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<channel>
    <title>Backstage Babble</title>
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    <description>A new podcast interviewing professionals in the theater industry about themselves, their careers, and the people they’ve worked with along the way.</description>
    <pubDate>Wed, 11 Mar 2026 20:33:36 -0400</pubDate>
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    <language>en</language>
        <copyright>Copyright 2020 All rights reserved.</copyright>
    <category>Arts:Performing Arts</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary>A new podcast interviewing professionals in the theater industry about themselves, their careers, and the people they've worked with along the way.</itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
	<itunes:category text="Arts">
		<itunes:category text="Performing Arts" />
	</itunes:category>
    <itunes:owner>
        <itunes:name>cbroadwaypodcast</itunes:name>
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        <title>Backstage Babble</title>
        <link>https://cbroadwaypodcast.podbean.com</link>
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    <item>
        <title>Tina Landau</title>
        <itunes:title>Tina Landau</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/tina-landau/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/tina-landau/#comments</comments>        <pubDate>Wed, 11 Mar 2026 20:33:36 -0400</pubDate>
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                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-nominated writer and director Tina Landau. Tune in to hear some of the stories of her legendary career, including conceiving the SPONGEBOB musical, how she decided to bring in multiple pop artists to write the score, meeting Adam Guettel at Yale, developing REDWOOD with Idina Menzel, how the concept for that musical evolved, how that show reflected a personal tragedy, the two plays she wrote as a child, what she writes on casting sheets, researching FLOYD COLLINS, what she takes from Athol Fugard and Hal Prince, what attracted her to BELLS ARE RINGING, building music into MOTHER PLAY, how she found the Viewpoints method, how Anne Bogart changed her view of theater, how she joined Steppenwolf, having actors generate movement, creating OLD HATS with Bill Irwin and David Shiner, the emotional experience of directing THE DIARY OF ANNE FRANK, what she would like to work on next, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-nominated writer and director Tina Landau. Tune in to hear some of the stories of her legendary career, including conceiving the SPONGEBOB musical, how she decided to bring in multiple pop artists to write the score, meeting Adam Guettel at Yale, developing REDWOOD with Idina Menzel, how the concept for that musical evolved, how that show reflected a personal tragedy, the two plays she wrote as a child, what she writes on casting sheets, researching FLOYD COLLINS, what she takes from Athol Fugard and Hal Prince, what attracted her to BELLS ARE RINGING, building music into MOTHER PLAY, how she found the Viewpoints method, how Anne Bogart changed her view of theater, how she joined Steppenwolf, having actors generate movement, creating OLD HATS with Bill Irwin and David Shiner, the emotional experience of directing THE DIARY OF ANNE FRANK, what she would like to work on next, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9hhxqwbe2ma5anyx/landaufinal.mp3" length="178365882" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-nominated writer and director Tina Landau. Tune in to hear some of the stories of her legendary career, including conceiving the SPONGEBOB musical, how she decided to bring in multiple pop artists to write the score, meeting Adam Guettel at Yale, developing REDWOOD with Idina Menzel, how the concept for that musical evolved, how that show reflected a personal tragedy, the two plays she wrote as a child, what she writes on casting sheets, researching FLOYD COLLINS, what she takes from Athol Fugard and Hal Prince, what attracted her to BELLS ARE RINGING, building music into MOTHER PLAY, how she found the Viewpoints method, how Anne Bogart changed her view of theater, how she joined Steppenwolf, having actors generate movement, creating OLD HATS with Bill Irwin and David Shiner, the emotional experience of directing THE DIARY OF ANNE FRANK, what she would like to work on next, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5473</itunes:duration>
                <itunes:episode>278</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jonathan Cake</title>
        <itunes:title>Jonathan Cake</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jonathan-cake/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jonathan-cake/#comments</comments>        <pubDate>Wed, 04 Mar 2026 21:50:48 -0500</pubDate>
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                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with star of stage and screen Jonathan Cake, who is currently starring in DEATH OF A SALESMAN. Tune in to hear some of the stories of his legendary career, including his collaboration with Fiona Shaw on MEDEA, touring as a young actor with the National Youth Theater, how he first encountered DEATH OF A SALESMAN, bringing Tennessee Williams’ BABY DOLL to the stage, joining the Royal Shakespeare Company, how AND JUST LIKE THAT changed the way he dresses, working with an American company on CYMBELINE, why he turned down RICHARD III, a memorable incident while performing DOUBT, what he thinks about onstage intimacy, changing his look for THE PHILANTHROPIST, what he’s learned from his podcast STAGE DOOR JONNY, working with Ethan Coen on ALMOST AN EVENING, performing in the Globe Theatre, starring in FUENTE OVEJUNA after the pandemic, balancing being a father with being an actor, the challenges of starring in CORIOLANUS in the Park, and so much more. Don’t miss this thoughtful conversation with a master craftsman.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with star of stage and screen Jonathan Cake, who is currently starring in DEATH OF A SALESMAN. Tune in to hear some of the stories of his legendary career, including his collaboration with Fiona Shaw on MEDEA, touring as a young actor with the National Youth Theater, how he first encountered DEATH OF A SALESMAN, bringing Tennessee Williams’ BABY DOLL to the stage, joining the Royal Shakespeare Company, how AND JUST LIKE THAT changed the way he dresses, working with an American company on CYMBELINE, why he turned down RICHARD III, a memorable incident while performing DOUBT, what he thinks about onstage intimacy, changing his look for THE PHILANTHROPIST, what he’s learned from his podcast STAGE DOOR JONNY, working with Ethan Coen on ALMOST AN EVENING, performing in the Globe Theatre, starring in FUENTE OVEJUNA after the pandemic, balancing being a father with being an actor, the challenges of starring in CORIOLANUS in the Park, and so much more. Don’t miss this thoughtful conversation with a master craftsman.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ipcy37a76g5jrjae/finaljcake.mp3" length="156811750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with star of stage and screen Jonathan Cake, who is currently starring in DEATH OF A SALESMAN. Tune in to hear some of the stories of his legendary career, including his collaboration with Fiona Shaw on MEDEA, touring as a young actor with the National Youth Theater, how he first encountered DEATH OF A SALESMAN, bringing Tennessee Williams’ BABY DOLL to the stage, joining the Royal Shakespeare Company, how AND JUST LIKE THAT changed the way he dresses, working with an American company on CYMBELINE, why he turned down RICHARD III, a memorable incident while performing DOUBT, what he thinks about onstage intimacy, changing his look for THE PHILANTHROPIST, what he’s learned from his podcast STAGE DOOR JONNY, working with Ethan Coen on ALMOST AN EVENING, performing in the Globe Theatre, starring in FUENTE OVEJUNA after the pandemic, balancing being a father with being an actor, the challenges of starring in CORIOLANUS in the Park, and so much more. Don’t miss this thoughtful conversation with a master craftsman.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4768</itunes:duration>
                <itunes:episode>277</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Backstage Babble Shorts: Rocco Landesman and Tony Shalhoub</title>
        <itunes:title>Backstage Babble Shorts: Rocco Landesman and Tony Shalhoub</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/backstage-babble-shorts-rocco-landesman-and-tony-shalhoub/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/backstage-babble-shorts-rocco-landesman-and-tony-shalhoub/#comments</comments>        <pubDate>Mon, 23 Feb 2026 19:55:37 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8ddba6a2-1da6-3fd2-8d90-9cf6a7c5b432</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce two Backstage Babble shorts: conversations with legendary artists that, for whatever reason, didn’t last as long as full episodes. For this special episode, it is an honor to welcome producer and theater owner Rocco Landesman, and Tony winner Tony Shalhoub, who is currently starring in Antigone (This Play I Read in High School) at the Public Theater. Don’t miss these fascinating talks with two of Broadway’s most brilliant minds.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce two Backstage Babble shorts: conversations with legendary artists that, for whatever reason, didn’t last as long as full episodes. For this special episode, it is an honor to welcome producer and theater owner Rocco Landesman, and Tony winner Tony Shalhoub, who is currently starring in Antigone (This Play I Read in High School) at the Public Theater. Don’t miss these fascinating talks with two of Broadway’s most brilliant minds.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3xw3m5pnkcrq8twp/tssoreal.mp3" length="145122276" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce two Backstage Babble shorts: conversations with legendary artists that, for whatever reason, didn’t last as long as full episodes. For this special episode, it is an honor to welcome producer and theater owner Rocco Landesman, and Tony winner Tony Shalhoub, who is currently starring in Antigone (This Play I Read in High School) at the Public Theater. Don’t miss these fascinating talks with two of Broadway’s most brilliant minds.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4459</itunes:duration>
                <itunes:episode>276</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Micaela Diamond</title>
        <itunes:title>Micaela Diamond</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/micaela-diamond/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/micaela-diamond/#comments</comments>        <pubDate>Wed, 18 Feb 2026 14:15:50 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2a9f09ca-0a8d-3be9-9a99-aeb8e6c74bf3</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominee Micaela Diamond. Tune in to hear some of the stories of her legendary career, including finding her voice in PARADE, acting opposite Ben Platt, what she learned from her debut in THE CHER SHOW, researching Cher’s life and career, learning from Stephanie J. Block and Teal Wicks, getting notes from Ethan Coen in A PLAY IS A POEM, building the character of Fritz in HERE WE ARE, the monologues that were written for and cut from the piece, understudying Sara Bareilles in JESUS CHRIST SUPERSTAR, what attracted her to THE SEAT OF OUR PANTS, the adventure of starring in ROW at Williamstown, how THE SOUND OF MUSIC ignited her love of theater, learning to cook during the pandemic, her new starring role in THOROUGHLY MODERN MILLIE, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominee Micaela Diamond. Tune in to hear some of the stories of her legendary career, including finding her voice in PARADE, acting opposite Ben Platt, what she learned from her debut in THE CHER SHOW, researching Cher’s life and career, learning from Stephanie J. Block and Teal Wicks, getting notes from Ethan Coen in A PLAY IS A POEM, building the character of Fritz in HERE WE ARE, the monologues that were written for and cut from the piece, understudying Sara Bareilles in JESUS CHRIST SUPERSTAR, what attracted her to THE SEAT OF OUR PANTS, the adventure of starring in ROW at Williamstown, how THE SOUND OF MUSIC ignited her love of theater, learning to cook during the pandemic, her new starring role in THOROUGHLY MODERN MILLIE, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/urqqyuznidushkzb/finaldiamond.mp3" length="153621513" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony nominee Micaela Diamond. Tune in to hear some of the stories of her legendary career, including finding her voice in PARADE, acting opposite Ben Platt, what she learned from her debut in THE CHER SHOW, researching Cher’s life and career, learning from Stephanie J. Block and Teal Wicks, getting notes from Ethan Coen in A PLAY IS A POEM, building the character of Fritz in HERE WE ARE, the monologues that were written for and cut from the piece, understudying Sara Bareilles in JESUS CHRIST SUPERSTAR, what attracted her to THE SEAT OF OUR PANTS, the adventure of starring in ROW at Williamstown, how THE SOUND OF MUSIC ignited her love of theater, learning to cook during the pandemic, her new starring role in THOROUGHLY MODERN MILLIE, and so much more. Don’t miss this candid conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4655</itunes:duration>
                <itunes:episode>275</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Elizabeth Marvel</title>
        <itunes:title>Elizabeth Marvel</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/elizabeth-marvel/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/elizabeth-marvel/#comments</comments>        <pubDate>Fri, 13 Feb 2026 16:14:07 -0500</pubDate>
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                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with veteran actress Elizabeth Marvel, who is currently starring in THE DINOSAURS at Playwrights Horizons. Tune in to hear some of the stories of her legendary career, including her unlikely beginnings, how Michael Langham gave her her Broadway debut in THE SEAGULL, performing the controversial revival of JULIUS CAESAR in the Park, why she wants to form a new National Actors Theater, being an American actor at Stratford, working with Glenda Jackson on KING LEAR, her collaboration with Ivo Van Hove, finding a new take on A STREETCAR NAMED DESIRE, researching THE LITTLE FOXES, starring in TOP GIRLS as a new mother, the drawings Edward Albee made during SEASCAPE, acting opposite Frances Sternhagen, why PICNIC was an exorcism for her, approaching Shakespeare like music theory, what draws her to new work, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with veteran actress Elizabeth Marvel, who is currently starring in THE DINOSAURS at Playwrights Horizons. Tune in to hear some of the stories of her legendary career, including her unlikely beginnings, how Michael Langham gave her her Broadway debut in THE SEAGULL, performing the controversial revival of JULIUS CAESAR in the Park, why she wants to form a new National Actors Theater, being an American actor at Stratford, working with Glenda Jackson on KING LEAR, her collaboration with Ivo Van Hove, finding a new take on A STREETCAR NAMED DESIRE, researching THE LITTLE FOXES, starring in TOP GIRLS as a new mother, the drawings Edward Albee made during SEASCAPE, acting opposite Frances Sternhagen, why PICNIC was an exorcism for her, approaching Shakespeare like music theory, what draws her to new work, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6jq9igqq4eswvubz/marvelfinal.mp3" length="118213704" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with veteran actress Elizabeth Marvel, who is currently starring in THE DINOSAURS at Playwrights Horizons. Tune in to hear some of the stories of her legendary career, including her unlikely beginnings, how Michael Langham gave her her Broadway debut in THE SEAGULL, performing the controversial revival of JULIUS CAESAR in the Park, why she wants to form a new National Actors Theater, being an American actor at Stratford, working with Glenda Jackson on KING LEAR, her collaboration with Ivo Van Hove, finding a new take on A STREETCAR NAMED DESIRE, researching THE LITTLE FOXES, starring in TOP GIRLS as a new mother, the drawings Edward Albee made during SEASCAPE, acting opposite Frances Sternhagen, why PICNIC was an exorcism for her, approaching Shakespeare like music theory, what draws her to new work, and so much more. Don’t miss this candid conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3592</itunes:duration>
                <itunes:episode>274</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sean Allan Krill</title>
        <itunes:title>Sean Allan Krill</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sean-allan-krill/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sean-allan-krill/#comments</comments>        <pubDate>Fri, 06 Feb 2026 19:30:08 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cd834e8a-ac2d-3129-b5c2-47964ae84ab6</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Sean Allan Krill, who is currently starring in CHESS. Tune in to hear some of the stories of his legendary career, including developing JAGGED LITTLE PILL from the ART to Broadway, the show’s two unexpected closings, the key to unlocking his role in CHESS, researching the role of Governor Slaton in PARADE, following Harry Connick, Jr. through a performance of ON A CLEAR DAY, his personal connection to FLOYD COLLINS, his difficult audition for THOROUGHLY MODERN MILLIE, performing “The Speed Test” with his midwestern accent, warming up with David Byrne during JOAN OF ARC, hy he loves the Viewpoints Technique, playing a silent role in THE HOT L BALTIMORE, covering Tony Danza in HONEYMOON IN VEGAS, and so much more. Don’t miss this in-depth talk with a Broadway favorite.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Sean Allan Krill, who is currently starring in CHESS. Tune in to hear some of the stories of his legendary career, including developing JAGGED LITTLE PILL from the ART to Broadway, the show’s two unexpected closings, the key to unlocking his role in CHESS, researching the role of Governor Slaton in PARADE, following Harry Connick, Jr. through a performance of ON A CLEAR DAY, his personal connection to FLOYD COLLINS, his difficult audition for THOROUGHLY MODERN MILLIE, performing “The Speed Test” with his midwestern accent, warming up with David Byrne during JOAN OF ARC, hy he loves the Viewpoints Technique, playing a silent role in THE HOT L BALTIMORE, covering Tony Danza in HONEYMOON IN VEGAS, and so much more. Don’t miss this in-depth talk with a Broadway favorite.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jzq96thxu47pc5r7/seanallanfinal.mp3" length="150225753" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Broadway veteran Sean Allan Krill, who is currently starring in CHESS. Tune in to hear some of the stories of his legendary career, including developing JAGGED LITTLE PILL from the ART to Broadway, the show’s two unexpected closings, the key to unlocking his role in CHESS, researching the role of Governor Slaton in PARADE, following Harry Connick, Jr. through a performance of ON A CLEAR DAY, his personal connection to FLOYD COLLINS, his difficult audition for THOROUGHLY MODERN MILLIE, performing “The Speed Test” with his midwestern accent, warming up with David Byrne during JOAN OF ARC, hy he loves the Viewpoints Technique, playing a silent role in THE HOT L BALTIMORE, covering Tony Danza in HONEYMOON IN VEGAS, and so much more. Don’t miss this in-depth talk with a Broadway favorite.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4560</itunes:duration>
                <itunes:episode>273</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Julie Taymor</title>
        <itunes:title>Julie Taymor</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/julie-taymor/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/julie-taymor/#comments</comments>        <pubDate>Mon, 12 Jan 2026 20:29:44 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0cafecfd-6643-38e3-9024-88ebd1e193a3</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning director Julie Taymor. Tune in to hear some of the stories of her legendary career, including the visual motif of circles in THE LION KING, adapting the plot of the film, exploring artifice in THE TEMPEST on stage and on screen, working with Kathryn Hunter on A MIDSUMMER NIGHT’S DREAM, practicing mask work in auditions, how studying myths in college influenced her later work, her pioneering work on the film FRIDA, why Shakespeare’s dialogue is inherently visual, creating a new form of theater in Korea, finding ideographs for every production she directs, bringing THE HAGGADAH to life at the Public Theater, collaborating with Elliott Goldenthal, combining opera and musical theater in JUAN DARIEN, finding a visual take on M. BUTTERFLY, changing the ending of GROUNDED, her opera debut with OEDIPUS, honing her craft in Paris, Indonesia, and Japan, the modern relevance of SPIDER MAN: TURN OFF THE DARK, her new musical THE GRAND DELUSION, and so much more. Don’t miss this fascinating conversation with a true visionary.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning director Julie Taymor. Tune in to hear some of the stories of her legendary career, including the visual motif of circles in THE LION KING, adapting the plot of the film, exploring artifice in THE TEMPEST on stage and on screen, working with Kathryn Hunter on A MIDSUMMER NIGHT’S DREAM, practicing mask work in auditions, how studying myths in college influenced her later work, her pioneering work on the film FRIDA, why Shakespeare’s dialogue is inherently visual, creating a new form of theater in Korea, finding ideographs for every production she directs, bringing THE HAGGADAH to life at the Public Theater, collaborating with Elliott Goldenthal, combining opera and musical theater in JUAN DARIEN, finding a visual take on M. BUTTERFLY, changing the ending of GROUNDED, her opera debut with OEDIPUS, honing her craft in Paris, Indonesia, and Japan, the modern relevance of SPIDER MAN: TURN OFF THE DARK, her new musical THE GRAND DELUSION, and so much more. Don’t miss this fascinating conversation with a true visionary.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/62qg5i2bygbjvvrw/taymorfinal.mp3" length="117506295" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-winning director Julie Taymor. Tune in to hear some of the stories of her legendary career, including the visual motif of circles in THE LION KING, adapting the plot of the film, exploring artifice in THE TEMPEST on stage and on screen, working with Kathryn Hunter on A MIDSUMMER NIGHT’S DREAM, practicing mask work in auditions, how studying myths in college influenced her later work, her pioneering work on the film FRIDA, why Shakespeare’s dialogue is inherently visual, creating a new form of theater in Korea, finding ideographs for every production she directs, bringing THE HAGGADAH to life at the Public Theater, collaborating with Elliott Goldenthal, combining opera and musical theater in JUAN DARIEN, finding a visual take on M. BUTTERFLY, changing the ending of GROUNDED, her opera debut with OEDIPUS, honing her craft in Paris, Indonesia, and Japan, the modern relevance of SPIDER MAN: TURN OFF THE DARK, her new musical THE GRAND DELUSION, and so much more. Don’t miss this fascinating conversation with a true visionary.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3618</itunes:duration>
                <itunes:episode>272</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Itamar Moses</title>
        <itunes:title>Itamar Moses</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/itamar-moses/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/itamar-moses/#comments</comments>        <pubDate>Tue, 06 Jan 2026 21:15:44 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8472ecca-09f5-359f-8527-9215d2deeed9</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning playwright Itamar Moses. Tune in to hear some of the stories of his legendary career, including making changes to THE ALLY, the radio-play aspects of DEAD OUTLAW, his collaboration with David Cromer, why HAMILTON deserved its Best Book Tony award, adapting THE BAND’S VISIT for the stage, moving the show to Broadway, how “Omar Sharif” started as a monologue, getting his first play OUTRAGE produced, the inspiration behind BACH AT LEIPZIG, writing for murderers in CELEBRITY ROW, writing autobiographically with THE FOUR OF US and YELLOWJACKETS, and so much more. Don’t miss this in-depth talk with one of Broadway’s best writers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning playwright Itamar Moses. Tune in to hear some of the stories of his legendary career, including making changes to THE ALLY, the radio-play aspects of DEAD OUTLAW, his collaboration with David Cromer, why HAMILTON deserved its Best Book Tony award, adapting THE BAND’S VISIT for the stage, moving the show to Broadway, how “Omar Sharif” started as a monologue, getting his first play OUTRAGE produced, the inspiration behind BACH AT LEIPZIG, writing for murderers in CELEBRITY ROW, writing autobiographically with THE FOUR OF US and YELLOWJACKETS, and so much more. Don’t miss this in-depth talk with one of Broadway’s best writers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sz5upkpt9fby9236/imosesfinal.mp3" length="175727072" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-winning playwright Itamar Moses. Tune in to hear some of the stories of his legendary career, including making changes to THE ALLY, the radio-play aspects of DEAD OUTLAW, his collaboration with David Cromer, why HAMILTON deserved its Best Book Tony award, adapting THE BAND’S VISIT for the stage, moving the show to Broadway, how “Omar Sharif” started as a monologue, getting his first play OUTRAGE produced, the inspiration behind BACH AT LEIPZIG, writing for murderers in CELEBRITY ROW, writing autobiographically with THE FOUR OF US and YELLOWJACKETS, and so much more. Don’t miss this in-depth talk with one of Broadway’s best writers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5390</itunes:duration>
                <itunes:episode>271</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>2025 Wrap-Up Episode</title>
        <itunes:title>2025 Wrap-Up Episode</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/2025-wrap-up-episode/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/2025-wrap-up-episode/#comments</comments>        <pubDate>Wed, 31 Dec 2025 17:11:08 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/be2b6b00-1e76-31ab-b046-2b3aab26f3da</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce a very special 2025 wrap-up episode of Backstage Babble. 25 former guests, including legendary actors, writers, and directors, returned to the show to share three top theater memories from the last 25 years, and the result is a collection of never-before-heard anecdotes and thrilling insights. This episode features, in alphabetical order:</p>
<p class="p2"> </p>
<p class="p1">Betsy Aidem</p>
<p class="p1">Beowulf Boritt</p>
<p class="p1">Charles Busch</p>
<p class="p1">Rick Elice</p>
<p class="p1">Peter Filichia</p>
<p class="p1">Irene Gandy</p>
<p class="p1">Liza Gennaro</p>
<p class="p1">Jenny Gersten</p>
<p class="p1">Sara Gettelfinger</p>
<p class="p1">Adam Guettel</p>
<p class="p1">Robert Horn</p>
<p class="p1">Samuel D. Hunter</p>
<p class="p1">David Henry Hwang</p>
<p class="p1">Beth Leavel</p>
<p class="p1">Kenny Leon</p>
<p class="p1">Jefferson Mays</p>
<p class="p1">Ann Morrison</p>
<p class="p1">Maryann Plunkett</p>
<p class="p1">Daryl Roth</p>
<p class="p1">Tara Rubin</p>
<p class="p1">Paul Rudnick</p>
<p class="p1">Thom Sesma</p>
<p class="p1">Jennifer Ashley Tepper</p>
<p class="p1">David Thompson</p>
<p class="p1">Jonathan Tolins</p>
<p class="p1"> </p>
<p class="p1">Have a Happy New Year!</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce a very special 2025 wrap-up episode of Backstage Babble. 25 former guests, including legendary actors, writers, and directors, returned to the show to share three top theater memories from the last 25 years, and the result is a collection of never-before-heard anecdotes and thrilling insights. This episode features, in alphabetical order:</p>
<p class="p2"> </p>
<p class="p1">Betsy Aidem</p>
<p class="p1">Beowulf Boritt</p>
<p class="p1">Charles Busch</p>
<p class="p1">Rick Elice</p>
<p class="p1">Peter Filichia</p>
<p class="p1">Irene Gandy</p>
<p class="p1">Liza Gennaro</p>
<p class="p1">Jenny Gersten</p>
<p class="p1">Sara Gettelfinger</p>
<p class="p1">Adam Guettel</p>
<p class="p1">Robert Horn</p>
<p class="p1">Samuel D. Hunter</p>
<p class="p1">David Henry Hwang</p>
<p class="p1">Beth Leavel</p>
<p class="p1">Kenny Leon</p>
<p class="p1">Jefferson Mays</p>
<p class="p1">Ann Morrison</p>
<p class="p1">Maryann Plunkett</p>
<p class="p1">Daryl Roth</p>
<p class="p1">Tara Rubin</p>
<p class="p1">Paul Rudnick</p>
<p class="p1">Thom Sesma</p>
<p class="p1">Jennifer Ashley Tepper</p>
<p class="p1">David Thompson</p>
<p class="p1">Jonathan Tolins</p>
<p class="p1"> </p>
<p class="p1">Have a Happy New Year!</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vma2vrz59u3e2v3j/2025special.mp3" length="230628081" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce a very special 2025 wrap-up episode of Backstage Babble. 25 former guests, including legendary actors, writers, and directors, returned to the show to share three top theater memories from the last 25 years, and the result is a collection of never-before-heard anecdotes and thrilling insights. This episode features, in alphabetical order:
 
Betsy Aidem
Beowulf Boritt
Charles Busch
Rick Elice
Peter Filichia
Irene Gandy
Liza Gennaro
Jenny Gersten
Sara Gettelfinger
Adam Guettel
Robert Horn
Samuel D. Hunter
David Henry Hwang
Beth Leavel
Kenny Leon
Jefferson Mays
Ann Morrison
Maryann Plunkett
Daryl Roth
Tara Rubin
Paul Rudnick
Thom Sesma
Jennifer Ashley Tepper
David Thompson
Jonathan Tolins
 
Have a Happy New Year!
 
In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7071</itunes:duration>
                <itunes:episode>270</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rob Marshall</title>
        <itunes:title>Rob Marshall</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/rob-marshall/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/rob-marshall/#comments</comments>        <pubDate>Sun, 28 Dec 2025 22:54:46 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/421c513d-9f40-38c1-babb-3cd397465be1</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn’t ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn’t work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don’t miss this delightful conversation with a master of making musicals.</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn’t ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn’t work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don’t miss this delightful conversation with a master of making musicals.</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xjutbuxmbxuaeumr/rmarshfinal.mp3" length="117506796" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn’t ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn’t work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don’t miss this delightful conversation with a master of making musicals.
 
In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3594</itunes:duration>
                <itunes:episode>269</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Annie McGreevey</title>
        <itunes:title>Annie McGreevey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/annie-mcgreevey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/annie-mcgreevey/#comments</comments>        <pubDate>Tue, 23 Dec 2025 17:10:19 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/26fae93c-f3de-3299-bf50-84252e7126ef</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don’t miss this in-depth talk with one of Broadway’s best.</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don’t miss this in-depth talk with one of Broadway’s best.</p>
<p class="p2"> </p>
<p class="p1">In-person and livestream tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2qjkvm4v79nzr2gk/mcgreevefinal.mp3" length="149117727" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don’t miss this in-depth talk with one of Broadway’s best.
 
In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4574</itunes:duration>
                <itunes:episode>268</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jerry Zaks</title>
        <itunes:title>Jerry Zaks</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jerry-zaks/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jerry-zaks/#comments</comments>        <pubDate>Sun, 14 Dec 2025 15:08:31 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ee60c333-e363-3dc5-972c-29b7c838576e</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don’t miss this candid conversation with one of Broadway’s most brilliant directors.</p>
<p class="p1">Tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don’t miss this candid conversation with one of Broadway’s most brilliant directors.</p>
<p class="p1">Tickets to Backstage Babble Live are available here: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-3/'>https://54below.org/events/charles-kirschs-backstage-babble-live-3/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yef52rtafdygnrt2/finalzaks.mp3" length="151471206" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don’t miss this candid conversation with one of Broadway’s most brilliant directors.
Tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4554</itunes:duration>
                <itunes:episode>267</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Darko Tresnjak</title>
        <itunes:title>Darko Tresnjak</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/darko-tresnjak/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/darko-tresnjak/#comments</comments>        <pubDate>Sun, 07 Dec 2025 20:24:43 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9f181ded-2a8a-3348-b3d7-d2db3c16fb77</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway director Darko Tresnjak, whose production of ARCHDUKE is currently playing off-Broadway. Tune in to hear some of her wonderful stories, including the first idea he brought to A GENTLEMAN’S GUIDE, creating the iconic staging for “I’ve Decided to Marry You,” cutting the show’s original bows sequence, why he connected with ANASTASIA, auditioning Christy Altomare for the title role, writing ASK FOR THE MOON, directing Lesli Margherita in THE FLAMINGO KID, how he came to Hartford Stage, what Marian Seldes revealed about THE SKIN OF OUR TEETH, telling a political story in RUSSIAN TROLL FARM, staging his own Olympics as a child, reviving AMOUR and CARNIVAL, meeting Marge Champion at Williamstown, the advice he took from Jack O’Brien about running a theater, casting musical theater actresses in THE WOMEN, his dream production of PAL JOEY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway director Darko Tresnjak, whose production of ARCHDUKE is currently playing off-Broadway. Tune in to hear some of her wonderful stories, including the first idea he brought to A GENTLEMAN’S GUIDE, creating the iconic staging for “I’ve Decided to Marry You,” cutting the show’s original bows sequence, why he connected with ANASTASIA, auditioning Christy Altomare for the title role, writing ASK FOR THE MOON, directing Lesli Margherita in THE FLAMINGO KID, how he came to Hartford Stage, what Marian Seldes revealed about THE SKIN OF OUR TEETH, telling a political story in RUSSIAN TROLL FARM, staging his own Olympics as a child, reviving AMOUR and CARNIVAL, meeting Marge Champion at Williamstown, the advice he took from Jack O’Brien about running a theater, casting musical theater actresses in THE WOMEN, his dream production of PAL JOEY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yyek2fg52uz2ttdy/tresnjakfinal.mp3" length="144240979" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Broadway director Darko Tresnjak, whose production of ARCHDUKE is currently playing off-Broadway. Tune in to hear some of her wonderful stories, including the first idea he brought to A GENTLEMAN’S GUIDE, creating the iconic staging for “I’ve Decided to Marry You,” cutting the show’s original bows sequence, why he connected with ANASTASIA, auditioning Christy Altomare for the title role, writing ASK FOR THE MOON, directing Lesli Margherita in THE FLAMINGO KID, how he came to Hartford Stage, what Marian Seldes revealed about THE SKIN OF OUR TEETH, telling a political story in RUSSIAN TROLL FARM, staging his own Olympics as a child, reviving AMOUR and CARNIVAL, meeting Marge Champion at Williamstown, the advice he took from Jack O’Brien about running a theater, casting musical theater actresses in THE WOMEN, his dream production of PAL JOEY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4398</itunes:duration>
                <itunes:episode>266</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Brian Stokes Mitchell</title>
        <itunes:title>Brian Stokes Mitchell</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/brian-stokes-mitchell/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/brian-stokes-mitchell/#comments</comments>        <pubDate>Mon, 24 Nov 2025 14:36:42 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/18c18981-b9a4-3a25-bc09-10dabb8b1f67</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony winner Brian Stokes Mitchell. Tune in to hear some of his wonderful stories, including why JELLY’S LAST JAM was the hardest show he’s ever done, an out-of-body experience during RAGTIME, learning KING HEDLEY II in nine days, how he came to appreciate KISS ME, KATE, getting slapped by Marin Mazzie, auditioning for OH, KAY! and PORGY AND BESS simultaneously, making his Broadway debut with MAIL, going from the Belleville Dinner Theater to Broadway with MAN OF LA MANCHA, coming back to Broadway with WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, the pitfalls of adapting movies for the stage, how he got his first big job on TRAPPER JOHN, MD, starring in LOVE LIFE before and after the pandemic, researching the history of SHUFFLE ALONG, his vision for a revival of THE MUSIC MAN, covering Stephen Sondheim’s work on his albums, workshopping HERE WE ARE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony winner Brian Stokes Mitchell. Tune in to hear some of his wonderful stories, including why JELLY’S LAST JAM was the hardest show he’s ever done, an out-of-body experience during RAGTIME, learning KING HEDLEY II in nine days, how he came to appreciate KISS ME, KATE, getting slapped by Marin Mazzie, auditioning for OH, KAY! and PORGY AND BESS simultaneously, making his Broadway debut with MAIL, going from the Belleville Dinner Theater to Broadway with MAN OF LA MANCHA, coming back to Broadway with WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, the pitfalls of adapting movies for the stage, how he got his first big job on TRAPPER JOHN, MD, starring in LOVE LIFE before and after the pandemic, researching the history of SHUFFLE ALONG, his vision for a revival of THE MUSIC MAN, covering Stephen Sondheim’s work on his albums, workshopping HERE WE ARE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n4f54jzviwp8sgj2/bristokesfinal.mp3" length="199165427" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with two-time Tony winner Brian Stokes Mitchell. Tune in to hear some of his wonderful stories, including why JELLY’S LAST JAM was the hardest show he’s ever done, an out-of-body experience during RAGTIME, learning KING HEDLEY II in nine days, how he came to appreciate KISS ME, KATE, getting slapped by Marin Mazzie, auditioning for OH, KAY! and PORGY AND BESS simultaneously, making his Broadway debut with MAIL, going from the Belleville Dinner Theater to Broadway with MAN OF LA MANCHA, coming back to Broadway with WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, the pitfalls of adapting movies for the stage, how he got his first big job on TRAPPER JOHN, MD, starring in LOVE LIFE before and after the pandemic, researching the history of SHUFFLE ALONG, his vision for a revival of THE MUSIC MAN, covering Stephen Sondheim’s work on his albums, workshopping HERE WE ARE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5859</itunes:duration>
                <itunes:episode>265</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Broadway Behind the Scenes with Jeffrey Richards and Tara Rubin</title>
        <itunes:title>Broadway Behind the Scenes with Jeffrey Richards and Tara Rubin</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/broadway-behind-the-scenes-with-jeffrey-richards-and-tara-rubin/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/broadway-behind-the-scenes-with-jeffrey-richards-and-tara-rubin/#comments</comments>        <pubDate>Tue, 18 Nov 2025 20:51:05 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d1da0656-1469-33a4-a6ca-4d8e12e2c8db</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to present a “Broadway Behind the Scenes” special featuring conversations with two of New York theater’s most influential figures: producer and press agent Jeffrey Richards and casting director Tara Rubin. Tune in to hear scintillating stories and insights about both of their careers and their thoughts on the current state of Broadway.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to present a “Broadway Behind the Scenes” special featuring conversations with two of New York theater’s most influential figures: producer and press agent Jeffrey Richards and casting director Tara Rubin. Tune in to hear scintillating stories and insights about both of their careers and their thoughts on the current state of Broadway.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/93gr26ujqpw9ecr3/jefftara.mp3" length="199529099" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to present a “Broadway Behind the Scenes” special featuring conversations with two of New York theater’s most influential figures: producer and press agent Jeffrey Richards and casting director Tara Rubin. Tune in to hear scintillating stories and insights about both of their careers and their thoughts on the current state of Broadway.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6082</itunes:duration>
                <itunes:episode>264</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Trip Cullman</title>
        <itunes:title>Trip Cullman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/trip-cullman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/trip-cullman/#comments</comments>        <pubDate>Fri, 14 Nov 2025 15:15:36 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/edfbca9b-5427-3cba-8e8f-44c8013a7d81</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway director Trip Cullman, whose production of Martyna Majok’s Queens is currently playing at Manhattan Theater Club. Tune in to hear some of the stories of his legendary career, including reinventing I CAN GET IT FOR YOU WHOLESALE,  the use of music into CULT OF LOVE and CHOIR BOY, working on UNKNOWN SOLDIER after Michael Friedman passed away, telling Joshua Harmon’s personal stories in SIGNIFICANT OTHER and WE HAD A WORLD, deciding on the set for LOBBY HERO, assisting Joe Mantello on TAKE ME OUT, bringing a sex scene to life in A SMALL FIRE, his dramaturgical concept for SIX DEGREES OF SEPARATION, what he learned from Mike Nichols during THE SEAGULL, staging an intense moment in THE LONELY FEW, being the only gay person working on ANGELS IN AMERICA, why THE ROSE TATTOO was a heartbreaker, bringing THELMA AND LOUISE to the stage, working on UNKNOWN SOLDIER after Michael Friedman passed away, why he loves casting musical theater actors in plays, how COWBOY MOUTH inspired his love of directing, his long collaboration with Leslye Headland and Halley Feiffer, his upcoming work on BECKY SHAW, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway director Trip Cullman, whose production of Martyna Majok’s Queens is currently playing at Manhattan Theater Club. Tune in to hear some of the stories of his legendary career, including reinventing I CAN GET IT FOR YOU WHOLESALE,  the use of music into CULT OF LOVE and CHOIR BOY, working on UNKNOWN SOLDIER after Michael Friedman passed away, telling Joshua Harmon’s personal stories in SIGNIFICANT OTHER and WE HAD A WORLD, deciding on the set for LOBBY HERO, assisting Joe Mantello on TAKE ME OUT, bringing a sex scene to life in A SMALL FIRE, his dramaturgical concept for SIX DEGREES OF SEPARATION, what he learned from Mike Nichols during THE SEAGULL, staging an intense moment in THE LONELY FEW, being the only gay person working on ANGELS IN AMERICA, why THE ROSE TATTOO was a heartbreaker, bringing THELMA AND LOUISE to the stage, working on UNKNOWN SOLDIER after Michael Friedman passed away, why he loves casting musical theater actors in plays, how COWBOY MOUTH inspired his love of directing, his long collaboration with Leslye Headland and Halley Feiffer, his upcoming work on BECKY SHAW, and so much more. Don’t miss this candid conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/saxgucqwvr3ae7pb/tripcfinal.mp3" length="167588433" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Broadway director Trip Cullman, whose production of Martyna Majok’s Queens is currently playing at Manhattan Theater Club. Tune in to hear some of the stories of his legendary career, including reinventing I CAN GET IT FOR YOU WHOLESALE,  the use of music into CULT OF LOVE and CHOIR BOY, working on UNKNOWN SOLDIER after Michael Friedman passed away, telling Joshua Harmon’s personal stories in SIGNIFICANT OTHER and WE HAD A WORLD, deciding on the set for LOBBY HERO, assisting Joe Mantello on TAKE ME OUT, bringing a sex scene to life in A SMALL FIRE, his dramaturgical concept for SIX DEGREES OF SEPARATION, what he learned from Mike Nichols during THE SEAGULL, staging an intense moment in THE LONELY FEW, being the only gay person working on ANGELS IN AMERICA, why THE ROSE TATTOO was a heartbreaker, bringing THELMA AND LOUISE to the stage, working on UNKNOWN SOLDIER after Michael Friedman passed away, why he loves casting musical theater actors in plays, how COWBOY MOUTH inspired his love of directing, his long collaboration with Leslye Headland and Halley Feiffer, his upcoming work on BECKY SHAW, and so much more. Don’t miss this candid conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5155</itunes:duration>
                <itunes:episode>263</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Vita</title>
        <itunes:title>Michael Vita</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-vita/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-vita/#comments</comments>        <pubDate>Sun, 09 Nov 2025 11:44:54 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3006162f-8166-356e-92bf-b96f3db77678</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Michael Vita. Tune in to hear some of the stories of his legendary career, including how PROMISES, PROMISES changed Broadway, how summer camp led to BYE BYE BIRDIE, moving to England in 1961, a long preview process for GOLDEN RAINBOW, his memorable audition for BALLROOM, touring America with 42ND STREET, having fun backstage with Gwen Verdon and Jerry Orbach, how A DOLL’S LIFE led to ON YOUR TOES, performing with Natalia Makarova, the genius of Hal Prince, going on at the last minute in JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, working on CYRANO with Christopher Plummer out of town, a mishap during SKYSCRAPER, his opening night gift during CHICAGO, talking about Bob Fosse with Michael Bennett, how he helped found BC/EFA, his second career as an AIDS activist, and so much more. Don’t miss this in-depth interview with a true Broadway veteran.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Broadway veteran Michael Vita. Tune in to hear some of the stories of his legendary career, including how PROMISES, PROMISES changed Broadway, how summer camp led to BYE BYE BIRDIE, moving to England in 1961, a long preview process for GOLDEN RAINBOW, his memorable audition for BALLROOM, touring America with 42ND STREET, having fun backstage with Gwen Verdon and Jerry Orbach, how A DOLL’S LIFE led to ON YOUR TOES, performing with Natalia Makarova, the genius of Hal Prince, going on at the last minute in JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, working on CYRANO with Christopher Plummer out of town, a mishap during SKYSCRAPER, his opening night gift during CHICAGO, talking about Bob Fosse with Michael Bennett, how he helped found BC/EFA, his second career as an AIDS activist, and so much more. Don’t miss this in-depth interview with a true Broadway veteran.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ri7r29pxaqiup9jr/Michael_Vita_Finalbppyh.mp3" length="144576855" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Broadway veteran Michael Vita. Tune in to hear some of the stories of his legendary career, including how PROMISES, PROMISES changed Broadway, how summer camp led to BYE BYE BIRDIE, moving to England in 1961, a long preview process for GOLDEN RAINBOW, his memorable audition for BALLROOM, touring America with 42ND STREET, having fun backstage with Gwen Verdon and Jerry Orbach, how A DOLL’S LIFE led to ON YOUR TOES, performing with Natalia Makarova, the genius of Hal Prince, going on at the last minute in JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, working on CYRANO with Christopher Plummer out of town, a mishap during SKYSCRAPER, his opening night gift during CHICAGO, talking about Bob Fosse with Michael Bennett, how he helped found BC/EFA, his second career as an AIDS activist, and so much more. Don’t miss this in-depth interview with a true Broadway veteran.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4375</itunes:duration>
                <itunes:episode>262</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Thompson</title>
        <itunes:title>David Thompson</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-thompson/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-thompson/#comments</comments>        <pubDate>Tue, 04 Nov 2025 17:14:33 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/713b8822-759b-35a9-bde1-d04058121754</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with three-time Tony nominated librettist David Thompson. Tune in to hear some of the stories of his legendary career, including how he made his debut with FLORA, THE RED MENACE, experimenting with AND THE WORLD GOES ROUND, the last-minute nature of the CHICAGO revival, what he learned from Kander and Ebb, why 70, GIRLS, 70 is an anomaly, working with Andrew Lloyd Webber and Garth Drabinsky on MUSIC OF THE NIGHT, why STEEL PIER didn’t make a hit on Broadway, incorporating suggestions from the cast into THE SCOTTSBORO BOYS, completing that show after Fred Ebb’s passing, how 9/11 affected THOU SHALT NOT, working with Jerry Herman on revising DEAR WORLD, rewriting RAGS, adapting THE BLUE ANGEL and LITTLE MISS MARKER, a different kind of storytelling in THE BEAST IN THE JUNGLE, the beauty of THE LOOK OF LOVE, collaborating with Hal Prince on PRINCE OF BROADWAY, making theater in Japan, what attracted him to BAR MITZVAH BOY, reinventing NEW YORK, NEW YORK for the stage, his new piece with John Kander, and so much more. Don’t miss this candid conversation with one of Broadway’s finest wordsmiths.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with three-time Tony nominated librettist David Thompson. Tune in to hear some of the stories of his legendary career, including how he made his debut with FLORA, THE RED MENACE, experimenting with AND THE WORLD GOES ROUND, the last-minute nature of the CHICAGO revival, what he learned from Kander and Ebb, why 70, GIRLS, 70 is an anomaly, working with Andrew Lloyd Webber and Garth Drabinsky on MUSIC OF THE NIGHT, why STEEL PIER didn’t make a hit on Broadway, incorporating suggestions from the cast into THE SCOTTSBORO BOYS, completing that show after Fred Ebb’s passing, how 9/11 affected THOU SHALT NOT, working with Jerry Herman on revising DEAR WORLD, rewriting RAGS, adapting THE BLUE ANGEL and LITTLE MISS MARKER, a different kind of storytelling in THE BEAST IN THE JUNGLE, the beauty of THE LOOK OF LOVE, collaborating with Hal Prince on PRINCE OF BROADWAY, making theater in Japan, what attracted him to BAR MITZVAH BOY, reinventing NEW YORK, NEW YORK for the stage, his new piece with John Kander, and so much more. Don’t miss this candid conversation with one of Broadway’s finest wordsmiths.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fdtj3msfyx3hjw7e/David_Thompson_Final72660.mp3" length="171544526" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with three-time Tony nominated librettist David Thompson. Tune in to hear some of the stories of his legendary career, including how he made his debut with FLORA, THE RED MENACE, experimenting with AND THE WORLD GOES ROUND, the last-minute nature of the CHICAGO revival, what he learned from Kander and Ebb, why 70, GIRLS, 70 is an anomaly, working with Andrew Lloyd Webber and Garth Drabinsky on MUSIC OF THE NIGHT, why STEEL PIER didn’t make a hit on Broadway, incorporating suggestions from the cast into THE SCOTTSBORO BOYS, completing that show after Fred Ebb’s passing, how 9/11 affected THOU SHALT NOT, working with Jerry Herman on revising DEAR WORLD, rewriting RAGS, adapting THE BLUE ANGEL and LITTLE MISS MARKER, a different kind of storytelling in THE BEAST IN THE JUNGLE, the beauty of THE LOOK OF LOVE, collaborating with Hal Prince on PRINCE OF BROADWAY, making theater in Japan, what attracted him to BAR MITZVAH BOY, reinventing NEW YORK, NEW YORK for the stage, his new piece with John Kander, and so much more. Don’t miss this candid conversation with one of Broadway’s finest wordsmiths.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5249</itunes:duration>
                <itunes:episode>261</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jesse Tyler Ferguson</title>
        <itunes:title>Jesse Tyler Ferguson</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jesse-tyler-ferguson/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jesse-tyler-ferguson/#comments</comments>        <pubDate>Fri, 17 Oct 2025 15:48:34 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/68c43837-1365-3e6a-94a7-fbc4080a7d06</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner and Emmy nominee Jesse Tyler Ferguson. Tune in to hear some of the stories of his legendary career, including how he booked his Broadway debut in ON THE TOWN during college, why it worked better at the Delacorte than on Broadway, starring in TAKE ME OUT just after the pandemic, the genesis of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, a real-life magical moment during THE TEMPEST, why FULLY COMMITTED appealed to him as a play to revive, how GRAND HORIZONS and LOG CABIN made a dream come true for him, finding movement in that show, coming to Hollywood as a stage actor, why he never had speaking roles growing up, doing Shakespeare in the Park and MODERN FAMILY simultaneously, being an out actor on Broadway and in Hollywood, the difficulty of his role in THE MERCHANT OF VENICE, his upcoming play about Truman Capote, and so much more. Don’t miss this candid and hilarious conversation with a star of stage and screen.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner and Emmy nominee Jesse Tyler Ferguson. Tune in to hear some of the stories of his legendary career, including how he booked his Broadway debut in ON THE TOWN during college, why it worked better at the Delacorte than on Broadway, starring in TAKE ME OUT just after the pandemic, the genesis of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, a real-life magical moment during THE TEMPEST, why FULLY COMMITTED appealed to him as a play to revive, how GRAND HORIZONS and LOG CABIN made a dream come true for him, finding movement in that show, coming to Hollywood as a stage actor, why he never had speaking roles growing up, doing Shakespeare in the Park and MODERN FAMILY simultaneously, being an out actor on Broadway and in Hollywood, the difficulty of his role in THE MERCHANT OF VENICE, his upcoming play about Truman Capote, and so much more. Don’t miss this candid and hilarious conversation with a star of stage and screen.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ukhd5hpme9gwexac/jtffinal.mp3" length="147382483" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony winner and Emmy nominee Jesse Tyler Ferguson. Tune in to hear some of the stories of his legendary career, including how he booked his Broadway debut in ON THE TOWN during college, why it worked better at the Delacorte than on Broadway, starring in TAKE ME OUT just after the pandemic, the genesis of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, a real-life magical moment during THE TEMPEST, why FULLY COMMITTED appealed to him as a play to revive, how GRAND HORIZONS and LOG CABIN made a dream come true for him, finding movement in that show, coming to Hollywood as a stage actor, why he never had speaking roles growing up, doing Shakespeare in the Park and MODERN FAMILY simultaneously, being an out actor on Broadway and in Hollywood, the difficulty of his role in THE MERCHANT OF VENICE, his upcoming play about Truman Capote, and so much more. Don’t miss this candid and hilarious conversation with a star of stage and screen.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4495</itunes:duration>
                <itunes:episode>260</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chris Sarandon</title>
        <itunes:title>Chris Sarandon</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/chris-sarandon/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/chris-sarandon/#comments</comments>        <pubDate>Sun, 28 Sep 2025 18:39:32 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4570c318-8236-3fd1-9cc2-20af840d478a</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar nominee Chris Sarandon. Tune in to hear some of the stories of his legendary career, including how he fell in love with Joanna Gleason during NICK AND NORA, bonding with the cast of THE ROTHSCHILDS, co-starring with Rex Harrison in THE DEVIL’S DISCIPLE, his Oscar campaign for DOG DAY AFTERNOON, the cult appeal of THE PRINCESS BRIDE, why he felt limited as a replacement in TWO GENTLEMEN OF VERONA, learning from Colleen Dewhurst and George C. Scott, why he wept every time he watched THE LIGHT IN THE PIAZZA, the strangeness of putting together MARCO POLO SINGS A SOLO, why CENSORED SCENES FROM KING KONG didn’t take off on Broadway, his collaboration with Ulu Grosbard, advising James Ivory on STREETS OF NEW YORK, and so much more. Don’t miss this in-depth conversation with a veteran of stage and screen.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar nominee Chris Sarandon. Tune in to hear some of the stories of his legendary career, including how he fell in love with Joanna Gleason during NICK AND NORA, bonding with the cast of THE ROTHSCHILDS, co-starring with Rex Harrison in THE DEVIL’S DISCIPLE, his Oscar campaign for DOG DAY AFTERNOON, the cult appeal of THE PRINCESS BRIDE, why he felt limited as a replacement in TWO GENTLEMEN OF VERONA, learning from Colleen Dewhurst and George C. Scott, why he wept every time he watched THE LIGHT IN THE PIAZZA, the strangeness of putting together MARCO POLO SINGS A SOLO, why CENSORED SCENES FROM KING KONG didn’t take off on Broadway, his collaboration with Ulu Grosbard, advising James Ivory on STREETS OF NEW YORK, and so much more. Don’t miss this in-depth conversation with a veteran of stage and screen.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9ufyg78uskdm2kis/sarandonfinal.mp3" length="139523333" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Oscar nominee Chris Sarandon. Tune in to hear some of the stories of his legendary career, including how he fell in love with Joanna Gleason during NICK AND NORA, bonding with the cast of THE ROTHSCHILDS, co-starring with Rex Harrison in THE DEVIL’S DISCIPLE, his Oscar campaign for DOG DAY AFTERNOON, the cult appeal of THE PRINCESS BRIDE, why he felt limited as a replacement in TWO GENTLEMEN OF VERONA, learning from Colleen Dewhurst and George C. Scott, why he wept every time he watched THE LIGHT IN THE PIAZZA, the strangeness of putting together MARCO POLO SINGS A SOLO, why CENSORED SCENES FROM KING KONG didn’t take off on Broadway, his collaboration with Ulu Grosbard, advising James Ivory on STREETS OF NEW YORK, and so much more. Don’t miss this in-depth conversation with a veteran of stage and screen.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4280</itunes:duration>
                <itunes:episode>259</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Carmen Cusack</title>
        <itunes:title>Carmen Cusack</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/carmen-cusack/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/carmen-cusack/#comments</comments>        <pubDate>Tue, 16 Sep 2025 17:46:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cb583bb9-7080-332a-b264-d9f41cda7c71</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony nominee Carmen Cusack. Tune in to hear some of the stories of her legendary career, including collaborating with Steve Martin on BRIGHT STAR, taking LSD to prepare for FLYING OVER SUNSET, her upcoming role in BULL DURHAM, why the revival of CARRIE didn’t work, why the story of WICKED resonated with her, her abbreviated process with CALL ME MADAM, finding her take on the lead role in SOUTH PACIFIC, performing THE SECRET GARDEN for Prince Charles, how she earned an honorary degree, why she was hesitant to accept her role in LEMPICKA, co-starring with Faith Prince and Marin Mazzie, the difficulties of starring in SWEENEY TODD at the MUNY, how she almost became a jazz singer, her journey with THREE SUMMERS OF LINCOLN, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony nominee Carmen Cusack. Tune in to hear some of the stories of her legendary career, including collaborating with Steve Martin on BRIGHT STAR, taking LSD to prepare for FLYING OVER SUNSET, her upcoming role in BULL DURHAM, why the revival of CARRIE didn’t work, why the story of WICKED resonated with her, her abbreviated process with CALL ME MADAM, finding her take on the lead role in SOUTH PACIFIC, performing THE SECRET GARDEN for Prince Charles, how she earned an honorary degree, why she was hesitant to accept her role in LEMPICKA, co-starring with Faith Prince and Marin Mazzie, the difficulties of starring in SWEENEY TODD at the MUNY, how she almost became a jazz singer, her journey with THREE SUMMERS OF LINCOLN, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8kkf2ttmrfs68qc8/cusackfinal.mp3" length="134948018" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with two-time Tony nominee Carmen Cusack. Tune in to hear some of the stories of her legendary career, including collaborating with Steve Martin on BRIGHT STAR, taking LSD to prepare for FLYING OVER SUNSET, her upcoming role in BULL DURHAM, why the revival of CARRIE didn’t work, why the story of WICKED resonated with her, her abbreviated process with CALL ME MADAM, finding her take on the lead role in SOUTH PACIFIC, performing THE SECRET GARDEN for Prince Charles, how she earned an honorary degree, why she was hesitant to accept her role in LEMPICKA, co-starring with Faith Prince and Marin Mazzie, the difficulties of starring in SWEENEY TODD at the MUNY, how she almost became a jazz singer, her journey with THREE SUMMERS OF LINCOLN, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4097</itunes:duration>
                <itunes:episode>258</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dick Scanlan</title>
        <itunes:title>Dick Scanlan</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/dick-scanlan/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/dick-scanlan/#comments</comments>        <pubDate>Mon, 08 Sep 2025 21:49:59 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7ea851e2-27cb-3642-b236-7895be659978</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning writer Dick Scanlan. Tune in to hear some of the stories of his legendary career, including his eight years performing in PAGEANT, how THOROUGHLY MODERN MILLIE turned him into a theater writer, giving Sutton Foster her breakout role in the show, directing Ellen Greene in LITTLE SHOP OF HORRORS, being influenced by Gilbert and Sullivan, the benefit performance that spawned EVERYDAY RAPTURE, editing Poz Magazine, watching THE SOUND OF MUSIC in a theater full of nuns, his unconventional journey from Carnegie Mellon to NYU, his research process for AN OFFICER AND A GENTLEMAN, why he turned down TOOTSIE, the thrill of working with Berry Gordy on MOTOWN, revising THE UNSINKABLE MOLLY BROWN, telling prisoners’ real stories in WHORL INSIDE A LOOP, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best wordsmiths.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning writer Dick Scanlan. Tune in to hear some of the stories of his legendary career, including his eight years performing in PAGEANT, how THOROUGHLY MODERN MILLIE turned him into a theater writer, giving Sutton Foster her breakout role in the show, directing Ellen Greene in LITTLE SHOP OF HORRORS, being influenced by Gilbert and Sullivan, the benefit performance that spawned EVERYDAY RAPTURE, editing Poz Magazine, watching THE SOUND OF MUSIC in a theater full of nuns, his unconventional journey from Carnegie Mellon to NYU, his research process for AN OFFICER AND A GENTLEMAN, why he turned down TOOTSIE, the thrill of working with Berry Gordy on MOTOWN, revising THE UNSINKABLE MOLLY BROWN, telling prisoners’ real stories in WHORL INSIDE A LOOP, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best wordsmiths.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/geyuvi9e2waxb7ws/scanlanfinal.mp3" length="191973632" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-winning writer Dick Scanlan. Tune in to hear some of the stories of his legendary career, including his eight years performing in PAGEANT, how THOROUGHLY MODERN MILLIE turned him into a theater writer, giving Sutton Foster her breakout role in the show, directing Ellen Greene in LITTLE SHOP OF HORRORS, being influenced by Gilbert and Sullivan, the benefit performance that spawned EVERYDAY RAPTURE, editing Poz Magazine, watching THE SOUND OF MUSIC in a theater full of nuns, his unconventional journey from Carnegie Mellon to NYU, his research process for AN OFFICER AND A GENTLEMAN, why he turned down TOOTSIE, the thrill of working with Berry Gordy on MOTOWN, revising THE UNSINKABLE MOLLY BROWN, telling prisoners’ real stories in WHORL INSIDE A LOOP, and so much more. Don’t miss this in-depth conversation with one of Broadway’s best wordsmiths.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5867</itunes:duration>
                <itunes:episode>257</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kate Jennings Grant</title>
        <itunes:title>Kate Jennings Grant</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/kate-jennings-grant/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/kate-jennings-grant/#comments</comments>        <pubDate>Sat, 30 Aug 2025 16:48:09 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/efe1db1b-ea98-3ce1-8dcf-5eb90b0c7f56</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with theater veteran Kate Jennings Grant. Tune in to hear some of the stories of her legendary career, including the secret to her role in PROOF, a full-circle moment with GUYS AND DOLLS, working with the late, great Mark Brokaw and Linda Lavin on THE LYONS, a tip from Vanessa Redgrave, why Christopher Durang wanted her to play the lead in THE MARRIAGE OF BETTE AND BOO, meeting her husband Doug Hughes during BEARD OF AVON, starring in tours of APPLAUSE and FINIAN’S RAINBOW, how Wendy Wasserstein gave her her screen debut, why she loves singing Stephen Sondheim’s music, the notes George C. Wolfe gave her during RADIANT BABY, the joys of co-starring with Wendie Malick in BLITHE SPIRIT, why she turned down SPAMALOT, the injury that caused her brief leave from OLD FRIENDS, the intensity of co-starring with Glenn Close in MOTHER OF THE MAID, coming out of the pandemic with MUCH ADO ABOUT NOTHING, researching her role as Diane Sawyer in FROST/NIXON, what she learned from Tammy Grimes during A LITTLE NIGHT MUSIC, why NOISES OFF was like training for the Olympics, and so much more. Don’t miss this open conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with theater veteran Kate Jennings Grant. Tune in to hear some of the stories of her legendary career, including the secret to her role in PROOF, a full-circle moment with GUYS AND DOLLS, working with the late, great Mark Brokaw and Linda Lavin on THE LYONS, a tip from Vanessa Redgrave, why Christopher Durang wanted her to play the lead in THE MARRIAGE OF BETTE AND BOO, meeting her husband Doug Hughes during BEARD OF AVON, starring in tours of APPLAUSE and FINIAN’S RAINBOW, how Wendy Wasserstein gave her her screen debut, why she loves singing Stephen Sondheim’s music, the notes George C. Wolfe gave her during RADIANT BABY, the joys of co-starring with Wendie Malick in BLITHE SPIRIT, why she turned down SPAMALOT, the injury that caused her brief leave from OLD FRIENDS, the intensity of co-starring with Glenn Close in MOTHER OF THE MAID, coming out of the pandemic with MUCH ADO ABOUT NOTHING, researching her role as Diane Sawyer in FROST/NIXON, what she learned from Tammy Grimes during A LITTLE NIGHT MUSIC, why NOISES OFF was like training for the Olympics, and so much more. Don’t miss this open conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xcd62tjcjn7grwj8/kate_jenn_g_real_finalbgb6u.mp3" length="147159083" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with theater veteran Kate Jennings Grant. Tune in to hear some of the stories of her legendary career, including the secret to her role in PROOF, a full-circle moment with GUYS AND DOLLS, working with the late, great Mark Brokaw and Linda Lavin on THE LYONS, a tip from Vanessa Redgrave, why Christopher Durang wanted her to play the lead in THE MARRIAGE OF BETTE AND BOO, meeting her husband Doug Hughes during BEARD OF AVON, starring in tours of APPLAUSE and FINIAN’S RAINBOW, how Wendy Wasserstein gave her her screen debut, why she loves singing Stephen Sondheim’s music, the notes George C. Wolfe gave her during RADIANT BABY, the joys of co-starring with Wendie Malick in BLITHE SPIRIT, why she turned down SPAMALOT, the injury that caused her brief leave from OLD FRIENDS, the intensity of co-starring with Glenn Close in MOTHER OF THE MAID, coming out of the pandemic with MUCH ADO ABOUT NOTHING, researching her role as Diane Sawyer in FROST/NIXON, what she learned from Tammy Grimes during A LITTLE NIGHT MUSIC, why NOISES OFF was like training for the Olympics, and so much more. Don’t miss this open conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4440</itunes:duration>
                <itunes:episode>256</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Will Brill</title>
        <itunes:title>Will Brill</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/will-brill/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/will-brill/#comments</comments>        <pubDate>Mon, 18 Aug 2025 11:43:44 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2dd99a0a-e909-310e-82a6-817ee33c7025</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Will Brill, who will be starring in MEET THE CARTOZIANS off-Broadway this fall. Tune in to hear some of the stories of his legendary career, including the unique process of creating STEREOPHONIC, moving the show from Playwrights Horizons to Broadway, being part of the Tonys campaign, why the response to OKLAHOMA surprised him, the cosmic alignment of A CASE FOR THE EXISTENCE OF GOD, dealing with different audience interactions during OUR TOWN, finding success on TV with FELLOW TRAVELERS, James Lapine’s fearlessness in shaping ACT ONE, how Tony Shalhoub scripted gibberish, the meta experience of starring in ILLYRIA at the Public Theater, his method of memorizing lines, playing Shakespeare on screen, co-starring with David Cromer in UNCLE VANYA, a guiding quote from Uta Hagen, the mythology around alcoholism in theater, what he learned from James Earl Jones during YOU CAN’T TAKE IT WITH YOU, and so much more. Don’t miss this in-depth conversation with one of Broadway's brightest stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Will Brill, who will be starring in MEET THE CARTOZIANS off-Broadway this fall. Tune in to hear some of the stories of his legendary career, including the unique process of creating STEREOPHONIC, moving the show from Playwrights Horizons to Broadway, being part of the Tonys campaign, why the response to OKLAHOMA surprised him, the cosmic alignment of A CASE FOR THE EXISTENCE OF GOD, dealing with different audience interactions during OUR TOWN, finding success on TV with FELLOW TRAVELERS, James Lapine’s fearlessness in shaping ACT ONE, how Tony Shalhoub scripted gibberish, the meta experience of starring in ILLYRIA at the Public Theater, his method of memorizing lines, playing Shakespeare on screen, co-starring with David Cromer in UNCLE VANYA, a guiding quote from Uta Hagen, the mythology around alcoholism in theater, what he learned from James Earl Jones during YOU CAN’T TAKE IT WITH YOU, and so much more. Don’t miss this in-depth conversation with one of Broadway's brightest stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aizzjb78be5k2emw/willbrillfinal.mp3" length="162110436" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony winner Will Brill, who will be starring in MEET THE CARTOZIANS off-Broadway this fall. Tune in to hear some of the stories of his legendary career, including the unique process of creating STEREOPHONIC, moving the show from Playwrights Horizons to Broadway, being part of the Tonys campaign, why the response to OKLAHOMA surprised him, the cosmic alignment of A CASE FOR THE EXISTENCE OF GOD, dealing with different audience interactions during OUR TOWN, finding success on TV with FELLOW TRAVELERS, James Lapine’s fearlessness in shaping ACT ONE, how Tony Shalhoub scripted gibberish, the meta experience of starring in ILLYRIA at the Public Theater, his method of memorizing lines, playing Shakespeare on screen, co-starring with David Cromer in UNCLE VANYA, a guiding quote from Uta Hagen, the mythology around alcoholism in theater, what he learned from James Earl Jones during YOU CAN’T TAKE IT WITH YOU, and so much more. Don’t miss this in-depth conversation with one of Broadway's brightest stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4967</itunes:duration>
                <itunes:episode>255</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Stephen Lang</title>
        <itunes:title>Stephen Lang</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/stephen-lang/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/stephen-lang/#comments</comments>        <pubDate>Wed, 13 Aug 2025 16:30:42 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e6974ba8-0e17-3903-8f72-ef8f53597b6f</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominee Stephen Lang. Tune in to hear some of the stories of his legendary career, including his memorable audition for DEATH OF A SALESMAN, a harrowing experience onstage during THE SPEED OF DARKNESS, improvising during rehearsals for A FEW GOOD MEN, how he became the youngest honorary member of the D’Oyly Carte Theater Company, why Lynn Redgrave was perfect for SAINT JOAN, working with Arthur Miller on his final play FINISHING THE PICTURE, the challenges of performing with Quentin Tarantino in WAIT UNTIL DARK, why Len Cariou was a perfect co-star for him, how he chose to play the title role in HAMLET on Broadway, what Gerald Schoenfeld taught him about the Tonys, the genesis of his solo show BEYOND GLORY, how that play led to his role in AVATAR, and so much more. Don’t miss this candid conversation with a star of stage and screen.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominee Stephen Lang. Tune in to hear some of the stories of his legendary career, including his memorable audition for DEATH OF A SALESMAN, a harrowing experience onstage during THE SPEED OF DARKNESS, improvising during rehearsals for A FEW GOOD MEN, how he became the youngest honorary member of the D’Oyly Carte Theater Company, why Lynn Redgrave was perfect for SAINT JOAN, working with Arthur Miller on his final play FINISHING THE PICTURE, the challenges of performing with Quentin Tarantino in WAIT UNTIL DARK, why Len Cariou was a perfect co-star for him, how he chose to play the title role in HAMLET on Broadway, what Gerald Schoenfeld taught him about the Tonys, the genesis of his solo show BEYOND GLORY, how that play led to his role in AVATAR, and so much more. Don’t miss this candid conversation with a star of stage and screen.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/npcdcr5hbbgyg46d/slangfinal.mp3" length="132176672" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony nominee Stephen Lang. Tune in to hear some of the stories of his legendary career, including his memorable audition for DEATH OF A SALESMAN, a harrowing experience onstage during THE SPEED OF DARKNESS, improvising during rehearsals for A FEW GOOD MEN, how he became the youngest honorary member of the D’Oyly Carte Theater Company, why Lynn Redgrave was perfect for SAINT JOAN, working with Arthur Miller on his final play FINISHING THE PICTURE, the challenges of performing with Quentin Tarantino in WAIT UNTIL DARK, why Len Cariou was a perfect co-star for him, how he chose to play the title role in HAMLET on Broadway, what Gerald Schoenfeld taught him about the Tonys, the genesis of his solo show BEYOND GLORY, how that play led to his role in AVATAR, and so much more. Don’t miss this candid conversation with a star of stage and screen.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4021</itunes:duration>
                <itunes:episode>254</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mary Elizabeth Mastrantonio</title>
        <itunes:title>Mary Elizabeth Mastrantonio</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/mary-elizabeth-mastrantonio/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/mary-elizabeth-mastrantonio/#comments</comments>        <pubDate>Sat, 09 Aug 2025 14:25:50 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4e6b2fef-ba01-35fc-a9ba-89f9912504c9</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar nominee Mary Elizabeth Mastrantonio. Tune in to hear some of the stories of her legendary career, including her unconventional path to WEST SIDE STORY, how THE HUMAN COMEDY fulfilled a childhood dream, what Brian De Palma taught her during SCARFACE, the thrill of singing SUNDAY IN THE PARK WITH GEORGE, how AMADEUS inspired her to take acting lessons, why Aldonza in MAN OF LA MANCHA is a thankless role, dancing for Jerome Robbins, how THE MARRIAGE OF FIGARO changed courses in rehearsal, why THE KNIFE was ahead of its time, her relationship with Joseph Papp, how she almost starred in KISS ME, KATE, the extended rehearsal process for THE COLOR OF MONEY, how theater is different in London, balancing jet lag with LAW AND ORDER, how Roger Rees led the company of THE WINSLOW BOY, and so much more. Don’t miss this candid conversation with a star of stage and screen.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Oscar nominee Mary Elizabeth Mastrantonio. Tune in to hear some of the stories of her legendary career, including her unconventional path to WEST SIDE STORY, how THE HUMAN COMEDY fulfilled a childhood dream, what Brian De Palma taught her during SCARFACE, the thrill of singing SUNDAY IN THE PARK WITH GEORGE, how AMADEUS inspired her to take acting lessons, why Aldonza in MAN OF LA MANCHA is a thankless role, dancing for Jerome Robbins, how THE MARRIAGE OF FIGARO changed courses in rehearsal, why THE KNIFE was ahead of its time, her relationship with Joseph Papp, how she almost starred in KISS ME, KATE, the extended rehearsal process for THE COLOR OF MONEY, how theater is different in London, balancing jet lag with LAW AND ORDER, how Roger Rees led the company of THE WINSLOW BOY, and so much more. Don’t miss this candid conversation with a star of stage and screen.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9bg3xugp3f3s6sjz/memfinal.mp3" length="134034190" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Oscar nominee Mary Elizabeth Mastrantonio. Tune in to hear some of the stories of her legendary career, including her unconventional path to WEST SIDE STORY, how THE HUMAN COMEDY fulfilled a childhood dream, what Brian De Palma taught her during SCARFACE, the thrill of singing SUNDAY IN THE PARK WITH GEORGE, how AMADEUS inspired her to take acting lessons, why Aldonza in MAN OF LA MANCHA is a thankless role, dancing for Jerome Robbins, how THE MARRIAGE OF FIGARO changed courses in rehearsal, why THE KNIFE was ahead of its time, her relationship with Joseph Papp, how she almost starred in KISS ME, KATE, the extended rehearsal process for THE COLOR OF MONEY, how theater is different in London, balancing jet lag with LAW AND ORDER, how Roger Rees led the company of THE WINSLOW BOY, and so much more. Don’t miss this candid conversation with a star of stage and screen.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4121</itunes:duration>
                <itunes:episode>253</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>John Benjamin Hickey</title>
        <itunes:title>John Benjamin Hickey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/john-benjamin-hickey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/john-benjamin-hickey/#comments</comments>        <pubDate>Thu, 31 Jul 2025 12:38:46 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b8dac564-ea5b-320d-ab19-3509dd846dd5</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winning actor and director John Benjamin Hickey. Tune in to hear some of the stories of his legendary career, including how Terrence McNally took a chance on him for LOVE! VALOUR! COMPASSION!, the joys of playing opposite Natasha Richardson in CABARET, singing for Stephen Sondheim, reimagining THE CRUCIBLE in the 9/11 era, how coming out helped him find ideal collaborators, how Julie White and Theresa Rebeck made him become a director, why he wanted to revive PLAZA SUITE, why his role in MARY STUART was especially challenging, how Neil Simon’s politics have been misunderstood, revisiting THE NORMAL HEART with Larry Kramer, why the revival of SIX DEGREES OF SEPARATION didn’t take off, the profound effect that THE INHERITANCE had on audiences, and so much more. Don’t miss this in-depth conversation with a true Broadway favorite.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winning actor and director John Benjamin Hickey. Tune in to hear some of the stories of his legendary career, including how Terrence McNally took a chance on him for LOVE! VALOUR! COMPASSION!, the joys of playing opposite Natasha Richardson in CABARET, singing for Stephen Sondheim, reimagining THE CRUCIBLE in the 9/11 era, how coming out helped him find ideal collaborators, how Julie White and Theresa Rebeck made him become a director, why he wanted to revive PLAZA SUITE, why his role in MARY STUART was especially challenging, how Neil Simon’s politics have been misunderstood, revisiting THE NORMAL HEART with Larry Kramer, why the revival of SIX DEGREES OF SEPARATION didn’t take off, the profound effect that THE INHERITANCE had on audiences, and so much more. Don’t miss this in-depth conversation with a true Broadway favorite.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pdg26t4eq8ehkpf6/hickey_final9eie8.mp3" length="148816656" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony winning actor and director John Benjamin Hickey. Tune in to hear some of the stories of his legendary career, including how Terrence McNally took a chance on him for LOVE! VALOUR! COMPASSION!, the joys of playing opposite Natasha Richardson in CABARET, singing for Stephen Sondheim, reimagining THE CRUCIBLE in the 9/11 era, how coming out helped him find ideal collaborators, how Julie White and Theresa Rebeck made him become a director, why he wanted to revive PLAZA SUITE, why his role in MARY STUART was especially challenging, how Neil Simon’s politics have been misunderstood, revisiting THE NORMAL HEART with Larry Kramer, why the revival of SIX DEGREES OF SEPARATION didn’t take off, the profound effect that THE INHERITANCE had on audiences, and so much more. Don’t miss this in-depth conversation with a true Broadway favorite.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4566</itunes:duration>
                <itunes:episode>252</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wayne Cilento</title>
        <itunes:title>Wayne Cilento</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/wayne-cilento/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/wayne-cilento/#comments</comments>        <pubDate>Sun, 27 Jul 2025 10:48:32 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a7f836cc-0f4f-3a5b-83e1-05e975bc8a8f</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce the 250th episode of Backstage Babble. The mission of the podcast has always been to document Broadway history, and I’m thrilled to welcome a man who has had a profound influence on Broadway history over several eras in his work as a dancer and a choreographer: Wayne Cilento. Tune in to hear some of the stories of his legendary career, including his reflections on the 50th anniversary of A CHORUS LINE, how Michael Bennett kept the show on track, discussing BIG DEAL with Bob Fosse, reinventing DANCIN’ for 2023 audiences, creating a movement style for WICKED, collaborating with Des McAnuff on TOMMY and HOW TO SUCCEED, how an Elvis Presley postcard inspired “Pinball Wizard,” how THE ACT led him to become a choreographer, how choreographing commercials helped him hone his skills as a director, the challenges of reviving SWEET CHARITY, making his Broadway debut with BABY, working with Heather Headley on AIDA, coming in on DREAM at the last minute, lending his talents to HIGH SOCIETY and THE MAGIC SHOW, why he turned down SUMMER, choreographing Chita Rivera in JERRY’S GIRLS, choreographing acts for everyone from Carol Channing to Alicia Keys, exploring new forms of dance for HOLLER IF YA HEAR ME, backstage shenanigans at SEESAW, his memories of RACHAEL LILY ROSENBLOOM…, and so much more. Don’t miss this in-depth conversation with a seven-time Tony nominee and true Broadway veteran.</p>
<p class="p2"> </p>
<p class="p1">Wildcat Tickets: <a href='https://54below.org/events/54-sings-wildcat/'>https://54below.org/events/54-sings-wildcat/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce the 250th episode of Backstage Babble. The mission of the podcast has always been to document Broadway history, and I’m thrilled to welcome a man who has had a profound influence on Broadway history over several eras in his work as a dancer and a choreographer: Wayne Cilento. Tune in to hear some of the stories of his legendary career, including his reflections on the 50th anniversary of A CHORUS LINE, how Michael Bennett kept the show on track, discussing BIG DEAL with Bob Fosse, reinventing DANCIN’ for 2023 audiences, creating a movement style for WICKED, collaborating with Des McAnuff on TOMMY and HOW TO SUCCEED, how an Elvis Presley postcard inspired “Pinball Wizard,” how THE ACT led him to become a choreographer, how choreographing commercials helped him hone his skills as a director, the challenges of reviving SWEET CHARITY, making his Broadway debut with BABY, working with Heather Headley on AIDA, coming in on DREAM at the last minute, lending his talents to HIGH SOCIETY and THE MAGIC SHOW, why he turned down SUMMER, choreographing Chita Rivera in JERRY’S GIRLS, choreographing acts for everyone from Carol Channing to Alicia Keys, exploring new forms of dance for HOLLER IF YA HEAR ME, backstage shenanigans at SEESAW, his memories of RACHAEL LILY ROSENBLOOM…, and so much more. Don’t miss this in-depth conversation with a seven-time Tony nominee and true Broadway veteran.</p>
<p class="p2"> </p>
<p class="p1">Wildcat Tickets: <a href='https://54below.org/events/54-sings-wildcat/'>https://54below.org/events/54-sings-wildcat/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/syp3b39c8kjjtix5/cilento_final96a32.mp3" length="196181756" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce the 250th episode of Backstage Babble. The mission of the podcast has always been to document Broadway history, and I’m thrilled to welcome a man who has had a profound influence on Broadway history over several eras in his work as a dancer and a choreographer: Wayne Cilento. Tune in to hear some of the stories of his legendary career, including his reflections on the 50th anniversary of A CHORUS LINE, how Michael Bennett kept the show on track, discussing BIG DEAL with Bob Fosse, reinventing DANCIN’ for 2023 audiences, creating a movement style for WICKED, collaborating with Des McAnuff on TOMMY and HOW TO SUCCEED, how an Elvis Presley postcard inspired “Pinball Wizard,” how THE ACT led him to become a choreographer, how choreographing commercials helped him hone his skills as a director, the challenges of reviving SWEET CHARITY, making his Broadway debut with BABY, working with Heather Headley on AIDA, coming in on DREAM at the last minute, lending his talents to HIGH SOCIETY and THE MAGIC SHOW, why he turned down SUMMER, choreographing Chita Rivera in JERRY’S GIRLS, choreographing acts for everyone from Carol Channing to Alicia Keys, exploring new forms of dance for HOLLER IF YA HEAR ME, backstage shenanigans at SEESAW, his memories of RACHAEL LILY ROSENBLOOM…, and so much more. Don’t miss this in-depth conversation with a seven-time Tony nominee and true Broadway veteran.
 
