<?xml version="1.0" encoding="UTF-8"?><!-- generator="podbean/5.5" -->
<rss version="2.0"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:wfw="http://wellformedweb.org/CommentAPI/"
     xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:atom="http://www.w3.org/2005/Atom"
     xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
     xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"
     xmlns:spotify="http://www.spotify.com/ns/rss"
     xmlns:podcast="https://podcastindex.org/namespace/1.0"
    xmlns:media="http://search.yahoo.com/mrss/">

<channel>
    <title>Open Studio</title>
    <atom:link href="https://feed.podbean.com/OpenStudio/feed.xml" rel="self" type="application/rss+xml"/>
    <link>https://OpenStudio.podbean.com</link>
    <description>Open studio is a podcast series produced by Rupert, a creative space for art, residencies and alternative education in Vilnius, Lithuania. The podcast seeks to present to the broader public, the vibrant interdisciplinary creative life taking place at Rupert. The series introduces the local and international community of artists, curators, thinkers and creators who in varying ways participate in Rupert’s intellectual ecosystem. It engages them in short, stimulating conversations about their creative processes,
artistic ideas, experiences at Rupert and beyond.</description>
    <pubDate>Mon, 07 Nov 2022 13:23:53 +0200</pubDate>
    <generator>https://podbean.com/?v=5.5</generator>
    <language>en</language>
    <spotify:countryOfOrigin>lt</spotify:countryOfOrigin>
    <copyright>Copyright 2021 All rights reserved.</copyright>
    <category>Arts</category>
    <ttl>1440</ttl>
    <itunes:type>episodic</itunes:type>
          <itunes:summary>Open studio is a podcast series produced by Rupert, a creative space for art, residencies and alternative education in Vilnius, Lithuania. The podcast seeks to present to the broader public, the vibrant interdisciplinary creative life taking place at Rupert. The series introduces the local and international community of artists, curators, thinkers and creators who in varying ways participate in Rupert’s intellectual ecosystem. It engages them in short, stimulating conversations about their creative processes,
artistic ideas, experiences at Rupert and beyond.</itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
<itunes:category text="Arts" />
    <itunes:owner>
        <itunes:name>OpenStudio</itunes:name>
            </itunes:owner>
    	<itunes:block>No</itunes:block>
	<itunes:explicit>false</itunes:explicit>
    <itunes:image href="https://pbcdn1.podbean.com/imglogo/image-logo/10863378/Untitled_design-6_5xhrj9.png" />
    <image>
        <url>https://pbcdn1.podbean.com/imglogo/image-logo/10863378/Untitled_design-6_5xhrj9.png</url>
        <title>Open Studio</title>
        <link>https://OpenStudio.podbean.com</link>
        <width>144</width>
        <height>144</height>
    </image>
    <item>
        <title>S02 E06: Searching for the logic that could be taken into every decision. A conversation with Post Brothers</title>
        <itunes:title>S02 E06: Searching for the logic that could be taken into every decision. A conversation with Post Brothers</itunes:title>
        <link>https://OpenStudio.podbean.com/e/s02-e06-searching-for-the-logic-that-could-be-taken-into-every-decision-a-conversation-with-post-brothers/</link>
                    <comments>https://OpenStudio.podbean.com/e/s02-e06-searching-for-the-logic-that-could-be-taken-into-every-decision-a-conversation-with-post-brothers/#comments</comments>        <pubDate>Mon, 07 Nov 2022 13:23:53 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/0dc8e39b-ac5b-33a8-a7e5-299de644a575</guid>
                                    <description><![CDATA[<p>In the last episode of this year's Open Studio podcast, Monika Lipšic interviews the enthusiast, word processor, and curator– Post Brothers. Since 2008, the artist has organised several shows in Vilnius and beyond. This year, Post Brothers returned to Vilnius as one of the tutors of Rupert’s Alternative Education Programme and held a public lecture at the Design Innovation Center of the Vilnius Academy of Arts.</p>
<p>In a cozy conversation, the Post Brothers shares their journey of becoming who they are today, and together with Monika, they discuss their practice of supporting artists, and their view on ethics and economy by simply doing things.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In the last episode of this year's <em>Open Studio</em> podcast, Monika Lipšic interviews the enthusiast, word processor, and curator– Post Brothers. Since 2008, the artist has organised several shows in Vilnius and beyond. This year, Post Brothers returned to Vilnius as one of the tutors of Rupert’s Alternative Education Programme and held a public lecture at the Design Innovation Center of the Vilnius Academy of Arts.</p>
<p>In a cozy conversation, the Post Brothers shares their journey of becoming who they are today, and together with Monika, they discuss their practice of supporting artists, and their view on ethics and economy by simply doing things.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/mdd6j8/Mathew_Post_mp9s9zd.mp3" length="143778066" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the last episode of this year's Open Studio podcast, Monika Lipšic interviews the enthusiast, word processor, and curator– Post Brothers. Since 2008, the artist has organised several shows in Vilnius and beyond. This year, Post Brothers returned to Vilnius as one of the tutors of Rupert’s Alternative Education Programme and held a public lecture at the Design Innovation Center of the Vilnius Academy of Arts.
In a cozy conversation, the Post Brothers shares their journey of becoming who they are today, and together with Monika, they discuss their practice of supporting artists, and their view on ethics and economy by simply doing things.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3594</itunes:duration>
                <itunes:episode>24</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>SE2 E05 Talking writing and reading tarot for Rupert with Daniella Sanader</title>
        <itunes:title>SE2 E05 Talking writing and reading tarot for Rupert with Daniella Sanader</itunes:title>
        <link>https://OpenStudio.podbean.com/e/se2-e05-talking-writing-and-reading-tarot-for-rupert-with-daniella-sanader/</link>
                    <comments>https://OpenStudio.podbean.com/e/se2-e05-talking-writing-and-reading-tarot-for-rupert-with-daniella-sanader/#comments</comments>        <pubDate>Mon, 08 Aug 2022 11:15:08 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/c3bb4f4b-b384-35e3-98b5-b9f3ce857419</guid>
                                    <description><![CDATA[<p>In the heat of the Lithuanian summer, on one of those two or three days a year, we talked with Daniella Sanader about her practice of close reading and critical writing, delving into her work as a writer and art critic, friend and teacher. For the upcoming occasion of Rupert’s Birthday, Daniella also read Rupert’s past and fortune in a tarot card session.  </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In the heat of the Lithuanian summer, on one of those two or three days a year, we talked with Daniella Sanader about her practice of close reading and critical writing, delving into her work as a writer and art critic, friend and teacher. For the upcoming occasion of Rupert’s Birthday, Daniella also read Rupert’s past and fortune in a tarot card session.  </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/7ir925/Daniella_Sanader_07288s9yg.mp3" length="108354981" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the heat of the Lithuanian summer, on one of those two or three days a year, we talked with Daniella Sanader about her practice of close reading and critical writing, delving into her work as a writer and art critic, friend and teacher. For the upcoming occasion of Rupert’s Birthday, Daniella also read Rupert’s past and fortune in a tarot card session.  ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2708</itunes:duration>
                <itunes:episode>23</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>SE2 E04 Eating Kimbap with Bin Koh</title>
        <itunes:title>SE2 E04 Eating Kimbap with Bin Koh</itunes:title>
        <link>https://OpenStudio.podbean.com/e/se2-e04-eating-kimbap-with-bin-koh/</link>
                    <comments>https://OpenStudio.podbean.com/e/se2-e04-eating-kimbap-with-bin-koh/#comments</comments>        <pubDate>Thu, 09 Jun 2022 13:06:24 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/1541b10e-9feb-38bc-bab0-e59b8566a281</guid>
                                    <description><![CDATA[<p>Over a plate full of kimbap, we are talking with Bin Koh. The experience of sharing food is part of Bin's practice and as such, during her residency at Rupert, Bin was inviting different guests for dinner and conversation. In this podcast, we speak a lot about this as well as her artistic interests in structures of labor and crafts. Bin also shares a beautiful dream she had.</p>
<p>Bin Koh (KR) is a visual artist based in Amsterdam. Focusing on female labour, she is interested in the ways that technological development renders the human body and its voice invisible under the current digital and social labour systems. </p>
<p> </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Over a plate full of kimbap, we are talking with Bin Koh. The experience of sharing food is part of Bin's practice and as such, during her residency at Rupert, Bin was inviting different guests for dinner and conversation. In this podcast, we speak a lot about this as well as her artistic interests in structures of labor and crafts. Bin also shares a beautiful dream she had.</p>
<p>Bin Koh (KR) is a visual artist based in Amsterdam. Focusing on female labour, she is interested in the ways that technological development renders the human body and its voice invisible under the current digital and social labour systems. </p>
<p> </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ji9igb/0608_Bin_Koh_mp9z9db.mp3" length="126604123" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Over a plate full of kimbap, we are talking with Bin Koh. The experience of sharing food is part of Bin's practice and as such, during her residency at Rupert, Bin was inviting different guests for dinner and conversation. In this podcast, we speak a lot about this as well as her artistic interests in structures of labor and crafts. Bin also shares a beautiful dream she had.
