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    <title>Act Two Podcast</title>
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    <link>https://acttwo.podbean.com</link>
    <description>Behind-the-Scenes of the Business and Craft of professional Screenwriting.</description>
    <pubDate>Mon, 01 Jun 2026 09:09:42 -0700</pubDate>
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    <language>en</language>
        <copyright>The Act Two Network</copyright>
    <category>TV &amp; Film</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary>Welcome to the Act Two Podcast where screenwriters Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 

A podcast for Screenwriters, by Screenwriters.</itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
	<itunes:category text="TV &amp; Film">
		<itunes:category text="Film Interviews" />
		<itunes:category text="Film Reviews" />
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    <itunes:owner>
        <itunes:name>Tasha Huo &amp; Josh Hallman</itunes:name>
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        <title>Act Two Podcast</title>
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    <item>
        <title>How Their Stolen Short Film Led to a Hollywood Feature Deal | Interview: Ryan Polly &amp; Matt Black</title>
        <itunes:title>How Their Stolen Short Film Led to a Hollywood Feature Deal | Interview: Ryan Polly &amp; Matt Black</itunes:title>
        <link>https://acttwo.podbean.com/e/how-their-stolen-short-film-led-to-a-hollywood-feature-deal-interview-ryan-polly-matt-black/</link>
                    <comments>https://acttwo.podbean.com/e/how-their-stolen-short-film-led-to-a-hollywood-feature-deal-interview-ryan-polly-matt-black/#comments</comments>        <pubDate>Mon, 01 Jun 2026 09:09:42 -0700</pubDate>
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                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with writer-directors Ryan Polly and Matt Black to talk about their wild story of theft and impersonation that led to them making their first Hollywood feature film, and about what it's like to find Hollywood success while living and working in Texas.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with writer-directors Ryan Polly and Matt Black to talk about their wild story of theft and impersonation that led to them making their first Hollywood feature film, and about what it's like to find Hollywood success while living and working in Texas.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with writer-directors Ryan Polly and Matt Black to talk about their wild story of theft and impersonation that led to them making their first Hollywood feature film, and about what it's like to find Hollywood success while living and working in Texas.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2477</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Listener Q&amp;A: When a Movie Kills Your Script &amp; Script Submission Rules Hollywood Expects You to Know</title>
        <itunes:title>Listener Q&amp;A: When a Movie Kills Your Script &amp; Script Submission Rules Hollywood Expects You to Know</itunes:title>
        <link>https://acttwo.podbean.com/e/listener-qa-when-a-movie-kills-your-script-script-submission-rules-hollywood-expects-you-to-know/</link>
                    <comments>https://acttwo.podbean.com/e/listener-qa-when-a-movie-kills-your-script-script-submission-rules-hollywood-expects-you-to-know/#comments</comments>        <pubDate>Mon, 25 May 2026 20:34:42 -0700</pubDate>
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                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman answer listener questions about what to do when you see a trailer for an upcoming movie... that looks a lot like the script you've just worked so hard writing. How dead is your idea really? Also, what do Studios and Producers expect when it comes to formatting your scripts when you submit them?</p>
<p>TWIW: Tasha saw The Sheep Detectives and Remarkably Bright Creatures / Tasha got a good reminder on how to develop ideas from Christopher Nolan &amp; Rian Johnson</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman answer listener questions about what to do when you see a trailer for an upcoming movie... that looks a lot like the script you've just worked so hard writing. How dead is your idea really? Also, what do Studios and Producers expect when it comes to formatting your scripts when you submit them?</p>
<p>TWIW: Tasha saw <em>The Sheep Detectives</em> and <em>Remarkably Bright Creatures </em>/ Tasha got a good reminder on how to develop ideas from Christopher Nolan &amp; Rian Johnson</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman answer listener questions about what to do when you see a trailer for an upcoming movie... that looks a lot like the script you've just worked so hard writing. How dead is your idea really? Also, what do Studios and Producers expect when it comes to formatting your scripts when you submit them?
TWIW: Tasha saw The Sheep Detectives and Remarkably Bright Creatures / Tasha got a good reminder on how to develop ideas from Christopher Nolan &amp; Rian Johnson
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2232</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Pitch a Screenplay | Producer &amp; Pitch Coach Emmeline Yang Hankins on What Actually Works</title>
        <itunes:title>How to Pitch a Screenplay | Producer &amp; Pitch Coach Emmeline Yang Hankins on What Actually Works</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-pitch-a-screenplay-producer-pitch-coach-emmeline-yang-hankins-on-what-actually-works/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-pitch-a-screenplay-producer-pitch-coach-emmeline-yang-hankins-on-what-actually-works/#comments</comments>        <pubDate>Mon, 18 May 2026 12:16:35 -0700</pubDate>
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                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with producer &amp; development consultant, Emmeline Yang Hankins, to discuss what she's learned over the years about perfecting a pitch, and how she teaches pitching as a powerful tool at any stage of development. Her signature class for scripted TV, Kickstart My Pitch, has new dates coming up in June! </p>
<p>Act Two listeners can get an exclusive discount to Emmeline's pitching class at <a href='http://talktoemm.com/acttwo'>http://talktoemm.com/acttwo</a></p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with producer &amp; development consultant, Emmeline Yang Hankins, to discuss what she's learned over the years about perfecting a pitch, and how she teaches pitching as a powerful tool at any stage of development. Her signature class for scripted TV, <em>Kickstart My Pitch</em>, has new dates coming up in June! </p>
<p>Act Two listeners can get an exclusive discount to Emmeline's pitching class at <a href='http://talktoemm.com/acttwo'>http://talktoemm.com/acttwo</a></p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with producer &amp; development consultant, Emmeline Yang Hankins, to discuss what she's learned over the years about perfecting a pitch, and how she teaches pitching as a powerful tool at any stage of development. Her signature class for scripted TV, Kickstart My Pitch, has new dates coming up in June! 
Act Two listeners can get an exclusive discount to Emmeline's pitching class at http://talktoemm.com/acttwo
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3287</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Go Forth and Write Your Spec</title>
        <itunes:title>Go Forth and Write Your Spec</itunes:title>
        <link>https://acttwo.podbean.com/e/go-forth-and-write-your-spec/</link>
                    <comments>https://acttwo.podbean.com/e/go-forth-and-write-your-spec/#comments</comments>        <pubDate>Mon, 04 May 2026 10:46:22 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d861c4c5-5ccc-32f1-8a15-b76ded5d086b</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman check in on their current specs, break down their process for starting a new idea, and talk about why uninterrupted writing time is nearly impossible to protect. Also, TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman check in on their current specs, break down their process for starting a new idea, and talk about why uninterrupted writing time is nearly impossible to protect. Also, TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman check in on their current specs, break down their process for starting a new idea, and talk about why uninterrupted writing time is nearly impossible to protect. Also, TWIW!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1887</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Agent Series with Mark Hartogsohn: What is a Lit Agent and How to Get One? (REPOST)</title>
        <itunes:title>The Agent Series with Mark Hartogsohn: What is a Lit Agent and How to Get One? (REPOST)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-agent-series-with-mark-hartogsohn-what-is-a-lit-agent-and-how-to-get-one/</link>
                    <comments>https://acttwo.podbean.com/e/the-agent-series-with-mark-hartogsohn-what-is-a-lit-agent-and-how-to-get-one/#comments</comments>        <pubDate>Mon, 27 Apr 2026 15:36:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/892977bf-c844-32fb-94a3-27cbcaf8eae2</guid>
                                    <description><![CDATA[<p>Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3367</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rewriting for Yourself vs. Rewriting as a Professional Writer</title>
        <itunes:title>Rewriting for Yourself vs. Rewriting as a Professional Writer</itunes:title>
        <link>https://acttwo.podbean.com/e/rewriting-for-yourself-vs-rewriting-as-a-professional-writer/</link>
                    <comments>https://acttwo.podbean.com/e/rewriting-for-yourself-vs-rewriting-as-a-professional-writer/#comments</comments>        <pubDate>Mon, 20 Apr 2026 12:53:13 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/dc5bd5ec-387b-3884-8db0-5ab75306df44</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman break down the mindset shift between rewriting for yourself and rewriting for a job, and what it really means to rewrite like a professional writer. Also, in TWIW... Josh drives Jason Blum's golf cart, and Tasha takes a retreat!</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman break down the mindset shift between rewriting for yourself and rewriting for a job, and what it really means to rewrite like a professional writer. Also, in TWIW... Josh drives Jason Blum's golf cart, and Tasha takes a retreat!</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
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        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman break down the mindset shift between rewriting for yourself and rewriting for a job, and what it really means to rewrite like a professional writer. Also, in TWIW... Josh drives Jason Blum's golf cart, and Tasha takes a retreat!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1978</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Art of the Cheer Moment | How to Write Scenes That Excite Audiences</title>
        <itunes:title>The Art of the Cheer Moment | How to Write Scenes That Excite Audiences</itunes:title>
        <link>https://acttwo.podbean.com/e/the-art-of-the-cheer-moment-how-to-write-scenes-that-excite-audiences/</link>
                    <comments>https://acttwo.podbean.com/e/the-art-of-the-cheer-moment-how-to-write-scenes-that-excite-audiences/#comments</comments>        <pubDate>Mon, 13 Apr 2026 19:09:44 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/551cd0ec-aad8-36c0-9c82-5b7205f831a8</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman mourn the shuttering of JJ Abrams' Bad Robot by talking about one of their most valuable lessons from JJ... "Cheer Moments". They discuss examples in Film &amp; TV and how to craft an iconic cheer moment in your own script.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman mourn the shuttering of JJ Abrams' Bad Robot by talking about one of their most valuable lessons from JJ... "Cheer Moments". They discuss examples in Film &amp; TV and how to craft an iconic cheer moment in your own script.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q55cgttewjxmhu9z/ACT_TWO_EPISODE_715_CheerMoments_v01.mp3" length="70099497" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman mourn the shuttering of JJ Abrams' Bad Robot by talking about one of their most valuable lessons from JJ... "Cheer Moments". They discuss examples in Film &amp; TV and how to craft an iconic cheer moment in your own script.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2186</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Good Writing Isn't Enough | The "Other" Skills Every Screenwriter Needs to Succeed</title>
        <itunes:title>Good Writing Isn't Enough | The "Other" Skills Every Screenwriter Needs to Succeed</itunes:title>
        <link>https://acttwo.podbean.com/e/good-writing-isnt-enough-the-other-skills-every-screenwriter-needs-to-succeed/</link>
                    <comments>https://acttwo.podbean.com/e/good-writing-isnt-enough-the-other-skills-every-screenwriter-needs-to-succeed/#comments</comments>        <pubDate>Mon, 06 Apr 2026 21:16:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/96180e65-ca2f-3ec4-bd50-c9f218b992ec</guid>
                                    <description><![CDATA[<p class="p2">Just being a great writer doesn't mean you can make it as a professional Screenwriter. Hosts Tasha Huo and Josh Hallman discuss what other qualities professional Screenwriters possess that help make them undeniable hires with career longevity.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Just being a great writer doesn't mean you can make it as a professional Screenwriter. Hosts Tasha Huo and Josh Hallman discuss what other qualities professional Screenwriters possess that help make them undeniable hires with career longevity.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a8r92un6jfivn7q3/ACT_TWO_EPISODE_714_TraitsOfAGoodScreenwriter_FINAL.mp3" length="77782116" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Just being a great writer doesn't mean you can make it as a professional Screenwriter. Hosts Tasha Huo and Josh Hallman discuss what other qualities professional Screenwriters possess that help make them undeniable hires with career longevity.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2427</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Don't Send That Script Yet: Rewrites, Feedback &amp; Knowing When Your Screenplay is Ready</title>
        <itunes:title>Don't Send That Script Yet: Rewrites, Feedback &amp; Knowing When Your Screenplay is Ready</itunes:title>
        <link>https://acttwo.podbean.com/e/dont-send-that-script-yet-rewrites-feedback-knowing-when-your-screenplay-is-ready/</link>
                    <comments>https://acttwo.podbean.com/e/dont-send-that-script-yet-rewrites-feedback-knowing-when-your-screenplay-is-ready/#comments</comments>        <pubDate>Mon, 30 Mar 2026 09:25:17 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cb4032f3-27b6-39ec-b68e-eb185ebce27d</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman field a listener question about Rewrites. Do you really need to rewrite your drafts before sending them to managers and agents? Will that slow momentum? How many scripts should you revise before you can start querying reps? Do you need a portfolio of scripts, or just one solid script?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman field a listener question about Rewrites. Do you really need to rewrite your drafts before sending them to managers and agents? Will that slow momentum? How many scripts should you revise before you can start querying reps? Do you need a portfolio of scripts, or just one solid script?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gc68jyjie9kw5ek2/ACT_TWO_EPISODE_713_Rewrites_v016plqs.mp3" length="51618017" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman field a listener question about Rewrites. Do you really need to rewrite your drafts before sending them to managers and agents? Will that slow momentum? How many scripts should you revise before you can start querying reps? Do you need a portfolio of scripts, or just one solid script?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1610</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Is the Screenwriting Life Worth It? Yes - Here's Why (Part 2)</title>
        <itunes:title>Is the Screenwriting Life Worth It? Yes - Here's Why (Part 2)</itunes:title>
        <link>https://acttwo.podbean.com/e/is-the-screenwriting-life-worth-it-yes-heres-why-part-2/</link>
                    <comments>https://acttwo.podbean.com/e/is-the-screenwriting-life-worth-it-yes-heres-why-part-2/#comments</comments>        <pubDate>Mon, 23 Mar 2026 11:30:15 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/63a03e91-a687-36d8-ae7e-3f33a4a87e31</guid>
                                    <description><![CDATA[<p>In Part Two of a series about the Screenwriter's lifestyle, hosts Tasha Huo and Josh Hallman dig into all the ways being a professional Screenwriter is exactly the dream you imagine it to be, and more. If you think you can't handle the Ugly Truths of the previous episode, maybe this will change your mind.</p>
<p> </p>
<p>TWIW: Tasha had to brainstorm horror movie ideas from scratch; where did she start?</p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In Part Two of a series about the Screenwriter's lifestyle, hosts Tasha Huo and Josh Hallman dig into all the ways being a professional Screenwriter is exactly the dream you imagine it to be, and more. If you think you can't handle the Ugly Truths of the previous episode, maybe this will change your mind.</p>
<p> </p>
<p>TWIW: Tasha had to brainstorm horror movie ideas from scratch; where did she start?</p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ege297qdwkyb9qd4/ACT_TWO_EPISODE_712_LifeOfAScreenwriter-Upside_FINAL.mp3" length="68831758" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In Part Two of a series about the Screenwriter's lifestyle, hosts Tasha Huo and Josh Hallman dig into all the ways being a professional Screenwriter is exactly the dream you imagine it to be, and more. If you think you can't handle the Ugly Truths of the previous episode, maybe this will change your mind.
 
TWIW: Tasha had to brainstorm horror movie ideas from scratch; where did she start?
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2147</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Is the Screenwriting Life Worth It? The Ugly Truth (Part 1 of 2)</title>
        <itunes:title>Is the Screenwriting Life Worth It? The Ugly Truth (Part 1 of 2)</itunes:title>
        <link>https://acttwo.podbean.com/e/is-the-screenwriting-life-worth-it-the-ugly-truth-part-1-of-2/</link>
                    <comments>https://acttwo.podbean.com/e/is-the-screenwriting-life-worth-it-the-ugly-truth-part-1-of-2/#comments</comments>        <pubDate>Mon, 16 Mar 2026 17:43:42 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3dd9fb4d-035e-35b3-bdd8-9eab9cca63e3</guid>
                                    <description><![CDATA[<p>Being a Screenwriter is a worthy dream that is attainable. But the dream is much different than we imagine. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss the realities of a professional Screenwriter's lifestyle, the Good, the Bad and the Ugly.</p>
<p> </p>
<p>TWIW: What to do when a studio wants to make a movie from a terrible book? </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Being a Screenwriter is a worthy dream that is attainable. But the dream is much different than we imagine. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss the realities of a professional Screenwriter's lifestyle, the Good, the Bad and the Ugly.</p>
<p> </p>
<p>TWIW: What to do when a studio wants to make a movie from a terrible book? </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8653a32ze6d8uqt6/ACT_TWO_EPISODE_711_LifeOfAScreenwriter-Downside_v01.mp3" length="80055508" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Being a Screenwriter is a worthy dream that is attainable. But the dream is much different than we imagine. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss the realities of a professional Screenwriter's lifestyle, the Good, the Bad and the Ugly.
 
TWIW: What to do when a studio wants to make a movie from a terrible book? 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2498</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>We Read Our Old Script Coverage (and It's Brutal) | 2025 Oscar Nominee Reactions</title>
        <itunes:title>We Read Our Old Script Coverage (and It's Brutal) | 2025 Oscar Nominee Reactions</itunes:title>
        <link>https://acttwo.podbean.com/e/we-read-our-old-script-coverage-and-its-brutal-2025-oscar-nominee-reactions/</link>
                    <comments>https://acttwo.podbean.com/e/we-read-our-old-script-coverage-and-its-brutal-2025-oscar-nominee-reactions/#comments</comments>        <pubDate>Mon, 09 Mar 2026 09:46:52 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/420683f4-0174-3b0a-8fbf-fd3851fe583f</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman read real studio script coverage of their old specs, and it's... painful. Plus, they discuss some of this year's Oscar nominees, their predictions, their reactions, and why!</p>
<p class="p2">TWIW: Josh has a breakthrough by writing an Act One with no plan / Tasha wrote a movie treatment in a single day and has never felt so alive / We watched &amp; discussed ET for February's Patreon Zoom Q&amp;A and learned so much! / Tasha re-read a script she just submitted to her agents and is now questioning everything</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman read <em>real</em> studio script coverage of their old specs, and it's... painful. Plus, they discuss some of this year's Oscar nominees, their predictions, their reactions, and why!</p>
<p class="p2">TWIW: Josh has a breakthrough by writing an Act One with no plan / Tasha wrote a movie treatment in a single day and has never felt so alive / We watched &amp; discussed <em>ET </em>for February's Patreon Zoom Q&amp;A and learned so much! / Tasha re-read a script she just submitted to her agents and is now questioning everything</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8rkhz679y2cw2vnv/ACT_TWO_EPISODE_710_CoverageAndOscars_FINAL.mp3" length="95081566" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman read real studio script coverage of their old specs, and it's... painful. Plus, they discuss some of this year's Oscar nominees, their predictions, their reactions, and why!
TWIW: Josh has a breakthrough by writing an Act One with no plan / Tasha wrote a movie treatment in a single day and has never felt so alive / We watched &amp; discussed ET for February's Patreon Zoom Q&amp;A and learned so much! / Tasha re-read a script she just submitted to her agents and is now questioning everything
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2966</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What TV Execs Wish You Knew: Pitching, Development &amp; Breaking In With Legendary's Anna Halligan</title>
        <itunes:title>What TV Execs Wish You Knew: Pitching, Development &amp; Breaking In With Legendary's Anna Halligan</itunes:title>
        <link>https://acttwo.podbean.com/e/what-tv-execs-wish-you-knew-pitching-development-breaking-in-with-legendarys-anna-halligan/</link>
                    <comments>https://acttwo.podbean.com/e/what-tv-execs-wish-you-knew-pitching-development-breaking-in-with-legendarys-anna-halligan/#comments</comments>        <pubDate>Mon, 02 Mar 2026 09:47:28 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/141c7cc3-a802-350f-b72a-7e1ed56c6920</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit with Executive Director of Scripted Series at Legendary, Anna Halligan, to get a behind-the-scenes look at her day-to-day as a TV executive, including how she works with writers and what she wishes writers knew. Anna shares her insights on everything from generals, pitching, developing scripts at the studio level, and her unique journey to finding TV development.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit with Executive Director of Scripted Series at Legendary, Anna Halligan, to get a behind-the-scenes look at her day-to-day as a TV executive, including how she works with writers and what she wishes writers knew. Anna shares her insights on everything from generals, pitching, developing scripts at the studio level, and her unique journey to finding TV development.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2qmbgxznqw9gs5a5/ACT_TWO_EPISODE_709_AnnaHaliganINTV_FINAL.mp3" length="95093269" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit with Executive Director of Scripted Series at Legendary, Anna Halligan, to get a behind-the-scenes look at her day-to-day as a TV executive, including how she works with writers and what she wishes writers knew. Anna shares her insights on everything from generals, pitching, developing scripts at the studio level, and her unique journey to finding TV development.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2964</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Q&amp;A: Free Work, Producer Conflicts &amp; February: Are You Excited?</title>
        <itunes:title>Screenwriting Q&amp;A: Free Work, Producer Conflicts &amp; February: Are You Excited?</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-qa-free-work-producer-conflicts-february-are-you-excited/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-qa-free-work-producer-conflicts-february-are-you-excited/#comments</comments>        <pubDate>Mon, 23 Feb 2026 10:17:57 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4784eef3-80f7-3778-984c-4d3857263028</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field listener questions on free work, working on spec with a producer on your own original idea, and how to approach a producer when you don't like their ideas. </p>
<p>Also included: Are You Excited?!: February Edition</p>
<p>TWIW: Tasha is inspired to take karate after watching this Oscar movie / Josh has an AI scare</p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field listener questions on free work, working on spec with a producer on your own original idea, and how to approach a producer when you don't like their ideas. </p>
<p>Also included: Are You Excited?!: February Edition</p>
<p>TWIW: Tasha is inspired to take karate after watching this Oscar movie / Josh has an AI scare</p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bw646nv826iuxays/ACT_TWO_EPISODE_708_ListenerQuestions_FINAL.mp3" length="84126786" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman field listener questions on free work, working on spec with a producer on your own original idea, and how to approach a producer when you don't like their ideas. 
Also included: Are You Excited?!: February Edition
TWIW: Tasha is inspired to take karate after watching this Oscar movie / Josh has an AI scare
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2625</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Inside Studio Coverage: How Story Analysts Evaluate Scripts at Major Studios</title>
        <itunes:title>Inside Studio Coverage: How Story Analysts Evaluate Scripts at Major Studios</itunes:title>
        <link>https://acttwo.podbean.com/e/inside-studio-coverage-how-story-analysts-evaluate-scripts-at-major-studios/</link>
                    <comments>https://acttwo.podbean.com/e/inside-studio-coverage-how-story-analysts-evaluate-scripts-at-major-studios/#comments</comments>        <pubDate>Mon, 16 Feb 2026 11:27:53 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d3513204-3f42-3d89-a243-fe3bc8663229</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with long-time Universal Pictures Story Analyst, Ray Kolasa, to chat about the process a script goes through when it's sent to a studio, from submission, development to production. What do studios look for, what scripts work and don't work, and what writing lessons are there to learn from someone whose read thousands of scripts at the studio level?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with long-time Universal Pictures Story Analyst, Ray Kolasa, to chat about the process a script goes through when it's sent to a studio, from submission, development to production. What do studios look for, what scripts work and don't work, and what writing lessons are there to learn from someone whose read thousands of scripts at the studio level?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/i2yc9rkwkp97uepu/ACT_TWO_EPISODE_707_RayKolasaINTV_FINAL.mp3" length="94734234" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with long-time Universal Pictures Story Analyst, Ray Kolasa, to chat about the process a script goes through when it's sent to a studio, from submission, development to production. What do studios look for, what scripts work and don't work, and what writing lessons are there to learn from someone whose read thousands of scripts at the studio level?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2957</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Selling Out Isn't Wrong -- It's a Strategy</title>
        <itunes:title>Selling Out Isn't Wrong -- It's a Strategy</itunes:title>
        <link>https://acttwo.podbean.com/e/selling-out-isnt-wrong-its-a-strategy/</link>
                    <comments>https://acttwo.podbean.com/e/selling-out-isnt-wrong-its-a-strategy/#comments</comments>        <pubDate>Mon, 09 Feb 2026 12:47:45 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1165cc98-7491-36c1-9e8e-cdd60eb607be</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss Franklin Leonard's much-debated post: <a href='https://franklinleonard.substack.com/p/the-moral-case-for-selling-out'>The Moral Case for Selling Out</a> and whether "selling out" is the key to having a Screenwriting career in Hollywood.</p>
<p class="p2"> </p>
<p class="p2">TWIW: Sam Raimi's SEND HELP is quite the theater experience / Is Marvel's WONDER MAN the most accurate depiction of life as an actor in Hollywood? / A listener demands to know why Tasha did not like Oscar-nominated Frankenstein</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss Franklin Leonard's much-debated post: <a href='https://franklinleonard.substack.com/p/the-moral-case-for-selling-out'>The Moral Case for Selling Out</a> and whether "selling out" is the key to having a Screenwriting career in Hollywood.</p>
<p class="p2"> </p>
<p class="p2">TWIW: Sam Raimi's SEND HELP is quite the theater experience / Is Marvel's WONDER MAN the most accurate depiction of life as an actor in Hollywood? / A listener demands to know why Tasha did not like Oscar-nominated <em>Frankenstein</em></p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ka66xdmuuy22ukcc/ACT_TWO_EPISODE_706_SellingOut_v01.mp3" length="66224946" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss Franklin Leonard's much-debated post: The Moral Case for Selling Out and whether "selling out" is the key to having a Screenwriting career in Hollywood.
 
TWIW: Sam Raimi's SEND HELP is quite the theater experience / Is Marvel's WONDER MAN the most accurate depiction of life as an actor in Hollywood? / A listener demands to know why Tasha did not like Oscar-nominated Frankenstein
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2066</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Free Work as Screenwriters: How to Decide, Set Boundaries, and Protect Yourself</title>
        <itunes:title>Free Work as Screenwriters: How to Decide, Set Boundaries, and Protect Yourself</itunes:title>
        <link>https://acttwo.podbean.com/e/free-work-as-screenwriters-how-to-decide-set-boundaries-and-protect-yourself/</link>
                    <comments>https://acttwo.podbean.com/e/free-work-as-screenwriters-how-to-decide-set-boundaries-and-protect-yourself/#comments</comments>        <pubDate>Mon, 02 Feb 2026 11:40:39 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/44bb025a-1cff-3d2f-af91-e43f4f7c6331</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field a listener question about Free Work, the nemesis of all Screenwriters, and the particular bane of up-and-coming Screenwriters. They talk about their own experiences with Free Work early in their careers and now, how they dealt with them, how best to protect yourself against endless unpaid drafts, and what's realistic about Free Work and our careers as Screenwriters.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field a listener question about Free Work, the nemesis of all Screenwriters, and the particular bane of up-and-coming Screenwriters. They talk about their own experiences with Free Work early in their careers and now, how they dealt with them, how best to protect yourself against endless unpaid drafts, and what's realistic about Free Work and our careers as Screenwriters.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8ug8tr8iz6qh33r5/ACT_TWO_EPISODE_705_FreeWork_v01.mp3" length="78155026" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman field a listener question about Free Work, the nemesis of all Screenwriters, and the particular bane of up-and-coming Screenwriters. They talk about their own experiences with Free Work early in their careers and now, how they dealt with them, how best to protect yourself against endless unpaid drafts, and what's realistic about Free Work and our careers as Screenwriters.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2438</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Why You? - The Question Every Screenwriter Needs to Know How to Answer</title>
        <itunes:title>Why You? - The Question Every Screenwriter Needs to Know How to Answer</itunes:title>
        <link>https://acttwo.podbean.com/e/why-you-the-question-every-screenwriter-needs-to-know-how-to-answer/</link>
                    <comments>https://acttwo.podbean.com/e/why-you-the-question-every-screenwriter-needs-to-know-how-to-answer/#comments</comments>        <pubDate>Mon, 26 Jan 2026 11:17:17 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f8bbf7e5-26f4-3e27-8d40-b1dc23f6981f</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the question we've all gotten from execs -- "Why you?" They discuss why they ask this question, what it means, and how best to answer it, including examples from real-life situations. </p>
<p> </p>
<p>TWIW: Tasha just finished her spec adaptation of a book! What next? / Josh battles a coyote, and gets a new story idea / Has Tasha seen all the Oscar movies yet? / Tasha's new mantra: Just Do It!</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the question we've all gotten from execs -- "Why you?" They discuss why they ask this question, what it means, and how best to answer it, including examples from real-life situations. </p>
<p> </p>
<p>TWIW: Tasha just finished her spec adaptation of a book! What next? / Josh battles a coyote, and gets a new story idea / Has Tasha seen all the Oscar movies yet? / Tasha's new mantra: Just Do It!</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k53v4ne26xdi7rus/ACT_TWO_EPISODE_704_WhyYou_v01.mp3" length="60038958" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the question we've all gotten from execs -- "Why you?" They discuss why they ask this question, what it means, and how best to answer it, including examples from real-life situations. 
 
TWIW: Tasha just finished her spec adaptation of a book! What next? / Josh battles a coyote, and gets a new story idea / Has Tasha seen all the Oscar movies yet? / Tasha's new mantra: Just Do It!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1872</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How Post-Production Can Make You a Better Writer: Insights from an Editor</title>
        <itunes:title>How Post-Production Can Make You a Better Writer: Insights from an Editor</itunes:title>
        <link>https://acttwo.podbean.com/e/how-post-production-can-make-you-a-better-writer-insights-from-an-editor/</link>
                    <comments>https://acttwo.podbean.com/e/how-post-production-can-make-you-a-better-writer-insights-from-an-editor/#comments</comments>        <pubDate>Mon, 19 Jan 2026 08:52:44 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3592d141-e98e-303f-85d0-b5c97799caf6</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with editor Patrick Tuck (THE LOW DOWN, RESERVATION DOGS, CHAD POWERS) to discuss how writers' stories evolve in the editing room, lessons writers can learn from the post process, how writers can avoid common post pitfalls, and more! </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with editor Patrick Tuck (THE LOW DOWN, RESERVATION DOGS, CHAD POWERS) to discuss how writers' stories evolve in the editing room, lessons writers can learn from the post process, how writers can avoid common post pitfalls, and more! </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m5z2wn6if93uiszp/ACT_TWO_EPISODE_703_PatrickTuckINTV_v01.mp3" length="115742405" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with editor Patrick Tuck (THE LOW DOWN, RESERVATION DOGS, CHAD POWERS) to discuss how writers' stories evolve in the editing room, lessons writers can learn from the post process, how writers can avoid common post pitfalls, and more! 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3612</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Scott Glassgold: Selling Your Short Story (REPOST)</title>
        <itunes:title>Interview with Scott Glassgold: Selling Your Short Story (REPOST)</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-scott-glassgold-selling-your-short-story/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-scott-glassgold-selling-your-short-story/#comments</comments>        <pubDate>Mon, 12 Jan 2026 06:00:00 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/df5a197d-5e96-3422-8840-d17a1ea70dbf</guid>
                                    <description><![CDATA[<p class="p2">Scott Glassgold, founder of management &amp; production company Ground Control, has recently made waves in Hollywood for finding short stories on Reddit and turning them into high-profile sales for new writers. Hosts Tasha Huo and Josh Hallman walk through that process with Scott and discuss the potential of the short story market for writers in any stage of their career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Scott Glassgold, founder of management &amp; production company Ground Control, has recently made waves in Hollywood for finding short stories on Reddit and turning them into high-profile sales for new writers. Hosts Tasha Huo and Josh Hallman walk through that process with Scott and discuss the potential of the short story market for writers in any stage of their career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n5x2mj/ACT_TWO_EPISODE_425_ScottGlassgoldIntv_v01.mp3" length="105423515" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Scott Glassgold, founder of management &amp; production company Ground Control, has recently made waves in Hollywood for finding short stories on Reddit and turning them into high-profile sales for new writers. Hosts Tasha Huo and Josh Hallman walk through that process with Scott and discuss the potential of the short story market for writers in any stage of their career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3294</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Actually Hit Your 2026 Screenwriting Goals</title>
        <itunes:title>How to Actually Hit Your 2026 Screenwriting Goals</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-actually-hit-your-2026-screenwriting-goals/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-actually-hit-your-2026-screenwriting-goals/#comments</comments>        <pubDate>Mon, 05 Jan 2026 10:20:46 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0263de63-2a0f-3cf3-94a7-4b5e926c9176</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk 2026 Screenwriting goals and how to achieve them realistically. They discuss breaking screenwriting goals down into actionable steps, scheduling yourself, and other useful tips to stay on track this year.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha visited the Academy Museum over break / Tasha loved The Anaconda / Watching The Housemaid in a full theater made a big difference / A Spielberg book that could change your life!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk 2026 Screenwriting goals and how to achieve them realistically. They discuss breaking screenwriting goals down into actionable steps, scheduling yourself, and other useful tips to stay on track this year.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha visited the Academy Museum over break / Tasha loved The Anaconda / Watching The Housemaid in a full theater made a big difference / A Spielberg book that could change your life!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ij9ew8fywuuu999z/ACT_TWO_EPISODE_701_2026Goals_v01.mp3" length="114410147" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk 2026 Screenwriting goals and how to achieve them realistically. They discuss breaking screenwriting goals down into actionable steps, scheduling yourself, and other useful tips to stay on track this year.
 
TWIW: Tasha visited the Academy Museum over break / Tasha loved The Anaconda / Watching The Housemaid in a full theater made a big difference / A Spielberg book that could change your life!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3571</itunes:duration>
        <itunes:season>7</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wins, Misses and Takeaways: Our 2025 Goal Wrap-Up</title>
        <itunes:title>Wins, Misses and Takeaways: Our 2025 Goal Wrap-Up</itunes:title>
        <link>https://acttwo.podbean.com/e/wins-misses-and-takeaways-our-2025-goal-wrap-up/</link>
                    <comments>https://acttwo.podbean.com/e/wins-misses-and-takeaways-our-2025-goal-wrap-up/#comments</comments>        <pubDate>Tue, 30 Dec 2025 08:26:21 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3b42c57a-5b96-3905-ba3b-95005d09dd00</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss how many of their 2025 Goals they achieved (spoiler alert: Josh beat Tasha), and what they can learn from their successes and failures going into 2026. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss how many of their 2025 Goals they achieved (spoiler alert: Josh beat Tasha), and what they can learn from their successes and failures going into 2026. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/53zj8iq7z3msugu6/ACT_TWO_EPISODE_651_GoalsRecap_FINAL.mp3" length="78476874" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how many of their 2025 Goals they achieved (spoiler alert: Josh beat Tasha), and what they can learn from their successes and failures going into 2026. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2447</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Plan Your Screenwriting Year for Success: A Month-by-Month Guide</title>
        <itunes:title>How to Plan Your Screenwriting Year for Success: A Month-by-Month Guide</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-plan-your-screenwriting-year-for-success-a-month-by-month-guide/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-plan-your-screenwriting-year-for-success-a-month-by-month-guide/#comments</comments>        <pubDate>Mon, 22 Dec 2025 08:40:24 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/90099360-400c-319a-96e0-60d5ecec8238</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss Final Draft blog by Ken Miyamoto, <a href='https://www.finaldraft.com/blog/how-to-plan-your-entire-screenwriting-year-a-month-by-month-guide?utm_source=Klaviyo&amp;utm_medium=email&amp;_kx=20tq4f4gk5GhtE8GEflj2wWjgvY_yK-ZMBwq48gGFas.UF5kLJ'>How to Plan Your Entire Screenwriting Year: A Month-by-Month Guide</a>. They break down tasks for each month, discuss practical solutions to achieving those tasks, and why thinking about your year in these terms sets you up for success (and they maybe fangirl over Ken a little bit). </p>
<p> </p>
<p>TWIW: Tasha got very different notes on a script from her manager and her writer's group, what should she do? / A studio exec with very interesting insight into writers vs. actors that we should learn from / Josh's pitch to an actress / Tasha's pitch to an author / Rob Reiner as an integral part of our Screenwriting education, RIP. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss Final Draft blog by Ken Miyamoto, <a href='https://www.finaldraft.com/blog/how-to-plan-your-entire-screenwriting-year-a-month-by-month-guide?utm_source=Klaviyo&amp;utm_medium=email&amp;_kx=20tq4f4gk5GhtE8GEflj2wWjgvY_yK-ZMBwq48gGFas.UF5kLJ'><em>How to Plan Your Entire Screenwriting Year: A Month-by-Month Guide</em></a>. They break down tasks for each month, discuss practical solutions to achieving those tasks, and why thinking about your year in these terms sets you up for success (and they maybe fangirl over Ken a little bit). </p>
<p> </p>
<p>TWIW: Tasha got very different notes on a script from her manager and her writer's group, what should she do? / A studio exec with very interesting insight into writers vs. actors that we should learn from / Josh's pitch to an actress / Tasha's pitch to an author / Rob Reiner as an integral part of our Screenwriting education, RIP. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/987g92uwp66bw5hr/ACT_TWO_EPISODE_650_PlanYourScreenwritingYear_v01.mp3" length="122189887" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss Final Draft blog by Ken Miyamoto, How to Plan Your Entire Screenwriting Year: A Month-by-Month Guide. They break down tasks for each month, discuss practical solutions to achieving those tasks, and why thinking about your year in these terms sets you up for success (and they maybe fangirl over Ken a little bit). 
 
TWIW: Tasha got very different notes on a script from her manager and her writer's group, what should she do? / A studio exec with very interesting insight into writers vs. actors that we should learn from / Josh's pitch to an actress / Tasha's pitch to an author / Rob Reiner as an integral part of our Screenwriting education, RIP. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3813</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Writing Behind Tomb Raider: the Legend of Lara Croft Season 2</title>
        <itunes:title>The Writing Behind Tomb Raider: the Legend of Lara Croft Season 2</itunes:title>
        <link>https://acttwo.podbean.com/e/the-writing-behind-tomb-raider-the-legend-of-lara-croft-season-2/</link>
                    <comments>https://acttwo.podbean.com/e/the-writing-behind-tomb-raider-the-legend-of-lara-croft-season-2/#comments</comments>        <pubDate>Mon, 15 Dec 2025 15:20:40 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8658803d-fc3e-369a-a977-778285e89d13</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman chat about Tasha's newest season of Tomb Raider: the Legend of Lara Croft now on Netflix, how the idea for the season came together, and behind-the-scenes writing stories. </p>
<p class="p1"> </p>
<p class="p1">TWIW: The Blacklist 2025: Who's Who and trends Josh is seeing / Tasha went to a BAFTA Games Mixer and sweated profusely / If you can spot the reference to Tasha &amp; Josh's favorite movies in S1 of The Mighty Nein on Amazon Prime, you win a prize! Hint: there are 2 references.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman chat about Tasha's newest season of <em>Tomb Raider: the Legend of Lara Croft </em>now on Netflix, how the idea for the season came together, and behind-the-scenes writing stories. </p>
<p class="p1"> </p>
<p class="p1">TWIW: The Blacklist 2025: Who's Who and trends Josh is seeing / Tasha went to a BAFTA Games Mixer and sweated profusely / If you can spot the reference to Tasha &amp; Josh's favorite movies in S1 of <em>The Mighty Nein</em> on Amazon Prime, you win a prize! Hint: there are 2 references.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8hrwphqfi7484p7i/ACT_TWO_EPISODE_649_BlackListTombRaider_v01.mp3" length="64536824" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman chat about Tasha's newest season of Tomb Raider: the Legend of Lara Croft now on Netflix, how the idea for the season came together, and behind-the-scenes writing stories. 
 
TWIW: The Blacklist 2025: Who's Who and trends Josh is seeing / Tasha went to a BAFTA Games Mixer and sweated profusely / If you can spot the reference to Tasha &amp; Josh's favorite movies in S1 of The Mighty Nein on Amazon Prime, you win a prize! Hint: there are 2 references.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2014</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>5 Tips on Telling a Compelling Story</title>
        <itunes:title>5 Tips on Telling a Compelling Story</itunes:title>
        <link>https://acttwo.podbean.com/e/5-tips-on-telling-a-compelling-story/</link>
                    <comments>https://acttwo.podbean.com/e/5-tips-on-telling-a-compelling-story/#comments</comments>        <pubDate>Mon, 08 Dec 2025 15:21:16 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/36c3bdcd-4bcd-3ffc-81e1-21fff6b8c63c</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk through Final Draft's <a href='https://www.finaldraft.com/blog/what-makes-a-good-story-5-pieces-of-advice-to-tell-a-compelling-tale'>5 Pieces of Advice to Tell a Compelling Tale</a> and offer their own specifics on why and how these pieces of advice work in your writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: This month's Running Man Q&amp;A Patreon Zoom / Netflix buying WB? / Tasha's show The Mighty Nein is #1 in the US, Canada &amp; Europe! / Vince Gilligan is so damn good at creating character-driven concepts</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk through Final Draft's <a href='https://www.finaldraft.com/blog/what-makes-a-good-story-5-pieces-of-advice-to-tell-a-compelling-tale'>5 Pieces of Advice to Tell a Compelling Tale</a> and offer their own specifics on why and how these pieces of advice work in your writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: This month's <em>Running Man</em> Q&amp;A Patreon Zoom / Netflix buying WB? / Tasha's show <em>The Mighty Nein </em>is #1 in the US, Canada &amp; Europe! / Vince Gilligan is so damn good at creating character-driven concepts</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p5ypmadcm3meu74t/ACT_TWO_EPISODE_648_Top5_v01.mp3" length="76103565" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk through Final Draft's 5 Pieces of Advice to Tell a Compelling Tale and offer their own specifics on why and how these pieces of advice work in your writing.
 
TWIW: This month's Running Man Q&amp;A Patreon Zoom / Netflix buying WB? / Tasha's show The Mighty Nein is #1 in the US, Canada &amp; Europe! / Vince Gilligan is so damn good at creating character-driven concepts
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2375</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Living Outside LA, Pitching Update, Mighty Nein - Plus: Are You Excited?</title>
        <itunes:title>Living Outside LA, Pitching Update, Mighty Nein - Plus: Are You Excited?</itunes:title>
        <link>https://acttwo.podbean.com/e/living-outside-la-pitching-update-mighty-nein-plus-are-you-excited/</link>
                    <comments>https://acttwo.podbean.com/e/living-outside-la-pitching-update-mighty-nein-plus-are-you-excited/#comments</comments>        <pubDate>Mon, 01 Dec 2025 08:41:17 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8a0936c6-70cd-3edb-acb3-ebf15d5b88f1</guid>
                                    <description><![CDATA[<p class="p1">This week, Tasha Huo and Josh Hallman talk about living outside LA, where Tasha’s pitch stands, and an overdue double-dose of “Are You Excited?” - covering both November and December.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">This week, Tasha Huo and Josh Hallman talk about living outside LA, where Tasha’s pitch stands, and an overdue double-dose of “<em>Are You Excited?</em>” - covering both November and December.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m3gkh855wz4uikp4/ACT_TWO_EPISODE_647_AreYouExcited_v01.mp3" length="83130750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week, Tasha Huo and Josh Hallman talk about living outside LA, where Tasha’s pitch stands, and an overdue double-dose of “Are You Excited?” - covering both November and December.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2594</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Get Unstuck in Your Writing: Screenwriting Tips that Actually Work</title>
        <itunes:title>How to Get Unstuck in Your Writing: Screenwriting Tips that Actually Work</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-get-unstuck-in-your-writing-screenwriting-tips-that-actually-work/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-get-unstuck-in-your-writing-screenwriting-tips-that-actually-work/#comments</comments>        <pubDate>Tue, 25 Nov 2025 11:51:37 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2f4ccb39-1cd1-3cfd-9e2c-8c6bdb6f4e68</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman field a listener question and discuss the tips &amp; tricks they use to get unstuck in their writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Is The Hunger Games a perfect movie? / Returning to "the big paper" for a video game adaptation pitch.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman field a listener question and discuss the tips &amp; tricks they use to get <em>unstuck</em> in their writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Is <em>The Hunger Games</em> a perfect movie? / Returning to "the big paper" for a video game adaptation pitch.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c7b8m6q4gwgizfke/ACT_TWO_EPISODE_645_BecomingUnstuck_v01.mp3" length="77662591" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman field a listener question and discuss the tips &amp; tricks they use to get unstuck in their writing.
 
TWIW: Is The Hunger Games a perfect movie? / Returning to "the big paper" for a video game adaptation pitch.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2422</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing THE MIGHTY NEIN: Interview with Showrunner Tasha Huo</title>
        <itunes:title>Writing THE MIGHTY NEIN: Interview with Showrunner Tasha Huo</itunes:title>
        <link>https://acttwo.podbean.com/e/the-mighty-nein-interview-with-showrunner-tasha-huo/</link>
                    <comments>https://acttwo.podbean.com/e/the-mighty-nein-interview-with-showrunner-tasha-huo/#comments</comments>        <pubDate>Mon, 17 Nov 2025 09:06:35 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/95df6602-eba2-370f-aea0-41a82c09179c</guid>
                                    <description><![CDATA[<p>Showrunner and co-host Tasha Huo's show premieres November 19 on Amazon Prime Video, and Josh makes her talk about it! Tasha reveals how she got the job adapting the Critical Role live D&amp;D campaign, what the writing process was like to adapt something so massive and beloved, and what it was like working with the "nerdy ass voice actors" of Critical Role.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Showrunner and co-host Tasha Huo's show premieres November 19 on Amazon Prime Video, and Josh makes her talk about it! Tasha reveals how she got the job adapting the Critical Role live D&amp;D campaign, what the writing process was like to adapt something so massive and beloved, and what it was like working with the "nerdy ass voice actors" of Critical Role.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vf9agpkqc3hsvwiw/ACT_TWO_EPISODE_645_MightyNein_FINAL.mp3" length="93915131" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Showrunner and co-host Tasha Huo's show premieres November 19 on Amazon Prime Video, and Josh makes her talk about it! Tasha reveals how she got the job adapting the Critical Role live D&amp;D campaign, what the writing process was like to adapt something so massive and beloved, and what it was like working with the "nerdy ass voice actors" of Critical Role.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2931</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Holiday Gifts -- What to get Reps and Producers (REPOST)</title>
        <itunes:title>Holiday Gifts -- What to get Reps and Producers (REPOST)</itunes:title>
        <link>https://acttwo.podbean.com/e/holiday-gifts-what-to-get-reps-and-producers-repost/</link>
                    <comments>https://acttwo.podbean.com/e/holiday-gifts-what-to-get-reps-and-producers-repost/#comments</comments>        <pubDate>Mon, 10 Nov 2025 11:14:20 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0102e562-4d18-340f-b02d-e2295cd21387</guid>
                                    <description><![CDATA[<p>We have a repost this week: 
Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We have a repost this week: <br>
Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eta84wtg8wa8z2tj/REPOST_ACT_TWO_EPISODE_246_GIFTS_FOR_REPS_FINAL8au4s.mp3" length="33844537" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We have a repost this week: Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2108</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Staying Relevant: How to Have a Long Career as a Screenwriter</title>
        <itunes:title>Staying Relevant: How to Have a Long Career as a Screenwriter</itunes:title>
        <link>https://acttwo.podbean.com/e/staying-relevant-how-to-have-a-long-career-as-a-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/staying-relevant-how-to-have-a-long-career-as-a-screenwriter/#comments</comments>        <pubDate>Mon, 03 Nov 2025 06:44:46 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7a1de62c-abb9-311e-ae0a-89a66285902e</guid>
                                    <description><![CDATA[<p class="p1">Hollywood moves fast, and even the best careers can fade. Hosts Tasha Huo and Josh Hallman share ways to stay relevant as a screenwriter and keep your career thriving. Plus... TWIW!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hollywood moves fast, and even the best careers can fade. Hosts Tasha Huo and Josh Hallman share ways to stay relevant as a screenwriter and keep your career thriving. Plus... TWIW!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/36k2gx76j226pp5k/ACT_TWO_EPISODE_643_StayRelavent_FINAL.mp3" length="107516457" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hollywood moves fast, and even the best careers can fade. Hosts Tasha Huo and Josh Hallman share ways to stay relevant as a screenwriter and keep your career thriving. Plus... TWIW!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3356</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Write Great Villains | Halloween Special for Screenwriters</title>
        <itunes:title>How to Write Great Villains | Halloween Special for Screenwriters</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-write-great-villains-halloween-special-for-screenwriters/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-write-great-villains-halloween-special-for-screenwriters/#comments</comments>        <pubDate>Mon, 27 Oct 2025 09:32:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a7435fe9-6d4e-3502-a2af-b6c0d17b4777</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman chat with horror writer and Friend of the Podcast, David Levinson (Welcome Home), about their favorite movie villains and how they were written to make a lasting impression.</p>
<p class="p1"> </p>
<p class="p1">TWIW: How do you manage the financial realities of being a spec writer? / What are Tasha, Josh and Dave dressing up as for Halloween??</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman chat with horror writer and Friend of the Podcast, David Levinson <em>(Welcome</em> <em>Home</em>), about their favorite movie villains and how they were written to make a lasting impression.</p>
<p class="p1"> </p>
<p class="p1">TWIW: How do you manage the financial realities of being a spec writer? / What are Tasha, Josh and Dave dressing up as for Halloween??</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/28e2gsgvjjcmwwu3/ACT_TWO_EPISODE_642_BestVillains_FINAL.mp3" length="96793262" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman chat with horror writer and Friend of the Podcast, David Levinson (Welcome Home), about their favorite movie villains and how they were written to make a lasting impression.
 
TWIW: How do you manage the financial realities of being a spec writer? / What are Tasha, Josh and Dave dressing up as for Halloween??
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3017</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>42</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ready or Not? How You Know Your Script is Ready</title>
        <itunes:title>Ready or Not? How You Know Your Script is Ready</itunes:title>
        <link>https://acttwo.podbean.com/e/ready-or-not-how-you-know-your-script-is-ready/</link>
                    <comments>https://acttwo.podbean.com/e/ready-or-not-how-you-know-your-script-is-ready/#comments</comments>        <pubDate>Tue, 21 Oct 2025 07:43:06 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/33025a2a-eb0f-3fc6-93d3-cee1efb16222</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss a listener question -- When do you know your script is ready? </p>
<p> </p>
<p>TWIW: Good Boy, the horror movie from the POV of a dog and how Tasha hated it and finally learned to feel / Tasha &amp; Josh are donating a 30-minute notes session for charity at <a href='https://www.charitybuzz.com/support/4615'>Cause for Entertainment</a>, a charity to support Breast Cancer Research and those affected by breast cancer. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss a listener question -- When do you know your script is ready? </p>
<p> </p>
<p>TWIW: Good Boy, the horror movie from the POV of a dog and how Tasha hated it and finally learned to feel / Tasha &amp; Josh are donating a 30-minute notes session for charity at <a href='https://www.charitybuzz.com/support/4615'>Cause for Entertainment</a>, a charity to support Breast Cancer Research and those affected by breast cancer. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ynqp7a2m2qq2abqj/ACT_TWO_EPISODE_641_IsYourScriptReady_FINAL.mp3" length="60052664" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss a listener question -- When do you know your script is ready? 
 
TWIW: Good Boy, the horror movie from the POV of a dog and how Tasha hated it and finally learned to feel / Tasha &amp; Josh are donating a 30-minute notes session for charity at Cause for Entertainment, a charity to support Breast Cancer Research and those affected by breast cancer. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1874</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Networking Dos and Don’ts &amp; Are You Excited: October 2025 Edition</title>
        <itunes:title>Networking Dos and Don’ts &amp; Are You Excited: October 2025 Edition</itunes:title>
        <link>https://acttwo.podbean.com/e/networking-dos-and-don-ts-are-you-excited-october-2025-edition/</link>
                    <comments>https://acttwo.podbean.com/e/networking-dos-and-don-ts-are-you-excited-october-2025-edition/#comments</comments>        <pubDate>Mon, 13 Oct 2025 10:10:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3c70d7f5-7625-3f97-8854-d976f51aa11d</guid>
                                    <description><![CDATA[<p class="p1">It’s Austin Film Festival time! Hosts Tasha Huo and Josh Hallman tackle the art of networking - a word that makes most writers shiver. They share how to approach it authentically, spark conversations, and avoid the common pitfalls that kill a good impression. Plus, a new round of Are You Excited? - where they dig into the month’s releases.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">It’s Austin Film Festival time! Hosts Tasha Huo and Josh Hallman tackle the art of <em>networking</em> - a word that makes most writers shiver. They share how to approach it authentically, spark conversations, and avoid the common pitfalls that kill a good impression. Plus, a new round of Are You Excited? <em>-</em> where they dig into the month’s releases.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/937sq468kbx2fvvf/ACT_TWO_EPISODE_640_NetworkingAndAreYouExcitedOct_FINAL.mp3" length="141567233" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s Austin Film Festival time! Hosts Tasha Huo and Josh Hallman tackle the art of networking - a word that makes most writers shiver. They share how to approach it authentically, spark conversations, and avoid the common pitfalls that kill a good impression. Plus, a new round of Are You Excited? - where they dig into the month’s releases.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4416</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Write Better Dialogue: Tasha Huo's Secret Hack</title>
        <itunes:title>Write Better Dialogue: Tasha Huo's Secret Hack</itunes:title>
        <link>https://acttwo.podbean.com/e/writer-better-dialogue-tasha-huos-secret-hack/</link>
                    <comments>https://acttwo.podbean.com/e/writer-better-dialogue-tasha-huos-secret-hack/#comments</comments>        <pubDate>Mon, 06 Oct 2025 05:28:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cd441272-d97e-32f9-aede-58b8a463fba7</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss Tasha's dialogue hack to quickly improve your dialogue and trim pages. </p>
<p class="p1"> </p>
<p class="p1">TWIW: What does it mean when a manager or agent "hip-pockets" you? / Tasha had a MIGHTY NEIN screening at SCAD and now she wants to go to there / The difference in approach between being a fan of an IP and just taking an IP job. / Storytelling lessons learned from our September Patreon RUNNING MAN Q&amp;A </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss Tasha's dialogue hack to quickly improve your dialogue and trim pages. </p>
<p class="p1"> </p>
<p class="p1">TWIW: What does it mean when a manager or agent "hip-pockets" you? / Tasha had a MIGHTY NEIN screening at SCAD and now she wants to go to there / The difference in approach between being a fan of an IP and just taking an IP job. / Storytelling lessons learned from our September Patreon RUNNING MAN Q&amp;A </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/njzzkphs2w2b2se8/ACT_TWO_EPISODE_639_DialogueHack_FINAL.mp3" length="82674583" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss Tasha's dialogue hack to quickly improve your dialogue and trim pages. 
 
TWIW: What does it mean when a manager or agent "hip-pockets" you? / Tasha had a MIGHTY NEIN screening at SCAD and now she wants to go to there / The difference in approach between being a fan of an IP and just taking an IP job. / Storytelling lessons learned from our September Patreon RUNNING MAN Q&amp;A 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2580</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How do you write for animation? Interview with Francisco Angones (THE LEGEND OF VOX MACHINA, DUCK TALES)</title>
        <itunes:title>How do you write for animation? Interview with Francisco Angones (THE LEGEND OF VOX MACHINA, DUCK TALES)</itunes:title>
        <link>https://acttwo.podbean.com/e/how-do-you-write-for-animation-interview-with-francisco-angones-the-legend-of-vox-machina-duck-tales/</link>
                    <comments>https://acttwo.podbean.com/e/how-do-you-write-for-animation-interview-with-francisco-angones-the-legend-of-vox-machina-duck-tales/#comments</comments>        <pubDate>Mon, 29 Sep 2025 11:38:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/fa87e9d8-9de2-3356-bd2b-dc1ed0c0d77f</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Francisco Angones, the creator of DUCK TALES (2017) and Co-EP on THE LEGEND OF VOX MACHINA (S4, S5) to discuss what a Screenwriting career in animation can look like, share stories on its challenges and how to manage them, and share his day-to-day as an animation writer/creator. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Francisco Angones, the creator of DUCK TALES (2017) and Co-EP on THE LEGEND OF VOX MACHINA (S4, S5) to discuss what a Screenwriting career in animation can look like, share stories on its challenges and how to manage them, and share his day-to-day as an animation writer/creator. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wyvdzvpkqkt47cpf/ACT_TWO_EPISODE_638_FranciscoAngonesINTV_FINAL.mp3" length="122177449" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Francisco Angones, the creator of DUCK TALES (2017) and Co-EP on THE LEGEND OF VOX MACHINA (S4, S5) to discuss what a Screenwriting career in animation can look like, share stories on its challenges and how to manage them, and share his day-to-day as an animation writer/creator. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3813</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Which Screenwriter Personality Are You?</title>
        <itunes:title>Which Screenwriter Personality Are You?</itunes:title>
        <link>https://acttwo.podbean.com/e/which-screenwriter-personality-are-you/</link>
                    <comments>https://acttwo.podbean.com/e/which-screenwriter-personality-are-you/#comments</comments>        <pubDate>Mon, 22 Sep 2025 06:24:43 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b6502e2a-d753-3db3-9e50-088d11b5db2f</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk about all the different types of careers for a Screenwriter and which may be right for you, depending on your personality. </p>
<p> </p>
<p>TWIW: How to navigate the Austin Film Festival successfully, even if you're shy / Tasha's newest "big page" / Josh finds writing in the dark is a new hack / the Anaconda trailer is whack / Tasha &amp; Josh's spec is moving on to the next phase.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk about all the different types of careers for a Screenwriter and which may be right for you, depending on your personality. </p>
<p> </p>
<p>TWIW: How to navigate the Austin Film Festival successfully, even if you're shy / Tasha's newest "big page" / Josh finds writing in the dark is a new hack / the Anaconda trailer is whack / Tasha &amp; Josh's spec is moving on to the next phase.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bqw65b7jbz3qsura/ACT_TWO_EPISODE_637_WriterPersonalities_v01.mp3" length="125126507" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about all the different types of careers for a Screenwriter and which may be right for you, depending on your personality. 
 