Wildcat Tickets: https://54below.org/events/54-sings-wildcat/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5957</itunes:duration>
                <itunes:episode>251</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Frank "Fraver" Verlizzo</title>
        <itunes:title>Frank "Fraver" Verlizzo</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/frank-fraver-verlizzo/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/frank-fraver-verlizzo/#comments</comments>        <pubDate>Sat, 12 Jul 2025 21:44:11 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/84c7fbff-7536-36a2-822d-d8f8ee06c8b7</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway poster artist Frank “Fraver” Verlizzo, whose new murder mystery Scenery of the Crime is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including how the movie of THE LION KING inspired his logo design, showing Angela Lansbury the SWEENEY TODD logo, his career renaissance as a mystery writer, his early work on OVER HERE and GYPSY, designing two logos for WHOSE LIFE IS IT ANYWAY?, Stephen Sondheim’s note on his logo for GETTING AWAY WITH MURDER, why he focuses on the font of the title of a show, his favorite poster that never made it, presenting his A DOLL’S LIFE designs to Hal Prince, the two Susan Schulman’s who brought his book to fruition, paying tribute to Saul Bass with his PRYMATE design, coming up with different takes on MORNING’S AT SEVEN, venturing into advertising with IMAGINARY FRIENDS, his thoughts on AI art, and so much more. Don’t miss this candid conversation with a true visionary.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway poster artist Frank “Fraver” Verlizzo, whose new murder mystery Scenery of the Crime is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including how the movie of THE LION KING inspired his logo design, showing Angela Lansbury the SWEENEY TODD logo, his career renaissance as a mystery writer, his early work on OVER HERE and GYPSY, designing two logos for WHOSE LIFE IS IT ANYWAY?, Stephen Sondheim’s note on his logo for GETTING AWAY WITH MURDER, why he focuses on the font of the title of a show, his favorite poster that never made it, presenting his A DOLL’S LIFE designs to Hal Prince, the two Susan Schulman’s who brought his book to fruition, paying tribute to Saul Bass with his PRYMATE design, coming up with different takes on MORNING’S AT SEVEN, venturing into advertising with IMAGINARY FRIENDS, his thoughts on AI art, and so much more. Don’t miss this candid conversation with a true visionary.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d9sxevsph3ixdxq7/fraverr.mp3" length="111336739" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway poster artist Frank “Fraver” Verlizzo, whose new murder mystery Scenery of the Crime is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including how the movie of THE LION KING inspired his logo design, showing Angela Lansbury the SWEENEY TODD logo, his career renaissance as a mystery writer, his early work on OVER HERE and GYPSY, designing two logos for WHOSE LIFE IS IT ANYWAY?, Stephen Sondheim’s note on his logo for GETTING AWAY WITH MURDER, why he focuses on the font of the title of a show, his favorite poster that never made it, presenting his A DOLL’S LIFE designs to Hal Prince, the two Susan Schulman’s who brought his book to fruition, paying tribute to Saul Bass with his PRYMATE design, coming up with different takes on MORNING’S AT SEVEN, venturing into advertising with IMAGINARY FRIENDS, his thoughts on AI art, and so much more. Don’t miss this candid conversation with a true visionary.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3429</itunes:duration>
                <itunes:episode>250</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ann Morrison</title>
        <itunes:title>Ann Morrison</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/ann-morrison/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/ann-morrison/#comments</comments>        <pubDate>Wed, 09 Jul 2025 18:35:02 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ad4aa9d8-6cfe-3c9d-b256-edb5c2d88d24</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Ann Morrison, who is about to take over the lead role on the tour of KIMBERLY AKIMBO. Tune in to hear some of the stories of her legendary career, including how Stephen Sondheim wrote “Now You Know” for her, her favorite revival of MERILY WE ROLL ALONG, modeling Mary Flynn after Mary Rodgers, how Hal Prince cast her in LOVEMUSIK, her international audition process for PEG, telling Mabel Normand’s story in KEYSTONE, running a theater company with her ex-husband, what she brought to the role of King Herod in JESUS CHRIST SUPERSTAR, working with Jessica Stone to find her take on Kimberly Levaco, and so much more. Don’t miss this inspiring conversation with one of Broadway’s most unique talents.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Ann Morrison, who is about to take over the lead role on the tour of KIMBERLY AKIMBO. Tune in to hear some of the stories of her legendary career, including how Stephen Sondheim wrote “Now You Know” for her, her favorite revival of MERILY WE ROLL ALONG, modeling Mary Flynn after Mary Rodgers, how Hal Prince cast her in LOVEMUSIK, her international audition process for PEG, telling Mabel Normand’s story in KEYSTONE, running a theater company with her ex-husband, what she brought to the role of King Herod in JESUS CHRIST SUPERSTAR, working with Jessica Stone to find her take on Kimberly Levaco, and so much more. Don’t miss this inspiring conversation with one of Broadway’s most unique talents.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qi9g9aufxitxqata/Ann_Morrison_Final7ax5s.mp3" length="118232285" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway veteran Ann Morrison, who is about to take over the lead role on the tour of KIMBERLY AKIMBO. Tune in to hear some of the stories of her legendary career, including how Stephen Sondheim wrote “Now You Know” for her, her favorite revival of MERILY WE ROLL ALONG, modeling Mary Flynn after Mary Rodgers, how Hal Prince cast her in LOVEMUSIK, her international audition process for PEG, telling Mabel Normand’s story in KEYSTONE, running a theater company with her ex-husband, what she brought to the role of King Herod in JESUS CHRIST SUPERSTAR, working with Jessica Stone to find her take on Kimberly Levaco, and so much more. Don’t miss this inspiring conversation with one of Broadway’s most unique talents.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3598</itunes:duration>
                <itunes:episode>249</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Adam Grupper</title>
        <itunes:title>Adam Grupper</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/adam-grupper/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/adam-grupper/#comments</comments>        <pubDate>Fri, 04 Jul 2025 15:58:10 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c0dd477d-4883-3702-8fa9-8deb87a9055d</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Adam Grupper, who is currently starring in Joy at the Laura Pels Theater. Tune in to hear some of the stories of his legendary career, including working with Stephen Sondheim on INTO THE WOODS, turning down KISS OF THE SPIDERWOMAN, a memorable mishap during CITY OF ANGELS, a tip from Robert Westenberg about THE SECRET GARDEN, the joy of reading audiobooks, getting group notes during GUYS AND DOLLS, how NO WAY TO TREAT A LADY launched his career, the stories Eli Wallach and Anne Jackson told him during DOWN THE GARDEN PATH, the idea of masks in THE WILD PARTY, performing Neil Simon’s work in BRIGHTON BEACH MEMOIRS and 45 SECONDS FROM BROADWAY, learning opera singing for LA BOHEME, having his son reprise his role in THE ADDAMS FAMILY, a water pipe issue during PICTURES FROM HOME, performing MY FAIR LADY in front of Mike Pence, delivering a John Weidman monologue in I CAN GET IT FOR YOU WHOLESALE, and so much more. Plus, a special treat: a recording of Adam singing “When Your Lover Says Goodbye” from the Alan Jay Lerner musical Coco at 54 Below last month. Don’t miss this comprehensive conversation with a true Broadway veteran.</p>
<p class="p1">In-person and livestream tickets for Backstage Babble Live: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a> 35% off today only with code BABBLE35.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Adam Grupper, who is currently starring in Joy at the Laura Pels Theater. Tune in to hear some of the stories of his legendary career, including working with Stephen Sondheim on INTO THE WOODS, turning down KISS OF THE SPIDERWOMAN, a memorable mishap during CITY OF ANGELS, a tip from Robert Westenberg about THE SECRET GARDEN, the joy of reading audiobooks, getting group notes during GUYS AND DOLLS, how NO WAY TO TREAT A LADY launched his career, the stories Eli Wallach and Anne Jackson told him during DOWN THE GARDEN PATH, the idea of masks in THE WILD PARTY, performing Neil Simon’s work in BRIGHTON BEACH MEMOIRS and 45 SECONDS FROM BROADWAY, learning opera singing for LA BOHEME, having his son reprise his role in THE ADDAMS FAMILY, a water pipe issue during PICTURES FROM HOME, performing MY FAIR LADY in front of Mike Pence, delivering a John Weidman monologue in I CAN GET IT FOR YOU WHOLESALE, and so much more. Plus, a special treat: a recording of Adam singing “When Your Lover Says Goodbye” from the Alan Jay Lerner musical Coco at 54 Below last month. Don’t miss this comprehensive conversation with a true Broadway veteran.</p>
<p class="p1">In-person and livestream tickets for Backstage Babble Live: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a> 35% off today only with code BABBLE35.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/54sgap6h4ga7jyae/Adam_Grupper_Final8f8ld.mp3" length="149196671" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Adam Grupper, who is currently starring in Joy at the Laura Pels Theater. Tune in to hear some of the stories of his legendary career, including working with Stephen Sondheim on INTO THE WOODS, turning down KISS OF THE SPIDERWOMAN, a memorable mishap during CITY OF ANGELS, a tip from Robert Westenberg about THE SECRET GARDEN, the joy of reading audiobooks, getting group notes during GUYS AND DOLLS, how NO WAY TO TREAT A LADY launched his career, the stories Eli Wallach and Anne Jackson told him during DOWN THE GARDEN PATH, the idea of masks in THE WILD PARTY, performing Neil Simon’s work in BRIGHTON BEACH MEMOIRS and 45 SECONDS FROM BROADWAY, learning opera singing for LA BOHEME, having his son reprise his role in THE ADDAMS FAMILY, a water pipe issue during PICTURES FROM HOME, performing MY FAIR LADY in front of Mike Pence, delivering a John Weidman monologue in I CAN GET IT FOR YOU WHOLESALE, and so much more. Plus, a special treat: a recording of Adam singing “When Your Lover Says Goodbye” from the Alan Jay Lerner musical Coco at 54 Below last month. Don’t miss this comprehensive conversation with a true Broadway veteran.
In-person and livestream tickets for Backstage Babble Live: https://54below.org/events/charles-kirschs-backstage-babble-live-4/ 35% off today only with code BABBLE35.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4379</itunes:duration>
                <itunes:episode>248</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jonathan Tolins</title>
        <itunes:title>Jonathan Tolins</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jonathan-tolins/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jonathan-tolins/#comments</comments>        <pubDate>Tue, 01 Jul 2025 20:52:27 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/50554db4-1ffc-38f9-863c-d2e649546c49</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with playwright and screenwriter Jonathan Tolins. Tune in to hear some of the stories of his legendary career, including the joke he couldn’t include in the Tony awards, how Barbra Streisand reacted to BUYER AND CELLAR, working with Broadway favorites on ELSBETH, revising the book for ON THE TOWN, the ill-fated TRUMP FOLLIES, the responsibility of writing for QUEER AS FOLK, THE TWILIGHT OF THE GOLDS’s journey to Broadway, why he changed the ending for the film adaptation, his relationship with Bette Midler, taking on a hot-button issue in IF MEMORY SERVES, writing MAJOR DOMO and THE PETRIES as sitcom pilots for Michael Urie, developing TAKE THE LEAD, the potential third season of SCHMIGADOON, and so much more. Don’t miss this hilarious and candid conversation with one of Broadway and television’s best writers.</p>
<p class="p1">In-person and livestream tickets for Backstage Babble Live: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with playwright and screenwriter Jonathan Tolins. Tune in to hear some of the stories of his legendary career, including the joke he couldn’t include in the Tony awards, how Barbra Streisand reacted to BUYER AND CELLAR, working with Broadway favorites on ELSBETH, revising the book for ON THE TOWN, the ill-fated TRUMP FOLLIES, the responsibility of writing for QUEER AS FOLK, THE TWILIGHT OF THE GOLDS’s journey to Broadway, why he changed the ending for the film adaptation, his relationship with Bette Midler, taking on a hot-button issue in IF MEMORY SERVES, writing MAJOR DOMO and THE PETRIES as sitcom pilots for Michael Urie, developing TAKE THE LEAD, the potential third season of SCHMIGADOON, and so much more. Don’t miss this hilarious and candid conversation with one of Broadway and television’s best writers.</p>
<p class="p1">In-person and livestream tickets for Backstage Babble Live: <a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fgpkbd8bgrgpuz5h/Jonathan_Tolins_Finalbn0qd.mp3" length="124952399" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with playwright and screenwriter Jonathan Tolins. Tune in to hear some of the stories of his legendary career, including the joke he couldn’t include in the Tony awards, how Barbra Streisand reacted to BUYER AND CELLAR, working with Broadway favorites on ELSBETH, revising the book for ON THE TOWN, the ill-fated TRUMP FOLLIES, the responsibility of writing for QUEER AS FOLK, THE TWILIGHT OF THE GOLDS’s journey to Broadway, why he changed the ending for the film adaptation, his relationship with Bette Midler, taking on a hot-button issue in IF MEMORY SERVES, writing MAJOR DOMO and THE PETRIES as sitcom pilots for Michael Urie, developing TAKE THE LEAD, the potential third season of SCHMIGADOON, and so much more. Don’t miss this hilarious and candid conversation with one of Broadway and television’s best writers.
In-person and livestream tickets for Backstage Babble Live: https://54below.org/events/charles-kirschs-backstage-babble-live-4/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3829</itunes:duration>
                <itunes:episode>247</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sally Murphy</title>
        <itunes:title>Sally Murphy</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sally-murphy/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sally-murphy/#comments</comments>        <pubDate>Thu, 26 Jun 2025 16:13:56 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5737aa4a-870c-3934-a89b-16ba7c97bb26</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Sally Murphy, who will recreate her role as Julie Jordan in Carousel my next Backstage Babble Live! concert on Monday, July 7 at 7 PM. In-person and livestream tickets are available here:</p>
<p class="p1"><a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a></p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including observing the audience reaction at AUGUST: OSAGE COUNTY, a fateful audition for ASSASSINS, how Nicholas Hytner guided her during CAROUSEL, performing without speaking in THE WILD PARTY, keeping up THE MINUTES during the pandemic, working with Sheldon Harnick and Jerry Bock on FIDDLER ON THE ROOF, backstage games during A MAN OF NO IMPORTANCE, her upcoming role in AMADEUS, the challenges of starring in LINDA VISTA, being mentored by Lois Smith during THE GRAPES OF WRATH and beyond, telling a true story in BRUTAL IMAGINATION, and so much more. Don’t miss this expansive conversation with one of Broadway’s best actresses.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Sally Murphy, who will recreate her role as Julie Jordan in Carousel my next Backstage Babble Live! concert on Monday, July 7 at 7 PM. In-person and livestream tickets are available here:</p>
<p class="p1"><a href='https://54below.org/events/charles-kirschs-backstage-babble-live-4/'>https://54below.org/events/charles-kirschs-backstage-babble-live-4/</a></p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including observing the audience reaction at AUGUST: OSAGE COUNTY, a fateful audition for ASSASSINS, how Nicholas Hytner guided her during CAROUSEL, performing without speaking in THE WILD PARTY, keeping up THE MINUTES during the pandemic, working with Sheldon Harnick and Jerry Bock on FIDDLER ON THE ROOF, backstage games during A MAN OF NO IMPORTANCE, her upcoming role in AMADEUS, the challenges of starring in LINDA VISTA, being mentored by Lois Smith during THE GRAPES OF WRATH and beyond, telling a true story in BRUTAL IMAGINATION, and so much more. Don’t miss this expansive conversation with one of Broadway’s best actresses.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4txzd9ea3zxjmeq4/Sally_Murphy_Finalbowg7.mp3" length="147478558" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway veteran Sally Murphy, who will recreate her role as Julie Jordan in Carousel my next Backstage Babble Live! concert on Monday, July 7 at 7 PM. In-person and livestream tickets are available here:
https://54below.org/events/charles-kirschs-backstage-babble-live-4/
Tune in to hear some of the stories of her legendary career, including observing the audience reaction at AUGUST: OSAGE COUNTY, a fateful audition for ASSASSINS, how Nicholas Hytner guided her during CAROUSEL, performing without speaking in THE WILD PARTY, keeping up THE MINUTES during the pandemic, working with Sheldon Harnick and Jerry Bock on FIDDLER ON THE ROOF, backstage games during A MAN OF NO IMPORTANCE, her upcoming role in AMADEUS, the challenges of starring in LINDA VISTA, being mentored by Lois Smith during THE GRAPES OF WRATH and beyond, telling a true story in BRUTAL IMAGINATION, and so much more. Don’t miss this expansive conversation with one of Broadway’s best actresses.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4415</itunes:duration>
                <itunes:episode>246</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Edie Cowan</title>
        <itunes:title>Edie Cowan</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/edie-cowan/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/edie-cowan/#comments</comments>        <pubDate>Fri, 20 Jun 2025 11:40:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7ea33f09-4eae-33a3-a5dd-fab4f07c4430</guid>
                                    <description><![CDATA[<p class="p1">This is a bittersweet day on Backstage Babble. I am proud to present my interview, recorded in January 2025, with legendary Broadway dancer and choreographer Edie Cowan. Ms. Cowan passed away on May 22, 2025 at the age of 88. It is a very sad loss for theater lovers everywhere, and I hope this interview will give you a sense of her humor, talent, and unique spark. Tune in to hear some of the stories of her wonderful career, including how the original production of OKLAHOMA inspired her love of theater, why Carol Haney selected her for FUNNY GIRL, the changes made to “Cornet Man” and “Rat-a-Tat-Tat,” replacing George Sanders with Clive Revill in SHERRY, working with a cast of veterans on the tour of FOLLIES, finding her take on the role of Lily St. Regis in ANNIE, the advice she got from Dorothy Loudon, how the whole original company of ANNIE ended up getting fired, how her role in Equity led to being involved in the MISS SAIGON conflict, how she met Howard Ashman at Indiana University, casting the Urchins in LITTLE SHOP OF HORRORS, choreographing “Mushnik and Son,” why the show belongs off-Broadway, how she ended up working for the State Department, and so much more. You won’t want to miss this interview with a true theater veteran.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">This is a bittersweet day on Backstage Babble. I am proud to present my interview, recorded in January 2025, with legendary Broadway dancer and choreographer Edie Cowan. Ms. Cowan passed away on May 22, 2025 at the age of 88. It is a very sad loss for theater lovers everywhere, and I hope this interview will give you a sense of her humor, talent, and unique spark. Tune in to hear some of the stories of her wonderful career, including how the original production of OKLAHOMA inspired her love of theater, why Carol Haney selected her for FUNNY GIRL, the changes made to “Cornet Man” and “Rat-a-Tat-Tat,” replacing George Sanders with Clive Revill in SHERRY, working with a cast of veterans on the tour of FOLLIES, finding her take on the role of Lily St. Regis in ANNIE, the advice she got from Dorothy Loudon, how the whole original company of ANNIE ended up getting fired, how her role in Equity led to being involved in the MISS SAIGON conflict, how she met Howard Ashman at Indiana University, casting the Urchins in LITTLE SHOP OF HORRORS, choreographing “Mushnik and Son,” why the show belongs off-Broadway, how she ended up working for the State Department, and so much more. You won’t want to miss this interview with a true theater veteran.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ew76eb4kryvmgjzs/ecowfinal.mp3" length="117543344" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is a bittersweet day on Backstage Babble. I am proud to present my interview, recorded in January 2025, with legendary Broadway dancer and choreographer Edie Cowan. Ms. Cowan passed away on May 22, 2025 at the age of 88. It is a very sad loss for theater lovers everywhere, and I hope this interview will give you a sense of her humor, talent, and unique spark. Tune in to hear some of the stories of her wonderful career, including how the original production of OKLAHOMA inspired her love of theater, why Carol Haney selected her for FUNNY GIRL, the changes made to “Cornet Man” and “Rat-a-Tat-Tat,” replacing George Sanders with Clive Revill in SHERRY, working with a cast of veterans on the tour of FOLLIES, finding her take on the role of Lily St. Regis in ANNIE, the advice she got from Dorothy Loudon, how the whole original company of ANNIE ended up getting fired, how her role in Equity led to being involved in the MISS SAIGON conflict, how she met Howard Ashman at Indiana University, casting the Urchins in LITTLE SHOP OF HORRORS, choreographing “Mushnik and Son,” why the show belongs off-Broadway, how she ended up working for the State Department, and so much more. You won’t want to miss this interview with a true theater veteran.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3578</itunes:duration>
                <itunes:episode>245</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jeffrey Seller</title>
        <itunes:title>Jeffrey Seller</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jeffrey-seller/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jeffrey-seller/#comments</comments>        <pubDate>Mon, 16 Jun 2025 22:07:12 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8ee5663a-0508-3e7d-9d3e-37f25254a099</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway producer Jeffrey Seller, whose new memoir Theater Kid is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including celebrating HAMILTON’s tenth anniversary, making RENT accessible to younger audiences, launching a Tony campaign for AVENUE Q, presenting DERREN BROWN: SECRET on Broadway, how the revivals of SWEENEY TODD and WEST SIDE STORY came about, his 50,000-ticket litmus test, directing FLY out of town, Broadway’s recovery from the pandemic, working with Hal Prince on PRINCE OF BROADWAY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest creative minds.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway producer Jeffrey Seller, whose new memoir Theater Kid is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including celebrating HAMILTON’s tenth anniversary, making RENT accessible to younger audiences, launching a Tony campaign for AVENUE Q, presenting DERREN BROWN: SECRET on Broadway, how the revivals of SWEENEY TODD and WEST SIDE STORY came about, his 50,000-ticket litmus test, directing FLY out of town, Broadway’s recovery from the pandemic, working with Hal Prince on PRINCE OF BROADWAY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest creative minds.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7hagwfbd2vetyds8/Jeffrey_Sellerr91se8.mp3" length="127233626" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway producer Jeffrey Seller, whose new memoir Theater Kid is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including celebrating HAMILTON’s tenth anniversary, making RENT accessible to younger audiences, launching a Tony campaign for AVENUE Q, presenting DERREN BROWN: SECRET on Broadway, how the revivals of SWEENEY TODD and WEST SIDE STORY came about, his 50,000-ticket litmus test, directing FLY out of town, Broadway’s recovery from the pandemic, working with Hal Prince on PRINCE OF BROADWAY, and so much more. Don’t miss this in-depth conversation with one of Broadway’s brightest creative minds.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3889</itunes:duration>
                <itunes:episode>244</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sarna Lapine</title>
        <itunes:title>Sarna Lapine</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sarna-lapine/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sarna-lapine/#comments</comments>        <pubDate>Tue, 10 Jun 2025 14:06:34 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9a76259d-ebba-39da-8a35-7b8bebcc390b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway director Sarna Lapine, whose show CALL ME IZZY is currently playing on Broadway. Tune in to hear some of the stories of her legendary career, including working as an assistant director to Bartlett Sher, helping to cast the revival of AWAKE AND SING, how the Obama presidency aligned with the story of SOUTH PACIFIC, how her path to theater mirrored her uncle James Lapine, how the tour of WAR HORSE helped her find her own path as a director, why she doesn’t like using projections, the challenges of adapting Almodovar in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, collaborating with Kate Hamill on LITTLE WOMEN and DRACULA, the work ethic of making theater in Japan, how she came to direct the Broadway revival of SUNDAY IN THE PARK WITH GEORGE, importing technology from Germany to create the chromolumes, using her filmmaking experience for SONDHEIM ON SONDHEIM, the joys of collaborating with Jean Smart, and so much more. Don’t miss this expansive conversation with one of Broadway’s best directors.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway director Sarna Lapine, whose show CALL ME IZZY is currently playing on Broadway. Tune in to hear some of the stories of her legendary career, including working as an assistant director to Bartlett Sher, helping to cast the revival of AWAKE AND SING, how the Obama presidency aligned with the story of SOUTH PACIFIC, how her path to theater mirrored her uncle James Lapine, how the tour of WAR HORSE helped her find her own path as a director, why she doesn’t like using projections, the challenges of adapting Almodovar in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, collaborating with Kate Hamill on LITTLE WOMEN and DRACULA, the work ethic of making theater in Japan, how she came to direct the Broadway revival of SUNDAY IN THE PARK WITH GEORGE, importing technology from Germany to create the chromolumes, using her filmmaking experience for SONDHEIM ON SONDHEIM, the joys of collaborating with Jean Smart, and so much more. Don’t miss this expansive conversation with one of Broadway’s best directors.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4rxhkcszcw3adutm/SarnaLapFinal.mp3" length="129860034" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway director Sarna Lapine, whose show CALL ME IZZY is currently playing on Broadway. Tune in to hear some of the stories of her legendary career, including working as an assistant director to Bartlett Sher, helping to cast the revival of AWAKE AND SING, how the Obama presidency aligned with the story of SOUTH PACIFIC, how her path to theater mirrored her uncle James Lapine, how the tour of WAR HORSE helped her find her own path as a director, why she doesn’t like using projections, the challenges of adapting Almodovar in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, collaborating with Kate Hamill on LITTLE WOMEN and DRACULA, the work ethic of making theater in Japan, how she came to direct the Broadway revival of SUNDAY IN THE PARK WITH GEORGE, importing technology from Germany to create the chromolumes, using her filmmaking experience for SONDHEIM ON SONDHEIM, the joys of collaborating with Jean Smart, and so much more. Don’t miss this expansive conversation with one of Broadway’s best directors.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3935</itunes:duration>
                <itunes:episode>243</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Judith Ivey</title>
        <itunes:title>Judith Ivey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/judith-ivey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/judith-ivey/#comments</comments>        <pubDate>Sat, 31 May 2025 11:23:42 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/52286767-d5f9-37e8-9464-71ef0a67f170</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r9q94kv84ejkpsw7/jivfinal.mp3" length="179309040" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5502</itunes:duration>
                <itunes:episode>242</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Craig Bierko</title>
        <itunes:title>Craig Bierko</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/craig-bierko/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/craig-bierko/#comments</comments>        <pubDate>Fri, 23 May 2025 16:14:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2f3718c9-5d23-316c-bea9-a58514da4e22</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony nominee Craig Bierko. Tune in to hear some of the stories of her legendary career, including what he learned from Meredith Willson’s notes in the script of THE MUSIC MAN, dancing with Rebecca Luker, the “stop-start” feeling of THOU SHALT NOT, how James Lapine approached directing MODERN ORTHODOX, the Jewishness that is needed in GUYS AND DOLLS, why he didn’t connect to the character of Miss Trunchbull in MATILDA, what it was like performing GIRL FROM THE NORTH COUNTRY just after the pandemic, why STANDING ON CEREMONY didn’t work in New York, his efforts to revive LITTLE MARY SUNSHINE, talking to Patti LuPone backstage during COMPANY, a meaningful moment with Stephen Sondheim, playing opposite Len Cariou in HARRY TOWNSEND’S LAST STAND, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony nominee Craig Bierko. Tune in to hear some of the stories of her legendary career, including what he learned from Meredith Willson’s notes in the script of THE MUSIC MAN, dancing with Rebecca Luker, the “stop-start” feeling of THOU SHALT NOT, how James Lapine approached directing MODERN ORTHODOX, the Jewishness that is needed in GUYS AND DOLLS, why he didn’t connect to the character of Miss Trunchbull in MATILDA, what it was like performing GIRL FROM THE NORTH COUNTRY just after the pandemic, why STANDING ON CEREMONY didn’t work in New York, his efforts to revive LITTLE MARY SUNSHINE, talking to Patti LuPone backstage during COMPANY, a meaningful moment with Stephen Sondheim, playing opposite Len Cariou in HARRY TOWNSEND’S LAST STAND, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6m7hxxwicrnxw2ep/craig_bierko_final5yjpg.mp3" length="139688188" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Tony nominee Craig Bierko. Tune in to hear some of the stories of her legendary career, including what he learned from Meredith Willson’s notes in the script of THE MUSIC MAN, dancing with Rebecca Luker, the “stop-start” feeling of THOU SHALT NOT, how James Lapine approached directing MODERN ORTHODOX, the Jewishness that is needed in GUYS AND DOLLS, why he didn’t connect to the character of Miss Trunchbull in MATILDA, what it was like performing GIRL FROM THE NORTH COUNTRY just after the pandemic, why STANDING ON CEREMONY didn’t work in New York, his efforts to revive LITTLE MARY SUNSHINE, talking to Patti LuPone backstage during COMPANY, a meaningful moment with Stephen Sondheim, playing opposite Len Cariou in HARRY TOWNSEND’S LAST STAND, and so much more. Don’t miss this honest conversation with one of Broadway’s greatest stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4161</itunes:duration>
                <itunes:episode>241</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jenny Gersten</title>
        <itunes:title>Jenny Gersten</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jenny-gersten/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jenny-gersten/#comments</comments>        <pubDate>Sun, 18 May 2025 15:15:08 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a7652352-e488-3c42-bb36-0bed5ab84c83</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don’t miss this in-depth conversation with one of Broadway’s most important creative minds.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don’t miss this in-depth conversation with one of Broadway’s most important creative minds.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/te8b26z423rtf5ci/Jenny_Gersten_Final7u0uv.mp3" length="135621440" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don’t miss this in-depth conversation with one of Broadway’s most important creative minds.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4058</itunes:duration>
                <itunes:episode>240</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Park</title>
        <itunes:title>Michael Park</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-park/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-park/#comments</comments>        <pubDate>Fri, 09 May 2025 17:08:21 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/62fb4dad-8581-3aac-922d-53806b2d4e5b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway favorite Michael Park, who is currently starring in REDWOOD on Broadway through May 18. Tune in to hear some of the stories of his legendary career, including how he almost quit the business before REDWOOD, the joys of performing with Idina Menzel, memorable stage door experiences at DEAR EVAN HANSEN, his extended audition process for HELLO, AGAIN, what he learned from Jerry Zaks on SMOKEY JOE’S CAFE, balancing his role on AS THE WORLD TURNS with Broadway, teaching young actors during the pandemic, how he almost inspired a new Neil Simon play during LITTLE ME, working with stars on HOW TO SUCCEED and CAT ON A HOT TIN ROOF, turning down JAGGED LITTLE PILL and HEAD OVER HEELS, how Rob Ashford was pivotal in his career, why he writes backstories for every role he plays, directing TUCK EVERLASTING at Shenandoah University, and so much more. Don’t miss this in-depth conversation with a theater veteran.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway favorite Michael Park, who is currently starring in REDWOOD on Broadway through May 18. Tune in to hear some of the stories of his legendary career, including how he almost quit the business before REDWOOD, the joys of performing with Idina Menzel, memorable stage door experiences at DEAR EVAN HANSEN, his extended audition process for HELLO, AGAIN, what he learned from Jerry Zaks on SMOKEY JOE’S CAFE, balancing his role on AS THE WORLD TURNS with Broadway, teaching young actors during the pandemic, how he almost inspired a new Neil Simon play during LITTLE ME, working with stars on HOW TO SUCCEED and CAT ON A HOT TIN ROOF, turning down JAGGED LITTLE PILL and HEAD OVER HEELS, how Rob Ashford was pivotal in his career, why he writes backstories for every role he plays, directing TUCK EVERLASTING at Shenandoah University, and so much more. Don’t miss this in-depth conversation with a theater veteran.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qsap5xmijcfkw8vr/Michael_Park_Final910a7.mp3" length="150719260" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway favorite Michael Park, who is currently starring in REDWOOD on Broadway through May 18. Tune in to hear some of the stories of his legendary career, including how he almost quit the business before REDWOOD, the joys of performing with Idina Menzel, memorable stage door experiences at DEAR EVAN HANSEN, his extended audition process for HELLO, AGAIN, what he learned from Jerry Zaks on SMOKEY JOE’S CAFE, balancing his role on AS THE WORLD TURNS with Broadway, teaching young actors during the pandemic, how he almost inspired a new Neil Simon play during LITTLE ME, working with stars on HOW TO SUCCEED and CAT ON A HOT TIN ROOF, turning down JAGGED LITTLE PILL and HEAD OVER HEELS, how Rob Ashford was pivotal in his career, why he writes backstories for every role he plays, directing TUCK EVERLASTING at Shenandoah University, and so much more. Don’t miss this in-depth conversation with a theater veteran.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4651</itunes:duration>
                <itunes:episode>239</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Raul Esparza</title>
        <itunes:title>Raul Esparza</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/raul-esparza/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/raul-esparza/#comments</comments>        <pubDate>Fri, 02 May 2025 16:59:54 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/65fef4c7-413e-362d-8b0e-5ce3009de73a</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with 4-time Tony nominee Raul Esparza. Tune in to hear some of the stories of his legendary career, including how he got into character for TICK, TICK…BOOM!, finding his take on the Emcee in CABARET, how Stephen Sondheim rewrote “Being Alive” for him, his experience of being outed while starring in COMPANY, the joys of starring in OLIVER, how his wife convinced him to audition for THE ROCKY HORROR PICTURE SHOW, the difficulty of working with Jeremy Piven on SPEED-THE-PLOW, leaning into film tropes for ROAD SHOW, why he struggled with his role in CHITTY CHITTY BANG BANG, John Doyle’s repetition technique, partying with Boy George to prepare for TABOO, why LEAP OF FAITH didn’t have more success on Broadway, his recent role in GALILEO, the lasting power of THE NORMAL HEART, the specificity of Tom Stoppard, his favorite audience reactions during THE HOMECOMING, how LAW AND ORDER gave him a reprieve from stage work, the surprising similarities between ARCADIA and SUNDAY IN THE PARK WITH GEORGE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with 4-time Tony nominee Raul Esparza. Tune in to hear some of the stories of his legendary career, including how he got into character for TICK, TICK…BOOM!, finding his take on the Emcee in CABARET, how Stephen Sondheim rewrote “Being Alive” for him, his experience of being outed while starring in COMPANY, the joys of starring in OLIVER, how his wife convinced him to audition for THE ROCKY HORROR PICTURE SHOW, the difficulty of working with Jeremy Piven on SPEED-THE-PLOW, leaning into film tropes for ROAD SHOW, why he struggled with his role in CHITTY CHITTY BANG BANG, John Doyle’s repetition technique, partying with Boy George to prepare for TABOO, why LEAP OF FAITH didn’t have more success on Broadway, his recent role in GALILEO, the lasting power of THE NORMAL HEART, the specificity of Tom Stoppard, his favorite audience reactions during THE HOMECOMING, how LAW AND ORDER gave him a reprieve from stage work, the surprising similarities between ARCADIA and SUNDAY IN THE PARK WITH GEORGE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zkti44upm8bmfrme/Raul_Esparza_Finalawohc.mp3" length="199780014" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with 4-time Tony nominee Raul Esparza. Tune in to hear some of the stories of his legendary career, including how he got into character for TICK, TICK…BOOM!, finding his take on the Emcee in CABARET, how Stephen Sondheim rewrote “Being Alive” for him, his experience of being outed while starring in COMPANY, the joys of starring in OLIVER, how his wife convinced him to audition for THE ROCKY HORROR PICTURE SHOW, the difficulty of working with Jeremy Piven on SPEED-THE-PLOW, leaning into film tropes for ROAD SHOW, why he struggled with his role in CHITTY CHITTY BANG BANG, John Doyle’s repetition technique, partying with Boy George to prepare for TABOO, why LEAP OF FAITH didn’t have more success on Broadway, his recent role in GALILEO, the lasting power of THE NORMAL HEART, the specificity of Tom Stoppard, his favorite audience reactions during THE HOMECOMING, how LAW AND ORDER gave him a reprieve from stage work, the surprising similarities between ARCADIA and SUNDAY IN THE PARK WITH GEORGE, and so much more. Don’t miss this in-depth conversation with a true Broadway legend.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6145</itunes:duration>
                <itunes:episode>238</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Judy Kuhn</title>
        <itunes:title>Judy Kuhn</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/judy-kuhn/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/judy-kuhn/#comments</comments>        <pubDate>Sat, 19 Apr 2025 10:19:52 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/72c99775-e8f6-368e-ab5b-821879daf7ae</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with 4-time Tony nominee Judy Kuhn, who is currently appearing in BECOMING EVE at the Abrons Arts Center. Tune in to hear some of the stories of her legendary carer, finding the physicality of her character in FUN HOME, singing on the Tonys with RAGS and LES MISERABLES in the same year, how that performance led to her role in CHESS, working with Trevor Nunn on FIDDLER ON THE ROOF, why her role in ASSASSINS scared her, being voted the killer in THE MYSTERY OF EDWIN DROOD, acting with Glenn Close in SUNSET BOULEVARD, interpreting the role of Fosca in PASSION, auditioning opposite Boyd Gaines for SHE LOVES ME, and so much more. Don’t miss this conversation with a Broadway favorite.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with 4-time Tony nominee Judy Kuhn, who is currently appearing in BECOMING EVE at the Abrons Arts Center. Tune in to hear some of the stories of her legendary carer, finding the physicality of her character in FUN HOME, singing on the Tonys with RAGS and LES MISERABLES in the same year, how that performance led to her role in CHESS, working with Trevor Nunn on FIDDLER ON THE ROOF, why her role in ASSASSINS scared her, being voted the killer in THE MYSTERY OF EDWIN DROOD, acting with Glenn Close in SUNSET BOULEVARD, interpreting the role of Fosca in PASSION, auditioning opposite Boyd Gaines for SHE LOVES ME, and so much more. Don’t miss this conversation with a Broadway favorite.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bqwwc54jnievyqiq/KuhnJudy.mp3" length="83794172" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with 4-time Tony nominee Judy Kuhn, who is currently appearing in BECOMING EVE at the Abrons Arts Center. Tune in to hear some of the stories of her legendary carer, finding the physicality of her character in FUN HOME, singing on the Tonys with RAGS and LES MISERABLES in the same year, how that performance led to her role in CHESS, working with Trevor Nunn on FIDDLER ON THE ROOF, why her role in ASSASSINS scared her, being voted the killer in THE MYSTERY OF EDWIN DROOD, acting with Glenn Close in SUNSET BOULEVARD, interpreting the role of Fosca in PASSION, auditioning opposite Boyd Gaines for SHE LOVES ME, and so much more. Don’t miss this conversation with a Broadway favorite.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2531</itunes:duration>
                <itunes:episode>237</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jonathan Groff</title>
        <itunes:title>Jonathan Groff</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jonathan-groff/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jonathan-groff/#comments</comments>        <pubDate>Wed, 16 Apr 2025 14:35:16 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/456b7921-dd18-3f2c-be34-86d8dda078c5</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony winner Jonathan Groff, who is currently starring as Bobby Darin in JUST IN TIME. Tune in to hear some of the stories of his legendary carer, including why he never felt ownership over the role of King George in HAMILTON, what he learned from his experiences with fans during SPRING AWAKENING, why MERRILY WE ROLL ALONG is a love story, why he turned down the role of Finn on GLEE and HAIR on Broadway, his lack of formal training as a singer, working with Olympia Dukakis on THE SINGING FOREST, why he chose THE SOUND OF MUSIC tour over going to college, the serendipity of starring in A NEW BRAIN at Encores!, how Gavin Creel inspired him to publicly come out, what he learned from getting bad reviews for THE BACCHAE, working with Larry Kramer on the film of THE NORMAL HEART, JUST IN TIME’s journey from the 92nd Street Y to Broadway, and so much more. Don’t miss this honest conversation with a true Broadway star.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony winner Jonathan Groff, who is currently starring as Bobby Darin in JUST IN TIME. Tune in to hear some of the stories of his legendary carer, including why he never felt ownership over the role of King George in HAMILTON, what he learned from his experiences with fans during SPRING AWAKENING, why MERRILY WE ROLL ALONG is a love story, why he turned down the role of Finn on GLEE and HAIR on Broadway, his lack of formal training as a singer, working with Olympia Dukakis on THE SINGING FOREST, why he chose THE SOUND OF MUSIC tour over going to college, the serendipity of starring in A NEW BRAIN at Encores!, how Gavin Creel inspired him to publicly come out, what he learned from getting bad reviews for THE BACCHAE, working with Larry Kramer on the film of THE NORMAL HEART, JUST IN TIME’s journey from the 92nd Street Y to Broadway, and so much more. Don’t miss this honest conversation with a true Broadway star.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k8wv9fd7jpba66t2/JGroffyfinal.mp3" length="132983429" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Tony winner Jonathan Groff, who is currently starring as Bobby Darin in JUST IN TIME. Tune in to hear some of the stories of his legendary carer, including why he never felt ownership over the role of King George in HAMILTON, what he learned from his experiences with fans during SPRING AWAKENING, why MERRILY WE ROLL ALONG is a love story, why he turned down the role of Finn on GLEE and HAIR on Broadway, his lack of formal training as a singer, working with Olympia Dukakis on THE SINGING FOREST, why he chose THE SOUND OF MUSIC tour over going to college, the serendipity of starring in A NEW BRAIN at Encores!, how Gavin Creel inspired him to publicly come out, what he learned from getting bad reviews for THE BACCHAE, working with Larry Kramer on the film of THE NORMAL HEART, JUST IN TIME’s journey from the 92nd Street Y to Broadway, and so much more. Don’t miss this honest conversation with a true Broadway star.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4064</itunes:duration>
                <itunes:episode>236</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Daniel Davis</title>
        <itunes:title>Daniel Davis</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/daniel-davis/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/daniel-davis/#comments</comments>        <pubDate>Sun, 06 Apr 2025 10:39:04 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/daea1453-fff9-3dca-add5-5007632efb53</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL’S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don’t miss this honest conversation with a true veteran of the American stage.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL’S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don’t miss this honest conversation with a true veteran of the American stage.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vnzemi9xdwg7bazp/final_daniel_davis8b7ug.mp3" length="203085041" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL’S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don’t miss this honest conversation with a true veteran of the American stage.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6142</itunes:duration>
                <itunes:episode>235</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Miriam Silverman</title>
        <itunes:title>Miriam Silverman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/miriam-silverman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/miriam-silverman/#comments</comments>        <pubDate>Mon, 31 Mar 2025 12:30:50 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/607d6093-9eea-3646-b337-85a66a4e92ee</guid>
                                    <description><![CDATA[<p>Today, I’m thrilled to announce my episode with Tony winning actress Miriam Silverman, who is currently starring in DEEP BLUE SOUND at the Public Theater. Tune in to hear some of the stories of her legendary career, including her long journey with THE SIGN IN SIDNEY BRUSTEIN’S WINDOW, how her birth appeared on national television, choosing between JUNK and MARY JANE, meeting her husband on AWAKE AND SING, balancing being a mother and being an actress, her long collaboration with Anne Kauffmann, developing CULT OF LOVE, her work as a teacher, and so much more. You won’t want to miss this open conversation with one of Broadway’s best performers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I’m thrilled to announce my episode with Tony winning actress Miriam Silverman, who is currently starring in DEEP BLUE SOUND at the Public Theater. Tune in to hear some of the stories of her legendary career, including her long journey with THE SIGN IN SIDNEY BRUSTEIN’S WINDOW, how her birth appeared on national television, choosing between JUNK and MARY JANE, meeting her husband on AWAKE AND SING, balancing being a mother and being an actress, her long collaboration with Anne Kauffmann, developing CULT OF LOVE, her work as a teacher, and so much more. You won’t want to miss this open conversation with one of Broadway’s best performers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u2vut26b2s4ezfpz/miriam_silvermanbrvqw.mp3" length="112030554" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Tony winning actress Miriam Silverman, who is currently starring in DEEP BLUE SOUND at the Public Theater. Tune in to hear some of the stories of her legendary career, including her long journey with THE SIGN IN SIDNEY BRUSTEIN’S WINDOW, how her birth appeared on national television, choosing between JUNK and MARY JANE, meeting her husband on AWAKE AND SING, balancing being a mother and being an actress, her long collaboration with Anne Kauffmann, developing CULT OF LOVE, her work as a teacher, and so much more. You won’t want to miss this open conversation with one of Broadway’s best performers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3425</itunes:duration>
                <itunes:episode>234</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Isabel Keating</title>
        <itunes:title>Isabel Keating</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/isabel-keating/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/isabel-keating/#comments</comments>        <pubDate>Thu, 20 Mar 2025 21:11:37 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/33fbb000-c539-3793-aee2-14b5a2eba44b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony nominated actress Isabel Keating, who will be performing in my upcoming concert of the Katharine Hepburn musical COCO at 54 Below. You can find in-person and livestream tickets to that event at this link:</p>
<p class="p1"><a href='https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/'>https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/</a></p>
<p class="p1">Tune in to hear some of the stories of Isabel’s legendary career, including what her research process was like playing Judy Garland in THE BOY FROM OZ, going on at the last minute in IT’S ONLY A PLAY, how she ended up taking over for Tyne Daly in last season’s revival of DOUBT, a full-circle moment with John Patrick Shanley, why Madame Morrible in WICKED is misunderstood, how her time in Europe influenced her theater career, making her Carnegie Hall debut with FOLLIES, the experience of processing her personal grief while starring in SPIDERMAN on Broadway, the many changes that were made to that musical, her experiences with the real-life QUEEN OF VERSAILLES, and so much more. You won’t want to miss this open conversation with one of Broadway’s best leading ladies.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony nominated actress Isabel Keating, who will be performing in my upcoming concert of the Katharine Hepburn musical COCO at 54 Below. You can find in-person and livestream tickets to that event at this link:</p>
<p class="p1"><a href='https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/'>https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/</a></p>
<p class="p1">Tune in to hear some of the stories of Isabel’s legendary career, including what her research process was like playing Judy Garland in THE BOY FROM OZ, going on at the last minute in IT’S ONLY A PLAY, how she ended up taking over for Tyne Daly in last season’s revival of DOUBT, a full-circle moment with John Patrick Shanley, why Madame Morrible in WICKED is misunderstood, how her time in Europe influenced her theater career, making her Carnegie Hall debut with FOLLIES, the experience of processing her personal grief while starring in SPIDERMAN on Broadway, the many changes that were made to that musical, her experiences with the real-life QUEEN OF VERSAILLES, and so much more. You won’t want to miss this open conversation with one of Broadway’s best leading ladies.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ibyp3sj4eihg65g5/Isabel_Keat_Finalacb9t.mp3" length="153941119" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Tony nominated actress Isabel Keating, who will be performing in my upcoming concert of the Katharine Hepburn musical COCO at 54 Below. You can find in-person and livestream tickets to that event at this link:
https://54below.org/events/54-sings-coco-by-alan-jay-lerner-and-andre-previn/
Tune in to hear some of the stories of Isabel’s legendary career, including what her research process was like playing Judy Garland in THE BOY FROM OZ, going on at the last minute in IT’S ONLY A PLAY, how she ended up taking over for Tyne Daly in last season’s revival of DOUBT, a full-circle moment with John Patrick Shanley, why Madame Morrible in WICKED is misunderstood, how her time in Europe influenced her theater career, making her Carnegie Hall debut with FOLLIES, the experience of processing her personal grief while starring in SPIDERMAN on Broadway, the many changes that were made to that musical, her experiences with the real-life QUEEN OF VERSAILLES, and so much more. You won’t want to miss this open conversation with one of Broadway’s best leading ladies.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4713</itunes:duration>
                <itunes:episode>233</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bob Martin</title>
        <itunes:title>Bob Martin</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/bob-martin/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/bob-martin/#comments</comments>        <pubDate>Thu, 13 Mar 2025 12:35:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d4d04881-8878-3d97-a46b-2c9ddd569924</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony winning librettist and performer Bob Martin, who is the author of two of this season’s newest hits—SMASH and BOOP—both of which started previews on Broadway this week. Tune in to hear about the writing processes of those two musicals, and some of the other stories of his legendary career, including why he was sore every night after performing THE DROWSY CHAPERONE, the character he almost played in THE PROM, writing for the film adaptation of that musical, why he loves writing for Beth Leavel, the challenges of working on MINSKY’S, changing ELF between its three Broadway runs, what he learned from Charles Strouse and Thomas Meehan, revisiting unsuccessful musicals in HEY, LOOK ME OVER, how supply chain issues have affected Broadway, developing THE STING with Harry Connick, Jr., working with Kevin Kline on AMERICAN CLASSIC, his idea for a sequel to THE DROWSY CHAPERONE, revising KISS ME, KATE in London, and so much more. You won’t want to miss this honest and fun conversation with one of Broadway’s funniest and most prolific writers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Tony winning librettist and performer Bob Martin, who is the author of two of this season’s newest hits—SMASH and BOOP—both of which started previews on Broadway this week. Tune in to hear about the writing processes of those two musicals, and some of the other stories of his legendary career, including why he was sore every night after performing THE DROWSY CHAPERONE, the character he almost played in THE PROM, writing for the film adaptation of that musical, why he loves writing for Beth Leavel, the challenges of working on MINSKY’S, changing ELF between its three Broadway runs, what he learned from Charles Strouse and Thomas Meehan, revisiting unsuccessful musicals in HEY, LOOK ME OVER, how supply chain issues have affected Broadway, developing THE STING with Harry Connick, Jr., working with Kevin Kline on AMERICAN CLASSIC, his idea for a sequel to THE DROWSY CHAPERONE, revising KISS ME, KATE in London, and so much more. You won’t want to miss this honest and fun conversation with one of Broadway’s funniest and most prolific writers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xb5a4ex9byugptcp/bmartinfinal.mp3" length="163358788" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Tony winning librettist and performer Bob Martin, who is the author of two of this season’s newest hits—SMASH and BOOP—both of which started previews on Broadway this week. Tune in to hear about the writing processes of those two musicals, and some of the other stories of his legendary career, including why he was sore every night after performing THE DROWSY CHAPERONE, the character he almost played in THE PROM, writing for the film adaptation of that musical, why he loves writing for Beth Leavel, the challenges of working on MINSKY’S, changing ELF between its three Broadway runs, what he learned from Charles Strouse and Thomas Meehan, revisiting unsuccessful musicals in HEY, LOOK ME OVER, how supply chain issues have affected Broadway, developing THE STING with Harry Connick, Jr., working with Kevin Kline on AMERICAN CLASSIC, his idea for a sequel to THE DROWSY CHAPERONE, revising KISS ME, KATE in London, and so much more. You won’t want to miss this honest and fun conversation with one of Broadway’s funniest and most prolific writers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4988</itunes:duration>
                <itunes:episode>232</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Samuel D. Hunter</title>
        <itunes:title>Samuel D. Hunter</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/samuel-d-hunter/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/samuel-d-hunter/#comments</comments>        <pubDate>Fri, 07 Mar 2025 17:11:25 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4ce3c4f8-da77-3b2f-8bb5-cb3e04c4ae5c</guid>
                                    <description><![CDATA[<p>Today, I’m thrilled to announce my interview with Samuel D. Hunter, whose play GRANGEVILLE is currently playing at the Signature Theater with Paul Sparks and Brian J. Smith. Tune in to hear some of the stories of his legendary career, including how his experiences teaching expository writing led to THE WHALE, working with Darren Aronofsky on adapting the play into a film, the pushback he received for writing about conversion therapy in A GREAT WILDERNESS, dealing with pathology onstage, how GREATER CLEMENTS was his take on a Trump play, premiering LEWISTON/CLARKSTON as separate plays, writing for TV with BASKETS, his religious upbringing, the mentors who influenced his work, reviving A BRIGHT NEW BOISE in 2023, the economic realities of writing for the theater, how he decided to rewrite THE FEW, developing THE HEALING for a cast of disabled actors, and so much more. You won’t want to miss this interview with one of American theater’s best writers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I’m thrilled to announce my interview with Samuel D. Hunter, whose play GRANGEVILLE is currently playing at the Signature Theater with Paul Sparks and Brian J. Smith. Tune in to hear some of the stories of his legendary career, including how his experiences teaching expository writing led to THE WHALE, working with Darren Aronofsky on adapting the play into a film, the pushback he received for writing about conversion therapy in A GREAT WILDERNESS, dealing with pathology onstage, how GREATER CLEMENTS was his take on a Trump play, premiering LEWISTON/CLARKSTON as separate plays, writing for TV with BASKETS, his religious upbringing, the mentors who influenced his work, reviving A BRIGHT NEW BOISE in 2023, the economic realities of writing for the theater, how he decided to rewrite THE FEW, developing THE HEALING for a cast of disabled actors, and so much more. You won’t want to miss this interview with one of American theater’s best writers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m3hwmz5tvxwni6gu/Sam_Hunter_Final9sgwg.mp3" length="173134240" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Samuel D. Hunter, whose play GRANGEVILLE is currently playing at the Signature Theater with Paul Sparks and Brian J. Smith. Tune in to hear some of the stories of his legendary career, including how his experiences teaching expository writing led to THE WHALE, working with Darren Aronofsky on adapting the play into a film, the pushback he received for writing about conversion therapy in A GREAT WILDERNESS, dealing with pathology onstage, how GREATER CLEMENTS was his take on a Trump play, premiering LEWISTON/CLARKSTON as separate plays, writing for TV with BASKETS, his religious upbringing, the mentors who influenced his work, reviving A BRIGHT NEW BOISE in 2023, the economic realities of writing for the theater, how he decided to rewrite THE FEW, developing THE HEALING for a cast of disabled actors, and so much more. You won’t want to miss this interview with one of American theater’s best writers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5292</itunes:duration>
                <itunes:episode>231</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lane Bradbury</title>
        <itunes:title>Lane Bradbury</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lane-bradbury/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lane-bradbury/#comments</comments>        <pubDate>Sat, 01 Mar 2025 13:30:38 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6183deb0-138f-3dab-a161-913ee5533ed1</guid>
                                    <description><![CDATA[<p>Today, I’m thrilled to announce my interview with Lane Bradbury, who played the role of Dainty June in the original Broadway cast of GYPSY. Tune in to hear some of the stories of her legendary career, including why Ethel Merman wasn’t a good co-star, joining the Actor’s Studio, method acting with Elia Kazan for J.B., why Bette Davis was suspicious of her during THE NIGHT OF THE IGUANA, watching Patrick O’Neill and Bette Davis in rehearsal, the moment in GYPSY that caused a rift between her and Jerome Robbins, Lee Strasberg’s favorite acting exercises, why she didn’t audition for FIDDLER ON THE ROOF, working with June Havoc herself on MARATHON ’33, how an audition for GREENWILLOW led her to move to California, putting together her cabaret act, why Audra McDonald is Broadway’s best Mama Rose, why she doesn’t own the OBC of GYPSY, and so much more. You won’t want to miss this episode with a true theater veteran.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I’m thrilled to announce my interview with Lane Bradbury, who played the role of Dainty June in the original Broadway cast of GYPSY. Tune in to hear some of the stories of her legendary career, including why Ethel Merman wasn’t a good co-star, joining the Actor’s Studio, method acting with Elia Kazan for J.B., why Bette Davis was suspicious of her during THE NIGHT OF THE IGUANA, watching Patrick O’Neill and Bette Davis in rehearsal, the moment in GYPSY that caused a rift between her and Jerome Robbins, Lee Strasberg’s favorite acting exercises, why she didn’t audition for FIDDLER ON THE ROOF, working with June Havoc herself on MARATHON ’33, how an audition for GREENWILLOW led her to move to California, putting together her cabaret act, why Audra McDonald is Broadway’s best Mama Rose, why she doesn’t own the OBC of GYPSY, and so much more. You won’t want to miss this episode with a true theater veteran.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9fy7bznskj8fbzce/Lane_Bradbury85iaj.mp3" length="77721530" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Lane Bradbury, who played the role of Dainty June in the original Broadway cast of GYPSY. Tune in to hear some of the stories of her legendary career, including why Ethel Merman wasn’t a good co-star, joining the Actor’s Studio, method acting with Elia Kazan for J.B., why Bette Davis was suspicious of her during THE NIGHT OF THE IGUANA, watching Patrick O’Neill and Bette Davis in rehearsal, the moment in GYPSY that caused a rift between her and Jerome Robbins, Lee Strasberg’s favorite acting exercises, why she didn’t audition for FIDDLER ON THE ROOF, working with June Havoc herself on MARATHON ’33, how an audition for GREENWILLOW led her to move to California, putting together her cabaret act, why Audra McDonald is Broadway’s best Mama Rose, why she doesn’t own the OBC of GYPSY, and so much more. You won’t want to miss this episode with a true theater veteran.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2371</itunes:duration>
                <itunes:episode>230</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Scott Wittman</title>
        <itunes:title>Scott Wittman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/scott-wittman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/scott-wittman/#comments</comments>        <pubDate>Sun, 23 Feb 2025 15:26:52 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0f87666f-b72b-3b5e-be46-61eaa269579d</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Scott Wittman, who is the lyricist of Broadway’s newest sensation SMASH. Tune in to hear some of the stories of his amazing career, including why CATCH ME IF YOU CAN appealed to him as a follow-up to HAIRSPRAY, putting together MATTERS OF THE HEART with Patti LuPone, why CHARLIE AND THE CHOCOLATE FACTORY was at its best in workshops, his experiences with Dame Edna and Elaine Stritch, watching Disney animators at work during MARY POPPINS RETURNS, being influenced by John Waters, how Matthew Lopez convinced him to adapt SOME LIKE IT HOT, the upcoming project he’s working on with Bridget Everett, why John Slattery and Talia Balsam were perfect for THE SUBJECT WAS ROSES, and so much more. You won’t want to miss this chat with one of Broadway’s best writers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Scott Wittman, who is the lyricist of Broadway’s newest sensation SMASH. Tune in to hear some of the stories of his amazing career, including why CATCH ME IF YOU CAN appealed to him as a follow-up to HAIRSPRAY, putting together MATTERS OF THE HEART with Patti LuPone, why CHARLIE AND THE CHOCOLATE FACTORY was at its best in workshops, his experiences with Dame Edna and Elaine Stritch, watching Disney animators at work during MARY POPPINS RETURNS, being influenced by John Waters, how Matthew Lopez convinced him to adapt SOME LIKE IT HOT, the upcoming project he’s working on with Bridget Everett, why John Slattery and Talia Balsam were perfect for THE SUBJECT WAS ROSES, and so much more. You won’t want to miss this chat with one of Broadway’s best writers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b75dz6dkidtrwxmm/Scott_Wittman_Final64h6q.mp3" length="110771777" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Scott Wittman, who is the lyricist of Broadway’s newest sensation SMASH. Tune in to hear some of the stories of his amazing career, including why CATCH ME IF YOU CAN appealed to him as a follow-up to HAIRSPRAY, putting together MATTERS OF THE HEART with Patti LuPone, why CHARLIE AND THE CHOCOLATE FACTORY was at its best in workshops, his experiences with Dame Edna and Elaine Stritch, watching Disney animators at work during MARY POPPINS RETURNS, being influenced by John Waters, how Matthew Lopez convinced him to adapt SOME LIKE IT HOT, the upcoming project he’s working on with Bridget Everett, why John Slattery and Talia Balsam were perfect for THE SUBJECT WAS ROSES, and so much more. You won’t want to miss this chat with one of Broadway’s best writers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3381</itunes:duration>
                <itunes:episode>229</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Norbert Leo Butz</title>
        <itunes:title>Norbert Leo Butz</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/norbert-leo-butz/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/norbert-leo-butz/#comments</comments>        <pubDate>Thu, 20 Feb 2025 14:16:44 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cabb1ec2-8e4b-3924-8ad1-6a6575cd6760</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway legend Norbert Leo Butz, whose solo show Girls, Girls, Girls will be playing at 54 Below from March 9-13. The ticket link is here: <a href='https://54below.org/events/norbert-leo-butz-girls-girls-girls/'>https://54below.org/events/norbert-leo-butz-girls-girls-girls/</a> Tune in to hear some of the stories of his amazing career, including his advice for actors playing Fiyero in WICKED, why audiences misunderstand Jamie in THE LAST FIVE YEARS, jumping into SPEED-THE-PLOW with only a few days’ notice, why ENRON didn’t work for American audiences, how he infused his father into CATCH ME IF YOU CAN, how Jack O’Brien grounded the humor in DIRTY ROTTEN SCOUNDRELS, acting in CORNELIA STREET just after the pandemic, how BIG FISH helped him with losses in his own life, the challenge of playing the Emcee in CABARET, how he first met Jason Robert Brown, the gift of HOW I LEARNED TO DRIVE, his audition process for THOU SHALT NOT, how Ska music influenced “Dancing Through Life,” the lessons he learned from his Broadway debut in RENT, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway legend Norbert Leo Butz, whose solo show Girls, Girls, Girls will be playing at 54 Below from March 9-13. The ticket link is here: <a href='https://54below.org/events/norbert-leo-butz-girls-girls-girls/'>https://54below.org/events/norbert-leo-butz-girls-girls-girls/</a> Tune in to hear some of the stories of his amazing career, including his advice for actors playing Fiyero in WICKED, why audiences misunderstand Jamie in THE LAST FIVE YEARS, jumping into SPEED-THE-PLOW with only a few days’ notice, why ENRON didn’t work for American audiences, how he infused his father into CATCH ME IF YOU CAN, how Jack O’Brien grounded the humor in DIRTY ROTTEN SCOUNDRELS, acting in CORNELIA STREET just after the pandemic, how BIG FISH helped him with losses in his own life, the challenge of playing the Emcee in CABARET, how he first met Jason Robert Brown, the gift of HOW I LEARNED TO DRIVE, his audition process for THOU SHALT NOT, how Ska music influenced “Dancing Through Life,” the lessons he learned from his Broadway debut in RENT, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/73fuzzhj9f6w2eq5/finalnorbert.mp3" length="176576056" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway legend Norbert Leo Butz, whose solo show Girls, Girls, Girls will be playing at 54 Below from March 9-13. The ticket link is here: https://54below.org/events/norbert-leo-butz-girls-girls-girls/ Tune in to hear some of the stories of his amazing career, including his advice for actors playing Fiyero in WICKED, why audiences misunderstand Jamie in THE LAST FIVE YEARS, jumping into SPEED-THE-PLOW with only a few days’ notice, why ENRON didn’t work for American audiences, how he infused his father into CATCH ME IF YOU CAN, how Jack O’Brien grounded the humor in DIRTY ROTTEN SCOUNDRELS, acting in CORNELIA STREET just after the pandemic, how BIG FISH helped him with losses in his own life, the challenge of playing the Emcee in CABARET, how he first met Jason Robert Brown, the gift of HOW I LEARNED TO DRIVE, his audition process for THOU SHALT NOT, how Ska music influenced “Dancing Through Life,” the lessons he learned from his Broadway debut in RENT, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5357</itunes:duration>
                <itunes:episode>228</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Dan Elish</title>
        <itunes:title>Dan Elish</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/dan-elish/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/dan-elish/#comments</comments>        <pubDate>Mon, 17 Feb 2025 21:22:35 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a159722d-f675-3a64-b9a2-607a14c60427</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to be joined by novelist and librettist Dan Elish, author of the wonderful new book King of Broadway. Tune in to hear some of the stories of his wonderful career, including how a letter to Stephen Sondheim led to his most recent book, turning THE WORLDWIDE DESSERT CONTEST into a musical, how he started working with Jason Robert Brown, changes that were made to 13, the difference between writing novels and writing musicals, writing for the screen with WONDER PETS, how HARRY POTTER changed the market for children’s books, his experience at the BMI workshop, writing THE EVOLUTION OF MANN with Douglas J. Cohen, the musical he’s working on with Scott Frankel, and so much more. You won’t want to miss this episode with a literary mastermind!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to be joined by novelist and librettist Dan Elish, author of the wonderful new book King of Broadway. Tune in to hear some of the stories of his wonderful career, including how a letter to Stephen Sondheim led to his most recent book, turning THE WORLDWIDE DESSERT CONTEST into a musical, how he started working with Jason Robert Brown, changes that were made to 13, the difference between writing novels and writing musicals, writing for the screen with WONDER PETS, how HARRY POTTER changed the market for children’s books, his experience at the BMI workshop, writing THE EVOLUTION OF MANN with Douglas J. Cohen, the musical he’s working on with Scott Frankel, and so much more. You won’t want to miss this episode with a literary mastermind!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u3xjpv9qyvey592y/DbElishfinal.mp3" length="95758190" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to be joined by novelist and librettist Dan Elish, author of the wonderful new book King of Broadway. Tune in to hear some of the stories of his wonderful career, including how a letter to Stephen Sondheim led to his most recent book, turning THE WORLDWIDE DESSERT CONTEST into a musical, how he started working with Jason Robert Brown, changes that were made to 13, the difference between writing novels and writing musicals, writing for the screen with WONDER PETS, how HARRY POTTER changed the market for children’s books, his experience at the BMI workshop, writing THE EVOLUTION OF MANN with Douglas J. Cohen, the musical he’s working on with Scott Frankel, and so much more. You won’t want to miss this episode with a literary mastermind!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2946</itunes:duration>
                <itunes:episode>227</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Luba Mason</title>
        <itunes:title>Luba Mason</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/luba-mason/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/luba-mason/#comments</comments>        <pubDate>Fri, 14 Feb 2025 16:14:51 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9180eae9-f346-384f-b4f2-0712d6db8e4b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Broadway star Luba Mason, who will be appearing in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: <a href='https://54below.org/events/backstage-babble-joe-allen/'>https://54below.org/events/backstage-babble-joe-allen/</a> And tune in to hear some of the stories of her legendary career, including finding her take on the role of Hedy LaRue in HOW TO SUCCEED, the beauty of THE CAPEMAN, the experience of reviving the show at the Delacorte Theater, her circuitous path to starring in JEKYLL AND HYDE, the challenges of working on SID CAESAR AND COMPANY, co-starring with Brooke Shields in CHICAGO, performing in the West Coast tryout of SUNSET BOULEVARD, why PRETTY FILTHY didn’t transfer to Broadway, how she got involved with the American Dance Machine at NYU, dancing for Agnes De Mille, why she loves working with Michael John LaChiusa, and so much more. You won’t want to miss this interview with a true Broadway veteran.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Broadway star Luba Mason, who will be appearing in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: <a href='https://54below.org/events/backstage-babble-joe-allen/'>https://54below.org/events/backstage-babble-joe-allen/</a> And tune in to hear some of the stories of her legendary career, including finding her take on the role of Hedy LaRue in HOW TO SUCCEED, the beauty of THE CAPEMAN, the experience of reviving the show at the Delacorte Theater, her circuitous path to starring in JEKYLL AND HYDE, the challenges of working on SID CAESAR AND COMPANY, co-starring with Brooke Shields in CHICAGO, performing in the West Coast tryout of SUNSET BOULEVARD, why PRETTY FILTHY didn’t transfer to Broadway, how she got involved with the American Dance Machine at NYU, dancing for Agnes De Mille, why she loves working with Michael John LaChiusa, and so much more. You won’t want to miss this interview with a true Broadway veteran.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cc62z8ygjg43w3nf/Luba_Mason_Final9ezs8.mp3" length="126915847" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to be joined by Broadway star Luba Mason, who will be appearing in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: https://54below.org/events/backstage-babble-joe-allen/ And tune in to hear some of the stories of her legendary career, including finding her take on the role of Hedy LaRue in HOW TO SUCCEED, the beauty of THE CAPEMAN, the experience of reviving the show at the Delacorte Theater, her circuitous path to starring in JEKYLL AND HYDE, the challenges of working on SID CAESAR AND COMPANY, co-starring with Brooke Shields in CHICAGO, performing in the West Coast tryout of SUNSET BOULEVARD, why PRETTY FILTHY didn’t transfer to Broadway, how she got involved with the American Dance Machine at NYU, dancing for Agnes De Mille, why she loves working with Michael John LaChiusa, and so much more. You won’t want to miss this interview with a true Broadway veteran.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3892</itunes:duration>
                <itunes:episode>226</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jill Eikenberry</title>
        <itunes:title>Jill Eikenberry</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jill-eikenberry/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jill-eikenberry/#comments</comments>        <pubDate>Sun, 02 Feb 2025 14:58:11 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a931fd12-37f6-3aa7-81db-3dbafffc9772</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Emmy nominee Jill Eikenberry, who will be appearing with me in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: <a href='https://54below.org/events/backstage-babble-joe-allen/'>https://54below.org/events/backstage-babble-joe-allen/</a> And tune in to hear some of the stories of her legendary career, including how Tennessee Williams helped her with her performance in THE ECCENTRICITIES OF A NIGHTINGALE, being bullied during her Broadway debut in MOONCHILDREN, how Dustin Hoffman directed ALL OVER TOWN, what she learned from Robert Burstein and Paul Sills at Yale, sharing a trailer with Liza Minelli during ARTHUR, the compliment she got from Lillian Hellman during WATCH ON THE RHINE, how she opened up her performance in ONWARD VICTORIA, embracing the power of Ann Kelsey on L.A. LAW, narrating TWYLA THARP DANCE while pregnant, acting in plays written by her husband, Michael Tucker, the intimacy of working with Wendy Wasserstein on UNCOMMON WOMAN, and so much more. You won’t want to miss this interview with one of stage and screen’s greatest stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to be joined by Emmy nominee Jill Eikenberry, who will be appearing with me in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: <a href='https://54below.org/events/backstage-babble-joe-allen/'>https://54below.org/events/backstage-babble-joe-allen/</a> And tune in to hear some of the stories of her legendary career, including how Tennessee Williams helped her with her performance in THE ECCENTRICITIES OF A NIGHTINGALE, being bullied during her Broadway debut in MOONCHILDREN, how Dustin Hoffman directed ALL OVER TOWN, what she learned from Robert Burstein and Paul Sills at Yale, sharing a trailer with Liza Minelli during ARTHUR, the compliment she got from Lillian Hellman during WATCH ON THE RHINE, how she opened up her performance in ONWARD VICTORIA, embracing the power of Ann Kelsey on L.A. LAW, narrating TWYLA THARP DANCE while pregnant, acting in plays written by her husband, Michael Tucker, the intimacy of working with Wendy Wasserstein on UNCOMMON WOMAN, and so much more. You won’t want to miss this interview with one of stage and screen’s greatest stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tixsnk9mqjx4v7qe/Final_Jill_Eikenberry74brz.mp3" length="133762317" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to be joined by Emmy nominee Jill Eikenberry, who will be appearing with me in Backstage Babble: Beyond the Walls of Joe Allen Restaurant on Wednesday, February 19th at 7 PM at 54 Below. You can find in-person and livestream tickets here: https://54below.org/events/backstage-babble-joe-allen/ And tune in to hear some of the stories of her legendary career, including how Tennessee Williams helped her with her performance in THE ECCENTRICITIES OF A NIGHTINGALE, being bullied during her Broadway debut in MOONCHILDREN, how Dustin Hoffman directed ALL OVER TOWN, what she learned from Robert Burstein and Paul Sills at Yale, sharing a trailer with Liza Minelli during ARTHUR, the compliment she got from Lillian Hellman during WATCH ON THE RHINE, how she opened up her performance in ONWARD VICTORIA, embracing the power of Ann Kelsey on L.A. LAW, narrating TWYLA THARP DANCE while pregnant, acting in plays written by her husband, Michael Tucker, the intimacy of working with Wendy Wasserstein on UNCOMMON WOMAN, and so much more. You won’t want to miss this interview with one of stage and screen’s greatest stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4131</itunes:duration>
                <itunes:episode>225</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kelly Bishop</title>
        <itunes:title>Kelly Bishop</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/kelly-bishop/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/kelly-bishop/#comments</comments>        <pubDate>Wed, 29 Jan 2025 14:07:41 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ef1f941b-6e6c-3cdd-a745-946ada52e6cc</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn’t prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won’t want to miss this interview with one of stage and screen’s best actresses.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn’t prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won’t want to miss this interview with one of stage and screen’s best actresses.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/754kc8c6eg4adhwg/Final_Kelly_Bishop66m4t.mp3" length="166264197" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn’t prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won’t want to miss this interview with one of stage and screen’s best actresses.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5079</itunes:duration>
                <itunes:episode>224</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Winnie Holzman</title>
        <itunes:title>Winnie Holzman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/winnie-holzman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/winnie-holzman/#comments</comments>        <pubDate>Sat, 25 Jan 2025 15:31:59 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b8f097bd-898d-39fe-bb1c-1b4066a10b1d</guid>
                                    <description><![CDATA[<p class="p1">“Good news!” Today, I’m thrilled to announce my episode with Winnie Holzman, the author of the libretto and screenplay for the musical WICKED. Tune in to hear some of the stories of her legendary career, including what she learned from Betty Comden and Arthur Laurents while studying at NYU, how she came to star in the first production of Christopher Durang’s BETTE AND BOO, ideas that came from the stage production of WICKED, learning from the reviews of BIRDS OF PARADISE, her journey to studying at Princeton, what inspired her to adapt THE SEAGULL, why Jon M. Chu was the perfect director for WICKED, one idea that got cut from the musical and the movie, how conversations around the movie changed through the years, the dimensions that Joe Mantello added to the musical, and so much more. You won’t want to miss this conversation with a brilliant writer in all mediums!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">“Good news!” Today, I’m thrilled to announce my episode with Winnie Holzman, the author of the libretto and screenplay for the musical WICKED. Tune in to hear some of the stories of her legendary career, including what she learned from Betty Comden and Arthur Laurents while studying at NYU, how she came to star in the first production of Christopher Durang’s BETTE AND BOO, ideas that came from the stage production of WICKED, learning from the reviews of BIRDS OF PARADISE, her journey to studying at Princeton, what inspired her to adapt THE SEAGULL, why Jon M. Chu was the perfect director for WICKED, one idea that got cut from the musical and the movie, how conversations around the movie changed through the years, the dimensions that Joe Mantello added to the musical, and so much more. You won’t want to miss this conversation with a brilliant writer in all mediums!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3rxqrsih2x2qw3pm/Final_Winnie_Holzman7za8n.mp3" length="142568015" type="audio/mpeg"/>
        <itunes:summary><![CDATA[“Good news!” Today, I’m thrilled to announce my episode with Winnie Holzman, the author of the libretto and screenplay for the musical WICKED. Tune in to hear some of the stories of her legendary career, including what she learned from Betty Comden and Arthur Laurents while studying at NYU, how she came to star in the first production of Christopher Durang’s BETTE AND BOO, ideas that came from the stage production of WICKED, learning from the reviews of BIRDS OF PARADISE, her journey to studying at Princeton, what inspired her to adapt THE SEAGULL, why Jon M. Chu was the perfect director for WICKED, one idea that got cut from the musical and the movie, how conversations around the movie changed through the years, the dimensions that Joe Mantello added to the musical, and so much more. You won’t want to miss this conversation with a brilliant writer in all mediums!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4357</itunes:duration>
                <itunes:episode>223</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Reg Rogers</title>
        <itunes:title>Reg Rogers</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/reg-rogers/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/reg-rogers/#comments</comments>        <pubDate>Mon, 20 Jan 2025 11:29:33 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8d1c85d9-8caa-30c9-9c80-0f5189b6dda1</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-nominated actor Reg Rogers, who is currently starring as Mr. Mushnik in Little Shop of Horrors at the Westside Theater. Tune in to hear some of the stories of his legendary career, including his favorite joke that was cut from TOOTSIE, understudying Brian Bedford in THE MOLIERE COMEDIES, being cast against type in MERRILY WE ROLL ALONG, his research process for HOLIDAY, the surprising audience reaction to PROPOSALS, taking notes during THE ICEMAN COMETH, performing ALL’S WELL THAT ENDS WELL in the rain, the gift that Rosemary Harris gave him during THE ROYAL FAMILY, discovering YOU CAN’T TAKE IT WITH YOU, and so much more. You won’t want to miss this conversation with one of the funniest actors around!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-nominated actor Reg Rogers, who is currently starring as Mr. Mushnik in Little Shop of Horrors at the Westside Theater. Tune in to hear some of the stories of his legendary career, including his favorite joke that was cut from TOOTSIE, understudying Brian Bedford in THE MOLIERE COMEDIES, being cast against type in MERRILY WE ROLL ALONG, his research process for HOLIDAY, the surprising audience reaction to PROPOSALS, taking notes during THE ICEMAN COMETH, performing ALL’S WELL THAT ENDS WELL in the rain, the gift that Rosemary Harris gave him during THE ROYAL FAMILY, discovering YOU CAN’T TAKE IT WITH YOU, and so much more. You won’t want to miss this conversation with one of the funniest actors around!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/irka6qt6n5rd5xzi/rrogfinal.mp3" length="118348823" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-nominated actor Reg Rogers, who is currently starring as Mr. Mushnik in Little Shop of Horrors at the Westside Theater. Tune in to hear some of the stories of his legendary career, including his favorite joke that was cut from TOOTSIE, understudying Brian Bedford in THE MOLIERE COMEDIES, being cast against type in MERRILY WE ROLL ALONG, his research process for HOLIDAY, the surprising audience reaction to PROPOSALS, taking notes during THE ICEMAN COMETH, performing ALL’S WELL THAT ENDS WELL in the rain, the gift that Rosemary Harris gave him during THE ROYAL FAMILY, discovering YOU CAN’T TAKE IT WITH YOU, and so much more. You won’t want to miss this conversation with one of the funniest actors around!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3600</itunes:duration>
                <itunes:episode>222</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jessica Hecht</title>
        <itunes:title>Jessica Hecht</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jessica-hecht/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jessica-hecht/#comments</comments>        <pubDate>Mon, 13 Jan 2025 13:51:13 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/712332d8-a6c1-3ef0-89a4-8c5335bfb9d7</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony nominee Jessica Hecht, who is currently starring on Broadway in Jonathan Spector’s EUREKA DAY. Tune in to hear some of the stories of her legendary career, including how FIDDLER ON THE ROOF led to The Campfire Project, finding her character’s voice in SUMMER, 1976, learning from Arthur Miller during AFTER THE FALL, how she related to her character in THE LAST NIGHT OF BALLYHOO, finding her interpretation of Blanche in A STREETCAR NAMED DESIRE, the challenges of playing opposite Denzel Washington in JULIUS CAESAR, how she got cast on FRIENDS, why she connects to the work of Neil Simon, and so much more. You won’t want to miss this honest conversation with one of Broadway’s finest actresses.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with two-time Tony nominee Jessica Hecht, who is currently starring on Broadway in Jonathan Spector’s EUREKA DAY. Tune in to hear some of the stories of her legendary career, including how FIDDLER ON THE ROOF led to The Campfire Project, finding her character’s voice in SUMMER, 1976, learning from Arthur Miller during AFTER THE FALL, how she related to her character in THE LAST NIGHT OF BALLYHOO, finding her interpretation of Blanche in A STREETCAR NAMED DESIRE, the challenges of playing opposite Denzel Washington in JULIUS CAESAR, how she got cast on FRIENDS, why she connects to the work of Neil Simon, and so much more. You won’t want to miss this honest conversation with one of Broadway’s finest actresses.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2xuytcd4nr4qkkja/Jessica_Hecht_Final_Episodeakjcl.mp3" length="118923287" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with two-time Tony nominee Jessica Hecht, who is currently starring on Broadway in Jonathan Spector’s EUREKA DAY. Tune in to hear some of the stories of her legendary career, including how FIDDLER ON THE ROOF led to The Campfire Project, finding her character’s voice in SUMMER, 1976, learning from Arthur Miller during AFTER THE FALL, how she related to her character in THE LAST NIGHT OF BALLYHOO, finding her interpretation of Blanche in A STREETCAR NAMED DESIRE, the challenges of playing opposite Denzel Washington in JULIUS CAESAR, how she got cast on FRIENDS, why she connects to the work of Neil Simon, and so much more. You won’t want to miss this honest conversation with one of Broadway’s finest actresses.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3629</itunes:duration>
                <itunes:episode>221</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Berresse</title>
        <itunes:title>Michael Berresse</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-berresse/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-berresse/#comments</comments>        <pubDate>Sun, 05 Jan 2025 15:59:06 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3fe85390-9b6a-3c3b-8c9b-95bdfb19422a</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with theater veteran Michael Berresse. Tune in to hear some of the stories of his legendary career, including his brief moment being directed by Jerome Robbins during FIDDLER ON THE ROOF, the process of bringing TITLE OF SHOW to Broadway, creating his version of “Bianca” in KISS ME, KATE, understudying the lead role in DAMN YANKEES, bringing Bob Mackie to the stage in THE CHER SHOW, how he became artistic director of The Weston Playhouse, staging a revival of THE GOLDEN APPLE at Encores!, his onstage accident during BUSKER ALLEY, the isolation of playing Zach in A CHORUS LINE, auditioning for Ann Reinking for CHICAGO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors and directors.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with theater veteran Michael Berresse. Tune in to hear some of the stories of his legendary career, including his brief moment being directed by Jerome Robbins during FIDDLER ON THE ROOF, the process of bringing TITLE OF SHOW to Broadway, creating his version of “Bianca” in KISS ME, KATE, understudying the lead role in DAMN YANKEES, bringing Bob Mackie to the stage in THE CHER SHOW, how he became artistic director of The Weston Playhouse, staging a revival of THE GOLDEN APPLE at Encores!, his onstage accident during BUSKER ALLEY, the isolation of playing Zach in A CHORUS LINE, auditioning for Ann Reinking for CHICAGO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors and directors.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/emu7cn2d7qhbujtq/finalmichaelb.mp3" length="240985039" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with theater veteran Michael Berresse. Tune in to hear some of the stories of his legendary career, including his brief moment being directed by Jerome Robbins during FIDDLER ON THE ROOF, the process of bringing TITLE OF SHOW to Broadway, creating his version of “Bianca” in KISS ME, KATE, understudying the lead role in DAMN YANKEES, bringing Bob Mackie to the stage in THE CHER SHOW, how he became artistic director of The Weston Playhouse, staging a revival of THE GOLDEN APPLE at Encores!, his onstage accident during BUSKER ALLEY, the isolation of playing Zach in A CHORUS LINE, auditioning for Ann Reinking for CHICAGO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best actors and directors.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7372</itunes:duration>
                <itunes:episode>220</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lea DeLaria</title>
        <itunes:title>Lea DeLaria</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lea-delaria/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lea-delaria/#comments</comments>        <pubDate>Mon, 30 Dec 2024 18:40:09 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5b9ca635-8fd7-39d3-9bea-20d185b18920</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of stage and screen’s funniest comedians, Lea DeLaria. You can buy tickets to her “Brunch is Gay” series at 54 Below at this link: <a href='https://54below.org/events/lea-delaria-brunch-is-gay-2/'>https://54below.org/events/lea-delaria-brunch-is-gay-2/</a> </p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including how she made everyone break during POTUS, winning over Adolph Green at her ON THE TOWN audition, a memorable ROCKY HORROR PICTURE SHOW stage door encounter, going solo in HAPPY DAYS, her friendship with Elaine Stritch, the joy of working with Gavin Creel on PROMETHEUS BOUND, being the first openly gay comedian on TV, her journey to playing “Big Boo” on ORANGE IS THE NEW BLACK, developing SOME LIKE IT HOT and THE DROWSY CHAPERONE, starring in ONCE UPON A MATTRESS in California, why she thinks LIL’ ABNER should be revived, sharing a special moment with Austin Pendleton during NIGHT OF THE IGUANA, and the current Broadway show she would love to star in. You won’t want to miss this honest and hilarious conversation with a beloved star.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of stage and screen’s funniest comedians, Lea DeLaria. You can buy tickets to her “Brunch is Gay” series at 54 Below at this link: <a href='https://54below.org/events/lea-delaria-brunch-is-gay-2/'>https://54below.org/events/lea-delaria-brunch-is-gay-2/</a> </p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including how she made everyone break during POTUS, winning over Adolph Green at her ON THE TOWN audition, a memorable ROCKY HORROR PICTURE SHOW stage door encounter, going solo in HAPPY DAYS, her friendship with Elaine Stritch, the joy of working with Gavin Creel on PROMETHEUS BOUND, being the first openly gay comedian on TV, her journey to playing “Big Boo” on ORANGE IS THE NEW BLACK, developing SOME LIKE IT HOT and THE DROWSY CHAPERONE, starring in ONCE UPON A MATTRESS in California, why she thinks LIL’ ABNER should be revived, sharing a special moment with Austin Pendleton during NIGHT OF THE IGUANA, and the current Broadway show she would love to star in. You won’t want to miss this honest and hilarious conversation with a beloved star.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/apy648y36g7tyrpw/leadelonly.mp3" length="160136437" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with one of stage and screen’s funniest comedians, Lea DeLaria. You can buy tickets to her “Brunch is Gay” series at 54 Below at this link: https://54below.org/events/lea-delaria-brunch-is-gay-2/ 
Tune in to hear some of the stories of her legendary career, including how she made everyone break during POTUS, winning over Adolph Green at her ON THE TOWN audition, a memorable ROCKY HORROR PICTURE SHOW stage door encounter, going solo in HAPPY DAYS, her friendship with Elaine Stritch, the joy of working with Gavin Creel on PROMETHEUS BOUND, being the first openly gay comedian on TV, her journey to playing “Big Boo” on ORANGE IS THE NEW BLACK, developing SOME LIKE IT HOT and THE DROWSY CHAPERONE, starring in ONCE UPON A MATTRESS in California, why she thinks LIL’ ABNER should be revived, sharing a special moment with Austin Pendleton during NIGHT OF THE IGUANA, and the current Broadway show she would love to star in. You won’t want to miss this honest and hilarious conversation with a beloved star.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4841</itunes:duration>
                <itunes:episode>219</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Annie Golden</title>
        <itunes:title>Annie Golden</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/annie-golden/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/annie-golden/#comments</comments>        <pubDate>Sun, 22 Dec 2024 16:17:09 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/44067253-44e8-3c2c-b64f-87ada8d612bc</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with star of stage and screen Annie Golden. Tune in to hear some of the stories of her legendary career, including being discovered by Milos Forman at CBGB’s, how Marc Shaiman played her HAIR audition, why LEADER OF THE PACK didn’t work on Broadway, how her role in ASSASSINS was inspired by Kate Bush, learning from Colleen Dewhurst during AH, WILDERNESS!, rehearsing with Kathleen Freeman for THE FULL MONTY, recording demos for HAIRSPRAY, being directed by Howard Ashman in LITTLE SHOP OF HORRORS, workshopping BROADWAY BOUNTY HUNTER at the West Bank Cafe, performing with Veanne Cox in NATIONAL LAMPOON’S CLASS OF ’86, and so much more. Don’t miss this in-depth conversation with a theater veteran. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with star of stage and screen Annie Golden. Tune in to hear some of the stories of her legendary career, including being discovered by Milos Forman at CBGB’s, how Marc Shaiman played her HAIR audition, why LEADER OF THE PACK didn’t work on Broadway, how her role in ASSASSINS was inspired by Kate Bush, learning from Colleen Dewhurst during AH, WILDERNESS!, rehearsing with Kathleen Freeman for THE FULL MONTY, recording demos for HAIRSPRAY, being directed by Howard Ashman in LITTLE SHOP OF HORRORS, workshopping BROADWAY BOUNTY HUNTER at the West Bank Cafe, performing with Veanne Cox in NATIONAL LAMPOON’S CLASS OF ’86, and so much more. Don’t miss this in-depth conversation with a theater veteran. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k38jyipsq6e9qice/anniegoldenfinall.mp3" length="166882672" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my episode with star of stage and screen Annie Golden. Tune in to hear some of the stories of her legendary career, including being discovered by Milos Forman at CBGB’s, how Marc Shaiman played her HAIR audition, why LEADER OF THE PACK didn’t work on Broadway, how her role in ASSASSINS was inspired by Kate Bush, learning from Colleen Dewhurst during AH, WILDERNESS!, rehearsing with Kathleen Freeman for THE FULL MONTY, recording demos for HAIRSPRAY, being directed by Howard Ashman in LITTLE SHOP OF HORRORS, workshopping BROADWAY BOUNTY HUNTER at the West Bank Cafe, performing with Veanne Cox in NATIONAL LAMPOON’S CLASS OF ’86, and so much more. Don’t miss this in-depth conversation with a theater veteran. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5143</itunes:duration>
                <itunes:episode>218</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Mayer</title>
        <itunes:title>Michael Mayer</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-mayer/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-mayer/#comments</comments>        <pubDate>Mon, 09 Dec 2024 17:47:41 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/31ad6f01-66b6-3dc3-95de-ce56f65d4f44</guid>
                                    <description><![CDATA[<p>Today, I’m thrilled to announce my interview with Tony-winning director Michael Mayer, whose musical SWEPT AWAY is playing on Broadway through December 15th. Tune in to hear some of the stories of his legendary career, including the process of bringing SWEPT AWAY to Broadway, how Howard Ashman inspired his revival of LITTLE SHOP OF HORRORS, working with new faces on SPRING AWAKENING and AMERICAN IDIOT, how Giulietta Massina inspired his take on FUNNY GIRL, working with Charles Schulz on YOU’RE A GOOD MAN, CHARLIE BROWN, directing MARNIE and GROUNDED at the Metropolitan Opera, the process of reviving ON A CLEAR DAY YOU CAN SEE FOREVER, a last-minute switch with UNCLE VANYA, working with Arthur Miller on AFTER THE FALL and A VIEW FROM THE BRIDGE, his current work on GALILEO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best directors. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I’m thrilled to announce my interview with Tony-winning director Michael Mayer, whose musical SWEPT AWAY is playing on Broadway through December 15th. Tune in to hear some of the stories of his legendary career, including the process of bringing SWEPT AWAY to Broadway, how Howard Ashman inspired his revival of LITTLE SHOP OF HORRORS, working with new faces on SPRING AWAKENING and AMERICAN IDIOT, how Giulietta Massina inspired his take on FUNNY GIRL, working with Charles Schulz on YOU’RE A GOOD MAN, CHARLIE BROWN, directing MARNIE and GROUNDED at the Metropolitan Opera, the process of reviving ON A CLEAR DAY YOU CAN SEE FOREVER, a last-minute switch with UNCLE VANYA, working with Arthur Miller on AFTER THE FALL and A VIEW FROM THE BRIDGE, his current work on GALILEO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best directors. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/65xk5fwy75p23wca/michaelmayerveryfinal.mp3" length="261459345" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-winning director Michael Mayer, whose musical SWEPT AWAY is playing on Broadway through December 15th. Tune in to hear some of the stories of his legendary career, including the process of bringing SWEPT AWAY to Broadway, how Howard Ashman inspired his revival of LITTLE SHOP OF HORRORS, working with new faces on SPRING AWAKENING and AMERICAN IDIOT, how Giulietta Massina inspired his take on FUNNY GIRL, working with Charles Schulz on YOU’RE A GOOD MAN, CHARLIE BROWN, directing MARNIE and GROUNDED at the Metropolitan Opera, the process of reviving ON A CLEAR DAY YOU CAN SEE FOREVER, a last-minute switch with UNCLE VANYA, working with Arthur Miller on AFTER THE FALL and A VIEW FROM THE BRIDGE, his current work on GALILEO, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best directors. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7928</itunes:duration>
                <itunes:episode>217</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Betsy Joslyn</title>
        <itunes:title>Betsy Joslyn</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/betsy-joslyn/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/betsy-joslyn/#comments</comments>        <pubDate>Sun, 01 Dec 2024 11:34:34 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1b98bc4f-9a5d-3830-bee0-854a2a5ac454</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Betsy Joslyn. Tune in to hear some of the stories of her legendary career, including why she crossed her eyes while singing “Green Finch and Linnet Bird” in SWEENEY TODD, preparing to go on at the last minute in THE GOODBYE GIRL, the many changes that were made to A DOLL’S LIFE, how she ended up with the final bow in INTO THE WOODS, a treasured piece of art from her time in THE FANTASTICKS, why she decided to leave the business after LES MIS, the kindness of Stacy Keach during CAMELOT, what she learned from Bernadette Peters and Angela Lansbury, playing cards during HIGH SOCIETY, her one performance in A FEW GOOD MEN, why you should never be funnier than Mel Brooks, how she convinced George Hearn to star in LA CAGE AUX FOLLES, and so much more. You won’t want to miss this conversation with one of Broadway’s best leading ladies. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway veteran Betsy Joslyn. Tune in to hear some of the stories of her legendary career, including why she crossed her eyes while singing “Green Finch and Linnet Bird” in SWEENEY TODD, preparing to go on at the last minute in THE GOODBYE GIRL, the many changes that were made to A DOLL’S LIFE, how she ended up with the final bow in INTO THE WOODS, a treasured piece of art from her time in THE FANTASTICKS, why she decided to leave the business after LES MIS, the kindness of Stacy Keach during CAMELOT, what she learned from Bernadette Peters and Angela Lansbury, playing cards during HIGH SOCIETY, her one performance in A FEW GOOD MEN, why you should never be funnier than Mel Brooks, how she convinced George Hearn to star in LA CAGE AUX FOLLES, and so much more. You won’t want to miss this conversation with one of Broadway’s best leading ladies. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/698nbifmy6kn9di7/bjosfinal.mp3" length="151742642" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway veteran Betsy Joslyn. Tune in to hear some of the stories of her legendary career, including why she crossed her eyes while singing “Green Finch and Linnet Bird” in SWEENEY TODD, preparing to go on at the last minute in THE GOODBYE GIRL, the many changes that were made to A DOLL’S LIFE, how she ended up with the final bow in INTO THE WOODS, a treasured piece of art from her time in THE FANTASTICKS, why she decided to leave the business after LES MIS, the kindness of Stacy Keach during CAMELOT, what she learned from Bernadette Peters and Angela Lansbury, playing cards during HIGH SOCIETY, her one performance in A FEW GOOD MEN, why you should never be funnier than Mel Brooks, how she convinced George Hearn to star in LA CAGE AUX FOLLES, and so much more. You won’t want to miss this conversation with one of Broadway’s best leading ladies. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4654</itunes:duration>
                <itunes:episode>216</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Daisy Prince</title>
        <itunes:title>Daisy Prince</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/daisy-prince/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/daisy-prince/#comments</comments>        <pubDate>Sun, 24 Nov 2024 21:37:29 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/47fbfaa2-d5c7-3e32-bac6-6635849da1ed</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with one of theater’s most brilliant directors, Daisy Prince. Tune in to hear some of the stories of her legendary career, including how she first met Jason Robert Brown at a piano bar, the way in which Stephen Sondheim and Hal Prince were opposite sides of a coin, the day that THE LAST FIVE YEARS was performed in chronological order, meeting her husband during THE PETRIFIED PRINCE, why she wasn’t shocked by the closing of MERRILY WE ROLL ALONG, how a Yoko Ono musical led to SONGS FOR A NEW WORLD, the mentorship she has received from Paula Vogel, Richard Maltby, Jr., and other great theater artists, how she came up with the idea for THE CONNECTOR, casting Ben Levi Ross and Hannah Cruz in starring roles, the rewards of staging a period piece, and so much more, including a heartfelt tribute to Gavin Creel given on the day of his tragic passing. You won’t want to miss this conversation with a theater artist whose legacy has spanned generations. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with one of theater’s most brilliant directors, Daisy Prince. Tune in to hear some of the stories of her legendary career, including how she first met Jason Robert Brown at a piano bar, the way in which Stephen Sondheim and Hal Prince were opposite sides of a coin, the day that THE LAST FIVE YEARS was performed in chronological order, meeting her husband during THE PETRIFIED PRINCE, why she wasn’t shocked by the closing of MERRILY WE ROLL ALONG, how a Yoko Ono musical led to SONGS FOR A NEW WORLD, the mentorship she has received from Paula Vogel, Richard Maltby, Jr., and other great theater artists, how she came up with the idea for THE CONNECTOR, casting Ben Levi Ross and Hannah Cruz in starring roles, the rewards of staging a period piece, and so much more, including a heartfelt tribute to Gavin Creel given on the day of his tragic passing. You won’t want to miss this conversation with a theater artist whose legacy has spanned generations. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/84uqpddy9ursb3pt/Final_Daisy_Prince9fryi.mp3" length="154942272" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with one of theater’s most brilliant directors, Daisy Prince. Tune in to hear some of the stories of her legendary career, including how she first met Jason Robert Brown at a piano bar, the way in which Stephen Sondheim and Hal Prince were opposite sides of a coin, the day that THE LAST FIVE YEARS was performed in chronological order, meeting her husband during THE PETRIFIED PRINCE, why she wasn’t shocked by the closing of MERRILY WE ROLL ALONG, how a Yoko Ono musical led to SONGS FOR A NEW WORLD, the mentorship she has received from Paula Vogel, Richard Maltby, Jr., and other great theater artists, how she came up with the idea for THE CONNECTOR, casting Ben Levi Ross and Hannah Cruz in starring roles, the rewards of staging a period piece, and so much more, including a heartfelt tribute to Gavin Creel given on the day of his tragic passing. You won’t want to miss this conversation with a theater artist whose legacy has spanned generations. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4745</itunes:duration>
                <itunes:episode>215</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Anna Zavelson</title>
        <itunes:title>Anna Zavelson</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/anna-zavelson/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/anna-zavelson/#comments</comments>        <pubDate>Wed, 13 Nov 2024 14:13:34 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5565a08e-16dd-34fb-a41e-2f26ac408a3e</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of musical theater’s fastest-rising stars, Anna Zavelson, who is currently starring in Broadway’s THE NOTEBOOK. Tune in to hear some of the stories of her fantastic career, including collaborating with her fellow Allies Maryann Plunkett and Aisha Jackson, working with Michael Greif and Schele Williams to find her unique take on the role, her audition process for THE LIGHT IN THE PIAZZA at Encores!, the challenges and rewards of staying in school while performing in New York, putting together her solo show, her two thwarted attempts at starring in SPELLING BEE, her lasting friendship with Andrea Burns, the ins and outs of performing in the Jimmy Awards, her dream jukebox musicals, the secret weapon she uses for an eight-show week, and so much more. You won’t want to miss this chat with one of Broadway’s best! </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of musical theater’s fastest-rising stars, Anna Zavelson, who is currently starring in Broadway’s THE NOTEBOOK. Tune in to hear some of the stories of her fantastic career, including collaborating with her fellow Allies Maryann Plunkett and Aisha Jackson, working with Michael Greif and Schele Williams to find her unique take on the role, her audition process for THE LIGHT IN THE PIAZZA at Encores!, the challenges and rewards of staying in school while performing in New York, putting together her solo show, her two thwarted attempts at starring in SPELLING BEE, her lasting friendship with Andrea Burns, the ins and outs of performing in the Jimmy Awards, her dream jukebox musicals, the secret weapon she uses for an eight-show week, and so much more. You won’t want to miss this chat with one of Broadway’s best! </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b9bbcbg5mdi53ihs/zavels.mp3" length="92642723" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with one of musical theater’s fastest-rising stars, Anna Zavelson, who is currently starring in Broadway’s THE NOTEBOOK. Tune in to hear some of the stories of her fantastic career, including collaborating with her fellow Allies Maryann Plunkett and Aisha Jackson, working with Michael Greif and Schele Williams to find her unique take on the role, her audition process for THE LIGHT IN THE PIAZZA at Encores!, the challenges and rewards of staying in school while performing in New York, putting together her solo show, her two thwarted attempts at starring in SPELLING BEE, her lasting friendship with Andrea Burns, the ins and outs of performing in the Jimmy Awards, her dream jukebox musicals, the secret weapon she uses for an eight-show week, and so much more. You won’t want to miss this chat with one of Broadway’s best! ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2790</itunes:duration>
                <itunes:episode>214</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sherie Rene Scott</title>
        <itunes:title>Sherie Rene Scott</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sherie-rene-scott/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sherie-rene-scott/#comments</comments>        <pubDate>Fri, 08 Nov 2024 18:01:15 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0c2d4fb5-f3ee-3a5d-abad-6ecf477ae495</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce the release of my interview with Broadway legend Sherie Rene Scott, who is currently starring as Audrey in LITTLE SHOP OF HORRORS. Tune in to hear some of the stories of her career, including how she discovered theater growing up, the process of training for THE LAST FIVE YEARS, transferring EVERYDAY RAPTURE to Broadway in twelve days, the challenges she faced as a replacement in RENT, deciding between two roles in GREASE, the joys of working with Disney on AIDA, learning from her Broadway debut in TOMMY, the roles she almost played in CABARET and NEXT TO NORMAL, a last-minute audition for OVER AND OVER, how an opening night gift for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN led to her show WHORL INSIDE A LOOP, learning to fall out of a window in THE FRONT PAGE, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce the release of my interview with Broadway legend Sherie Rene Scott, who is currently starring as Audrey in LITTLE SHOP OF HORRORS. Tune in to hear some of the stories of her career, including how she discovered theater growing up, the process of training for THE LAST FIVE YEARS, transferring EVERYDAY RAPTURE to Broadway in twelve days, the challenges she faced as a replacement in RENT, deciding between two roles in GREASE, the joys of working with Disney on AIDA, learning from her Broadway debut in TOMMY, the roles she almost played in CABARET and NEXT TO NORMAL, a last-minute audition for OVER AND OVER, how an opening night gift for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN led to her show WHORL INSIDE A LOOP, learning to fall out of a window in THE FRONT PAGE, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hwa33cxe4frg8knx/SRS_1_Final89tde.mp3" length="229673845" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce the release of my interview with Broadway legend Sherie Rene Scott, who is currently starring as Audrey in LITTLE SHOP OF HORRORS. Tune in to hear some of the stories of her career, including how she discovered theater growing up, the process of training for THE LAST FIVE YEARS, transferring EVERYDAY RAPTURE to Broadway in twelve days, the challenges she faced as a replacement in RENT, deciding between two roles in GREASE, the joys of working with Disney on AIDA, learning from her Broadway debut in TOMMY, the roles she almost played in CABARET and NEXT TO NORMAL, a last-minute audition for OVER AND OVER, how an opening night gift for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN led to her show WHORL INSIDE A LOOP, learning to fall out of a window in THE FRONT PAGE, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7064</itunes:duration>
                <itunes:episode>213</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lin-Manuel Miranda</title>
        <itunes:title>Lin-Manuel Miranda</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lin-manuel-miranda/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lin-manuel-miranda/#comments</comments>        <pubDate>Fri, 01 Nov 2024 15:47:22 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/83a56e36-158b-37d3-940a-20832f64232f</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so incredibly thrilled to announce the release of my interview with Pulitzer-Prize winning Broadway legend Lin-Manuel Miranda, whose new album WARRIORS, co-written with Eisa Davis, is now out on all platforms. Tune in to hear stories and insights including how WARRIORS became his “Roman Empire,” the challenges of adapting an action movie into a musical, how Twitter helped him develop HAMILTON, the hardest role to cast in IN THE HEIGHTS, how he approaches the dual roles of actor and writer, why he loves writing New York stories, working with Thomas Kail on saving the Drama Book Shop, coming back to Broadway in ALL IN, how his experiences with FOSSE/VERDON and MARY POPPINS RETURNS led to TICK, TICK…BOOM!, filming at the New York Theater Workshop during the pandemic, taking inspiration from Jonathan Larson, the phone call from John Kander that led to NEW YORK, NEW YORK, meeting Stephen Sondheim in his senior year of high school, the enduring legacy of HAMILTON, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most brilliant writers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so incredibly thrilled to announce the release of my interview with Pulitzer-Prize winning Broadway legend Lin-Manuel Miranda, whose new album WARRIORS, co-written with Eisa Davis, is now out on all platforms. Tune in to hear stories and insights including how WARRIORS became his “Roman Empire,” the challenges of adapting an action movie into a musical, how Twitter helped him develop HAMILTON, the hardest role to cast in IN THE HEIGHTS, how he approaches the dual roles of actor and writer, why he loves writing New York stories, working with Thomas Kail on saving the Drama Book Shop, coming back to Broadway in ALL IN, how his experiences with FOSSE/VERDON and MARY POPPINS RETURNS led to TICK, TICK…BOOM!, filming at the New York Theater Workshop during the pandemic, taking inspiration from Jonathan Larson, the phone call from John Kander that led to NEW YORK, NEW YORK, meeting Stephen Sondheim in his senior year of high school, the enduring legacy of HAMILTON, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most brilliant writers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ce6sz6x3dvhuefdp/LMM_Icon9x1kl.mp3" length="125063381" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so incredibly thrilled to announce the release of my interview with Pulitzer-Prize winning Broadway legend Lin-Manuel Miranda, whose new album WARRIORS, co-written with Eisa Davis, is now out on all platforms. Tune in to hear stories and insights including how WARRIORS became his “Roman Empire,” the challenges of adapting an action movie into a musical, how Twitter helped him develop HAMILTON, the hardest role to cast in IN THE HEIGHTS, how he approaches the dual roles of actor and writer, why he loves writing New York stories, working with Thomas Kail on saving the Drama Book Shop, coming back to Broadway in ALL IN, how his experiences with FOSSE/VERDON and MARY POPPINS RETURNS led to TICK, TICK…BOOM!, filming at the New York Theater Workshop during the pandemic, taking inspiration from Jonathan Larson, the phone call from John Kander that led to NEW YORK, NEW YORK, meeting Stephen Sondheim in his senior year of high school, the enduring legacy of HAMILTON, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most brilliant writers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3807</itunes:duration>
                <itunes:episode>212</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kathleen Chalfant</title>
        <itunes:title>Kathleen Chalfant</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/kathleen-chalfant/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/kathleen-chalfant/#comments</comments>        <pubDate>Mon, 21 Oct 2024 21:10:22 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b831da57-af72-31c0-bb94-2a77fb694063</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl’s PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD’S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won’t want to miss this conversation with a true theater veteran. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl’s PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD’S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won’t want to miss this conversation with a true theater veteran. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fp4e35yfkdb4ngrn/katchactguarantee.mp3" length="160059550" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl’s PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD’S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won’t want to miss this conversation with a true theater veteran. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4928</itunes:duration>
                <itunes:episode>211</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joe Mantello</title>
        <itunes:title>Joe Mantello</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/joe-mantello/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/joe-mantello/#comments</comments>        <pubDate>Mon, 14 Oct 2024 21:53:34 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/69d3038c-9c30-35c4-8516-98cfecc0a817</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with legendary director and actor Joe Mantello. Tune in to hear some of the stories of his legendary career, including why he decided to stop acting after ANGELS IN AMERICA, what it meant that Terrence McNally took a chance on him with LOVE! VALOUR! COMPASSION!, working with and without Stephen Sondheim on HERE WE ARE, what he learned from Glenda Jackson in THREE TALL WOMEN, why he had the sound designer in the rehearsal room during GREY HOUSE, the unique experience of I’LL EAT YOU LAST, the process of maintaining WICKED, his experience with CORPUS CHRISTI and the backlash that came with it, what has made him decide to act on Broadway in THE NORMAL HEART and THE GLASS MENAGERIE, staging sensitive scenes in TAKE ME OUT and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, what it was like making his Broadway debut with WHAT’S WRONG WITH THIS PICTURE?, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s most brilliant directors.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with legendary director and actor Joe Mantello. Tune in to hear some of the stories of his legendary career, including why he decided to stop acting after ANGELS IN AMERICA, what it meant that Terrence McNally took a chance on him with LOVE! VALOUR! COMPASSION!, working with and without Stephen Sondheim on HERE WE ARE, what he learned from Glenda Jackson in THREE TALL WOMEN, why he had the sound designer in the rehearsal room during GREY HOUSE, the unique experience of I’LL EAT YOU LAST, the process of maintaining WICKED, his experience with CORPUS CHRISTI and the backlash that came with it, what has made him decide to act on Broadway in THE NORMAL HEART and THE GLASS MENAGERIE, staging sensitive scenes in TAKE ME OUT and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, what it was like making his Broadway debut with WHAT’S WRONG WITH THIS PICTURE?, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s most brilliant directors.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w2wnfyqn9vppwm69/jmantfinalll.mp3" length="185570609" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the release of my episode with legendary director and actor Joe Mantello. Tune in to hear some of the stories of his legendary career, including why he decided to stop acting after ANGELS IN AMERICA, what it meant that Terrence McNally took a chance on him with LOVE! VALOUR! COMPASSION!, working with and without Stephen Sondheim on HERE WE ARE, what he learned from Glenda Jackson in THREE TALL WOMEN, why he had the sound designer in the rehearsal room during GREY HOUSE, the unique experience of I’LL EAT YOU LAST, the process of maintaining WICKED, his experience with CORPUS CHRISTI and the backlash that came with it, what has made him decide to act on Broadway in THE NORMAL HEART and THE GLASS MENAGERIE, staging sensitive scenes in TAKE ME OUT and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE, what it was like making his Broadway debut with WHAT’S WRONG WITH THIS PICTURE?, and so much more. You won’t want to miss this in-depth conversation with one of Broadway’s most brilliant directors.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5717</itunes:duration>
                <itunes:episode>210</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Stephanie Pope</title>
        <itunes:title>Stephanie Pope</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/stephanie-pope/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/stephanie-pope/#comments</comments>        <pubDate>Mon, 07 Oct 2024 20:57:15 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5ef01880-c4bc-3aff-b502-3149cca3d96d</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to present my episode with triple threat Stephanie Pope. Tune in to hear some of the stories of her fantastic career, including her long collaboration with Bob Fosse, from her first audition for SWEET CHARITY to her conversations with him on the day that he died, why she was hounded by press during THE WILL ROGERS FOLLIES, what made her decide to recreate her role in JELLY’S LAST JAM, doing research for her role in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, going on at the last minute for Patina Miller in PIPPIN, how the pandemic led her to start directing, premiering SMOKEY JOE’S CAFE in London, going on the road with her daughter in THOROUGHLY MODERN MILLIE, announcing Gwen Verdon’s death from the stage during FOSSE, studying dance while attending high school, standing by for Chita Rivera in KISS OF THE SPIDERWOMAN, how she aimed to leave the door open for fellow Black performers, and so much more. You won’t want to miss this interview with one of Broadway’s most talented stars. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to present my episode with triple threat Stephanie Pope. Tune in to hear some of the stories of her fantastic career, including her long collaboration with Bob Fosse, from her first audition for SWEET CHARITY to her conversations with him on the day that he died, why she was hounded by press during THE WILL ROGERS FOLLIES, what made her decide to recreate her role in JELLY’S LAST JAM, doing research for her role in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, going on at the last minute for Patina Miller in PIPPIN, how the pandemic led her to start directing, premiering SMOKEY JOE’S CAFE in London, going on the road with her daughter in THOROUGHLY MODERN MILLIE, announcing Gwen Verdon’s death from the stage during FOSSE, studying dance while attending high school, standing by for Chita Rivera in KISS OF THE SPIDERWOMAN, how she aimed to leave the door open for fellow Black performers, and so much more. You won’t want to miss this interview with one of Broadway’s most talented stars. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jzxsagxvisfbr9cp/spopefinal.mp3" length="172982330" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to present my episode with triple threat Stephanie Pope. Tune in to hear some of the stories of her fantastic career, including her long collaboration with Bob Fosse, from her first audition for SWEET CHARITY to her conversations with him on the day that he died, why she was hounded by press during THE WILL ROGERS FOLLIES, what made her decide to recreate her role in JELLY’S LAST JAM, doing research for her role in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, going on at the last minute for Patina Miller in PIPPIN, how the pandemic led her to start directing, premiering SMOKEY JOE’S CAFE in London, going on the road with her daughter in THOROUGHLY MODERN MILLIE, announcing Gwen Verdon’s death from the stage during FOSSE, studying dance while attending high school, standing by for Chita Rivera in KISS OF THE SPIDERWOMAN, how she aimed to leave the door open for fellow Black performers, and so much more. You won’t want to miss this interview with one of Broadway’s most talented stars. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5334</itunes:duration>
                <itunes:episode>209</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Beth Leavel</title>
        <itunes:title>Beth Leavel</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/beth-leavel/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/beth-leavel/#comments</comments>        <pubDate>Tue, 01 Oct 2024 20:34:02 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6a62d9f2-50dd-32ec-be3f-0b442654470c</guid>
                                    <description><![CDATA[<p class="p1">Ticket Link: https://54below.org/events/beth-leavel-sings-sondheim/</p>
<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Beth Leavel, who will be performing a 54 Below concert celebrating the works of Stephen Sondheim on October 26 and 27. Tune in to hear some of the stories of her legendary career, including the advice she got from Elaine Stritch, her process of finding the character of Dee Dee Allen in THE PROM, how 42ND STREET ruined a trip to Disneyland, performing for Elton John and Steven Spielberg, why her involvement in LEMPICKA felt fated by the universe, the role of hers that Eartha Kitt and Joan Van Ark also auditioned for, working with Casey Nicholaw on TUCK EVERLASTING and SOMETHING ROTTEN, the tragic closing of THE CIVIL WAR, taking inspiration from Margaret Dumont for THE DROWSY CHAPERONE, the most important lines in THE DEVIL WEARS PRADA, and so much more. You won’t want to miss this uproarious conversation with a true Broadway treasure. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Ticket Link: https://54below.org/events/beth-leavel-sings-sondheim/</p>
