, that is what the gang sits down to talk about in this episode, as we talk about the powerful memories connected with past cameras, film stocks, and places. Plus, there are some excellent old-fashioned discussions surrounding them.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Photography is driven by nostalgia. Photos can take you back to places where you have been; you can see people as they were or even stare into the faces of those who have passed once again. But what about places, cameras and films? Well, that is what the gang sits down to talk about in this episode, as we talk about the powerful memories connected with past cameras, film stocks, and places. Plus, there are some excellent old-fashioned discussions surrounding them.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q3z3ermb8ppt3bm5/CCR-Ep175-nostalga.mp3" length="32703840" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Photography is driven by nostalgia. Photos can take you back to places where you have been; you can see people as they were or even stare into the faces of those who have passed once again. But what about places, cameras and films? Well, that is what the gang sits down to talk about in this episode, as we talk about the powerful memories connected with past cameras, film stocks, and places. Plus, there are some excellent old-fashioned discussions surrounding them.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3276</itunes:duration>
                <itunes:episode>168</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-175-nostalga-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 174 -Still Zooming Along</title>
        <itunes:title>Classic Camera Revival - Episode 174 -Still Zooming Along</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-174-still-zooming-along/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-174-still-zooming-along/#comments</comments>        <pubDate>Thu, 25 Apr 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/98ed00d9-c2f0-3599-a53a-88eefadbbb04</guid>
                                    <description><![CDATA[<p>That's right, we're doing it again with another episode about zoom lenses. While many of us are prime lens sort of people, a zoom lens can offer up a lot of versatility when we either don't want to or cannot, due to space constraints, bring a selection of prime lenses. So with this episode, each of our team members brings up a trio of zoom lenses with the following criteria, one that surprised them with how good it worked, one that they will always reach for, and finally, one that sucked so hard they wanted to toss it in the Hudson River. Please note we had some audio issues with this episode due to equipment issues.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>That's right, we're doing it again with another episode about zoom lenses. While many of us are prime lens sort of people, a zoom lens can offer up a lot of versatility when we either don't want to or cannot, due to space constraints, bring a selection of prime lenses. So with this episode, each of our team members brings up a trio of zoom lenses with the following criteria, one that surprised them with how good it worked, one that they will always reach for, and finally, one that sucked so hard they wanted to toss it in the Hudson River. Please note we had some audio issues with this episode due to equipment issues.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r3336thhivpj9pze/CCR-Ep174-stillzooming.mp3" length="41681980" type="audio/mpeg"/>
        <itunes:summary><![CDATA[That's right, we're doing it again with another episode about zoom lenses. While many of us are prime lens sort of people, a zoom lens can offer up a lot of versatility when we either don't want to or cannot, due to space constraints, bring a selection of prime lenses. So with this episode, each of our team members brings up a trio of zoom lenses with the following criteria, one that surprised them with how good it worked, one that they will always reach for, and finally, one that sucked so hard they wanted to toss it in the Hudson River. Please note we had some audio issues with this episode due to equipment issues.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3242</itunes:duration>
                <itunes:episode>167</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-174-zoomingalongii-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 173 - Night of the Living Film</title>
        <itunes:title>Classic Camera Revival - Episode 173 - Night of the Living Film</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-173-night-of-the-living-film/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-173-night-of-the-living-film/#comments</comments>        <pubDate>Tue, 09 Apr 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/16e81600-7495-3271-805c-f9bf7c81ec71</guid>
                                    <description><![CDATA[<p>From Plus-X to Panatomic-X and Fujifilm colour stocks, join Alex, Bill and James as they discuss their favourite discontinued film stocks and what they try and do to recreate the magic. While far from perfect, there is a lot you can do with modern emulsions to recreate those looks you enjoyed in the past. Plus, a discussion around how Alex can get that Panatomic look without paying for TMax 100 and retain a classic grain structure. Plus, there was a bit of discussion around what film we'd want to bring back, the new Ferrania P33, and some developer discussion. It's a classic CCR roundtable episode.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>From Plus-X to Panatomic-X and Fujifilm colour stocks, join Alex, Bill and James as they discuss their favourite discontinued film stocks and what they try and do to recreate the magic. While far from perfect, there is a lot you can do with modern emulsions to recreate those looks you enjoyed in the past. Plus, a discussion around how Alex can get that Panatomic look without paying for TMax 100 and retain a classic grain structure. Plus, there was a bit of discussion around what film we'd want to bring back, the new Ferrania P33, and some developer discussion. It's a classic CCR roundtable episode.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u7b6a8/CCR-Ep173-LivingFilm.mp3" length="27819606" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From Plus-X to Panatomic-X and Fujifilm colour stocks, join Alex, Bill and James as they discuss their favourite discontinued film stocks and what they try and do to recreate the magic. While far from perfect, there is a lot you can do with modern emulsions to recreate those looks you enjoyed in the past. Plus, a discussion around how Alex can get that Panatomic look without paying for TMax 100 and retain a classic grain structure. Plus, there was a bit of discussion around what film we'd want to bring back, the new Ferrania P33, and some developer discussion. It's a classic CCR roundtable episode.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2409</itunes:duration>
                <itunes:episode>166</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-173-nightoflivingfilm-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 172 - Travelling Light II</title>
        <itunes:title>Classic Camera Revival - Episode 172 - Travelling Light II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-172-travelling-light-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-172-travelling-light-ii/#comments</comments>        <pubDate>Tue, 26 Mar 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/984f69ea-e2e2-3563-aa04-d98f4c5507d5</guid>
                                    <description><![CDATA[<p>While we're still far from summer vacation, many people are already starting to figure out where they're going on holidays this year. As photographers, especially film photographers, it can be challenging to choose what camera(s) to bring and how to keep things to a minimum! There is a temptation to bring everything plus the kitchen sink along for the ride, and if any member of the CCR team knows this full well, it's Alex. But when space is limited, and extra bags cost airlines money, we may need to rethink and start packing a little lighter. This is a follow-up to the original episode recorded in 2015, where Alex discusses his travels in Europe from Europe. But this time around, with another ten years of experience and often some back-breaking loadout, he sits down for a solo show and discusses some ideas on how to travel lighter and get the most bang from a slimmed-down kit.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>While we're still far from summer vacation, many people are already starting to figure out where they're going on holidays this year. As photographers, especially film photographers, it can be challenging to choose what camera(s) to bring and how to keep things to a minimum! There is a temptation to bring everything plus the kitchen sink along for the ride, and if any member of the CCR team knows this full well, it's Alex. But when space is limited, and extra bags cost airlines money, we may need to rethink and start packing a little lighter. This is a follow-up to the original episode recorded in 2015, where Alex discusses his travels in Europe from Europe. But this time around, with another ten years of experience and often some back-breaking loadout, he sits down for a solo show and discusses some ideas on how to travel lighter and get the most bang from a slimmed-down kit.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kjhvi4/CCR-Ep172-TravelLight2.mp3" length="41155955" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we're still far from summer vacation, many people are already starting to figure out where they're going on holidays this year. As photographers, especially film photographers, it can be challenging to choose what camera(s) to bring and how to keep things to a minimum! There is a temptation to bring everything plus the kitchen sink along for the ride, and if any member of the CCR team knows this full well, it's Alex. But when space is limited, and extra bags cost airlines money, we may need to rethink and start packing a little lighter. This is a follow-up to the original episode recorded in 2015, where Alex discusses his travels in Europe from Europe. But this time around, with another ten years of experience and often some back-breaking loadout, he sits down for a solo show and discusses some ideas on how to travel lighter and get the most bang from a slimmed-down kit.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2066</itunes:duration>
                <itunes:episode>165</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-172-travellight2-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 171 - In The Loupe: Tawnya Mahoney</title>
        <itunes:title>Classic Camera Revival - Episode 171 - In The Loupe: Tawnya Mahoney</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-171-in-the-loupe-tawnya-mahoney/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-171-in-the-loupe-tawnya-mahoney/#comments</comments>        <pubDate>Tue, 12 Mar 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f0d3eb92-4588-3a9a-955d-7161924a1526</guid>
                                    <description><![CDATA[<p>Family albums, photo projects, books and double exposures. Jess, Chrissie, and Alex all sit down with the talented local Toronto photographer Tawnya Mahoney for our ongoing interview series. If you haven't had the chance to check out Tawnya's feed, you're in for a treat, as her work is intentional, ethereal, and inspired, not to mention her inspired captions that go along with her images. There are lots of double exposures, experimental and wild. And yes, there is a lot of fanning from our host team! And, of course, the usual chat about gear, first cameras, home development, scanning and film choices.</p>
<p>Check out Tawnya on Socials:
Instagram: <a href='https://www.instagram.com/phototee83/'>instagram.com/phototee83</a>
Threads: <a href='https://www.threads.net/@phototee83'>threads.net/@phototee83</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Family albums, photo projects, books and double exposures. Jess, Chrissie, and Alex all sit down with the talented local Toronto photographer Tawnya Mahoney for our ongoing interview series. If you haven't had the chance to check out Tawnya's feed, you're in for a treat, as her work is intentional, ethereal, and inspired, not to mention her inspired captions that go along with her images. There are lots of double exposures, experimental and wild. And yes, there is a lot of fanning from our host team! And, of course, the usual chat about gear, first cameras, home development, scanning and film choices.</p>
<p>Check out Tawnya on Socials:<br>
Instagram: <a href='https://www.instagram.com/phototee83/'>instagram.com/phototee83</a><br>
Threads: <a href='https://www.threads.net/@phototee83'>threads.net/@phototee83</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pf9jv8/CCR-Ep171-Tawnya.mp3" length="37186111" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Family albums, photo projects, books and double exposures. Jess, Chrissie, and Alex all sit down with the talented local Toronto photographer Tawnya Mahoney for our ongoing interview series. If you haven't had the chance to check out Tawnya's feed, you're in for a treat, as her work is intentional, ethereal, and inspired, not to mention her inspired captions that go along with her images. There are lots of double exposures, experimental and wild. And yes, there is a lot of fanning from our host team! And, of course, the usual chat about gear, first cameras, home development, scanning and film choices.
Check out Tawnya on Socials:Instagram: instagram.com/phototee83Threads: threads.net/@phototee83]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3334</itunes:duration>
                <itunes:episode>164</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-171-tawnya-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 170 - Do You Want to Buy A Nikon</title>
        <itunes:title>Classic Camera Revival - Episode 170 - Do You Want to Buy A Nikon</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-170-do-you-want-to-buy-a-nikon/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-170-do-you-want-to-buy-a-nikon/#comments</comments>        <pubDate>Tue, 27 Feb 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9a64fdcd-20d4-3189-8663-f8bafb9da9fd</guid>
                                    <description><![CDATA[<p>When it comes to Nikon, tons of cameras and lenses are available, and you might feel a bit frozen when making that choice and where to jump in. Well, we aren't going to hide that we're a bunch of Nikon fanboys, so Bill and Alex sit down for a bit of a meandering episode talking about some good places to start when buying Nikon cameras. From the original rangefinders to the mechanical and hybrid SLRs of the 1950s to 1980s. And, of course, the brilliant AF models of the 1990s and 2000s. There's something here for everyone.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When it comes to Nikon, tons of cameras and lenses are available, and you might feel a bit frozen when making that choice and where to jump in. Well, we aren't going to hide that we're a bunch of Nikon fanboys, so Bill and Alex sit down for a bit of a meandering episode talking about some good places to start when buying Nikon cameras. From the original rangefinders to the mechanical and hybrid SLRs of the 1950s to 1980s. And, of course, the brilliant AF models of the 1990s and 2000s. There's something here for everyone.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kupgj4/CCR-Ep170-BuyANikon.mp3" length="38743258" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When it comes to Nikon, tons of cameras and lenses are available, and you might feel a bit frozen when making that choice and where to jump in. Well, we aren't going to hide that we're a bunch of Nikon fanboys, so Bill and Alex sit down for a bit of a meandering episode talking about some good places to start when buying Nikon cameras. From the original rangefinders to the mechanical and hybrid SLRs of the 1950s to 1980s. And, of course, the brilliant AF models of the 1990s and 2000s. There's something here for everyone.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2002</itunes:duration>
                <itunes:episode>163</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-170-buyanikon-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 169 - Baby It's Cold Outside II</title>
        <itunes:title>Classic Camera Revival - Episode 169 - Baby It's Cold Outside II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-169-baby-its-cold-outside-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-169-baby-its-cold-outside-ii/#comments</comments>        <pubDate>Tue, 13 Feb 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/e16df2a6-2d37-3213-88a1-11b92304e934</guid>
                                    <description><![CDATA[<p>Even though this year's winter has not exactly been the best so far, with the lack of snow and almost a continuation of the weather we expect through  November, the CCR gang isn't letting that stop them from getting out and enjoying the weather put also preparing for when we finally do get some wonderful winter days with sun and snow. From film to cameras, clothing to best practices, James, Alex and Bill break it all down for when it's cold outside.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Even though this year's winter has not exactly been the best so far, with the lack of snow and almost a continuation of the weather we expect through  November, the CCR gang isn't letting that stop them from getting out and enjoying the weather put also preparing for when we finally do get some wonderful winter days with sun and snow. From film to cameras, clothing to best practices, James, Alex and Bill break it all down for when it's cold outside.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hfgk36/CCR-Ep169-ColdOutsideII.mp3" length="32247867" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Even though this year's winter has not exactly been the best so far, with the lack of snow and almost a continuation of the weather we expect through  November, the CCR gang isn't letting that stop them from getting out and enjoying the weather put also preparing for when we finally do get some wonderful winter days with sun and snow. From film to cameras, clothing to best practices, James, Alex and Bill break it all down for when it's cold outside.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2571</itunes:duration>
                <itunes:episode>162</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-169-ColdOutsideII-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 168 - Date Your Cameras, Marry Your Lenses Pt. II</title>
        <itunes:title>Classic Camera Revival - Episode 168 - Date Your Cameras, Marry Your Lenses Pt. II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-168-date-your-cameras-marry-your-lenses-pt-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-168-date-your-cameras-marry-your-lenses-pt-ii/#comments</comments>        <pubDate>Tue, 30 Jan 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/aca96bdc-ffdb-3096-8559-5a7b75846f28</guid>
                                    <description><![CDATA[<p>As part of revisiting some of our classic episode topics, this episode traces itself back to Season 2, Episode 13. The idea is that it is more important to invest in a lens system for your interchangeable lens systems; camera bodies are often cross-compatible once you're in the mount. Camera bodies come, and camera bodies go, but lenses are forever. In today's episode, each host will discuss a lens system they invested heavily in for their 35mm and 120 systems. While many of us have multiple systems, it would be an incredibly long episode if we all discussed every system. Today, we're talking about two Nikon systems, the autofocus and manual focus (mainly AI(-S)), Canon FD system, Olympus OM-System (manual focus), and in medium format, Pentax 67, Mamiya RB, Mamiya C-Series (TLR), and Mamiya m645!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>As part of revisiting some of our classic episode topics, this episode traces itself back to Season 2, Episode 13. The idea is that it is more important to invest in a lens system for your interchangeable lens systems; camera bodies are often cross-compatible once you're in the mount. Camera bodies come, and camera bodies go, but lenses are forever. In today's episode, each host will discuss a lens system they invested heavily in for their 35mm and 120 systems. While many of us have multiple systems, it would be an incredibly long episode if we all discussed every system. Today, we're talking about two Nikon systems, the autofocus and manual focus (mainly AI(-S)), Canon FD system, Olympus OM-System (manual focus), and in medium format, Pentax 67, Mamiya RB, Mamiya C-Series (TLR), and Mamiya m645!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6m9tse/CCR-Ep168-MarryYourLensesII.mp3" length="40021222" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As part of revisiting some of our classic episode topics, this episode traces itself back to Season 2, Episode 13. The idea is that it is more important to invest in a lens system for your interchangeable lens systems; camera bodies are often cross-compatible once you're in the mount. Camera bodies come, and camera bodies go, but lenses are forever. In today's episode, each host will discuss a lens system they invested heavily in for their 35mm and 120 systems. While many of us have multiple systems, it would be an incredibly long episode if we all discussed every system. Today, we're talking about two Nikon systems, the autofocus and manual focus (mainly AI(-S)), Canon FD system, Olympus OM-System (manual focus), and in medium format, Pentax 67, Mamiya RB, Mamiya C-Series (TLR), and Mamiya m645!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3858</itunes:duration>
                <itunes:episode>161</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-168-marryyourlenses-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 167 - Would you Like to Play a Game?</title>
        <itunes:title>Classic Camera Revival - Episode 167 - Would you Like to Play a Game?</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-167-would-you-like-to-play-a-game/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-167-would-you-like-to-play-a-game/#comments</comments>        <pubDate>Tue, 16 Jan 2024 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f544d44f-927e-343d-9a7d-d3ab9f9a6dd4</guid>
                                    <description><![CDATA[<p>We're kicking off season ten with a little game, which is much harder than it sounds! Join Alex as he sits down with Daren from Learn Film Photography, Dmitri from Analog Cafe, and Yvonne Hanson, a fashion photographer and YouTuber who are the force behind the online game "What the Film", a game that pits your knowledge of film stocks against the images created by members of the online community. The conversation also spills over into discussing everyone's plans for 2024, what got them into photography and a little tasty camera made from Gingerbread.</p>
<p>You can play the game at <a href='https://www.analog.cafe/app/what-the-film'>https://www.analog.cafe/app/what-the-film</a> and see how you stack up.</p>
<p>You can also find a couple of demos online:
YouTube (Learn Film Photography): <a href='https://www.youtube.com/watch?v=4yVNyTqXerQ'>youtube.com/watch?v=4yVNyTqXerQ</a>
YouTube (Yvonne): <a href='https://www.youtube.com/watch?v=VBjHHT9dI5k'>youtube.com/watch?v=VBjHHT9dI5k</a></p>
<p>Darren
Web: <a href='https://www.learnfilm.photography/'>www.learnfilm.photography</a>
Instagram: <a href='https://www.instagram.com/learnfilm.photography/'>instagram.com/learnfilm.photography</a>
YouTube: <a href='https://www.youtube.com/@LearnFilmPhotography'>youtube.com/@LearnFilmPhotography</a></p>
<p>Yvonne Hanson
Web: <a href='https://www.yhansonphotography.ca/blog'>yhansonphotography.ca/blog</a>
Instagram: <a href='https://www.instagram.com/yhanson_photography/'>instagram.com/yhanson_photography</a>
YouTube: <a href='https://www.youtube.com/@YvonneHansonPhotography'>youtube.com/@YvonneHansonPhotography</a></p>
<p>Dmitri 
Web: <a href='https://www.analog.cafe/'>www.analog.cafe</a>
Instagram: <a href='https://www.instagram.com/analog_cafe/'>instagram.com/analog_cafe</a>
YouTube: <a href='https://www.youtube.com/@analog_cafe'>youtube.com/@analog_cafe</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're kicking off season ten with a little game, which is much harder than it sounds! Join Alex as he sits down with Daren from Learn Film Photography, Dmitri from Analog Cafe, and Yvonne Hanson, a fashion photographer and YouTuber who are the force behind the online game "What the Film", a game that pits your knowledge of film stocks against the images created by members of the online community. The conversation also spills over into discussing everyone's plans for 2024, what got them into photography and a little tasty camera made from Gingerbread.</p>
<p>You can play the game at <a href='https://www.analog.cafe/app/what-the-film'>https://www.analog.cafe/app/what-the-film</a> and see how you stack up.</p>
<p>You can also find a couple of demos online:<br>
YouTube (Learn Film Photography): <a href='https://www.youtube.com/watch?v=4yVNyTqXerQ'>youtube.com/watch?v=4yVNyTqXerQ</a><br>
YouTube (Yvonne): <a href='https://www.youtube.com/watch?v=VBjHHT9dI5k'>youtube.com/watch?v=VBjHHT9dI5k</a></p>
<p>Darren<br>
Web: <a href='https://www.learnfilm.photography/'>www.learnfilm.photography</a><br>
Instagram: <a href='https://www.instagram.com/learnfilm.photography/'>instagram.com/learnfilm.photography</a><br>
YouTube: <a href='https://www.youtube.com/@LearnFilmPhotography'>youtube.com/@LearnFilmPhotography</a></p>
<p>Yvonne Hanson<br>
Web: <a href='https://www.yhansonphotography.ca/blog'>yhansonphotography.ca/blog</a><br>
Instagram: <a href='https://www.instagram.com/yhanson_photography/'>instagram.com/yhanson_photography</a><br>
YouTube: <a href='https://www.youtube.com/@YvonneHansonPhotography'>youtube.com/@YvonneHansonPhotography</a></p>
<p>Dmitri <br>
Web: <a href='https://www.analog.cafe/'>www.analog.cafe</a><br>
Instagram: <a href='https://www.instagram.com/analog_cafe/'>instagram.com/analog_cafe</a><br>
YouTube: <a href='https://www.youtube.com/@analog_cafe'>youtube.com/@analog_cafe</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t3drjb/CCR-Ep167-WhatTheFilm.mp3" length="28995590" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're kicking off season ten with a little game, which is much harder than it sounds! Join Alex as he sits down with Daren from Learn Film Photography, Dmitri from Analog Cafe, and Yvonne Hanson, a fashion photographer and YouTuber who are the force behind the online game "What the Film", a game that pits your knowledge of film stocks against the images created by members of the online community. The conversation also spills over into discussing everyone's plans for 2024, what got them into photography and a little tasty camera made from Gingerbread.