TWIW: How to navigate the Austin Film Festival successfully, even if you're shy / Tasha's newest "big page" / Josh finds writing in the dark is a new hack / the Anaconda trailer is whack / Tasha &amp; Josh's spec is moving on to the next phase.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3905</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Are You Excited?: September 2025 Edition + TWIW</title>
        <itunes:title>Are You Excited?: September 2025 Edition + TWIW</itunes:title>
        <link>https://acttwo.podbean.com/e/are-you-excited-september-2025-edition-twiw/</link>
                    <comments>https://acttwo.podbean.com/e/are-you-excited-september-2025-edition-twiw/#comments</comments>        <pubDate>Mon, 15 Sep 2025 11:14:19 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/412f6e9b-df30-30cd-811d-c342fc36a3d7</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the movies coming to your eyeballs in September, and about the things on their mind this week in the world of Screenwriting.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the movies coming to your eyeballs in September, and about the things on their mind this week in the world of Screenwriting.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9x7t86hr9c7bk3xq/ACT_TWO_EPISODE_636_TWIW-AreYouExcited_FINAL.mp3" length="75756594" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the movies coming to your eyeballs in September, and about the things on their mind this week in the world of Screenwriting.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2363</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing Action and Staying Relevant with Derek Kolstad (JOHN WICK, NOBODY)</title>
        <itunes:title>Writing Action and Staying Relevant with Derek Kolstad (JOHN WICK, NOBODY)</itunes:title>
        <link>https://acttwo.podbean.com/e/untitled/</link>
                    <comments>https://acttwo.podbean.com/e/untitled/#comments</comments>        <pubDate>Mon, 08 Sep 2025 10:00:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f65bc316-24a2-3e84-83a1-02bae7cb601a</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Derek Kolstad, writer and creator of the JOHN WICK and NOBODY franchises, to discuss everything from crafting character-driven action movies to the reality of the grind behind being a successful working Screenwriter.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Derek Kolstad, writer and creator of the JOHN WICK and NOBODY franchises, to discuss everything from crafting character-driven action movies to the reality of the grind behind being a successful working Screenwriter.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jcbrbu2fnkycsmfg/ACT_TWO_EPISODE_635_DerekKolstadINTV_v01.mp3" length="92989299" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Derek Kolstad, writer and creator of the JOHN WICK and NOBODY franchises, to discuss everything from crafting character-driven action movies to the reality of the grind behind being a successful working Screenwriter.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2902</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How Agents Work for Screenwriters: David Boxerbaum (Partner, Verve)</title>
        <itunes:title>How Agents Work for Screenwriters: David Boxerbaum (Partner, Verve)</itunes:title>
        <link>https://acttwo.podbean.com/e/how-agents-work-for-screenwriters-david-boxerbaum-partner-verve/</link>
                    <comments>https://acttwo.podbean.com/e/how-agents-work-for-screenwriters-david-boxerbaum-partner-verve/#comments</comments>        <pubDate>Mon, 01 Sep 2025 18:02:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a1ece207-020e-3711-b511-a7af77ede247</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Josh's agent, David Boxerbaum, a partner at Verve, to discuss how successful writers work with their agents, the recent boom in short story sales and what that means for Screenwriters, and why some specs sale and others don't.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Josh's agent, David Boxerbaum, a partner at Verve, to discuss how successful writers work with their agents, the recent boom in short story sales and what that means for Screenwriters, and why some specs sale and others don't.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yftm6m4uebgrwmdb/ACT_TWO_EPISODE_634_DavidBoxerbaumINTV_FINAL.mp3" length="65121276" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Josh's agent, David Boxerbaum, a partner at Verve, to discuss how successful writers work with their agents, the recent boom in short story sales and what that means for Screenwriters, and why some specs sale and others don't.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2032</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Multitask as a Screenwriter: Balancing Multiple Projects</title>
        <itunes:title>How to Multitask as a Screenwriter: Balancing Multiple Projects</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-multitask-as-a-screenwriter-balancing-multiple-projects/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-multitask-as-a-screenwriter-balancing-multiple-projects/#comments</comments>        <pubDate>Mon, 25 Aug 2025 19:44:19 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cdc6ed5d-7e5e-37be-bcba-2177b9119a88</guid>
                                    <description><![CDATA[<p>Life gets crazy and overwhelming. Hosts Tasha Huo and Josh Hallman break down how screenwriters multitask - balancing multiple projects, writing more than one script at a time, and staying productive along the way. Plus... TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Life gets crazy and overwhelming. Hosts Tasha Huo and Josh Hallman break down how screenwriters multitask - balancing multiple projects, writing more than one script at a time, and staying productive along the way. Plus... TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ydbktmda9gh6n8wj/ACT_TWO_EPISODE_633_Multitasking_FINAL.mp3" length="102771454" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Life gets crazy and overwhelming. Hosts Tasha Huo and Josh Hallman break down how screenwriters multitask - balancing multiple projects, writing more than one script at a time, and staying productive along the way. Plus... TWIW!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3207</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Are Pro Screenwriters Just Like Pro Athletes?</title>
        <itunes:title>Are Pro Screenwriters Just Like Pro Athletes?</itunes:title>
        <link>https://acttwo.podbean.com/e/are-pro-screenwriters-just-like-pro-athletes/</link>
                    <comments>https://acttwo.podbean.com/e/are-pro-screenwriters-just-like-pro-athletes/#comments</comments>        <pubDate>Mon, 18 Aug 2025 09:12:18 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0410b6d8-23cd-3f69-b62f-2f7276be4384</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Screenwriter and Tennis Pro, Michael Basha, to discuss how the psychology of professional athletes can be a useful road map for professional screenwriters, and other ways pro sports mirrors the screenwriting industry.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down with Screenwriter and Tennis Pro, Michael Basha, to discuss how the psychology of professional athletes can be a useful road map for professional screenwriters, and other ways pro sports mirrors the screenwriting industry.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d45fuq6tydtr9ht2/ACT_TWO_EPISODE_632_MichaelBashaIntv_FINAL.mp3" length="95595339" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Screenwriter and Tennis Pro, Michael Basha, to discuss how the psychology of professional athletes can be a useful road map for professional screenwriters, and other ways pro sports mirrors the screenwriting industry.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2984</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing RED SONJA: From Script to Screen with Tasha Huo</title>
        <itunes:title>Writing RED SONJA: From Script to Screen with Tasha Huo</itunes:title>
        <link>https://acttwo.podbean.com/e/writing-red-sonja-from-script-to-screen-with-tasha-huo/</link>
                    <comments>https://acttwo.podbean.com/e/writing-red-sonja-from-script-to-screen-with-tasha-huo/#comments</comments>        <pubDate>Mon, 11 Aug 2025 11:46:20 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/61ad1772-3dbc-3ed6-8f99-b8f156217ec5</guid>
                                    <description><![CDATA[<p>Host Tasha Huo talks candidly about her writing journey on her first produced film, RED SONJA, from her first pitch to getting rewritten to final credits determination. RED SONJA releases in theaters on August 13th, and streaming on August 29th.</p>
<p> </p>
<p>TWIW: Josh's old script idea is now a Brendan Fraser movie, but not how Josh expected / Tasha used a placeholder for a scene when she got stuck, but how does that work?</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Tasha Huo talks candidly about her writing journey on her first produced film, RED SONJA, from her first pitch to getting rewritten to final credits determination. RED SONJA releases in theaters on August 13th, and streaming on August 29th.</p>
<p> </p>
<p>TWIW: Josh's old script idea is now a Brendan Fraser movie, but not how Josh expected / Tasha used a placeholder for a scene when she got stuck, but how does that work?</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ukx9xbxz54kh9f8m/ACT_TWO_EPISODE_631_RedSonja_FINAL_02.mp3" length="94840717" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Tasha Huo talks candidly about her writing journey on her first produced film, RED SONJA, from her first pitch to getting rewritten to final credits determination. RED SONJA releases in theaters on August 13th, and streaming on August 29th.
 
TWIW: Josh's old script idea is now a Brendan Fraser movie, but not how Josh expected / Tasha used a placeholder for a scene when she got stuck, but how does that work?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2960</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Is San Diego Comic-Con good for Screenwriters? + Are You Excited?: August Edition</title>
        <itunes:title>Is San Diego Comic-Con good for Screenwriters? + Are You Excited?: August Edition</itunes:title>
        <link>https://acttwo.podbean.com/e/is-san-diego-comic-con-good-for-screenwriters-are-you-excited-august-edition/</link>
                    <comments>https://acttwo.podbean.com/e/is-san-diego-comic-con-good-for-screenwriters-are-you-excited-august-edition/#comments</comments>        <pubDate>Mon, 04 Aug 2025 07:47:30 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d3af326f-cba9-3d0f-b4bf-49fc98f8fa70</guid>
                                    <description><![CDATA[<p>Host Tasha Huo went to San Diego Comic-Con this year and has thoughts on why it's a great con for Screenwriters. Plus, Are You Excited about what's coming out in theaters in August? </p>
<p> </p>
<p>TWIW: How to get unstuck in your writing / Jurassic World: Rebirth / Happy Gilmore 2 made Tasha cry</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Tasha Huo went to San Diego Comic-Con this year and has thoughts on why it's a great con for Screenwriters. Plus, <em>Are You Excited</em> about what's coming out in theaters in August? </p>
<p> </p>
<p>TWIW: How to get unstuck in your writing / Jurassic World: Rebirth / Happy Gilmore 2 made Tasha cry</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/f8ncegmc786is7q5/ACT_TWO_EPISODE_630_ComicConRecap_FINAL.mp3" length="94702914" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Tasha Huo went to San Diego Comic-Con this year and has thoughts on why it's a great con for Screenwriters. Plus, Are You Excited about what's coming out in theaters in August? 
 
TWIW: How to get unstuck in your writing / Jurassic World: Rebirth / Happy Gilmore 2 made Tasha cry
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2953</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Are You Excited?: July 2025 Edition</title>
        <itunes:title>Are You Excited?: July 2025 Edition</itunes:title>
        <link>https://acttwo.podbean.com/e/are-you-excited-july-2025-edition/</link>
                    <comments>https://acttwo.podbean.com/e/are-you-excited-july-2025-edition/#comments</comments>        <pubDate>Mon, 28 Jul 2025 11:21:18 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b91d4678-e458-3c81-8ee1-0bb97ebf4a06</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about which July Summer movies they're excited about, and give some interesting behind-the-scenes Screenwriting tidbits about how some of these movies got made.</p>
<p class="p1">
TWIW: Tasha is having an IP crisis / Do you need a feature sample to meet at feature companies? / Josh's run-in with a Hollywood icon</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about which July Summer movies they're excited about, and give some interesting behind-the-scenes Screenwriting tidbits about how some of these movies got made.</p>
<p class="p1"><br>
TWIW: Tasha is having an IP crisis / Do you need a feature sample to meet at feature companies? / Josh's run-in with a Hollywood icon</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9jey2vsiviqhur6n/ACT_TWO_EPISODE_629_Specs_FINAL.mp3" length="88448404" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about which July Summer movies they're excited about, and give some interesting behind-the-scenes Screenwriting tidbits about how some of these movies got made.
TWIW: Tasha is having an IP crisis / Do you need a feature sample to meet at feature companies? / Josh's run-in with a Hollywood icon
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2759</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Social Media in your Screenwriting Career: Interview w/ Nic Curcio and Kristen Tepper</title>
        <itunes:title>Social Media in your Screenwriting Career: Interview w/ Nic Curcio and Kristen Tepper</itunes:title>
        <link>https://acttwo.podbean.com/e/social-media-in-your-screenwriting-career-interview-w-nic-curcio-and-kristen-tepper/</link>
                    <comments>https://acttwo.podbean.com/e/social-media-in-your-screenwriting-career-interview-w-nic-curcio-and-kristen-tepper/#comments</comments>        <pubDate>Mon, 21 Jul 2025 14:16:45 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/34317607-9056-34c3-ab26-9767aa9f510b</guid>
                                    <description><![CDATA[<p>This week, we chat with screenwriters Nic Curcio and Kristin Tepper about branding, social media, and what it means to create content as a writer in today’s industry. We dive into how writers can approach their digital footprint, whether you need to be on social media, how to build an authentic brand, the blacklist, and a ton more...</p>
<p> </p>
<p>Nic Curcio: @Nicolascurcio</p>
<p>Kristen Tepper: @KristenTepper</p>
<p>The Hollywood Hang Podcast: @TheHollywoodHang</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This week, we chat with screenwriters Nic Curcio and Kristin Tepper about branding, social media, and what it means to create content as a writer in today’s industry. We dive into how writers can approach their digital footprint, whether you need to be on social media, how to build an authentic brand, the blacklist, and a ton more...</p>
<p> </p>
<p>Nic Curcio: @Nicolascurcio</p>
<p>Kristen Tepper: @KristenTepper</p>
<p>The Hollywood Hang Podcast: @TheHollywoodHang</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zrennmjt58ydpvgb/ACT_TWO_EPISODE_628_KristinAndNicINTV_v01.mp3" length="114918877" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This week, we chat with screenwriters Nic Curcio and Kristin Tepper about branding, social media, and what it means to create content as a writer in today’s industry. We dive into how writers can approach their digital footprint, whether you need to be on social media, how to build an authentic brand, the blacklist, and a ton more...
 
Nic Curcio: @Nicolascurcio
Kristen Tepper: @KristenTepper
The Hollywood Hang Podcast: @TheHollywoodHang
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3585</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Where to Spend Time: IP or Spec?</title>
        <itunes:title>Where to Spend Time: IP or Spec?</itunes:title>
        <link>https://acttwo.podbean.com/e/where-to-spend-time-ip-or-spec/</link>
                    <comments>https://acttwo.podbean.com/e/where-to-spend-time-ip-or-spec/#comments</comments>        <pubDate>Mon, 14 Jul 2025 14:10:53 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ae668797-c492-3a97-9927-633c044b97d3</guid>
                                    <description><![CDATA[<p>Inspired by a post from Screenwriter <a href='https://x.com/MuseZack/status/1942442604119072990'>Zack Stentz</a>, hosts Tasha Huo and Josh Hallman discuss whether it's a smarter career move to work on IP or to put your head down and write your own spec. They discuss the realities of what it means to work on IP vs. Specs, their own experiences working in both markets, and the consequences (both good &amp; bad) of working on both. </p>
<p> </p>
<p>TWIW: What Tasha's manager actually meant when she gave that "boring" note. / First <a href='https://www.youtube.com/watch?v=-Oqql6RErHc'>RED SONJA trailer</a> is out! Tasha's first produced movie comes out in theaters AUG 15th! / For those going to San Diego Comic-Con, check out The Critical Role on Prime Video: The Mighty Nein and Legend of Vox Machina Cast panel to see some first-looks of Tasha's new show </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Inspired by a post from Screenwriter <a href='https://x.com/MuseZack/status/1942442604119072990'>Zack Stentz</a>, hosts Tasha Huo and Josh Hallman discuss whether it's a smarter career move to work on IP or to put your head down and write your own spec. They discuss the realities of what it means to work on IP vs. Specs, their own experiences working in both markets, and the consequences (both good &amp; bad) of working on both. </p>
<p> </p>
<p>TWIW: What Tasha's manager <em>actually</em> meant when she gave that "boring" note. / First <a href='https://www.youtube.com/watch?v=-Oqql6RErHc'>RED SONJA trailer</a> is out! Tasha's first produced movie comes out in theaters AUG 15th! / For those going to San Diego Comic-Con, check out <em>The Critical Role on Prime Video: The Mighty Nein and Legend of Vox Machina Cast </em>panel to see some first-looks of Tasha's new show </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/72hdby8j3vcd6ga9/ACT_TWO_EPISODE_627_BewareFreeWork_FINAL.mp3" length="85693440" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Inspired by a post from Screenwriter Zack Stentz, hosts Tasha Huo and Josh Hallman discuss whether it's a smarter career move to work on IP or to put your head down and write your own spec. They discuss the realities of what it means to work on IP vs. Specs, their own experiences working in both markets, and the consequences (both good &amp; bad) of working on both. 
 
TWIW: What Tasha's manager actually meant when she gave that "boring" note. / First RED SONJA trailer is out! Tasha's first produced movie comes out in theaters AUG 15th! / For those going to San Diego Comic-Con, check out The Critical Role on Prime Video: The Mighty Nein and Legend of Vox Machina Cast panel to see some first-looks of Tasha's new show 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2673</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>MAILBAG: Ready to Send Your Script? Writer’s Groups, Pitching &amp; More</title>
        <itunes:title>MAILBAG: Ready to Send Your Script? Writer’s Groups, Pitching &amp; More</itunes:title>
        <link>https://acttwo.podbean.com/e/mailbag-ready-to-send-your-script-writer-s-groups-pitching-more/</link>
                    <comments>https://acttwo.podbean.com/e/mailbag-ready-to-send-your-script-writer-s-groups-pitching-more/#comments</comments>        <pubDate>Mon, 07 Jul 2025 20:50:57 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ad75f163-5873-3b8f-8ca1-3115298d70e4</guid>
                                    <description><![CDATA[<p>It’s a mailbag episode! Tasha and Josh tackle listener questions - from writer’s groups to pitching and more. Plus, This Week in Writing… Tasha is not a boring writer.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It’s a mailbag episode! Tasha and Josh tackle listener questions - from writer’s groups to pitching and more. Plus, <em>This Week in Writing</em>… Tasha is <em>not</em> a boring writer.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yxmcqfjku5yqfk7c/ACT_TWO_EPISODE_626_MailBag_v01_1_6op1r.mp3" length="66997186" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It’s a mailbag episode! Tasha and Josh tackle listener questions - from writer’s groups to pitching and more. Plus, This Week in Writing… Tasha is not a boring writer.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2090</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Animated to Live Action Adaptation: LILO &amp; STITCH and HTTYD (Part 2)</title>
        <itunes:title>Animated to Live Action Adaptation: LILO &amp; STITCH and HTTYD (Part 2)</itunes:title>
        <link>https://acttwo.podbean.com/e/animated-to-live-action-adaptation-lilo-stitch-and-httyd-part-2/</link>
                    <comments>https://acttwo.podbean.com/e/animated-to-live-action-adaptation-lilo-stitch-and-httyd-part-2/#comments</comments>        <pubDate>Mon, 30 Jun 2025 13:13:15 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f7da93d7-6c53-3d9d-893d-7e079cb95d65</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of HOW TO TRAIN YOUR DRAGON, breaking down, from a writer's perspective, what made it successful and, in these podcasters opinions, unsuccessful as an adaptation.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Voice in screenwriting is about pacing, and here's why.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of HOW TO TRAIN YOUR DRAGON, breaking down, from a writer's perspective, what made it successful and, in these podcasters opinions, unsuccessful as an adaptation.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Voice in screenwriting is about pacing, and here's why.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fwfx28t8nyh43pdv/ACT_TWO_EPISODE_625_HTTYD_FINAL.mp3" length="57995081" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of HOW TO TRAIN YOUR DRAGON, breaking down, from a writer's perspective, what made it successful and, in these podcasters opinions, unsuccessful as an adaptation.
 
TWIW: Voice in screenwriting is about pacing, and here's why.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1808</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Animated to Live Action Adaptation: LILO &amp; STITCH and HTTYD (Part 1)</title>
        <itunes:title>Animated to Live Action Adaptation: LILO &amp; STITCH and HTTYD (Part 1)</itunes:title>
        <link>https://acttwo.podbean.com/e/animated-to-live-action-adaptation-lilo-stitch-and-httyd-part-1/</link>
                    <comments>https://acttwo.podbean.com/e/animated-to-live-action-adaptation-lilo-stitch-and-httyd-part-1/#comments</comments>        <pubDate>Mon, 23 Jun 2025 11:47:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1bdd294f-4aeb-3883-bd9a-296fbcc995a1</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of LILO &amp; STITCH, breaking down writer and director choices that helped launch it into massive numbers at the box office and that, in these podcasters opinions, makes it the most successful live action Disney adaptation yet! </p>
<p class="p1"> </p>
<p class="p1">TWIW: Josh thinks he can be a detective after writing one, and Tasha gets notes that she's a boring writer.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of LILO &amp; STITCH, breaking down writer and director choices that helped launch it into massive numbers at the box office and that, in these podcasters opinions, makes it the most successful live action Disney adaptation yet! </p>
<p class="p1"> </p>
<p class="p1">TWIW: Josh thinks he can be a detective after writing one, and Tasha gets notes that she's a boring writer.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bvr9kytpgqvr4sgz/ACT_TWO_EPISODE_624_AdaptationsPT1_v01.mp3" length="88035925" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the live action adaptation of LILO &amp; STITCH, breaking down writer and director choices that helped launch it into massive numbers at the box office and that, in these podcasters opinions, makes it the most successful live action Disney adaptation yet! 
 
TWIW: Josh thinks he can be a detective after writing one, and Tasha gets notes that she's a boring writer.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2747</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>When Life Happens, How to Keep Writing</title>
        <itunes:title>When Life Happens, How to Keep Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/when-life-happens-how-to-keep-writing/</link>
                    <comments>https://acttwo.podbean.com/e/when-life-happens-how-to-keep-writing/#comments</comments>        <pubDate>Mon, 16 Jun 2025 07:42:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/368ce729-8b00-313a-a048-bc5f1adde964</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman have just been side-lined by sicknesses and Tasha is recently back from a month on the road. It's time to talk about how to keep writing during unexpected obstacles. Inertia in the right direction is important, but Life can get in the way. Let's talk practical, real ways to keep going during tough times.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman have just been side-lined by sicknesses and Tasha is recently back from a month on the road. It's time to talk about how to keep writing during unexpected obstacles. Inertia in the right direction is important, but Life can get in the way. Let's talk practical, real ways to keep going during tough times.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j5rhv6pzjqsc6gqz/ACT_TWO_EPISODE_623_WhenLifeHappens_FINAL.mp3" length="76175217" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman have just been side-lined by sicknesses and Tasha is recently back from a month on the road. It's time to talk about how to keep writing during unexpected obstacles. Inertia in the right direction is important, but Life can get in the way. Let's talk practical, real ways to keep going during tough times.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2377</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>RE-RELEASE: How to Stay in Screenwriting Shape</title>
        <itunes:title>RE-RELEASE: How to Stay in Screenwriting Shape</itunes:title>
        <link>https://acttwo.podbean.com/e/repost-how-to-stay-in-screenwriting-shape/</link>
                    <comments>https://acttwo.podbean.com/e/repost-how-to-stay-in-screenwriting-shape/#comments</comments>        <pubDate>Mon, 09 Jun 2025 13:15:03 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ab1cf9e5-3162-3795-b242-c3ee0d74182c</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo &amp; Josh Hallman discuss a <a href='https://blog.finaldraft.com/5-tips-to-staying-in-screenwriting-shape?utm_campaign=Corporate%20Newsletter&amp;utm_medium=email&amp;_hsmi=257967410&amp;_hsenc=p2ANqtz-8ZFk1qOK0iESgROyLTaziOG5Gf_lFjVVVZ5T5Wm2099RloSzk2XZPCJHFICDisR6Jg2vnQIPFAUl1tzGfMNBrPjK5CLQ&amp;utm_content=257967410&amp;utm_source=hs_email'>blog post by Final Draft</a> about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo &amp; Josh Hallman discuss a <a href='https://blog.finaldraft.com/5-tips-to-staying-in-screenwriting-shape?utm_campaign=Corporate%20Newsletter&amp;utm_medium=email&amp;_hsmi=257967410&amp;_hsenc=p2ANqtz-8ZFk1qOK0iESgROyLTaziOG5Gf_lFjVVVZ5T5Wm2099RloSzk2XZPCJHFICDisR6Jg2vnQIPFAUl1tzGfMNBrPjK5CLQ&amp;utm_content=257967410&amp;utm_source=hs_email'>blog post by Final Draft</a> about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j8ztkbx7hg9xf6bn/ACT_TWO_EPISODE_623_RepostScreenwritingShape_v01.mp3" length="72913814" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo &amp; Josh Hallman discuss a blog post by Final Draft about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2278</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Are You Excited? JUNE 2025 EDITION</title>
        <itunes:title>Are You Excited? JUNE 2025 EDITION</itunes:title>
        <link>https://acttwo.podbean.com/e/are-you-excited-june-2025-edition/</link>
                    <comments>https://acttwo.podbean.com/e/are-you-excited-june-2025-edition/#comments</comments>        <pubDate>Mon, 02 Jun 2025 10:15:56 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3e61f2fd-3bbc-36b9-be67-bd1ed3d8f367</guid>
                                    <description><![CDATA[<p class="p1">Summer movies are out! And it's time to see if you're excited about what Hollywood has to offer in June! Some surprises, and some long-awaited blockbusters. What will you be seeing this June?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Summer movies are out! And it's time to see if you're excited about what Hollywood has to offer in June! Some surprises, and some long-awaited blockbusters. What will you be seeing this June?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9vyzg2uywekw6ea3/ACT_TWO_EPISODE_622_AreYouExcited_v01.mp3" length="42599210" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Summer movies are out! And it's time to see if you're excited about what Hollywood has to offer in June! Some surprises, and some long-awaited blockbusters. What will you be seeing this June?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1328</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Top Tips for Aspiring Screenwriters</title>
        <itunes:title>Top Tips for Aspiring Screenwriters</itunes:title>
        <link>https://acttwo.podbean.com/e/top-tips-for-aspiring-screenwriters/</link>
                    <comments>https://acttwo.podbean.com/e/top-tips-for-aspiring-screenwriters/#comments</comments>        <pubDate>Mon, 26 May 2025 07:31:07 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7618cb64-c9d3-3a67-96d3-5b6244a49a3a</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discover a list of top tips for aspiring Screenwriters, according to the <a href='https://www.nyfa.edu/student-resources/screenwriting-tips-for-aspiring-storytellers/'>New York Film Academy</a>. They disagree fundamentally with some tips, and expound on the practicality of others in the real world. There is advice for up &amp; coming Screenwriters everywhere. Tasha and Josh help translate that advice into real-life scenarios and uses.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Outlining as a surprising tool for a writer who doesn't outline</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discover a list of top tips for aspiring Screenwriters, according to the <a href='https://www.nyfa.edu/student-resources/screenwriting-tips-for-aspiring-storytellers/'>New York Film Academy</a>. They disagree fundamentally with some tips, and expound on the practicality of others in the real world. There is advice for up &amp; coming Screenwriters everywhere. Tasha and Josh help translate that advice into real-life scenarios and uses.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Outlining as a surprising tool for a writer who doesn't outline</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x9my9wy7dzdku325/ACT_TWO_EPISODE_621_ScreenwritingTips_FINAL.mp3" length="78862023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discover a list of top tips for aspiring Screenwriters, according to the New York Film Academy. They disagree fundamentally with some tips, and expound on the practicality of others in the real world. There is advice for up &amp; coming Screenwriters everywhere. Tasha and Josh help translate that advice into real-life scenarios and uses.
 
TWIW: Outlining as a surprising tool for a writer who doesn't outline
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2460</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Writer's Tools: The Oversized Sketchpad</title>
        <itunes:title>A Writer's Tools: The Oversized Sketchpad</itunes:title>
        <link>https://acttwo.podbean.com/e/a-writers-tools-the-oversized-sketchpad/</link>
                    <comments>https://acttwo.podbean.com/e/a-writers-tools-the-oversized-sketchpad/#comments</comments>        <pubDate>Mon, 19 May 2025 06:19:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/abe81531-f3a9-3c1f-975d-f22aa9a0d6e8</guid>
                                    <description><![CDATA[<p>Host Tasha Huo rants about her oversized sketchpad and the different ways she's used it to help break multiple script ideas. She answers listener questions on using the sketchpad, and, really, just won't shut up about the sketchpad.</p>
<p> </p>
<p>TWIW: What would Tasha's greatest betrayal of Josh be? / Don't sleep on The Accountant and The Accountant 2</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Tasha Huo rants about her oversized sketchpad and the different ways she's used it to help break multiple script ideas. She answers listener questions on using the sketchpad, and, really, just won't shut up about the sketchpad.</p>
<p> </p>
<p>TWIW: What would Tasha's greatest betrayal of Josh be? / Don't sleep on <em>The Accountant </em>and <em>The Accountant 2</em></p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/seps4sy4ay9avkt2/ACT_TWO_EPISODE_620_SketchPad_v01.mp3" length="60336828" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Tasha Huo rants about her oversized sketchpad and the different ways she's used it to help break multiple script ideas. She answers listener questions on using the sketchpad, and, really, just won't shut up about the sketchpad.
 
TWIW: What would Tasha's greatest betrayal of Josh be? / Don't sleep on The Accountant and The Accountant 2
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1881</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>8 Famous Improv Moments Writers Can Learn From</title>
        <itunes:title>8 Famous Improv Moments Writers Can Learn From</itunes:title>
        <link>https://acttwo.podbean.com/e/8-famous-improv-moments-writers-can-learn-from/</link>
                    <comments>https://acttwo.podbean.com/e/8-famous-improv-moments-writers-can-learn-from/#comments</comments>        <pubDate>Mon, 12 May 2025 11:37:39 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e322ef13-f790-361e-bd4d-5b54a5be66e3</guid>
                                    <description><![CDATA[<p>Not everything you see on screen was in the script. Hosts Tasha Huo and Josh Hallman break down 8 famous improvised movie moments - what made them work, how they changed the scene, and what screenwriters can learn from embracing spontaneity.</p>
<p class="p1">Questions or comments? Hit us up at ActTwoWriters@gmail.com</p>
<p class="p1">Edited by the GREAT Paul Lundquist.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Not everything you see on screen was in the script. Hosts Tasha Huo and Josh Hallman break down 8 famous improvised movie moments - what made them work, how they changed the scene, and what screenwriters can learn from embracing spontaneity.</p>
<p class="p1">Questions or comments? Hit us up at ActTwoWriters@gmail.com</p>
<p class="p1">Edited by the GREAT Paul Lundquist.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ec2nzhf2cevm5b48/ACT_TWO_EPISODE_619_UnscriptedSpontaneousMoments_FINAL_1_bgxfg.mp3" length="76055525" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Not everything you see on screen was in the script. Hosts Tasha Huo and Josh Hallman break down 8 famous improvised movie moments - what made them work, how they changed the scene, and what screenwriters can learn from embracing spontaneity.
Questions or comments? Hit us up at ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist.]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2372</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Know Your Story</title>
        <itunes:title>Know Your Story</itunes:title>
        <link>https://acttwo.podbean.com/e/know-your-story/</link>
                    <comments>https://acttwo.podbean.com/e/know-your-story/#comments</comments>        <pubDate>Mon, 05 May 2025 09:39:48 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/27f7edd1-c99d-341b-91d8-8f819f51c0c9</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dig into the importance of: Knowing Your Story. As screenwriters, we all get notes that make us question everything - is the story different now? Is it better? Or just... different? Tasha and Josh break down knowing your characters and ways to stay grounded when the note floodgates open.</p>
<p>Plus: Are You Excited?!</p>
<p>Questions or comments? Hit us up at <a class="cursor-pointer">ActTwoWriters@gmail.com</a>
Edited by the GREAT Paul Lundquist.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dig into the importance of: Knowing Your Story<em>. </em>As screenwriters, we all get notes that make us question everything - is the story different now? Is it better? Or just... <em>different</em>? Tasha and Josh break down knowing your characters and ways to stay grounded when the note floodgates open.</p>
<p>Plus: Are You Excited?!</p>
<p>Questions or comments? Hit us up at <a class="cursor-pointer">ActTwoWriters@gmail.com</a><br>
Edited by the GREAT Paul Lundquist.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yer8j2s4w6df4xy6/ACT_TWO_EPISODE_618_KnowYourStory_FINAL.mp3" length="78402086" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman dig into the importance of: Knowing Your Story. As screenwriters, we all get notes that make us question everything - is the story different now? Is it better? Or just... different? Tasha and Josh break down knowing your characters and ways to stay grounded when the note floodgates open.
Plus: Are You Excited?!
Questions or comments? Hit us up at ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist.]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2446</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Screenwriter's Self-Talk Cycle</title>
        <itunes:title>A Screenwriter's Self-Talk Cycle</itunes:title>
        <link>https://acttwo.podbean.com/e/a-screenwriters-self-talk-cycle/</link>
                    <comments>https://acttwo.podbean.com/e/a-screenwriters-self-talk-cycle/#comments</comments>        <pubDate>Tue, 29 Apr 2025 04:17:36 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/140dadf1-475a-38b5-96f0-c5ed66c77e6a</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about self-talk, the kind that holds us back, and the kind that pushes us forward. How do we recognize and manage those self-destructive thoughts, and how do we start talking kinder to ourselves as writers.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about self-talk, the kind that holds us back, and the kind that pushes us forward. How do we recognize and manage those self-destructive thoughts, and how do we start talking kinder to ourselves as writers.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9ftejxqsd7gdc6bi/ACT_TWO_EPISODE_617_SelfTalk_FINAL.mp3" length="62187184" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about self-talk, the kind that holds us back, and the kind that pushes us forward. How do we recognize and manage those self-destructive thoughts, and how do we start talking kinder to ourselves as writers.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1939</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing for the Audience (and not sell out)</title>
        <itunes:title>Writing for the Audience (and not sell out)</itunes:title>
        <link>https://acttwo.podbean.com/e/writing-for-the-audience-and-not-sell-out/</link>
                    <comments>https://acttwo.podbean.com/e/writing-for-the-audience-and-not-sell-out/#comments</comments>        <pubDate>Mon, 21 Apr 2025 10:00:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ab570cde-d2e6-3ebb-bf95-efb742fbc92e</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss a hotly debated topic -- writing for an audience (it's not what you think it is). What does it mean to think about the audience when you write a scene and how do you do without compromising your vision as a writer.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss a hotly debated topic -- writing for an audience (it's not what you think it is). What does it mean to think about the audience when you write a scene and how do you do without compromising your vision as a writer.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dv2wc8x48bkrn79t/ACT_TWO_EPISODE_616_ServingTheAudience_FINAL.mp3" length="80381103" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss a hotly debated topic -- writing for an audience (it's not what you think it is). What does it mean to think about the audience when you write a scene and how do you do without compromising your vision as a writer.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2507</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Framing Devices: What They Are and When They Work</title>
        <itunes:title>Framing Devices: What They Are and When They Work</itunes:title>
        <link>https://acttwo.podbean.com/e/framing-devices-what-they-are-and-when-they-work/</link>
                    <comments>https://acttwo.podbean.com/e/framing-devices-what-they-are-and-when-they-work/#comments</comments>        <pubDate>Mon, 14 Apr 2025 13:13:33 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d8e894a4-977b-3c04-abbd-90034d9396b5</guid>
                                    <description><![CDATA[<p>What is a framing device, and why do writers use them? Hosts Tasha Huo and Josh Hallman explore the storytelling tool that bookends so many scripts. They also have a little disagreement about the use of a framing device in White Lotus...</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What <em>is</em> a framing device, and why do writers use them? Hosts Tasha Huo and Josh Hallman explore the storytelling tool that bookends so many scripts. They also have a little disagreement about the use of a framing device in White Lotus...</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hwgtzjybzu456uz6/ACT_TWO_EPISODE_615_FramingDevices_FINAL.mp3" length="76603043" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What is a framing device, and why do writers use them? Hosts Tasha Huo and Josh Hallman explore the storytelling tool that bookends so many scripts. They also have a little disagreement about the use of a framing device in White Lotus...
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2389</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Advocate for Yourself</title>
        <itunes:title>How to Advocate for Yourself</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-advocate-for-yourself/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-advocate-for-yourself/#comments</comments>        <pubDate>Mon, 07 Apr 2025 18:47:32 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/105ad876-c649-3d58-89f9-284760f06163</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss ways to advocate for yourself, whether you have reps or not, and the importance of thinking of yourself as the CEO of your own company of one.</p>
<p class="p1"> </p>
<p class="p1">TWIW: the new Nicholls Fellowship setup / Josh's insane Monday morning that ended with a 911 call</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss ways to advocate for yourself, whether you have reps or not, and the importance of thinking of yourself as the CEO of your own company of one.</p>
<p class="p1"> </p>
<p class="p1">TWIW: the new Nicholls Fellowship setup / Josh's insane Monday morning that ended with a 911 call</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8a7788j7ejambxed/ACT_TWO_EPISODE_614_AdvocatingForYourself_FINAL.mp3" length="99061408" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss ways to advocate for yourself, whether you have reps or not, and the importance of thinking of yourself as the CEO of your own company of one.
 
TWIW: the new Nicholls Fellowship setup / Josh's insane Monday morning that ended with a 911 call
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3090</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Get Repped (REPOST)</title>
        <itunes:title>How to Get Repped (REPOST)</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-get-repped-repost/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-get-repped-repost/#comments</comments>        <pubDate>Tue, 01 Apr 2025 06:51:33 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4376b0ff-3727-3928-a6b6-ae3aedbae811</guid>
                                    <description><![CDATA[<p>Getting repped can seem impossible, but the good news is there are actually many different paths to representation. In this repost from S4, hosts Tasha Huo and Josh Hallman break down what worked for them in their own careers and what they've seen work for other writers.</p>
<p> </p>
<p>TWIW: Josh finished a pilot with his wife and celebrated with Taylor Swift, Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay anyway?</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Getting repped can seem impossible, but the good news is there are actually many different paths to representation. In this repost from S4, hosts Tasha Huo and Josh Hallman break down what worked for them in their own careers and what they've seen work for other writers.</p>
<p> </p>
<p>TWIW: Josh finished a pilot with his wife and celebrated with Taylor Swift, Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay anyway?</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b7k63mkujr8gqxm4/ACT_TWO_EPISODE_441_TheRepsThread_v03_REPOST.mp3" length="83342747" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Getting repped can seem impossible, but the good news is there are actually many different paths to representation. In this repost from S4, hosts Tasha Huo and Josh Hallman break down what worked for them in their own careers and what they've seen work for other writers.
 
TWIW: Josh finished a pilot with his wife and celebrated with Taylor Swift, Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay anyway?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2597</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Starting Your Story Through Location</title>
        <itunes:title>Starting Your Story Through Location</itunes:title>
        <link>https://acttwo.podbean.com/e/crafting-your-story-through-location/</link>
                    <comments>https://acttwo.podbean.com/e/crafting-your-story-through-location/#comments</comments>        <pubDate>Mon, 24 Mar 2025 12:41:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5cd9fd1d-dd4a-3189-a10c-451e0d660ad3</guid>
                                    <description><![CDATA[<p>Some stories begin with a character. Others begin with a question. But what if yours begins with a place? This week, hosts Tasha Huo and Josh Hallman kick off a new series on story starting points — beginning with how location can be more than just a setting.</p>
<p> </p>
<p>Stephen Sondheim Instagram <a href='https://www.instagram.com/p/DHVsprnJ-0C/?igsh=NTc4MTIwNjQ2YQ=='>POST</a>.</p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Some stories begin with a character. Others begin with a question. But what if yours begins with a place? This week, hosts Tasha Huo and Josh Hallman kick off a new series on story starting points — beginning with how location can be more than just a setting.</p>
<p> </p>
<p>Stephen Sondheim Instagram <a href='https://www.instagram.com/p/DHVsprnJ-0C/?igsh=NTc4MTIwNjQ2YQ=='>POST</a>.</p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vrmz3weqq3nqt3tw/ACT_TWO_EPISODE_612_Locations_FINAL.mp3" length="88710650" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Some stories begin with a character. Others begin with a question. But what if yours begins with a place? This week, hosts Tasha Huo and Josh Hallman kick off a new series on story starting points — beginning with how location can be more than just a setting.
 
Stephen Sondheim Instagram POST.
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2768</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Physical Therapist on Writers' Pains with Melody Garcia</title>
        <itunes:title>A Physical Therapist on Writers' Pains with Melody Garcia</itunes:title>
        <link>https://acttwo.podbean.com/e/a-physical-therapist-on-writers-pains-with-melody-garcia/</link>
                    <comments>https://acttwo.podbean.com/e/a-physical-therapist-on-writers-pains-with-melody-garcia/#comments</comments>        <pubDate>Mon, 17 Mar 2025 05:22:35 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/31705504-2022-39b4-b89e-4939d32a905c</guid>
                                    <description><![CDATA[<p>A writer has unique aches and pains due to the nature of their work: sitting for hours on end, hunched over a computer, typing, fidgeting, etc. Physical Therapist, Melody Garcia, talks about what common ailments she sees among writers and what you can do to prevent and treat your aches and pains.</p>
<p> </p>
<p>TWIW: Mickey 17 and a Q1 goals check-in!</p>
<p>New Segment: Are You Excited??</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>A writer has unique aches and pains due to the nature of their work: sitting for hours on end, hunched over a computer, typing, fidgeting, etc. Physical Therapist, Melody Garcia, talks about what common ailments she sees among writers and what you can do to prevent and treat your aches and pains.</p>
<p> </p>
<p>TWIW: Mickey 17 and a Q1 goals check-in!</p>
<p>New Segment: <em>Are You Excited??</em></p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t3sujc6e4txzynxg/ACT_TWO_EPISODE_611_MelodyGarciaIntv_v01.mp3" length="105311262" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A writer has unique aches and pains due to the nature of their work: sitting for hours on end, hunched over a computer, typing, fidgeting, etc. Physical Therapist, Melody Garcia, talks about what common ailments she sees among writers and what you can do to prevent and treat your aches and pains.
 
TWIW: Mickey 17 and a Q1 goals check-in!
New Segment: Are You Excited??
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3284</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Should You Outline?</title>
        <itunes:title>Should You Outline?</itunes:title>
        <link>https://acttwo.podbean.com/e/should-you-outline/</link>
                    <comments>https://acttwo.podbean.com/e/should-you-outline/#comments</comments>        <pubDate>Mon, 10 Mar 2025 10:00:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/42fdc142-1f98-3af3-a136-c7321c7a3159</guid>
                                    <description><![CDATA[<p>Let's discuss outlines. Should you do them, when is it right for your project and not? Do you ask for it as a step in your deal, or keep it to yourself? Does an outline take the magic and joy out of writing, or can it help you get through an idea when you might otherwise falter? Hosts Tasha Huo and Josh Hallman discuss how they and other writers they know think about outlining.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Let's discuss outlines. Should you do them, when is it right for your project and not? Do you ask for it as a step in your deal, or keep it to yourself? Does an outline take the magic and joy out of writing, or can it help you get through an idea when you might otherwise falter? Hosts Tasha Huo and Josh Hallman discuss how they and other writers they know think about outlining.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hse5xttfgvn99vrt/ACT_TWO_EPISODE_610_Outlining_v01.mp3" length="64590794" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Let's discuss outlines. Should you do them, when is it right for your project and not? Do you ask for it as a step in your deal, or keep it to yourself? Does an outline take the magic and joy out of writing, or can it help you get through an idea when you might otherwise falter? Hosts Tasha Huo and Josh Hallman discuss how they and other writers they know think about outlining.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2015</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Why Now? - What It Means, How to Answer It</title>
        <itunes:title>Why Now? - What It Means, How to Answer It</itunes:title>
        <link>https://acttwo.podbean.com/e/why-now-what-it-means-how-to-answer-it/</link>
                    <comments>https://acttwo.podbean.com/e/why-now-what-it-means-how-to-answer-it/#comments</comments>        <pubDate>Mon, 03 Mar 2025 06:08:40 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ffd113ad-ace8-3a5a-9327-3c67e40e7099</guid>
                                    <description><![CDATA[<p class="p1">We've all been asked "Why now?" by someone who has read our script or listened to our pitch. But it probably doesn't mean what you think it means.</p>
<p class="p1">In this episode, hosts Tasha Huo and Josh Hallman discuss what an exec is really asking when they say, "Why now?" And how best to answer it. They also discuss ways to prevent ever being asked this question in the first place!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">We've all been asked "Why now?" by someone who has read our script or listened to our pitch. But it probably doesn't mean what you think it means.</p>
<p class="p1">In this episode, hosts Tasha Huo and Josh Hallman discuss what an exec is <em>really</em> asking when they say, "Why now?" And how best to answer it. They also discuss ways to prevent ever being asked this question in the first place!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xvv4ezj3jrrz4a8z/ACT_TWO_EPISODE_607_WhyNow_v01.mp3" length="62933847" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We've all been asked "Why now?" by someone who has read our script or listened to our pitch. But it probably doesn't mean what you think it means.
In this episode, hosts Tasha Huo and Josh Hallman discuss what an exec is really asking when they say, "Why now?" And how best to answer it. They also discuss ways to prevent ever being asked this question in the first place!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1963</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Oscars 2025 Episode! W/ Dave Levinson</title>
        <itunes:title>The Oscars 2025 Episode! W/ Dave Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/the-oscars-2025-episode-w-dave-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/the-oscars-2025-episode-w-dave-levinson/#comments</comments>        <pubDate>Mon, 24 Feb 2025 20:39:22 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b0838b0f-b657-3ce3-8a14-04fc0d905818</guid>
                                    <description><![CDATA[<p>The Oscars are here! Hosts Tasha Huo and Josh Hallman welcome back Dave Levinson (Friend Of The Pod) to break down predictions, categories, and blockbusters that should have been recognized… plus, will everyone actually be watching? The Oscars are a Hollywood tradition - and we need to get into it. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The Oscars are here! Hosts Tasha Huo and Josh Hallman welcome back Dave Levinson (Friend Of The Pod) to break down predictions, categories, and blockbusters that should have been recognized… plus, will everyone actually be watching? The Oscars are a Hollywood tradition - and we need to get into it. </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kw3hbhaxzmah3rmj/ACT_TWO_EPISODE_608_Oscars2025_FINAL.mp3" length="108435959" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Oscars are here! Hosts Tasha Huo and Josh Hallman welcome back Dave Levinson (Friend Of The Pod) to break down predictions, categories, and blockbusters that should have been recognized… plus, will everyone actually be watching? The Oscars are a Hollywood tradition - and we need to get into it. 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3379</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>MAILBAG: Pilots, Day Jobs, Meetings, and More!</title>
        <itunes:title>MAILBAG: Pilots, Day Jobs, Meetings, and More!</itunes:title>
        <link>https://acttwo.podbean.com/e/mailbag-pilots-day-jobs-meetings-and-more/</link>
                    <comments>https://acttwo.podbean.com/e/mailbag-pilots-day-jobs-meetings-and-more/#comments</comments>        <pubDate>Mon, 17 Feb 2025 07:31:21 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7a4f1e4e-4d44-30bd-b8c9-8510f76c96df</guid>
                                    <description><![CDATA[<p>It's Mailbag time! Hosts Tasha Huo and Josh Hallman dive into the Act Two inbox and answer listener questions. Don't forget you can always reach out! </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's Mailbag time! Hosts Tasha Huo and Josh Hallman dive into the Act Two inbox and answer listener questions. Don't forget you can always reach out! </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hx4iwd6pz2y8cpck/ACT_TWO_EPISODE_607_Mailbag_FINAL.mp3" length="69875896" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's Mailbag time! Hosts Tasha Huo and Josh Hallman dive into the Act Two inbox and answer listener questions. Don't forget you can always reach out! 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2180</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Screenwriter’s Brand: Find Your Lane</title>
        <itunes:title>The Screenwriter’s Brand: Find Your Lane</itunes:title>
        <link>https://acttwo.podbean.com/e/the-screenwriter-s-brand-find-your-lane/</link>
                    <comments>https://acttwo.podbean.com/e/the-screenwriter-s-brand-find-your-lane/#comments</comments>        <pubDate>Mon, 10 Feb 2025 09:40:00 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2a3d8acb-92b2-36f9-8cd3-37f414815e2e</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dive back into branding yourself as a screenwriter. We're often told to stay in a lane, but how can you widen that lane? How can you tackle multiple genres at once? And how do you build a brand without boxing yourself in?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dive back into branding yourself as a screenwriter. We're often told to stay in a lane, but how can you widen that lane? How can you tackle multiple genres at once? And how do you build a brand without boxing yourself in?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j9xufg2a6bapdc5x/ACT_TWO_EPISODE_606_Branding_FINAL.mp3" length="74008751" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman dive back into branding yourself as a screenwriter. We're often told to stay in a lane, but how can you widen that lane? How can you tackle multiple genres at once? And how do you build a brand without boxing yourself in?
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2307</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>One Room. Lots of Drama. Writing Contained Movies w/ Dave Levinson</title>
        <itunes:title>One Room. Lots of Drama. Writing Contained Movies w/ Dave Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/one-room-lots-of-drama-writing-contained-movies-w-dave-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/one-room-lots-of-drama-writing-contained-movies-w-dave-levinson/#comments</comments>        <pubDate>Mon, 03 Feb 2025 07:08:30 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/232fbb39-fad2-3f40-bdc6-5e71cc2418c2</guid>
                                    <description><![CDATA[<p>Special guest alert. Dave Levinson is back. We’re discussing contained stories — high-stakes, small-scale scripts. We’re diving into what makes these stories work, offer some of our favorites, and discuss why they're so appealing to the industry. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Special guest alert. Dave Levinson is back. We’re discussing contained stories — high-stakes, small-scale scripts. We’re diving into what makes these stories work, offer some of our favorites, and discuss why they're so appealing to the industry. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nnqy5u5ctz3d4nyj/contained_2bhch7.mp3" length="77992580" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Special guest alert. Dave Levinson is back. We’re discussing contained stories — high-stakes, small-scale scripts. We’re diving into what makes these stories work, offer some of our favorites, and discuss why they're so appealing to the industry. 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2394</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing To "Cheer Moments"</title>
        <itunes:title>Writing To "Cheer Moments"</itunes:title>
        <link>https://acttwo.podbean.com/e/writing-to-cheer-moments/</link>
                    <comments>https://acttwo.podbean.com/e/writing-to-cheer-moments/#comments</comments>        <pubDate>Mon, 27 Jan 2025 06:09:40 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c40fdbfa-0bf1-3a50-882a-840ee0d2f29a</guid>
                                    <description><![CDATA[<p>"Cheer Moments" build to those audience-pleasing, emotionally satisfying moments... whether they’re moments of victory, revelation, or catharsis. Hosts Tasha Huo and Josh Hallman discuss writing to these moments, where this term came from (pretty sure it's JJ Abrams), and offer examples. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>"Cheer Moments" build to those audience-pleasing, emotionally satisfying moments... whether they’re moments of victory, revelation, or catharsis. Hosts Tasha Huo and Josh Hallman discuss writing to these moments, where this term came from (pretty sure it's JJ Abrams), and offer examples. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/k7q9m9ig6vayb6xj/ACT_TWO_EPISODE_604_CheerMoments_v01.mp3" length="73227086" type="audio/mpeg"/>
        <itunes:summary><![CDATA["Cheer Moments" build to those audience-pleasing, emotionally satisfying moments... whether they’re moments of victory, revelation, or catharsis. Hosts Tasha Huo and Josh Hallman discuss writing to these moments, where this term came from (pretty sure it's JJ Abrams), and offer examples. 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2284</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing in a Crisis</title>
        <itunes:title>Writing in a Crisis</itunes:title>
        <link>https://acttwo.podbean.com/e/writing-in-a-crisis/</link>
                    <comments>https://acttwo.podbean.com/e/writing-in-a-crisis/#comments</comments>        <pubDate>Mon, 20 Jan 2025 10:34:12 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b9eff862-10b4-3da4-8100-73434c119ef3</guid>
                                    <description><![CDATA[<p>In difficult times, it's easy to feel lost or that our job as Screenwriters doesn't matter or make a difference. But the opposite is, in fact, true. In this episode, hosts Tasha Huo and Josh Hallman talk about what it's like to write during the crisis of the Los Angeles wildfires, how it's helped them cope, and how it actually sheds light on the unique importance of our job as Screenwriters and Filmmakers.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In difficult times, it's easy to feel lost or that our job as Screenwriters doesn't matter or make a difference. But the opposite is, in fact, true. In this episode, hosts Tasha Huo and Josh Hallman talk about what it's like to write during the crisis of the Los Angeles wildfires, how it's helped them cope, and how it actually sheds light on the unique importance of our job as Screenwriters and Filmmakers.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2d8rp7if7pkhputk/ACT_TWO_EPISODE_603_CrisisWriting_FINAL.mp3" length="45488466" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In difficult times, it's easy to feel lost or that our job as Screenwriters doesn't matter or make a difference. But the opposite is, in fact, true. In this episode, hosts Tasha Huo and Josh Hallman talk about what it's like to write during the crisis of the Los Angeles wildfires, how it's helped them cope, and how it actually sheds light on the unique importance of our job as Screenwriters and Filmmakers.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1419</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Los Angeles Fire Wellness Check-In</title>
        <itunes:title>Los Angeles Fire Wellness Check-In</itunes:title>
        <link>https://acttwo.podbean.com/e/los-angeles-fire-wellness-check-in/</link>
                    <comments>https://acttwo.podbean.com/e/los-angeles-fire-wellness-check-in/#comments</comments>        <pubDate>Mon, 13 Jan 2025 12:09:14 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9718c7d0-5445-3714-aedd-3896c2e7f80d</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman want to thank all of our listeners for their support and their check-ins during this unprecedented disaster. We are safe, we are together, and our hearts are broken for Los Angeles. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman want to thank all of our listeners for their support and their check-ins during this unprecedented disaster. We are safe, we are together, and our hearts are broken for Los Angeles. </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/87d2hsvrugcri9qu/ACT_TWO_EPISODE_602_Evacuation_v02.mp3" length="9503259" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman want to thank all of our listeners for their support and their check-ins during this unprecedented disaster. We are safe, we are together, and our hearts are broken for Los Angeles. 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>295</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>2025 Goals (Part 2)</title>
        <itunes:title>2025 Goals (Part 2)</itunes:title>
        <link>https://acttwo.podbean.com/e/2025-goals-part-2/</link>
                    <comments>https://acttwo.podbean.com/e/2025-goals-part-2/#comments</comments>        <pubDate>Mon, 06 Jan 2025 19:33:09 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9439d780-3d24-3ed7-b56c-55bd77f2156d</guid>
                                    <description><![CDATA[<p>2025 Screenwriting Goals have been made and now it's time to execute them. Join hosts Tasha Huo and Josh Hallman as they talk about realistic, practical and effective ways to accomplish your screenwriting goals this year. Making career goals and accomplishing them are completely doable and within your control. Let's do this, together.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>2025 Screenwriting Goals have been made and now it's time to execute them. Join hosts Tasha Huo and Josh Hallman as they talk about realistic, practical and effective ways to accomplish your screenwriting goals this year. Making career goals and accomplishing them are completely doable and within your control. Let's do this, together.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9h3ig8z4hqugm24z/ACT_TWO_EPISODE_552_2025-GOALS_FINAL.mp3" length="96388842" type="audio/mpeg"/>
        <itunes:summary><![CDATA[2025 Screenwriting Goals have been made and now it's time to execute them. Join hosts Tasha Huo and Josh Hallman as they talk about realistic, practical and effective ways to accomplish your screenwriting goals this year. Making career goals and accomplishing them are completely doable and within your control. Let's do this, together.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3005</itunes:duration>
        <itunes:season>6</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>2025 Goals (Part 1)</title>
        <itunes:title>2025 Goals (Part 1)</itunes:title>
        <link>https://acttwo.podbean.com/e/2025-goals-part-1/</link>
                    <comments>https://acttwo.podbean.com/e/2025-goals-part-1/#comments</comments>        <pubDate>Tue, 31 Dec 2024 07:38:05 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/71a73173-54c2-32f1-9640-6b10fb2a480b</guid>
                                    <description><![CDATA[<p>In the final episode of Season 5, hosts Tasha Huo and Josh Hallman talk through their 2024 writing goals to see how many they achieved and what lessons can be learned from their failures to prevent a repeat next year. They also list their 2025 writing goals in prep for their New Year's episode...</p>
<p> </p>
<p>TWIW: Specs are back! / Movies are back! / Josh's daughter makes them both cry / Tasha's emotional pitch</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In the final episode of Season 5, hosts Tasha Huo and Josh Hallman talk through their 2024 writing goals to see how many they achieved and what lessons can be learned from their failures to prevent a repeat next year. They also list their 2025 writing goals in prep for their New Year's episode...</p>
<p> </p>
<p>TWIW: Specs are back! / Movies are back! / Josh's daughter makes them both cry / Tasha's emotional pitch</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wsyyuqrd9ikw6jz5/ACT_TWO_EPISODE_551_GOALS_FINAL.mp3" length="83856907" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the final episode of Season 5, hosts Tasha Huo and Josh Hallman talk through their 2024 writing goals to see how many they achieved and what lessons can be learned from their failures to prevent a repeat next year. They also list their 2025 writing goals in prep for their New Year's episode...
 