<p class="p1">Today, I’m thrilled to announce my interview with Tony winner Beth Leavel, who will be performing a 54 Below concert celebrating the works of Stephen Sondheim on October 26 and 27. Tune in to hear some of the stories of her legendary career, including the advice she got from Elaine Stritch, her process of finding the character of Dee Dee Allen in THE PROM, how 42ND STREET ruined a trip to Disneyland, performing for Elton John and Steven Spielberg, why her involvement in LEMPICKA felt fated by the universe, the role of hers that Eartha Kitt and Joan Van Ark also auditioned for, working with Casey Nicholaw on TUCK EVERLASTING and SOMETHING ROTTEN, the tragic closing of THE CIVIL WAR, taking inspiration from Margaret Dumont for THE DROWSY CHAPERONE, the most important lines in THE DEVIL WEARS PRADA, and so much more. You won’t want to miss this uproarious conversation with a true Broadway treasure. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7rqvgy5xwreusvsn/bethfinalleavel.mp3" length="124838748" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ticket Link: https://54below.org/events/beth-leavel-sings-sondheim/
Today, I’m thrilled to announce my interview with Tony winner Beth Leavel, who will be performing a 54 Below concert celebrating the works of Stephen Sondheim on October 26 and 27. Tune in to hear some of the stories of her legendary career, including the advice she got from Elaine Stritch, her process of finding the character of Dee Dee Allen in THE PROM, how 42ND STREET ruined a trip to Disneyland, performing for Elton John and Steven Spielberg, why her involvement in LEMPICKA felt fated by the universe, the role of hers that Eartha Kitt and Joan Van Ark also auditioned for, working with Casey Nicholaw on TUCK EVERLASTING and SOMETHING ROTTEN, the tragic closing of THE CIVIL WAR, taking inspiration from Margaret Dumont for THE DROWSY CHAPERONE, the most important lines in THE DEVIL WEARS PRADA, and so much more. You won’t want to miss this uproarious conversation with a true Broadway treasure. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3850</itunes:duration>
                <itunes:episode>208</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Allan Corduner</title>
        <itunes:title>Allan Corduner</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/allan-corduner/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/allan-corduner/#comments</comments>        <pubDate>Sat, 21 Sep 2024 20:52:33 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4abaa2fd-17be-37ad-a9f7-8eac429f2ed9</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with star of stage and screen Allan Corduner, who just finished a run as Hume Cronyn in THE MOTIVE AND THE CUE on the West End. Tune in to hear some of the stories of his legendary career, including crawling on the floor with Barbra Streisand, the unique process of working with Mike Leigh on TOPSY TURVY, how a coffee with Bartlett Sher led to MY FAIR LADY, dealing with technical issues during TITANIC, the antisemitism he faced in the British entertainment world, working with Joseph Papp on SERIOUS MONEY, the actor who died during the table read of YENTL, why he was more impressed by John Gielgud than Laurence Olivier, working with Mike Ockrent on his theater debut, and so much more. You won’t want to miss this interview with one of our most charming and delightful stars.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with star of stage and screen Allan Corduner, who just finished a run as Hume Cronyn in THE MOTIVE AND THE CUE on the West End. Tune in to hear some of the stories of his legendary career, including crawling on the floor with Barbra Streisand, the unique process of working with Mike Leigh on TOPSY TURVY, how a coffee with Bartlett Sher led to MY FAIR LADY, dealing with technical issues during TITANIC, the antisemitism he faced in the British entertainment world, working with Joseph Papp on SERIOUS MONEY, the actor who died during the table read of YENTL, why he was more impressed by John Gielgud than Laurence Olivier, working with Mike Ockrent on his theater debut, and so much more. You won’t want to miss this interview with one of our most charming and delightful stars.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jpbgg8skatchm9zw/cordunerfinalfile.mp3" length="132894225" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with star of stage and screen Allan Corduner, who just finished a run as Hume Cronyn in THE MOTIVE AND THE CUE on the West End. Tune in to hear some of the stories of his legendary career, including crawling on the floor with Barbra Streisand, the unique process of working with Mike Leigh on TOPSY TURVY, how a coffee with Bartlett Sher led to MY FAIR LADY, dealing with technical issues during TITANIC, the antisemitism he faced in the British entertainment world, working with Joseph Papp on SERIOUS MONEY, the actor who died during the table read of YENTL, why he was more impressed by John Gielgud than Laurence Olivier, working with Mike Ockrent on his theater debut, and so much more. You won’t want to miss this interview with one of our most charming and delightful stars.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4041</itunes:duration>
                <itunes:episode>207</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Cathy Rigby</title>
        <itunes:title>Cathy Rigby</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/cathy-rigby/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/cathy-rigby/#comments</comments>        <pubDate>Sun, 15 Sep 2024 21:40:56 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/db2a4778-afc6-34d6-9b9a-8b6008804c1e</guid>
                                    <description><![CDATA[<p class="p1">I could not be more thrilled to announce my guest for this week, olympic gymnast and Tony nominee Cathy Rigby. Tune in to hear some of the stories of Cathy’s incredible career, including how Disney on Parade turned her into a musical theater star, why competing in the Olympics almost led to her failing high school gym class, what it was like competing internationally during The Cold War, why she views Peter Pan as one of the saddest characters, why her last performance in the role was her best, a poignant experience helping a sick girl fly, casting her real-life children in touring productions of PETER PAN, observing that children are the same across the globe, learning SEUSSICAL in ten days, producing the upcoming revival of FIDDLER ON THE ROOF with Jason Alexander, collaborating with John Kenley, the challenge of appearing in STEEL MAGNOLIAS, and so much more. You won’t want to miss this interview with an interdisciplinary master.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I could not be more thrilled to announce my guest for this week, olympic gymnast and Tony nominee Cathy Rigby. Tune in to hear some of the stories of Cathy’s incredible career, including how Disney on Parade turned her into a musical theater star, why competing in the Olympics almost led to her failing high school gym class, what it was like competing internationally during The Cold War, why she views Peter Pan as one of the saddest characters, why her last performance in the role was her best, a poignant experience helping a sick girl fly, casting her real-life children in touring productions of PETER PAN, observing that children are the same across the globe, learning SEUSSICAL in ten days, producing the upcoming revival of FIDDLER ON THE ROOF with Jason Alexander, collaborating with John Kenley, the challenge of appearing in STEEL MAGNOLIAS, and so much more. You won’t want to miss this interview with an interdisciplinary master.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gi9drp9z3h2ggh9m/crigbybest.mp3" length="99771768" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I could not be more thrilled to announce my guest for this week, olympic gymnast and Tony nominee Cathy Rigby. Tune in to hear some of the stories of Cathy’s incredible career, including how Disney on Parade turned her into a musical theater star, why competing in the Olympics almost led to her failing high school gym class, what it was like competing internationally during The Cold War, why she views Peter Pan as one of the saddest characters, why her last performance in the role was her best, a poignant experience helping a sick girl fly, casting her real-life children in touring productions of PETER PAN, observing that children are the same across the globe, learning SEUSSICAL in ten days, producing the upcoming revival of FIDDLER ON THE ROOF with Jason Alexander, collaborating with John Kenley, the challenge of appearing in STEEL MAGNOLIAS, and so much more. You won’t want to miss this interview with an interdisciplinary master.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3067</itunes:duration>
                <itunes:episode>206</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mario Cantone</title>
        <itunes:title>Mario Cantone</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/mario-cantone/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/mario-cantone/#comments</comments>        <pubDate>Sat, 07 Sep 2024 16:41:20 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5cc3cb5f-35a9-3282-a3bf-5605ce498bb0</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to present my interview with star of stage and screen Mario Cantone. Tune in to hear the stories of his legendary stage career, including how a phone call with Joe Mantello led to ASSASSINS, an early audition for TORCH SONG TRILOGY, when he almost co-starred with Pamela Adlon in THE PRISONER OF SECOND AVENUE, why he turned down THE PRODUCERS and THE LION KING, his struggle to find the comedy in THE TEMPEST, how a birthday party performance led to his Broadway solo show LAUGH WHORE, why a good impressionist is like a caricaturist, his friendships with Dorothy Loudon and Fred Ebb during OVER AND OVER, talking about Joan Crawford with Stephen Sondheim, developing BLISS out of town, the audition he walked out of, how AND JUST LIKE THAT has changed his life, and so much more. You won’t want to miss this interview with one of the funniest men in show business.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to present my interview with star of stage and screen Mario Cantone. Tune in to hear the stories of his legendary stage career, including how a phone call with Joe Mantello led to ASSASSINS, an early audition for TORCH SONG TRILOGY, when he almost co-starred with Pamela Adlon in THE PRISONER OF SECOND AVENUE, why he turned down THE PRODUCERS and THE LION KING, his struggle to find the comedy in THE TEMPEST, how a birthday party performance led to his Broadway solo show LAUGH WHORE, why a good impressionist is like a caricaturist, his friendships with Dorothy Loudon and Fred Ebb during OVER AND OVER, talking about Joan Crawford with Stephen Sondheim, developing BLISS out of town, the audition he walked out of, how AND JUST LIKE THAT has changed his life, and so much more. You won’t want to miss this interview with one of the funniest men in show business.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/454xss6ambsjbq8p/mcantone.mp3" length="99714938" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to present my interview with star of stage and screen Mario Cantone. Tune in to hear the stories of his legendary stage career, including how a phone call with Joe Mantello led to ASSASSINS, an early audition for TORCH SONG TRILOGY, when he almost co-starred with Pamela Adlon in THE PRISONER OF SECOND AVENUE, why he turned down THE PRODUCERS and THE LION KING, his struggle to find the comedy in THE TEMPEST, how a birthday party performance led to his Broadway solo show LAUGH WHORE, why a good impressionist is like a caricaturist, his friendships with Dorothy Loudon and Fred Ebb during OVER AND OVER, talking about Joan Crawford with Stephen Sondheim, developing BLISS out of town, the audition he walked out of, how AND JUST LIKE THAT has changed his life, and so much more. You won’t want to miss this interview with one of the funniest men in show business.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3012</itunes:duration>
                <itunes:episode>205</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Susan Stroman</title>
        <itunes:title>Susan Stroman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/susan-stroman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/susan-stroman/#comments</comments>        <pubDate>Sun, 01 Sep 2024 11:17:31 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f1c17f67-032b-37f2-a1a6-4bf7aac49647</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with legendary director and choreographer Susan Stroman. Tune in to hear all about her upcoming projects LEFT ON TENTH, ANGEL OF ARKANSAS, and SMASH, as well as some of the stories of her great career, including the lessons she learned from John Kander and Fred Ebb, the choreographic journey of THE MUSIC MAN, why CRAZY FOR YOU felt like it was in her blood, the art of partnering in STEEL PIER, why Hal Prince credits SHOWBOAT for his entire career, staging tryouts from Hunter College to Japan, watching Nathan Lane and Stephen Sondheim collaborate on THE FROGS, how an experience in a club and an offer from Andre Bishop led to CONTACT, finding the structure of NEW YORK, NEW YORK, her collaborations with dance arrangers including Glen Kelly and Peter Howard, the similarities and differences between Mel Brooks and Woody Allen, using visual inspiration for LITTLE DANCER, working on THOU SHALT NOT during 9/11, how research influenced her choreography for OKLAHOMA, the joys and challenges of directing POTUS right after the pandemic, and more. You won’t want to miss this interview with a true master of the American theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with legendary director and choreographer Susan Stroman. Tune in to hear all about her upcoming projects LEFT ON TENTH, ANGEL OF ARKANSAS, and SMASH, as well as some of the stories of her great career, including the lessons she learned from John Kander and Fred Ebb, the choreographic journey of THE MUSIC MAN, why CRAZY FOR YOU felt like it was in her blood, the art of partnering in STEEL PIER, why Hal Prince credits SHOWBOAT for his entire career, staging tryouts from Hunter College to Japan, watching Nathan Lane and Stephen Sondheim collaborate on THE FROGS, how an experience in a club and an offer from Andre Bishop led to CONTACT, finding the structure of NEW YORK, NEW YORK, her collaborations with dance arrangers including Glen Kelly and Peter Howard, the similarities and differences between Mel Brooks and Woody Allen, using visual inspiration for LITTLE DANCER, working on THOU SHALT NOT during 9/11, how research influenced her choreography for OKLAHOMA, the joys and challenges of directing POTUS right after the pandemic, and more. You won’t want to miss this interview with a true master of the American theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/de38uq65redxkam5/Stro_19god6.mp3" length="166479838" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with legendary director and choreographer Susan Stroman. Tune in to hear all about her upcoming projects LEFT ON TENTH, ANGEL OF ARKANSAS, and SMASH, as well as some of the stories of her great career, including the lessons she learned from John Kander and Fred Ebb, the choreographic journey of THE MUSIC MAN, why CRAZY FOR YOU felt like it was in her blood, the art of partnering in STEEL PIER, why Hal Prince credits SHOWBOAT for his entire career, staging tryouts from Hunter College to Japan, watching Nathan Lane and Stephen Sondheim collaborate on THE FROGS, how an experience in a club and an offer from Andre Bishop led to CONTACT, finding the structure of NEW YORK, NEW YORK, her collaborations with dance arrangers including Glen Kelly and Peter Howard, the similarities and differences between Mel Brooks and Woody Allen, using visual inspiration for LITTLE DANCER, working on THOU SHALT NOT during 9/11, how research influenced her choreography for OKLAHOMA, the joys and challenges of directing POTUS right after the pandemic, and more. You won’t want to miss this interview with a true master of the American theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5069</itunes:duration>
                <itunes:episode>204</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jefferson Mays</title>
        <itunes:title>Jefferson Mays</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jefferson-mays/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jefferson-mays/#comments</comments>        <pubDate>Sat, 24 Aug 2024 21:00:33 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7b60ebd6-e901-39ef-847e-dd369ed0c344</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with the brilliant, Tony winning actor Jefferson Mays. Tune in to hear some of the stories of his legendary career, including how three 5-minute plays at the Sundance Theater Festival evolved into I AM MY OWN WIFE, his experience performing that play in Poland, Brazil, and Australia, the backstage game he played with Angela Lansbury during THE BEST MAN, his unique take on Henry Higgins in PYGMALION, why he wishes a film had been made backstage at A GENTLEMAN’S GUIDE TO LOVE AND MURDER, the greatness of the late Steven Lutvak, a bloody accident during a site-specific ORESTES, why he used a prosthetic nose during THE MUSIC MAN, performing OSLO for the real-life Terje Rod-Larsen, what inspired his solo performance of A CHRISTMAS CAROL, how his vocal chords hemorrhaged during BLOOD AND GIFTS, taking advice from Robert Morse and Nathan Lane during THE FRONT PAGE, his next idea inspired by The Grand Guignol, and so much more. You won’t want to miss this episode with a once-in-a-generation talent.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with the brilliant, Tony winning actor Jefferson Mays. Tune in to hear some of the stories of his legendary career, including how three 5-minute plays at the Sundance Theater Festival evolved into I AM MY OWN WIFE, his experience performing that play in Poland, Brazil, and Australia, the backstage game he played with Angela Lansbury during THE BEST MAN, his unique take on Henry Higgins in PYGMALION, why he wishes a film had been made backstage at A GENTLEMAN’S GUIDE TO LOVE AND MURDER, the greatness of the late Steven Lutvak, a bloody accident during a site-specific ORESTES, why he used a prosthetic nose during THE MUSIC MAN, performing OSLO for the real-life Terje Rod-Larsen, what inspired his solo performance of A CHRISTMAS CAROL, how his vocal chords hemorrhaged during BLOOD AND GIFTS, taking advice from Robert Morse and Nathan Lane during THE FRONT PAGE, his next idea inspired by The Grand Guignol, and so much more. You won’t want to miss this episode with a once-in-a-generation talent.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v9j27egvpjtmzjnm/jaymamays.mp3" length="195949180" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with the brilliant, Tony winning actor Jefferson Mays. Tune in to hear some of the stories of his legendary career, including how three 5-minute plays at the Sundance Theater Festival evolved into I AM MY OWN WIFE, his experience performing that play in Poland, Brazil, and Australia, the backstage game he played with Angela Lansbury during THE BEST MAN, his unique take on Henry Higgins in PYGMALION, why he wishes a film had been made backstage at A GENTLEMAN’S GUIDE TO LOVE AND MURDER, the greatness of the late Steven Lutvak, a bloody accident during a site-specific ORESTES, why he used a prosthetic nose during THE MUSIC MAN, performing OSLO for the real-life Terje Rod-Larsen, what inspired his solo performance of A CHRISTMAS CAROL, how his vocal chords hemorrhaged during BLOOD AND GIFTS, taking advice from Robert Morse and Nathan Lane during THE FRONT PAGE, his next idea inspired by The Grand Guignol, and so much more. You won’t want to miss this episode with a once-in-a-generation talent.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5819</itunes:duration>
                <itunes:episode>203</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Alyson Reed</title>
        <itunes:title>Alyson Reed</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/alyson-reed/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/alyson-reed/#comments</comments>        <pubDate>Sat, 17 Aug 2024 17:16:21 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/db420ee5-6e68-3afd-906a-846380573aeb</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my interview with star of stage and screen Alyson Reed. Tune in to hear some of the stories of Alyson’s legendary career, including her difficult decision to leave A CHORUS LINE on the road, making amends with Michael Bennett, how “Let Me Dance For You” was restored to the film of A CHORUS LINE, a meaningful note from Hal Prince, the bumpy road to starring in MARILYN, how that show led to her role in HIGH SCHOOL MUSICAL, dealing with protestors during OH, BROTHER, the cast’s nickname for DANCE A LITTLE CLOSER, replacing Karen Ziemba in A GRAND NIGHT FOR SINGING, her passion for arts education, and so much more. You won’t want to miss this in-depth conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my interview with star of stage and screen Alyson Reed. Tune in to hear some of the stories of Alyson’s legendary career, including her difficult decision to leave A CHORUS LINE on the road, making amends with Michael Bennett, how “Let Me Dance For You” was restored to the film of A CHORUS LINE, a meaningful note from Hal Prince, the bumpy road to starring in MARILYN, how that show led to her role in HIGH SCHOOL MUSICAL, dealing with protestors during OH, BROTHER, the cast’s nickname for DANCE A LITTLE CLOSER, replacing Karen Ziemba in A GRAND NIGHT FOR SINGING, her passion for arts education, and so much more. You won’t want to miss this in-depth conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/644nccqfr4z6xbec/Alyson_Reeda585s.mp3" length="133802342" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my interview with star of stage and screen Alyson Reed. Tune in to hear some of the stories of Alyson’s legendary career, including her difficult decision to leave A CHORUS LINE on the road, making amends with Michael Bennett, how “Let Me Dance For You” was restored to the film of A CHORUS LINE, a meaningful note from Hal Prince, the bumpy road to starring in MARILYN, how that show led to her role in HIGH SCHOOL MUSICAL, dealing with protestors during OH, BROTHER, the cast’s nickname for DANCE A LITTLE CLOSER, replacing Karen Ziemba in A GRAND NIGHT FOR SINGING, her passion for arts education, and so much more. You won’t want to miss this in-depth conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4117</itunes:duration>
                <itunes:episode>202</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Celebrating 200 Episodes with Brandon Maggart and Lee Roy Reams</title>
        <itunes:title>Celebrating 200 Episodes with Brandon Maggart and Lee Roy Reams</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/celebrating-200-episodes-with-brandon-maggart-and-lee-roy-reams/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/celebrating-200-episodes-with-brandon-maggart-and-lee-roy-reams/#comments</comments>        <pubDate>Sat, 10 Aug 2024 17:47:24 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/fa82307f-7d7b-38bc-b9e6-611e9d5b9166</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the second part of Backstage Babble’s 200th episode celebration—a conversation with two of my favorite former guests, two friends, two mentors, two veteran performers, two Tony nominees--Lee Roy Reams and Brandon Maggart. Tune in to hear some of the stories of their parallel lives in the theater, including what it was like sharing a dressing room during APPLAUSE, the difference between Lauren Bacall and Carol Channing, their unusual experience arriving in Oklahoma City with LORELEI, how Tamara Long influenced the cast of that show and what made Jule Styne decide to keep her in it, what it was like for Lee Roy to teach Madeline Kahn the humor of HELLO, DOLLY!, how Susan Stroman convinced Brandon not to quit MUSICAL CHAIRS, how Lee Roy almost directed a revival of ANNIE 2, and Brandon’s run-in with Howard Keel during South Pacific. Plus, they talk about Ron Field, Karen Morrow, Oric Bovar, and Jane Powell, and both of them answer the James Lipton questionnaire! You won’t want to miss this episode with two super talents and very special people.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the second part of Backstage Babble’s 200th episode celebration—a conversation with two of my favorite former guests, two friends, two mentors, two veteran performers, two Tony nominees--Lee Roy Reams and Brandon Maggart. Tune in to hear some of the stories of their parallel lives in the theater, including what it was like sharing a dressing room during APPLAUSE, the difference between Lauren Bacall and Carol Channing, their unusual experience arriving in Oklahoma City with LORELEI, how Tamara Long influenced the cast of that show and what made Jule Styne decide to keep her in it, what it was like for Lee Roy to teach Madeline Kahn the humor of HELLO, DOLLY!, how Susan Stroman convinced Brandon not to quit MUSICAL CHAIRS, how Lee Roy almost directed a revival of ANNIE 2, and Brandon’s run-in with Howard Keel during South Pacific. Plus, they talk about Ron Field, Karen Morrow, Oric Bovar, and Jane Powell, and both of them answer the James Lipton questionnaire! You won’t want to miss this episode with two super talents and very special people.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ushf8gjr4dt7z8je/Lee_Roy_Brandon8lone.mp3" length="173848825" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the second part of Backstage Babble’s 200th episode celebration—a conversation with two of my favorite former guests, two friends, two mentors, two veteran performers, two Tony nominees--Lee Roy Reams and Brandon Maggart. Tune in to hear some of the stories of their parallel lives in the theater, including what it was like sharing a dressing room during APPLAUSE, the difference between Lauren Bacall and Carol Channing, their unusual experience arriving in Oklahoma City with LORELEI, how Tamara Long influenced the cast of that show and what made Jule Styne decide to keep her in it, what it was like for Lee Roy to teach Madeline Kahn the humor of HELLO, DOLLY!, how Susan Stroman convinced Brandon not to quit MUSICAL CHAIRS, how Lee Roy almost directed a revival of ANNIE 2, and Brandon’s run-in with Howard Keel during South Pacific. Plus, they talk about Ron Field, Karen Morrow, Oric Bovar, and Jane Powell, and both of them answer the James Lipton questionnaire! You won’t want to miss this episode with two super talents and very special people.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5357</itunes:duration>
                <itunes:episode>201</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jack O'Brien</title>
        <itunes:title>Jack O'Brien</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jack-obrien/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jack-obrien/#comments</comments>        <pubDate>Sat, 03 Aug 2024 23:43:59 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ca6d595c-4e80-3866-a51a-fbeaf7b13a4c</guid>
                                    <description><![CDATA[<p>The first part of Backstage Babble’s 200th episode celebration is here, and it is an honor to be talking theater legend Jack O’Brien, who recently received the lifetime achievement award at the 2024 Tonys. Tune in to hear some of the stories of his expansive career, including the genesis of his newest show THE ROOMMATE, his advice for young directors, his friendship an collaboration with Stephen Sondheim, figuring out the sensitive timing of SHUCKED, learning from Ellis Rabb about how to give notes to actors, the show of his that launched more careers than any other, his unique relationship with the cast of PORGY AND BESS, how he decided to leave his position as artistic director of The Old Globe, the intriguing critical response to IMAGINARY FRIENDS and CAROUSEL, how his revival of ST. LOUIS WOMAN almost came to Broadway, revising DAMN YANKEES with George Abbott, his criteria for choosing shows to direct, how INTO THE WOODS changed the regional theater landscape, and so much more. This episode is a masterclass in directing from one of the greatest theatrical minds of all time. I can’t think of a more perfect way to celebrate 200 episodes.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The first part of Backstage Babble’s 200th episode celebration is here, and it is an honor to be talking theater legend Jack O’Brien, who recently received the lifetime achievement award at the 2024 Tonys. Tune in to hear some of the stories of his expansive career, including the genesis of his newest show THE ROOMMATE, his advice for young directors, his friendship an collaboration with Stephen Sondheim, figuring out the sensitive timing of SHUCKED, learning from Ellis Rabb about how to give notes to actors, the show of his that launched more careers than any other, his unique relationship with the cast of PORGY AND BESS, how he decided to leave his position as artistic director of The Old Globe, the intriguing critical response to IMAGINARY FRIENDS and CAROUSEL, how his revival of ST. LOUIS WOMAN almost came to Broadway, revising DAMN YANKEES with George Abbott, his criteria for choosing shows to direct, how INTO THE WOODS changed the regional theater landscape, and so much more. This episode is a masterclass in directing from one of the greatest theatrical minds of all time. I can’t think of a more perfect way to celebrate 200 episodes.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kjf9w58mzrwexbrv/Jack_O_Brien_Final8my8f.mp3" length="150020082" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The first part of Backstage Babble’s 200th episode celebration is here, and it is an honor to be talking theater legend Jack O’Brien, who recently received the lifetime achievement award at the 2024 Tonys. Tune in to hear some of the stories of his expansive career, including the genesis of his newest show THE ROOMMATE, his advice for young directors, his friendship an collaboration with Stephen Sondheim, figuring out the sensitive timing of SHUCKED, learning from Ellis Rabb about how to give notes to actors, the show of his that launched more careers than any other, his unique relationship with the cast of PORGY AND BESS, how he decided to leave his position as artistic director of The Old Globe, the intriguing critical response to IMAGINARY FRIENDS and CAROUSEL, how his revival of ST. LOUIS WOMAN almost came to Broadway, revising DAMN YANKEES with George Abbott, his criteria for choosing shows to direct, how INTO THE WOODS changed the regional theater landscape, and so much more. This episode is a masterclass in directing from one of the greatest theatrical minds of all time. I can’t think of a more perfect way to celebrate 200 episodes.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4615</itunes:duration>
                <itunes:episode>200</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Adjmi</title>
        <itunes:title>David Adjmi</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-adjmi/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-adjmi/#comments</comments>        <pubDate>Wed, 24 Jul 2024 15:47:28 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f8ed0255-23ba-3fde-bac1-9297d61bc3ac</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway’s newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don’t respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won’t want to miss this interview with a true genius in the American theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway’s newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don’t respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won’t want to miss this interview with a true genius in the American theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6bibbq88h74vnstz/David_Adjmi_Final_Actualb13kn.mp3" length="188934506" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway’s newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don’t respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won’t want to miss this interview with a true genius in the American theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5672</itunes:duration>
                <itunes:episode>199</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sammi Cannold</title>
        <itunes:title>Sammi Cannold</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sammi-cannold/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sammi-cannold/#comments</comments>        <pubDate>Fri, 12 Jul 2024 19:17:10 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/886aae6f-08a9-3556-b627-2e54b683d62c</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of Broadway’s best young directors, Sammi Cannold. Tune in to this interview to hear stories and insights from her amazing career, including how a DM led to her Broadway debut, the ins and outs of being an assistant director, how she first contacted Diane Paulus, putting Ingrid Michaelson into NATASHA, PIERRE, AND THE GREAT COMET OF 1812, her inspiration for staging VIOLET on a bus, staging RAGTIME as a young director, her guideposts for casting the role of Eva Peron, the immersive production she’d still like to do, how she made everyone involved with HOW TO DANCE IN OHIO feel comfortable along the way, looking at Hal Prince’s notes on the show, how she uses her mathematical mind in her directing work, and so much more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with one of Broadway’s best young directors, Sammi Cannold. Tune in to this interview to hear stories and insights from her amazing career, including how a DM led to her Broadway debut, the ins and outs of being an assistant director, how she first contacted Diane Paulus, putting Ingrid Michaelson into NATASHA, PIERRE, AND THE GREAT COMET OF 1812, her inspiration for staging VIOLET on a bus, staging RAGTIME as a young director, her guideposts for casting the role of Eva Peron, the immersive production she’d still like to do, how she made everyone involved with HOW TO DANCE IN OHIO feel comfortable along the way, looking at Hal Prince’s notes on the show, how she uses her mathematical mind in her directing work, and so much more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/idrphs7a9fwqecru/Sammi_Cannold_Final87fzr.mp3" length="133593030" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with one of Broadway’s best young directors, Sammi Cannold. Tune in to this interview to hear stories and insights from her amazing career, including how a DM led to her Broadway debut, the ins and outs of being an assistant director, how she first contacted Diane Paulus, putting Ingrid Michaelson into NATASHA, PIERRE, AND THE GREAT COMET OF 1812, her inspiration for staging VIOLET on a bus, staging RAGTIME as a young director, her guideposts for casting the role of Eva Peron, the immersive production she’d still like to do, how she made everyone involved with HOW TO DANCE IN OHIO feel comfortable along the way, looking at Hal Prince’s notes on the show, how she uses her mathematical mind in her directing work, and so much more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4082</itunes:duration>
                <itunes:episode>198</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Greif</title>
        <itunes:title>Michael Greif</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-greif/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-greif/#comments</comments>        <pubDate>Sat, 29 Jun 2024 18:17:49 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a9364405-187b-32d1-a952-62c90521e4a6</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell’s Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn’t ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell’s Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn’t ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9h7a9zq42wn5367j/Michael_Grief7ucss.mp3" length="168258734" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell’s Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn’t ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5154</itunes:duration>
                <itunes:episode>197</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Celebrating the Tony Awards with Heather Hitchens and Eila Mell</title>
        <itunes:title>Celebrating the Tony Awards with Heather Hitchens and Eila Mell</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/celebrating-the-tony-awards-with-heather-hitchens-and-eila-mell/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/celebrating-the-tony-awards-with-heather-hitchens-and-eila-mell/#comments</comments>        <pubDate>Fri, 14 Jun 2024 11:07:43 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a205d197-2b10-3fef-8d93-bda1ed910e10</guid>
                                    <description><![CDATA[<p class="p2">The Tonys are coming up! And Backstage Babble is giving you the perfect way to celebrate. On this episode, I am joined by Eila Mell, the author of the wonderful new book “The Tony Awards: Celebrating Excellence in the Theater,” a must-have for any theater fan, and Heather Hitchens, the CEO of the American Theater Wing, which presents the Tonys every year. Tune in for some fascinating anecdotes and insights, including how the legacy of Antoinette Perry influences the Tony Awards later on, how the Obie Awards were incorporated into the American Theater Wing, the Tony nominee that was hardest to track down for an interview, the many photo collections that were used in creating the book, the best Tony performances and biggest upsets from over the years, a last minute pedi-cab incident in getting to the ceremony, the logistics of choosing a host and a venue, the beauty of the Working in the Theater series, the Tony-nominated theater writers who received the Wing’s Jonathan Larson grant (and one who didn’t!), the experience of watching all the awards ceremonies, and so much more. Don’t miss this fascinating insider glimpse into the biggest night of the season!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">The Tonys are coming up! And Backstage Babble is giving you the perfect way to celebrate. On this episode, I am joined by Eila Mell, the author of the wonderful new book “The Tony Awards: Celebrating Excellence in the Theater,” a must-have for any theater fan, and Heather Hitchens, the CEO of the American Theater Wing, which presents the Tonys every year. Tune in for some fascinating anecdotes and insights, including how the legacy of Antoinette Perry influences the Tony Awards later on, how the Obie Awards were incorporated into the American Theater Wing, the Tony nominee that was hardest to track down for an interview, the many photo collections that were used in creating the book, the best Tony performances and biggest upsets from over the years, a last minute pedi-cab incident in getting to the ceremony, the logistics of choosing a host and a venue, the beauty of the Working in the Theater series, the Tony-nominated theater writers who received the Wing’s Jonathan Larson grant (and one who didn’t!), the experience of watching all the awards ceremonies, and so much more. Don’t miss this fascinating insider glimpse into the biggest night of the season!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ixz7wmayf84vtfhb/Eila_and_HEatherhitch9223k.mp3" length="107230139" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Tonys are coming up! And Backstage Babble is giving you the perfect way to celebrate. On this episode, I am joined by Eila Mell, the author of the wonderful new book “The Tony Awards: Celebrating Excellence in the Theater,” a must-have for any theater fan, and Heather Hitchens, the CEO of the American Theater Wing, which presents the Tonys every year. Tune in for some fascinating anecdotes and insights, including how the legacy of Antoinette Perry influences the Tony Awards later on, how the Obie Awards were incorporated into the American Theater Wing, the Tony nominee that was hardest to track down for an interview, the many photo collections that were used in creating the book, the best Tony performances and biggest upsets from over the years, a last minute pedi-cab incident in getting to the ceremony, the logistics of choosing a host and a venue, the beauty of the Working in the Theater series, the Tony-nominated theater writers who received the Wing’s Jonathan Larson grant (and one who didn’t!), the experience of watching all the awards ceremonies, and so much more. Don’t miss this fascinating insider glimpse into the biggest night of the season!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3204</itunes:duration>
                <itunes:episode>196</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Susan Birkenhead</title>
        <itunes:title>Susan Birkenhead</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/susan-birkenhead/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/susan-birkenhead/#comments</comments>        <pubDate>Sun, 02 Jun 2024 16:30:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/336133c6-0331-381c-8de2-ae228b47f265</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with legendary lyricist Susan Birkenhead. Tune in to hear the stories of her great career, including how Shirley Bernstein introduced her to Mary Rodgers, the song of hers that was cut from WORKING, the Patti LaBelle-led project that led to JELLY’S LAST JAM, the show she gets recognized for the most, the hardest role to cast in THE SECRET LIFE OF BEES, how she became involved in BOOP, the lyric that Frank Sinatra loved, how Jule Styne became her mentor, the advice she got from Stephen Sondheim, workshopping the music of Cole Porter with Carolee Carmello, why she ultimately pulled out of FANNY HACKABOUT JONES, the musical she initiated, how she ended up in Lehman Engel’s workshop, adapting MOONSTRUCK, working with Cy Coleman on SWEET SMELL OF SUCCESS, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most fascinating figures.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with legendary lyricist Susan Birkenhead. Tune in to hear the stories of her great career, including how Shirley Bernstein introduced her to Mary Rodgers, the song of hers that was cut from WORKING, the Patti LaBelle-led project that led to JELLY’S LAST JAM, the show she gets recognized for the most, the hardest role to cast in THE SECRET LIFE OF BEES, how she became involved in BOOP, the lyric that Frank Sinatra loved, how Jule Styne became her mentor, the advice she got from Stephen Sondheim, workshopping the music of Cole Porter with Carolee Carmello, why she ultimately pulled out of FANNY HACKABOUT JONES, the musical she initiated, how she ended up in Lehman Engel’s workshop, adapting MOONSTRUCK, working with Cy Coleman on SWEET SMELL OF SUCCESS, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most fascinating figures.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/urxxx8ppjgrumsa8/sbirk.mp3" length="192700499" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with legendary lyricist Susan Birkenhead. Tune in to hear the stories of her great career, including how Shirley Bernstein introduced her to Mary Rodgers, the song of hers that was cut from WORKING, the Patti LaBelle-led project that led to JELLY’S LAST JAM, the show she gets recognized for the most, the hardest role to cast in THE SECRET LIFE OF BEES, how she became involved in BOOP, the lyric that Frank Sinatra loved, how Jule Styne became her mentor, the advice she got from Stephen Sondheim, workshopping the music of Cole Porter with Carolee Carmello, why she ultimately pulled out of FANNY HACKABOUT JONES, the musical she initiated, how she ended up in Lehman Engel’s workshop, adapting MOONSTRUCK, working with Cy Coleman on SWEET SMELL OF SUCCESS, and so much more. You won’t want to miss this in-depth conversation with one of theater’s most fascinating figures.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5922</itunes:duration>
                <itunes:episode>195</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Betsy Aidem</title>
        <itunes:title>Betsy Aidem</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/betsy-aidem/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/betsy-aidem/#comments</comments>        <pubDate>Wed, 22 May 2024 17:35:51 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/96449946-f4d8-3edd-ab60-0d8b2fc6726f</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with 2024 Tony nominee for Best Actress in a Play, Betsy Aidem. She was nominated for her staggering performance in Prayer for the French Republic, and you can tune in today to hear more about that process as well as some of the great stories of her legendary career, including the advice she got from Tom Stoppard, crashing auditions with John Malkovich and Des McAnuff, making her Broadway debut at the age of 57, meeting Lucille Ball and Elizabeth Taylor backstage at Steel Magnolias, originating the role of Toni in Appropriate, working with David Cromer on Prayer for the French Republic and other plays, the joy of collaborating with Marian Seldes, what it’s like being nominated for a Tony, and so much more. You won’t want to miss this interview.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with 2024 Tony nominee for Best Actress in a Play, Betsy Aidem. She was nominated for her staggering performance in Prayer for the French Republic, and you can tune in today to hear more about that process as well as some of the great stories of her legendary career, including the advice she got from Tom Stoppard, crashing auditions with John Malkovich and Des McAnuff, making her Broadway debut at the age of 57, meeting Lucille Ball and Elizabeth Taylor backstage at Steel Magnolias, originating the role of Toni in Appropriate, working with David Cromer on Prayer for the French Republic and other plays, the joy of collaborating with Marian Seldes, what it’s like being nominated for a Tony, and so much more. You won’t want to miss this interview.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rskxv4tqgpeqv35n/Betsy_Aiddem7t1ru.mp3" length="150604439" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with 2024 Tony nominee for Best Actress in a Play, Betsy Aidem. She was nominated for her staggering performance in Prayer for the French Republic, and you can tune in today to hear more about that process as well as some of the great stories of her legendary career, including the advice she got from Tom Stoppard, crashing auditions with John Malkovich and Des McAnuff, making her Broadway debut at the age of 57, meeting Lucille Ball and Elizabeth Taylor backstage at Steel Magnolias, originating the role of Toni in Appropriate, working with David Cromer on Prayer for the French Republic and other plays, the joy of collaborating with Marian Seldes, what it’s like being nominated for a Tony, and so much more. You won’t want to miss this interview.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4560</itunes:duration>
                <itunes:episode>194</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rita Rudner</title>
        <itunes:title>Rita Rudner</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/rita-rudner/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/rita-rudner/#comments</comments>        <pubDate>Sun, 19 May 2024 21:58:39 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/36e17c37-0558-309d-908b-b4eac6f524c1</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with legendary comedian and Broadway performer Rita Rudner. Tune in to hear her talk about all the facets of her career, including learning wings for Gower Champion, the show she calls “the first feel-bad musical,” the advantages of working with her husband, the difficult transition from musical theater into comedy, why she doesn’t do topical material, the ins and outs of making jokes about your family, why Bob Fosse would never hire her, how she almost did a musical with Gary Beach, running into Robert Morse at Starbucks, adapting her novel into a play, the ageism she’s faced in the comedy business, why she was never in A Chorus Line, the word she’s removed from her act, forming a close friendship during Follies, the skills she learned in The Magic Show, opening a new theater with So Long, 174th Street, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with legendary comedian and Broadway performer Rita Rudner. Tune in to hear her talk about all the facets of her career, including learning wings for Gower Champion, the show she calls “the first feel-bad musical,” the advantages of working with her husband, the difficult transition from musical theater into comedy, why she doesn’t do topical material, the ins and outs of making jokes about your family, why Bob Fosse would never hire her, how she almost did a musical with Gary Beach, running into Robert Morse at Starbucks, adapting her novel into a play, the ageism she’s faced in the comedy business, why she was never in A Chorus Line, the word she’s removed from her act, forming a close friendship during Follies, the skills she learned in The Magic Show, opening a new theater with So Long, 174th Street, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yhirp9kpcnub3zcj/Rita_Rudnerb3vqs.mp3" length="111520740" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the release of my episode with legendary comedian and Broadway performer Rita Rudner. Tune in to hear her talk about all the facets of her career, including learning wings for Gower Champion, the show she calls “the first feel-bad musical,” the advantages of working with her husband, the difficult transition from musical theater into comedy, why she doesn’t do topical material, the ins and outs of making jokes about your family, why Bob Fosse would never hire her, how she almost did a musical with Gary Beach, running into Robert Morse at Starbucks, adapting her novel into a play, the ageism she’s faced in the comedy business, why she was never in A Chorus Line, the word she’s removed from her act, forming a close friendship during Follies, the skills she learned in The Magic Show, opening a new theater with So Long, 174th Street, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3318</itunes:duration>
                <itunes:episode>193</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jerry Mitchell</title>
        <itunes:title>Jerry Mitchell</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jerry-mitchell/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jerry-mitchell/#comments</comments>        <pubDate>Wed, 08 May 2024 19:36:33 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cc60a7d6-8f86-398a-bde8-f571df2a2cfa</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning director/choreographer Jerry Mitchell. Tune in for a conversation about his three current projects, Boop!, The Devil Wears Prada, and Becoming Nancy, as well as some fantastic stories and insights from his legendary career, including how Broadway Bares led to his Broadway debut, what it was like being fought over by Lauren Bacall and Ann Miller, why Michael Bennett’s musical Scandal never came to fruition, the inspiration for the conga line in On Your Feet!, how he cast Jasmine Amy Rogers in Boop! and Laura Bell Bundy in Legally Blonde, the direct line from Jack O’Brien to him to Sergio Trujillo, his earliest musical Aesop’s Fallibles, using treadmills onstage in Kinky Boots, why he doesn’t like doing revivals, creating dances for non-dancers in The Full Monty, the ins and outs of the 2-year rehearsal process for Jerome Robbins’ Broadway, and so much more. You won’t want to miss this in-depth interview with one of the most influential figures in theater today.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Tony-winning director/choreographer Jerry Mitchell. Tune in for a conversation about his three current projects, Boop!, The Devil Wears Prada, and Becoming Nancy, as well as some fantastic stories and insights from his legendary career, including how Broadway Bares led to his Broadway debut, what it was like being fought over by Lauren Bacall and Ann Miller, why Michael Bennett’s musical Scandal never came to fruition, the inspiration for the conga line in On Your Feet!, how he cast Jasmine Amy Rogers in Boop! and Laura Bell Bundy in Legally Blonde, the direct line from Jack O’Brien to him to Sergio Trujillo, his earliest musical Aesop’s Fallibles, using treadmills onstage in Kinky Boots, why he doesn’t like doing revivals, creating dances for non-dancers in The Full Monty, the ins and outs of the 2-year rehearsal process for Jerome Robbins’ Broadway, and so much more. You won’t want to miss this in-depth interview with one of the most influential figures in theater today.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ejhdbnzp34rdgxga/Jerry_Mitchell9nn77.mp3" length="157948361" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Tony-winning director/choreographer Jerry Mitchell. Tune in for a conversation about his three current projects, Boop!, The Devil Wears Prada, and Becoming Nancy, as well as some fantastic stories and insights from his legendary career, including how Broadway Bares led to his Broadway debut, what it was like being fought over by Lauren Bacall and Ann Miller, why Michael Bennett’s musical Scandal never came to fruition, the inspiration for the conga line in On Your Feet!, how he cast Jasmine Amy Rogers in Boop! and Laura Bell Bundy in Legally Blonde, the direct line from Jack O’Brien to him to Sergio Trujillo, his earliest musical Aesop’s Fallibles, using treadmills onstage in Kinky Boots, why he doesn’t like doing revivals, creating dances for non-dancers in The Full Monty, the ins and outs of the 2-year rehearsal process for Jerome Robbins’ Broadway, and so much more. You won’t want to miss this in-depth interview with one of the most influential figures in theater today.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4870</itunes:duration>
                <itunes:episode>192</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Frank Rich</title>
        <itunes:title>Frank Rich</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/frank-rich/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/frank-rich/#comments</comments>        <pubDate>Thu, 25 Apr 2024 10:48:00 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e863f9ba-6ebc-3536-b07b-df77d387eded</guid>
                                    <description><![CDATA[<p class="p1">Ticket Link for Backstage Babble Celebrates Joe Allen Restaurant: https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/</p>
<p class="p1">Today, I’m thrilled to announce my episode with legendary theater critic Frank Rich, who served as the chief theater critic of the New York Times from 1980-1993. Tune in today to hear some of the stories of his great career, including championing August Wilson, making up with Robert Brustein, watching Jerome Robbins stage the second act of FIDDLER ON THE ROOF, the changes made to the second act of THE ODD COUPLE out of town, his thoughts on the decreasing power of theater criticism in affecting the success of a show, working with Boris Aronson on a book about his work, why he tried not to think about the influence he had on shows, what he learned from Walter Kerr and Kenneth Tynan, what musicals he chooses to see today, working with theater actors on SUCCESSION, the giveaway that a critic didn’t personally like a show, and so much more. You won’t want to miss this conversation with a greatly influential figure in so many fields. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Ticket Link for Backstage Babble Celebrates Joe Allen Restaurant: https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/</p>
<p class="p1">Today, I’m thrilled to announce my episode with legendary theater critic Frank Rich, who served as the chief theater critic of the New York Times from 1980-1993. Tune in today to hear some of the stories of his great career, including championing August Wilson, making up with Robert Brustein, watching Jerome Robbins stage the second act of FIDDLER ON THE ROOF, the changes made to the second act of THE ODD COUPLE out of town, his thoughts on the decreasing power of theater criticism in affecting the success of a show, working with Boris Aronson on a book about his work, why he tried not to think about the influence he had on shows, what he learned from Walter Kerr and Kenneth Tynan, what musicals he chooses to see today, working with theater actors on SUCCESSION, the giveaway that a critic didn’t personally like a show, and so much more. You won’t want to miss this conversation with a greatly influential figure in so many fields. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rgk593k4v7ivpz2v/Frank_Rich7lz2p.mp3" length="138551504" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ticket Link for Backstage Babble Celebrates Joe Allen Restaurant: https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/
Today, I’m thrilled to announce my episode with legendary theater critic Frank Rich, who served as the chief theater critic of the New York Times from 1980-1993. Tune in today to hear some of the stories of his great career, including championing August Wilson, making up with Robert Brustein, watching Jerome Robbins stage the second act of FIDDLER ON THE ROOF, the changes made to the second act of THE ODD COUPLE out of town, his thoughts on the decreasing power of theater criticism in affecting the success of a show, working with Boris Aronson on a book about his work, why he tried not to think about the influence he had on shows, what he learned from Walter Kerr and Kenneth Tynan, what musicals he chooses to see today, working with theater actors on SUCCESSION, the giveaway that a critic didn’t personally like a show, and so much more. You won’t want to miss this conversation with a greatly influential figure in so many fields. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4280</itunes:duration>
                <itunes:episode>191</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Elena Shaddow</title>
        <itunes:title>Elena Shaddow</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/elena-shaddow/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/elena-shaddow/#comments</comments>        <pubDate>Sun, 21 Apr 2024 13:50:26 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bcb850a9-7780-3126-bc33-6dedc4875ae8</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway star Elena Shaddow. Elena will be appearing in my next concert at 54 Below, Backstage Babble Celebrates Joe Allen Restaurant, singing from 1600 Pennsylvania Avenue, along with a fantastic lineup including Tony nominees Anita Gillette, Michael Korie, Amanda Green, and Willy Falk, plus Jim Walton, Robert Creighton, Heather MacRae, and more. The link to in-person and livestream tickets is here:</p>
<p class="p1">https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/</p>
<p class="p1">Tune in today to hear some of the stories of her legendary career, including why she smoked a cigarette in NINE, the difficulty of performing in DAYS OF WINE AND ROSES every night, the insight she got from Chita Rivera, working with Joanne Akalaitis on THE BACCHAE, getting close to the title role in MARY POPPINS, Trevor Nunn’s specific way of working, working with Audra McDonald on TV, how she decided to stop understudying, telling Harvey Fierstein she was pregnant, the joys of starring in FANNY, going on at the last minute in NINE, the freeing nature of finding her own technique, and so much more. You won’t want to miss this episode.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Broadway star Elena Shaddow. Elena will be appearing in my next concert at 54 Below, Backstage Babble Celebrates Joe Allen Restaurant, singing from 1600 Pennsylvania Avenue, along with a fantastic lineup including Tony nominees Anita Gillette, Michael Korie, Amanda Green, and Willy Falk, plus Jim Walton, Robert Creighton, Heather MacRae, and more. The link to in-person and livestream tickets is here:</p>
<p class="p1">https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/</p>
<p class="p1">Tune in today to hear some of the stories of her legendary career, including why she smoked a cigarette in NINE, the difficulty of performing in DAYS OF WINE AND ROSES every night, the insight she got from Chita Rivera, working with Joanne Akalaitis on THE BACCHAE, getting close to the title role in MARY POPPINS, Trevor Nunn’s specific way of working, working with Audra McDonald on TV, how she decided to stop understudying, telling Harvey Fierstein she was pregnant, the joys of starring in FANNY, going on at the last minute in NINE, the freeing nature of finding her own technique, and so much more. You won’t want to miss this episode.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5migexz8exckiw6t/Elena.mp3" length="130765839" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Broadway star Elena Shaddow. Elena will be appearing in my next concert at 54 Below, Backstage Babble Celebrates Joe Allen Restaurant, singing from 1600 Pennsylvania Avenue, along with a fantastic lineup including Tony nominees Anita Gillette, Michael Korie, Amanda Green, and Willy Falk, plus Jim Walton, Robert Creighton, Heather MacRae, and more. The link to in-person and livestream tickets is here:
https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/
Tune in today to hear some of the stories of her legendary career, including why she smoked a cigarette in NINE, the difficulty of performing in DAYS OF WINE AND ROSES every night, the insight she got from Chita Rivera, working with Joanne Akalaitis on THE BACCHAE, getting close to the title role in MARY POPPINS, Trevor Nunn’s specific way of working, working with Audra McDonald on TV, how she decided to stop understudying, telling Harvey Fierstein she was pregnant, the joys of starring in FANNY, going on at the last minute in NINE, the freeing nature of finding her own technique, and so much more. You won’t want to miss this episode.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4023</itunes:duration>
                <itunes:episode>190</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Celia Keenan-Bolger</title>
        <itunes:title>Celia Keenan-Bolger</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/celia-keenan-bolger/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/celia-keenan-bolger/#comments</comments>        <pubDate>Fri, 12 Apr 2024 16:51:04 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1df58938-16b0-3580-ae24-53db34652c26</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with Tony winning actress Celia Keenan- Bolger, who is currently starring in Mother Play at the Helen Hayes Theater. Tune in to hear some of the stories of her legendary career, including what it was like working with Sondheim on her first major job, her long journey with THE LIGHT IN THE PIAZZA, how she got William FInn to write a song for her, how she made the transition between performing in musicals and plays, balancing being a mother with being an actress, what she learned from working with Bartlett Sher and his wife, the role she always wanted to play, the ins and outs of being nominated for a Tony, having Paula Vogel write a play for her, how THE GLASS MENAGERIE overcame her initial skepticism, the joy of performing in PETER AND THE STARCATCHER, and so much more. You won’t want to miss this conversation with one of theater’s brightest lights.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the release of my episode with Tony winning actress Celia Keenan- Bolger, who is currently starring in Mother Play at the Helen Hayes Theater. Tune in to hear some of the stories of her legendary career, including what it was like working with Sondheim on her first major job, her long journey with THE LIGHT IN THE PIAZZA, how she got William FInn to write a song for her, how she made the transition between performing in musicals and plays, balancing being a mother with being an actress, what she learned from working with Bartlett Sher and his wife, the role she always wanted to play, the ins and outs of being nominated for a Tony, having Paula Vogel write a play for her, how THE GLASS MENAGERIE overcame her initial skepticism, the joy of performing in PETER AND THE STARCATCHER, and so much more. You won’t want to miss this conversation with one of theater’s brightest lights.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tk5p7pmsya3s2err/Celia_KB76gu1.mp3" length="194507917" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the release of my episode with Tony winning actress Celia Keenan- Bolger, who is currently starring in Mother Play at the Helen Hayes Theater. Tune in to hear some of the stories of her legendary career, including what it was like working with Sondheim on her first major job, her long journey with THE LIGHT IN THE PIAZZA, how she got William FInn to write a song for her, how she made the transition between performing in musicals and plays, balancing being a mother with being an actress, what she learned from working with Bartlett Sher and his wife, the role she always wanted to play, the ins and outs of being nominated for a Tony, having Paula Vogel write a play for her, how THE GLASS MENAGERIE overcame her initial skepticism, the joy of performing in PETER AND THE STARCATCHER, and so much more. You won’t want to miss this conversation with one of theater’s brightest lights.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5977</itunes:duration>
                <itunes:episode>189</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sara Gettelfinger</title>
        <itunes:title>Sara Gettelfinger</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sara-gettelfinger/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sara-gettelfinger/#comments</comments>        <pubDate>Sat, 06 Apr 2024 17:16:07 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3da2faa0-650f-39d0-a2fe-e03ae714f876</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O’Brien, working with Jerry Zaks on The Addams Family, the shows she’d like to see done at Encores!, the importance of Rick Elice’s work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won’t want to miss this intimate conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O’Brien, working with Jerry Zaks on The Addams Family, the shows she’d like to see done at Encores!, the importance of Rick Elice’s work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won’t want to miss this intimate conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eratpd/SaraG.mp3" length="208316685" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O’Brien, working with Jerry Zaks on The Addams Family, the shows she’d like to see done at Encores!, the importance of Rick Elice’s work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won’t want to miss this intimate conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6410</itunes:duration>
                <itunes:episode>188</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rick Elice</title>
        <itunes:title>Rick Elice</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/rick-elice/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/rick-elice/#comments</comments>        <pubDate>Thu, 28 Mar 2024 14:52:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a8233ede-0c1c-3a22-85d5-2a9d927cb151</guid>
                                    <description><![CDATA[<p class="p1">I’m thrilled to announce the release of my episode with Tony-nominated librettist Rick Elice, whose musical Water for Elephants is currently playing at Broadway’s Imperial Theater. Tune in to find out about all the facets of his varied career, which he describes as being a “pinball in a pinball machine,” including how a forbidden experience with Follies got him hooked on theater, late-night calls from Elaine May, how Annie led to being hired by Serino-Coyne, crashing a lunch with Stanley Donen, when Cher quoted “Hello, Dolly!” to him, what intrigued him about the Smash musical, the trick he used for marketing The Lion King, the advice he got from Neil Simon and Mike Nichols, why Tom Stoppard is responsible for his career as a playwright, and more. He also shares a beautiful tribute to the late, great Chita Rivera, who worked with Rick’s husband Roger Rees on their mutual last project, The Visit. You won’t want to miss this episode!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I’m thrilled to announce the release of my episode with Tony-nominated librettist Rick Elice, whose musical Water for Elephants is currently playing at Broadway’s Imperial Theater. Tune in to find out about all the facets of his varied career, which he describes as being a “pinball in a pinball machine,” including how a forbidden experience with Follies got him hooked on theater, late-night calls from Elaine May, how Annie led to being hired by Serino-Coyne, crashing a lunch with Stanley Donen, when Cher quoted “Hello, Dolly!” to him, what intrigued him about the Smash musical, the trick he used for marketing The Lion King, the advice he got from Neil Simon and Mike Nichols, why Tom Stoppard is responsible for his career as a playwright, and more. He also shares a beautiful tribute to the late, great Chita Rivera, who worked with Rick’s husband Roger Rees on their mutual last project, The Visit. You won’t want to miss this episode!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4hr8rd/Rick_Eliceaq27s.mp3" length="221365366" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I’m thrilled to announce the release of my episode with Tony-nominated librettist Rick Elice, whose musical Water for Elephants is currently playing at Broadway’s Imperial Theater. Tune in to find out about all the facets of his varied career, which he describes as being a “pinball in a pinball machine,” including how a forbidden experience with Follies got him hooked on theater, late-night calls from Elaine May, how Annie led to being hired by Serino-Coyne, crashing a lunch with Stanley Donen, when Cher quoted “Hello, Dolly!” to him, what intrigued him about the Smash musical, the trick he used for marketing The Lion King, the advice he got from Neil Simon and Mike Nichols, why Tom Stoppard is responsible for his career as a playwright, and more. He also shares a beautiful tribute to the late, great Chita Rivera, who worked with Rick’s husband Roger Rees on their mutual last project, The Visit. You won’t want to miss this episode!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6766</itunes:duration>
                <itunes:episode>187</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Doug Hughes</title>
        <itunes:title>Doug Hughes</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/doug-hughes/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/doug-hughes/#comments</comments>        <pubDate>Fri, 15 Mar 2024 21:55:22 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a83f52f7-68ba-32ef-93eb-283e8c90536f</guid>
                                    <description><![CDATA[<p>Today, I’m honored to announce my interview with Tony winning director Doug Hughes. Tune in to hear some of the stories of his legendary career, including the simple mantra that dictates what kind of work he wants to direct, a very important review he received early in his career, creating tension in DOUBT, what he loves about directing Shaw plays, the anxiety of the rehearsal process for OLEANNA, why he prefers intimate rehearsal spaces, transferring FROZEN to Broadway, the unique talent of Cherry Jones, what appealed to him about directing Ayad Akhtar’s JUNK, why ELLING couldn’t succeed on Broadway, the opportunities Lynne Meadow gave him, and so much more. You won’t want to miss this conversation with one of Broadway’s best directors.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I’m honored to announce my interview with Tony winning director Doug Hughes. Tune in to hear some of the stories of his legendary career, including the simple mantra that dictates what kind of work he wants to direct, a very important review he received early in his career, creating tension in DOUBT, what he loves about directing Shaw plays, the anxiety of the rehearsal process for OLEANNA, why he prefers intimate rehearsal spaces, transferring FROZEN to Broadway, the unique talent of Cherry Jones, what appealed to him about directing Ayad Akhtar’s JUNK, why ELLING couldn’t succeed on Broadway, the opportunities Lynne Meadow gave him, and so much more. You won’t want to miss this conversation with one of Broadway’s best directors.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2848r8/Doug_Hughesaraxy.mp3" length="170463537" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m honored to announce my interview with Tony winning director Doug Hughes. Tune in to hear some of the stories of his legendary career, including the simple mantra that dictates what kind of work he wants to direct, a very important review he received early in his career, creating tension in DOUBT, what he loves about directing Shaw plays, the anxiety of the rehearsal process for OLEANNA, why he prefers intimate rehearsal spaces, transferring FROZEN to Broadway, the unique talent of Cherry Jones, what appealed to him about directing Ayad Akhtar’s JUNK, why ELLING couldn’t succeed on Broadway, the opportunities Lynne Meadow gave him, and so much more. You won’t want to miss this conversation with one of Broadway’s best directors.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5250</itunes:duration>
                <itunes:episode>186</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Maryann Plunkett</title>
        <itunes:title>Maryann Plunkett</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/maryann-plunkett/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/maryann-plunkett/#comments</comments>        <pubDate>Fri, 01 Mar 2024 22:34:21 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4d97ee44-ffca-39f1-9c57-6b02c180fb9c</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with Maryann Plunkett, who is currently starring as Older Allie in Broadway’s The Notebook. Tune in to hear some of the stories of her legendary career, including the significance of the first line she said on a Broadway stage, performing on the night of the 2016 election, her numerous costars in Sunday in the Park with George, the power of Me and My Girl, how she met her husband Jay O. Sanders and the play she’d love to do with him, the joy of performing in rep at National Actors’ Theater, how acting cured her shyness, early stages of Zoom theater, an upcoming play with Marie Mullen, the new take on Macbeth she workshopped, what singing means to her character in The Notebook, and so much more. You won’t want to miss this insightful conversation with a veteran actress.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with Maryann Plunkett, who is currently starring as Older Allie in Broadway’s The Notebook. Tune in to hear some of the stories of her legendary career, including the significance of the first line she said on a Broadway stage, performing on the night of the 2016 election, her numerous costars in Sunday in the Park with George, the power of Me and My Girl, how she met her husband Jay O. Sanders and the play she’d love to do with him, the joy of performing in rep at National Actors’ Theater, how acting cured her shyness, early stages of Zoom theater, an upcoming play with Marie Mullen, the new take on Macbeth she workshopped, what singing means to her character in The Notebook, and so much more. You won’t want to miss this insightful conversation with a veteran actress.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/39bxij/MaryannPlunk.mp3" length="147582198" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with Maryann Plunkett, who is currently starring as Older Allie in Broadway’s The Notebook. Tune in to hear some of the stories of her legendary career, including the significance of the first line she said on a Broadway stage, performing on the night of the 2016 election, her numerous costars in Sunday in the Park with George, the power of Me and My Girl, how she met her husband Jay O. Sanders and the play she’d love to do with him, the joy of performing in rep at National Actors’ Theater, how acting cured her shyness, early stages of Zoom theater, an upcoming play with Marie Mullen, the new take on Macbeth she workshopped, what singing means to her character in The Notebook, and so much more. You won’t want to miss this insightful conversation with a veteran actress.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4558</itunes:duration>
                <itunes:episode>185</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Melba Moore</title>
        <itunes:title>Melba Moore</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/melba-moore/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/melba-moore/#comments</comments>        <pubDate>Sun, 18 Feb 2024 19:48:16 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bd993d80-873b-37ec-9448-4a1b041f2ffa</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m honored to announce my episode with Tony winner Melba Moore, who will be returning to New York stages on March 15 and 16 at 54 Below. You can find tickets to that show here: <a href='https://54below.org/events/melba-moore-from-broadway-with-love/'>https://54below.org/events/melba-moore-from-broadway-with-love/</a> Tune in today to hear some of the stories of her legendary career, including how a recording session led her to her Broadway debut, why Eartha Kitt was a diva in the truest sense, the process of making her way back to New York, the artists she will pay tribute to in her upcoming concert, the challenge of performing in Purlie, why Les Miserables was the perfect show for her, and so much more. You won’t want to miss this conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m honored to announce my episode with Tony winner Melba Moore, who will be returning to New York stages on March 15 and 16 at 54 Below. You can find tickets to that show here: <a href='https://54below.org/events/melba-moore-from-broadway-with-love/'>https://54below.org/events/melba-moore-from-broadway-with-love/</a> Tune in today to hear some of the stories of her legendary career, including how a recording session led her to her Broadway debut, why Eartha Kitt was a diva in the truest sense, the process of making her way back to New York, the artists she will pay tribute to in her upcoming concert, the challenge of performing in Purlie, why Les Miserables was the perfect show for her, and so much more. You won’t want to miss this conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hm5stu/melbmoor.mp3" length="54976865" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m honored to announce my episode with Tony winner Melba Moore, who will be returning to New York stages on March 15 and 16 at 54 Below. You can find tickets to that show here: https://54below.org/events/melba-moore-from-broadway-with-love/ Tune in today to hear some of the stories of her legendary career, including how a recording session led her to her Broadway debut, why Eartha Kitt was a diva in the truest sense, the process of making her way back to New York, the artists she will pay tribute to in her upcoming concert, the challenge of performing in Purlie, why Les Miserables was the perfect show for her, and so much more. You won’t want to miss this conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1690</itunes:duration>
                <itunes:episode>184</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Caroline O'Connor</title>
        <itunes:title>Caroline O'Connor</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/caroline-oconnor/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/caroline-oconnor/#comments</comments>        <pubDate>Tue, 13 Feb 2024 16:35:03 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/46cd608c-8727-3eae-8b8e-725c356ba696</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with veteran of Broadway, West End, and Australian stages, who is currently starring as Lottie Gee in All Roads Theatre’s production of Mack and Mabel. Tickets to that production are available here: <a href='https://allroadstheatreco.org/'>https://allroadstheatreco.org/</a> Tune in today to hear some of the stories of her legendary career, including her many experiences with Mack and Mabel, auditioning for Baz Luhrmann, a special call from Hal Prince, making her Broadway debut with Chicago at the same time the movie came out, singing as Ethel Merman for Kevin Kline, the note she got from Stephen Sondheim, playing both starring roles in The Rink, why she relates to the play The Rise and Fall of Little Voice, the art of playing Fanny Brice and not Barbra Streisand, and so much more. You won’t want to miss this fun-filled conversation!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my interview with veteran of Broadway, West End, and Australian stages, who is currently starring as Lottie Gee in All Roads Theatre’s production of Mack and Mabel. Tickets to that production are available here: <a href='https://allroadstheatreco.org/'>https://allroadstheatreco.org/</a> Tune in today to hear some of the stories of her legendary career, including her many experiences with Mack and Mabel, auditioning for Baz Luhrmann, a special call from Hal Prince, making her Broadway debut with Chicago at the same time the movie came out, singing as Ethel Merman for Kevin Kline, the note she got from Stephen Sondheim, playing both starring roles in The Rink, why she relates to the play The Rise and Fall of Little Voice, the art of playing Fanny Brice and not Barbra Streisand, and so much more. You won’t want to miss this fun-filled conversation!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tt7yuv/Caroline_OConny6ykpr.mp3" length="145412239" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my interview with veteran of Broadway, West End, and Australian stages, who is currently starring as Lottie Gee in All Roads Theatre’s production of Mack and Mabel. Tickets to that production are available here: https://allroadstheatreco.org/ Tune in today to hear some of the stories of her legendary career, including her many experiences with Mack and Mabel, auditioning for Baz Luhrmann, a special call from Hal Prince, making her Broadway debut with Chicago at the same time the movie came out, singing as Ethel Merman for Kevin Kline, the note she got from Stephen Sondheim, playing both starring roles in The Rink, why she relates to the play The Rise and Fall of Little Voice, the art of playing Fanny Brice and not Barbra Streisand, and so much more. You won’t want to miss this fun-filled conversation!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4479</itunes:duration>
                <itunes:episode>183</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kelli O'Hara</title>
        <itunes:title>Kelli O'Hara</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/kelli-ohara/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/kelli-ohara/#comments</comments>        <pubDate>Fri, 02 Feb 2024 14:43:31 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f22665c5-9293-3ccb-99c7-8cda8b649869</guid>
                                    <description><![CDATA[<p>Today, it is my great honor to announce the final installment of my “Week of Wine and Roses” with Broadway legend Kelli O’Hara. Tune in to hear some of the stories and insights of her auspicious career, including: the role she wishes she could do again, the benefits of revising Golden Age musicals, why THE LIGHT IN THE PIAZZA was psychologically difficult, the joys of working with Brian D’Arcy James, a memorable injury at KISS ME KATE, the experience of being pregnant during THE BRIDGES OF MADISON COUNTY, how she read the script to SWEET SMELL OF SUCCESS before she ever auditioned, the condescension she’s faced in the opera world, and so much more. You won’t want to miss this in-depth, intelligent conversation with one of Broadway’s brightest lights.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, it is my great honor to announce the final installment of my “Week of Wine and Roses” with Broadway legend Kelli O’Hara. Tune in to hear some of the stories and insights of her auspicious career, including: the role she wishes she could do again, the benefits of revising Golden Age musicals, why THE LIGHT IN THE PIAZZA was psychologically difficult, the joys of working with Brian D’Arcy James, a memorable injury at KISS ME KATE, the experience of being pregnant during THE BRIDGES OF MADISON COUNTY, how she read the script to SWEET SMELL OF SUCCESS before she ever auditioned, the condescension she’s faced in the opera world, and so much more. You won’t want to miss this in-depth, intelligent conversation with one of Broadway’s brightest lights.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nfi5jk/Kelli_O_Haraaa73sxw.mp3" length="128710228" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, it is my great honor to announce the final installment of my “Week of Wine and Roses” with Broadway legend Kelli O’Hara. Tune in to hear some of the stories and insights of her auspicious career, including: the role she wishes she could do again, the benefits of revising Golden Age musicals, why THE LIGHT IN THE PIAZZA was psychologically difficult, the joys of working with Brian D’Arcy James, a memorable injury at KISS ME KATE, the experience of being pregnant during THE BRIDGES OF MADISON COUNTY, how she read the script to SWEET SMELL OF SUCCESS before she ever auditioned, the condescension she’s faced in the opera world, and so much more. You won’t want to miss this in-depth, intelligent conversation with one of Broadway’s brightest lights.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3943</itunes:duration>
                <itunes:episode>182</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Craig Lucas</title>
        <itunes:title>Craig Lucas</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/craig-lucas/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/craig-lucas/#comments</comments>        <pubDate>Tue, 30 Jan 2024 12:29:37 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6155c2aa-2c15-38aa-aed6-3fc4c9c93773</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the second installment of my “Week of Wine and Roses” with the show’s librettist, one of the greatest playwrights of our time, Craig Lucas. Tune in to hear some of the stories and insights of his career, including: why THE LIGHT OF THE PIAZZA was ultimately a fable, the double meaning of PRELUDE TO A KISS, the process of adapting that play into a musical, the newest incarnation in theater of the “Philistine urge,” why Amelie was a challenging main character for a musical, how he transitioned from being a performer to being a playwright, why Sondheim/Prince musicals appeal to him, the small fix he made to AN AMERICAN IN PARIS, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the second installment of my “Week of Wine and Roses” with the show’s librettist, one of the greatest playwrights of our time, Craig Lucas. Tune in to hear some of the stories and insights of his career, including: why THE LIGHT OF THE PIAZZA was ultimately a fable, the double meaning of PRELUDE TO A KISS, the process of adapting that play into a musical, the newest incarnation in theater of the “Philistine urge,” why Amelie was a challenging main character for a musical, how he transitioned from being a performer to being a playwright, why Sondheim/Prince musicals appeal to him, the small fix he made to AN AMERICAN IN PARIS, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bkhvmi/lucasielucasie.mp3" length="176989077" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the second installment of my “Week of Wine and Roses” with the show’s librettist, one of the greatest playwrights of our time, Craig Lucas. Tune in to hear some of the stories and insights of his career, including: why THE LIGHT OF THE PIAZZA was ultimately a fable, the double meaning of PRELUDE TO A KISS, the process of adapting that play into a musical, the newest incarnation in theater of the “Philistine urge,” why Amelie was a challenging main character for a musical, how he transitioned from being a performer to being a playwright, why Sondheim/Prince musicals appeal to him, the small fix he made to AN AMERICAN IN PARIS, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5460</itunes:duration>
                <itunes:episode>181</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Adam Guettel</title>
        <itunes:title>Adam Guettel</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/adam-guettel/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/adam-guettel/#comments</comments>        <pubDate>Sun, 28 Jan 2024 20:54:11 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5d965d0f-15f8-376a-9cc0-3ae23b7bfe4e</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce the kickoff of Backstage Babble’s “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn’t like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce the kickoff of Backstage Babble’s “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn’t like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s4z5i2/adam_guettelbazv8.mp3" length="119949069" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce the kickoff of Backstage Babble’s “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn’t like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3689</itunes:duration>
                <itunes:episode>180</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Richard Topol</title>
        <itunes:title>Richard Topol</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/richard-topol/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/richard-topol/#comments</comments>        <pubDate>Sat, 20 Jan 2024 18:33:57 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3eca48d7-02ac-38e3-a019-807903d8db80</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with veteran actor Richard Topol, who is starring in Our Class at BAM through February 4th. Tune in to hear fascinating stories, including: how he almost went on for Al Pacino, what it was like acting with Larry David, how he got Covid at a theater in March 2020, a mask mishap during PRAYER FOR THE FRENCH REPUBLIC, the power of Larry Kramer’s JUST SAY NO, working on THE SCHOOL FOR SCANDAL with Tony Randall, the loyalty of Denzel Washington, the Rubik’s Cube of INDECENT, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with veteran actor Richard Topol, who is starring in Our Class at BAM through February 4th. Tune in to hear fascinating stories, including: how he almost went on for Al Pacino, what it was like acting with Larry David, how he got Covid at a theater in March 2020, a mask mishap during PRAYER FOR THE FRENCH REPUBLIC, the power of Larry Kramer’s JUST SAY NO, working on THE SCHOOL FOR SCANDAL with Tony Randall, the loyalty of Denzel Washington, the Rubik’s Cube of INDECENT, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/52ws2g/Richard_Topol7s6h9.mp3" length="139421929" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with veteran actor Richard Topol, who is starring in Our Class at BAM through February 4th. Tune in to hear fascinating stories, including: how he almost went on for Al Pacino, what it was like acting with Larry David, how he got Covid at a theater in March 2020, a mask mishap during PRAYER FOR THE FRENCH REPUBLIC, the power of Larry Kramer’s JUST SAY NO, working on THE SCHOOL FOR SCANDAL with Tony Randall, the loyalty of Denzel Washington, the Rubik’s Cube of INDECENT, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4276</itunes:duration>
                <itunes:episode>178</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wanda Richert</title>
        <itunes:title>Wanda Richert</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/wanda-richert/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/wanda-richert/#comments</comments>        <pubDate>Sun, 14 Jan 2024 21:27:13 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2334afc2-cc3d-39c6-b895-e1a746551b7a</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m honored to announce the release of my interview with Broadway star Wanda Richert, who played Peggy Sawyer in the original production of 42nd Street. Tune in to hear some of the stories of her legendary career, including her love story with Gower Champion, understudying Gwen Verdon, working with Michael Bennett on A Chorus Line, the challenges of playing Carla in Nine, the show that almost got her to return to New York, the experience of being a prodigy, her last Broadway performance, and so much more. You won’t want to miss this exclusive conversation!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m honored to announce the release of my interview with Broadway star Wanda Richert, who played Peggy Sawyer in the original production of 42nd Street. Tune in to hear some of the stories of her legendary career, including her love story with Gower Champion, understudying Gwen Verdon, working with Michael Bennett on A Chorus Line, the challenges of playing Carla in Nine, the show that almost got her to return to New York, the experience of being a prodigy, her last Broadway performance, and so much more. You won’t want to miss this exclusive conversation!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yt2ct6/wandar.mp3" length="111059072" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m honored to announce the release of my interview with Broadway star Wanda Richert, who played Peggy Sawyer in the original production of 42nd Street. Tune in to hear some of the stories of her legendary career, including her love story with Gower Champion, understudying Gwen Verdon, working with Michael Bennett on A Chorus Line, the challenges of playing Carla in Nine, the show that almost got her to return to New York, the experience of being a prodigy, her last Broadway performance, and so much more. You won’t want to miss this exclusive conversation!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3383</itunes:duration>
                <itunes:episode>177</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lesley Ann Warren</title>
        <itunes:title>Lesley Ann Warren</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lesley-ann-warren/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lesley-ann-warren/#comments</comments>        <pubDate>Sat, 06 Jan 2024 22:30:54 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/df07db12-ee43-34b7-b2eb-ce1b4b982e88</guid>
                                    <description><![CDATA[<p class="p1">For the first Backstage Babble episode of 2024, I’m thrilled to present my conversation with Oscar-nominated actress Lesley Ann Warren. Tune in to hear her tell some of the stories of her legendary career, including how Lee Strasberg helped with her part in DRAT! THE CAT!, how 110 IN THE SHADE taught her the meaning of a showstopper, the trouble with rehearsing GONE WITH THE WIND, how she almost played a different role in CLUE, why Blake Edwards was a great director, the challenges of playing a sociopath on screen, returning to Broadway with DREAM, why CINDERELLA was a dream come true, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">For the first Backstage Babble episode of 2024, I’m thrilled to present my conversation with Oscar-nominated actress Lesley Ann Warren. Tune in to hear her tell some of the stories of her legendary career, including how Lee Strasberg helped with her part in DRAT! THE CAT!, how 110 IN THE SHADE taught her the meaning of a showstopper, the trouble with rehearsing GONE WITH THE WIND, how she almost played a different role in CLUE, why Blake Edwards was a great director, the challenges of playing a sociopath on screen, returning to Broadway with DREAM, why CINDERELLA was a dream come true, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c9k6xq/LAWFUL.mp3" length="114923004" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the first Backstage Babble episode of 2024, I’m thrilled to present my conversation with Oscar-nominated actress Lesley Ann Warren. Tune in to hear her tell some of the stories of her legendary career, including how Lee Strasberg helped with her part in DRAT! THE CAT!, how 110 IN THE SHADE taught her the meaning of a showstopper, the trouble with rehearsing GONE WITH THE WIND, how she almost played a different role in CLUE, why Blake Edwards was a great director, the challenges of playing a sociopath on screen, returning to Broadway with DREAM, why CINDERELLA was a dream come true, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3554</itunes:duration>
                <itunes:episode>176</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Backstage Babble Minis: Tyne Daly and Ben Vereen</title>
        <itunes:title>Backstage Babble Minis: Tyne Daly and Ben Vereen</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/backstage-babble-minis-tyne-daly-and-ben-vereen/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/backstage-babble-minis-tyne-daly-and-ben-vereen/#comments</comments>        <pubDate>Thu, 28 Dec 2023 21:58:18 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0225fc4f-1785-36d6-9ada-b749f42a85db</guid>
                                    <description><![CDATA[<p class="p1">The final episode of Backstage Babble in 2023 is a doozy! I’m lucky to talk to many legends, but sometimes they don’t have time for a full conversation. That being said, the two Tony-winning actors who I’m presenting “mini” interviews with today had such valuable thoughts and stories that I wanted to share them publicly. First, Tyne Daly, who it was announced after the interview is returning to Broadway in Spring 2024 with Doubt, talks about her legendary career, with stories including how an appearance with Dolly Parton got her the role of Mama Rose, the valuable lesson about auditioning she learned at the Mark Taper Forum, why she turns down all horror movies, and so much more. Then, an inspiring conversation with Ben Vereen where he discusses the genius of Galt MacDermot and Bob Fosse, how Vinnette Carroll discovered him, why theater and spirituality are deeply intertwined, and so much more! You won’t want to miss these two conversations.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">The final episode of Backstage Babble in 2023 is a doozy! I’m lucky to talk to many legends, but sometimes they don’t have time for a full conversation. That being said, the two Tony-winning actors who I’m presenting “mini” interviews with today had such valuable thoughts and stories that I wanted to share them publicly. First, Tyne Daly, who it was announced after the interview is returning to Broadway in Spring 2024 with Doubt, talks about her legendary career, with stories including how an appearance with Dolly Parton got her the role of Mama Rose, the valuable lesson about auditioning she learned at the Mark Taper Forum, why she turns down all horror movies, and so much more. Then, an inspiring conversation with Ben Vereen where he discusses the genius of Galt MacDermot and Bob Fosse, how Vinnette Carroll discovered him, why theater and spirituality are deeply intertwined, and so much more! You won’t want to miss these two conversations.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/djbvxy/Tyne_daly878ye.mp3" length="127143877" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The final episode of Backstage Babble in 2023 is a doozy! I’m lucky to talk to many legends, but sometimes they don’t have time for a full conversation. That being said, the two Tony-winning actors who I’m presenting “mini” interviews with today had such valuable thoughts and stories that I wanted to share them publicly. First, Tyne Daly, who it was announced after the interview is returning to Broadway in Spring 2024 with Doubt, talks about her legendary career, with stories including how an appearance with Dolly Parton got her the role of Mama Rose, the valuable lesson about auditioning she learned at the Mark Taper Forum, why she turns down all horror movies, and so much more. Then, an inspiring conversation with Ben Vereen where he discusses the genius of Galt MacDermot and Bob Fosse, how Vinnette Carroll discovered him, why theater and spirituality are deeply intertwined, and so much more! You won’t want to miss these two conversations.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3903</itunes:duration>
                <itunes:episode>175</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Marylouise Burke</title>
        <itunes:title>Marylouise Burke</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/marylouise-burke/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/marylouise-burke/#comments</comments>        <pubDate>Sun, 10 Dec 2023 22:06:46 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/309ddf52-167a-3754-8851-daead44e75f6</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so happy to announce the release of my episode with veteran actress Marylouise Burke, who is currently starring in Infinite Life in London after premiering it at the Atlantic Theater Company. Tune in to hear the stories of her legendary career, including her beginnings in a Pennsylvania steel town, how she decided to move to New York, attending a Nets game with Larry David, dealing with George C. Scott’s alcoholism, her close relationship with David Lindsay-Abaire, figuring out her costumes for Kimberly Akimbo, handling the pauses in Infinite Life, taking on a musical role with Into the Woods, and so much more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so happy to announce the release of my episode with veteran actress Marylouise Burke, who is currently starring in Infinite Life in London after premiering it at the Atlantic Theater Company. Tune in to hear the stories of her legendary career, including her beginnings in a Pennsylvania steel town, how she decided to move to New York, attending a Nets game with Larry David, dealing with George C. Scott’s alcoholism, her close relationship with David Lindsay-Abaire, figuring out her costumes for Kimberly Akimbo, handling the pauses in Infinite Life, taking on a musical role with Into the Woods, and so much more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rs58cd/mlb.mp3" length="115225808" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so happy to announce the release of my episode with veteran actress Marylouise Burke, who is currently starring in Infinite Life in London after premiering it at the Atlantic Theater Company. Tune in to hear the stories of her legendary career, including her beginnings in a Pennsylvania steel town, how she decided to move to New York, attending a Nets game with Larry David, dealing with George C. Scott’s alcoholism, her close relationship with David Lindsay-Abaire, figuring out her costumes for Kimberly Akimbo, handling the pauses in Infinite Life, taking on a musical role with Into the Woods, and so much more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3560</itunes:duration>
                <itunes:episode>174</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sally Mayes</title>
        <itunes:title>Sally Mayes</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sally-mayes/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sally-mayes/#comments</comments>        <pubDate>Wed, 29 Nov 2023 23:34:46 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/af70cd8d-1eda-3e23-9ea1-f4880ccbb2e3</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m honored to announce my interview with Broadway and cabaret star Sally Mayes, whose show Now and Then is playing at the Green Room 42 on Saturday, December 2nd at 9:30. The ticket link is here: <a href='https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000'>https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000</a></p>
<p class="p1">Meanwhile, tune in today to hear some of the stories of her legendary career, including the experience of touring as Mae West, auditioning for Jule Styne, standing by for Delta Burke, the show she wished had had greater success, the role she almost lost to Andrea Martin, why she doesn’t like auditioning, tackling the role of Mama Rose, and so much more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m honored to announce my interview with Broadway and cabaret star Sally Mayes, whose show Now and Then is playing at the Green Room 42 on Saturday, December 2nd at 9:30. The ticket link is here: <a href='https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000'>https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000</a></p>
<p class="p1">Meanwhile, tune in today to hear some of the stories of her legendary career, including the experience of touring as Mae West, auditioning for Jule Styne, standing by for Delta Burke, the show she wished had had greater success, the role she almost lost to Andrea Martin, why she doesn’t like auditioning, tackling the role of Mama Rose, and so much more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zhyn6m/Sally_Mayes_Complete9zyrk.mp3" length="117586710" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m honored to announce my interview with Broadway and cabaret star Sally Mayes, whose show Now and Then is playing at the Green Room 42 on Saturday, December 2nd at 9:30. The ticket link is here: https://thegreenroom42.venuetix.com/show/details/AWB4i9Lu1RZsQiFDkPVw/1701570600000
Meanwhile, tune in today to hear some of the stories of her legendary career, including the experience of touring as Mae West, auditioning for Jule Styne, standing by for Delta Burke, the show she wished had had greater success, the role she almost lost to Andrea Martin, why she doesn’t like auditioning, tackling the role of Mama Rose, and so much more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3619</itunes:duration>
                <itunes:episode>173</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mark Jacoby</title>
        <itunes:title>Mark Jacoby</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/mark-jacoby/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/mark-jacoby/#comments</comments>        <pubDate>Sun, 26 Nov 2023 12:02:14 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4f6f18ca-969c-3747-a450-9abc6f4f9e6d</guid>
                                    <description><![CDATA[<p class="p1">I’m honored to announce my interview with Tony nominee Mark Jacoby, who is currently starring as Neil Diamond-Now in A Beautiful Noise. Tune in to hear some of the stories of his legendary career, including the advice Bob Fosse gave him, the joys of singing with Rebecca Luker, his and John Doyle’s unique interpretation of Judge Turpin, his long experience with The Visit, how playing the phantom atrophied his voice, working with Neil Diamond, and so much more.</p>
<p class="p1"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I’m honored to announce my interview with Tony nominee Mark Jacoby, who is currently starring as Neil Diamond-Now in A Beautiful Noise. Tune in to hear some of the stories of his legendary career, including the advice Bob Fosse gave him, the joys of singing with Rebecca Luker, his and John Doyle’s unique interpretation of Judge Turpin, his long experience with The Visit, how playing the phantom atrophied his voice, working with Neil Diamond, and so much more.</p>
<p class="p1"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f59pnk/Mark_Jacoby9i7qu.mp3" length="133080506" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I’m honored to announce my interview with Tony nominee Mark Jacoby, who is currently starring as Neil Diamond-Now in A Beautiful Noise. Tune in to hear some of the stories of his legendary career, including the advice Bob Fosse gave him, the joys of singing with Rebecca Luker, his and John Doyle’s unique interpretation of Judge Turpin, his long experience with The Visit, how playing the phantom atrophied his voice, working with Neil Diamond, and so much more.
 ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4105</itunes:duration>
                <itunes:episode>172</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Cherry Jones</title>
        <itunes:title>Cherry Jones</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/cherry-jones/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/cherry-jones/#comments</comments>        <pubDate>Thu, 16 Nov 2023 21:56:05 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/464e4dca-c943-301b-bd8f-e315268caabb</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with legendary actress Cherry Jones. Tune in to hear some of the stories of her distinguished career, including how Andrei Serban taught her how to act, why Colleen Dewhurst was her biggest inspiration, witnessing the difficult relationship between Glenda Jackson and Zoe Caldwell on Macbeth, her theories about the plot of Doubt, the process of flying as the title character in Angels in America, the celebration she planned for the closing night of her first Broadway show, why Major Barbara was an easier role to do, the two plays from last season that she liked the most, why she relies heavily on directors, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with legendary actress Cherry Jones. Tune in to hear some of the stories of her distinguished career, including how Andrei Serban taught her how to act, why Colleen Dewhurst was her biggest inspiration, witnessing the difficult relationship between Glenda Jackson and Zoe Caldwell on Macbeth, her theories about the plot of Doubt, the process of flying as the title character in Angels in America, the celebration she planned for the closing night of her first Broadway show, why Major Barbara was an easier role to do, the two plays from last season that she liked the most, why she relies heavily on directors, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/izp937/Cherry_Jones8yg4v.mp3" length="149081698" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my interview with legendary actress Cherry Jones. Tune in to hear some of the stories of her distinguished career, including how Andrei Serban taught her how to act, why Colleen Dewhurst was her biggest inspiration, witnessing the difficult relationship between Glenda Jackson and Zoe Caldwell on Macbeth, her theories about the plot of Doubt, the process of flying as the title character in Angels in America, the celebration she planned for the closing night of her first Broadway show, why Major Barbara was an easier role to do, the two plays from last season that she liked the most, why she relies heavily on directors, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4598</itunes:duration>
                <itunes:episode>171</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Casey Nicholaw</title>
        <itunes:title>Casey Nicholaw</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/casey-nicholaw/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/casey-nicholaw/#comments</comments>        <pubDate>Sun, 05 Nov 2023 17:08:11 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6499274d-9e35-3fb1-908d-88d24f4128cb</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with 2023 Tony winner Casey Nicholaw, whose show Some Like it Hot runs through December 30th. Tune in today to hear some of the stories of his legendary career, including the stroke of good luck that led to his Broadway debut, returning to performing recently for one week, why Encores reminds him of summer stock, collaborating with Mike Nichols, the changes made to Aladdin out of town, why tap is his favorite style of dance, the process of restaging Dreamgirls, the difference between older and younger performers in the rehearsal room, staging the dream ballet in Tuck Everlasting, the joyous process of bringing The Drowsy Chaperone to Broadway, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with 2023 Tony winner Casey Nicholaw, whose show Some Like it Hot runs through December 30th. Tune in today to hear some of the stories of his legendary career, including the stroke of good luck that led to his Broadway debut, returning to performing recently for one week, why Encores reminds him of summer stock, collaborating with Mike Nichols, the changes made to Aladdin out of town, why tap is his favorite style of dance, the process of restaging Dreamgirls, the difference between older and younger performers in the rehearsal room, staging the dream ballet in Tuck Everlasting, the joyous process of bringing The Drowsy Chaperone to Broadway, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dqrwnw/CaseNich.mp3" length="113267399" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my interview with 2023 Tony winner Casey Nicholaw, whose show Some Like it Hot runs through December 30th. Tune in today to hear some of the stories of his legendary career, including the stroke of good luck that led to his Broadway debut, returning to performing recently for one week, why Encores reminds him of summer stock, collaborating with Mike Nichols, the changes made to Aladdin out of town, why tap is his favorite style of dance, the process of restaging Dreamgirls, the difference between older and younger performers in the rehearsal room, staging the dream ballet in Tuck Everlasting, the joyous process of bringing The Drowsy Chaperone to Broadway, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3496</itunes:duration>
                <itunes:episode>170</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Schele Williams</title>
        <itunes:title>Schele Williams</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/schele-williams/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/schele-williams/#comments</comments>        <pubDate>Mon, 30 Oct 2023 20:40:15 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d43480ab-fcd0-3f2a-b458-514b7657ea54</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with Broadway director Schele Williams, who is helming the upcoming Broadway productions of The Wiz and The Notebook. Tune in to hear some of the stories of her long career, including what her new vision is for The Wiz, the International power of Rent, the process of revising Aida, the joys of telling the story of Ethel Waters, switching career paths, collaborating with Ben Vereen, her thoughts on leading a rehearsal room, and so much more. You won’t want to miss this interview with one of the most important people in the theater today.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with Broadway director Schele Williams, who is helming the upcoming Broadway productions of <em>The Wiz</em> and <em>The Notebook.</em> Tune in to hear some of the stories of her long career, including what her new vision is for <em>The Wiz, </em>the International power of <em>Rent, </em>the process of revising <em>Aida, </em>the joys of telling the story of Ethel Waters, switching career paths, collaborating with Ben Vereen, her thoughts on leading a rehearsal room, and so much more. You won’t want to miss this interview with one of the most important people in the theater today.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ifverk/scheleshant.mp3" length="111200291" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with Broadway director Schele Williams, who is helming the upcoming Broadway productions of The Wiz and The Notebook. Tune in to hear some of the stories of her long career, including what her new vision is for The Wiz, the International power of Rent, the process of revising Aida, the joys of telling the story of Ethel Waters, switching career paths, collaborating with Ben Vereen, her thoughts on leading a rehearsal room, and so much more. You won’t want to miss this interview with one of the most important people in the theater today.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3434</itunes:duration>
                <itunes:episode>169</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Carolee Carmello</title>
        <itunes:title>Carolee Carmello</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/carolee-carmello/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/carolee-carmello/#comments</comments>        <pubDate>Fri, 20 Oct 2023 20:34:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9395df74-2518-3ea0-8f40-aaf769a6ae04</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with 3-time Tony nominee Carolee Carmello. Tune in to hear some of the stories of her legendary career, including how she first got involved in Parade, her insights into the all-female 1776, being directed by Hal Prince, why Scandalous was the most vocally challenging role she’s had (hint: it wasn’t the singing), the joys of starring on TV in Remember WENN, the role she’d like to approach again, what City of Angels taught her about herself, performing Falsettos in Florida, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with 3-time Tony nominee Carolee Carmello. Tune in to hear some of the stories of her legendary career, including how she first got involved in <em>Parade, </em>her insights into the all-female <em>1776, </em>being directed by Hal Prince, why <em>Scandalous </em>was the most vocally challenging role she’s had (hint: it wasn’t the singing), the joys of starring on TV in <em>Remember WENN, </em>the role she’d like to approach again, what <em>City of Angels</em> taught her about herself, performing <em>Falsettos</em> in Florida, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/49vv7w/CarCarMel.mp3" length="123272239" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with 3-time Tony nominee Carolee Carmello. Tune in to hear some of the stories of her legendary career, including how she first got involved in Parade, her insights into the all-female 1776, being directed by Hal Prince, why Scandalous was the most vocally challenging role she’s had (hint: it wasn’t the singing), the joys of starring on TV in Remember WENN, the role she’d like to approach again, what City of Angels taught her about herself, performing Falsettos in Florida, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3807</itunes:duration>
                <itunes:episode>168</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Peter Friedman</title>
        <itunes:title>Peter Friedman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/peter-friedman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/peter-friedman/#comments</comments>        <pubDate>Thu, 12 Oct 2023 21:02:57 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7f33673e-9f7c-3a47-a907-c93af83609bb</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Peter Friedman, who is currently starring in the sold-out hit play Job off-Broadway. Tune in today to hear some of the stories of his legendary career, including a visit with E. L. Doctorow, working with older vaudevillians on The Tenth Man, coming into Twelve Angry Men late in the process, experiencing a career renaissance with Annie Baker and Sam Gold, why Susan Stroman is a great director, bonding with cast members of Ragtime, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thrilled to announce my episode with Peter Friedman, who is currently starring in the sold-out hit play <em>Job</em> off-Broadway. Tune in today to hear some of the stories of his legendary career, including a visit with E. L. Doctorow, working with older vaudevillians on <em>The Tenth Man, </em>coming into <em>Twelve Angry Men </em>late in the process, experiencing a career renaissance with Annie Baker and Sam Gold, why Susan Stroman is a great director, bonding with cast members of <em>Ragtime, </em>and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b88bsp/friedman.mp3" length="74963516" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thrilled to announce my episode with Peter Friedman, who is currently starring in the sold-out hit play Job off-Broadway. Tune in today to hear some of the stories of his legendary career, including a visit with E. L. Doctorow, working with older vaudevillians on The Tenth Man, coming into Twelve Angry Men late in the process, experiencing a career renaissance with Annie Baker and Sam Gold, why Susan Stroman is a great director, bonding with cast members of Ragtime, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2313</itunes:duration>
                <itunes:episode>167</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mary Beth Peil</title>
        <itunes:title>Mary Beth Peil</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/mary-beth-peil/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/mary-beth-peil/#comments</comments>        <pubDate>Mon, 09 Oct 2023 10:57:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/18d026c1-27d6-315e-9ced-f8f6a38dd3ec</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for Anastasia, being directed by Edward Albee, working with Roger Rees on The Visit, how she ended up in a starring role on Dawson’s Creek, taking on the role of King Duncan in Macbeth, and so much more. You won’t want to miss this insightful conversation with a legend of the stage.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for <em>Anastasia, </em>being directed by Edward Albee, working with Roger Rees on <em>The Visit, </em>how she ended up in a starring role on <em>Dawson’s Creek, </em>taking on the role of King Duncan in <em>Macbeth, </em>and so much more. You won’t want to miss this insightful conversation with a legend of the stage.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mhwx6h/mary_beth74bzs.mp3" length="160118325" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for Anastasia, being directed by Edward Albee, working with Roger Rees on The Visit, how she ended up in a starring role on Dawson’s Creek, taking on the role of King Duncan in Macbeth, and so much more. You won’t want to miss this insightful conversation with a legend of the stage.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4932</itunes:duration>
                <itunes:episode>166</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lar Lubovitch</title>
        <itunes:title>Lar Lubovitch</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lar-lubovitch/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lar-lubovitch/#comments</comments>        <pubDate>Thu, 05 Oct 2023 22:04:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5b6b6d10-bca5-3573-98db-af425eed276b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with legendary Broadway and ballet choreographer Lar Lubovitch. Tune in to hear some of the stories of his legendary career, including how he got involved in the musical theater world, founding his own dance company, Stephen Sondheim’s resistance to too much movement in Into the Woods, why Stanley Donen’s vision for The Red Shoes was unsuccessful, how standards of behavior have changed in the dance world, the story behind his dance piece Men’s Stories, choreographing the Dance of the Seven Veils, creating a darker Oklahoma with Christopher Renshaw, developing The Hunchback of Notre Dame in Germany, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with legendary Broadway and ballet choreographer Lar Lubovitch. Tune in to hear some of the stories of his legendary career, including how he got involved in the musical theater world, founding his own dance company, Stephen Sondheim’s resistance to too much movement in <em>Into the Woods</em>, why Stanley Donen’s vision for <em>The Red Shoes</em> was unsuccessful, how standards of behavior have changed in the dance world, the story behind his dance piece <em>Men’s Stories, </em>choreographing the Dance of the Seven Veils, creating a darker <em>Oklahoma </em>with Christopher Renshaw, developing <em>The Hunchback of Notre Dame </em>in Germany, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sx9ja9/LarL.mp3" length="115606786" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with legendary Broadway and ballet choreographer Lar Lubovitch. Tune in to hear some of the stories of his legendary career, including how he got involved in the musical theater world, founding his own dance company, Stephen Sondheim’s resistance to too much movement in Into the Woods, why Stanley Donen’s vision for The Red Shoes was unsuccessful, how standards of behavior have changed in the dance world, the story behind his dance piece Men’s Stories, choreographing the Dance of the Seven Veils, creating a darker Oklahoma with Christopher Renshaw, developing The Hunchback of Notre Dame in Germany, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3572</itunes:duration>
                <itunes:episode>165</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Terrence Mann</title>
        <itunes:title>Terrence Mann</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/terrence-mann/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/terrence-mann/#comments</comments>        <pubDate>Tue, 26 Sep 2023 21:41:59 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4ca2f6b3-62cd-3076-971a-ad2853036e32</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with three-time Tony nominee Terrence Mann. Tune in to hear some of the stories of his legendary career, including a private notes session with Jerome Robbins, where he drew inspiration from for the Rum Tum Tugger, the audience response at The Rocky Horror Picture Show, making his Broadway debut two weeks after moving to New York, the challenges of filming A Chorus Line, the subtext Stephen Sondheim gave him about Assassins, the biblical connotations of Les Miserables, taking inspiration from a Pepperidge Farm commercial, and so much more. You won’t want to miss this in-depth interview with a true Broadway star.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my interview with three-time Tony nominee Terrence Mann. Tune in to hear some of the stories of his legendary career, including a private notes session with Jerome Robbins, where he drew inspiration from for the Rum Tum Tugger, the audience response at <em>The Rocky Horror Picture Show, </em>making his Broadway debut two weeks after moving to New York, the challenges of filming <em>A Chorus Line, </em>the subtext Stephen Sondheim gave him about <em>Assassins, </em>the biblical connotations of <em>Les Miserables, </em>taking inspiration from a Pepperidge Farm commercial, and so much more. You won’t want to miss this in-depth interview with a true Broadway star.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vhvswp/terrenman.mp3" length="136528733" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my interview with three-time Tony nominee Terrence Mann. Tune in to hear some of the stories of his legendary career, including a private notes session with Jerome Robbins, where he drew inspiration from for the Rum Tum Tugger, the audience response at The Rocky Horror Picture Show, making his Broadway debut two weeks after moving to New York, the challenges of filming A Chorus Line, the subtext Stephen Sondheim gave him about Assassins, the biblical connotations of Les Miserables, taking inspiration from a Pepperidge Farm commercial, and so much more. You won’t want to miss this in-depth interview with a true Broadway star.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4221</itunes:duration>
                <itunes:episode>164</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Douglas J. Cohen</title>
        <itunes:title>Douglas J. Cohen</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/douglas-j-cohen/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/douglas-j-cohen/#comments</comments>        <pubDate>Sun, 17 Sep 2023 17:01:27 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/58794c64-3c8e-35e2-8a56-8108a66164fa</guid>
                                    <description><![CDATA[<p class="p1">I’m so happy to announce the release of my episode with theater writer Douglas J. Cohen, whose book How to Survive a Killer Musical just came out, and can be purchased at this link:</p>
<p class="p1"><a href='https://www.amazon.com/How-Survive-Killer-Musical-Broadway/dp/1493075748#:~:text=Book%20overview&amp;text=How%20to%20Survive%20a%20Killer%20Musical%20chronicles%20Cohen%27s%20decade-long,adversity%20and%20plain%20rotten%20luck'>Buy Here</a></p>
<p class="p1">A studio recording of his musical The Big Time, starring Jackie Hoffman and Santino Fontana, is also out now. Tune in today to hear him tell the stories of his life and career, including his friendship with Frank Gilroy, adapting No Way to Treat a Lady for the Edinburgh Fringe Festival, the directors he’d like to collaborate with, receiving advice from Charles Strouse and Jule Styne, adapting the story of Rudolph Valentino into a musical, how No Way to Treat a Lady almost reached Broadway, his experiences teaching and mentoring, and more. You won’t want to miss this fascinating book and conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I’m so happy to announce the release of my episode with theater writer Douglas J. Cohen, whose book <em>How to Survive a Killer Musical</em> just came out, and can be purchased at this link:</p>
<p class="p1"><a href='https://www.amazon.com/How-Survive-Killer-Musical-Broadway/dp/1493075748#:~:text=Book%20overview&amp;text=How%20to%20Survive%20a%20Killer%20Musical%20chronicles%20Cohen%27s%20decade-long,adversity%20and%20plain%20rotten%20luck'>Buy Here</a></p>
<p class="p1">A studio recording of his musical <em>The Big Time, </em>starring Jackie Hoffman and Santino Fontana, is also out now. Tune in today to hear him tell the stories of his life and career, including his friendship with Frank Gilroy, adapting <em>No Way to Treat a Lady </em>for the Edinburgh Fringe Festival, the directors he’d like to collaborate with, receiving advice from Charles Strouse and Jule Styne, adapting the story of Rudolph Valentino into a musical, how No Way to Treat a Lady almost reached Broadway, his experiences teaching and mentoring, and more. You won’t want to miss this fascinating book and conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nr2meg/Douglas_J_Cohenb8lew.mp3" length="145468490" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I’m so happy to announce the release of my episode with theater writer Douglas J. Cohen, whose book How to Survive a Killer Musical just came out, and can be purchased at this link:
Buy Here
A studio recording of his musical The Big Time, starring Jackie Hoffman and Santino Fontana, is also out now. Tune in today to hear him tell the stories of his life and career, including his friendship with Frank Gilroy, adapting No Way to Treat a Lady for the Edinburgh Fringe Festival, the directors he’d like to collaborate with, receiving advice from Charles Strouse and Jule Styne, adapting the story of Rudolph Valentino into a musical, how No Way to Treat a Lady almost reached Broadway, his experiences teaching and mentoring, and more. You won’t want to miss this fascinating book and conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4456</itunes:duration>
                <itunes:episode>163</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Kenny Leon</title>
        <itunes:title>Kenny Leon</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/kenny-leon/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/kenny-leon/#comments</comments>        <pubDate>Sun, 10 Sep 2023 11:22:27 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5be2dbc8-ab24-32b5-922b-f00b3bc77970</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m thriilled to announce my episode with one of Broadway’s best directors, Kenny Leon, who’s producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should’ve transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won’t want to miss this masterclass in directing.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m thriilled to announce my episode with one of Broadway’s best directors, Kenny Leon, who’s producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should’ve transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won’t want to miss this masterclass in directing.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f9eraf/Kenny_Leon6mst2.mp3" length="79550104" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m thriilled to announce my episode with one of Broadway’s best directors, Kenny Leon, who’s producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should’ve transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won’t want to miss this masterclass in directing.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2452</itunes:duration>
                <itunes:episode>162</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Josie de Guzman</title>
        <itunes:title>Josie de Guzman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/josie-de-guzman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/josie-de-guzman/#comments</comments>        <pubDate>Wed, 06 Sep 2023 13:21:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/06554769-c9f1-3b10-8779-168880dfb182</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so happy to announce my interview with Tony nominee Josie De Guzman, whose solo show Back Where I Started will be playing at The Green Room 42 on September 8th and 10th. Tickets are available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://thegreenroom42.venuetix.com/show/details/76s4vq70N3gLBXNINJTD/1694214000000'>Buy Now!</a></p>
<p class="p2"> </p>
<p class="p1">Tune in today to hear the stories of her legendary career, including getting shot out of a cannon into Guys and Dolls, the show that Elizabeth Swados wrote for her, her experiences at The Alley Theater, rehearsing with Leonard Bernstein, working with Arthur Laurents on Nick &amp; Nora, returning to singing after many years, and much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so happy to announce my interview with Tony nominee Josie De Guzman, whose solo show <em>Back Where I Started </em>will be playing at The Green Room 42 on September 8th and 10th. Tickets are available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://thegreenroom42.venuetix.com/show/details/76s4vq70N3gLBXNINJTD/1694214000000'>Buy Now!</a></p>
<p class="p2"> </p>
<p class="p1">Tune in today to hear the stories of her legendary career, including getting shot out of a cannon into <em>Guys and Dolls, </em>the show that Elizabeth Swados wrote for her, her experiences at The Alley Theater, rehearsing with Leonard Bernstein, working with Arthur Laurents on <em>Nick &amp; Nora, </em>returning to singing after many years, and much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ppv2rf/joodg.mp3" length="135191572" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so happy to announce my interview with Tony nominee Josie De Guzman, whose solo show Back Where I Started will be playing at The Green Room 42 on September 8th and 10th. Tickets are available here:
 