You can play the game at https://www.analog.cafe/app/what-the-film and see how you stack up.
You can also find a couple of demos online:YouTube (Learn Film Photography): youtube.com/watch?v=4yVNyTqXerQYouTube (Yvonne): youtube.com/watch?v=VBjHHT9dI5k
DarrenWeb: www.learnfilm.photographyInstagram: instagram.com/learnfilm.photographyYouTube: youtube.com/@LearnFilmPhotography
Yvonne HansonWeb: yhansonphotography.ca/blogInstagram: instagram.com/yhanson_photographyYouTube: youtube.com/@YvonneHansonPhotography
Dmitri Web: www.analog.cafeInstagram: instagram.com/analog_cafeYouTube: youtube.com/@analog_cafe]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2675</itunes:duration>
                <itunes:episode>160</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-167-playagame-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 166 - Resolved:2023</title>
        <itunes:title>Classic Camera Revival - Episode 166 - Resolved:2023</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-166-resolved2023/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-166-resolved2023/#comments</comments>        <pubDate>Fri, 22 Dec 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/7603524f-4424-3a7a-b7ad-d9ddbba8a006</guid>
                                    <description><![CDATA[<p>Well, we made it to the end of another year, and the whole team is back around the table for one final episode, including a special guest, John Meadows. If you remember, at the start of the year, we all shared some of our photographic and personal goals, so we're coming back around and sharing how we all did. Not to feel guilty if we didn't make it but rather to be encouraging. The team also discusses the joy of photography and what photography can bring during the holiday season.</p>
<p>Here are some handy links for those new to the show this season!
CCR Episode Archive: <a href='http://www.alexluyckx.com/blog/classic-camera-revival-episode-list/'>alexluyckx.com/blog/classic-camera-revival-episode-list</a>
CCR Facebook Page: <a href='https://www.facebook.com/classiccamerarevival'>facebook.com/classiccamerarevival</a>
CCR Instagram: <a href='https://www.instagram.com/classiccamerarevival/'>instagram.com/classiccamerarevival</a></p>
<p>Our host's Instagram Accounts
John Meadows (Emeritus): <a href='https://www.instagram.com/johngmeadows/'>instagram.com/johngmeadows</a>
James Lee: <a href='https://www.instagram.com/james.lee.photo/'>instagram.com/james.lee.photo</a>
Bill Smith: <a href='https://www.instagram.com/wbsmith200/'>instagram.com/wbsmith200</a>
Jess Hobbs: <a href='https://www.instagram.com/jesshobbsphoto/'>instagram.com/jesshobbsphoto</a>
Alex Luyckx: <a href='https://www.instagram.com/alexluyckxphoto/'>instagram.com/alexluyckxphoto</a>
Chris Wu: <a href='https://www.instagram.com/wutography/'>instagram.com/wutography</a></p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Well, we made it to the end of another year, and the whole team is back around the table for one final episode, including a special guest, John Meadows. If you remember, at the start of the year, we all shared some of our photographic and personal goals, so we're coming back around and sharing how we all did. Not to feel guilty if we didn't make it but rather to be encouraging. The team also discusses the joy of photography and what photography can bring during the holiday season.</p>
<p>Here are some handy links for those new to the show this season!<br>
CCR Episode Archive: <a href='http://www.alexluyckx.com/blog/classic-camera-revival-episode-list/'>alexluyckx.com/blog/classic-camera-revival-episode-list</a><br>
CCR Facebook Page: <a href='https://www.facebook.com/classiccamerarevival'>facebook.com/classiccamerarevival</a><br>
CCR Instagram: <a href='https://www.instagram.com/classiccamerarevival/'>instagram.com/classiccamerarevival</a></p>
<p>Our host's Instagram Accounts<br>
John Meadows (Emeritus): <a href='https://www.instagram.com/johngmeadows/'>instagram.com/johngmeadows</a><br>
James Lee: <a href='https://www.instagram.com/james.lee.photo/'>instagram.com/james.lee.photo</a><br>
Bill Smith: <a href='https://www.instagram.com/wbsmith200/'>instagram.com/wbsmith200</a><br>
Jess Hobbs: <a href='https://www.instagram.com/jesshobbsphoto/'>instagram.com/jesshobbsphoto</a><br>
Alex Luyckx: <a href='https://www.instagram.com/alexluyckxphoto/'>instagram.com/alexluyckxphoto</a><br>
Chris Wu: <a href='https://www.instagram.com/wutography/'>instagram.com/wutography</a></p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h4tfc8/CCR-Ep166-Resolved.mp3" length="35789253" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Well, we made it to the end of another year, and the whole team is back around the table for one final episode, including a special guest, John Meadows. If you remember, at the start of the year, we all shared some of our photographic and personal goals, so we're coming back around and sharing how we all did. Not to feel guilty if we didn't make it but rather to be encouraging. The team also discusses the joy of photography and what photography can bring during the holiday season.
Here are some handy links for those new to the show this season!CCR Episode Archive: alexluyckx.com/blog/classic-camera-revival-episode-listCCR Facebook Page: facebook.com/classiccamerarevivalCCR Instagram: instagram.com/classiccamerarevival
Our host's Instagram AccountsJohn Meadows (Emeritus): instagram.com/johngmeadowsJames Lee: instagram.com/james.lee.photoBill Smith: instagram.com/wbsmith200Jess Hobbs: instagram.com/jesshobbsphotoAlex Luyckx: instagram.com/alexluyckxphotoChris Wu: instagram.com/wutography
 ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3360</itunes:duration>
                <itunes:episode>159</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-166-resolved2023-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 165 - Frugal Film Project Roundtable</title>
        <itunes:title>Classic Camera Revival - Episode 165 - Frugal Film Project Roundtable</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-165-frugal-film-project-roundtable/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-165-frugal-film-project-roundtable/#comments</comments>        <pubDate>Fri, 08 Dec 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9f5505c9-878c-33ad-8f50-0a3ad42cc311</guid>
                                    <description><![CDATA[<p>The Frugal Film Project is a collective photography challenge to help reign in the cost of photography. Starting in 2018, it encourages using budget cameras, lenses, and film over a year. The framework in which those participating work includes a camera/lens that costs no more than 75$ (USD) and a relatively inexpensive film (no Portra). And shooting one roll of film a month. Bill has been participating in this for several years now. This year marked the first time Alex joined in, so we're bringing in a small cross-section of those who participated in a couple of chats on today's episode. This is the first time CCR has done a round-table 'open source' style episode, so it is split into two parts recorded on two separate days. If you want to join in on next year's FFP, you can head over to the Facebook group and join in the fun!</p>
<p>To Find the Frugal Film Project...</p>
<p>Facebook: <a href='https://www.facebook.com/groups/1163101494091862'>Official FFP Facebook Group</a>
Instagram: i<a href='https://www.instagram.com/frugalfilmproject/'>nstagram.com/frugalfilmproject</a>
Web: <a href='https://rr1photography.com/'>rr1photography.com</a>
The Original 'Zine: <a href='https://www.magcloud.com/browse/issue/1809997?__r=2767763'>magcloud.com</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The Frugal Film Project is a collective photography challenge to help reign in the cost of photography. Starting in 2018, it encourages using budget cameras, lenses, and film over a year. The framework in which those participating work includes a camera/lens that costs no more than 75$ (USD) and a relatively inexpensive film (no Portra). And shooting one roll of film a month. Bill has been participating in this for several years now. This year marked the first time Alex joined in, so we're bringing in a small cross-section of those who participated in a couple of chats on today's episode. This is the first time CCR has done a round-table 'open source' style episode, so it is split into two parts recorded on two separate days. If you want to join in on next year's FFP, you can head over to the Facebook group and join in the fun!</p>
<p>To Find the Frugal Film Project...</p>
<p>Facebook: <a href='https://www.facebook.com/groups/1163101494091862'>Official FFP Facebook Group</a><br>
Instagram: i<a href='https://www.instagram.com/frugalfilmproject/'>nstagram.com/frugalfilmproject</a><br>
Web: <a href='https://rr1photography.com/'>rr1photography.com</a><br>
The Original 'Zine: <a href='https://www.magcloud.com/browse/issue/1809997?__r=2767763'>magcloud.com</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4biw5h/CCR-Ep165-FPPRoundtable.mp3" length="60015040" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Frugal Film Project is a collective photography challenge to help reign in the cost of photography. Starting in 2018, it encourages using budget cameras, lenses, and film over a year. The framework in which those participating work includes a camera/lens that costs no more than 75$ (USD) and a relatively inexpensive film (no Portra). And shooting one roll of film a month. Bill has been participating in this for several years now. This year marked the first time Alex joined in, so we're bringing in a small cross-section of those who participated in a couple of chats on today's episode. This is the first time CCR has done a round-table 'open source' style episode, so it is split into two parts recorded on two separate days. If you want to join in on next year's FFP, you can head over to the Facebook group and join in the fun!
To Find the Frugal Film Project...
Facebook: Official FFP Facebook GroupInstagram: instagram.com/frugalfilmprojectWeb: rr1photography.comThe Original 'Zine: magcloud.com]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4613</itunes:duration>
                <itunes:episode>158</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-165-ffp-roundtable-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 163 - The Other Nikons</title>
        <itunes:title>Classic Camera Revival - Episode 163 - The Other Nikons</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-163-the-other-nikons/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-163-the-other-nikons/#comments</comments>        <pubDate>Fri, 10 Nov 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/844f7542-14f0-3bb1-99b0-abd77339871d</guid>
                                    <description><![CDATA[<p>Throughout its history, Nikon cameras have been primarily aimed at the professional market, from their stunning rangefinders in the S-Range to the original Nikon F and beyond. However, the mid-century and post-war economic boom brought a new group of photographers, the advanced consumer. Now, hobbyist photographers have always been around. These new photographers want access to the same quality cameras and optics as the professionals. And while Canon and Minolta were certainly starting to fill that gap, Nikon wanted a piece of the action. While their initial offerings under the Nikkorex line fell flat, save the Nikkorex F, it was their second attempt, the Nikkormat or Nikkomat line of SLRs, that proved to be successful. And these lovely cameras make for an excellent addition to any Nikon photographer. What set these cameras apart is that Nikon went with the Copal Square shutter for each camera, starting with the Nikkorex F rather than building in-house shutters. Also, the Nikkormat EL is the first Nikon camera with a semi-automatic exposure system. Overall, the Nikkormat line was replaced by the small-form-factor SLRs of the FM and the FE.</p>
<p>Nikkormat FT (1965) - The Original Nikkormat body that featured a full F-Mount (Pre-AI) and a metered prisim using the same metering technology as the Nikon Photomic T metering head.
Nikkormat FS (1965) - An unmetered version of the Nikkormat FT.
Nikkormat FTn (1967) - An improved version of the Nikkormat FT, it now uses a classic 60/40 center-weighted metering. An improved match needle display in the viewfinder. The FTn underwent a number of changes over the course of the camera's production that lasted for nearly a decade.
Nikkormat EL (1972) - Uses a CdS meter cell and provides semi-automatic aperture priority auto-exposure.
Nikkormat FT2 (1975) - Rolled all the improvements of the FTn into a single camera, and changed the power source from a mercury cell to a silver oxide cell.
Nikkormat ELW (1975) - Basically the same camera as the EL, but added the contacts for the AW-1 autowinder.
Nikkormat FT3 (1977) - Basically took everything from the FT2, but updated the mount to accept the new AI lenses natively.
Nikon EL2 (1977) - An improved ELW, with a SPD metering cell, AI lens support (native).</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Throughout its history, Nikon cameras have been primarily aimed at the professional market, from their stunning rangefinders in the S-Range to the original Nikon F and beyond. However, the mid-century and post-war economic boom brought a new group of photographers, the advanced consumer. Now, hobbyist photographers have always been around. These new photographers want access to the same quality cameras and optics as the professionals. And while Canon and Minolta were certainly starting to fill that gap, Nikon wanted a piece of the action. While their initial offerings under the Nikkorex line fell flat, save the Nikkorex F, it was their second attempt, the Nikkormat or Nikkomat line of SLRs, that proved to be successful. And these lovely cameras make for an excellent addition to any Nikon photographer. What set these cameras apart is that Nikon went with the Copal Square shutter for each camera, starting with the Nikkorex F rather than building in-house shutters. Also, the Nikkormat EL is the first Nikon camera with a semi-automatic exposure system. Overall, the Nikkormat line was replaced by the small-form-factor SLRs of the FM and the FE.</p>
<p>Nikkormat FT (1965) - The Original Nikkormat body that featured a full F-Mount (Pre-AI) and a metered prisim using the same metering technology as the Nikon Photomic T metering head.<br>
Nikkormat FS (1965) - An unmetered version of the Nikkormat FT.<br>
Nikkormat FTn (1967) - An improved version of the Nikkormat FT, it now uses a classic 60/40 center-weighted metering. An improved match needle display in the viewfinder. The FTn underwent a number of changes over the course of the camera's production that lasted for nearly a decade.<br>
Nikkormat EL (1972) - Uses a CdS meter cell and provides semi-automatic aperture priority auto-exposure.<br>
Nikkormat FT2 (1975) - Rolled all the improvements of the FTn into a single camera, and changed the power source from a mercury cell to a silver oxide cell.<br>
Nikkormat ELW (1975) - Basically the same camera as the EL, but added the contacts for the AW-1 autowinder.<br>
Nikkormat FT3 (1977) - Basically took everything from the FT2, but updated the mount to accept the new AI lenses natively.<br>
Nikon EL2 (1977) - An improved ELW, with a SPD metering cell, AI lens support (native).</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eh8zhp/CCR-Ep163-theothernikons.mp3" length="25675162" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Throughout its history, Nikon cameras have been primarily aimed at the professional market, from their stunning rangefinders in the S-Range to the original Nikon F and beyond. However, the mid-century and post-war economic boom brought a new group of photographers, the advanced consumer. Now, hobbyist photographers have always been around. These new photographers want access to the same quality cameras and optics as the professionals. And while Canon and Minolta were certainly starting to fill that gap, Nikon wanted a piece of the action. While their initial offerings under the Nikkorex line fell flat, save the Nikkorex F, it was their second attempt, the Nikkormat or Nikkomat line of SLRs, that proved to be successful. And these lovely cameras make for an excellent addition to any Nikon photographer. What set these cameras apart is that Nikon went with the Copal Square shutter for each camera, starting with the Nikkorex F rather than building in-house shutters. Also, the Nikkormat EL is the first Nikon camera with a semi-automatic exposure system. Overall, the Nikkormat line was replaced by the small-form-factor SLRs of the FM and the FE.
Nikkormat FT (1965) - The Original Nikkormat body that featured a full F-Mount (Pre-AI) and a metered prisim using the same metering technology as the Nikon Photomic T metering head.Nikkormat FS (1965) - An unmetered version of the Nikkormat FT.Nikkormat FTn (1967) - An improved version of the Nikkormat FT, it now uses a classic 60/40 center-weighted metering. An improved match needle display in the viewfinder. The FTn underwent a number of changes over the course of the camera's production that lasted for nearly a decade.Nikkormat EL (1972) - Uses a CdS meter cell and provides semi-automatic aperture priority auto-exposure.Nikkormat FT2 (1975) - Rolled all the improvements of the FTn into a single camera, and changed the power source from a mercury cell to a silver oxide cell.Nikkormat ELW (1975) - Basically the same camera as the EL, but added the contacts for the AW-1 autowinder.Nikkormat FT3 (1977) - Basically took everything from the FT2, but updated the mount to accept the new AI lenses natively.Nikon EL2 (1977) - An improved ELW, with a SPD metering cell, AI lens support (native).]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2491</itunes:duration>
                <itunes:episode>156</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-163-nikkormats-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 162 - In the Loupe: Suzanne Pedersen</title>
        <itunes:title>Classic Camera Revival - Episode 162 - In the Loupe: Suzanne Pedersen</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-162-in-the-loupe-suzanne-pedersen/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-162-in-the-loupe-suzanne-pedersen/#comments</comments>        <pubDate>Fri, 27 Oct 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/89b60a5a-a573-31b0-bda1-e7e8ed6cfd80</guid>
                                    <description><![CDATA[<p>It's been a while since we've interviewed a fellow film photographer, and today, joining Bill and Alex, is Suzanne Pedersen, a Colorado-based photographer who loves film! And you may have heard her on the Gen-X Photography Podcast! In the episode, we talk about Suzanne's journey as a photographer, a little Nikon GAS and some talk about going to a large format camera.</p>
<p>You can find more of Suzanne's Work Online</p>
<p>Web: <a href='https://www.suzannepedersen.com/'>https://www.suzannepedersen.com/</a></p>
<p>Instagram: <a href='https://www.instagram.com/b.roll.backup/'>https://www.instagram.com/b.roll.backup/</a></p>
<p>Gen-X Photography Podcast: https://podcasts.apple.com/us/podcast/gen-x-photography/id1494585131</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's been a while since we've interviewed a fellow film photographer, and today, joining Bill and Alex, is Suzanne Pedersen, a Colorado-based photographer who loves film! And you may have heard her on the Gen-X Photography Podcast! In the episode, we talk about Suzanne's journey as a photographer, a little Nikon GAS and some talk about going to a large format camera.</p>
<p>You can find more of Suzanne's Work Online</p>
<p>Web: <a href='https://www.suzannepedersen.com/'>https://www.suzannepedersen.com/</a></p>
<p>Instagram: <a href='https://www.instagram.com/b.roll.backup/'>https://www.instagram.com/b.roll.backup/</a></p>
<p>Gen-X Photography Podcast: https://podcasts.apple.com/us/podcast/gen-x-photography/id1494585131</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5z67tp/CCR-162-SuzanneP.mp3" length="31887303" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's been a while since we've interviewed a fellow film photographer, and today, joining Bill and Alex, is Suzanne Pedersen, a Colorado-based photographer who loves film! And you may have heard her on the Gen-X Photography Podcast! In the episode, we talk about Suzanne's journey as a photographer, a little Nikon GAS and some talk about going to a large format camera.