Bin Koh (KR) is a visual artist based in Amsterdam. Focusing on female labour, she is interested in the ways that technological development renders the human body and its voice invisible under the current digital and social labour systems. 
 ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3165</itunes:duration>
                <itunes:episode>22</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>SE2 E03: Oscillating the universe back to its balanced state with Andrius Arutiunian</title>
        <itunes:title>SE2 E03: Oscillating the universe back to its balanced state with Andrius Arutiunian</itunes:title>
        <link>https://OpenStudio.podbean.com/e/se2-e03-oscillating-the-universe-back-to-its-balanced-state-with-andrius-arutiunian/</link>
                    <comments>https://OpenStudio.podbean.com/e/se2-e03-oscillating-the-universe-back-to-its-balanced-state-with-andrius-arutiunian/#comments</comments>        <pubDate>Wed, 27 Apr 2022 09:27:58 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/1c619da8-e298-3531-a5c9-a01853552cc5</guid>
                                    <description><![CDATA[<p>In this conversation with Andrius Arutiunian, we speak about circular time, toast, tools for organising knowledge and dissonance as a historiographic phenomenon. This year, Andrius is representing Armenia in the 59th Venice Biennale and he also tells us more about his exhibition Gharib—‘a word, a notion and a stranger who enters into our mind’.</p>
<p>Andrius Arutiunian (AM/LT) is an artist and composer who works through objects, installations and time-based collaborations with musicians and performers. He was a resident at Rupert in March 2022. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this conversation with Andrius Arutiunian, we speak about circular time, toast, tools for organising knowledge and dissonance as a historiographic phenomenon. This year, Andrius is representing Armenia in the 59th Venice Biennale and he also tells us more about his exhibition <em>Gharib</em>—‘a word, a notion and a stranger who enters into our mind’.</p>
<p>Andrius Arutiunian (AM/LT) is an artist and composer who works through objects, installations and time-based collaborations with musicians and performers. He was a resident at Rupert in March 2022. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ewkbrx/A_Arutiunian_04269hj8n.mp3" length="117740233" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this conversation with Andrius Arutiunian, we speak about circular time, toast, tools for organising knowledge and dissonance as a historiographic phenomenon. This year, Andrius is representing Armenia in the 59th Venice Biennale and he also tells us more about his exhibition Gharib—‘a word, a notion and a stranger who enters into our mind’.
Andrius Arutiunian (AM/LT) is an artist and composer who works through objects, installations and time-based collaborations with musicians and performers. He was a resident at Rupert in March 2022. ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2943</itunes:duration>
                <itunes:episode>21</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>S02 E02: How do you live and breathe inside irrational space? A conversation with Omsk Social Club</title>
        <itunes:title>S02 E02: How do you live and breathe inside irrational space? A conversation with Omsk Social Club</itunes:title>
        <link>https://OpenStudio.podbean.com/e/s02-e02-how-do-you-live-and-breathe-inside-irrational-space-a-conversation-with-omsk-social-club/</link>
                    <comments>https://OpenStudio.podbean.com/e/s02-e02-how-do-you-live-and-breathe-inside-irrational-space-a-conversation-with-omsk-social-club/#comments</comments>        <pubDate>Thu, 07 Apr 2022 09:10:50 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/83bc9281-f9b6-3d0a-b097-11718ac888d4</guid>
                                    <description><![CDATA[<p>In this episode, Omsk Social Club generously share their thoughts and ideas on their work process, discussing Omsk’s take on history and aesthetics among other topics. Omsk Social Club’s work is being created between two lived worlds: one of life as we know it and the other of role play. These worlds bleed into one and move into a territory called Real Game Play (RGP), a term coined by Omsk in 2017. This term describes the working process of Omsk and has become a stimulus for experimentation to shape new cultural value systems for interdependence, world crafting and cooperation.</p>
<p>The conversation delved rather deep and I am very grateful to Omsk for riding a line of thought together. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Omsk Social Club generously share their thoughts and ideas on their work process, discussing Omsk’s take on history and aesthetics among other topics. Omsk Social Club’s work is being created between two lived worlds: one of life as we know it and the other of role play. These worlds bleed into one and move into a territory called Real Game Play (RGP), a term coined by Omsk in 2017. This term describes the working process of Omsk and has become a stimulus for experimentation to shape new cultural value systems for interdependence, world crafting and cooperation.</p>
<p>The conversation delved rather deep and I am very grateful to Omsk for riding a line of thought together. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b22qfd/Penny_04_05_online-audio-convertercom_6ywl0.mp3" length="60574325" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Omsk Social Club generously share their thoughts and ideas on their work process, discussing Omsk’s take on history and aesthetics among other topics. Omsk Social Club’s work is being created between two lived worlds: one of life as we know it and the other of role play. These worlds bleed into one and move into a territory called Real Game Play (RGP), a term coined by Omsk in 2017. This term describes the working process of Omsk and has become a stimulus for experimentation to shape new cultural value systems for interdependence, world crafting and cooperation.