Buy Now!
 
Tune in today to hear the stories of her legendary career, including getting shot out of a cannon into Guys and Dolls, the show that Elizabeth Swados wrote for her, her experiences at The Alley Theater, rehearsing with Leonard Bernstein, working with Arthur Laurents on Nick &amp; Nora, returning to singing after many years, and much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4188</itunes:duration>
                <itunes:episode>161</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Paul Rudnick</title>
        <itunes:title>Paul Rudnick</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/paul-rudnick/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/paul-rudnick/#comments</comments>        <pubDate>Fri, 01 Sep 2023 15:17:21 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9639669e-3336-3f09-a8c4-607294a431b3</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so honored to announce the release of my interview with the brilliant author and playwright Paul Rudnick, writer of the newly released novel Farrell Covington and the Limits of Style. Tune in today to hear some of the stories of his career, including what it was like experiencing a seance with Celeste Holm, working with Bette Midler on Sister Act, the advice he got from William Finn, turning Coastal Elites from a play into a TV special, taking risks with Rude Entertainment, his thoughts on the royal family, collaborating with Christopher Ashley on Jeffrey, and so much more! You won’t want to miss this hilarious conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so honored to announce the release of my interview with the brilliant author and playwright Paul Rudnick, writer of the newly released novel <em>Farrell Covington and the Limits of Style</em>. Tune in today to hear some of the stories of his career, including what it was like experiencing a seance with Celeste Holm, working with Bette Midler on <em>Sister Act, </em>the advice he got from William Finn, turning <em>Coastal Elites </em>from a play into a TV special, taking risks with <em>Rude Entertainment, </em>his thoughts on the royal family, collaborating with Christopher Ashley on <em>Jeffrey, </em>and so much more! You won’t want to miss this hilarious conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bcib64/prudn.mp3" length="191746023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so honored to announce the release of my interview with the brilliant author and playwright Paul Rudnick, writer of the newly released novel Farrell Covington and the Limits of Style. Tune in today to hear some of the stories of his career, including what it was like experiencing a seance with Celeste Holm, working with Bette Midler on Sister Act, the advice he got from William Finn, turning Coastal Elites from a play into a TV special, taking risks with Rude Entertainment, his thoughts on the royal family, collaborating with Christopher Ashley on Jeffrey, and so much more! You won’t want to miss this hilarious conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5922</itunes:duration>
                <itunes:episode>160</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Stephen Schwartz</title>
        <itunes:title>Stephen Schwartz</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/stephen-schwartz/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/stephen-schwartz/#comments</comments>        <pubDate>Tue, 22 Aug 2023 13:14:18 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f0e5ac7c-6710-3720-b4df-629e5fc84ece</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce the release of my episode with Broadway legend Stephen Schwartz. Tune in to hear fascinating stories from his life and career, including how he came to make his Broadway debut with Butterflies are Free, drawing inspiration from politics in writing Wicked, the songwriter he wishes had been included in Working, the genesis of his new show The Queen of Versailles, facing resentment for the amount of success he had early on, the challenge of writing for Doug Henning, the rhyming dictionary he and Stephen Sondheim both use, the show that taught him the craft of writing lyrics, the challenge of collaborating with Bob Fosse, what he learned from Leonard Bernstein, and so much more. You won’t want to miss this in-depth interview, which was recorded in April 2022.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce the release of my episode with Broadway legend Stephen Schwartz. Tune in to hear fascinating stories from his life and career, including how he came to make his Broadway debut with <em>Butterflies are Free, </em>drawing inspiration from politics in writing <em>Wicked, </em>the songwriter he wishes had been included in <em>Working, </em>the genesis of his new show <em>The Queen of Versailles, </em>facing resentment for the amount of success he had early on, the challenge of writing for Doug Henning, the rhyming dictionary he and Stephen Sondheim both use, the show that taught him the craft of writing lyrics, the challenge of collaborating with Bob Fosse, what he learned from Leonard Bernstein, and so much more. You won’t want to miss this in-depth interview, which was recorded in April 2022.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zmra8u/Stephen_Saghja.mp3" length="124904894" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce the release of my episode with Broadway legend Stephen Schwartz. Tune in to hear fascinating stories from his life and career, including how he came to make his Broadway debut with Butterflies are Free, drawing inspiration from politics in writing Wicked, the songwriter he wishes had been included in Working, the genesis of his new show The Queen of Versailles, facing resentment for the amount of success he had early on, the challenge of writing for Doug Henning, the rhyming dictionary he and Stephen Sondheim both use, the show that taught him the craft of writing lyrics, the challenge of collaborating with Bob Fosse, what he learned from Leonard Bernstein, and so much more. You won’t want to miss this in-depth interview, which was recorded in April 2022.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3858</itunes:duration>
                <itunes:episode>159</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Leland Palmer</title>
        <itunes:title>Leland Palmer</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/leland-palmer/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/leland-palmer/#comments</comments>        <pubDate>Sun, 13 Aug 2023 16:13:12 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4373e2c1-edb3-3789-8d89-957c3a03fd84</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce the release of an exclusive, in-depth career interview with two-time Tony nominee Leland Palmer. Tune in today to hear the fascinating stories of Leland’s career, including why Bob Fosse dubbed her his “Yellow Towel Lady,” participating in the recent Pippin concert at 54 Below, the gift she got from Lauren Bacall, two hilarious onstage mishaps, her unique audition for Bajour, the actress she emulated in All That Jazz, the challenge of playing Minnie Fay, the difficulty of working with Donald Driver, how she feels about fictional portrayals of Bob Fosse, why A Chorus Line led her to take a break from theater, her decision to live away from New York, the importance of living in the present, and so much more. You won’t want to miss this fascinating talk with a theatrical legend.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce the release of an exclusive, in-depth career interview with two-time Tony nominee Leland Palmer. Tune in today to hear the fascinating stories of Leland’s career, including why Bob Fosse dubbed her his “Yellow Towel Lady,” participating in the recent <em>Pippin </em>concert at 54 Below, the gift she got from Lauren Bacall, two hilarious onstage mishaps, her unique audition for <em>Bajour, </em>the actress she emulated in <em>All That Jazz, </em>the challenge of playing Minnie Fay, the difficulty of working with Donald Driver, how she feels about fictional portrayals of Bob Fosse, why <em>A Chorus Line </em>led her to take a break from theater, her decision to live away from New York, the importance of living in the present, and so much more. You won’t want to miss this fascinating talk with a theatrical legend.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bxk5mv/Leland_Palmeravto4.mp3" length="122497402" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce the release of an exclusive, in-depth career interview with two-time Tony nominee Leland Palmer. Tune in today to hear the fascinating stories of Leland’s career, including why Bob Fosse dubbed her his “Yellow Towel Lady,” participating in the recent Pippin concert at 54 Below, the gift she got from Lauren Bacall, two hilarious onstage mishaps, her unique audition for Bajour, the actress she emulated in All That Jazz, the challenge of playing Minnie Fay, the difficulty of working with Donald Driver, how she feels about fictional portrayals of Bob Fosse, why A Chorus Line led her to take a break from theater, her decision to live away from New York, the importance of living in the present, and so much more. You won’t want to miss this fascinating talk with a theatrical legend.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3782</itunes:duration>
                <itunes:episode>158</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Henry Hwang</title>
        <itunes:title>David Henry Hwang</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-henry-hwang/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-henry-hwang/#comments</comments>        <pubDate>Sun, 06 Aug 2023 20:27:10 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5e400438-cadc-3d8d-aeeb-3916921ec951</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with distinguished playwright and libretttist David Henry Hwang. Tune in to hear some of the stories of his legendary career, including being discovered by Joseph Papp, training with Sam Shepard, reading M. Butterfly with John Dexter, collaborating with Philip Glass, revising the book for Aida, why Face Value couldn’t achieve success on Broadway, the advice he got on what makes a Broadway play, and so much more. You won’t want to miss this in-depth conversation with one of the greatest minds in theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with distinguished playwright and libretttist David Henry Hwang. Tune in to hear some of the stories of his legendary career, including being discovered by Joseph Papp, training with Sam Shepard, reading <em>M. Butterfly </em>with John Dexter, collaborating with Philip Glass, revising the book for <em>Aida, </em>why <em>Face Value </em>couldn’t achieve success on Broadway, the advice he got on what makes a Broadway play, and so much more. You won’t want to miss this in-depth conversation with one of the greatest minds in theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2afxpv/DHH.mp3" length="113788248" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with distinguished playwright and libretttist David Henry Hwang. Tune in to hear some of the stories of his legendary career, including being discovered by Joseph Papp, training with Sam Shepard, reading M. Butterfly with John Dexter, collaborating with Philip Glass, revising the book for Aida, why Face Value couldn’t achieve success on Broadway, the advice he got on what makes a Broadway play, and so much more. You won’t want to miss this in-depth conversation with one of the greatest minds in theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3523</itunes:duration>
                <itunes:episode>157</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Lindsay-Abaire</title>
        <itunes:title>David Lindsay-Abaire</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-lindsay-abaire/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-lindsay-abaire/#comments</comments>        <pubDate>Sat, 29 Jul 2023 14:11:51 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a82345fe-05b5-346f-bcb2-f5d5c812921b</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so honored to announce the release of my interview with Pulitzer Prize-winning playwright David Lindsay-Abaire, winner of two Tonys for his book and lyrics for Kimberly Akimbo. He joins me to talk all about Kimberly Akimbo, including the changes that were made between Broadway and off-Broadway, as well as telling other stories including why Marylouise Burke is his muse, the process of getting Fuddy Meers produced, challenging himself with Rabbit Hole, working with Dreamworks on Shrek, the play of his that he felt never quite came together, and so much more. You won’t want to miss this conversation with one of theater’s best playwrights.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so honored to announce the release of my interview with Pulitzer Prize-winning playwright David Lindsay-Abaire, winner of two Tonys for his book and lyrics for Kimberly Akimbo. He joins me to talk all about Kimberly Akimbo, including the changes that were made between Broadway and off-Broadway, as well as telling other stories including why Marylouise Burke is his muse, the process of getting Fuddy Meers produced, challenging himself with Rabbit Hole, working with Dreamworks on Shrek, the play of his that he felt never quite came together, and so much more. You won’t want to miss this conversation with one of theater’s best playwrights.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vhgiwm/Dave_Linz_abaaakom.mp3" length="163035275" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so honored to announce the release of my interview with Pulitzer Prize-winning playwright David Lindsay-Abaire, winner of two Tonys for his book and lyrics for Kimberly Akimbo. He joins me to talk all about Kimberly Akimbo, including the changes that were made between Broadway and off-Broadway, as well as telling other stories including why Marylouise Burke is his muse, the process of getting Fuddy Meers produced, challenging himself with Rabbit Hole, working with Dreamworks on Shrek, the play of his that he felt never quite came together, and so much more. You won’t want to miss this conversation with one of theater’s best playwrights.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5059</itunes:duration>
                <itunes:episode>156</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sandy Rustin</title>
        <itunes:title>Sandy Rustin</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sandy-rustin/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sandy-rustin/#comments</comments>        <pubDate>Mon, 24 Jul 2023 21:30:21 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/886dfaf4-33c5-3231-be26-c2a62b6f9e3f</guid>
                                    <description><![CDATA[<p class="p1">On the opening night of The Cottage, I’m excited to announce the release of my episode with its playwright Sandy Rustin. Tune in today to hear about the play’s long path to Broadway, and other stories of her career including rewriting I Married an Angel for Encores!, her extensive research process, her useful advice for young writers, being directed by James Lapine, where her sense of humor comes from, her extensive work on audiobooks and ADR, the real-life basis for her show Comedy Is Out, working with Donna Murphy on rewriting Dear World, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">On the opening night of <em>The Cottage</em>, I’m excited to announce the release of my episode with its playwright Sandy Rustin. Tune in today to hear about the play’s long path to Broadway, and other stories of her career including rewriting <em>I Married an Angel </em>for Encores!, her extensive research process, her useful advice for young writers, being directed by James Lapine, where her sense of humor comes from, her extensive work on audiobooks and ADR, the real-life basis for her show <em>Comedy Is Out, </em>working with Donna Murphy on rewriting <em>Dear World, </em>and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yd8wxu/SandyR.mp3" length="93236482" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the opening night of The Cottage, I’m excited to announce the release of my episode with its playwright Sandy Rustin. Tune in today to hear about the play’s long path to Broadway, and other stories of her career including rewriting I Married an Angel for Encores!, her extensive research process, her useful advice for young writers, being directed by James Lapine, where her sense of humor comes from, her extensive work on audiobooks and ADR, the real-life basis for her show Comedy Is Out, working with Donna Murphy on rewriting Dear World, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2872</itunes:duration>
                <itunes:episode>155</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>D’Jamin Bartlett</title>
        <itunes:title>D’Jamin Bartlett</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/d-jamin-bartlett/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/d-jamin-bartlett/#comments</comments>        <pubDate>Fri, 14 Jul 2023 18:16:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5058d266-9e12-3f7f-9de0-54a5ccfc5fe8</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so honored to announce my episode with Broadway actress D’Jamin Bartlett, who will be performing “The Miller’s Son” at Backstage Babble Live on July 17. Tune in today to this interview from July 2022 to hear some of the stories of her legendary career, including coming in out of town on A Little Night Music, auditioning for Stephen Sondheim, raising children as an actress, being upstaged by Liza Minelli, how she settled on her stage name, the role she regrets turning down, almost appearing in Billy Elliot, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so honored to announce my episode with Broadway actress D’Jamin Bartlett, who will be performing “The Miller’s Son” at Backstage Babble Live on July 17. Tune in today to this interview from July 2022 to hear some of the stories of her legendary career, including coming in out of town on <em>A Little Night Music, </em>auditioning for Stephen Sondheim, raising children as an actress, being upstaged by Liza Minelli, how she settled on her stage name, the role she regrets turning down, almost appearing in <em>Billy Elliot, </em>and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xazy6s/DBart.mp3" length="135147297" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so honored to announce my episode with Broadway actress D’Jamin Bartlett, who will be performing “The Miller’s Son” at Backstage Babble Live on July 17. Tune in today to this interview from July 2022 to hear some of the stories of her legendary career, including coming in out of town on A Little Night Music, auditioning for Stephen Sondheim, raising children as an actress, being upstaged by Liza Minelli, how she settled on her stage name, the role she regrets turning down, almost appearing in Billy Elliot, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4154</itunes:duration>
                <itunes:episode>154</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Leslie Uggams</title>
        <itunes:title>Leslie Uggams</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/leslie-uggams/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/leslie-uggams/#comments</comments>        <pubDate>Fri, 07 Jul 2023 18:32:13 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cb85e4e7-1436-3fe7-84bc-2c90c6bf54c9</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with star of stage and screen Leslie Uggams. Leslie’s new movie Dotty &amp; Soul is now out on all streaming platforms. Tune in today to hear her talk about how meaningful the part of Dotty is to, as well as tell stories about her Broadway career, including taking acting lessons with Stella Adler and Sal Mineo, her early friendship with Ethel Waters, talking to Arthur Laurents about the role of Madame Rose, why Her First Roman wasn’t successful, dealing with Carol Channing's allergies, reading Hallelujah, Baby! while David Merrick fell asleep, and so much more. You won't want to miss this illuminating conversation with a legend of the stage.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so excited to announce my episode with star of stage and screen Leslie Uggams. Leslie’s new movie <em>Dotty &amp; Soul </em>is now out on all streaming platforms. Tune in today to hear her talk about how meaningful the part of Dotty is to, as well as tell stories about her Broadway career, including taking acting lessons with Stella Adler and Sal Mineo, her early friendship with Ethel Waters, talking to Arthur Laurents about the role of Madame Rose, why <em>Her First Roman </em>wasn’t successful, dealing with Carol Channing's allergies, reading <em>Hallelujah, Baby! </em>while David Merrick fell asleep, and so much more. You won't want to miss this illuminating conversation with a legend of the stage.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2a3dbx/Leslie_Uggams92lx8.mp3" length="88863280" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so excited to announce my episode with star of stage and screen Leslie Uggams. Leslie’s new movie Dotty &amp; Soul is now out on all streaming platforms. Tune in today to hear her talk about how meaningful the part of Dotty is to, as well as tell stories about her Broadway career, including taking acting lessons with Stella Adler and Sal Mineo, her early friendship with Ethel Waters, talking to Arthur Laurents about the role of Madame Rose, why Her First Roman wasn’t successful, dealing with Carol Channing's allergies, reading Hallelujah, Baby! while David Merrick fell asleep, and so much more. You won't want to miss this illuminating conversation with a legend of the stage.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2711</itunes:duration>
                <itunes:episode>153</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Urie</title>
        <itunes:title>Michael Urie</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/michael-urie/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/michael-urie/#comments</comments>        <pubDate>Sun, 02 Jul 2023 11:29:23 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5ca762e2-8b9c-332d-bf93-9ba453c32e6c</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my interview with star of stage and screen Michael Urie. Tune in for a funny, fascinating conversation about his varied career, including the type of work he wanted to do coming out of college, being on stage when Patti LuPone took an audience member’s cellphone, the genius of Jane Alexander and Mercedes Ruehl, how he won, lost, and won the role of Bud Frump, reading a gay Company for Stephen Sondheim, auditioning for Harvey Fierstein, coming back from Covid with Chicken and Biscuits, smart advice from Tony Kushner and Jerry Zaks, being out in Hollywood, how he almost did Avenue Q, and so much more. You won’t want to miss this interview.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my interview with star of stage and screen Michael Urie. Tune in for a funny, fascinating conversation about his varied career, including the type of work he wanted to do coming out of college, being on stage when Patti LuPone took an audience member’s cellphone, the genius of Jane Alexander and Mercedes Ruehl, how he won, lost, and won the role of Bud Frump, reading a gay <em>Company</em> for Stephen Sondheim, auditioning for Harvey Fierstein, coming back from Covid with <em>Chicken and Biscuits, </em>smart advice from Tony Kushner and Jerry Zaks, being out in Hollywood, how he almost did <em>Avenue Q</em>, and so much more. You won’t want to miss this interview.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rhxc22/mommyuriie.mp3" length="144907924" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my interview with star of stage and screen Michael Urie. Tune in for a funny, fascinating conversation about his varied career, including the type of work he wanted to do coming out of college, being on stage when Patti LuPone took an audience member’s cellphone, the genius of Jane Alexander and Mercedes Ruehl, how he won, lost, and won the role of Bud Frump, reading a gay Company for Stephen Sondheim, auditioning for Harvey Fierstein, coming back from Covid with Chicken and Biscuits, smart advice from Tony Kushner and Jerry Zaks, being out in Hollywood, how he almost did Avenue Q, and so much more. You won’t want to miss this interview.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4473</itunes:duration>
                <itunes:episode>152</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Janine LaManna</title>
        <itunes:title>Janine LaManna</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/janine-lamanna/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/janine-lamanna/#comments</comments>        <pubDate>Sun, 25 Jun 2023 13:20:42 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d4f98a02-8fb6-3a2c-a701-c9aa2d67daf0</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so happy to annoounce my episode with Broadway star Janine LaManna. Janine’s solo show Black and Gold plays tomorrow night, June 26 at the Green Room 42, and tickets are available <a href='https://thegreenroom42.venuetix.com/show/details/yJQqSDeCD8ru9KwS79BB/1687820400000'>here.</a> Tune in today to hear some of the stories of her incredible career, including her appearances in Seussical, Sweet Charity, and Kiss Me, Kate. You won’t want to miss this in-depth conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so happy to annoounce my episode with Broadway star Janine LaManna. Janine’s solo show Black and Gold plays tomorrow night, June 26 at the Green Room 42, and tickets are available <a href='https://thegreenroom42.venuetix.com/show/details/yJQqSDeCD8ru9KwS79BB/1687820400000'>here.</a> Tune in today to hear some of the stories of her incredible career, including her appearances in <em>Seussical, Sweet Charity, </em>and <em>Kiss Me, Kate.</em> You won’t want to miss this in-depth conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wn4r5t/Janine_LaManna6z87c.mp3" length="138095582" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so happy to annoounce my episode with Broadway star Janine LaManna. Janine’s solo show Black and Gold plays tomorrow night, June 26 at the Green Room 42, and tickets are available here. Tune in today to hear some of the stories of her incredible career, including her appearances in Seussical, Sweet Charity, and Kiss Me, Kate. You won’t want to miss this in-depth conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4282</itunes:duration>
                <itunes:episode>151</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Carol Burnett</title>
        <itunes:title>Carol Burnett</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/carol-burnett/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/carol-burnett/#comments</comments>        <pubDate>Sat, 17 Jun 2023 18:26:29 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/aa191293-c440-331a-8efc-ea8bda37d2bd</guid>
                                    <description><![CDATA[<p class="p1">Today, I am beyond thrilled to announce the 150th episode of Backstage Babble with the iconic, legendary, Carol Burnett. Fresh off of her 90th birthday celebration, Ms. Burnett joins us to discuss her career, including; the advice she got from John Huston, why she dreamed of working with George Abbott, the celebrities who she Wordles with every day, the current progress of her campaign to rename a Broadway theater for Hal Prince, the unconventional audition process for Hollywood Arms, protesting outside of Once Upon A Mattress, why she can’t tell a joke to save her life, the Broadway roles she wishes she could’ve played, and so much more. Thank you for tuning in for 150 episodes, and I hope you enjoy this conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am beyond thrilled to announce the 150th episode of Backstage Babble with the iconic, legendary, Carol Burnett. Fresh off of her 90th birthday celebration, Ms. Burnett joins us to discuss her career, including; the advice she got from John Huston, why she dreamed of working with George Abbott, the celebrities who she Wordles with every day, the current progress of her campaign to rename a Broadway theater for Hal Prince, the unconventional audition process for <em>Hollywood Arms, </em>protesting outside of <em>Once Upon A Mattress,</em> why she can’t tell a joke to save her life, the Broadway roles she wishes she could’ve played, and so much more. Thank you for tuning in for 150 episodes, and I hope you enjoy this conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/745sn6/cabu.mp3" length="89397231" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am beyond thrilled to announce the 150th episode of Backstage Babble with the iconic, legendary, Carol Burnett. Fresh off of her 90th birthday celebration, Ms. Burnett joins us to discuss her career, including; the advice she got from John Huston, why she dreamed of working with George Abbott, the celebrities who she Wordles with every day, the current progress of her campaign to rename a Broadway theater for Hal Prince, the unconventional audition process for Hollywood Arms, protesting outside of Once Upon A Mattress, why she can’t tell a joke to save her life, the Broadway roles she wishes she could’ve played, and so much more. Thank you for tuning in for 150 episodes, and I hope you enjoy this conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2778</itunes:duration>
                <itunes:episode>150</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Robert Lopez</title>
        <itunes:title>Robert Lopez</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/robert-lopez/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/robert-lopez/#comments</comments>        <pubDate>Sat, 10 Jun 2023 23:06:54 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0c08334d-fbb4-3608-85f9-25f5d715a5e2</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with double-EGOT winning songwriter Robert Lopez. Tune in to hear some of the stories of his incredible career, including how he first met Stephen Sondheim, giving William Finn a backrub, staging a show in the Yale swimming pool, why he decided not to write the book for Avenue Q, the rushed process behind Frozen 2, the inspiration for his new show Up Here, how “Let it Go" came from his high school experience, his Disney project that was shelved, and so much more. You won’t want to miss this fascinating conversation with one of the funniest and most talented living songwriters.  </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with double-EGOT winning songwriter Robert Lopez. Tune in to hear some of the stories of his incredible career, including how he first met Stephen Sondheim, giving William Finn a backrub, staging a show in the Yale swimming pool, why he decided not to write the book for <em>Avenue Q</em>, the rushed process behind <em>Frozen 2, </em>the inspiration for his new show <em>Up Here, </em>how “Let it Go" came from his high school experience, his Disney project that was shelved, and so much more. You won’t want to miss this fascinating conversation with one of the funniest and most talented living songwriters.  </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kr73wr/bloop.mp3" length="190241126" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my episode with double-EGOT winning songwriter Robert Lopez. Tune in to hear some of the stories of his incredible career, including how he first met Stephen Sondheim, giving William Finn a backrub, staging a show in the Yale swimming pool, why he decided not to write the book for Avenue Q, the rushed process behind Frozen 2, the inspiration for his new show Up Here, how “Let it Go" came from his high school experience, his Disney project that was shelved, and so much more. You won’t want to miss this fascinating conversation with one of the funniest and most talented living songwriters.  ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5891</itunes:duration>
                <itunes:episode>149</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jesse Green</title>
        <itunes:title>Jesse Green</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jesse-green/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jesse-green/#comments</comments>        <pubDate>Sat, 20 May 2023 22:35:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1dd5d6c1-45f0-31a8-bb14-23bb7f808b62</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with one of the theater’s most influential minds, the New York Times’s chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on A Doll’s Life, why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won’t want to miss this fascinating conversation.</p>
<p class="p1"> </p>
<p class="p1">Note: This interview was recorded in February 2023.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with one of the theater’s most influential minds, the New York Times’s chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on <em>A Doll’s Life, </em>why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won’t want to miss this fascinating conversation.</p>
<p class="p1"> </p>
<p class="p1">Note: This interview was recorded in February 2023.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6hagpn/JesseG.mp3" length="185380196" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with one of the theater’s most influential minds, the New York Times’s chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on A Doll’s Life, why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won’t want to miss this fascinating conversation.
 