You can find more of Suzanne's Work Online
Web: https://www.suzannepedersen.com/
Instagram: https://www.instagram.com/b.roll.backup/
Gen-X Photography Podcast: https://podcasts.apple.com/us/podcast/gen-x-photography/id1494585131]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3414</itunes:duration>
                <itunes:episode>155</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-162-suzannep-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 161 - Unlucky</title>
        <itunes:title>Classic Camera Revival - Episode 161 - Unlucky</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-161-unlucky/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-161-unlucky/#comments</comments>        <pubDate>Fri, 13 Oct 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b06f0db3-5f75-3adc-b0bc-f02ae09d5148</guid>
                                    <description><![CDATA[
<p>In my experience, there's no such thing as luck - Obi Wan Kenobi</p>

<p>From an RB67 purchased behind a Tim Horton's Dumpster, a sketchy FM, endless Polaroid Cameras, and an over-engineered German Camera, the team at CCR have had some bad luck. So today, for our Friday the 13th Episode, we're digging into our unlucky cameras, films, and developers. But we're also discussing ways to make our luck through careful planning, strategic retreats and experimentation.</p>
]]></description>
                                                            <content:encoded><![CDATA[
<p>In my experience, there's no such thing as luck - Obi Wan Kenobi</p>

<p>From an RB67 purchased behind a Tim Horton's Dumpster, a sketchy FM, endless Polaroid Cameras, and an over-engineered German Camera, the team at CCR have had some bad luck. So today, for our Friday the 13th Episode, we're digging into our unlucky cameras, films, and developers. But we're also discussing ways to make our luck through careful planning, strategic retreats and experimentation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wh8zin/CCR-Ep161-Unlucky.mp3" length="33978769" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
In my experience, there's no such thing as luck - Obi Wan Kenobi

From an RB67 purchased behind a Tim Horton's Dumpster, a sketchy FM, endless Polaroid Cameras, and an over-engineered German Camera, the team at CCR have had some bad luck. So today, for our Friday the 13th Episode, we're digging into our unlucky cameras, films, and developers. But we're also discussing ways to make our luck through careful planning, strategic retreats and experimentation.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3348</itunes:duration>
                <itunes:episode>154</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-161-unlucky.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 160 - The Little F’s Pt. 2</title>
        <itunes:title>Classic Camera Revival - Episode 160 - The Little F’s Pt. 2</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-160-the-little-f-s-pt-2/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-160-the-little-f-s-pt-2/#comments</comments>        <pubDate>Fri, 29 Sep 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/bad71bd2-dbd2-3bd0-9c33-0feb4ebaa453</guid>
                                    <description><![CDATA[<p>Everyone knows and loves the various cameras: FM, FE, FM2, FM2n, and FE2. But there are a series of cameras that are part of the minor F's that make some significant technological splashes and some belly flops that are generally not as well known or are out of reach of the average photographers. These cameras were used to experiment with new technologies before they hit the big times with professional cameras. First is the Nikon FG, produced from 1982 to 1984; it was the first camera from Nikon to have full auto-exposure and semi-automatic and metered-manual modes. The Nikon FA, released in 1983, had a new matrix-metering system that used an internal CPU to determine the exposure based on multi-pattern detection. Produced from 2001 to 2006, the FM3a is the perfect hybrid of the FE2 and FM2n; it is a fully electro-mechanical camera with semi-automatic aperture priority metering and functions as a manual camera when no battery is present. And then there is the FM10, a camera in Nikon name and mount only, aimed as back-to-basic student cameras that were contract builds from Cosina and based on the Cosina CT1 Super but with several customizations not available on the stock model. These included the Nikon F-Mount, depth-of-field preview, meter activation button, and multi-exposure override. Released in 1995, they remained on the market until 2015.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Everyone knows and loves the various cameras: FM, FE, FM2, FM2n, and FE2. But there are a series of cameras that are part of the minor F's that make some significant technological splashes and some belly flops that are generally not as well known or are out of reach of the average photographers. These cameras were used to experiment with new technologies before they hit the big times with professional cameras. First is the Nikon FG, produced from 1982 to 1984; it was the first camera from Nikon to have full auto-exposure and semi-automatic and metered-manual modes. The Nikon FA, released in 1983, had a new matrix-metering system that used an internal CPU to determine the exposure based on multi-pattern detection. Produced from 2001 to 2006, the FM3a is the perfect hybrid of the FE2 and FM2n; it is a fully electro-mechanical camera with semi-automatic aperture priority metering and functions as a manual camera when no battery is present. And then there is the FM10, a camera in Nikon name and mount only, aimed as back-to-basic student cameras that were contract builds from Cosina and based on the Cosina CT1 Super but with several customizations not available on the stock model. These included the Nikon F-Mount, depth-of-field preview, meter activation button, and multi-exposure override. Released in 1995, they remained on the market until 2015.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6e5eyz/CCR-Ep160-LittleFsPt2.mp3" length="25981814" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Everyone knows and loves the various cameras: FM, FE, FM2, FM2n, and FE2. But there are a series of cameras that are part of the minor F's that make some significant technological splashes and some belly flops that are generally not as well known or are out of reach of the average photographers. These cameras were used to experiment with new technologies before they hit the big times with professional cameras. First is the Nikon FG, produced from 1982 to 1984; it was the first camera from Nikon to have full auto-exposure and semi-automatic and metered-manual modes. The Nikon FA, released in 1983, had a new matrix-metering system that used an internal CPU to determine the exposure based on multi-pattern detection. Produced from 2001 to 2006, the FM3a is the perfect hybrid of the FE2 and FM2n; it is a fully electro-mechanical camera with semi-automatic aperture priority metering and functions as a manual camera when no battery is present. And then there is the FM10, a camera in Nikon name and mount only, aimed as back-to-basic student cameras that were contract builds from Cosina and based on the Cosina CT1 Super but with several customizations not available on the stock model. These included the Nikon F-Mount, depth-of-field preview, meter activation button, and multi-exposure override. Released in 1995, they remained on the market until 2015.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2561</itunes:duration>
                <itunes:episode>153</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-160-littlefs2.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 159 - The Little F’s Pt. 1</title>
        <itunes:title>Classic Camera Revival - Episode 159 - The Little F’s Pt. 1</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-159-the-little-f-s-pt-1/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-159-the-little-f-s-pt-1/#comments</comments>        <pubDate>Fri, 15 Sep 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/12518594-9922-33fb-b619-c6af4e9d2a58</guid>
                                    <description><![CDATA[<p>The world of SLRs changed with the release of the OM-System from Olympus. It proved you could have a professional, high-end SLR in a small package. Nikon, at the time, was producing high-end but large cameras. While the F and F2 were solid performers in the professional market, their Nikkormat line of cameras proved popular. It would make the perfect camera to scale down to produce the next generation of advanced consumer SLRs. It also helped the Nikon recently did their first update on the iconic F-Mount, introducing Automatic Indexing or AI. This mount was first introduced in the final two models of the Nikkormat line, the FT3 and EL2. Nikon released the Nikon FM in 1977, an all-mechanical, metered manual camera, and the FE, a semi-automatic aperture priority camera 1978. These were followed up by improved models, the FM2 in 1982 that upped the shutter speed to 1/4000s but retained full mechanical metered-manual operation. It was superseded in mid-1983 by the FM2n that made some minor adjustments, notably changing the sync speed from 1/200s to 1/250s. The FE2 in 1983 carried over similar specs to the FM2n but maintained the aperture-priority metering. While the FE2 ceased production in 1987, it remained on sale until 2001. The FM2n, however, did change to an aluminium shutter in the early 1990s and remained in production until 2001.</p>
<p>Cameras In Today's Show</p>
<ul><li>Nikon FM (1977-1982)</li>
<li>Nikon FE (1978-1983)</li>
<li>Nikon FM2 (1982-1983)</li>
<li>Nikon FM2n (1983-2001)</li>
<li>Nikon FE2 (1983-1987)</li>
</ul>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The world of SLRs changed with the release of the OM-System from Olympus. It proved you could have a professional, high-end SLR in a small package. Nikon, at the time, was producing high-end but large cameras. While the F and F2 were solid performers in the professional market, their Nikkormat line of cameras proved popular. It would make the perfect camera to scale down to produce the next generation of advanced consumer SLRs. It also helped the Nikon recently did their first update on the iconic F-Mount, introducing Automatic Indexing or AI. This mount was first introduced in the final two models of the Nikkormat line, the FT3 and EL2. Nikon released the Nikon FM in 1977, an all-mechanical, metered manual camera, and the FE, a semi-automatic aperture priority camera 1978. These were followed up by improved models, the FM2 in 1982 that upped the shutter speed to 1/4000s but retained full mechanical metered-manual operation. It was superseded in mid-1983 by the FM2n that made some minor adjustments, notably changing the sync speed from 1/200s to 1/250s. The FE2 in 1983 carried over similar specs to the FM2n but maintained the aperture-priority metering. While the FE2 ceased production in 1987, it remained on sale until 2001. The FM2n, however, did change to an aluminium shutter in the early 1990s and remained in production until 2001.</p>
<p>Cameras In Today's Show</p>
<ul><li>Nikon FM (1977-1982)</li>
<li>Nikon FE (1978-1983)</li>
<li>Nikon FM2 (1982-1983)</li>
<li>Nikon FM2n (1983-2001)</li>
<li>Nikon FE2 (1983-1987)</li>
</ul>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y9gn62/CCR-Ep159-LittleFsPt1.mp3" length="22512671" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The world of SLRs changed with the release of the OM-System from Olympus. It proved you could have a professional, high-end SLR in a small package. Nikon, at the time, was producing high-end but large cameras. While the F and F2 were solid performers in the professional market, their Nikkormat line of cameras proved popular. It would make the perfect camera to scale down to produce the next generation of advanced consumer SLRs. It also helped the Nikon recently did their first update on the iconic F-Mount, introducing Automatic Indexing or AI. This mount was first introduced in the final two models of the Nikkormat line, the FT3 and EL2. Nikon released the Nikon FM in 1977, an all-mechanical, metered manual camera, and the FE, a semi-automatic aperture priority camera 1978. These were followed up by improved models, the FM2 in 1982 that upped the shutter speed to 1/4000s but retained full mechanical metered-manual operation. It was superseded in mid-1983 by the FM2n that made some minor adjustments, notably changing the sync speed from 1/200s to 1/250s. The FE2 in 1983 carried over similar specs to the FM2n but maintained the aperture-priority metering. While the FE2 ceased production in 1987, it remained on sale until 2001. The FM2n, however, did change to an aluminium shutter in the early 1990s and remained in production until 2001.
Cameras In Today's Show
Nikon FM (1977-1982)
Nikon FE (1978-1983)
Nikon FM2 (1982-1983)
Nikon FM2n (1983-2001)
Nikon FE2 (1983-1987)
 ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2221</itunes:duration>
                <itunes:episode>152</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-159-littlefs1.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 158 - Any Given Situation</title>
        <itunes:title>Classic Camera Revival - Episode 158 - Any Given Situation</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-158-any-given-situation/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-158-any-given-situation/#comments</comments>        <pubDate>Fri, 25 Aug 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a1fa2a8c-2fac-37fc-819e-369fcb29da52</guid>
                                    <description><![CDATA[The whole team is on board for this one! Together we have enough kit to open up a small camera shop or a museum at least, but one of the hardest things many photographers face is when faced with all that gear; what do you bring along? Well, it does all depend on the situation at hand. So in today's episode, join Bill, James, Jess, Chris, and Alex as they hash out what they would bring into some familiar, strange and downright weird photographic situations. The team discusses their choices for the following conditions: cameras to lenses and film to developers.
 
&lt;ul&gt;
&lt;li&gt;Photo Walks&lt;/li&gt;
&lt;li&gt;Landscape&lt;/li&gt;
&lt;li&gt;Camping&lt;/li&gt;
&lt;li&gt;Portraits&lt;/li&gt;
&lt;li&gt;Music Festivals&lt;/li&gt;
&lt;li&gt;Urban Exploration/Trespassing&lt;/li&gt;
&lt;li&gt;Combat&lt;/li&gt;
&lt;/ul&gt;]]></description>
                                                            <content:encoded><![CDATA[The whole team is on board for this one! Together we have enough kit to open up a small camera shop or a museum at least, but one of the hardest things many photographers face is when faced with all that gear; what do you bring along? Well, it does all depend on the situation at hand. So in today's episode, join Bill, James, Jess, Chris, and Alex as they hash out what they would bring into some familiar, strange and downright weird photographic situations. The team discusses their choices for the following conditions: cameras to lenses and film to developers.
 
&lt;ul&gt;
&lt;li&gt;Photo Walks&lt;/li&gt;
&lt;li&gt;Landscape&lt;/li&gt;
&lt;li&gt;Camping&lt;/li&gt;
&lt;li&gt;Portraits&lt;/li&gt;
&lt;li&gt;Music Festivals&lt;/li&gt;
&lt;li&gt;Urban Exploration/Trespassing&lt;/li&gt;
&lt;li&gt;Combat&lt;/li&gt;
&lt;/ul&gt;]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jbizzb/CCR-Ep158-AnyGivenSituation.mp3" length="46360981" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The whole team is on board for this one! Together we have enough kit to open up a small camera shop or a museum at least, but one of the hardest things many photographers face is when faced with all that gear; what do you bring along? Well, it does all depend on the situation at hand. So in today's episode, join Bill, James, Jess, Chris, and Alex as they hash out what they would bring into some familiar, strange and downright weird photographic situations. The team discusses their choices for the following conditions: cameras to lenses and film to developers.
 
&lt;ul&gt;
&lt;li&gt;Photo Walks&lt;/li&gt;
&lt;li&gt;Landscape&lt;/li&gt;
&lt;li&gt;Camping&lt;/li&gt;
&lt;li&gt;Portraits&lt;/li&gt;
&lt;li&gt;Music Festivals&lt;/li&gt;
&lt;li&gt;Urban Exploration/Trespassing&lt;/li&gt;
&lt;li&gt;Combat&lt;/li&gt;
&lt;/ul&gt;]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4413</itunes:duration>
                <itunes:episode>151</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-158-anygivensituationicon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 157 - The Last of the F’s</title>
        <itunes:title>Classic Camera Revival - Episode 157 - The Last of the F’s</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-157-the-last-of-the-f-s/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-157-the-last-of-the-f-s/#comments</comments>        <pubDate>Fri, 11 Aug 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/4fdbfa5b-0231-3723-868c-36b132da8268</guid>
                                    <description><![CDATA[<p>While we have given cameras like the F, F2, and F3 their own separate episodes, the final three "Big F's" in Nikon's lineup were more evolutions of each other and were a radical departure from the previous manual cameras of the group. So on today's episode, we dig into the F4, F5, and the F6 to wrap this series up (finally). Like the original F, the F4 did not come out of a vacuum but rather from a combination of other cameras that acted as proof of concepts. The first is the Nikon FG which gave Nikon their first complete AE SLR, then the Nikon FA, which offered Matrix metering, and finally, the F-501, which introduced the original form of autofocus. These all culminated in 1988's Nikon F4. Again turning to the design first of Giroetto Giugiaro, the new design was big, bulky, and retained much of the manual control surfaces that many photographers were used to during this period. The camera won a design award that year, and despite being polarising, it proved that professional cameras could have full AE, integrated motor drives and, more importantly, autofocus. The F4 also has matrix metering; you could add a 250-shot magazine, use pre-AI lenses, and swap out the battery grips to add specific features and increase the frame rate in burst mode. The main weak point in the camera is the autofocus; it's far from perfect and often described as slow in a modern context. But already looking forward, in the early 1990s, Nikon was again improving their cameras. Using things like the F90(x) to move to more buttons, menus and dial-style interface and building a single unibody camera, the F5 arrived in 1998. The F5 proved to be the ultimate culmination of all the previous cameras. An improved 3D Colour Matrix Metering, limited support for manual focus lenses, but full autofocus support even for the new G-Type lenses. Plus, support for AF-S and VR-equipped lenses. The unibody design housed the 8 AA batteries. But unlike previous cameras, there were limited abilities to modify the camera. You could swap out the prism heads and add a databack (the MF-28 is the one you want), but that was about it. But the F5 left a lasting impression as the unibody design was carried over to the first pro digital SLR, the D1 and continued well into the last pro-SLR, the D5. But most pros had gone digital when the F5 ended production in 2004. But there was still a market segment that wanted to shoot 35mm. Meet the F6, a film camera born out of the digital age. With a look and feel similar to the digital SLRs of the era, the D2x and D200, this camera is chock-full of the best metering, autofocus, and other features. Plus, you could add or remove the battery grip to ensure the best use of space. And you had far better support for manual focus lenses (just not pre-AI), with full 3D Colour Matrix Metering. These days all three cameras are excellent performers; it's a matter of figuring out what you want.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>While we have given cameras like the F, F2, and F3 their own separate episodes, the final three "Big F's" in Nikon's lineup were more evolutions of each other and were a radical departure from the previous manual cameras of the group. So on today's episode, we dig into the F4, F5, and the F6 to wrap this series up (finally). Like the original F, the F4 did not come out of a vacuum but rather from a combination of other cameras that acted as proof of concepts. The first is the Nikon FG which gave Nikon their first complete AE SLR, then the Nikon FA, which offered Matrix metering, and finally, the F-501, which introduced the original form of autofocus. These all culminated in 1988's Nikon F4. Again turning to the design first of Giroetto Giugiaro, the new design was big, bulky, and retained much of the manual control surfaces that many photographers were used to during this period. The camera won a design award that year, and despite being polarising, it proved that professional cameras could have full AE, integrated motor drives and, more importantly, autofocus. The F4 also has matrix metering; you could add a 250-shot magazine, use pre-AI lenses, and swap out the battery grips to add specific features and increase the frame rate in burst mode. The main weak point in the camera is the autofocus; it's far from perfect and often described as slow in a modern context. But already looking forward, in the early 1990s, Nikon was again improving their cameras. Using things like the F90(x) to move to more buttons, menus and dial-style interface and building a single unibody camera, the F5 arrived in 1998. The F5 proved to be the ultimate culmination of all the previous cameras. An improved 3D Colour Matrix Metering, limited support for manual focus lenses, but full autofocus support even for the new G-Type lenses. Plus, support for AF-S and VR-equipped lenses. The unibody design housed the 8 AA batteries. But unlike previous cameras, there were limited abilities to modify the camera. You could swap out the prism heads and add a databack (the MF-28 is the one you want), but that was about it. But the F5 left a lasting impression as the unibody design was carried over to the first pro digital SLR, the D1 and continued well into the last pro-SLR, the D5. But most pros had gone digital when the F5 ended production in 2004. But there was still a market segment that wanted to shoot 35mm. Meet the F6, a film camera born out of the digital age. With a look and feel similar to the digital SLRs of the era, the D2x and D200, this camera is chock-full of the best metering, autofocus, and other features. Plus, you could add or remove the battery grip to ensure the best use of space. And you had far better support for manual focus lenses (just not pre-AI), with full 3D Colour Matrix Metering. These days all three cameras are excellent performers; it's a matter of figuring out what you want.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u6n32m/CCR-Ep157-TheLastoftheFs.mp3" length="69323625" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we have given cameras like the F, F2, and F3 their own separate episodes, the final three "Big F's" in Nikon's lineup were more evolutions of each other and were a radical departure from the previous manual cameras of the group. So on today's episode, we dig into the F4, F5, and the F6 to wrap this series up (finally). Like the original F, the F4 did not come out of a vacuum but rather from a combination of other cameras that acted as proof of concepts. The first is the Nikon FG which gave Nikon their first complete AE SLR, then the Nikon FA, which offered Matrix metering, and finally, the F-501, which introduced the original form of autofocus. These all culminated in 1988's Nikon F4. Again turning to the design first of Giroetto Giugiaro, the new design was big, bulky, and retained much of the manual control surfaces that many photographers were used to during this period. The camera won a design award that year, and despite being polarising, it proved that professional cameras could have full AE, integrated motor drives and, more importantly, autofocus. The F4 also has matrix metering; you could add a 250-shot magazine, use pre-AI lenses, and swap out the battery grips to add specific features and increase the frame rate in burst mode. The main weak point in the camera is the autofocus; it's far from perfect and often described as slow in a modern context. But already looking forward, in the early 1990s, Nikon was again improving their cameras. Using things like the F90(x) to move to more buttons, menus and dial-style interface and building a single unibody camera, the F5 arrived in 1998. The F5 proved to be the ultimate culmination of all the previous cameras. An improved 3D Colour Matrix Metering, limited support for manual focus lenses, but full autofocus support even for the new G-Type lenses. Plus, support for AF-S and VR-equipped lenses. The unibody design housed the 8 AA batteries. But unlike previous cameras, there were limited abilities to modify the camera. You could swap out the prism heads and add a databack (the MF-28 is the one you want), but that was about it. But the F5 left a lasting impression as the unibody design was carried over to the first pro digital SLR, the D1 and continued well into the last pro-SLR, the D5. But most pros had gone digital when the F5 ended production in 2004. But there was still a market segment that wanted to shoot 35mm. Meet the F6, a film camera born out of the digital age. With a look and feel similar to the digital SLRs of the era, the D2x and D200, this camera is chock-full of the best metering, autofocus, and other features. Plus, you could add or remove the battery grip to ensure the best use of space. And you had far better support for manual focus lenses (just not pre-AI), with full 3D Colour Matrix Metering. These days all three cameras are excellent performers; it's a matter of figuring out what you want.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3708</itunes:duration>
                <itunes:episode>150</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-157-thelastofthefs-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 156 - Live from the TFS</title>
        <itunes:title>Classic Camera Revival - Episode 156 - Live from the TFS</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-156-live-from-the-tfs/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-156-live-from-the-tfs/#comments</comments>        <pubDate>Fri, 28 Jul 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/3621403c-3c6f-394b-a3d4-958b1dd1f1b0</guid>