The conversation delved rather deep and I am very grateful to Omsk for riding a line of thought together. ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>3785</itunes:duration>
                <itunes:episode>20</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>S02 E01: On entry points to solitary performances &amp; colonial permanence with Davinia-Ann Robinson</title>
        <itunes:title>S02 E01: On entry points to solitary performances &amp; colonial permanence with Davinia-Ann Robinson</itunes:title>
        <link>https://OpenStudio.podbean.com/e/s02-e01-on-entry-points-to-solitary-performances-colonial-permanence-with-davinia-ann-robinson/</link>
                    <comments>https://OpenStudio.podbean.com/e/s02-e01-on-entry-points-to-solitary-performances-colonial-permanence-with-davinia-ann-robinson/#comments</comments>        <pubDate>Wed, 23 Feb 2022 12:18:43 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/860cb24d-dbd7-34c1-a30f-0bbc3022c581</guid>
                                    <description><![CDATA[<p>In the first episode, we talk with Davinia Ann Robinson, an artist from London and Rupert resident in January 2021. In this rather intimate conversation over a cup of ceremonial cacao, Davinia shares her stories and artistic methods of working with 'colonial emotions' she has encountered as a Black Female Body, building on her intense relationship with the earth as a living material explored through sculpture, sound, writing and performance. Davinia also reads an excerpt from the new work she developed during the residency, a poem called 'Translucent Permanence'.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In the first episode, we talk with Davinia Ann Robinson, an artist from London and Rupert resident in January 2021. In this rather intimate conversation over a cup of ceremonial cacao, Davinia shares her stories and artistic methods of working with 'colonial emotions' she has encountered as a Black Female Body, building on her intense relationship with the earth as a living material explored through sculpture, sound, writing and performance. Davinia also reads an excerpt from the new work she developed during the residency, a poem called 'Translucent Permanence'.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/gq3g4q/S01_E01_On_entrypoints_to_solitary_performances_colonial_permanence_with_Davinia-Ann_Robinson_online-audio-convertercom_7avdh.mp3" length="45414016" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In the first episode, we talk with Davinia Ann Robinson, an artist from London and Rupert resident in January 2021. In this rather intimate conversation over a cup of ceremonial cacao, Davinia shares her stories and artistic methods of working with 'colonial emotions' she has encountered as a Black Female Body, building on her intense relationship with the earth as a living material explored through sculpture, sound, writing and performance. Davinia also reads an excerpt from the new work she developed during the residency, a poem called 'Translucent Permanence'.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>2838</itunes:duration>
                <itunes:episode>19</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://mcdn.podbean.com/mf/web/a4a72k/Untitled_design-6_rjsnjw.png" />    </item>
    <item>
        <title>E18 Francesca Grilli</title>
        <itunes:title>E18 Francesca Grilli</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e18-francesca-grilli/</link>
                    <comments>https://OpenStudio.podbean.com/e/e18-francesca-grilli/#comments</comments>        <pubDate>Wed, 22 Dec 2021 14:41:10 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/9a871777-fad0-3467-acd9-e25751d3e25b</guid>
                                    <description><![CDATA[<p>Francesca Grilli is a Brussels-based Italian artist whose main practice is performance art; however, she also works with sculpture, film, audio and other media, as well as esoteric practices. The scope of her artistic research is quite broad but the core of her work is focused on different facets of the human condition: age, fragility, family ties, power relations, among others. In her multiple poetic and intimate artworks, she seeks to provoke honest, thoughtful and almost cathartic public reactions through presenting the viewers and participants with profound experiences. These include being put in a dark room together with trained birds of prey or being presented with two pianists of stark age contrast, one of whom is a hundred years old and the other, a child. The power and purity of childhood is also at the centre of her latest work, Sparks (2021), in which she invites the audience for a palm reading session with children as oracles. Francesca Grilli’s project Sparks is presented by Contemporary Locus and supported by the Italian Culture Council.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Francesca Grilli is a Brussels-based Italian artist whose main practice is performance art; however, she also works with sculpture, film, audio and other media, as well as esoteric practices. The scope of her artistic research is quite broad but the core of her work is focused on different facets of the human condition: age, fragility, family ties, power relations, among others. In her multiple poetic and intimate artworks, she seeks to provoke honest, thoughtful and almost cathartic public reactions through presenting the viewers and participants with profound experiences. These include being put in a dark room together with trained birds of prey or being presented with two pianists of stark age contrast, one of whom is a hundred years old and the other, a child. The power and purity of childhood is also at the centre of her latest work, <em>Sparks</em> (2021), in which she invites the audience for a palm reading session with children as oracles. Francesca Grilli’s project <em>Sparks</em> is presented by Contemporary Locus and supported by the Italian Culture Council.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/pfxfdz/1218_Francesca_Grilli_online-audio-convertercom_b73f5.mp3" length="24626113" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Francesca Grilli is a Brussels-based Italian artist whose main practice is performance art; however, she also works with sculpture, film, audio and other media, as well as esoteric practices. The scope of her artistic research is quite broad but the core of her work is focused on different facets of the human condition: age, fragility, family ties, power relations, among others. In her multiple poetic and intimate artworks, she seeks to provoke honest, thoughtful and almost cathartic public reactions through presenting the viewers and participants with profound experiences. These include being put in a dark room together with trained birds of prey or being presented with two pianists of stark age contrast, one of whom is a hundred years old and the other, a child. The power and purity of childhood is also at the centre of her latest work, Sparks (2021), in which she invites the audience for a palm reading session with children as oracles. Francesca Grilli’s project Sparks is presented by Contemporary Locus and supported by the Italian Culture Council.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1539</itunes:duration>
                <itunes:episode>18</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E17 Ceel Mogami de Haas</title>
        <itunes:title>E17 Ceel Mogami de Haas</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e17-ceel-mogami-de-haas/</link>
                    <comments>https://OpenStudio.podbean.com/e/e17-ceel-mogami-de-haas/#comments</comments>        <pubDate>Mon, 22 Nov 2021 09:00:00 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/8b3c6331-8f7c-3872-8c07-bccc013b2447</guid>
                                    <description><![CDATA[<p>Ceel Mogami de Haas’s artistic practices incorporate both visual and literary work. In fact, it could be said that his art fuses the two together, as he creates large sculptural inlays that tell poetic stories and draws from literature creating visual scenarios. He uses a variety of media, often playing with their properties and substituting one with another. Thematically, his work explores the core of humanity and animality, reaching through thousands of years towards palaeolithic art and centuries of literature as sources of inspiration.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Ceel Mogami de Haas’s artistic practices incorporate both visual and literary work. In fact, it could be said that his art fuses the two together, as he creates large sculptural inlays that tell poetic stories and draws from literature creating visual scenarios. He uses a variety of media, often playing with their properties and substituting one with another. Thematically, his work explores the core of humanity and animality, reaching through thousands of years towards palaeolithic art and centuries of literature as sources of inspiration.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/5bsgn3/Ceel_Mogami_de_Haas_final_ver_online-audio-convertercom_7i5pg.mp3" length="21819056" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ceel Mogami de Haas’s artistic practices incorporate both visual and literary work. In fact, it could be said that his art fuses the two together, as he creates large sculptural inlays that tell poetic stories and draws from literature creating visual scenarios. He uses a variety of media, often playing with their properties and substituting one with another. Thematically, his work explores the core of humanity and animality, reaching through thousands of years towards palaeolithic art and centuries of literature as sources of inspiration.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1363</itunes:duration>
                <itunes:episode>17</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E16 Miriam Naeh</title>
        <itunes:title>E16 Miriam Naeh</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e16-miriam-naeh/</link>
                    <comments>https://OpenStudio.podbean.com/e/e16-miriam-naeh/#comments</comments>        <pubDate>Thu, 21 Oct 2021 12:46:48 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/eeee10fc-11a9-3b1b-b1d1-6974a994ccca</guid>