TWIW: Specs are back! / Movies are back! / Josh's daughter makes them both cry / Tasha's emotional pitch
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2614</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nolan Corn</title>
        <itunes:title>Nolan Corn</itunes:title>
        <link>https://acttwo.podbean.com/e/nolan-corn/</link>
                    <comments>https://acttwo.podbean.com/e/nolan-corn/#comments</comments>        <pubDate>Mon, 23 Dec 2024 16:06:15 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3bb78c06-09fe-3917-a056-4693cfe13ffd</guid>
                                    <description><![CDATA[<p>As INTERSTELLAR (2014) gets its IMAX re-release, hosts Tasha Huo and Josh Hallman discuss how Christopher Nolan world builds in the film, utilizing every aspect of filmmaking at his disposal from shot framing, camera movement, dialogue, scene-dressing and music. Join in on a mini-breakdown of a masterclass in world-building.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>As INTERSTELLAR (2014) gets its IMAX re-release, hosts Tasha Huo and Josh Hallman discuss how Christopher Nolan world builds in the film, utilizing every aspect of filmmaking at his disposal from shot framing, camera movement, dialogue, scene-dressing and music. Join in on a mini-breakdown of a masterclass in world-building.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/grc7egwuu4fez67w/ACT_TWO_EPISODE_550_CORN_FINAL.mp3" length="83138954" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As INTERSTELLAR (2014) gets its IMAX re-release, hosts Tasha Huo and Josh Hallman discuss how Christopher Nolan world builds in the film, utilizing every aspect of filmmaking at his disposal from shot framing, camera movement, dialogue, scene-dressing and music. Join in on a mini-breakdown of a masterclass in world-building.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2593</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Holiday Edition: Blacklist Winners, Holiday Gifts, Staying Productive</title>
        <itunes:title>The Holiday Edition: Blacklist Winners, Holiday Gifts, Staying Productive</itunes:title>
        <link>https://acttwo.podbean.com/e/the-holiday-edition-blacklist-winners-holiday-gifts-staying-productive/</link>
                    <comments>https://acttwo.podbean.com/e/the-holiday-edition-blacklist-winners-holiday-gifts-staying-productive/#comments</comments>        <pubDate>Mon, 16 Dec 2024 14:35:13 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4dc53294-7e0b-3b0a-8103-9d69ef9d43f5</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how to survive the holidays as a writer while staying productive, the best holiday gifts to get writers, and how to shop for those pesky managers and agents of yours. </p>
<p> </p>
<p>TWIW: the Blacklist winners were announced, and Tasha &amp; Josh have some favorites; movie-watching etiquette disaster during Interstellar; Tasha has two very different kinds of pitches in the same week, what does that look like? Plus another installment of WOULD YOU RATHER?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how to survive the holidays as a writer while staying productive, the best holiday gifts to get writers, and how to shop for those pesky managers and agents of yours. </p>
<p> </p>
<p>TWIW: the Blacklist winners were announced, and Tasha &amp; Josh have some favorites; movie-watching etiquette disaster during Interstellar; Tasha has two very different kinds of pitches in the same week, what does that look like? Plus another installment of WOULD YOU RATHER?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ys899mkdptbvcqvf/ACT_TWO_EPISODE_549_GrabBag_FINAL.mp3" length="90569952" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how to survive the holidays as a writer while staying productive, the best holiday gifts to get writers, and how to shop for those pesky managers and agents of yours. 
 
TWIW: the Blacklist winners were announced, and Tasha &amp; Josh have some favorites; movie-watching etiquette disaster during Interstellar; Tasha has two very different kinds of pitches in the same week, what does that look like? Plus another installment of WOULD YOU RATHER?
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2823</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>59</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Christmas Genre Mashups: Why They Work</title>
        <itunes:title>Christmas Genre Mashups: Why They Work</itunes:title>
        <link>https://acttwo.podbean.com/e/christmas-genre-mashups-why-they-work/</link>
                    <comments>https://acttwo.podbean.com/e/christmas-genre-mashups-why-they-work/#comments</comments>        <pubDate>Mon, 09 Dec 2024 18:36:06 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2481babf-9789-3e08-8dcd-181064d8ab59</guid>
                                    <description><![CDATA[<p>Christmas movies are the best! We dive into the Christmas magic of genre mashups, discussing how some films seamlessly blend Christmas themes with action, music, and comedy. We explore how these films balance the holiday spirit with unexpected twists ... and why we love them for it.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Christmas movies are the best! We dive into the Christmas magic of genre mashups, discussing how some films seamlessly blend Christmas themes with action, music, and comedy. We explore how these films balance the holiday spirit with unexpected twists ... and why we love them for it.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m4c6545zsv329hrj/ACT_TWO_EPISODE_548_ChristmasGenreMash_FINAL.mp3" length="67369635" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Christmas movies are the best! We dive into the Christmas magic of genre mashups, discussing how some films seamlessly blend Christmas themes with action, music, and comedy. We explore how these films balance the holiday spirit with unexpected twists ... and why we love them for it.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2101</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Is a Work/Life Balance possible as a Screenwriter?</title>
        <itunes:title>Is a Work/Life Balance possible as a Screenwriter?</itunes:title>
        <link>https://acttwo.podbean.com/e/is-a-worklife-balance-possible-as-a-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/is-a-worklife-balance-possible-as-a-screenwriter/#comments</comments>        <pubDate>Mon, 02 Dec 2024 22:42:51 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f1d8a7a6-3729-33a7-b959-a89bf73ccf78</guid>
                                    <description><![CDATA[<p>Being a professional Screenwriter means that, unlike a corporate job, every day of your work life is different. But, a Work/Life Balance is achievable, it's just about making the right choices each day to prioritize your schedule. Midst the end of year chaos, hosts Tasha Huo and Josh Hallman discuss how they succeed at achieving a Work/Life Balance and, when they fail, how it happens. </p>
<p> </p>
<p>TWIW: Standing up for a casting choice you believe in, or back down? </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Being a professional Screenwriter means that, unlike a corporate job, every day of your work life is different. But, a Work/Life Balance is achievable, it's just about making the right choices each day to prioritize your schedule. Midst the end of year chaos, hosts Tasha Huo and Josh Hallman discuss how they succeed at achieving a Work/Life Balance and, when they fail, how it happens. </p>
<p> </p>
<p>TWIW: Standing up for a casting choice you believe in, or back down? </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h93zw6pcezyjkn9j/ACT_TWO_EPISODE_547_WorkLifeBalance_FINAL.mp3" length="64841615" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Being a professional Screenwriter means that, unlike a corporate job, every day of your work life is different. But, a Work/Life Balance is achievable, it's just about making the right choices each day to prioritize your schedule. Midst the end of year chaos, hosts Tasha Huo and Josh Hallman discuss how they succeed at achieving a Work/Life Balance and, when they fail, how it happens. 
 
TWIW: Standing up for a casting choice you believe in, or back down? 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2022</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Turn Meetings into Opportunities</title>
        <itunes:title>How to Turn Meetings into Opportunities</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-turn-meetings-into-opportunities/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-turn-meetings-into-opportunities/#comments</comments>        <pubDate>Mon, 25 Nov 2024 15:03:05 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/bf15f0f7-6290-3c03-bfc2-9fb2b5a39e7b</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the different meetings you will have as a Screenwriter and how to turn them into work opportunities. Whether it's a Producer, a Director or another Writer, there are different ways to approach each meeting and maximize your time. </p>
<p> </p>
<p>TWIW: Do you engage on a project even if you're not passionate about it? / How an idea gestates over time. / A big new spec sale just hit Hollywood by storm! What we know &amp; don't know </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the different meetings you will have as a Screenwriter and how to turn them into work opportunities. Whether it's a Producer, a Director or another Writer, there are different ways to approach each meeting and maximize your time. </p>
<p> </p>
<p>TWIW: Do you engage on a project even if you're not passionate about it? / How an idea gestates over time. / A big new spec sale just hit Hollywood by storm! What we know &amp; don't know </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xhqfnfsvsu7f7ynj/ACT_TWO_EPISODE_546_MaximizeMeetings_FINAL.mp3" length="91453003" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the different meetings you will have as a Screenwriter and how to turn them into work opportunities. Whether it's a Producer, a Director or another Writer, there are different ways to approach each meeting and maximize your time. 
 
TWIW: Do you engage on a project even if you're not passionate about it? / How an idea gestates over time. / A big new spec sale just hit Hollywood by storm! What we know &amp; don't know 
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2852</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Training Montage</title>
        <itunes:title>The Training Montage</itunes:title>
        <link>https://acttwo.podbean.com/e/the-training-montage/</link>
                    <comments>https://acttwo.podbean.com/e/the-training-montage/#comments</comments>        <pubDate>Mon, 18 Nov 2024 12:50:10 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4dc15d9f-3e75-36c6-8aed-feb29a45ec9e</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the Training Montage. Use it? Don't use it? What are the most iconic training montages and why do they work? Where do training montages fail and slow down the movie? How can you incorporate them into your own writing? Let's get hyped, and train.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the Training Montage. Use it? Don't use it? What are the most iconic training montages and why do they work? Where do training montages fail and slow down the movie? How can you incorporate them into your own writing? Let's get hyped, and train.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y9us4fi7dsejaa4x/ACT_TWO_EPISODE_545_TrainingMontage_v01.mp3" length="100891737" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the Training Montage. Use it? Don't use it? What are the most iconic training montages and why do they work? Where do training montages fail and slow down the movie? How can you incorporate them into your own writing? Let's get hyped, and train.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3148</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mailbag: Call to Action vs. Inciting Incident, Adapting IP, and more!</title>
        <itunes:title>Mailbag: Call to Action vs. Inciting Incident, Adapting IP, and more!</itunes:title>
        <link>https://acttwo.podbean.com/e/mailbag-call-to-action-vs-inciting-incident-adapting-ip-etc/</link>
                    <comments>https://acttwo.podbean.com/e/mailbag-call-to-action-vs-inciting-incident-adapting-ip-etc/#comments</comments>        <pubDate>Mon, 11 Nov 2024 10:59:11 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/344d9c7d-fcf8-368c-8f0b-0afe1eba97f9</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman answer your questions, including - what is the difference between the "Call to Action" and the "Inciting Incident", how do you avoid common pitfalls in adapting IP, what are the do's and don'ts for recent film school grads, and how did Tasha go about choosing the emotional throughline in her show Tomb Raider: The Legend of Lara Croft?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman answer your questions, including - what is the difference between the "Call to Action" and the "Inciting Incident", how do you avoid common pitfalls in adapting IP, what are the do's and don'ts for recent film school grads, and how did Tasha go about choosing the emotional throughline in her show <em>Tomb Raider: The Legend of Lara Croft</em>?</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/m35wdr2sq2njsbw4/ACT_TWO_EPISODE_544_Mailbag_FINAL.mp3" length="91258970" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman answer your questions, including - what is the difference between the "Call to Action" and the "Inciting Incident", how do you avoid common pitfalls in adapting IP, what are the do's and don'ts for recent film school grads, and how did Tasha go about choosing the emotional throughline in her show Tomb Raider: The Legend of Lara Croft?
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2846</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Chekhov's Gun in Screenwriting</title>
        <itunes:title>Chekhov's Gun in Screenwriting</itunes:title>
        <link>https://acttwo.podbean.com/e/chekhovs-gun-in-screenwriting/</link>
                    <comments>https://acttwo.podbean.com/e/chekhovs-gun-in-screenwriting/#comments</comments>        <pubDate>Mon, 04 Nov 2024 13:16:10 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f385e05c-34bf-34fd-96c8-51b9ff449094</guid>
                                    <description><![CDATA[<p>Ever feel like a movie or show disappoints you? Like they missed an opportunity? Like they let you down somehow but you can't quite place it? Well, it might be a Chekhov's Gun problem. In this episode, hosts Tasha Huo and Josh Hallman discuss what Checkhov's Gun is, why it's important in writing stories, how to use it, and examples of great and failed uses of Chekhov's Gun in popular movies.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Ever feel like a movie or show disappoints you? Like they missed an opportunity? Like they let you down somehow but you can't quite place it? Well, it might be a Chekhov's Gun problem. In this episode, hosts Tasha Huo and Josh Hallman discuss what Checkhov's Gun is, why it's important in writing stories, how to use it, and examples of great and failed uses of Chekhov's Gun in popular movies.</p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cisbdys5454udv7k/ACT_TWO_EPISODE_543_ChekhovsGun_FINAL.mp3" length="80878851" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ever feel like a movie or show disappoints you? Like they missed an opportunity? Like they let you down somehow but you can't quite place it? Well, it might be a Chekhov's Gun problem. In this episode, hosts Tasha Huo and Josh Hallman discuss what Checkhov's Gun is, why it's important in writing stories, how to use it, and examples of great and failed uses of Chekhov's Gun in popular movies.
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2522</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Best Horror Sequels!</title>
        <itunes:title>The Best Horror Sequels!</itunes:title>
        <link>https://acttwo.podbean.com/e/the-best-horror-sequels/</link>
                    <comments>https://acttwo.podbean.com/e/the-best-horror-sequels/#comments</comments>        <pubDate>Mon, 28 Oct 2024 07:11:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5057b152-f997-30f4-bb69-e33d136fcece</guid>
                                    <description><![CDATA[<p>Happy Halloween (week). Josh is joined by special co-host Dave Levinson to discuss their favorite horror sequels (Tasha is back next week). They discuss what makes a great sequel and how to improve from the original concept. If we missed anything, let us know.  </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Happy Halloween (week). Josh is joined by special co-host Dave Levinson to discuss their favorite horror sequels (Tasha is back next week). They discuss what makes a great sequel and how to improve from the original concept. If we missed anything, let us know.  </p>
<p> </p>
<p>Follow us @ACTTWOWRITERS</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@Gmail.com'>ActTwoWriters@Gmail.com</a></p>
<p>Edited by Paul Lundquist </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rbzb6zn5a7jjq7vx/Horror_Sequels_FINAL8bssk.mp3" length="117030851" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Happy Halloween (week). Josh is joined by special co-host Dave Levinson to discuss their favorite horror sequels (Tasha is back next week). They discuss what makes a great sequel and how to improve from the original concept. If we missed anything, let us know.  
 
Follow us @ACTTWOWRITERS
Questions/Comments: ActTwoWriters@Gmail.com
Edited by Paul Lundquist 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3590</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>52</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Horror Rules &amp; Mystery w/ Joe Russo and Dave Levinson</title>
        <itunes:title>Horror Rules &amp; Mystery w/ Joe Russo and Dave Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/horror-rules-mystery-w-joe-russo-and-dave-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/horror-rules-mystery-w-joe-russo-and-dave-levinson/#comments</comments>        <pubDate>Mon, 21 Oct 2024 07:00:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/118e5dac-87ef-38f8-a6d2-3e45c24d4606</guid>
                                    <description><![CDATA[<p>Halloween is upon us. Joe Russo and Deve Levinson join the pod to discuss Rules and Mystery in horror films with a focus on 'The Ring.' Co-Host Josh Hallman steers the ship while Tasha travels... but she's here in spirit. </p>
<p>We also dive into the Variety article: <a href='https://variety.com/lists/best-horror-movies-of-all-time/'>The 100 Best Horror Movies Of All Time.</a></p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by Paul Lundquist </p>
<p class="p2"> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Halloween is upon us. Joe Russo and Deve Levinson join the pod to discuss Rules and Mystery in horror films with a focus on 'The Ring.' Co-Host Josh Hallman steers the ship while Tasha travels... but she's here in spirit. </p>
<p>We also dive into the Variety article: <a href='https://variety.com/lists/best-horror-movies-of-all-time/'>The 100 Best Horror Movies Of All Time.</a></p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by Paul Lundquist </p>
<p class="p2"> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p8n88n36gr5d237r/Podcast_Rules_and_Mystery_FINAL7jzh9.mp3" length="112464697" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Halloween is upon us. Joe Russo and Deve Levinson join the pod to discuss Rules and Mystery in horror films with a focus on 'The Ring.' Co-Host Josh Hallman steers the ship while Tasha travels... but she's here in spirit. 
We also dive into the Variety article: The 100 Best Horror Movies Of All Time.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3457</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Script Changes, Tomb Raider, and Q&amp;A Galore</title>
        <itunes:title>Script Changes, Tomb Raider, and Q&amp;A Galore</itunes:title>
        <link>https://acttwo.podbean.com/e/script-changes-tomb-raider-and-qa-galore/</link>
                    <comments>https://acttwo.podbean.com/e/script-changes-tomb-raider-and-qa-galore/#comments</comments>        <pubDate>Mon, 14 Oct 2024 07:37:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3e3c7107-afbe-3263-8f7e-13228e0d8e09</guid>
                                    <description><![CDATA[<p class="p1">It is still TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer Tasha Huo discusses changes from script to screen and how to tackle notes. Also, more Q&amp;A. If you haven't already, check out Tomb Raider: The Legend Of Lara Croft on NETFLIX! </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">It is still TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer Tasha Huo discusses changes from script to screen and how to tackle notes. Also, more Q&amp;A. If you haven't already, check out Tomb Raider: The Legend Of Lara Croft on NETFLIX! </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6x4darweenqruzbn/ACT_TWO_EPISODE_540_TombRaiderScriptToScreen_v01.mp3" length="78681814" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It is still TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer Tasha Huo discusses changes from script to screen and how to tackle notes. Also, more Q&amp;A. If you haven't already, check out Tomb Raider: The Legend Of Lara Croft on NETFLIX! 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2454</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TOMB RAIDER Q&amp;A with Showrunner Tasha Huo</title>
        <itunes:title>TOMB RAIDER Q&amp;A with Showrunner Tasha Huo</itunes:title>
        <link>https://acttwo.podbean.com/e/tomb-raider-qa-with-showrunner-tasha-huo/</link>
                    <comments>https://acttwo.podbean.com/e/tomb-raider-qa-with-showrunner-tasha-huo/#comments</comments>        <pubDate>Mon, 07 Oct 2024 10:04:01 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1dac2145-28fc-3198-995c-e035f5818d6a</guid>
                                    <description><![CDATA[<p class="p1">October is TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer, Tasha Huo, is answering listener questions about the show, releasing October 10 on Netflix. Tasha is fielding any and all questions about process, craft, specific questions around scenes, dialogue, moments, and more! If you ever wanted to ask a showrunner how the sausage is made, now's your chance! In this first installment, Tasha addresses overall questions about how she got the job, how she handled oversight of such a beloved IP, her approach to the IP and specific characters, and more!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">October is TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer, Tasha Huo, is answering listener questions about the show, releasing October 10 on Netflix. Tasha is fielding any and all questions about process, craft, specific questions around scenes, dialogue, moments, and more! If you ever wanted to ask a showrunner how the sausage is made, now's your chance! In this first installment, Tasha addresses overall questions about how she got the job, how she handled oversight of such a beloved IP, her approach to the IP and specific characters, and more!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hff4vgbja8icdvy4/ACT_TWO_EPISODE_539_TombRaiderQuestions_FINAL.mp3" length="96661152" type="audio/mpeg"/>
        <itunes:summary><![CDATA[October is TOMB RAIDER: THE LEGEND OF LARA CROFT month! Co-host and Showrunner/Executive Producer, Tasha Huo, is answering listener questions about the show, releasing October 10 on Netflix. Tasha is fielding any and all questions about process, craft, specific questions around scenes, dialogue, moments, and more! If you ever wanted to ask a showrunner how the sausage is made, now's your chance! In this first installment, Tasha addresses overall questions about how she got the job, how she handled oversight of such a beloved IP, her approach to the IP and specific characters, and more!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3015</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Get Your Tomb Raider Questions &amp; 8 Sequence Story Structure (Repost)</title>
        <itunes:title>Get Your Tomb Raider Questions &amp; 8 Sequence Story Structure (Repost)</itunes:title>
        <link>https://acttwo.podbean.com/e/get-your-tomb-raider-questions-8-sequence-story-structure-repost/</link>
                    <comments>https://acttwo.podbean.com/e/get-your-tomb-raider-questions-8-sequence-story-structure-repost/#comments</comments>        <pubDate>Mon, 30 Sep 2024 07:00:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0e33b843-2f38-3e27-9038-2992bcaa5fc9</guid>
                                    <description><![CDATA[<p>Tasha is traveling the world and doing press, so we're reposting our episode on 8 sequence structure. When she's back, we'll tackle all things Tomb Raider - craft, process, pitching, episodes, etc. If you have any questions, please email <a href='mailto:acttwowriters@gmail.com'>acttwowriters@gmail.com</a>. October is going to be an amazing month!</p>
<p> </p>
<p>Tomb Raiders comes to Netflix on October 10th. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Tasha is traveling the world and doing press, so we're reposting our episode on 8 sequence structure. When she's back, we'll tackle all things Tomb Raider - craft, process, pitching, episodes, etc. If you have any questions, please email <a href='mailto:acttwowriters@gmail.com'>acttwowriters@gmail.com</a>. October is going to be an amazing month!</p>
<p> </p>
<p>Tomb Raiders comes to Netflix on October 10th. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jzywtiexgdwn3pnn/ACT_TWO_EPISODE_538_Update-RepostEpisode338_v01_1_9v8hf.mp3" length="76858156" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tasha is traveling the world and doing press, so we're reposting our episode on 8 sequence structure. When she's back, we'll tackle all things Tomb Raider - craft, process, pitching, episodes, etc. If you have any questions, please email acttwowriters@gmail.com. October is going to be an amazing month!
 
Tomb Raiders comes to Netflix on October 10th. ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2398</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>No Writing Path Is The Same</title>
        <itunes:title>No Writing Path Is The Same</itunes:title>
        <link>https://acttwo.podbean.com/e/no-writing-path-is-the-same/</link>
                    <comments>https://acttwo.podbean.com/e/no-writing-path-is-the-same/#comments</comments>        <pubDate>Mon, 23 Sep 2024 07:16:45 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/787b2faf-a541-322d-8557-1090e85dfef6</guid>
                                    <description><![CDATA[<p>We all have different paths in this industry, and it's important to understand where those paths lead and what jobs you'll be asked to do. Hosts Tasha Huo and Josh Hallman discuss showrunning, producing, and setting expectations as screenwriters. </p>
<p>Also .... TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by Paul Lundquist </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We all have different paths in this industry, and it's important to understand where those paths lead and what jobs you'll be asked to do. Hosts Tasha Huo and Josh Hallman discuss showrunning, producing, and setting expectations as screenwriters. </p>
<p>Also .... TWIW!</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by Paul Lundquist </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7hspfst6v5cyut8u/ACT_TWO_EPISODE_537_ShowrunnerProducing_v01.mp3" length="62457666" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We all have different paths in this industry, and it's important to understand where those paths lead and what jobs you'll be asked to do. Hosts Tasha Huo and Josh Hallman discuss showrunning, producing, and setting expectations as screenwriters. 
Also .... TWIW!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1948</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Being Flexible without Compromising,</title>
        <itunes:title>Being Flexible without Compromising,</itunes:title>
        <link>https://acttwo.podbean.com/e/being-flexible-without-compromising/</link>
                    <comments>https://acttwo.podbean.com/e/being-flexible-without-compromising/#comments</comments>        <pubDate>Mon, 16 Sep 2024 22:53:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/01e8cfe2-dc03-30be-8e1a-26050d146b12</guid>
                                    <description><![CDATA[<p class="p1">As screenwriters, we work in a collaborative medium. But we also need to be the arbiters of great storytelling and are hired for our creative and unique visions. We work with other writers, producers, actors and directors, all of whom have opinions and thoughts that may conflict with your own. How do you captain the ship (script) while also respecting their input? Hosts Tasha Huo and Josh Hallman discuss!</p>
<p class="p1"> </p>
<p class="p1">TWIW: Josh went to the Emmys! And is writing a difficult sport on the body? </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">As screenwriters, we work in a collaborative medium. But we also need to be the arbiters of great storytelling and are hired for our creative and unique visions. We work with other writers, producers, actors and directors, all of whom have opinions and thoughts that may conflict with your own. How do you captain the ship (script) while also respecting their input? Hosts Tasha Huo and Josh Hallman discuss!</p>
<p class="p1"> </p>
<p class="p1">TWIW: Josh went to the Emmys! And is writing a difficult sport on the body? </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ag4g4sccbeu7xcbh/ACT_TWO_EPISODE_536_Flexible_v01.mp3" length="91405398" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As screenwriters, we work in a collaborative medium. But we also need to be the arbiters of great storytelling and are hired for our creative and unique visions. We work with other writers, producers, actors and directors, all of whom have opinions and thoughts that may conflict with your own. How do you captain the ship (script) while also respecting their input? Hosts Tasha Huo and Josh Hallman discuss!
 
TWIW: Josh went to the Emmys! And is writing a difficult sport on the body? 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2850</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Hate Writing, or Yourself? How to Stay Motivated at a Low Point</title>
        <itunes:title>Hate Writing, or Yourself? How to Stay Motivated at a Low Point</itunes:title>
        <link>https://acttwo.podbean.com/e/hate-writing-or-yourself-how-to-stay-motivated-at-a-low-point/</link>
                    <comments>https://acttwo.podbean.com/e/hate-writing-or-yourself-how-to-stay-motivated-at-a-low-point/#comments</comments>        <pubDate>Mon, 09 Sep 2024 19:09:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f2574ac0-ea7c-3bba-b940-5bc0189af860</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman are at a mental low point in writing and discuss how they got there, the patterns of writing-depression they've noticed, and their helpful tips and tricks on how to get through it and keep writing. The ultimate deterrent to a writing career is giving up. Let's talk about how not to give up!</p>
<p class="p1"> </p>
<p class="p1">TWIW: The Bear S3 is taking chances!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman are at a mental low point in writing and discuss how they got there, the patterns of writing-depression they've noticed, and their helpful tips and tricks on how to get through it and keep writing. The ultimate deterrent to a writing career is giving up. Let's talk about how not to give up!</p>
<p class="p1"> </p>
<p class="p1">TWIW: The Bear S3 is taking chances!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xfrgvvqzqqtrcnsg/ACT_TWO_EPISODE_535_Motivation_FINAL.mp3" length="71482910" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman are at a mental low point in writing and discuss how they got there, the patterns of writing-depression they've noticed, and their helpful tips and tricks on how to get through it and keep writing. The ultimate deterrent to a writing career is giving up. Let's talk about how not to give up!
 
TWIW: The Bear S3 is taking chances!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2229</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The TV Writer's Room: Writing a Script</title>
        <itunes:title>The TV Writer's Room: Writing a Script</itunes:title>
        <link>https://acttwo.podbean.com/e/the-tv-writers-room-writing-a-script/</link>
                    <comments>https://acttwo.podbean.com/e/the-tv-writers-room-writing-a-script/#comments</comments>        <pubDate>Mon, 02 Sep 2024 11:00:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/bf00cec7-7099-30b5-af50-2ce7292f5ba8</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8p2tiqwcug3bbg9n/ACT_TWO_EPISODE_534_Script-WritersRoom_v01.mp3" length="60258144" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1879</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Joe Russo: From Writing to Release of the ensemble horror movie THE INHERITANCE</title>
        <itunes:title>Interview with Joe Russo: From Writing to Release of the ensemble horror movie THE INHERITANCE</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-joe-russo-from-writing-to-release-of-the-ensemble-horror-movie-the-inheritance/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-joe-russo-from-writing-to-release-of-the-ensemble-horror-movie-the-inheritance/#comments</comments>        <pubDate>Mon, 26 Aug 2024 11:31:26 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7b96369a-7f93-38f5-b057-60678a2d43a8</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk with writer-director Joe Russo about his latest horror film, THE INHERITANCE, which nearly became a victim of the latest wave of studio tax write-offs. Joe talks about how the idea for the script originally came together in 2018, about the process of writing an ensemble horror movie, producing the film during COVID, and the consequent difficulties of getting it to the public. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk with writer-director Joe Russo about his latest horror film, THE INHERITANCE, which nearly became a victim of the latest wave of studio tax write-offs. Joe talks about how the idea for the script originally came together in 2018, about the process of writing an ensemble horror movie, producing the film during COVID, and the consequent difficulties of getting it to the public. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ee6fusvm4sb4xbnv/ACT_TWO_EPISODE_533_JoeRussoIntv2_v01.mp3" length="104435291" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with writer-director Joe Russo about his latest horror film, THE INHERITANCE, which nearly became a victim of the latest wave of studio tax write-offs. Joe talks about how the idea for the script originally came together in 2018, about the process of writing an ensemble horror movie, producing the film during COVID, and the consequent difficulties of getting it to the public. 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3258</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>(Don't) Write What You Know</title>
        <itunes:title>(Don't) Write What You Know</itunes:title>
        <link>https://acttwo.podbean.com/e/dont-write-what-you-know/</link>
                    <comments>https://acttwo.podbean.com/e/dont-write-what-you-know/#comments</comments>        <pubDate>Mon, 19 Aug 2024 16:48:28 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/95a3c6bc-5506-321e-895c-571d0bc472af</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the oft used (and incorrect) advice to writers of "Write what you know." Instead, they argue you should write anything you f***ing want! But if you do, make sure it is believable and well-researched, and Tasha and Josh give some examples from their own jobs where research has both served and hindered their writing. They address questions like How much research is too much? At what point in the process should you research? And how do you research effectively?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the oft used (and incorrect) advice to writers of "Write what you know." Instead, they argue you should write anything you f***ing want! But if you do, make sure it is believable and well-researched, and Tasha and Josh give some examples from their own jobs where research has both served and hindered their writing. They address questions like How much research is too much? At what point in the process should you research? And how do you research effectively?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gdpiieyt3feqhtzm/ACT_TWO_EPISODE_532_Research_FINAL.mp3" length="76119095" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the oft used (and incorrect) advice to writers of "Write what you know." Instead, they argue you should write anything you f***ing want! But if you do, make sure it is believable and well-researched, and Tasha and Josh give some examples from their own jobs where research has both served and hindered their writing. They address questions like How much research is too much? At what point in the process should you research? And how do you research effectively?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2375</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Does your script have a Central Question?</title>
        <itunes:title>Does your script have a Central Question?</itunes:title>
        <link>https://acttwo.podbean.com/e/does-your-script-have-a-central-question/</link>
                    <comments>https://acttwo.podbean.com/e/does-your-script-have-a-central-question/#comments</comments>        <pubDate>Mon, 12 Aug 2024 12:17:48 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/974f0ce5-1da1-3883-bf7b-1ba12f4100e1</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what a "Central Question" is when it comes to screenwriting, why you need one and how to find it for your specific story. Inspired by a <a href='https://screencraft.org/blog/what-is-a-central-question-and-why-is-it-important-for-your-script/'>Screencraft Blog Post</a>, they break down how a Central Question works in current movies and in their own work as practical ways to understand the concept and its use in your own stories.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what a "Central Question" is when it comes to screenwriting, why you need one and how to find it for your specific story. Inspired by a <a href='https://screencraft.org/blog/what-is-a-central-question-and-why-is-it-important-for-your-script/'>Screencraft Blog Post</a>, they break down how a Central Question works in current movies and in their own work as practical ways to understand the concept and its use in your own stories.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uh23kqsvv92dh3it/ACT_TWO_EPISODE_531_CentralQuestion_v01.mp3" length="61991774" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss what a "Central Question" is when it comes to screenwriting, why you need one and how to find it for your specific story. Inspired by a Screencraft Blog Post, they break down how a Central Question works in current movies and in their own work as practical ways to understand the concept and its use in your own stories.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1933</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>San Diego Comic-Con for Writers and the Summer Blockbuster</title>
        <itunes:title>San Diego Comic-Con for Writers and the Summer Blockbuster</itunes:title>
        <link>https://acttwo.podbean.com/e/san-diego-comic-con-for-writers-and-the-summer-blockbuster/</link>
                    <comments>https://acttwo.podbean.com/e/san-diego-comic-con-for-writers-and-the-summer-blockbuster/#comments</comments>        <pubDate>Mon, 05 Aug 2024 18:18:12 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e0600d33-2793-36e9-a0c8-eba8199ad4a3</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what it's like to go to San Diego Comic-Con as a writer, and some panels that proved useful in thinking about Screenwriting. Also, Summer movies are in full swing this year -- are movies back?! </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss what it's like to go to San Diego Comic-Con as a writer, and some panels that proved useful in thinking about Screenwriting. Also, Summer movies are in full swing this year -- are movies back?! </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rm3746uprqi3cwdy/ACT_TWO_EPISODE_530_ComicConSummerMovies_FINAL.mp3" length="83944459" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss what it's like to go to San Diego Comic-Con as a writer, and some panels that proved useful in thinking about Screenwriting. Also, Summer movies are in full swing this year -- are movies back?! 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2617</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>RE-RELEASE: Breaking Down BRAVE with Producer &amp; Manager, Michele Wolkoff</title>
        <itunes:title>RE-RELEASE: Breaking Down BRAVE with Producer &amp; Manager, Michele Wolkoff</itunes:title>
        <link>https://acttwo.podbean.com/e/re-release-breaking-down-brave-with-producer-manager-michele-wolkoff/</link>
                    <comments>https://acttwo.podbean.com/e/re-release-breaking-down-brave-with-producer-manager-michele-wolkoff/#comments</comments>        <pubDate>Mon, 29 Jul 2024 07:22:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ceeeb545-d5d8-385e-a142-003f6d8f3b99</guid>
                                    <description><![CDATA[<p>We're off this week, so we're re-releasing a conversation that we loved...</p>
<p class="p1">Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: ActTwoWriters@gmail.com</p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We're off this week, so we're re-releasing a conversation that we loved...</p>
<p class="p1">Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: ActTwoWriters@gmail.com</p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3qrpgwgf65kz48gp/ACT_TWO_EPISODE_445_BraveWithMichele_v01_1_9s78s.mp3" length="103821695" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We're off this week, so we're re-releasing a conversation that we loved...
Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
 
 ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3237</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Mailbag: How to Write Professional Dialogue, How to Write Different Genres, and more!</title>
        <itunes:title>Mailbag: How to Write Professional Dialogue, How to Write Different Genres, and more!</itunes:title>
        <link>https://acttwo.podbean.com/e/mailbag-how-to-write-professional-dialogue-how-to-write-different-genres-and-more/</link>
                    <comments>https://acttwo.podbean.com/e/mailbag-how-to-write-professional-dialogue-how-to-write-different-genres-and-more/#comments</comments>        <pubDate>Mon, 22 Jul 2024 12:01:30 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5b4bbc8e-7cd8-3e30-9aae-7aabdacf1fbf</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field email questions from listeners, including ways to better improve your dialogue, how to think about a "high-concept" idea, and what their process is when they approach different and distinct genres, like a Western vs. Sci-Fi, etc.</p>
<p>
TWIW: Beverly Hills Cop Axel F, Longlegs, Ryan Reynolds' sacrifices on Deadpool, and how Tasha figured out how to find time for reading.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman field email questions from listeners, including ways to better improve your dialogue, how to think about a "high-concept" idea, and what their process is when they approach different and distinct genres, like a Western vs. Sci-Fi, etc.</p>
<p><br>
TWIW: Beverly Hills Cop Axel F, Longlegs, Ryan Reynolds' sacrifices on Deadpool, and how Tasha figured out how to find time for reading.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vc9ne4fk82rmxqyh/ACT_TWO_EPISODE_529_MailBagHighConcept_FINAL.mp3" length="81832300" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman field email questions from listeners, including ways to better improve your dialogue, how to think about a "high-concept" idea, and what their process is when they approach different and distinct genres, like a Western vs. Sci-Fi, etc.
TWIW: Beverly Hills Cop Axel F, Longlegs, Ryan Reynolds' sacrifices on Deadpool, and how Tasha figured out how to find time for reading.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2552</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW - Being an Authentic Writer, Are Managers Staying Away from New Clients?, Beverly Hills Cop, and More!</title>
        <itunes:title>TWIW - Being an Authentic Writer, Are Managers Staying Away from New Clients?, Beverly Hills Cop, and More!</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-being-an-authentic-writer-are-managers-staying-away-from-new-clients-beverly-hills-cop-and-more/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-being-an-authentic-writer-are-managers-staying-away-from-new-clients-beverly-hills-cop-and-more/#comments</comments>        <pubDate>Mon, 15 Jul 2024 15:51:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8d56818e-19a8-3422-933b-45ba2721db6b</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss their This Week in Writings, including a story from Josh about pitching a father-son story and the personal feedback he got in return, Tasha's meeting with her manager that transformed her working methods, an LA Times article saying Management is dead but is it really?, and what to do if you want to write a biopic but don't have the life rights?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss their This Week in Writings, including a story from Josh about pitching a father-son story and the personal feedback he got in return, Tasha's meeting with her manager that transformed her working methods, an LA Times article saying Management is dead but is it really?, and what to do if you want to write a biopic but don't have the life rights?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ew8hyir2dkhhw3nf/ACT_TWO_EPISODE_528_TWIW07-10_v01.mp3" length="78243273" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss their This Week in Writings, including a story from Josh about pitching a father-son story and the personal feedback he got in return, Tasha's meeting with her manager that transformed her working methods, an LA Times article saying Management is dead but is it really?, and what to do if you want to write a biopic but don't have the life rights?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2441</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Are you dedicated to Screenwriting? Let's find out.</title>
        <itunes:title>Are you dedicated to Screenwriting? Let's find out.</itunes:title>
        <link>https://acttwo.podbean.com/e/are-you-dedicated-to-screenwriting-lets-find-out/</link>
                    <comments>https://acttwo.podbean.com/e/are-you-dedicated-to-screenwriting-lets-find-out/#comments</comments>        <pubDate>Mon, 08 Jul 2024 10:08:52 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/72fddf8a-3a69-3f44-96ab-82cbb051bd01</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss an interview with Bryan Cranston where he talks about how acting is a lifestyle, not a job. That same philosophy applies to a Screenwriting career, so they discuss how and why you must consider whether you want the lifestyle of a Screenwriter as much as the job of one. </p>
<p class="p1"> </p>
<p class="p1">TWIW: Do you flash your fangirl/boy tattoo in a meeting? / INSIDE OUT 2 </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss an interview with Bryan Cranston where he talks about how acting is a lifestyle, not a job. That same philosophy applies to a Screenwriting career, so they discuss how and why you must consider whether you want the lifestyle of a Screenwriter as much as the job of one. </p>
<p class="p1"> </p>
<p class="p1">TWIW: Do you flash your fangirl/boy tattoo in a meeting? / INSIDE OUT 2 </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hmxbgvkg9cdezjti/ACT_TWO_EPISODE_527_Dedication_FINAL.mp3" length="91840884" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss an interview with Bryan Cranston where he talks about how acting is a lifestyle, not a job. That same philosophy applies to a Screenwriting career, so they discuss how and why you must consider whether you want the lifestyle of a Screenwriter as much as the job of one. 
 
TWIW: Do you flash your fangirl/boy tattoo in a meeting? / INSIDE OUT 2 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2865</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Keys to a Successful (and long) Screenwriting Career</title>
        <itunes:title>The Keys to a Successful (and long) Screenwriting Career</itunes:title>
        <link>https://acttwo.podbean.com/e/the-keys-to-a-successful-and-long-screenwriting-career/</link>
                    <comments>https://acttwo.podbean.com/e/the-keys-to-a-successful-and-long-screenwriting-career/#comments</comments>        <pubDate>Mon, 01 Jul 2024 16:44:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7a46ea52-36d5-36a5-b86f-5abfff8e1465</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman break down all the many skills required of a Screenwriter to have a long-lasting career and not just a one-hit wonder. Spoiler alert: it's not just about great writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha has a breakthrough with AI / Is theater popcorn a meal replacement?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman break down all the many skills required of a Screenwriter to have a long-lasting career and not just a one-hit wonder. Spoiler alert: it's not just about great writing.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha has a breakthrough with AI / Is theater popcorn a meal replacement?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/txzrnzjisht2f7ee/ACT_TWO_EPISODE_526_KeysToASuccessfulCareer_v01.mp3" length="102099070" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman break down all the many skills required of a Screenwriter to have a long-lasting career and not just a one-hit wonder. Spoiler alert: it's not just about great writing.
 
TWIW: Tasha has a breakthrough with AI / Is theater popcorn a meal replacement?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3187</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Have you hit your goals? -- 2024 Mid-Year Goals Check-In</title>
        <itunes:title>Have you hit your goals? -- 2024 Mid-Year Goals Check-In</itunes:title>
        <link>https://acttwo.podbean.com/e/have-you-hit-your-goals-2024-mid-year-goals-check-in/</link>
                    <comments>https://acttwo.podbean.com/e/have-you-hit-your-goals-2024-mid-year-goals-check-in/#comments</comments>        <pubDate>Mon, 24 Jun 2024 15:38:35 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/dcdc0770-d351-3697-accf-a19f782e6caa</guid>
                                    <description><![CDATA[<p class="p1">We are halfway through the year, so it's time to look back on our New Year's Goals! Join hosts Tasha Huo and Josh Hallman as they do an honest mid-year check-in on their own goals for this year (which they have definitely not nailed) and discuss how we can all make stronger plans to accomplish those unfinished goals in the latter half of the year.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">We are halfway through the year, so it's time to look back on our New Year's Goals! Join hosts Tasha Huo and Josh Hallman as they do an honest mid-year check-in on their own goals for this year (which they have definitely not nailed) and discuss how we can all make stronger plans to accomplish those unfinished goals in the latter half of the year.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5m2zci8e7fksjt4s/ACT_TWO_EPISODE_525_GoalsUpdate_v01.mp3" length="46122605" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We are halfway through the year, so it's time to look back on our New Year's Goals! Join hosts Tasha Huo and Josh Hallman as they do an honest mid-year check-in on their own goals for this year (which they have definitely not nailed) and discuss how we can all make stronger plans to accomplish those unfinished goals in the latter half of the year.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1437</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>You Just Got Notes: What Now?</title>
        <itunes:title>You Just Got Notes: What Now?</itunes:title>
        <link>https://acttwo.podbean.com/e/you-just-got-notes-what-now/</link>
                    <comments>https://acttwo.podbean.com/e/you-just-got-notes-what-now/#comments</comments>        <pubDate>Mon, 17 Jun 2024 14:00:32 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6d0002ca-d926-354f-96cf-637d723c1689</guid>
                                    <description><![CDATA[<p class="p1">You just got notes and you want to curl into a ball and cry. Please don't do that. Hosts Tasha Huo and Josh Hallman discuss what happens after you get notes. It can be intimidating. What's the process? Where to begin? Each scenario is different, and it's important to have a clear idea when you jump back into your writing. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">You just got notes and you want to curl into a ball and cry. Please don't do that. Hosts Tasha Huo and Josh Hallman discuss what happens after you get notes. It can be intimidating. What's the process? Where to begin? Each scenario is different, and it's important to have a clear idea when you jump back into your writing. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uk5yvq4366ryukec/ACT_TWO_EPISODE_524_RewriteNextSteps_FINAL.mp3" length="84751896" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You just got notes and you want to curl into a ball and cry. Please don't do that. Hosts Tasha Huo and Josh Hallman discuss what happens after you get notes. It can be intimidating. What's the process? Where to begin? Each scenario is different, and it's important to have a clear idea when you jump back into your writing. 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2644</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Script Pipeline’s Matt Misetich</title>
        <itunes:title>Interview with Script Pipeline’s Matt Misetich</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-script-pipeline-s-matt-misetich/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-script-pipeline-s-matt-misetich/#comments</comments>        <pubDate>Mon, 10 Jun 2024 11:32:04 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d561e2e8-386d-30f2-903b-7b24f704ba6e</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman have a great conversation with Matt Misetich from Script Pipeline. We discuss how Script Pipeline is an asset for writers, contests, Brag Bars, and dive into the state of the industry, </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman have a great conversation with Matt Misetich from Script Pipeline. We discuss how Script Pipeline is an asset for writers, contests, Brag Bars, and dive into the state of the industry, </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8hagsjf8ma5ery6z/ACT_TWO_EPISODE_523_MattMisetichINTV_FINAL.mp3" length="91696979" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman have a great conversation with Matt Misetich from Script Pipeline. We discuss how Script Pipeline is an asset for writers, contests, Brag Bars, and dive into the state of the industry, 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2860</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Career post AIR: Interview with Alex Convery</title>
        <itunes:title>Career post AIR: Interview with Alex Convery</itunes:title>
        <link>https://acttwo.podbean.com/e/career-post-air-interview-with-alex-convery/</link>
                    <comments>https://acttwo.podbean.com/e/career-post-air-interview-with-alex-convery/#comments</comments>        <pubDate>Mon, 03 Jun 2024 08:13:28 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6cf6ca03-af4e-3351-bc84-a3e15e61a241</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down again with Act Two writer and Screenwriter of AIR, Alex Convery, to discuss how his screenwriting career and craft has changed since AIR was released in April 2023, and how the flurry of accolades during award season changed his career. With AIR being an original spec, Alex also talks about where the power of a Screenwriter lays, and how to combat the stalemate that often accompanies a Screenwriting career.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman sit down again with Act Two writer and Screenwriter of AIR, Alex Convery, to discuss how his screenwriting career and craft has changed since AIR was released in April 2023, and how the flurry of accolades during award season changed his career. With AIR being an original spec, Alex also talks about where the power of a Screenwriter lays, and how to combat the stalemate that often accompanies a Screenwriting career.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7fkxvwah6ac3sep8/ACT_TWO_EPISODE_522_AlexConveryINTV_v01.mp3" length="124950893" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down again with Act Two writer and Screenwriter of AIR, Alex Convery, to discuss how his screenwriting career and craft has changed since AIR was released in April 2023, and how the flurry of accolades during award season changed his career. With AIR being an original spec, Alex also talks about where the power of a Screenwriter lays, and how to combat the stalemate that often accompanies a Screenwriting career.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3899</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fan Fiction as a Road to Screenwriting: Interview with Keely MacDonald (AVATAR: THE LAST AIRBENDER)</title>
        <itunes:title>Fan Fiction as a Road to Screenwriting: Interview with Keely MacDonald (AVATAR: THE LAST AIRBENDER)</itunes:title>
        <link>https://acttwo.podbean.com/e/fan-fiction-as-a-road-to-screenwriting-interview-with-keely-macdonald-avatar-the-last-airbender/</link>
                    <comments>https://acttwo.podbean.com/e/fan-fiction-as-a-road-to-screenwriting-interview-with-keely-macdonald-avatar-the-last-airbender/#comments</comments>        <pubDate>Mon, 27 May 2024 16:21:28 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/12d3888c-6543-390b-a2c3-fff0e3d3586b</guid>
                                    <description><![CDATA[<p class="p1">One of the most exciting things about Screenwriting is that everyone finds a different path to becoming a professional. Hosts Tasha Huo and Josh Hallman sit down with Keely Macdonald (AVATAR: THE LAST AIRBENDER, SLEEPY HOLLOW) to discuss her path to discovering a career in Screenwriting through her fan fiction, one big fat coincidence, and the Fox Writers Incubator program.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">One of the most exciting things about Screenwriting is that everyone finds a different path to becoming a professional. Hosts Tasha Huo and Josh Hallman sit down with Keely Macdonald (AVATAR: THE LAST AIRBENDER, SLEEPY HOLLOW) to discuss her path to discovering a career in Screenwriting through her fan fiction, one big fat coincidence, and the Fox Writers Incubator program.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rtmspumdfbmw6gr8/ACT_TWO_EPISODE_521_KeelyMacdonaldINTV_v01.mp3" length="81118901" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One of the most exciting things about Screenwriting is that everyone finds a different path to becoming a professional. Hosts Tasha Huo and Josh Hallman sit down with Keely Macdonald (AVATAR: THE LAST AIRBENDER, SLEEPY HOLLOW) to discuss her path to discovering a career in Screenwriting through her fan fiction, one big fat coincidence, and the Fox Writers Incubator program.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2532</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Act Two Mixer, and How to Have a Successful Writer's Group</title>
        <itunes:title>The Act Two Mixer, and How to Have a Successful Writer's Group</itunes:title>
        <link>https://acttwo.podbean.com/e/the-act-two-mixer-and-how-to-have-a-successful-writers-group/</link>
                    <comments>https://acttwo.podbean.com/e/the-act-two-mixer-and-how-to-have-a-successful-writers-group/#comments</comments>        <pubDate>Mon, 20 May 2024 20:37:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8878f6c5-4343-398a-978d-2ee24a55d8d8</guid>
                                    <description><![CDATA[<p class="p1">Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zbnyfuwhnchbfasc/ACT_TWO_EPISODE_520_PartyRecapAndWritersGroups_FINAL.mp3" length="75312045" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2351</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW &amp; the Act Two Mixer Announcement</title>
        <itunes:title>TWIW &amp; the Act Two Mixer Announcement</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-the-act-two-mixer-announcement/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-the-act-two-mixer-announcement/#comments</comments>        <pubDate>Mon, 13 May 2024 11:32:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/02cdcc72-9824-33d3-a841-a1c086c33c4d</guid>
                                    <description><![CDATA[<p>The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community. </p>
<p> </p>
<p>TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community. </p>
<p> </p>
<p>TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kxxvwh9ihdxmz6db/ACT_TWO_EPISODE_519_Announce_v01.mp3" length="59957760" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community. 
 
TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1873</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Lingo</title>
        <itunes:title>Screenwriting Lingo</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-lingo/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-lingo/#comments</comments>        <pubDate>Mon, 06 May 2024 09:42:46 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/28b9b5d5-edcd-3c7c-b953-eb2840df2117</guid>
                                    <description><![CDATA[<p>Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: <a href='https://screencraft.org/blog/industry-lingo-every-screenwriter-needs-to-know-to-succeed/'>33 Terms Every Screenwriter Needs To Know. </a>So, we dive into the article and discuss terms that screenwriters will hear and use... </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: <a href='https://screencraft.org/blog/industry-lingo-every-screenwriter-needs-to-know-to-succeed/'>33 Terms Every Screenwriter Needs To Know. </a>So, we dive into the article and discuss terms that screenwriters will hear and use... </p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bgpmpayatnz2qfka/ACT_TWO_EPISODE_518_Lingo_v01.mp3" length="116566659" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: 33 Terms Every Screenwriter Needs To Know. So, we dive into the article and discuss terms that screenwriters will hear and use... 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3638</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching is Terrible: The Series (Part 8 - Things Execs Say)</title>
        <itunes:title>Pitching is Terrible: The Series (Part 8 - Things Execs Say)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-8-things-execs-say/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-8-things-execs-say/#comments</comments>        <pubDate>Mon, 29 Apr 2024 09:44:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/391e4558-f555-3f7d-900d-e9198093ac3b</guid>
                                    <description><![CDATA[<p>After weeks of hard work, you've finally made it to the room and are pitching your take on a movie or show. Congrats! Now for the hard part... Whether it's to producers, studio execs, a director, actor/actress, or another creator -- you are going to get thoughts and questions after your pitch that you absolutely cannot predict. What do you do, and how can you possibly prepare?</p>
<p>Hosts Tasha Huo and Josh Hallman discuss some real questions and feedback they've gotten after their pitches, and how best to improv your answers. Pitching is terrible, but the more prepared we are, the slightly less terrible it becomes.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>After weeks of hard work, you've finally made it to the room and are pitching your take on a movie or show. Congrats! Now for the hard part... Whether it's to producers, studio execs, a director, actor/actress, or another creator -- you are going to get thoughts and questions after your pitch that you absolutely cannot predict. What do you do, and how can you possibly prepare?</p>
<p>Hosts Tasha Huo and Josh Hallman discuss some real questions and feedback they've gotten after their pitches, and how best to improv your answers. Pitching is terrible, but the more prepared we are, the slightly less terrible it becomes.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/utmxin7rce33bibw/ACT_TWO_EPISODE_517_ThingsYouHearPitching_v01-NoAI.mp3" length="75644288" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After weeks of hard work, you've finally made it to the room and are pitching your take on a movie or show. Congrats! Now for the hard part... Whether it's to producers, studio execs, a director, actor/actress, or another creator -- you are going to get thoughts and questions after your pitch that you absolutely cannot predict. What do you do, and how can you possibly prepare?
Hosts Tasha Huo and Josh Hallman discuss some real questions and feedback they've gotten after their pitches, and how best to improv your answers. Pitching is terrible, but the more prepared we are, the slightly less terrible it becomes.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2360</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Internal Dialogue in Screenwriting - Do or Don't?</title>
        <itunes:title>Internal Dialogue in Screenwriting - Do or Don't?</itunes:title>
        <link>https://acttwo.podbean.com/e/internal-dialogue-in-screenwriting-do-or-dont/</link>
                    <comments>https://acttwo.podbean.com/e/internal-dialogue-in-screenwriting-do-or-dont/#comments</comments>        <pubDate>Mon, 22 Apr 2024 11:12:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/744b5b27-da9b-3add-8942-1e3e17e9001a</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman take on the hotly debated topic amongst Screenwriters of whether to include a character's Internal Dialogue in action descriptions, or simply write a blueprint for the camera (as we are taught in film school). Using examples from successful spec scripts that have sold and their own scripts, Tasha and Josh break down the benefits of adding Internal Dialogue and why it can work.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman take on the hotly debated topic amongst Screenwriters of whether to include a character's Internal Dialogue in action descriptions, or simply write a blueprint for the camera (as we are taught in film school). Using examples from successful spec scripts that have sold and their own scripts, Tasha and Josh break down the benefits of adding Internal Dialogue and why it can work.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/59nn4uhgii2ayvc8/ACT_TWO_EPISODE_516_Style_FINAL.mp3" length="77959757" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman take on the hotly debated topic amongst Screenwriters of whether to include a character's Internal Dialogue in action descriptions, or simply write a blueprint for the camera (as we are taught in film school). Using examples from successful spec scripts that have sold and their own scripts, Tasha and Josh break down the benefits of adding Internal Dialogue and why it can work.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2432</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What to Write Next?</title>
        <itunes:title>What to Write Next?</itunes:title>
        <link>https://acttwo.podbean.com/e/what-to-write-next/</link>
                    <comments>https://acttwo.podbean.com/e/what-to-write-next/#comments</comments>        <pubDate>Mon, 15 Apr 2024 13:33:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/96dbcc05-0296-3a86-9069-6a0b324a771f</guid>
                                    <description><![CDATA[<p class="p1">What should you write next? It's common not to know what your next move should be, and it can be overwhelming knowing you'll spend months on a script. Hosts Tasha Huo and Josh Hallman discuss how they determine what to write next and ways to prioritize certain projects. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">What should you write next? It's common not to know what your next move should be, and it can be overwhelming knowing you'll spend months on a script. Hosts Tasha Huo and Josh Hallman discuss how they determine what to write next and ways to prioritize certain projects. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/79qjzbdghrmgd68p/ACT_TWO_EPISODE_515_WhatToWorkOn_FINAL.mp3" length="62489600" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What should you write next? It's common not to know what your next move should be, and it can be overwhelming knowing you'll spend months on a script. Hosts Tasha Huo and Josh Hallman discuss how they determine what to write next and ways to prioritize certain projects. 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1949</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: When to Take the Note, the Pitching Tiers and More!</title>
        <itunes:title>TWIW: When to Take the Note, the Pitching Tiers and More!</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-when-to-take-the-note-the-pitching-tiers-and-more/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-when-to-take-the-note-the-pitching-tiers-and-more/#comments</comments>        <pubDate>Mon, 08 Apr 2024 09:58:17 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f1f93e87-ce78-3b94-85c2-0777e8d8ee7b</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman answer listener and Screenwriting Twitter questions about what to do with conflicting notes, and discuss some TWIW in their own lives, from the many tiers of a single pitch before getting the job to their feelings (and realities) about a 10-year-old being hired to develop a studio movie.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman answer listener and Screenwriting Twitter questions about what to do with conflicting notes, and discuss some TWIW in their own lives, from the many tiers of a single pitch before getting the job to their feelings (and realities) about a 10-year-old being hired to develop a studio movie.</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/22q97s/ACT_TWO_EPISODE_514_TWIW240402_FINAL.mp3" length="72587415" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman answer listener and Screenwriting Twitter questions about what to do with conflicting notes, and discuss some TWIW in their own lives, from the many tiers of a single pitch before getting the job to their feelings (and realities) about a 10-year-old being hired to develop a studio movie.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2264</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Where Do Ideas Come From?</title>
        <itunes:title>Where Do Ideas Come From?</itunes:title>
        <link>https://acttwo.podbean.com/e/where-do-ideas-come-from/</link>
                    <comments>https://acttwo.podbean.com/e/where-do-ideas-come-from/#comments</comments>        <pubDate>Tue, 02 Apr 2024 10:26:42 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/12f8f4a6-03af-3b26-b37b-13c13f32d029</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about where the ideas for three of their Film &amp; TV scripts came from, where they were in their lives when it happened, and what can be learned about Idea Creation from that process.</p>
<p class="p1"> </p>
<p class="p1">TWIW - Revising Strategy: Start with a Blank Page / Is Roadhouse in the zeitgeist? </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk about where the ideas for three of their Film &amp; TV scripts came from, where they were in their lives when it happened, and what can be learned about Idea Creation from that process.</p>
<p class="p1"> </p>
<p class="p1">TWIW - Revising Strategy: Start with a Blank Page / Is Roadhouse in the zeitgeist? </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/76qvsi/ACT_TWO_EPISODE_513_OurThreeMovies_FINAL.mp3" length="85062557" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about where the ideas for three of their Film &amp; TV scripts came from, where they were in their lives when it happened, and what can be learned about Idea Creation from that process.
 
TWIW - Revising Strategy: Start with a Blank Page / Is Roadhouse in the zeitgeist? 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2653</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Networking and Making Connections</title>
        <itunes:title>Networking and Making Connections</itunes:title>
        <link>https://acttwo.podbean.com/e/networking-as-a-screenwriter-dos-and-donts/</link>
                    <comments>https://acttwo.podbean.com/e/networking-as-a-screenwriter-dos-and-donts/#comments</comments>        <pubDate>Mon, 25 Mar 2024 11:39:16 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2489fab5-6906-3f5e-a4cc-8a2185abbcd6</guid>
                                    <description><![CDATA[<p>The favorite thing a screenwriter can do is to Network! Not really. Hosts Tasha Huo and Josh Hallman dive into all things networking and what that means for a screenwriter. We discuss the dos and don'ts when you're forced out of your comfort zone and find yourself trying to make new connections. 

Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The favorite thing a screenwriter can do is to Network! Not really. Hosts Tasha Huo and Josh Hallman dive into all things networking and what that means for a screenwriter. We discuss the dos and don'ts when you're forced out of your comfort zone and find yourself trying to make new connections. <br>
<br>
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t79xj7/ACT_TWO_EPISODE_512_Networking_FINAL.mp3" length="73921598" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The favorite thing a screenwriter can do is to Network! Not really. Hosts Tasha Huo and Josh Hallman dive into all things networking and what that means for a screenwriter. We discuss the dos and don'ts when you're forced out of your comfort zone and find yourself trying to make new connections. Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2306</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>When To Take The Note</title>
        <itunes:title>When To Take The Note</itunes:title>
        <link>https://acttwo.podbean.com/e/when-to-take-the-note/</link>
                    <comments>https://acttwo.podbean.com/e/when-to-take-the-note/#comments</comments>        <pubDate>Mon, 18 Mar 2024 13:20:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/894a7e10-e003-3565-a2a1-196dbbc8c10b</guid>
                                    <description><![CDATA[<p>We all get notes, but sometimes we know they're not the right notes. Hosts Tasha Huo and Josh Hallman discuss when to take the note or when to stand your ground. There is a lot to consider: Are you getting paid? Are you writing on spec? Who is giving the note? How long have you been working on the script? Will it change the script? For better or worse, no scenario is the same.

Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>We all get notes, but sometimes we know they're not the right notes. Hosts Tasha Huo and Josh Hallman discuss when to take the note or when to stand your ground. There is a lot to consider: Are you getting paid? Are you writing on spec? Who is giving the note? How long have you been working on the script? Will it change the script? For better or worse, no scenario is the same.<br>
<br>
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pvagvw/ACT_TWO_EPISODE_511_CompromiseOrTakeTheNote_FINAL.mp3" length="80454885" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We all get notes, but sometimes we know they're not the right notes. Hosts Tasha Huo and Josh Hallman discuss when to take the note or when to stand your ground. There is a lot to consider: Are you getting paid? Are you writing on spec? Who is giving the note? How long have you been working on the script? Will it change the script? For better or worse, no scenario is the same.Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2510</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Secret to the Spec Sale: Interview with Daniel Kunka (Retake)</title>
        <itunes:title>Secret to the Spec Sale: Interview with Daniel Kunka (Retake)</itunes:title>
        <link>https://acttwo.podbean.com/e/secret-to-the-spec-sale-interview-with-daniel-kunka-retake/</link>
                    <comments>https://acttwo.podbean.com/e/secret-to-the-spec-sale-interview-with-daniel-kunka-retake/#comments</comments>        <pubDate>Mon, 11 Mar 2024 08:00:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e135c8e7-8ae8-3c09-bd84-161923dd6851</guid>
                                    <description><![CDATA[<p dir="ltr">Tasha has lost her voice so this is a Retake: Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.</p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Tasha has lost her voice so this is a Retake: Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.</p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b7yx3d/KUNKA_rerelease80rel.mp3" length="137572124" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tasha has lost her voice so this is a Retake: Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4236</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The 2024 Oscars Episode</title>
        <itunes:title>The 2024 Oscars Episode</itunes:title>
        <link>https://acttwo.podbean.com/e/the-2024-oscars-episode/</link>
                    <comments>https://acttwo.podbean.com/e/the-2024-oscars-episode/#comments</comments>        <pubDate>Mon, 04 Mar 2024 08:11:52 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/158de9e5-665b-31c8-b5fa-79cd664c1898</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss their Oscar predictions and why, what movies they feel were snubbed, their favorite Oscar traditions, and what makes a script adapted vs. original? Also they ANNOUNCE their first ever Act Two Patreon Oscar Pool! <a href='https://www.patreon.com/acttwowriters'>Join now</a> to receive the Oscar Ballot and try your hand at winning this year's prize!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss their Oscar predictions and why, what movies they feel were snubbed, their favorite Oscar traditions, and what makes a script adapted vs. original? Also they ANNOUNCE their first ever Act Two Patreon Oscar Pool! <a href='https://www.patreon.com/acttwowriters'>Join now</a> to receive the Oscar Ballot and try your hand at winning this year's prize!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3tsd55/ACT_TWO_EPISODE_510_Oscars_FINAL.mp3" length="71112376" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss their Oscar predictions and why, what movies they feel were snubbed, their favorite Oscar traditions, and what makes a script adapted vs. original? Also they ANNOUNCE their first ever Act Two Patreon Oscar Pool! Join now to receive the Oscar Ballot and try your hand at winning this year's prize!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2215</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Journey from Pitch to (Not) Getting the Job</title>
        <itunes:title>Journey from Pitch to (Not) Getting the Job</itunes:title>
        <link>https://acttwo.podbean.com/e/journey-from-pitch-to-not-getting-the-job/</link>
                    <comments>https://acttwo.podbean.com/e/journey-from-pitch-to-not-getting-the-job/#comments</comments>        <pubDate>Mon, 19 Feb 2024 09:13:45 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ae688e84-afe6-35ea-af19-cbd2b6cd1ebf</guid>
                                    <description><![CDATA[<p class="p1">Fresh from being told she *didn't* get the job, host Tasha Huo talks about the process of putting together a series pitch for one of her favorite IPs, what her process was, and what it was like to be told you didn't get the job. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Fresh from being told she *didn't* get the job, host Tasha Huo talks about the process of putting together a series pitch for one of her favorite IPs, what her process was, and what it was like to be told you didn't get the job. </p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j29y5x/ACT_TWO_EPISODE_508_PitchAftermath_v01.mp3" length="95170521" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fresh from being told she *didn't* get the job, host Tasha Huo talks about the process of putting together a series pitch for one of her favorite IPs, what her process was, and what it was like to be told you didn't get the job. 
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2970</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat: Manager-Writer Conflict and the Problem of the Stubborn Writer</title>
        <itunes:title>Fireside Chat: Manager-Writer Conflict and the Problem of the Stubborn Writer</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-manager-writer-conflict-and-the-problem-of-the-stubborn-writer/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-manager-writer-conflict-and-the-problem-of-the-stubborn-writer/#comments</comments>        <pubDate>Mon, 12 Feb 2024 09:57:52 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0ad37a51-4308-37b8-adeb-970fadc47e06</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman take you through a Fireside Chat of real-life stories of working Screenwriters, including real hurdles, obstacles and situations that professional Screenwriters have come up against and what to do in those situations.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Are you too old to start your Screenwriting career? / Why you shouldn't copyright your scripts. / Tasha &amp; Josh finished breaking their spec, what next? / Is the Apple Vision Pro going to change Screenwriting? / The value of traditional weekly-released TV shows. / What is the tone of the new Mr. &amp; Mrs. Smith TV show?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman take you through a Fireside Chat of real-life stories of working Screenwriters, including real hurdles, obstacles and situations that professional Screenwriters have come up against and what to do in those situations.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Are you too old to start your Screenwriting career? / Why you shouldn't copyright your scripts. / Tasha &amp; Josh finished breaking their spec, what next? / Is the Apple Vision Pro going to change Screenwriting? / The value of traditional weekly-released TV shows. / What is the tone of the new Mr. &amp; Mrs. Smith TV show?</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fs2gn3/ACT_TWO_EPISODE_507_TWIW-FireSideChat-240211-FINAL.mp3" length="94661797" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman take you through a Fireside Chat of real-life stories of working Screenwriters, including real hurdles, obstacles and situations that professional Screenwriters have come up against and what to do in those situations.
 
TWIW: Are you too old to start your Screenwriting career? / Why you shouldn't copyright your scripts. / Tasha &amp; Josh finished breaking their spec, what next? / Is the Apple Vision Pro going to change Screenwriting? / The value of traditional weekly-released TV shows. / What is the tone of the new Mr. &amp; Mrs. Smith TV show?
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2952</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Cut Pages</title>
        <itunes:title>How to Cut Pages</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-cut-pages/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-cut-pages/#comments</comments>        <pubDate>Mon, 05 Feb 2024 10:52:23 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cba35915-c3d8-312f-81f9-99c578956ddb</guid>
                                    <description><![CDATA[<p>It is the bane of any Screenwriter's existence when they turn in their perfect screenplay only to be told they need to cut 10 pages. Whether it's for the read or for production, hosts Tasha Huo and Josh Hallman discuss their step-by-step process for cutting pages when you absolutely don't want to, but HAVE to.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It is the bane of any Screenwriter's existence when they turn in their perfect screenplay only to be told they need to cut 10 pages. Whether it's for the read or for production, hosts Tasha Huo and Josh Hallman discuss their step-by-step process for cutting pages when you absolutely don't want to, but HAVE to.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9prffq/ACT_TWO_EPISODE_506_TrimmingPages_FINAL.mp3" length="89256325" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It is the bane of any Screenwriter's existence when they turn in their perfect screenplay only to be told they need to cut 10 pages. Whether it's for the read or for production, hosts Tasha Huo and Josh Hallman discuss their step-by-step process for cutting pages when you absolutely don't want to, but HAVE to.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2783</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Taking an Idea to Outline</title>
        <itunes:title>Taking an Idea to Outline</itunes:title>
        <link>https://acttwo.podbean.com/e/taking-an-idea-to-outline/</link>
                    <comments>https://acttwo.podbean.com/e/taking-an-idea-to-outline/#comments</comments>        <pubDate>Mon, 29 Jan 2024 08:42:33 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7f84ee3e-28d2-39a5-89ab-102dcf3fc0ee</guid>
                                    <description><![CDATA[<p class="p1">Where ideas come from and then how to turn that into an actual movie or TV show is THE hardest part of being a writer, and one of the most-asked questions between writers: "How did you come up with that?" So this episode, hosts Tasha Huo and Josh Hallman break down in detail how they went from Idea to Outline for their new Murder Mystery spec.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha's unexpected self-sabotage moment / To reference other movies in your action description, or not to? / Some new thoughts on pitch language</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Where ideas come from and then how to turn that into an actual movie or TV show is THE hardest part of being a writer, and one of the most-asked questions between writers: "How did you come up with that?" So this episode, hosts Tasha Huo and Josh Hallman break down in detail how they went from Idea to Outline for their new Murder Mystery spec.</p>
<p class="p1"> </p>
<p class="p1">TWIW: Tasha's unexpected self-sabotage moment / To reference other movies in your action description, or not to? / Some new thoughts on pitch language</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bqayvu/ACT_TWO_EPISODE_505_IdeaToOutline_FINAL.mp3" length="87006113" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Where ideas come from and then how to turn that into an actual movie or TV show is THE hardest part of being a writer, and one of the most-asked questions between writers: "How did you come up with that?" So this episode, hosts Tasha Huo and Josh Hallman break down in detail how they went from Idea to Outline for their new Murder Mystery spec.
 
TWIW: Tasha's unexpected self-sabotage moment / To reference other movies in your action description, or not to? / Some new thoughts on pitch language
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2715</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Getting Comfortable with Feeling Uncomfortable</title>
        <itunes:title>Getting Comfortable with Feeling Uncomfortable</itunes:title>
        <link>https://acttwo.podbean.com/e/getting-comfortable-with-feeling-uncomfortable/</link>
                    <comments>https://acttwo.podbean.com/e/getting-comfortable-with-feeling-uncomfortable/#comments</comments>        <pubDate>Mon, 22 Jan 2024 16:23:03 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4acfa33b-33f3-3665-b1af-fe5f26b514e1</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss all the ways a Screenwriter feels uncomfortable in their day to day working lives, and how they tackle those feelings when they come up, whether it be a Pitch, a General Meeting, or discussing difficult ideas in their scripts.</p>
<p> </p>
<p>TWIW: How Act Two's first Patreon Live Q&amp;A went, Tasha's Screenwriting nightmare, Short Form content and how difficult it is to crack.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss all the ways a Screenwriter feels uncomfortable in their day to day working lives, and how they tackle those feelings when they come up, whether it be a Pitch, a General Meeting, or discussing difficult ideas in their scripts.</p>
<p> </p>
<p>TWIW: How Act Two's first Patreon Live Q&amp;A went, Tasha's Screenwriting nightmare, Short Form content and how difficult it is to crack.</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x2ckx9/ACT_TWO_EPISODE_504_Uncomfortable_FINAL.mp3" length="68106977" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss all the ways a Screenwriter feels uncomfortable in their day to day working lives, and how they tackle those feelings when they come up, whether it be a Pitch, a General Meeting, or discussing difficult ideas in their scripts.
 
TWIW: How Act Two's first Patreon Live Q&amp;A went, Tasha's Screenwriting nightmare, Short Form content and how difficult it is to crack.
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2124</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Combat (and Defeat) Imposter Syndrome</title>
        <itunes:title>How to Combat (and Defeat) Imposter Syndrome</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-combat-and-defeat-imposter-syndrome/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-combat-and-defeat-imposter-syndrome/#comments</comments>        <pubDate>Mon, 15 Jan 2024 11:23:30 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a318cb56-4cc0-31b6-abff-fcd6e9eebc6f</guid>
                                    <description><![CDATA[<p class="p1">We all feel it. That voice in our head telling us we are Imposters and someone will finally figure out we don't know how to write, pitch or create stories. Hosts Tasha Huo and Josh Hallman discuss what their own Imposter Syndrome looks like and how they have managed to not only combat it, but in some cases, completely defeat it. </p>
<p class="p1"> </p>
<p class="p1">TWIW: Is Barbie an "adapted" or "original" screenplay? / Tasha is watching Pokemon! / How to get over rambling and apologizing while pitching / Where ideas come from can be so surprising!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">We all feel it. That voice in our head telling us we are Imposters and someone will finally figure out we don't know how to write, pitch or create stories. Hosts Tasha Huo and Josh Hallman discuss what their own Imposter Syndrome looks like and how they have managed to not only combat it, but in some cases, completely defeat it. </p>
<p class="p1"> </p>
<p class="p1">TWIW: Is Barbie an "adapted" or "original" screenplay? / Tasha is watching Pokemon! / How to get over rambling and apologizing while pitching / Where ideas come from can be so surprising!</p>
<p class="p1"> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xrguie/ACT_TWO_EPISODE_503_ImposterSyndrome_v01.mp3" length="102436247" type="audio/mpeg"/>
        <itunes:summary><![CDATA[We all feel it. That voice in our head telling us we are Imposters and someone will finally figure out we don't know how to write, pitch or create stories. Hosts Tasha Huo and Josh Hallman discuss what their own Imposter Syndrome looks like and how they have managed to not only combat it, but in some cases, completely defeat it. 
 
TWIW: Is Barbie an "adapted" or "original" screenplay? / Tasha is watching Pokemon! / How to get over rambling and apologizing while pitching / Where ideas come from can be so surprising!
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3197</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Nail a General or Rep Meeting</title>
        <itunes:title>How to Nail a General or Rep Meeting</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-nail-a-general-or-rep-meeting/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-nail-a-general-or-rep-meeting/#comments</comments>        <pubDate>Mon, 08 Jan 2024 08:37:29 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4ff98f09-dba6-356c-9c24-fb0d36d3b876</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss what a General Meeting is and how to impress once you're in one. They also discuss why reps are key, but not imperative, to a Screenwriting career, and how to meet with reps if you are taking meetings with Agents and Managers.</p>
<p> </p>
<p>TWIW: 22 Jump Street's surprising improv scene, The importance and beauty of listening to others on set, and Josh &amp; Tasha list their Top 5 favorite movies of 2023 (which may surprise you).</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss what a General Meeting is and how to impress once you're in one. They also discuss why reps are key, but not imperative, to a Screenwriting career, and how to meet with reps if you are taking meetings with Agents and Managers.</p>
<p> </p>
<p>TWIW: 22 Jump Street's surprising improv scene, The importance and beauty of listening to others on set, and Josh &amp; Tasha list their Top 5 favorite movies of 2023 (which may surprise you).</p>
<p> </p>
<p class="p1">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p class="p1">Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6k6ggv/ACT_TWO_EPISODE_502_GeneralsRepsRefresh_FINAL.mp3" length="94732743" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss what a General Meeting is and how to impress once you're in one. They also discuss why reps are key, but not imperative, to a Screenwriting career, and how to meet with reps if you are taking meetings with Agents and Managers.
 
TWIW: 22 Jump Street's surprising improv scene, The importance and beauty of listening to others on set, and Josh &amp; Tasha list their Top 5 favorite movies of 2023 (which may surprise you).
 
Questions / Comments: ActTwoWriters@gmail.com 
Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2957</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Year. New Goals. 2024!</title>
        <itunes:title>New Year. New Goals. 2024!</itunes:title>
        <link>https://acttwo.podbean.com/e/new-year-new-goals-2024/</link>
                    <comments>https://acttwo.podbean.com/e/new-year-new-goals-2024/#comments</comments>        <pubDate>Mon, 01 Jan 2024 07:00:00 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4b27b051-0151-3ea6-9d26-6dfc88114386</guid>
                                    <description><![CDATA[<p class="p1">Happy 2024! Hosts Tasha Huo and Josh Hallman discuss goals in the new year. Get ready. It's an exciting time. </p>
<p class="p2"> </p>
<p class="p1">Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Happy 2024! Hosts Tasha Huo and Josh Hallman discuss goals in the new year. Get ready. It's an exciting time. </p>
<p class="p2"> </p>
<p class="p1">Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qj7jt3/New_Goals8fj4b.mp3" length="107067063" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Happy 2024! Hosts Tasha Huo and Josh Hallman discuss goals in the new year. Get ready. It's an exciting time. 
 
Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist ]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3304</itunes:duration>
        <itunes:season>5</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>’Tis the Season: Why Christmas Movies Work</title>
        <itunes:title>’Tis the Season: Why Christmas Movies Work</itunes:title>
        <link>https://acttwo.podbean.com/e/tis-the-season-why-christmas-movies-work/</link>
                    <comments>https://acttwo.podbean.com/e/tis-the-season-why-christmas-movies-work/#comments</comments>        <pubDate>Mon, 18 Dec 2023 10:52:07 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e64ef3ae-0697-3b9b-aed6-bdb3eb12d3a4</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss their Top 3 Christmas movies, why they work, and what they would do if they wrote a Christmas movie.</p>
<p> </p>
<p>TWIW: The Oscars are now honoring "fan favorite" films / How NFL has cornered the market on character-driven storytelling / and the pain in the ass that is living with a writer.</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss their Top 3 Christmas movies, why they work, and what they would do if they wrote a Christmas movie.</p>
<p> </p>
<p>TWIW: The Oscars are now honoring "fan favorite" films / How NFL has cornered the market on character-driven storytelling / and the pain in the ass that is living with a writer.</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/fjvgsj/ACT_TWO_EPISODE_449_XMAS_FINAL.mp3" length="83439764" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss their Top 3 Christmas movies, why they work, and what they would do if they wrote a Christmas movie.
 
TWIW: The Oscars are now honoring "fan favorite" films / How NFL has cornered the market on character-driven storytelling / and the pain in the ass that is living with a writer.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2603</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Filmmaking Tips from James Mangold (LOGAN)</title>
        <itunes:title>Filmmaking Tips from James Mangold (LOGAN)</itunes:title>
        <link>https://acttwo.podbean.com/e/filmmaking-tips-from-james-mangold-logan/</link>
                    <comments>https://acttwo.podbean.com/e/filmmaking-tips-from-james-mangold-logan/#comments</comments>        <pubDate>Mon, 11 Dec 2023 09:22:03 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/53bd1032-7d9f-3a00-89bc-e88b6f72a288</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo &amp; Josh Hallman discuss <a href='https://filmschoolrejects.com/filmmaking-tips-james-mangold-9c10355d5a88/'>filmmaking tips</a> we can learn from writer-director James Mangold (LOGAN, INDIANA JONES &amp; THE DIAL OF DESTINY). </p>
<p> </p>
<p>TWIW: Is Harry Potter just a magical Mission Impossible movie? And how do you combat "spec boredom" so you can finish your script instead of move on to a new idea?</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo &amp; Josh Hallman discuss <a href='https://filmschoolrejects.com/filmmaking-tips-james-mangold-9c10355d5a88/'>filmmaking tips</a> we can learn from writer-director James Mangold (LOGAN, INDIANA JONES &amp; THE DIAL OF DESTINY). </p>
<p> </p>
<p>TWIW: Is Harry Potter just a magical Mission Impossible movie? And how do you combat "spec boredom" so you can finish your script instead of move on to a new idea?</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qeh5rm/ACT_TWO_EPISODE_448_JamesMangoldTips_v01.mp3" length="86052153" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo &amp; Josh Hallman discuss filmmaking tips we can learn from writer-director James Mangold (LOGAN, INDIANA JONES &amp; THE DIAL OF DESTINY). 
 
TWIW: Is Harry Potter just a magical Mission Impossible movie? And how do you combat "spec boredom" so you can finish your script instead of move on to a new idea?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2685</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Party Recap, When a Short Story Has No Hook, and How to Make Your General Work for You</title>
        <itunes:title>TWIW: Party Recap, When a Short Story Has No Hook, and How to Make Your General Work for You</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-party-recap-when-is-your-hook-too-vague-and-how-to-work-a-general-to-your-advantage/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-party-recap-when-is-your-hook-too-vague-and-how-to-work-a-general-to-your-advantage/#comments</comments>        <pubDate>Mon, 04 Dec 2023 08:15:43 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/09a528cd-697b-3cca-84b0-1c42734dbc37</guid>
                                    <description><![CDATA[<p>This Week in Writing includes a recap of our Screenwriter Meet Up, heart vs marketability, when to throw the kitchen sink at your script’s hook, how to work a general to your advantage, do you need to drop your rep if they don’t “get you,” the learned skill of trimming minutes, shredding the “a screenplay is a bland blueprint” opinion, and a reminder of why the first ten pages of your screenplay need to be engaging (even if it’s a slow burn!).</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This Week in Writing includes a recap of our Screenwriter Meet Up, heart vs marketability, when to throw the kitchen sink at your script’s hook, how to work a general to your advantage, do you need to drop your rep if they don’t “get you,” the learned skill of trimming minutes, shredding the “a screenplay is a bland blueprint” opinion, and a reminder of why the first ten pages of your screenplay need to be engaging (even if it’s a slow burn!).</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r8bapj/ACT_TWO_EPISODE_447_PartyRecap_FINAL.mp3" length="83635945" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This Week in Writing includes a recap of our Screenwriter Meet Up, heart vs marketability, when to throw the kitchen sink at your script’s hook, how to work a general to your advantage, do you need to drop your rep if they don’t “get you,” the learned skill of trimming minutes, shredding the “a screenplay is a bland blueprint” opinion, and a reminder of why the first ten pages of your screenplay need to be engaging (even if it’s a slow burn!).
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2608</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Finding Clarity of Concept in Your Pilot</title>
        <itunes:title>Finding Clarity of Concept in Your Pilot</itunes:title>
        <link>https://acttwo.podbean.com/e/clarity/</link>
                    <comments>https://acttwo.podbean.com/e/clarity/#comments</comments>        <pubDate>Mon, 27 Nov 2023 07:53:07 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/502a7a33-ce2d-3d6f-863a-dc3d8d3c0db9</guid>
                                    <description><![CDATA[<p>How do you get the heart of your show across in a clear and concise way without overloading the script with too many elements or underwhelming with too few? Tasha and Josh discuss how to bring clarity of concept into your writing using lessons from their recent pilots.</p>
<p>
TWIW: Lessons from a Mike Flanagan Kickstarter. Why distinctive characters are essential for pitching a network TV show. Thoughts on The Killer’s use of voiceover. Why you should watch Blue Eye Samurai. And what was season 2 of Loki about? We’re still confused. Thank goodness for Tom Hiddleston!</p>
<p>
LINK
<a href='https://www.kickstarter.com/projects/fallbackplan/absentia-a-new-vision-of-horror-from-mike-flanagan-0'>Mike Flanagan’s Absentia Kickstarter</a></p>
<p>
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>How do you get the heart of your show across in a clear and concise way without overloading the script with too many elements or underwhelming with too few? Tasha and Josh discuss how to bring clarity of concept into your writing using lessons from their recent pilots.</p>
<p><br>
TWIW: Lessons from a Mike Flanagan Kickstarter. Why distinctive characters are essential for pitching a network TV show. Thoughts on The Killer’s use of voiceover. Why you should watch Blue Eye Samurai. And what was season 2 of Loki about? We’re still confused. Thank goodness for Tom Hiddleston!</p>
<p><br>
LINK<br>
<a href='https://www.kickstarter.com/projects/fallbackplan/absentia-a-new-vision-of-horror-from-mike-flanagan-0'>Mike Flanagan’s Absentia Kickstarter</a></p>
<p><br>
Questions / Comments: ActTwoWriters@gmail.com<br>
Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xvxzmi/ACT_TWO_EPISODE_446_PilotConceptIssues_FINAL.mp3" length="69679362" type="audio/mpeg"/>
        <itunes:summary><![CDATA[How do you get the heart of your show across in a clear and concise way without overloading the script with too many elements or underwhelming with too few? Tasha and Josh discuss how to bring clarity of concept into your writing using lessons from their recent pilots.
TWIW: Lessons from a Mike Flanagan Kickstarter. Why distinctive characters are essential for pitching a network TV show. Thoughts on The Killer’s use of voiceover. Why you should watch Blue Eye Samurai. And what was season 2 of Loki about? We’re still confused. Thank goodness for Tom Hiddleston!
LINKMike Flanagan’s Absentia Kickstarter
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2174</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>SPECIAL ANNOUNCEMENT: LA Event &amp; Patreon Launch</title>
        <itunes:title>SPECIAL ANNOUNCEMENT: LA Event &amp; Patreon Launch</itunes:title>
        <link>https://acttwo.podbean.com/e/special-announcement-la-event-patreon-launch/</link>
                    <comments>https://acttwo.podbean.com/e/special-announcement-la-event-patreon-launch/#comments</comments>        <pubDate>Wed, 22 Nov 2023 08:07:36 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/86deb393-093c-3d36-84df-f4c066c1e6c4</guid>
                                    <description><![CDATA[<p>The day has finally arrived! On Nov 30th we officially launch the Act Two Podcast Patreon. To celebrate, we’re hosting a Screenwriter Meet &amp; Greet that night in Los Angeles. If you’re in the area, come say “Hello!” We’d love to see you there!</p>
<p><a href='https://x.com/acttwowriters/status/1725279692398416263?s=20'>Link for Event Info</a></p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The day has finally arrived! On Nov 30th we officially launch the Act Two Podcast Patreon. To celebrate, we’re hosting a Screenwriter Meet &amp; Greet that night in Los Angeles. If you’re in the area, come say “Hello!” We’d love to see you there!</p>
<p><a href='https://x.com/acttwowriters/status/1725279692398416263?s=20'>Link for Event Info</a></p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uvsg94/Patreon_Announcement89e9n.mp3" length="7926149" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The day has finally arrived! On Nov 30th we officially launch the Act Two Podcast Patreon. To celebrate, we’re hosting a Screenwriter Meet &amp; Greet that night in Los Angeles. If you’re in the area, come say “Hello!” We’d love to see you there!
Link for Event Info
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>246</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Breaking Down Pixar’s BRAVE with Producer &amp; Manager, Michele Wolkoff</title>
        <itunes:title>Breaking Down Pixar’s BRAVE with Producer &amp; Manager, Michele Wolkoff</itunes:title>
        <link>https://acttwo.podbean.com/e/breaking-down-pixar-s-brave-with-producer-manager-michele-wolkoff/</link>
                    <comments>https://acttwo.podbean.com/e/breaking-down-pixar-s-brave-with-producer-manager-michele-wolkoff/#comments</comments>        <pubDate>Mon, 20 Nov 2023 10:24:08 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/79aaf0de-fcec-3667-b77a-4be37be701d5</guid>
                                    <description><![CDATA[<p>Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z76ui4/ACT_TWO_EPISODE_445_BraveWithMichele_v01.mp3" length="103821695" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3237</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Why Relationships Matter, When to Restructure, How to Think Outside the Box</title>
        <itunes:title>TWIW: Why Relationships Matter, When to Restructure, How to Think Outside the Box</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-why-relationships-matter-when-to-restructure-how-to-think-outside-the-box/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-why-relationships-matter-when-to-restructure-how-to-think-outside-the-box/#comments</comments>        <pubDate>Mon, 13 Nov 2023 16:22:49 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/acf7890f-cba1-3886-b7bd-627ce4b018cb</guid>
                                    <description><![CDATA[<p>This Week in Writing includes why relationships are key to the Hollywood long game, signs you may need to restructure your spec, and why the simple act of reading a comic can be so creatively refreshing. Plus, Josh breaks through with a new idea to avoid extensive, unpaid rewrites!</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This Week in Writing includes why relationships are key to the Hollywood long game, signs you may need to restructure your spec, and why the simple act of reading a comic can be so creatively refreshing. Plus, Josh breaks through with a new idea to avoid extensive, unpaid rewrites!</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dmmzbm/ACT_TWO_EPISODE_444_TWIW-110523_v01.mp3" length="76410714" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This Week in Writing includes why relationships are key to the Hollywood long game, signs you may need to restructure your spec, and why the simple act of reading a comic can be so creatively refreshing. Plus, Josh breaks through with a new idea to avoid extensive, unpaid rewrites!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2381</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ways to Tackle a 2nd Draft</title>
        <itunes:title>Ways to Tackle a 2nd Draft</itunes:title>
        <link>https://acttwo.podbean.com/e/second-draft/</link>
                    <comments>https://acttwo.podbean.com/e/second-draft/#comments</comments>        <pubDate>Mon, 06 Nov 2023 08:45:09 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/54d077bf-da28-35e3-81df-7920eaf0b6fd</guid>
                                    <description><![CDATA[<p>Writing a first draft is tough. But writing a second draft can be tougher. Tasha and Josh discuss best practices for tackling the deceptively difficult second draft, be it going scene-by-scene, starting anew, or ignoring a note to find the real note lurking underneath.</p>
<p> </p>
<p>TWIW: Why staying active with programs and competitions keeps you going. Should an agent ask for your resume? Style lessons from the Barbarian screenplay. And a friendly reminder that public domain is a proven place to mine IP. Plus, Josh and Tasha both finished drafts of their specs!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a>
Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Writing a first draft is tough. But writing a second draft can be tougher. Tasha and Josh discuss best practices for tackling the deceptively difficult second draft, be it going scene-by-scene, starting anew, or ignoring a note to find the real note lurking underneath.</p>
<p> </p>
<p>TWIW: Why staying active with programs and competitions keeps you going. Should an agent ask for your resume? Style lessons from the <em>Barbarian</em> screenplay. And a friendly reminder that public domain is a proven place to mine IP. Plus, Josh and Tasha both finished drafts of their specs!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a><br>
Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6n87q2/ACT_TWO_EPISODE_443_SecondDraft_v01.mp3" length="81354389" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Writing a first draft is tough. But writing a second draft can be tougher. Tasha and Josh discuss best practices for tackling the deceptively difficult second draft, be it going scene-by-scene, starting anew, or ignoring a note to find the real note lurking underneath.
 
TWIW: Why staying active with programs and competitions keeps you going. Should an agent ask for your resume? Style lessons from the Barbarian screenplay. And a friendly reminder that public domain is a proven place to mine IP. Plus, Josh and Tasha both finished drafts of their specs!
 
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2536</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Building Dread: Top 5 Horror Films w/ Special Guest Dave Levinson</title>
        <itunes:title>Building Dread: Top 5 Horror Films w/ Special Guest Dave Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/building-dread-top-5-horror-films-w-special-guest-dave-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/building-dread-top-5-horror-films-w-special-guest-dave-levinson/#comments</comments>        <pubDate>Mon, 30 Oct 2023 08:06:39 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/40905835-8beb-3ad8-8509-c0b81b6778b1</guid>
                                    <description><![CDATA[<p>What makes a horror film truly terrifying? Tasha and Josh, along with special guest and horror aficionado Dave Levinson, break down their favorite horror films and what makes them so frightening that even decades later just the thought of the film sends a shiver up our spine.</p>
<p> </p>
<p>TWIW: Josh is shocked by the discrepancies between a pilot script and a finished pilot episode. Tasha gets to the root of the simplistic genius behind Netflix’s Fall of the House of Usher. </p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>What makes a horror film truly terrifying? Tasha and Josh, along with special guest and horror aficionado Dave Levinson, break down their favorite horror films and what makes them so frightening that even decades later just the thought of the film sends a shiver up our spine.</p>
<p> </p>
<p>TWIW: Josh is shocked by the discrepancies between a pilot script and a finished pilot episode. Tasha gets to the root of the simplistic genius behind Netflix’s <em>Fall of the House of Usher</em>. </p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/x58thw/ACT_TWO_EPISODE_442_Halloween_FINAL.mp3" length="152002875" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What makes a horror film truly terrifying? Tasha and Josh, along with special guest and horror aficionado Dave Levinson, break down their favorite horror films and what makes them so frightening that even decades later just the thought of the film sends a shiver up our spine.
 
TWIW: Josh is shocked by the discrepancies between a pilot script and a finished pilot episode. Tasha gets to the root of the simplistic genius behind Netflix’s Fall of the House of Usher. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4742</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>42</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Get Repped</title>
        <itunes:title>How to Get Repped</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-get-repped/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-get-repped/#comments</comments>        <pubDate>Mon, 23 Oct 2023 10:57:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/bcafa03a-9d4c-3d8f-96ac-1cefe9cbbde7</guid>
                                    <description><![CDATA[<p>Getting repped may seem impossible, but there are actually many different paths to representation. Tasha and Josh break down what worked for them and what they’ve seen work for others. (Spoiler: the best way is to write a good script!)</p>
<p> </p>
<p>TWIW: Josh finished a pilot with his wife and celebrated with a bottle of rosé and Taylor Swift. Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay?</p>
<p> </p>
<p>How Professional Screenwriters Outline: https://www.youtube.com/watch?v=jAY5Y9XWu4I</p>
<p> </p>
<p>The Rep Thread: https://x.com/tclairsmith/status/1711126582549447165?s=46</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Getting repped may seem impossible, but there are actually many different paths to representation. Tasha and Josh break down what worked for them and what they’ve seen work for others. (Spoiler: the best way is to write a good script!)</p>
<p> </p>
<p>TWIW: Josh finished a pilot with his wife and celebrated with a bottle of rosé and Taylor Swift. Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay?</p>
<p> </p>
<p>How Professional Screenwriters Outline: https://www.youtube.com/watch?v=jAY5Y9XWu4I</p>
<p> </p>
<p>The Rep Thread: https://x.com/tclairsmith/status/1711126582549447165?s=46</p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/awhyd3/ACT_TWO_EPISODE_441_TheRepsThread_v03.mp3" length="83342747" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Getting repped may seem impossible, but there are actually many different paths to representation. Tasha and Josh break down what worked for them and what they’ve seen work for others. (Spoiler: the best way is to write a good script!)
 
TWIW: Josh finished a pilot with his wife and celebrated with a bottle of rosé and Taylor Swift. Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay?
 
How Professional Screenwriters Outline: https://www.youtube.com/watch?v=jAY5Y9XWu4I
 
The Rep Thread: https://x.com/tclairsmith/status/1711126582549447165?s=46
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2597</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Where to Find Inspiration</title>
        <itunes:title>Where to Find Inspiration</itunes:title>
        <link>https://acttwo.podbean.com/e/where-to-find-inspiration/</link>
                    <comments>https://acttwo.podbean.com/e/where-to-find-inspiration/#comments</comments>        <pubDate>Mon, 16 Oct 2023 06:40:35 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6dacda2e-06df-355a-82c5-f4543d95fa56</guid>
                                    <description><![CDATA[<p>There’s no wrong way to be inspired, but finding inspiration can oftentimes prove elusive. Hosts Tasha Huo and Josh Hallman discuss various techniques they use when they need a burst of creative inspiration, be it in nature, nostalgia, or an engaging museum plaque.</p>
<p>
TWIW: Josh and Tasha fear AI becoming a creative crutch, but admit that it can be a helpful tool when creating perfect imagery for look books (but shh! don’t tell anybody!!).</p>
<p>
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There’s no wrong way to be inspired, but finding inspiration can oftentimes prove elusive. Hosts Tasha Huo and Josh Hallman discuss various techniques they use when they need a burst of creative inspiration, be it in nature, nostalgia, or an engaging museum plaque.</p>
<p><br>
TWIW: Josh and Tasha fear AI becoming a creative crutch, but admit that it can be a helpful tool when creating perfect imagery for look books (but shh! don’t tell anybody!!).</p>
<p><br>
Questions / Comments: ActTwoWriters@gmail.com<br>
Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wikkgv/ACT_TWO_EPISODE_440_WhatInspiresYou_v01.mp3" length="40176743" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There’s no wrong way to be inspired, but finding inspiration can oftentimes prove elusive. Hosts Tasha Huo and Josh Hallman discuss various techniques they use when they need a burst of creative inspiration, be it in nature, nostalgia, or an engaging museum plaque.
TWIW: Josh and Tasha fear AI becoming a creative crutch, but admit that it can be a helpful tool when creating perfect imagery for look books (but shh! don’t tell anybody!!).
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1255</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Importance of Self-Care</title>
        <itunes:title>The Importance of Self-Care</itunes:title>
        <link>https://acttwo.podbean.com/e/the-importance-of-self-care/</link>
                    <comments>https://acttwo.podbean.com/e/the-importance-of-self-care/#comments</comments>        <pubDate>Mon, 09 Oct 2023 09:25:27 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/656c3be1-77e3-3cc4-9f45-b96be12ec623</guid>
                                    <description><![CDATA[<p>Take a break! Eat dinner with your family! Hangout with that friend! We promise you’ll still get your writing done. In this episode, hosts Tasha Huo and Josh Hallman discuss the importance of self-care in a post-strike world, and the various strategies they use to relieve the ever-present pressure of work work work. Step one: acknowledging that you need self-care in the first place!</p>
<p>TWIW: Josh experiences notes in real time. Tasha feels pressure to make her next spec definitive while also finishing her short story five years in the making.</p>
<p>Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Take a break! Eat dinner with your family! Hangout with that friend! We promise you’ll still get your writing done. In this episode, hosts Tasha Huo and Josh Hallman discuss the importance of self-care in a post-strike world, and the various strategies they use to relieve the ever-present pressure of work work work. Step one: acknowledging that you need self-care in the first place!</p>
<p>TWIW: Josh experiences notes in real time. Tasha feels pressure to make her next spec definitive while also finishing her short story five years in the making.</p>
<p>Questions / Comments: ActTwoWriters@gmail.com<br>
Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yyv9zq/ACT_TWO_EPISODE_439_SelfCare_v01.mp3" length="52354402" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Take a break! Eat dinner with your family! Hangout with that friend! We promise you’ll still get your writing done. In this episode, hosts Tasha Huo and Josh Hallman discuss the importance of self-care in a post-strike world, and the various strategies they use to relieve the ever-present pressure of work work work. Step one: acknowledging that you need self-care in the first place!
TWIW: Josh experiences notes in real time. Tasha feels pressure to make her next spec definitive while also finishing her short story five years in the making.
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1636</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Essential Steps to Writing a Pilot Outline</title>
        <itunes:title>The Essential Steps to Writing a Pilot Outline</itunes:title>
        <link>https://acttwo.podbean.com/e/the-essential-steps-to-writing-a-pilot-outline/</link>
                    <comments>https://acttwo.podbean.com/e/the-essential-steps-to-writing-a-pilot-outline/#comments</comments>        <pubDate>Mon, 02 Oct 2023 08:10:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7d53c6dd-0b78-3239-93ca-4e93cb42dbec</guid>
                                    <description><![CDATA[<p>Writing a Pilot is one of the more difficult undertakings of a Screenwriter. It must set up an entire series without revealing too much of the series journey, engage the audience with questions, but not leave enough questions to be confusing. A great pilot starts with a great outline. In this episode, hosts Tasha Huo and Josh Hallman discuss how TV Pilots are broken and outlined in a professional writer's room, and how to take those lessons with you to your own personal pilot process. </p>
<p> </p>
<p>TWIW: the Writer's Strike is over! A new series is coming to the Act Two Podcast. Tasha was on a panel at the Netherlands Film Festival! Josh broke his ankle, which has ripple effects to the upcoming Patreon. Tasha's TOMB RAIDER teaser came out! </p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Writing a Pilot is one of the more difficult undertakings of a Screenwriter. It must set up an entire series without revealing too much of the series journey, engage the audience with questions, but not leave enough questions to be confusing. A great pilot starts with a great outline. In this episode, hosts Tasha Huo and Josh Hallman discuss how TV Pilots are broken and outlined in a professional writer's room, and how to take those lessons with you to your own personal pilot process. </p>
<p> </p>
<p>TWIW: the Writer's Strike is over! A new series is coming to the Act Two Podcast. Tasha was on a panel at the Netherlands Film Festival! Josh broke his ankle, which has ripple effects to the upcoming Patreon. Tasha's TOMB RAIDER teaser came out! </p>
<p> </p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ya92zm/ACT_TWO_EPISODE_438_PilotOutlining_Final.mp3" length="104367750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Writing a Pilot is one of the more difficult undertakings of a Screenwriter. It must set up an entire series without revealing too much of the series journey, engage the audience with questions, but not leave enough questions to be confusing. A great pilot starts with a great outline. In this episode, hosts Tasha Huo and Josh Hallman discuss how TV Pilots are broken and outlined in a professional writer's room, and how to take those lessons with you to your own personal pilot process. 
 
TWIW: the Writer's Strike is over! A new series is coming to the Act Two Podcast. Tasha was on a panel at the Netherlands Film Festival! Josh broke his ankle, which has ripple effects to the upcoming Patreon. Tasha's TOMB RAIDER teaser came out! 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>The Act Two Network</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3261</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Finding Humanity in Your Villain</title>
        <itunes:title>Finding Humanity in Your Villain</itunes:title>
        <link>https://acttwo.podbean.com/e/finding-humanity-in-your-villain/</link>
                    <comments>https://acttwo.podbean.com/e/finding-humanity-in-your-villain/#comments</comments>        <pubDate>Mon, 25 Sep 2023 08:33:07 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/bfe58873-217b-31fa-89df-4143965345e4</guid>
                                    <description><![CDATA[<p>A great villain is the hero of their own story. Search for their humanity and discover what makes them your hero’s shadow self.</p>
<p>Plus, Elemental and the lost art of word of mouth marketing.</p>
<p>TWIW: Josh achieves #couplegoals. Tasha struggles to finish her short story, but finds hope in her calendar of all places.</p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>A great villain is the hero of their own story. Search for their humanity and discover what makes them your hero’s <em>shadow self</em>.</p>
<p>Plus, Elemental and the lost art of word of mouth marketing.</p>
<p>TWIW: Josh achieves #couplegoals. Tasha struggles to finish her short story, but finds hope in her calendar of all places.</p>
<p>Questions / Comments: ActTwoWriters@gmail.com</p>
<p>Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hwk6ww/ACT_TWO_EPISODE_437_EmpathaticVillains_FINAL.mp3" length="89451623" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A great villain is the hero of their own story. Search for their humanity and discover what makes them your hero’s shadow self.
Plus, Elemental and the lost art of word of mouth marketing.
TWIW: Josh achieves #couplegoals. Tasha struggles to finish her short story, but finds hope in her calendar of all places.
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2795</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Rethinking How to Adapt IP</title>
        <itunes:title>Rethinking How to Adapt IP</itunes:title>
        <link>https://acttwo.podbean.com/e/rethinking-how-to-adapt-ip/</link>
                    <comments>https://acttwo.podbean.com/e/rethinking-how-to-adapt-ip/#comments</comments>        <pubDate>Mon, 18 Sep 2023 09:21:43 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5d6933e0-e423-3cec-99f1-6459d2a2ae75</guid>
                                    <description><![CDATA[<p>Why is IP important? Do you need it to make a sale? Hosts Tasha Huo and Josh Hallman break down an article by Steven Hartman, the pros and cons of working with IP, and rethinking how to approach adapting one.</p>
<p>
TWIW: Goal Buddies keep us on track and motivated to solve Act 1 problems, and why you should sit on notes for a day (even if you agree with them).</p>
<p> </p>
<p>Link to article: https://screencraft.org/blog/is-this-the-end-of-existing-ip-domination/</p>
<p>
Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a>
Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Why is IP important? Do you need it to make a sale? Hosts Tasha Huo and Josh Hallman break down an article by Steven Hartman, the pros and cons of working with IP, and rethinking how to approach adapting one.</p>
<p><br>
TWIW: Goal Buddies keep us on track and motivated to solve Act 1 problems, and why you should sit on notes for a day (even if you agree with them).</p>
<p> </p>
<p>Link to article: https://screencraft.org/blog/is-this-the-end-of-existing-ip-domination/</p>
<p><br>
Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a><br>
Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9ghzrq/ACT_TWO_EPISODE_436_IP_FINAL.mp3" length="73371062" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Why is IP important? Do you need it to make a sale? Hosts Tasha Huo and Josh Hallman break down an article by Steven Hartman, the pros and cons of working with IP, and rethinking how to approach adapting one.
TWIW: Goal Buddies keep us on track and motivated to solve Act 1 problems, and why you should sit on notes for a day (even if you agree with them).
 
Link to article: https://screencraft.org/blog/is-this-the-end-of-existing-ip-domination/
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2292</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>5 Stages of Spec Writing</title>
        <itunes:title>5 Stages of Spec Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/5-stages-of-spec-writing/</link>
                    <comments>https://acttwo.podbean.com/e/5-stages-of-spec-writing/#comments</comments>        <pubDate>Mon, 11 Sep 2023 17:48:17 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c974ab7b-c0b9-314a-a56c-1b8a995d7493</guid>
                                    <description><![CDATA[<p class="p2">There are 5 (Emotional) Stages a Screenwriter goes through in writing their spec. Hosts Tasha Huo and Josh Hallman break down the writer brain at each stage, and how to power through to get that spec done.</p>
<p class="p2"> </p>
<p class="p2">TWIW: pitching safely vs. pitching for the win, being a Machiavellian writer to avoid notes, and would TAKEN be as iconic without *that* scene?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">There are 5 (Emotional) Stages a Screenwriter goes through in writing their spec. Hosts Tasha Huo and Josh Hallman break down the writer brain at each stage, and how to power through to get that spec done.</p>
<p class="p2"> </p>
<p class="p2">TWIW: pitching safely vs. pitching for the win, being a Machiavellian writer to avoid notes, and would TAKEN be as iconic without *that* scene?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/auwsj6/ACT_TWO_EPISODE_435_FiveStepsForSpecs_v01.mp3" length="95193546" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are 5 (Emotional) Stages a Screenwriter goes through in writing their spec. Hosts Tasha Huo and Josh Hallman break down the writer brain at each stage, and how to power through to get that spec done.
 
TWIW: pitching safely vs. pitching for the win, being a Machiavellian writer to avoid notes, and would TAKEN be as iconic without *that* scene?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2974</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Breakdown of Act One: SPIDER-MAN: ACROSS THE SPIDER-VERSE</title>
        <itunes:title>Breakdown of Act One: SPIDER-MAN: ACROSS THE SPIDER-VERSE</itunes:title>
        <link>https://acttwo.podbean.com/e/breakdown-of-act-one-spider-man-across-the-spider-verse/</link>
                    <comments>https://acttwo.podbean.com/e/breakdown-of-act-one-spider-man-across-the-spider-verse/#comments</comments>        <pubDate>Mon, 04 Sep 2023 15:28:04 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/07c221b5-98e0-32ec-9c64-430849071dc6</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman break down the structure and writing lessons Screenwriters can learn from Act One of SPIDER-MAN: ACROSS THE SPIDER-VERSE, including how to use blocking and silence to tell your story, how to maximize spare dialogue, and how to use action to advance your story and hide exposition.</p>
<p class="p2"> </p>
<p class="p2">TWIW: the structure and writing lessons of WAR OF THE WORLDS, and if you were to fire your rep, should you do it during or after the strike?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman break down the structure and writing lessons Screenwriters can learn from Act One of SPIDER-MAN: ACROSS THE SPIDER-VERSE, including how to use blocking and silence to tell your story, how to maximize spare dialogue, and how to use action to advance your story and hide exposition.</p>
<p class="p2"> </p>
<p class="p2">TWIW: the structure and writing lessons of WAR OF THE WORLDS, and if you were to fire your rep, should you do it during or after the strike?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/et9c86/ACT_TWO_EPISODE_434_SpiderverseOpening_FINAL.mp3" length="86561853" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman break down the structure and writing lessons Screenwriters can learn from Act One of SPIDER-MAN: ACROSS THE SPIDER-VERSE, including how to use blocking and silence to tell your story, how to maximize spare dialogue, and how to use action to advance your story and hide exposition.
 
TWIW: the structure and writing lessons of WAR OF THE WORLDS, and if you were to fire your rep, should you do it during or after the strike?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2705</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Be a Writer on Set</title>
        <itunes:title>How to Be a Writer on Set</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-be-a-writer-on-set/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-be-a-writer-on-set/#comments</comments>        <pubDate>Mon, 28 Aug 2023 19:53:45 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7bfc7e13-5e66-361c-9275-3202b1b112ea</guid>
                                    <description><![CDATA[<p>Eliza Clark (Showrunner, Y: THE LAST MAN) wrote a document for her writers on what to do once they were on set to produce their episode of television. The document highlights the incredible importance of a writer on set, and how imperative episodic writers are for Showrunners in production. </p>
<p> </p>
<p>Hosts Tasha Huo and Josh Hallman break down Clark's list of writer duties on set, and further elucidate the important, unique and difficult job that a writer has in production.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Eliza Clark (Showrunner, Y: THE LAST MAN) wrote a document for her writers on what to do once they were on set to produce their episode of television. The document highlights the incredible importance of a writer on set, and how imperative episodic writers are for Showrunners in production. </p>
<p> </p>
<p>Hosts Tasha Huo and Josh Hallman break down Clark's list of writer duties on set, and further elucidate the important, unique and difficult job that a writer has in production.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aak8x2/ACT_TWO_EPISODE_433_BeingOnATVSet_v01.mp3" length="113022013" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Eliza Clark (Showrunner, Y: THE LAST MAN) wrote a document for her writers on what to do once they were on set to produce their episode of television. The document highlights the incredible importance of a writer on set, and how imperative episodic writers are for Showrunners in production. 
 
Hosts Tasha Huo and Josh Hallman break down Clark's list of writer duties on set, and further elucidate the important, unique and difficult job that a writer has in production.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3531</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Jeff Howard (HAUNTING OF HILL HOUSE, MIDNIGHT MASS)</title>
        <itunes:title>Interview with Jeff Howard (HAUNTING OF HILL HOUSE, MIDNIGHT MASS)</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-jeff-howard-haunting-of-hill-house-midnight-mass/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-jeff-howard-haunting-of-hill-house-midnight-mass/#comments</comments>        <pubDate>Mon, 21 Aug 2023 07:08:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3f275694-7dbd-3f6c-9483-28ddda8c2394</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with Screen and TV writer Jeff Howard (HAUNTING OF HILL HOUSE, MIDNIGHT MASS, OCULUS, GERALD'S GAME) to talk about his unique story of how he got started (including meeting the Terminator), how he became director Mike Flanagan's writing partner, his own career struggles, and the realities of working in a TV room.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with Screen and TV writer Jeff Howard (HAUNTING OF HILL HOUSE, MIDNIGHT MASS, OCULUS, GERALD'S GAME) to talk about his unique story of how he got started (including meeting the Terminator), how he became director Mike Flanagan's writing partner, his own career struggles, and the realities of working in a TV room.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cd2f6a/ACT_TWO_EPISODE_432_JeffHowardIntv_FINAL.mp3" length="110754167" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Screen and TV writer Jeff Howard (HAUNTING OF HILL HOUSE, MIDNIGHT MASS, OCULUS, GERALD'S GAME) to talk about his unique story of how he got started (including meeting the Terminator), how he became director Mike Flanagan's writing partner, his own career struggles, and the realities of working in a TV room.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3461</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Tips from INDIANA JONES</title>
        <itunes:title>Screenwriting Tips from INDIANA JONES</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-tips-from-indiana-jones/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-tips-from-indiana-jones/#comments</comments>        <pubDate>Mon, 14 Aug 2023 12:10:48 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/35cc8e80-ad9d-3954-8108-d2135e86a0d7</guid>
                                    <description><![CDATA[<p class="p2">Jumping off an article posted by <a href='https://nofilmschool.com/indiana-jones-screenplay'>NoFilmSchool.com</a>, hosts Tasha Huo and Josh Hallman discuss what Screenwriting imperatives one can learn from dissecting INDIANA JONES movies, including everything from how to introduce characters in an impactful way and how to keep your story moving with an active protagonist. </p>
<p class="p2">
TWIW: Josh was told his characters sound like him, so what is voice and how do you find it in a character? Tasha's TMNT reactions. Tasha's takeaway re: simple storytelling vs. complex storytelling after writing for TV.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Jumping off an article posted by <a href='https://nofilmschool.com/indiana-jones-screenplay'>NoFilmSchool.com</a>, hosts Tasha Huo and Josh Hallman discuss what Screenwriting imperatives one can learn from dissecting INDIANA JONES movies, including everything from how to introduce characters in an impactful way and how to keep your story moving with an active protagonist. </p>
<p class="p2"><br>
TWIW: Josh was told his characters sound like him, so what is voice and how do you find it in a character? Tasha's TMNT reactions. Tasha's takeaway re: simple storytelling vs. complex storytelling after writing for TV.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wv96yf/ACT_TWO_EPISODE_431_ScreenwritingTipsFromIndy_FINAL.mp3" length="88812146" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Jumping off an article posted by NoFilmSchool.com, hosts Tasha Huo and Josh Hallman discuss what Screenwriting imperatives one can learn from dissecting INDIANA JONES movies, including everything from how to introduce characters in an impactful way and how to keep your story moving with an active protagonist. 
TWIW: Josh was told his characters sound like him, so what is voice and how do you find it in a character? Tasha's TMNT reactions. Tasha's takeaway re: simple storytelling vs. complex storytelling after writing for TV.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2775</itunes:duration>
                <itunes:episode>53</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Alyssa Alvarado: AUSTIN FILM FESTIVAL</title>
        <itunes:title>Interview with Alyssa Alvarado: AUSTIN FILM FESTIVAL</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-alyssa-alvarado-austin-film-festival/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-alyssa-alvarado-austin-film-festival/#comments</comments>        <pubDate>Mon, 07 Aug 2023 19:22:33 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5553944d-c40c-3002-bdf7-247db0a7fa9b</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with Alyssa Alvarado, the Screenplay Department Director of the Austin Film Festival, to chat about what makes AFF the best festival in the US for Screenwriters and what writers can expect by both applying and attending the festival, including tips on networking successfully while in Austin.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman sit down with Alyssa Alvarado, the Screenplay Department Director of the Austin Film Festival, to chat about what makes AFF the best festival in the US for Screenwriters and what writers can expect by both applying and attending the festival, including tips on networking successfully while in Austin.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/adbqsj/ACT_TWO_EPISODE_430_AlyssaAlvaradoINTV_v01.mp3" length="72646320" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Alyssa Alvarado, the Screenplay Department Director of the Austin Film Festival, to chat about what makes AFF the best festival in the US for Screenwriters and what writers can expect by both applying and attending the festival, including tips on networking successfully while in Austin.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2270</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Summer Blockbusters: Midpoint Check-In</title>
        <itunes:title>Summer Blockbusters: Midpoint Check-In</itunes:title>
        <link>https://acttwo.podbean.com/e/summer-blockbusters-midpoint-check-in/</link>
                    <comments>https://acttwo.podbean.com/e/summer-blockbusters-midpoint-check-in/#comments</comments>        <pubDate>Mon, 31 Jul 2023 11:03:39 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d1ef6622-dc73-392a-a176-06142a0b52c4</guid>
                                    <description><![CDATA[<p>It is the Midpoint of the 2023 Summer Blockbuster season! Hosts Tasha Huo and Josh Hallman discuss the Barbenheimer phenomenon and what's been good, bad and ugly so far this Summer at the theaters. </p>
<p> </p>
<p>TWIW: Act Two's Idea Creation Night, Why studios hire A-list writers when a lower-level writer could do the job for cheaper, Favorite MISSION: IMPOSSIBLE titles and why they do/do not work.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It is the Midpoint of the 2023 Summer Blockbuster season! Hosts Tasha Huo and Josh Hallman discuss the Barbenheimer phenomenon and what's been good, bad and ugly so far this Summer at the theaters. </p>
<p> </p>
<p>TWIW: Act Two's Idea Creation Night, Why studios hire A-list writers when a lower-level writer could do the job for cheaper, Favorite MISSION: IMPOSSIBLE titles and why they do/do not work.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d5mn44/ACT_TWO_EPISODE_429_Barbenheimer_FINAL.mp3" length="85751848" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It is the Midpoint of the 2023 Summer Blockbuster season! Hosts Tasha Huo and Josh Hallman discuss the Barbenheimer phenomenon and what's been good, bad and ugly so far this Summer at the theaters. 
 