                                    <description><![CDATA[<p>This year marks the 10th anniversary of the Toronto Film Shooters Meetup. Our co-founder Alex started the initiative and noticed a post on the old APUG Toronto subforum wanting more film photography-centred meetups in the GTA. Having &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626501869889" rel="noopener" target="_blank"&gt;co-hosted an APUG/FPP meetup&lt;/a&gt; in May 2011, attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626747162333" rel="noopener" target="_blank"&gt;another APUG event later in the month&lt;/a&gt;. And also having attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157630286361848" rel="noopener" target="_blank"&gt;Photostock in 2012&lt;/a&gt; along with a &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157633984917196" rel="noopener" target="_blank"&gt;2013 APUG events in North-East Ohio&lt;/a&gt;. He felt ready to start organizing a large-scale regional event four times a year. So in &lt;a href="https://www.flickr.com/photos/axle81401/sets/72157647846763420/" rel="noopener" target="_blank"&gt;July 2013, the very first TFS event&lt;/a&gt; took place at Toronto's Evergreen Brick Works. And while the group has grown and changed and even survived a global pandemic, it is still a driving force within the film photography community through the GTA and beyond! You can check out &lt;a href="https://www.flickr.com/photos/axle81401/sets/72177720309727854/" rel="noopener" target="_blank"&gt;Alex's photos from the event on Flickr&lt;/a&gt;. Looking to join a future walk, or just like the idea of the TFS, you can &lt;a href="https://www.facebook.com/groups/1111824998862507" rel="noopener" target="_blank"&gt;join our group on Facebook&lt;/a&gt;! Or make sure to check out &lt;a href="https://www.instagram.com/torontoanalogfriends/" rel="noopener" target="_blank"&gt;Toronto Analog Friends over on Instagram&lt;/a&gt; and join &lt;a href="https://discord.com/invite/q7Xxf74c2T" rel="noopener" target="_blank"&gt;their Discord&lt;/a&gt; for meetup details.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This year marks the 10th anniversary of the Toronto Film Shooters Meetup. Our co-founder Alex started the initiative and noticed a post on the old APUG Toronto subforum wanting more film photography-centred meetups in the GTA. Having &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626501869889" rel="noopener" target="_blank"&gt;co-hosted an APUG/FPP meetup&lt;/a&gt; in May 2011, attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626747162333" rel="noopener" target="_blank"&gt;another APUG event later in the month&lt;/a&gt;. And also having attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157630286361848" rel="noopener" target="_blank"&gt;Photostock in 2012&lt;/a&gt; along with a &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157633984917196" rel="noopener" target="_blank"&gt;2013 APUG events in North-East Ohio&lt;/a&gt;. He felt ready to start organizing a large-scale regional event four times a year. So in &lt;a href="https://www.flickr.com/photos/axle81401/sets/72157647846763420/" rel="noopener" target="_blank"&gt;July 2013, the very first TFS event&lt;/a&gt; took place at Toronto's Evergreen Brick Works. And while the group has grown and changed and even survived a global pandemic, it is still a driving force within the film photography community through the GTA and beyond! You can check out &lt;a href="https://www.flickr.com/photos/axle81401/sets/72177720309727854/" rel="noopener" target="_blank"&gt;Alex's photos from the event on Flickr&lt;/a&gt;. Looking to join a future walk, or just like the idea of the TFS, you can &lt;a href="https://www.facebook.com/groups/1111824998862507" rel="noopener" target="_blank"&gt;join our group on Facebook&lt;/a&gt;! Or make sure to check out &lt;a href="https://www.instagram.com/torontoanalogfriends/" rel="noopener" target="_blank"&gt;Toronto Analog Friends over on Instagram&lt;/a&gt; and join &lt;a href="https://discord.com/invite/q7Xxf74c2T" rel="noopener" target="_blank"&gt;their Discord&lt;/a&gt; for meetup details.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4jc735/CCR-Ep156-LiveFromTFS10.mp3" length="44780431" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This year marks the 10th anniversary of the Toronto Film Shooters Meetup. Our co-founder Alex started the initiative and noticed a post on the old APUG Toronto subforum wanting more film photography-centred meetups in the GTA. Having &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626501869889" rel="noopener" target="_blank"&gt;co-hosted an APUG/FPP meetup&lt;/a&gt; in May 2011, attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157626747162333" rel="noopener" target="_blank"&gt;another APUG event later in the month&lt;/a&gt;. And also having attended &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157630286361848" rel="noopener" target="_blank"&gt;Photostock in 2012&lt;/a&gt; along with a &lt;a href="https://www.flickr.com/photos/axle81401/albums/72157633984917196" rel="noopener" target="_blank"&gt;2013 APUG events in North-East Ohio&lt;/a&gt;. He felt ready to start organizing a large-scale regional event four times a year. So in &lt;a href="https://www.flickr.com/photos/axle81401/sets/72157647846763420/" rel="noopener" target="_blank"&gt;July 2013, the very first TFS event&lt;/a&gt; took place at Toronto's Evergreen Brick Works. And while the group has grown and changed and even survived a global pandemic, it is still a driving force within the film photography community through the GTA and beyond! You can check out &lt;a href="https://www.flickr.com/photos/axle81401/sets/72177720309727854/" rel="noopener" target="_blank"&gt;Alex's photos from the event on Flickr&lt;/a&gt;. Looking to join a future walk, or just like the idea of the TFS, you can &lt;a href="https://www.facebook.com/groups/1111824998862507" rel="noopener" target="_blank"&gt;join our group on Facebook&lt;/a&gt;! Or make sure to check out &lt;a href="https://www.instagram.com/torontoanalogfriends/" rel="noopener" target="_blank"&gt;Toronto Analog Friends over on Instagram&lt;/a&gt; and join &lt;a href="https://discord.com/invite/q7Xxf74c2T" rel="noopener" target="_blank"&gt;their Discord&lt;/a&gt; for meetup details.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1822</itunes:duration>
                <itunes:episode>149</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-156-livefromtfs10-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 155 - In the Loupe: Kelsey Smith</title>
        <itunes:title>Classic Camera Revival - Episode 155 - In the Loupe: Kelsey Smith</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-155-in-the-loupe-kelsey-smith/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-155-in-the-loupe-kelsey-smith/#comments</comments>        <pubDate>Fri, 14 Jul 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/beee59b5-7215-34c7-a1af-864a5f77569a</guid>
                                    <description><![CDATA[<p>In today's episode, we are happy to welcome Kelsey Smith to the podcast. If you haven't been paying attention to Social Media, Kelsey is a relative newcomer to the Internet and is busy outputting a tonne of online and physical content. Kelsey's work is beautiful, bordering on nostalgia, and he even recently released a new book on his hometown. So please tune in and hear about Kelsey's journey and his application of Psychology &amp; Sociology in their photography. You can pick up a copy &lt;a href="https://kelseysmithphotography.net/photo-books/p/please-dont-leave-me-book" rel="noopener" target="_blank"&gt;their book through the website&lt;/a&gt;!</p>
<p>Web: &lt;a href="https://kelseysmithphotography.net/" rel="noopener" target="_blank"&gt;kelseysmithphotography.net&lt;/a&gt;
Instagram: &lt;a href="https://www.instagram.com/kelseysmithphotography/" rel="noopener" target="_blank"&gt;instagram.com/kelseysmithphotography&lt;/a&gt;
Facebook: &lt;a href="https://www.facebook.com/KelseySmithPhotos/" rel="noopener" target="_blank"&gt;facebook.com/KelseySmithPhotos&lt;/a&gt;
YouTube: &lt;a href="https://www.youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA" rel="noopener" target="_blank"&gt;youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA&lt;/a&gt;
Twitter: &lt;a href="https://twitter.com/NotKelseySmith" rel="noopener" target="_blank"&gt;twitter.com/NotKelseySmith&lt;/a&gt;</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In today's episode, we are happy to welcome Kelsey Smith to the podcast. If you haven't been paying attention to Social Media, Kelsey is a relative newcomer to the Internet and is busy outputting a tonne of online and physical content. Kelsey's work is beautiful, bordering on nostalgia, and he even recently released a new book on his hometown. So please tune in and hear about Kelsey's journey and his application of Psychology &amp; Sociology in their photography. You can pick up a copy &lt;a href="https://kelseysmithphotography.net/photo-books/p/please-dont-leave-me-book" rel="noopener" target="_blank"&gt;their book through the website&lt;/a&gt;!</p>
<p>Web: &lt;a href="https://kelseysmithphotography.net/" rel="noopener" target="_blank"&gt;kelseysmithphotography.net&lt;/a&gt;<br>
Instagram: &lt;a href="https://www.instagram.com/kelseysmithphotography/" rel="noopener" target="_blank"&gt;instagram.com/kelseysmithphotography&lt;/a&gt;<br>
Facebook: &lt;a href="https://www.facebook.com/KelseySmithPhotos/" rel="noopener" target="_blank"&gt;facebook.com/KelseySmithPhotos&lt;/a&gt;<br>
YouTube: &lt;a href="https://www.youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA" rel="noopener" target="_blank"&gt;youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA&lt;/a&gt;<br>
Twitter: &lt;a href="https://twitter.com/NotKelseySmith" rel="noopener" target="_blank"&gt;twitter.com/NotKelseySmith&lt;/a&gt;</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q52hc5/CCR-Ep155-KelseySmith.mp3" length="34036244" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In today's episode, we are happy to welcome Kelsey Smith to the podcast. If you haven't been paying attention to Social Media, Kelsey is a relative newcomer to the Internet and is busy outputting a tonne of online and physical content. Kelsey's work is beautiful, bordering on nostalgia, and he even recently released a new book on his hometown. So please tune in and hear about Kelsey's journey and his application of Psychology &amp; Sociology in their photography. You can pick up a copy &lt;a href="https://kelseysmithphotography.net/photo-books/p/please-dont-leave-me-book" rel="noopener" target="_blank"&gt;their book through the website&lt;/a&gt;!
Web: &lt;a href="https://kelseysmithphotography.net/" rel="noopener" target="_blank"&gt;kelseysmithphotography.net&lt;/a&gt;Instagram: &lt;a href="https://www.instagram.com/kelseysmithphotography/" rel="noopener" target="_blank"&gt;instagram.com/kelseysmithphotography&lt;/a&gt;Facebook: &lt;a href="https://www.facebook.com/KelseySmithPhotos/" rel="noopener" target="_blank"&gt;facebook.com/KelseySmithPhotos&lt;/a&gt;YouTube: &lt;a href="https://www.youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA" rel="noopener" target="_blank"&gt;youtube.com/channel/UChw7eVEUtSgLaL0VpXR_niA&lt;/a&gt;Twitter: &lt;a href="https://twitter.com/NotKelseySmith" rel="noopener" target="_blank"&gt;twitter.com/NotKelseySmith&lt;/a&gt;]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3138</itunes:duration>
                <itunes:episode>148</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-155-kelseysmith-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 154 - In the Loupe: I Dream of Cameras</title>
        <itunes:title>Classic Camera Revival - Episode 154 - In the Loupe: I Dream of Cameras</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-154-in-the-loupe-i-dream-of-cameras/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-154-in-the-loupe-i-dream-of-cameras/#comments</comments>        <pubDate>Fri, 30 Jun 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/40199a29-9d3b-3293-ac30-793a431934ed</guid>
                                    <description><![CDATA[<p>Joining Bill, James, and Alex is the dynamic duo, Jeff and Gabe, the folks behind the <a href='https://www.idreamofcameras.com/'>I Dream of Cameras podcast</a>. Together they talk about all things gear, from the X-Pan to the rare Ilford Witness. Other head-turning cameras, even the simple Canon EF-Mount, and Nikon F-Mount. And a rant against electronic cameras. Life in Northern Ontario from Muskoka to the far north.</p>
<p>You can follow along IDC at the following spots.
Web: <a href='https://www.idreamofcameras.com/'>idreamofcameras.com</a>
Instagram: <a href='https://www.instagram.com/idreamofcameras/'>instagram.com/idreamofcameras</a>
YouTube: <a href='https://www.youtube.com/@IDreamofCameras'>youtube.com/@IDreamofCameras</a>
Twitter: <a href='https://twitter.com/idreamofcameras'>twitter.com/idreamofcameras</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Joining Bill, James, and Alex is the dynamic duo, Jeff and Gabe, the folks behind the <a href='https://www.idreamofcameras.com/'>I Dream of Cameras podcast</a>. Together they talk about all things gear, from the X-Pan to the rare Ilford Witness. Other head-turning cameras, even the simple Canon EF-Mount, and Nikon F-Mount. And a rant against electronic cameras. Life in Northern Ontario from Muskoka to the far north.</p>
<p>You can follow along IDC at the following spots.<br>
Web: <a href='https://www.idreamofcameras.com/'>idreamofcameras.com</a><br>
Instagram: <a href='https://www.instagram.com/idreamofcameras/'>instagram.com/idreamofcameras</a><br>
YouTube: <a href='https://www.youtube.com/@IDreamofCameras'>youtube.com/@IDreamofCameras</a><br>
Twitter: <a href='https://twitter.com/idreamofcameras'>twitter.com/idreamofcameras</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vj6ky3/CCR-Ep154-IDreamOfCameras.mp3" length="46161554" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Joining Bill, James, and Alex is the dynamic duo, Jeff and Gabe, the folks behind the I Dream of Cameras podcast. Together they talk about all things gear, from the X-Pan to the rare Ilford Witness. Other head-turning cameras, even the simple Canon EF-Mount, and Nikon F-Mount. And a rant against electronic cameras. Life in Northern Ontario from Muskoka to the far north.
You can follow along IDC at the following spots.Web: idreamofcameras.comInstagram: instagram.com/idreamofcamerasYouTube: youtube.com/@IDreamofCamerasTwitter: twitter.com/idreamofcameras]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4300</itunes:duration>
                <itunes:episode>147</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-154-idreamofcameras-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 153 - Don’t Drink the Rodinal - Part 4</title>
        <itunes:title>Classic Camera Revival - Episode 153 - Don’t Drink the Rodinal - Part 4</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-153-don-t-drink-the-rodinal-part-4/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-153-don-t-drink-the-rodinal-part-4/#comments</comments>        <pubDate>Fri, 16 Jun 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/d8c49231-5e12-34c2-8014-370a5c901ecc</guid>
                                    <description><![CDATA[<p>It has been a while since we last visited the topic of film developers. So in today's episode Alex sits down to talk about some of the more exoctic developers that have poured their way through his chemistry kit recently. These include a lovely elevated general purpose developer in Fotospeed FD10, a couple of high-contrast developers with Kodak D-19 and Fomadon LQR. Then Rodinal's cousin, R09 Spezial, and even a colour developing kit, the FPP Super Colour Negative ECN-2 kit. Alex also digs into how he tests and reviews film developers, and it isn't that scientific, and you know that's okay!</p>
<p><a href='http://www.alexluyckx.com/blog/2023/01/23/developer-review-blog-no-37-fpp-ecn2-super-colour-negative-kit/'>FPP Super Color Negative ECN-2 Kit</a>
<a href='http://www.alexluyckx.com/blog/2023/02/27/developer-review-blog-no-38-compard-r09-spezial/'>Compard R09 Spezial</a></p>
<p>Purchase <a href='https://www.freestylephoto.com/9721-Rollei-Compard-R09-Spezial-Film-Developer-Agfa-Rodinal-Specia'>R09 Spezial</a> or <a href='https://www.freestylephoto.com/2510028-Bellini-Hydrofen-BandW-Film-Developer-100ml'>Hydrofen</a>
Purchase <a href='https://filmphotographystore.com/collections/darkroom-supplies/products/darkroom-supplies-fpps-new-color-negative-development-kit-1-liter-powder'>FPP Super Color Negative ECN-2</a>
<a href='https://www.argentix.ca/techdata.php?=SID&pno=719&mq=sp02'>Purchase Formulary D-19</a>
<a href='https://www.argentix.ca/techdata.php?=SID&pno=48&mq=sp02'>Purchase Fomadon LQR</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It has been a while since we last visited the topic of film developers. So in today's episode Alex sits down to talk about some of the more exoctic developers that have poured their way through his chemistry kit recently. These include a lovely elevated general purpose developer in Fotospeed FD10, a couple of high-contrast developers with Kodak D-19 and Fomadon LQR. Then Rodinal's cousin, R09 Spezial, and even a colour developing kit, the FPP Super Colour Negative ECN-2 kit. Alex also digs into how he tests and reviews film developers, and it isn't that scientific, and you know that's okay!</p>
<p><a href='http://www.alexluyckx.com/blog/2023/01/23/developer-review-blog-no-37-fpp-ecn2-super-colour-negative-kit/'>FPP Super Color Negative ECN-2 Kit</a><br>
<a href='http://www.alexluyckx.com/blog/2023/02/27/developer-review-blog-no-38-compard-r09-spezial/'>Compard R09 Spezial</a></p>
<p>Purchase <a href='https://www.freestylephoto.com/9721-Rollei-Compard-R09-Spezial-Film-Developer-Agfa-Rodinal-Specia'>R09 Spezial</a> or <a href='https://www.freestylephoto.com/2510028-Bellini-Hydrofen-BandW-Film-Developer-100ml'>Hydrofen</a><br>
Purchase <a href='https://filmphotographystore.com/collections/darkroom-supplies/products/darkroom-supplies-fpps-new-color-negative-development-kit-1-liter-powder'>FPP Super Color Negative ECN-2</a><br>
<a href='https://www.argentix.ca/techdata.php?=SID&pno=719&mq=sp02'>Purchase Formulary D-19</a><br>
<a href='https://www.argentix.ca/techdata.php?=SID&pno=48&mq=sp02'>Purchase Fomadon LQR</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ja4iwr/CCR-Ep153-DontDrinktheRodinal4.mp3" length="36941069" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It has been a while since we last visited the topic of film developers. So in today's episode Alex sits down to talk about some of the more exoctic developers that have poured their way through his chemistry kit recently. These include a lovely elevated general purpose developer in Fotospeed FD10, a couple of high-contrast developers with Kodak D-19 and Fomadon LQR. Then Rodinal's cousin, R09 Spezial, and even a colour developing kit, the FPP Super Colour Negative ECN-2 kit. Alex also digs into how he tests and reviews film developers, and it isn't that scientific, and you know that's okay!
FPP Super Color Negative ECN-2 KitCompard R09 Spezial
Purchase R09 Spezial or HydrofenPurchase FPP Super Color Negative ECN-2Purchase Formulary D-19Purchase Fomadon LQR]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1770</itunes:duration>
                <itunes:episode>146</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-153-dontdrinktherodinal4-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 152 - Accessorise This!</title>
        <itunes:title>Classic Camera Revival - Episode 152 - Accessorise This!</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-152-accessorise-this/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-152-accessorise-this/#comments</comments>        <pubDate>Fri, 26 May 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/6186d041-228d-3011-9ea1-fb096f0fc935</guid>
                                    <description><![CDATA[<p>When it comes to photography, there's always something extra you can get, and often these accessories are also the key to getting you things from here to there, getting the shot how you visualise it, nailing that exposure, keeping camera shake down, and all that other jazz. So the whole gang is here today to discuss everything from filters to camera bags, backpacks, straps, light meters and cable releases. Today's show discusses Think Tank, Peak Design, Domke, Lowepro, MEC, Sekonic, Tiffen, Reveni Labs, Lasolite, and many more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When it comes to photography, there's always something extra you can get, and often these accessories are also the key to getting you things from here to there, getting the shot how you visualise it, nailing that exposure, keeping camera shake down, and all that other jazz. So the whole gang is here today to discuss everything from filters to camera bags, backpacks, straps, light meters and cable releases. Today's show discusses Think Tank, Peak Design, Domke, Lowepro, MEC, Sekonic, Tiffen, Reveni Labs, Lasolite, and many more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xxqm8s/CCR-Ep152-AccesoriseThis.mp3" length="30198059" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When it comes to photography, there's always something extra you can get, and often these accessories are also the key to getting you things from here to there, getting the shot how you visualise it, nailing that exposure, keeping camera shake down, and all that other jazz. So the whole gang is here today to discuss everything from filters to camera bags, backpacks, straps, light meters and cable releases. Today's show discusses Think Tank, Peak Design, Domke, Lowepro, MEC, Sekonic, Tiffen, Reveni Labs, Lasolite, and many more.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2822</itunes:duration>
                <itunes:episode>145</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-152-accessorisethis-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 151 - In the Loupe: Sarah Stellino</title>
        <itunes:title>Classic Camera Revival - Episode 151 - In the Loupe: Sarah Stellino</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-151-in-the-loupe-sarah-stellino/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-151-in-the-loupe-sarah-stellino/#comments</comments>        <pubDate>Fri, 12 May 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/ba0e2ca6-b59a-3d78-b5d1-55897392ab5b</guid>
                                    <description><![CDATA[<p>Today Jess and Chris sit down with renowned mid-west large format photographer Sarah Stellino. Topics include portraiture, farm work, parenthood, and being queer within the wider photography community. And, of course, a deep dive into working with large format cameras and portrait work. And a special thanks to Taylor (IG: <a href='https://www.instagram.com/taylarlar/'>instagram.com/taylarlar</a>) for taking the stunning portrait of Sarah used in the banner image for the episode.</p>
<p>Find Sarah's work at:
Instagram: <a href='https://www.instagram.com/sarahstellinophoto/'>instagram.com/sarahstellinophoto</a>
Website: <a href='https://www.sarahstellinophoto.com/'>sarahstellinophoto.com</a></p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today Jess and Chris sit down with renowned mid-west large format photographer Sarah Stellino. Topics include portraiture, farm work, parenthood, and being queer within the wider photography community. And, of course, a deep dive into working with large format cameras and portrait work. And a special thanks to Taylor (IG: <a href='https://www.instagram.com/taylarlar/'>instagram.com/taylarlar</a>) for taking the stunning portrait of Sarah used in the banner image for the episode.</p>
<p>Find Sarah's work at:<br>
Instagram: <a href='https://www.instagram.com/sarahstellinophoto/'>instagram.com/sarahstellinophoto</a><br>
Website: <a href='https://www.sarahstellinophoto.com/'>sarahstellinophoto.com</a></p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bnrjib/CCR-Ep151-SarahS.mp3" length="41311882" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today Jess and Chris sit down with renowned mid-west large format photographer Sarah Stellino. Topics include portraiture, farm work, parenthood, and being queer within the wider photography community. And, of course, a deep dive into working with large format cameras and portrait work. And a special thanks to Taylor (IG: instagram.com/taylarlar) for taking the stunning portrait of Sarah used in the banner image for the episode.
Find Sarah's work at:Instagram: instagram.com/sarahstellinophotoWebsite: sarahstellinophoto.com
 ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3874</itunes:duration>
                <itunes:episode>144</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-151-sarahs-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 150 - In the Loupe: Molly Kate</title>
        <itunes:title>Classic Camera Revival - Episode 150 - In the Loupe: Molly Kate</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-150-in-the-loupe-molly-kate/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-150-in-the-loupe-molly-kate/#comments</comments>        <pubDate>Fri, 28 Apr 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/778707fa-b643-38b9-a818-979e13f5a1a0</guid>
                                    <description><![CDATA[<p>Bill and Alex sit down with Molly Kate, better known online as Eclectachrome! We discuss science fiction, accounting, professional photography, film, and cameras. Also, discussing travel, pizza, the Frugal Film Project, and more. It was a lot of fun to sit down with Molly (finally) and talk about so many different things!</p>
<p>Facebook: <a href='https://www.facebook.com/profile.php?id=100091648621268'>facebook.com/profile.php?id=100091648621268</a>
Instagram: <a href='https://www.instagram.com/eclectachrome/'>instagram.com/eclectachrome</a>
YouTube: <a href='https://www.youtube.com/@Eclectachrome'>youtube.com/@Eclectachrome</a>
Website: <a href='https://eclectachrome.com/'>eclectachrome.com</a>
Twitter: <a href='https://twitter.com/eclectachrome?lang=en'>twitter.com/eclectachrome</a>
Substack: <a href='https://eclectachrome.substack.com/'>eclectachrome.substack.com</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Bill and Alex sit down with Molly Kate, better known online as Eclectachrome! We discuss science fiction, accounting, professional photography, film, and cameras. Also, discussing travel, pizza, the Frugal Film Project, and more. It was a lot of fun to sit down with Molly (finally) and talk about so many different things!</p>
<p>Facebook: <a href='https://www.facebook.com/profile.php?id=100091648621268'>facebook.com/profile.php?id=100091648621268</a><br>
Instagram: <a href='https://www.instagram.com/eclectachrome/'>instagram.com/eclectachrome</a><br>
YouTube: <a href='https://www.youtube.com/@Eclectachrome'>youtube.com/@Eclectachrome</a><br>
Website: <a href='https://eclectachrome.com/'>eclectachrome.com</a><br>
Twitter: <a href='https://twitter.com/eclectachrome?lang=en'>twitter.com/eclectachrome</a><br>
Substack: <a href='https://eclectachrome.substack.com/'>eclectachrome.substack.com</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bp2xqg/CCR-Ep150-MollyKate.mp3" length="36029502" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Bill and Alex sit down with Molly Kate, better known online as Eclectachrome! We discuss science fiction, accounting, professional photography, film, and cameras. Also, discussing travel, pizza, the Frugal Film Project, and more. It was a lot of fun to sit down with Molly (finally) and talk about so many different things!