                                    <description><![CDATA[<p>Miriam Naeh is a London-based multi-disciplinary artist whose work is deeply influenced by human practice of storytelling. In her installations-as-narratives, she combines Middle Eastern mythology, post-humanist thought, humor, and personal experiences. This mixture produces de-centralized experiences, where the viewer is invited to participate in a quasi-mythological story, at the same time creating it and giving it particular meaning. Miriam combines a variety of media in her work and is particularly interested in the binaries of the real versus fictional, natural versus artificial. She invites the viewer to explore this ambiguous world where grotesque meets fragility and laughter meets 'the sad sublime'.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Miriam Naeh is a London-based multi-disciplinary artist whose work is deeply influenced by human practice of storytelling. In her installations-as-narratives, she combines Middle Eastern mythology, post-humanist thought, humor, and personal experiences. This mixture produces de-centralized experiences, where the viewer is invited to participate in a quasi-mythological story, at the same time creating it and giving it particular meaning. Miriam combines a variety of media in her work and is particularly interested in the binaries of the real versus fictional, natural versus artificial. She invites the viewer to explore this ambiguous world where grotesque meets fragility and laughter meets 'the sad sublime'.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/p5wqbg/Miriam_Naeh_1013_online-audio-convertercom_825jv.mp3" length="22150752" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Miriam Naeh is a London-based multi-disciplinary artist whose work is deeply influenced by human practice of storytelling. In her installations-as-narratives, she combines Middle Eastern mythology, post-humanist thought, humor, and personal experiences. This mixture produces de-centralized experiences, where the viewer is invited to participate in a quasi-mythological story, at the same time creating it and giving it particular meaning. Miriam combines a variety of media in her work and is particularly interested in the binaries of the real versus fictional, natural versus artificial. She invites the viewer to explore this ambiguous world where grotesque meets fragility and laughter meets 'the sad sublime'.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1384</itunes:duration>
                <itunes:episode>16</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E15 Judith Hamann</title>
        <itunes:title>E15 Judith Hamann</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e15-judith-hamann/</link>
                    <comments>https://OpenStudio.podbean.com/e/e15-judith-hamann/#comments</comments>        <pubDate>Wed, 01 Sep 2021 12:14:03 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/f25a1306-5a5e-378e-9e69-5595a1e2664f</guid>
                                    <description><![CDATA[<p>'Open Studios' podcast introduces Rupert’s recent resident and sound artist Judith Hamann. In this episode, Judith shares her recent experience of isolation and moving between different places, and how these have influenced her work with different genres of music and sound. As a result of her long-term studies into sound, different music notions and theories, she has been engaging in some experimental and collaborative projects. These have resulted in such compositions for cello and electronics as Days Collapse and Shaking Studies.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>'Open Studios' podcast introduces Rupert’s recent resident and sound artist Judith Hamann. In this episode, Judith shares her recent experience of isolation and moving between different places, and how these have influenced her work with different genres of music and sound. As a result of her long-term studies into sound, different music notions and theories, she has been engaging in some experimental and collaborative projects. These have resulted in such compositions for cello and electronics as <em>Days Collapse</em> and <em>Shaking Studies</em>.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/2x4wac/Judith_Hamann_08_30_online-audio-convertercom_a04aa.mp3" length="25000451" type="audio/mpeg"/>
        <itunes:summary><![CDATA['Open Studios' podcast introduces Rupert’s recent resident and sound artist Judith Hamann. In this episode, Judith shares her recent experience of isolation and moving between different places, and how these have influenced her work with different genres of music and sound. As a result of her long-term studies into sound, different music notions and theories, she has been engaging in some experimental and collaborative projects. These have resulted in such compositions for cello and electronics as Days Collapse and Shaking Studies.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1562</itunes:duration>
                <itunes:episode>15</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E14 Ittah Yoda</title>
        <itunes:title>E14 Ittah Yoda</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e14-ittah-yoda/</link>
                    <comments>https://OpenStudio.podbean.com/e/e14-ittah-yoda/#comments</comments>        <pubDate>Mon, 16 Aug 2021 09:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/4cadbddc-cd61-357e-9dde-ff0d1105da34</guid>
                                    <description><![CDATA[<p>Ittah Yoda is an artist duo consisting of Kai Yoda and Virgile Ittah, living between Berlin, Paris, and Tokyo. Their practice combines traditional processes with digital technology as a vector for cross-cultural creative collaborations, with a focus on deep time, archaic heritages of humanity, and the collective unconscious. In this Open Studio podcast the artists reveal what influences them and why they find collaborations so crucial to their projects such as it was during their workshop with the participants of the Alternative Education Programme at Rupert — concluded in the exhibition No History of Its Own in the framework of Rupert at apiece, opened early August 2021. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Ittah Yoda is an artist duo consisting of Kai Yoda and Virgile Ittah, living between Berlin, Paris, and Tokyo. Their practice combines traditional processes with digital technology as a vector for cross-cultural creative collaborations, with a focus on deep time, archaic heritages of humanity, and the collective unconscious. In this Open Studio podcast the artists reveal what influences them and why they find collaborations so crucial to their projects such as it was during their workshop with the participants of the Alternative Education Programme at Rupert <em>—</em> concluded in the exhibition <em>No History of Its Own</em> in the framework of Rupert at apiece, opened early August 2021. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ff9dfm/08_12_Ittah_Yoda_online-audio-convertercom_7uumj.mp3" length="27088172" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Ittah Yoda is an artist duo consisting of Kai Yoda and Virgile Ittah, living between Berlin, Paris, and Tokyo. Their practice combines traditional processes with digital technology as a vector for cross-cultural creative collaborations, with a focus on deep time, archaic heritages of humanity, and the collective unconscious. In this Open Studio podcast the artists reveal what influences them and why they find collaborations so crucial to their projects such as it was during their workshop with the participants of the Alternative Education Programme at Rupert — concluded in the exhibition No History of Its Own in the framework of Rupert at apiece, opened early August 2021. ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1692</itunes:duration>
                <itunes:episode>14</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E13 Tyler Matthew Oyer</title>
        <itunes:title>E13 Tyler Matthew Oyer</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e13-tyler-matthew-oyer/</link>
                    <comments>https://OpenStudio.podbean.com/e/e13-tyler-matthew-oyer/#comments</comments>        <pubDate>Fri, 30 Jul 2021 08:03:52 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/f9ca81b8-347a-3620-a37f-e5f97c60c0d9</guid>
                                    <description><![CDATA[<p>In this episode, Tyler Matthew Oyer meditates on their recent music, which will premiere with a live performative show at the end of their two-month-long residency at Rupert. Oyer also elaborates on some of their inspiration and in relation to this, their recent sculptural-collaborative project Pyramid: A Work in Progress referenced the ouevre of iconic sculptor and installation artist Paul Thek known for his environments and ultimately a queer subjectivity.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Tyler Matthew Oyer meditates on their recent music, which will premiere with a live performative show at the end of their two-month-long residency at Rupert. Oyer also elaborates on some of their inspiration and in relation to this, their recent sculptural-collaborative project Pyramid: A Work in Progress referenced the ouevre of iconic sculptor and installation artist Paul Thek known for his environments and ultimately a queer subjectivity.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ddv9gz/Tyler_Matthew_Oyer_28_07-2b8vez.mp3" length="29105676" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Tyler Matthew Oyer meditates on their recent music, which will premiere with a live performative show at the end of their two-month-long residency at Rupert. Oyer also elaborates on some of their inspiration and in relation to this, their recent sculptural-collaborative project Pyramid: A Work in Progress referenced the ouevre of iconic sculptor and installation artist Paul Thek known for his environments and ultimately a queer subjectivity.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1212</itunes:duration>
                <itunes:episode>13</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E12 Julijonas Urbonas</title>
        <itunes:title>E12 Julijonas Urbonas</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e12-julijonas-urbonas/</link>
                    <comments>https://OpenStudio.podbean.com/e/e12-julijonas-urbonas/#comments</comments>        <pubDate>Sat, 24 Jul 2021 09:45:17 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/e74fc53b-6f56-3a5e-a048-26fd5e8cc585</guid>