TWIW: Act Two's Idea Creation Night, Why studios hire A-list writers when a lower-level writer could do the job for cheaper, Favorite MISSION: IMPOSSIBLE titles and why they do/do not work.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2679</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Dan Kunka: ARBITRATION</title>
        <itunes:title>Interview with Dan Kunka: ARBITRATION</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-dan-kunka-arbitration/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-dan-kunka-arbitration/#comments</comments>        <pubDate>Mon, 24 Jul 2023 07:13:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/00c07f06-64c5-3442-83a3-fb1f27a88501</guid>
                                    <description><![CDATA[<p class="p2">Back by popular demand, Screenwriter Dan Kunka (12 ROUNDS) talks with hosts Tasha Huo and Josh Hallman about his journey through arbitration for his latest film, LIFT, based on his spec, and why more writers need to learn that being rewritten is simply part of the job. </p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Back by popular demand, Screenwriter Dan Kunka (12 ROUNDS) talks with hosts Tasha Huo and Josh Hallman about his journey through arbitration for his latest film, LIFT, based on his spec, and why more writers need to learn that being rewritten is simply part of the job. </p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/by3fgb/ACT_TWO_EPISODE_428_KunkaIntv02_FINAL.mp3" length="108773040" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Back by popular demand, Screenwriter Dan Kunka (12 ROUNDS) talks with hosts Tasha Huo and Josh Hallman about his journey through arbitration for his latest film, LIFT, based on his spec, and why more writers need to learn that being rewritten is simply part of the job. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3399</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>J.J. Abrams’s Mystery Box</title>
        <itunes:title>J.J. Abrams’s Mystery Box</itunes:title>
        <link>https://acttwo.podbean.com/e/jj-abrams-s-mystery-box/</link>
                    <comments>https://acttwo.podbean.com/e/jj-abrams-s-mystery-box/#comments</comments>        <pubDate>Mon, 17 Jul 2023 07:15:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9c222255-6513-3373-880f-48de284710b7</guid>
                                    <description><![CDATA[<p class="p2">Screenwriters have been inspired for a long time by JJ Abrams's "Mystery Box" TED Talk from 2007. It gave a glimpse into JJ's genius as a writer whose movies and shows were irresistible and impossibly engaging. In this episode, hosts Tasha Huo and Josh Hallman walk through JJ's TED Talk and how and why the "Mystery Box" could make you a better writer.</p>
<p class="p2"> </p>
<p class="p2">TWIW: SAG-AFTRA has joined the WGA on strike, "Elemental", breaking in through temp agencies, and an Act Two Patreon?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Screenwriters have been inspired for a long time by JJ Abrams's "Mystery Box" TED Talk from 2007. It gave a glimpse into JJ's genius as a writer whose movies and shows were irresistible and impossibly engaging. In this episode, hosts Tasha Huo and Josh Hallman walk through JJ's TED Talk and how and why the "Mystery Box" could make you a better writer.</p>
<p class="p2"> </p>
<p class="p2">TWIW: SAG-AFTRA has joined the WGA on strike, "Elemental", breaking in through temp agencies, and an Act Two Patreon?</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j8pzxv/ACT_TWO_EPISODE_427_MysteryBox_FINAL.mp3" length="99771035" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Screenwriters have been inspired for a long time by JJ Abrams's "Mystery Box" TED Talk from 2007. It gave a glimpse into JJ's genius as a writer whose movies and shows were irresistible and impossibly engaging. In this episode, hosts Tasha Huo and Josh Hallman walk through JJ's TED Talk and how and why the "Mystery Box" could make you a better writer.
 
TWIW: SAG-AFTRA has joined the WGA on strike, "Elemental", breaking in through temp agencies, and an Act Two Patreon?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3117</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>FLASH and INDIANA JONES</title>
        <itunes:title>FLASH and INDIANA JONES</itunes:title>
        <link>https://acttwo.podbean.com/e/flash-and-indiana-jones/</link>
                    <comments>https://acttwo.podbean.com/e/flash-and-indiana-jones/#comments</comments>        <pubDate>Mon, 10 Jul 2023 09:46:45 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/46887f1f-28d9-3e8e-b898-92b8c4cef33f</guid>
                                    <description><![CDATA[<p class="p2">As huge genre fans, hosts Tasha Huo &amp; Josh Hallman discuss their thoughts on FLASH and INDIANA JONES: DIAL OF DESTINY. *Spoilers definitely ahead, beware!*</p>
<p class="p2"> </p>
<p class="p2">TWIW: Quiet Writers vs. Loud Writers in a TV Writer's Room, that time Josh saw INCEPTION with Christopher Nolan, and NO HARD FEELINGS (with Jennifer Lawrence)</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">As huge genre fans, hosts Tasha Huo &amp; Josh Hallman discuss their thoughts on FLASH and INDIANA JONES: DIAL OF DESTINY. *Spoilers definitely ahead, beware!*</p>
<p class="p2"> </p>
<p class="p2">TWIW: Quiet Writers vs. Loud Writers in a TV Writer's Room, that time Josh saw INCEPTION with Christopher Nolan, and NO HARD FEELINGS (with Jennifer Lawrence)</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gbraw4/ACT_TWO_EPISODE_426_FlashAndIndy_FINAL.mp3" length="106128195" type="audio/mpeg"/>
        <itunes:summary><![CDATA[As huge genre fans, hosts Tasha Huo &amp; Josh Hallman discuss their thoughts on FLASH and INDIANA JONES: DIAL OF DESTINY. *Spoilers definitely ahead, beware!*
 
TWIW: Quiet Writers vs. Loud Writers in a TV Writer's Room, that time Josh saw INCEPTION with Christopher Nolan, and NO HARD FEELINGS (with Jennifer Lawrence)
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3316</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Summer 2023 Blockbusters!</title>
        <itunes:title>Summer 2023 Blockbusters!</itunes:title>
        <link>https://acttwo.podbean.com/e/summer-2023-blockbusters/</link>
                    <comments>https://acttwo.podbean.com/e/summer-2023-blockbusters/#comments</comments>        <pubDate>Tue, 27 Jun 2023 09:01:10 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b6071435-138d-3a5c-8310-cc5dfabb7087</guid>
                                    <description><![CDATA[<p class="p2">It's a blockbuster Summer like we haven't seen in years. Hosts Tasha Huo and Josh Hallman discuss the Summer 2023 line-up and what are the must-sees in theater. </p>
<p class="p2"> </p>
<p class="p2">TWIW: the unlikely origin story of a Fast & Furious cast member, and different structures writers use to write.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">It's a blockbuster Summer like we haven't seen in years. Hosts Tasha Huo and Josh Hallman discuss the Summer 2023 line-up and what are the must-sees in theater. </p>
<p class="p2"> </p>
<p class="p2">TWIW: the unlikely origin story of a <em>Fast & Furious</em> cast member, and different structures writers use to write.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/evqztv/ACT_TWO_EPISODE_424_Blockbusters_FINAL.mp3" length="92147460" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's a blockbuster Summer like we haven't seen in years. Hosts Tasha Huo and Josh Hallman discuss the Summer 2023 line-up and what are the must-sees in theater. 
 
TWIW: the unlikely origin story of a Fast & Furious cast member, and different structures writers use to write.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2879</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Spiderverse, ”Burn It Down” and AI</title>
        <itunes:title>TWIW: Spiderverse, ”Burn It Down” and AI</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-spiderverse-burn-it-down-and-ai/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-spiderverse-burn-it-down-and-ai/#comments</comments>        <pubDate>Mon, 19 Jun 2023 23:16:17 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9b691035-8988-30c9-8c51-45bc69d1a160</guid>
                                    <description><![CDATA[<p class="p2">This Week in Writing includes wildly different reviews of Spiderverse by hosts Tasha Huo and Josh Hallman, Hollywood books that have made it on their reading lists, the DGA agreement and AI, and the State of the (Screenwriter) Union.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">This Week in Writing includes wildly different reviews of <em>Spiderverse</em> by hosts Tasha Huo and Josh Hallman, Hollywood books that have made it on their reading lists, the DGA agreement and AI, and the State of the (Screenwriter) Union.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5wa4wa/ACT_TWO_EPISODE_423_TWIW-6-24_v01.mp3" length="83565922" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This Week in Writing includes wildly different reviews of Spiderverse by hosts Tasha Huo and Josh Hallman, Hollywood books that have made it on their reading lists, the DGA agreement and AI, and the State of the (Screenwriter) Union.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2611</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tips for Writing a Short Film</title>
        <itunes:title>Tips for Writing a Short Film</itunes:title>
        <link>https://acttwo.podbean.com/e/tips-for-writing-a-short-film/</link>
                    <comments>https://acttwo.podbean.com/e/tips-for-writing-a-short-film/#comments</comments>        <pubDate>Mon, 12 Jun 2023 09:07:12 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b8a0b332-12cc-3a0e-86c7-f17177332fe6</guid>
                                    <description><![CDATA[<p class="p2">What are the main tenets when writing a short film? Hosts Tasha Huo and Josh Hallman discuss what you should be thinking about as you embark on writing your short film in terms of story, character and structure.</p>
<p class="p2">
TWIW: ChatGPT writes "Black Mirror" episodes and BURN IT DOWN by Maureen Ryan and toxicity in writers rooms.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">What are the main tenets when writing a short film? Hosts Tasha Huo and Josh Hallman discuss what you should be thinking about as you embark on writing your short film in terms of story, character and structure.</p>
<p class="p2"><br>
TWIW: ChatGPT writes "Black Mirror" episodes and BURN IT DOWN by Maureen Ryan and toxicity in writers rooms.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ps4iyu/ACT_TWO_EPISODE_422_ShortFilms_FINAL.mp3" length="77365915" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What are the main tenets when writing a short film? Hosts Tasha Huo and Josh Hallman discuss what you should be thinking about as you embark on writing your short film in terms of story, character and structure.
TWIW: ChatGPT writes "Black Mirror" episodes and BURN IT DOWN by Maureen Ryan and toxicity in writers rooms.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2417</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What is Arbitration?</title>
        <itunes:title>What is Arbitration?</itunes:title>
        <link>https://acttwo.podbean.com/e/what-is-arbitration/</link>
                    <comments>https://acttwo.podbean.com/e/what-is-arbitration/#comments</comments>        <pubDate>Mon, 05 Jun 2023 22:24:32 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7cd6573a-e415-34a6-9330-0eb5dab073f9</guid>
                                    <description><![CDATA[<p class="p2">What is Arbitration, how does it work, and what does a Screenwriter have to do when it happens to them? Hosts Tasha Huo and Josh Hallman discuss Tasha's recent (and first!) arbitration experience trying to retain credit on one of her features, breaking the process down from start to finish.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">What is Arbitration, how does it work, and what does a Screenwriter have to do when it happens to them? Hosts Tasha Huo and Josh Hallman discuss Tasha's recent (and first!) arbitration experience trying to retain credit on one of her features, breaking the process down from start to finish.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2w5aky/ACT_TWO_EPISODE_421_Arbitration_FINAL.mp3" length="96867891" type="audio/mpeg"/>
        <itunes:summary><![CDATA[What is Arbitration, how does it work, and what does a Screenwriter have to do when it happens to them? Hosts Tasha Huo and Josh Hallman discuss Tasha's recent (and first!) arbitration experience trying to retain credit on one of her features, breaking the process down from start to finish.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3027</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>52</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>WGA Strike Vibes on the Picket</title>
        <itunes:title>WGA Strike Vibes on the Picket</itunes:title>
        <link>https://acttwo.podbean.com/e/wga-strike-vibes-on-the-picket/</link>
                    <comments>https://acttwo.podbean.com/e/wga-strike-vibes-on-the-picket/#comments</comments>        <pubDate>Mon, 29 May 2023 20:12:02 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f0f0061b-8e9f-34ca-9493-1af3c177fbb8</guid>
                                    <description><![CDATA[<p class="p2">After a day of picketing, hosts Tasha Huo and Josh Hallman chat about what it's like to picket and how WGA writers they talked to are currently feeling about the strike. </p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">After a day of picketing, hosts Tasha Huo and Josh Hallman chat about what it's like to picket and how WGA writers they talked to are currently feeling about the strike. </p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g5zcwv/ACT_TWO_EPISODE_420_StrikeVibes_v01.mp3" length="76066062" type="audio/mpeg"/>
        <itunes:summary><![CDATA[After a day of picketing, hosts Tasha Huo and Josh Hallman chat about what it's like to picket and how WGA writers they talked to are currently feeling about the strike. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2377</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Stay in Screenwriting Shape</title>
        <itunes:title>How to Stay in Screenwriting Shape</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-stay-in-screenwriting-shape/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-stay-in-screenwriting-shape/#comments</comments>        <pubDate>Mon, 22 May 2023 09:18:24 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2321b2c6-8baf-3e74-87ba-7db41246812e</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo &amp; Josh Hallman discuss a <a href='https://blog.finaldraft.com/5-tips-to-staying-in-screenwriting-shape?utm_campaign=Corporate%20Newsletter&amp;utm_medium=email&amp;_hsmi=257967410&amp;_hsenc=p2ANqtz-8ZFk1qOK0iESgROyLTaziOG5Gf_lFjVVVZ5T5Wm2099RloSzk2XZPCJHFICDisR6Jg2vnQIPFAUl1tzGfMNBrPjK5CLQ&amp;utm_content=257967410&amp;utm_source=hs_email'>blog post by Final Draft</a> about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo &amp; Josh Hallman discuss a <a href='https://blog.finaldraft.com/5-tips-to-staying-in-screenwriting-shape?utm_campaign=Corporate%20Newsletter&amp;utm_medium=email&amp;_hsmi=257967410&amp;_hsenc=p2ANqtz-8ZFk1qOK0iESgROyLTaziOG5Gf_lFjVVVZ5T5Wm2099RloSzk2XZPCJHFICDisR6Jg2vnQIPFAUl1tzGfMNBrPjK5CLQ&amp;utm_content=257967410&amp;utm_source=hs_email'>blog post by Final Draft</a> about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/297hsy/ACT_TWO_EPISODE_419_ScreenwritingShape_v01.mp3" length="72913814" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo &amp; Josh Hallman discuss a blog post by Final Draft about 5 Ways to stretch your Screenwriting muscles every day so you never lose writing momentum, even on days you don't feel like writing.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2278</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How Screenwriters Get Paid</title>
        <itunes:title>How Screenwriters Get Paid</itunes:title>
        <link>https://acttwo.podbean.com/e/how-screenwriters-get-paid/</link>
                    <comments>https://acttwo.podbean.com/e/how-screenwriters-get-paid/#comments</comments>        <pubDate>Tue, 16 May 2023 07:56:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7d43791e-1b11-35a0-87b6-9eee5ba8ddb3</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how Screen and TV writers get paid, and why the pay system can make it difficult to grow your Screenwriting career.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how Screen and TV writers get paid, and why the pay system can make it difficult to grow your Screenwriting career.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/39j2k8/ACT_TWO_EPISODE_418_HowWritersGetPaid_FINAL.mp3" length="87561612" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how Screen and TV writers get paid, and why the pay system can make it difficult to grow your Screenwriting career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2736</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>WGA Strike (Week 1)</title>
        <itunes:title>WGA Strike (Week 1)</itunes:title>
        <link>https://acttwo.podbean.com/e/wga-strike-week-1/</link>
                    <comments>https://acttwo.podbean.com/e/wga-strike-week-1/#comments</comments>        <pubDate>Mon, 08 May 2023 16:54:56 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8bde7abc-cad4-3ffe-b7f0-a375f68cc119</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how the WGA Strike has affected them and their projects, and suggest resources for WGA and pre-WGA writers to learn more about the Strike, why it's happening, and how it can affect them.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how the WGA Strike has affected them and their projects, and suggest resources for WGA and pre-WGA writers to learn more about the Strike, why it's happening, and how it can affect them.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/73qntn/ACT_TWO_EPISODE_417_StrikeEpisode_FINAL.mp3" length="42371029" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how the WGA Strike has affected them and their projects, and suggest resources for WGA and pre-WGA writers to learn more about the Strike, why it's happening, and how it can affect them.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1324</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Mario, 3 Writer Personalities, and LA Writer Meet-Ups</title>
        <itunes:title>TWIW: Mario, 3 Writer Personalities, and LA Writer Meet-Ups</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-mario-3-writer-personalities-and-la-writer-meet-ups/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-mario-3-writer-personalities-and-la-writer-meet-ups/#comments</comments>        <pubDate>Mon, 01 May 2023 09:24:15 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ce4870b2-a65e-359e-9a48-cb1019f782c0</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the MARIO movie, 3 different kinds of note-taking writer personalities, the hopeful future of movie theaters, and Josh's first visit to a David H. Steinberg Writer Meet-Up.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the MARIO movie, 3 different kinds of note-taking writer personalities, the hopeful future of movie theaters, and Josh's first visit to a David H. Steinberg Writer Meet-Up.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ed3qve/ACT_TWO_EPISODE_416_TWIW-4-25_FINAL.mp3" length="95338996" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the MARIO movie, 3 different kinds of note-taking writer personalities, the hopeful future of movie theaters, and Josh's first visit to a David H. Steinberg Writer Meet-Up.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2979</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Industry Terms: Part II</title>
        <itunes:title>Industry Terms: Part II</itunes:title>
        <link>https://acttwo.podbean.com/e/industry-terms-part-ii/</link>
                    <comments>https://acttwo.podbean.com/e/industry-terms-part-ii/#comments</comments>        <pubDate>Mon, 24 Apr 2023 12:17:45 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/58d23e05-c851-3465-b273-a25292b0585b</guid>
                                    <description><![CDATA[<p dir="ltr">Back by popular demand... In part two of a series, hosts Tasha Huo and Josh Hallman discuss Hollywood phrases that producers, studio execs, and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer. </p>
<p> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Back by popular demand... In part two of a series, hosts Tasha Huo and Josh Hallman discuss Hollywood phrases that producers, studio execs, and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer. </p>
<p> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ws9y8v/ACT_TWO_EPISODE_415_IndustryTermsPart2_FINAL.mp3" length="96312841" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Back by popular demand... In part two of a series, hosts Tasha Huo and Josh Hallman discuss Hollywood phrases that producers, studio execs, and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3009</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Industry Terms (Part I)</title>
        <itunes:title>Industry Terms (Part I)</itunes:title>
        <link>https://acttwo.podbean.com/e/industry-terms-part-i/</link>
                    <comments>https://acttwo.podbean.com/e/industry-terms-part-i/#comments</comments>        <pubDate>Mon, 17 Apr 2023 10:30:11 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4c3f6738-206b-335e-8bbb-b2fa18e86440</guid>
                                    <description><![CDATA[<p class="p2">Hollywood has its own language that writers must learn to speak in order to succeed. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss some of the most-used phrases that producers, studio execs and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hollywood has its own language that writers must learn to speak in order to succeed. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss some of the most-used phrases that producers, studio execs and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sics5r/ACT_TWO_EPISODE_414_IndustryTerms_FINAL.mp3" length="103097155" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hollywood has its own language that writers must learn to speak in order to succeed. In this Part One of a series, hosts Tasha Huo and Josh Hallman discuss some of the most-used phrases that producers, studio execs and reps say to writers. They discuss what they mean, where they're coming from, and how to address them as a writer.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3221</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Have a Successful Writer’s Group</title>
        <itunes:title>How to Have a Successful Writer’s Group</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-have-a-successful-writer-s-group/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-have-a-successful-writer-s-group/#comments</comments>        <pubDate>Mon, 10 Apr 2023 23:12:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1344c623-23de-3f14-9697-eaaf6c840479</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman have been in the same Writer's Group together since 2009. They discuss how their group started, how they function from week to week, and the Do's and Don'ts that have kept their group running smoothly.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman have been in the same Writer's Group together since 2009. They discuss how their group started, how they function from week to week, and the Do's and Don'ts that have kept their group running smoothly.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zt9xbz/ACT_TWO_EPISODE_413_WritersGroup_FINAL.mp3" length="112969350" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman have been in the same Writer's Group together since 2009. They discuss how their group started, how they function from week to week, and the Do's and Don'ts that have kept their group running smoothly.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3530</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Write a Heist</title>
        <itunes:title>How to Write a Heist</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-write-a-heist/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-write-a-heist/#comments</comments>        <pubDate>Mon, 03 Apr 2023 22:48:46 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/670a9bdf-822c-3071-916e-b5ab60bbb214</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how they go about writing heists. Having written a few heists between them, both for film and TV, Tasha and Josh break down the first steps they take to organize and plot their heist before going to script.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how they go about writing heists. Having written a few heists between them, both for film and TV, Tasha and Josh break down the first steps they take to organize and plot their heist before going to script.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a97rpt/ACT_TWO_EPISODE_412_Heists_v01.mp3" length="69073605" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how they go about writing heists. Having written a few heists between them, both for film and TV, Tasha and Josh break down the first steps they take to organize and plot their heist before going to script.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2158</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Emotional Intelligence (EQ) and Screenwriting</title>
        <itunes:title>Emotional Intelligence (EQ) and Screenwriting</itunes:title>
        <link>https://acttwo.podbean.com/e/emotional-intelligence-eq-and-screenwriting/</link>
                    <comments>https://acttwo.podbean.com/e/emotional-intelligence-eq-and-screenwriting/#comments</comments>        <pubDate>Mon, 27 Mar 2023 08:06:58 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3f29aa10-4c5d-37d9-8353-95dc5be5ac15</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss Emotional Intelligence (EQ) and how you can apply it to your Screenwriting career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss Emotional Intelligence (EQ) and how you can apply it to your Screenwriting career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qfjvxw/ACT_TWO_EPISODE_411_EmotionalIntelligence_FINAL.mp3" length="67341582" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss Emotional Intelligence (EQ) and how you can apply it to your Screenwriting career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2104</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Hustle</title>
        <itunes:title>The Hustle</itunes:title>
        <link>https://acttwo.podbean.com/e/the-hustle/</link>
                    <comments>https://acttwo.podbean.com/e/the-hustle/#comments</comments>        <pubDate>Mon, 20 Mar 2023 13:26:56 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1ba828ef-25df-310e-a33d-bbe9efcdb009</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman break down what it means to "hustle" as a Screenwriter.</p>
<p class="p2">TWIW: What writers can learn from actors on pitching, How pitching a movie requires multiple skills as a writer so get good at all of them, and the writer term "Is it a bug or a feature?"</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman break down what it means to "hustle" as a Screenwriter.</p>
<p class="p2">TWIW: What writers can learn from actors on pitching, How pitching a movie requires multiple skills as a writer so get good at all of them, and the writer term "Is it a bug or a feature?"</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414Beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dh3kg8/ACT_TWO_EPISODE_410_Hustle_v01.mp3" length="76514115" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman break down what it means to "hustle" as a Screenwriter.
TWIW: What writers can learn from actors on pitching, How pitching a movie requires multiple skills as a writer so get good at all of them, and the writer term "Is it a bug or a feature?"
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414Beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2391</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Selling in Animation, Spec Sales, and Learning Writing from Actors</title>
        <itunes:title>TWIW: Selling in Animation, Spec Sales, and Learning Writing from Actors</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-selling-in-animation-spec-sales-and-learning-writing-from-actors/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-selling-in-animation-spec-sales-and-learning-writing-from-actors/#comments</comments>        <pubDate>Sun, 12 Mar 2023 22:48:51 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c9adbba6-8c88-3089-90e6-ebab24f06382</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk about what we can learn about how actors look at writing, discuss whether specs are necessary for a successful Screenwriting career, how to sell a script in animation and more This Weeks in Writing!</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk about what we can learn about how actors look at writing, discuss whether specs are necessary for a successful Screenwriting career, how to sell a script in animation and more This Weeks in Writing!</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s9suut/ACT_TWO_EPISODE_409_TWIW-0317_Final.mp3" length="85399091" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about what we can learn about how actors look at writing, discuss whether specs are necessary for a successful Screenwriting career, how to sell a script in animation and more This Weeks in Writing!
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2668</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Nicole Ramberg Part II: Her Path To The Black List</title>
        <itunes:title>Nicole Ramberg Part II: Her Path To The Black List</itunes:title>
        <link>https://acttwo.podbean.com/e/nicole-ramberg-part-ii-her-path-to-the-black-list/</link>
                    <comments>https://acttwo.podbean.com/e/nicole-ramberg-part-ii-her-path-to-the-black-list/#comments</comments>        <pubDate>Mon, 06 Mar 2023 09:49:16 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1a06cf14-a5b7-3a8b-9a79-a0a6ad0097c1</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk with screenwriter Nicole Ramberg about her script CRAIGSHAVEN which landed on the 2022 Black List. We also talk about her career path, working in Hollywood, and her love for Amblin-esque movies. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk with screenwriter Nicole Ramberg about her script CRAIGSHAVEN which landed on the 2022 Black List. We also talk about her career path, working in Hollywood, and her love for Amblin-esque movies. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9mktpg/ACT_TWO_EPISODE_408_NicoleRambergIntv02_v01.mp3" length="89031156" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with screenwriter Nicole Ramberg about her script CRAIGSHAVEN which landed on the 2022 Black List. We also talk about her career path, working in Hollywood, and her love for Amblin-esque movies. 
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2782</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Interview with Paul Bae: Screenwriter to Podcaster to Screenwriter</title>
        <itunes:title>Interview with Paul Bae: Screenwriter to Podcaster to Screenwriter</itunes:title>
        <link>https://acttwo.podbean.com/e/interview-with-paul-bae-screenwriter-to-podcaster-to-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/interview-with-paul-bae-screenwriter-to-podcaster-to-screenwriter/#comments</comments>        <pubDate>Mon, 27 Feb 2023 19:08:03 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/59c81db3-e332-31e1-8c32-40cbde24ef64</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Screenwriter Paul Bae, creator of the hit podcast series BLACK TAPES, and talk about how he turned his screenplay into a podcast to jump start his Screenwriting career, how he got his agents, how Twitter has helped his career, and how he has managed to make it in Hollywood as a Canadian still living in Canada.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Screenwriter Paul Bae, creator of the hit podcast series BLACK TAPES, and talk about how he turned his screenplay into a podcast to jump start his Screenwriting career, how he got his agents, how Twitter has helped his career, and how he has managed to make it in Hollywood as a Canadian still living in Canada.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kirhhc/ACT_TWO_EPISODE_407_PaulBaeIntv_FINAL.mp3" length="116215222" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Screenwriter Paul Bae, creator of the hit podcast series BLACK TAPES, and talk about how he turned his screenplay into a podcast to jump start his Screenwriting career, how he got his agents, how Twitter has helped his career, and how he has managed to make it in Hollywood as a Canadian still living in Canada.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3631</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Targeted Note-Giving and What a Screenwriting Career Actually Looks Like</title>
        <itunes:title>TWIW: Targeted Note-Giving and What a Screenwriting Career Actually Looks Like</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-targeted-note-giving-and-what-a-screenwriting-career-actually-looks-like/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-targeted-note-giving-and-what-a-screenwriting-career-actually-looks-like/#comments</comments>        <pubDate>Mon, 20 Feb 2023 23:13:07 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d0a4e5bd-1269-30aa-90bc-e7321ce2885a</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss their This Week in Writing, including AMC's debacle with seat sales, the newly-released TED LASSO teaser, how to give and receive targeted notes to help a writer write the script they want to write (not you), and a look into what a typical pro Screenwriter's career actually looks like and why some call it the "Screenwriting Wilderness".</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss their This Week in Writing, including AMC's debacle with seat sales, the newly-released TED LASSO teaser, how to give and receive targeted notes to help a writer write the script they want to write (not you), and a look into what a typical pro Screenwriter's career actually looks like and why some call it the "Screenwriting Wilderness".</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kmytw8/ACT_TWO_EPISODE_406_ScreenwritingWilderness_v01.mp3" length="78792828" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss their This Week in Writing, including AMC's debacle with seat sales, the newly-released TED LASSO teaser, how to give and receive targeted notes to help a writer write the script they want to write (not you), and a look into what a typical pro Screenwriter's career actually looks like and why some call it the "Screenwriting Wilderness".
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2462</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pacing in an Action Sequence</title>
        <itunes:title>Pacing in an Action Sequence</itunes:title>
        <link>https://acttwo.podbean.com/e/pacing-in-an-action-sequence/</link>
                    <comments>https://acttwo.podbean.com/e/pacing-in-an-action-sequence/#comments</comments>        <pubDate>Mon, 13 Feb 2023 17:00:34 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6fdd2fed-e63a-3034-9946-003d6ae22712</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss... pacing and action sequences! We love action and the pacing is so important to your screenplay. We also discuss general meetings and the length of specs. </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss... pacing and action sequences! We love action and the pacing is so important to your screenplay. We also discuss general meetings and the length of specs. </p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eb3f9z/ACT_TWO_EPISODE_405_ActionPacing_Final.mp3" length="75164942" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss... pacing and action sequences! We love action and the pacing is so important to your screenplay. We also discuss general meetings and the length of specs. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2348</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>10 Signs of a Great Screenplay</title>
        <itunes:title>10 Signs of a Great Screenplay</itunes:title>
        <link>https://acttwo.podbean.com/e/10-signs-of-a-great-screenplay/</link>
                    <comments>https://acttwo.podbean.com/e/10-signs-of-a-great-screenplay/#comments</comments>        <pubDate>Mon, 06 Feb 2023 19:15:36 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/92bef9ec-38f5-3114-a2c4-c7de6cb09916</guid>
                                    <description><![CDATA[<p>Lists on how to write a "great" screenplay are practically useless when sitting down before a blank page. But hosts Tasha Huo and Josh Hallman discuss how to use lists and tips in the REWRITE process to help hone your decent script into a great one.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Lists on how to write a "great" screenplay are practically useless when sitting down before a blank page. But hosts Tasha Huo and Josh Hallman discuss how to use lists and tips in the REWRITE process to help hone your decent script into a great one.</p>
<p> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mf5qk7/ACT_TWO_EPISODE_404_IdicatorsOfAGreatScreenplay_v01.mp3" length="97234023" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Lists on how to write a "great" screenplay are practically useless when sitting down before a blank page. But hosts Tasha Huo and Josh Hallman discuss how to use lists and tips in the REWRITE process to help hone your decent script into a great one.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3038</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Skills that ARE NOT Writing</title>
        <itunes:title>Screenwriting Skills that ARE NOT Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-skills-that-are-not-writing/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-skills-that-are-not-writing/#comments</comments>        <pubDate>Wed, 01 Feb 2023 07:25:24 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2ae3fdcc-8f95-3dfb-85ab-5fc2c7380270</guid>
                                    <description><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss what skills professional Screenwriters need that aren't writing. Turns out there are a lot of skills Screenwriters need to practice and hone in order to have a successful career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Hosts Tasha Huo and Josh Hallman discuss what skills professional Screenwriters need that <em>aren't</em> writing. Turns out there are a lot of skills Screenwriters need to practice and hone in order to have a successful career.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dwpbhu/ACT_TWO_EPISODE_403_SkillsYouNeedAsAScreenwriter_v01.mp3" length="76983065" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss what skills professional Screenwriters need that aren't writing. Turns out there are a lot of skills Screenwriters need to practice and hone in order to have a successful career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2405</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Finding &amp; Securing IP: Interview with Steve Desmond (KNOCK AT THE CABIN)</title>
        <itunes:title>Finding &amp; Securing IP: Interview with Steve Desmond (KNOCK AT THE CABIN)</itunes:title>
        <link>https://acttwo.podbean.com/e/finding-securing-ip-interview-with-steve-desmond-knock-at-the-cabin/</link>
                    <comments>https://acttwo.podbean.com/e/finding-securing-ip-interview-with-steve-desmond-knock-at-the-cabin/#comments</comments>        <pubDate>Mon, 23 Jan 2023 22:12:56 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1983781b-9f2d-3025-a821-677474d6a7a2</guid>
                                    <description><![CDATA[<p class="p2">Screenwriter Steve Desmond and his co-writer Michael Sherman have made a career of securing IP and adapting it via pitches and spec sales. Their scripts have landed them on the Black List multiple times, and their latest feature, KNOCK AT THE CABIN, releases in theaters February 3, 2023 with M. Night Shyamalan directing. And it all started with a little-known IP.</p>
<p class="p2"> </p>
<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how Steve finds his IP, secures it, and successfully adapts it at such a high level. If you've ever been interested in adapting your favorite IP but aren't sure where to start, this is the starting line.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p2">Screenwriter Steve Desmond and his co-writer Michael Sherman have made a career of securing IP and adapting it via pitches and spec sales. Their scripts have landed them on the Black List multiple times, and their latest feature, KNOCK AT THE CABIN, releases in theaters February 3, 2023 with M. Night Shyamalan directing. And it all started with a little-known IP.</p>
<p class="p2"> </p>
<p class="p2">Hosts Tasha Huo and Josh Hallman discuss how Steve finds his IP, secures it, and successfully adapts it at such a high level. If you've ever been interested in adapting your favorite IP but aren't sure where to start, this is the starting line.</p>
<p class="p2"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/asdx68/ACT_TWO_EPISODE_402_SteveDesmondIntv_Final.mp3" length="98721958" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Screenwriter Steve Desmond and his co-writer Michael Sherman have made a career of securing IP and adapting it via pitches and spec sales. Their scripts have landed them on the Black List multiple times, and their latest feature, KNOCK AT THE CABIN, releases in theaters February 3, 2023 with M. Night Shyamalan directing. And it all started with a little-known IP.
 
Hosts Tasha Huo and Josh Hallman discuss how Steve finds his IP, secures it, and successfully adapts it at such a high level. If you've ever been interested in adapting your favorite IP but aren't sure where to start, this is the starting line.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3085</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Keep the Momentum Going</title>
        <itunes:title>TWIW: Keep the Momentum Going</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-keep-the-momentum-going/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-keep-the-momentum-going/#comments</comments>        <pubDate>Tue, 17 Jan 2023 09:44:21 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/53142bf8-aa42-3c4a-9448-3c67941e031c</guid>
                                    <description><![CDATA[<p class="p1">This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the PUSS IN BOOTS franchise, WEDNESDAY, a fantastic book on writing by George Saunders, a schedule of how the industry functions, and reading between the lines when an Exec tells you to send work "at any stage".</p>
<p class="p1"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the PUSS IN BOOTS franchise, WEDNESDAY, a fantastic book on writing by George Saunders, a schedule of how the industry functions, and reading between the lines when an Exec tells you to send work "at any stage".</p>
<p class="p1"> </p>
<p class="p2">Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p class="p1">Edited by the GREAT Paul Lundquist</p>
<p class="p1">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ffsvqq/ACT_TWO_EPISODE_401_CatchingUp2023_v01.mp3" length="88346539" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the PUSS IN BOOTS franchise, WEDNESDAY, a fantastic book on writing by George Saunders, a schedule of how the industry functions, and reading between the lines when an Exec tells you to send work "at any stage".
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2760</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Year. New Goals.</title>
        <itunes:title>New Year. New Goals.</itunes:title>
        <link>https://acttwo.podbean.com/e/new-year-new-goals/</link>
                    <comments>https://acttwo.podbean.com/e/new-year-new-goals/#comments</comments>        <pubDate>Tue, 03 Jan 2023 05:23:35 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/36f1ed87-ae2f-3a84-a3f5-d4b7d4c3c99a</guid>
                                    <description><![CDATA[<p>Happy 2023! Hosts Tasha Huo and Josh Hallman discuss goals in the new year... how to set them, approach them, tackle them... The new year is here. Let's start strong!</p>
<p>
Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Happy 2023! Hosts Tasha Huo and Josh Hallman discuss goals in the new year... how to set them, approach them, tackle them... The new year is here. Let's start strong!</p>
<p><br>
Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9zntxw/ACT_TWO_EPISODE_351_Goal2023.mp3" length="140662490" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Happy 2023! Hosts Tasha Huo and Josh Hallman discuss goals in the new year... how to set them, approach them, tackle them... The new year is here. Let's start strong!
Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4395</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Your IP Responsibilities</title>
        <itunes:title>Your IP Responsibilities</itunes:title>
        <link>https://acttwo.podbean.com/e/your-ip-responsibilities/</link>
                    <comments>https://acttwo.podbean.com/e/your-ip-responsibilities/#comments</comments>        <pubDate>Tue, 27 Dec 2022 07:19:56 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ef665b25-56a2-3e38-aa98-b24c1f8a5542</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the responsibilities of a writer when tackling IP... </p>
<p>
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the responsibilities of a writer when tackling IP... </p>
<p><br>
Questions / Comments: ActTwoWriters@gmail.com<br>
Edited by the GREAT Paul Lundquist<br>
Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jk3pks/ACT_TWO_EPISODE_350_IPResponsibilities_v01.mp3" length="100310203" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the responsibilities of a writer when tackling IP... 
Questions / Comments: ActTwoWriters@gmail.comEdited by the GREAT Paul LundquistMusic by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3134</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Spirited and Writing the Christmas Movie</title>
        <itunes:title>Spirited and Writing the Christmas Movie</itunes:title>
        <link>https://acttwo.podbean.com/e/spirited-and-writing-the-christmas-movie/</link>
                    <comments>https://acttwo.podbean.com/e/spirited-and-writing-the-christmas-movie/#comments</comments>        <pubDate>Mon, 19 Dec 2022 20:43:44 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f1e8d785-f774-306c-82c8-8d8ab1831259</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the latest Christmas movie SPIRITED (Ryan Reynolds, Will Farrell) and Christmas movies in general from the perspective of a Screenwriter. What should you consider while writing a Christmas movie, how should you approach it, and what are must-haves and must-nots? </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the latest Christmas movie SPIRITED (Ryan Reynolds, Will Farrell) and Christmas movies in general from the perspective of a Screenwriter. What should you consider while writing a Christmas movie, how should you approach it, and what are must-haves and must-nots? </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c7wbic/ACT_TWO_EPISODE_349_Spirited_FINAL.mp3" length="85888939" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the latest Christmas movie SPIRITED (Ryan Reynolds, Will Farrell) and Christmas movies in general from the perspective of a Screenwriter. What should you consider while writing a Christmas movie, how should you approach it, and what are must-haves and must-nots? 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2684</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Wrapping up for the Holidays as a Screenwriter</title>
        <itunes:title>Wrapping up for the Holidays as a Screenwriter</itunes:title>
        <link>https://acttwo.podbean.com/e/wrapping-up-for-the-holidays-as-a-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/wrapping-up-for-the-holidays-as-a-screenwriter/#comments</comments>        <pubDate>Mon, 12 Dec 2022 17:20:03 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ac25bf63-1237-335f-b8f4-87927f1a3796</guid>
                                    <description><![CDATA[<p>Winding down for the holidays, what should writers do? What should you be writing, how should you start preparing for your career in the new year, and what holiday gifts are appropriate for your reps? Hosts Tasha Huo and Josh Hallman discuss all things End of Year for Screenwriters.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Winding down for the holidays, what should writers do? What should you be writing, how should you start preparing for your career in the new year, and what holiday gifts are appropriate for your reps? Hosts Tasha Huo and Josh Hallman discuss all things End of Year for Screenwriters.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hsi889/ACT_TWO_EPISODE_348_GiftsForReps_v01.mp3" length="89225925" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Winding down for the holidays, what should writers do? What should you be writing, how should you start preparing for your career in the new year, and what holiday gifts are appropriate for your reps? Hosts Tasha Huo and Josh Hallman discuss all things End of Year for Screenwriters.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2788</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Dialogue on Dialogue</title>
        <itunes:title>A Dialogue on Dialogue</itunes:title>
        <link>https://acttwo.podbean.com/e/a-dialogue-on-dialogue/</link>
                    <comments>https://acttwo.podbean.com/e/a-dialogue-on-dialogue/#comments</comments>        <pubDate>Mon, 05 Dec 2022 21:02:02 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/08c1783c-342f-3a7e-bfe2-50585f1b5126</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how to hone your ear for dialogue and how to translate unique characters onto the page through the words they say. Hint: eavesdropping on real people is key!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss how to hone your ear for dialogue and how to translate unique characters onto the page through the words they say. Hint: eavesdropping on real people is key!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/damrjz/ACT_TWO_EPISODE_347_Dialogue_v01.mp3" length="96837798" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss how to hone your ear for dialogue and how to translate unique characters onto the page through the words they say. Hint: eavesdropping on real people is key!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3026</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Securing IP, General Meetings, and Pitching! (Mailbag)</title>
        <itunes:title>Securing IP, General Meetings, and Pitching! (Mailbag)</itunes:title>
        <link>https://acttwo.podbean.com/e/securing-ip-general-meetings-and-pitching-mailbag/</link>
                    <comments>https://acttwo.podbean.com/e/securing-ip-general-meetings-and-pitching-mailbag/#comments</comments>        <pubDate>Mon, 28 Nov 2022 17:46:20 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c13ba79a-d6f6-3b67-a2cc-832e5b76129e</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman take questions... your questions! We cover some of Tasha's favorite subjects: Intellectual Property and Pitching. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman take questions... your questions! We cover some of Tasha's favorite subjects: Intellectual Property and Pitching. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h4phns/ACT_TWO_EPISODE_346_ListenerQuestions_v01.mp3" length="104068492" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman take questions... your questions! We cover some of Tasha's favorite subjects: Intellectual Property and Pitching. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3252</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Crafting a Likable Protagonist</title>
        <itunes:title>Crafting a Likable Protagonist</itunes:title>
        <link>https://acttwo.podbean.com/e/crafting-a-likable-protagonist/</link>
                    <comments>https://acttwo.podbean.com/e/crafting-a-likable-protagonist/#comments</comments>        <pubDate>Sun, 20 Nov 2022 20:54:08 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b998f2e8-2b67-3b97-882b-4dbc7b9f73e9</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman debate the merits of a "likable protagonist" -- a popular note from producers and execs -- and discuss ways to answer the note in your own writing.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman debate the merits of a "likable protagonist" -- a popular note from producers and execs -- and discuss ways to answer the note in your own writing.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ce7xgi/ACT_TWO_EPISODE_345_CraftingALikableProtagonist_v01.mp3" length="77092570" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman debate the merits of a "likable protagonist" -- a popular note from producers and execs -- and discuss ways to answer the note in your own writing.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2409</itunes:duration>
        <itunes:season>4</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Stealing from other Movies, and Getting Unstuck in Revisions</title>
        <itunes:title>TWIW: Stealing from other Movies, and Getting Unstuck in Revisions</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-stealing-from-other-movies-and-getting-unstuck-in-revisions/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-stealing-from-other-movies-and-getting-unstuck-in-revisions/#comments</comments>        <pubDate>Mon, 14 Nov 2022 21:31:21 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7e80272c-d000-3c1c-8897-89aa25641431</guid>
                                    <description><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss when stealing from other movies and shows makes sense, what the difference is between "stealing" and plagiarism, and how Tasha and Josh are currently rewriting their Act Twos. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss when stealing from other movies and shows makes sense, what the difference is between "stealing" and plagiarism, and how Tasha and Josh are currently rewriting their Act Twos. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/rrtqvn/ACT_TWO_EPISODE_344_TWIW_StealingFromMovies_StuckInAct2.mp3" length="75995009" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss when stealing from other movies and shows makes sense, what the difference is between "stealing" and plagiarism, and how Tasha and Josh are currently rewriting their Act Twos. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2374</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: What is Hip-Pocketing and What Makes a Good Showrunner?</title>
        <itunes:title>TWIW: What is Hip-Pocketing and What Makes a Good Showrunner?</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-what-is-hip-pocketing-and-what-makes-a-good-showrunner/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-what-is-hip-pocketing-and-what-makes-a-good-showrunner/#comments</comments>        <pubDate>Tue, 08 Nov 2022 06:51:31 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/64d03d26-e453-35cf-8d44-5b22fbe53b8e</guid>
                                    <description><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss what it means to be Hip-Pocketed by an agent or manager, hot topics in Screenwriting news, and what are the qualities that make a good Showrunner or a monstrous one.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss what it means to be Hip-Pocketed by an agent or manager, hot topics in Screenwriting news, and what are the qualities that make a good Showrunner or a monstrous one.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/659gf3/ACT_TWO_EPISODE_343_HIP_POCKET_SHOWRUNNING_AND_MORE_v01.mp3" length="85903965" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss what it means to be Hip-Pocketed by an agent or manager, hot topics in Screenwriting news, and what are the qualities that make a good Showrunner or a monstrous one.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2684</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>So You’re Being Rewritten...</title>
        <itunes:title>So You’re Being Rewritten...</itunes:title>
        <link>https://acttwo.podbean.com/e/so-you-re-being-rewritten/</link>
                    <comments>https://acttwo.podbean.com/e/so-you-re-being-rewritten/#comments</comments>        <pubDate>Mon, 31 Oct 2022 15:36:10 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8692ac67-c502-383f-87e5-506dcafa0369</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk about being rewritten! It's going to happen to you sooner or later... What does it mean? What do you do when it happens? Why does it happen? Also, Happy Halloween. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p> </p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk about being rewritten! It's going to happen to you sooner or later... What does it mean? What do you do when it happens? Why does it happen? Also, Happy Halloween. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p> </p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sed6xf/ACT_TWO_EPISODE_342_REWRITTING_AND_HALLOWEEN_v01.mp3" length="77464554" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk about being rewritten! It's going to happen to you sooner or later... What does it mean? What do you do when it happens? Why does it happen? Also, Happy Halloween. 
 
Questions/Comments: ActTwoWriters@gmail.com
 
Edited by the great Paul Lundquist
 
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2420</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A conversation with the Writer of King Richard: Zach Baylin</title>
        <itunes:title>A conversation with the Writer of King Richard: Zach Baylin</itunes:title>
        <link>https://acttwo.podbean.com/e/a-conversation-with-the-writer-of-king-richard-zach-baylin/</link>
                    <comments>https://acttwo.podbean.com/e/a-conversation-with-the-writer-of-king-richard-zach-baylin/#comments</comments>        <pubDate>Mon, 24 Oct 2022 12:16:10 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a439a90f-133d-35a8-9f59-25dbba545759</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chat with Zach Baylin about his career, process, tennis, different Hollywood jobs, and how he secured the job to write KING RICHARD. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chat with Zach Baylin about his career, process, tennis, different Hollywood jobs, and how he secured the job to write KING RICHARD. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hrwnyh/ACT_TWO_EPISODE_341_ZACH_BAYLIN_INTERVIEW_v01.mp3" length="93677190" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman chat with Zach Baylin about his career, process, tennis, different Hollywood jobs, and how he secured the job to write KING RICHARD. 
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2927</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>42</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Romance Episode</title>
        <itunes:title>The Romance Episode</itunes:title>
        <link>https://acttwo.podbean.com/e/the-romance-episode/</link>
                    <comments>https://acttwo.podbean.com/e/the-romance-episode/#comments</comments>        <pubDate>Sun, 09 Oct 2022 13:39:18 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/52d6716d-ed75-39c1-86c8-71846991aaa8</guid>
                                    <description><![CDATA[<p>Tasha's getting married! So this week, hosts Tasha Huo and Josh Hallman talk about love in the movies. What are their favorite romantic films, and why they make the cut from a writing perspective? Let's talk about love!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Tasha's getting married! So this week, hosts Tasha Huo and Josh Hallman talk about love in the movies. What are their favorite romantic films, and why they make the cut from a writing perspective? Let's talk about love!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pujfit/ACT_TWO_EPISODE_340_THE_ROMANCE_EPISODE_v01.mp3" length="85175065" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Tasha's getting married! So this week, hosts Tasha Huo and Josh Hallman talk about love in the movies. What are their favorite romantic films, and why they make the cut from a writing perspective? Let's talk about love!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2661</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching is Terrible: The Series (Part 7 - Idea to Pitch)</title>
        <itunes:title>Pitching is Terrible: The Series (Part 7 - Idea to Pitch)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-7-idea-to-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-7-idea-to-pitch/#comments</comments>        <pubDate>Mon, 03 Oct 2022 01:40:31 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b7e1d109-4340-334f-a952-ab3af338ba5f</guid>
                                    <description><![CDATA[<p>Pitching is terrible. But, it is a necessary evil. All pitches start from the mere seed of an idea and must be built into a pitch script that can dazzle and impress executives enough to pay you money (or, more likely, pay you their boss's money, risking their own jobs if you fail). </p>
<p>So, in this episode, hosts Tasha Huo and Josh Hallman do an impromptu brainstorming session on a surprise logline to illustrate how they build a pitch off of a small one-sentence idea.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Pitching is terrible. But, it is a necessary evil. All pitches start from the mere seed of an idea and must be built into a pitch script that can dazzle and impress executives enough to pay you money (or, more likely, pay you their boss's money, risking their own jobs if you fail). </p>
<p>So, in this episode, hosts Tasha Huo and Josh Hallman do an impromptu brainstorming session on a surprise logline to illustrate how they build a pitch off of a small one-sentence idea.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qndacg/ACT_TWO_EPISODE_340_PITCHING_IDEAS_v01.mp3" length="76974706" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pitching is terrible. But, it is a necessary evil. All pitches start from the mere seed of an idea and must be built into a pitch script that can dazzle and impress executives enough to pay you money (or, more likely, pay you their boss's money, risking their own jobs if you fail). 
So, in this episode, hosts Tasha Huo and Josh Hallman do an impromptu brainstorming session on a surprise logline to illustrate how they build a pitch off of a small one-sentence idea.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2405</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat: How to Break into the Industry</title>
        <itunes:title>Fireside Chat: How to Break into the Industry</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-how-to-break-into-the-industry/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-how-to-break-into-the-industry/#comments</comments>        <pubDate>Mon, 26 Sep 2022 07:26:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/169c3f4e-6dcf-3c89-ba28-9c61303a9769</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman bring back the Fireside Chat by answering specific questions from a college student on ways to break into the industry, and from a listener on the differences between a pitch for a rewrite job and an original. </p>
<p> </p>
<p>TWIW: Is Jurassic World: Dominion over-complicated?, how feature writers are treated poorly, and does the movie True Lies' convenient plot device work or feel campy?</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman bring back the Fireside Chat by answering specific questions from a college student on ways to break into the industry, and from a listener on the differences between a pitch for a rewrite job and an original. </p>
<p> </p>
<p>TWIW: Is Jurassic World: Dominion over-complicated?, how feature writers are treated poorly, and does the movie True Lies' convenient plot device work or feel campy?</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s8zy36/ACT_TWO_EPISODE_339_FIRESIDE_CHAT_9-23_FINAL.mp3" length="101544350" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman bring back the Fireside Chat by answering specific questions from a college student on ways to break into the industry, and from a listener on the differences between a pitch for a rewrite job and an original. 
 
TWIW: Is Jurassic World: Dominion over-complicated?, how feature writers are treated poorly, and does the movie True Lies' convenient plot device work or feel campy?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3173</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>8 Sequence Story Structure</title>
        <itunes:title>8 Sequence Story Structure</itunes:title>
        <link>https://acttwo.podbean.com/e/8-sequence-story-structure/</link>
                    <comments>https://acttwo.podbean.com/e/8-sequence-story-structure/#comments</comments>        <pubDate>Sun, 18 Sep 2022 22:42:59 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/fac3d1b6-a3dc-3f68-8510-e0ab4391026b</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman go through their own Three Act exposure therapy adventure as they talk through a popular structure tool for Screenwriters - <a href='https://screencraft.org/blog/8-sequence-structure-the-best-kept-screenwriting-secret/'>The 8 Sequence Story Structure</a> - that at once excites them, aggravates them, then inspires them.</p>
<p> </p>
<p>Script Structure is something all Screenwriters have to learn and think about to have successful careers. In TV, structure is often as precise as knowing when your turning points are going to be down to the minute. In features, knowing what page number your story takes new turns is key to crafting your script as well as producing it. So it's no wonder Structure is a hot topic. One that Tasha and Josh clearly have mixed feelings about...</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman go through their own Three Act exposure therapy adventure as they talk through a popular structure tool for Screenwriters - <a href='https://screencraft.org/blog/8-sequence-structure-the-best-kept-screenwriting-secret/'>The 8 Sequence Story Structure</a> - that at once excites them, aggravates them, then inspires them.</p>
<p> </p>
<p>Script Structure is something all Screenwriters have to learn and think about to have successful careers. In TV, structure is often as precise as knowing when your turning points are going to be down to the minute. In features, knowing what page number your story takes new turns is key to crafting your script as well as producing it. So it's no wonder Structure is a hot topic. One that Tasha and Josh clearly have mixed feelings about...</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/nujcje/ACT_TWO_EPISODE_338_8_STORY_STRUCTURE_v01.mp3" length="74293290" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman go through their own Three Act exposure therapy adventure as they talk through a popular structure tool for Screenwriters - The 8 Sequence Story Structure - that at once excites them, aggravates them, then inspires them.
 