Facebook: facebook.com/profile.php?id=100091648621268Instagram: instagram.com/eclectachromeYouTube: youtube.com/@EclectachromeWebsite: eclectachrome.comTwitter: twitter.com/eclectachromeSubstack: eclectachrome.substack.com]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3475</itunes:duration>
                <itunes:episode>143</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-150-mollyk-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 149 - Photographic Journeys</title>
        <itunes:title>Classic Camera Revival - Episode 149 - Photographic Journeys</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-149-photographic-journeys/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-149-photographic-journeys/#comments</comments>        <pubDate>Fri, 14 Apr 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/54aace69-ff38-3291-bc08-75e4a4a78b00</guid>
                                    <description><![CDATA[<p>Everyone's photographic journey is different, but they all move around in strange and unique ways. Sometimes a new medium makes a new path clear, or you could be looping backing to rediscover an old favourite technique, medium, style or piece of kit. No matter how your journey takes you, it is your own, so on today's episode, James and Jess welcome Alex Jahr, Jamie Marcellus, and Ted Smith!</p>
<p>You can find our guests on social media at:
Alex: <a href='https://www.instagram.com/alex.jahr/'>instagram.com/alex.jahr</a>
Jamie: <a href='https://www.instagram.com/jsmarcellusphoto/'>instagram.com/jsmarcellusphoto</a>
Ted: <a href='https://www.instagram.com/tedsmith_photography/'>instagram.com/tedsmith_photography</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Everyone's photographic journey is different, but they all move around in strange and unique ways. Sometimes a new medium makes a new path clear, or you could be looping backing to rediscover an old favourite technique, medium, style or piece of kit. No matter how your journey takes you, it is your own, so on today's episode, James and Jess welcome Alex Jahr, Jamie Marcellus, and Ted Smith!</p>
<p>You can find our guests on social media at:<br>
Alex: <a href='https://www.instagram.com/alex.jahr/'>instagram.com/alex.jahr</a><br>
Jamie: <a href='https://www.instagram.com/jsmarcellusphoto/'>instagram.com/jsmarcellusphoto</a><br>
Ted: <a href='https://www.instagram.com/tedsmith_photography/'>instagram.com/tedsmith_photography</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ndri2h/CCR-Ep149-Journey.mp3" length="81815472" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Everyone's photographic journey is different, but they all move around in strange and unique ways. Sometimes a new medium makes a new path clear, or you could be looping backing to rediscover an old favourite technique, medium, style or piece of kit. No matter how your journey takes you, it is your own, so on today's episode, James and Jess welcome Alex Jahr, Jamie Marcellus, and Ted Smith!
You can find our guests on social media at:Alex: instagram.com/alex.jahrJamie: instagram.com/jsmarcellusphotoTed: instagram.com/tedsmith_photography]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4347</itunes:duration>
                <itunes:episode>142</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-149-photographicjourneys-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 148 - What Were They Thinking?!?</title>
        <itunes:title>Classic Camera Revival - Episode 148 - What Were They Thinking?!?</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-148-what-were-they-thinking/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-148-what-were-they-thinking/#comments</comments>        <pubDate>Fri, 24 Mar 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a46bbea2-0080-3c24-a0e2-7438dc617a2e</guid>
                                    <description><![CDATA[<p>It's been a long time since we've had a show where we shouted into the void, so we're shouting again and going on about some of the stranger decisions of the photographic industry has taken throughout their histories. We will avoid some of the more recent news coming out of Kodak Alaris, but we will dig into some of the more interesting historical choices of companies. Join John, Bill, Jess, Alex & James as we cover things from 620 Film, 828 Film, the Mamiya Universal, strange lenses, and early tech that didn't work out or last as long as people thought! This episode also marks the final episode for our long-time co-host John Meadows. He has been a stalwart of our team since our first episode and our tireless sound engineer and editor. This is, of course, not goodbye, as he will be returning on occasion.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's been a long time since we've had a show where we shouted into the void, so we're shouting again and going on about some of the stranger decisions of the photographic industry has taken throughout their histories. We will avoid some of the more recent news coming out of Kodak Alaris, but we will dig into some of the more interesting historical choices of companies. Join John, Bill, Jess, Alex & James as we cover things from 620 Film, 828 Film, the Mamiya Universal, strange lenses, and early tech that didn't work out or last as long as people thought! This episode also marks the final episode for our long-time co-host John Meadows. He has been a stalwart of our team since our first episode and our tireless sound engineer and editor. This is, of course, not goodbye, as he will be returning on occasion.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zfnqks/CCR-Ep148-WhatWereTheyThinking.mp3" length="54178347" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's been a long time since we've had a show where we shouted into the void, so we're shouting again and going on about some of the stranger decisions of the photographic industry has taken throughout their histories. We will avoid some of the more recent news coming out of Kodak Alaris, but we will dig into some of the more interesting historical choices of companies. Join John, Bill, Jess, Alex & James as we cover things from 620 Film, 828 Film, the Mamiya Universal, strange lenses, and early tech that didn't work out or last as long as people thought! This episode also marks the final episode for our long-time co-host John Meadows. He has been a stalwart of our team since our first episode and our tireless sound engineer and editor. This is, of course, not goodbye, as he will be returning on occasion.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3386</itunes:duration>
                <itunes:episode>141</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr148-whatweretheythinking-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 147 - An Update from the Lab</title>
        <itunes:title>Classic Camera Revival - Episode 147 - An Update from the Lab</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-147-an-update-from-the-lab/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-147-an-update-from-the-lab/#comments</comments>        <pubDate>Fri, 10 Mar 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/26a2c1df-8cc6-3f35-8dc3-59ecb494fc75</guid>
                                    <description><![CDATA[<p>Matt from ReveniLabs joins Alex for an update on the latest from ReveniLabs! And things have been busy since the release of the brilliant spot meter. This time Matt is pushing a new incident and reflective meter that is unique in the sense that it is designed to slip over your fingers. It looks like a knuckleduster. The meter is designed to take both incident and reflective meter readings. It also can do flash metering, calculate flash power, and take the colour temperature. All readings are displayed on a small screen and controlled with a four-way joystick. The device is clean and well designed and fits in hand. Matt has also created a home multi-tank automated film developing system named DUNKBOT. This can run through multiple chemical tanks, complete agitation, heating, filling, and program in your favourite methods. Perfect for black & white along with colour development. If this interests you, why <a href='https://www.kickstarter.com/projects/mattbechberger/dunkbot-affordable-automated-film-processor'>not head to Kickstarter</a> and support the Dunkbot! And finally, a smaller device to help pull your film negatives into your print files without them binding or sticking.</p>
<p>You can find all you need from ReveniLabs in the following places.
Website: <a href='https://www.reveni-labs.com/'>www.reveni-labs.com</a>
Instagram: <a href='https://www.instagram.com/revenilabs/?hl=en'>www.instagram.com/revenilabs/</a>
Facebook: <a href='https://www.facebook.com/revenilabs/'>www.facebook.com/revenilabs/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Matt from ReveniLabs joins Alex for an update on the latest from ReveniLabs! And things have been busy since the release of the brilliant spot meter. This time Matt is pushing a new incident and reflective meter that is unique in the sense that it is designed to slip over your fingers. It looks like a knuckleduster. The meter is designed to take both incident and reflective meter readings. It also can do flash metering, calculate flash power, and take the colour temperature. All readings are displayed on a small screen and controlled with a four-way joystick. The device is clean and well designed and fits in hand. Matt has also created a home multi-tank automated film developing system named DUNKBOT. This can run through multiple chemical tanks, complete agitation, heating, filling, and program in your favourite methods. Perfect for black & white along with colour development. If this interests you, why <a href='https://www.kickstarter.com/projects/mattbechberger/dunkbot-affordable-automated-film-processor'>not head to Kickstarter</a> and support the Dunkbot! And finally, a smaller device to help pull your film negatives into your print files without them binding or sticking.</p>
<p>You can find all you need from ReveniLabs in the following places.<br>
Website: <a href='https://www.reveni-labs.com/'>www.reveni-labs.com</a><br>
Instagram: <a href='https://www.instagram.com/revenilabs/?hl=en'>www.instagram.com/revenilabs/</a><br>
Facebook: <a href='https://www.facebook.com/revenilabs/'>www.facebook.com/revenilabs/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yunbzd/CCR-Ep147-UpdateFromTheLab.mp3" length="28398852" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Matt from ReveniLabs joins Alex for an update on the latest from ReveniLabs! And things have been busy since the release of the brilliant spot meter. This time Matt is pushing a new incident and reflective meter that is unique in the sense that it is designed to slip over your fingers. It looks like a knuckleduster. The meter is designed to take both incident and reflective meter readings. It also can do flash metering, calculate flash power, and take the colour temperature. All readings are displayed on a small screen and controlled with a four-way joystick. The device is clean and well designed and fits in hand. Matt has also created a home multi-tank automated film developing system named DUNKBOT. This can run through multiple chemical tanks, complete agitation, heating, filling, and program in your favourite methods. Perfect for black & white along with colour development. If this interests you, why not head to Kickstarter and support the Dunkbot! And finally, a smaller device to help pull your film negatives into your print files without them binding or sticking.
You can find all you need from ReveniLabs in the following places.Website: www.reveni-labs.comInstagram: www.instagram.com/revenilabs/Facebook: www.facebook.com/revenilabs/]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2565</itunes:duration>
                <itunes:episode>140</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-147-updatefromthelab-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 146 - In the Loupe: James Lane</title>
        <itunes:title>Classic Camera Revival - Episode 146 - In the Loupe: James Lane</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-146-in-the-loupe-james-lane/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-146-in-the-loupe-james-lane/#comments</comments>        <pubDate>Fri, 24 Feb 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/ee1d1045-1894-355b-a525-e1d8c989d70b</guid>
                                    <description><![CDATA[<p>In this episode, Alex sits down with James Lane, the high-priest of 510-Pyro. They discuss the starting of Zone Imaging and where 510-Pyro comes from. Dealing with Internet trolling and what's next for Zone Imaging in taking film chemistry into the 21st Century.</p>
<p>If you are looking for Sources for 510-Pyro and Zone Imaging Products, you can purchase them through the following retailers: Analogue Wonderland, Firstcall Photographic, Parallax Photographic, Process Supplies, Silverprint, Speed Graphic, Analog Space, Fotoimpex, Retrocamera, Sagrada Pelicula, CatLabs of JP, Freestyle, Northeast Photographic, Analogtheroom, Thuong Xanh,</p>
<p>Not ready to jump onto the self-development and 510-Pyro bandwagon? These labs will do the work for you!</p>
<p>Analogue Films, Come Through, East Coast, Leicester Lo-Fi, Silverpan, Traia, CatLabs of JP, Gelatin Labs, North East Photographic, Analog Space, Sagrada Pelicula, Analogtheroom, LLab, Thuong Xanh</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Alex sits down with James Lane, the high-priest of 510-Pyro. They discuss the starting of Zone Imaging and where 510-Pyro comes from. Dealing with Internet trolling and what's next for Zone Imaging in taking film chemistry into the 21st Century.</p>
<p>If you are looking for Sources for 510-Pyro and Zone Imaging Products, you can purchase them through the following retailers: Analogue Wonderland, Firstcall Photographic, Parallax Photographic, Process Supplies, Silverprint, Speed Graphic, Analog Space, Fotoimpex, Retrocamera, Sagrada Pelicula, CatLabs of JP, Freestyle, Northeast Photographic, Analogtheroom, Thuong Xanh,</p>
<p>Not ready to jump onto the self-development and 510-Pyro bandwagon? These labs will do the work for you!</p>
<p>Analogue Films, Come Through, East Coast, Leicester Lo-Fi, Silverpan, Traia, CatLabs of JP, Gelatin Labs, North East Photographic, Analog Space, Sagrada Pelicula, Analogtheroom, LLab, Thuong Xanh</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2j5bre/CCR-Ep146-JamesLane.mp3" length="19974846" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Alex sits down with James Lane, the high-priest of 510-Pyro. They discuss the starting of Zone Imaging and where 510-Pyro comes from. Dealing with Internet trolling and what's next for Zone Imaging in taking film chemistry into the 21st Century.
If you are looking for Sources for 510-Pyro and Zone Imaging Products, you can purchase them through the following retailers: Analogue Wonderland, Firstcall Photographic, Parallax Photographic, Process Supplies, Silverprint, Speed Graphic, Analog Space, Fotoimpex, Retrocamera, Sagrada Pelicula, CatLabs of JP, Freestyle, Northeast Photographic, Analogtheroom, Thuong Xanh,
Not ready to jump onto the self-development and 510-Pyro bandwagon? These labs will do the work for you!
Analogue Films, Come Through, East Coast, Leicester Lo-Fi, Silverpan, Traia, CatLabs of JP, Gelatin Labs, North East Photographic, Analog Space, Sagrada Pelicula, Analogtheroom, LLab, Thuong Xanh]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1624</itunes:duration>
                <itunes:episode>139</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-146-jameslane-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 145 - In the Loupe: Amy Jasek</title>
        <itunes:title>Classic Camera Revival - Episode 145 - In the Loupe: Amy Jasek</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-145-in-the-loupe-amy-jasek/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-145-in-the-loupe-amy-jasek/#comments</comments>        <pubDate>Fri, 10 Feb 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/28faf24d-bd9a-3f0d-946c-d644ed716396</guid>
                                    <description><![CDATA[<p>Today Bill Smith sits down with Amy Jasek, better known as Texas Girl Photography across the wide Internet World and is a regular contributor to the Film Shooter Collective. Amy and Bill talk about her inspiration from her father in the wide world of photography. Her first camera and the lessons he taught her on developing and printing in a darkroom. Even if it was only hanging out with her dad and growing up with photography, her passion for the craft came in her 20s. Also, the importance of dabbling and photographing what you love and are interested in photographing. The love of cameras, printing, and the frugal film project all come up throughout the episode.</p>
<p>You can find Amy's work online at:
Web: <a href='http://www.texasgirlphotography.com/'>texasgirlphotography.com</a>
Instagram: <a href='https://www.instagram.com/amyjasek/'>instagram.com/amyjasek</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today Bill Smith sits down with Amy Jasek, better known as Texas Girl Photography across the wide Internet World and is a regular contributor to the Film Shooter Collective. Amy and Bill talk about her inspiration from her father in the wide world of photography. Her first camera and the lessons he taught her on developing and printing in a darkroom. Even if it was only hanging out with her dad and growing up with photography, her passion for the craft came in her 20s. Also, the importance of dabbling and photographing what you love and are interested in photographing. The love of cameras, printing, and the frugal film project all come up throughout the episode.</p>
<p>You can find Amy's work online at:<br>
Web: <a href='http://www.texasgirlphotography.com/'>texasgirlphotography.com</a><br>
Instagram: <a href='https://www.instagram.com/amyjasek/'>instagram.com/amyjasek</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tzcfvt/CCR-Ep145-AmyJ.mp3" length="53152197" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today Bill Smith sits down with Amy Jasek, better known as Texas Girl Photography across the wide Internet World and is a regular contributor to the Film Shooter Collective. Amy and Bill talk about her inspiration from her father in the wide world of photography. Her first camera and the lessons he taught her on developing and printing in a darkroom. Even if it was only hanging out with her dad and growing up with photography, her passion for the craft came in her 20s. Also, the importance of dabbling and photographing what you love and are interested in photographing. The love of cameras, printing, and the frugal film project all come up throughout the episode.
You can find Amy's work online at:Web: texasgirlphotography.comInstagram: instagram.com/amyjasek]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3796</itunes:duration>
                <itunes:episode>138</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-145-amyjasek-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 144 - Gas-X</title>
        <itunes:title>Classic Camera Revival - Episode 144 - Gas-X</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-144-gas-x/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-144-gas-x/#comments</comments>        <pubDate>Fri, 27 Jan 2023 05:00:00 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/fed9d6d5-c307-3afa-869c-d39225dd92b6</guid>
                                    <description><![CDATA[<p>As a podcast that promotes ourselves as helping to feed photographers GAS (Gear Acquisition Syndrom), it can be a breath of fresh air to help people find ways to reduce the amount of GAS that they suffer from. But in light of our previous episode and talking about keeping things simple, the team decided to sit down and discuss ways to help reduce GAS. Through everything from looking critically at your gear to determining what you needed and wanted to do with your equipment. And how to help get this gear into other people's hands who will use it rather than let it sit collecting dust. And how to still get that thrill of the purchase by spending money wisely, getting a new lens, flash, filter or a roll of your favourite film. Not always go with the cheap option just because you can, but you will miss out on the camera you want. The team then gets into a good set of roundtable questions about photography in general and getting started.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>As a podcast that promotes ourselves as helping to feed photographers GAS (Gear Acquisition Syndrom), it can be a breath of fresh air to help people find ways to reduce the amount of GAS that they suffer from. But in light of our previous episode and talking about keeping things simple, the team decided to sit down and discuss ways to help reduce GAS. Through everything from looking critically at your gear to determining what you needed and wanted to do with your equipment. And how to help get this gear into other people's hands who will use it rather than let it sit collecting dust. And how to still get that thrill of the purchase by spending money wisely, getting a new lens, flash, filter or a roll of your favourite film. Not always go with the cheap option just because you can, but you will miss out on the camera you want. The team then gets into a good set of roundtable questions about photography in general and getting started.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/icrg6a/CCR-Ep144-GasX.mp3" length="61847890" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As a podcast that promotes ourselves as helping to feed photographers GAS (Gear Acquisition Syndrom), it can be a breath of fresh air to help people find ways to reduce the amount of GAS that they suffer from. But in light of our previous episode and talking about keeping things simple, the team decided to sit down and discuss ways to help reduce GAS. Through everything from looking critically at your gear to determining what you needed and wanted to do with your equipment. And how to help get this gear into other people's hands who will use it rather than let it sit collecting dust. And how to still get that thrill of the purchase by spending money wisely, getting a new lens, flash, filter or a roll of your favourite film. Not always go with the cheap option just because you can, but you will miss out on the camera you want. The team then gets into a good set of roundtable questions about photography in general and getting started.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3865</itunes:duration>
                <itunes:episode>137</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep144-gasx-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 143 - Resolution:2023</title>
        <itunes:title>Classic Camera Revival - Episode 143 - Resolution:2023</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-143-resolution2023/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-143-resolution2023/#comments</comments>        <pubDate>Thu, 12 Jan 2023 07:08:37 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9b05401a-a89a-357a-9ed9-10b4a5e7c3e1</guid>
                                    <description><![CDATA[<p>We're at the start of a new Season! And why not have a trip around the table to discuss our team's goals, resolutions, projects and other photographic things we're each looking forward to through 2023? The common theme throughout our goals is to work on our physical and mental health. Also, working through backlogs, various group projects and getting more work in physical form!</p>
<p>Did you know our team is all on Instagram? You can follow our accounts if you like our work or want to get the inside track of our goals!