                                    <description><![CDATA[<p>On this Open Studio episode, we are talking to Julijonas Urbonas, the founder of the Lithuanian Space Agency, which currently presents its project Planet of People at the 17th International Architecture Exhibition of La Biennale di Venezia. </p>
<p>Julijonas is an artist, designer, researcher, engineer, lecturer. He is the former Pro-Rector of arts at Vilnius Academy of Arts and the CEO of an amusement park in Klaipeda. For more than a decade, he has been working between critical design, amusement park engineering, performative architecture, choreography, kinetic art and sci-fi and has been developing various critical tools for negotiating gravity: from a killer roller coaster to an artificial planet made entirely of human bodies. As part of his research, he has coined the term  ‘gravitational aesthetics’, which involves manipulating gravity to create experiences that push the body and imagination to the extreme.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>On this Open Studio episode, we are talking to Julijonas Urbonas, the founder of the Lithuanian Space Agency, which currently presents its project <em>Planet of People </em>at the 17th International Architecture Exhibition of La Biennale di Venezia. </p>
<p>Julijonas is an artist, designer, researcher, engineer, lecturer. He is the former Pro-Rector of arts at Vilnius Academy of Arts and the CEO of an amusement park in Klaipeda. For more than a decade, he has been working between critical design, amusement park engineering, performative architecture, choreography, kinetic art and sci-fi and has been developing various critical tools for negotiating gravity: from a killer roller coaster to an artificial planet made entirely of human bodies. As part of his research, he has coined the term  ‘gravitational aesthetics’, which involves manipulating gravity to create experiences that push the body and imagination to the extreme.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/izqgbq/Julijonas_Urbonas_07_156q03e.mp3" length="34772290" type="audio/mpeg"/>
        <itunes:summary><![CDATA[On this Open Studio episode, we are talking to Julijonas Urbonas, the founder of the Lithuanian Space Agency, which currently presents its project Planet of People at the 17th International Architecture Exhibition of La Biennale di Venezia. 
Julijonas is an artist, designer, researcher, engineer, lecturer. He is the former Pro-Rector of arts at Vilnius Academy of Arts and the CEO of an amusement park in Klaipeda. For more than a decade, he has been working between critical design, amusement park engineering, performative architecture, choreography, kinetic art and sci-fi and has been developing various critical tools for negotiating gravity: from a killer roller coaster to an artificial planet made entirely of human bodies. As part of his research, he has coined the term  ‘gravitational aesthetics’, which involves manipulating gravity to create experiences that push the body and imagination to the extreme.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1651</itunes:duration>
                <itunes:episode>12</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E11 Katja Aufleger</title>
        <itunes:title>E11 Katja Aufleger</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e11-katja-aufleger/</link>
                    <comments>https://OpenStudio.podbean.com/e/e11-katja-aufleger/#comments</comments>        <pubDate>Sat, 10 Jul 2021 00:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/69b53d6a-33f1-36ca-82aa-4cb46b1e6cd0</guid>
                                    <description><![CDATA[<p>Katja Aufleger is a Berlin-based sculptor whose artwork functions as a metaphor or an analogy for talking about a variety of diverse yet interlinked topics, from personal relations to cosmic bodies, social critique and potentiality of a disaster. At the core of her artistic work lies a question of power relations, which function both as a creative and destructive force. Before all, Aufleger’s objects and installations work as a provocation for a viewer. Observing her masterfully-crafted artworks is a double-edged experience, as a beautiful form either directly or indirectly references a series of alternative potentialities, be it a possibility of explosion, chemical reaction, a visual experience of sound or other. This way her works become a multi-layered experience where the viewer’s consciousness and subconsciousness participate in the creative process.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Katja Aufleger is a Berlin-based sculptor whose artwork functions as a metaphor or an analogy for talking about a variety of diverse yet interlinked topics, from personal relations to cosmic bodies, social critique and potentiality of a disaster. At the core of her artistic work lies a question of power relations, which function both as a creative and destructive force. Before all, Aufleger’s objects and installations work as a provocation for a viewer. Observing her masterfully-crafted artworks is a double-edged experience, as a beautiful form either directly or indirectly references a series of alternative potentialities, be it a possibility of explosion, chemical reaction, a visual experience of sound or other. This way her works become a multi-layered experience where the viewer’s consciousness and subconsciousness participate in the creative process.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/u36bmv/Katja_Aufleger_EDIT_online-audio-convertercom_bo162.mp3" length="20889270" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Katja Aufleger is a Berlin-based sculptor whose artwork functions as a metaphor or an analogy for talking about a variety of diverse yet interlinked topics, from personal relations to cosmic bodies, social critique and potentiality of a disaster. At the core of her artistic work lies a question of power relations, which function both as a creative and destructive force. Before all, Aufleger’s objects and installations work as a provocation for a viewer. Observing her masterfully-crafted artworks is a double-edged experience, as a beautiful form either directly or indirectly references a series of alternative potentialities, be it a possibility of explosion, chemical reaction, a visual experience of sound or other. This way her works become a multi-layered experience where the viewer’s consciousness and subconsciousness participate in the creative process.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1305</itunes:duration>
                <itunes:episode>11</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E10 Alice Bucknell</title>
        <itunes:title>E10 Alice Bucknell</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e10-alice-bucknell/</link>
                    <comments>https://OpenStudio.podbean.com/e/e10-alice-bucknell/#comments</comments>        <pubDate>Sat, 12 Jun 2021 09:49:52 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/3c31d728-f5a8-3560-98fb-4949c02bc59c</guid>
                                    <description><![CDATA[<p>In this episode, Alice Bucknell unfolds some of the notions and ideas recurring in her art and writing practice. The artist has disembarked from a background in visual anthropology towards storytelling and worldbuilding through her own practice and collaborations with other artists. Her recent projects draw connections between architecture, science fiction, non-human intelligence, magic, and hyper-ecology — all of which can be recognised in her newest video Swamp City, recently released in the Venice Architecture Biennale. Here, she elaborates on her methodology as artist and writer, and shares some details of her upcoming collaborative platform New Mystics, which was developed during her stay in Vilnius.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Alice Bucknell unfolds some of the notions and ideas recurring in her art and writing practice. The artist has disembarked from a background in visual anthropology towards storytelling and worldbuilding through her own practice and collaborations with other artists. Her recent projects draw connections between architecture, science fiction, non-human intelligence, magic, and hyper-ecology — all of which can be recognised in her newest video <em>Swamp City</em>, recently released in the Venice Architecture Biennale. Here, she elaborates on her methodology as artist and writer, and shares some details of her upcoming collaborative platform <em>New Mystics</em>, which was developed during her stay in Vilnius.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/b69c6n/Alice_Bucknell_06_07_mix_online-audio-convertercom_bagxp.mp3" length="31162534" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Alice Bucknell unfolds some of the notions and ideas recurring in her art and writing practice. The artist has disembarked from a background in visual anthropology towards storytelling and worldbuilding through her own practice and collaborations with other artists. Her recent projects draw connections between architecture, science fiction, non-human intelligence, magic, and hyper-ecology — all of which can be recognised in her newest video Swamp City, recently released in the Venice Architecture Biennale. Here, she elaborates on her methodology as artist and writer, and shares some details of her upcoming collaborative platform New Mystics, which was developed during her stay in Vilnius.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1947</itunes:duration>
                <itunes:episode>10</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E09 Howard Melnyczuk</title>
        <itunes:title>E09 Howard Melnyczuk</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e09-howard-melnyczuk/</link>
                    <comments>https://OpenStudio.podbean.com/e/e09-howard-melnyczuk/#comments</comments>        <pubDate>Sat, 29 May 2021 09:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/3226dc5b-297b-3b05-b5e9-dfb4e14a08f5</guid>