Note: This interview was recorded in February 2023.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5733</itunes:duration>
                <itunes:episode>148</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lorna Dallas</title>
        <itunes:title>Lorna Dallas</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lorna-dallas/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lorna-dallas/#comments</comments>        <pubDate>Sun, 14 May 2023 19:20:31 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d2f88570-b0a8-367f-bf00-afe4b8477389</guid>
                                    <description><![CDATA[<p class="p1">Today, I’m so thrilled to announce my episode with veteran theater and cabaret performer Lorna Dallas, whose new show Glamorous Nights and Rainy Days is playing on May 17 at the Laurie Beechman Theater. You can find seats here:</p>
<p class="p1"><a href='https://lauriebeechmantheatre.venuetix.com/show/details/Zx9uvBSsH2LGWgKFx2yy/1684018800000'>Glamorous Nights and Rainy Days</a></p>
<p class="p1">Meanwhile, tune in to hear some of the stories of her legendary career including the advice Molly Picon’s husband gave her about converting to Judaism, going from fan to friend with Caterina Valente, working with Danny La Rue on the first male-led Hello, Dolly!, auditioning Ambassador with Hal Hackady, the inspiration for her new show, getting a song written by Ann Hampton Callaway, her unique experience during the pandemic, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I’m so thrilled to announce my episode with veteran theater and cabaret performer Lorna Dallas, whose new show <em>Glamorous Nights and Rainy Days</em> is playing on May 17 at the Laurie Beechman Theater. You can find seats here:</p>
<p class="p1"><a href='https://lauriebeechmantheatre.venuetix.com/show/details/Zx9uvBSsH2LGWgKFx2yy/1684018800000'>Glamorous Nights and Rainy Days</a></p>
<p class="p1">Meanwhile, tune in to hear some of the stories of her legendary career including the advice Molly Picon’s husband gave her about converting to Judaism, going from fan to friend with Caterina Valente, working with Danny La Rue on the first male-led <em>Hello, Dolly!</em>, auditioning <em>Ambassador </em>with Hal Hackady, the inspiration for her new show, getting a song written by Ann Hampton Callaway, her unique experience during the pandemic, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gpexyk/Lorna_Dallas6higf.mp3" length="112090703" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I’m so thrilled to announce my episode with veteran theater and cabaret performer Lorna Dallas, whose new show Glamorous Nights and Rainy Days is playing on May 17 at the Laurie Beechman Theater. You can find seats here:
Glamorous Nights and Rainy Days
Meanwhile, tune in to hear some of the stories of her legendary career including the advice Molly Picon’s husband gave her about converting to Judaism, going from fan to friend with Caterina Valente, working with Danny La Rue on the first male-led Hello, Dolly!, auditioning Ambassador with Hal Hackady, the inspiration for her new show, getting a song written by Ann Hampton Callaway, her unique experience during the pandemic, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3459</itunes:duration>
                <itunes:episode>147</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Auburn</title>
        <itunes:title>David Auburn</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-auburn/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-auburn/#comments</comments>        <pubDate>Sun, 30 Apr 2023 19:50:11 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5b6f3868-1655-3636-9c6d-a31c40d4a7ec</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with the Pulitzer Prize-winning playwright David Auburn, whose play Summer, 1976 is currently running at the Samuel J. Friedman Theater on Broadway. Tune in to hear some of the stories of David’s career, including the method of putting replacement casts into Proof, the play idea he abandoned about Harry Houdini, the original intention for Summer, 1976, working with John Lithgow, his research process, what it was like editing Tick…Tick…BOOM! for the stage, adapting the play The New York Idea for the modern day, his new adaptation of The Wild Duck (which is about to be read at Classic Stage Company), and more. You won’t want to miss this conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with the Pulitzer Prize-winning playwright David Auburn, whose play <em>Summer, 1976</em> is currently running at the Samuel J. Friedman Theater on Broadway. Tune in to hear some of the stories of David’s career, including the method of putting replacement casts into <em>Proof, </em>the play idea he abandoned about Harry Houdini, the original intention for <em>Summer, 1976, </em>working with John Lithgow, his research process, what it was like editing <em>Tick…Tick…BOOM! </em>for the stage, adapting the play <em>The New York Idea </em>for the modern day, his new adaptation of <em>The Wild Duck </em>(which is about to be read at Classic Stage Company), and more. You won’t want to miss this conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/twehve/DAUBU.mp3" length="125150029" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my episode with the Pulitzer Prize-winning playwright David Auburn, whose play Summer, 1976 is currently running at the Samuel J. Friedman Theater on Broadway. Tune in to hear some of the stories of David’s career, including the method of putting replacement casts into Proof, the play idea he abandoned about Harry Houdini, the original intention for Summer, 1976, working with John Lithgow, his research process, what it was like editing Tick…Tick…BOOM! for the stage, adapting the play The New York Idea for the modern day, his new adaptation of The Wild Duck (which is about to be read at Classic Stage Company), and more. You won’t want to miss this conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3864</itunes:duration>
                <itunes:episode>146</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Paulo Szot</title>
        <itunes:title>Paulo Szot</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/paulo-szot/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/paulo-szot/#comments</comments>        <pubDate>Fri, 28 Apr 2023 22:01:40 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3eb11eec-3ab1-3ec5-9087-5956a9c4acb4</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with the great Paulo Szot, who is currently starring as Lance DuBois in Broadway’s smash hit & Juliet—a joyous show which I highly recommend! Tune in today to hear Paulo tell some of the stories of his fantastic career in the opera and Broadway worlds: growing up in Brazil in a family that encouraged the arts over all else, the musical movie that inspired him, working with Luciano Pavarotti, the challenge of singing in modern operas, the ways that he keeps up his voice during a long run, what he brought to his South Pacific audition, the experience of re-opening Broadway with Chicago, what Erika Jayne brought to the role of Roxie, bringing his classical training to theater and pop scores, and of course the saga of & Juliet! You won’t want to miss this candid conversation with one of Broadway’s best voices!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to announce my episode with the great Paulo Szot, who is currently starring as Lance DuBois in Broadway’s smash hit <em>& Juliet</em>—a joyous show which I highly recommend! Tune in today to hear Paulo tell some of the stories of his fantastic career in the opera and Broadway worlds: growing up in Brazil in a family that encouraged the arts over all else, the musical movie that inspired him, working with Luciano Pavarotti, the challenge of singing in modern operas, the ways that he keeps up his voice during a long run, what he brought to his <em>South Pacific </em>audition, the experience of re-opening Broadway with <em>Chicago, </em>what Erika Jayne brought to the role of Roxie, bringing his classical training to theater and pop scores, and of course the saga of <em>& Juliet! </em>You won’t want to miss this candid conversation with one of Broadway’s best voices!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tgt3vq/PSzo.mp3" length="89536023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to announce my episode with the great Paulo Szot, who is currently starring as Lance DuBois in Broadway’s smash hit & Juliet—a joyous show which I highly recommend! Tune in today to hear Paulo tell some of the stories of his fantastic career in the opera and Broadway worlds: growing up in Brazil in a family that encouraged the arts over all else, the musical movie that inspired him, working with Luciano Pavarotti, the challenge of singing in modern operas, the ways that he keeps up his voice during a long run, what he brought to his South Pacific audition, the experience of re-opening Broadway with Chicago, what Erika Jayne brought to the role of Roxie, bringing his classical training to theater and pop scores, and of course the saga of & Juliet! You won’t want to miss this candid conversation with one of Broadway’s best voices!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2761</itunes:duration>
                <itunes:episode>145</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sharr White</title>
        <itunes:title>Sharr White</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sharr-white/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sharr-white/#comments</comments>        <pubDate>Sat, 22 Apr 2023 17:08:22 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/969949e9-f805-3d35-adf3-cae8b344e2bd</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Sharr White, playwright of Pictures from Home which is currently playing at Studio 54 starring Nathan Lane and Danny Burstein. Tune in today to hear some of the stories of Sharr’s career, including the plays of his that have been based on New York Times article, basing Annapurna on a former teacher, the process of pitching Halston, why war used to be a theme that fascinated him, the play of his he’s hoping to bring into New York, working with Larry Sultan’s widow Kelly Sultan on Pictures from Home, Robert LuPone’s ability to destroy scripts, his many years writing advertising copy, and the projects he’s currently working on.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Sharr White, playwright of <em>Pictures from Home</em> which is currently playing at Studio 54 starring Nathan Lane and Danny Burstein. Tune in today to hear some of the stories of Sharr’s career, including the plays of his that have been based on New York Times article, basing <em>Annapurna </em>on a former teacher, the process of pitching <em>Halston, </em>why war used to be a theme that fascinated him, the play of his he’s hoping to bring into New York, working with Larry Sultan’s widow Kelly Sultan on <em>Pictures from Home, </em>Robert LuPone’s ability to destroy scripts, his many years writing advertising copy, and the projects he’s currently working on.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q34ss3/Sharr_White7yxp9.mp3" length="147045548" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with Sharr White, playwright of Pictures from Home which is currently playing at Studio 54 starring Nathan Lane and Danny Burstein. Tune in today to hear some of the stories of Sharr’s career, including the plays of his that have been based on New York Times article, basing Annapurna on a former teacher, the process of pitching Halston, why war used to be a theme that fascinated him, the play of his he’s hoping to bring into New York, working with Larry Sultan’s widow Kelly Sultan on Pictures from Home, Robert LuPone’s ability to destroy scripts, his many years writing advertising copy, and the projects he’s currently working on.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4534</itunes:duration>
                <itunes:episode>144</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Douglas Lyons</title>
        <itunes:title>Douglas Lyons</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/douglas-lyons/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/douglas-lyons/#comments</comments>        <pubDate>Tue, 11 Apr 2023 23:17:45 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/be5cc2db-6153-38be-bc46-e8a0df440d6b</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Douglas Lyons, who is currently starring in Parade at the Bernard Jacobs Theatre. Tune in to hear some of the other stories of his great career, including the experience of opening a Broadway play right after the Covid-19 pandemic, writing a musical about Five Points, the play of his that never got off the ground, the genius of Beautiful, why The Book of Mormon should be valued as a work of genius, writing for TV with Fraggle Rock, how an interview with Phylicia Rashad inspired his off-Broadway musical Polkadots, going on the road with Rent, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Douglas Lyons, who is currently starring in <em>Parade</em> at the Bernard Jacobs Theatre. Tune in to hear some of the other stories of his great career, including the experience of opening a Broadway play right after the Covid-19 pandemic, writing a musical about Five Points, the play of his that never got off the ground, the genius of <em>Beautiful, </em>why <em>The Book of Mormon</em> should be valued as a work of genius, writing for TV with <em>Fraggle Rock, </em>how an interview with Phylicia Rashad inspired his off-Broadway musical <em>Polkadots, </em>going on the road with <em>Rent</em>, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yhn46y/Douglas_Lyons69grd.mp3" length="100354929" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with Douglas Lyons, who is currently starring in Parade at the Bernard Jacobs Theatre. Tune in to hear some of the other stories of his great career, including the experience of opening a Broadway play right after the Covid-19 pandemic, writing a musical about Five Points, the play of his that never got off the ground, the genius of Beautiful, why The Book of Mormon should be valued as a work of genius, writing for TV with Fraggle Rock, how an interview with Phylicia Rashad inspired his off-Broadway musical Polkadots, going on the road with Rent, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3082</itunes:duration>
                <itunes:episode>143</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ben Crawford, Broadway’s Final Phantom</title>
        <itunes:title>Ben Crawford, Broadway’s Final Phantom</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/ben-crawford-broadway-s-final-phantom/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/ben-crawford-broadway-s-final-phantom/#comments</comments>        <pubDate>Fri, 07 Apr 2023 20:42:54 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/908b5122-bc17-3d64-b643-fb57187bc6e5</guid>
                                    <description><![CDATA[<p class="p1">On April 16, The Phantom of the Opera will take its final Broadway bow. And today, I am so honored to be joined by Ben Crawford, the last man to wear the iconic mask before the show closes. Tune in today to hear Ben talk about funniest audience reactions, onstage mishaps, the physical challenges of singing through a mask, the unique feedback he got from Hal Prince, and his long audition process for the role. There are also stories about the rest of Ben’s great career, including the genius of Scott Ellis, the musical he’d like to be in next (hint: it involves a Founding Father), a disastrous audition story, the absurd comedy of Irma La Douce, life on the road in Guys and Dolls, and so much more. You won’t want to miss this delightful conversation with one of Broadway’s best.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">On April 16, <em>The Phantom of the Opera</em> will take its final Broadway bow. And today, I am so honored to be joined by Ben Crawford, the last man to wear the iconic mask before the show closes. Tune in today to hear Ben talk about funniest audience reactions, onstage mishaps, the physical challenges of singing through a mask, the unique feedback he got from Hal Prince, and his long audition process for the role. There are also stories about the rest of Ben’s great career, including the genius of Scott Ellis, the musical he’d like to be in next (hint: it involves a Founding Father), a disastrous audition story, the absurd comedy of <em>Irma La Douce, </em>life on the road in<em> Guys and Dolls, </em>and so much more. You won’t want to miss this delightful conversation with one of Broadway’s best.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vy2hqp/benc.mp3" length="94485240" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On April 16, The Phantom of the Opera will take its final Broadway bow. And today, I am so honored to be joined by Ben Crawford, the last man to wear the iconic mask before the show closes. Tune in today to hear Ben talk about funniest audience reactions, onstage mishaps, the physical challenges of singing through a mask, the unique feedback he got from Hal Prince, and his long audition process for the role. There are also stories about the rest of Ben’s great career, including the genius of Scott Ellis, the musical he’d like to be in next (hint: it involves a Founding Father), a disastrous audition story, the absurd comedy of Irma La Douce, life on the road in Guys and Dolls, and so much more. You won’t want to miss this delightful conversation with one of Broadway’s best.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2933</itunes:duration>
                <itunes:episode>142</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>BD Wong</title>
        <itunes:title>BD Wong</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/bd-wong/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/bd-wong/#comments</comments>        <pubDate>Sat, 01 Apr 2023 22:49:45 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0ffc3746-577b-3596-a9c4-1ea2dae0bb45</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce the release of my episode with Tony-winner BD Wong. BD is currently the director of Yes, I Can Say That! at 59e59 Theaters, the hilarious new solo show starring Judy Gold about the intersection between comedy and cancel culture. You can find tickets to that here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.59e59.org/shows/show-detail/yes-i-can-say-that/'>https://www.59e59.org/shows/show-detail/yes-i-can-say-that/</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his legendary career, including why M. Butterfly was so successful, the abuse he suffered at the hands of John Dexter, coming in to Face Value for its New York run, being the first male Peter Pan, contrasting TV experiences with Awkwafina and Margaret Cho, the simplicity that You’re a Good Man, Charlie Brown, collaborating with Stephen Sondheim, his newfound interest in directing, and so much more. You won’t want to miss this inspiring, honest interview with one of the best actor/directors in the business.   </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce the release of my episode with Tony-winner BD Wong. BD is currently the director of <em>Yes, I Can Say That! </em>at 59e59 Theaters, the hilarious new solo show starring Judy Gold about the intersection between comedy and cancel culture. You can find tickets to that here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.59e59.org/shows/show-detail/yes-i-can-say-that/'>https://www.59e59.org/shows/show-detail/yes-i-can-say-that/</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his legendary career, including why <em>M. Butterfly</em> was so successful, the abuse he suffered at the hands of John Dexter, coming in to <em>Face Value</em> for its New York run, being the first male Peter Pan, contrasting TV experiences with Awkwafina and Margaret Cho, the simplicity that <em>You’re a Good Man, Charlie Brown, </em>collaborating with Stephen Sondheim, his newfound interest in directing, and so much more. You won’t want to miss this inspiring, honest interview with one of the best actor/directors in the business.   </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qbv7nc/BDW.mp3" length="141282663" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce the release of my episode with Tony-winner BD Wong. BD is currently the director of Yes, I Can Say That! at 59e59 Theaters, the hilarious new solo show starring Judy Gold about the intersection between comedy and cancel culture. You can find tickets to that here:
 
https://www.59e59.org/shows/show-detail/yes-i-can-say-that/
 
Tune in to hear some of the stories of his legendary career, including why M. Butterfly was so successful, the abuse he suffered at the hands of John Dexter, coming in to Face Value for its New York run, being the first male Peter Pan, contrasting TV experiences with Awkwafina and Margaret Cho, the simplicity that You’re a Good Man, Charlie Brown, collaborating with Stephen Sondheim, his newfound interest in directing, and so much more. You won’t want to miss this inspiring, honest interview with one of the best actor/directors in the business.   ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4396</itunes:duration>
                <itunes:episode>141</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Robert Horn</title>
        <itunes:title>Robert Horn</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/robert-horn/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/robert-horn/#comments</comments>        <pubDate>Sat, 18 Mar 2023 19:56:00 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3b844190-4442-335c-ba85-7a05ce90ab71</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Tony-winning librettist Robert Horn, currently the author of Broadway’s funniest hit Shucked and the Disney adaptation Hercules, now playing at the Paper Mill Playhouse. Tune in today for a deep dive into the history of Shucked, plus stories about a surprise phone call from Bette Midler, comiing in on the musical 13 out of town, the challenges of adapting Tootsie during the #MeToo movement, taking over the TV series Designing Women, three favorite pilots of his that didn’t get picked up, how he almost adapted Funny Girl, being mentored by Thomas Schumacher and Bob Boyett, his many new projects, and so much more. You won’t want to miss this masterclass from one of Broadway’s funniest people!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Tony-winning librettist Robert Horn, currently the author of Broadway’s funniest hit <em>Shucked </em>and the Disney adaptation <em>Hercules</em>, now playing at the Paper Mill Playhouse. Tune in today for a deep dive into the history of <em>Shucked, </em>plus stories about a surprise phone call from Bette Midler, comiing in on the musical <em>13</em> out of town, the challenges of adapting <em>Tootsie</em> during the #MeToo movement, taking over the TV series <em>Designing Women, </em>three favorite pilots of his that didn’t get picked up, how he almost adapted <em>Funny Girl, </em>being mentored by Thomas Schumacher and Bob Boyett, his many new projects, and so much more. You won’t want to miss this masterclass from one of Broadway’s funniest people!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yqez5s/RHorn1.mp3" length="143783950" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with Tony-winning librettist Robert Horn, currently the author of Broadway’s funniest hit Shucked and the Disney adaptation Hercules, now playing at the Paper Mill Playhouse. Tune in today for a deep dive into the history of Shucked, plus stories about a surprise phone call from Bette Midler, comiing in on the musical 13 out of town, the challenges of adapting Tootsie during the #MeToo movement, taking over the TV series Designing Women, three favorite pilots of his that didn’t get picked up, how he almost adapted Funny Girl, being mentored by Thomas Schumacher and Bob Boyett, his many new projects, and so much more. You won’t want to miss this masterclass from one of Broadway’s funniest people!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4445</itunes:duration>
                <itunes:episode>140</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Daryl Roth</title>
        <itunes:title>Daryl Roth</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/daryl-roth/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/daryl-roth/#comments</comments>        <pubDate>Sun, 05 Mar 2023 18:02:40 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/341a2f88-e4ed-3cbf-a542-31d8377ac3a8</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce my episode with one of Broadway’s most influential figures, 38-time Tony nominated producer Daryl Roth. Currently, Daryl is producing Life of Pi on Broadway, which begins performances on March 9. Tune in today to hear some of the stores of her long career, including the play she produced that ended up being performed in medical schools, why raising money is her least favorite part of producing, how she converted a bank into a theater, why she chose not to take Edward Albee’s The Goat out of town, the process of reuniting the original cast of How I Learned to Drive, why London is a good breeding ground for Broadway transfers, opening theater up post-pandemic with Blindness, the famous actress who insisted on being barefoot on stage, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce my episode with one of Broadway’s most influential figures, 38-time Tony nominated producer Daryl Roth. Currently, Daryl is producing <em>Life of Pi</em> on Broadway, which begins performances on March 9. Tune in today to hear some of the stores of her long career, including the play she produced that ended up being performed in medical schools, why raising money is her least favorite part of producing, how she converted a bank into a theater, why she chose not to take Edward Albee’s <em>The Goat </em>out of town, the process of reuniting the original cast of <em>How I Learned to Drive, </em>why London is a good breeding ground for Broadway transfers, opening theater up post-pandemic with <em>Blindness, </em>the famous actress who insisted on being barefoot on stage, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r2w3kb/droth.mp3" length="118566120" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce my episode with one of Broadway’s most influential figures, 38-time Tony nominated producer Daryl Roth. Currently, Daryl is producing Life of Pi on Broadway, which begins performances on March 9. Tune in today to hear some of the stores of her long career, including the play she produced that ended up being performed in medical schools, why raising money is her least favorite part of producing, how she converted a bank into a theater, why she chose not to take Edward Albee’s The Goat out of town, the process of reuniting the original cast of How I Learned to Drive, why London is a good breeding ground for Broadway transfers, opening theater up post-pandemic with Blindness, the famous actress who insisted on being barefoot on stage, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3651</itunes:duration>
                <itunes:episode>139</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Barry Edelstein</title>
        <itunes:title>Barry Edelstein</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/barry-edelstein/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/barry-edelstein/#comments</comments>        <pubDate>Mon, 20 Feb 2023 17:55:51 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/dbe8764e-06da-31ba-ab9b-f393b1402175</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  artistic director of San Diego’s Old Globe  Theater, Barry Edelstein. Barry is the director of Roundabout’s hit production of The Wanderers,  a funny, dramatic, and extremely timely play that’s a must-see for New York audiences. You can find tickets here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.roundabouttheatre.org/get-tickets/2022-2023-season/the-wanderers/'>The Wanderers</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his prestigious career, including what he learned from Joseph Papp, how he met Steve Martin, putting on a Philip Glass piece at Classic Stage Company, recommending Shylock to Al Pacino, why we’re in a golden age of American playwriting, the play that Oskar Eustis recommended to him, his experience with moving to the West Coast, upholding the literary standards of the Old Globe, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  artistic director of San Diego’s Old Globe  Theater, Barry Edelstein. Barry is the director of Roundabout’s hit production of <em>The Wanderers, </em> a funny, dramatic, and extremely timely play that’s a must-see for New York audiences. You can find tickets here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.roundabouttheatre.org/get-tickets/2022-2023-season/the-wanderers/'>The Wanderers</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his prestigious career, including what he learned from Joseph Papp, how he met Steve Martin, putting on a Philip Glass piece at Classic Stage Company, recommending Shylock to Al Pacino, why we’re in a golden age of American playwriting, the play that Oskar Eustis recommended to him, his experience with moving to the West Coast, upholding the literary standards of the Old Globe, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ttdx69/barryedel.mp3" length="115008031" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with  artistic director of San Diego’s Old Globe  Theater, Barry Edelstein. Barry is the director of Roundabout’s hit production of The Wanderers,  a funny, dramatic, and extremely timely play that’s a must-see for New York audiences. You can find tickets here:
 
The Wanderers
 
Tune in to hear some of the stories of his prestigious career, including what he learned from Joseph Papp, how he met Steve Martin, putting on a Philip Glass piece at Classic Stage Company, recommending Shylock to Al Pacino, why we’re in a golden age of American playwriting, the play that Oskar Eustis recommended to him, his experience with moving to the West Coast, upholding the literary standards of the Old Globe, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3549</itunes:duration>
                <itunes:episode>138</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jane Alexander</title>
        <itunes:title>Jane Alexander</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jane-alexander/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jane-alexander/#comments</comments>        <pubDate>Sun, 05 Feb 2023 20:07:57 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b8e18c15-845b-361c-9e3a-400f879801e2</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with 8-time Tony nominee Jane Alexander. Tune in to hear some of the stories of Jane’s legendary career, including the bad audience reactions she received in THE GREAT WHITE HOPE, how Henry Fonda would break the fourth wall, trying to get Elizabeth Taylor to a set on time, how she launched Tommy Lee Jones’ career, the changes made to THE SISTERS ROSENSWEIG, the part she felt she wasn’t right for, why she never performed at the Williamstown Theater Festival, why she decided to come back to Broadway with GRAND HORIZONS, and so much more. You won’t want to miss this in-depth conversation with one of the greatest performers to grace the American stage.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with 8-time Tony nominee Jane Alexander. Tune in to hear some of the stories of Jane’s legendary career, including the bad audience reactions she received in THE GREAT WHITE HOPE, how Henry Fonda would break the fourth wall, trying to get Elizabeth Taylor to a set on time, how she launched Tommy Lee Jones’ career, the changes made to THE SISTERS ROSENSWEIG, the part she felt she wasn’t right for, why she never performed at the Williamstown Theater Festival, why she decided to come back to Broadway with GRAND HORIZONS, and so much more. You won’t want to miss this in-depth conversation with one of the greatest performers to grace the American stage.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6smsb6/Jane_Alexanderbmhvz.mp3" length="124295253" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with 8-time Tony nominee Jane Alexander. Tune in to hear some of the stories of Jane’s legendary career, including the bad audience reactions she received in THE GREAT WHITE HOPE, how Henry Fonda would break the fourth wall, trying to get Elizabeth Taylor to a set on time, how she launched Tommy Lee Jones’ career, the changes made to THE SISTERS ROSENSWEIG, the part she felt she wasn’t right for, why she never performed at the Williamstown Theater Festival, why she decided to come back to Broadway with GRAND HORIZONS, and so much more. You won’t want to miss this in-depth conversation with one of the greatest performers to grace the American stage.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3830</itunes:duration>
                <itunes:episode>137</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Gary William Friedman</title>
        <itunes:title>Gary William Friedman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/gary-william-friedman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/gary-william-friedman/#comments</comments>        <pubDate>Fri, 27 Jan 2023 12:39:43 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c94e278e-15c8-329e-88f7-389cb86c7638</guid>
                                    <description><![CDATA[<p class="p1">I am so thrilled to announce the release of my interview  with composer Gary William Friedman.  On January 30, Gary will be presenting a concert version of an update of his show Platinum, entitled Platinum Dreams at 54 Below. You can find tickets for that event (a can’t-miss for theater fans) here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://54below.com/events/new-musical-platinum-dreams-by-gary-william-friedman-and-stevie-holland/'>Platinum Dreams</a></p>
<p class="p2"> </p>
<p class="p1">And in the mean time, tune in today to hear some of the fantastic stories of his life and career, including the legendary singer who insisted on auditioning for his musical Taking My Turn, the fairytale origins of The Me Nobody Knows, the differences between Tommy Tune and Joe Layton, watching Jan Peerce fall from the orchestra pit, working with his wife Stevie Holland on Love, Linda, and many more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so thrilled to announce the release of my interview  with composer Gary William Friedman.  On January 30, Gary will be presenting a concert version of an update of his show <em>Platinum, </em>entitled <em>Platinum Dreams</em> at 54 Below. You can find tickets for that event (a can’t-miss for theater fans) here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://54below.com/events/new-musical-platinum-dreams-by-gary-william-friedman-and-stevie-holland/'>Platinum Dreams</a></p>
<p class="p2"> </p>
<p class="p1">And in the mean time, tune in today to hear some of the fantastic stories of his life and career, including the legendary singer who insisted on auditioning for his musical <em>Taking My Turn, </em>the fairytale origins of <em>The Me Nobody Knows, </em>the differences between Tommy Tune and Joe Layton, watching Jan Peerce fall from the orchestra pit, working with his wife Stevie Holland on <em>Love, Linda, </em>and many more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7fu889/gwf.mp3" length="120747462" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so thrilled to announce the release of my interview  with composer Gary William Friedman.  On January 30, Gary will be presenting a concert version of an update of his show Platinum, entitled Platinum Dreams at 54 Below. You can find tickets for that event (a can’t-miss for theater fans) here:
 
Platinum Dreams
 
And in the mean time, tune in today to hear some of the fantastic stories of his life and career, including the legendary singer who insisted on auditioning for his musical Taking My Turn, the fairytale origins of The Me Nobody Knows, the differences between Tommy Tune and Joe Layton, watching Jan Peerce fall from the orchestra pit, working with his wife Stevie Holland on Love, Linda, and many more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3722</itunes:duration>
                <itunes:episode>136</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Steven Skybell</title>
        <itunes:title>Steven Skybell</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/steven-skybell/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/steven-skybell/#comments</comments>        <pubDate>Mon, 16 Jan 2023 14:47:24 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/58075d79-4dfe-3e62-b084-1639a1ee22ec</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular Fiddler Afn Dakh at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher’s unique approach to the character of Lazar Wolf, working with Joseph Papp on Cafe Crown, how his role in the film The Cradle Will Rock got expanded, why Joel Grey’s acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular <em>Fiddler Afn Dakh </em>at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher’s unique approach to the character of Lazar Wolf, working with Joseph Papp on <em>Cafe Crown, </em>how his role in the film <em>The Cradle Will Rock</em> got expanded, why Joel Grey’s acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r6pgud/Steven_Skybell8kjts.mp3" length="138343412" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular Fiddler Afn Dakh at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher’s unique approach to the character of Lazar Wolf, working with Joseph Papp on Cafe Crown, how his role in the film The Cradle Will Rock got expanded, why Joel Grey’s acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4207</itunes:duration>
                <itunes:episode>135</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Melissa Errico</title>
        <itunes:title>Melissa Errico</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/melissa-errico/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/melissa-errico/#comments</comments>        <pubDate>Sat, 07 Jan 2023 21:09:13 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/caa255ff-7ee8-3994-ae1b-e1bb42a82327</guid>
                                    <description><![CDATA[<p class="p1">I can’t think of a better way to ring in 2023 than by presenting my interview with the luminous Melissa Errico. Tune in today to hear some of the stories of her legendary career, including the controversial ending that her production of My Fair Lady almost had, a funny mishap during Anna Karenina, the advantages of dressing the part for an audition, how being a mother added to her interpretation of Sharon McLonergan, how seeing On Your Toes affected her as a young person, the show she’d like to revisit, learning poshness to star in High Society, and why she loves the part of Kate in Kiss Me, Kate. This interview is a true masterclass in stardom and the actor’s process.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I can’t think of a better way to ring in 2023 than by presenting my interview with the luminous Melissa Errico. Tune in today to hear some of the stories of her legendary career, including the controversial ending that her production of <em>My Fair Lady</em> almost had, a funny mishap during <em>Anna Karenina, </em>the advantages of dressing the part for an audition, how being a mother added to her interpretation of Sharon McLonergan, how seeing <em>On Your Toes</em> affected her as a young person, the show she’d like to revisit, learning poshness to star in <em>High Society, </em>and why she loves the part of Kate in <em>Kiss Me, Kate. </em>This interview is a true masterclass in stardom and the actor’s process.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wqz98s/Melissa_Errico6btkz.mp3" length="97593455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I can’t think of a better way to ring in 2023 than by presenting my interview with the luminous Melissa Errico. Tune in today to hear some of the stories of her legendary career, including the controversial ending that her production of My Fair Lady almost had, a funny mishap during Anna Karenina, the advantages of dressing the part for an audition, how being a mother added to her interpretation of Sharon McLonergan, how seeing On Your Toes affected her as a young person, the show she’d like to revisit, learning poshness to star in High Society, and why she loves the part of Kate in Kiss Me, Kate. This interview is a true masterclass in stardom and the actor’s process.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3005</itunes:duration>
                <itunes:episode>134</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Faith Prince</title>
        <itunes:title>Faith Prince</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/faith-prince/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/faith-prince/#comments</comments>        <pubDate>Sat, 24 Dec 2022 21:30:38 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/120bd259-81d2-3d07-853a-459a7cfcfddd</guid>
                                    <description><![CDATA[<p class="p1">Happy Holidays everyone! I can’t think of a better way to celebrate than listening to an in-depth interview with Broadway legend and 4-time Tony nominee Faith Prince. Tune in to hear her tell many of the fascinating stories of her career, including the failed Terrence McNally play that she worked on with Nathan Lane, the major Broadway revival she turned down, why a rehearsal with Arthur Laurents caused her to call her therapist, a short-lived feud with Jerome Robbins, how Terrence McNally got her into doing straight plays, why Bells Are Ringing couldn’t run as long as it should’ve, why she worked personally with Christopher Renshaw on The King and I, what she learned while touring with Billy Elliot, and more. You won’t want to miss this fascinating conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Happy Holidays everyone! I can’t think of a better way to celebrate than listening to an in-depth interview with Broadway legend and 4-time Tony nominee Faith Prince. Tune in to hear her tell many of the fascinating stories of her career, including the failed Terrence McNally play that she worked on with Nathan Lane, the major Broadway revival she turned down, why a rehearsal with Arthur Laurents caused her to call her therapist, a short-lived feud with Jerome Robbins, how Terrence McNally got her into doing straight plays, why <em>Bells Are Ringing </em>couldn’t run as long as it should’ve, why she worked personally with Christopher Renshaw on <em>The King and I, </em>what she learned while touring with <em>Billy Elliot, </em>and more. You won’t want to miss this fascinating conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ebqs7g/FaithP.mp3" length="173157616" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Happy Holidays everyone! I can’t think of a better way to celebrate than listening to an in-depth interview with Broadway legend and 4-time Tony nominee Faith Prince. Tune in to hear her tell many of the fascinating stories of her career, including the failed Terrence McNally play that she worked on with Nathan Lane, the major Broadway revival she turned down, why a rehearsal with Arthur Laurents caused her to call her therapist, a short-lived feud with Jerome Robbins, how Terrence McNally got her into doing straight plays, why Bells Are Ringing couldn’t run as long as it should’ve, why she worked personally with Christopher Renshaw on The King and I, what she learned while touring with Billy Elliot, and more. You won’t want to miss this fascinating conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5380</itunes:duration>
                <itunes:episode>133</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Thom Sesma</title>
        <itunes:title>Thom Sesma</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/thom-sesma/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/thom-sesma/#comments</comments>        <pubDate>Sun, 18 Dec 2022 10:30:40 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/af7e0e9b-0063-3d3d-8ed3-3c3a98924d4d</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce my episode with theater veteran Thom Sesma. Thom Sesma is currently appearing in A Man of No Importance at Classic Stage Company. You can find tickets to see him in that wonderful production here:</p>
<p class="p1"><a href='https://www.classicstage.org/current-season/a-man-of-no-importance'>https://www.classicstage.org/current-season/a-man-of-no-importance</a></p>
<p class="p1">In the meantime, tune in today to hear some of the stories of his legendary career, including the show that "dares to have an idea as it’s main character,” how he figured out the secret to virtual theater, how he won the respect of Arthur Laurents, why he loves working with John Doyle, how Sondheim treated his works, the family that Twyla Tharp creates, the show he has a unique concept for, the offensiveness of Chu Chem, the direct line between him and Alfred Drake, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce my episode with theater veteran Thom Sesma. Thom Sesma is currently appearing in <em>A Man of No Importance</em> at Classic Stage Company. You can find tickets to see him in that wonderful production here:</p>
<p class="p1"><a href='https://www.classicstage.org/current-season/a-man-of-no-importance'>https://www.classicstage.org/current-season/a-man-of-no-importance</a></p>
<p class="p1">In the meantime, tune in today to hear some of the stories of his legendary career, including the show that "dares to have an idea as it’s main character,” how he figured out the secret to virtual theater, how he won the respect of Arthur Laurents, why he loves working with John Doyle, how Sondheim treated his works, the family that Twyla Tharp creates, the show he has a unique concept for, the offensiveness of <em>Chu Chem, </em>the direct line between him and Alfred Drake, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rnk4dj/thsesma.mp3" length="157715320" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce my episode with theater veteran Thom Sesma. Thom Sesma is currently appearing in A Man of No Importance at Classic Stage Company. You can find tickets to see him in that wonderful production here:
https://www.classicstage.org/current-season/a-man-of-no-importance
In the meantime, tune in today to hear some of the stories of his legendary career, including the show that "dares to have an idea as it’s main character,” how he figured out the secret to virtual theater, how he won the respect of Arthur Laurents, why he loves working with John Doyle, how Sondheim treated his works, the family that Twyla Tharp creates, the show he has a unique concept for, the offensiveness of Chu Chem, the direct line between him and Alfred Drake, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4953</itunes:duration>
                <itunes:episode>132</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Gabriel Barre</title>
        <itunes:title>Gabriel Barre</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/gabriel-barre/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/gabriel-barre/#comments</comments>        <pubDate>Sat, 10 Dec 2022 22:16:13 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/273f98ba-d71e-3d0b-88bf-7f4d4e3fbf86</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Tony-nominated director and actor Gabriel Barre. Gabriel Barre is the director of the December 12 performance YOUR OWN THING, which will benefit The Red Bull Theatre and feature an all-star cast including Santino Fontana and Lesli Margherita. You can find tickets to that here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.redbulltheater.com/your-own-thing'>https://www.redbulltheater.com/your-own-thing</a></p>
<p class="p2"> </p>
<p class="p1">And meanwhile, tune in today to hear some of the stories of his legendary career, including the three-page letter he received from Hal Prince, why RAGS couldn’t succeed on Broadway, the art of performing as a mime, the inside story of THE WILD PARTY, the old-fashioned politeness of Eartha Kitt, why young writers are more reticent to cut material, the power of ALMOST, MAINE, the process of writing his new musical HERE YOU COME AGAIN, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Tony-nominated director and actor Gabriel Barre. Gabriel Barre is the director of the December 12 performance YOUR OWN THING, which will benefit The Red Bull Theatre and feature an all-star cast including Santino Fontana and Lesli Margherita. You can find tickets to that here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.redbulltheater.com/your-own-thing'>https://www.redbulltheater.com/your-own-thing</a></p>
<p class="p2"> </p>
<p class="p1">And meanwhile, tune in today to hear some of the stories of his legendary career, including the three-page letter he received from Hal Prince, why RAGS couldn’t succeed on Broadway, the art of performing as a mime, the inside story of THE WILD PARTY, the old-fashioned politeness of Eartha Kitt, why young writers are more reticent to cut material, the power of ALMOST, MAINE, the process of writing his new musical HERE YOU COME AGAIN, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qrvpsv/GabeBarre.mp3" length="156035339" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with Tony-nominated director and actor Gabriel Barre. Gabriel Barre is the director of the December 12 performance YOUR OWN THING, which will benefit The Red Bull Theatre and feature an all-star cast including Santino Fontana and Lesli Margherita. You can find tickets to that here:
 
https://www.redbulltheater.com/your-own-thing
 
And meanwhile, tune in today to hear some of the stories of his legendary career, including the three-page letter he received from Hal Prince, why RAGS couldn’t succeed on Broadway, the art of performing as a mime, the inside story of THE WILD PARTY, the old-fashioned politeness of Eartha Kitt, why young writers are more reticent to cut material, the power of ALMOST, MAINE, the process of writing his new musical HERE YOU COME AGAIN, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4816</itunes:duration>
                <itunes:episode>131</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Robert Viagas on Good Morning, Olive</title>
        <itunes:title>Robert Viagas on Good Morning, Olive</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/robert-viagas-on-good-morning-olive/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/robert-viagas-on-good-morning-olive/#comments</comments>        <pubDate>Sat, 26 Nov 2022 22:30:55 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4a7c9b72-4146-3ea4-b320-7b8184ad01d9</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Robert Viagas, author of Good Morning, Olive: Haunted Theatres of Broadway and Beyond, available here:</p>
<p class="p1"><a href='https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1'>https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1</a></p>
<p class="p1">You can go back and hear my full interview with Robert from June 2021, but today, he joins me for a late Halloween celebration to talk about theater’s many ghosts! You won’t want to miss this fun-filled and spooky conversation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Robert Viagas, author of <em>Good Morning, Olive: Haunted Theatres of Broadway and Beyond, </em>available here:</p>
<p class="p1"><a href='https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1'>https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1</a></p>
<p class="p1">You can go back and hear my full interview with Robert from June 2021, but today, he joins me for a late Halloween celebration to talk about theater’s many ghosts! You won’t want to miss this fun-filled and spooky conversation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wtnyad/Oliviagas.mp3" length="106456116" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with Robert Viagas, author of Good Morning, Olive: Haunted Theatres of Broadway and Beyond, available here:
https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1
You can go back and hear my full interview with Robert from June 2021, but today, he joins me for a late Halloween celebration to talk about theater’s many ghosts! You won’t want to miss this fun-filled and spooky conversation.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3272</itunes:duration>
                <itunes:episode>130</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Marc Shaiman</title>
        <itunes:title>Marc Shaiman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/marc-shaiman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/marc-shaiman/#comments</comments>        <pubDate>Mon, 21 Nov 2022 19:05:55 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0058441b-159a-32fd-9f70-0fa8ead605b2</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Tony-winning composer and lyricist Marc Shaiman, writer of the current Broadway smash hit Some Like it Hot. Tune in today to hear some of the stories of his long career, including the joy of working with Peter Allen, the disappointment of bringing Leader of the Pack to Broadway, the musical that started out as an adaptation of Stage Door, the bipolarity of working on Smash, what makes Bette Midler genius, starting out as an underage piano bar player, some of the small but important changes that Harvey Fierstein made to Hairspray, the inspiration behind Some Like it Hot, an unusual request from Rob Marshall, writing additional lyrics for The Music Man, the advice he would give to young writers, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Tony-winning composer and lyricist Marc Shaiman, writer of the current Broadway smash hit <em>Some Like it Hot. </em>Tune in today to hear some of the stories of his long career, including the joy of working with Peter Allen, the disappointment of bringing <em>Leader of the Pack </em>to Broadway, the musical that started out as an adaptation of <em>Stage Door, </em>the bipolarity of working on <em>Smash</em>, what makes Bette Midler genius, starting out as an underage piano bar player, some of the small but important changes that Harvey Fierstein made to <em>Hairspray, </em>the inspiration behind <em>Some Like it Hot, </em>an unusual request from Rob Marshall, writing additional lyrics for <em>The Music Man, </em>the advice he would give to young writers, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wv4n25/marcshaiman.mp3" length="151198526" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with Tony-winning composer and lyricist Marc Shaiman, writer of the current Broadway smash hit Some Like it Hot. Tune in today to hear some of the stories of his long career, including the joy of working with Peter Allen, the disappointment of bringing Leader of the Pack to Broadway, the musical that started out as an adaptation of Stage Door, the bipolarity of working on Smash, what makes Bette Midler genius, starting out as an underage piano bar player, some of the small but important changes that Harvey Fierstein made to Hairspray, the inspiration behind Some Like it Hot, an unusual request from Rob Marshall, writing additional lyrics for The Music Man, the advice he would give to young writers, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4656</itunes:duration>
                <itunes:episode>129</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Alfred Uhry</title>
        <itunes:title>Alfred Uhry</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/alfred-uhry/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/alfred-uhry/#comments</comments>        <pubDate>Sat, 12 Nov 2022 16:41:29 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4a1e024d-725e-3b03-8597-3bcabea88de5</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Pulitzer Prize Winner Alfred Uhry. Alfred Uhry recently enjoyed great success with a revival of his musical Parade at Encores!, and he joins me today for a conversation about his legendary career, including what it was like being mentored by Frank Loesser, how he met Terrence McNally through John Steinbeck, when John Houseman introduced him to Patti LuPone, how figures from his childhood reacted to characters based on themselves, the art to writing a screenplay, why he admires A Strange Loop and Hamilton, the process of casting Driving Miss Daisy, why Alex Timbers is a brilliant director, the play that was about his parents, why Parade is relevant today, the dance piece that required a lot of research, and so much more.</p>
<p class="p1">A Note: This interview was recorded in April 2022, so all viewpoints reflect that time.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Pulitzer Prize Winner Alfred Uhry. Alfred Uhry recently enjoyed great success with a revival of his musical <em>Parade </em>at Encores!, and he joins me today for a conversation about his legendary career, including what it was like being mentored by Frank Loesser, how he met Terrence McNally through John Steinbeck, when John Houseman introduced him to Patti LuPone, how figures from his childhood reacted to characters based on themselves, the art to writing a screenplay, why he admires <em>A Strange Loop </em>and <em>Hamilton</em>, the process of casting <em>Driving Miss Daisy</em>, why Alex Timbers is a brilliant director, the play that was about his parents, why<em> Parade </em>is relevant today, the dance piece that required a lot of research, and so much more.</p>
<p class="p1">A Note: This interview was recorded in April 2022, so all viewpoints reflect that time.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pqpdf3/Alfie_Urie71ym7.mp3" length="90051068" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with Pulitzer Prize Winner Alfred Uhry. Alfred Uhry recently enjoyed great success with a revival of his musical Parade at Encores!, and he joins me today for a conversation about his legendary career, including what it was like being mentored by Frank Loesser, how he met Terrence McNally through John Steinbeck, when John Houseman introduced him to Patti LuPone, how figures from his childhood reacted to characters based on themselves, the art to writing a screenplay, why he admires A Strange Loop and Hamilton, the process of casting Driving Miss Daisy, why Alex Timbers is a brilliant director, the play that was about his parents, why Parade is relevant today, the dance piece that required a lot of research, and so much more.
A Note: This interview was recorded in April 2022, so all viewpoints reflect that time.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2797</itunes:duration>
                <itunes:episode>128</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hal Linden</title>
        <itunes:title>Hal Linden</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/hal-linden/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/hal-linden/#comments</comments>        <pubDate>Sun, 30 Oct 2022 09:54:08 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c4c66849-a410-3e18-a687-c3cfe609b284</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my interview with a Broadway legend I’ve been wanting to talk to since I started this podcast—Tony winner Hal Linden. Having recently completed a successful run in Two Jews Talking, Hal joins us today to tell many of the stories of his long career, including: the role that George Abbott let him pick, how he became a non-traditional Sid Sorokin in a non-traditional revival of The Pajama Game, the Alan Jay Lerner musical he turned down, why he’s never played Tevye, the promise Lucille Ball made to him, a lesson from Judy Holliday about upstaging, why The Rothschilds is a problematic show, the dialogue he wrote for The Education of H*Y*M*A*N K*A*P*L*A*N, why Louis Jourdan was not right for On a Clear Day, plus stories about Michael Kidd, Sheldon Harnick, Sam Mendes, Ossie Davis, and more.</p>
<p class="p1">You won't want to miss this inside view into a bygone era of Broadway.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my interview with a Broadway legend I’ve been wanting to talk to since I started this podcast—Tony winner Hal Linden. Having recently completed a successful run in <em>Two Jews Talking</em>, Hal joins us today to tell many of the stories of his long career, including: the role that George Abbott let him pick, how he became a non-traditional Sid Sorokin in a non-traditional revival of <em>The Pajama Game</em>, the Alan Jay Lerner musical he turned down, why he’s never played Tevye, the promise Lucille Ball made to him, a lesson from Judy Holliday about upstaging, why <em>The Rothschilds </em>is a problematic show, the dialogue he wrote for <em>The Education of H*Y*M*A*N K*A*P*L*A*N, </em>why Louis Jourdan was not right for <em>On a Clear Day, </em>plus stories about Michael Kidd, Sheldon Harnick, Sam Mendes, Ossie Davis, and more.</p>
<p class="p1">You won't want to miss this inside view into a bygone era of Broadway.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zdww3e/Hal_Revised_abp6b.mp3" length="177267575" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my interview with a Broadway legend I’ve been wanting to talk to since I started this podcast—Tony winner Hal Linden. Having recently completed a successful run in Two Jews Talking, Hal joins us today to tell many of the stories of his long career, including: the role that George Abbott let him pick, how he became a non-traditional Sid Sorokin in a non-traditional revival of The Pajama Game, the Alan Jay Lerner musical he turned down, why he’s never played Tevye, the promise Lucille Ball made to him, a lesson from Judy Holliday about upstaging, why The Rothschilds is a problematic show, the dialogue he wrote for The Education of H*Y*M*A*N K*A*P*L*A*N, why Louis Jourdan was not right for On a Clear Day, plus stories about Michael Kidd, Sheldon Harnick, Sam Mendes, Ossie Davis, and more.
You won't want to miss this inside view into a bygone era of Broadway.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5490</itunes:duration>
                <itunes:episode>127</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tovah Feldshuh</title>
        <itunes:title>Tovah Feldshuh</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/tovah-feldshuh/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/tovah-feldshuh/#comments</comments>        <pubDate>Fri, 07 Oct 2022 22:00:47 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/44bd055d-51bd-37f0-9719-f4640bc92fde</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce my interview with  four-time Tony winner Tovah Feldshuh, who is currently starring opposite Lea Michele as Rosie Brice in Funny Girl on Broadway. Tune in to hear some of the stories of her legendary career, including what her research process was like for her current role, the classic sitcom that she turned down, the time she was compared to Elizabeth Taylor, why Lea Michele is perfect for “the most extraordinary female role in musical theater history,” the advice she got from Sam Levene, the irony of Rodgers & Hart, the great actress who officiated her wedding, the song that Comden and Green wrote for her, the George Bernard Shaw play she’d like to star in, and what the process was like of penning her successful memoir Lilyville. Plus, she shares her Tallulah Bankhead impression!</p>
<p class="p1">You won’t want to miss this fascinating and fun conversation with one of Broadway’s brightest lights.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce my interview with  four-time Tony winner Tovah Feldshuh, who is currently starring opposite Lea Michele as Rosie Brice in <em>Funny Girl </em>on Broadway. Tune in to hear some of the stories of her legendary career, including what her research process was like for her current role, the classic sitcom that she turned down, the time she was compared to Elizabeth Taylor, why Lea Michele is perfect for “the most extraordinary female role in musical theater history,” the advice she got from Sam Levene, the irony of Rodgers & Hart, the great actress who officiated her wedding, the song that Comden and Green wrote for her, the George Bernard Shaw play she’d like to star in, and what the process was like of penning her successful memoir <em>Lilyville</em>. Plus, she shares her Tallulah Bankhead impression!</p>
<p class="p1">You won’t want to miss this fascinating and fun conversation with one of Broadway’s brightest lights.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/driwfj/Tovah_6p5hu.mp3" length="62772229" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce my interview with  four-time Tony winner Tovah Feldshuh, who is currently starring opposite Lea Michele as Rosie Brice in Funny Girl on Broadway. Tune in to hear some of the stories of her legendary career, including what her research process was like for her current role, the classic sitcom that she turned down, the time she was compared to Elizabeth Taylor, why Lea Michele is perfect for “the most extraordinary female role in musical theater history,” the advice she got from Sam Levene, the irony of Rodgers & Hart, the great actress who officiated her wedding, the song that Comden and Green wrote for her, the George Bernard Shaw play she’d like to star in, and what the process was like of penning her successful memoir Lilyville. Plus, she shares her Tallulah Bankhead impression!
You won’t want to miss this fascinating and fun conversation with one of Broadway’s brightest lights.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1928</itunes:duration>
                <itunes:episode>126</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joyce Bulifant</title>
        <itunes:title>Joyce Bulifant</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/joyce-bulifant/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/joyce-bulifant/#comments</comments>        <pubDate>Fri, 30 Sep 2022 19:00:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1abece3a-0199-3f67-8c15-d4efd06b9a2c</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my interview with star of stage and screen Joyce Bulifant. On Saturday, October 8th, Joyce Bulifant will be performing her solo show, Remembering Helen Hayes with Love, in Rockland County. She will also be doing a conversation with Richard Skipper. You can find tickets to the event here:</p>
<p class="p1"><a href='https://www.nyackartsfestival.com/helen-hayes-memorial'>https://www.nyackartsfestival.com/helen-hayes-memorial</a></p>
<p class="p1">And you can tune in today to hear some of the stories of her legendary career, including the upstaging techniques of Gypsy Rose Lee, how she got let go from The Brady Bunch, the hit movie that no one on the set was sure was funny, the directing style of Herman Shumlin, balancing dyslexia with a career in the arts, the magic of The Mary Tyler Moore Show, the dance she taught Fred Astaire, how she got her part in The Happiest Millionaire, the process of writing her memoir, why Lillian Gish was like a “fairy godmother” to her, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my interview with star of stage and screen Joyce Bulifant. On Saturday, October 8th, Joyce Bulifant will be performing her solo show, <em>Remembering Helen Hayes with Love,</em> in Rockland County. She will also be doing a conversation with Richard Skipper. You can find tickets to the event here:</p>
<p class="p1"><a href='https://www.nyackartsfestival.com/helen-hayes-memorial'>https://www.nyackartsfestival.com/helen-hayes-memorial</a></p>
<p class="p1">And you can tune in today to hear some of the stories of her legendary career, including the upstaging techniques of Gypsy Rose Lee, how she got let go from <em>The Brady Bunch, </em>the hit movie that no one on the set was sure was funny, the directing style of Herman Shumlin, balancing dyslexia with a career in the arts, the magic of <em>The Mary Tyler Moore Show, </em>the dance she taught Fred Astaire, how she got her part in <em>The Happiest Millionaire, </em>the process of writing her memoir, why Lillian Gish was like a “fairy godmother” to her, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sxc7d8/JoyceBulif.mp3" length="104715835" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my interview with star of stage and screen Joyce Bulifant. On Saturday, October 8th, Joyce Bulifant will be performing her solo show, Remembering Helen Hayes with Love, in Rockland County. She will also be doing a conversation with Richard Skipper. You can find tickets to the event here:
https://www.nyackartsfestival.com/helen-hayes-memorial
And you can tune in today to hear some of the stories of her legendary career, including the upstaging techniques of Gypsy Rose Lee, how she got let go from The Brady Bunch, the hit movie that no one on the set was sure was funny, the directing style of Herman Shumlin, balancing dyslexia with a career in the arts, the magic of The Mary Tyler Moore Show, the dance she taught Fred Astaire, how she got her part in The Happiest Millionaire, the process of writing her memoir, why Lillian Gish was like a “fairy godmother” to her, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3232</itunes:duration>
                <itunes:episode>125</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Simon Jones</title>
        <itunes:title>Simon Jones</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/simon-jones/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/simon-jones/#comments</comments>        <pubDate>Mon, 26 Sep 2022 14:01:02 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/32607346-660e-39bc-b1b1-64a449641798</guid>
                                    <description><![CDATA[<p class="p3">NOTE: This interview was recorded in April 2022, so all mentions of time reflect that period.</p>
<p class="p1">Today, I am so happy to annnounce my interview with veteran actor Simon Jones, star of The   Real Thing, Trouble in Mind, Waiting in the Wings, The Gilded Age, and so many more shows. Tune in today to hear some of the stories of his long career, including: a murderous slip-of-the-tongue by Angela Lansbury, the role that Lauren Bacall refused to play correctly, an ungracious invite from Joan Collins, his family connection to Daniel Craig, the rivalry between Rex Harrison and Claudette Colbert, how he knocked his teeth out during My Fair Lady, an alcoholic backstage ritual during Farinelli and the King, the young actor that Lawrence Olivier wanted to punch, the oddness of rehearsing with Nicol Williamson, a cryptic answer from Tom Stoppard, running the theater company TACT, the many reunions involved in The Gilded Age, his strange experience with Covid, and so much more. You won’t want to miss this episode with a delightfully funny gentleman of the theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p3">NOTE: This interview was recorded in April 2022, so all mentions of time reflect that period.</p>
<p class="p1">Today, I am so happy to annnounce my interview with veteran actor Simon Jones, star of <em>The   Real Thing, Trouble in Mind, Waiting in the Wings, The Gilded Age, </em>and so many more shows. Tune in today to hear some of the stories of his long career, including: a murderous slip-of-the-tongue by Angela Lansbury, the role that Lauren Bacall refused to play correctly, an ungracious invite from Joan Collins, his family connection to Daniel Craig, the rivalry between Rex Harrison and Claudette Colbert, how he knocked his teeth out during <em>My Fair Lady, </em>an alcoholic backstage ritual during <em>Farinelli and the King</em>, the young actor that Lawrence Olivier wanted to punch, the oddness of rehearsing with Nicol Williamson, a cryptic answer from Tom Stoppard, running the theater company TACT, the many reunions involved in <em>The Gilded Age, </em>his strange experience with Covid, and so much more. You won’t want to miss this episode with a delightfully funny gentleman of the theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qezint/SimJon.mp3" length="159596158" type="audio/mpeg"/>
        <itunes:summary><![CDATA[NOTE: This interview was recorded in April 2022, so all mentions of time reflect that period.
Today, I am so happy to annnounce my interview with veteran actor Simon Jones, star of The   Real Thing, Trouble in Mind, Waiting in the Wings, The Gilded Age, and so many more shows. Tune in today to hear some of the stories of his long career, including: a murderous slip-of-the-tongue by Angela Lansbury, the role that Lauren Bacall refused to play correctly, an ungracious invite from Joan Collins, his family connection to Daniel Craig, the rivalry between Rex Harrison and Claudette Colbert, how he knocked his teeth out during My Fair Lady, an alcoholic backstage ritual during Farinelli and the King, the young actor that Lawrence Olivier wanted to punch, the oddness of rehearsing with Nicol Williamson, a cryptic answer from Tom Stoppard, running the theater company TACT, the many reunions involved in The Gilded Age, his strange experience with Covid, and so much more. You won’t want to miss this episode with a delightfully funny gentleman of the theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4945</itunes:duration>
                <itunes:episode>124</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Constance Towers</title>
        <itunes:title>Constance Towers</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/constance-towers/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/constance-towers/#comments</comments>        <pubDate>Thu, 01 Sep 2022 21:36:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1e3081dd-83ac-389a-bf5c-d44a68f66db0</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce the release of my  interview with star of stage and screen,  Mrs. Anna herself, Constance Towers. Tune in today to hear some of the stories of her legendary career including: the sage advice that John Wayne gave, the scene that George Abbott wouldn’t direct, why Yul Brynner insisted on brown dressing rooms, dealing with “The King” onstage and off, the song that was the hardest to memorize, the role that she turned down, the film director that would shoot off a gun to get attention, how she began her charitable organization Project Connie, why she didn’t think she was right for her role in Showboat, her relationship with Richard Rodgers, the role that she performed the most times, working with Lillian Gish, the genius of John Ford, and so much more.</p>
<p class="p1">54 Below: https://54below.com/events/charles-kirschs-backstage-babble-live/</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce the release of my  interview with star of stage and screen,  Mrs. Anna herself, Constance Towers. Tune in today to hear some of the stories of her legendary career including: the sage advice that John Wayne gave, the scene that George Abbott wouldn’t direct, why Yul Brynner insisted on brown dressing rooms, dealing with “The King” onstage and off, the song that was the hardest to memorize, the role that she turned down, the film director that would shoot off a gun to get attention, how she began her charitable organization Project Connie, why she didn’t think she was right for her role in <em>Showboat, </em>her relationship with Richard Rodgers, the role that she performed the most times, working with Lillian Gish, the genius of John Ford, and so much more.</p>
<p class="p1">54 Below: https://54below.com/events/charles-kirschs-backstage-babble-live/</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zvtuq4/ConnieTowie.mp3" length="208376371" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce the release of my  interview with star of stage and screen,  Mrs. Anna herself, Constance Towers. Tune in today to hear some of the stories of her legendary career including: the sage advice that John Wayne gave, the scene that George Abbott wouldn’t direct, why Yul Brynner insisted on brown dressing rooms, dealing with “The King” onstage and off, the song that was the hardest to memorize, the role that she turned down, the film director that would shoot off a gun to get attention, how she began her charitable organization Project Connie, why she didn’t think she was right for her role in Showboat, her relationship with Richard Rodgers, the role that she performed the most times, working with Lillian Gish, the genius of John Ford, and so much more.
54 Below: https://54below.com/events/charles-kirschs-backstage-babble-live/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6445</itunes:duration>
                <itunes:episode>123</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Jackson</title>
        <itunes:title>David Jackson</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/david-jackson/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/david-jackson/#comments</comments>        <pubDate>Sat, 20 Aug 2022 18:03:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/13e0a7a2-bbb2-316e-9ae9-49ee9e9f3369</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to announce my episode with veteran performer David Jackson. David Jackson will be headlining at 54 Below on August 23rd. Tickets to see his wonderful show are available here:</p>
<p class="p1"><a href='https://54below.com/events/david-jackson/'>https://54below.com/events/david-jackson/</a></p>
<p class="p1">Meanwhile, you can tune in today to hear some of the stories of David’s career, including: bearing witness to the start of the Easter Bonnet Competition, getting to perform onstage with Cyd Charisse, the two people who were supposed to headline La Cage on Broadway when it closed, the different ways that Grand Hotel can be interpreted, why Tommy Tune is a great collaborator, the reason he stopped dancing on Broadway, why his Broadway career made him a good salesman, the process of creating his upcoming show, and so much more!</p>
<p class="p1">You won’t want to miss this conversation with a true man of the theater—and you won’t want to miss his show.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to announce my episode with veteran performer David Jackson. David Jackson will be headlining at 54 Below on August 23rd. Tickets to see his wonderful show are available here:</p>
<p class="p1"><a href='https://54below.com/events/david-jackson/'>https://54below.com/events/david-jackson/</a></p>
<p class="p1">Meanwhile, you can tune in today to hear some of the stories of David’s career, including: bearing witness to the start of the Easter Bonnet Competition, getting to perform onstage with Cyd Charisse, the two people who were supposed to headline <em>La Cage</em> on Broadway when it closed, the different ways that <em>Grand Hotel </em>can be interpreted, why Tommy Tune is a great collaborator, the reason he stopped dancing on Broadway, why his Broadway career made him a good salesman, the process of creating his upcoming show, and so much more!</p>
<p class="p1">You won’t want to miss this conversation with a true man of the theater—and you won’t want to miss his show.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tamhww/CompletedDavidJ.mp3" length="81971159" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to announce my episode with veteran performer David Jackson. David Jackson will be headlining at 54 Below on August 23rd. Tickets to see his wonderful show are available here:
https://54below.com/events/david-jackson/
Meanwhile, you can tune in today to hear some of the stories of David’s career, including: bearing witness to the start of the Easter Bonnet Competition, getting to perform onstage with Cyd Charisse, the two people who were supposed to headline La Cage on Broadway when it closed, the different ways that Grand Hotel can be interpreted, why Tommy Tune is a great collaborator, the reason he stopped dancing on Broadway, why his Broadway career made him a good salesman, the process of creating his upcoming show, and so much more!
You won’t want to miss this conversation with a true man of the theater—and you won’t want to miss his show.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2540</itunes:duration>
                <itunes:episode>122</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Will Roland</title>
        <itunes:title>Will Roland</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/will-roland/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/will-roland/#comments</comments>        <pubDate>Sun, 14 Aug 2022 10:25:12 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1019f157-7c87-36bb-8746-38087ae80709</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my new episode with  Broadway star Will Roland, who is  currently appearing in the hilarious The Panic of ’29 at 59E59 Theaters. You can purchase tickets for that show here:</p>
<p class="p1"><a href='https://www.59e59.org/shows/show-detail/the-panic-of-29/'>The Panic of '29</a></p>
<p class="p1">Tune in today to hear some of the stories of Will’s career, including the changes in the tone of Dear Evan Hansen, the reason why Jeremy Heere is a universally relatable character, why all of social media is a “performance,” why adult audiences were pre-disposed against Be More Chill, the non-Cinderella story of The Black Suits, making a difference in the world through theater with The Bus, the type of comic role that he would like to play next, and more.</p>
<p class="p1">You won’t want to miss this honest but humorous conversation about how social media and theatrical success intersect in the modern day, featuring someone who has been part of two fascinating examples.</p>
<p class="p1"><a href='https://54below.com/events/charles-kirschs-backstage-babble-live/'>54 Below</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my new episode with  Broadway star Will Roland, who is  currently appearing in the hilarious <em>The Panic of ’29</em> at 59E59 Theaters. You can purchase tickets for that show here:</p>
<p class="p1"><a href='https://www.59e59.org/shows/show-detail/the-panic-of-29/'>The Panic of '29</a></p>
<p class="p1">Tune in today to hear some of the stories of Will’s career, including the changes in the tone of <em>Dear Evan Hansen, </em>the reason why Jeremy Heere is a universally relatable character, why all of social media is a “performance,” why adult audiences were pre-disposed against <em>Be More Chill</em>, the non-Cinderella story of <em>The Black Suits</em>, making a difference in the world through theater with <em>The Bus, </em>the type of comic role that he would like to play next, and more.</p>
<p class="p1">You won’t want to miss this honest but humorous conversation about how social media and theatrical success intersect in the modern day, featuring someone who has been part of two fascinating examples.</p>
<p class="p1"><a href='https://54below.com/events/charles-kirschs-backstage-babble-live/'>54 Below</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2f2mei/WIllRolegend.mp3" length="103473547" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my new episode with  Broadway star Will Roland, who is  currently appearing in the hilarious The Panic of ’29 at 59E59 Theaters. You can purchase tickets for that show here:
The Panic of '29
Tune in today to hear some of the stories of Will’s career, including the changes in the tone of Dear Evan Hansen, the reason why Jeremy Heere is a universally relatable character, why all of social media is a “performance,” why adult audiences were pre-disposed against Be More Chill, the non-Cinderella story of The Black Suits, making a difference in the world through theater with The Bus, the type of comic role that he would like to play next, and more.
You won’t want to miss this honest but humorous conversation about how social media and theatrical success intersect in the modern day, featuring someone who has been part of two fascinating examples.
54 Below]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3216</itunes:duration>
                <itunes:episode>121</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sandy Duncan</title>
        <itunes:title>Sandy Duncan</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sandy-duncan/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sandy-duncan/#comments</comments>        <pubDate>Tue, 02 Aug 2022 20:57:41 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6f5ec488-cfef-3b03-95c6-e55347aa8f99</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with legendary Broadway performer Sandy Duncan, the star of Peter Pan, The Boy Friend, Chicago, and so many more shows on stage and on screen. Tune in today for an in-depth interview featuring many of the stories of her legendary career, including the eerie dream she had before the Tony Awards, why she dubs Finding Neverland “Never Never Never Never Land,” the challenges of taking on the role of Peter Pan, the unusual audition song she used early on, her accident during the run of Chicago, a difficult demand from Agnes DeMille, the condition on which she agreed to take over Valerie, what it’s like partnering with Gene Kelly, and the type of role that would make her come back to Broadway.</p>
<p class="p1">You won’t want to miss this conversation with one of the most talented triple threats in the industry.</p>
<p class="p1">Trivia Link: https://www.youtube.com/watch?v=8O-Xnecg2ro</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with legendary Broadway performer Sandy Duncan, the star of <em>Peter Pan, The Boy Friend, Chicago, </em>and so many more shows on stage and on screen. Tune in today for an in-depth interview featuring many of the stories of her legendary career, including the eerie dream she had before the Tony Awards, why she dubs <em>Finding Neverland</em> “Never Never Never Never Land,” the challenges of taking on the role of Peter Pan, the unusual audition song she used early on, her accident during the run of <em>Chicago</em>, a difficult demand from Agnes DeMille, the condition on which she agreed to take over <em>Valerie,</em> what it’s like partnering with Gene Kelly, and the type of role that would make her come back to Broadway.</p>
<p class="p1">You won’t want to miss this conversation with one of the most talented triple threats in the industry.</p>
<p class="p1">Trivia Link: https://www.youtube.com/watch?v=8O-Xnecg2ro</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jddftz/Sandy_Duncan_Legend8glqm.mp3" length="163439123" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with legendary Broadway performer Sandy Duncan, the star of Peter Pan, The Boy Friend, Chicago, and so many more shows on stage and on screen. Tune in today for an in-depth interview featuring many of the stories of her legendary career, including the eerie dream she had before the Tony Awards, why she dubs Finding Neverland “Never Never Never Never Land,” the challenges of taking on the role of Peter Pan, the unusual audition song she used early on, her accident during the run of Chicago, a difficult demand from Agnes DeMille, the condition on which she agreed to take over Valerie, what it’s like partnering with Gene Kelly, and the type of role that would make her come back to Broadway.
You won’t want to miss this conversation with one of the most talented triple threats in the industry.
Trivia Link: https://www.youtube.com/watch?v=8O-Xnecg2ro]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5057</itunes:duration>
                <itunes:episode>120</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jonathan Hadary</title>
        <itunes:title>Jonathan Hadary</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jonathan-hadary/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jonathan-hadary/#comments</comments>        <pubDate>Thu, 21 Jul 2022 18:01:30 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/00d38fd0-4f83-3fa2-a5ac-8edb791762b3</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with veteran actor Jonathan Hadary, who starred on Broadway in Gypsy, Guys and Dolls, Torch Song Trilogy, and so many more shows. Jonathan can currently be seen in the wonderful play Epiphany at Lincoln Center, running through July 24. Tickets for that can be found here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.lct.org/shows/epiphany/'>Epiphany</a></p>
<p class="p2"> </p>
<p class="p1">Tune in today to hear him tell some of the stories of his legendary career, including the varying reactions he got to the original Assassins, why his first trip to New York made him think he could be on Broadway, the long audition process for Torch Song Trilogy, a way that Gypsy could be re-imagined, why Epiphany took on more significance during the pandemic, and so many more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with veteran actor Jonathan Hadary, who starred on Broadway in <em>Gypsy, Guys and Dolls, Torch Song Trilogy, </em>and so many more shows. Jonathan can currently be seen in the wonderful play <em>Epiphany </em>at Lincoln Center, running through July 24. Tickets for that can be found here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.lct.org/shows/epiphany/'>Epiphany</a></p>
<p class="p2"> </p>
<p class="p1">Tune in today to hear him tell some of the stories of his legendary career, including the varying reactions he got to the original <em>Assassins, </em>why his first trip to New York made him think he could be on Broadway, the long audition process for <em>Torch Song Trilogy, </em>a way that <em>Gypsy </em>could be re-imagined, why <em>Epiphany</em> took on more significance during the pandemic, and so many more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i9uut5/JHadary.mp3" length="87569606" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with veteran actor Jonathan Hadary, who starred on Broadway in Gypsy, Guys and Dolls, Torch Song Trilogy, and so many more shows. Jonathan can currently be seen in the wonderful play Epiphany at Lincoln Center, running through July 24. Tickets for that can be found here:
 
Epiphany
 
Tune in today to hear him tell some of the stories of his legendary career, including the varying reactions he got to the original Assassins, why his first trip to New York made him think he could be on Broadway, the long audition process for Torch Song Trilogy, a way that Gypsy could be re-imagined, why Epiphany took on more significance during the pandemic, and so many more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2721</itunes:duration>
                <itunes:episode>119</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Teri Ralston</title>
        <itunes:title>Teri Ralston</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/teri-ralston/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/teri-ralston/#comments</comments>        <pubDate>Sun, 17 Jul 2022 21:11:51 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/142a7d38-11e4-3f57-a51f-df5636ae5061</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Company’s original Jenny, Teri Ralston, whose many other credits include A Little Night Music, The Baker’s Wife, and more. Tune in today to hear some of the stories of her legendary career, including the original problem with the pot scene in Company, why Michael Bennett was an unusual choreographer, the three shows she saw and knew she had to be in, the meaning of the Greek chorus in A Little Night Music, the perfect way to sing the ending of “Send in the Clowns,” how Peggy Lee decorated her apartment, the saga of The Baker’s Wife that ended in a physical fight, the director that made her cry, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with <em>Company</em>’s original Jenny, Teri Ralston, whose many other credits include <em>A Little Night Music, The Baker’s Wife, </em>and more. Tune in today to hear some of the stories of her legendary career, including the original problem with the pot scene in <em>Company</em>, why Michael Bennett was an unusual choreographer, the three shows she saw and knew she had to be in, the meaning of the Greek chorus in <em>A Little Night Music</em>, the perfect way to sing the ending of “Send in the Clowns,” how Peggy Lee decorated her apartment, the saga of <em>The Baker’s Wife</em> that ended in a physical fight, the director that made her cry, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/arm3n9/TeriRals.mp3" length="166514225" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with Company’s original Jenny, Teri Ralston, whose many other credits include A Little Night Music, The Baker’s Wife, and more. Tune in today to hear some of the stories of her legendary career, including the original problem with the pot scene in Company, why Michael Bennett was an unusual choreographer, the three shows she saw and knew she had to be in, the meaning of the Greek chorus in A Little Night Music, the perfect way to sing the ending of “Send in the Clowns,” how Peggy Lee decorated her apartment, the saga of The Baker’s Wife that ended in a physical fight, the director that made her cry, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5159</itunes:duration>
                <itunes:episode>118</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Barbara Barrie</title>
        <itunes:title>Barbara Barrie</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/barbara-barrie/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/barbara-barrie/#comments</comments>        <pubDate>Fri, 15 Jul 2022 22:21:45 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/40116927-f2d9-33aa-90fc-c561802655cb</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with my  second guest this week to have starred in the original cast of Company: its original Sarah, Barbara Barrie, whose other credits include The Prisoner of Second Avenue, Torch Song Trilogy, and Signficant Other. Tune in to hear some of the fascinating stories of her long career, including the battle she had with Hal Prince and Equity over Original Cast Album: Company, the part she turned down but later got to replace as, the Neil Simon show in which she felt her part was undeveloped, the challenges of balancing motherhood and acting, the difference between Art Carney and Hector Elizondo as co-stars, how she landed her Broadway debut, the differences between starring on stage and screen, the “total disaster” that was The Selling of the President, how she almost got held in a mental asylum while researching a part, acting with Tony Randall on The Odd Couple: Together Again, working with Barbara Baxley on A Little Night Music, what would make her come back to Broadway now, and so much more.</p>
<p class="p1">You won’t want to miss this fascinating look into the Golden Age of Broadway with one of its most skilled actresses.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with my  second guest this week to have starred in the original cast of <em>Company</em>: its original Sarah, Barbara Barrie, whose other credits include <em>The Prisoner of Second Avenue, Torch Song Trilogy, </em>and <em>Signficant Other</em>. Tune in to hear some of the fascinating stories of her long career, including the battle she had with Hal Prince and Equity over <em>Original Cast Album: Company</em>, the part she turned down but later got to replace as, the Neil Simon show in which she felt her part was undeveloped, the challenges of balancing motherhood and acting, the difference between Art Carney and Hector Elizondo as co-stars, how she landed her Broadway debut, the differences between starring on stage and screen, the “total disaster” that was <em>The Selling of the President, </em>how she almost got held in a mental asylum while researching a part, acting with Tony Randall on <em>The Odd Couple: Together Again, </em>working with Barbara Baxley on <em>A Little Night Music</em>, what would make her come back to Broadway now, and so much more.</p>
<p class="p1">You won’t want to miss this fascinating look into the Golden Age of Broadway with one of its most skilled actresses.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/232wa6/Barbara_Barrieeee9lzdx.mp3" length="134652045" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with my  second guest this week to have starred in the original cast of Company: its original Sarah, Barbara Barrie, whose other credits include The Prisoner of Second Avenue, Torch Song Trilogy, and Signficant Other. Tune in to hear some of the fascinating stories of her long career, including the battle she had with Hal Prince and Equity over Original Cast Album: Company, the part she turned down but later got to replace as, the Neil Simon show in which she felt her part was undeveloped, the challenges of balancing motherhood and acting, the difference between Art Carney and Hector Elizondo as co-stars, how she landed her Broadway debut, the differences between starring on stage and screen, the “total disaster” that was The Selling of the President, how she almost got held in a mental asylum while researching a part, acting with Tony Randall on The Odd Couple: Together Again, working with Barbara Baxley on A Little Night Music, what would make her come back to Broadway now, and so much more.
You won’t want to miss this fascinating look into the Golden Age of Broadway with one of its most skilled actresses.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4141</itunes:duration>
                <itunes:episode>117</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Donna McKechnie</title>
        <itunes:title>Donna McKechnie</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/donna-mckechnie/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/donna-mckechnie/#comments</comments>        <pubDate>Tue, 12 Jul 2022 20:23:04 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7abae6a4-ea5e-3dd9-92c4-0b77b9ccb1c0</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Broadway legend Donna McKechnie, star of A Chorus Line, On the Town, State Fair, Promises, Promises, and Company. Tune in today to hear her share some of the insights of her legendary career, including the difference between Bob Fosse and Michael Bennett, the replacement of the choreographer in How To Succeed, touring with Ethel Merman, the story of her iconic “Tick Tock” dance, the many versions of Cassie that were proposed along the way, the monologue she had that was cut from A Chorus Line, tricks for surviving New York in the 70s, choreographing Sondheim: A Musical Tribute, dancing on TV in Hullabaloo, and so much more.</p>
<p class="p2"> </p>
<p class="p1">You won’t want to miss this fascinating conversation with a star whose dancing epitomizes the Golden Age of Broadway.   </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Broadway legend Donna McKechnie, star of <em>A Chorus Line, On the Town, State Fair, Promises, Promises, </em>and <em>Company</em>. Tune in today to hear her share some of the insights of her legendary career, including the difference between Bob Fosse and Michael Bennett, the replacement of the choreographer in <em>How To Succeed</em>, touring with Ethel Merman, the story of her iconic “Tick Tock” dance, the many versions of Cassie that were proposed along the way, the monologue she had that was cut from <em>A Chorus </em>Line, tricks for surviving New York in the 70s, choreographing <em>Sondheim: A Musical Tribute, </em>dancing on TV in <em>Hullabaloo, </em>and so much more.</p>
<p class="p2"> </p>
<p class="p1">You won’t want to miss this fascinating conversation with a star whose dancing epitomizes the Golden Age of Broadway.   </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7wcnec/Donna_McKechMcadm2d.mp3" length="149716798" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with Broadway legend Donna McKechnie, star of A Chorus Line, On the Town, State Fair, Promises, Promises, and Company. Tune in today to hear her share some of the insights of her legendary career, including the difference between Bob Fosse and Michael Bennett, the replacement of the choreographer in How To Succeed, touring with Ethel Merman, the story of her iconic “Tick Tock” dance, the many versions of Cassie that were proposed along the way, the monologue she had that was cut from A Chorus Line, tricks for surviving New York in the 70s, choreographing Sondheim: A Musical Tribute, dancing on TV in Hullabaloo, and so much more.
 
You won’t want to miss this fascinating conversation with a star whose dancing epitomizes the Golden Age of Broadway.   ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4621</itunes:duration>
                <itunes:episode>116</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lesli Margherita</title>
        <itunes:title>Lesli Margherita</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/lesli-margherita/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/lesli-margherita/#comments</comments>        <pubDate>Sun, 10 Jul 2022 09:16:18 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/db438446-9036-322a-abe5-a79cc69f214a</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with a Broadway star who I’ve been a fan of as long as I’ve loved theater, the one and only Queen Lesli—Lesli Margherita. Lesli is currently appearing at BroadwayCon through July 10, Broadway’s fan convention featuring unmissable panels and performances. You can find tickets to it here: <a href='https://www.broadwaycon.com/'>https://www.broadwaycon.com/</a></p>
<p class="p1">Tune in today to hear her tell some of the stories of her legendary career, including why Matthew Warchus is a great director, the challenges of developing a cabaret called All Hail the Queen, being a positive influence on social media, why Dames At Sea couldn’t attain the success it deserved, the upcoming revival of Dames At Sea, moving to NYC in 2013, auditioning for Kenny Ortega, her go-to audition songs, the Patti LuPone role she would love to play, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with a Broadway star who I’ve been a fan of as long as I’ve loved theater, the one and only Queen Lesli—Lesli Margherita. Lesli is currently appearing at BroadwayCon through July 10, Broadway’s fan convention featuring unmissable panels and performances. You can find tickets to it here: <a href='https://www.broadwaycon.com/'>https://www.broadwaycon.com/</a></p>
<p class="p1">Tune in today to hear her tell some of the stories of her legendary career, including why Matthew Warchus is a great director, the challenges of developing a cabaret called <em>All Hail the Queen</em>, being a positive influence on social media, why <em>Dames At Sea</em> couldn’t attain the success it deserved, the upcoming revival of <em>Dames At Sea,</em> moving to NYC in 2013, auditioning for Kenny Ortega, her go-to audition songs, the Patti LuPone role she would love to play, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ya84th/Lesli_Marghs6f7h8.mp3" length="63280601" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with a Broadway star who I’ve been a fan of as long as I’ve loved theater, the one and only Queen Lesli—Lesli Margherita. Lesli is currently appearing at BroadwayCon through July 10, Broadway’s fan convention featuring unmissable panels and performances. You can find tickets to it here: https://www.broadwaycon.com/
Tune in today to hear her tell some of the stories of her legendary career, including why Matthew Warchus is a great director, the challenges of developing a cabaret called All Hail the Queen, being a positive influence on social media, why Dames At Sea couldn’t attain the success it deserved, the upcoming revival of Dames At Sea, moving to NYC in 2013, auditioning for Kenny Ortega, her go-to audition songs, the Patti LuPone role she would love to play, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1958</itunes:duration>
                <itunes:episode>115</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ken Waissman</title>
        <itunes:title>Ken Waissman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/ken-waissman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/ken-waissman/#comments</comments>        <pubDate>Sat, 02 Jul 2022 15:27:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1902bd69-034b-31f1-98be-290657f7c115</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of Grease,  featuring its producer, Ken Waissman. In addition to Grease, Ken Waissman’s other producing credits include Agnes of God, Torch Song Trilogy, and more. But before you listen, make sure to purchase Ken’s new book Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, which can be found here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Grease-Tell-Me-More-Phenomenon/dp/1641607580/ref=sr_1_1?crid=1TKLWIBND7Q9I&keywords=grease+tell+me+more+tell+me+more+book&qid=1656249446&sprefix=grease+tell+me%2Caps%2C72&sr=8-1'>Purchase Tell Me More, Tell Me More</a></p>
<p class="p2"> </p>
<p class="p1">But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch Grease at the beginning, the process of persuading Harvey Fierstein to bring Torch Song to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why Over Here couldn’t go on the road, why he decided to leave the business, and so much more!</p>
<p class="p1"> </p>
<p class="p1">You won’t want to miss this episode with a true man of the theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of <em>Grease</em>,  featuring its producer, Ken Waissman. In addition to <em>Grease, </em>Ken Waissman’s other producing credits include <em>Agnes of God, Torch Song Trilogy, </em>and more. But before you listen, make sure to purchase Ken’s new book <em>Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, </em>which can be found here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Grease-Tell-Me-More-Phenomenon/dp/1641607580/ref=sr_1_1?crid=1TKLWIBND7Q9I&keywords=grease+tell+me+more+tell+me+more+book&qid=1656249446&sprefix=grease+tell+me%2Caps%2C72&sr=8-1'>Purchase Tell Me More, Tell Me More</a></p>
<p class="p2"> </p>
<p class="p1">But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch <em>Grease</em> at the beginning, the process of persuading Harvey Fierstein to bring <em>Torch Song</em> to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why <em>Over Here</em> couldn’t go on the road, why he decided to leave the business, and so much more!</p>
<p class="p1"> </p>
<p class="p1">You won’t want to miss this episode with a true man of the theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cnf4rg/Ken_Waissman_Reala6hlu.mp3" length="251726208" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of Grease,  featuring its producer, Ken Waissman. In addition to Grease, Ken Waissman’s other producing credits include Agnes of God, Torch Song Trilogy, and more. But before you listen, make sure to purchase Ken’s new book Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, which can be found here:
 
Purchase Tell Me More, Tell Me More
 
But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch Grease at the beginning, the process of persuading Harvey Fierstein to bring Torch Song to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why Over Here couldn’t go on the road, why he decided to leave the business, and so much more!
 