<a href='https://www.instagram.com/alexluyckxphoto/'>Alex Luyckx - @AlexLuyckxPhoto</a>
<a href='https://www.instagram.com/johngmeadows/'>John Meadows - @JohnGMeadows</a>
<a href='https://www.instagram.com/wbsmith200/'>Bill Smith - @wbsmith200</a>
<a href='https://www.instagram.com/jesshobbsphoto/'>Jess Hobbs - @JessHobbsPhoto</a>
<a href='https://www.instagram.com/james.lee.photo/'>James Lee - @james.lee.photo</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're at the start of a new Season! And why not have a trip around the table to discuss our team's goals, resolutions, projects and other photographic things we're each looking forward to through 2023? The common theme throughout our goals is to work on our physical and mental health. Also, working through backlogs, various group projects and getting more work in physical form!</p>
<p>Did you know our team is all on Instagram? You can follow our accounts if you like our work or want to get the inside track of our goals!<br>
<a href='https://www.instagram.com/alexluyckxphoto/'>Alex Luyckx - @AlexLuyckxPhoto</a><br>
<a href='https://www.instagram.com/johngmeadows/'>John Meadows - @JohnGMeadows</a><br>
<a href='https://www.instagram.com/wbsmith200/'>Bill Smith - @wbsmith200</a><br>
<a href='https://www.instagram.com/jesshobbsphoto/'>Jess Hobbs - @JessHobbsPhoto</a><br>
<a href='https://www.instagram.com/james.lee.photo/'>James Lee - @james.lee.photo</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e327wk/CCR-Ep143-Resolutions2023.mp3" length="45846322" type="audio/mpeg"/>
        <itunes:summary>We’re at the start of a new Season! And why not have a trip around the table to discuss our team’s goals, resolutions, projects and other photographic things we’re each looking forward to through 2023?</itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2865</itunes:duration>
                <itunes:episode>136</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep143-resolution2023-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 142 - The Year That Was - 2022</title>
        <itunes:title>Classic Camera Revival - Episode 142 - The Year That Was - 2022</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-142-the-year-that-was-2022/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-142-the-year-that-was-2022/#comments</comments>        <pubDate>Wed, 28 Dec 2022 20:01:58 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/6f8f1c41-02c0-37df-85c9-6cd61fca9fd8</guid>
                                    <description><![CDATA[<p>We've made it here to the end of another year and another season of the Classic Camera Revival! So why not join the whole team, John, Jess, Chris, Bill and Alex, as we talk about everything we have been using and working with throughout 2022? It's a classic round table to round out the year.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We've made it here to the end of another year and another season of the Classic Camera Revival! So why not join the whole team, John, Jess, Chris, Bill and Alex, as we talk about everything we have been using and working with throughout 2022? It's a classic round table to round out the year.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jjyvjb/CCRDec2022EP2.mp3" length="43953385" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've made it here to the end of another year and another season of the Classic Camera Revival! So why not join the whole team, John, Jess, Chris, Bill and Alex, as we talk about everything we have been using and working with throughout 2022? It's a classic round table to round out the year.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2747</itunes:duration>
                <itunes:episode>135</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Classic Camera Revival - Episode 141 - The Dangerfield Zone</title>
        <itunes:title>Classic Camera Revival - Episode 141 - The Dangerfield Zone</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-141-the-dangerfield-zone/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-141-the-dangerfield-zone/#comments</comments>        <pubDate>Thu, 08 Dec 2022 09:04:10 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/5fd4383a-34cb-3a68-a3c8-c9e533cb890a</guid>
                                    <description><![CDATA[<p>There are no saxophone solos in this episode because we aren't heading into the Danger Zone, but rather the Dangerfield Zone. Join Alex, John, and Bill as they discuss cameras and films that just get no respect! Subjects include Miranda Cameras, the Nikon FM10, Nikkormats, 200-Speed B&W films, Fomapan 100 and Fuji Superia 200!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There are no saxophone solos in this episode because we aren't heading into the Danger Zone, but rather the Dangerfield Zone. Join Alex, John, and Bill as they discuss cameras and films that just get no respect! Subjects include Miranda Cameras, the Nikon FM10, Nikkormats, 200-Speed B&W films, Fomapan 100 and Fuji Superia 200!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r3xhhc/CCR-Ep141-TheDangerfieldZone.mp3" length="33448817" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are no saxophone solos in this episode because we aren't heading into the Danger Zone, but rather the Dangerfield Zone. Join Alex, John, and Bill as they discuss cameras and films that just get no respect! Subjects include Miranda Cameras, the Nikon FM10, Nikkormats, 200-Speed B&W films, Fomapan 100 and Fuji Superia 200!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2090</itunes:duration>
                <itunes:episode>134</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr141-dangerfieldzone-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 140 - Worth the Effort</title>
        <itunes:title>Classic Camera Revival - Episode 140 - Worth the Effort</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-140-worth-the-effort/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-140-worth-the-effort/#comments</comments>        <pubDate>Thu, 24 Nov 2022 07:14:57 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/106097c5-ddcf-3fb2-979f-81f704227147</guid>
                                    <description><![CDATA[<p>Let’s face it; film photography can be fairly frustrating. A lot can go wrong, and some things can be more difficult when viewed through a modern context. But then there are some cameras, films, and processes that can be worth the effort as they deliver results that are something unique or special. So join Alex, John, and Bill as they discuss what they think is worth the effort!</p>
<p>Topics on Today's Episode Include</p>
<ul><li>Leica M3 (Double Stroke)</li>
<li>Super-Ikonta 531/2</li>
<li>Adox CHS 100 II</li>
<li>Printing</li>
<li>Cyanotype</li>
<li>Adox Scala Development (B&W Reversal)</li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>Let’s face it; film photography can be fairly frustrating. A lot can go wrong, and some things can be more difficult when viewed through a modern context. But then there are some cameras, films, and processes that can be worth the effort as they deliver results that are something unique or special. So join Alex, John, and Bill as they discuss what they think is worth the effort!</p>
<p>Topics on Today's Episode Include</p>
<ul><li>Leica M3 (Double Stroke)</li>
<li>Super-Ikonta 531/2</li>
<li>Adox CHS 100 II</li>
<li>Printing</li>
<li>Cyanotype</li>
<li>Adox Scala Development (B&W Reversal)</li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8u6677/CCR-Ep140-WorthTheEffort.mp3" length="43182661" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Let’s face it; film photography can be fairly frustrating. A lot can go wrong, and some things can be more difficult when viewed through a modern context. But then there are some cameras, films, and processes that can be worth the effort as they deliver results that are something unique or special. So join Alex, John, and Bill as they discuss what they think is worth the effort!
Topics on Today's Episode Include
Leica M3 (Double Stroke)
Super-Ikonta 531/2
Adox CHS 100 II
Printing
Cyanotype
Adox Scala Development (B&W Reversal)
]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2698</itunes:duration>
                <itunes:episode>133</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr140-worththeeffort-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 139 - Twenty-Four FPS Pt. 2</title>
        <itunes:title>Classic Camera Revival - Episode 139 - Twenty-Four FPS Pt. 2</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-139-twenty-four-fps-pt-2/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-139-twenty-four-fps-pt-2/#comments</comments>        <pubDate>Thu, 10 Nov 2022 08:40:30 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/9c5bdd50-8ede-36c8-a399-1c0e3bd8d7c7</guid>
                                    <description><![CDATA[<p>As a follow-up to part one, where the team tackled the black & white motion picture films that have been creeping into the still photography lane, on this episode, we're talking about the colour films that are available from the motion picture world that are becoming popular among still photographers as they are more readily available. But we are also bringing in some ringers, Bill Manning and Christina Haley from the Atlanta Film Co, to give us a breakdown and something Euphoric! The Atlanta Film Co is a collaboration between Bill Manning (formerly of the Studio C-41 1 Hour Podcast), Christian Haley (Lab Manager) and Michael Beattie of Dunwoody Photo. Dunwoody was formed out of the former Wolf Camera when that store shut down to continue a full wet lab service, including film processing and true RA4 printing. Designed to serve the Dunwoody neighbourhood of Atlanta, GA, they quickly found themselves the only lab in the area that provided this service. But like all film shops these days, they began to see a major shortage of colour negative film that had gained popularity. So the Atlanta Film Co was formed to provide a ready supply of Kodak Vision3 motion picture film and to try ECN-2 processing for those using the film in their still cameras. ECN-2 processing is provided by the nearby Kodak Motion Picture Film Lab, and AFC makes two weekly runs to and from that lab. And the best part is that they offer up their worldwide sales and services (including ECN-2 processing)! The Atlanta Film Co stocks and sells Kodak Vision3 500T, 200T and 250D as their core colour negative films. But recently, they started selling Eastman E100D Colour Reversal 7294, which sells under the Euphoric 100 name. inspired by cinematographer Marcell Rév's use of the film in the show's second season and his cross-processing 7294 in ECN-2 chemistry. This inspired the name Euphoric 100, and the response has been mind-blowing.</p>
<p>If you want to pick up some Euphoric 100 or other Vision3 offerings, check out the Atlanta Film Co at the following locations!
Web: <a href='https://www.atlantafilmco.com/'>atlantafilmco.com</a>
Web: <a href='https://www.dunwoodyphoto.com/'>dunwoodyphoto.com</a>
Instagram: <a href='https://www.instagram.com/dunwoodyphoto/'>instagram.com/dunwoodyphoto</a>
Instagram: <a href='https://www.instagram.com/atlantafilm.co/'>instagram.com/atlantafilm.co</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>As a follow-up to part one, where the team tackled the black & white motion picture films that have been creeping into the still photography lane, on this episode, we're talking about the colour films that are available from the motion picture world that are becoming popular among still photographers as they are more readily available. But we are also bringing in some ringers, Bill Manning and Christina Haley from the Atlanta Film Co, to give us a breakdown and something Euphoric! The Atlanta Film Co is a collaboration between Bill Manning (formerly of the Studio C-41 1 Hour Podcast), Christian Haley (Lab Manager) and Michael Beattie of Dunwoody Photo. Dunwoody was formed out of the former Wolf Camera when that store shut down to continue a full wet lab service, including film processing and true RA4 printing. Designed to serve the Dunwoody neighbourhood of Atlanta, GA, they quickly found themselves the only lab in the area that provided this service. But like all film shops these days, they began to see a major shortage of colour negative film that had gained popularity. So the Atlanta Film Co was formed to provide a ready supply of Kodak Vision3 motion picture film and to try ECN-2 processing for those using the film in their still cameras. ECN-2 processing is provided by the nearby Kodak Motion Picture Film Lab, and AFC makes two weekly runs to and from that lab. And the best part is that they offer up their worldwide sales and services (including ECN-2 processing)! The Atlanta Film Co stocks and sells Kodak Vision3 500T, 200T and 250D as their core colour negative films. But recently, they started selling Eastman E100D Colour Reversal 7294, which sells under the Euphoric 100 name. inspired by cinematographer Marcell Rév's use of the film in the show's second season and his cross-processing 7294 in ECN-2 chemistry. This inspired the name Euphoric 100, and the response has been mind-blowing.</p>
<p>If you want to pick up some Euphoric 100 or other Vision3 offerings, check out the Atlanta Film Co at the following locations!<br>
Web: <a href='https://www.atlantafilmco.com/'>atlantafilmco.com</a><br>
Web: <a href='https://www.dunwoodyphoto.com/'>dunwoodyphoto.com</a><br>
Instagram: <a href='https://www.instagram.com/dunwoodyphoto/'>instagram.com/dunwoodyphoto</a><br>
Instagram: <a href='https://www.instagram.com/atlantafilm.co/'>instagram.com/atlantafilm.co</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xucg7w/CCR-Ep139-twentyfourfps2.mp3" length="22403951" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As a follow-up to part one, where the team tackled the black & white motion picture films that have been creeping into the still photography lane, on this episode, we're talking about the colour films that are available from the motion picture world that are becoming popular among still photographers as they are more readily available. But we are also bringing in some ringers, Bill Manning and Christina Haley from the Atlanta Film Co, to give us a breakdown and something Euphoric! The Atlanta Film Co is a collaboration between Bill Manning (formerly of the Studio C-41 1 Hour Podcast), Christian Haley (Lab Manager) and Michael Beattie of Dunwoody Photo. Dunwoody was formed out of the former Wolf Camera when that store shut down to continue a full wet lab service, including film processing and true RA4 printing. Designed to serve the Dunwoody neighbourhood of Atlanta, GA, they quickly found themselves the only lab in the area that provided this service. But like all film shops these days, they began to see a major shortage of colour negative film that had gained popularity. So the Atlanta Film Co was formed to provide a ready supply of Kodak Vision3 motion picture film and to try ECN-2 processing for those using the film in their still cameras. ECN-2 processing is provided by the nearby Kodak Motion Picture Film Lab, and AFC makes two weekly runs to and from that lab. And the best part is that they offer up their worldwide sales and services (including ECN-2 processing)! The Atlanta Film Co stocks and sells Kodak Vision3 500T, 200T and 250D as their core colour negative films. But recently, they started selling Eastman E100D Colour Reversal 7294, which sells under the Euphoric 100 name. inspired by cinematographer Marcell Rév's use of the film in the show's second season and his cross-processing 7294 in ECN-2 chemistry. This inspired the name Euphoric 100, and the response has been mind-blowing.
If you want to pick up some Euphoric 100 or other Vision3 offerings, check out the Atlanta Film Co at the following locations!Web: atlantafilmco.comWeb: dunwoodyphoto.comInstagram: instagram.com/dunwoodyphotoInstagram: instagram.com/atlantafilm.co]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2102</itunes:duration>
                <itunes:episode>132</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-139-twentyfour-fps-2-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 138 - Seventies Electric</title>
        <itunes:title>Classic Camera Revival - Episode 138 - Seventies Electric</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-138-seventies-electric/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-138-seventies-electric/#comments</comments>        <pubDate>Thu, 27 Oct 2022 12:01:54 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/30bad8e0-0bba-37cb-b90d-e19039f3246a</guid>
                                    <description><![CDATA[<p>The 1970s were weird. Polyester leisure suits, disco, drugs, and all the euphoria of the post-war boom before the crashing realisation of the 1980s. But it also was a major turning point for the photography market. You had the small form factor SLR hit the stage with the Olympus OM-1 and the beginnings of automation through electronics. Many camera makers picked a direction and went with it, but Canon, Canon had to be different. They went both ways and produced two forms of semi-automatic cameras, the EF and the A-1. So in today's episode, Bill and John decide to take these two cameras out but shoot the one they aren't used to. Bill takes on the Canon A-1 while John carries around the Canon EF.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The 1970s were weird. Polyester leisure suits, disco, drugs, and all the euphoria of the post-war boom before the crashing realisation of the 1980s. But it also was a major turning point for the photography market. You had the small form factor SLR hit the stage with the Olympus OM-1 and the beginnings of automation through electronics. Many camera makers picked a direction and went with it, but Canon, Canon had to be different. They went both ways and produced two forms of semi-automatic cameras, the EF and the A-1. So in today's episode, Bill and John decide to take these two cameras out but shoot the one they aren't used to. Bill takes on the Canon A-1 while John carries around the Canon EF.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ugw8eh/CCR-Ep138-SevenitiesElectric.mp3" length="30755898" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The 1970s were weird. Polyester leisure suits, disco, drugs, and all the euphoria of the post-war boom before the crashing realisation of the 1980s. But it also was a major turning point for the photography market. You had the small form factor SLR hit the stage with the Olympus OM-1 and the beginnings of automation through electronics. Many camera makers picked a direction and went with it, but Canon, Canon had to be different. They went both ways and produced two forms of semi-automatic cameras, the EF and the A-1. So in today's episode, Bill and John decide to take these two cameras out but shoot the one they aren't used to. Bill takes on the Canon A-1 while John carries around the Canon EF.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1922</itunes:duration>
                <itunes:episode>131</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-138-70selectric-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 137 - Cursed Cameras</title>
        <itunes:title>Classic Camera Revival - Episode 137 - Cursed Cameras</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-137-cursed-cameras/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-137-cursed-cameras/#comments</comments>        <pubDate>Thu, 13 Oct 2022 06:54:49 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/18e02332-3286-3b27-b974-ca1cffcc5f0f</guid>
                                    <description><![CDATA[<p>The team here digs into the cursed cameras as we get into the spooky season. Those that never worked right or had something strange going on made us want to call in a young priest and an old priest. These cameras include the Zenit 3m that John kept trying to find a working body, but at least got that sweet Helios 44 lens (in m39 mount), and even his one working body ended up having shutter issues. Bill and the Canon F-1 with a mysterious light leak due to a bad repair job. Alex and his struggles with the iconic Argus C3 and the strange tale of Nikon's first attempt at a consumer line of cameras, the Nikkorex 35|2.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The team here digs into the cursed cameras as we get into the spooky season. Those that never worked right or had something strange going on made us want to call in a young priest and an old priest. These cameras include the Zenit 3m that John kept trying to find a working body, but at least got that sweet Helios 44 lens (in m39 mount), and even his one working body ended up having shutter issues. Bill and the Canon F-1 with a mysterious light leak due to a bad repair job. Alex and his struggles with the iconic Argus C3 and the strange tale of Nikon's first attempt at a consumer line of cameras, the Nikkorex 35|2.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i6yw3c/CCR-Ep137-CursedCameras.mp3" length="27317356" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The team here digs into the cursed cameras as we get into the spooky season. Those that never worked right or had something strange going on made us want to call in a young priest and an old priest. These cameras include the Zenit 3m that John kept trying to find a working body, but at least got that sweet Helios 44 lens (in m39 mount), and even his one working body ended up having shutter issues. Bill and the Canon F-1 with a mysterious light leak due to a bad repair job. Alex and his struggles with the iconic Argus C3 and the strange tale of Nikon's first attempt at a consumer line of cameras, the Nikkorex 35|2.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1707</itunes:duration>
                <itunes:episode>130</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-137-cursedcameras-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 136 - Get Tanked!</title>
        <itunes:title>Classic Camera Revival - Episode 136 - Get Tanked!</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-136-get-tanked/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-136-get-tanked/#comments</comments>        <pubDate>Thu, 29 Sep 2022 12:51:35 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/b1614d19-7429-327a-b930-e164713cca1c</guid>
                                    <description><![CDATA[<p>In today's episode, the team sets about discussing their favourite single malt scotches and whiskeys, well, not really. We consume some fine single-malt during our lively discussion about developing tanks and different systems for home processing, from the simple to the complex, steel, plastic, and constant rotation. In today's episode, we discuss the Hewes branded Steel reels and tanks, Paterson Super System 3 and 4, AP Processing Tanks, JOBO, AuRA and B's Processor.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In today's episode, the team sets about discussing their favourite single malt scotches and whiskeys, well, not really. We consume some fine single-malt during our lively discussion about developing tanks and different systems for home processing, from the simple to the complex, steel, plastic, and constant rotation. In today's episode, we discuss the Hewes branded Steel reels and tanks, Paterson Super System 3 and 4, AP Processing Tanks, JOBO, AuRA and B's Processor.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d94wde/CCR-Ep136-GetTanked.mp3" length="36580585" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In today's episode, the team sets about discussing their favourite single malt scotches and whiskeys, well, not really. We consume some fine single-malt during our lively discussion about developing tanks and different systems for home processing, from the simple to the complex, steel, plastic, and constant rotation. In today's episode, we discuss the Hewes branded Steel reels and tanks, Paterson Super System 3 and 4, AP Processing Tanks, JOBO, AuRA and B's Processor.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2286</itunes:duration>
                <itunes:episode>129</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-136-gettanked-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 135 - Mystery Camera Challenge V</title>
        <itunes:title>Classic Camera Revival - Episode 135 - Mystery Camera Challenge V</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-135-mystery-camera-challenge-v/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-135-mystery-camera-challenge-v/#comments</comments>        <pubDate>Fri, 09 Sep 2022 04:54:54 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/c91c1ee4-f9e8-3e3e-afd1-d341f6dd193a</guid>
                                    <description><![CDATA[<p>We're going back to the Mystery Camera Challenge, only this time Alex is picking out cameras for the team from his collection and choosing cameras that will certainly challenge the folks who are used to certain types and styles of cameras. At the same time, Alex takes on a camera from John's collection. The team also discusses tips and techniques for photographing the fall colours that will be coming sooner rather than later.</p>
<p>Cameras Featured</p>
<p>Minolta Weathermatic 35DL, Holga 120N, Agfa Isoly Jr, Graflex Century 35</p>
<p>Falling for Fall</p>
<p>While it's only the first week of September, now is the time to prepare for those fall colours in the next couple of months. You're going to start to see the sun going down earlier, making it easier for those beautiful golden hours which light up the colours of the leaves. As for the film, you will want to choose ones with a warm colour palette; for the slide film, that is Fujifilm Provia 100F; if you want something in C-41, Kodak Gold 200 or Ultramax 400 are excellent choices. Kodak Ektachrome E100 is a good choice if you want to cool things down. If you are a sucker for intense saturation, try Fujifilm Velvia 50 and Kodak Ektar 100. Or even give the new CineStill 400D a try; that will make the reds pop and glow! When you're out, try to meter and shoot for highlights, this will help get those colours to pop and try and aim for good side light; early evening and mid-mornings are your friends at this time of year. Don't procrastinate; get out if you see that things are exactly how you want them; a delay could mean the difference between colour and nothing. And, of course, keep an eye out for those colour forecasts; they will help you plan your timeline.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're going back to the Mystery Camera Challenge, only this time Alex is picking out cameras for the team from his collection and choosing cameras that will certainly challenge the folks who are used to certain types and styles of cameras. At the same time, Alex takes on a camera from John's collection. The team also discusses tips and techniques for photographing the fall colours that will be coming sooner rather than later.</p>
<p>Cameras Featured</p>
<p>Minolta Weathermatic 35DL, Holga 120N, Agfa Isoly Jr, Graflex Century 35</p>
<p>Falling for Fall</p>
<p>While it's only the first week of September, now is the time to prepare for those fall colours in the next couple of months. You're going to start to see the sun going down earlier, making it easier for those beautiful golden hours which light up the colours of the leaves. As for the film, you will want to choose ones with a warm colour palette; for the slide film, that is Fujifilm Provia 100F; if you want something in C-41, Kodak Gold 200 or Ultramax 400 are excellent choices. Kodak Ektachrome E100 is a good choice if you want to cool things down. If you are a sucker for intense saturation, try Fujifilm Velvia 50 and Kodak Ektar 100. Or even give the new CineStill 400D a try; that will make the reds pop and glow! When you're out, try to meter and shoot for highlights, this will help get those colours to pop and try and aim for good side light; early evening and mid-mornings are your friends at this time of year. Don't procrastinate; get out if you see that things are exactly how you want them; a delay could mean the difference between colour and nothing. And, of course, keep an eye out for those colour forecasts; they will help you plan your timeline.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nq8kf4/CCR-Ep135-MysteryCameraChallengeV.mp3" length="45440066" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're going back to the Mystery Camera Challenge, only this time Alex is picking out cameras for the team from his collection and choosing cameras that will certainly challenge the folks who are used to certain types and styles of cameras. At the same time, Alex takes on a camera from John's collection. The team also discusses tips and techniques for photographing the fall colours that will be coming sooner rather than later.