Script Structure is something all Screenwriters have to learn and think about to have successful careers. In TV, structure is often as precise as knowing when your turning points are going to be down to the minute. In features, knowing what page number your story takes new turns is key to crafting your script as well as producing it. So it's no wonder Structure is a hot topic. One that Tasha and Josh clearly have mixed feelings about...
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2321</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1662956138/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1662956138/#comments</comments>        <pubDate>Sun, 11 Sep 2022 21:15:38 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a5bbd5fe-4de7-34ae-a20d-7f878ef2af0a</guid>
                                    <description><![CDATA[<p>This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the Emmys, what makes a script unique, Don't Worry Darling, how Tasha broke through a new original spec, and how to juggle multiple projects for a more successful career.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the Emmys, what makes a script unique, Don't Worry Darling, how Tasha broke through a new original spec, and how to juggle multiple projects for a more successful career.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5bk4eg/ACT_TWO_EPISODE_337_UNIQUE_v01.mp3" length="82620498" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This Week in Writing, hosts Tasha Huo and Josh Hallman discuss the Emmys, what makes a script unique, Don't Worry Darling, how Tasha broke through a new original spec, and how to juggle multiple projects for a more successful career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2581</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1662354812/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1662354812/#comments</comments>        <pubDate>Sun, 04 Sep 2022 22:13:50 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d5f462e5-a756-3be2-aa82-2c81ddd9f2cf</guid>
                                    <description><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss Only Murders in the Building and why episode hooks are important, the ending of Nope and how/if it works, one of Josh's projects that has come back years later, and how Minority Report is a master class in world-building exposition.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss <em>Only Murders in the Building</em> and why episode hooks are important, the ending of <em>Nope</em> and how/if it works, one of Josh's projects that has come back years later, and how <em>Minority Report</em> is a master class in world-building exposition.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n88j5j/ACT_TWO_EPISODE_336_TWIW_8-30_FINAL.mp3" length="85644851" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In This Week in Writing, hosts Tasha Huo and Josh Hallman discuss Only Murders in the Building and why episode hooks are important, the ending of Nope and how/if it works, one of Josh's projects that has come back years later, and how Minority Report is a master class in world-building exposition.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2676</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Self-Advocating: How and Why?</title>
        <itunes:title>Self-Advocating: How and Why?</itunes:title>
        <link>https://acttwo.podbean.com/e/self-advocating-how-and-why/</link>
                    <comments>https://acttwo.podbean.com/e/self-advocating-how-and-why/#comments</comments>        <pubDate>Sun, 28 Aug 2022 22:40:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ae66468d-4674-3b31-8af1-8abc9e5d6d83</guid>
                                    <description><![CDATA[<p>"Working hard" as a professional Screenwriter means more than just writing. It also means building your network and promoting your brand. But the way we Self-Advocate as writers is different than in many other businesses. In this episode, hosts Tasha Huo and Josh Hallman discuss what Self-Advocating means as a Screenwriter, and how to do it at any stage of your career.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>"Working hard" as a professional Screenwriter means more than just writing. It also means building your network and promoting your brand. But the way we Self-Advocate as writers is different than in many other businesses. In this episode, hosts Tasha Huo and Josh Hallman discuss what Self-Advocating means as a Screenwriter, and how to do it at any stage of your career.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/w2rp5j/ACT_TWO_EPISODE_335_ADVOCATE_FINAL.mp3" length="87579810" type="audio/mpeg"/>
        <itunes:summary><![CDATA["Working hard" as a professional Screenwriter means more than just writing. It also means building your network and promoting your brand. But the way we Self-Advocate as writers is different than in many other businesses. In this episode, hosts Tasha Huo and Josh Hallman discuss what Self-Advocating means as a Screenwriter, and how to do it at any stage of your career.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2736</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Art of Adaptation: Interview w/ Christopher Yost (THOR: RAGNAROK, COWBOY BEPOP)</title>
        <itunes:title>The Art of Adaptation: Interview w/ Christopher Yost (THOR: RAGNAROK, COWBOY BEPOP)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-art-of-adaptation-interview-w-christopher-yost-thor-ragnarok-cowboy-bepop/</link>
                    <comments>https://acttwo.podbean.com/e/the-art-of-adaptation-interview-w-christopher-yost-thor-ragnarok-cowboy-bepop/#comments</comments>        <pubDate>Sun, 21 Aug 2022 21:56:26 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/dc36ef21-df27-3501-bc9a-5b7282a96ac7</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with one of the great adaptation writers in our business, Christopher Yost (THOR: RAGNAROK, COWBOY BEBOP), about how he approaches adaptation, how it differs from original writing, and how the tough choices of writing an adaptation are unique. He also discusses his path to writing some of the biggest movies in our industry, and how his latest original movie SECRET HEADQUARTERS (playing now on Paramount+) came to be.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with one of the great adaptation writers in our business, Christopher Yost (THOR: RAGNAROK, COWBOY BEBOP), about how he approaches adaptation, how it differs from original writing, and how the tough choices of writing an adaptation are unique. He also discusses his path to writing some of the biggest movies in our industry, and how his latest original movie SECRET HEADQUARTERS (playing now on Paramount+) came to be.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eqfsem/ACT_TWO_EPISODE_334_CHRISTOPHER_YOST_INTV_FINAL.mp3" length="113347910" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with one of the great adaptation writers in our business, Christopher Yost (THOR: RAGNAROK, COWBOY BEBOP), about how he approaches adaptation, how it differs from original writing, and how the tough choices of writing an adaptation are unique. He also discusses his path to writing some of the biggest movies in our industry, and how his latest original movie SECRET HEADQUARTERS (playing now on Paramount+) came to be.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3542</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Unhealthy Writer Thoughts</title>
        <itunes:title>Unhealthy Writer Thoughts</itunes:title>
        <link>https://acttwo.podbean.com/e/unhealthy-writer-thoughts/</link>
                    <comments>https://acttwo.podbean.com/e/unhealthy-writer-thoughts/#comments</comments>        <pubDate>Sun, 14 Aug 2022 09:38:16 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8430b322-f03e-3851-9e07-5ae751438581</guid>
                                    <description><![CDATA[<p>From Jealousy and Self-Loathing to Depression and Spite, hosts Tasha Huo and Josh Hallman discuss all the unhealthy writer thoughts that come up in their own heads and in their conversations with other writers, why they come up, and how to deal with them in a healthy way. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>From Jealousy and Self-Loathing to Depression and Spite, hosts Tasha Huo and Josh Hallman discuss all the unhealthy writer thoughts that come up in their own heads and in their conversations with other writers, why they come up, and how to deal with them in a healthy way. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n4d67a/ACT_TWO_EPISODE_333_UNHEALTHY_THOUGHTS_FINAL.mp3" length="87549750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From Jealousy and Self-Loathing to Depression and Spite, hosts Tasha Huo and Josh Hallman discuss all the unhealthy writer thoughts that come up in their own heads and in their conversations with other writers, why they come up, and how to deal with them in a healthy way. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2735</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Meet Cutes: Pride &amp; Prejudice to Mr. &amp; Mrs. Smith</title>
        <itunes:title>Meet Cutes: Pride &amp; Prejudice to Mr. &amp; Mrs. Smith</itunes:title>
        <link>https://acttwo.podbean.com/e/meet-cutes-pride-prejudice-to-mr-mrs-smith/</link>
                    <comments>https://acttwo.podbean.com/e/meet-cutes-pride-prejudice-to-mr-mrs-smith/#comments</comments>        <pubDate>Sun, 07 Aug 2022 20:33:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/987e62a7-2397-33ed-b625-75827ab3d17e</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman break down the Meet Cute device used in some of their favorite romantic comedies and discuss how the writing makes you root for the heroes and their romance.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman break down the Meet Cute device used in some of their favorite romantic comedies and discuss how the writing makes you root for the heroes and their romance.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/cn9ri8/ACT_TWO_EPISODE_332_MEET_CUTES_v01.mp3" length="110415390" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman break down the Meet Cute device used in some of their favorite romantic comedies and discuss how the writing makes you root for the heroes and their romance.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3450</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>TWIW: Imposter Syndrome, Pitching with Intention and Taking Your Shot</title>
        <itunes:title>TWIW: Imposter Syndrome, Pitching with Intention and Taking Your Shot</itunes:title>
        <link>https://acttwo.podbean.com/e/twiw-imposter-syndrome-pitching-with-intention-and-taking-your-shot/</link>
                    <comments>https://acttwo.podbean.com/e/twiw-imposter-syndrome-pitching-with-intention-and-taking-your-shot/#comments</comments>        <pubDate>Sun, 31 Jul 2022 20:45:46 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/df5a6a30-fa24-353f-93a9-665724ed089c</guid>
                                    <description><![CDATA[<p>In this episode of This Week in Writing, hosts Tasha Huo and Josh Hallman discuss everything from taking your shot with your favorite actors, to how Imposter Syndrome can easily spiral out of control, and new lessons learned this week about pitching.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode of This Week in Writing, hosts Tasha Huo and Josh Hallman discuss everything from taking your shot with your favorite actors, to how Imposter Syndrome can easily spiral out of control, and new lessons learned this week about pitching.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bp2xix/ACT_TWO_EPISODE_331_THIS_WEEK_IN_WRITING_08-01_FINAL.mp3" length="79581935" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode of This Week in Writing, hosts Tasha Huo and Josh Hallman discuss everything from taking your shot with your favorite actors, to how Imposter Syndrome can easily spiral out of control, and new lessons learned this week about pitching.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2486</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What is Showrunning?: Interview with BEL-AIR Co-Showrunner, Rasheed Newson</title>
        <itunes:title>What is Showrunning?: Interview with BEL-AIR Co-Showrunner, Rasheed Newson</itunes:title>
        <link>https://acttwo.podbean.com/e/what-is-showrunning-interview-with-bel-air-co-showrunner-rasheed-newsom/</link>
                    <comments>https://acttwo.podbean.com/e/what-is-showrunning-interview-with-bel-air-co-showrunner-rasheed-newsom/#comments</comments>        <pubDate>Sun, 24 Jul 2022 20:44:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/2290a975-e7dc-34e9-9eb3-04397e58224c</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Rasheed Newsom, co-showrunner of BEL-AIR on Paramount+ and author of the upcoming historical novel, MY GOVERNMENT MEANS TO KILL ME. </p>
<p>They discuss Rasheed's rise from production assistant to showrunner, how being a showrunner is actually just being a middle manager disguised as a boss, lessons he's learned from writers rooms that have imploded, and why the #2 job in a writers room should be the most coveted job in Hollywood.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Rasheed Newsom, co-showrunner of BEL-AIR on Paramount+ and author of the upcoming historical novel, MY GOVERNMENT MEANS TO KILL ME. </p>
<p>They discuss Rasheed's rise from production assistant to showrunner, how being a showrunner is actually just being a middle manager disguised as a boss, lessons he's learned from writers rooms that have imploded, and why the #2 job in a writers room should be the most coveted job in Hollywood.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/876qhp/ACT_TWO_EPISODE_330_RASHEED_NEWSON_INTV_FINAL.mp3" length="99462695" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Rasheed Newsom, co-showrunner of BEL-AIR on Paramount+ and author of the upcoming historical novel, MY GOVERNMENT MEANS TO KILL ME. 
They discuss Rasheed's rise from production assistant to showrunner, how being a showrunner is actually just being a middle manager disguised as a boss, lessons he's learned from writers rooms that have imploded, and why the #2 job in a writers room should be the most coveted job in Hollywood.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3108</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Taika Waititi’s 10 Screenwriting Tips</title>
        <itunes:title>Taika Waititi’s 10 Screenwriting Tips</itunes:title>
        <link>https://acttwo.podbean.com/e/taika-waititi-s-10-screenwriting-tips/</link>
                    <comments>https://acttwo.podbean.com/e/taika-waititi-s-10-screenwriting-tips/#comments</comments>        <pubDate>Sun, 17 Jul 2022 22:13:55 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ffeb640e-5247-369f-9a72-f364038cb81e</guid>
                                    <description><![CDATA[<p>Taika Waititi is considered one of the busiest filmmakers in Hollywood right now, working on some of the biggest franchises in history while also finding time to write, produce, direct, and act in other passion projects. So hosts Tasha Huo and Josh Hallman discuss Taika Waititi's <a href='https://screencraft.org/blog/10-pieces-of-screenwriting-wisdom-from-taika-waititi/'>10 Pieces of Screenwriting Wisdom from Taika Waititi</a> to see what can be learned and applied to everyday Screenwriting careers.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Taika Waititi is considered one of the busiest filmmakers in Hollywood right now, working on some of the biggest franchises in history while also finding time to write, produce, direct, and act in other passion projects. So hosts Tasha Huo and Josh Hallman discuss Taika Waititi's <a href='https://screencraft.org/blog/10-pieces-of-screenwriting-wisdom-from-taika-waititi/'>10 Pieces of Screenwriting Wisdom from Taika Waititi</a> to see what can be learned and applied to everyday Screenwriting careers.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ffvy53/ACT_TWO_EPISODE_329_TAIKA_WAITITI_RULES_FINAL.mp3" length="76894315" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Taika Waititi is considered one of the busiest filmmakers in Hollywood right now, working on some of the biggest franchises in history while also finding time to write, produce, direct, and act in other passion projects. So hosts Tasha Huo and Josh Hallman discuss Taika Waititi's 10 Pieces of Screenwriting Wisdom from Taika Waititi to see what can be learned and applied to everyday Screenwriting careers.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2402</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>First Day in a Writers Room</title>
        <itunes:title>First Day in a Writers Room</itunes:title>
        <link>https://acttwo.podbean.com/e/first-day-in-a-writers-room/</link>
                    <comments>https://acttwo.podbean.com/e/first-day-in-a-writers-room/#comments</comments>        <pubDate>Mon, 11 Jul 2022 06:17:42 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0fbffdde-7274-31b2-b783-79e9fae3889e</guid>
                                    <description><![CDATA[<p>The first day in a Writers Room for both a Writer and Showrunner are full of anxiety and uncertainty. In this episode, Josh Hallman talks with his co-host, Showrunner Tasha Huo, on what the first day of a room usually looks like to help allay fears and best prepare.</p>
<p> </p>
<p>TWIW: How Screenwriters Get Paid in Percentages (that force us to get other jobs to survive), How to Get & Give Targeted Notes in late-stage writing, THE BEAR is Awesome, and Writing on Vacation.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The first day in a Writers Room for both a Writer and Showrunner are full of anxiety and uncertainty. In this episode, Josh Hallman talks with his co-host, Showrunner Tasha Huo, on what the first day of a room usually looks like to help allay fears and best prepare.</p>
<p> </p>
<p>TWIW: How Screenwriters Get Paid in Percentages (that force us to get other jobs to survive), How to Get & Give Targeted Notes in late-stage writing, THE BEAR is Awesome, and Writing on Vacation.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xukmfi/ACT_TWO_EPISODE_328_FIRST_DAY_IN_A_ROOM_FINAL.mp3" length="93799725" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The first day in a Writers Room for both a Writer and Showrunner are full of anxiety and uncertainty. In this episode, Josh Hallman talks with his co-host, Showrunner Tasha Huo, on what the first day of a room usually looks like to help allay fears and best prepare.
 
TWIW: How Screenwriters Get Paid in Percentages (that force us to get other jobs to survive), How to Get & Give Targeted Notes in late-stage writing, THE BEAR is Awesome, and Writing on Vacation.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2931</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Live Mock Notes Session</title>
        <itunes:title>Live Mock Notes Session</itunes:title>
        <link>https://acttwo.podbean.com/e/live-mock-notes-session/</link>
                    <comments>https://acttwo.podbean.com/e/live-mock-notes-session/#comments</comments>        <pubDate>Sun, 03 Jul 2022 10:47:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d4f08efd-84f4-337b-b8ea-1b3af5615dfc</guid>
                                    <description><![CDATA[<p>The tone in which you give notes matters. Your note can be technically correct, but you may deliver it in a way that offends the writer or makes them combative, which can ruin your relationship with the writer and make their revision experience feel painful rather than inspiring.</p>
<p>To illustrate how to give notes in a respectful tone, hosts Tasha Huo and Josh Hallman share the Opening Setup of scripts they've never shared with each other before, and give each other notes in a live Mock Notes Session. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The tone in which you give notes matters. Your note can be technically correct, but you may deliver it in a way that offends the writer or makes them combative, which can ruin your relationship with the writer and make their revision experience feel painful rather than inspiring.</p>
<p>To illustrate how to give notes in a respectful tone, hosts Tasha Huo and Josh Hallman share the Opening Setup of scripts they've never shared with each other before, and give each other notes in a live Mock Notes Session. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e395yn/ACT_TWO_EPISODE_327_NOTES_NOTES_NOTES_v01.mp3" length="92533030" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The tone in which you give notes matters. Your note can be technically correct, but you may deliver it in a way that offends the writer or makes them combative, which can ruin your relationship with the writer and make their revision experience feel painful rather than inspiring.
To illustrate how to give notes in a respectful tone, hosts Tasha Huo and Josh Hallman share the Opening Setup of scripts they've never shared with each other before, and give each other notes in a live Mock Notes Session. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2891</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1656282614/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1656282614/#comments</comments>        <pubDate>Sun, 26 Jun 2022 15:30:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/238fee36-9389-39c3-b209-1edfe985afd6</guid>
                                    <description><![CDATA[<p>From how Tasha reads samples as a Showrunner and how this has influenced her writing - to - Writer's Block, hosts Tasha Huo and Josh Hallman discuss their This Week in Writing. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>From how Tasha reads samples as a Showrunner and how this has influenced her writing - to - Writer's Block, hosts Tasha Huo and Josh Hallman discuss their This Week in Writing. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kth663/ACT_TWO_EPISODE_326_THIS_WEEK_IN_WRITING_6-24_FINAL.mp3" length="78695410" type="audio/mpeg"/>
        <itunes:summary><![CDATA[From how Tasha reads samples as a Showrunner and how this has influenced her writing - to - Writer's Block, hosts Tasha Huo and Josh Hallman discuss their This Week in Writing. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2459</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Transitioning from Writer to Showrunner &amp; Director: Interview w/ Steven DeKnight</title>
        <itunes:title>Transitioning from Writer to Showrunner &amp; Director: Interview w/ Steven DeKnight</itunes:title>
        <link>https://acttwo.podbean.com/e/transitioning-from-writer-to-showrunner-director-interview-w-steven-deknight/</link>
                    <comments>https://acttwo.podbean.com/e/transitioning-from-writer-to-showrunner-director-interview-w-steven-deknight/#comments</comments>        <pubDate>Sun, 19 Jun 2022 23:05:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/98e02ca4-5209-3a40-a7b7-fc7c991d434e</guid>
                                    <description><![CDATA[<p>On this 100th Episode, hosts Tasha Huo and Josh Hallman chat with Steven DeKnight -- Showrunner-Writer-Producer-Director of such shows as DAREDEVIL, SPARTACUS, and BUFFY -- about his experiences transitioning from Writer to Showrunner, and then Writer to Director. They get into what the real difference is between simply being a Writer and being a Showrunner, and how to acquire the skills necessary to be a Showrunner or Director if your background has always been writing</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>On this 100th Episode, hosts Tasha Huo and Josh Hallman chat with Steven DeKnight -- Showrunner-Writer-Producer-Director of such shows as DAREDEVIL, SPARTACUS, and BUFFY -- about his experiences transitioning from Writer to Showrunner, and then Writer to Director. They get into what the real difference is between simply being a Writer and being a Showrunner, and how to acquire the skills necessary to be a Showrunner or Director if your background has always been writing</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/j5dbkj/ACT_TWO_EPISODE_325_EPISODE_100_STEVEN_DE_KNIGHT_FINAL.mp3" length="136834790" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On this 100th Episode, hosts Tasha Huo and Josh Hallman chat with Steven DeKnight -- Showrunner-Writer-Producer-Director of such shows as DAREDEVIL, SPARTACUS, and BUFFY -- about his experiences transitioning from Writer to Showrunner, and then Writer to Director. They get into what the real difference is between simply being a Writer and being a Showrunner, and how to acquire the skills necessary to be a Showrunner or Director if your background has always been writing
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4276</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What’s the Theme? -- Top Gun: Maverick</title>
        <itunes:title>What’s the Theme? -- Top Gun: Maverick</itunes:title>
        <link>https://acttwo.podbean.com/e/what-s-the-theme-top-gun-maverick/</link>
                    <comments>https://acttwo.podbean.com/e/what-s-the-theme-top-gun-maverick/#comments</comments>        <pubDate>Sun, 12 Jun 2022 20:05:38 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/404351f3-0808-3b82-9ed6-f9b88bc124d7</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman start their new series -- "What's the Theme?" -- with TOP GUN: MAVERICK. They break down what worked and didn't about the Theme in this epic thrill ride breaking box office records. Beware: lots of SPOILERS!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman start their new series -- <em>"What's the Theme?"</em> -- with TOP GUN: MAVERICK. They break down what worked and didn't about the Theme in this epic thrill ride breaking box office records. Beware: lots of SPOILERS!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2ks7dy/ACT_TWO_EPISODE_324_MAVERICK_CONVO_FINAL.mp3" length="81660495" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman start their new series -- "What's the Theme?" -- with TOP GUN: MAVERICK. They break down what worked and didn't about the Theme in this epic thrill ride breaking box office records. Beware: lots of SPOILERS!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2551</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writing With A Partner: Ben Lustig &amp; Jake Thornton</title>
        <itunes:title>Writing With A Partner: Ben Lustig &amp; Jake Thornton</itunes:title>
        <link>https://acttwo.podbean.com/e/writing-with-a-partner-ben-lustig-jake-thornton/</link>
                    <comments>https://acttwo.podbean.com/e/writing-with-a-partner-ben-lustig-jake-thornton/#comments</comments>        <pubDate>Tue, 07 Jun 2022 18:22:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/baa1c1cf-6cf3-367f-9bc6-27192e39e51b</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk with Ben Lustig and Jake Thornton about being writing partners: their process, schedule, how they met, their first sale, and a ton more... Also, Ben and Jake discuss their (incredible) upcoming movie, THE PRINCESS. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman talk with Ben Lustig and Jake Thornton about being writing partners: their process, schedule, how they met, their first sale, and a ton more... Also, Ben and Jake discuss their (incredible) upcoming movie, THE PRINCESS. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jtxcwm/ACT_TWO_EPISODE_323_BEN_AND_JAKE_v01.mp3" length="109051000" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with Ben Lustig and Jake Thornton about being writing partners: their process, schedule, how they met, their first sale, and a ton more... Also, Ben and Jake discuss their (incredible) upcoming movie, THE PRINCESS. 
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3407</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Taking an Idea to Script</title>
        <itunes:title>Taking an Idea to Script</itunes:title>
        <link>https://acttwo.podbean.com/e/taking-an-idea-to-script/</link>
                    <comments>https://acttwo.podbean.com/e/taking-an-idea-to-script/#comments</comments>        <pubDate>Mon, 30 May 2022 07:52:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4287431d-e7c1-3843-b0f0-f4d98e89e512</guid>
                                    <description><![CDATA[<p>You have a great idea, now what? The distance between an idea and a finished script can feel vast and wrought with disappointment. Hosts Tasha Huo and Josh Hallman discuss how they go from having an Idea to molding a Script out of that idea. </p>
<p> </p>
<p>TWIW: Are TV specs as samples back in vogue? How learning to be a producer is key to a writing career. Tom Cruise is awesome. How Mark Duplass advocates for sharing and workshopping your ideas with your writing community.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>You have a great idea, now what? The distance between an idea and a finished script can feel vast and wrought with disappointment. Hosts Tasha Huo and Josh Hallman discuss how they go from having an Idea to molding a Script out of that idea. </p>
<p> </p>
<p>TWIW: Are TV specs as samples back in vogue? How learning to be a producer is key to a writing career. Tom Cruise is awesome. How Mark Duplass advocates for sharing and workshopping your ideas with your writing community.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/srxqr9/ACT_TWO_EPISODE_322_CONCEPTION_TO_IDEA_FINAL.mp3" length="97279170" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You have a great idea, now what? The distance between an idea and a finished script can feel vast and wrought with disappointment. Hosts Tasha Huo and Josh Hallman discuss how they go from having an Idea to molding a Script out of that idea. 
 
TWIW: Are TV specs as samples back in vogue? How learning to be a producer is key to a writing career. Tom Cruise is awesome. How Mark Duplass advocates for sharing and workshopping your ideas with your writing community.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3039</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>5 Must-Haves for Writing Action Sequences</title>
        <itunes:title>5 Must-Haves for Writing Action Sequences</itunes:title>
        <link>https://acttwo.podbean.com/e/5-must-haves-for-writing-action-sequences/</link>
                    <comments>https://acttwo.podbean.com/e/5-must-haves-for-writing-action-sequences/#comments</comments>        <pubDate>Sun, 22 May 2022 22:16:22 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cdac2a8c-09e2-3ec3-8cbb-73787653bc7b</guid>
                                    <description><![CDATA[<p>Screenwriters Tasha Huo and Josh Hallman discuss <a href='https://screencraft.org/blog/5-must-haves-for-writing-amazing-action-sequences/'>Screencraft's 5 Must-Haves for Writing Action Sequences</a> and how to apply these must-haves to your own writing in a practical way, as well as how to avoid common missteps in action writing.</p>
<p> </p>
<p>TWIW: Tasha's life gets turned upside down in the best way by their previous Work/Life Balance episode, and a real-life action sequence issue that came up for Tasha in TOMB RAIDER.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Screenwriters Tasha Huo and Josh Hallman discuss <a href='https://screencraft.org/blog/5-must-haves-for-writing-amazing-action-sequences/'>Screencraft's 5 Must-Haves for Writing Action Sequences</a> and how to apply these must-haves to your own writing in a practical way, as well as how to avoid common missteps in action writing.</p>
<p> </p>
<p>TWIW: Tasha's life gets turned upside down in the best way by their previous Work/Life Balance episode, and a real-life action sequence issue that came up for Tasha in <em>TOMB RAIDER</em>.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sgywut/ACT_TWO_EPISODE_321_ACTION_SEQUENCES_FINAL.mp3" length="85145785" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Screenwriters Tasha Huo and Josh Hallman discuss Screencraft's 5 Must-Haves for Writing Action Sequences and how to apply these must-haves to your own writing in a practical way, as well as how to avoid common missteps in action writing.
 
TWIW: Tasha's life gets turned upside down in the best way by their previous Work/Life Balance episode, and a real-life action sequence issue that came up for Tasha in TOMB RAIDER.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2660</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Being a Blacklist Writer: Q&amp;A with Alex Convery</title>
        <itunes:title>Being a Blacklist Writer: Q&amp;A with Alex Convery</itunes:title>
        <link>https://acttwo.podbean.com/e/being-a-blacklist-writer-qa-with-alex-convery/</link>
                    <comments>https://acttwo.podbean.com/e/being-a-blacklist-writer-qa-with-alex-convery/#comments</comments>        <pubDate>Sun, 15 May 2022 20:13:52 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/41c0cbea-646f-3152-a8e1-e84b4434cabf</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk with screenwriter Alex Convery about being on the Blacklist multiple times, the influence that has had on his career, and about the story of how his most recent Blacklist script, <a href='https://www.hollywoodreporter.com/movies/movie-news/ben-affleck-matt-damon-true-life-story-nike-sneaker-man-sonny-vaccaro-1235132424/'>AIR JORDAN</a>, got Ben Affleck attached to direct and co-star with Matt Damon.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk with screenwriter Alex Convery about being on the Blacklist multiple times, the influence that has had on his career, and about the story of how his most recent Blacklist script, <a href='https://www.hollywoodreporter.com/movies/movie-news/ben-affleck-matt-damon-true-life-story-nike-sneaker-man-sonny-vaccaro-1235132424/'>AIR JORDAN</a>, got Ben Affleck attached to direct and co-star with Matt Damon.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/brrnpu/ACT_TWO_EPISODE_320_ALEX_CONVERY_INTV_FINAL.mp3" length="115251710" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with screenwriter Alex Convery about being on the Blacklist multiple times, the influence that has had on his career, and about the story of how his most recent Blacklist script, AIR JORDAN, got Ben Affleck attached to direct and co-star with Matt Damon.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3601</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Work/Life Balance with David H. Steinberg</title>
        <itunes:title>The Work/Life Balance with David H. Steinberg</itunes:title>
        <link>https://acttwo.podbean.com/e/the-worklife-balance-with-david-h-steinberg/</link>
                    <comments>https://acttwo.podbean.com/e/the-worklife-balance-with-david-h-steinberg/#comments</comments>        <pubDate>Sun, 08 May 2022 17:17:53 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/912ca0e1-6c51-3e93-b3dd-c60ff35d8279</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman often stress out and over-caffeinate to get their work done. To learn how to do things differently, they sit down with veteran screenwriter, David H. Steinberg (American Pie 2, The Simpsons, No Good Nick), and make him get detailed about how he manages multiple projects at once, what his daily schedule looks like, and how he successfully maintains a Work/Life Balance as well as a successful screenwriting career. Let's talk time management!</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman often stress out and over-caffeinate to get their work done. To learn how to do things differently, they sit down with veteran screenwriter, David H. Steinberg (<em>American Pie 2, The Simpsons, No Good Nick</em>), and make him get detailed about how he manages multiple projects at once, what his daily schedule looks like, and how he successfully maintains a Work/Life Balance as well as a successful screenwriting career. Let's talk time management!</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aepb3m/ACT_TWO_EPISODE_319_TIME_MANAGEMENT_WITH_DAVE_STEIN_FINAL.mp3" length="127481120" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman often stress out and over-caffeinate to get their work done. To learn how to do things differently, they sit down with veteran screenwriter, David H. Steinberg (American Pie 2, The Simpsons, No Good Nick), and make him get detailed about how he manages multiple projects at once, what his daily schedule looks like, and how he successfully maintains a Work/Life Balance as well as a successful screenwriting career. Let's talk time management!
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3983</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>4 Common Notes and How to Revise Them</title>
        <itunes:title>4 Common Notes and How to Revise Them</itunes:title>
        <link>https://acttwo.podbean.com/e/4-common-notes-and-how-to-revise-them/</link>
                    <comments>https://acttwo.podbean.com/e/4-common-notes-and-how-to-revise-them/#comments</comments>        <pubDate>Sun, 01 May 2022 20:02:36 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1f46a6d8-d447-3334-8f5a-f5a224d2a0cc</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo & Josh Hallman discuss the 4 most common big-picture notes they receive (and are currently addressing in their own scripts), and how to approach revisions effectively.</p>
<p> </p>
<p>TWIW: How to choose what IP to adapt. </p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo & Josh Hallman discuss the 4 most common big-picture notes they receive (and are currently addressing in their own scripts), and how to approach revisions effectively.</p>
<p> </p>
<p>TWIW: How to choose what IP to adapt. </p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q357nt/ACT_TWO_EPISODE_318_WRITING_IS_REWRITING_FINAL.mp3" length="40582695" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo & Josh Hallman discuss the 4 most common big-picture notes they receive (and are currently addressing in their own scripts), and how to approach revisions effectively.
 
TWIW: How to choose what IP to adapt. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2530</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Start an Adaptation</title>
        <itunes:title>How to Start an Adaptation</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-start-an-adaptation/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-start-an-adaptation/#comments</comments>        <pubDate>Sun, 24 Apr 2022 23:12:30 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1d8c5946-953e-323d-bc2e-d0d37d7038da</guid>
                                    <description><![CDATA[<p>Host Tasha Huo (Red Sonja, Tomb Raider: The Animated Series) talks about how she starts her adaptation projects, from the moment she picks up the IP to pitching it to execs; and host Josh Hallman tries to poke holes in her process.</p>
<p> </p>
<p>TWIW: (SPOILER ALERT!) The Batman, and how to look at consulting producing as a "side hustle for writers".</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Tasha Huo (<em>Red Sonja</em>, <em>Tomb Raider: The Animated Series</em>) talks about how she starts her adaptation projects, from the moment she picks up the IP to pitching it to execs; and host Josh Hallman tries to poke holes in her process.</p>
<p> </p>
<p>TWIW: (SPOILER ALERT!) <em>The Batman</em>, and how to look at consulting producing as a "side hustle for writers".</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ajhx69/ACT_TWO_EPISODE_317_ADAPTIONS.mp3" length="33442140" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Tasha Huo (Red Sonja, Tomb Raider: The Animated Series) talks about how she starts her adaptation projects, from the moment she picks up the IP to pitching it to execs; and host Josh Hallman tries to poke holes in her process.
 
TWIW: (SPOILER ALERT!) The Batman, and how to look at consulting producing as a "side hustle for writers".
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2086</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tony Gilroy’s 7 Steps to Writing an Original</title>
        <itunes:title>Tony Gilroy’s 7 Steps to Writing an Original</itunes:title>
        <link>https://acttwo.podbean.com/e/tony-gilroy-s-7-steps-to-writing-an-original/</link>
                    <comments>https://acttwo.podbean.com/e/tony-gilroy-s-7-steps-to-writing-an-original/#comments</comments>        <pubDate>Sun, 17 Apr 2022 19:20:21 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/755e262d-cd79-3032-9b08-52631c87e36f</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the BAFTA lecture series from Tony Gilroy (ROGUE ONE, BOURNE Trilogy, MICHAEL CLAYTON), where he discusses his 7 Steps on how he writes an original screenplay. They break down each step, what it means, and how to use it practically in your own writing. </p>
<p>
TWIW: Actors who don't want to be vulnerable, Josh's life-changing encounter with a waiter/screenwriter, Using babies to create tension in your writing.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the BAFTA lecture series from Tony Gilroy (ROGUE ONE, BOURNE Trilogy, MICHAEL CLAYTON), where he discusses his 7 Steps on how he writes an original screenplay. They break down each step, what it means, and how to use it practically in your own writing. </p>
<p><br>
TWIW: Actors who don't want to be vulnerable, Josh's life-changing encounter with a waiter/screenwriter, Using babies to create tension in your writing.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q5u74c/ACT_TWO_EPISODE_316_A_NEW_IDEA_WITH_GILROY_v01.mp3" length="51776230" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the BAFTA lecture series from Tony Gilroy (ROGUE ONE, BOURNE Trilogy, MICHAEL CLAYTON), where he discusses his 7 Steps on how he writes an original screenplay. They break down each step, what it means, and how to use it practically in your own writing. 
TWIW: Actors who don't want to be vulnerable, Josh's life-changing encounter with a waiter/screenwriter, Using babies to create tension in your writing.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3228</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Best Pixar Movies and TWIW</title>
        <itunes:title>Best Pixar Movies and TWIW</itunes:title>
        <link>https://acttwo.podbean.com/e/best-pixar-movies-and-twiw/</link>
                    <comments>https://acttwo.podbean.com/e/best-pixar-movies-and-twiw/#comments</comments>        <pubDate>Mon, 11 Apr 2022 09:28:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/307e051f-b3d6-332b-8ce7-1cc3b35cdabf</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman take on Screenwriting Twitter's topics of the week -- Being Rewritten by Your Showrunner and Can Animation be Elevated? -- and discuss their Top 5 Pixar movies, with a breakdown of why those five earn such distinction.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman take on Screenwriting Twitter's topics of the week -- Being Rewritten by Your Showrunner and Can Animation be Elevated? -- and discuss their Top 5 Pixar movies, with a breakdown of why those five earn such distinction.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/eiim5z/ACT_TWO_EPISODE_315_PIXAR_FINAL.mp3" length="49837818" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman take on Screenwriting Twitter's topics of the week -- Being Rewritten by Your Showrunner and Can Animation be Elevated? -- and discuss their Top 5 Pixar movies, with a breakdown of why those five earn such distinction.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3105</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How We Create Characters</title>
        <itunes:title>How We Create Characters</itunes:title>
        <link>https://acttwo.podbean.com/e/how-we-create-characters/</link>
                    <comments>https://acttwo.podbean.com/e/how-we-create-characters/#comments</comments>        <pubDate>Sun, 03 Apr 2022 20:53:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/987540ac-129e-3780-9751-eea0247994a4</guid>
                                    <description><![CDATA[<p>In this episode, hosts Tasha Huo and Josh Hallman discuss in detail how they start creating characters for their stories, as well as a This Week in Writing about a new way Tasha has learned to write action description, and Josh's thoughts on the structure of the action classic, SPEED.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, hosts Tasha Huo and Josh Hallman discuss in detail how they start creating characters for their stories, as well as a This Week in Writing about a new way Tasha has learned to write action description, and Josh's thoughts on the structure of the action classic, SPEED.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xdfu62/ACT_TWO_EPISODE_314_CHARACTER_v01.mp3" length="46790997" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, hosts Tasha Huo and Josh Hallman discuss in detail how they start creating characters for their stories, as well as a This Week in Writing about a new way Tasha has learned to write action description, and Josh's thoughts on the structure of the action classic, SPEED.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2917</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>We Should Talk About Nepotism...</title>
        <itunes:title>We Should Talk About Nepotism...</itunes:title>
        <link>https://acttwo.podbean.com/e/we-should-talk-about-nepotism/</link>
                    <comments>https://acttwo.podbean.com/e/we-should-talk-about-nepotism/#comments</comments>        <pubDate>Sun, 27 Mar 2022 20:28:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/94fc4a0d-d50e-35fc-89bc-6dd1f889cd99</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss some things... like nepotism, your voice, and certain frustrations...</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss some things... like nepotism, your voice, and certain frustrations...</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a6wux2/ACT_TWO_EPISODE_313_NEPOTISM_AND_VOICE_v01.mp3" length="39280146" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss some things... like nepotism, your voice, and certain frustrations...
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2450</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>When to Move On...</title>
        <itunes:title>When to Move On...</itunes:title>
        <link>https://acttwo.podbean.com/e/when-to-move-on/</link>
                    <comments>https://acttwo.podbean.com/e/when-to-move-on/#comments</comments>        <pubDate>Sun, 20 Mar 2022 19:47:34 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4c7a6702-e0cc-3f88-9828-8e09d32c81e0</guid>
                                    <description><![CDATA[<p dir="ltr">... from your spec. Your manager. Your scene. Your agent. Your producer. If you're writing long enough, you will come up against this question -- "When should I move on from this?"</p>
<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss different kinds of moments in their own Screenwriting careers when they wanted to give up or move on,  and discuss how to spot the signs to keep going, and the signs to put the pencil down.</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">... from your spec. Your manager. Your scene. Your agent. Your producer. If you're writing long enough, you will come up against this question -- "When should I move on from this?"</p>
<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss different kinds of moments in their own Screenwriting careers when they wanted to give up or move on,  and discuss how to spot the signs to keep going, and the signs to put the pencil down.</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5b8ked/ACT_TWO_EPISODE_312_WHEN_TO_MOVE_ON_v01.mp3" length="29611972" type="audio/mpeg"/>
        <itunes:summary><![CDATA[... from your spec. Your manager. Your scene. Your agent. Your producer. If you're writing long enough, you will come up against this question -- "When should I move on from this?"
Hosts Tasha Huo and Josh Hallman discuss different kinds of moments in their own Screenwriting careers when they wanted to give up or move on,  and discuss how to spot the signs to keep going, and the signs to put the pencil down.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1844</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Having Etiquette As A Screenwriter...</title>
        <itunes:title>Having Etiquette As A Screenwriter...</itunes:title>
        <link>https://acttwo.podbean.com/e/having-etiquette-as-a-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/having-etiquette-as-a-screenwriter/#comments</comments>        <pubDate>Sun, 13 Mar 2022 20:22:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/26262375-5369-3748-ab3e-20625bcc59f4</guid>
                                    <description><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss the different scenarios where etiquette comes into play...</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p dir="ltr">Hosts Tasha Huo and Josh Hallman discuss the different scenarios where etiquette comes into play...</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions / Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the GREAT Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/33uyn9/ACT_TWO_EPISODE_311_ETIQUETTE_FINAL.mp3" length="41515562" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the different scenarios where etiquette comes into play...
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2588</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching Is Terrible: The Series (Part 6 -- How to Prep like Steve Jobs)</title>
        <itunes:title>Pitching Is Terrible: The Series (Part 6 -- How to Prep like Steve Jobs)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-6-how-to-prep-like-steve-jobs/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-6-how-to-prep-like-steve-jobs/#comments</comments>        <pubDate>Mon, 07 Mar 2022 07:33:29 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c795e7ba-0296-3938-ac2c-6cb27c482d5b</guid>
                                    <description><![CDATA[<p>Steve Jobs was possibly one of the greatest presenters of our time. Hosts Tasha Huo and Josh Hallman discuss his 6-step pitch-prepping method and how it applies to writers. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Steve Jobs was possibly one of the greatest presenters of our time. Hosts Tasha Huo and Josh Hallman discuss his 6-step pitch-prepping method and how it applies to writers. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tvqinh/ACT_TWO_EPISODE_310_6_STEPS_TO_PITCHING_v01.mp3" length="44104048" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Steve Jobs was possibly one of the greatest presenters of our time. Hosts Tasha Huo and Josh Hallman discuss his 6-step pitch-prepping method and how it applies to writers. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2750</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Script Club: ENDING THINGS by Kevin Sullivan</title>
        <itunes:title>Script Club: ENDING THINGS by Kevin Sullivan</itunes:title>
        <link>https://acttwo.podbean.com/e/script-club-ending-things-by-kevin-sullivan/</link>
                    <comments>https://acttwo.podbean.com/e/script-club-ending-things-by-kevin-sullivan/#comments</comments>        <pubDate>Sun, 27 Feb 2022 17:53:15 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cc685b1d-4379-30ce-b68e-c6f5eeda5fdf</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman bring the Act Two Script Club to the podcast for the first time, breaking down what we can learn from Kevin Sullivan's writing in his action rom-com, ENDING THINGS. Join us for a discussion about writing mechanics, what works in original specs and why. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman bring the Act Two Script Club to the podcast for the first time, breaking down what we can learn from Kevin Sullivan's writing in his action rom-com, ENDING THINGS. Join us for a discussion about writing mechanics, what works in original specs and why. </p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5ef298/ACT_TWO_EPISODE_309_ENDING_THINGS_SCRIPT_CLUB_FINAL.mp3" length="43633991" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman bring the Act Two Script Club to the podcast for the first time, breaking down what we can learn from Kevin Sullivan's writing in his action rom-com, ENDING THINGS. Join us for a discussion about writing mechanics, what works in original specs and why. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2720</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Manager Life: Interview w/ John Zaozirny of Bellevue Prods.</title>
        <itunes:title>The Manager Life: Interview w/ John Zaozirny of Bellevue Prods.</itunes:title>
        <link>https://acttwo.podbean.com/e/the-manager-life-interview-w-john-zaozirny-of-bellevue-prods/</link>
                    <comments>https://acttwo.podbean.com/e/the-manager-life-interview-w-john-zaozirny-of-bellevue-prods/#comments</comments>        <pubDate>Sun, 20 Feb 2022 22:25:39 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/18681c44-35ba-3a33-91d1-07456cc0d7b5</guid>
                                    <description><![CDATA[<p>Host Josh Hallman finally gets to put his own manager, John Zaozirny, on the hot seat and gets to ask him all the pressing questions about why managers reject their writer's ideas, what makes for a bad manager and what to do about it, what does a manager do in their daily life anyway, top questions from Screenwriting Twitter, and more!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Josh Hallman finally gets to put his own manager, John Zaozirny, on the hot seat and gets to ask him all the pressing questions about why managers reject their writer's ideas, what makes for a bad manager and what to do about it, what does a manager do in their daily life anyway, top questions from Screenwriting Twitter, and more!</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t8qbi8/ACT_TWO_EPISODE_308_INTERVIEW_WITH_JZ_FINAL.mp3" length="57148850" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Josh Hallman finally gets to put his own manager, John Zaozirny, on the hot seat and gets to ask him all the pressing questions about why managers reject their writer's ideas, what makes for a bad manager and what to do about it, what does a manager do in their daily life anyway, top questions from Screenwriting Twitter, and more!
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3564</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Set the Tone in Meetings</title>
        <itunes:title>How to Set the Tone in Meetings</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-set-the-tone-in-meetings/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-set-the-tone-in-meetings/#comments</comments>        <pubDate>Sun, 13 Feb 2022 21:01:14 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0a80a52d-c1cd-3109-b47f-ae527326583e</guid>
                                    <description><![CDATA[<p>When we get our first opportunities and jobs as Screenwriters, we are so grateful to finally be doing this for a living that many of us naturally slip into a "people-pleasing" role. We want to please our reps and our producers, and this can often shift the power dynamic in our business relationships in a way that starts to work against us as creators and career-builders. It is easy, as a Screenwriter, to feel like a child in a room of adults in suits. In this episode, hosts Tasha Huo and Josh Hallman discuss why setting the tone in your meetings is important to your long-term career goals, and how to start setting the tone in your own meetings. Their big reminder: This is not about ego, it's simply about setting yourself up for a successful career as a powerful creative voice.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>When we get our first opportunities and jobs as Screenwriters, we are so grateful to finally be doing this for a living that many of us naturally slip into a "people-pleasing" role. We want to please our reps and our producers, and this can often shift the power dynamic in our business relationships in a way that starts to work against us as creators and career-builders. It is easy, as a Screenwriter, to feel like a child in a room of adults in suits. In this episode, hosts Tasha Huo and Josh Hallman discuss why setting the tone in your meetings is important to your long-term career goals, and how to start setting the tone in your own meetings. Their big reminder: This is not about ego, it's simply about setting yourself up for a successful career as a powerful creative voice.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ih9hxi/ACT_TWO_EPISODE_307_CREATING_TONE_FINAL.mp3" length="48619567" type="audio/mpeg"/>
        <itunes:summary><![CDATA[When we get our first opportunities and jobs as Screenwriters, we are so grateful to finally be doing this for a living that many of us naturally slip into a "people-pleasing" role. We want to please our reps and our producers, and this can often shift the power dynamic in our business relationships in a way that starts to work against us as creators and career-builders. It is easy, as a Screenwriter, to feel like a child in a room of adults in suits. In this episode, hosts Tasha Huo and Josh Hallman discuss why setting the tone in your meetings is important to your long-term career goals, and how to start setting the tone in your own meetings. Their big reminder: This is not about ego, it's simply about setting yourself up for a successful career as a powerful creative voice.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3030</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>07</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Revise Your Script</title>
        <itunes:title>How to Revise Your Script</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-revise-your-script/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-revise-your-script/#comments</comments>        <pubDate>Sun, 06 Feb 2022 21:31:36 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b53c06d0-be2a-3f7b-a10a-9a15b019d89b</guid>
                                    <description><![CDATA[<p>So, you finished a draft of your script. Congratufreakinglations! First, go celebrate! Then, come back and listen to this episode before you start revising, as hosts Tasha Huo and Josh Hallman are here to take you through different ways to approach your revisions. From outlines to "Game Plans", they talk about all the ways you can dive into revisions and what's worked best for them over the years.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>So, you finished a draft of your script. Congratufreakinglations! First, go celebrate! Then, come back and listen to this episode before you start revising, as hosts Tasha Huo and Josh Hallman are here to take you through different ways to approach your revisions. From outlines to "Game Plans", they talk about all the ways you can dive into revisions and what's worked best for them over the years.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7s5ex9/ACT_TWO_EPISODE_306_REVISING_A_SCRIPT_v01.mp3" length="35976499" type="audio/mpeg"/>
        <itunes:summary><![CDATA[So, you finished a draft of your script. Congratufreakinglations! First, go celebrate! Then, come back and listen to this episode before you start revising, as hosts Tasha Huo and Josh Hallman are here to take you through different ways to approach your revisions. From outlines to "Game Plans", they talk about all the ways you can dive into revisions and what's worked best for them over the years.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2243</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Heroes &amp; Villains: The Pirate, the Crooked Cop, the Wicked Step-Mother, and the Adventurer</title>
        <itunes:title>Heroes &amp; Villains: The Pirate, the Crooked Cop, the Wicked Step-Mother, and the Adventurer</itunes:title>
        <link>https://acttwo.podbean.com/e/heroes-villains-the-pirate-the-crooked-cop-the-wicked-step-mother-and-the-adventurer/</link>
                    <comments>https://acttwo.podbean.com/e/heroes-villains-the-pirate-the-crooked-cop-the-wicked-step-mother-and-the-adventurer/#comments</comments>        <pubDate>Sun, 30 Jan 2022 22:16:12 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a3b123d4-d986-3206-9859-e67f853e125c</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman each choose one favorite movie hero and one villain then discuss how they are setup and developed across the movie, and why they are effective. There is much to learn from the genius of others.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman each choose one favorite movie hero and one villain then discuss how they are setup and developed across the movie, and why they are effective. There is much to learn from the genius of others.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5284ce/ACT_TWO_EPISODE_305_HEROES_AND_VILLIANS_v01.mp3" length="52970069" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman each choose one favorite movie hero and one villain then discuss how they are setup and developed across the movie, and why they are effective. There is much to learn from the genius of others.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3304</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching Is Terrible: The Series (Part 5 -- The Rewrite Pitch)</title>
        <itunes:title>Pitching Is Terrible: The Series (Part 5 -- The Rewrite Pitch)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-5-the-rewrite-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-5-the-rewrite-pitch/#comments</comments>        <pubDate>Sun, 23 Jan 2022 19:44:54 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/eb49d1dc-7480-30bb-ad63-312020c7889e</guid>
                                    <description><![CDATA[<p>Pitching is terrible. Pitching for a rewrite job is particularly tricky and terrible. In this episode, hosts Tasha Huo and Josh Hallman discuss the Do's and Don'ts of pitching rewrites, and also the red flags to be aware of before you spend your precious time engaging on a rewrite opportunity.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Pitching is terrible. Pitching for a rewrite job is particularly tricky and terrible. In this episode, hosts Tasha Huo and Josh Hallman discuss the Do's and Don'ts of pitching rewrites, and also the red flags to be aware of before you spend your precious time engaging on a rewrite opportunity.</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/d6peuc/ACT_TWO_EPISODE_304_REWRITES_v01.mp3" length="30546440" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pitching is terrible. Pitching for a rewrite job is particularly tricky and terrible. In this episode, hosts Tasha Huo and Josh Hallman discuss the Do's and Don'ts of pitching rewrites, and also the red flags to be aware of before you spend your precious time engaging on a rewrite opportunity.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1905</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>04</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>MacGuffins: To Use Or Not To Use?</title>
        <itunes:title>MacGuffins: To Use Or Not To Use?</itunes:title>
        <link>https://acttwo.podbean.com/e/macguffins-to-use-or-not-to-use/</link>
                    <comments>https://acttwo.podbean.com/e/macguffins-to-use-or-not-to-use/#comments</comments>        <pubDate>Mon, 17 Jan 2022 10:01:33 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b52a2a95-7079-3fec-a993-6aee0d3257f6</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss all things MacGuffins! One of Josh's absolute favorite things, but they're sometimes looked at as a cheat in Screenplays -- What are they? When should you use them? Are they cheating? When don't they work? Did we mention that Josh loves MacGuffins?</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss all things MacGuffins! One of Josh's absolute favorite things, but they're sometimes looked at as a cheat in Screenplays -- What are they? When should you use them? Are they cheating? When don't they work? Did we mention that Josh loves MacGuffins?</p>
<p> </p>
<p>Questions / Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a></p>
<p>Edited by the GREAT Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/y55v5a/ACT_TWO_EPISODE_303_MACGUFFINS_FINAL.mp3" length="38345353" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss all things MacGuffins! One of Josh's absolute favorite things, but they're sometimes looked at as a cheat in Screenplays -- What are they? When should you use them? Are they cheating? When don't they work? Did we mention that Josh loves MacGuffins?
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2389</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>03</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Breaking Into The Industry: Q&amp;A With Mickey Fisher</title>
        <itunes:title>Breaking Into The Industry: Q&amp;A With Mickey Fisher</itunes:title>
        <link>https://acttwo.podbean.com/e/breaking-into-the-industry-qa-with-mickey-fisher/</link>
                    <comments>https://acttwo.podbean.com/e/breaking-into-the-industry-qa-with-mickey-fisher/#comments</comments>        <pubDate>Sun, 09 Jan 2022 16:58:58 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/27eaaf5d-14fe-321c-a5da-50f1b403282c</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk with Screenwriter Mickey Fisher - creator of TV series EXTANT (CBS), REVERIE (NBC). He also worked on MARS (NatGeo), THE STRAIN (FX), and JACK RYAN (Amazon).</p>
<p>We discuss how Mickey broke in, process, and creativity. He's a great person, and it's a great conversation...  </p>
<p> </p>
<p>Subscribe to Mickey's newsletter: <a href='https://www.getrevue.co/profile/mickeyfisher73'>https://www.getrevue.co/profile/mickeyfisher73</a></p>
<p> </p>

<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the Great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk with Screenwriter Mickey Fisher - creator of TV series EXTANT (CBS), REVERIE (NBC). He also worked on MARS (NatGeo), THE STRAIN (FX), and JACK RYAN (Amazon).</p>
<p>We discuss how Mickey broke in, process, and creativity. He's a great person, and it's a great conversation...  </p>
<p> </p>
<p>Subscribe to Mickey's newsletter: <a href='https://www.getrevue.co/profile/mickeyfisher73'>https://www.getrevue.co/profile/mickeyfisher73</a></p>
<p> </p>

<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the Great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vrabmk/ACT_TWO_EPISODE_302_CONVERSTATION_WITH_MICKEY_FISCHER_FINAL.mp3" length="56727590" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with Screenwriter Mickey Fisher - creator of TV series EXTANT (CBS), REVERIE (NBC). He also worked on MARS (NatGeo), THE STRAIN (FX), and JACK RYAN (Amazon).
We discuss how Mickey broke in, process, and creativity. He's a great person, and it's a great conversation...  
 
Subscribe to Mickey's newsletter: https://www.getrevue.co/profile/mickeyfisher73
 

Questions/Comments: ActTwoWriters@gmail.com
Edited by the Great Paul Lundquist
Music by 414beg
]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3539</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>02</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Year, New Writing Goals</title>
        <itunes:title>New Year, New Writing Goals</itunes:title>
        <link>https://acttwo.podbean.com/e/new-year-new-writing-goals/</link>
                    <comments>https://acttwo.podbean.com/e/new-year-new-writing-goals/#comments</comments>        <pubDate>Sun, 02 Jan 2022 12:08:08 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/7c44eab1-4b34-3638-9c75-373b2c9f9dfc</guid>
                                    <description><![CDATA[<p>Season 3 is here! Welcome to 2022. Hosts Tasha Huo and Josh Hallman talk about setting writing goals and how to manage them.</p>
<p>The beginning of the year is a great time to map out how you want things to go, it's easy (and good) to get overly ambitious with your goals. We talk about the practical ways you can approach everything. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Season 3 is here! Welcome to 2022. Hosts Tasha Huo and Josh Hallman talk about setting writing goals and how to manage them.</p>
<p>The beginning of the year is a great time to map out how you want things to go, it's easy (and good) to get overly ambitious with your goals. We talk about the practical ways you can approach everything. </p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/zhggj4/ACT_TWO_EPISODE_301_NEW_YEAR_2022_FINAL.mp3" length="51368681" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Season 3 is here! Welcome to 2022. Hosts Tasha Huo and Josh Hallman talk about setting writing goals and how to manage them.
The beginning of the year is a great time to map out how you want things to go, it's easy (and good) to get overly ambitious with your goals. We talk about the practical ways you can approach everything. 
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3206</itunes:duration>
        <itunes:season>3</itunes:season>
        <itunes:episode>01</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Taking A Break Over The Break?</title>
        <itunes:title>Taking A Break Over The Break?</itunes:title>
        <link>https://acttwo.podbean.com/e/taking-a-break-over-the-break/</link>
                    <comments>https://acttwo.podbean.com/e/taking-a-break-over-the-break/#comments</comments>        <pubDate>Sun, 26 Dec 2021 10:47:31 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1320b7bc-9841-394c-986a-77f2bb77afcf</guid>
                                    <description><![CDATA[<p>It's the final episode of 2021! Hosts Tasha Huo and Josh Hallman wonder if writers should take a break from writing over the holidays. Should we recharge or power through? Sit back, relax, and enjoy the end of season 2...</p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's the final episode of 2021! Hosts Tasha Huo and Josh Hallman wonder if writers should take a break from writing over the holidays. Should we recharge or power through? Sit back, relax, and enjoy the end of season 2...</p>
<p> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/88rnuu/ACT_TWO_EPISODE_251_END_OF_YEAR_FINAL.mp3" length="24721258" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's the final episode of 2021! Hosts Tasha Huo and Josh Hallman wonder if writers should take a break from writing over the holidays. Should we recharge or power through? Sit back, relax, and enjoy the end of season 2...
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1541</itunes:duration>
                <itunes:episode>51</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Setup: Home Alone vs. Home Sweet Home Alone</title>
        <itunes:title>The Setup: Home Alone vs. Home Sweet Home Alone</itunes:title>
        <link>https://acttwo.podbean.com/e/the-setup-home-alone-vs-home-sweet-home-alone/</link>
                    <comments>https://acttwo.podbean.com/e/the-setup-home-alone-vs-home-sweet-home-alone/#comments</comments>        <pubDate>Mon, 20 Dec 2021 06:56:08 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/61d2c9bf-f087-3e99-89db-d1090c3f329c</guid>
                                    <description><![CDATA[<p>Home Alone has a perfect setup, and Home Sweet Home Alone is probably a lot better than you think. Hosts Tasha Huo and Josh Hallman dive into the beginnings of both movies to discuss character, plot, and how small moments turn to big things. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Home Alone has a perfect setup, and Home Sweet Home Alone is probably a lot better than you think. Hosts Tasha Huo and Josh Hallman dive into the beginnings of both movies to discuss character, plot, and how small moments turn to big things. </p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/a3tmq3/ACT_TWO_EPISODE_250_HOME_ALONE_v01.mp3" length="20571980" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Home Alone has a perfect setup, and Home Sweet Home Alone is probably a lot better than you think. Hosts Tasha Huo and Josh Hallman dive into the beginnings of both movies to discuss character, plot, and how small moments turn to big things. 
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by the great Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1281</itunes:duration>
                <itunes:episode>50</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: DIE HARD WITH A VENGEANCE (Better than the OG?)</title>
        <itunes:title>The Breakdown: DIE HARD WITH A VENGEANCE (Better than the OG?)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-die-hard-with-a-vengeance-better-than-the-og/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-die-hard-with-a-vengeance-better-than-the-og/#comments</comments>        <pubDate>Sun, 12 Dec 2021 22:57:13 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5487c6f4-f003-37d0-9fe4-f00be796fca4</guid>
                                    <description><![CDATA[<p class="p1">Which DIE HARD movie is your favorite? Hosts Tasha Huo and Josh Hallman will go to their graves believing DIE HARD WITH A VENGEANCE is the best in the series, but here they go up against Special Guest David Levinson who goes to the mat for The OG DIE HARD. Who’s right, who’s wrong? Watch the movie then follow along as they break down the three acts of DIE HARD 3 to find out what its secrets are, how its crafted, and if it really does transcend the original.</p>
<p class="p2"> </p>
<p class="p1">The Act Two Breakdown Series takes an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together, and how they function onscreen. Sit back, grab a drink, and let’s see what we can all learn!</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Which DIE HARD movie is your favorite? Hosts Tasha Huo and Josh Hallman will go to their graves believing DIE HARD WITH A VENGEANCE is the best in the series, but here they go up against Special Guest David Levinson who goes to the mat for The OG DIE HARD. Who’s right, who’s wrong? Watch the movie then follow along as they break down the three acts of DIE HARD 3 to find out what its secrets are, how its crafted, and if it really does transcend the original.</p>
<p class="p2"> </p>
<p class="p1">The Act Two Breakdown Series takes an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together, and how they function onscreen. Sit back, grab a drink, and let’s see what we can all learn!</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/h9xwxn/ACT_TWO_EPISODE_249_DIE_HARD_3_FINAL.mp3" length="69956841" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Which DIE HARD movie is your favorite? Hosts Tasha Huo and Josh Hallman will go to their graves believing DIE HARD WITH A VENGEANCE is the best in the series, but here they go up against Special Guest David Levinson who goes to the mat for The OG DIE HARD. Who’s right, who’s wrong? Watch the movie then follow along as they break down the three acts of DIE HARD 3 to find out what its secrets are, how its crafted, and if it really does transcend the original.
 
The Act Two Breakdown Series takes an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together, and how they function onscreen. Sit back, grab a drink, and let’s see what we can all learn!
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4361</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>49</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Don‘t Please Your Producer (from a Producer)</title>
        <itunes:title>Don‘t Please Your Producer (from a Producer)</itunes:title>
        <link>https://acttwo.podbean.com/e/don-t-please-your-producer-from-a-producer/</link>
                    <comments>https://acttwo.podbean.com/e/don-t-please-your-producer-from-a-producer/#comments</comments>        <pubDate>Sun, 05 Dec 2021 22:39:35 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8efaf9a3-86fa-347d-b2d3-40014c280a6b</guid>
                                    <description><![CDATA[<p>One of the most difficult things for a Screenwriter is figuring out how to work with your Execs. They pay you, so are they your boss? They can veto your choices (because they're paying you), so should you just do what they say? What should the dynamic between a Writer and a Producer look like? Hosts Tasha Huo and Josh Hallman speak with a Producer about real-life Writer/Producer scenarios that haven't worked, and discuss why and what lessons Screenwriters can learn from those experiences.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>One of the most difficult things for a Screenwriter is figuring out how to work with your Execs. They pay you, so are they your boss? They can veto your choices (because they're paying you), so should you just do what they say? What should the dynamic between a Writer and a Producer look like? Hosts Tasha Huo and Josh Hallman speak with a Producer about real-life Writer/Producer scenarios that <em>haven't</em> worked, and discuss why and what lessons Screenwriters can learn from those experiences.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yygn6y/ACT_TWO_EPISODE_248_DONT_APPEASE_PRODUCERS_v01.mp3" length="53416238" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One of the most difficult things for a Screenwriter is figuring out how to work with your Execs. They pay you, so are they your boss? They can veto your choices (because they're paying you), so should you just do what they say? What should the dynamic between a Writer and a Producer look like? Hosts Tasha Huo and Josh Hallman speak with a Producer about real-life Writer/Producer scenarios that haven't worked, and discuss why and what lessons Screenwriters can learn from those experiences.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3332</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>48</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1638159750/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1638159750/#comments</comments>        <pubDate>Sun, 28 Nov 2021 20:22:30 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/159fae1c-37b7-3b59-8ff7-79ed4948f741</guid>
                                    <description><![CDATA[





<p>This Week in Writing wherein host Josh Hallman has a breakthrough in how to break story, reveals part of his process that makes him look like a crazy man, and takes notes from a lawyer about the “art of persuasion”; and wherein host Tasha Huo has to pitch someone who doesn’t react and handles it by over-compensating, and learns about a very hidden “note behind the note” in her latest studio notes document.</p>


 




<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[





<p>This Week in Writing wherein host Josh Hallman has a breakthrough in how to break story, reveals part of his process that makes him look like a crazy man, and takes notes from a lawyer about the “art of persuasion”; and wherein host Tasha Huo has to pitch someone who doesn’t react and handles it by over-compensating, and learns about a very hidden “note behind the note” in her latest studio notes document.</p>


 




<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kdq6u3/ACT_TWO_EPISODE_247_THIS_WEEK_IN_WRITING_FINAL.mp3" length="28655892" type="audio/mpeg"/>
        <itunes:summary><![CDATA[





This Week in Writing wherein host Josh Hallman has a breakthrough in how to break story, reveals part of his process that makes him look like a crazy man, and takes notes from a lawyer about the “art of persuasion”; and wherein host Tasha Huo has to pitch someone who doesn’t react and handles it by over-compensating, and learns about a very hidden “note behind the note” in her latest studio notes document.