You won’t want to miss this episode with a true man of the theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7775</itunes:duration>
                <itunes:episode>114</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tom Moore</title>
        <itunes:title>Tom Moore</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/tom-moore/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/tom-moore/#comments</comments>        <pubDate>Sun, 26 Jun 2022 09:23:50 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2d88bf8c-49cc-3e9c-a31c-daf5b9bfb4b3</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce the first part of my celebration of the 50th Anniversary of Grease with it’s original director Tom Moore. In addition to Grease, Tom Moore’s Broadway credits include ‘Night, Mother, Over Here, and Frankenstein. If you want to hear even more about the creation of Grease, make sure to purchase the recently released book Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started it All, coauthored by Tom Moore, Ken Waissman, and Adrienne Barbeau. You can find it here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Grease-Tell-Me-More-Phenomenon/dp/1641607580/ref=sr_1_1?crid=1TKLWIBND7Q9I&keywords=grease+tell+me+more+tell+me+more+book&qid=1656249446&sprefix=grease+tell+me%2Caps%2C72&sr=8-1'>Purchase the Book</a></p>
<p class="p2"> </p>
<p class="p1">But first, tune in today to hear some of the stories of Tom’s amazing life and career, including: why Frankenstein never got its chance, the stars he thought were dead before he worked with them, his initial hesitance to accept Grease, the art to meeting with Jim Jacobs and Warren Casey, why he wanted to revive Once in a Lifetime, the show he feels was the best work he ever did, the idea he never used for the film of ‘Night, Mother, the two shows he thinks weren’t right for Broadway, the perfect pairing of stars for Moon Over Buffalo, and so much more.</p>
<p class="p2"> </p>
<p class="p1">You won’t want to miss this masterclass in directing peppered with fantastic anecdotes.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce the first part of my celebration of the 50th Anniversary of <em>Grease</em> with it’s original director Tom Moore. In addition to <em>Grease, </em>Tom Moore’s Broadway credits include ‘<em>Night, Mother, Over Here, </em>and <em>Frankenstein.</em> If you want to hear even more about the creation of <em>Grease</em>, make sure to purchase the recently released book <em>Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started it All, </em>coauthored by Tom Moore, Ken Waissman, and Adrienne Barbeau. You can find it here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Grease-Tell-Me-More-Phenomenon/dp/1641607580/ref=sr_1_1?crid=1TKLWIBND7Q9I&keywords=grease+tell+me+more+tell+me+more+book&qid=1656249446&sprefix=grease+tell+me%2Caps%2C72&sr=8-1'>Purchase the Book</a></p>
<p class="p2"> </p>
<p class="p1">But first, tune in today to hear some of the stories of Tom’s amazing life and career, including: why <em>Frankenstein</em> never got its chance, the stars he thought were dead before he worked with them, his initial hesitance to accept <em>Grease</em>, the art to meeting with Jim Jacobs and Warren Casey, why he wanted to revive <em>Once in a Lifetime</em>, the show he feels was the best work he ever did, the idea he never used for the film of <em>‘Night, Mother, </em>the two shows he thinks weren’t right for Broadway, the perfect pairing of stars for <em>Moon Over Buffalo</em>, and so much more.</p>
<p class="p2"> </p>
<p class="p1">You won’t want to miss this masterclass in directing peppered with fantastic anecdotes.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rg94bp/tmo.mp3" length="257138430" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce the first part of my celebration of the 50th Anniversary of Grease with it’s original director Tom Moore. In addition to Grease, Tom Moore’s Broadway credits include ‘Night, Mother, Over Here, and Frankenstein. If you want to hear even more about the creation of Grease, make sure to purchase the recently released book Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started it All, coauthored by Tom Moore, Ken Waissman, and Adrienne Barbeau. You can find it here:
 
Purchase the Book
 
But first, tune in today to hear some of the stories of Tom’s amazing life and career, including: why Frankenstein never got its chance, the stars he thought were dead before he worked with them, his initial hesitance to accept Grease, the art to meeting with Jim Jacobs and Warren Casey, why he wanted to revive Once in a Lifetime, the show he feels was the best work he ever did, the idea he never used for the film of ‘Night, Mother, the two shows he thinks weren’t right for Broadway, the perfect pairing of stars for Moon Over Buffalo, and so much more.
 
You won’t want to miss this masterclass in directing peppered with fantastic anecdotes.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7940</itunes:duration>
                <itunes:episode>113</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Charles Flateman</title>
        <itunes:title>Charles Flateman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/charles-flateman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/charles-flateman/#comments</comments>        <pubDate>Sun, 19 Jun 2022 12:13:00 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d0c0fdb7-c930-3388-a54c-7bec1452220e</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of The Scottsboro Boys, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing The Music Man, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of <em>The Scottsboro Boys</em>, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing <em>The Music Man</em>, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nieeux/CharlieFlaet.mp3" length="112837322" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of The Scottsboro Boys, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing The Music Man, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3495</itunes:duration>
                <itunes:episode>112</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jill O’Hara</title>
        <itunes:title>Jill O’Hara</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/jill-o-hara/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/jill-o-hara/#comments</comments>        <pubDate>Sat, 28 May 2022 21:43:33 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8c44e1b5-0b6f-3ec8-9175-88583580f5a2</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Tony Nominee Jill O’Hara, whose many stage credits include starring in the original productions of Promises, Promises, George M!, and Hair. She shares so many of the stories of her wonderful career, including standing her ground with David Merrick, a funny encounter with Kristin Chenoweth, giving a note to Tom Bosley, the differences between the off-Broadway and Broadway productions of Hair, growing up in a theatrical family, why every copy of The New York Times once had to be taken out of Stockbridge, the song that was cut from Promises, Promises, the new cabaret show she is developing, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with Tony Nominee Jill O’Hara, whose many stage credits include starring in the original productions of <em>Promises, Promises, George M!, </em>and <em>Hair. </em>She shares so many of the stories of her wonderful career, including standing her ground with David Merrick, a funny encounter with Kristin Chenoweth, giving a note to Tom Bosley, the differences between the off-Broadway and Broadway productions of <em>Hair</em>, growing up in a theatrical family, why every copy of The New York Times once had to be taken out of Stockbridge, the song that was cut from <em>Promises, Promises</em>, the new cabaret show she is developing, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dytnmi/Jill_O_Hara_Interviewaiqde.mp3" length="207071302" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with Tony Nominee Jill O’Hara, whose many stage credits include starring in the original productions of Promises, Promises, George M!, and Hair. She shares so many of the stories of her wonderful career, including standing her ground with David Merrick, a funny encounter with Kristin Chenoweth, giving a note to Tom Bosley, the differences between the off-Broadway and Broadway productions of Hair, growing up in a theatrical family, why every copy of The New York Times once had to be taken out of Stockbridge, the song that was cut from Promises, Promises, the new cabaret show she is developing, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6387</itunes:duration>
                <itunes:episode>111</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Clint Ramos, Creative Director of Encores!</title>
        <itunes:title>Clint Ramos, Creative Director of Encores!</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/clint-ramos-creative-director-of-encores/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/clint-ramos-creative-director-of-encores/#comments</comments>        <pubDate>Sat, 07 May 2022 21:21:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8678aaa3-ad70-3bb9-ba6f-3e3b94a6a916</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  Encores! Producing Creative Director and  Tony-winning set designer Clint Ramos. Clint’s current project is Encores!’ newest production, Into the Woods, which runs now through May 15. You can find the remaining tickets here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.nycitycenter.org/pdps/2021-2022/into-the-woods/'>Into the Woods</a></p>
<p class="p2"> </p>
<p class="p1">You can tune in today to hear some of the stories of Clint’s amazing career, including the art of designing for a star, creating a program with the American Theater Wing for young costume designers, his extensive research process for Respect, why Slave Play had extra resonance after quarantine, how he helped create the new mission for Encores!, working with Henry Krieger and other original creatives on Encores! shows, putting together a virtual season, the concept for the new Into the Woods, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  Encores! Producing Creative Director and  Tony-winning set designer Clint Ramos. Clint’s current project is Encores!’ newest production, <em>Into the Woods</em>, which runs now through May 15. You can find the remaining tickets here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.nycitycenter.org/pdps/2021-2022/into-the-woods/'>Into the Woods</a></p>
<p class="p2"> </p>
<p class="p1">You can tune in today to hear some of the stories of Clint’s amazing career, including the art of designing for a star, creating a program with the American Theater Wing for young costume designers, his extensive research process for <em>Respect</em>, why <em>Slave Play </em>had extra resonance after quarantine, how he helped create the new mission for Encores!, working with Henry Krieger and other original creatives on Encores! shows, putting together a virtual season, the concept for the new <em>Into the Woods</em>, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yvbb67/Clint_Ramos7zcmy.mp3" length="89666176" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with  Encores! Producing Creative Director and  Tony-winning set designer Clint Ramos. Clint’s current project is Encores!’ newest production, Into the Woods, which runs now through May 15. You can find the remaining tickets here:
 
Into the Woods
 
You can tune in today to hear some of the stories of Clint’s amazing career, including the art of designing for a star, creating a program with the American Theater Wing for young costume designers, his extensive research process for Respect, why Slave Play had extra resonance after quarantine, how he helped create the new mission for Encores!, working with Henry Krieger and other original creatives on Encores! shows, putting together a virtual season, the concept for the new Into the Woods, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2784</itunes:duration>
                <itunes:episode>110</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chris Mouron and Anne Tournié, Creators of THE LITTLE PRINCE</title>
        <itunes:title>Chris Mouron and Anne Tournié, Creators of THE LITTLE PRINCE</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/chris-mouron-and-anne-tournier-creators-of-the-little-prince/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/chris-mouron-and-anne-tournier-creators-of-the-little-prince/#comments</comments>        <pubDate>Wed, 04 May 2022 12:19:15 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/fa5a28fb-09cd-3fb9-9430-dafa25f69a65</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Chris Mouron and Anne Tournié, creators of The Little Prince. Chris is the narrator, adaptor, and co-director, and Anne is the co-director and choreographer. Tune in to hear them speak about the international success of the show, including the process of modernizing the book, the location where audiences had never read the book, what was added for the New York run and why, the place they’d like to perform the show next, how Broadway audiences are different, connecting with Antoine De Saint Exupery’s estate, the parts of the book that were hardest to adapt, and more.</p>
<p class="p1">You won't want to miss this fascinating conversation with two ground-breaking artists.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Chris Mouron and Anne Tournié, creators of <em>The Little Prince. </em>Chris is the narrator, adaptor, and co-director, and Anne is the co-director and choreographer. Tune in to hear them speak about the international success of the show, including the process of modernizing the book, the location where audiences had never read the book, what was added for the New York run and why, the place they’d like to perform the show next, how Broadway audiences are different, connecting with Antoine De Saint Exupery’s estate, the parts of the book that were hardest to adapt, and more.</p>
<p class="p1">You won't want to miss this fascinating conversation with two ground-breaking artists.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zcu7di/ChrisM_Anne_b2b7z.mp3" length="55083434" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with Chris Mouron and Anne Tournié, creators of The Little Prince. Chris is the narrator, adaptor, and co-director, and Anne is the co-director and choreographer. Tune in to hear them speak about the international success of the show, including the process of modernizing the book, the location where audiences had never read the book, what was added for the New York run and why, the place they’d like to perform the show next, how Broadway audiences are different, connecting with Antoine De Saint Exupery’s estate, the parts of the book that were hardest to adapt, and more.
You won't want to miss this fascinating conversation with two ground-breaking artists.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1707</itunes:duration>
                <itunes:episode>109</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Celebrating 54 Below with Jennifer Ashley Tepper</title>
        <itunes:title>Celebrating 54 Below with Jennifer Ashley Tepper</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/celebrating-54-below-with-jennifer-ashley-tepper/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/celebrating-54-below-with-jennifer-ashley-tepper/#comments</comments>        <pubDate>Sat, 30 Apr 2022 17:56:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/49ca57ca-181e-3450-bdbd-9a5c5b69a86d</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my interview with  Jennifer Ashley Tepper, who has been  Creative and Programming Director of 54 Below since 2013. Today, she’s here to celebrate the 10th Anniversary of the legendary cabaret room. On May 2nd, you can see a fabulous celebration called Ten Years of Musical Theater History at 54 Below:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://54below.com/events/10-years-of-musical-theatre-history-celebrating-feinsteins-54-belows-10th-anniversary/'>Tickets Here</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including presenting the premiere of A Strange Loop, choosing concerts to present virtually, which Broadway stars she’d love to have perform there, creating the schedule, setting prices for shows, having the Real Housewives film there, the difference between 7 and 9:30 PM programming, how the club has changed over the years, what it’s like marketing a 54 Below show, finding the line between fan and producer, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my interview with  Jennifer Ashley Tepper, who has been  Creative and Programming Director of 54 Below since 2013. Today, she’s here to celebrate the 10th Anniversary of the legendary cabaret room. On May 2nd, you can see a fabulous celebration called Ten Years of Musical Theater History at 54 Below:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://54below.com/events/10-years-of-musical-theatre-history-celebrating-feinsteins-54-belows-10th-anniversary/'>Tickets Here</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of her legendary career, including presenting the premiere of <em>A Strange Loop, </em>choosing concerts to present virtually, which Broadway stars she’d love to have perform there, creating the schedule, setting prices for shows, having the <em>Real Housewives</em> film there, the difference between 7 and 9:30 PM programming, how the club has changed over the years, what it’s like marketing a 54 Below show, finding the line between fan and producer, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p6sy7w/JATsode.mp3" length="118502614" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my interview with  Jennifer Ashley Tepper, who has been  Creative and Programming Director of 54 Below since 2013. Today, she’s here to celebrate the 10th Anniversary of the legendary cabaret room. On May 2nd, you can see a fabulous celebration called Ten Years of Musical Theater History at 54 Below:
 
Tickets Here
 
Tune in to hear some of the stories of her legendary career, including presenting the premiere of A Strange Loop, choosing concerts to present virtually, which Broadway stars she’d love to have perform there, creating the schedule, setting prices for shows, having the Real Housewives film there, the difference between 7 and 9:30 PM programming, how the club has changed over the years, what it’s like marketing a 54 Below show, finding the line between fan and producer, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3628</itunes:duration>
                <itunes:episode>108</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bonus: Linda Cho of POTUS</title>
        <itunes:title>Bonus: Linda Cho of POTUS</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/bonus-linda-cho-of-potus/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/bonus-linda-cho-of-potus/#comments</comments>        <pubDate>Mon, 25 Apr 2022 17:54:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/af1d4e7f-8b96-377d-991a-ff2ee4cd16b5</guid>
                                    <description><![CDATA[<p class="p1">   Today, I am so excited to announce my interview with Linda Cho, recorded in October of 2020. You can see her highly praised costume design in POTUS, currently running on Broadway, which you can find tickets for here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.telecharge.com/Broadway/POTUS-Or-Behind-Every-Great-Dumbass-Are-Seven-Women-Trying-to-Keep-Him-Alive/Overview?AID=BWY001370600&utm_source=discount&utm_campaign=POTUS-Or-Behind-Every-Great-Dumbass-Are-Seven-Women-Trying-to-Keep-Him-AliveSS&utm_medium=web&_ga=2.127374093.1810253396.1650923450-745014213.1650923450'>POTUS</a></p>
<p class="p2"> </p>
<p class="p1">In the meantime, tune in to hear some of the stories of her career, including the influence of Ming Cho Lee, working with Broadway’s first all-female creative team on The Lifespan of a Fact, why Christy Altomare is an ideal star, the method in which she sketches, doing research as a costume designer, how her aesthetic sense affects her personal life, and more! Tune in today for this fascinating conversation with one of Broadway’s most in-demand artists.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">   Today, I am so excited to announce my interview with Linda Cho, recorded in October of 2020. You can see her highly praised costume design in POTUS, currently running on Broadway, which you can find tickets for here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.telecharge.com/Broadway/POTUS-Or-Behind-Every-Great-Dumbass-Are-Seven-Women-Trying-to-Keep-Him-Alive/Overview?AID=BWY001370600&utm_source=discount&utm_campaign=POTUS-Or-Behind-Every-Great-Dumbass-Are-Seven-Women-Trying-to-Keep-Him-AliveSS&utm_medium=web&_ga=2.127374093.1810253396.1650923450-745014213.1650923450'>POTUS</a></p>
<p class="p2"> </p>
<p class="p1">In the meantime, tune in to hear some of the stories of her career, including the influence of Ming Cho Lee, working with Broadway’s first all-female creative team on <em>The Lifespan of a Fact</em>, why Christy Altomare is an ideal star, the method in which she sketches, doing research as a costume designer, how her aesthetic sense affects her personal life, and more! Tune in today for this fascinating conversation with one of Broadway’s most in-demand artists.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/37atji/lidnacho.mp3" length="60856904" type="audio/mpeg"/>
        <itunes:summary><![CDATA[   Today, I am so excited to announce my interview with Linda Cho, recorded in October of 2020. You can see her highly praised costume design in POTUS, currently running on Broadway, which you can find tickets for here:
 
POTUS
 
In the meantime, tune in to hear some of the stories of her career, including the influence of Ming Cho Lee, working with Broadway’s first all-female creative team on The Lifespan of a Fact, why Christy Altomare is an ideal star, the method in which she sketches, doing research as a costume designer, how her aesthetic sense affects her personal life, and more! Tune in today for this fascinating conversation with one of Broadway’s most in-demand artists.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1885</itunes:duration>
                <itunes:episode>107</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sam Pinkleton</title>
        <itunes:title>Sam Pinkleton</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/sam-pinkleton/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/sam-pinkleton/#comments</comments>        <pubDate>Wed, 20 Apr 2022 20:50:46 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2e66d2f1-0fdd-384a-ad5c-e08efd60a6a1</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my new episode with Sam Pinkleton, movement director of the current Macbeth and choreographer of Amelie, Soft Power, and more. Tune in today to hear some of the stories of his career, including why he chose not to be a performer, the unusual Macbeth rehearsal process, adding a dance break to Natasha, Pierre, and the Great Comet of 1812, fighting his “musical theater demons” with Soft Power, the influence of Elizabeth Swados, creating a tango for Heisenberg, the changes he wants to see in the musical theater art form, and so much more.</p>
<p class="p1">Make sure to tune in today for an inspiring conversation with one of the people leading the charge to change the face of American theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my new episode with Sam Pinkleton, movement director of the current <em>Macbeth</em> and choreographer of <em>Amelie, Soft Power</em>, and more. Tune in today to hear some of the stories of his career, including why he chose not to be a performer, the unusual <em>Macbeth</em> rehearsal process, adding a dance break to <em>Natasha, Pierre, and the Great Comet of 1812, </em>fighting his “musical theater demons” with <em>Soft Power</em>, the influence of Elizabeth Swados, creating a tango for <em>Heisenberg</em>, the changes he wants to see in the musical theater art form, and so much more.</p>
<p class="p1">Make sure to tune in today for an inspiring conversation with one of the people leading the charge to change the face of American theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6chsea/SammyPinks_a7x3s.mp3" length="105797984" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my new episode with Sam Pinkleton, movement director of the current Macbeth and choreographer of Amelie, Soft Power, and more. Tune in today to hear some of the stories of his career, including why he chose not to be a performer, the unusual Macbeth rehearsal process, adding a dance break to Natasha, Pierre, and the Great Comet of 1812, fighting his “musical theater demons” with Soft Power, the influence of Elizabeth Swados, creating a tango for Heisenberg, the changes he wants to see in the musical theater art form, and so much more.
Make sure to tune in today for an inspiring conversation with one of the people leading the charge to change the face of American theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3255</itunes:duration>
                <itunes:episode>106</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Baayork Lee</title>
        <itunes:title>Baayork Lee</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/baayork-lee/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/baayork-lee/#comments</comments>        <pubDate>Sun, 17 Apr 2022 21:17:16 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/42e07858-a891-3f72-aa85-83493044acf1</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  legendary Broadway dancer and  choreographer Baayork Lee, whose credits include A Chorus Line, My One and Only, The King and I, Flower Drum Song, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from A Chorus Line, the Broadway directing job she turned down, the process of saving Seesaw, being a dancing amoeba in Henry, Sweet Henry, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on A Joyful Noise, how Michael Bennett met John Raitt, and so much more.</p>
<p class="p2"> </p>
<p class="p1">Make sure to tune in for an entertaining and informative conversation with one of Broadway’s greats.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with  legendary Broadway dancer and  choreographer Baayork Lee, whose credits include <em>A Chorus Line, My One and Only, The King and I, Flower Drum Song</em>, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from <em>A Chorus Line</em>, the Broadway directing job she turned down, the process of saving <em>Seesaw</em>, being a dancing amoeba in <em>Henry, Sweet Henry</em>, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on <em>A Joyful Noise</em>, how Michael Bennett met John Raitt, and so much more.</p>
<p class="p2"> </p>
<p class="p1">Make sure to tune in for an entertaining and informative conversation with one of Broadway’s greats.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3z4ych/Baayork_Lee6roo9.mp3" length="193836794" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with  legendary Broadway dancer and  choreographer Baayork Lee, whose credits include A Chorus Line, My One and Only, The King and I, Flower Drum Song, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from A Chorus Line, the Broadway directing job she turned down, the process of saving Seesaw, being a dancing amoeba in Henry, Sweet Henry, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on A Joyful Noise, how Michael Bennett met John Raitt, and so much more.
 
Make sure to tune in for an entertaining and informative conversation with one of Broadway’s greats.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5989</itunes:duration>
                <itunes:episode>105</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Beth Fowler Part 2</title>
        <itunes:title>Beth Fowler Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/beth-fowler-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/beth-fowler-2/#comments</comments>        <pubDate>Wed, 13 Apr 2022 20:35:01 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/49716854-d44e-37f4-baa8-20de95469d02</guid>
                                    <description><![CDATA[<p>Today, I am so happy to announce Part 2 of my episode with Broadway actress Beth Fowler, star of Sweeney Todd, Beauty and the Beast, The Boy From Oz, and more. Tune in today to hear more of the amazing stories of her career, including what it was like working with Whoopi Goldberg, her New York Times review for Inherit the Wind, the mistake with the revival of Bells are Ringing, her collaboration with Bob Gunton, why Take Me Along shouldn't have come to Broadway, plus anecdotes about Hugh Jackman, Jerry Zaks, Faith Prince, and more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am so happy to announce Part 2 of my episode with Broadway actress Beth Fowler, star of <em>Sweeney Todd, Beauty and the Beast, The Boy From Oz</em>, and more. Tune in today to hear more of the amazing stories of her career, including what it was like working with Whoopi Goldberg, her New York Times review for <em>Inherit the Wind</em>, the mistake with the revival of <em>Bells are Ringing, </em>her collaboration with Bob Gunton, why <em>Take Me Along</em> shouldn't have come to Broadway, plus anecdotes about Hugh Jackman, Jerry Zaks, Faith Prince, and more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mfq4id/Fowler_2bej3k.mp3" length="177587492" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce Part 2 of my episode with Broadway actress Beth Fowler, star of Sweeney Todd, Beauty and the Beast, The Boy From Oz, and more. Tune in today to hear more of the amazing stories of her career, including what it was like working with Whoopi Goldberg, her New York Times review for Inherit the Wind, the mistake with the revival of Bells are Ringing, her collaboration with Bob Gunton, why Take Me Along shouldn't have come to Broadway, plus anecdotes about Hugh Jackman, Jerry Zaks, Faith Prince, and more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5469</itunes:duration>
                <itunes:episode>104</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Beth Fowler Part 1</title>
        <itunes:title>Beth Fowler Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/beth-fowler-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/beth-fowler-part-1/#comments</comments>        <pubDate>Tue, 05 Apr 2022 17:42:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b76288bd-593a-3fca-8942-f7f5748feabe</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my interview with two-time Tony Award nominee and television star Beth Fowler. Tune in today to hear some of the stories of her legendary career, including: choosing between two Broadway shows, meeting a real Roosevelt during Teddy and Alice, bonding over Leonard Bernstein with Patricia Routledge, performing the Andrews Sisters’ repertoire with Maxine Andrews, her fantasy Broadway debut, directing for Burt Reynolds, working with Nick Jonas, how she almost didn’t end up on Orange is the New Black, why the New York Times had too much influence, the reason A Little Night Music closed, a compliment from Hal Prince, and so much more. You won’t want to miss this conversation!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my interview with two-time Tony Award nominee and television star Beth Fowler. Tune in today to hear some of the stories of her legendary career, including: choosing between two Broadway shows, meeting a real Roosevelt during <em>Teddy and Alice</em>, bonding over Leonard Bernstein with Patricia Routledge, performing the Andrews Sisters’ repertoire with Maxine Andrews, her fantasy Broadway debut, directing for Burt Reynolds, working with Nick Jonas, how she almost didn’t end up on <em>Orange is the New Black</em>, why the New York Times had too much influence, the reason <em>A Little Night Music</em> closed, a compliment from Hal Prince, and so much more. You won’t want to miss this conversation!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pkag5a/BethyFow1.mp3" length="185016318" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my interview with two-time Tony Award nominee and television star Beth Fowler. Tune in today to hear some of the stories of her legendary career, including: choosing between two Broadway shows, meeting a real Roosevelt during Teddy and Alice, bonding over Leonard Bernstein with Patricia Routledge, performing the Andrews Sisters’ repertoire with Maxine Andrews, her fantasy Broadway debut, directing for Burt Reynolds, working with Nick Jonas, how she almost didn’t end up on Orange is the New Black, why the New York Times had too much influence, the reason A Little Night Music closed, a compliment from Hal Prince, and so much more. You won’t want to miss this conversation!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5723</itunes:duration>
                <itunes:episode>103</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Karen Mason</title>
        <itunes:title>Karen Mason</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/karen-mason/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/karen-mason/#comments</comments>        <pubDate>Mon, 21 Mar 2022 16:23:57 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a3f22710-52c0-3c94-8e16-e8863f0d4028</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce the release of my newest episode, featuring Broadway and cabaret star Karen Mason. If you want to see Karen’s talents at work, you can buy tickets to her Birdland show, Kander and Ebb and All That Jazz on March 28 at this link:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://birdlandjazz.com/event/karen-mason-in-kander-ebb-all-that-jazz/'>Birdland Link</a></p>
<p class="p2"> </p>
<p class="p1">And you can find her new album, Let the Music Play, on Spotify and Amazon Music.</p>
<p class="p1">In the meantime, tune in here to hear Karen tell some of the stoires of her legendary career, including: her disastrous audition for Sunset Boulevard, why Mamma Mia came along at just the right time, bonding with the cast of Rebecca, her first-day-of-rehearsal tradition, finding her own interpretations of Mama Rose and Norma Desmond, the unusual opening night party for Play Me a Country Song, and why she couldn’t be part of the original Torch Song Trilogy. You won’t want to miss this fun and entertaining conversation with a true legend of the theater.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce the release of my newest episode, featuring Broadway and cabaret star Karen Mason. If you want to see Karen’s talents at work, you can buy tickets to her Birdland show, <em>Kander and Ebb and All That Jazz</em> on March 28 at this link:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://birdlandjazz.com/event/karen-mason-in-kander-ebb-all-that-jazz/'>Birdland Link</a></p>
<p class="p2"> </p>
<p class="p1">And you can find her new album, <em>Let the Music Play, </em>on Spotify and Amazon Music.</p>
<p class="p1">In the meantime, tune in here to hear Karen tell some of the stoires of her legendary career, including: her disastrous audition for <em>Sunset Boulevard</em>, why <em>Mamma Mia </em>came along at just the right time, bonding with the cast of <em>Rebecca</em>, her first-day-of-rehearsal tradition, finding her own interpretations of Mama Rose and Norma Desmond, the unusual opening night party for <em>Play Me a Country Song</em>, and why she couldn’t be part of the original <em>Torch Song Trilogy.</em> You won’t want to miss this fun and entertaining conversation with a true legend of the theater.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6dzpck/Karey_Mason8iten.mp3" length="177408647" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce the release of my newest episode, featuring Broadway and cabaret star Karen Mason. If you want to see Karen’s talents at work, you can buy tickets to her Birdland show, Kander and Ebb and All That Jazz on March 28 at this link:
 
Birdland Link
 
And you can find her new album, Let the Music Play, on Spotify and Amazon Music.
In the meantime, tune in here to hear Karen tell some of the stoires of her legendary career, including: her disastrous audition for Sunset Boulevard, why Mamma Mia came along at just the right time, bonding with the cast of Rebecca, her first-day-of-rehearsal tradition, finding her own interpretations of Mama Rose and Norma Desmond, the unusual opening night party for Play Me a Country Song, and why she couldn’t be part of the original Torch Song Trilogy. You won’t want to miss this fun and entertaining conversation with a true legend of the theater.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5468</itunes:duration>
                <itunes:episode>102</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Loud</title>
        <itunes:title>David Loud</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/101-david-loud/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/101-david-loud/#comments</comments>        <pubDate>Fri, 18 Mar 2022 22:48:35 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f973fbee-be45-3880-9fa4-abb1b9af0c79</guid>
                                    <description><![CDATA[<p class="p1">I am so honored today to announce my episode with one of Broadway’s foremost musical directors adnd author of the new memoir Facing the Music David Loud. The memoir is available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Facing-Music-Broadway-David-Loud/dp/1682451917/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr='>Facing the Music</a></p>
<p class="p2"> </p>
<p class="p1">And you can see the Lyrics and Lyricists tribute to him through the ticket link here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.92y.org/event/david-loud'>Lyrics and Lyricists</a></p>
<p class="p2"> </p>
<p class="p1">But meanwhile, tune in today to hear him tell some of the stories of his long career, including what Ann Reinking gained from the choreographers she worked with, an askew turntable at Les Miserables, his complicated history with The Secret Garden, why Sondheim is the perfect idol, working with Mike Nichols, his admiration for Burton Lane, delving back into his life to write his memoir, why he decided to retire, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so honored today to announce my episode with one of Broadway’s foremost musical directors adnd author of the new memoir <em>Facing the Music</em> David Loud. The memoir is available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.amazon.com/Facing-Music-Broadway-David-Loud/dp/1682451917/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr='>Facing the Music</a></p>
<p class="p2"> </p>
<p class="p1">And you can see the Lyrics and Lyricists tribute to him through the ticket link here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.92y.org/event/david-loud'>Lyrics and Lyricists</a></p>
<p class="p2"> </p>
<p class="p1">But meanwhile, tune in today to hear him tell some of the stories of his long career, including what Ann Reinking gained from the choreographers she worked with, an askew turntable at <em>Les Miserables</em>, his complicated history with <em>The Secret Garden</em>, why Sondheim is the perfect idol, working with Mike Nichols, his admiration for Burton Lane, delving back into his life to write his memoir, why he decided to retire, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hx4nuc/David_Louday0ed.mp3" length="76655714" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so honored today to announce my episode with one of Broadway’s foremost musical directors adnd author of the new memoir Facing the Music David Loud. The memoir is available here:
 
Facing the Music
 
And you can see the Lyrics and Lyricists tribute to him through the ticket link here:
 
Lyrics and Lyricists
 
But meanwhile, tune in today to hear him tell some of the stories of his long career, including what Ann Reinking gained from the choreographers she worked with, an askew turntable at Les Miserables, his complicated history with The Secret Garden, why Sondheim is the perfect idol, working with Mike Nichols, his admiration for Burton Lane, delving back into his life to write his memoir, why he decided to retire, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2380</itunes:duration>
                <itunes:episode>101</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Harvey Fierstein</title>
        <itunes:title>Harvey Fierstein</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/100-harvey-fierstein/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/100-harvey-fierstein/#comments</comments>        <pubDate>Sat, 12 Mar 2022 16:45:34 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/97968b8c-05ed-3c8f-b0cf-1b998638018c</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce Backstage Babble’s 100th Episode! I want to send a sincere thank you to everyone who has listened to this podcast: without you, I could never have reached this point. And beyond that, it is thrilling to be able to present my interview with a Broadway icon, Harvey Fierstein. Tune in today to hear some of the stories of his legendary career, including the musical that Warren Beatty pitched to him, the problems he has with the way La Cage Aux Folles is usually staged, hanging out with Marsha P. Johnson, his early days with Andy Warhol at La MaMa, the creation of the global phenomenon that is Torch Song Trilogy, performing Tevye for Sheldon Harnick and Jerry Bock, and more.</p>
<p class="p2"> </p>
<p class="p1">And if you want more Harvey, remember to buy his newly published memoir I Was Better Last Night! And Happy 100th!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce Backstage Babble’s 100th Episode! I want to send a sincere thank you to everyone who has listened to this podcast: without you, I could never have reached this point. And beyond that, it is thrilling to be able to present my interview with a Broadway icon, Harvey Fierstein. Tune in today to hear some of the stories of his legendary career, including the musical that Warren Beatty pitched to him, the problems he has with the way <em>La Cage</em> <em>Aux Folles </em>is usually staged, hanging out with Marsha P. Johnson, his early days with Andy Warhol at La MaMa, the creation of the global phenomenon that is <em>Torch Song Trilogy</em>, performing Tevye for Sheldon Harnick and Jerry Bock, and more.</p>
<p class="p2"> </p>
<p class="p1">And if you want more Harvey, remember to buy his newly published memoir <em>I Was Better Last Night!</em> And Happy 100th!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zdfgi3/Harvey_Fierstein843ap.mp3" length="125867683" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce Backstage Babble’s 100th Episode! I want to send a sincere thank you to everyone who has listened to this podcast: without you, I could never have reached this point. And beyond that, it is thrilling to be able to present my interview with a Broadway icon, Harvey Fierstein. Tune in today to hear some of the stories of his legendary career, including the musical that Warren Beatty pitched to him, the problems he has with the way La Cage Aux Folles is usually staged, hanging out with Marsha P. Johnson, his early days with Andy Warhol at La MaMa, the creation of the global phenomenon that is Torch Song Trilogy, performing Tevye for Sheldon Harnick and Jerry Bock, and more.
 
And if you want more Harvey, remember to buy his newly published memoir I Was Better Last Night! And Happy 100th!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3882</itunes:duration>
                <itunes:episode>100</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ted Sperling</title>
        <itunes:title>Ted Sperling</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/ted-sperling/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/ted-sperling/#comments</comments>        <pubDate>Sat, 05 Mar 2022 22:03:31 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0085cc58-2064-33df-8f22-ab00cdae4766</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to announce the release of Backstage Babble's 99th episode with Tony-winning musical director and  orchestrator Ted Sperling. In addition to his Broadway career, Ted is also the artistic director of Mastervoices, under whose auspices he will be presenting an all-star concert of Anyone Can Whistle at Carnegie Hall this Thursday, March 10, starring Vanessa Williams and Elizabeth Stanley. It’s a must-see event for all theater fans, and tickets are available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.carnegiehall.org/calendar/2022/03/10/mastervoices-0700pm?_ga=2.213571988.1619315217.1646535521-959027635.1645881008'>Anyone Can Whistle</a></p>
<p class="p2"> </p>
<p class="p1">In the meantime, tune in today to hear Ted tell some of the stories of his illustrious career, including getting his start from Paul Gemignani, his long partnership with Victoria Clark, why he decided to leave Ragtime, the tense environment of Titanic, what it was like casting My Fair Lady, the uniqueness of William Finn, building his own circle of collaborators, the very strange experience of Roza, his collaboration with Stephen Sondheim, why Anyone Can Whistle is relevant today, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to announce the release of Backstage Babble's 99th episode with Tony-winning musical director and  orchestrator Ted Sperling. In addition to his Broadway career, Ted is also the artistic director of Mastervoices, under whose auspices he will be presenting an all-star concert of <em>Anyone Can Whistle</em> at Carnegie Hall this Thursday, March 10, starring Vanessa Williams and Elizabeth Stanley. It’s a must-see event for all theater fans, and tickets are available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.carnegiehall.org/calendar/2022/03/10/mastervoices-0700pm?_ga=2.213571988.1619315217.1646535521-959027635.1645881008'>Anyone Can Whistle</a></p>
<p class="p2"> </p>
<p class="p1">In the meantime, tune in today to hear Ted tell some of the stories of his illustrious career, including getting his start from Paul Gemignani, his long partnership with Victoria Clark, why he decided to leave <em>Ragtime</em>, the tense environment of <em>Titanic</em>, what it was like casting <em>My Fair Lady</em>, the uniqueness of William Finn, building his own circle of collaborators, the very strange experience of <em>Roza</em>, his collaboration with Stephen Sondheim, why <em>Anyone Can Whistle </em>is relevant today, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7d2eqg/Ted_Sperlingatiwo.mp3" length="88606350" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to announce the release of Backstage Babble's 99th episode with Tony-winning musical director and  orchestrator Ted Sperling. In addition to his Broadway career, Ted is also the artistic director of Mastervoices, under whose auspices he will be presenting an all-star concert of Anyone Can Whistle at Carnegie Hall this Thursday, March 10, starring Vanessa Williams and Elizabeth Stanley. It’s a must-see event for all theater fans, and tickets are available here:
 
Anyone Can Whistle
 
In the meantime, tune in today to hear Ted tell some of the stories of his illustrious career, including getting his start from Paul Gemignani, his long partnership with Victoria Clark, why he decided to leave Ragtime, the tense environment of Titanic, what it was like casting My Fair Lady, the uniqueness of William Finn, building his own circle of collaborators, the very strange experience of Roza, his collaboration with Stephen Sondheim, why Anyone Can Whistle is relevant today, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2740</itunes:duration>
                <itunes:episode>99</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Liza Gennaro</title>
        <itunes:title>Liza Gennaro</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/98-liza-gennaro/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/98-liza-gennaro/#comments</comments>        <pubDate>Wed, 02 Mar 2022 21:45:49 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/92538a54-5f81-31ac-b2d5-f74162c68804</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce the release of my interview with Broadway choreographer Liza Gennaro, author of the new book Making Broadway Dance, available here: <a href='https://www.amazon.com/Making-Broadway-Dance-Liza-Gennaro/dp/0190631090/ref=sr_1_1?crid=34XPIR8PM6XXP&keywords=making+broadway+dance&qid=1646275217&sprefix=making+broadway+dance%2Caps%2C64&sr=8-1'>Purchase Making Broadway Dance</a></p>
<p class="p1">Tune in now for an in-depth study of Broadway choreography, including many of the stories of Ms. Gennaro’s long career, including: what she remembers about seeing the original Oliver!, why Smile deserves a second look, assisting her father on the trouble-ridden Threepenny Opera, interviewing Donald Saddler and Gemze De Lappe, collaborating with Lee Theodore on American Dance Machine, being a dance captain at a young age, how she makes musical numbers evolve out of the script, why the revival of Once Upon a Mattress might have been a mistaken endeavor, recreating Jerome Robbins’ choreography, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce the release of my interview with Broadway choreographer Liza Gennaro, author of the new book <em>Making Broadway Dance</em>, available here: <a href='https://www.amazon.com/Making-Broadway-Dance-Liza-Gennaro/dp/0190631090/ref=sr_1_1?crid=34XPIR8PM6XXP&keywords=making+broadway+dance&qid=1646275217&sprefix=making+broadway+dance%2Caps%2C64&sr=8-1'>Purchase Making Broadway Dance</a></p>
<p class="p1">Tune in now for an in-depth study of Broadway choreography, including many of the stories of Ms. Gennaro’s long career, including: what she remembers about seeing the original <em>Oliver!</em>, why <em>Smile</em> deserves a second look, assisting her father on the trouble-ridden <em>Threepenny Opera</em>, interviewing Donald Saddler and Gemze De Lappe, collaborating with Lee Theodore on <em>American Dance Machine, </em>being a dance captain at a young age, how she makes musical numbers evolve out of the script, why the revival of <em>Once Upon a Mattress </em>might have been a mistaken endeavor, recreating Jerome Robbins’ choreography, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/birsjc/lizag.mp3" length="236512154" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce the release of my interview with Broadway choreographer Liza Gennaro, author of the new book Making Broadway Dance, available here: Purchase Making Broadway Dance
Tune in now for an in-depth study of Broadway choreography, including many of the stories of Ms. Gennaro’s long career, including: what she remembers about seeing the original Oliver!, why Smile deserves a second look, assisting her father on the trouble-ridden Threepenny Opera, interviewing Donald Saddler and Gemze De Lappe, collaborating with Lee Theodore on American Dance Machine, being a dance captain at a young age, how she makes musical numbers evolve out of the script, why the revival of Once Upon a Mattress might have been a mistaken endeavor, recreating Jerome Robbins’ choreography, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7308</itunes:duration>
                <itunes:episode>98</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>James Lapine</title>
        <itunes:title>James Lapine</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/james-lapine/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/james-lapine/#comments</comments>        <pubDate>Fri, 25 Feb 2022 12:10:39 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3396cd91-310c-3e95-a292-9d81b9edb01e</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce the release of my episode with one of Broadway’s best living directors, the great James Lapine. Tune in today to hear him share some of the stories and wisdom of his legendary career, including what he wanted to fix about the original Into the Woods, why he chose to dramatize Act One, his influences in avant-garde theater, his collaboration with William Finn, what it’s been like to return with Flying Over Sunset, the unique take he had on Annie, collaborating with the late, great Stephen Sondheim, his advice to young directors, and more. You won’t want to miss this interview with a true master of the theatrical art form.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce the release of my episode with one of Broadway’s best living directors, the great James Lapine. Tune in today to hear him share some of the stories and wisdom of his legendary career, including what he wanted to fix about the original <em>Into the Woods</em>, why he chose to dramatize <em>Act One</em>, his influences in avant-garde theater, his collaboration with William Finn, what it’s been like to return with <em>Flying Over Sunset</em>, the unique take he had on <em>Annie</em>, collaborating with the late, great Stephen Sondheim, his advice to young directors, and more. You won’t want to miss this interview with a true master of the theatrical art form.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z5sz9n/James_Lapinea6c04.mp3" length="54055359" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce the release of my episode with one of Broadway’s best living directors, the great James Lapine. Tune in today to hear him share some of the stories and wisdom of his legendary career, including what he wanted to fix about the original Into the Woods, why he chose to dramatize Act One, his influences in avant-garde theater, his collaboration with William Finn, what it’s been like to return with Flying Over Sunset, the unique take he had on Annie, collaborating with the late, great Stephen Sondheim, his advice to young directors, and more. You won’t want to miss this interview with a true master of the theatrical art form.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1674</itunes:duration>
                <itunes:episode>97</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jo Anne Worley</title>
        <itunes:title>Jo Anne Worley</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/96-jo-anne-worley/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/96-jo-anne-worley/#comments</comments>        <pubDate>Mon, 21 Feb 2022 17:30:40 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/816f20ac-71d1-3463-bc6c-18b0a35d4429</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce the release of my episode with legendary stage and screen comedienne Jo Anne Worley, who has starred in such  illustrious projects as Rowan and Martin’s Laugh-In, Hello, Dolly!, Grease, The Drowsy Chaperone, and more. Tune in to hear some of the wonderful stories of her long career, including the moment she knew Laugh-In was a success, vocalizing outside Carol Channing’s dressing room, Sandy Dennis’ special talent, the Broadway show that had a blackout on opening night, working with child actors, her signature audition song (a parody of The Music Man), auditioning for David Merrick, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce the release of my episode with legendary stage and screen comedienne Jo Anne Worley, who has starred in such  illustrious projects as <em>Rowan and Martin’s Laugh-In</em>, <em>Hello, Dolly!, Grease, The Drowsy Chaperone</em>, and more. Tune in to hear some of the wonderful stories of her long career, including the moment she knew <em>Laugh-In</em> was a success, vocalizing outside Carol Channing’s dressing room, Sandy Dennis’ special talent, the Broadway show that had a blackout on opening night, working with child actors, her signature audition song (a parody of <em>The Music Man),</em> auditioning for David Merrick, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j43ass/Joanne_Worley_Interviewa5wbu.mp3" length="155118822" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce the release of my episode with legendary stage and screen comedienne Jo Anne Worley, who has starred in such  illustrious projects as Rowan and Martin’s Laugh-In, Hello, Dolly!, Grease, The Drowsy Chaperone, and more. Tune in to hear some of the wonderful stories of her long career, including the moment she knew Laugh-In was a success, vocalizing outside Carol Channing’s dressing room, Sandy Dennis’ special talent, the Broadway show that had a blackout on opening night, working with child actors, her signature audition song (a parody of The Music Man), auditioning for David Merrick, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4768</itunes:duration>
                <itunes:episode>96</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Crystal Field</title>
        <itunes:title>Crystal Field</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/95-crystal-field/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/95-crystal-field/#comments</comments>        <pubDate>Wed, 09 Feb 2022 18:11:51 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ea0012a6-1295-34c0-a934-48c56b52cb7c</guid>
                                    <description><![CDATA[<p class="p1">“Politics is like theater: if you can’t appreciate the little victories, you’ll never get the big ones.” Crystal Field has overseen victories large and small during her over 50 year tenure as Artistic Director of the Theater for the New City (<a href='https://theaterforthenewcity.net'>https://theaterforthenewcity.net</a>), and she details many of them on today’s episode of Backstage Babble. Among her fascinating stories: what it was like to work with Elia Kazan, the playwright who threw a stink bomb in the audience of his own play, the song in Promenade that was written about her, a deep dive into the many theories of acting she’s learned over the years, a mistake made by Joseph Papp, what she learned from Ellen Stewart, the mission of her theater and how it has changed, why boards are a vital aspect of any theater, and so much more. Crystal is truly an inspiration, and you won’t want to miss the chance to hear her words of wisdom.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">“Politics is like theater: if you can’t appreciate the little victories, you’ll never get the big ones.” Crystal Field has overseen victories large and small during her over 50 year tenure as Artistic Director of the Theater for the New City (<a href='https://theaterforthenewcity.net'>https://theaterforthenewcity.net</a>), and she details many of them on today’s episode of Backstage Babble. Among her fascinating stories: what it was like to work with Elia Kazan, the playwright who threw a stink bomb in the audience of his own play, the song in <em>Promenade</em> that was written about her, a deep dive into the many theories of acting she’s learned over the years, a mistake made by Joseph Papp, what she learned from Ellen Stewart, the mission of her theater and how it has changed, why boards are a vital aspect of any theater, and so much more. Crystal is truly an inspiration, and you won’t want to miss the chance to hear her words of wisdom.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/neitnw/ChryssieField.mp3" length="126530862" type="audio/mpeg"/>
        <itunes:summary><![CDATA[“Politics is like theater: if you can’t appreciate the little victories, you’ll never get the big ones.” Crystal Field has overseen victories large and small during her over 50 year tenure as Artistic Director of the Theater for the New City (https://theaterforthenewcity.net), and she details many of them on today’s episode of Backstage Babble. Among her fascinating stories: what it was like to work with Elia Kazan, the playwright who threw a stink bomb in the audience of his own play, the song in Promenade that was written about her, a deep dive into the many theories of acting she’s learned over the years, a mistake made by Joseph Papp, what she learned from Ellen Stewart, the mission of her theater and how it has changed, why boards are a vital aspect of any theater, and so much more. Crystal is truly an inspiration, and you won’t want to miss the chance to hear her words of wisdom.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3925</itunes:duration>
                <itunes:episode>95</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>T. Oliver Reid</title>
        <itunes:title>T. Oliver Reid</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/94-t-oliver-reid/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/94-t-oliver-reid/#comments</comments>        <pubDate>Mon, 31 Jan 2022 15:34:45 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d726c227-753a-3f84-a6df-583f7bac452b</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Broadway ensemblist and activist T. Oliver Reid. Tune in to hear some of the stories of T.’s long and legendary career, including his many auditions for Hadestown, how he founded the Black Theater Coalition and the work he hopes to do, working with Robert Goulet, working with children and animals in Once On This Island, the meaning behind Polly Bergen’s diamond, adapting to the styles of different choreographers, the many tricks he had to learn for Kiss Me, Kate, reimagining Cabaret, and so much more. T. Is an inspiration in so many ways, and hearing him speak is an extremely educational experience.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with Broadway ensemblist and activist T. Oliver Reid. Tune in to hear some of the stories of T.’s long and legendary career, including his many auditions for <em>Hadestown</em>, how he founded the Black Theater Coalition and the work he hopes to do, working with Robert Goulet, working with children and animals in <em>Once On This Island</em>, the meaning behind Polly Bergen’s diamond, adapting to the styles of different choreographers, the many tricks he had to learn for <em>Kiss Me, Kate</em>, reimagining <em>Cabaret</em>, and so much more. T. Is an inspiration in so many ways, and hearing him speak is an extremely educational experience.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8bkebx/T_Oliver_Reid_Episode8mqjv.mp3" length="153720540" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with Broadway ensemblist and activist T. Oliver Reid. Tune in to hear some of the stories of T.’s long and legendary career, including his many auditions for Hadestown, how he founded the Black Theater Coalition and the work he hopes to do, working with Robert Goulet, working with children and animals in Once On This Island, the meaning behind Polly Bergen’s diamond, adapting to the styles of different choreographers, the many tricks he had to learn for Kiss Me, Kate, reimagining Cabaret, and so much more. T. Is an inspiration in so many ways, and hearing him speak is an extremely educational experience.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4737</itunes:duration>
                <itunes:episode>95</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bob Mackie</title>
        <itunes:title>Bob Mackie</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/93-bob-mackie/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/93-bob-mackie/#comments</comments>        <pubDate>Sun, 09 Jan 2022 21:18:41 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bb59c347-f7eb-39f2-afb1-987fe726288a</guid>
                                    <description><![CDATA[<p class="p1">It is a true honor to announce Backstage Babble’s first episode of 2022-and what better way to start the New Year than with the legendary Bob Mackie, a man who has created iconic outfits for all of the greatest names in entertainment: everyone from RuPaul to Judy Garland. Tune in today as he talks about his storied career: hear about what it was like to be an openly gay man in ‘70s Hollywood, what he liked and disliked about the ‘50s movie musicals, why fashion doesn’t really exist today, the secret to a great awards show dress, what he learned from Edith Head, why The Best Little Whorehouse Goes Public didn’t work, Cher at the Oscars, the brilliance of Carol Burnett, how Ann-Margret is different from her on-screen persona, getting Lucille Ball into a harness, and so much more. Bob Mackie’s outfits have become synonymous with theatricality and grace, and you’ll find the man himself shares those very same characteristics. You won’t want to miss this conversation.</p>
<p class="p2"> </p>
<p class="p1">You can find more of Bob Mackie’s designs and anecdotes in the recently published The Art of Bob Mackie, available here:</p>
<p class="p2"> </p>
<p class="p1">https://www.simonandschuster.com/books/The-Art-of-Bob-Mackie/Frank-Vlastnik/9781982152116</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">It is a true honor to announce Backstage Babble’s first episode of 2022-and what better way to start the New Year than with the legendary Bob Mackie, a man who has created iconic outfits for all of the greatest names in entertainment: everyone from RuPaul to Judy Garland. Tune in today as he talks about his storied career: hear about what it was like to be an openly gay man in ‘70s Hollywood, what he liked and disliked about the ‘50s movie musicals, why fashion doesn’t really exist today, the secret to a great awards show dress, what he learned from Edith Head, why <em>The Best Little Whorehouse Goes Public</em> didn’t work, Cher at the Oscars, the brilliance of Carol Burnett, how Ann-Margret is different from her on-screen persona, getting Lucille Ball into a harness, and so much more. Bob Mackie’s outfits have become synonymous with theatricality and grace, and you’ll find the man himself shares those very same characteristics. You won’t want to miss this conversation.</p>
<p class="p2"> </p>
<p class="p1">You can find more of Bob Mackie’s designs and anecdotes in the recently published <em>The Art of Bob Mackie, </em>available here:</p>
<p class="p2"> </p>
<p class="p1">https://www.simonandschuster.com/books/The-Art-of-Bob-Mackie/Frank-Vlastnik/9781982152116</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g3bav2/bobmackie.mp3" length="112844596" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It is a true honor to announce Backstage Babble’s first episode of 2022-and what better way to start the New Year than with the legendary Bob Mackie, a man who has created iconic outfits for all of the greatest names in entertainment: everyone from RuPaul to Judy Garland. Tune in today as he talks about his storied career: hear about what it was like to be an openly gay man in ‘70s Hollywood, what he liked and disliked about the ‘50s movie musicals, why fashion doesn’t really exist today, the secret to a great awards show dress, what he learned from Edith Head, why The Best Little Whorehouse Goes Public didn’t work, Cher at the Oscars, the brilliance of Carol Burnett, how Ann-Margret is different from her on-screen persona, getting Lucille Ball into a harness, and so much more. Bob Mackie’s outfits have become synonymous with theatricality and grace, and you’ll find the man himself shares those very same characteristics. You won’t want to miss this conversation.
 
You can find more of Bob Mackie’s designs and anecdotes in the recently published The Art of Bob Mackie, available here:
 
https://www.simonandschuster.com/books/The-Art-of-Bob-Mackie/Frank-Vlastnik/9781982152116]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3485</itunes:duration>
                <itunes:episode>94</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joann M. Hunter Part 2</title>
        <itunes:title>Joann M. Hunter Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/92-joann-m-hunter-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/92-joann-m-hunter-part-2/#comments</comments>        <pubDate>Fri, 31 Dec 2021 16:32:45 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/09859d90-9a97-3253-b6a3-c0016b3c11d1</guid>
                                    <description><![CDATA[<p>There’s no better way to send off 2021 than by listening to Part 2 of my episode with amazing choreographer JoAnn M. Hunter. Tune in today for a revealing and fascinating conversation about her choreography career, which includes such shows as School of Rock, Disaster, On a Clear Day, and more. Stories and insights abound: what she looks for in auditions, why it’s hard to cast child actors, preparing the Tonys number for Spring Awakening, how she cast Prince Charming in Cinderella, why she never writes anything down, why Disaster didn’t find as much success as it could have, having a meeting with Jerry Lewis, what it’s like collaborating with Barry Manilow, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There’s no better way to send off 2021 than by listening to Part 2 of my episode with amazing choreographer JoAnn M. Hunter. Tune in today for a revealing and fascinating conversation about her choreography career, which includes such shows as <em>School of Rock</em>, <em>Disaster</em>, <em>On a Clear Day</em>, and more. Stories and insights abound: what she looks for in auditions, why it’s hard to cast child actors, preparing the Tonys number for <em>Spring Awakening</em>, how she cast Prince Charming in <em>Cinderella</em>, why she never writes anything down, why <em>Disaster</em> didn’t find as much success as it could have, having a meeting with Jerry Lewis, what it’s like collaborating with Barry Manilow, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mn4hnp/Joann_Hunter_28f5mp.mp3" length="199076623" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There’s no better way to send off 2021 than by listening to Part 2 of my episode with amazing choreographer JoAnn M. Hunter. Tune in today for a revealing and fascinating conversation about her choreography career, which includes such shows as School of Rock, Disaster, On a Clear Day, and more. Stories and insights abound: what she looks for in auditions, why it’s hard to cast child actors, preparing the Tonys number for Spring Awakening, how she cast Prince Charming in Cinderella, why she never writes anything down, why Disaster didn’t find as much success as it could have, having a meeting with Jerry Lewis, what it’s like collaborating with Barry Manilow, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6164</itunes:duration>
                <itunes:episode>93</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joann M. Hunter Part 1</title>
        <itunes:title>Joann M. Hunter Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/91-joann-m-hunter-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/91-joann-m-hunter-part-1/#comments</comments>        <pubDate>Wed, 29 Dec 2021 14:11:11 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ade6a2a3-325f-3203-a13a-2a7b96c54736</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so happy to announce my episode with one of Broadway’s most in-demand director/choreographers, Joann M. Hunter. On this episode, she discusses her career as a Broadway dancer, including the prank she played on Jonathan Pryce, why she loves working with Susan Stroman, rehearsing for 6 months with Jerome Robbins, putting Bebe Neuwirth into Chicago, what it’s like performing on the Tonys, the two Broadway shows she got without auditioning, going on at the last minute in Kiss Me, Kate, having her pig kidnapped by Sergio Trujillo, her mishap-filled audition for Thoroughly Modern Millie, and much more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so happy to announce my episode with one of Broadway’s most in-demand director/choreographers, Joann M. Hunter. On this episode, she discusses her career as a Broadway dancer, including the prank she played on Jonathan Pryce, why she loves working with Susan Stroman, rehearsing for 6 months with Jerome Robbins, putting Bebe Neuwirth into <em>Chicago</em>, what it’s like performing on the Tonys, the two Broadway shows she got without auditioning, going on at the last minute in <em>Kiss Me, Kate</em>, having her pig kidnapped by Sergio Trujillo, her mishap-filled audition for <em>Thoroughly Modern </em>Millie, and much more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8amtcg/joann_hunter_193lwy.mp3" length="228329813" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with one of Broadway’s most in-demand director/choreographers, Joann M. Hunter. On this episode, she discusses her career as a Broadway dancer, including the prank she played on Jonathan Pryce, why she loves working with Susan Stroman, rehearsing for 6 months with Jerome Robbins, putting Bebe Neuwirth into Chicago, what it’s like performing on the Tonys, the two Broadway shows she got without auditioning, going on at the last minute in Kiss Me, Kate, having her pig kidnapped by Sergio Trujillo, her mishap-filled audition for Thoroughly Modern Millie, and much more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7079</itunes:duration>
                <itunes:episode>92</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Randy Skinner</title>
        <itunes:title>Randy Skinner</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/90-randy-skinner/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/90-randy-skinner/#comments</comments>        <pubDate>Sat, 25 Dec 2021 18:02:55 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/642efac4-52a6-394f-867e-0de7bdec9d7f</guid>
                                    <description><![CDATA[<p class="p1">I am so thrilled to announce my episode with one of Broadway’s best director/choreographers, Tony Nominee Randy Skinner. His work can currently be seen in the Irving Berlin Cheek to Cheek at the York Theater off-Broadway:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://web.ovationtix.com/trs/cal/34375?sitePreference=normal'>Buy Tickets Here!</a></p>
<p class="p2"> </p>
<p class="p1">And before you see the show, tune in today to hear him discuss getting advice from Ginger Rogers, the popular Broadway marketing idea that he had first, what was great about the Kenley Players, why he loved rehearsing with Nell Carter, star-spotting Eloise Kropp, the process of working at Encores, the lesson he learned from Angela Lansbury’s Mame, why movies are his first love, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so thrilled to announce my episode with one of Broadway’s best director/choreographers, Tony Nominee Randy Skinner. His work can currently be seen in the Irving Berlin <em>Cheek to Cheek</em> at the York Theater off-Broadway:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://web.ovationtix.com/trs/cal/34375?sitePreference=normal'>Buy Tickets Here!</a></p>
<p class="p2"> </p>
<p class="p1">And before you see the show, tune in today to hear him discuss getting advice from Ginger Rogers, the popular Broadway marketing idea that he had first, what was great about the Kenley Players, why he loved rehearsing with Nell Carter, star-spotting Eloise Kropp, the process of working at Encores, the lesson he learned from Angela Lansbury’s <em>Mame</em>, why movies are his first love, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x6245s/Randy_Skinner65swe.mp3" length="164582962" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so thrilled to announce my episode with one of Broadway’s best director/choreographers, Tony Nominee Randy Skinner. His work can currently be seen in the Irving Berlin Cheek to Cheek at the York Theater off-Broadway:
 
Buy Tickets Here!
 
And before you see the show, tune in today to hear him discuss getting advice from Ginger Rogers, the popular Broadway marketing idea that he had first, what was great about the Kenley Players, why he loved rehearsing with Nell Carter, star-spotting Eloise Kropp, the process of working at Encores, the lesson he learned from Angela Lansbury’s Mame, why movies are his first love, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5074</itunes:duration>
                <itunes:episode>91</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Austin Pendleton Part 2</title>
        <itunes:title>Austin Pendleton Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/89-austin-pendleton-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/89-austin-pendleton-part-2/#comments</comments>        <pubDate>Thu, 16 Dec 2021 22:21:35 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/110c26aa-cde5-3eb7-97b7-75ee955c47f4</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce the 2nd part of my episode with the great Austin Pendleton. Tune in today to hear him to tell more of the stories of his long and legendary career, including: being directed by Samuel Beckett’s assistant, why Barbra Streisand is a great scene partner, the number 1 mistake among actors at auditions, what he thinks it will be like to return to The Minutes, why he’s banned from doing any Neil Simon plays, how he had to be kept a secret from Tommy Tune, and so much more. You can't help but be inspired by Austin Pendleton: a true man of the theater who has collected countless insights and stories from his wide-ranging career.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce the 2nd part of my episode with the great Austin Pendleton. Tune in today to hear him to tell more of the stories of his long and legendary career, including: being directed by Samuel Beckett’s assistant, why Barbra Streisand is a great scene partner, the number 1 mistake among actors at auditions, what he thinks it will be like to return to <em>The Minutes</em>, why he’s banned from doing any Neil Simon plays, how he had to be kept a secret from Tommy Tune, and so much more. You can't help but be inspired by Austin Pendleton: a true man of the theater who has collected countless insights and stories from his wide-ranging career.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uss395/pend2final.mp3" length="138831302" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce the 2nd part of my episode with the great Austin Pendleton. Tune in today to hear him to tell more of the stories of his long and legendary career, including: being directed by Samuel Beckett’s assistant, why Barbra Streisand is a great scene partner, the number 1 mistake among actors at auditions, what he thinks it will be like to return to The Minutes, why he’s banned from doing any Neil Simon plays, how he had to be kept a secret from Tommy Tune, and so much more. You can't help but be inspired by Austin Pendleton: a true man of the theater who has collected countless insights and stories from his wide-ranging career.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4292</itunes:duration>
                <itunes:episode>90</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Austin Pendleton Part 1</title>
        <itunes:title>Austin Pendleton Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/88-austin-pendleton-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/88-austin-pendleton-part-1/#comments</comments>        <pubDate>Sat, 27 Nov 2021 20:05:58 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/599e36d2-5f3b-3f70-9c20-71fa0ba409f9</guid>
                                    <description><![CDATA[<p class="p1">I am so excited to announce my episode today with a true man of the theater, the great Austin Pendleton. With countless legendary stage and screen credits including Fiddler on the Roof, The Little Foxes, My Cousin Vinny, and others, Austin has achieved fame as an actor, singer, playwright, director, teacher, and more. He’s very much still part of the theater community, and you can go see him now in The Dark Outside at the Theater for the New City:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://theaterforthenewcity.net/shows/the-dark-outside/'>The Dark Outside</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his legendary career, including why Barbara Harris didn’t want to be a star, a frank conversation with Jerome Robbins, what it was like being friends with Lillian Hellman, how Fiddler on the Roof almost closed in Detroit, his long partnership with Gretchen Cryer and Nancy Ford, the role he asked Mike Nichols to play, directing his mother in The Glass Menagerie, conversations with Otto Preminger, and so many more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so excited to announce my episode today with a true man of the theater, the great Austin Pendleton. With countless legendary stage and screen credits including <em>Fiddler on the Roof, The Little Foxes, My Cousin Vinny</em>, and others, Austin has achieved fame as an actor, singer, playwright, director, teacher, and more. He’s very much still part of the theater community, and you can go see him now in <em>The Dark Outside</em> at the Theater for the New City:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://theaterforthenewcity.net/shows/the-dark-outside/'>The Dark Outside</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear some of the stories of his legendary career, including why Barbara Harris didn’t want to be a star, a frank conversation with Jerome Robbins, what it was like being friends with Lillian Hellman, how <em>Fiddler on the Roof</em> almost closed in Detroit, his long partnership with Gretchen Cryer and Nancy Ford, the role he asked Mike Nichols to play, directing his mother in <em>The Glass Menagerie</em>, conversations with Otto Preminger, and so many more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p8utaz/pend1.mp3" length="140484583" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so excited to announce my episode today with a true man of the theater, the great Austin Pendleton. With countless legendary stage and screen credits including Fiddler on the Roof, The Little Foxes, My Cousin Vinny, and others, Austin has achieved fame as an actor, singer, playwright, director, teacher, and more. He’s very much still part of the theater community, and you can go see him now in The Dark Outside at the Theater for the New City:
 
The Dark Outside
 
Tune in to hear some of the stories of his legendary career, including why Barbara Harris didn’t want to be a star, a frank conversation with Jerome Robbins, what it was like being friends with Lillian Hellman, how Fiddler on the Roof almost closed in Detroit, his long partnership with Gretchen Cryer and Nancy Ford, the role he asked Mike Nichols to play, directing his mother in The Glass Menagerie, conversations with Otto Preminger, and so many more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4344</itunes:duration>
                <itunes:episode>89</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>John Rubinstein</title>
        <itunes:title>John Rubinstein</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/87-john-rubinstein-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/87-john-rubinstein-part-1/#comments</comments>        <pubDate>Thu, 25 Nov 2021 09:46:14 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ca447a1a-e960-33c0-8a62-94954d6230ba</guid>
                                    <description><![CDATA[<p>Today, I am so happy to announce my episode with the amazing John Rubinstein. John is currently starring off-Broadway in the wonderful new production Morning’s At Seven alongside Tony Roberts, Alley Mills, and more. You can buy tickets here:</p>
<p class="p1"><a href='https://www.telecharge.com/Off-Broadway/Mornings-At-Seven/Overview'>Morning's At Seven</a></p>
<p class="p1">Tune in today to hear him tell some of the stories of his legendary career, including playing “Soliloquy" for John Raitt, watching rehearsals of Funny Girl, advice from Laurence Olivier, early Shakespeare roles, a late night visit from Bob Fosse, how he almost got Cabaret—twice, what it was like to return to Pippin in 2013, and his advice for everyone else who plays the role.</p>
<p class="p1">His wisdom and charm are part of what has made him one of theater’s top stars from the 1970s to today.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am so happy to announce my episode with the amazing John Rubinstein. John is currently starring off-Broadway in the wonderful new production <em>Morning’s At Seven</em> alongside Tony Roberts, Alley Mills, and more. You can buy tickets here:</p>
<p class="p1"><a href='https://www.telecharge.com/Off-Broadway/Mornings-At-Seven/Overview'>Morning's At Seven</a></p>
<p class="p1">Tune in today to hear him tell some of the stories of his legendary career, including playing “Soliloquy" for John Raitt, watching rehearsals of <em>Funny Girl</em>, advice from Laurence Olivier, early Shakespeare roles, a late night visit from Bob Fosse, how he almost got <em>Cabaret—</em>twice, what it was like to return to <em>Pippin</em> in 2013, and his advice for everyone else who plays the role.</p>
<p class="p1">His wisdom and charm are part of what has made him one of theater’s top stars from the 1970s to today.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ddj9c3/Jrubystone1.mp3" length="163997752" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so happy to announce my episode with the amazing John Rubinstein. John is currently starring off-Broadway in the wonderful new production Morning’s At Seven alongside Tony Roberts, Alley Mills, and more. You can buy tickets here:
Morning's At Seven
Tune in today to hear him tell some of the stories of his legendary career, including playing “Soliloquy" for John Raitt, watching rehearsals of Funny Girl, advice from Laurence Olivier, early Shakespeare roles, a late night visit from Bob Fosse, how he almost got Cabaret—twice, what it was like to return to Pippin in 2013, and his advice for everyone else who plays the role.
His wisdom and charm are part of what has made him one of theater’s top stars from the 1970s to today.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5053</itunes:duration>
                <itunes:episode>88</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>David Staller</title>
        <itunes:title>David Staller</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/86-david-staller/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/86-david-staller/#comments</comments>        <pubDate>Sat, 20 Nov 2021 11:33:52 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/78c85490-f490-35c3-b691-aafd6249c677</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to announce my episode with artistic director of the Gingold Group David Staller. The Gingold Group is the only one in the world to have presented all 65 of George Bernard Shaw’s plays, and today is your last day to see their mounting of MRS. WARREN’S PROFESSION staring Karen Ziemba and Robert Cuccioli. Upcoming is a reading of Jay O. Sanders and MaryAnn Plunkett in VILLAGE WOOING. Tickets can be purchased here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.symphonyspace.org/event/294003/Theater/vp-shaws-village-wooing'>Village Wooing</a></p>
<p class="p2"> </p>
<p class="p1"><a href='https://gingoldgroup.org/boxoffice/'>Mrs. Warren's Profession</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear David tell some of the stories of his legendary career, including: an early shaw reading with Olivier, Fairbanks, Loos, and more, how he became friends with Pearl Bailey, turning down Hal Prince, the majesty of Rebecca Luker, why George Bernard Shaw was a pistol at 94, why he longs for the day when Shaw is no longer relevant, growing up around Hermoine Gingold, the art of editing Shaw, interviewing Rex Harrison, casting over Zoom, his advice to young performers and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to announce my episode with artistic director of the Gingold Group David Staller. The Gingold Group is the only one in the world to have presented all 65 of George Bernard Shaw’s plays, and today is your last day to see their mounting of MRS. WARREN’S PROFESSION staring Karen Ziemba and Robert Cuccioli. Upcoming is a reading of Jay O. Sanders and MaryAnn Plunkett in VILLAGE WOOING. Tickets can be purchased here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.symphonyspace.org/event/294003/Theater/vp-shaws-village-wooing'>Village Wooing</a></p>
<p class="p2"> </p>
<p class="p1"><a href='https://gingoldgroup.org/boxoffice/'>Mrs. Warren's Profession</a></p>
<p class="p2"> </p>
<p class="p1">Tune in to hear David tell some of the stories of his legendary career, including: an early shaw reading with Olivier, Fairbanks, Loos, and more, how he became friends with Pearl Bailey, turning down Hal Prince, the majesty of Rebecca Luker, why George Bernard Shaw was a pistol at 94, why he longs for the day when Shaw is no longer relevant, growing up around Hermoine Gingold, the art of editing Shaw, interviewing Rex Harrison, casting over Zoom, his advice to young performers and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r9jyu2/david_stallera29x9.mp3" length="113832455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce my episode with artistic director of the Gingold Group David Staller. The Gingold Group is the only one in the world to have presented all 65 of George Bernard Shaw’s plays, and today is your last day to see their mounting of MRS. WARREN’S PROFESSION staring Karen Ziemba and Robert Cuccioli. Upcoming is a reading of Jay O. Sanders and MaryAnn Plunkett in VILLAGE WOOING. Tickets can be purchased here:
 
Village Wooing
 
Mrs. Warren's Profession
 
Tune in to hear David tell some of the stories of his legendary career, including: an early shaw reading with Olivier, Fairbanks, Loos, and more, how he became friends with Pearl Bailey, turning down Hal Prince, the majesty of Rebecca Luker, why George Bernard Shaw was a pistol at 94, why he longs for the day when Shaw is no longer relevant, growing up around Hermoine Gingold, the art of editing Shaw, interviewing Rex Harrison, casting over Zoom, his advice to young performers and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3504</itunes:duration>
                <itunes:episode>87</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Howard McGillin</title>
        <itunes:title>Howard McGillin</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/85-howard-mcgillin/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/85-howard-mcgillin/#comments</comments>        <pubDate>Sun, 14 Nov 2021 20:05:50 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a8d4505a-bbe1-3c8a-897a-a3b786961d23</guid>
                                    <description><![CDATA[<p>I am so honored today to announce my episode with one of Broadway’s best leading men, Howard McGillin. In addition to being the longest running Phantom, his starring roles include Anything Goes, The Mystery of Edwin Drood, She Loves Me, Kiss of the Spiderwoman, and more. Tune in today to hear some of the stories of his career including auditioning for Stephen Sondheim, why the phantom’s mask is more comfortable than you might think, singing through Mack and Mabel with Jerry Herman, doing a dress rehearsal with a broken rib, why The Secret Garden resonated personally with him, the many changes of The Mystery of Edwin Drood, a fateful email from Charles Busch, learning to play piano, a backstage conversation with James Lapine, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>I am so honored today to announce my episode with one of Broadway’s best leading men, Howard McGillin. In addition to being the longest running Phantom, his starring roles include <em>Anything Goes, The Mystery of Edwin Drood, She Loves Me, Kiss of the Spiderwoman, </em>and more. Tune in today to hear some of the stories of his career including auditioning for Stephen Sondheim, why the phantom’s mask is more comfortable than you might think, singing through <em>Mack and Mabel</em> with Jerry Herman, doing a dress rehearsal with a broken rib, why <em>The Secret Garden</em> resonated personally with him, the many changes of <em>The Mystery of Edwin Drood</em>, a fateful email from Charles Busch, learning to play piano, a backstage conversation with James Lapine, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q77thd/HMcGill.mp3" length="203460745" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so honored today to announce my episode with one of Broadway’s best leading men, Howard McGillin. In addition to being the longest running Phantom, his starring roles include Anything Goes, The Mystery of Edwin Drood, She Loves Me, Kiss of the Spiderwoman, and more. Tune in today to hear some of the stories of his career including auditioning for Stephen Sondheim, why the phantom’s mask is more comfortable than you might think, singing through Mack and Mabel with Jerry Herman, doing a dress rehearsal with a broken rib, why The Secret Garden resonated personally with him, the many changes of The Mystery of Edwin Drood, a fateful email from Charles Busch, learning to play piano, a backstage conversation with James Lapine, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6253</itunes:duration>
                <itunes:episode>86</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sherman Yellen</title>
        <itunes:title>Sherman Yellen</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/84-sherman-yellen/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/84-sherman-yellen/#comments</comments>        <pubDate>Mon, 01 Nov 2021 18:59:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1cc87779-07e5-3d44-891f-8dcfe2f06b71</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Emmy Award Winner Sherman Yellen. On TV, his projects include Beauty and the Beast, An Early Frost, and The Adams Chronicles, and on stage he has written the book for Rex, The Rothschilds, and more. Tune in today to hear the many stories of his long career, including sitting under a piano with Marilyn Monroe, why he thought he caught tuberculosis from Harold Pinter, hiring Nicol Williamson, revising The Rothschilds, how he thinks theater has changed, his hit sketch for Oh, Calcutta!, analyzing Richard Rodgers, why he related to Sinclair Lewis, the antisemitism of Maureen O’Hara, why he thinks his newest plays are the best yet, and reflects on the world of opportunity in which he grew up. Mr. Yellen’s new book, Absent Friends, will be available soon.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with Emmy Award Winner Sherman Yellen. On TV, his projects include <em>Beauty and the Beast, An Early Frost, </em>and <em>The Adams Chronicles, </em>and on stage he has written the book for <em>Rex, The Rothschilds</em>, and more. Tune in today to hear the many stories of his long career, including sitting under a piano with Marilyn Monroe, why he thought he caught tuberculosis from Harold Pinter, hiring Nicol Williamson, revising <em>The Rothschilds</em>, how he thinks theater has changed, his hit sketch for <em>Oh, Calcutta!</em>, analyzing Richard Rodgers, why he related to Sinclair Lewis, the antisemitism of Maureen O’Hara, why he thinks his newest plays are the best yet, and reflects on the world of opportunity in which he grew up. Mr. Yellen’s new book, <em>Absent Friends</em>, will be available soon.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z7pbiy/syell_1900hq.mp3" length="208761956" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with Emmy Award Winner Sherman Yellen. On TV, his projects include Beauty and the Beast, An Early Frost, and The Adams Chronicles, and on stage he has written the book for Rex, The Rothschilds, and more. Tune in today to hear the many stories of his long career, including sitting under a piano with Marilyn Monroe, why he thought he caught tuberculosis from Harold Pinter, hiring Nicol Williamson, revising The Rothschilds, how he thinks theater has changed, his hit sketch for Oh, Calcutta!, analyzing Richard Rodgers, why he related to Sinclair Lewis, the antisemitism of Maureen O’Hara, why he thinks his newest plays are the best yet, and reflects on the world of opportunity in which he grew up. Mr. Yellen’s new book, Absent Friends, will be available soon.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6451</itunes:duration>
                <itunes:episode>85</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>2020 Tonys Extravaganza!!</title>
        <itunes:title>2020 Tonys Extravaganza!!</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/83-2020-tonys-extravaganza/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/83-2020-tonys-extravaganza/#comments</comments>        <pubDate>Mon, 11 Oct 2021 08:45:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bdbb9bb8-4f96-3b48-9332-4e1c6176254a</guid>
                                    <description><![CDATA[<p class="p1">Today on Backstage Babble, I am so thrilled to present my celebration of the 2020 Tony Awards. The four-hour ceremony can still be viewed on Paramount+ and the CBS App. The evening begins with a few photos and video interviews from the red carpet. I was also invited to be part of the virtual press room for this year’s ceremony, and you can see the questions I got to ask to the night’s winners including Lois Smith, Alex Timbers, and Anthony Veneziale. You can also see longer interview clips that include my questions with director Kenny Leon and playwright Matthew Lopez, because what they said was so powerful it had to be shared. Following this, my extended 40-minute interview with legendary Broadway press agent and producer Irene Gandy, who shares many stories of her career, including learning from Douglas Turner Ward, walking into the New York Times office wearing hot pants, why attitudes about press have changed, the magic of August: Osage County, and the way in which she saw racism in the publicity industry.</p>
<p class="p2"> </p>
<p class="p1">This program is best viewed in a video format, which is available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.youtube.com/watch?v=1p91K_oSS9U/'>https://www.youtube.com/watch?v=1p91K_oSS9U/</a></p>
<p class="p2"> </p>
<p class="p1">You can watch Ms. Gandy’s Tonys speech here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.youtube.com/watch?v=ffx2MRRCzPY&t=81s/'>https://www.youtube.com/watch?v=ffx2MRRCzPY&t=81s/</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today on Backstage Babble, I am so thrilled to present my celebration of the 2020 Tony Awards. The four-hour ceremony can still be viewed on Paramount+ and the CBS App. The evening begins with a few photos and video interviews from the red carpet. I was also invited to be part of the virtual press room for this year’s ceremony, and you can see the questions I got to ask to the night’s winners including Lois Smith, Alex Timbers, and Anthony Veneziale. You can also see longer interview clips that include my questions with director Kenny Leon and playwright Matthew Lopez, because what they said was so powerful it had to be shared. Following this, my extended 40-minute interview with legendary Broadway press agent and producer Irene Gandy, who shares many stories of her career, including learning from Douglas Turner Ward, walking into the New York Times office wearing hot pants, why attitudes about press have changed, the magic of <em>August: Osage County</em>, and the way in which she saw racism in the publicity industry.</p>
<p class="p2"> </p>
<p class="p1">This program is best viewed in a video format, which is available here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.youtube.com/watch?v=1p91K_oSS9U/'>https://www.youtube.com/watch?v=1p91K_oSS9U/</a></p>
<p class="p2"> </p>
<p class="p1">You can watch Ms. Gandy’s Tonys speech here:</p>
<p class="p2"> </p>
<p class="p1"><a href='https://www.youtube.com/watch?v=ffx2MRRCzPY&t=81s/'>https://www.youtube.com/watch?v=ffx2MRRCzPY&t=81s/</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e3ms62/tonys_ceremony7qpyu.mp3" length="129811538" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today on Backstage Babble, I am so thrilled to present my celebration of the 2020 Tony Awards. The four-hour ceremony can still be viewed on Paramount+ and the CBS App. The evening begins with a few photos and video interviews from the red carpet. I was also invited to be part of the virtual press room for this year’s ceremony, and you can see the questions I got to ask to the night’s winners including Lois Smith, Alex Timbers, and Anthony Veneziale. You can also see longer interview clips that include my questions with director Kenny Leon and playwright Matthew Lopez, because what they said was so powerful it had to be shared. Following this, my extended 40-minute interview with legendary Broadway press agent and producer Irene Gandy, who shares many stories of her career, including learning from Douglas Turner Ward, walking into the New York Times office wearing hot pants, why attitudes about press have changed, the magic of August: Osage County, and the way in which she saw racism in the publicity industry.
 
This program is best viewed in a video format, which is available here:
 
https://www.youtube.com/watch?v=1p91K_oSS9U/
 
You can watch Ms. Gandy’s Tonys speech here:
 
https://www.youtube.com/watch?v=ffx2MRRCzPY&t=81s/]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4007</itunes:duration>
                <itunes:episode>84</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Meg Bussert</title>
        <itunes:title>Meg Bussert</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/82-meg-bussert/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/82-meg-bussert/#comments</comments>        <pubDate>Sat, 02 Oct 2021 16:58:28 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c4c526ef-b12e-3776-90c8-2f6f097961ee</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so honored to announce my episode with the amazing Meg Bussert. Meg transitioned from being one of the most active ingenues on Broadway in the 1980s to one of the most sought-after character actresses today. Hear her tell some of the stories of her amazing career on our interview, including a suggestion she got from Meredith Willson, the direction from Michael Kidd that left her speechless, how she made Debbie Reynolds nervous, why John Raitt wasn’t right for Petruchio, figuring out an accent for South Pacific, her go-to audition song, the magic of Tessie O’Shea and Gemze De Lappe, how she set off a fire alarm at the Westchester Broadway Theater, a telegram from Mary Martin, plus Edward Gorey, Barbara Cook, Alan Jay Lerner, and more!! You can also see her in a celebration of Jonathan Tunick happening October 2 at the Sharon Playhouse. Tickets are available here: <a href='https://www.sharonplayhouse.org/2021spotlight'>https://www.sharonplayhouse.org/2021spotlight</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so honored to announce my episode with the amazing Meg Bussert. Meg transitioned from being one of the most active ingenues on Broadway in the 1980s to one of the most sought-after character actresses today. Hear her tell some of the stories of her amazing career on our interview, including a suggestion she got from Meredith Willson, the direction from Michael Kidd that left her speechless, how she made Debbie Reynolds nervous, why John Raitt wasn’t right for Petruchio, figuring out an accent for <em>South Pacific</em>, her go-to audition song, the magic of Tessie O’Shea and Gemze De Lappe, how she set off a fire alarm at the Westchester Broadway Theater, a telegram from Mary Martin, plus Edward Gorey, Barbara Cook, Alan Jay Lerner, and more!! You can also see her in a celebration of Jonathan Tunick happening October 2 at the Sharon Playhouse. Tickets are available here: <a href='https://www.sharonplayhouse.org/2021spotlight'>https://www.sharonplayhouse.org/2021spotlight</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7i3in2/MegBuss.mp3" length="142578341" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so honored to announce my episode with the amazing Meg Bussert. Meg transitioned from being one of the most active ingenues on Broadway in the 1980s to one of the most sought-after character actresses today. Hear her tell some of the stories of her amazing career on our interview, including a suggestion she got from Meredith Willson, the direction from Michael Kidd that left her speechless, how she made Debbie Reynolds nervous, why John Raitt wasn’t right for Petruchio, figuring out an accent for South Pacific, her go-to audition song, the magic of Tessie O’Shea and Gemze De Lappe, how she set off a fire alarm at the Westchester Broadway Theater, a telegram from Mary Martin, plus Edward Gorey, Barbara Cook, Alan Jay Lerner, and more!! You can also see her in a celebration of Jonathan Tunick happening October 2 at the Sharon Playhouse. Tickets are available here: https://www.sharonplayhouse.org/2021spotlight]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4393</itunes:duration>
                <itunes:episode>83</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>APPLAUSE Reunion</title>
        <itunes:title>APPLAUSE Reunion</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/81-applause-reunion/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/81-applause-reunion/#comments</comments>        <pubDate>Sat, 25 Sep 2021 12:22:07 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0f045e00-a650-3938-bbc5-d818527f5ef8</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to bring you the audio version of my recent reunion of the 1970 hit show APPLAUSE, which is available in full video with photos included here:</p>
<p class="p1"> </p>
<p class="p2"><a href='https://www.youtube.com/watch?v=ex5cr3T7ASc'>https://www.youtube.com/watch?v=ex5cr3T7ASc</a></p>
<p class="p1"> </p>
<p class="p1">Participants include Tony Winner and Broadway Legend Len Cariou, Previous Guests Penny Fuller, Lee Roy Reams, Brandon Maggart, and Susan L. Schulman, 9-Time Tony nominated Lighting Designer Ken Billington, Arranger and Orchestrator Mel Marvin, and dancers Michael Misita, Marilyn D'Honau, and Patti D'Beck.</p>
<p class="p1"> </p>
<p class="p1">Wonderful stories abound about the creation of this legendary musical.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to bring you the audio version of my recent reunion of the 1970 hit show APPLAUSE, which is available in full video with photos included here:</p>
<p class="p1"> </p>
<p class="p2"><a href='https://www.youtube.com/watch?v=ex5cr3T7ASc'>https://www.youtube.com/watch?v=ex5cr3T7ASc</a></p>
<p class="p1"> </p>
<p class="p1">Participants include Tony Winner and Broadway Legend Len Cariou, Previous Guests Penny Fuller, Lee Roy Reams, Brandon Maggart, and Susan L. Schulman, 9-Time Tony nominated Lighting Designer Ken Billington, Arranger and Orchestrator Mel Marvin, and dancers Michael Misita, Marilyn D'Honau, and Patti D'Beck.</p>
<p class="p1"> </p>
<p class="p1">Wonderful stories abound about the creation of this legendary musical.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p4t38r/applaudio.mp3" length="219256131" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to bring you the audio version of my recent reunion of the 1970 hit show APPLAUSE, which is available in full video with photos included here:
 
https://www.youtube.com/watch?v=ex5cr3T7ASc
 
Participants include Tony Winner and Broadway Legend Len Cariou, Previous Guests Penny Fuller, Lee Roy Reams, Brandon Maggart, and Susan L. Schulman, 9-Time Tony nominated Lighting Designer Ken Billington, Arranger and Orchestrator Mel Marvin, and dancers Michael Misita, Marilyn D'Honau, and Patti D'Beck.
 