                                    <description><![CDATA[<p style="text-align:justify;">Howard Melnyczuk explores the relations between digital culture and power by seeking means of using the former to confront the latter. His conceptual artistic explorations problematize casual uses of technology, inquiring into the different ways we naturalize the impact that it has on our sense of privacy, world-views and identities. In doing so, he seeks “loopholes” in the neo-liberal digital environment, where the same technologies might be used for creating awareness and resistance against the underlying power structures. Howard’s means of artistic expression vary from photography to installation, to code, and present a critical re-appraisal of the new reality we are all subjected to.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p style="text-align:justify;">Howard Melnyczuk explores the relations between digital culture and power by seeking means of using the former to confront the latter. His conceptual artistic explorations problematize casual uses of technology, inquiring into the different ways we naturalize the impact that it has on our sense of privacy, world-views and identities. In doing so, he seeks “loopholes” in the neo-liberal digital environment, where the same technologies might be used for creating awareness and resistance against the underlying power structures. Howard’s means of artistic expression vary from photography to installation, to code, and present a critical re-appraisal of the new reality we are all subjected to.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/783bu2/Howard_Melnyczuk_0527_online-audio-convertercom_b2nh9.mp3" length="22920133" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Howard Melnyczuk explores the relations between digital culture and power by seeking means of using the former to confront the latter. His conceptual artistic explorations problematize casual uses of technology, inquiring into the different ways we naturalize the impact that it has on our sense of privacy, world-views and identities. In doing so, he seeks “loopholes” in the neo-liberal digital environment, where the same technologies might be used for creating awareness and resistance against the underlying power structures. Howard’s means of artistic expression vary from photography to installation, to code, and present a critical re-appraisal of the new reality we are all subjected to.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1432</itunes:duration>
                <itunes:episode>9</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E08 Anna Reutinger</title>
        <itunes:title>E08 Anna Reutinger</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e08-anna-reutinger/</link>
                    <comments>https://OpenStudio.podbean.com/e/e08-anna-reutinger/#comments</comments>        <pubDate>Sat, 15 May 2021 09:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/3c503afb-9319-38b0-ab43-776a9ef2d680</guid>
                                    <description><![CDATA[<p>Rupert’s resident, Anna Reutinger, offers insight into her sculpture/installation/performance practice — from the craft practices of her family to a study of neolithic, medieval and contemporary ornamentation of vernacular objects and a series of interviews with makers and historians in Lithuania and beyond. For this podcast episode, the artist suggests craft as an apotropaic force, in which the body, environment and material are given special attention and time. Her stay concluded with a solo-exhibition titled Stuck in the same muck at project space Editorial in Vilnius. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Rupert’s resident, Anna Reutinger, offers insight into her sculpture/installation/performance practice — from the craft practices of her family to a study of neolithic, medieval and contemporary ornamentation of vernacular objects and a series of interviews with makers and historians in Lithuania and beyond. For this podcast episode, the artist suggests craft as an apotropaic force, in which the body, environment and material are given special attention and time. Her stay concluded with a solo-exhibition titled <em>Stuck in the same muck</em> at project space Editorial in Vilnius. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ac874f/Anna_Reutinger_05_08_online-audio-convertercom_8fdpo.mp3" length="23025611" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rupert’s resident, Anna Reutinger, offers insight into her sculpture/installation/performance practice — from the craft practices of her family to a study of neolithic, medieval and contemporary ornamentation of vernacular objects and a series of interviews with makers and historians in Lithuania and beyond. For this podcast episode, the artist suggests craft as an apotropaic force, in which the body, environment and material are given special attention and time. Her stay concluded with a solo-exhibition titled Stuck in the same muck at project space Editorial in Vilnius. ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1439</itunes:duration>
                <itunes:episode>8</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E07 Vytenis Burokas</title>
        <itunes:title>E07 Vytenis Burokas</itunes:title>
        <link>https://OpenStudio.podbean.com/e/vytenis-burokas-e07/</link>
                    <comments>https://OpenStudio.podbean.com/e/vytenis-burokas-e07/#comments</comments>        <pubDate>Sat, 24 Apr 2021 09:33:58 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/0b19679d-9128-3b6d-86cb-5696bbf5f224</guid>
                                    <description><![CDATA[<p>Vytenis Burokas can be called a conceptual artist who has recently consciously shifted towards a ‘material path’. His somewhat minimalist artistic expression is backed by a substantial body of thought, critique and storytelling. He draws equally from critical theory and classical literature, maneuvering between the ancient materialist philosophy, post-humanist critique and medieval scholasticism. Erudition becomes his artistic tool to debate collectivity, lived space, intellectual heritage and modernity, among many other crucial topics. Yet behind every project also lies a personal story, an alter ego, who adds a personal and even somewhat emotional quality to the author’s intellectual explorations.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Vytenis Burokas can be called a conceptual artist who has recently consciously shifted towards a ‘material path’. His somewhat minimalist artistic expression is backed by a substantial body of thought, critique and storytelling. He draws equally from critical theory and classical literature, maneuvering between the ancient materialist philosophy, post-humanist critique and medieval scholasticism. Erudition becomes his artistic tool to debate collectivity, lived space, intellectual heritage and modernity, among many other crucial topics. Yet behind every project also lies a personal story, an alter ego, who adds a personal and even somewhat emotional quality to the author’s intellectual explorations.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/ssue7u/Vytenis_Burokas_MIX_210421_online-audio-convertercom_a5p2x.mp3" length="25014527" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Vytenis Burokas can be called a conceptual artist who has recently consciously shifted towards a ‘material path’. His somewhat minimalist artistic expression is backed by a substantial body of thought, critique and storytelling. He draws equally from critical theory and classical literature, maneuvering between the ancient materialist philosophy, post-humanist critique and medieval scholasticism. Erudition becomes his artistic tool to debate collectivity, lived space, intellectual heritage and modernity, among many other crucial topics. Yet behind every project also lies a personal story, an alter ego, who adds a personal and even somewhat emotional quality to the author’s intellectual explorations.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1563</itunes:duration>
                <itunes:episode>7</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E06 Sophie Hoyle</title>
        <itunes:title>E06 Sophie Hoyle</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e06-sophie-hoyle/</link>
                    <comments>https://OpenStudio.podbean.com/e/e06-sophie-hoyle/#comments</comments>        <pubDate>Sat, 10 Apr 2021 09:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/b8be2bbc-1aa7-3bdc-a3ac-170a5a10bfbd</guid>
                                    <description><![CDATA[<p>In this episode, Rupert's former resident, Sophie Hoyle, speaks to Yates Norton about their work on mental health, anxiety and trauma and how these topics are talked and thought about in Lithuania and other contexts. Sophie Hoyle opened Rupert's 2020 public programmes on care and interdependence with a screening at Editorial. At 20:45, Sophie speaks about alternative DIY sexual healthcare services; an example of this is Gynepunk collective (who offer workshops on using open-source gynaecological kits e.g. open-source microscope, a 3D printed speculum and a centrifuge). </p>
<p>*This episode was recorded in the beginning of 2020. Sophie’s current personal pronouns are they / them. </p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Rupert's former resident, Sophie Hoyle, speaks to Yates Norton about their work on mental health, anxiety and trauma and how these topics are talked and thought about in Lithuania and other contexts. Sophie Hoyle opened Rupert's 2020 public programmes on care and interdependence with a screening at Editorial. At 20:45, Sophie speaks about alternative DIY sexual healthcare services; an example of this is Gynepunk collective (who offer workshops on using open-source gynaecological kits e.g. open-source microscope, a 3D printed speculum and a centrifuge). </p>
<p>*This episode was recorded in the beginning of 2020. Sophie’s current personal pronouns are they / them. </p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/sc2unk/Sophi_Hoyle_Mix_online-audio-convertercom_9ly4e.mp3" length="22383474" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Rupert's former resident, Sophie Hoyle, speaks to Yates Norton about their work on mental health, anxiety and trauma and how these topics are talked and thought about in Lithuania and other contexts. Sophie Hoyle opened Rupert's 2020 public programmes on care and interdependence with a screening at Editorial. At 20:45, Sophie speaks about alternative DIY sexual healthcare services; an example of this is Gynepunk collective (who offer workshops on using open-source gynaecological kits e.g. open-source microscope, a 3D printed speculum and a centrifuge). 