Cameras Featured
Minolta Weathermatic 35DL, Holga 120N, Agfa Isoly Jr, Graflex Century 35
Falling for Fall
While it's only the first week of September, now is the time to prepare for those fall colours in the next couple of months. You're going to start to see the sun going down earlier, making it easier for those beautiful golden hours which light up the colours of the leaves. As for the film, you will want to choose ones with a warm colour palette; for the slide film, that is Fujifilm Provia 100F; if you want something in C-41, Kodak Gold 200 or Ultramax 400 are excellent choices. Kodak Ektachrome E100 is a good choice if you want to cool things down. If you are a sucker for intense saturation, try Fujifilm Velvia 50 and Kodak Ektar 100. Or even give the new CineStill 400D a try; that will make the reds pop and glow! When you're out, try to meter and shoot for highlights, this will help get those colours to pop and try and aim for good side light; early evening and mid-mornings are your friends at this time of year. Don't procrastinate; get out if you see that things are exactly how you want them; a delay could mean the difference between colour and nothing. And, of course, keep an eye out for those colour forecasts; they will help you plan your timeline.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2839</itunes:duration>
                <itunes:episode>128</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep135-mcc5-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 134 - Recent Developments</title>
        <itunes:title>Classic Camera Revival - Episode 134 - Recent Developments</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-134-recent-developments/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-134-recent-developments/#comments</comments>        <pubDate>Thu, 25 Aug 2022 09:47:58 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/0d59ec19-0dea-389e-a496-cdb55ce1b3f5</guid>
                                    <description><![CDATA[<p>While Film Photography has been around for a while, some recent developments have occurred within the hobby and community. So in today's episode, Alex, James, John, and Bill sit down to discuss the recently B&W developers they've been using and the newest photo-sharing site, Grainery!</p>
<p>Developers Featured</p>
<p>SPUR HRX</p>
<p>510-Pyro</p>
<p>Flic Film Black/White & Green</p>
<p>Grainery</p>
<p>Bill Smith - https://grainery.app/u/wbsmith200
Alex Luyckx - https://grainery.app/u/alexluyckxphoto
John Meadows - https://grainery.app/u/johnmeadows
James Lee - https://grainery.app/u/jamesleephoto</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>While Film Photography has been around for a while, some recent developments have occurred within the hobby and community. So in today's episode, Alex, James, John, and Bill sit down to discuss the recently B&W developers they've been using and the newest photo-sharing site, Grainery!</p>
<p>Developers Featured</p>
<p>SPUR HRX</p>
<p>510-Pyro</p>
<p>Flic Film Black/White & Green</p>
<p>Grainery</p>
<p>Bill Smith - https://grainery.app/u/wbsmith200<br>
Alex Luyckx - https://grainery.app/u/alexluyckxphoto<br>
John Meadows - https://grainery.app/u/johnmeadows<br>
James Lee - https://grainery.app/u/jamesleephoto</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xutte3/CCR-Ep134_-RecentDevelopmentsbvja3.mp3" length="33437106" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While Film Photography has been around for a while, some recent developments have occurred within the hobby and community. So in today's episode, Alex, James, John, and Bill sit down to discuss the recently B&W developers they've been using and the newest photo-sharing site, Grainery!
Developers Featured
SPUR HRX
510-Pyro
Flic Film Black/White & Green
Grainery
Bill Smith - https://grainery.app/u/wbsmith200Alex Luyckx - https://grainery.app/u/alexluyckxphotoJohn Meadows - https://grainery.app/u/johnmeadowsJames Lee - https://grainery.app/u/jamesleephoto]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2089</itunes:duration>
                <itunes:episode>127</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep134-recentdevelopmetns-ICON.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 133 - Summer Lovin’ On Film</title>
        <itunes:title>Classic Camera Revival - Episode 133 - Summer Lovin’ On Film</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-133-summer-lovin-on-film/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-133-summer-lovin-on-film/#comments</comments>        <pubDate>Thu, 11 Aug 2022 12:41:37 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/fa7d7e29-46cc-3003-99f6-a79b0f6c1a1e</guid>
                                    <description><![CDATA[<p>While we might be heading into the last days of Summer, that doesn't mean we can't look back and look forward to next year with the team's favourite choices for film stocks during the hot and humid days of Canadian Summer. So join Alex, James, Jess, Bill and John and beat the heat with a cold beer.</p>
<p>Films Featured On Today's Episode Include:</p>
<p>Lomography Lomochrome Purple XR</p>
<p>Kodak Gold 200</p>
<p>Rollei Retro 80s</p>
<p>Rollei RPX 25</p>
<p>CineStill 400D</p>
<p>Kodak TMax 100</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>While we might be heading into the last days of Summer, that doesn't mean we can't look back and look forward to next year with the team's favourite choices for film stocks during the hot and humid days of Canadian Summer. So join Alex, James, Jess, Bill and John and beat the heat with a cold beer.</p>
<p>Films Featured On Today's Episode Include:</p>
<p>Lomography Lomochrome Purple XR</p>
<p>Kodak Gold 200</p>
<p>Rollei Retro 80s</p>
<p>Rollei RPX 25</p>
<p>CineStill 400D</p>
<p>Kodak TMax 100</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/psej56/CCR-Ep133-SummerLovinOnFilm.mp3" length="31482319" type="audio/mpeg"/>
        <itunes:summary><![CDATA[While we might be heading into the last days of Summer, that doesn't mean we can't look back and look forward to next year with the team's favourite choices for film stocks during the hot and humid days of Canadian Summer. So join Alex, James, Jess, Bill and John and beat the heat with a cold beer.
Films Featured On Today's Episode Include:
Lomography Lomochrome Purple XR
Kodak Gold 200
Rollei Retro 80s
Rollei RPX 25
CineStill 400D
Kodak TMax 100]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1967</itunes:duration>
                <itunes:episode>126</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep133-summerlovinonfilm-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 132 - Ring ’Round the Commonwealth</title>
        <itunes:title>Classic Camera Revival - Episode 132 - Ring ’Round the Commonwealth</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-132-ring-round-the-commonwealth/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-132-ring-round-the-commonwealth/#comments</comments>        <pubDate>Thu, 28 Jul 2022 07:54:16 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f2c606a5-c2f5-3aad-9980-1fcb34685ce7</guid>
                                    <description><![CDATA[<p>In today's episode, joining James, Bill, and John are two fellow film photographers, podcasters, YouTubers, and generally all-around amazing people, Matt Murray and Lucy Lumen from Australia. The team talks about all things film photographers across two parts of the British Commonwealth.</p>
<p>You can find them if you aren't following Matt and Lucy on Socials.</p>
<p>Matt
<a href='https://podcasts.apple.com/au/podcast/matt-loves-cameras/id1444874207'>Matt Loves Cameras on Apple Podcasts</a>
<a href='https://www.instagram.com/mattlovescameras/'>Instagram @mattlovescameras</a>
<a href='https://www.youtube.com/c/MattLovesCameras'>YouTube @Matt Loves Cameras</a></p>
<p>Lucy
<a href='https://podcasts.apple.com/us/podcast/lucy-lumens-podcast-adventure/id1609141611'>Lucy Lumen's Podcast Adventure On Apple Podcasts</a>
<a href='https://www.instagram.com/lucy_lumen/'>Instagram @lucy_lumen</a>
<a href='https://www.youtube.com/c/LucyLumensAnalogAdventures'>YouTube @Lucy Lumen's Analog Adventures</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In today's episode, joining James, Bill, and John are two fellow film photographers, podcasters, YouTubers, and generally all-around amazing people, Matt Murray and Lucy Lumen from Australia. The team talks about all things film photographers across two parts of the British Commonwealth.</p>
<p>You can find them if you aren't following Matt and Lucy on Socials.</p>
<p>Matt<br>
<a href='https://podcasts.apple.com/au/podcast/matt-loves-cameras/id1444874207'>Matt Loves Cameras on Apple Podcasts</a><br>
<a href='https://www.instagram.com/mattlovescameras/'>Instagram @mattlovescameras</a><br>
<a href='https://www.youtube.com/c/MattLovesCameras'>YouTube @Matt Loves Cameras</a></p>
<p>Lucy<br>
<a href='https://podcasts.apple.com/us/podcast/lucy-lumens-podcast-adventure/id1609141611'>Lucy Lumen's Podcast Adventure On Apple Podcasts</a><br>
<a href='https://www.instagram.com/lucy_lumen/'>Instagram @lucy_lumen</a><br>
<a href='https://www.youtube.com/c/LucyLumensAnalogAdventures'>YouTube @Lucy Lumen's Analog Adventures</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mj3gqy/CCR-Ep132-RingRoundTheCommonwealth.mp3" length="70321606" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In today's episode, joining James, Bill, and John are two fellow film photographers, podcasters, YouTubers, and generally all-around amazing people, Matt Murray and Lucy Lumen from Australia. The team talks about all things film photographers across two parts of the British Commonwealth.
You can find them if you aren't following Matt and Lucy on Socials.
MattMatt Loves Cameras on Apple PodcastsInstagram @mattlovescamerasYouTube @Matt Loves Cameras
LucyLucy Lumen's Podcast Adventure On Apple PodcastsInstagram @lucy_lumenYouTube @Lucy Lumen's Analog Adventures]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4395</itunes:duration>
                <itunes:episode>125</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr132-ringroundthecommonwealth-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 131 - A Family Affair</title>
        <itunes:title>Classic Camera Revival - Episode 131 - A Family Affair</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-131-a-family-affair/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-131-a-family-affair/#comments</comments>        <pubDate>Fri, 15 Jul 2022 05:06:48 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f6c0c947-f895-36c2-b37e-f8406bc9c080</guid>
                                    <description><![CDATA[<p>One thing that always happens is that as a photographer you usually end up with a camera that belonged to a family member, or maybe a family member encouraged you through the gift of a camera and guidance with using it. So in today's episode Alex, John, and Bill each tell a short story about those special cameras that have a family connection.</p>
<p>Cameras Featured In Today's Episode</p>
<ul><li>Kodak Pony 135 Model C</li>
<li>Kodak Brownie Hawkeye Flash</li>
<li>Voigtlander Vito B</li>
<li>Yashica TL-Electro</li>
<li>Nikon F</li>
<li>Leica M3</li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>One thing that always happens is that as a photographer you usually end up with a camera that belonged to a family member, or maybe a family member encouraged you through the gift of a camera and guidance with using it. So in today's episode Alex, John, and Bill each tell a short story about those special cameras that have a family connection.</p>
<p>Cameras Featured In Today's Episode</p>
<ul><li>Kodak Pony 135 Model C</li>
<li>Kodak Brownie Hawkeye Flash</li>
<li>Voigtlander Vito B</li>
<li>Yashica TL-Electro</li>
<li>Nikon F</li>
<li>Leica M3</li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rvr3sj/CCR-Ep131-AFamilyAffair.mp3" length="21218141" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One thing that always happens is that as a photographer you usually end up with a camera that belonged to a family member, or maybe a family member encouraged you through the gift of a camera and guidance with using it. So in today's episode Alex, John, and Bill each tell a short story about those special cameras that have a family connection.
Cameras Featured In Today's Episode
Kodak Pony 135 Model C
Kodak Brownie Hawkeye Flash
Voigtlander Vito B
Yashica TL-Electro
Nikon F
Leica M3
]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1378</itunes:duration>
                <itunes:episode>124</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr131-afamilyaffair-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 130 - Voices of Women II</title>
        <itunes:title>Classic Camera Revival - Episode 130 - Voices of Women II</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-130-voices-of-women-ii/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-130-voices-of-women-ii/#comments</comments>        <pubDate>Thu, 23 Jun 2022 11:21:50 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/7021f3ca-39d5-301f-b010-d65735be48fd</guid>
                                    <description><![CDATA[<p>It's our annual episode where the entire show is taken over by an all-women team! So join Chris and Jess as they host a roundtable with a group of amazing photographers!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's our annual episode where the entire show is taken over by an all-women team! So join Chris and Jess as they host a roundtable with a group of amazing photographers!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bczpei/CCR-Ep130-VoicesofWomenII.mp3" length="91681402" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's our annual episode where the entire show is taken over by an all-women team! So join Chris and Jess as they host a roundtable with a group of amazing photographers!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5730</itunes:duration>
                <itunes:episode>123</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr130-voicesofwomen2-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 129 - The F Goes Electric</title>
        <itunes:title>Classic Camera Revival - Episode 129 - The F Goes Electric</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-129-the-f-goes-electric/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-129-the-f-goes-electric/#comments</comments>        <pubDate>Thu, 09 Jun 2022 05:36:47 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/925f2103-acc1-343c-93ee-a4ee2e0a24ff</guid>
                                    <description><![CDATA[<p>After a long delay, we're continuing our drive into the professional model Nikon SLRs. The third version or Nikon F3 came out in 1981 and marked a major shift both in design and internals. The Nikon F3 relied on battery power, went with a sleek new all-black design and had a proper industrial design to back up the change! </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>After a long delay, we're continuing our drive into the professional model Nikon SLRs. The third version or Nikon F3 came out in 1981 and marked a major shift both in design and internals. The Nikon F3 relied on battery power, went with a sleek new all-black design and had a proper industrial design to back up the change! </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dwr364/CCR-Ep129-TheFGoesElectric.mp3" length="21484922" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After a long delay, we're continuing our drive into the professional model Nikon SLRs. The third version or Nikon F3 came out in 1981 and marked a major shift both in design and internals. The Nikon F3 relied on battery power, went with a sleek new all-black design and had a proper industrial design to back up the change! ]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2054</itunes:duration>
                <itunes:episode>122</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/CCR-EP129-FGOESELECTRIC-ICON.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 128 - In the Loupe: Lina Bessonova</title>
        <itunes:title>Classic Camera Revival - Episode 128 - In the Loupe: Lina Bessonova</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-128-in-the-loupe-lina-bessonova/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-128-in-the-loupe-lina-bessonova/#comments</comments>        <pubDate>Thu, 26 May 2022 06:03:38 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/18e6fc1a-f391-345b-bc71-61cc0c0282bd</guid>
                                    <description><![CDATA[<p>Suppose you've been living under a rock. In that case, the name Lina Bessonova may not be familiar to you, but if you're active on social media and deep in the online film photography community, then the name Lina Bessonova! And today, she sits down with the team at CCR to discuss anything from her favourite camera (the Yashica-D) to her inspirations, favourite film stocks, artistic vision, subjects, and darkroom printing.</p>
<p>You should check out her social media presence!
Instagram: <a href='https://www.instagram.com/linabessonova.photography/'>instagram.com/linabessonova.photography</a>
YouTube: <a href='https://www.youtube.com/c/linabessonova'>youtube.com/c/linabessonova</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Suppose you've been living under a rock. In that case, the name Lina Bessonova may not be familiar to you, but if you're active on social media and deep in the online film photography community, then the name Lina Bessonova! And today, she sits down with the team at CCR to discuss anything from her favourite camera (the Yashica-D) to her inspirations, favourite film stocks, artistic vision, subjects, and darkroom printing.</p>
<p>You should check out her social media presence!<br>
Instagram: <a href='https://www.instagram.com/linabessonova.photography/'>instagram.com/linabessonova.photography</a><br>
YouTube: <a href='https://www.youtube.com/c/linabessonova'>youtube.com/c/linabessonova</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m6e24g/CCR-Ep128-IntheLoupe-LinaBessanova.mp3" length="63200934" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Suppose you've been living under a rock. In that case, the name Lina Bessonova may not be familiar to you, but if you're active on social media and deep in the online film photography community, then the name Lina Bessonova! And today, she sits down with the team at CCR to discuss anything from her favourite camera (the Yashica-D) to her inspirations, favourite film stocks, artistic vision, subjects, and darkroom printing.