 




Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1786</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>47</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Holiday Gifts -- What to get Reps and Producers</title>
        <itunes:title>Holiday Gifts -- What to get Reps and Producers</itunes:title>
        <link>https://acttwo.podbean.com/e/holiday-gifts-what-to-get-reps-and-producers/</link>
                    <comments>https://acttwo.podbean.com/e/holiday-gifts-what-to-get-reps-and-producers/#comments</comments>        <pubDate>Sun, 21 Nov 2021 11:24:31 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/77014282-b9fc-301c-9229-6cb0429deb30</guid>
                                    <description><![CDATA[<p class="p1">Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/yuvv4m/ACT_TWO_EPISODE_246_GIFTS_FOR_REPS_FINAL.mp3" length="33844537" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Holidays are here, and it’s time to panic about what to get your reps. Freak out no more! Hosts Tasha Huo and Josh Hallman give some great gift ideas, and share some insider info from reps themselves on what gifts they are actually looking for this year.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2108</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>46</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: Writing Action Setpieces</title>
        <itunes:title>The Breakdown: Writing Action Setpieces</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-writing-action-setpieces/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-writing-action-setpieces/#comments</comments>        <pubDate>Sun, 14 Nov 2021 23:03:07 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/401f5537-2ee8-3a35-845c-de5607550c72</guid>
                                    <description><![CDATA[<p class="p1">Action is its own unique writing skill and different masters craft their action differently. That's why, in this episode, hosts Tasha Huo and Josh Hallman dive into the specific writing techniques used by some of the best action writers in the business, including Derek Kolstad, James Cameron and Shane Black. </p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Action is its own unique writing skill and different masters craft their action differently. That's why, in this episode, hosts Tasha Huo and Josh Hallman dive into the specific writing techniques used by some of the best action writers in the business, including Derek Kolstad, James Cameron and Shane Black. </p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xgwri5/ACT_TWO_EPISODE_245_ACTION_EPISODE_FINAL.mp3" length="48059744" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Action is its own unique writing skill and different masters craft their action differently. That's why, in this episode, hosts Tasha Huo and Josh Hallman dive into the specific writing techniques used by some of the best action writers in the business, including Derek Kolstad, James Cameron and Shane Black. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2996</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>45</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Handle Submissions</title>
        <itunes:title>How to Handle Submissions</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-handle-submissions/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-handle-submissions/#comments</comments>        <pubDate>Sun, 07 Nov 2021 20:02:52 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b4eb41e4-34d5-3107-8819-1c1ab9e7302e</guid>
                                    <description><![CDATA[<p class="p1">If you are a working Screenwriter, you will receive Submissions from Producers as a regular part of your job. Screenwriters Tasha Huo and Josh Hallman discuss how to handle those submissions, what producers are expecting of you when they submit to you, and how to succeed in the submission game.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">If you are a working Screenwriter, you will receive Submissions from Producers as a regular part of your job. Screenwriters Tasha Huo and Josh Hallman discuss how to handle those submissions, what producers are expecting of you when they submit to you, and how to succeed in the submission game.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vyaj8g/ACT_TWO_EPISODE_244_SUBMISSIONS_FINAL.mp3" length="52823002" type="audio/mpeg"/>
        <itunes:summary><![CDATA[If you are a working Screenwriter, you will receive Submissions from Producers as a regular part of your job. Screenwriters Tasha Huo and Josh Hallman discuss how to handle those submissions, what producers are expecting of you when they submit to you, and how to succeed in the submission game.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3295</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>44</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Twitter Topics</title>
        <itunes:title>Screenwriting Twitter Topics</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-twitter-topics/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-twitter-topics/#comments</comments>        <pubDate>Sun, 31 Oct 2021 11:04:57 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/78823ae3-cf70-39e6-b773-80c31db47977</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chime in on some of the most hotly-debated topics on Screenwriting Twitter going on right now.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chime in on some of the most hotly-debated topics on Screenwriting Twitter going on right now.</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/62upg2/ACT_TWO_EPISODE_243_TWITTER_V01.mp3" length="32003958" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman chime in on some of the most hotly-debated topics on Screenwriting Twitter going on right now.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1994</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>43</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Pitch: Film to TV</title>
        <itunes:title>The Pitch: Film to TV</itunes:title>
        <link>https://acttwo.podbean.com/e/the-pitch-film-to-tv/</link>
                    <comments>https://acttwo.podbean.com/e/the-pitch-film-to-tv/#comments</comments>        <pubDate>Sun, 24 Oct 2021 18:36:03 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/04ac4e39-da2f-3e40-b96c-f68bcbf69d40</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman surprise each other with popular Film prompts that they have to, on the spot, pitch as a TV show. It's an exercise in how to think about adaptation, about the difference between TV and Film, and how to jumpstart the idea process when thinking about your own original TV ideas. How would YOU adapt your favorite movie as a TV show?</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman surprise each other with popular Film prompts that they have to, on the spot, pitch as a TV show. It's an exercise in how to think about adaptation, about the difference between TV and Film, and how to jumpstart the idea process when thinking about your own original TV ideas. How would YOU adapt your favorite movie as a TV show?</p>
<p> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/q4u33b/ACT_TWO_EPISODE_242_PITCHING_IDEAS_FINAL.mp3" length="45949223" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman surprise each other with popular Film prompts that they have to, on the spot, pitch as a TV show. It's an exercise in how to think about adaptation, about the difference between TV and Film, and how to jumpstart the idea process when thinking about your own original TV ideas. How would YOU adapt your favorite movie as a TV show?
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2863</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>42</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Finding Your Next Idea</title>
        <itunes:title>Finding Your Next Idea</itunes:title>
        <link>https://acttwo.podbean.com/e/finding-your-next-idea/</link>
                    <comments>https://acttwo.podbean.com/e/finding-your-next-idea/#comments</comments>        <pubDate>Mon, 18 Oct 2021 08:20:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f4ae0254-5145-38f8-b490-619951a63531</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss where they get their ideas and inspiration from, what tricks they use in Act Two, and how to start asking more questions about your world to get the brain juices flowing.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman discuss where they get their ideas and inspiration from, what tricks they use in Act Two, and how to start asking more questions about your world to get the brain juices flowing.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jgpe2c/ACT_TWO_EPISODE_241_FINDING_IDEAS_FINAL.mp3" length="38185998" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss where they get their ideas and inspiration from, what tricks they use in Act Two, and how to start asking more questions about your world to get the brain juices flowing.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2381</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>41</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>When to Work for Free?</title>
        <itunes:title>When to Work for Free?</itunes:title>
        <link>https://acttwo.podbean.com/e/when-to-work-for-free/</link>
                    <comments>https://acttwo.podbean.com/e/when-to-work-for-free/#comments</comments>        <pubDate>Sun, 10 Oct 2021 22:34:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3bf5a906-c278-3c3c-9cf1-49b71ee073a0</guid>
                                    <description><![CDATA[<p class="p1">To write for free or not to write for free, that is the oft-asked Screenwriter’s question. So, hosts Tasha Huo and Josh Hallman discuss situations in their own careers when they’ve been asked to do free work, what that looked like and why they did it. They also discuss the various ways free work can come up for Screenwriters, and debate whether writers should or should not engage.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1"><em>To write for free or not to write for free, that is the oft-asked Screenwriter’s question</em>. So, hosts Tasha Huo and Josh Hallman discuss situations in their own careers when they’ve been asked to do free work, what that looked like and why they did it. They also discuss the various ways free work can come up for Screenwriters, and debate whether writers should or should not engage.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hixyjm/ACT_TWO_EPISODE_240_WORK_FOR_FREE_FINAL.mp3" length="56255443" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To write for free or not to write for free, that is the oft-asked Screenwriter’s question. So, hosts Tasha Huo and Josh Hallman discuss situations in their own careers when they’ve been asked to do free work, what that looked like and why they did it. They also discuss the various ways free work can come up for Screenwriters, and debate whether writers should or should not engage.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3509</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>40</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Tasha Interviews Josh: AUSTIN FILM FESTIVAL</title>
        <itunes:title>Tasha Interviews Josh: AUSTIN FILM FESTIVAL</itunes:title>
        <link>https://acttwo.podbean.com/e/tasha-interviews-josh-austin-film-festival/</link>
                    <comments>https://acttwo.podbean.com/e/tasha-interviews-josh-austin-film-festival/#comments</comments>        <pubDate>Sun, 03 Oct 2021 22:16:51 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/09921c88-0c8f-37b3-a6de-7de40bfaa563</guid>
                                    <description><![CDATA[<p class="p1">Austin Film Festival 2021 runs from October 21 - 28, so host Tasha Huo chats with co-host Josh Hallman who has been to AFF twice. First in 2014, when he won the Fade to Black Award for his action-comedy I F****d James Bond and also met his Agent, and again in 2019 with his festival favorite short, Robu (now available on YouTube starring Emmy winner, Jharrel Jerome). Act Two’s resident expert on AFF, Josh spills the beans on what it’s like to go to the festival and shares practical tips and tricks on how to maximize your experience as a Screenwriter.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Austin Film Festival 2021 runs from October 21 - 28, so host Tasha Huo chats with co-host Josh Hallman who has been to AFF twice. First in 2014, when he won the Fade to Black Award for his action-comedy <em>I F****d James Bond </em>and also met his Agent, and again in 2019 with his festival favorite short, <em>Robu</em> (now available on YouTube starring Emmy winner, Jharrel Jerome). Act Two’s resident expert on AFF, Josh spills the beans on what it’s like to go to the festival and shares practical tips and tricks on how to maximize your experience as a Screenwriter.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mf6iiv/ACT_TWO_EPISODE_239_AUSTIN_FILM_FESTIVAL_FINAL.mp3" length="55053955" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Austin Film Festival 2021 runs from October 21 - 28, so host Tasha Huo chats with co-host Josh Hallman who has been to AFF twice. First in 2014, when he won the Fade to Black Award for his action-comedy I F****d James Bond and also met his Agent, and again in 2019 with his festival favorite short, Robu (now available on YouTube starring Emmy winner, Jharrel Jerome). Act Two’s resident expert on AFF, Josh spills the beans on what it’s like to go to the festival and shares practical tips and tricks on how to maximize your experience as a Screenwriter.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3432</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>39</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Josh Interviews Tasha: SHOWRUNNING</title>
        <itunes:title>Josh Interviews Tasha: SHOWRUNNING</itunes:title>
        <link>https://acttwo.podbean.com/e/josh-interviews-tasha-showrunning/</link>
                    <comments>https://acttwo.podbean.com/e/josh-interviews-tasha-showrunning/#comments</comments>        <pubDate>Sun, 26 Sep 2021 20:51:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9fdd0851-608a-317f-a0d1-b7999699155b</guid>
                                    <description><![CDATA[<p>Host Josh Hallman makes co-host Tasha Huo tell the story of how she became a Showrunner on TOMB RAIDER: THE ANIMATED SERIES, what the job entails, what surprises there were, and steps writers can take to prepare for the job.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Host Josh Hallman makes co-host Tasha Huo tell the story of how she became a Showrunner on TOMB RAIDER: THE ANIMATED SERIES, what the job entails, what surprises there were, and steps writers can take to prepare for the job.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/33464y/ACT_TWO_EPISODE_238_SHOWRUNNER_TASHA_FINAL.mp3" length="45692623" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Host Josh Hallman makes co-host Tasha Huo tell the story of how she became a Showrunner on TOMB RAIDER: THE ANIMATED SERIES, what the job entails, what surprises there were, and steps writers can take to prepare for the job.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2847</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>38</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat</title>
        <itunes:title>Fireside Chat</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-1632109255/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-1632109255/#comments</comments>        <pubDate>Sun, 19 Sep 2021 20:40:55 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d11c5dd3-900c-3b2c-a392-ab0d5010bf7d</guid>
                                    <description><![CDATA[<p>Sit down with hosts Tasha Huo and Josh Hallman as they chat about a new slew of real-life problems and complications that have come up for Screenwriters working in the industry right now, and how the Screenwriter overcame them. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Sit down with hosts Tasha Huo and Josh Hallman as they chat about a new slew of real-life problems and complications that have come up for Screenwriters working in the industry right now, and how the Screenwriter overcame them. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/t86rac/ACT_TWO_EPISODE_237_FIRESIDE_CHATS_0917_v01.mp3" length="48402932" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sit down with hosts Tasha Huo and Josh Hallman as they chat about a new slew of real-life problems and complications that have come up for Screenwriters working in the industry right now, and how the Screenwriter overcame them. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3015</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>37</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Writer‘s Tool Chest: The Notecard</title>
        <itunes:title>Writer‘s Tool Chest: The Notecard</itunes:title>
        <link>https://acttwo.podbean.com/e/writer-s-tool-chest-the-notecard/</link>
                    <comments>https://acttwo.podbean.com/e/writer-s-tool-chest-the-notecard/#comments</comments>        <pubDate>Sun, 12 Sep 2021 20:47:14 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/75b89a0a-568f-35dc-8c28-e476aff7aec4</guid>
                                    <description><![CDATA[<p class="p1">Knowing how to break your ideas and scripts into Notecards can be an extremely valuable tool in your writer’s tool chest, and is key to understanding a career in TV development. In this episode, hosts Tasha Huo and Josh Hallman get into the nitty gritty of what developing with Notecards looks like, lessons they’ve learned about the process, and how to make them useful in your own Screenwriting career.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Knowing how to break your ideas and scripts into Notecards can be an extremely valuable tool in your writer’s tool chest, and is key to understanding a career in TV development. In this episode, hosts Tasha Huo and Josh Hallman get into the nitty gritty of what developing with Notecards looks like, lessons they’ve learned about the process, and how to make them useful in your own Screenwriting career.</p>
<p class="p1"> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/z5rdhr/ACT_TWO_EPISODE_236_NOTECARDS_FINAL.mp3" length="49146273" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Knowing how to break your ideas and scripts into Notecards can be an extremely valuable tool in your writer’s tool chest, and is key to understanding a career in TV development. In this episode, hosts Tasha Huo and Josh Hallman get into the nitty gritty of what developing with Notecards looks like, lessons they’ve learned about the process, and how to make them useful in your own Screenwriting career.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3064</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>36</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>What A Good Relationship With Your Reps Looks Like</title>
        <itunes:title>What A Good Relationship With Your Reps Looks Like</itunes:title>
        <link>https://acttwo.podbean.com/e/what-a-good-relationship-with-your-reps-looks-like/</link>
                    <comments>https://acttwo.podbean.com/e/what-a-good-relationship-with-your-reps-looks-like/#comments</comments>        <pubDate>Sun, 05 Sep 2021 20:51:03 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/cadc7d3d-f16c-3192-8ea6-29ec218edbe8</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss a topic every screenwriter loves... your reps! Specifically, how to maintain a good relationship with your reps and what a working relationship looks like. This episode is a companion piece to a previous episode, which you can find here:</p>
<p><a href='https://podcasts.apple.com/us/podcast/act-two-podcast/id1500354709?i=1000496966528'>How to have a good relationship with your reps. </a></p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss a topic every screenwriter loves... your reps! Specifically, how to maintain a good relationship with your reps and what a working relationship looks like. This episode is a companion piece to a previous episode, which you can find here:</p>
<p><a href='https://podcasts.apple.com/us/podcast/act-two-podcast/id1500354709?i=1000496966528'>How to have a good relationship with your reps. </a></p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ni2m5b/ACT_TWO_EPISODE_235_REPS_FINAL.mp3" length="59772556" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss a topic every screenwriter loves... your reps! Specifically, how to maintain a good relationship with your reps and what a working relationship looks like. This episode is a companion piece to a previous episode, which you can find here:
How to have a good relationship with your reps. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3728</itunes:duration>
                <itunes:episode>35</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1630301819/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1630301819/#comments</comments>        <pubDate>Sun, 29 Aug 2021 22:36:59 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4418bdb8-516b-301e-8ecb-4c4beca35453</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dish on their week in Screenwriting, including writing advice from an Emmy-award winning casting director, how writing a fan letter to an author could lead to a job, what happens when you get a note you don't want to address, and more!</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman dish on their week in Screenwriting, including writing advice from an Emmy-award winning casting director, how writing a fan letter to an author could lead to a job, what happens when you get a note you don't want to address, and more!</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/g7ncue/ACT_TWO_EPISODE_234_THIS_WEEK_IN_WEEK_FINAL.mp3" length="39986342" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman dish on their week in Screenwriting, including writing advice from an Emmy-award winning casting director, how writing a fan letter to an author could lead to a job, what happens when you get a note you don't want to address, and more!
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2494</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>34</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Daily Life of a TV Staff Writer with Monty Bennett</title>
        <itunes:title>Daily Life of a TV Staff Writer with Monty Bennett</itunes:title>
        <link>https://acttwo.podbean.com/e/daily-life-of-a-tv-staff-writer-with-monty-bennett/</link>
                    <comments>https://acttwo.podbean.com/e/daily-life-of-a-tv-staff-writer-with-monty-bennett/#comments</comments>        <pubDate>Sun, 22 Aug 2021 21:07:12 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/36ac382f-7b40-339e-a8ef-5c0caa4e52c5</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman hang out with September Act Two Mentor, Mr. Monty Bennett, to discuss the daily life of a staff writer in a TV room. They share stories on everything from when you're expected to file in for the day, what's the snack situation, room politics, and how to pitch a good idea.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman hang out with September Act Two Mentor, Mr. Monty Bennett, to discuss the daily life of a staff writer in a TV room. They share stories on everything from when you're expected to file in for the day, what's the snack situation, room politics, and how to pitch a good idea.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mx3tg8/ACT_TWO_EPISODE_233_CHAT_WITH_MONTY_BENNETT_FINAL.mp3" length="44023797" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman hang out with September Act Two Mentor, Mr. Monty Bennett, to discuss the daily life of a staff writer in a TV room. They share stories on everything from when you're expected to file in for the day, what's the snack situation, room politics, and how to pitch a good idea.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2740</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>33</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Anatomy of an Action Setpiece</title>
        <itunes:title>Anatomy of an Action Setpiece</itunes:title>
        <link>https://acttwo.podbean.com/e/anatomy-of-an-action-setpiece/</link>
                    <comments>https://acttwo.podbean.com/e/anatomy-of-an-action-setpiece/#comments</comments>        <pubDate>Sun, 15 Aug 2021 20:42:18 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/524da902-678e-3cf4-8318-4fec10c8e190</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down and talk about their favorite thing -- action setpieces in movies. Breaking down iconic action sequences from four different films, they discuss how story structure, reversals, and character development are all key ingredients to crafting an action scene. Turns out, action is so much more than just punching someone in a really cool way. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down and talk about their favorite thing -- action setpieces in movies. Breaking down iconic action sequences from four different films, they discuss how story structure, reversals, and character development are all key ingredients to crafting an action scene. Turns out, action is so much more than just punching someone in a really cool way. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ysjynb/ACT_TWO_EPISODE_232_ACTION_SETPIECES_v01.mp3" length="54551638" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down and talk about their favorite thing -- action setpieces in movies. Breaking down iconic action sequences from four different films, they discuss how story structure, reversals, and character development are all key ingredients to crafting an action scene. Turns out, action is so much more than just punching someone in a really cool way. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3403</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>32</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Note Giver's 10 Commandments</title>
        <itunes:title>The Note Giver's 10 Commandments</itunes:title>
        <link>https://acttwo.podbean.com/e/the-note-givers-10-commandments/</link>
                    <comments>https://acttwo.podbean.com/e/the-note-givers-10-commandments/#comments</comments>        <pubDate>Sun, 08 Aug 2021 19:17:17 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5222945b-eb73-3dce-9420-8ea516f31a84</guid>
                                    <description><![CDATA[<p>Part II of the Notes Commandments series, wherein hosts Tasha Huo and Josh Hallman break down the best, most effective (and simultaneously, the kindest) way to GIVE notes to Screenwriters, and what Screenwriters should expect in their own notes meetings with producers and executives.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Part II of the Notes Commandments series, wherein hosts Tasha Huo and Josh Hallman break down the best, most effective (and simultaneously, the kindest) way to GIVE notes to Screenwriters, and what Screenwriters should expect in their own notes meetings with producers and executives.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/dvdksi/ACT_TWO_EPISODE_231_NOTE_GIVER_COMMANDMENTS_FINAL.mp3" length="51199512" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Part II of the Notes Commandments series, wherein hosts Tasha Huo and Josh Hallman break down the best, most effective (and simultaneously, the kindest) way to GIVE notes to Screenwriters, and what Screenwriters should expect in their own notes meetings with producers and executives.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3192</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>31</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>To Study Film, or Not? with Special Guest: James Stoteraux</title>
        <itunes:title>To Study Film, or Not? with Special Guest: James Stoteraux</itunes:title>
        <link>https://acttwo.podbean.com/e/to-study-film-or-not-with-special-guest-james-stoteraux/</link>
                    <comments>https://acttwo.podbean.com/e/to-study-film-or-not-with-special-guest-james-stoteraux/#comments</comments>        <pubDate>Sun, 01 Aug 2021 13:02:35 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/be315739-2d10-3153-a0f9-82ed8fb0c144</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Screenwriter James Stoteraux, Executive-Producer of "Batwoman", after his thread about his volatile experience at Columbia's graduate film program went viral on Twitter. We get honest with James as we all share our Film School experiences, how we feel Film School failed us, where film academia excels, and how to make the most of your program if you are taking the college plunge or are actively in Film School already. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with Screenwriter James Stoteraux, Executive-Producer of "Batwoman", after his thread about his volatile experience at Columbia's graduate film program went viral on Twitter. We get honest with James as we all share our Film School experiences, how we feel Film School failed us, where film academia excels, and how to make the most of your program if you are taking the college plunge or are actively in Film School already. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/np7ajt/ACT_TWO_EPISODE_230_INTERVIEW_WITH_JAMES_STOTERAUX_FINAL.mp3" length="79113182" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with Screenwriter James Stoteraux, Executive-Producer of "Batwoman", after his thread about his volatile experience at Columbia's graduate film program went viral on Twitter. We get honest with James as we all share our Film School experiences, how we feel Film School failed us, where film academia excels, and how to make the most of your program if you are taking the college plunge or are actively in Film School already. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4927</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>30</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Staying Proactive And Being An Advocate For Yourself.</title>
        <itunes:title>Staying Proactive And Being An Advocate For Yourself.</itunes:title>
        <link>https://acttwo.podbean.com/e/staying-proactive-and-being-an-advocate-for-yourself/</link>
                    <comments>https://acttwo.podbean.com/e/staying-proactive-and-being-an-advocate-for-yourself/#comments</comments>        <pubDate>Sun, 25 Jul 2021 19:58:53 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f43014bf-a024-32b0-b00d-e5c51ef5e80a</guid>
                                    <description><![CDATA[<p>There are many ways to stay proactive in your writing life. If you're sitting on a script you're passionate about, there are (creative) ways to get it into the world. Hosts Tasha Huo and Josh Hallman talk about the different outlets screenwriters have and ways to be an advocate for yourself. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by 414beg.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There are many ways to stay proactive in your writing life. If you're sitting on a script you're passionate about, there are (creative) ways to get it into the world. Hosts Tasha Huo and Josh Hallman talk about the different outlets screenwriters have and ways to be an advocate for yourself. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by 414beg.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bsw2zw/ACT_TWO_EPISODE_229_ADVOCACY_AND_PROACTIVITY_FINAL.mp3" length="47971130" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are many ways to stay proactive in your writing life. If you're sitting on a script you're passionate about, there are (creative) ways to get it into the world. Hosts Tasha Huo and Josh Hallman talk about the different outlets screenwriters have and ways to be an advocate for yourself. 
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2992</itunes:duration>
                <itunes:episode>29</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Open Writing Assignment (OWA): Devil or Deliverer?</title>
        <itunes:title>The Open Writing Assignment (OWA): Devil or Deliverer?</itunes:title>
        <link>https://acttwo.podbean.com/e/the-open-writing-assignment-owa-devil-or-deliverer/</link>
                    <comments>https://acttwo.podbean.com/e/the-open-writing-assignment-owa-devil-or-deliverer/#comments</comments>        <pubDate>Sun, 18 Jul 2021 20:15:58 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d24e6348-ac6c-361b-a33a-f70fb3e01d9d</guid>
                                    <description><![CDATA[<p>Some Screenwriters think Open Writing Assignments (OWAs) are a waste of time and a product of the Devil, other Screenwriters build sustainable careers off of them, and still others believe they are a unique gateway for up & coming Screenwriters to get their foot in the door. Hosts Tasha Huo and Josh Hallman walk through what OWAs are, the different types, and the Pros & Cons to engaging on them. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Some Screenwriters think Open Writing Assignments (OWAs) are a waste of time and a product of the Devil, other Screenwriters build sustainable careers off of them, and still others believe they are a unique gateway for up & coming Screenwriters to get their foot in the door. Hosts Tasha Huo and Josh Hallman walk through what OWAs are, the different types, and the Pros & Cons to engaging on them. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v9nj8n/ACT_TWO_EPISODE_228_OWAs_v01.mp3" length="42301984" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Some Screenwriters think Open Writing Assignments (OWAs) are a waste of time and a product of the Devil, other Screenwriters build sustainable careers off of them, and still others believe they are a unique gateway for up & coming Screenwriters to get their foot in the door. Hosts Tasha Huo and Josh Hallman walk through what OWAs are, the different types, and the Pros & Cons to engaging on them. 
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2639</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>28</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing-1626065639/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing-1626065639/#comments</comments>        <pubDate>Sun, 11 Jul 2021 21:53:59 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/87d0c3e5-4074-3163-8223-c2d8c5d06361</guid>
                                    <description><![CDATA[<p class="p1">A busy week of A-list writer meltdowns, reps pushing us to be selfish jerkoids, organization coming back to haunt us, and one TV writer’s tirade against film school — Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">A busy week of A-list writer meltdowns, reps pushing us to be selfish jerkoids, organization coming back to haunt us, and one TV writer’s tirade against film school — Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.</p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/wk33i8/ACT_TWO_EPISODE_227_COMMUNICATION_IS_KEY_FINAL.mp3" length="48263441" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A busy week of A-list writer meltdowns, reps pushing us to be selfish jerkoids, organization coming back to haunt us, and one TV writer’s tirade against film school — Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3009</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>27</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Stay Organized</title>
        <itunes:title>How to Stay Organized</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-keep-organized/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-keep-organized/#comments</comments>        <pubDate>Sun, 04 Jul 2021 15:08:37 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/66ecbc78-5e82-38b7-be6e-e798dc6dce01</guid>
                                    <description><![CDATA[<p>In this Screenwriter-nerd episode, hosts Tasha Huo and Josh Hallman get specific about how they and other professional Screenwriters organize their files. Easy and clear organization becomes extremely important as you receive notes that could take you through years of development on the same project. A clean organization of your documents will allow you to refer back to single scenes from months ago, easily call back old drafts that suddenly become relevant with new producers, or for any number of unexpected reasons that come up when you're a working Screenwriter. Do you have a unique way of organizing your drafts and notes? Let us know! </p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this Screenwriter-nerd episode, hosts Tasha Huo and Josh Hallman get specific about how they and other professional Screenwriters organize their files. Easy and clear organization becomes extremely important as you receive notes that could take you through years of development on the same project. A clean organization of your documents will allow you to refer back to single scenes from months ago, easily call back old drafts that suddenly become relevant with new producers, or for any number of unexpected reasons that come up when you're a working Screenwriter. Do you have a unique way of organizing your drafts and notes? Let us know! </p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5rwnnp/ACT_TWO_EPISODE_226_ORGANIZATION_v01.mp3" length="26986963" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this Screenwriter-nerd episode, hosts Tasha Huo and Josh Hallman get specific about how they and other professional Screenwriters organize their files. Easy and clear organization becomes extremely important as you receive notes that could take you through years of development on the same project. A clean organization of your documents will allow you to refer back to single scenes from months ago, easily call back old drafts that suddenly become relevant with new producers, or for any number of unexpected reasons that come up when you're a working Screenwriter. Do you have a unique way of organizing your drafts and notes? Let us know! 
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1681</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>26</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>This Week in Writing</title>
        <itunes:title>This Week in Writing</itunes:title>
        <link>https://acttwo.podbean.com/e/this-week-in-writing/</link>
                    <comments>https://acttwo.podbean.com/e/this-week-in-writing/#comments</comments>        <pubDate>Sun, 27 Jun 2021 21:52:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/786ae94b-e628-3333-8753-674a513b50c7</guid>
                                    <description><![CDATA[<p>A busy week of new discoveries, bizarre meetings and franchise opportunities -- Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>A busy week of new discoveries, bizarre meetings and franchise opportunities -- Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s2qsw3/ACT_TWO_EPISODE_225_THIS_WEEK_IN_WRITING_FINAL.mp3" length="38483986" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A busy week of new discoveries, bizarre meetings and franchise opportunities -- Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2398</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>25</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Art of Adaptation with Special Guest: Evan Spiliotopoulos</title>
        <itunes:title>The Art of Adaptation with Special Guest: Evan Spiliotopoulos</itunes:title>
        <link>https://acttwo.podbean.com/e/the-art-of-adaptation-with-special-guest-evan-spiliotopoulos/</link>
                    <comments>https://acttwo.podbean.com/e/the-art-of-adaptation-with-special-guest-evan-spiliotopoulos/#comments</comments>        <pubDate>Sun, 20 Jun 2021 13:18:38 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/90e616c8-5d42-3ecd-ad17-e993ccc58b17</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with screenwriter and master of the adaptation Evan Spiliotopoulos (Snake Eyes, The Huntsman: Winter's War, Beauty and the Beast) to discuss how he approaches adaptation vs. an original idea, and how his latest film, the horror movie THE UNHOLY, based on the novel "Shrine" by James Herbert, was a unique adaptation experience. Evan also opens up about what it's like to be a Screenwriter making his directorial debut (and during a global pandemic!). </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down with screenwriter and master of the adaptation Evan Spiliotopoulos (<em>Snake Eyes, The Huntsman: Winter's War, Beauty and the Beast</em>) to discuss how he approaches adaptation vs. an original idea, and how his latest film, the horror movie THE UNHOLY, based on the novel "Shrine" by James Herbert, was a unique adaptation experience. Evan also opens up about what it's like to be a Screenwriter making his directorial debut (and during a global pandemic!). </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/hssqav/ACT_TWO_EPISODE_224_ADAPTATION_WITH_EVAN_SPILIOTOPOULOS_FINAL.mp3" length="46283732" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down with screenwriter and master of the adaptation Evan Spiliotopoulos (Snake Eyes, The Huntsman: Winter's War, Beauty and the Beast) to discuss how he approaches adaptation vs. an original idea, and how his latest film, the horror movie THE UNHOLY, based on the novel "Shrine" by James Herbert, was a unique adaptation experience. Evan also opens up about what it's like to be a Screenwriter making his directorial debut (and during a global pandemic!). 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2883</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Film Writing vs. TV Writing with Special Guest David Levinson</title>
        <itunes:title>Film Writing vs. TV Writing with Special Guest David Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/film-writing-vs-tv-writing-with-special-guest-david-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/film-writing-vs-tv-writing-with-special-guest-david-levinson/#comments</comments>        <pubDate>Sun, 13 Jun 2021 20:04:03 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4c50c708-356d-3049-8b69-213354749c3f</guid>
                                    <description><![CDATA[<p>This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen.</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen.</p>
<p> </p>
<p dir="ltr">Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7xivin/ACT_TWO_EPISODE_223_TV_vs_FEATURES_FINAL.mp3" length="51553878" type="audio/mpeg"/>
        <itunes:summary><![CDATA[This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen.
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com
 
 ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3212</itunes:duration>
                <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat: This Is Us</title>
        <itunes:title>Fireside Chat: This Is Us</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-this-is-us/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-this-is-us/#comments</comments>        <pubDate>Sun, 06 Jun 2021 22:18:13 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9076a194-2d07-3578-9f15-04ff99d95f47</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the personal stories they consider turning points in their Screenwriting careers. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman discuss the personal stories they consider turning points in their Screenwriting careers. </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tgnmzx/ACT_TWO_EPISODE_222_Questions_For_Each_Other_FINAL.mp3" length="48131854" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman discuss the personal stories they consider turning points in their Screenwriting careers. 
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2997</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching Is Terrible: The Series (Part 4 -- The Ten Minutes After You Pitch)</title>
        <itunes:title>Pitching Is Terrible: The Series (Part 4 -- The Ten Minutes After You Pitch)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-4-the-ten-minutes-after-you-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-4-the-ten-minutes-after-you-pitch/#comments</comments>        <pubDate>Mon, 31 May 2021 08:19:58 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b0995cbb-0e0b-3955-97f8-f4c630dff397</guid>
                                    <description><![CDATA[<p>It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!! </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!! </p>
<p> </p>
<p>Edited by the great Paul Lundquist</p>
<p dir="ltr">Music by 414beg.</p>
<p dir="ltr">Questions/Comments: ActTwoWriters@gmail.com</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/v6xmu5/ACT_TWO_EPISODE_221_10_MINUTES_AFTER_PITCHING_v01.mp3" length="40372801" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!! 
 
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2516</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Note Taker's 10 Commandments</title>
        <itunes:title>The Note Taker's 10 Commandments</itunes:title>
        <link>https://acttwo.podbean.com/e/the-note-takers-10-commandments/</link>
                    <comments>https://acttwo.podbean.com/e/the-note-takers-10-commandments/#comments</comments>        <pubDate>Sun, 23 May 2021 20:56:49 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8d9ab59a-7023-3db2-bba8-8bb5f9eb62ad</guid>
                                    <description><![CDATA[<p class="p1">To have a sustainable Screenwriting career, you need to know more than just how to write a brilliant screenplay. Eventually, every Screenwriter is asked to revise. But taking notes and executing them effectively is a whole other part of the brain and a different skillset than simply writing a genius spec. For that reason, hosts Tasha Huo and Josh Hallman kick off their Notes Series with the “10 COMMANDMENTS FOR NOTE TAKERS”, a handy how-to-guide for Screenwriters on how to think about notes like a professional, and set yourself up for continued success.</p>
<p class="p1"> </p>
<p class="p1">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">To have a sustainable Screenwriting career, you need to know more than just how to write a brilliant screenplay. Eventually, every Screenwriter is asked to revise. But taking notes and executing them effectively is a whole other part of the brain and a different skillset than simply writing a genius spec. For that reason, hosts Tasha Huo and Josh Hallman kick off their Notes Series with the “10 COMMANDMENTS FOR NOTE TAKERS”, a handy how-to-guide for Screenwriters on how to think about notes like a professional, and set yourself up for continued success.</p>
<p class="p1"> </p>
<p class="p1">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aauw9w/ACT_TWO_EPISODE_220_10_COMMANDMENTS_OF_NOTE_GIVING_FINAL.mp3" length="60569515" type="audio/mpeg"/>
        <itunes:summary><![CDATA[To have a sustainable Screenwriting career, you need to know more than just how to write a brilliant screenplay. Eventually, every Screenwriter is asked to revise. But taking notes and executing them effectively is a whole other part of the brain and a different skillset than simply writing a genius spec. For that reason, hosts Tasha Huo and Josh Hallman kick off their Notes Series with the “10 COMMANDMENTS FOR NOTE TAKERS”, a handy how-to-guide for Screenwriters on how to think about notes like a professional, and set yourself up for continued success.
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3774</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>WHY MOVIES WORK: Nobody, Mortal Kombat and The Mitchells vs. the Machines</title>
        <itunes:title>WHY MOVIES WORK: Nobody, Mortal Kombat and The Mitchells vs. the Machines</itunes:title>
        <link>https://acttwo.podbean.com/e/love-you-1621230487/</link>
                    <comments>https://acttwo.podbean.com/e/love-you-1621230487/#comments</comments>        <pubDate>Sun, 16 May 2021 22:50:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3c3452fa-ba26-319b-af3e-dff84a410242</guid>
                                    <description><![CDATA[<p class="p1">In this inaugural edition of WHY MOVIES WORK, hosts Tasha Huo and Josh Hallman discuss three recently-released movies — NOBODY, MORTAL KOMBAT and THE MITCHELLS VS. THE MACHINES — and, more specifically, why these movies work on a screenwriting level. *Do be warned — SPOILERS AHEAD*</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">In this inaugural edition of WHY MOVIES WORK, hosts Tasha Huo and Josh Hallman discuss three recently-released movies — NOBODY, MORTAL KOMBAT and THE MITCHELLS VS. THE MACHINES — and, more specifically, why these movies work on a screenwriting level. *Do be warned — SPOILERS AHEAD*</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e896fe/ACT_TWO_EPISODE_219_MOVIES_THAT_WORK_FINAL.mp3" length="55497209" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this inaugural edition of WHY MOVIES WORK, hosts Tasha Huo and Josh Hallman discuss three recently-released movies — NOBODY, MORTAL KOMBAT and THE MITCHELLS VS. THE MACHINES — and, more specifically, why these movies work on a screenwriting level. *Do be warned — SPOILERS AHEAD*
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3453</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Development Hell</title>
        <itunes:title>Development Hell</itunes:title>
        <link>https://acttwo.podbean.com/e/development-hell/</link>
                    <comments>https://acttwo.podbean.com/e/development-hell/#comments</comments>        <pubDate>Sun, 09 May 2021 20:40:29 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/1d835a8a-abb5-3d81-ab45-e41bf572df9b</guid>
                                    <description><![CDATA[<p class="p1">Development Hell is part of every Screenwriter’s career, great and small. In this first in an ongoing series about real-life development stories, hosts Tasha Huo and Josh Hallman kick things off with a break down of just how a writer gets caught in Development Hell, what exactly that means, and even tell a few epic stories of how some hellish development stories have produced movies we all know and love.</p>
<p class="p1"> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Development Hell is part of every Screenwriter’s career, great and small. In this first in an ongoing series about real-life development stories, hosts Tasha Huo and Josh Hallman kick things off with a break down of just how a writer gets caught in Development Hell, what exactly that means, and even tell a few epic stories of how some hellish development stories have produced movies we all know and love.</p>
<p class="p1"> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/4mwyax/ACT_TWO_EPISODE_218_DEVELOPMENT_HELL_FINAL.mp3" length="52956124" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Development Hell is part of every Screenwriter’s career, great and small. In this first in an ongoing series about real-life development stories, hosts Tasha Huo and Josh Hallman kick things off with a break down of just how a writer gets caught in Development Hell, what exactly that means, and even tell a few epic stories of how some hellish development stories have produced movies we all know and love.
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3299</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Ghostwriting -- The Best Kept Secret in Screenwriting</title>
        <itunes:title>Ghostwriting -- The Best Kept Secret in Screenwriting</itunes:title>
        <link>https://acttwo.podbean.com/e/ghostwriting-the-best-kept-secret-in-screenwriting/</link>
                    <comments>https://acttwo.podbean.com/e/ghostwriting-the-best-kept-secret-in-screenwriting/#comments</comments>        <pubDate>Sun, 02 May 2021 20:41:25 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6e1bf082-7d62-3098-8e89-76006de7f0ff</guid>
                                    <description><![CDATA[





<p>Chances are, the Screenwriters of your favorite movies have hired a Ghostwriter to do everything from joke punch-ups to full on writing of your favorite scenes and set-pieces. Ghostwriting is one of the best kept secrets in Hollywood Screenwriting. In this episode, hosts Tasha Huo and Josh Hallman go full investigative journalist and bring to light real stories from real working Ghostwriters in Hollywood who have ghost written everything from TV shows to studio franchise movies. These Ghostwriters dish (anonymously) on what it’s like to have big writers ask you to do their work for them. The stories that came up may shock you.</p>


 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg 
 


 

]]></description>
                                                            <content:encoded><![CDATA[





<p>Chances are, the Screenwriters of your favorite movies have hired a Ghostwriter to do everything from joke punch-ups to full on writing of your favorite scenes and set-pieces. Ghostwriting is one of the best kept secrets in Hollywood Screenwriting. In this episode, hosts Tasha Huo and Josh Hallman go full investigative journalist and bring to light real stories from real working Ghostwriters in Hollywood who have ghost written everything from TV shows to studio franchise movies. These Ghostwriters dish (anonymously) on what it’s like to have big writers ask you to do their work for them. The stories that came up may shock you.</p>


 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg 
 


 

]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/kyhebg/ACT_TWO_EPISODE_217_GHOSTWRITERS_FINAL.mp3" length="56695157" type="audio/mpeg"/>
        <itunes:summary><![CDATA[





Chances are, the Screenwriters of your favorite movies have hired a Ghostwriter to do everything from joke punch-ups to full on writing of your favorite scenes and set-pieces. Ghostwriting is one of the best kept secrets in Hollywood Screenwriting. In this episode, hosts Tasha Huo and Josh Hallman go full investigative journalist and bring to light real stories from real working Ghostwriters in Hollywood who have ghost written everything from TV shows to studio franchise movies. These Ghostwriters dish (anonymously) on what it’s like to have big writers ask you to do their work for them. The stories that came up may shock you.


 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg 
 


 

]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3532</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Walt Disney Television Writing Program: Interview with 2020 alums, Adrian Viña &amp; Allyson Philobos</title>
        <itunes:title>The Walt Disney Television Writing Program: Interview with 2020 alums, Adrian Viña &amp; Allyson Philobos</itunes:title>
        <link>https://acttwo.podbean.com/e/the-walt-disney-television-writing-program-interview-with-2020-alums-adrian-vina-allyson-philobos/</link>
                    <comments>https://acttwo.podbean.com/e/the-walt-disney-television-writing-program-interview-with-2020-alums-adrian-vina-allyson-philobos/#comments</comments>        <pubDate>Sun, 25 Apr 2021 10:01:08 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ed6b7340-236e-3dab-9776-8eab1e415ad1</guid>
                                    <description><![CDATA[<p>The Walt Disney Television Writing Program is one of the most sought-after programs for up-and-coming writers because of its extremely high success rate in transitioning its program participants into working staff writers on Disney/ABC TV shows. In this interview with 2020 alums Adrian Viña and Allyson Philobos, we break down how the program works and why it's so successful. We discuss everything from the grueling interview process, the fantastic education in real-life skills to help develop you as both a writer and a professional, and how the program goes about connecting its participants to staff writing jobs. </p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The Walt Disney Television Writing Program is one of the most sought-after programs for up-and-coming writers because of its extremely high success rate in transitioning its program participants into working staff writers on Disney/ABC TV shows. In this interview with 2020 alums Adrian Viña and Allyson Philobos, we break down how the program works and why it's so successful. We discuss everything from the grueling interview process, the fantastic education in real-life skills to help develop you as both a writer and a professional, and how the program goes about connecting its participants to staff writing jobs. </p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/c8rxd4/ACT_TWO_EPISODE_216_DISNEY_PROGRAM_v01.mp3" length="55322557" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The Walt Disney Television Writing Program is one of the most sought-after programs for up-and-coming writers because of its extremely high success rate in transitioning its program participants into working staff writers on Disney/ABC TV shows. In this interview with 2020 alums Adrian Viña and Allyson Philobos, we break down how the program works and why it's so successful. We discuss everything from the grueling interview process, the fantastic education in real-life skills to help develop you as both a writer and a professional, and how the program goes about connecting its participants to staff writing jobs. 
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3446</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Secret to the Spec Sale: Interview with Daniel Kunka</title>
        <itunes:title>Secret to the Spec Sale: Interview with Daniel Kunka</itunes:title>
        <link>https://acttwo.podbean.com/e/secret-to-the-spec-sale-interview-with-daniel-kunka/</link>
                    <comments>https://acttwo.podbean.com/e/secret-to-the-spec-sale-interview-with-daniel-kunka/#comments</comments>        <pubDate>Sun, 18 Apr 2021 21:11:21 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/fb6bedab-73df-347b-947c-cfa065c164c7</guid>
                                    <description><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight. </p>
<p class="p1"> </p>
<p class="p1">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p class="p1">Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight. </p>
<p class="p1"> </p>
<p class="p1">Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ctutiy/ACT_TWO_EPISODE_215_CONVERSATION_WITH_KUNKA_FINAL.mp3" length="67455803" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight. 
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4202</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat</title>
        <itunes:title>Fireside Chat</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-1618199460/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-1618199460/#comments</comments>        <pubDate>Sun, 11 Apr 2021 20:51:00 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ed5b1876-5d4c-3e4b-a613-3119572cc3d7</guid>
                                    <description><![CDATA[<p>Fireside Chats are where hosts Tasha Huo and Josh Hallman pose real situations from real-life working Screenwriters, and ask "What would you do?" In this chat, they discuss everything from What would you do if an exec fell asleep in your pitch to How would you gracefully fire your manager?</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Fireside Chats are where hosts Tasha Huo and Josh Hallman pose real situations from real-life working Screenwriters, and ask "What would you do?" In this chat, they discuss everything from <em>What would you do if an exec fell asleep in your pitch</em> to <em>How would you gracefully fire your manager?</em></p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8bwtiy/ACT_TWO_EPISODE_214_FIRESIDE_CHAT_02_FINAL.mp3" length="36964513" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fireside Chats are where hosts Tasha Huo and Josh Hallman pose real situations from real-life working Screenwriters, and ask "What would you do?" In this chat, they discuss everything from What would you do if an exec fell asleep in your pitch to How would you gracefully fire your manager?
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2303</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Have a "Voice"</title>
        <itunes:title>How to Have a "Voice"</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-have-a-voice/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-have-a-voice/#comments</comments>        <pubDate>Sun, 04 Apr 2021 15:32:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/339aecee-fb9e-3c08-bced-63156a5cfedd</guid>
                                    <description><![CDATA[<p>"That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.</p>
<p> </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p><em>"That writer has a great voice,"</em> is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.</p>
<p> </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/72hzrk/ACT_TWO_EPISODE_213_VOICE_FINAL.mp3" length="42519577" type="audio/mpeg"/>
        <itunes:summary><![CDATA["That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.
 
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2648</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Snyder Cut &amp; Mythology</title>
        <itunes:title>Snyder Cut &amp; Mythology</itunes:title>
        <link>https://acttwo.podbean.com/e/snyder-cut-mythology/</link>
                    <comments>https://acttwo.podbean.com/e/snyder-cut-mythology/#comments</comments>        <pubDate>Sun, 28 Mar 2021 21:43:39 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d93900f6-bddb-366e-a080-52788f6c1cb3</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman watch the 4-hour Snyder Cut of JUSTICE LEAGUE and both rant and rave about it, while also bringing it back to writing -- How do you write good mythology, and what are some of the pitfalls to avoid if you are creating your own mythology in a script?</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman watch the 4-hour Snyder Cut of JUSTICE LEAGUE and both rant and rave about it, while also bringing it back to writing -- How do you write good mythology, and what are some of the pitfalls to avoid if you are creating your own mythology in a script?</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2vferb/ACT_TWO_EPISODE_212_MYTHOLOGY_FINAL.mp3" length="52393064" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman watch the 4-hour Snyder Cut of JUSTICE LEAGUE and both rant and rave about it, while also bringing it back to writing -- How do you write good mythology, and what are some of the pitfalls to avoid if you are creating your own mythology in a script?
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3264</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>ANNOUNCING: Act Two Mentorship Program with Coverfly (with special guest, Tom Dever, Head of Writer Success at Coverfly)</title>
        <itunes:title>ANNOUNCING: Act Two Mentorship Program with Coverfly (with special guest, Tom Dever, Head of Writer Success at Coverfly)</itunes:title>
        <link>https://acttwo.podbean.com/e/lasdflkjasdf/</link>
                    <comments>https://acttwo.podbean.com/e/lasdflkjasdf/#comments</comments>        <pubDate>Sun, 21 Mar 2021 19:12:05 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/6ad7b26a-02bd-39a5-a96f-a60636b76a05</guid>
                                    <description><![CDATA[<p>Screenwriting is an isolating career by its very nature, but in Act Two, we believe that it doesn't have to be. If we support one another, we are all supported. For that reason, Act Two has partnered with <a href='https://www.coverfly.com/'>Coverfly</a> to connect up-and-coming writers with professional Screenwriters in the Act Two community for a 6-month career & industry mentorship program where new Mentees will be chosen every month to join a unique Mentorship opportunity with one of Act Two's incredible working writers.</p>
<p>Mentorship is incredibly important in a writer's career, whether they are just starting out or are showrunning their own show. To find out more about this unique opportunity, whether you're looking to be a Mentee or a Mentor, join hosts Tasha Huo and Josh Hallman as they chat with Tom Dever, Head of Writer Success (what a title!) at Coverfly about how this Mentorship was conceived and why it's so important in the life of a Screenwriter.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Screenwriting is an isolating career by its very nature, but in Act Two, we believe that it doesn't have to be. If we support one another, we are all supported. For that reason, Act Two has partnered with <a href='https://www.coverfly.com/'>Coverfly</a> to connect up-and-coming writers with professional Screenwriters in the Act Two community for a 6-month career & industry mentorship program where new Mentees will be chosen every month to join a unique Mentorship opportunity with one of Act Two's incredible working writers.</p>
<p>Mentorship is incredibly important in a writer's career, whether they are just starting out or are showrunning their own show. To find out more about this unique opportunity, whether you're looking to be a Mentee or a Mentor, join hosts Tasha Huo and Josh Hallman as they chat with Tom Dever, Head of Writer Success (what a title!) at Coverfly about how this Mentorship was conceived and why it's so important in the life of a Screenwriter.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> -- Edited by Paul Lundquist -- Music by 414beg </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/jhkb72/ACT_TWO_EPISODE_211_SHUTTERFLY_CONVERSATION_FINAL.mp3" length="46399561" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Screenwriting is an isolating career by its very nature, but in Act Two, we believe that it doesn't have to be. If we support one another, we are all supported. For that reason, Act Two has partnered with Coverfly to connect up-and-coming writers with professional Screenwriters in the Act Two community for a 6-month career & industry mentorship program where new Mentees will be chosen every month to join a unique Mentorship opportunity with one of Act Two's incredible working writers.
Mentorship is incredibly important in a writer's career, whether they are just starting out or are showrunning their own show. To find out more about this unique opportunity, whether you're looking to be a Mentee or a Mentor, join hosts Tasha Huo and Josh Hallman as they chat with Tom Dever, Head of Writer Success (what a title!) at Coverfly about how this Mentorship was conceived and why it's so important in the life of a Screenwriter.
 
Questions/Comments: ActTwoWriters@gmail.com -- Edited by Paul Lundquist -- Music by 414beg ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2893</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: TED LASSO Pilot -- Character Intros</title>
        <itunes:title>The Breakdown: TED LASSO Pilot -- Character Intros</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-1615782997/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-1615782997/#comments</comments>        <pubDate>Sun, 21 Mar 2021 19:09:13 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9fcc0a56-2494-3b45-a7a8-9ff283f5582b</guid>
                                    <description><![CDATA[<p>TED LASSO deserves all the awards (all the things!), so say hosts Tasha Huo and Josh Hallman. In this Breakdown episode, they break down how writers Jason Sudeikis and Bill Lawrence introduced the now iconic characters in the Pilot of their hit show on Apple TV, how they created "villains" in a feel-good dramedy, and how they flip expectations to keep you leaning in. *SPOILERS AHEAD* (but also, you really need to watch TED LASSO).</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>TED LASSO deserves all the awards (all the things!), so say hosts Tasha Huo and Josh Hallman. In this Breakdown episode, they break down how writers Jason Sudeikis and Bill Lawrence introduced the now iconic characters in the Pilot of their hit show on Apple TV, how they created "villains" in a feel-good dramedy, and how they flip expectations to keep you leaning in. *SPOILERS AHEAD* (but also, you really need to watch TED LASSO).</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3avy2r/ACT_TWO_EPISODE_210_TED_LASSO_BREAKDOWN_FINAL.mp3" length="41861186" type="audio/mpeg"/>
        <itunes:summary><![CDATA[TED LASSO deserves all the awards (all the things!), so say hosts Tasha Huo and Josh Hallman. In this Breakdown episode, they break down how writers Jason Sudeikis and Bill Lawrence introduced the now iconic characters in the Pilot of their hit show on Apple TV, how they created "villains" in a feel-good dramedy, and how they flip expectations to keep you leaning in. *SPOILERS AHEAD* (but also, you really need to watch TED LASSO).
 
Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.
 
Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2608</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Documents Writers Write (that aren't the script)</title>
        <itunes:title>Documents Writers Write (that aren't the script)</itunes:title>
        <link>https://acttwo.podbean.com/e/documents-writers-write-that-arent-the-script/</link>
                    <comments>https://acttwo.podbean.com/e/documents-writers-write-that-arent-the-script/#comments</comments>        <pubDate>Sun, 07 Mar 2021 21:34:35 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/0792b003-83cf-3c56-8c67-68d297e97959</guid>
                                    <description><![CDATA[<p>Being a professional Screenwriter doesn't mean you're just good at writing scripts. You must become a master/mistress of a slew of other document types, from Format Documents to Scriptments and Bibles, all of which have different definitions depending on who you ask. In this practical-use episode, hosts Tasha Huo and Josh Hallman wade through the minefield and break down the definitive WGA definitions of each non-script document you'll be asked to write as a professional Screenwriter, what they're for, why they're important, and how much you should be getting paid for them.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Being a professional Screenwriter doesn't mean you're just good at writing scripts. You must become a master/mistress of a slew of other document types, from Format Documents to Scriptments and Bibles, all of which have different definitions depending on who you ask. In this practical-use episode, hosts Tasha Huo and Josh Hallman wade through the minefield and break down the definitive WGA definitions of each non-script document you'll be asked to write as a professional Screenwriter, what they're for, why they're important, and how much you should be getting paid for them.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/suxzu9/ACT_TWO_EPISODE_210_WGA_DOCUMENTS_FINAL.mp3" length="57975281" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Being a professional Screenwriter doesn't mean you're just good at writing scripts. You must become a master/mistress of a slew of other document types, from Format Documents to Scriptments and Bibles, all of which have different definitions depending on who you ask. In this practical-use episode, hosts Tasha Huo and Josh Hallman wade through the minefield and break down the definitive WGA definitions of each non-script document you'll be asked to write as a professional Screenwriter, what they're for, why they're important, and how much you should be getting paid for them.
 
Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3613</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Process: Getting the Job - Tomb Raider and Red Sonja</title>
        <itunes:title>Process: Getting the Job - Tomb Raider and Red Sonja</itunes:title>
        <link>https://acttwo.podbean.com/e/process-getting-the-job-tomb-raider-and-red-sonja/</link>
                    <comments>https://acttwo.podbean.com/e/process-getting-the-job-tomb-raider-and-red-sonja/#comments</comments>        <pubDate>Sun, 28 Feb 2021 18:15:30 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/377b4c54-9a15-3a81-8eb1-4ac1c3a8e58d</guid>
                                    <description><![CDATA[<p>It's a big month in the news for co-host Tasha Huo, who has been hired to create and executive produce the animated series TOMB RAIDER for Netflix, and to adapt the comic RED SONJA for Millennium. So in this episode, Josh Hallman forces Tasha to finally talk about herself and discuss the process behind getting both those jobs, and what comes next.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>It's a big month in the news for co-host Tasha Huo, who has been hired to create and executive produce the animated series TOMB RAIDER for Netflix, and to adapt the comic RED SONJA for Millennium. So in this episode, Josh Hallman forces Tasha to finally talk about herself and discuss the process behind getting both those jobs, and what comes next.</p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/47pms3/ACT_TWO_EPISODE_209_PROCESS_FINAL_REV.mp3" length="40366160" type="audio/mpeg"/>
        <itunes:summary><![CDATA[It's a big month in the news for co-host Tasha Huo, who has been hired to create and executive produce the animated series TOMB RAIDER for Netflix, and to adapt the comic RED SONJA for Millennium. So in this episode, Josh Hallman forces Tasha to finally talk about herself and discuss the process behind getting both those jobs, and what comes next.
 
Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2514</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Fireside Chat</title>
        <itunes:title>Fireside Chat</itunes:title>
        <link>https://acttwo.podbean.com/e/fireside-chat-1613969903/</link>
                    <comments>https://acttwo.podbean.com/e/fireside-chat-1613969903/#comments</comments>        <pubDate>Sun, 21 Feb 2021 20:59:16 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e29b146a-3b3a-3f2a-8ea6-f396f701c17e</guid>
                                    <description><![CDATA[<p>In this Fireside Chat, join hosts Tasha Huo and Josh Hallman in discussing three real-life stories from Screenwriters this week -- A new writer who has sent loglines to a studio executive and hasn't heard back, a mid-level writer who is struggling with endless free rewrites, and an advanced writer who failed to deliver a solid draft and left his producer in a bind. </p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this Fireside Chat, join hosts Tasha Huo and Josh Hallman in discussing three real-life stories from Screenwriters this week -- A new writer who has sent loglines to a studio executive and hasn't heard back, a mid-level writer who is struggling with endless free rewrites, and an advanced writer who failed to deliver a solid draft and left his producer in a bind. </p>
<p> </p>
<p>Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9q2sqr/ACT_TWO_EPISODE_208_LISTENER_QUESTIONS_FINAL.mp3" length="41868947" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this Fireside Chat, join hosts Tasha Huo and Josh Hallman in discussing three real-life stories from Screenwriters this week -- A new writer who has sent loglines to a studio executive and hasn't heard back, a mid-level writer who is struggling with endless free rewrites, and an advanced writer who failed to deliver a solid draft and left his producer in a bind. 
 
Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2609</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Art of Act One: Harry Potter and the Sorcerer’s Stone</title>
        <itunes:title>The Art of Act One: Harry Potter and the Sorcerer’s Stone</itunes:title>
        <link>https://acttwo.podbean.com/e/the-art-of-act-one-harry-potter-and-the-sorcerer-s-stone/</link>
                    <comments>https://acttwo.podbean.com/e/the-art-of-act-one-harry-potter-and-the-sorcerer-s-stone/#comments</comments>        <pubDate>Sun, 14 Feb 2021 10:19:43 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ee5effe7-e8fe-311c-846a-f8e15cd06e65</guid>
                                    <description><![CDATA[<p>A Hufflepuff and a Slytherin examine the first act that started it all: HARRY POTTER AND THE SORCERER'S STONE! Harry Potter is one of the greatest and most influential film franchises of all time. It effortlessly brought us into a magical world that felt grounded and introduced an unsung hero. If you're world-building, write fantasy, or have that unassuming hero... grab your butterbeer and get ready. Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>A Hufflepuff and a Slytherin examine the first act that started it all: HARRY POTTER AND THE SORCERER'S STONE! Harry Potter is one of the greatest and most influential film franchises of all time. It effortlessly brought us into a magical world that felt grounded and introduced an unsung hero. If you're world-building, write fantasy, or have that unassuming hero... grab your butterbeer and get ready. Questions/comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7yt9z9/ACT_TWO_EPISODE_207_HARRY_POTTER_BREAKDOWN_FINAL.mp3" length="48871514" type="audio/mpeg"/>
        <itunes:summary><![CDATA[A Hufflepuff and a Slytherin examine the first act that started it all: HARRY POTTER AND THE SORCERER'S STONE! Harry Potter is one of the greatest and most influential film franchises of all time. It effortlessly brought us into a magical world that felt grounded and introduced an unsung hero. If you're world-building, write fantasy, or have that unassuming hero... grab your butterbeer and get ready. Questions/comments: ActTwoWriters@gmail.com - the Act Two Podcast is edited by Paul Lundquist and music is by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3048</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Three Act Structure</title>
        <itunes:title>Three Act Structure</itunes:title>
        <link>https://acttwo.podbean.com/e/three-act-structure/</link>
                    <comments>https://acttwo.podbean.com/e/three-act-structure/#comments</comments>        <pubDate>Sun, 07 Feb 2021 19:56:39 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/07d718cc-57f5-30cb-abd7-86418203e020</guid>
                                    <description><![CDATA[<p>You have to learn the rules before you can break them. In this episode, hosts Tasha Huo and Josh Hallman discuss why Three Act Structure is important and they break down some of the most popular structure guidelines out there, including Blake Snyder's "Save the Cat" model. They also discuss how to avoid becoming a slave to structure guidelines, and how to instead use them as a valuable tool in your writing tool chest.</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p> </p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>You have to learn the rules before you can break them. In this episode, hosts Tasha Huo and Josh Hallman discuss why Three Act Structure is important and they break down some of the most popular structure guidelines out there, including Blake Snyder's "Save the Cat" model. They also discuss how to avoid becoming a slave to structure guidelines, and how to instead use them as a valuable tool in your writing tool chest.</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p> </p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3p2yhk/ACT_TWO_EPISODE_206_STRUCTURE_FINAL.mp3" length="58385982" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You have to learn the rules before you can break them. In this episode, hosts Tasha Huo and Josh Hallman discuss why Three Act Structure is important and they break down some of the most popular structure guidelines out there, including Blake Snyder's "Save the Cat" model. They also discuss how to avoid becoming a slave to structure guidelines, and how to instead use them as a valuable tool in your writing tool chest.
 
Questions/Comments: ActTwoWriters@gmail.com
 
Edited by Paul Lundquist
 
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3641</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Screenwriting Life: A New Hope</title>
        <itunes:title>Screenwriting Life: A New Hope</itunes:title>
        <link>https://acttwo.podbean.com/e/screenwriting-life-a-new-hope/</link>
                    <comments>https://acttwo.podbean.com/e/screenwriting-life-a-new-hope/#comments</comments>        <pubDate>Sun, 31 Jan 2021 20:29:53 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4f44dc8f-9430-3c5e-96ae-bae480af68e9</guid>
                                    <description><![CDATA[<p>"Hope is like the sun. If you only believe it when you see it, you'll never make it through the night." - General Laia, Star Wars: The Last Jedi. Hope is what every Screenwriter's dreams are built on, and it is also the hardest thing to sustain during the dark nights of your career. In this unique episode, hosts Tasha Huo and Josh Hallman illustrate the importance of hope in the Screenwriting journey through the inspirational origin stories of two now famous Screenwriters who lost all hope right before they achieved massive success -- Sylvester Stallone and George Lucas.</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p> </p>
<p>Music by 414beg</p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p><em>"Hope is like the sun. If you only believe it when you see it, you'll never make it through the night."</em> - General Laia, <em>Star Wars: The Last Jedi</em>. Hope is what every Screenwriter's dreams are built on, and it is also the hardest thing to sustain during the dark nights of your career. In this unique episode, hosts Tasha Huo and Josh Hallman illustrate the importance of hope in the Screenwriting journey through the inspirational origin stories of two now famous Screenwriters who lost all hope right before they achieved massive success -- Sylvester Stallone and George Lucas.</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p> </p>
<p>Music by 414beg</p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u4jqig/ACT_TWO_EPISODE_205_HOPE_FINAL.mp3" length="44274645" type="audio/mpeg"/>
        <itunes:summary><![CDATA["Hope is like the sun. If you only believe it when you see it, you'll never make it through the night." - General Laia, Star Wars: The Last Jedi. Hope is what every Screenwriter's dreams are built on, and it is also the hardest thing to sustain during the dark nights of your career. In this unique episode, hosts Tasha Huo and Josh Hallman illustrate the importance of hope in the Screenwriting journey through the inspirational origin stories of two now famous Screenwriters who lost all hope right before they achieved massive success -- Sylvester Stallone and George Lucas.
 
Questions/Comments: ActTwoWriters@gmail.com
 
Edited by Paul Lundquist
 
Music by 414beg
 ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2761</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>WGA 101: Interview with Ben Shiffrin, WGA Captain</title>
        <itunes:title>WGA 101: Interview with Ben Shiffrin, WGA Captain</itunes:title>
        <link>https://acttwo.podbean.com/e/guest-interview-with-ben-shiffrin-wga-captain/</link>
                    <comments>https://acttwo.podbean.com/e/guest-interview-with-ben-shiffrin-wga-captain/#comments</comments>        <pubDate>Sun, 24 Jan 2021 21:59:59 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/526da624-9481-3d28-80f1-a301f4b5208b</guid>
                                    <description><![CDATA[<p>Becoming a member of the Writer's Guild of America is an important milestone for every Screenwriter, and a significant hurdle in accessing a consistent and successful career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Screenwriter and WGA Captain Ben Shiffrin to discuss the basics of WGA membership, the pitfalls of a non-WGA deal and how to combat them, and the myriad of helpful resources available to Screenwriters that few even know exist (whether you're a member or not!). </p>
<p> </p>
<p>----more----</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>----more----</p>
<p>Edited by Paul Lundquist</p>
<p>----more----</p>
<p>Music by 414beg</p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Becoming a member of the Writer's Guild of America is an important milestone for every Screenwriter, and a significant hurdle in accessing a consistent and successful career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Screenwriter and WGA Captain Ben Shiffrin to discuss the basics of WGA membership, the pitfalls of a non-WGA deal and how to combat them, and the myriad of helpful resources available to Screenwriters that few even know exist (whether you're a member or not!). </p>
<p> </p>
<p>----more----</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>----more----</p>
<p>Edited by Paul Lundquist</p>
<p>----more----</p>
<p>Music by 414beg</p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sgug6x/ACT_TWO_EPISODE_204_INTV_WITH_BEN_SHIFFRIN.mp3" length="68797986" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Becoming a member of the Writer's Guild of America is an important milestone for every Screenwriter, and a significant hurdle in accessing a consistent and successful career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Screenwriter and WGA Captain Ben Shiffrin to discuss the basics of WGA membership, the pitfalls of a non-WGA deal and how to combat them, and the myriad of helpful resources available to Screenwriters that few even know exist (whether you're a member or not!). 
 
----more----
Questions/Comments: ActTwoWriters@gmail.com
----more----
Edited by Paul Lundquist
----more----
Music by 414beg
 ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4284</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pixar's 22 Rules of Storytelling</title>
        <itunes:title>Pixar's 22 Rules of Storytelling</itunes:title>
        <link>https://acttwo.podbean.com/e/pixars-22-rules-of-storytelling/</link>
                    <comments>https://acttwo.podbean.com/e/pixars-22-rules-of-storytelling/#comments</comments>        <pubDate>Sun, 17 Jan 2021 19:40:49 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/58c86afb-0507-3386-a144-a1a0358675c5</guid>
                                    <description><![CDATA[<p>Pixar storytellers are some of the best in the history of our business. In this episode, hosts Tasha Huo and Josh Hallman walk through a viral Twitter feed where former Pixar storyboard artist Emma Coates posted Pixar's 22 Rules of Storytelling, and they talk about how those rules can be applied to your screenwriting in very real and practical ways.</p>
<p> </p>
<p>You can find the original post here -- https://io9.gizmodo.com/the-22-rules-of-storytelling-according-to-pixar-5916970</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Pixar storytellers are some of the best in the history of our business. In this episode, hosts Tasha Huo and Josh Hallman walk through a viral Twitter feed where former Pixar storyboard artist Emma Coates posted Pixar's 22 Rules of Storytelling, and they talk about how those rules can be applied to your screenwriting in very real and practical ways.</p>
<p> </p>
<p>You can find the original post here -- https://io9.gizmodo.com/the-22-rules-of-storytelling-according-to-pixar-5916970</p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uszm8n/ACT_TWO_EPISODE_203_PIXAR.mp3" length="56190502" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pixar storytellers are some of the best in the history of our business. In this episode, hosts Tasha Huo and Josh Hallman walk through a viral Twitter feed where former Pixar storyboard artist Emma Coates posted Pixar's 22 Rules of Storytelling, and they talk about how those rules can be applied to your screenwriting in very real and practical ways.
 
You can find the original post here -- https://io9.gizmodo.com/the-22-rules-of-storytelling-according-to-pixar-5916970
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3499</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching is Terrible: The Series (Part 3 -- Visuals in a Pitch)</title>
        <itunes:title>Pitching is Terrible: The Series (Part 3 -- Visuals in a Pitch)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-3-visuals-in-a-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-3-visuals-in-a-pitch/#comments</comments>        <pubDate>Sun, 10 Jan 2021 17:41:18 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/a52d84f8-e99a-3541-905d-07da486ddfd9</guid>
                                    <description><![CDATA[<p>Pitching is terrible. But one of the biggest ways to set yourself up for success is by adding visuals to your pitch presentation. So whether you're pitching over Zoom, or you're back in a room with real humans, hosts Tasha Huo and Josh Hallman discuss all the different ways to use visuals to great effect in your pitch.</p>
<p> </p>
<p>In addition, Act Two has a fantastic and talented in-house layout designer to help you with all your lookbook and pitch presentation needs if doing your own visuals just isn't your thing. Check out professional layout designer Katie Olsen's visual pitch portfolio for Screenwriters at <a href='https://luckydelaney.wordpress.com/about-design/'>LuckyDelaney.com</a></p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Pitching is terrible. But one of the biggest ways to set yourself up for success is by adding visuals to your pitch presentation. So whether you're pitching over Zoom, or you're back in a room with real humans, hosts Tasha Huo and Josh Hallman discuss all the different ways to use visuals to great effect in your pitch.</p>
<p> </p>
<p>In addition, Act Two has a fantastic and talented in-house layout designer to help you with all your lookbook and pitch presentation needs if doing your own visuals just isn't your thing. Check out professional layout designer Katie Olsen's visual pitch portfolio for Screenwriters at <a href='https://luckydelaney.wordpress.com/about-design/'>LuckyDelaney.com</a></p>
<p> </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/e8fw9b/ACT_TWO_EPISODE_202_PITCH_SERIES_PART3_FINAL.mp3" length="79863114" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pitching is terrible. But one of the biggest ways to set yourself up for success is by adding visuals to your pitch presentation. So whether you're pitching over Zoom, or you're back in a room with real humans, hosts Tasha Huo and Josh Hallman discuss all the different ways to use visuals to great effect in your pitch.
 
In addition, Act Two has a fantastic and talented in-house layout designer to help you with all your lookbook and pitch presentation needs if doing your own visuals just isn't your thing. Check out professional layout designer Katie Olsen's visual pitch portfolio for Screenwriters at LuckyDelaney.com
 
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4976</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Get Competitive: Interview w/ bRock Newell, 2018 Screencraft Fellowship Winner</title>
        <itunes:title>Get Competitive: Interview w/ bRock Newell, 2018 Screencraft Fellowship Winner</itunes:title>
        <link>https://acttwo.podbean.com/e/get-competitive/</link>
                    <comments>https://acttwo.podbean.com/e/get-competitive/#comments</comments>        <pubDate>Sun, 03 Jan 2021 17:11:35 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/771b39d0-55e0-38af-bcde-68aa32fe7c89</guid>
                                    <description><![CDATA[<p>Fellowships have become a formidable way to jumpstart (or restart) your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with bRock Newell, winner of the 2018 Screencraft Fellowship to chat about what exactly the Fellowship entails, why he refused a free hotel stay in LA, and the incredible effects the Fellowship has had on his career. </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Fellowships have become a formidable way to jumpstart (or restart) your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with bRock Newell, winner of the 2018 Screencraft Fellowship to chat about what exactly the Fellowship entails, why he refused a free hotel stay in LA, and the incredible effects the Fellowship has had on his career. </p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/srpsz6/bRock.mp3" length="40262756" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Fellowships have become a formidable way to jumpstart (or restart) your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with bRock Newell, winner of the 2018 Screencraft Fellowship to chat about what exactly the Fellowship entails, why he refused a free hotel stay in LA, and the incredible effects the Fellowship has had on his career. 
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2504</itunes:duration>
        <itunes:season>2</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>New Year's Resolutions: How to Make (Writing) Goals</title>
        <itunes:title>New Year's Resolutions: How to Make (Writing) Goals</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-make-writing-goals/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-make-writing-goals/#comments</comments>        <pubDate>Sun, 27 Dec 2020 21:20:41 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8874bab0-a822-36e5-99a0-6377b31ed120</guid>
                                    <description><![CDATA[<p>Sure, New Year's Resolutions suck and never work. But, what if your writing resolutions DID work? What if by Dec. 31st of next year, your career looked vastly different? It can happen. You (and only you) have the power to progress your career over the next year.</p>
<p>In this special End of Year episode, hosts Tasha Huo and Josh Hallman talk in detail about how they make writing goals, their tricks on how to keep them, and how to wield those goals into real actionable, career-changing steps. Next year, take control of your career.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Sure, New Year's Resolutions suck and never work. But, what if your writing resolutions DID work? What if by Dec. 31st of next year, your career looked vastly different? It can happen. You (and only you) have the power to progress your career over the next year.</p>
<p>In this special End of Year episode, hosts Tasha Huo and Josh Hallman talk in detail about how they make writing goals, their tricks on how to keep them, and how to wield those goals into real actionable, career-changing steps. Next year, take control of your career.</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2mwi5y/ACT_TWO_EPISODE_122_GOALS.mp3" length="37914512" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Sure, New Year's Resolutions suck and never work. But, what if your writing resolutions DID work? What if by Dec. 31st of next year, your career looked vastly different? It can happen. You (and only you) have the power to progress your career over the next year.
In this special End of Year episode, hosts Tasha Huo and Josh Hallman talk in detail about how they make writing goals, their tricks on how to keep them, and how to wield those goals into real actionable, career-changing steps. Next year, take control of your career.
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2359</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: LETHAL WEAPON (Demystifying a Legend)</title>
        <itunes:title>The Breakdown: LETHAL WEAPON (Demystifying a Legend)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-lethal-weapon-demystifying-a-legend/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-lethal-weapon-demystifying-a-legend/#comments</comments>        <pubDate>Sun, 20 Dec 2020 16:15:00 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5970fc6c-f830-3b55-a342-a4605b9e6242</guid>
                                    <description><![CDATA[<p>There is a legend among Screenwriters that Shane Black wrote LETHAL WEAPON right out of college, sold it immediately, and that his first draft was what went into production. Tearing down that myth are hosts Tasha Huo and Josh Hallman, with Special Guest David Levinson, who go behind the scenes of how this holiday action movie really came to be. The truth is nowhere close to mythic, and much closer to the hard reality of what it takes to get a movie made. Hint: Shane Black wasn't the only writer!</p>
<p>It is an Act Two belief that the best writers never stop learning -- so the Breakdown Series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There is a legend among Screenwriters that Shane Black wrote LETHAL WEAPON right out of college, sold it immediately, and that his first draft was what went into production. Tearing down that myth are hosts Tasha Huo and Josh Hallman, with Special Guest David Levinson, who go behind the scenes of how this holiday action movie <em>really </em>came to be. The truth is nowhere close to mythic, and much closer to the hard reality of what it takes to get a movie made. Hint: Shane Black wasn't the only writer!</p>
<p><em>It is an Act Two belief that the best writers never stop learning -- so the Breakdown Series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</em></p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qsh9na/ACT_TWO_EPISODE_121_LETHAL_WEAPON_FINAL.mp3" length="85599750" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There is a legend among Screenwriters that Shane Black wrote LETHAL WEAPON right out of college, sold it immediately, and that his first draft was what went into production. Tearing down that myth are hosts Tasha Huo and Josh Hallman, with Special Guest David Levinson, who go behind the scenes of how this holiday action movie really came to be. The truth is nowhere close to mythic, and much closer to the hard reality of what it takes to get a movie made. Hint: Shane Black wasn't the only writer!
It is an Act Two belief that the best writers never stop learning -- so the Breakdown Series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg
 ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>5342</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: Back to the Future (Act 3 - Obstacles &amp; Pay-Offs)</title>
        <itunes:title>The Breakdown: Back to the Future (Act 3 - Obstacles &amp; Pay-Offs)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-3-obstacles-pay-offs/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-3-obstacles-pay-offs/#comments</comments>        <pubDate>Sun, 13 Dec 2020 17:02:21 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b27101d6-1cfd-3de7-80d6-53441ef69113</guid>
                                    <description><![CDATA[<p>BACK TO THE FUTURE, crafted by Robert Zemeckis and Bob Gale, has one of the most satisfying endings in film. It accomplishes this through building continuous Obstacles and Paying Off all the Setups from Act One. In this last installment of The Breakdown: BTTF Edition, hosts Tasha Huo and Josh Hallman break down just how a perfect, satisfying ending is pulled off at the writing level.</p>
<p>The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>BACK TO THE FUTURE, crafted by Robert Zemeckis and Bob Gale, has one of the most satisfying endings in film. It accomplishes this through building continuous Obstacles and Paying Off all the Setups from Act One. In this last installment of The Breakdown: BTTF Edition, hosts Tasha Huo and Josh Hallman break down just how a perfect, satisfying ending is pulled off at the writing level.</p>
<p><em>The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</em></p>
<p>Questions/Comments: ActTwoWriters@gmail.com</p>
<p>Edited by Paul Lundquist</p>
<p>Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/s6kwyk/ACT_TWO_EPISODE_120_BACK_TO_THE_FUTURE_ACT3_FINAL.mp3" length="46836748" type="audio/mpeg"/>
        <itunes:summary><![CDATA[BACK TO THE FUTURE, crafted by Robert Zemeckis and Bob Gale, has one of the most satisfying endings in film. It accomplishes this through building continuous Obstacles and Paying Off all the Setups from Act One. In this last installment of The Breakdown: BTTF Edition, hosts Tasha Huo and Josh Hallman break down just how a perfect, satisfying ending is pulled off at the writing level.
The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!
Questions/Comments: ActTwoWriters@gmail.com
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2919</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: BACK TO THE FUTURE (Act Two - The Art of Cause &amp; Effect)</title>
        <itunes:title>The Breakdown: BACK TO THE FUTURE (Act Two - The Art of Cause &amp; Effect)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-two-the-art-of-cause-effect/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-two-the-art-of-cause-effect/#comments</comments>        <pubDate>Sun, 06 Dec 2020 13:28:45 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/25b15707-0493-3741-ad93-c563ea443f3e</guid>
                                    <description><![CDATA[
<p dir="ltr">BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, is a masterclass in how to craft the perfect Act Two. It has a powerful story engine, unexpected twists and turns, emotional ups and downs, and it forces the audience to be an active participant in the adventure. In this second installment of The Breakdown: BTTF Edition, Tasha Huo and Josh Hallman break down just how Zemeckis and Gale pulled all this off to create one of the most perfect films in history -- Hint: Cause & Effect.</p>
<p dir="ltr"> </p>
<p dir="ltr">The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p dir="ltr">Edited by Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></description>
                                                            <content:encoded><![CDATA[
<p dir="ltr">BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, is a masterclass in how to craft the perfect Act Two. It has a powerful story engine, unexpected twists and turns, emotional ups and downs, and it forces the audience to be an active participant in the adventure. In this second installment of The Breakdown: BTTF Edition, Tasha Huo and Josh Hallman break down just how Zemeckis and Gale pulled all this off to create one of the most perfect films in history -- Hint: Cause & Effect.</p>
<p dir="ltr"> </p>
<p dir="ltr">The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!</p>
<p dir="ltr"> </p>
<p dir="ltr">Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com </a></p>
<p dir="ltr">Edited by Paul Lundquist</p>
<p dir="ltr">Music by 414beg</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vun72s/ACT_TWO_EPISODE_119_BACK_TO_THE_FUTURE_ACT2_FINAL.mp3" length="68757326" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, is a masterclass in how to craft the perfect Act Two. It has a powerful story engine, unexpected twists and turns, emotional ups and downs, and it forces the audience to be an active participant in the adventure. In this second installment of The Breakdown: BTTF Edition, Tasha Huo and Josh Hallman break down just how Zemeckis and Gale pulled all this off to create one of the most perfect films in history -- Hint: Cause & Effect.
 
The Breakdown Series is a special, ongoing series where hosts Tasha Huo and Josh Hallman tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Sit back, grab a drink, and let's see what we all can learn!
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg
]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4285</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>First Script is Done. Now what?</title>
        <itunes:title>First Script is Done. Now what?</itunes:title>
        <link>https://acttwo.podbean.com/e/first-script-is-done-now-what/</link>
                    <comments>https://acttwo.podbean.com/e/first-script-is-done-now-what/#comments</comments>        <pubDate>Sun, 29 Nov 2020 17:09:00 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/22f52577-ea40-3ad2-a2ee-b1bb7169f061</guid>
                                    <description><![CDATA[<p>You've written your first script and you're ready to show it to the world. Where do you share it? Who do you trust with feedback, and what do you do with it? When is your ego getting in the way, and how can you tell? Hosts Tasha Huo and Josh Hallman talk about their first scripts and the hard lessons they learned when they were confident film school grads just starting out.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>You've written your first script and you're ready to show it to the world. Where do you share it? Who do you trust with feedback, and what do you do with it? When is your ego getting in the way, and how can you tell? Hosts Tasha Huo and Josh Hallman talk about their first scripts and the hard lessons they learned when they were confident film school grads just starting out.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xb6qxr/ACT_TWO_EPISODE_118_FIRST_SCRIPT.mp3" length="48907424" type="audio/mpeg"/>
        <itunes:summary><![CDATA[You've written your first script and you're ready to show it to the world. Where do you share it? Who do you trust with feedback, and what do you do with it? When is your ego getting in the way, and how can you tell? Hosts Tasha Huo and Josh Hallman talk about their first scripts and the hard lessons they learned when they were confident film school grads just starting out.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3049</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Breakdown: BACK TO THE FUTURE (Act One)</title>
        <itunes:title>The Breakdown: BACK TO THE FUTURE (Act One)</itunes:title>
        <link>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-one/</link>
                    <comments>https://acttwo.podbean.com/e/the-breakdown-back-to-the-future-act-one/#comments</comments>        <pubDate>Sun, 22 Nov 2020 21:40:22 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/432c9a2f-caf8-3965-a41e-5db5aa16191a</guid>
                                    <description><![CDATA[<p>BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, wasn't always the perfect movie you think it was. The original draft was far from the genius that made it to screen. In this special holiday episode, hosts Tasha Huo and Josh Hallman take a close look at how Zemeckis and Gale handle Act One problems like setups, character intros, theme, dialogue, and suspense in the masterpiece that is BACK TO THE FUTURE, and they compare the rocky, more adult first draft to the finished tour de force that made it into our hearts and minds.</p>
<p>Thus begins our Breakdown Series where Tasha and Josh tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Let's see what we all can learn!</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, wasn't always the perfect movie you think it was. The original draft was far from the genius that made it to screen. In this special holiday episode, hosts Tasha Huo and Josh Hallman take a close look at how Zemeckis and Gale handle Act One problems like setups, character intros, theme, dialogue, and suspense in the masterpiece that is BACK TO THE FUTURE, and they compare the rocky, more adult first draft to the finished tour de force that made it into our hearts and minds.</p>
<p>Thus begins our Breakdown Series where Tasha and Josh tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Let's see what we all can learn!</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/3raft9/ACT_TWO_EPISODE_117_BACK_TO_THE_FUTURE_ACT1_BREAKDOWN.mp3" length="69385012" type="audio/mpeg"/>
        <itunes:summary><![CDATA[BACK TO THE FUTURE, written by Robert Zemeckis and Bob Gale, wasn't always the perfect movie you think it was. The original draft was far from the genius that made it to screen. In this special holiday episode, hosts Tasha Huo and Josh Hallman take a close look at how Zemeckis and Gale handle Act One problems like setups, character intros, theme, dialogue, and suspense in the masterpiece that is BACK TO THE FUTURE, and they compare the rocky, more adult first draft to the finished tour de force that made it into our hearts and minds.
Thus begins our Breakdown Series where Tasha and Josh tear into the Screenwriting of masterful films and television episodes, breaking down how the sausage is made. It is an Act Two belief that the best writers never stop learning -- so this series will take an in-depth look at the writing of some of the most influential stories of our time, including the behind-the-scenes of how these scripts came together. Let's see what we all can learn!
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4327</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Get Competitive: Guest Interview w/ Nicole Ramberg, 2020 Screencraft Competition Winner</title>
        <itunes:title>Get Competitive: Guest Interview w/ Nicole Ramberg, 2020 Screencraft Competition Winner</itunes:title>
        <link>https://acttwo.podbean.com/e/nicole-1605536895/</link>
                    <comments>https://acttwo.podbean.com/e/nicole-1605536895/#comments</comments>        <pubDate>Mon, 16 Nov 2020 06:31:22 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/250305d8-641f-3425-a1b6-5f236d874be0</guid>
                                    <description><![CDATA[<p>Competitions are a very effective way to jumpstart your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Nicole Ramberg, 2020 Winner of the Screencraft Action-Adventure Feature Competition, to discuss how she found Screencraft, the application process, and how winning has affected her writing career. Hint: she now has a manager. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Competitions are a very effective way to jumpstart your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Nicole Ramberg, 2020 Winner of the Screencraft Action-Adventure Feature Competition, to discuss how she found Screencraft, the application process, and how winning has affected her writing career. Hint: she now has a manager. </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ak2m2g/ACT_TWO_EPISODE_116_INTERVIEW_WITH_NICOLE_RAMBERG.mp3" length="38000029" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Competitions are a very effective way to jumpstart your Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with Nicole Ramberg, 2020 Winner of the Screencraft Action-Adventure Feature Competition, to discuss how she found Screencraft, the application process, and how winning has affected her writing career. Hint: she now has a manager. 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2365</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Million Ways: Guest Interview w/ Screenwriter Corey Deshon</title>
        <itunes:title>A Million Ways: Guest Interview w/ Screenwriter Corey Deshon</itunes:title>
        <link>https://acttwo.podbean.com/e/corey-1604865158/</link>
                    <comments>https://acttwo.podbean.com/e/corey-1604865158/#comments</comments>        <pubDate>Sun, 08 Nov 2020 11:57:18 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/3505f864-ab29-3c1e-baa0-db3610880546</guid>
                                    <description><![CDATA[<p>There are a million ways to a Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with screenwriter Corey Deshon to discuss his epic Twitter thread on the many starts and stops of his writing career, and how "the slog" is part of the job description. Corey started as a Production Assistant and found immediate success in Hollywood as an indie film writer, but never quite saw his career take off despite sales and produced credits. Now a working staff writer in TV and in post on his directorial debut Daughter due out in 2021, Corey reflects on the stutter-stops along the way, and goes in detail on all those arduous steps of his path to finding a career as a Screenwriter. Hint: it involved lots of credit cards. (This episode is part of the "Million Ways to a Screenwriting Career" series, where Tasha Huo and Josh Hallman go in-depth with Screenwriters of all walks of life to discuss the unique way they became a working Screenwriter.)</p>
<p> </p>
<p>Find Corey Deshon: <a href='https://twitter.com/CoreyDeshon'>@CoreyDeshon</a> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>There are a million ways to a Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with screenwriter Corey Deshon to discuss his epic Twitter thread on the many starts and stops of his writing career, and how "the slog" is part of the job description. Corey started as a Production Assistant and found immediate success in Hollywood as an indie film writer, but never quite saw his career take off despite sales and produced credits. Now a working staff writer in TV and in post on his directorial debut <em>Daughter </em>due out in 2021, Corey reflects on the stutter-stops along the way, and goes in detail on all those arduous steps of his path to finding a career as a Screenwriter. Hint: it involved lots of credit cards. (This episode is part of the "Million Ways to a Screenwriting Career" series, where Tasha Huo and Josh Hallman go in-depth with Screenwriters of all walks of life to discuss the unique way they became a working Screenwriter.)</p>
<p> </p>
<p>Find Corey Deshon: <a href='https://twitter.com/CoreyDeshon'>@CoreyDeshon</a> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ifj5wk/ACT_TWO_EPISODE_115_INTERVIEW_WITH_COREY.mp3" length="66131575" type="audio/mpeg"/>
        <itunes:summary><![CDATA[There are a million ways to a Screenwriting career. In this episode, hosts Tasha Huo and Josh Hallman sit down with screenwriter Corey Deshon to discuss his epic Twitter thread on the many starts and stops of his writing career, and how "the slog" is part of the job description. Corey started as a Production Assistant and found immediate success in Hollywood as an indie film writer, but never quite saw his career take off despite sales and produced credits. Now a working staff writer in TV and in post on his directorial debut Daughter due out in 2021, Corey reflects on the stutter-stops along the way, and goes in detail on all those arduous steps of his path to finding a career as a Screenwriter. Hint: it involved lots of credit cards. (This episode is part of the "Million Ways to a Screenwriting Career" series, where Tasha Huo and Josh Hallman go in-depth with Screenwriters of all walks of life to discuss the unique way they became a working Screenwriter.)
 
Find Corey Deshon: @CoreyDeshon 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4124</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>How to Have a Good Relationship with Your Reps</title>
        <itunes:title>How to Have a Good Relationship with Your Reps</itunes:title>
        <link>https://acttwo.podbean.com/e/how-to-have-a-good-relationship-with-your-reps/</link>
                    <comments>https://acttwo.podbean.com/e/how-to-have-a-good-relationship-with-your-reps/#comments</comments>        <pubDate>Sun, 01 Nov 2020 17:24:14 -0800</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/32f13fe4-7243-3552-abeb-c368711a3c20</guid>
                                    <description><![CDATA[<p>One of the most important and fraught relationships a Screenwriter will ever have is the one they have with their reps. In this episode, hosts Tasha Huo and Josh Hallman field questions from Screenwriters struggling with their Manager / Agent relationships and talk about how to maximize those relationships and how to transform a difficult or stagnant representation team into one that is working for you.</p>
<p> </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>One of the most important and fraught relationships a Screenwriter will ever have is the one they have with their reps. In this episode, hosts Tasha Huo and Josh Hallman field questions from Screenwriters struggling with their Manager / Agent relationships and talk about how to maximize those relationships and how to transform a difficult or stagnant representation team into one that is working <em>for</em> you.</p>
<p> </p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/r8cub4/ACT_TWO_EPISODE_114_RELATIONSHIPS_WITH_REPS.mp3" length="65900773" type="audio/mpeg"/>
        <itunes:summary><![CDATA[One of the most important and fraught relationships a Screenwriter will ever have is the one they have with their reps. In this episode, hosts Tasha Huo and Josh Hallman field questions from Screenwriters struggling with their Manager / Agent relationships and talk about how to maximize those relationships and how to transform a difficult or stagnant representation team into one that is working for you.
 
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>4109</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching is Terrible: The Series (Part 2 -- Formatting Your Pitch)</title>
        <itunes:title>Pitching is Terrible: The Series (Part 2 -- Formatting Your Pitch)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-2-formatting-your-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-2-formatting-your-pitch/#comments</comments>        <pubDate>Tue, 27 Oct 2020 17:15:41 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/c68aa3c6-620e-324b-b3a0-29b19a1e6df2</guid>
                                    <description><![CDATA[<p>Pitching is terrible. But when you have a pitch format you can rely on, it's that much easier to be confident and successful in the room. In this episode of the "Pitching is Terrible" Series, hosts Tasha Huo and Josh Hallman discuss the standard formats they use in structuring their feature and TV pitches that make it much less terrible.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Pitching is terrible. But when you have a pitch format you can rely on, it's that much easier to be confident and successful in the room. In this episode of the "Pitching is Terrible" Series, hosts Tasha Huo and Josh Hallman discuss the standard formats they use in structuring their feature and TV pitches that make it much less terrible.</p>
<p> </p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a></p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/8vwcmt/ACT_TWO_EPISODE_113_PITCHING_PT2.mp3" length="33892278" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Pitching is terrible. But when you have a pitch format you can rely on, it's that much easier to be confident and successful in the room. In this episode of the "Pitching is Terrible" Series, hosts Tasha Huo and Josh Hallman discuss the standard formats they use in structuring their feature and TV pitches that make it much less terrible.
 
Questions/Comments: ActTwoWriters@gmail.com 
Edited by Paul Lundquist
Music by 414beg]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2113</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Pitching is Terrible: The Series (Part 1 -- What, How and Why do you Pitch?)</title>
        <itunes:title>Pitching is Terrible: The Series (Part 1 -- What, How and Why do you Pitch?)</itunes:title>
        <link>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-1-what-how-and-why-do-you-pitch/</link>
                    <comments>https://acttwo.podbean.com/e/pitching-is-terrible-the-series-part-1-what-how-and-why-do-you-pitch/#comments</comments>        <pubDate>Sun, 18 Oct 2020 21:55:52 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/4b39ec59-8f59-3a40-989b-aa0c7cb20e5d</guid>
                                    <description><![CDATA[<p>Turns out a Screenwriting career is not just about what you can do on a page. It's also about what you can do in a room. In this first part of a multi-episode series focused entirely on Pitching, hosts Tasha Huo and Josh Hallman talk generally about how you get pitches, what they are, and what you do once you have one. Pitching is terrible, but necessary if you are to have a Screenwriting career. So, let's start by breaking down the beast so we can figure out how to conquer it together.</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Turns out a Screenwriting career is not just about what you can do on a page. It's also about what you can do in a room. In this first part of a multi-episode series focused entirely on Pitching, hosts Tasha Huo and Josh Hallman talk generally about how you get pitches, what they are, and what you do once you have one. Pitching is terrible, but necessary if you are to have a Screenwriting career. So, let's start by breaking down the beast so we can figure out how to conquer it together.</p>
<p> </p>
<p>Edited by Paul Lundquist</p>
<p>Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.</p>
<p>Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ag4bc2/ACT_TWO_EPISODE_112_PITCHING_PT1.mp3" length="84854724" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Turns out a Screenwriting career is not just about what you can do on a page. It's also about what you can do in a room. In this first part of a multi-episode series focused entirely on Pitching, hosts Tasha Huo and Josh Hallman talk generally about how you get pitches, what they are, and what you do once you have one. Pitching is terrible, but necessary if you are to have a Screenwriting career. So, let's start by breaking down the beast so we can figure out how to conquer it together.
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2649</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Confident Writer, an Oxymoron</title>
        <itunes:title>The Confident Writer, an Oxymoron</itunes:title>
        <link>https://acttwo.podbean.com/e/the-confident-writer-an-oxymoron/</link>
                    <comments>https://acttwo.podbean.com/e/the-confident-writer-an-oxymoron/#comments</comments>        <pubDate>Mon, 12 Oct 2020 20:57:22 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/e1c4ae64-a173-39bb-b221-82a39c229f1f</guid>
                                    <description><![CDATA[<p>Confidence can literally make or break your writing career. Hosts Tasha Huo and Josh Hallman get philosophical as they talk about their struggles with confidence as writers and how they powered through it. It ain't easy, but it is possible.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> ]]></description>
                                                            <content:encoded><![CDATA[<p>Confidence can literally make or break your writing career. Hosts Tasha Huo and Josh Hallman get philosophical as they talk about their struggles with confidence as writers and how they powered through it. It ain't easy, but it is possible.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: <a href='mailto:ActTwoWriters@gmail.com'>ActTwoWriters@gmail.com</a> ]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bf8n94/ACT_TWO_EPISODE_111_CONFIDENCE.mp3" length="68423550" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Confidence can literally make or break your writing career. Hosts Tasha Huo and Josh Hallman get philosophical as they talk about their struggles with confidence as writers and how they powered through it. It ain't easy, but it is possible.
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: ActTwoWriters@gmail.com ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2135</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Working Hard or Hardly Working? -- A Day in the Life of a Screenwriter</title>
        <itunes:title>Working Hard or Hardly Working? -- A Day in the Life of a Screenwriter</itunes:title>
        <link>https://acttwo.podbean.com/e/day-in-the-life-of-a-screenwriter/</link>
                    <comments>https://acttwo.podbean.com/e/day-in-the-life-of-a-screenwriter/#comments</comments>        <pubDate>Sun, 04 Oct 2020 20:51:36 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/53addf3a-9fab-3a4c-8613-71f61f7f5585</guid>
                                    <description><![CDATA[<p>The first question every Panel Host asks a Screenwriter is, "What does your typical writing day look like?" It's a burning question we've all had because knowing how other writers work effectively can be extremely helpful, especially if you struggle with stress, procrastination, excuses, or timing issues. In this episode, hosts Tasha Huo and Josh Hallman talk through their typical writing day, and chat openly about their writing schedule trials, tribulations, tips and tricks. </p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></description>
                                                            <content:encoded><![CDATA[<p>The first question every Panel Host asks a Screenwriter is, <em>"What does your typical writing day look like?"</em> It's a burning question we've all had because knowing how other writers work effectively can be extremely helpful, especially if you struggle with stress, procrastination, excuses, or timing issues. In this episode, hosts Tasha Huo and Josh Hallman talk through their typical writing day, and chat openly about their writing schedule trials, tribulations, tips and tricks. </p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/aez3gg/ACT_TWO_EPISODE_110_WRITERS_SCHEDULE.mp3" length="81796846" type="audio/mpeg"/>
        <itunes:summary><![CDATA[The first question every Panel Host asks a Screenwriter is, "What does your typical writing day look like?" It's a burning question we've all had because knowing how other writers work effectively can be extremely helpful, especially if you struggle with stress, procrastination, excuses, or timing issues. In this episode, hosts Tasha Huo and Josh Hallman talk through their typical writing day, and chat openly about their writing schedule trials, tribulations, tips and tricks. 
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2553</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>A Screenwriter Walks into a Festival...</title>
        <itunes:title>A Screenwriter Walks into a Festival...</itunes:title>
        <link>https://acttwo.podbean.com/e/a-screenwriter-walks-into-a-festival/</link>
                    <comments>https://acttwo.podbean.com/e/a-screenwriter-walks-into-a-festival/#comments</comments>        <pubDate>Mon, 28 Sep 2020 09:41:10 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/5f7cd8bc-4510-3349-9677-1b647125da04</guid>
                                    <description><![CDATA[<p>... and then what? Hosts Tasha Huo and Josh Hallman talk about their experiences as Screenwriters at Sundance and the Austin Film Festival (respectively) and how it affected their careers. Why should you apply to a screenwriting festival, what do you do once you're at one, and what's the point of them? Tasha and Josh go in-depth on the festival experience as a Screenwriter and why it may be right (or wrong) for you. </p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></description>
                                                            <content:encoded><![CDATA[<p>... and then what? Hosts Tasha Huo and Josh Hallman talk about their experiences as Screenwriters at Sundance and the Austin Film Festival (respectively) and how it affected their careers. Why should you apply to a screenwriting festival, what do you do once you're at one, and what's the point of them? Tasha and Josh go in-depth on the festival experience as a Screenwriter and why it may be right (or wrong) for you. </p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/agmm8k/ACT_TWO_EPISODE_109_FESTIVALS.mp3" length="77647941" type="audio/mpeg"/>
        <itunes:summary><![CDATA[... and then what? Hosts Tasha Huo and Josh Hallman talk about their experiences as Screenwriters at Sundance and the Austin Film Festival (respectively) and how it affected their careers. Why should you apply to a screenwriting festival, what do you do once you're at one, and what's the point of them? Tasha and Josh go in-depth on the festival experience as a Screenwriter and why it may be right (or wrong) for you. 
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2424</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>General Meetings: The Couch &amp; Water Tour</title>
        <itunes:title>General Meetings: The Couch &amp; Water Tour</itunes:title>
        <link>https://acttwo.podbean.com/e/general-meetings-the-couch-water-tour/</link>
                    <comments>https://acttwo.podbean.com/e/general-meetings-the-couch-water-tour/#comments</comments>        <pubDate>Mon, 21 Sep 2020 09:22:47 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/9a154e71-4167-3e18-b61c-03067b6169e8</guid>
                                    <description><![CDATA[<p>"The Couch & Water Tour" is the colloquial term for the slew of General Meetings that Screenwriters take on the road to finding work and building their network. It's called that because an assistant inevitably tells you to sit on the waiting room couch and asks if you want water. It can feel like a grind, but it's an inescapable and vital part of any screenwriting career.</p>
<p> </p>
<p>Hosts Tasha Huo and Josh Hallman break down what these General Meetings are for, how you get them, and what you do once you're in them. And since General Meetings are often a first step in getting work as a Screenwriter, they give tips and tricks on how to maximize your face-time with the producer or studio executive you're meeting generally, and share both their successes and embarrassing horror stories.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>"The Couch & Water Tour" is the colloquial term for the slew of General Meetings that Screenwriters take on the road to finding work and building their network. It's called that because an assistant inevitably tells you to sit on the waiting room couch and asks if you want water. It can feel like a grind, but it's an inescapable and vital part of any screenwriting career.</p>
<p> </p>
<p>Hosts Tasha Huo and Josh Hallman break down what these General Meetings are for, how you get them, and what you do once you're in them. And since General Meetings are often a first step in getting work as a Screenwriter, they give tips and tricks on how to maximize your face-time with the producer or studio executive you're meeting generally, and share both their successes and embarrassing horror stories.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/tgt3qd/ACT_TWO_EPISODE_108_GENERALS.mp3" length="98485048" type="audio/mpeg"/>
        <itunes:summary><![CDATA["The Couch & Water Tour" is the colloquial term for the slew of General Meetings that Screenwriters take on the road to finding work and building their network. It's called that because an assistant inevitably tells you to sit on the waiting room couch and asks if you want water. It can feel like a grind, but it's an inescapable and vital part of any screenwriting career.
 
Hosts Tasha Huo and Josh Hallman break down what these General Meetings are for, how you get them, and what you do once you're in them. And since General Meetings are often a first step in getting work as a Screenwriter, they give tips and tricks on how to maximize your face-time with the producer or studio executive you're meeting generally, and share both their successes and embarrassing horror stories.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3073</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Job: TV Staff Writing with Nneka Gerstle</title>
        <itunes:title>The Job: TV Staff Writing with Nneka Gerstle</itunes:title>
        <link>https://acttwo.podbean.com/e/the-job-tv-staff-writing-with-nneka-gerstle/</link>
                    <comments>https://acttwo.podbean.com/e/the-job-tv-staff-writing-with-nneka-gerstle/#comments</comments>        <pubDate>Sun, 13 Sep 2020 18:17:19 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b29d1bb9-93cc-37bf-9f84-7d3851fe1510</guid>
                                    <description><![CDATA[<p>How the heck do you get a Staff Writing job on a TV show? And once you have it, what does the job even look like?</p>
<p>Hosts Tasha Huo and Josh Hallman grill seasoned staff writer, Nneka Gerstle, on what it's really like to be in a TV Writer's Room. Nneka dispels the mystery surrounding a staff writer's experience, tells the story of how she got her first staff writing job, and breaks down what her day-in-the-life is like in "The Room".</p>
<p>Nneka Gerstle has staffed on Tim Kring's "Jason Bourne" spin-off TREADSTONE on the USA Network, and HIGH SCHOOL MUSICAL and JUST BEYOND for Disney +. If you've ever wondered what a job in TV looks like, or wondered if it was the job for you -- check out Nneka's story.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>How the heck do you get a Staff Writing job on a TV show? And once you have it, what does the job even look like?</p>
<p>Hosts Tasha Huo and Josh Hallman grill seasoned staff writer, Nneka Gerstle, on what it's really like to be in a TV Writer's Room. Nneka dispels the mystery surrounding a staff writer's experience, tells the story of how she got her first staff writing job, and breaks down what her day-in-the-life is like in "The Room".</p>
<p>Nneka Gerstle has staffed on Tim Kring's "Jason Bourne" spin-off TREADSTONE on the USA Network, and HIGH SCHOOL MUSICAL and JUST BEYOND for Disney +. If you've ever wondered what a job in TV looks like, or wondered if it was the job for you -- check out Nneka's story.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/6sumdi/ACT_TWO_EPISODE_106_WRITING_ROOMS_FINAL.mp3" length="115700202" type="audio/mpeg"/>
        <itunes:summary><![CDATA[How the heck do you get a Staff Writing job on a TV show? And once you have it, what does the job even look like?
Hosts Tasha Huo and Josh Hallman grill seasoned staff writer, Nneka Gerstle, on what it's really like to be in a TV Writer's Room. Nneka dispels the mystery surrounding a staff writer's experience, tells the story of how she got her first staff writing job, and breaks down what her day-in-the-life is like in "The Room".
Nneka Gerstle has staffed on Tim Kring's "Jason Bourne" spin-off TREADSTONE on the USA Network, and HIGH SCHOOL MUSICAL and JUST BEYOND for Disney +. If you've ever wondered what a job in TV looks like, or wondered if it was the job for you -- check out Nneka's story.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3611</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>HARD KILL: Script to Screen with Joe Russo</title>
        <itunes:title>HARD KILL: Script to Screen with Joe Russo</itunes:title>
        <link>https://acttwo.podbean.com/e/hard-kill-script-to-screen-with-joe-russo/</link>
                    <comments>https://acttwo.podbean.com/e/hard-kill-script-to-screen-with-joe-russo/#comments</comments>        <pubDate>Sun, 06 Sep 2020 19:12:16 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/ff9675a7-6c74-357d-9a8b-e2bc81b55062</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chat with Act Two member, Joe Russo, about his writing process on HARD KILL, his '90s throwback action movie starring Bruce Willis and former WWE wrestler Eva Marie. Joe walks us through the unique development process of writing a low-budget actioner, illuminates the realities of life as a working Screenwriter, and shares his entertaining tales from the trenches (like meeting Bruce Willis!). </p>
<p>Watch HARD KILL now on Amazon Prime <a href='https://www.amazon.com/Hard-Kill-Bruce-Willis/dp/B08DQWNPC4'>HERE</a>.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman chat with Act Two member, Joe Russo, about his writing process on HARD KILL, his '90s throwback action movie starring Bruce Willis and former WWE wrestler Eva Marie. Joe walks us through the unique development process of writing a low-budget actioner, illuminates the realities of life as a working Screenwriter, and shares his entertaining tales from the trenches (like meeting Bruce Willis!). </p>
<p>Watch HARD KILL now on Amazon Prime <a href='https://www.amazon.com/Hard-Kill-Bruce-Willis/dp/B08DQWNPC4'>HERE</a>.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/qvnjf2/ACT_TWO_EPISODE_106_JOE_RUSSO_QA_FOR_REVIEW.mp3" length="113950490" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman chat with Act Two member, Joe Russo, about his writing process on HARD KILL, his '90s throwback action movie starring Bruce Willis and former WWE wrestler Eva Marie. Joe walks us through the unique development process of writing a low-budget actioner, illuminates the realities of life as a working Screenwriter, and shares his entertaining tales from the trenches (like meeting Bruce Willis!). 
Watch HARD KILL now on Amazon Prime HERE.
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3557</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>The Art of the Spec Script</title>
        <itunes:title>The Art of the Spec Script</itunes:title>
        <link>https://acttwo.podbean.com/e/the-art-of-the-spec-script/</link>
                    <comments>https://acttwo.podbean.com/e/the-art-of-the-spec-script/#comments</comments>        <pubDate>Sun, 30 Aug 2020 22:51:33 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/8d09e48b-4109-3ab9-bf11-23df4b1af734</guid>
                                    <description><![CDATA[<p>Spec scripts -- original feature-length screenplays you write for free and then try to sell on the market -- are an imperative part of a Screenwriter's profession, particularly for new and mid-level writers. They can offer you a unique control over your career, and have the potential to catapult you into the spotlight overnight. In this episode, Tasha Huo chats with co-host Josh Hallman about his spec writing process. He dives deep into how he develops his spec scripts, what land mines he's faced when it comes time to sell, the politics that are involved, and the absolute importance of passion.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></description>
                                                            <content:encoded><![CDATA[<p>Spec scripts -- original feature-length screenplays you write for free and then try to sell on the market -- are an imperative part of a Screenwriter's profession, particularly for new and mid-level writers. They can offer you a unique control over your career, and have the potential to catapult you into the spotlight overnight. In this episode, Tasha Huo chats with co-host Josh Hallman about his spec writing process. He dives deep into how he develops his spec scripts, what land mines he's faced when it comes time to sell, the politics that are involved, and the absolute importance of passion.</p>
<p> </p>
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/n5bdsn/ACT_TWO_EPISODE_105_SPECS.mp3" length="105251182" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Spec scripts -- original feature-length screenplays you write for free and then try to sell on the market -- are an imperative part of a Screenwriter's profession, particularly for new and mid-level writers. They can offer you a unique control over your career, and have the potential to catapult you into the spotlight overnight. In this episode, Tasha Huo chats with co-host Josh Hallman about his spec writing process. He dives deep into how he develops his spec scripts, what land mines he's faced when it comes time to sell, the politics that are involved, and the absolute importance of passion.
 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: Tasha.Huo@acttwowriters.com]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3286</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Welcome Home: Blank Page to Red Carpet with David Levinson</title>
        <itunes:title>Welcome Home: Blank Page to Red Carpet with David Levinson</itunes:title>
        <link>https://acttwo.podbean.com/e/welcome-home-a-writer-gets-his-first-movie-made-with-david-levinson/</link>
                    <comments>https://acttwo.podbean.com/e/welcome-home-a-writer-gets-his-first-movie-made-with-david-levinson/#comments</comments>        <pubDate>Mon, 24 Aug 2020 07:29:28 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/b57f621e-e304-3eaf-8d37-c18f169ae1af</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down (with some electrolyte margaritas) and chat with screenwriter David Levinson on getting his first movie produced. They break down what it's like for a writer during the entire process, from development, to casting, to eating too much craft services on set in Italy.</p>
<p> </p>
<p>WELCOME HOME by David Levinson -- A couple rents a villa in Italy hoping to mend their bruised relationship, but the devilishly charming homeowner can't seem to leave them alone. Emmy Award-winning actor Aaron Paul ("Breaking Bad") stars in this thriller of a weekend getaway gone wrong.</p>
<p> </p>
<p>Watch WELCOME HOME <a href='https://www.amazon.com/Welcome-Home-Aaron-Paul/dp/B07K682V8L'>here</a>!</p>


 
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com


<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman sit down (with some electrolyte margaritas) and chat with screenwriter David Levinson on getting his first movie produced. They break down what it's like for a writer during the entire process, from development, to casting, to eating too much craft services on set in Italy.</p>
<p> </p>
<p>WELCOME HOME by David Levinson -- A couple rents a villa in Italy hoping to mend their bruised relationship, but the devilishly charming homeowner can't seem to leave them alone. Emmy Award-winning actor Aaron Paul ("Breaking Bad") stars in this thriller of a weekend getaway gone wrong.</p>
<p> </p>
<p>Watch WELCOME HOME <a href='https://www.amazon.com/Welcome-Home-Aaron-Paul/dp/B07K682V8L'>here</a>!</p>


 
Edited by Paul Lundquist
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.
Questions/Comments: Tasha.Huo@acttwowriters.com


<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pmrjxb/ACT_TWO_EPISODE_104_FINAL.mp3" length="1368760414" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman sit down (with some electrolyte margaritas) and chat with screenwriter David Levinson on getting his first movie produced. They break down what it's like for a writer during the entire process, from development, to casting, to eating too much craft services on set in Italy.
 
WELCOME HOME by David Levinson -- A couple rents a villa in Italy hoping to mend their bruised relationship, but the devilishly charming homeowner can't seem to leave them alone. Emmy Award-winning actor Aaron Paul ("Breaking Bad") stars in this thriller of a weekend getaway gone wrong.
 
Watch WELCOME HOME here!


 
Edited by Paul Lundquist
Music by 414beg.
Questions/Comments: Tasha.Huo@acttwowriters.com


 ]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3879</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>We're Back! Post-Quarantine for Screenwriters</title>
        <itunes:title>We're Back! Post-Quarantine for Screenwriters</itunes:title>
        <link>https://acttwo.podbean.com/e/episode-3-were-back-post-quarantine-for-the-writer/</link>
                    <comments>https://acttwo.podbean.com/e/episode-3-were-back-post-quarantine-for-the-writer/#comments</comments>        <pubDate>Mon, 24 Aug 2020 07:27:54 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/d109f49a-1853-36d8-978e-575ac5486bae</guid>
                                    <description><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk surviving the apocalypse as a working screenwriter, what their writing days now look like, what brings them hope and inspiration in these trying times, and what the landscape looks like now as a screenwriter. Spoiler alert! It's not as bleak as you think!</p>
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></description>
                                                            <content:encoded><![CDATA[<p>Hosts Tasha Huo and Josh Hallman talk surviving the apocalypse as a working screenwriter, what their writing days now look like, what brings them hope and inspiration in these trying times, and what the landscape looks like now as a screenwriter. Spoiler alert! It's not as bleak as you think!</p>
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ggwv8n/Were_Back_Post_Quarantine.mp3" length="750232556" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Hosts Tasha Huo and Josh Hallman talk surviving the apocalypse as a working screenwriter, what their writing days now look like, what brings them hope and inspiration in these trying times, and what the landscape looks like now as a screenwriter. Spoiler alert! It's not as bleak as you think!
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2126</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
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    <item>
        <title>Getting Repped -- All the Ways to Get a Manager or Agent</title>
        <itunes:title>Getting Repped -- All the Ways to Get a Manager or Agent</itunes:title>
        <link>https://acttwo.podbean.com/e/getting-repped-all-the-ways-to-get-a-manager-or-agent/</link>
                    <comments>https://acttwo.podbean.com/e/getting-repped-all-the-ways-to-get-a-manager-or-agent/#comments</comments>        <pubDate>Mon, 24 Aug 2020 07:27:47 -0700</pubDate>
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                                    <description><![CDATA[
Screenwriters Tasha Huo and Josh Hallman share their wild stories about how they got their first Manager and Agent, and talk through the many ways you can get representation. Everyone tells you to get repped, but why do you even need a rep, and what the heck do they do anyway?
 
This is the Act Two Podcast, where hosts Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 

 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></description>
                                                            <content:encoded><![CDATA[
Screenwriters Tasha Huo and Josh Hallman share their wild stories about how they got their first Manager and Agent, and talk through the many ways you can get representation. Everyone tells you to get repped, but why do you even need a rep, and what the heck do they do anyway?
 
This is the Act Two Podcast, where hosts Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 

 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/caq23s/Agents_Managers.mp3" length="1002753192" type="audio/mpeg"/>
        <itunes:summary><![CDATA[
Screenwriters Tasha Huo and Josh Hallman share their wild stories about how they got their first Manager and Agent, and talk through the many ways you can get representation. Everyone tells you to get repped, but why do you even need a rep, and what the heck do they do anyway?
 
This is the Act Two Podcast, where hosts Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 

 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2842</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>Introducing the ACT TWO Podcast</title>
        <itunes:title>Introducing the ACT TWO Podcast</itunes:title>
        <link>https://acttwo.podbean.com/e/episode-1-the-act-two-podcast/</link>
                    <comments>https://acttwo.podbean.com/e/episode-1-the-act-two-podcast/#comments</comments>        <pubDate>Sun, 23 Aug 2020 22:25:27 -0700</pubDate>
        <guid isPermaLink="false">acttwo.podbean.com/f383023a-9bd0-5d93-8930-99872e9364f8</guid>
                                    <description><![CDATA[Welcome to the Act Two Podcast where screenwriters Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 
 
In this introductory episode, meet your hosts, learn their paths to becoming professional Screenwriters, and get a preview for the epic journey to come in the Act Two Podcast. A podcast for Screenwriters, by Screenwriters.
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></description>
                                                            <content:encoded><![CDATA[Welcome to the Act Two Podcast where screenwriters Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 
 
In this introductory episode, meet your hosts, learn their paths to becoming professional Screenwriters, and get a preview for the epic journey to come in the Act Two Podcast. A podcast for Screenwriters, by Screenwriters.
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by <a href='https://www.instagram.com/414beg/'>414beg</a>.]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pysit4/Episode_1_podbean.mp3" length="23176895" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Welcome to the Act Two Podcast where screenwriters Tasha Huo and Josh Hallman demystify what it means to be an everyday working Screenwriter. 
 
In this introductory episode, meet your hosts, learn their paths to becoming professional Screenwriters, and get a preview for the epic journey to come in the Act Two Podcast. A podcast for Screenwriters, by Screenwriters.
 
Questions/Comments: Tasha.Huo@acttwowriters.com
 
Music by 414beg.]]></itunes:summary>
        <itunes:author>Tasha Huo &amp; Josh Hallman</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>965</itunes:duration>
        <itunes:season>1</itunes:season>
        <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
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