*This episode was recorded in the beginning of 2020. Sophie’s current personal pronouns are they / them. ]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1398</itunes:duration>
                <itunes:episode>6</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E05 Sean-Roy Parker</title>
        <itunes:title>E05 Sean-Roy Parker</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e05-sean-roy-parker/</link>
                    <comments>https://OpenStudio.podbean.com/e/e05-sean-roy-parker/#comments</comments>        <pubDate>Sat, 27 Mar 2021 09:00:00 +0300</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/28176e82-67d0-37c3-9787-8ee06bf76199</guid>
                                    <description><![CDATA[<p>In this episode, Rupert’s artist-in-residence Sean-Roy Parker talks about his artistic practice, his approach to the social as an artistic strategy, why he initiates knowledge-based and skill-sharing activities and how he exercises alternative currencies.  </p>
<p>Sean-Roy Parker (United Kingdom) is an artist, environmentalist and community cook based in London. His work builds social frameworks inclusive of marginalised voices and alternative currencies like labour exchange to encourage practical, post-capitalist action using abundance and care. During his residency, Sean undertook ‘Slow Yield’, a research project about the lifecycle of materials, complexities of civic responsibility and tackling waste culture through collaborative problem-solving. Alongside scavenger walks, eco-sculpture and fermentation experiments, he was working on new text and sound work in the surrounding terrain. Sean-Roy Parker was an artist-in-residence at Rupert in August 2020.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>In this episode, Rupert’s artist-in-residence Sean-Roy Parker talks about his artistic practice, his approach to the social as an artistic strategy, why he initiates knowledge-based and skill-sharing activities and how he exercises alternative currencies.  </p>
<p>Sean-Roy Parker (United Kingdom) is an artist, environmentalist and community cook based in London. His work builds social frameworks inclusive of marginalised voices and alternative currencies like labour exchange to encourage practical, post-capitalist action using abundance and care. During his residency, Sean undertook ‘Slow Yield’, a research project about the lifecycle of materials, complexities of civic responsibility and tackling waste culture through collaborative problem-solving. Alongside scavenger walks, eco-sculpture and fermentation experiments, he was working on new text and sound work in the surrounding terrain. Sean-Roy Parker was an artist-in-residence at Rupert in August 2020.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/xpfssd/Roy_Parker_mix_0313_online-audio-convertercom_6qncw.mp3" length="27294494" type="audio/mpeg"/>
        <itunes:summary><![CDATA[In this episode, Rupert’s artist-in-residence Sean-Roy Parker talks about his artistic practice, his approach to the social as an artistic strategy, why he initiates knowledge-based and skill-sharing activities and how he exercises alternative currencies.  
Sean-Roy Parker (United Kingdom) is an artist, environmentalist and community cook based in London. His work builds social frameworks inclusive of marginalised voices and alternative currencies like labour exchange to encourage practical, post-capitalist action using abundance and care. During his residency, Sean undertook ‘Slow Yield’, a research project about the lifecycle of materials, complexities of civic responsibility and tackling waste culture through collaborative problem-solving. Alongside scavenger walks, eco-sculpture and fermentation experiments, he was working on new text and sound work in the surrounding terrain. Sean-Roy Parker was an artist-in-residence at Rupert in August 2020.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1705</itunes:duration>
                <itunes:episode>5</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E04 Augustas Serapinas</title>
        <itunes:title>E04 Augustas Serapinas</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e04-augustas-serapinas/</link>
                    <comments>https://OpenStudio.podbean.com/e/e04-augustas-serapinas/#comments</comments>        <pubDate>Sat, 13 Mar 2021 09:00:00 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/1e1e8368-a029-3e11-9b37-e123f7649456</guid>
                                    <description><![CDATA[<p>Rupert Open Studio introduces Augstas Serapinas, a successful and internationally recognized Lithuanian artist who in 2019 became the youngest participant of the Venice Biennale. His work explores space and architecture, seeking hidden “pockets” in design, where he contributes through his ironic yet sensitive artwork. By creating installations, curating space and ready-mades, he opens questions of human interaction with the surroundings, finitude of cultural norms and conceptions, and the aesthetics of natural decomposition. The discussion evolves from spatiality and temporality of his work, to cultural recycling, to the human subject, and how building snowmen can help resolve questions of public commemoration.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Rupert Open Studio introduces Augstas Serapinas, a successful and internationally recognized Lithuanian artist who in 2019 became the youngest participant of the Venice Biennale. His work explores space and architecture, seeking hidden “pockets” in design, where he contributes through his ironic yet sensitive artwork. By creating installations, curating space and ready-mades, he opens questions of human interaction with the surroundings, finitude of cultural norms and conceptions, and the aesthetics of natural decomposition. The discussion evolves from spatiality and temporality of his work, to cultural recycling, to the human subject, and how building snowmen can help resolve questions of public commemoration.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/bt8tv4/Augustas_Serapinas_2020_12_23_online-audio-convertercom_8214t.mp3" length="22960257" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Rupert Open Studio introduces Augstas Serapinas, a successful and internationally recognized Lithuanian artist who in 2019 became the youngest participant of the Venice Biennale. His work explores space and architecture, seeking hidden “pockets” in design, where he contributes through his ironic yet sensitive artwork. By creating installations, curating space and ready-mades, he opens questions of human interaction with the surroundings, finitude of cultural norms and conceptions, and the aesthetics of natural decomposition. The discussion evolves from spatiality and temporality of his work, to cultural recycling, to the human subject, and how building snowmen can help resolve questions of public commemoration.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1434</itunes:duration>
                <itunes:episode>4</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E03 Inside Job</title>
        <itunes:title>E03 Inside Job</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e03-inside-job/</link>
                    <comments>https://OpenStudio.podbean.com/e/e03-inside-job/#comments</comments>        <pubDate>Sat, 27 Feb 2021 09:00:00 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/8a1d875c-637b-3658-be73-2ed720780c6a</guid>