You should check out her social media presence!Instagram: instagram.com/linabessonova.photographyYouTube: youtube.com/c/linabessonova]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3949</itunes:duration>
                <itunes:episode>121</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr128-linabessonova-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 127 - The 120mm Files</title>
        <itunes:title>Classic Camera Revival - Episode 127 - The 120mm Files</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-127-the-120mm-files/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-127-the-120mm-files/#comments</comments>        <pubDate>Thu, 12 May 2022 05:47:22 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a75e23ea-9888-3d80-a73c-c354144761c9</guid>
                                    <description><![CDATA[<p>In this episode, we're talking all things medium format while poking a little fun at the widespread misinterpretation of 120 film as "120mm film." We're tackling everything from cameras to negative sizes and even lenses aimed at the popular format that has been around for over 100 years now and isn't going away anytime soon. Especially with Kodak Gold 200 in 120 format and CineStill trying to bring back 220 film! In full disclosure, 120mm film did exist, but it's more closely tied to a large format as 120mm is 12cm which is about 4.5 inches. Surprisingly some films have the 120mm measurement; there are 1898’s 113 (90×120mm) and 114 (120x90mm) formats. If you're already seeing something and that these roll films are all numerical formats, with the first roll film released in 1881 being 101, going all the way to 119, which means that 120 film were first released in 1901 following the sequence already laid out.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, we're talking all things medium format while poking a little fun at the widespread misinterpretation of 120 film as "120mm film." We're tackling everything from cameras to negative sizes and even lenses aimed at the popular format that has been around for over 100 years now and isn't going away anytime soon. Especially with Kodak Gold 200 in 120 format and CineStill trying to bring back 220 film! In full disclosure, 120mm film did exist, but it's more closely tied to a large format as 120mm is 12cm which is about 4.5 inches. Surprisingly some films have the 120mm measurement; there are 1898’s 113 (90×120mm) and 114 (120x90mm) formats. If you're already seeing something and that these roll films are all numerical formats, with the first roll film released in 1881 being 101, going all the way to 119, which means that 120 film were first released in 1901 following the sequence already laid out.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e8a8ty/CCR-Ep127-The120mmFiles.mp3" length="39812664" type="audio/mpeg"/>
        <itunes:summary>The gang sits down to talk about all things medium format, from 645 to 6x9, SLRs, TLRs, and Rangefinders. We’re talking medium format, not anti-aircraft.</itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2488</itunes:duration>
                <itunes:episode>120</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep127-120mmfiles-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 126 - Twenty-Four FPS</title>
        <itunes:title>Classic Camera Revival - Episode 126 - Twenty-Four FPS</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-126-twenty-four-fps/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-126-twenty-four-fps/#comments</comments>        <pubDate>Fri, 29 Apr 2022 05:01:11 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/490b392f-1e27-39e2-9126-5e320b66c3e0</guid>
                                    <description><![CDATA[<p>You have to remember, when it comes to the standard 35mm film almost everyone shoots or has shot once in their life didn't start its life as a stock for still photography. It was originally designed for motion picture production by splitting 70mm film in half. While there has been a divergence between still image film and motion picture film, shooting cine film in still cameras has become a popular option for photographers. So in today's episode, we're going to be talking about the films that we at CCR love to shoot from the normal to the weird.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>You have to remember, when it comes to the standard 35mm film almost everyone shoots or has shot once in their life didn't start its life as a stock for still photography. It was originally designed for motion picture production by splitting 70mm film in half. While there has been a divergence between still image film and motion picture film, shooting cine film in still cameras has become a popular option for photographers. So in today's episode, we're going to be talking about the films that we at CCR love to shoot from the normal to the weird.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y3ed4z/CCR-Ep126-TwentyFourFPS.mp3" length="45665764" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You have to remember, when it comes to the standard 35mm film almost everyone shoots or has shot once in their life didn't start its life as a stock for still photography. It was originally designed for motion picture production by splitting 70mm film in half. While there has been a divergence between still image film and motion picture film, shooting cine film in still cameras has become a popular option for photographers. So in today's episode, we're going to be talking about the films that we at CCR love to shoot from the normal to the weird.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2854</itunes:duration>
                <itunes:episode>119</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr126-24fps-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 125 - Environmentally Speaking</title>
        <itunes:title>Classic Camera Revival - Episode 125 - Environmentally Speaking</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-125-environmentally-speaking/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-125-environmentally-speaking/#comments</comments>        <pubDate>Thu, 14 Apr 2022 05:26:29 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/a2a30013-5c94-37e8-be1d-b5c7bde4c0b7</guid>
                                    <description><![CDATA[<p>Let's face facts, when it comes to film photography it isn't exactly the best for the environment, between water use, packaging, and of course the chemistry there are some serious environmental impacts to consider. But what if there were some things we could do to help reduce our impact on the environment. Well, today we have Darren, a blogger who writes for <a href='https://www.learnfilm.photography/'>learnfilm.photography</a> who has been working hard to investigate and put into place some helpful means to reduce our environmental impacts.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Let's face facts, when it comes to film photography it isn't exactly the best for the environment, between water use, packaging, and of course the chemistry there are some serious environmental impacts to consider. But what if there were some things we could do to help reduce our impact on the environment. Well, today we have Darren, a blogger who writes for <a href='https://www.learnfilm.photography/'>learnfilm.photography</a> who has been working hard to investigate and put into place some helpful means to reduce our environmental impacts.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jwtji5/CCR-Ep125-EnvironmentallySpeaking.mp3" length="17806176" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Let's face facts, when it comes to film photography it isn't exactly the best for the environment, between water use, packaging, and of course the chemistry there are some serious environmental impacts to consider. But what if there were some things we could do to help reduce our impact on the environment. Well, today we have Darren, a blogger who writes for learnfilm.photography who has been working hard to investigate and put into place some helpful means to reduce our environmental impacts.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1690</itunes:duration>
                <itunes:episode>118</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr125-environmentallyspeaking-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 124 - Pour Another Round (and another, another, another....)</title>
        <itunes:title>Classic Camera Revival - Episode 124 - Pour Another Round (and another, another, another....)</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-124-pour-another-round-and-another-another-another/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-124-pour-another-round-and-another-another-another/#comments</comments>        <pubDate>Thu, 24 Mar 2022 06:33:17 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f3191dd1-791a-3cd6-8ffc-0e8dd46a6dee</guid>
                                    <description><![CDATA[<p>Join the crew from Classic Camera Revival as we sit down to a round table episode to discuss anything and everything. We welcome Bill from Studio C-41, Gabe and Jeff from I Dream of Cameras and Andre from Negative Positives for this episode. Buckle up for an alcohol-fuelled marathon episode!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Join the crew from Classic Camera Revival as we sit down to a round table episode to discuss anything and everything. We welcome Bill from Studio C-41, Gabe and Jeff from I Dream of Cameras and Andre from Negative Positives for this episode. Buckle up for an alcohol-fuelled marathon episode!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/purqj6/CCR-Ep124-PourAnotherRound.mp3" length="89399455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Join the crew from Classic Camera Revival as we sit down to a round table episode to discuss anything and everything. We welcome Bill from Studio C-41, Gabe and Jeff from I Dream of Cameras and Andre from Negative Positives for this episode. Buckle up for an alcohol-fuelled marathon episode!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5587</itunes:duration>
                <itunes:episode>117</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr124-pouranotherround-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 123 - The Magician’s Apprentice</title>
        <itunes:title>Classic Camera Revival - Episode 123 - The Magician’s Apprentice</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-123-the-magician-s-apprentice/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-123-the-magician-s-apprentice/#comments</comments>        <pubDate>Fri, 11 Mar 2022 06:39:45 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/4662cb0e-7efe-3e57-843e-d9618bdee825</guid>
                                    <description><![CDATA[<p>When it comes to photography, despite all the leaps and bounds forward, it has taken since the first image was recorded on a medium using exposure to light. Both the original and second methods are still being practised today in the 21st Century. And like those of the past, the means and procedures are based from magician to apprentice. And I use the term magician purposefully because if you've ever had the pleasure of watching a wet plate photographer in action, it is that, magic. We have two such photographers in today's episode, and both are returning guests to the podcast. First is Shane Balkowitsch, note wet plate photographer and incredibly humble, friendly, and always willing to pass along information, and second is Jamie Marcellus. Jamie recently travelled to Shane's natural light studio in North Dakota to learn the process. Originally invented in 1851 by Frederick Scott Archer, the collodion process improved upon the original Daguerreotype and completely overshadowed it by 1861. And while Wet Plate took a back seat to dry plates, the process is still worked today by less than 1,000 people worldwide. But through people like Shane, he hopes to teach more people and keep the process alive and the access to chemistry available to all who wish to continue the practice. The two talk about their styles throughout the episode and how Jamie has added his touch to his art and process. We also discuss Shane's fantastic work on capturing members of Dakota's indigenous population, people of note in the world today and how to get the right chemicals here in Canada (which is surprisingly easy).</p>
<p>We at Classic Camera Revival are horrified about the ongoing illegal and brutal invasion of Ukraine by forces directed and ordered by Russian President Vladimir Putin. Know that we at CCR stand with the brave defenders of Ukraine, those fleeing the conflict and those in Russia who are being arrested, suppressed from speaking out against their President and the illegal war he is conducting against a sovereign independent nation with its unique history and rich culture. Please consider donating time, money, and effort to support Ukraine, her defenders, and her citizens. Слава Україні!</p>
<ul><li><a href='https://donate.redcross.ca/page/100227/donate/1?_ga=2.81953942.1207335816.1646236046-1411767573.1646236046&_gl=1*1i2rr7q*_ga*MTQxMTc2NzU3My4xNjQ2MjM2MDQ2*_ga_376D8LHM0R*MTY0NjIzNjA0NS4xLjAuMTY0NjIzNjA0NS4w'>Canadian Red Cross – Ukraine Humanitarian Crisis Appeal</a></li>
<li><a href='https://voices.org.ua/'>Voices of Children</a></li>
<li><a href='https://www.gofundme.com/f/kyivindependent-launch?utm_campaign=p_cp+share-sheet&utm_medium=copy_link_all&utm_source=customer'>Kyiv Independent – News Media Outlet reporting on the war</a></li>
<li><a href='https://razomforukraine.org/'>Razom for Ukraine – Medical Supplies</a></li>
<li><a href='https://presbyterian.ca/pwsd/2022/02/28/ukraine-crisis/'>PWS&D – Ukraine Crisis</a></li>
<li><a href='https://supportukrainenow.org/'>Support Ukraine Now (List of ways to help out)</a></li>
</ul>
]]></description>
                                                            <content:encoded><![CDATA[<p>When it comes to photography, despite all the leaps and bounds forward, it has taken since the first image was recorded on a medium using exposure to light. Both the original and second methods are still being practised today in the 21st Century. And like those of the past, the means and procedures are based from magician to apprentice. And I use the term magician purposefully because if you've ever had the pleasure of watching a wet plate photographer in action, it is that, magic. We have two such photographers in today's episode, and both are returning guests to the podcast. First is Shane Balkowitsch, note wet plate photographer and incredibly humble, friendly, and always willing to pass along information, and second is Jamie Marcellus. Jamie recently travelled to Shane's natural light studio in North Dakota to learn the process. Originally invented in 1851 by Frederick Scott Archer, the collodion process improved upon the original Daguerreotype and completely overshadowed it by 1861. And while Wet Plate took a back seat to dry plates, the process is still worked today by less than 1,000 people worldwide. But through people like Shane, he hopes to teach more people and keep the process alive and the access to chemistry available to all who wish to continue the practice. The two talk about their styles throughout the episode and how Jamie has added his touch to his art and process. We also discuss Shane's fantastic work on capturing members of Dakota's indigenous population, people of note in the world today and how to get the right chemicals here in Canada (which is surprisingly easy).</p>
<p>We at Classic Camera Revival are horrified about the ongoing illegal and brutal invasion of Ukraine by forces directed and ordered by Russian President Vladimir Putin. Know that we at CCR stand with the brave defenders of Ukraine, those fleeing the conflict and those in Russia who are being arrested, suppressed from speaking out against their President and the illegal war he is conducting against a sovereign independent nation with its unique history and rich culture. Please consider donating time, money, and effort to support Ukraine, her defenders, and her citizens. Слава Україні!</p>
<ul><li><a href='https://donate.redcross.ca/page/100227/donate/1?_ga=2.81953942.1207335816.1646236046-1411767573.1646236046&_gl=1*1i2rr7q*_ga*MTQxMTc2NzU3My4xNjQ2MjM2MDQ2*_ga_376D8LHM0R*MTY0NjIzNjA0NS4xLjAuMTY0NjIzNjA0NS4w'>Canadian Red Cross – Ukraine Humanitarian Crisis Appeal</a></li>
<li><a href='https://voices.org.ua/'>Voices of Children</a></li>
<li><a href='https://www.gofundme.com/f/kyivindependent-launch?utm_campaign=p_cp+share-sheet&utm_medium=copy_link_all&utm_source=customer'>Kyiv Independent – News Media Outlet reporting on the war</a></li>
<li><a href='https://razomforukraine.org/'>Razom for Ukraine – Medical Supplies</a></li>
<li><a href='https://presbyterian.ca/pwsd/2022/02/28/ukraine-crisis/'>PWS&D – Ukraine Crisis</a></li>
<li><a href='https://supportukrainenow.org/'>Support Ukraine Now (List of ways to help out)</a></li>
</ul>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9rbr3n/CCR-Ep123-TheMagiciansApprentice.mp3" length="61205943" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When it comes to photography, despite all the leaps and bounds forward, it has taken since the first image was recorded on a medium using exposure to light. Both the original and second methods are still being practised today in the 21st Century. And like those of the past, the means and procedures are based from magician to apprentice. And I use the term magician purposefully because if you've ever had the pleasure of watching a wet plate photographer in action, it is that, magic. We have two such photographers in today's episode, and both are returning guests to the podcast. First is Shane Balkowitsch, note wet plate photographer and incredibly humble, friendly, and always willing to pass along information, and second is Jamie Marcellus. Jamie recently travelled to Shane's natural light studio in North Dakota to learn the process. Originally invented in 1851 by Frederick Scott Archer, the collodion process improved upon the original Daguerreotype and completely overshadowed it by 1861. And while Wet Plate took a back seat to dry plates, the process is still worked today by less than 1,000 people worldwide. But through people like Shane, he hopes to teach more people and keep the process alive and the access to chemistry available to all who wish to continue the practice. The two talk about their styles throughout the episode and how Jamie has added his touch to his art and process. We also discuss Shane's fantastic work on capturing members of Dakota's indigenous population, people of note in the world today and how to get the right chemicals here in Canada (which is surprisingly easy).
We at Classic Camera Revival are horrified about the ongoing illegal and brutal invasion of Ukraine by forces directed and ordered by Russian President Vladimir Putin. Know that we at CCR stand with the brave defenders of Ukraine, those fleeing the conflict and those in Russia who are being arrested, suppressed from speaking out against their President and the illegal war he is conducting against a sovereign independent nation with its unique history and rich culture. Please consider donating time, money, and effort to support Ukraine, her defenders, and her citizens. Слава Україні!
Canadian Red Cross – Ukraine Humanitarian Crisis Appeal
Voices of Children
Kyiv Independent – News Media Outlet reporting on the war
Razom for Ukraine – Medical Supplies
PWS&D – Ukraine Crisis
Support Ukraine Now (List of ways to help out)
]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3825</itunes:duration>
                <itunes:episode>116</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-ep123-magiciansapprentice-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 122 - Film Photography: An Introduction</title>
        <itunes:title>Classic Camera Revival - Episode 122 - Film Photography: An Introduction</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-122-film-photography-an-introduction/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-122-film-photography-an-introduction/#comments</comments>        <pubDate>Fri, 25 Feb 2022 06:21:23 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/f3849eec-f6bb-3c5c-b94b-e4b276e95483</guid>
                                    <description><![CDATA[<p>Everyone has to start somewhere and while we do a lot of assumptions that our regular listeners have been in the game for a while, we've realised that there are probably folks out there who are just getting started. So on today's episode, the team sits down and discusses everything from starter cameras, good film stocks, excellent things to learn and ways to start home processing for those who are dipping their toes into photography and film for the first time!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Everyone has to start somewhere and while we do a lot of assumptions that our regular listeners have been in the game for a while, we've realised that there are probably folks out there who are just getting started. So on today's episode, the team sits down and discusses everything from starter cameras, good film stocks, excellent things to learn and ways to start home processing for those who are dipping their toes into photography and film for the first time!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/772c6t/CCR-Ep122-FilmPhotographyIntro.mp3" length="58037206" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Everyone has to start somewhere and while we do a lot of assumptions that our regular listeners have been in the game for a while, we've realised that there are probably folks out there who are just getting started. So on today's episode, the team sits down and discusses everything from starter cameras, good film stocks, excellent things to learn and ways to start home processing for those who are dipping their toes into photography and film for the first time!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2901</itunes:duration>
                <itunes:episode>115</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-122-filmintroduction-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 121 - The Digital Age</title>
        <itunes:title>Classic Camera Revival - Episode 121 - The Digital Age</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-121-the-digital-age/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-121-the-digital-age/#comments</comments>        <pubDate>Thu, 10 Feb 2022 20:06:05 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/5cc971a0-b70b-3e1a-be24-687590ef482d</guid>
                                    <description><![CDATA[<p>The year, 1995, the shriek and howl of the dial-up modem sound through the library at Sam Sherratt Middle School in Milton, Ontario. For good or ill the Internet was here to stay. So with all the negativity that has been tossed around of late about the Internet and film photography the gang is here to talk about all the amazing things the Digital Age has to offer film photographers. From Scanning to Web 2.0, Internet Communities and Various Sharing platforms! Despite everything digital has done a lot to keep film photography alive and kicking well into the 21st Century and beyond.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The year, 1995, the shriek and howl of the dial-up modem sound through the library at Sam Sherratt Middle School in Milton, Ontario. For good or ill the Internet was here to stay. So with all the negativity that has been tossed around of late about the Internet and film photography the gang is here to talk about all the amazing things the Digital Age has to offer film photographers. From Scanning to Web 2.0, Internet Communities and Various Sharing platforms! Despite everything digital has done a lot to keep film photography alive and kicking well into the 21st Century and beyond.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yj4pxj/CCR_Feb2022_EP1.mp3" length="45046994" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The year, 1995, the shriek and howl of the dial-up modem sound through the library at Sam Sherratt Middle School in Milton, Ontario. For good or ill the Internet was here to stay. So with all the negativity that has been tossed around of late about the Internet and film photography the gang is here to talk about all the amazing things the Digital Age has to offer film photographers. From Scanning to Web 2.0, Internet Communities and Various Sharing platforms! Despite everything digital has done a lot to keep film photography alive and kicking well into the 21st Century and beyond.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3217</itunes:duration>
                <itunes:episode>114</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-121-thedigitalage-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 120 - The Clone Wars</title>
        <itunes:title>Classic Camera Revival - Episode 120 - The Clone Wars</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-120-the-clone-wars/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-120-the-clone-wars/#comments</comments>        <pubDate>Thu, 27 Jan 2022 12:32:48 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/fac8c9ec-4dd8-3263-b988-7941e3b9309b</guid>
                                    <description><![CDATA[<p>There are no bad batches here, the gang sits down for a lively discussion about rebranding. Let's face it, the idea of rebranding items especially in photography is nothing new. Kodak, Fuji, and Agfa have all sold their films to resellers even putting them in custom cartridges and boxes. Even some camera manufacturers are known to build more cameras for other companies and sell under those names than under their own name. And today the trend continues, with Agfa still making films but as a contract manufacturer with names like Rollei under Maco Direct selling their product, or Fomapan producing films stocks for Kosmo Foto, New Classics, and Lomography. Plus ORWO provides the sweet motion picture film for Lomography and our friends at Cinestill and their use of Kodak Vision3 and Double-X stocks. And being able to get these in medium format! So the team sits down at the table for a lively and sometimes hard to follow the discussion about rebranding and clone products.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There are no bad batches here, the gang sits down for a lively discussion about rebranding. Let's face it, the idea of rebranding items especially in photography is nothing new. Kodak, Fuji, and Agfa have all sold their films to resellers even putting them in custom cartridges and boxes. Even some camera manufacturers are known to build more cameras for other companies and sell under those names than under their own name. And today the trend continues, with Agfa still making films but as a contract manufacturer with names like Rollei under Maco Direct selling their product, or Fomapan producing films stocks for Kosmo Foto, New Classics, and Lomography. Plus ORWO provides the sweet motion picture film for Lomography and our friends at Cinestill and their use of Kodak Vision3 and Double-X stocks. And being able to get these in medium format! So the team sits down at the table for a lively and sometimes hard to follow the discussion about rebranding and clone products.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ghuybp/CCR-Ep120-CloneWars.mp3" length="28643142" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are no bad batches here, the gang sits down for a lively discussion about rebranding. Let's face it, the idea of rebranding items especially in photography is nothing new. Kodak, Fuji, and Agfa have all sold their films to resellers even putting them in custom cartridges and boxes. Even some camera manufacturers are known to build more cameras for other companies and sell under those names than under their own name. And today the trend continues, with Agfa still making films but as a contract manufacturer with names like Rollei under Maco Direct selling their product, or Fomapan producing films stocks for Kosmo Foto, New Classics, and Lomography. Plus ORWO provides the sweet motion picture film for Lomography and our friends at Cinestill and their use of Kodak Vision3 and Double-X stocks. And being able to get these in medium format! So the team sits down at the table for a lively and sometimes hard to follow the discussion about rebranding and clone products.]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2045</itunes:duration>
                <itunes:episode>113</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-120-clonewars-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 119 - Moving Pictures</title>
        <itunes:title>Classic Camera Revival - Episode 119 - Moving Pictures</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-119-moving-pictures/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-119-moving-pictures/#comments</comments>        <pubDate>Thu, 13 Jan 2022 08:02:43 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/70adbf39-32de-3dca-9e49-7e05695c6f14</guid>
                                    <description><![CDATA[<p>The winter is a good time to kick back and enjoy a good movie or TV show, so for our season 8 premiere, the gang is going to talk about our favourite shows that have some feature of photography or a photographer. As a group, our tastes are rather varied and encompasses both fiction, non-fiction and even a bit of anime. The movies and shows featured in today's episode include Blow Up, War Photographer, One Hour Photo, Life, The B-Side, and Area 88!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The winter is a good time to kick back and enjoy a good movie or TV show, so for our season 8 premiere, the gang is going to talk about our favourite shows that have some feature of photography or a photographer. As a group, our tastes are rather varied and encompasses both fiction, non-fiction and even a bit of anime. The movies and shows featured in today's episode include Blow Up, War Photographer, One Hour Photo, Life, The B-Side, and Area 88!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uukuc2/CCR-Ep119-MovingPictures.mp3" length="40685744" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The winter is a good time to kick back and enjoy a good movie or TV show, so for our season 8 premiere, the gang is going to talk about our favourite shows that have some feature of photography or a photographer. As a group, our tastes are rather varied and encompasses both fiction, non-fiction and even a bit of anime. The movies and shows featured in today's episode include Blow Up, War Photographer, One Hour Photo, Life, The B-Side, and Area 88!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2906</itunes:duration>
                <itunes:episode>112</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog722993/ccr-119-movingpictures-icon.jpg" />    </item>
    <item>
        <title>Classic Camera Revival - Episode 118 - Workhorses Pt. 2</title>
        <itunes:title>Classic Camera Revival - Episode 118 - Workhorses Pt. 2</itunes:title>
        <link>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-118-workhorses-pt-2/</link>
                    <comments>https://classiccamerarevival.podbean.com/e/classic-camera-revival-episode-118-workhorses-pt-2/#comments</comments>        <pubDate>Thu, 16 Dec 2021 08:43:33 -0500</pubDate>
        <guid isPermaLink="false">classiccamerarevival.podbean.com/424c1e97-1046-37a7-855e-6caa9beccbbf</guid>
                                    <description><![CDATA[<p>In our first episode, we discussed those cameras that can take any work we throw their way, and so to close off this season; we're bringing that topic back! What makes things interesting is that some of our choices have changed, and some familiar cameras are still on the table but in different people's hands! And there are no surprises in this list; we have cameras like Hasselblads, Mamiya, Olympus, Nikon, Canon, and Minolta are all in our choices. And when it comes to workhorses, these are cameras that will work in any condition and deliver solid image quality. You also need a camera that you can depend on the metering on the camera, especially if you're working with slide film! You need these cameras to get out of the way, to be not only an extension of your eye but also of your heart. Also, these cameras need to feel right, understanding a camera within your second nature without any real thought to operation. And we end the episode with an excellent discussion about when and where we shoot digital (and yes, we do shoot digital)!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In our first episode, we discussed those cameras that can take any work we throw their way, and so to close off this season; we're bringing that topic back! What makes things interesting is that some of our choices have changed, and some familiar cameras are still on the table but in different people's hands! And there are no surprises in this list; we have cameras like Hasselblads, Mamiya, Olympus, Nikon, Canon, and Minolta are all in our choices. And when it comes to workhorses, these are cameras that will work in any condition and deliver solid image quality. You also need a camera that you can depend on the metering on the camera, especially if you're working with slide film! You need these cameras to get out of the way, to be not only an extension of your eye but also of your heart. Also, these cameras need to feel right, understanding a camera within your second nature without any real thought to operation. And we end the episode with an excellent discussion about when and where we shoot digital (and yes, we do shoot digital)!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d7qxbz/CCR-Ep118-Workhorses2.mp3" length="38503652" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In our first episode, we discussed those cameras that can take any work we throw their way, and so to close off this season; we're bringing that topic back! What makes things interesting is that some of our choices have changed, and some familiar cameras are still on the table but in different people's hands! And there are no surprises in this list; we have cameras like Hasselblads, Mamiya, Olympus, Nikon, Canon, and Minolta are all in our choices. And when it comes to workhorses, these are cameras that will work in any condition and deliver solid image quality. You also need a camera that you can depend on the metering on the camera, especially if you're working with slide film! You need these cameras to get out of the way, to be not only an extension of your eye but also of your heart. Also, these cameras need to feel right, understanding a camera within your second nature without any real thought to operation. And we end the episode with an excellent discussion about when and where we shoot digital (and yes, we do shoot digital)!]]></itunes:summary>
        <itunes:author>Alex Luyckx</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2406</itunes:duration>
                <itunes:episode>111</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
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