Wonderful stories abound about the creation of this legendary musical.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6788</itunes:duration>
                <itunes:episode>82</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Julie Budd</title>
        <itunes:title>Julie Budd</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/80-julie-budd/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/80-julie-budd/#comments</comments>        <pubDate>Mon, 13 Sep 2021 12:32:13 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d5ebef94-8013-377b-b4d1-7e543e15782a</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with the fabulous Julie Budd! She started at the age of 11 in the Catskills, and since then has performed at the Kennedy Center, Caesar’s Palace, Birdland, and many other illustrious venues. She also has made many notable appearances on Broadway and in Hollywood. And today, she joins me on Backstage Babble to tell some of the stories of her legendary career, including: conversing with a pantsless George Burns, the advice Frank Sinatra gave her, doing homework in Ed Sullivan’s apartment, the philosophy of Bob Hope, why she thought everyone on Broadway was crazy, getting discovered by Herb Bernstein, Marvin Hamlisch’s odd sleeping habits, why working for Disney was the highlight of her life, and so much more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so thrilled to announce my episode with the fabulous Julie Budd! She started at the age of 11 in the Catskills, and since then has performed at the Kennedy Center, Caesar’s Palace, Birdland, and many other illustrious venues. She also has made many notable appearances on Broadway and in Hollywood. And today, she joins me on Backstage Babble to tell some of the stories of her legendary career, including: conversing with a pantsless George Burns, the advice Frank Sinatra gave her, doing homework in Ed Sullivan’s apartment, the philosophy of Bob Hope, why she thought everyone on Broadway was crazy, getting discovered by Herb Bernstein, Marvin Hamlisch’s odd sleeping habits, why working for Disney was the highlight of her life, and so much more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xs5n9x/budd.mp3" length="171463481" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so thrilled to announce my episode with the fabulous Julie Budd! She started at the age of 11 in the Catskills, and since then has performed at the Kennedy Center, Caesar’s Palace, Birdland, and many other illustrious venues. She also has made many notable appearances on Broadway and in Hollywood. And today, she joins me on Backstage Babble to tell some of the stories of her legendary career, including: conversing with a pantsless George Burns, the advice Frank Sinatra gave her, doing homework in Ed Sullivan’s apartment, the philosophy of Bob Hope, why she thought everyone on Broadway was crazy, getting discovered by Herb Bernstein, Marvin Hamlisch’s odd sleeping habits, why working for Disney was the highlight of her life, and so much more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5270</itunes:duration>
                <itunes:episode>81</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ethan Mordden</title>
        <itunes:title>Ethan Mordden</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/79-ethan-mordden/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/79-ethan-mordden/#comments</comments>        <pubDate>Thu, 09 Sep 2021 22:26:03 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/82088f45-6724-3d4d-a9da-36523dd7c619</guid>
                                    <description><![CDATA[<p>Today, I am so excited to announce my episode with one of the foremost theater historians and one of my personal heroes, the great Ethan Mordden. You may know his legendary decades series or his myriad other books, but today we are here to talk about his newest release, Pick a Pocket or Two: A History of British Musical Theatre. The book is a must-read and can be purchased here: <a href='https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr='>https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=</a> Mr. Mordden tells quite a few tales on today’s episode, including watching a sedentary Elaine Stritch, a brilliant change by Alan Jay Lerner, a shocking fact about Eva LeGallienne, how Oliver revitalized the British musical as a form, performing his own songs for Richard Rodgers, the differences between Gilbert and Sullivan, how a Madame Tussaud’s wax dummy opened a musical, why he doesn’t conduct interviews for his books, and the shows he classifies as pop operas (some may surprise you). Plus Ivor Novello, Susan Johnson, Charlie Stemp, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am so excited to announce my episode with one of the foremost theater historians and one of my personal heroes, the great Ethan Mordden. You may know his legendary decades series or his myriad other books, but today we are here to talk about his newest release, <em>Pick a Pocket or Two: A History of British Musical Theatre</em>. The book is a must-read and can be purchased here: <a href='https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr='>https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=</a> Mr. Mordden tells quite a few tales on today’s episode, including watching a sedentary Elaine Stritch, a brilliant change by Alan Jay Lerner, a shocking fact about Eva LeGallienne, how <em>Oliver</em> revitalized the British musical as a form, performing his own songs for Richard Rodgers, the differences between Gilbert and Sullivan, how a Madame Tussaud’s wax dummy opened a musical, why he doesn’t conduct interviews for his books, and the shows he classifies as pop operas (some may surprise you). Plus Ivor Novello, Susan Johnson, Charlie Stemp, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b559hr/Mordden.mp3" length="189383455" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to announce my episode with one of the foremost theater historians and one of my personal heroes, the great Ethan Mordden. You may know his legendary decades series or his myriad other books, but today we are here to talk about his newest release, Pick a Pocket or Two: A History of British Musical Theatre. The book is a must-read and can be purchased here: https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= Mr. Mordden tells quite a few tales on today’s episode, including watching a sedentary Elaine Stritch, a brilliant change by Alan Jay Lerner, a shocking fact about Eva LeGallienne, how Oliver revitalized the British musical as a form, performing his own songs for Richard Rodgers, the differences between Gilbert and Sullivan, how a Madame Tussaud’s wax dummy opened a musical, why he doesn’t conduct interviews for his books, and the shows he classifies as pop operas (some may surprise you). Plus Ivor Novello, Susan Johnson, Charlie Stemp, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5802</itunes:duration>
                <itunes:episode>80</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nancy Dussault Part 2</title>
        <itunes:title>Nancy Dussault Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/78-nancy-dussault-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/78-nancy-dussault-part-2/#comments</comments>        <pubDate>Wed, 01 Sep 2021 21:12:08 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d68a0146-d3cf-33b7-9d09-8c638f5f59ae</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to release today Part 2 of my episode with the amazing Nancy Dussault, where she talks about the latter half of her career, including Into the Woods and Side By Side By Sondheim, plus Too Close For Comfort, Good Morning America, and more. The stories abound once again: her quintessential New York experience, hectic times on the sets of Barney Miller and Mad About You, how doing the weather on TV turned into an unplanned comedy routine, why Ted Knight could be very controlling, how she found the character of the Witch, why she forgot where she was one night on the stage of the Martin Beck Theater, her involvement with the show Cabaret, plus Dick Van Dyke, Hermoine Gingold, Stephen Sondheim, and more!</p>
<p class="p1">Find PICK A POCKET OR TWO: https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to release today Part 2 of my episode with the amazing Nancy Dussault, where she talks about the latter half of her career, including <em>Into the Woods </em>and <em>Side By Side By Sondheim</em>, plus <em>Too Close For Comfort, Good Morning America</em>, and more. The stories abound once again: her quintessential New York experience, hectic times on the sets of <em>Barney Miller</em> and <em>Mad About You</em>, how doing the weather on TV turned into an unplanned comedy routine, why Ted Knight could be very controlling, how she found the character of the Witch, why she forgot where she was one night on the stage of the Martin Beck Theater, her involvement with the show <em>Cabaret</em>, plus Dick Van Dyke, Hermoine Gingold, Stephen Sondheim, and more!</p>
<p class="p1">Find PICK A POCKET OR TWO: https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g5emst/Doozy2.mp3" length="119314553" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to release today Part 2 of my episode with the amazing Nancy Dussault, where she talks about the latter half of her career, including Into the Woods and Side By Side By Sondheim, plus Too Close For Comfort, Good Morning America, and more. The stories abound once again: her quintessential New York experience, hectic times on the sets of Barney Miller and Mad About You, how doing the weather on TV turned into an unplanned comedy routine, why Ted Knight could be very controlling, how she found the character of the Witch, why she forgot where she was one night on the stage of the Martin Beck Theater, her involvement with the show Cabaret, plus Dick Van Dyke, Hermoine Gingold, Stephen Sondheim, and more!
Find PICK A POCKET OR TWO: https://www.amazon.com/Pick-Pocket-Two-History-British/dp/0190877952]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3700</itunes:duration>
                <itunes:episode>79</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nancy Dussault Part 1</title>
        <itunes:title>Nancy Dussault Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/77-nancy-dussault-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/77-nancy-dussault-part-1/#comments</comments>        <pubDate>Sun, 29 Aug 2021 22:04:33 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a1a9f1e9-569e-3a9e-8725-31ed5b8953d6</guid>
                                    <description><![CDATA[<p class="p1">I am so thrilled today to announce Part 1 of my episode with Broadway star and Tony Nominee Nancy Dussault. She’s done it all: from starring on Broadway in Do Re Mi, The Sound of Music, and Bajour, to her memorable appearances on screen in Too Close for Comfort, The In-Laws, and more. In this candid and funny conversation, she shares just some of the stories of her amazing career. Those include a quip from Judy Garland, how Garson Kanin made her cry, why she felt uncomfortable around Richard Rodgers, why it’s so rare to be a Broadway star, the art of putting together a cabaret act, watching her name go up on a marquee, the brilliance of Joseph Papp and John Kenley, the kindness of Lady Bird Johnson, the one project of hers she would love to see a video of, her signature audition songs, compliments from Lena Horne and Jule Styne, plus Liza Minnelli, Marc Blitzstein, Burton Lane, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so thrilled today to announce Part 1 of my episode with Broadway star and Tony Nominee Nancy Dussault. She’s done it all: from starring on Broadway in <em>Do Re Mi, The Sound of Music, </em>and <em>Bajour</em>, to her memorable appearances on screen in <em>Too Close for Comfort, The In-Laws</em>, and more. In this candid and funny conversation, she shares just some of the stories of her amazing career. Those include a quip from Judy Garland, how Garson Kanin made her cry, why she felt uncomfortable around Richard Rodgers, why it’s so rare to be a Broadway star, the art of putting together a cabaret act, watching her name go up on a marquee, the brilliance of Joseph Papp and John Kenley, the kindness of Lady Bird Johnson, the one project of hers she would love to see a video of, her signature audition songs, compliments from Lena Horne and Jule Styne, plus Liza Minnelli, Marc Blitzstein, Burton Lane, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kamxeu/nandoozy1.mp3" length="180925473" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so thrilled today to announce Part 1 of my episode with Broadway star and Tony Nominee Nancy Dussault. She’s done it all: from starring on Broadway in Do Re Mi, The Sound of Music, and Bajour, to her memorable appearances on screen in Too Close for Comfort, The In-Laws, and more. In this candid and funny conversation, she shares just some of the stories of her amazing career. Those include a quip from Judy Garland, how Garson Kanin made her cry, why she felt uncomfortable around Richard Rodgers, why it’s so rare to be a Broadway star, the art of putting together a cabaret act, watching her name go up on a marquee, the brilliance of Joseph Papp and John Kenley, the kindness of Lady Bird Johnson, the one project of hers she would love to see a video of, her signature audition songs, compliments from Lena Horne and Jule Styne, plus Liza Minnelli, Marc Blitzstein, Burton Lane, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5605</itunes:duration>
                <itunes:episode>78</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Cast and Creative Team of THE SIXTH REEL</title>
        <itunes:title>The Cast and Creative Team of THE SIXTH REEL</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/76-the-cast-and-creative-team-of-the-sixth-reel/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/76-the-cast-and-creative-team-of-the-sixth-reel/#comments</comments>        <pubDate>Thu, 19 Aug 2021 12:42:17 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/72d055e5-2ca6-3bc3-8b82-e199418d18e8</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to be joined for today’s episode by the cast and crew of the new film THE SIXTH REEL: co-writer, co-director, and star Charles Busch, co-writer and co-director Carl Andress, and actor Doug Plaut. The movie premieres at OutFest in LA today, August 19th, and streams online through the 22nd. It is a fabulous movie which you can find tickets for here: <a href='https://outfestla2021.com/the-sixth-reel/'>https://outfestla2021.com/the-sixth-reel/</a>. But before you watch, listen to all the behind-the-scenes stories only on Backstage Babble. They talk about the rocky road to getting the movie produced, how the idea evolved from 2012 until now, ideas from other cast members, how they explain the positive response so far, the way they all got interested in classic movies, hidden easter eggs, Covid precautions, virtual casting, the editing process, and more. You can also find stories about cast members Margaret Cho, Julie Halston, Tim Daly, and Heather MacRae, plus Edie Adams and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to be joined for today’s episode by the cast and crew of the new film THE SIXTH REEL: co-writer, co-director, and star Charles Busch, co-writer and co-director Carl Andress, and actor Doug Plaut. The movie premieres at OutFest in LA today, August 19th, and streams online through the 22nd. It is a fabulous movie which you can find tickets for here: <a href='https://outfestla2021.com/the-sixth-reel/'>https://outfestla2021.com/the-sixth-reel/</a>. But before you watch, listen to all the behind-the-scenes stories only on Backstage Babble. They talk about the rocky road to getting the movie produced, how the idea evolved from 2012 until now, ideas from other cast members, how they explain the positive response so far, the way they all got interested in classic movies, hidden easter eggs, Covid precautions, virtual casting, the editing process, and more. You can also find stories about cast members Margaret Cho, Julie Halston, Tim Daly, and Heather MacRae, plus Edie Adams and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/axzf49/6reel.mp3" length="147596440" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to be joined for today’s episode by the cast and crew of the new film THE SIXTH REEL: co-writer, co-director, and star Charles Busch, co-writer and co-director Carl Andress, and actor Doug Plaut. The movie premieres at OutFest in LA today, August 19th, and streams online through the 22nd. It is a fabulous movie which you can find tickets for here: https://outfestla2021.com/the-sixth-reel/. But before you watch, listen to all the behind-the-scenes stories only on Backstage Babble. They talk about the rocky road to getting the movie produced, how the idea evolved from 2012 until now, ideas from other cast members, how they explain the positive response so far, the way they all got interested in classic movies, hidden easter eggs, Covid precautions, virtual casting, the editing process, and more. You can also find stories about cast members Margaret Cho, Julie Halston, Tim Daly, and Heather MacRae, plus Edie Adams and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4557</itunes:duration>
                <itunes:episode>77</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Brandon Maggart Part 2</title>
        <itunes:title>Brandon Maggart Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/75-brandon-maggart-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/75-brandon-maggart-part-2/#comments</comments>        <pubDate>Mon, 16 Aug 2021 22:45:07 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4a7f74e8-dc3c-3f41-89d8-c7a3356637c1</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to announce Part 2 of my episode with Broadway legend Brandon Maggart. He discusses the second half of his amazing career with me, including: how he almost missed a performance of Lorelei, the machinations of Carol Channing, the reason One Night Stand didn’t play well to audiences, the most touching audience response he ever received, how a nightclub performance led to Sesame Street, the TV show he almost originated (hint: it happens every Saturday night), playing a trick on Howard Keel, and the Broadway show he contributed to. He also opens up about his struggle with addiction and the loss of his daughter. Brandon is inspiring, thoughtful, funny, wise—-truly one of a kind. You can’t miss this!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to announce Part 2 of my episode with Broadway legend Brandon Maggart. He discusses the second half of his amazing career with me, including: how he almost missed a performance of <em>Lorelei</em>, the machinations of Carol Channing, the reason <em>One Night Stand</em> didn’t play well to audiences, the most touching audience response he ever received, how a nightclub performance led to <em>Sesame Street</em>, the TV show he almost originated (hint: it happens every Saturday night), playing a trick on Howard Keel, and the Broadway show he contributed to. He also opens up about his struggle with addiction and the loss of his daughter. Brandon is inspiring, thoughtful, funny, wise—-truly one of a kind. You can’t miss this!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ksbu2z/bm2.mp3" length="246724597" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to announce Part 2 of my episode with Broadway legend Brandon Maggart. He discusses the second half of his amazing career with me, including: how he almost missed a performance of Lorelei, the machinations of Carol Channing, the reason One Night Stand didn’t play well to audiences, the most touching audience response he ever received, how a nightclub performance led to Sesame Street, the TV show he almost originated (hint: it happens every Saturday night), playing a trick on Howard Keel, and the Broadway show he contributed to. He also opens up about his struggle with addiction and the loss of his daughter. Brandon is inspiring, thoughtful, funny, wise—-truly one of a kind. You can’t miss this!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7617</itunes:duration>
                <itunes:episode>76</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Brandon Maggart Part 1</title>
        <itunes:title>Brandon Maggart Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/74-brandon-maggart-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/74-brandon-maggart-part-1/#comments</comments>        <pubDate>Mon, 09 Aug 2021 22:17:46 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6ccb1688-9da3-3769-810f-f268a95af2f1</guid>
                                    <description><![CDATA[<p class="p1">On August 4th, Backstage Babble celebrated its 1st anniversary. And I can’t think of a better way to kick off Year #2 than my conversation with Broadway legend Brandon Maggart, of Applause, Lorelei, and so many more. In Part 1 of our conversation, he tells some of the stories of his long career, including: his unusual audition for Kelly, an accident at Radio City Music Hall, why Lauren Bacall did not get along with stagehands, obnoxious comments by Leonard Sillman and Robert Klein, the starring role he turned down, a moving moment with Anita Gillette, an onstage mistake by Arlene Dahl, how Lee Roy Reams covered for him at the Cherry Lane, having to fire his future wife, plus stories about Helen Gallagher, Karen Morrow, John Cullum, and more! Through the lens of his own career, Brandon also offers helpful insights for young performers.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">On August 4th, Backstage Babble celebrated its 1st anniversary. And I can’t think of a better way to kick off Year #2 than my conversation with Broadway legend Brandon Maggart, of <em>Applause, Lorelei,</em> and so many more. In Part 1 of our conversation, he tells some of the stories of his long career, including: his unusual audition for <em>Kelly</em>, an accident at Radio City Music Hall, why Lauren Bacall did not get along with stagehands, obnoxious comments by Leonard Sillman and Robert Klein, the starring role he turned down, a moving moment with Anita Gillette, an onstage mistake by Arlene Dahl, how Lee Roy Reams covered for him at the Cherry Lane, having to fire his future wife, plus stories about Helen Gallagher, Karen Morrow, John Cullum, and more! Through the lens of his own career, Brandon also offers helpful insights for young performers.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a5peab/bm1.mp3" length="180365156" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On August 4th, Backstage Babble celebrated its 1st anniversary. And I can’t think of a better way to kick off Year #2 than my conversation with Broadway legend Brandon Maggart, of Applause, Lorelei, and so many more. In Part 1 of our conversation, he tells some of the stories of his long career, including: his unusual audition for Kelly, an accident at Radio City Music Hall, why Lauren Bacall did not get along with stagehands, obnoxious comments by Leonard Sillman and Robert Klein, the starring role he turned down, a moving moment with Anita Gillette, an onstage mistake by Arlene Dahl, how Lee Roy Reams covered for him at the Cherry Lane, having to fire his future wife, plus stories about Helen Gallagher, Karen Morrow, John Cullum, and more! Through the lens of his own career, Brandon also offers helpful insights for young performers.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5566</itunes:duration>
                <itunes:episode>75</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Alan Bergman</title>
        <itunes:title>Alan Bergman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/73-alan-bergman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/73-alan-bergman/#comments</comments>        <pubDate>Mon, 26 Jul 2021 22:15:44 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4dd9685d-3a3d-37cb-a7c5-7b5cd903d65e</guid>
                                    <description><![CDATA[<p class="p1">As Backstage Babble approaches it’s year anniversary, I will be airing some of the episodes that best exemplify what I have been trying to do with this podcast. And certainly my conversation with the legendary Alan Bergman fits in that category. At 95, he was able to offer incredible wisdom and stories that are a must-hear for younger generations. He shares the secret to movie scoring, how Fred Astaire made an exception for him, Frank Sinatra’s nickname for him, the unusual prompt that led him to “What Are You Doing the Rest of Your Life?,” which comes first: the lyrics or the music, the secret to his long-lasting partnership with his wife, Marilyn Bergman, how the idea for Something More! Came about, his musical influences growing up, and the two books every young songwriter must read. Plus: Norman Lear, Barbra Streisand, Michel LeGrand, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">As Backstage Babble approaches it’s year anniversary, I will be airing some of the episodes that best exemplify what I have been trying to do with this podcast. And certainly my conversation with the legendary Alan Bergman fits in that category. At 95, he was able to offer incredible wisdom and stories that are a must-hear for younger generations. He shares the secret to movie scoring, how Fred Astaire made an exception for him, Frank Sinatra’s nickname for him, the unusual prompt that led him to “What Are You Doing the Rest of Your Life?,” which comes first: the lyrics or the music, the secret to his long-lasting partnership with his wife, Marilyn Bergman, how the idea for <em>Something More! </em>Came about, his musical influences growing up, and the two books every young songwriter must read. Plus: Norman Lear, Barbra Streisand, Michel LeGrand, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pxggmx/abergman.mp3" length="80668830" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As Backstage Babble approaches it’s year anniversary, I will be airing some of the episodes that best exemplify what I have been trying to do with this podcast. And certainly my conversation with the legendary Alan Bergman fits in that category. At 95, he was able to offer incredible wisdom and stories that are a must-hear for younger generations. He shares the secret to movie scoring, how Fred Astaire made an exception for him, Frank Sinatra’s nickname for him, the unusual prompt that led him to “What Are You Doing the Rest of Your Life?,” which comes first: the lyrics or the music, the secret to his long-lasting partnership with his wife, Marilyn Bergman, how the idea for Something More! Came about, his musical influences growing up, and the two books every young songwriter must read. Plus: Norman Lear, Barbra Streisand, Michel LeGrand, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2476</itunes:duration>
                <itunes:episode>74</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Christine Pedi</title>
        <itunes:title>Christine Pedi</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/72-christine-pedi/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/72-christine-pedi/#comments</comments>        <pubDate>Mon, 19 Jul 2021 22:11:49 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1a888556-396c-349b-9f9d-e2c20cfce589</guid>
                                    <description><![CDATA[<p class="p1">After a short break, Backstage Babble is BACK, and I am so proud to present my episode with the extraordinarily talented singer, actress, and comedian Christine Pedi. With a career spanning three Broadway shows, a daily radio show on Sirius XM, long-running stints off-Broadway in two hit parody shows, several York Theater revivals, appearances on quite a few hit TV shows, and an ever-growing cabaret career, how could she not have stories to tell? Tune in to hear her talk about how she surprised her parents with her role in Chicago, the Forbidden Broadway skit that she suggested, the magic of Alvin Colt, the advice Jerry Herman gave her, getting compliments from Helen Gurley Brown, imitating Suze Orman to Suze Orman, the logistics of putting together a radio show, how Act One affected her Father, and what she hopes everyone will have learned from Covid. Plus: Angela Lansbury, Gerard Alessandrini, Rick Crom, Fran Weissler, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">After a short break, Backstage Babble is BACK, and I am so proud to present my episode with the extraordinarily talented singer, actress, and comedian Christine Pedi. With a career spanning three Broadway shows, a daily radio show on Sirius XM, long-running stints off-Broadway in two hit parody shows, several York Theater revivals, appearances on quite a few hit TV shows, and an ever-growing cabaret career, how could she not have stories to tell? Tune in to hear her talk about how she surprised her parents with her role in <em>Chicago</em>, the <em>Forbidden Broadway</em> skit that she suggested, the magic of Alvin Colt, the advice Jerry Herman gave her, getting compliments from Helen Gurley Brown, imitating Suze Orman to Suze Orman, the logistics of putting together a radio show, how <em>Act One</em> affected her Father, and what she hopes everyone will have learned from Covid. Plus: Angela Lansbury, Gerard Alessandrini, Rick Crom, Fran Weissler, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s5df9u/cpedi.mp3" length="208495768" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After a short break, Backstage Babble is BACK, and I am so proud to present my episode with the extraordinarily talented singer, actress, and comedian Christine Pedi. With a career spanning three Broadway shows, a daily radio show on Sirius XM, long-running stints off-Broadway in two hit parody shows, several York Theater revivals, appearances on quite a few hit TV shows, and an ever-growing cabaret career, how could she not have stories to tell? Tune in to hear her talk about how she surprised her parents with her role in Chicago, the Forbidden Broadway skit that she suggested, the magic of Alvin Colt, the advice Jerry Herman gave her, getting compliments from Helen Gurley Brown, imitating Suze Orman to Suze Orman, the logistics of putting together a radio show, how Act One affected her Father, and what she hopes everyone will have learned from Covid. Plus: Angela Lansbury, Gerard Alessandrini, Rick Crom, Fran Weissler, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6428</itunes:duration>
                <itunes:episode>73</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ken Page</title>
        <itunes:title>Ken Page</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/71-ken-page/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/71-ken-page/#comments</comments>        <pubDate>Thu, 01 Jul 2021 22:36:16 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ff1cbcd6-a172-32e8-99f8-4c8ac70cc8b3</guid>
                                    <description><![CDATA[<p class="p1">For the last episode of Backstage Babble’s Pride Month, I welcome Broadway legend Ken Page, star of Cats, Ain’t Misbehavin’, Guys and Dolls, and more, as well as a regular actor at the St. Louis MUNY for over 25 years. His on-screen appearances include The Nightmare Before Christmas, Torch Song Trilogy, and Dreamgirls. On July 1 (because Pride should continue to be celebrated throughout the year), hear him share some beautiful words about his coming out journey and what the concept means to him. Plus, lots of showbiz stories: the moment in Cats that he created, what was missing in the revival of Ain’t Misbehavin’, the joke that Abe Burrows taught him how to land, how a cabaret medley got him a role in The Wiz, getting an early lesson on how to cry, the favorite award he’s ever won, being introduced by Gillian Lynne, plus Harvey Fierstein, Andrew Lloyd Webber, Nell Carter, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">For the last episode of Backstage Babble’s Pride Month, I welcome Broadway legend Ken Page, star of <em>Cats, Ain’t Misbehavin’, Guys and Dolls</em>, and more, as well as a regular actor at the St. Louis MUNY for over 25 years. His on-screen appearances include <em>The Nightmare Before Christmas, Torch Song Trilogy, and Dreamgirls.</em> On July 1 (because Pride should continue to be celebrated throughout the year), hear him share some beautiful words about his coming out journey and what the concept means to him. Plus, lots of showbiz stories: the moment in <em>Cats </em>that he created, what was missing in the revival of <em>Ain’t Misbehavin’</em>, the joke that Abe Burrows taught him how to land, how a cabaret medley got him a role in <em>The Wiz,</em> getting an early lesson on how to cry, the favorite award he’s ever won, being introduced by Gillian Lynne, plus Harvey Fierstein, Andrew Lloyd Webber, Nell Carter, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3acyms/kenpage.mp3" length="226887760" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the last episode of Backstage Babble’s Pride Month, I welcome Broadway legend Ken Page, star of Cats, Ain’t Misbehavin’, Guys and Dolls, and more, as well as a regular actor at the St. Louis MUNY for over 25 years. His on-screen appearances include The Nightmare Before Christmas, Torch Song Trilogy, and Dreamgirls. On July 1 (because Pride should continue to be celebrated throughout the year), hear him share some beautiful words about his coming out journey and what the concept means to him. Plus, lots of showbiz stories: the moment in Cats that he created, what was missing in the revival of Ain’t Misbehavin’, the joke that Abe Burrows taught him how to land, how a cabaret medley got him a role in The Wiz, getting an early lesson on how to cry, the favorite award he’s ever won, being introduced by Gillian Lynne, plus Harvey Fierstein, Andrew Lloyd Webber, Nell Carter, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6957</itunes:duration>
                <itunes:episode>72</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Steven Brinberg</title>
        <itunes:title>Steven Brinberg</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/70-steven-brinberg/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/70-steven-brinberg/#comments</comments>        <pubDate>Sun, 27 Jun 2021 22:34:35 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/49cccf21-e330-329a-ab4e-5dcfff36aa08</guid>
                                    <description><![CDATA[<p class="p1">For the penultimate installment in Backstage Babble’s Pride Month, I could not be more thrilled to welcome the amazing Steven Brinberg. As the premiere Barbra Streisand impersonator, he has performed in such venues as the Kennedy Center and Avery Fisher Hall, plus on Broadway with the concert of Funny Girl. Today, he joins me to tell some of the stories of his amazing career: how he edited Terrence McNally, making quips and eating ice cream with Marvin Hamlisch, competing offers from Barbra and Bette, a disappointing appearance with Rosie O’Donnell, writing a song with Stephen Sondheim, how Barbra sometimes takes his suggestions, what his dream show would be (hint: in Las Vegas, and directed by the lady herself!), and what makes Barbra a gay icon. Plus: Diana Rigg, Lainie Kazan, Jerry Springer, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">For the penultimate installment in Backstage Babble’s Pride Month, I could not be more thrilled to welcome the amazing Steven Brinberg. As the premiere Barbra Streisand impersonator, he has performed in such venues as the Kennedy Center and Avery Fisher Hall, plus on Broadway with the concert of <em>Funny Girl. </em>Today, he joins me to tell some of the stories of his amazing career: how he edited Terrence McNally, making quips and eating ice cream with Marvin Hamlisch, competing offers from Barbra and Bette, a disappointing appearance with Rosie O’Donnell, writing a song with Stephen Sondheim, how Barbra sometimes takes his suggestions, what his dream show would be (hint: in Las Vegas, and directed by the lady herself!), and what makes Barbra a gay icon. Plus: Diana Rigg, Lainie Kazan, Jerry Springer, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t6n9sx/o.mp3" length="199668890" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the penultimate installment in Backstage Babble’s Pride Month, I could not be more thrilled to welcome the amazing Steven Brinberg. As the premiere Barbra Streisand impersonator, he has performed in such venues as the Kennedy Center and Avery Fisher Hall, plus on Broadway with the concert of Funny Girl. Today, he joins me to tell some of the stories of his amazing career: how he edited Terrence McNally, making quips and eating ice cream with Marvin Hamlisch, competing offers from Barbra and Bette, a disappointing appearance with Rosie O’Donnell, writing a song with Stephen Sondheim, how Barbra sometimes takes his suggestions, what his dream show would be (hint: in Las Vegas, and directed by the lady herself!), and what makes Barbra a gay icon. Plus: Diana Rigg, Lainie Kazan, Jerry Springer, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6159</itunes:duration>
                <itunes:episode>71</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Jason Graae</title>
        <itunes:title>Jason Graae</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/69-jason-graae/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/69-jason-graae/#comments</comments>        <pubDate>Fri, 25 Jun 2021 18:01:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0fb4e22e-3c7a-35f2-9c87-b6346706c013</guid>
                                    <description><![CDATA[<p class="p1">Today, I am so excited to welcome the extraordinarily funny Jason Graae to the podcast. He has put smiles on the faces of anyone who’s ever seen him perform, be it on Broadway in Stardust and Do Black Patent Leather Shoes Really Reflect Up, off-Broadway in Forever Plaid and Hello Muddah, Hello Fadduh, or on screen! Tune in to hear him talk about his legendary career, including: a cryptic comment from James Lapine, his two favorite Friends, getting comedy advice from Jerry Herman, how Jose Ferrer messed up his debut, the show that Vicki Lewis misjudged, teasing Thommie Walsh, imitating Ken Jennings, changing the plot of Camelot, and more! Plus his imitations of William Finn, Karen Morrow, and Valerie Cherish!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am so excited to welcome the extraordinarily funny Jason Graae to the podcast. He has put smiles on the faces of anyone who’s ever seen him perform, be it on Broadway in <em>Stardust</em> and <em>Do Black Patent Leather Shoes Really Reflect Up</em>, off-Broadway in <em>Forever Plaid </em>and <em>Hello Muddah, Hello Fadduh, </em>or on screen! Tune in to hear him talk about his legendary career, including: a cryptic comment from James Lapine, his two favorite <em>Friends</em>, getting comedy advice from Jerry Herman, how Jose Ferrer messed up his debut, the show that Vicki Lewis misjudged, teasing Thommie Walsh, imitating Ken Jennings, changing the plot of <em>Camelot</em>, and more! Plus his imitations of William Finn, Karen Morrow, and Valerie Cherish!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/iiqfvv/Jason_Graae_Interview_6i2dg.mp3" length="222248090" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am so excited to welcome the extraordinarily funny Jason Graae to the podcast. He has put smiles on the faces of anyone who’s ever seen him perform, be it on Broadway in Stardust and Do Black Patent Leather Shoes Really Reflect Up, off-Broadway in Forever Plaid and Hello Muddah, Hello Fadduh, or on screen! Tune in to hear him talk about his legendary career, including: a cryptic comment from James Lapine, his two favorite Friends, getting comedy advice from Jerry Herman, how Jose Ferrer messed up his debut, the show that Vicki Lewis misjudged, teasing Thommie Walsh, imitating Ken Jennings, changing the plot of Camelot, and more! Plus his imitations of William Finn, Karen Morrow, and Valerie Cherish!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6867</itunes:duration>
                <itunes:episode>70</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lawrence Leritz Part 2</title>
        <itunes:title>Lawrence Leritz Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/68-lawrence-leritz-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/68-lawrence-leritz-part-2/#comments</comments>        <pubDate>Mon, 21 Jun 2021 22:28:45 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ddad6ecb-84a2-38d0-9f64-7b1fd56af240</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to be joined again by the legendary Lawrence Leritz. In the second part of our conversation, he discusses his choreographic and singing career, including getting career tips from Patti LaBelle, a call from Jimmy Carter, being manipulated by Berry Gordy, speaking Hebrew with Herschel Bernardi, setting up a dance between Beverly Sills and Peter Martins, and doing comedic dancing with Harvey Keitel and Carly Rae Jepsen! Lawrence is a man of the theater through and through, and you can’t miss his enthusiasm about or dedication to his craft.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to be joined again by the legendary Lawrence Leritz. In the second part of our conversation, he discusses his choreographic and singing career, including getting career tips from Patti LaBelle, a call from Jimmy Carter, being manipulated by Berry Gordy, speaking Hebrew with Herschel Bernardi, setting up a dance between Beverly Sills and Peter Martins, and doing comedic dancing with Harvey Keitel and Carly Rae Jepsen! Lawrence is a man of the theater through and through, and you can’t miss his enthusiasm about or dedication to his craft.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hbbgf8/Larry_Larritz_283rek.mp3" length="155266431" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to be joined again by the legendary Lawrence Leritz. In the second part of our conversation, he discusses his choreographic and singing career, including getting career tips from Patti LaBelle, a call from Jimmy Carter, being manipulated by Berry Gordy, speaking Hebrew with Herschel Bernardi, setting up a dance between Beverly Sills and Peter Martins, and doing comedic dancing with Harvey Keitel and Carly Rae Jepsen! Lawrence is a man of the theater through and through, and you can’t miss his enthusiasm about or dedication to his craft.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4805</itunes:duration>
                <itunes:episode>69</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lawrence Leritz Part 1</title>
        <itunes:title>Lawrence Leritz Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/67-lawrence-leritz-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/67-lawrence-leritz-part-1/#comments</comments>        <pubDate>Sun, 20 Jun 2021 13:11:39 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3bd5c914-e515-3966-887b-545cb9a2c5ce</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to be joined today by the amazing dancer, choreographer, actor, and producer Lawrence Leritz. With the amount of varied and prestigious projects he has been a part of, it’s no wonder that our conversation turned into two parts! Tune in today to discuss the movie that Bob Fosse got him, his brief involvement with the American Dance Machine, Alvin Ailey’s wild lifestyle, yawning in front of Alexandra Danilova, the problem with the Uris/Gershwin Theater, getting picked from a dance class by Sir Frederick Ashton, bonding with Tommy Tune, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to be joined today by the amazing dancer, choreographer, actor, and producer Lawrence Leritz. With the amount of varied and prestigious projects he has been a part of, it’s no wonder that our conversation turned into two parts! Tune in today to discuss the movie that Bob Fosse got him, his brief involvement with the American Dance Machine, Alvin Ailey’s wild lifestyle, yawning in front of Alexandra Danilova, the problem with the Uris/Gershwin Theater, getting picked from a dance class by Sir Frederick Ashton, bonding with Tommy Tune, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7m3wfg/Larry_Larritz_1720st.mp3" length="165238327" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to be joined today by the amazing dancer, choreographer, actor, and producer Lawrence Leritz. With the amount of varied and prestigious projects he has been a part of, it’s no wonder that our conversation turned into two parts! Tune in today to discuss the movie that Bob Fosse got him, his brief involvement with the American Dance Machine, Alvin Ailey’s wild lifestyle, yawning in front of Alexandra Danilova, the problem with the Uris/Gershwin Theater, getting picked from a dance class by Sir Frederick Ashton, bonding with Tommy Tune, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5114</itunes:duration>
                <itunes:episode>68</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tony Sheldon Part 2</title>
        <itunes:title>Tony Sheldon Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/66-tony-sheldon-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/66-tony-sheldon-part-2/#comments</comments>        <pubDate>Thu, 17 Jun 2021 19:35:39 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8fbb535d-4e58-3334-af78-880e7c750a8e</guid>
                                    <description><![CDATA[<p class="p1">Here it is: Part 2 of my conversation with the brilliant Tony Sheldon! Tune in today to hear him discuss his New York career, including roles in Priscilla, Queen of the Desert and Amelie on Broadway, Charles Busch’s Cleopatra, and The Band Wagon at Encores. Stories abound: A false promise from the Weisslers, giving suggestions to Charles Busch, how Beth Leavel helped him at the Tony Awards, his cut number from Priscilla, an odd backstage visit from Cloris Leachman, the Encores! show he had to turn down, why he thought Amelie on Broadway was a mistake, and living in Audra McDonald’s basement. Plus: Roger Rees, Jordan Roth, Jerry Mitchell, Shirley MacLaine, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Here it is: Part 2 of my conversation with the brilliant Tony Sheldon! Tune in today to hear him discuss his New York career, including roles in <em>Priscilla, Queen of the Desert</em> and <em>Amelie</em> on Broadway, Charles Busch’s <em>Cleopatra</em>, and <em>The Band Wagon</em> at Encores. Stories abound: A false promise from the Weisslers, giving suggestions to Charles Busch, how Beth Leavel helped him at the Tony Awards, his cut number from <em>Priscilla</em>, an odd backstage visit from Cloris Leachman, the Encores! show he had to turn down, why he thought <em>Amelie</em> on Broadway was a mistake, and living in Audra McDonald’s basement. Plus: Roger Rees, Jordan Roth, Jerry Mitchell, Shirley MacLaine, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zptrtk/TTsheld2.mp3" length="215941868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Here it is: Part 2 of my conversation with the brilliant Tony Sheldon! Tune in today to hear him discuss his New York career, including roles in Priscilla, Queen of the Desert and Amelie on Broadway, Charles Busch’s Cleopatra, and The Band Wagon at Encores. Stories abound: A false promise from the Weisslers, giving suggestions to Charles Busch, how Beth Leavel helped him at the Tony Awards, his cut number from Priscilla, an odd backstage visit from Cloris Leachman, the Encores! show he had to turn down, why he thought Amelie on Broadway was a mistake, and living in Audra McDonald’s basement. Plus: Roger Rees, Jordan Roth, Jerry Mitchell, Shirley MacLaine, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6655</itunes:duration>
                <itunes:episode>67</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tony Sheldon Part 1</title>
        <itunes:title>Tony Sheldon Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/65-tony-sheldon-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/65-tony-sheldon-part-1/#comments</comments>        <pubDate>Tue, 15 Jun 2021 13:44:10 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/21965cb9-c730-3aa9-8615-3bf44fd86e49</guid>
                                    <description><![CDATA[<p class="p1">I am so happy to be joined for the latest installment in Backstage Babble’s Pride Month series by international musical theater star Tony Sheldon. His immense body of work in Australia including starring roles in productions of TORCH SONG TRILOGY, I HATE HAMLET, INTO THE WOODS, PRIVATE LIVES, FALSETTOS, MERRILY WE ROLL ALONG, COMPANY, THE SISTERS ROSENSWEIG, NOISES OFF, ONCE IN A LIFETIME, and more. Today he talks about all of that and more in Part 1 of the in-depth conversation. Hear him talk about singing on TV at the age of 7, growing up with performing legends Toni Lamond (his mother) and Helen Reddy (his aunt), how he accidentally exposed the homophobia of a major casting agency, why it took a bomb scare to meet Harvey Fierstein, Cyd Charisse’s unexpected shortcoming, why The Producers was “a nightmare,” the basic history of Australian musical theater, plus stories about Yvonne DeCarlo, Bob Fosse, Mel Brooks, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so happy to be joined for the latest installment in Backstage Babble’s Pride Month series by international musical theater star Tony Sheldon. His immense body of work in Australia including starring roles in productions of TORCH SONG TRILOGY, I HATE HAMLET, INTO THE WOODS, PRIVATE LIVES, FALSETTOS, MERRILY WE ROLL ALONG, COMPANY, THE SISTERS ROSENSWEIG, NOISES OFF, ONCE IN A LIFETIME, and more. Today he talks about all of that and more in Part 1 of the in-depth conversation. Hear him talk about singing on TV at the age of 7, growing up with performing legends Toni Lamond (his mother) and Helen Reddy (his aunt), how he accidentally exposed the homophobia of a major casting agency, why it took a bomb scare to meet Harvey Fierstein, Cyd Charisse’s unexpected shortcoming, why The Producers was “a nightmare,” the basic history of Australian musical theater, plus stories about Yvonne DeCarlo, Bob Fosse, Mel Brooks, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i3i585/TTSHELDY_17i7oi.mp3" length="167375664" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so happy to be joined for the latest installment in Backstage Babble’s Pride Month series by international musical theater star Tony Sheldon. His immense body of work in Australia including starring roles in productions of TORCH SONG TRILOGY, I HATE HAMLET, INTO THE WOODS, PRIVATE LIVES, FALSETTOS, MERRILY WE ROLL ALONG, COMPANY, THE SISTERS ROSENSWEIG, NOISES OFF, ONCE IN A LIFETIME, and more. Today he talks about all of that and more in Part 1 of the in-depth conversation. Hear him talk about singing on TV at the age of 7, growing up with performing legends Toni Lamond (his mother) and Helen Reddy (his aunt), how he accidentally exposed the homophobia of a major casting agency, why it took a bomb scare to meet Harvey Fierstein, Cyd Charisse’s unexpected shortcoming, why The Producers was “a nightmare,” the basic history of Australian musical theater, plus stories about Yvonne DeCarlo, Bob Fosse, Mel Brooks, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5160</itunes:duration>
                <itunes:episode>66</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Peter Harvey</title>
        <itunes:title>Peter Harvey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/64-peter-harvey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/64-peter-harvey/#comments</comments>        <pubDate>Sat, 12 Jun 2021 22:32:03 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6d9a0af3-655e-37b3-b5e6-6a20c27cf14b</guid>
                                    <description><![CDATA[<p class="p1">For the second episode of Pride Month, I welcome the designer of the original production of one of the most seminal gay works, The Boys in the Band. Among his numerous other credits include Dames At Sea, The Mad Show, Johnny Johnson, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, and more. Tune in to hear him talk about why Lotte Lenya wouldn’t fire Jose Quintero, how Joe Papp ruined a show in Philadelphia, how Shelley Winters tried to sabotage Carol Kane, how Mart Crowley came to appreciate his set, creating the iconic design for Dames at Sea, the hardest Broadway theater to design for, why Lee Strasberg had no creative vision, plus stories about Richard Gere, Tallulah Bankhead, Bernadette Peters, and so many more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">For the second episode of Pride Month, I welcome the designer of the original production of one of the most seminal gay works, <em>The Boys in the Band.</em> Among his numerous other credits include <em>Dames At Sea, The Mad Show, Johnny Johnson, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, </em>and more. Tune in to hear him talk about why Lotte Lenya wouldn’t fire Jose Quintero, how Joe Papp ruined a show in Philadelphia, how Shelley Winters tried to sabotage Carol Kane, how Mart Crowley came to appreciate his set, creating the iconic design for <em>Dames at Sea</em>, the hardest Broadway theater to design for, why Lee Strasberg had no creative vision, plus stories about Richard Gere, Tallulah Bankhead, Bernadette Peters, and so many more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hzsb3v/pho.mp3" length="221848456" type="audio/mpeg"/>
        <itunes:summary><![CDATA[For the second episode of Pride Month, I welcome the designer of the original production of one of the most seminal gay works, The Boys in the Band. Among his numerous other credits include Dames At Sea, The Mad Show, Johnny Johnson, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, and more. Tune in to hear him talk about why Lotte Lenya wouldn’t fire Jose Quintero, how Joe Papp ruined a show in Philadelphia, how Shelley Winters tried to sabotage Carol Kane, how Mart Crowley came to appreciate his set, creating the iconic design for Dames at Sea, the hardest Broadway theater to design for, why Lee Strasberg had no creative vision, plus stories about Richard Gere, Tallulah Bankhead, Bernadette Peters, and so many more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6900</itunes:duration>
                <itunes:episode>65</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Celebrating 500 Episodes of BEHIND THE CURTAIN</title>
        <itunes:title>Celebrating 500 Episodes of BEHIND THE CURTAIN</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/63-celebrating-500-episodes-of-behind-the-curtain/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/63-celebrating-500-episodes-of-behind-the-curtain/#comments</comments>        <pubDate>Mon, 07 Jun 2021 07:50:08 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6dbaa952-00d7-3411-ade9-f50aad079e1d</guid>
                                    <description><![CDATA[<p>Today, I am honored to present to you the interview I did with Rob W. Schneider and Kevin David Thomas, hosts of the hit theater podcast Behind the Curtain (<a href='https://broadwaypodcastnetwork.com/podcast/behind-the-curtain/'>https://broadwaypodcastnetwork.com/podcast/behind-the-curtain/</a>) to celebrate their amazing accomplishment of having over 500 episodes now available for listening. They are certainly masters in the field of podcasting, so I was a little intimidated to turn the tables on them, but it turned out to be a LOT of fun! Listen to the episode above or on their podcast: <a href='https://podcasts.apple.com/us/podcast/podcast-crossover-backstage-babbles-charles-kirsch/id1080144159?i=1000524446082'>https://podcasts.apple.com/us/podcast/podcast-crossover-backstage-babbles-charles-kirsch/id1080144159?i=1000524446082</a></p>
<p> </p>
<p>And then go hear their interviews with Nathan Lane, Lainie Kazan, Matthew Broderick, Charles Strouse, Victor Garber, and so many other musical theater legends.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am honored to present to you the interview I did with Rob W. Schneider and Kevin David Thomas, hosts of the hit theater podcast Behind the Curtain (<a href='https://broadwaypodcastnetwork.com/podcast/behind-the-curtain/'>https://broadwaypodcastnetwork.com/podcast/behind-the-curtain/</a>) to celebrate their amazing accomplishment of having over 500 episodes now available for listening. They are certainly masters in the field of podcasting, so I was a little intimidated to turn the tables on them, but it turned out to be a LOT of fun! Listen to the episode above or on their podcast: <a href='https://podcasts.apple.com/us/podcast/podcast-crossover-backstage-babbles-charles-kirsch/id1080144159?i=1000524446082'>https://podcasts.apple.com/us/podcast/podcast-crossover-backstage-babbles-charles-kirsch/id1080144159?i=1000524446082</a></p>
<p> </p>
<p>And then go hear their interviews with Nathan Lane, Lainie Kazan, Matthew Broderick, Charles Strouse, Victor Garber, and so many other musical theater legends.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vtp74e/BTC_5008rlry.mp3" length="123635981" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to present to you the interview I did with Rob W. Schneider and Kevin David Thomas, hosts of the hit theater podcast Behind the Curtain (https://broadwaypodcastnetwork.com/podcast/behind-the-curtain/) to celebrate their amazing accomplishment of having over 500 episodes now available for listening. They are certainly masters in the field of podcasting, so I was a little intimidated to turn the tables on them, but it turned out to be a LOT of fun! Listen to the episode above or on their podcast: https://podcasts.apple.com/us/podcast/podcast-crossover-backstage-babbles-charles-kirsch/id1080144159?i=1000524446082
 
And then go hear their interviews with Nathan Lane, Lainie Kazan, Matthew Broderick, Charles Strouse, Victor Garber, and so many other musical theater legends.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3789</itunes:duration>
                <itunes:episode>64</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Grover Dale</title>
        <itunes:title>Grover Dale</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/62-grover-dale/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/62-grover-dale/#comments</comments>        <pubDate>Fri, 04 Jun 2021 22:00:25 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e94ca708-bde5-3204-b19d-d7872a6bd8a3</guid>
                                    <description><![CDATA[<p class="p1">This is the first episode of Backstage Babble’s Pride Month, a series of enlightening conversations with LGBT artists whose careers span over 60 years of gay Broadway history. And what better way to kick it off than an interview with a legend like dancer/choreographer Grover Dale. He has lent his talents to such shows as West Side Story, Sail Away, The Magic Show, Li’l Abner, Rachael Lily Rosenbloom, and more and he discusses it all today on Backstage Babble. Hear him talk about dancing with Gene Kelly, the Broadway hit he almost turned down, the Jerome Robbins’ Broadway that never was, volunteering to swim with Esther Williams, getting a dressing room visit from Noel Coward and Marlene Dietrich, playing poker with Tommy Steele, plus his relationships with Elaine Stritch, Anthony Perkins, Anita Morris, and Larry Kert. You won’t want to miss this.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">This is the first episode of Backstage Babble’s Pride Month, a series of enlightening conversations with LGBT artists whose careers span over 60 years of gay Broadway history. And what better way to kick it off than an interview with a legend like dancer/choreographer Grover Dale. He has lent his talents to such shows as <em>West Side Story, Sail Away, The Magic Show, Li’l Abner, Rachael Lily Rosenbloom</em>, and more and he discusses it all today on Backstage Babble. Hear him talk about dancing with Gene Kelly, the Broadway hit he almost turned down, the <em>Jerome Robbins’ Broadway</em> that never was, volunteering to swim with Esther Williams, getting a dressing room visit from Noel Coward and Marlene Dietrich, playing poker with Tommy Steele, plus his relationships with Elaine Stritch, Anthony Perkins, Anita Morris, and Larry Kert. You won’t want to miss this.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/an3rzm/Grover_Daleaamkz.mp3" length="163763205" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is the first episode of Backstage Babble’s Pride Month, a series of enlightening conversations with LGBT artists whose careers span over 60 years of gay Broadway history. And what better way to kick it off than an interview with a legend like dancer/choreographer Grover Dale. He has lent his talents to such shows as West Side Story, Sail Away, The Magic Show, Li’l Abner, Rachael Lily Rosenbloom, and more and he discusses it all today on Backstage Babble. Hear him talk about dancing with Gene Kelly, the Broadway hit he almost turned down, the Jerome Robbins’ Broadway that never was, volunteering to swim with Esther Williams, getting a dressing room visit from Noel Coward and Marlene Dietrich, playing poker with Tommy Steele, plus his relationships with Elaine Stritch, Anthony Perkins, Anita Morris, and Larry Kert. You won’t want to miss this.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5065</itunes:duration>
                <itunes:episode>63</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Brenda Braxton</title>
        <itunes:title>Brenda Braxton</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/61-brenda-braxton/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/61-brenda-braxton/#comments</comments>        <pubDate>Mon, 31 May 2021 19:24:18 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f24c4e93-380f-312b-ad8f-925a1be0ad72</guid>
                                    <description><![CDATA[<p class="p1">The icon that is Brenda Braxton joins Backstage Babble today to discuss her legendary career from replacing in the 1976 revival of Guys and Dolls all the way up to the pandamndemic (as she refers to it). Hear her talk about mass fainting during the filming of The Wiz, learning valuable lessons from Vinnette Carroll, spending her birthday with Tom Hanks, serenading Peter Allen, the moment when she realized she was becoming a cat, and the impetus and interviews for her amazing book The Little Black Book of Backstage Etiquette. Plus: Harvey Fierstein, Mike Nichols, Usher, George C. Wolfe, and more! Ms. Braxton was a total joy from start to finish, and her sparkling wit and charm never fail to come through.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">The icon that is Brenda Braxton joins Backstage Babble today to discuss her legendary career from replacing in the 1976 revival of <em>Guys and Dolls</em> all the way up to the pandamndemic (as she refers to it). Hear her talk about mass fainting during the filming of <em>The Wiz, </em>learning valuable lessons from Vinnette Carroll, spending her birthday with Tom Hanks, serenading Peter Allen, the moment when she realized she was becoming a cat, and the impetus and interviews for her amazing book <em>The Little Black Book of Backstage Etiquette.</em> Plus: Harvey Fierstein, Mike Nichols, Usher, George C. Wolfe, and more! Ms. Braxton was a total joy from start to finish, and her sparkling wit and charm never fail to come through.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qz3frz/exceptional_grooming_for_men6adbx.mp3" length="206447746" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The icon that is Brenda Braxton joins Backstage Babble today to discuss her legendary career from replacing in the 1976 revival of Guys and Dolls all the way up to the pandamndemic (as she refers to it). Hear her talk about mass fainting during the filming of The Wiz, learning valuable lessons from Vinnette Carroll, spending her birthday with Tom Hanks, serenading Peter Allen, the moment when she realized she was becoming a cat, and the impetus and interviews for her amazing book The Little Black Book of Backstage Etiquette. Plus: Harvey Fierstein, Mike Nichols, Usher, George C. Wolfe, and more! Ms. Braxton was a total joy from start to finish, and her sparkling wit and charm never fail to come through.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6385</itunes:duration>
                <itunes:episode>62</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Karen Morrow Part 2</title>
        <itunes:title>Karen Morrow Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/60-karen-morrow-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/60-karen-morrow-part-2/#comments</comments>        <pubDate>Fri, 28 May 2021 20:42:49 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/65e03e8e-6a17-380c-bbfb-9e04f08eb986</guid>
                                    <description><![CDATA[<p class="p1">I am so thrilled to announce Part 2 of my episode with the amazing Broadway legend Karen Morrow. Tune in to hear her talk about a cryptic conversation with Michael Bennett, singing a love song with Gordon MacRae, how Ed Kleban begged her not to quit a show, being thrown a birthday party by Joseph Papp, watching Howard Keel flub an important line, last-minute fixes in The Selling of the President, what advice she would give looking back at her older performances, meeting with Sid Caesar under a table, duetting with Joanne Worley and James Brown, asking John Raitt for money, and why she decided to leave the business. Plus stories about Loretta Swit, Jerry Herman, John Kenley, Carl Reiner, Ron Moody, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">I am so thrilled to announce Part 2 of my episode with the amazing Broadway legend Karen Morrow. Tune in to hear her talk about a cryptic conversation with Michael Bennett, singing a love song with Gordon MacRae, how Ed Kleban begged her not to quit a show, being thrown a birthday party by Joseph Papp, watching Howard Keel flub an important line, last-minute fixes in <em>The Selling of the President</em>, what advice she would give looking back at her older performances, meeting with Sid Caesar under a table, duetting with Joanne Worley and James Brown, asking John Raitt for money, and why she decided to leave the business. Plus stories about Loretta Swit, Jerry Herman, John Kenley, Carl Reiner, Ron Moody, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aiyw4d/Morrow2.mp3" length="164587694" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I am so thrilled to announce Part 2 of my episode with the amazing Broadway legend Karen Morrow. Tune in to hear her talk about a cryptic conversation with Michael Bennett, singing a love song with Gordon MacRae, how Ed Kleban begged her not to quit a show, being thrown a birthday party by Joseph Papp, watching Howard Keel flub an important line, last-minute fixes in The Selling of the President, what advice she would give looking back at her older performances, meeting with Sid Caesar under a table, duetting with Joanne Worley and James Brown, asking John Raitt for money, and why she decided to leave the business. Plus stories about Loretta Swit, Jerry Herman, John Kenley, Carl Reiner, Ron Moody, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5082</itunes:duration>
                <itunes:episode>61</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Karen Morrow Part 1</title>
        <itunes:title>Karen Morrow Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/59-karen-morrow-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/59-karen-morrow-part-1/#comments</comments>        <pubDate>Thu, 20 May 2021 22:00:57 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b40d8fdd-15de-387c-8e6b-0216e1a9ec41</guid>
                                    <description><![CDATA[<p class="p1">Today, I am thrilled to be joined by Broadway legend Karen Morrow, star of I Had a Ball, The Grass Harp, I’m Solomon, A Joyful Noise, The Selling of the President, Edwin Drood, and more. Tune in to hear her talk about holding hands with Nat King Cole, dating John Davidson, how Buddy Hackett broke her up onstage, having Frank Loesser as her agent, why she blames herself for Lloyd Richards’ firing, replacing Celeste Holm, watching Charles Strouse helicopter out of the MUNY, and her advice to musical theater students today!! Plus, stories about Richard Rodgers, Luba Lisa, Charles Nelson Reilly, Claibe Richardson, Dick Shawn, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am thrilled to be joined by Broadway legend Karen Morrow, star of <em>I Had a Ball, The Grass Harp, I’m Solomon, A Joyful Noise, The Selling of the President, Edwin Drood</em>, and more. Tune in to hear her talk about holding hands with Nat King Cole, dating John Davidson, how Buddy Hackett broke her up onstage, having Frank Loesser as her agent, why she blames herself for Lloyd Richards’ firing, replacing Celeste Holm, watching Charles Strouse helicopter out of the MUNY, and her advice to musical theater students today!! Plus, stories about Richard Rodgers, Luba Lisa, Charles Nelson Reilly, Claibe Richardson, Dick Shawn, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r5mevy/Morrow1.mp3" length="192546967" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am thrilled to be joined by Broadway legend Karen Morrow, star of I Had a Ball, The Grass Harp, I’m Solomon, A Joyful Noise, The Selling of the President, Edwin Drood, and more. Tune in to hear her talk about holding hands with Nat King Cole, dating John Davidson, how Buddy Hackett broke her up onstage, having Frank Loesser as her agent, why she blames herself for Lloyd Richards’ firing, replacing Celeste Holm, watching Charles Strouse helicopter out of the MUNY, and her advice to musical theater students today!! Plus, stories about Richard Rodgers, Luba Lisa, Charles Nelson Reilly, Claibe Richardson, Dick Shawn, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5937</itunes:duration>
                <itunes:episode>60</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Christine Andreas Part 2</title>
        <itunes:title>Christine Andreas Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/58-christine-andreas-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/58-christine-andreas-part-2/#comments</comments>        <pubDate>Tue, 04 May 2021 22:29:14 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/53185053-92bf-3b9a-80d6-9dbbbe605de3</guid>
                                    <description><![CDATA[<p class="p1">Today, I am honored to be joined once again by the luminous Christine Andreas. In Part 2 of our conversation, she discusses her much-lauded cabaret career as well as her stage performances in The Scarlet Pimpernel, Fields of Ambrosia, La Cage Aux Folles, and more. Hear her talk about collaborating with Frank Wildhorn, overestimating the British, sharing a dressing room with Veanne Cox, embodying Judy Garland, how she crafts a cabaret show, the meaning behind “Raindrops Keep Falling on My Head,” plus stories about Terrence Mann, Kelsey Grammer, and her husband Martin Silvestri.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am honored to be joined once again by the luminous Christine Andreas. In Part 2 of our conversation, she discusses her much-lauded cabaret career as well as her stage performances in <em>The Scarlet Pimpernel, Fields of Ambrosia, La Cage Aux Folles, </em>and more. Hear her talk about collaborating with Frank Wildhorn, overestimating the British, sharing a dressing room with Veanne Cox, embodying Judy Garland, how she crafts a cabaret show, the meaning behind “Raindrops Keep Falling on My Head,” plus stories about Terrence Mann, Kelsey Grammer, and her husband Martin Silvestri.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v2dk7v/ninavoice2.mp3" length="159384948" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to be joined once again by the luminous Christine Andreas. In Part 2 of our conversation, she discusses her much-lauded cabaret career as well as her stage performances in The Scarlet Pimpernel, Fields of Ambrosia, La Cage Aux Folles, and more. Hear her talk about collaborating with Frank Wildhorn, overestimating the British, sharing a dressing room with Veanne Cox, embodying Judy Garland, how she crafts a cabaret show, the meaning behind “Raindrops Keep Falling on My Head,” plus stories about Terrence Mann, Kelsey Grammer, and her husband Martin Silvestri.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4953</itunes:duration>
                <itunes:episode>59</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Christine Andreas Part 1</title>
        <itunes:title>Christine Andreas Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/57-christine-andreas-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/57-christine-andreas-part-1/#comments</comments>        <pubDate>Fri, 30 Apr 2021 22:20:31 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/7b7bde87-fd37-38f8-ac59-4a155390ac23</guid>
                                    <description><![CDATA[<p class="p1">Today, I am honored to be joined by the radiant Christine Andreas. In Part 1 of our in-depth interview, hear her discuss her legendary career as a Broadway star—you’re sure to fall under her spell and see why she was one of the pre-eminent stars of the 1970s and 1980s, leading the revival movement with such shows as My Fair Lady, Oklahoma!, and On Your Toes. She tells never before heard stories about the backstage politics at Rags, why she dreaded going to work as Eliza every day, turning down George Abbott and Billy Hammerstein, finding chemistry onstage, why she believes in mystical presences, rolling out the red carpet backstage, plus stories about Agnes De Mille, Peter Allen, Radie Harris, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am honored to be joined by the radiant Christine Andreas. In Part 1 of our in-depth interview, hear her discuss her legendary career as a Broadway star—you’re sure to fall under her spell and see why she was one of the pre-eminent stars of the 1970s and 1980s, leading the revival movement with such shows as <em>My Fair Lady, Oklahoma!, </em>and<em> On Your Toes</em>. She tells never before heard stories about the backstage politics at <em>Rags</em>, why she dreaded going to work as Eliza every day, turning down George Abbott and Billy Hammerstein, finding chemistry onstage, why she believes in mystical presences, rolling out the red carpet backstage, plus stories about Agnes De Mille, Peter Allen, Radie Harris, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qahmdp/Andreas_pt_18q1yk.mp3" length="167757538" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to be joined by the radiant Christine Andreas. In Part 1 of our in-depth interview, hear her discuss her legendary career as a Broadway star—you’re sure to fall under her spell and see why she was one of the pre-eminent stars of the 1970s and 1980s, leading the revival movement with such shows as My Fair Lady, Oklahoma!, and On Your Toes. She tells never before heard stories about the backstage politics at Rags, why she dreaded going to work as Eliza every day, turning down George Abbott and Billy Hammerstein, finding chemistry onstage, why she believes in mystical presences, rolling out the red carpet backstage, plus stories about Agnes De Mille, Peter Allen, Radie Harris, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5160</itunes:duration>
                <itunes:episode>58</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Martin Milnes</title>
        <itunes:title>Martin Milnes</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/56-martin-milnes/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/56-martin-milnes/#comments</comments>        <pubDate>Mon, 26 Apr 2021 22:09:42 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c185f0be-21a1-3bb7-a89e-69a0b7f248f7</guid>
                                    <description><![CDATA[<p class="p1">Today, I am honored to welcome to the podcast as the second installment in our Memoirs and Rising Stars week, the fabulous Martin Milnes! Martin is the author of the new memoir Wild Card: How I Learned to Have a Friend, Be a Friend, and Finally Love My Birthday, which can be purchased here: <a href='https://www.martinmilnes.com/product-page/wild-card-signed-copy'>https://www.martinmilnes.com/product-page/wild-card-signed-copy</a>. Tune in today to hear many of the stories of Martin’s life and friendships with older legends: the secret he learned from Stephen Sondheim, why Sandy Wilson could be “very tricky,” getting guidance from Leslie Bricusse and Gyles Brandreth, meeting your idols, and the “divine madness” of the Thursford Christmas Shows!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am honored to welcome to the podcast as the second installment in our <em>Memoirs and Rising Stars</em> week, the fabulous Martin Milnes! Martin is the author of the new memoir <em>Wild Card: How I Learned to Have a Friend, Be a Friend, and Finally Love My Birthday, </em>which can be purchased here: <a href='https://www.martinmilnes.com/product-page/wild-card-signed-copy'>https://www.martinmilnes.com/product-page/wild-card-signed-copy</a>. Tune in today to hear many of the stories of Martin’s life and friendships with older legends: the secret he learned from Stephen Sondheim, why Sandy Wilson could be “very tricky,” getting guidance from Leslie Bricusse and Gyles Brandreth, meeting your idols, and the “divine madness” of the Thursford Christmas Shows!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/svngq6/Martin_Milnes6ryck.mp3" length="208522904" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to welcome to the podcast as the second installment in our Memoirs and Rising Stars week, the fabulous Martin Milnes! Martin is the author of the new memoir Wild Card: How I Learned to Have a Friend, Be a Friend, and Finally Love My Birthday, which can be purchased here: https://www.martinmilnes.com/product-page/wild-card-signed-copy. Tune in today to hear many of the stories of Martin’s life and friendships with older legends: the secret he learned from Stephen Sondheim, why Sandy Wilson could be “very tricky,” getting guidance from Leslie Bricusse and Gyles Brandreth, meeting your idols, and the “divine madness” of the Thursford Christmas Shows!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6418</itunes:duration>
                <itunes:episode>57</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Samantha Hahn</title>
        <itunes:title>Samantha Hahn</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/55-samantha-hahn/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/55-samantha-hahn/#comments</comments>        <pubDate>Mon, 19 Apr 2021 15:25:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b4fb7e89-b62e-3fd9-b7be-9b413fef999f</guid>
                                    <description><![CDATA[<p class="p1">Today, I am honored to be joined by Samantha Hahn, author of On The Roof, the recent book about Fiddler on the Roof in Yiddish. In addition to playing Beylke in that production, she has also appeared in Nella the Princess Knight, and the virtual Mystery of Edwin Drood. Tune in today to hear her talk about all things Fiddler, why Joel Grey was very smart, the most exciting celebrity visit she had, learning Yiddish phonetically, plus stories about Jackie Hoffman, Sheldon Harnick, and more! Buy her book here: <a href='https://www.amazon.com/Roof-look-inside-Fiddler-Yiddish/dp/1784658642/ref=sr_1_1?dchild=1&keywords=on+the+roof+Samantha+hahn&qid=1618858466&sr=8-1'>https://www.amazon.com/Roof-look-inside-Fiddler-Yiddish/dp/1784658642/ref=sr_1_1?dchild=1&keywords=on+the+roof+Samantha+hahn&qid=1618858466&sr=8-1</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am honored to be joined by Samantha Hahn, author of <em>On The Roof</em>, the recent book about Fiddler on the Roof in Yiddish. In addition to playing Beylke in that production, she has also appeared in <em>Nella the Princess Knight</em>, and the virtual <em>Mystery of Edwin Drood</em>. Tune in today to hear her talk about all things <em>Fiddler</em>, why Joel Grey was very smart, the most exciting celebrity visit she had, learning Yiddish phonetically, plus stories about Jackie Hoffman, Sheldon Harnick, and more! Buy her book here: <a href='https://www.amazon.com/Roof-look-inside-Fiddler-Yiddish/dp/1784658642/ref=sr_1_1?dchild=1&keywords=on+the+roof+Samantha+hahn&qid=1618858466&sr=8-1'>https://www.amazon.com/Roof-look-inside-Fiddler-Yiddish/dp/1784658642/ref=sr_1_1?dchild=1&keywords=on+the+roof+Samantha+hahn&qid=1618858466&sr=8-1</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3qq5gh/Samantha_Hahn97lo0.mp3" length="107964239" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to be joined by Samantha Hahn, author of On The Roof, the recent book about Fiddler on the Roof in Yiddish. In addition to playing Beylke in that production, she has also appeared in Nella the Princess Knight, and the virtual Mystery of Edwin Drood. Tune in today to hear her talk about all things Fiddler, why Joel Grey was very smart, the most exciting celebrity visit she had, learning Yiddish phonetically, plus stories about Jackie Hoffman, Sheldon Harnick, and more! Buy her book here: https://www.amazon.com/Roof-look-inside-Fiddler-Yiddish/dp/1784658642/ref=sr_1_1?dchild=1&keywords=on+the+roof+Samantha+hahn&qid=1618858466&sr=8-1]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3354</itunes:duration>
                <itunes:episode>56</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Karen Ziemba</title>
        <itunes:title>Karen Ziemba</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/54-karen-ziemba/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/54-karen-ziemba/#comments</comments>        <pubDate>Thu, 15 Apr 2021 18:16:05 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/95668fa3-50b8-3978-afb9-1c4cd3723484</guid>
                                    <description><![CDATA[<p>Today, Backstage Babble is not crazy for YOU but crazy for the wonderful Karen Ziemba, today's guest! Tune in to hear her talk about her legendary career including her long professional collaboration with Susan Stroman, how Jerome Robbins made her cry, the compliment Woody Allen gave her, playing a nun, being directed by Hal Prince, the off-Broadway show she wishes could have transferred, plus stories about John Kander, Debra Monk, Michael Bennett, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, Backstage Babble is not crazy for YOU but crazy for the wonderful Karen Ziemba, today's guest! Tune in to hear her talk about her legendary career including her long professional collaboration with Susan Stroman, how Jerome Robbins made her cry, the compliment Woody Allen gave her, playing a nun, being directed by Hal Prince, the off-Broadway show she wishes could have transferred, plus stories about John Kander, Debra Monk, Michael Bennett, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s7sx48/Karen_Ziemba95fcu.mp3" length="212419256" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Backstage Babble is not crazy for YOU but crazy for the wonderful Karen Ziemba, today's guest! Tune in to hear her talk about her legendary career including her long professional collaboration with Susan Stroman, how Jerome Robbins made her cry, the compliment Woody Allen gave her, playing a nun, being directed by Hal Prince, the off-Broadway show she wishes could have transferred, plus stories about John Kander, Debra Monk, Michael Bennett, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6571</itunes:duration>
                <itunes:episode>55</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Robert Viagas</title>
        <itunes:title>Robert Viagas</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/53-robert-viagas/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/53-robert-viagas/#comments</comments>        <pubDate>Sun, 11 Apr 2021 13:40:39 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0253e6eb-73da-36f4-93ad-8e4e23b12576</guid>
                                    <description><![CDATA[<p class="p1">Today, Backstage Babble is excited to welcome Robert Viagas, the editor of the newest theater magazine Encore Monthly. Created specifically as the premiere lifestyle magazine for theatre lovers nationwide, Encore Monthly will connect readers to the stage and to each other, with features covering what happens onstage and in the wings as well as all the places theatre fans come together - in the aisles at intermission; in living rooms and dorm rooms; and on laptops and cell phones across the country - and what fans enjoy when not sitting in their theatre seats. Robert also talks about the other aspects of his illustrious career, including an all-night phone call with Donna McKechnie, what went wrong with the musical Metro, the inside story of what it’s like to be a Tony Awards nominator, what makes a great Broadway star, disastrous interviews, and more stories about Jerry Orbach, Charlotte St. Martin, Baayork Lee, and others.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, Backstage Babble is excited to welcome Robert Viagas, the editor of the newest theater magazine <em>Encore Monthly. </em>Created specifically as the premiere lifestyle magazine for theatre lovers nationwide, Encore Monthly will connect readers to the stage and to each other, with features covering what happens onstage and in the wings as well as all the places theatre fans come together - in the aisles at intermission; in living rooms and dorm rooms; and on laptops and cell phones across the country - and what fans enjoy when not sitting in their theatre seats. Robert also talks about the other aspects of his illustrious career, including an all-night phone call with Donna McKechnie, what went wrong with the musical <em>Metro</em>, the inside story of what it’s like to be a Tony Awards nominator, what makes a great Broadway star, disastrous interviews, and more stories about Jerry Orbach, Charlotte St. Martin, Baayork Lee, and others.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nfvnr7/Robert_Viagas7ce29.mp3" length="218760344" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Backstage Babble is excited to welcome Robert Viagas, the editor of the newest theater magazine Encore Monthly. Created specifically as the premiere lifestyle magazine for theatre lovers nationwide, Encore Monthly will connect readers to the stage and to each other, with features covering what happens onstage and in the wings as well as all the places theatre fans come together - in the aisles at intermission; in living rooms and dorm rooms; and on laptops and cell phones across the country - and what fans enjoy when not sitting in their theatre seats. Robert also talks about the other aspects of his illustrious career, including an all-night phone call with Donna McKechnie, what went wrong with the musical Metro, the inside story of what it’s like to be a Tony Awards nominator, what makes a great Broadway star, disastrous interviews, and more stories about Jerry Orbach, Charlotte St. Martin, Baayork Lee, and others.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6784</itunes:duration>
                <itunes:episode>54</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hilary Knight</title>
        <itunes:title>Hilary Knight</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/52-hilary-knight/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/52-hilary-knight/#comments</comments>        <pubDate>Fri, 09 Apr 2021 15:34:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/34f45dec-99a3-3378-8199-6d93f6193ae9</guid>
                                    <description><![CDATA[<p class="p1">Today, I am honored to welcome legendary artist and illustrator Hilary Knight to the podcast. Tune in to hear about designing a costume for Elaine Stritch, why he had to fly to Rome for Kay Thompson, the children’s book series he didn’t enjoy working on, his three exotic influences, where the design for Eloise really came from, painting a mural for Tommy Hilfiger, Eloise’s real life room at the Plaza, plus stories about George Abbott, Irene Sharaff, Andy Warhol, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am honored to welcome legendary artist and illustrator Hilary Knight to the podcast. Tune in to hear about designing a costume for Elaine Stritch, why he had to fly to Rome for Kay Thompson, the children’s book series he didn’t enjoy working on, his three exotic influences, where the design for Eloise really came from, painting a mural for Tommy Hilfiger, Eloise’s real life room at the Plaza, plus stories about George Abbott, Irene Sharaff, Andy Warhol, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2dvxy4/Hilary_Knight_Interview9alog.mp3" length="119755899" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to welcome legendary artist and illustrator Hilary Knight to the podcast. Tune in to hear about designing a costume for Elaine Stritch, why he had to fly to Rome for Kay Thompson, the children’s book series he didn’t enjoy working on, his three exotic influences, where the design for Eloise really came from, painting a mural for Tommy Hilfiger, Eloise’s real life room at the Plaza, plus stories about George Abbott, Irene Sharaff, Andy Warhol, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3718</itunes:duration>
                <itunes:episode>53</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>FOLLIES 50th Anniversary Reunion</title>
        <itunes:title>FOLLIES 50th Anniversary Reunion</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/bonus-51-follies-50th-anniversary-reunion/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/bonus-51-follies-50th-anniversary-reunion/#comments</comments>        <pubDate>Tue, 06 Apr 2021 09:35:17 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f6accebb-72ca-3f43-ab84-26a3be76cb93</guid>
                                    <description><![CDATA[<p>The legendary and groundbreaking musical FOLLIES is celebrating its 50th Anniversary Tonight. Catch the reunion only on Backstage Babble. Featuring: Ted Chapin (Production Assistant/Historian), Kurt Peterson (Young Ben), Marti Rolph (Young Sally), Susan L. Schulman (Press Agent), Mary Jane Houdina (Assistant to Michael Bennett, Young Hattie), and Michael Misita (Young Vincent).</p>
<p> </p>
<p>Tune in to hear the great stories of the original production: which song was changed but the choreography remained the same? Who always missed "places"? What were the problems with the raked stage? How did the book EVERYTHING WAS POSSIBLE come to be? Who was originally supposed to be the star of FOLLIES?</p>
<p> </p>
<p>You can find the video on YouTube here: https://www.youtube.com/watch?v=PGVv540I9qI&t=4577s</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The legendary and groundbreaking musical FOLLIES is celebrating its 50th Anniversary Tonight. Catch the reunion only on Backstage Babble. Featuring: Ted Chapin (Production Assistant/Historian), Kurt Peterson (Young Ben), Marti Rolph (Young Sally), Susan L. Schulman (Press Agent), Mary Jane Houdina (Assistant to Michael Bennett, Young Hattie), and Michael Misita (Young Vincent).</p>
<p> </p>
<p>Tune in to hear the great stories of the original production: which song was changed but the choreography remained the same? Who always missed "places"? What were the problems with the raked stage? How did the book EVERYTHING WAS POSSIBLE come to be? Who was originally supposed to be the star of FOLLIES?</p>
<p> </p>
<p>You can find the video on YouTube here: https://www.youtube.com/watch?v=PGVv540I9qI&t=4577s</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jtnst8/FOLLIES.mp3" length="275569864" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The legendary and groundbreaking musical FOLLIES is celebrating its 50th Anniversary Tonight. Catch the reunion only on Backstage Babble. Featuring: Ted Chapin (Production Assistant/Historian), Kurt Peterson (Young Ben), Marti Rolph (Young Sally), Susan L. Schulman (Press Agent), Mary Jane Houdina (Assistant to Michael Bennett, Young Hattie), and Michael Misita (Young Vincent).
 
Tune in to hear the great stories of the original production: which song was changed but the choreography remained the same? Who always missed "places"? What were the problems with the raked stage? How did the book EVERYTHING WAS POSSIBLE come to be? Who was originally supposed to be the star of FOLLIES?
 