                                    <description><![CDATA[<p>Inside Job is an art collective by Ula Lucińska and Michał Knychaus from Poznan, Poland. In acts of dark “artistic sci-fi”, they transform spaces into post-humanist scenarios, transcending time, space and media. They create installations that recite spatial storylines, which the viewer can mix, match and discover. In doing so, they also polemicize with a variety of thinkers, authors and ideas, from eco-fiction to cultural and technological critique, to classics in horror fiction. Their work is atmospheric and consists of elements of graphics, sculpture textile, sound and other media, all of which serves to create a “portal” to another possible reality, where humans are gone or had just left, and the world is ruled by nature, machine and a mixture thereof.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Inside Job is an art collective by Ula Lucińska and Michał Knychaus from Poznan, Poland. In acts of dark “artistic sci-fi”, they transform spaces into post-humanist scenarios, transcending time, space and media. They create installations that recite spatial storylines, which the viewer can mix, match and discover. In doing so, they also polemicize with a variety of thinkers, authors and ideas, from eco-fiction to cultural and technological critique, to classics in horror fiction. Their work is atmospheric and consists of elements of graphics, sculpture textile, sound and other media, all of which serves to create a “portal” to another possible reality, where humans are gone or had just left, and the world is ruled by nature, machine and a mixture thereof.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/uu8hic/insidejob_podcast_mix_online-audio-convertercom_6rpez.mp3" length="19590083" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Inside Job is an art collective by Ula Lucińska and Michał Knychaus from Poznan, Poland. In acts of dark “artistic sci-fi”, they transform spaces into post-humanist scenarios, transcending time, space and media. They create installations that recite spatial storylines, which the viewer can mix, match and discover. In doing so, they also polemicize with a variety of thinkers, authors and ideas, from eco-fiction to cultural and technological critique, to classics in horror fiction. Their work is atmospheric and consists of elements of graphics, sculpture textile, sound and other media, all of which serves to create a “portal” to another possible reality, where humans are gone or had just left, and the world is ruled by nature, machine and a mixture thereof.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1224</itunes:duration>
                <itunes:episode>3</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E02 Vitalij Strigunkov</title>
        <itunes:title>E02 Vitalij Strigunkov</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e02-vitalij-strigunkov/</link>
                    <comments>https://OpenStudio.podbean.com/e/e02-vitalij-strigunkov/#comments</comments>        <pubDate>Sat, 13 Feb 2021 09:30:00 +0200</pubDate>
        <guid isPermaLink="false">OpenStudio.podbean.com/5231e3e2-8c9b-3d01-b716-5a2814ee6c7d</guid>
                                    <description><![CDATA[<p>Vitalij Strigunkov is a conceptual artist from Lithuania with a truly international profile who manipulates video, audio material, objects, space, situations and representations to explore a variety of topics, from the notion of copyrights and authorship to statehood, to time constructs and beyond. Originally trained as a painter, his canvass is now the cultural fabric, at which an art piece exists and gains value. In his exploration of what he calls the cultural capital, Vitalij challenges our daily market value rituals through submitting them to deconstruction through repetition, ruthless poetization and piercing observation.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>Vitalij Strigunkov is a conceptual artist from Lithuania with a truly international profile who manipulates video, audio material, objects, space, situations and representations to explore a variety of topics, from the notion of copyrights and authorship to statehood, to time constructs and beyond. Originally trained as a painter, his canvass is now the cultural fabric, at which an art piece exists and gains value. In his exploration of what he calls the cultural capital, Vitalij challenges our daily market value rituals through submitting them to deconstruction through repetition, ruthless poetization and piercing observation.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/vkf9jq/E03_Vitalij_Strigunkov_online-audio-convertercom_7v15n.mp3" length="22257462" type="audio/mpeg"/>
        <itunes:summary><![CDATA[Vitalij Strigunkov is a conceptual artist from Lithuania with a truly international profile who manipulates video, audio material, objects, space, situations and representations to explore a variety of topics, from the notion of copyrights and authorship to statehood, to time constructs and beyond. Originally trained as a painter, his canvass is now the cultural fabric, at which an art piece exists and gains value. In his exploration of what he calls the cultural capital, Vitalij challenges our daily market value rituals through submitting them to deconstruction through repetition, ruthless poetization and piercing observation.]]></itunes:summary>
        <itunes:author>OpenStudio</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1391</itunes:duration>
                <itunes:episode>2</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
            </item>
    <item>
        <title>E01 Anastasia Sosunova</title>
        <itunes:title>E01 Anastasia Sosunova</itunes:title>
        <link>https://OpenStudio.podbean.com/e/e01-anastasia-sosunova/</link>
                    <comments>https://OpenStudio.podbean.com/e/e01-anastasia-sosunova/#comments</comments>        <pubDate>Sat, 30 Jan 2021 10:00:00 +0200</pubDate>
        <guid isPermaLink="false">infox3.podbean.com/5f319320-9cd6-3c56-a09e-c6f6b9e45674</guid>
                                    <description><![CDATA[<p>The first episode of the podcast introduces Anastasia Sosunova, a Lithuanian artist and a member of Rupert Alumni board. Anastasia combines installation, sculpture, graphic art and drawing to explore topics of identity, cultural heritage and symbols. She draws from her personal experience as a member of a Russian ethnic minority to interrogate the conditions under which national, historical and personal narratives are established, experienced and challenged.</p>
]]></description>
                                                            <content:encoded><![CDATA[<p>The first episode of the podcast introduces Anastasia Sosunova, a Lithuanian artist and a member of Rupert Alumni board. Anastasia combines installation, sculpture, graphic art and drawing to explore topics of identity, cultural heritage and symbols. She draws from her personal experience as a member of a Russian ethnic minority to interrogate the conditions under which national, historical and personal narratives are established, experienced and challenged.</p>
]]></content:encoded>
                                    
        <enclosure url="https://mcdn.podbean.com/mf/web/9jtzvk/Anastasia_2020_12_03_online-audio-convertercom_6n4lp.mp3" length="22109899" type="audio/mpeg"/>
        <itunes:summary>The first episode of the podcast introduces Anastasia Sosunova, a Lithuanian artist and a member of Rupert Alumni board. Anastasia combines installation, sculpture, graphic art and drawing to explore topics of identity, cultural heritage and symbols. She draws from her personal experience as a member of a Russian ethnic minority to interrogate the conditions under which national, historical and personal narratives are established, experienced and challenged.</itunes:summary>
        <itunes:author>Rupert</itunes:author>
        <itunes:explicit>false</itunes:explicit>
        <itunes:block>No</itunes:block>
        <itunes:duration>1381</itunes:duration>
                <itunes:episode>1</itunes:episode>
        <itunes:episodeType>full</itunes:episodeType>
        <itunes:image href="https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog10863378/Rupert_Journal_communication-02.jpg" />    </item>
</channel>
</rss>