You can find the video on YouTube here: https://www.youtube.com/watch?v=PGVv540I9qI&t=4577s]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8526</itunes:duration>
                <itunes:episode>52</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chita Rivera</title>
        <itunes:title>Chita Rivera</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/50-chita-rivera/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/50-chita-rivera/#comments</comments>        <pubDate>Mon, 29 Mar 2021 21:39:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8cde39d1-9da1-3326-ac60-d3b4f5f26f02</guid>
                                    <description><![CDATA[<p>What better way to celebrate Backstage Babble's 50th Episode than an in-depth conversation with Broadway icon Chita Rivera, who discussed creating her leading roles in such shows as West Side Story, Bye Bye Birdie, Chicago, and more. The stories abound: why she thought "The Telephone Hour" would never work, how Jerome Robbins stopped a standing ovation, sitting on the floor with Judy Garland, why she ended up thanking Liza Minnelli every night, almost being killed by a panther during Merlin, the way Carol Channing opened oysters, the advice Gwen Verdon gave her, and stories about Bob Fosse, George Burns, Jerry Herman, Dorothy Loudon, Elaine Stritch, Tommy Tune, Fred Ebb, Antonio Banderas, and many more! Plus, she takes us behind the scenes of some of her 9 tony nominations, a number which makes her the most Tony-Nominated actress in history. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What better way to celebrate Backstage Babble's 50th Episode than an in-depth conversation with Broadway icon Chita Rivera, who discussed creating her leading roles in such shows as West Side Story, Bye Bye Birdie, Chicago, and more. The stories abound: why she thought "The Telephone Hour" would never work, how Jerome Robbins stopped a standing ovation, sitting on the floor with Judy Garland, why she ended up thanking Liza Minnelli every night, almost being killed by a panther during Merlin, the way Carol Channing opened oysters, the advice Gwen Verdon gave her, and stories about Bob Fosse, George Burns, Jerry Herman, Dorothy Loudon, Elaine Stritch, Tommy Tune, Fred Ebb, Antonio Banderas, and many more! Plus, she takes us behind the scenes of some of her 9 tony nominations, a number which makes her the most Tony-Nominated actress in history. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r3xnwg/chita1.mp3" length="256864791" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What better way to celebrate Backstage Babble's 50th Episode than an in-depth conversation with Broadway icon Chita Rivera, who discussed creating her leading roles in such shows as West Side Story, Bye Bye Birdie, Chicago, and more. The stories abound: why she thought "The Telephone Hour" would never work, how Jerome Robbins stopped a standing ovation, sitting on the floor with Judy Garland, why she ended up thanking Liza Minnelli every night, almost being killed by a panther during Merlin, the way Carol Channing opened oysters, the advice Gwen Verdon gave her, and stories about Bob Fosse, George Burns, Jerry Herman, Dorothy Loudon, Elaine Stritch, Tommy Tune, Fred Ebb, Antonio Banderas, and many more! Plus, she takes us behind the scenes of some of her 9 tony nominations, a number which makes her the most Tony-Nominated actress in history. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7963</itunes:duration>
                <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>James Dybas Part 2</title>
        <itunes:title>James Dybas Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/49-james-dybas-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/49-james-dybas-part-2/#comments</comments>        <pubDate>Fri, 26 Mar 2021 20:57:15 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d73463b5-5e40-35eb-838f-80c112f8aa8d</guid>
                                    <description><![CDATA[<p class="p1">Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of Pacific Overtures and Do I Hear a Waltz? In this episode, hear about his friendship with Elaine Paige, why he got tripped up onstage by a guillotine, how Betty Grable insulted Ann Miller, how he ended up creating the iconic song “Someone in a Tree,” speaking Spanish with Rod Steiger, teasing Herbert Berghof, and his most treasured items (a book signed by Uta Hagen, and more.) Plus, stories about Hal Prince, Frank Wildhorn, and everyone in between!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of <em>Pacific Overtures </em>and <em>Do I Hear a Waltz? </em>In this episode, hear about his friendship with Elaine Paige, why he got tripped up onstage by a guillotine, how Betty Grable insulted Ann Miller, how he ended up creating the iconic song “Someone in a Tree,” speaking Spanish with Rod Steiger, teasing Herbert Berghof, and his most treasured items (a book signed by Uta Hagen, and more.) Plus, stories about Hal Prince, Frank Wildhorn, and everyone in between!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i7swj7/Jimmy_2a9wgm.mp3" length="106947921" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of Pacific Overtures and Do I Hear a Waltz? In this episode, hear about his friendship with Elaine Paige, why he got tripped up onstage by a guillotine, how Betty Grable insulted Ann Miller, how he ended up creating the iconic song “Someone in a Tree,” speaking Spanish with Rod Steiger, teasing Herbert Berghof, and his most treasured items (a book signed by Uta Hagen, and more.) Plus, stories about Hal Prince, Frank Wildhorn, and everyone in between!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3309</itunes:duration>
                <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>James Dybas Part 1</title>
        <itunes:title>James Dybas Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/48-james-dybas-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/48-james-dybas-part-1/#comments</comments>        <pubDate>Fri, 26 Mar 2021 20:56:15 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e5a5ebed-e9b0-3291-8699-612d93e60c5d</guid>
                                    <description><![CDATA[<p class="p1">Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of Pacific Overtures and Do I Hear a Waltz? In this episode, hear about the fib he told to land Do I Hear a Waltz?, how he ended up fearing for his life on a hanging platform above the Uris Theater, what went wrong during his Victor/Victoria audition, why Sergio Franchi stopped him from eating garlic, why his role in George M! required sitting down to dinner with a dog, the time he streaked behind John Raitt during Camelot, what it was like being part of Jerome Robbins’ Theater Lab, plus stories about Joe Layton, Elizabeth Allen, Arthur Laurents, Pat Birch, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of <em>Pacific Overtures </em>and <em>Do I Hear a Waltz? </em>In this episode, hear about the fib he told to land <em>Do I Hear a Waltz?</em>, how he ended up fearing for his life on a hanging platform above the Uris Theater, what went wrong during his <em>Victor/Victoria</em> audition, why Sergio Franchi stopped him from eating garlic, why his role in <em>George M! r</em>equired sitting down to dinner with a dog, the time he streaked behind John Raitt during <em>Camelot</em>, what it was like being part of Jerome Robbins’ Theater Lab, plus stories about Joe Layton, Elizabeth Allen, Arthur Laurents, Pat Birch, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pxb6u9/Dybas_18pfvr.mp3" length="236214718" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Backstage Babble is honored to sit down with Broadway actor James Dybas, star of Pacific Overtures and Do I Hear a Waltz? In this episode, hear about the fib he told to land Do I Hear a Waltz?, how he ended up fearing for his life on a hanging platform above the Uris Theater, what went wrong during his Victor/Victoria audition, why Sergio Franchi stopped him from eating garlic, why his role in George M! required sitting down to dinner with a dog, the time he streaked behind John Raitt during Camelot, what it was like being part of Jerome Robbins’ Theater Lab, plus stories about Joe Layton, Elizabeth Allen, Arthur Laurents, Pat Birch, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7309</itunes:duration>
                <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Carolyn Kirsch</title>
        <itunes:title>Carolyn Kirsch</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/47-carolyn-kirsch/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/47-carolyn-kirsch/#comments</comments>        <pubDate>Sat, 20 Mar 2021 15:08:28 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e2f50a27-f921-3e19-820f-1a2473401c52</guid>
                                    <description><![CDATA[<p>Today, my guest is Broadway dancer Carolyn Kirsch. Tune in to hear her talk about how Elaine Stritch gave her a hotel room, why she didn't like Hal Prince, why she wouldn't dance with Bob Fosse, Jerry Orbach's poker game, how she ended up playing two roles in A Chorus Line on the same night and more stories of Michael Bennett, Gwen Verdon, Katharine Hepburn, and just about every musical theater star you can imagine!</p>
<p>Catch Carolyn AND I on tonight's Backstage Babble trivia #2-</p>
<p>https://www.youtube.com/watch?v=f1HAwmke97E</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, my guest is Broadway dancer Carolyn Kirsch. Tune in to hear her talk about how Elaine Stritch gave her a hotel room, why she didn't like Hal Prince, why she wouldn't dance with Bob Fosse, Jerry Orbach's poker game, how she ended up playing two roles in A Chorus Line on the same night and more stories of Michael Bennett, Gwen Verdon, Katharine Hepburn, and just about every musical theater star you can imagine!</p>
<p>Catch Carolyn AND I on tonight's Backstage Babble trivia #2-</p>
<p>https://www.youtube.com/watch?v=f1HAwmke97E</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2wv74s/CAROLYN_KIRSCHa2l7d.mp3" length="185493408" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, my guest is Broadway dancer Carolyn Kirsch. Tune in to hear her talk about how Elaine Stritch gave her a hotel room, why she didn't like Hal Prince, why she wouldn't dance with Bob Fosse, Jerry Orbach's poker game, how she ended up playing two roles in A Chorus Line on the same night and more stories of Michael Bennett, Gwen Verdon, Katharine Hepburn, and just about every musical theater star you can imagine!
Catch Carolyn AND I on tonight's Backstage Babble trivia #2-
https://www.youtube.com/watch?v=f1HAwmke97E]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5730</itunes:duration>
                <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Barry Kleinbort Part 2</title>
        <itunes:title>Barry Kleinbort Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/46-barry-kleinbort-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/46-barry-kleinbort-part-2/#comments</comments>        <pubDate>Wed, 17 Mar 2021 15:37:32 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c2d92623-a067-3ea8-a1ca-b9eddf0c150b</guid>
                                    <description><![CDATA[<p class="p1">Tune in today for Part 2 of Barry Kleinbort. Today, we focus on his career as a cabaret writer and director, in addition to his many upcoming projects. Hear him talk about why a tape was called a “Hamlisch,” how he avoided a potential trap when working with Len Cariou, what he discovered about Irving Berlin, why he ended up writing a song about Martin Charnin, why the Barry Sisters should be more remembered today, and other stories about Kaye Ballard, Tony Roberts, Jo Sullivan Loesser, Karen Mason, and everyone in between!</p>
<p class="p1"> </p>
<p class="p1">TRIVIA LINK: https://www.youtube.com/watch?v=HCxkBNFDslg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Tune in today for Part 2 of Barry Kleinbort. Today, we focus on his career as a cabaret writer and director, in addition to his many upcoming projects. Hear him talk about why a tape was called a “Hamlisch,” how he avoided a potential trap when working with Len Cariou, what he discovered about Irving Berlin, why he ended up writing a song about Martin Charnin, why the Barry Sisters should be more remembered today, and other stories about Kaye Ballard, Tony Roberts, Jo Sullivan Loesser, Karen Mason, and everyone in between!</p>
<p class="p1"> </p>
<p class="p1">TRIVIA LINK: https://www.youtube.com/watch?v=HCxkBNFDslg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zpt2p2/BK_28wcux.mp3" length="242809428" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tune in today for Part 2 of Barry Kleinbort. Today, we focus on his career as a cabaret writer and director, in addition to his many upcoming projects. Hear him talk about why a tape was called a “Hamlisch,” how he avoided a potential trap when working with Len Cariou, what he discovered about Irving Berlin, why he ended up writing a song about Martin Charnin, why the Barry Sisters should be more remembered today, and other stories about Kaye Ballard, Tony Roberts, Jo Sullivan Loesser, Karen Mason, and everyone in between!
 
TRIVIA LINK: https://www.youtube.com/watch?v=HCxkBNFDslg]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7508</itunes:duration>
                <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Barry Kleinbort Part 1</title>
        <itunes:title>Barry Kleinbort Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/45-barry-kleinbort-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/45-barry-kleinbort-part-1/#comments</comments>        <pubDate>Wed, 10 Mar 2021 22:04:29 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ac6e385f-e9b5-3086-9293-e764c7159531</guid>
                                    <description><![CDATA[<p class="p1">Today, I am joined by Ed Kleban Award Winner Barry Kleinbort. In Part 1 of our conversation, Barry discusses the many musicals he’s penned including 13 Things About Ed Carpolotti, Was, Angelina, The Rat Race, Metropolita(i)n, Second Avenue Rag, Big City Rhythm, and more. Hear him talk about what he learned from Harold Rome, how he decides a property should be musicalized, why you should never assume anyone knows who you are, why he made Frank Gilroy forget the ending of his own play, and why he ended up having two months to write a show to be performed in a barge on the Seine! Plus, more stories about Penny Fuller, Joseph Thalken, Barbara Harris, Tina Landau, and others! Also, throughout the episode you can enjoy never before released performances of Mr. Kleinbort’s songs by Danny Burstein, Howard McGillin, Roger Bart, Rita Gardner, and other great artists!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am joined by Ed Kleban Award Winner Barry Kleinbort. In Part 1 of our conversation, Barry discusses the many musicals he’s penned including <em>13 Things About Ed Carpolotti, Was, Angelina, The Rat Race, Metropolita(i)n, Second Avenue Rag, Big City Rhythm, </em>and more. Hear him talk about what he learned from Harold Rome, how he decides a property should be musicalized, why you should never assume anyone knows who you are, why he made Frank Gilroy forget the ending of his own play, and why he ended up having two months to write a show to be performed in a barge on the Seine! Plus, more stories about Penny Fuller, Joseph Thalken, Barbara Harris, Tina Landau, and others! Also, throughout the episode you can enjoy never before released performances of Mr. Kleinbort’s songs by Danny Burstein, Howard McGillin, Roger Bart, Rita Gardner, and other great artists!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sjqeub/Barry_Klienbort_1b93qn.mp3" length="293255237" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am joined by Ed Kleban Award Winner Barry Kleinbort. In Part 1 of our conversation, Barry discusses the many musicals he’s penned including 13 Things About Ed Carpolotti, Was, Angelina, The Rat Race, Metropolita(i)n, Second Avenue Rag, Big City Rhythm, and more. Hear him talk about what he learned from Harold Rome, how he decides a property should be musicalized, why you should never assume anyone knows who you are, why he made Frank Gilroy forget the ending of his own play, and why he ended up having two months to write a show to be performed in a barge on the Seine! Plus, more stories about Penny Fuller, Joseph Thalken, Barbara Harris, Tina Landau, and others! Also, throughout the episode you can enjoy never before released performances of Mr. Kleinbort’s songs by Danny Burstein, Howard McGillin, Roger Bart, Rita Gardner, and other great artists!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>9088</itunes:duration>
                <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Brad Oscar</title>
        <itunes:title>Brad Oscar</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/44-brad-oscar/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/44-brad-oscar/#comments</comments>        <pubDate>Wed, 03 Mar 2021 22:17:34 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8a816785-5e6a-3458-8d9f-6c7c7f5b575f</guid>
                                    <description><![CDATA[<p class="p1">Today, I am delighted to announce my episode with one of Broadway’s best comedians, Brad Oscar. Tune in to hear him talk about running through the Lyceum with a lit pumpkin, why Mike Nichols made an example of him, crying on the closing of Big Fish, how he developed “A Musical,” and more stories about Mel Brooks, Trevor Nunn, Casey Nicholaw, and everyone in between!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today, I am delighted to announce my episode with one of Broadway’s best comedians, Brad Oscar. Tune in to hear him talk about running through the Lyceum with a lit pumpkin, why Mike Nichols made an example of him, crying on the closing of Big Fish, how he developed “A Musical,” and more stories about Mel Brooks, Trevor Nunn, Casey Nicholaw, and everyone in between!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rwnk7t/Brad_Oscar_Final_azsqk.mp3" length="243688606" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am delighted to announce my episode with one of Broadway’s best comedians, Brad Oscar. Tune in to hear him talk about running through the Lyceum with a lit pumpkin, why Mike Nichols made an example of him, crying on the closing of Big Fish, how he developed “A Musical,” and more stories about Mel Brooks, Trevor Nunn, Casey Nicholaw, and everyone in between!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7548</itunes:duration>
                <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Cass Morgan</title>
        <itunes:title>Cass Morgan</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/43-cass-morgan/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/43-cass-morgan/#comments</comments>        <pubDate>Sat, 20 Feb 2021 15:09:17 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cf1c7021-dd2b-36d3-8a1b-3136a7abff8f</guid>
                                    <description><![CDATA[<p>Today, my guest is Broadway star Cass Morgan, writer and star of Pump Boys and Dinettes. Tune in to hear her talk about re-staging a show in a day, the dangers of doing Mary Poppins, how a cathartic trip to Ireland was the basis for her solo show, and more stories about Paul Simon, Debra Monk, Kelli O'Hara, and more. </p>
<p> </p>
<p>Also, hear her discuss what it was like being part of the original productions of Violet, Floyd Collins, Memphis, and more.</p>
<p> </p>
<p>Thanks to logo designer and theme song orchestrator Tom Judson for setting up this interview.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, my guest is Broadway star Cass Morgan, writer and star of Pump Boys and Dinettes. Tune in to hear her talk about re-staging a show in a day, the dangers of doing Mary Poppins, how a cathartic trip to Ireland was the basis for her solo show, and more stories about Paul Simon, Debra Monk, Kelli O'Hara, and more. </p>
<p> </p>
<p>Also, hear her discuss what it was like being part of the original productions of Violet, Floyd Collins, Memphis, and more.</p>
<p> </p>
<p>Thanks to logo designer and theme song orchestrator Tom Judson for setting up this interview.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f9g9q3/Cass_Morganaa1kx.mp3" length="203789136" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, my guest is Broadway star Cass Morgan, writer and star of Pump Boys and Dinettes. Tune in to hear her talk about re-staging a show in a day, the dangers of doing Mary Poppins, how a cathartic trip to Ireland was the basis for her solo show, and more stories about Paul Simon, Debra Monk, Kelli O'Hara, and more. 
 
Also, hear her discuss what it was like being part of the original productions of Violet, Floyd Collins, Memphis, and more.
 
Thanks to logo designer and theme song orchestrator Tom Judson for setting up this interview.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6317</itunes:duration>
                <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Lavine</title>
        <itunes:title>Michael Lavine</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/42-michael-lavine/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/42-michael-lavine/#comments</comments>        <pubDate>Wed, 17 Feb 2021 16:14:56 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f8f8e9b5-b11b-3738-a176-72a040277770</guid>
                                    <description><![CDATA[<p class="p1">Broadway's sheet music expert, Michael Lavine, is on the podcast today! Tune in to hear Michael talk about his friendships with Stephen Sondheim, Adolph Green, Hugh Martin, and more, as well as preparing Patrick Page for his Spiderman audition, helping Kristin Chenoweth prepare for Rosie O’Donnell, and what makes the perfect audition song. THEN, stick around to hear a 6-song concert which will include a song from Sondheim’s college shows, cut songs from Wildcat and She Loves Me, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Broadway's sheet music expert, Michael Lavine, is on the podcast today! Tune in to hear Michael talk about his friendships with Stephen Sondheim, Adolph Green, Hugh Martin, and more, as well as preparing Patrick Page for his Spiderman audition, helping Kristin Chenoweth prepare for Rosie O’Donnell, and what makes the perfect audition song. THEN, stick around to hear a 6-song concert which will include a song from Sondheim’s college shows, cut songs from Wildcat and She Loves Me, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ijrku6/BROADWAYMHL.mp3" length="280301276" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Broadway's sheet music expert, Michael Lavine, is on the podcast today! Tune in to hear Michael talk about his friendships with Stephen Sondheim, Adolph Green, Hugh Martin, and more, as well as preparing Patrick Page for his Spiderman audition, helping Kristin Chenoweth prepare for Rosie O’Donnell, and what makes the perfect audition song. THEN, stick around to hear a 6-song concert which will include a song from Sondheim’s college shows, cut songs from Wildcat and She Loves Me, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8715</itunes:duration>
                <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bob Fitch Part 2</title>
        <itunes:title>Bob Fitch Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/40-bob-fitch-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/40-bob-fitch-part-2/#comments</comments>        <pubDate>Sun, 14 Feb 2021 14:47:51 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d51e756c-7e23-3246-8c0d-fd035bb35807</guid>
                                    <description><![CDATA[<p>Today I am joined once again by Broadway's biggest raconteur Bob Fitch. Tune in to hear him talk about catching a pregnant Carol Burnett, how he wrote the plot of Annie, the role that was cut from 42nd Street, triumphing over David Merrick, defending Katharine Hepburn (from an angry truck driver), and more stories about Mike Nichols, Steve Martin, Whoopi Goldberg, Don Ameche, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined once again by Broadway's biggest raconteur Bob Fitch. Tune in to hear him talk about catching a pregnant Carol Burnett, how he wrote the plot of Annie, the role that was cut from 42nd Street, triumphing over David Merrick, defending Katharine Hepburn (from an angry truck driver), and more stories about Mike Nichols, Steve Martin, Whoopi Goldberg, Don Ameche, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uc7iri/bob_fitch_26e0vd.mp3" length="205570933" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined once again by Broadway's biggest raconteur Bob Fitch. Tune in to hear him talk about catching a pregnant Carol Burnett, how he wrote the plot of Annie, the role that was cut from 42nd Street, triumphing over David Merrick, defending Katharine Hepburn (from an angry truck driver), and more stories about Mike Nichols, Steve Martin, Whoopi Goldberg, Don Ameche, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6408</itunes:duration>
                <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Bob Fitch Part 1</title>
        <itunes:title>Bob Fitch Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/39-bob-fitch-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/39-bob-fitch-part-1/#comments</comments>        <pubDate>Sat, 06 Feb 2021 11:57:58 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/1815b4fc-d0ad-3036-9c1a-312c8e76d75a</guid>
                                    <description><![CDATA[<p class="p1">Today’s guest Bob Fitch truly is the greatest showman. Tune in to hear him talk about mediating between Ray Bolger and Donald O’Connor, testifying in the suit between Jerry Lewis and Alex Cohen, Clive Revill’s pre-show routine, why Angela Lansbury would never look you in the eye, recording taps for Bob Fosse, why he turned down choreographing Lorelei, winning a tap contest against Pat Boone, and stories about Liza Minnelli, Noel Coward, Jose Ferrer, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Today’s guest Bob Fitch truly is the greatest showman. Tune in to hear him talk about mediating between Ray Bolger and Donald O’Connor, testifying in the suit between Jerry Lewis and Alex Cohen, Clive Revill’s pre-show routine, why Angela Lansbury would never look you in the eye, recording taps for Bob Fosse, why he turned down choreographing <em>Lorelei</em>, winning a tap contest against Pat Boone, and stories about Liza Minnelli, Noel Coward, Jose Ferrer, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/68pgrp/fitchmagic_18eawn.mp3" length="203793976" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today’s guest Bob Fitch truly is the greatest showman. Tune in to hear him talk about mediating between Ray Bolger and Donald O’Connor, testifying in the suit between Jerry Lewis and Alex Cohen, Clive Revill’s pre-show routine, why Angela Lansbury would never look you in the eye, recording taps for Bob Fosse, why he turned down choreographing Lorelei, winning a tap contest against Pat Boone, and stories about Liza Minnelli, Noel Coward, Jose Ferrer, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6349</itunes:duration>
                <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Susan L. Schulman Part 2</title>
        <itunes:title>Susan L. Schulman Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/38-susan-l-schulman-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/38-susan-l-schulman-part-2/#comments</comments>        <pubDate>Fri, 29 Jan 2021 13:00:43 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/467f3cae-1d09-3c3a-ba8a-af7acfc39edc</guid>
                                    <description><![CDATA[<p>Today I am honored to be joined once again by veteran press agent Susan L. Schulman. Tune in to hear her talk about making Richard Dreyfuss jealous, saving an interview with Mary Martin, her suspicions about David Merrick, the workshop process of Angels in America, the odd role of press agents at the Tonys, and more. </p>
<p> </p>
<p>Buy her book here: https://www.amazon.com/dp/B079DLQT9V/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am honored to be joined once again by veteran press agent Susan L. Schulman. Tune in to hear her talk about making Richard Dreyfuss jealous, saving an interview with Mary Martin, her suspicions about David Merrick, the workshop process of Angels in America, the odd role of press agents at the Tonys, and more. </p>
<p> </p>
<p>Buy her book here: https://www.amazon.com/dp/B079DLQT9V/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7u2rr6/SLS2.mp3" length="137075318" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am honored to be joined once again by veteran press agent Susan L. Schulman. Tune in to hear her talk about making Richard Dreyfuss jealous, saving an interview with Mary Martin, her suspicions about David Merrick, the workshop process of Angels in America, the odd role of press agents at the Tonys, and more. 
 
Buy her book here: https://www.amazon.com/dp/B079DLQT9V/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4269</itunes:duration>
                <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Susan L. Schulman</title>
        <itunes:title>Susan L. Schulman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/37-susan-l-schulman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/37-susan-l-schulman/#comments</comments>        <pubDate>Mon, 18 Jan 2021 18:48:10 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bdd18701-40da-3541-b7c5-188ce08c3044</guid>
                                    <description><![CDATA[<p>Today I am honored to be joined by veteran press agent Susan L. Schulman. To hear her talk about the all-around genius of Bob Fosse, the bullying habits of John Dexter, how she became the only person Lauren Bacall would talk to during Applause, how she almost killed Ray Bolger, as well as her stories about everyone from Bette Davis to Zero Mostel, make sure to listen to this week's episode!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am honored to be joined by veteran press agent Susan L. Schulman. To hear her talk about the all-around genius of Bob Fosse, the bullying habits of John Dexter, how she became the only person Lauren Bacall would talk to during Applause, how she almost killed Ray Bolger, as well as her stories about everyone from Bette Davis to Zero Mostel, make sure to listen to this week's episode!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/86etuw/SLSPR.mp3" length="218084928" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am honored to be joined by veteran press agent Susan L. Schulman. To hear her talk about the all-around genius of Bob Fosse, the bullying habits of John Dexter, how she became the only person Lauren Bacall would talk to during Applause, how she almost killed Ray Bolger, as well as her stories about everyone from Bette Davis to Zero Mostel, make sure to listen to this week's episode!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>6765</itunes:duration>
                <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mary Jane Houdina Part 2</title>
        <itunes:title>Mary Jane Houdina Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/36-mary-jane-houdina-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/36-mary-jane-houdina-part-2/#comments</comments>        <pubDate>Sun, 10 Jan 2021 17:57:29 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/185fa93e-fe9a-3178-9920-1b0a3413bee1</guid>
                                    <description><![CDATA[<p>Tune in to hear the 2nd part of my episode with Broadway dancer Mary Jane Houdina. Listen to the episode to hear her talk about jumping into a fountain during The Great Gatsby, why Peter Gennaro reduced an audience to tears every night, how she ended up going on as Annie during a rehearsal, unburdening Danny Gerard during Into the Light, the role that got away, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Tune in to hear the 2nd part of my episode with Broadway dancer Mary Jane Houdina. Listen to the episode to hear her talk about jumping into a fountain during The Great Gatsby, why Peter Gennaro reduced an audience to tears every night, how she ended up going on as Annie during a rehearsal, unburdening Danny Gerard during Into the Light, the role that got away, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wbegcu/MJH_263sr6.mp3" length="122217106" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tune in to hear the 2nd part of my episode with Broadway dancer Mary Jane Houdina. Listen to the episode to hear her talk about jumping into a fountain during The Great Gatsby, why Peter Gennaro reduced an audience to tears every night, how she ended up going on as Annie during a rehearsal, unburdening Danny Gerard during Into the Light, the role that got away, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3794</itunes:duration>
                <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mary Jane Houdina Part 1</title>
        <itunes:title>Mary Jane Houdina Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/35-mary-jane-houdina-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/35-mary-jane-houdina-part-1/#comments</comments>        <pubDate>Mon, 04 Jan 2021 16:04:03 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/8c78a481-ff87-3ad5-affb-226ef0c205fc</guid>
                                    <description><![CDATA[<p>Today, I am joined by veteran Broadway dancer and choreographer Mary Jane Houdina, who has lent her talents to such shows as Annie, Follies, Moose Murders, Into the Light, Rachael Lily Rosenbloom, The Fig Leaves are Falling, Georgy, and more. Tune in to hear her tell the wonderful stories of her amazing career, including prompting John McMartin every night, refusing to do a certain dance in Rockabye Hamlet, why she loved Moose Murders, NOT auditioning for Jack Cole, dubbing tap in Follies, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am joined by veteran Broadway dancer and choreographer Mary Jane Houdina, who has lent her talents to such shows as Annie, Follies, Moose Murders, Into the Light, Rachael Lily Rosenbloom, The Fig Leaves are Falling, Georgy, and more. Tune in to hear her tell the wonderful stories of her amazing career, including prompting John McMartin every night, refusing to do a certain dance in Rockabye Hamlet, why she loved Moose Murders, NOT auditioning for Jack Cole, dubbing tap in Follies, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w4ew93/HOUDFINAl.mp3" length="151242414" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am joined by veteran Broadway dancer and choreographer Mary Jane Houdina, who has lent her talents to such shows as Annie, Follies, Moose Murders, Into the Light, Rachael Lily Rosenbloom, The Fig Leaves are Falling, Georgy, and more. Tune in to hear her tell the wonderful stories of her amazing career, including prompting John McMartin every night, refusing to do a certain dance in Rockabye Hamlet, why she loved Moose Murders, NOT auditioning for Jack Cole, dubbing tap in Follies, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4694</itunes:duration>
                <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ed Asner</title>
        <itunes:title>Ed Asner</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/34-ed-asner/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/34-ed-asner/#comments</comments>        <pubDate>Fri, 01 Jan 2021 09:38:07 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ad5eaa64-29f1-3d2d-a3c9-c6e55cfb1bad</guid>
                                    <description><![CDATA[<p>What better way to start the New Year than an interview with a true star, a true legend--Ed Asner. Tune in to hear him talk about who he based Lou Grant on,  why singing was not a challenge for him, why New York critics were biased against him, why he was "born to play" his part in The Soap Myth, and more about Mary Tyler Moore, Lotte Lenya, and Eileen Brennan.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What better way to start the New Year than an interview with a true star, a true legend--Ed Asner. Tune in to hear him talk about who he based Lou Grant on,  why singing was not a challenge for him, why New York critics were biased against him, why he was "born to play" his part in The Soap Myth, and more about Mary Tyler Moore, Lotte Lenya, and Eileen Brennan.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d8y7kr/ED_ASNERRRRRR93vi8.mp3" length="54243015" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What better way to start the New Year than an interview with a true star, a true legend--Ed Asner. Tune in to hear him talk about who he based Lou Grant on,  why singing was not a challenge for him, why New York critics were biased against him, why he was "born to play" his part in The Soap Myth, and more about Mary Tyler Moore, Lotte Lenya, and Eileen Brennan.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1680</itunes:duration>
                <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lee Wilkof</title>
        <itunes:title>Lee Wilkof</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/33-lee-wilkof/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/33-lee-wilkof/#comments</comments>        <pubDate>Mon, 28 Dec 2020 11:53:47 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/fb303cc8-9137-3833-a4d5-7f19f02f5382</guid>
                                    <description><![CDATA[<p>Our guest today is veteran actor Lee Wilkof, of Little Shop of Horrors, Assassins, Sweet Charity, She Loves Me, Holiday Inn, Kiss Me, Kate, and more. Tune in to hear him talk about the compliment that meant the most to him, taking on the chat boards (about Breakfast at Tiffany's), why he should've turned down Holiday Inn, why Michael Blakemore is a great director, the intense Little Shop rehearsal process, and working with Steve Martin, Nathan Lane, Stephen Sondheim, Sara Bareilles, Donna Murphy, Marin Mazzie, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Our guest today is veteran actor Lee Wilkof, of Little Shop of Horrors, Assassins, Sweet Charity, She Loves Me, Holiday Inn, Kiss Me, Kate, and more. Tune in to hear him talk about the compliment that meant the most to him, taking on the chat boards (about Breakfast at Tiffany's), why he should've turned down Holiday Inn, why Michael Blakemore is a great director, the intense Little Shop rehearsal process, and working with Steve Martin, Nathan Lane, Stephen Sondheim, Sara Bareilles, Donna Murphy, Marin Mazzie, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7xnksd/Lee_Wilkofinal7hjs6.mp3" length="228009052" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Our guest today is veteran actor Lee Wilkof, of Little Shop of Horrors, Assassins, Sweet Charity, She Loves Me, Holiday Inn, Kiss Me, Kate, and more. Tune in to hear him talk about the compliment that meant the most to him, taking on the chat boards (about Breakfast at Tiffany's), why he should've turned down Holiday Inn, why Michael Blakemore is a great director, the intense Little Shop rehearsal process, and working with Steve Martin, Nathan Lane, Stephen Sondheim, Sara Bareilles, Donna Murphy, Marin Mazzie, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>7072</itunes:duration>
                <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Richard Seff</title>
        <itunes:title>Richard Seff</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/32-richard-seff/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/32-richard-seff/#comments</comments>        <pubDate>Thu, 24 Dec 2020 09:37:31 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/589d352a-86fa-3d16-be65-cf447b2542ba</guid>
                                    <description><![CDATA[<p>Today, I am honored to be joined by Richard Seff, actor, agent, director, writer, critic, and interviewer. </p>
<p> </p>
<p>Tune in to hear him talk about his involvements with the original productions of My Fair Lady, the movie of Cabaret, why he got paid for Hello, Dolly, standing in the back of the house with Donald Trump, why Brooks Atkinson's departure hurt his show, how his acting career has formed his perspective as a critic, why Elaine Stritch was a difficult client, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am honored to be joined by Richard Seff, actor, agent, director, writer, critic, and interviewer. </p>
<p> </p>
<p>Tune in to hear him talk about his involvements with the original productions of My Fair Lady, the movie of Cabaret, why he got paid for Hello, Dolly, standing in the back of the house with Donald Trump, why Brooks Atkinson's departure hurt his show, how his acting career has formed his perspective as a critic, why Elaine Stritch was a difficult client, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9fjz89/Seffinal.mp3" length="177793772" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to be joined by Richard Seff, actor, agent, director, writer, critic, and interviewer. 
 
Tune in to hear him talk about his involvements with the original productions of My Fair Lady, the movie of Cabaret, why he got paid for Hello, Dolly, standing in the back of the house with Donald Trump, why Brooks Atkinson's departure hurt his show, how his acting career has formed his perspective as a critic, why Elaine Stritch was a difficult client, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5497</itunes:duration>
                <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>John Weidman</title>
        <itunes:title>John Weidman</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/31-john-weidman/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/31-john-weidman/#comments</comments>        <pubDate>Tue, 15 Dec 2020 15:31:48 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/dbad41b9-2303-3093-8f45-74323a632450</guid>
                                    <description><![CDATA[<p>Today my guest is none other than legendary bookwriter John Weidman, author of Pacific Overtures, Road Show, Assassins, Contact, Big, and more! </p>
<p>Tune in to hear him talk about how Pacific Overtures was originally a play, delineating Road Show with Oskar Eustis, getting Susan Stroman to choreograph a different type of dance, why there are no kids shows, the many forms of Assassins, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today my guest is none other than legendary bookwriter John Weidman, author of Pacific Overtures, Road Show, Assassins, Contact, Big, and more! </p>
<p>Tune in to hear him talk about how Pacific Overtures was originally a play, delineating Road Show with Oskar Eustis, getting Susan Stroman to choreograph a different type of dance, why there are no kids shows, the many forms of Assassins, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n9ipsw/JOHN_WEIDS_FINAL7z4i7.mp3" length="128464826" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today my guest is none other than legendary bookwriter John Weidman, author of Pacific Overtures, Road Show, Assassins, Contact, Big, and more! 
Tune in to hear him talk about how Pacific Overtures was originally a play, delineating Road Show with Oskar Eustis, getting Susan Stroman to choreograph a different type of dance, why there are no kids shows, the many forms of Assassins, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3983</itunes:duration>
                <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Eileen Casey</title>
        <itunes:title>Eileen Casey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/30-eileen-casey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/30-eileen-casey/#comments</comments>        <pubDate>Mon, 14 Dec 2020 10:34:31 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/b3baa0be-46f9-3d39-a539-18ca56a29094</guid>
                                    <description><![CDATA[<p>What better way to celebrate Backstage Babble's 30th episode than with a legendary dancer from Broadway's Golden Age, Eileen Casey? Tune in to hear her talk about why Cab Calloway was "just terrible," the brilliance of Gower Champion, not caring for Ron Field's choreography, why someone had to be fired from Promises, Promises, the out-of-town Seesaw, why Marilyn didn't work, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What better way to celebrate Backstage Babble's 30th episode than with a legendary dancer from Broadway's Golden Age, Eileen Casey? Tune in to hear her talk about why Cab Calloway was "just terrible," the brilliance of Gower Champion, not caring for Ron Field's choreography, why someone had to be fired from Promises, Promises, the out-of-town Seesaw, why Marilyn didn't work, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f774zs/Eileen_Caseyazx3y.mp3" length="150622922" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What better way to celebrate Backstage Babble's 30th episode than with a legendary dancer from Broadway's Golden Age, Eileen Casey? Tune in to hear her talk about why Cab Calloway was "just terrible," the brilliance of Gower Champion, not caring for Ron Field's choreography, why someone had to be fired from Promises, Promises, the out-of-town Seesaw, why Marilyn didn't work, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4662</itunes:duration>
                <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tom Jones</title>
        <itunes:title>Tom Jones</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/29-tom-jones/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/29-tom-jones/#comments</comments>        <pubDate>Sat, 05 Dec 2020 11:21:05 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/352ae86d-b6cc-3cf1-a40f-32602b500717</guid>
                                    <description><![CDATA[<p>Today, I am honored to be able to present my interview with the legendary Tom Jones, author of The Fantasticks, 110 In The Shade, I Do, I Do, Philemon, Celebration, and more!</p>
<p>Listen to hear about a David Merrick joke, Mary Martin's last project, Diana Rigg's "vulnerability," his ideas for theater today to make it less costly and more true to form, an unlikely basis for a musical (A book of Mesopotamian rituals!) and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, I am honored to be able to present my interview with the legendary Tom Jones, author of The Fantasticks, 110 In The Shade, I Do, I Do, Philemon, Celebration, and more!</p>
<p>Listen to hear about a David Merrick joke, Mary Martin's last project, Diana Rigg's "vulnerability," his ideas for theater today to make it less costly and more true to form, an unlikely basis for a musical (A book of Mesopotamian rituals!) and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/74w6gs/TJALL.mp3" length="266837128" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, I am honored to be able to present my interview with the legendary Tom Jones, author of The Fantasticks, 110 In The Shade, I Do, I Do, Philemon, Celebration, and more!
Listen to hear about a David Merrick joke, Mary Martin's last project, Diana Rigg's "vulnerability," his ideas for theater today to make it less costly and more true to form, an unlikely basis for a musical (A book of Mesopotamian rituals!) and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>8261</itunes:duration>
                <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Rupert Part 2</title>
        <itunes:title>Michael Rupert Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/28-michael-rupert-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/28-michael-rupert-part-2/#comments</comments>        <pubDate>Sat, 28 Nov 2020 10:13:56 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/14c9b7ec-7d78-3c5e-b5f4-bf21f066715e</guid>
                                    <description><![CDATA[<p>Today, Michael Rupert is back! He talks about his experiences starring in City of Angels, Ragtime, Elegies, On The Town, Legally Blonde, and more! Here about trading replacements with John Rubinstein, developing "I Understand," his directing career, how William Finn changed, and more.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today, Michael Rupert is back! He talks about his experiences starring in City of Angels, Ragtime, Elegies, On The Town, Legally Blonde, and more! Here about trading replacements with John Rubinstein, developing "I Understand," his directing career, how William Finn changed, and more.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/guafj9/MJRUPE2.mp3" length="106943613" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today, Michael Rupert is back! He talks about his experiences starring in City of Angels, Ragtime, Elegies, On The Town, Legally Blonde, and more! Here about trading replacements with John Rubinstein, developing "I Understand," his directing career, how William Finn changed, and more.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3296</itunes:duration>
                <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Michael Rupert Part 1</title>
        <itunes:title>Michael Rupert Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/27-michael-rupert-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/27-michael-rupert-part-1/#comments</comments>        <pubDate>Wed, 25 Nov 2020 11:29:21 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/0820bdde-af31-362a-9ed4-77c391f2ff05</guid>
                                    <description><![CDATA[<p>Backstage Babble is BACK this week, this time featuring an interview with the extremely talented Michael Rupert. Hear him talk about cut Sondheim songs, how to audition for William Finn, and Gwen Verdon as Bob Fosse's memory aide. Michael Rupert has had a truly legendary career in the theater, and I am honored that he shared it with me today.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Backstage Babble is BACK this week, this time featuring an interview with the extremely talented Michael Rupert. Hear him talk about cut Sondheim songs, how to audition for William Finn, and Gwen Verdon as Bob Fosse's memory aide. Michael Rupert has had a truly legendary career in the theater, and I am honored that he shared it with me today.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fmutjr/Michel_Ruprt_17zbbv.mp3" length="160065322" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Backstage Babble is BACK this week, this time featuring an interview with the extremely talented Michael Rupert. Hear him talk about cut Sondheim songs, how to audition for William Finn, and Gwen Verdon as Bob Fosse's memory aide. Michael Rupert has had a truly legendary career in the theater, and I am honored that he shared it with me today.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4908</itunes:duration>
                <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Steve Ross Part 2</title>
        <itunes:title>Steve Ross Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/26-steve-ross-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/26-steve-ross-part-2/#comments</comments>        <pubDate>Sun, 22 Nov 2020 11:45:10 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/bc769b4f-99fd-344e-8626-6514879d39b3</guid>
                                    <description><![CDATA[<p>Today I am joined once again by The Crown Prince of Cabaret, Steve Ross! I hope you enjoy this conclusion to our interview.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined once again by The Crown Prince of Cabaret, Steve Ross! I hope you enjoy this conclusion to our interview.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bnzzhe/Steve_Ross_2afkyp.mp3" length="148588868" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined once again by The Crown Prince of Cabaret, Steve Ross! I hope you enjoy this conclusion to our interview.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4598</itunes:duration>
                <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Steve Ross Part 1</title>
        <itunes:title>Steve Ross Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/25-steve-ross-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/25-steve-ross-part-1/#comments</comments>        <pubDate>Mon, 16 Nov 2020 12:20:59 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/6eab398a-4359-3a99-9d14-9a8a784fc1d0</guid>
                                    <description><![CDATA[<p>Today I am joined by the "crown prince of New York cabaret," the one and only Steve Ross. Tune in to hear him talk about performing in Present Laughter on Broadway, reopening the Algonquin hotel, trying to impress Ethel Merman, and more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by the "crown prince of New York cabaret," the one and only Steve Ross. Tune in to hear him talk about performing in Present Laughter on Broadway, reopening the Algonquin hotel, trying to impress Ethel Merman, and more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ztqtpc/Stvee_Ross_17c7fn.mp3" length="181371305" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by the "crown prince of New York cabaret," the one and only Steve Ross. Tune in to hear him talk about performing in Present Laughter on Broadway, reopening the Algonquin hotel, trying to impress Ethel Merman, and more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5626</itunes:duration>
                <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Marie’s Crisis</title>
        <itunes:title>Marie’s Crisis</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/24-maries-crisis/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/24-maries-crisis/#comments</comments>        <pubDate>Thu, 12 Nov 2020 15:24:46 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4536ddc3-c9c8-3b53-8580-549f55789f84</guid>
                                    <description><![CDATA[<p>Today I sit down with the many employees of the piano bar Marie's Crisis! Hear them talk about memorable nights, how they've adapted to virtual entertainment, and what is the future for them to come back in person.</p>
<p> </p>
<p>Featuring: Alex Barylski, Dan Daly, Kenney M. Green, Maddie McClouskey, James Merillat, and Drew Wutke</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I sit down with the many employees of the piano bar Marie's Crisis! Hear them talk about memorable nights, how they've adapted to virtual entertainment, and what is the future for them to come back in person.</p>
<p> </p>
<p>Featuring: Alex Barylski, Dan Daly, Kenney M. Green, Maddie McClouskey, James Merillat, and Drew Wutke</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sm7x33/Marie_s_RLFNL7lcx7.mp3" length="122356966" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I sit down with the many employees of the piano bar Marie's Crisis! Hear them talk about memorable nights, how they've adapted to virtual entertainment, and what is the future for them to come back in person.
 
Featuring: Alex Barylski, Dan Daly, Kenney M. Green, Maddie McClouskey, James Merillat, and Drew Wutke]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3776</itunes:duration>
                <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lee Roy Reams Part 2</title>
        <itunes:title>Lee Roy Reams Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/23-lee-roy-reams-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/23-lee-roy-reams-part-2/#comments</comments>        <pubDate>Tue, 10 Nov 2020 17:00:05 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d7f051fd-b473-3c74-90dd-5fe6897977db</guid>
                                    <description><![CDATA[<p>Lee Roy Reams is back (and better than ever!) On this episode, we cover everything from Hello, Dolly to his Producers audition song (think Mama Rose in Germany), to Ann Miller not knowing any Jewish Holidays, to some very important life lessons about being honest and not letting negativity ruin your life.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Lee Roy Reams is back (and better than ever!) On this episode, we cover everything from Hello, Dolly to his Producers audition song (think Mama Rose in Germany), to Ann Miller not knowing any Jewish Holidays, to some very important life lessons about being honest and not letting negativity ruin your life.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k5qk7p/LRR_2bd46n.mp3" length="181419201" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lee Roy Reams is back (and better than ever!) On this episode, we cover everything from Hello, Dolly to his Producers audition song (think Mama Rose in Germany), to Ann Miller not knowing any Jewish Holidays, to some very important life lessons about being honest and not letting negativity ruin your life.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5581</itunes:duration>
                <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Lee Roy Reams Part 1</title>
        <itunes:title>Lee Roy Reams Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/22-lee-roy-reams-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/22-lee-roy-reams-part-1/#comments</comments>        <pubDate>Mon, 02 Nov 2020 17:52:14 -0500</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/a341a50b-c60d-3cad-85f5-f89f89229bc3</guid>
                                    <description><![CDATA[<p>Today I am joined by one of the first guests I knew I could not do this podcast without, Lee Roy Reams. He regales us with many funny and scandalous stories of the Golden Age of Broadway, from Bob Fosse to Mel Brooks! On Broadway, Lee Roy Reams has appeared in Sweet Charity, Oklahoma, Applause, 42nd Street, The Producers, Beauty and the Beast, Lorelei, and more. He has also directed Carol Channing in Hello Dolly, and played Dolly himself only a few years ago. He has also appeared in La Cage Aux Folles around the country and many times on screen, including in the film of Sweet Charity. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by one of the first guests I knew I could not do this podcast without, Lee Roy Reams. He regales us with many funny and scandalous stories of the Golden Age of Broadway, from Bob Fosse to Mel Brooks! On Broadway, Lee Roy Reams has appeared in <em>Sweet Charity, Oklahoma, Applause, 42nd Street, The Producers, Beauty and the Beast, Lorelei, </em>and more. He has also directed Carol Channing in <em>Hello Dolly</em>, and played Dolly himself only a few years ago. He has also appeared in La Cage Aux Folles around the country and many times on screen, including in the film of Sweet Charity. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n278rf/Lee_R_1bpnkz.mp3" length="146652712" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by one of the first guests I knew I could not do this podcast without, Lee Roy Reams. He regales us with many funny and scandalous stories of the Golden Age of Broadway, from Bob Fosse to Mel Brooks! On Broadway, Lee Roy Reams has appeared in Sweet Charity, Oklahoma, Applause, 42nd Street, The Producers, Beauty and the Beast, Lorelei, and more. He has also directed Carol Channing in Hello Dolly, and played Dolly himself only a few years ago. He has also appeared in La Cage Aux Folles around the country and many times on screen, including in the film of Sweet Charity. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4505</itunes:duration>
                <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Anita Gillette</title>
        <itunes:title>Anita Gillette</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/21-anita-gillette/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/21-anita-gillette/#comments</comments>        <pubDate>Wed, 28 Oct 2020 11:24:48 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3ea505a8-0a3f-37cc-a78f-4c7d3432e824</guid>
                                    <description><![CDATA[<p>Today I am joined by Broadway legend Anita Gillette. Anita Gillette is a Tony-nominated Broadway veteran who has appeared in All American, Jimmy, Cabaret, Kelly, Chapter Two, Don’t Drink the Water, Brighton Beach Memoirs, Carnival, and more. She made a big splash with the song “The Secret Service” in Mr. President, and was awarded a Theater World for Russell Patterson’s Sketchbook. Her equally long and lauded movie career has spanned such illustrious projects as 30 Rock, Moonstruck, and Quincy, M.E. I hope everyone enjoys this episode! I know I did!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by Broadway legend Anita Gillette. Anita Gillette is a Tony-nominated Broadway veteran who has appeared in <em>All American, Jimmy, Cabaret, Kelly, Chapter Two, Don’t Drink the Water, Brighton Beach Memoirs, Carnival</em>, and more. She made a big splash with the song “The Secret Service” in <em>Mr. President</em>, and was awarded a Theater World for <em>Russell Patterson’s Sketchbook</em>. Her equally long and lauded movie career has spanned such illustrious projects as <em>30 Rock, Moonstruck, </em>and <em>Quincy,</em> M.E. I hope everyone enjoys this episode! I know I did!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/362xye/Anita.mp3" length="166396013" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by Broadway legend Anita Gillette. Anita Gillette is a Tony-nominated Broadway veteran who has appeared in All American, Jimmy, Cabaret, Kelly, Chapter Two, Don’t Drink the Water, Brighton Beach Memoirs, Carnival, and more. She made a big splash with the song “The Secret Service” in Mr. President, and was awarded a Theater World for Russell Patterson’s Sketchbook. Her equally long and lauded movie career has spanned such illustrious projects as 30 Rock, Moonstruck, and Quincy, M.E. I hope everyone enjoys this episode! I know I did!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5184</itunes:duration>
                <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chuck Cooper</title>
        <itunes:title>Chuck Cooper</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/20-chuck-cooper/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/20-chuck-cooper/#comments</comments>        <pubDate>Mon, 19 Oct 2020 15:13:45 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/e7c315c5-35ed-3156-b05d-1575563dcb3d</guid>
                                    <description><![CDATA[<p>Today I am honored to be sitting down with Broadway veteran Chuck Cooper! He talks about how "The Life" changed his, why six people had to be strangled on the stage of the Broadhurst Theater, the genius of Tony Kushner, as well as stories about Yoko Ono, James Lapine, and more. I hope you enjoy this interview!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am honored to be sitting down with Broadway veteran Chuck Cooper! He talks about how "The Life" changed his, why six people had to be strangled on the stage of the Broadhurst Theater, the genius of Tony Kushner, as well as stories about Yoko Ono, James Lapine, and more. I hope you enjoy this interview!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y6yn6q/CHuck_Cooper_Interview7uvjo.mp3" length="157231923" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am honored to be sitting down with Broadway veteran Chuck Cooper! He talks about how "The Life" changed his, why six people had to be strangled on the stage of the Broadhurst Theater, the genius of Tony Kushner, as well as stories about Yoko Ono, James Lapine, and more. I hope you enjoy this interview!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4886</itunes:duration>
                <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Penny Fuller Part 2</title>
        <itunes:title>Penny Fuller Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/19-penny-fuller-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/19-penny-fuller-part-2/#comments</comments>        <pubDate>Tue, 13 Oct 2020 16:16:06 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/91530be1-777e-3bea-97ed-0b948f311636</guid>
                                    <description><![CDATA[<p>Part 2 of my interview with the wonderful Penny Fuller!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Part 2 of my interview with the wonderful Penny Fuller!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h8r4fc/PenFul_2anp2o.mp3" length="123756797" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Part 2 of my interview with the wonderful Penny Fuller!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3805</itunes:duration>
                <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Penny Fuller Part 1</title>
        <itunes:title>Penny Fuller Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/18-penny-fuller-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/18-penny-fuller-part-1/#comments</comments>        <pubDate>Mon, 05 Oct 2020 19:09:09 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3a5c6d6a-4e27-365d-981e-fe84ab6a00e9</guid>
                                    <description><![CDATA[<p>Today is PART 1 of my interview with theater legend Penny Fuller. Penny Fuller has starred in Applause, Rex, Barefoot in the Park, Cabaret, Dividing the Estate, A New Brain, and most recently Anastasia. She did her acclaimed solo turn in 13 Things About Ed Carpolotti. She is also an Emmy Winer for her performance in The Elephant Man, and recently has been performing in Sunday in the Park With George and in cabarets across the country alongside Anita Gillette in the show Sin Twisters. I hope you enjoy hearing about the first half of Ms. Fuller’s life in the theater. And I hope that it leaves you wanting more!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today is PART 1 of my interview with theater legend Penny Fuller. Penny Fuller has starred in Applause, Rex, Barefoot in the Park, Cabaret, Dividing the Estate, A New Brain, and most recently Anastasia. She did her acclaimed solo turn in 13 Things About Ed Carpolotti. She is also an Emmy Winer for her performance in The Elephant Man, and recently has been performing in Sunday in the Park With George and in cabarets across the country alongside Anita Gillette in the show Sin Twisters. I hope you enjoy hearing about the first half of Ms. Fuller’s life in the theater. And I hope that it leaves you wanting more!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j8hkq9/PF_18aitk.mp3" length="120211247" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today is PART 1 of my interview with theater legend Penny Fuller. Penny Fuller has starred in Applause, Rex, Barefoot in the Park, Cabaret, Dividing the Estate, A New Brain, and most recently Anastasia. She did her acclaimed solo turn in 13 Things About Ed Carpolotti. She is also an Emmy Winer for her performance in The Elephant Man, and recently has been performing in Sunday in the Park With George and in cabarets across the country alongside Anita Gillette in the show Sin Twisters. I hope you enjoy hearing about the first half of Ms. Fuller’s life in the theater. And I hope that it leaves you wanting more!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3698</itunes:duration>
                <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Sondra Lee</title>
        <itunes:title>Sondra Lee</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/17-sondra-lee/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/17-sondra-lee/#comments</comments>        <pubDate>Wed, 30 Sep 2020 18:41:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/4f94c9ba-4f0c-3b70-b2c7-76e3c5f86d6c</guid>
                                    <description><![CDATA[<p>Today I could not be more honored to say "Ugg-A-Wugg" to the original Tiger Lily, Sondra Lee. This episode was a pure joy from start to finish. Ms. Lee is so warm and gracious that I hope you will all join me in wishing her a Happy Birthday today, September 30th! And as a birthday present her and yourself, listen to this episode.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I could not be more honored to say "Ugg-A-Wugg" to the original Tiger Lily, Sondra Lee. This episode was a pure joy from start to finish. Ms. Lee is so warm and gracious that I hope you will all join me in wishing her a Happy Birthday today, September 30th! And as a birthday present her and yourself, listen to this episode.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4q7uku/SOndrLee.mp3" length="130003087" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I could not be more honored to say "Ugg-A-Wugg" to the original Tiger Lily, Sondra Lee. This episode was a pure joy from start to finish. Ms. Lee is so warm and gracious that I hope you will all join me in wishing her a Happy Birthday today, September 30th! And as a birthday present her and yourself, listen to this episode.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4042</itunes:duration>
                <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Charles Busch Part 2</title>
        <itunes:title>Charles Busch Part 2</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/16-charles-busch-part-2/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/16-charles-busch-part-2/#comments</comments>        <pubDate>Sat, 26 Sep 2020 11:35:58 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/3bdfa604-60a8-327e-b834-6c0b055c69fc</guid>
                                    <description><![CDATA[<p>It's the second half of my interview with Charles Busch! Listen to hear about his career from Flipping My Wig all the way up to his amazing virtual readings.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's the second half of my interview with Charles Busch! Listen to hear about his career from Flipping My Wig all the way up to his amazing virtual readings.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3ww5iw/chasbusch2.mp3" length="135612253" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's the second half of my interview with Charles Busch! Listen to hear about his career from Flipping My Wig all the way up to his amazing virtual readings.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4162</itunes:duration>
                <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Charles Busch Part 1</title>
        <itunes:title>Charles Busch Part 1</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/15-charles-busch-part-1/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/15-charles-busch-part-1/#comments</comments>        <pubDate>Mon, 21 Sep 2020 17:39:20 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/5135c15b-7c5d-36a6-a62c-80670f9b9c6f</guid>
                                    <description><![CDATA[<p>This is Part 1 of my exhaustive interview with drag legend, actor, performer, and playwright Charles Busch. He is the author of Tale of the Allergists’ Wife, Times Square Angel. Vampire Lesbians of Sodom, Red Scare on Sunset, and most recently, The Confession of Lily Dare. He is also the author of the book to Boy George’s Taboo, as well as the writer of the novel Whores of Lost Atlantis. He is a Tony Award Nominee and 2 time Mac Award Winner for his cabarets that he performs around the country with Tom Judson. This episode was an honor for me to record, and I hope that you'll enjoy the inside scoop on the first half of his career.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This is Part 1 of my exhaustive interview with drag legend, actor, performer, and playwright Charles Busch. He is the author of Tale of the Allergists’ Wife, Times Square Angel. Vampire Lesbians of Sodom, Red Scare on Sunset, and most recently, <em>The Confession of Lily Dare</em>. He is also the author of the book to Boy George’s Taboo, as well as the writer of the novel <em>Whores of Lost Atlantis</em>. He is a Tony Award Nominee and 2 time Mac Award Winner for his cabarets that he performs around the country with Tom Judson. This episode was an honor for me to record, and I hope that you'll enjoy the inside scoop on the first half of his career.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z6k3u6/chasbusch_16z15p.mp3" length="142352228" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is Part 1 of my exhaustive interview with drag legend, actor, performer, and playwright Charles Busch. He is the author of Tale of the Allergists’ Wife, Times Square Angel. Vampire Lesbians of Sodom, Red Scare on Sunset, and most recently, The Confession of Lily Dare. He is also the author of the book to Boy George’s Taboo, as well as the writer of the novel Whores of Lost Atlantis. He is a Tony Award Nominee and 2 time Mac Award Winner for his cabarets that he performs around the country with Tom Judson. This episode was an honor for me to record, and I hope that you'll enjoy the inside scoop on the first half of his career.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4404</itunes:duration>
                <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Gerard Alessandrini</title>
        <itunes:title>Gerard Alessandrini</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/13-gerard-alessandrini/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/13-gerard-alessandrini/#comments</comments>        <pubDate>Fri, 18 Sep 2020 14:18:41 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/9aca087d-5185-3d7f-8d52-613b33a96578</guid>
                                    <description><![CDATA[<p>One of my theatrical idols, Gerard Alessandrini, is here with us today to discuss his long career in the theater. Gerard is the mastermind behind all of the editions of Forbidden Broadway. He has also contributed to the musical Diamonds, the TV special Men, Movies, and Carol, and revised the book for a revival of Irving Berlin’s Mr. President. The interview is almost as fun as Forbidden Broadway itself, so I hope you enjoy!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>One of my theatrical idols, Gerard Alessandrini, is here with us today to discuss his long career in the theater. Gerard is the mastermind behind all of the editions of <em>Forbidden Broadway</em>. He has also contributed to the musical <em>Diamonds</em>, the TV special <em>Men, Movies, and Carol</em>, and revised the book for a revival of Irving Berlin’s <em>Mr. President</em>. The interview is almost as fun as Forbidden Broadway itself, so I hope you enjoy!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wai8dt/Gerard_Ae_Realb31f9.mp3" length="140995744" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One of my theatrical idols, Gerard Alessandrini, is here with us today to discuss his long career in the theater. Gerard is the mastermind behind all of the editions of Forbidden Broadway. He has also contributed to the musical Diamonds, the TV special Men, Movies, and Carol, and revised the book for a revival of Irving Berlin’s Mr. President. The interview is almost as fun as Forbidden Broadway itself, so I hope you enjoy!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4334</itunes:duration>
                <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rita Gardner</title>
        <itunes:title>Rita Gardner</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/13-rita-gardner/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/13-rita-gardner/#comments</comments>        <pubDate>Mon, 14 Sep 2020 13:37:47 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ae4c7deb-8c6c-32ba-9b7c-6562c46a06f3</guid>
                                    <description><![CDATA[<p>Today I am joined by a true veteran of the stage, Rita Gardner. Rita Gardner was in the original cast of The Fantasticks, and has appeared on Broadway numerous other times in Ben Franklin in Paris, The Wedding Singer, 1776, Pal Joey opposite Bob Fosse, and more. She also starred in the all-female I Remember Mama and has been seen on screen many times, including in Marci X and Tracy Morgan’s the Last OG. I hope you enjoy our conversation!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by a true veteran of the stage, Rita Gardner. Rita Gardner was in the original cast of The Fantasticks, and has appeared on Broadway numerous other times in Ben Franklin in Paris, The Wedding Singer, 1776, Pal Joey opposite Bob Fosse, and more. She also starred in the all-female I Remember Mama and has been seen on screen many times, including in Marci X and Tracy Morgan’s the Last OG. I hope you enjoy our conversation!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vep4dv/RitzGar_Final_Final9p4n2.mp3" length="90848591" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by a true veteran of the stage, Rita Gardner. Rita Gardner was in the original cast of The Fantasticks, and has appeared on Broadway numerous other times in Ben Franklin in Paris, The Wedding Singer, 1776, Pal Joey opposite Bob Fosse, and more. She also starred in the all-female I Remember Mama and has been seen on screen many times, including in Marci X and Tracy Morgan’s the Last OG. I hope you enjoy our conversation!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2787</itunes:duration>
                <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Josh Bergasse</title>
        <itunes:title>Josh Bergasse</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/12-josh-bergasse/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/12-josh-bergasse/#comments</comments>        <pubDate>Mon, 07 Sep 2020 11:33:04 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2a545fd5-3b46-33d8-bb0c-0ab6737af185</guid>
                                    <description><![CDATA[<p>Today I am joined by Emmy-Winning choreographer Josh Bergasse. He worked on NBC's Smash, and his work has also been seen on Broadway in Charlie and the Chocolate Factory, On The Town, Gigi, and more. He has also worked numerous times at City Center, Barrington Stage, and more.</p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by Emmy-Winning choreographer Josh Bergasse. He worked on NBC's Smash, and his work has also been seen on Broadway in Charlie and the Chocolate Factory, On The Town, Gigi, and more. He has also worked numerous times at City Center, Barrington Stage, and more.</p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kbcvam/JoshBgas.mp3" length="127057135" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by Emmy-Winning choreographer Josh Bergasse. He worked on NBC's Smash, and his work has also been seen on Broadway in Charlie and the Chocolate Factory, On The Town, Gigi, and more. He has also worked numerous times at City Center, Barrington Stage, and more.
 
 ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3892</itunes:duration>
                <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joel Grey</title>
        <itunes:title>Joel Grey</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/11-joel-grey/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/11-joel-grey/#comments</comments>        <pubDate>Fri, 04 Sep 2020 18:12:57 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/61be77a8-4ce7-3462-af31-ff52f97fb778</guid>
                                    <description><![CDATA[<p>I could not be more delighted today to talk with Broadway legend Joel Grey. The star of Cabaret, The Grand Tour, Goodtime Charley, Wicked, and so many more shares all his great stories on this episode. He also sings a little! (A song from the Broadway revue Borscht Capades). Mr. Grey is a very busy man, so our interview was shorter than usual, but you’ll find that everything he says is a pearl of wisdom. I felt honored to talk to him, and I hope you all enjoy the end result!</p>
<p> </p>
<p>*PLEASE NOTE: This version is a DIFFERENT edited version from the one that had been posted earlier. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>I could not be more delighted today to talk with Broadway legend Joel Grey. The star of <em>Cabaret</em>, <em>The Grand Tour, Goodtime Charley, Wicked</em>, and so many more shares all his great stories on this episode. He also sings a little! (A song from the Broadway revue <em>Borscht Capades</em>). Mr. Grey is a very busy man, so our interview was shorter than usual, but you’ll find that everything he says is a pearl of wisdom. I felt honored to talk to him, and I hope you all enjoy the end result!</p>
<p> </p>
<p>*PLEASE NOTE: This version is a DIFFERENT edited version from the one that had been posted earlier. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v4cfvp/JOELG.mp3" length="73340377" type="audio/mpeg"/>
        <itunes:summary><![CDATA[I could not be more delighted today to talk with Broadway legend Joel Grey. The star of Cabaret, The Grand Tour, Goodtime Charley, Wicked, and so many more shares all his great stories on this episode. He also sings a little! (A song from the Broadway revue Borscht Capades). Mr. Grey is a very busy man, so our interview was shorter than usual, but you’ll find that everything he says is a pearl of wisdom. I felt honored to talk to him, and I hope you all enjoy the end result!
 
*PLEASE NOTE: This version is a DIFFERENT edited version from the one that had been posted earlier. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2259</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Stephen Mo Hanan</title>
        <itunes:title>Stephen Mo Hanan</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/10-stephen-mo-hanan/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/10-stephen-mo-hanan/#comments</comments>        <pubDate>Mon, 31 Aug 2020 11:30:28 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/ef3e4075-32e9-30ae-b051-aeef8e058ad9</guid>
                                    <description><![CDATA[<p>Today I am honored to be joined by Tony-award nominated actor Stephen Mo Hanan. He has appeared in Cats, Oliver, and Peter Pan on Broadway, and many times at the Delacorte Theater and Musicals in Mufti. He is also the co-author and star of Jolson & Co.</p>
<p>This interview is a bit long, but it's worth it to hear the expertise of this legendary theater veteran. </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am honored to be joined by Tony-award nominated actor Stephen Mo Hanan. He has appeared in <em>Cats, Oliver, </em>and <em>Peter Pan</em> on Broadway, and many times at the Delacorte Theater and Musicals in Mufti. He is also the co-author and star of <em>Jolson & Co.</em></p>
<p>This interview is a bit long, but it's worth it to hear the expertise of this legendary theater veteran. </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eeytmv/_mohanan69997ou84.mp3" length="190211021" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am honored to be joined by Tony-award nominated actor Stephen Mo Hanan. He has appeared in Cats, Oliver, and Peter Pan on Broadway, and many times at the Delacorte Theater and Musicals in Mufti. He is also the co-author and star of Jolson & Co.
This interview is a bit long, but it's worth it to hear the expertise of this legendary theater veteran. 
 ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5864</itunes:duration>
                <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Beowulf Boritt</title>
        <itunes:title>Beowulf Boritt</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/9-beowulf-boritt/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/9-beowulf-boritt/#comments</comments>        <pubDate>Fri, 28 Aug 2020 12:12:28 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/cc7a76a4-fd43-3eb4-87a9-da237f34a470</guid>
                                    <description><![CDATA[<p>Today I am joined by Tony-winning set designer Beowulf Boritt. We have an enlightening discussion about getting ahead in the theater world, research, and mishaps during tech rehearsal. Beowulf has worked on such legendary shows as Act One, Prince of Broadway, and Fiddler on the Roof in Yiddish, and you'll hear stories about all of them. </p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today I am joined by Tony-winning set designer Beowulf Boritt. We have an enlightening discussion about getting ahead in the theater world, research, and mishaps during tech rehearsal. Beowulf has worked on such legendary shows as Act One, Prince of Broadway, and Fiddler on the Roof in Yiddish, and you'll hear stories about all of them. </p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/595v7b/BEOW.mp3" length="144649257" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today I am joined by Tony-winning set designer Beowulf Boritt. We have an enlightening discussion about getting ahead in the theater world, research, and mishaps during tech rehearsal. Beowulf has worked on such legendary shows as Act One, Prince of Broadway, and Fiddler on the Roof in Yiddish, and you'll hear stories about all of them. 
 
 ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4460</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rob W. Schneider</title>
        <itunes:title>Rob W. Schneider</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/episode-8-rob-w-schneider-and-freddie-martinez/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/episode-8-rob-w-schneider-and-freddie-martinez/#comments</comments>        <pubDate>Mon, 24 Aug 2020 11:12:38 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/d996db54-53bd-3921-b45a-025ec997278b</guid>
                                    <description><![CDATA[<p>What better way to ring in your week than by my interview with podcaster extraordinaire Rob W. Schneider? Rob is the co-host of Behind the Curtain: Broadway's Living Legends with Kevin David Thomas and Gay Card Revoked with Robbie Rozelle. He is also the artistic director of J2 Spotlight Musical Theater Company and Original Programming Producer at 54 Below. He has also directed at theaters around the country. </p>
<p>Plus, stay tuned at the end for my interview with Freddie Martinez, 7-time Irene Ryan Award nominee and usher at the Lyceum Theater. Hear his stories about Phil Leeds, Lou Jacobi, and more. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What better way to ring in your week than by my interview with podcaster extraordinaire Rob W. Schneider? Rob is the co-host of Behind the Curtain: Broadway's Living Legends with Kevin David Thomas and Gay Card Revoked with Robbie Rozelle. He is also the artistic director of J2 Spotlight Musical Theater Company and Original Programming Producer at 54 Below. He has also directed at theaters around the country. </p>
<p>Plus, stay tuned at the end for my interview with Freddie Martinez, 7-time Irene Ryan Award nominee and usher at the Lyceum Theater. Hear his stories about Phil Leeds, Lou Jacobi, and more. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uaz2rv/Rob_W_Schneiderview9d51i.mp3" length="148330508" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What better way to ring in your week than by my interview with podcaster extraordinaire Rob W. Schneider? Rob is the co-host of Behind the Curtain: Broadway's Living Legends with Kevin David Thomas and Gay Card Revoked with Robbie Rozelle. He is also the artistic director of J2 Spotlight Musical Theater Company and Original Programming Producer at 54 Below. He has also directed at theaters around the country. 
Plus, stay tuned at the end for my interview with Freddie Martinez, 7-time Irene Ryan Award nominee and usher at the Lyceum Theater. Hear his stories about Phil Leeds, Lou Jacobi, and more. ]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4528</itunes:duration>
                <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ken Bloom and Richard Carlin</title>
        <itunes:title>Ken Bloom and Richard Carlin</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/7-ken-bloom-and-richard-carlin/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/7-ken-bloom-and-richard-carlin/#comments</comments>        <pubDate>Sat, 22 Aug 2020 11:20:02 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/51dc0bcc-c2d3-3a83-9c91-9a36566a6f8f</guid>
                                    <description><![CDATA[<p>Today is a new kind of episode on Backstage Babble-a book launch! I sit down with respected scholars Ken Bloom and Richard Carlin to talk about their brilliant new biography, Eubie Blake: Rags, Rhythm and Race. They talk about Sissle's many affairs, what made him the "living, breathing symbol of ragtime's vitality," the recent revival of Shuffle Along, and more.</p>
<p> </p>
<p>To buy the book, click here. <a href='https://www.amazon.com/Eubie-Blake-Rags-Rhythm-Race/dp/0190635932/ref=sr_1_2?dchild=1&keywords=eubie+blake&qid=1598109524&sr=8-2'>https://www.amazon.com/Eubie-Blake-Rags-Rhythm-Race/dp/0190635932/ref=sr_1_2?dchild=1&keywords=eubie+blake&qid=1598109524&sr=8-2</a>.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Today is a new kind of episode on Backstage Babble-a book launch! I sit down with respected scholars Ken Bloom and Richard Carlin to talk about their brilliant new biography, <em>Eubie Blake: Rags, Rhythm and Race. </em>They talk about Sissle's many affairs, what made him the "living, breathing symbol of ragtime's vitality," the recent revival of <em>Shuffle Along</em>, and more.</p>
<p> </p>
<p>To buy the book, click here. <a href='https://www.amazon.com/Eubie-Blake-Rags-Rhythm-Race/dp/0190635932/ref=sr_1_2?dchild=1&keywords=eubie+blake&qid=1598109524&sr=8-2'>https://www.amazon.com/Eubie-Blake-Rags-Rhythm-Race/dp/0190635932/ref=sr_1_2?dchild=1&keywords=eubie+blake&qid=1598109524&sr=8-2</a>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zbbng9/KEN_C_RICHIE_B8qzsw.mp3" length="144561610" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Today is a new kind of episode on Backstage Babble-a book launch! I sit down with respected scholars Ken Bloom and Richard Carlin to talk about their brilliant new biography, Eubie Blake: Rags, Rhythm and Race. They talk about Sissle's many affairs, what made him the "living, breathing symbol of ragtime's vitality," the recent revival of Shuffle Along, and more.
 
To buy the book, click here. https://www.amazon.com/Eubie-Blake-Rags-Rhythm-Race/dp/0190635932/ref=sr_1_2?dchild=1&keywords=eubie+blake&qid=1598109524&sr=8-2.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4468</itunes:duration>
                <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Evan Pappas</title>
        <itunes:title>Evan Pappas</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/6-evan-pappas/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/6-evan-pappas/#comments</comments>        <pubDate>Fri, 21 Aug 2020 10:00:29 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/c7d9e773-4b46-3b41-80e1-6f573953921c</guid>
                                    <description><![CDATA[<p>On the 6th episode of Backstage Babble, I am joined by one of my theatrical idols, Evan Pappas. Evan starred on Broadway in My Favorite Year, Parade, Putting it Together,  and A Chorus Line. His national tour credits have included Dreamgirls, Durante, and On Golden Pond with Tom Bosley and Michael Learned. Off-Broadway he starred in I Can Get it For You Wholesale and the world premiere of the new Strouse and Adams musical Marty. Now he is a noted director whose credits include LIberty, a letter to Harvey Milk and mire. Currently, he is the artistic director of the Argyle Theatre. Make sure to tune back in tomorrow for Ken Bloom and Richard Carlin!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>On the 6th episode of Backstage Babble, I am joined by one of my theatrical idols, Evan Pappas. Evan starred on Broadway in <em>My Favorite Year, Parade, Putting it Together, </em> and <em>A Chorus Line</em>. His national tour credits have included Dreamgirls, Durante, and On Golden Pond with Tom Bosley and Michael Learned. Off-Broadway he starred in I Can Get it For You Wholesale and the world premiere of the new Strouse and Adams musical <em>Marty</em>. Now he is a noted director whose credits include <em>LIberty</em>, a letter to Harvey Milk and mire. Currently, he is the artistic director of the Argyle Theatre. Make sure to tune back in tomorrow for Ken Bloom and Richard Carlin!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9rbegb/EVPAP.mp3" length="137481583" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On the 6th episode of Backstage Babble, I am joined by one of my theatrical idols, Evan Pappas. Evan starred on Broadway in My Favorite Year, Parade, Putting it Together,  and A Chorus Line. His national tour credits have included Dreamgirls, Durante, and On Golden Pond with Tom Bosley and Michael Learned. Off-Broadway he starred in I Can Get it For You Wholesale and the world premiere of the new Strouse and Adams musical Marty. Now he is a noted director whose credits include LIberty, a letter to Harvey Milk and mire. Currently, he is the artistic director of the Argyle Theatre. Make sure to tune back in tomorrow for Ken Bloom and Richard Carlin!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4232</itunes:duration>
                <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Joshua Ellis</title>
        <itunes:title>Joshua Ellis</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/5-josh-ellis/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/5-josh-ellis/#comments</comments>        <pubDate>Mon, 17 Aug 2020 09:12:51 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/91f0f146-a103-3881-b836-cbb124832752</guid>
                                    <description><![CDATA[<p>This is the 5th episode of the theater podcast Backstage Babble. Today I sit down with Joshua Ellis, renowned Broadway press agent of 42nd Street, Into the Woods, Nicholas Nickleby, and more. He is also an Interspiritual Minister and creator of his solo show, Call My Publicist. Tune back in on Friday for an episode with Evan Pappas!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This is the 5th episode of the theater podcast <em>Backstage Babble</em>. Today I sit down with Joshua Ellis, renowned Broadway press agent of <em>42nd Street, Into the Woods, Nicholas Nickleby, </em>and more. He is also an Interspiritual Minister and creator of his solo show, <em>Call My Publicist. </em>Tune back in on Friday for an episode with Evan Pappas!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c5bgqf/Josh_Ellis9gbmx.mp3" length="164230153" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is the 5th episode of the theater podcast Backstage Babble. Today I sit down with Joshua Ellis, renowned Broadway press agent of 42nd Street, Into the Woods, Nicholas Nickleby, and more. He is also an Interspiritual Minister and creator of his solo show, Call My Publicist. Tune back in on Friday for an episode with Evan Pappas!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5020</itunes:duration>
                <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ken Kantor</title>
        <itunes:title>Ken Kantor</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/4-ken-kantor/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/4-ken-kantor/#comments</comments>        <pubDate>Fri, 14 Aug 2020 09:22:32 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/f47e519c-244b-31c2-90dc-72acb82edae9</guid>
                                    <description><![CDATA[<p>In one of the most fun interviews yet, I interview Ken Kantor of Dear World, The Grand Tour, Phantom, and more. Be prepared for stories of duetting on "Twin Soliloquies" with no less than Mary Martin and receiving a singing telegram from a man who he would go on to support in two of their star vehicles. Remember to come back on Monday when we have Josh Ellis!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In one of the most fun interviews yet, I interview Ken Kantor of Dear World, The Grand Tour, Phantom, and more. Be prepared for stories of duetting on "Twin Soliloquies" with no less than Mary Martin and receiving a singing telegram from a man who he would go on to support in two of their star vehicles. Remember to come back on Monday when we have Josh Ellis!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g4v63c/KenKantorveue.mp3" length="158196539" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In one of the most fun interviews yet, I interview Ken Kantor of Dear World, The Grand Tour, Phantom, and more. Be prepared for stories of duetting on "Twin Soliloquies" with no less than Mary Martin and receiving a singing telegram from a man who he would go on to support in two of their star vehicles. Remember to come back on Monday when we have Josh Ellis!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4883</itunes:duration>
                <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Peter Filichia</title>
        <itunes:title>Peter Filichia</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/episode-3-peter-filichia/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/episode-3-peter-filichia/#comments</comments>        <pubDate>Mon, 10 Aug 2020 09:15:08 -0400</pubDate>
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                                    <description><![CDATA[<p>This is the 3rd episode of Backstage Babble with guest Peter Filichia. Peter has been the emcee of the Theater World Awards since 1996. Filichia currently writes weekly columns for Masterworks Broadway and Broadway Select. You can also find his musings on Kritzerland and Theatermania. FIlichia is the author of several plays, including Adam’s Gifts, Games, and God Shows Up, which had a recent off-broadway run. He is critic emeritus of the Star Ledger, and has written a number of theater history books including Strippers, Showgirls, and Sharks, and The Great Parade, and was a common contributor to Theater Week magazine. It was a thrill and an honor to have this conversation. Tune back in on Friday for an interview with Ken Kantor!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This is the 3rd episode of <em>Backstage Babble</em> with guest Peter Filichia. Peter has been the emcee of the Theater World Awards since 1996. Filichia currently writes weekly columns for Masterworks Broadway and Broadway Select. You can also find his musings on Kritzerland and Theatermania. FIlichia is the author of several plays, including Adam’s Gifts, Games, and God Shows Up, which had a recent off-broadway run. He is critic emeritus of the Star Ledger, and has written a number of theater history books including <em>Strippers, Showgirls, and Sharks,</em> and <em>The Great Parade</em>, and was a common contributor to Theater Week magazine. It was a thrill and an honor to have this conversation. Tune back in on Friday for an interview with Ken Kantor!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vjxxim/PeterFInterv.mp3" length="123287609" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is the 3rd episode of Backstage Babble with guest Peter Filichia. Peter has been the emcee of the Theater World Awards since 1996. Filichia currently writes weekly columns for Masterworks Broadway and Broadway Select. You can also find his musings on Kritzerland and Theatermania. FIlichia is the author of several plays, including Adam’s Gifts, Games, and God Shows Up, which had a recent off-broadway run. He is critic emeritus of the Star Ledger, and has written a number of theater history books including Strippers, Showgirls, and Sharks, and The Great Parade, and was a common contributor to Theater Week magazine. It was a thrill and an honor to have this conversation. Tune back in on Friday for an interview with Ken Kantor!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3766</itunes:duration>
                <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ken Bloom</title>
        <itunes:title>Ken Bloom</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/episode-2-ken-bloom/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/episode-2-ken-bloom/#comments</comments>        <pubDate>Fri, 07 Aug 2020 10:35:36 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/2058f98b-a665-3cec-8eab-fb69198b0f54</guid>
                                    <description><![CDATA[<p>This is the 2nd episode of the new podcast, Backstage Babble. Today, I sit down with Ken Bloom, Grammy-Award winner, acclaimed author of such books as Show and Tell and American Song Pts. 1 and 2, and creator and producer of several revues with Barry Kleinbort. I hope you all have as much fun listening to this conversation as I did having it! Remember to tune in on Monday when we are joined by Peter Filichia.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This is the 2nd episode of the new podcast, Backstage Babble. Today, I sit down with Ken Bloom, Grammy-Award winner, acclaimed author of such books as <em>Show and Tell</em> and <em>American Song Pts. 1 and 2, </em>and creator and producer of several revues with Barry Kleinbort. I hope you all have as much fun listening to this conversation as I did having it! Remember to tune in on Monday when we are joined by Peter Filichia.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6twczh/actual_Ken_Bloom6qw8j.mp3" length="153601971" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is the 2nd episode of the new podcast, Backstage Babble. Today, I sit down with Ken Bloom, Grammy-Award winner, acclaimed author of such books as Show and Tell and American Song Pts. 1 and 2, and creator and producer of several revues with Barry Kleinbort. I hope you all have as much fun listening to this conversation as I did having it! Remember to tune in on Monday when we are joined by Peter Filichia.]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4717</itunes:duration>
                <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Harold Holzer</title>
        <itunes:title>Harold Holzer</itunes:title>
        <link>https://cbroadwaypodcast.podbean.com/e/episode-1-harold-holzer/</link>
                    <comments>https://cbroadwaypodcast.podbean.com/e/episode-1-harold-holzer/#comments</comments>        <pubDate>Tue, 04 Aug 2020 12:30:13 -0400</pubDate>
        <guid isPermaLink="false">cbroadwaypodcast.podbean.com/33a6379e-cc94-3202-a2d6-533faa90ebbd</guid>
                                    <description><![CDATA[<p>This is the first episode of Backstage Babble. Today I am joined by guest Harold Holzer of the Metropolitan Museum, Channel 13, and the 42nd Street Redevelopment Project. Tune in on Friday when I'm joined by Ken Bloom!</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This is the first episode of <em>Backstage Babble</em>. Today I am joined by guest Harold Holzer of the Metropolitan Museum, Channel 13, and the 42nd Street Redevelopment Project. Tune in on Friday when I'm joined by Ken Bloom!</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8z74p7/lowly_podcastbgn6y.mp3" length="124287570" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This is the first episode of Backstage Babble. Today I am joined by guest Harold Holzer of the Metropolitan Museum, Channel 13, and the 42nd Street Redevelopment Project. Tune in on Friday when I'm joined by Ken Bloom!]]></itunes:summary>
        <itunes:author>cbroadwaypodcast</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3813</itunes:duration>
                <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
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